1 00:00:00,240 --> 00:00:02,520 Speaker 1: Hello, Welcome back to Movie Mike's Movie Podcast. What were 2 00:00:02,520 --> 00:00:03,520 Speaker 1: you saying before we started? 3 00:00:03,760 --> 00:00:06,440 Speaker 2: I said, you're recording this episode, and it's it's kind 4 00:00:06,440 --> 00:00:07,880 Speaker 2: of like what I'm on teams meeting and I can't 5 00:00:07,920 --> 00:00:09,119 Speaker 2: stop staring at myself and the. 6 00:00:09,880 --> 00:00:10,600 Speaker 1: Good I look. 7 00:00:10,800 --> 00:00:13,080 Speaker 2: No usually I'm like, oh, this is not good lighting. 8 00:00:13,360 --> 00:00:15,080 Speaker 2: I had to get my work to order me a 9 00:00:15,080 --> 00:00:18,200 Speaker 2: new camera because previously I bought myself a webcam for 10 00:00:18,280 --> 00:00:19,520 Speaker 2: at home and it was just like one of the 11 00:00:19,600 --> 00:00:20,120 Speaker 2: cheap ones. 12 00:00:20,280 --> 00:00:22,279 Speaker 1: Way zoomed in, way zoomed in, and. 13 00:00:22,200 --> 00:00:24,720 Speaker 2: I was like, you can see every pore on my face. 14 00:00:24,760 --> 00:00:26,120 Speaker 2: And I take good care of my skin, but I 15 00:00:26,160 --> 00:00:28,560 Speaker 2: was like, this is too up close and personal, Like 16 00:00:28,600 --> 00:00:31,440 Speaker 2: if I have my hair, like some days I wear 17 00:00:31,440 --> 00:00:32,640 Speaker 2: my hair in a clip, and I just looked like 18 00:00:32,640 --> 00:00:33,760 Speaker 2: a giant like egghead. 19 00:00:33,760 --> 00:00:36,080 Speaker 1: On most calls, you ever get a glimpse of yourself 20 00:00:36,080 --> 00:00:37,720 Speaker 1: in the mirror and it totally ruins your day? 21 00:00:38,040 --> 00:00:41,040 Speaker 2: Yeah, Or like when you flip a photo. I hate 22 00:00:41,440 --> 00:00:42,279 Speaker 2: when you flip the folk. 23 00:00:42,320 --> 00:00:44,680 Speaker 1: Okay, I have a good side, yeah, but then when 24 00:00:44,680 --> 00:00:48,400 Speaker 1: you flip a good side for me side barely acceptable. 25 00:00:48,800 --> 00:00:50,440 Speaker 1: I have a lot of dental issues, so shout out 26 00:00:50,479 --> 00:00:51,640 Speaker 1: to all the people in the comments want to know 27 00:00:51,640 --> 00:00:53,479 Speaker 1: when I get my braces off. There are a lot 28 00:00:53,520 --> 00:00:54,240 Speaker 1: of stuff going on. 29 00:00:54,320 --> 00:00:55,240 Speaker 2: We'd also love time. 30 00:00:55,240 --> 00:00:57,320 Speaker 1: I would love to know too, But I've had teeth 31 00:00:57,360 --> 00:01:00,360 Speaker 1: taken out because they were so jammed and in this 32 00:01:00,360 --> 00:01:02,160 Speaker 1: process now for a long time. So yes, I am 33 00:01:02,160 --> 00:01:04,800 Speaker 1: aware that I still have braces, but I have a 34 00:01:04,840 --> 00:01:06,760 Speaker 1: side where they took out a couple of teeth to 35 00:01:06,800 --> 00:01:09,520 Speaker 1: give other teeth room to grow, and they have they 36 00:01:09,520 --> 00:01:11,360 Speaker 1: have pulled, and they have pulled so far because of 37 00:01:11,600 --> 00:01:13,759 Speaker 1: these braces for so long. There's space now to put 38 00:01:13,800 --> 00:01:16,960 Speaker 1: in some implants. But I don't like pictures from that 39 00:01:17,000 --> 00:01:19,160 Speaker 1: side because it just looks like a big gap or. 40 00:01:19,240 --> 00:01:21,280 Speaker 2: No, or when we take a selfie and you want 41 00:01:21,280 --> 00:01:24,720 Speaker 2: the writing to be the exact way, I hate it 42 00:01:24,720 --> 00:01:26,280 Speaker 2: on you flipp it because I don't like how. 43 00:01:26,319 --> 00:01:28,480 Speaker 1: I don't like backwards writing and photos. 44 00:01:28,560 --> 00:01:30,279 Speaker 2: I don't like how I look when you flip the photo. 45 00:01:30,600 --> 00:01:31,520 Speaker 1: You like grati the way. 46 00:01:31,760 --> 00:01:34,880 Speaker 2: I think it's very nice right right leg that I have. 47 00:01:35,280 --> 00:01:36,399 Speaker 1: That was the other thing I was gonna say. You 48 00:01:36,400 --> 00:01:37,840 Speaker 1: ever look in the mirror and see some grays and 49 00:01:37,880 --> 00:01:39,600 Speaker 1: you're like, oh. 50 00:01:39,040 --> 00:01:41,000 Speaker 2: Do I I don't even have to look in the mirror. 51 00:01:41,000 --> 00:01:42,679 Speaker 2: Have we told the story on this podcast before. 52 00:01:42,720 --> 00:01:43,600 Speaker 1: Yeah, we've told it before. 53 00:01:43,640 --> 00:01:44,360 Speaker 2: Should we tell it again? 54 00:01:44,480 --> 00:01:45,000 Speaker 1: No, we're good. 55 00:01:45,040 --> 00:01:45,880 Speaker 2: I think we should tell again. 56 00:01:46,000 --> 00:01:47,680 Speaker 1: That's not only not like getting a haircut now, is 57 00:01:47,720 --> 00:01:49,240 Speaker 1: because they get rid of some of the grays. 58 00:01:49,320 --> 00:01:52,000 Speaker 2: So four years ago, during the pandemic, you know, couldn't 59 00:01:52,000 --> 00:01:54,560 Speaker 2: get my hair done. I am a natural brunette, but 60 00:01:54,600 --> 00:01:56,800 Speaker 2: it's like a very mousey brown and I don't like it. 61 00:01:57,800 --> 00:01:59,680 Speaker 2: So we are walking back in the house. We've been 62 00:01:59,680 --> 00:02:01,520 Speaker 2: spending time on the back patio, and you're looking at 63 00:02:01,560 --> 00:02:04,160 Speaker 2: me this weird look, and I think it's about to 64 00:02:04,160 --> 00:02:05,800 Speaker 2: be one of those sweet moments where you're like, I'm 65 00:02:05,840 --> 00:02:07,280 Speaker 2: just looking at you and thinking about how much I 66 00:02:07,280 --> 00:02:08,920 Speaker 2: love you. And then we're no longer separated by the 67 00:02:08,919 --> 00:02:11,079 Speaker 2: pandemic and I'm like what, And you're like, Oh, it's 68 00:02:11,120 --> 00:02:12,760 Speaker 2: just in this light you can see some of your grays. 69 00:02:13,080 --> 00:02:14,480 Speaker 2: And I said, oh, in this lake, can you see 70 00:02:14,480 --> 00:02:17,280 Speaker 2: your life flash before your eyes? And I did, and 71 00:02:17,320 --> 00:02:20,359 Speaker 2: I'm aware. I also had a dermatologist once who when 72 00:02:20,360 --> 00:02:22,400 Speaker 2: she was doing a scalp check, she said, do the 73 00:02:22,400 --> 00:02:24,760 Speaker 2: people in your family gray early? Because you have more 74 00:02:24,800 --> 00:02:27,040 Speaker 2: grays and I was like, lady, I've had gray since 75 00:02:27,040 --> 00:02:29,720 Speaker 2: I was eighteen. I'm a high stress individual. She then 76 00:02:29,760 --> 00:02:31,560 Speaker 2: also had me pull down my mask, and in COVID 77 00:02:31,600 --> 00:02:35,520 Speaker 2: times she just goes rosetia pull that back up. I 78 00:02:35,560 --> 00:02:38,880 Speaker 2: did leave crying from that appointment, but I am distracted 79 00:02:38,919 --> 00:02:41,240 Speaker 2: because I am due to get the grays covered. So 80 00:02:41,320 --> 00:02:45,240 Speaker 2: if anyone's watching this on YouTube, please don't tell us 81 00:02:45,280 --> 00:02:46,640 Speaker 2: that he still has braces. 82 00:02:46,840 --> 00:02:48,320 Speaker 1: We know I'm aware and that. 83 00:02:48,360 --> 00:02:50,239 Speaker 2: I have great hair because I'm also aware. 84 00:02:50,280 --> 00:02:51,960 Speaker 1: But if you're not watching on YouTube and just listening 85 00:02:51,960 --> 00:02:54,799 Speaker 1: on the podcast, you can subscribe YouTube dot com slash 86 00:02:54,840 --> 00:02:56,720 Speaker 1: Mike d. Strow. We are here to talk movies. Nice 87 00:02:56,800 --> 00:02:58,920 Speaker 1: is great here, but we are here to do our 88 00:02:58,960 --> 00:03:02,120 Speaker 1: movies of the month and worse for November. We'll get 89 00:03:02,160 --> 00:03:05,680 Speaker 1: into a spoiler free review of Gladiator, and then in 90 00:03:05,720 --> 00:03:09,320 Speaker 1: the trailer park, Disney is doing another live action adaptation 91 00:03:09,440 --> 00:03:12,360 Speaker 1: of a classic. We'll talk about snow White. Why I think, ooh, 92 00:03:12,440 --> 00:03:14,639 Speaker 1: they wasted some money there, did they ever? 93 00:03:14,800 --> 00:03:15,000 Speaker 2: Oh? 94 00:03:15,080 --> 00:03:18,080 Speaker 1: Man? But thank you for listening, thank you for being subscribed. 95 00:03:18,240 --> 00:03:20,680 Speaker 1: Shout out to the Monday Morning Movie crew. And now 96 00:03:21,000 --> 00:03:22,280 Speaker 1: let's talk movies. 97 00:03:22,240 --> 00:03:25,400 Speaker 3: In a world where everyone and their mother has a podcast. 98 00:03:25,919 --> 00:03:29,840 Speaker 3: One man stands to infiltrate the ears of listeners like 99 00:03:29,919 --> 00:03:33,880 Speaker 3: never before in a movie podcast. A man with so 100 00:03:34,000 --> 00:03:39,520 Speaker 3: much movie knowledge, he's basically like a walking IMTB with glasses. 101 00:03:39,840 --> 00:03:45,160 Speaker 3: From the Nashville Podcast Network, this is Movie Mike's movie podcast. 102 00:03:45,920 --> 00:03:49,000 Speaker 1: Let's get right into it. Movies of the Month for November. 103 00:03:49,080 --> 00:03:51,920 Speaker 1: What was the best thing we watched? In your opinion? 104 00:03:52,240 --> 00:03:55,160 Speaker 2: As if you've enough to ask, the green lights behind 105 00:03:55,200 --> 00:03:57,360 Speaker 2: my head didn't tell you it is Wicked. 106 00:03:57,680 --> 00:03:59,760 Speaker 1: Is it a movie that you've been thinking about every 107 00:03:59,840 --> 00:04:02,080 Speaker 1: day since? Because that is my sign of Oh, that 108 00:04:02,200 --> 00:04:03,080 Speaker 1: was a good movie. 109 00:04:03,160 --> 00:04:06,960 Speaker 2: I think about it. I watched tiktoks about it. The 110 00:04:07,040 --> 00:04:10,440 Speaker 2: soundtrack comes up on Spotify. I said that weird. Oh, 111 00:04:10,480 --> 00:04:12,320 Speaker 2: I was gonna say, shuffle on Spotify. 112 00:04:12,320 --> 00:04:17,320 Speaker 1: Suffle Spotify and you got the internet radio on your phone. 113 00:04:17,920 --> 00:04:21,280 Speaker 2: Popular has been coming on Gracy Abrams Radio. So I 114 00:04:21,320 --> 00:04:22,400 Speaker 2: have been listening to Popular. 115 00:04:22,800 --> 00:04:24,800 Speaker 1: So is it the popular from the movie or the 116 00:04:24,839 --> 00:04:26,120 Speaker 1: popular from the musical? 117 00:04:26,440 --> 00:04:28,839 Speaker 2: The movie? You know? I think about holding space for 118 00:04:28,880 --> 00:04:31,360 Speaker 2: the lyrics of define gravity about once a day. I 119 00:04:31,440 --> 00:04:33,080 Speaker 2: want to go see it again. I tell other people 120 00:04:33,120 --> 00:04:35,600 Speaker 2: to go see it. I ask people if they've seen it, so, yeah, 121 00:04:35,960 --> 00:04:37,880 Speaker 2: it does consume a lot of my brain power. 122 00:04:37,960 --> 00:04:41,680 Speaker 1: That is something I've felt. I've rarely leave a movie 123 00:04:41,800 --> 00:04:43,800 Speaker 1: and think about it so much that I want to 124 00:04:43,839 --> 00:04:45,560 Speaker 1: go see it again. And I do want to go 125 00:04:45,600 --> 00:04:48,280 Speaker 1: see this movie again. And it is a two hour 126 00:04:48,400 --> 00:04:50,680 Speaker 1: twenty almost two and a half hour movie to forty 127 00:04:51,440 --> 00:04:56,239 Speaker 1: ten minutes of credits. Do you know I timed that movie? 128 00:04:56,480 --> 00:04:58,160 Speaker 1: It timed out to two thirty. 129 00:04:58,160 --> 00:05:00,880 Speaker 2: He does time every month. Yeah, time a lot of suff. 130 00:05:00,640 --> 00:05:02,800 Speaker 1: Oh yeah, for the most part, when you see a movie, 131 00:05:02,880 --> 00:05:06,480 Speaker 1: time you can cut off ten minutes. But the problem is, oh, 132 00:05:06,680 --> 00:05:09,000 Speaker 1: it never starts on that time, and oh I hate 133 00:05:09,040 --> 00:05:10,680 Speaker 1: it for some people who don't know that. And you 134 00:05:10,760 --> 00:05:14,040 Speaker 1: get there so early because at least at Regal it's 135 00:05:14,080 --> 00:05:17,200 Speaker 1: thirty minutes. Now they do ten minutes of just raw 136 00:05:17,240 --> 00:05:19,520 Speaker 1: commercials and then twenty minutes of previews. 137 00:05:19,560 --> 00:05:21,280 Speaker 2: It's weird the commercials. 138 00:05:21,400 --> 00:05:24,280 Speaker 1: Yeah, Like, I'm already paying to go see a movie 139 00:05:24,320 --> 00:05:27,960 Speaker 1: in theaters. I don't need to see normal commercials. I 140 00:05:28,040 --> 00:05:30,320 Speaker 1: feel like that is like, why are we doing this? 141 00:05:30,400 --> 00:05:32,200 Speaker 1: That's gonna take somebody who doesn't come to the movies 142 00:05:32,200 --> 00:05:35,400 Speaker 1: that often and kind of ruin that experience. I don't 143 00:05:35,400 --> 00:05:38,039 Speaker 1: want to be advertised to here the movies. Yeah, that's fine, 144 00:05:38,080 --> 00:05:40,120 Speaker 1: more trailers so you come back and watch another movie. 145 00:05:40,480 --> 00:05:42,240 Speaker 1: But I don't want to see a commercial for a 146 00:05:42,320 --> 00:05:45,599 Speaker 1: car when I'm at the movies. But I have really 147 00:05:45,600 --> 00:05:48,520 Speaker 1: been wanting to go see Wicked again because I feel 148 00:05:48,520 --> 00:05:50,159 Speaker 1: like there's a lot of details now that I missed, 149 00:05:50,200 --> 00:05:52,880 Speaker 1: and like you mentioned, seeing things on TikTok about it 150 00:05:52,880 --> 00:05:54,880 Speaker 1: and seeing more people dive into it. I still haven't 151 00:05:55,160 --> 00:05:56,680 Speaker 1: been exposed to any spoilers. 152 00:05:56,920 --> 00:05:59,360 Speaker 2: It's not again it's spoilers, but I don't want to know. 153 00:06:00,120 --> 00:06:00,800 Speaker 2: For twenty one. 154 00:06:00,760 --> 00:06:02,760 Speaker 1: Years, I know, but at this point of my life, 155 00:06:02,800 --> 00:06:04,400 Speaker 1: I do not want to know what is going to 156 00:06:04,440 --> 00:06:05,200 Speaker 1: happen in part two. 157 00:06:05,320 --> 00:06:06,440 Speaker 2: But what if we go to New York and we 158 00:06:06,440 --> 00:06:07,200 Speaker 2: see it on Broadway. 159 00:06:07,320 --> 00:06:10,080 Speaker 1: That's different because I feel they're gonna make the movie 160 00:06:10,200 --> 00:06:13,719 Speaker 1: a little bit different from the musical, and I feel 161 00:06:13,720 --> 00:06:16,640 Speaker 1: like if people have seen the musical before, you're probably 162 00:06:16,760 --> 00:06:19,200 Speaker 1: it's like reading the book. You know they're gonna have 163 00:06:19,240 --> 00:06:21,080 Speaker 1: some differences between the two, and I think that's a 164 00:06:21,120 --> 00:06:21,920 Speaker 1: little bit more fun. 165 00:06:22,000 --> 00:06:23,800 Speaker 2: Okay, But I have seen people reading the Wicked book, 166 00:06:23,839 --> 00:06:25,359 Speaker 2: and if anyone's trying to read it. It is a 167 00:06:25,520 --> 00:06:28,560 Speaker 2: very dark book. It's i've heard dark explicit. It's not 168 00:06:28,760 --> 00:06:30,320 Speaker 2: like whimsical, so be warned. 169 00:06:30,480 --> 00:06:34,040 Speaker 1: Yeah, it goes into some pretty like interesting details about 170 00:06:34,120 --> 00:06:35,920 Speaker 1: the boat that I don't think a kid would want 171 00:06:35,960 --> 00:06:36,280 Speaker 1: to read. 172 00:06:36,400 --> 00:06:39,240 Speaker 2: Yeah, don't pick up the Wicked Book thinking you're about 173 00:06:39,240 --> 00:06:39,960 Speaker 2: to read something fun. 174 00:06:40,120 --> 00:06:42,640 Speaker 1: I did go back and I rewatched The Wizard of 175 00:06:42,640 --> 00:06:46,800 Speaker 1: Oz when last weekend without me. I'll rewatch it again. 176 00:06:46,880 --> 00:06:49,120 Speaker 1: I'll watch that movie every day. I love it. I 177 00:06:49,960 --> 00:06:51,800 Speaker 1: like Saturday morning, I just started it. 178 00:06:52,320 --> 00:06:53,320 Speaker 2: It's so rude. 179 00:06:53,760 --> 00:06:56,479 Speaker 4: How is it rude watching a movie we both seen. 180 00:06:57,320 --> 00:06:59,320 Speaker 4: It's not like I rewatched it. Watch it and I'll 181 00:06:59,360 --> 00:07:02,360 Speaker 4: rewatch it again. And we've both already seen it. It's 182 00:07:02,360 --> 00:07:04,480 Speaker 4: not like we were I started a show without you. 183 00:07:04,640 --> 00:07:07,000 Speaker 2: It's to rewatch a movie on Saturday morning when you 184 00:07:07,040 --> 00:07:07,560 Speaker 2: know I sleep. 185 00:07:11,160 --> 00:07:13,720 Speaker 1: I watched like two other movies in that time, so 186 00:07:13,720 --> 00:07:15,840 Speaker 1: I was like, okay, i'll watch this one now. It's 187 00:07:15,840 --> 00:07:17,760 Speaker 1: surprisingly shorter than I remember. I mean it's like an 188 00:07:17,800 --> 00:07:19,840 Speaker 1: hour and a half, so it's a quick watch. But 189 00:07:20,280 --> 00:07:24,280 Speaker 1: I did some research on that. Because Warner Brothers owns 190 00:07:24,320 --> 00:07:27,840 Speaker 1: the rights to Wizard of Oz and it's not public 191 00:07:27,880 --> 00:07:30,960 Speaker 1: domain until twenty thirty five, so that leads me to 192 00:07:31,000 --> 00:07:34,000 Speaker 1: believe that they are building up towards remaking The Wizard 193 00:07:34,040 --> 00:07:37,080 Speaker 1: of Oz because once it's public domain, it's free game 194 00:07:37,120 --> 00:07:38,440 Speaker 1: for people to make it. I don't know if you 195 00:07:38,440 --> 00:07:41,400 Speaker 1: can rebuy the rights to have it reset for another 196 00:07:41,400 --> 00:07:43,800 Speaker 1: one hundred years. But who do you think should play 197 00:07:43,880 --> 00:07:46,680 Speaker 1: Dorothy in a remaking of the Wizard of Oz? I 198 00:07:46,680 --> 00:07:49,000 Speaker 1: started thinking about that, like who kind of fits. 199 00:07:48,960 --> 00:07:50,840 Speaker 2: Advance warning about thinking about this, She'd put me on 200 00:07:50,880 --> 00:07:51,520 Speaker 2: the spot right now. 201 00:07:51,560 --> 00:07:54,120 Speaker 1: Okay, I feel like you would have somebody in mind 202 00:07:54,280 --> 00:07:57,200 Speaker 1: because you really don't have to be I mean, Judy 203 00:07:57,200 --> 00:07:59,960 Speaker 1: Garland could sing, but I almost feel at this point 204 00:08:00,200 --> 00:08:02,600 Speaker 1: you don't have to be a singer you could have 205 00:08:02,800 --> 00:08:04,680 Speaker 1: because I think that's kind of hard to find somebody 206 00:08:05,320 --> 00:08:09,200 Speaker 1: at the level of like Carpenter to Herbie Dorothy dire 207 00:08:09,280 --> 00:08:12,240 Speaker 1: hair Brown. I was thinking like a Daisy Ridley, Like 208 00:08:12,720 --> 00:08:13,000 Speaker 1: you're just. 209 00:08:13,040 --> 00:08:16,920 Speaker 2: Gonna pick one of the Daisies for everything right now, Jones. 210 00:08:17,480 --> 00:08:19,880 Speaker 1: Jones, I just feel like you need somebody who already 211 00:08:19,880 --> 00:08:20,800 Speaker 1: has like the hair. 212 00:08:20,840 --> 00:08:23,640 Speaker 2: But I don't. I don't see Daisy Ridley in a 213 00:08:23,680 --> 00:08:24,800 Speaker 2: whimsical musical. 214 00:08:24,840 --> 00:08:27,200 Speaker 1: Maybe she's a little bit too old for that role. 215 00:08:27,280 --> 00:08:30,080 Speaker 2: Daisy Edgar Jones. I could, yeah, actually, because when she 216 00:08:30,200 --> 00:08:32,920 Speaker 2: was doing the Twisters press tour, everyone's like, what's one 217 00:08:32,920 --> 00:08:34,320 Speaker 2: thing people don't know about you? And she's like, I'm 218 00:08:34,360 --> 00:08:37,120 Speaker 2: quite silly, and she's like in her mid twenties. I 219 00:08:37,120 --> 00:08:38,320 Speaker 2: can see Daisy ugar Jones. 220 00:08:38,360 --> 00:08:41,679 Speaker 1: I'll go with my other Daisy, my backup Basy. 221 00:08:41,440 --> 00:08:43,640 Speaker 2: Which we did rewatch Twisters. Some things giving that we. 222 00:08:43,600 --> 00:08:45,360 Speaker 1: Did and we blew up the air mattress and rewatched 223 00:08:45,400 --> 00:08:45,839 Speaker 1: that movie. 224 00:08:46,440 --> 00:08:49,800 Speaker 2: Great, great experience. Sometimes being an adults fun, Like just 225 00:08:50,040 --> 00:08:51,800 Speaker 2: blow up the air mattress for mad a cookie cake. 226 00:08:52,360 --> 00:08:54,960 Speaker 1: Yeah, there's nobody who can tell you not to. That 227 00:08:55,040 --> 00:08:56,680 Speaker 1: was always something I wanted to do as a kid, 228 00:08:56,720 --> 00:08:58,319 Speaker 1: like blow up an air mattress or create like a 229 00:08:58,360 --> 00:09:01,360 Speaker 1: pillow for it and watch movies with in. I never 230 00:09:01,400 --> 00:09:02,959 Speaker 1: did it. Now I've done it. It's fun. 231 00:09:03,120 --> 00:09:03,560 Speaker 2: It's great. 232 00:09:04,000 --> 00:09:05,439 Speaker 1: My best of the month for. 233 00:09:05,559 --> 00:09:09,240 Speaker 2: I wasn't done talking about Wicked. Oh you got more'n 234 00:09:10,040 --> 00:09:12,520 Speaker 2: you didn't even let me finish. You sidetracked on the 235 00:09:12,559 --> 00:09:16,440 Speaker 2: remaking of the Wizard of Us. Okay, even if and 236 00:09:16,520 --> 00:09:19,040 Speaker 2: I we did the review. I forgot already. We did 237 00:09:19,040 --> 00:09:21,160 Speaker 2: that after we saw it. Even if you're not a 238 00:09:21,240 --> 00:09:25,160 Speaker 2: musical person a theater person, go see it. It's so 239 00:09:25,280 --> 00:09:27,880 Speaker 2: well done. I know people are like, this pressed tour 240 00:09:27,960 --> 00:09:30,640 Speaker 2: they've done is wild, and I do admit it is 241 00:09:30,720 --> 00:09:33,000 Speaker 2: strange to watch them cry in every interview, but you 242 00:09:33,000 --> 00:09:36,000 Speaker 2: know what, they're proud of their work. It was an experience, 243 00:09:36,240 --> 00:09:37,760 Speaker 2: and I think they both should be proud of it 244 00:09:37,800 --> 00:09:40,520 Speaker 2: because they're both phenomenal in it. And I think it's 245 00:09:40,600 --> 00:09:42,040 Speaker 2: just so good. And even if you're like, wow, two 246 00:09:42,040 --> 00:09:44,400 Speaker 2: and a half hours, it doesn't feel like it and 247 00:09:44,559 --> 00:09:46,920 Speaker 2: like another movie we're gonna talk about. So yeah, go 248 00:09:46,960 --> 00:09:47,439 Speaker 2: see Wicked. 249 00:09:47,880 --> 00:09:51,280 Speaker 1: Good now, Yes, all right? For my best of the month, 250 00:09:51,640 --> 00:09:54,640 Speaker 1: I'm going with A Real Pain, which was a story 251 00:09:54,640 --> 00:09:55,640 Speaker 1: with Kieran Colkin. 252 00:09:56,120 --> 00:09:56,959 Speaker 2: You said it right this time? 253 00:09:57,000 --> 00:10:00,319 Speaker 1: Okay, making sure guess thee Eisenberg and I feel that 254 00:10:00,360 --> 00:10:03,080 Speaker 1: movie really hit me on an emotional level that I 255 00:10:03,240 --> 00:10:04,360 Speaker 1: wasn't quite expecting. 256 00:10:04,440 --> 00:10:06,120 Speaker 2: TikTok about that made me really sad. 257 00:10:06,000 --> 00:10:09,920 Speaker 1: That I feel like Jesse Eisenberg's character in the movie. Yeah, 258 00:10:10,040 --> 00:10:11,200 Speaker 1: why to make you said. 259 00:10:11,080 --> 00:10:12,800 Speaker 2: Because you looked sad while talking. 260 00:10:12,880 --> 00:10:15,480 Speaker 1: I didn't realize how emotional I was you looked. 261 00:10:15,200 --> 00:10:16,720 Speaker 2: So sad you came home, and I was like, do 262 00:10:16,760 --> 00:10:17,600 Speaker 2: you need a hug? 263 00:10:17,960 --> 00:10:20,920 Speaker 1: And I'm like, why, See, sometimes when I do reviews, 264 00:10:20,960 --> 00:10:23,439 Speaker 1: I just like I have to go off raw emotion. 265 00:10:23,559 --> 00:10:25,520 Speaker 1: That is how I based a lot of my reviews. 266 00:10:26,080 --> 00:10:30,360 Speaker 1: And that one we left the theater and I felt 267 00:10:30,400 --> 00:10:34,560 Speaker 1: weird that something was so oddly specific to me in 268 00:10:34,600 --> 00:10:37,600 Speaker 1: a movie about just like my personality and stuff I've 269 00:10:37,600 --> 00:10:40,480 Speaker 1: been like dealing with, like my whole life. And I 270 00:10:40,520 --> 00:10:43,080 Speaker 1: think when I sat down to record that review, I 271 00:10:43,120 --> 00:10:44,800 Speaker 1: was like, this is gonna kind of feel like a 272 00:10:44,840 --> 00:10:46,960 Speaker 1: therapy session because it's stuff i've I mean, I've talked 273 00:10:47,000 --> 00:10:49,840 Speaker 1: to you about that, and maybe not in that explicit way, 274 00:10:49,960 --> 00:10:52,720 Speaker 1: just because I just thought that was something that only 275 00:10:52,760 --> 00:10:54,880 Speaker 1: I dealt with. But seeing somebody else go through that, 276 00:10:55,520 --> 00:10:58,440 Speaker 1: of just that feeling of like wanting to be more outgoing, 277 00:10:58,840 --> 00:11:01,800 Speaker 1: wanting to connect with people more, and I was like, man, 278 00:11:01,840 --> 00:11:03,560 Speaker 1: this movie just hit me. And I didn't know how. 279 00:11:04,720 --> 00:11:06,280 Speaker 1: I didn't really know what that movie was going to 280 00:11:06,320 --> 00:11:10,680 Speaker 1: be about. About their entire journey of like being close 281 00:11:10,760 --> 00:11:13,520 Speaker 1: and then kind of being estranged, going back for a 282 00:11:13,559 --> 00:11:16,440 Speaker 1: really dark reason after their grandma died and then you 283 00:11:16,520 --> 00:11:19,160 Speaker 1: have all the other emotions mixed in with why they 284 00:11:19,200 --> 00:11:21,880 Speaker 1: are there going to that concentration camp, and just like, man, 285 00:11:21,880 --> 00:11:24,880 Speaker 1: where's this movie going. But there's also like some fun 286 00:11:24,960 --> 00:11:29,680 Speaker 1: moments in it, some really good bonding moments, and I 287 00:11:29,679 --> 00:11:32,960 Speaker 1: think character yeah, and it's yeah, like a really unique 288 00:11:33,000 --> 00:11:35,640 Speaker 1: just blend of people. And it doesn't feel like a 289 00:11:35,760 --> 00:11:39,240 Speaker 1: traditional movie in the sense that it's not like a 290 00:11:39,840 --> 00:11:42,719 Speaker 1: this happens, therefore, this happens, Therefore this happens, here's the 291 00:11:42,800 --> 00:11:44,959 Speaker 1: rising act, here's the fault. It doesn't really follow that. 292 00:11:45,360 --> 00:11:47,960 Speaker 1: It just felt like a movie about life. And I 293 00:11:48,080 --> 00:11:49,920 Speaker 1: enjoy those movies every now and then. It's a nice 294 00:11:49,920 --> 00:11:52,800 Speaker 1: little slice of life that you go through something from 295 00:11:52,880 --> 00:11:55,400 Speaker 1: beginning to end. It's not so much that you follow 296 00:11:56,200 --> 00:12:00,960 Speaker 1: this character's journey and they accomplishing amazing. It's just like 297 00:12:01,000 --> 00:12:03,240 Speaker 1: you feel all these things. That was my best What 298 00:12:03,240 --> 00:12:04,920 Speaker 1: what did you rate Wicked Again? You gave it a 299 00:12:04,960 --> 00:12:05,560 Speaker 1: five out of five? 300 00:12:05,720 --> 00:12:06,280 Speaker 2: I think so. 301 00:12:06,360 --> 00:12:07,600 Speaker 1: I think you gave it a five out of five 302 00:12:07,600 --> 00:12:08,679 Speaker 1: when we did it, because I gave it a four 303 00:12:08,679 --> 00:12:10,280 Speaker 1: point five out of five because I was split into 304 00:12:10,280 --> 00:12:13,680 Speaker 1: two for a real pain. I gave that one a 305 00:12:13,679 --> 00:12:15,280 Speaker 1: four point five out of five and so forth. For 306 00:12:15,360 --> 00:12:16,839 Speaker 1: the year, I have not given out a five out 307 00:12:16,840 --> 00:12:17,160 Speaker 1: of five. 308 00:12:17,559 --> 00:12:20,040 Speaker 2: I loved a real pain. I would also say, like 309 00:12:20,200 --> 00:12:25,840 Speaker 2: you would categorize me, you knowing me as someone who's outgoing. 310 00:12:25,880 --> 00:12:28,199 Speaker 2: I'm an introvert, but I can strike up a conversation. 311 00:12:28,920 --> 00:12:30,719 Speaker 2: I can make friends at the post office. 312 00:12:30,960 --> 00:12:33,160 Speaker 1: I think that. I mean, that's why you make me better, 313 00:12:33,360 --> 00:12:36,160 Speaker 1: is because you are the one who can talk to 314 00:12:36,200 --> 00:12:38,160 Speaker 1: people and connect with people, and you make me more 315 00:12:38,200 --> 00:12:41,680 Speaker 1: normal because without you, I'm just like the isolated. Here's 316 00:12:41,720 --> 00:12:42,720 Speaker 1: this dude not saying. 317 00:12:42,520 --> 00:12:45,400 Speaker 2: Anything, but I will say I once had a boss. 318 00:12:46,120 --> 00:12:48,559 Speaker 2: Among all the other insults she gave me, she told 319 00:12:48,600 --> 00:12:49,600 Speaker 2: me I was socially awkward. 320 00:12:50,320 --> 00:12:51,040 Speaker 1: That is bizarre. 321 00:12:51,200 --> 00:12:53,440 Speaker 2: But I'm just saying so, like even someone saw me 322 00:12:53,520 --> 00:12:55,200 Speaker 2: as that, So it's like we all have a little 323 00:12:55,200 --> 00:12:56,640 Speaker 2: bit of socially awkwardness in us. 324 00:12:56,960 --> 00:12:58,160 Speaker 1: Yeah, is that all perspective? 325 00:12:58,480 --> 00:13:00,720 Speaker 2: The other the other insult she gave me that I 326 00:13:00,760 --> 00:13:04,680 Speaker 2: loved it was a like informal setting, so I could 327 00:13:04,679 --> 00:13:06,360 Speaker 2: wear like shorts and a T shirt in the summer. 328 00:13:06,880 --> 00:13:08,760 Speaker 2: I wore a dress one time and she was like, Oh, 329 00:13:08,800 --> 00:13:10,960 Speaker 2: you're so much skinnier when you're not hiding behind pants 330 00:13:11,000 --> 00:13:16,040 Speaker 2: and shorts, and I was like, oh, little backhanded compliment there, Yeah, 331 00:13:16,160 --> 00:13:17,480 Speaker 2: she'll stop me. I'm socially awkward. 332 00:13:18,200 --> 00:13:22,920 Speaker 1: Yeah that's bizarre. That's not true whatsoever. I'm socially awkward. 333 00:13:22,800 --> 00:13:24,800 Speaker 2: Not as much as you think. You're just in your 334 00:13:24,880 --> 00:13:28,920 Speaker 2: head about it. Yeah, I guess so less socially awkward 335 00:13:28,960 --> 00:13:32,480 Speaker 2: than you think. You just when you are thinking, you're overthinking. 336 00:13:33,080 --> 00:13:34,160 Speaker 2: So you just need to stop thinking. 337 00:13:34,280 --> 00:13:37,240 Speaker 1: Just live inside that head though. All right, for the 338 00:13:37,280 --> 00:13:38,880 Speaker 1: worst of November, what do you have? 339 00:13:39,240 --> 00:13:42,200 Speaker 2: Are you not entertained? No? I was not entertained by 340 00:13:42,240 --> 00:13:43,000 Speaker 2: Gladiator too. 341 00:13:43,480 --> 00:13:45,199 Speaker 1: Okay, I'm going to do this in the movie review 342 00:13:45,200 --> 00:13:47,360 Speaker 1: coming up, so I will say nothing and I will 343 00:13:47,440 --> 00:13:48,800 Speaker 1: let you go why you hated? 344 00:13:49,280 --> 00:13:51,160 Speaker 2: Why want to give any spoilers, But there was just 345 00:13:51,200 --> 00:13:56,960 Speaker 2: some really stupid CGI. I don't love movies from that 346 00:13:57,040 --> 00:13:58,160 Speaker 2: time period. 347 00:13:58,200 --> 00:14:01,480 Speaker 1: Pieces technique over here Street just make less money. 348 00:14:01,679 --> 00:14:05,079 Speaker 2: Yeah, I don't like bloody Gore. I'm not big into 349 00:14:05,160 --> 00:14:06,120 Speaker 2: like a severed. 350 00:14:05,800 --> 00:14:09,439 Speaker 1: Head, which is kind of really Scott's calling card. 351 00:14:09,720 --> 00:14:11,320 Speaker 2: And it's the same didn't Napoleon? 352 00:14:11,400 --> 00:14:14,160 Speaker 1: Yeah, that's why you didn't like it. It's over over the 353 00:14:14,200 --> 00:14:18,560 Speaker 1: top blood and guts and like the real visceral sound 354 00:14:18,600 --> 00:14:19,760 Speaker 1: of like a blade going in. 355 00:14:19,840 --> 00:14:22,560 Speaker 2: And I watch medical shows. I watch all those things. 356 00:14:22,680 --> 00:14:24,800 Speaker 1: So it's the violence, is it the violence more so 357 00:14:24,880 --> 00:14:25,400 Speaker 1: than the gore. 358 00:14:25,640 --> 00:14:27,120 Speaker 2: It's the violence, yeah. 359 00:14:26,960 --> 00:14:28,760 Speaker 1: Because I've seen some of the medical shows you watch 360 00:14:28,800 --> 00:14:31,600 Speaker 1: there's like blood loosing out where I was surprised. I'm like, hey, 361 00:14:31,600 --> 00:14:33,760 Speaker 1: that's cool, that doesn't bother. I didn't know you liked 362 00:14:33,800 --> 00:14:34,320 Speaker 1: this stuff. 363 00:14:34,480 --> 00:14:40,280 Speaker 2: It's like someone coming at someone in like the slicing. 364 00:14:39,760 --> 00:14:42,280 Speaker 1: Of the head so hated Game of Thrones. 365 00:14:42,040 --> 00:14:44,360 Speaker 2: Or like the bayonet and then they pull it out 366 00:14:44,400 --> 00:14:47,720 Speaker 2: and the sound effect. Yeah, I just wasn't into that. 367 00:14:48,040 --> 00:14:50,760 Speaker 2: The plotline was kind of like up down, up down, 368 00:14:51,040 --> 00:14:53,080 Speaker 2: so we had something coming and then it's like I 369 00:14:53,120 --> 00:14:58,160 Speaker 2: could have seen that from a mile away. Yeah. The 370 00:14:58,280 --> 00:15:02,120 Speaker 2: Joseph Quinn's eye makeup, the smoke ye really intense. 371 00:15:02,520 --> 00:15:04,760 Speaker 1: I mean that was distracting his paleness too. 372 00:15:04,800 --> 00:15:06,680 Speaker 2: He was like. 373 00:15:06,680 --> 00:15:09,080 Speaker 1: A history thing right where they would like put makeup 374 00:15:09,080 --> 00:15:11,040 Speaker 1: on to make themselves pale because that showed you had 375 00:15:11,040 --> 00:15:11,600 Speaker 1: money or something. 376 00:15:11,720 --> 00:15:13,800 Speaker 2: Yeah, and they were probably using like real like things 377 00:15:13,800 --> 00:15:16,760 Speaker 2: of charcoal paint that on. Yeah. I wasn't. I didn't 378 00:15:16,760 --> 00:15:18,160 Speaker 2: go into it thinking I was gonna love it. But 379 00:15:18,200 --> 00:15:20,160 Speaker 2: I was like, we got to see all the Blockbusters, 380 00:15:20,640 --> 00:15:21,920 Speaker 2: so I went to see it. 381 00:15:22,120 --> 00:15:24,640 Speaker 1: Did you at least like Denzel Washington's character or he 382 00:15:24,760 --> 00:15:25,160 Speaker 1: is acting? 383 00:15:25,280 --> 00:15:28,200 Speaker 2: I liked Paul Mescal. Yeah, I thought Paul Mascal was great. 384 00:15:28,360 --> 00:15:29,400 Speaker 1: Do you think he was convincing? 385 00:15:29,800 --> 00:15:33,040 Speaker 2: Yeah, it's very attractive, very in shape for that movie. 386 00:15:33,320 --> 00:15:37,480 Speaker 1: For my worst of November, I am going to say 387 00:15:37,680 --> 00:15:41,320 Speaker 1: here with Tom Hanks speaking of bad CGI, that was 388 00:15:41,360 --> 00:15:44,480 Speaker 1: some bad special effects with They had tod age him 389 00:15:44,520 --> 00:15:47,160 Speaker 1: to be a teenager, and I think the d aging 390 00:15:47,240 --> 00:15:48,920 Speaker 1: just isn't quite there yet. 391 00:15:49,600 --> 00:15:53,320 Speaker 2: Yeah, maybe if you're deaging someone a little younger, No 392 00:15:53,400 --> 00:15:56,200 Speaker 2: disrespect mister Hanks, big fan, lovely man in person. 393 00:15:56,400 --> 00:15:58,680 Speaker 1: To go from being in your late sixties to being 394 00:15:58,720 --> 00:16:01,920 Speaker 1: a teenagers off like that just doesn't look very good. 395 00:16:01,960 --> 00:16:04,800 Speaker 1: He looked like his character did in the Polar Express, 396 00:16:05,400 --> 00:16:08,320 Speaker 1: which same director, by the way, Roberts and Mexis. But 397 00:16:08,480 --> 00:16:09,280 Speaker 1: he looked like that. 398 00:16:09,280 --> 00:16:11,280 Speaker 2: That's when we haven't rewatched at Christmas time in any 399 00:16:11,280 --> 00:16:13,680 Speaker 2: of the years Polar Express, we've never rewatched them. 400 00:16:14,120 --> 00:16:16,840 Speaker 1: I think I've only seen it maybe once. That was 401 00:16:16,880 --> 00:16:20,040 Speaker 1: when that technology was so that type of three D 402 00:16:20,080 --> 00:16:22,840 Speaker 1: animation they use was so new that it looks so 403 00:16:23,240 --> 00:16:25,680 Speaker 1: bad for the I mean for now. Maybe at the 404 00:16:25,680 --> 00:16:27,920 Speaker 1: time it looked good. But that used to be my 405 00:16:28,000 --> 00:16:30,640 Speaker 1: favorite thing as a kid. I think in like first 406 00:16:30,720 --> 00:16:33,000 Speaker 1: or second grade, we would read the book and we'd 407 00:16:33,000 --> 00:16:35,600 Speaker 1: all get to dress and pajamas to school. That was 408 00:16:35,640 --> 00:16:38,840 Speaker 1: my favorite. I remember us all going down the hall 409 00:16:39,080 --> 00:16:41,840 Speaker 1: in our pj's, and I think at that time I 410 00:16:41,960 --> 00:16:44,880 Speaker 1: was still into Thomas the Tank Engine, so I had 411 00:16:44,920 --> 00:16:47,960 Speaker 1: like Thomas the Tank Engine slippers, or at least kept 412 00:16:48,000 --> 00:16:49,680 Speaker 1: him FM kindergarten. If it was first grade, you. 413 00:16:49,680 --> 00:16:52,200 Speaker 2: Were in Thomas the tank Engine phase for a while. 414 00:16:52,320 --> 00:16:54,560 Speaker 2: Your mom has stories about that. 415 00:16:54,560 --> 00:16:56,840 Speaker 1: That was my jam I couldn't leave the house without 416 00:16:56,840 --> 00:16:57,280 Speaker 1: watching it. 417 00:16:57,360 --> 00:16:59,160 Speaker 2: No, your mom always talks about how she'd be like, 418 00:16:59,160 --> 00:17:01,040 Speaker 2: all right, Mike, you have to go to the grocery store, 419 00:17:01,160 --> 00:17:03,000 Speaker 2: and you'd be like, no. 420 00:17:02,400 --> 00:17:08,040 Speaker 1: No, I'm not going. I'm gonna but yes. Aside from 421 00:17:08,040 --> 00:17:11,080 Speaker 1: the CGI, it was just the most mid movie I've 422 00:17:11,119 --> 00:17:13,480 Speaker 1: seen all year, for the level of talent on the 423 00:17:13,520 --> 00:17:15,960 Speaker 1: acting side and for the level of talent behind the camera, 424 00:17:16,880 --> 00:17:19,679 Speaker 1: And it didn't really shape up until the end of 425 00:17:19,720 --> 00:17:21,400 Speaker 1: the movie, and by then it was just kind of late, 426 00:17:21,480 --> 00:17:23,399 Speaker 1: and I know you wanted to see that movie and 427 00:17:23,440 --> 00:17:24,760 Speaker 1: you were like, Oh, you're gonna see without me. 428 00:17:25,080 --> 00:17:27,639 Speaker 2: To be really honest, I kept forgetting the title of it. 429 00:17:27,760 --> 00:17:29,320 Speaker 1: So it's a horrible title. 430 00:17:29,640 --> 00:17:31,800 Speaker 2: You said you were seeing here. I was in Denver 431 00:17:31,840 --> 00:17:33,560 Speaker 2: that weekend. I was just like a horror movie and 432 00:17:33,600 --> 00:17:35,800 Speaker 2: I was like, Oh, it's that one. It was one 433 00:17:35,840 --> 00:17:37,280 Speaker 2: of those I just And then the other night my 434 00:17:37,280 --> 00:17:39,800 Speaker 2: mom texted me and she's like, I'm watching here, same thing. 435 00:17:39,800 --> 00:17:41,919 Speaker 2: I was like, scary movie, and then she was like 436 00:17:42,400 --> 00:17:44,240 Speaker 2: love Tom Hanks and I was like, oh that movie. 437 00:17:44,240 --> 00:17:46,760 Speaker 2: So yeah, it's a bad title forgetting that. 438 00:17:46,760 --> 00:17:48,960 Speaker 1: That was the title of it a homonym. So it's 439 00:17:48,960 --> 00:17:50,520 Speaker 1: like is it here like you can listen, or is 440 00:17:50,560 --> 00:17:53,640 Speaker 1: it here like right here, oh, big vocapboard. I think 441 00:17:53,640 --> 00:17:55,520 Speaker 1: I remember that from like a Doctor SEUs book or something. 442 00:17:56,720 --> 00:17:59,159 Speaker 1: It all takes place in the same piece of land 443 00:17:59,560 --> 00:18:02,280 Speaker 1: over his like starting back from like the dinosaur age 444 00:18:02,520 --> 00:18:04,520 Speaker 1: all the way till like twenty twenty past. 445 00:18:05,080 --> 00:18:06,600 Speaker 2: I think it ends in dinosaur age. 446 00:18:06,720 --> 00:18:08,359 Speaker 1: Yeah, like back in like it just shows like a 447 00:18:08,359 --> 00:18:11,199 Speaker 1: sliver of land. You see dinosaur roaming the earth, and 448 00:18:11,240 --> 00:18:14,320 Speaker 1: then you see like the Revolutionary War all that stuff, 449 00:18:14,640 --> 00:18:16,520 Speaker 1: and then it all just keeps going, stays the same 450 00:18:16,560 --> 00:18:18,679 Speaker 1: camera angle the entire time, which was like the big like, 451 00:18:18,720 --> 00:18:21,960 Speaker 1: oh this is interesting. It's gonna force you to look 452 00:18:22,000 --> 00:18:25,080 Speaker 1: at just right here, and they kept emphasizing we grew 453 00:18:25,119 --> 00:18:26,679 Speaker 1: up here, we did all this stuff here, it all 454 00:18:26,720 --> 00:18:29,359 Speaker 1: happened here, but there was all this backstory that it 455 00:18:29,760 --> 00:18:32,639 Speaker 1: was just kind of pointless, like showing you these different 456 00:18:32,680 --> 00:18:34,600 Speaker 1: plot lines of these different people who lived on the 457 00:18:34,600 --> 00:18:38,040 Speaker 1: same plot of land that really went nowhere, that had 458 00:18:38,080 --> 00:18:41,520 Speaker 1: no emotional development, and it was just like, I, why 459 00:18:41,560 --> 00:18:43,800 Speaker 1: am I here? Why am I playing in this theater? And 460 00:18:43,840 --> 00:18:47,000 Speaker 1: that was also one where I got tickets kind of later, 461 00:18:47,320 --> 00:18:49,000 Speaker 1: so I had to sit it like the very top row, 462 00:18:49,040 --> 00:18:50,760 Speaker 1: and I was like all the way behind, and I 463 00:18:50,800 --> 00:18:52,440 Speaker 1: was like, I'm not enjoying this whatsoever. 464 00:18:53,040 --> 00:18:54,760 Speaker 2: I'm glad I didn't sit through that one. 465 00:18:54,840 --> 00:18:56,880 Speaker 1: So that is my worst of the month. The other 466 00:18:56,920 --> 00:18:59,480 Speaker 1: movies we watched here was the first one So a 467 00:18:59,520 --> 00:19:02,399 Speaker 1: Real Pain, Wicked Part one Blitz that almost made one 468 00:19:02,440 --> 00:19:04,440 Speaker 1: of my favorites of the month as well, So Good, 469 00:19:04,640 --> 00:19:07,000 Speaker 1: which was a movie that you wanted to watch because 470 00:19:07,000 --> 00:19:10,639 Speaker 1: it's World War two, duh, and you watch any movie 471 00:19:10,640 --> 00:19:13,640 Speaker 1: world War Two, any TV show, read any book? 472 00:19:14,160 --> 00:19:14,400 Speaker 2: Yes. 473 00:19:14,480 --> 00:19:16,199 Speaker 1: I think the issue I had when it comes to 474 00:19:16,560 --> 00:19:18,560 Speaker 1: TV shows and movies about it is they always kind 475 00:19:18,560 --> 00:19:21,600 Speaker 1: of feel the same because it's always sad. And this one, 476 00:19:21,640 --> 00:19:23,320 Speaker 1: I mean, obviously it's World War two, it's going to 477 00:19:23,359 --> 00:19:26,240 Speaker 1: be sad, but it's not the sad you're expecting. And 478 00:19:26,280 --> 00:19:29,199 Speaker 1: it's because it follows this kid and his journey of 479 00:19:29,359 --> 00:19:31,280 Speaker 1: just trying to get back home and be reunited with 480 00:19:31,320 --> 00:19:33,600 Speaker 1: his mom. Was this movie Was it based on a 481 00:19:33,600 --> 00:19:34,159 Speaker 1: true story? 482 00:19:34,359 --> 00:19:38,400 Speaker 2: I don't know if their story was true, but parents 483 00:19:38,480 --> 00:19:42,159 Speaker 2: in London sending their kids like to the countryside of 484 00:19:42,200 --> 00:19:45,679 Speaker 2: Europe is true. They would send a lot of them 485 00:19:45,680 --> 00:19:47,880 Speaker 2: to America and they live with the cohost families spread 486 00:19:47,960 --> 00:19:48,840 Speaker 2: several books about. 487 00:19:48,640 --> 00:19:50,760 Speaker 1: That, so yeah, inspired by true events, yes, which it 488 00:19:50,760 --> 00:19:52,520 Speaker 1: works the same way. It doesn't take anything away from 489 00:19:52,520 --> 00:19:53,800 Speaker 1: the emotional impact of it. 490 00:19:53,920 --> 00:19:58,440 Speaker 2: I'm sure there's it's a little unbelievable, so I don't feel. 491 00:19:58,160 --> 00:19:59,200 Speaker 1: Like, yeah, that's true. 492 00:19:59,400 --> 00:20:01,119 Speaker 2: There's also a lot of stories that'll come out of 493 00:20:01,119 --> 00:20:02,840 Speaker 2: World War Two of people doing things, and you're like, 494 00:20:02,920 --> 00:20:05,480 Speaker 2: you will believe all the stories I read about people 495 00:20:05,520 --> 00:20:08,040 Speaker 2: that lived in like Poland and lived in the literal 496 00:20:08,080 --> 00:20:10,680 Speaker 2: Sewers didn't think that was true, but it is. 497 00:20:11,240 --> 00:20:13,440 Speaker 1: Yeah, very cinematic. I really enjoyed that one. 498 00:20:13,480 --> 00:20:14,520 Speaker 2: Socialonem was great. 499 00:20:14,640 --> 00:20:17,440 Speaker 1: That one's on Apple TV Plus so you can watch 500 00:20:17,480 --> 00:20:19,639 Speaker 1: that one for free. So glad day or two. We 501 00:20:19,720 --> 00:20:22,360 Speaker 1: saw the Christmas movie Our Little Secret. Should we wait 502 00:20:22,400 --> 00:20:24,480 Speaker 1: to talk about Christmas movies for another episode? 503 00:20:25,040 --> 00:20:26,760 Speaker 2: I can just say I loved it, you loved it. 504 00:20:26,760 --> 00:20:28,760 Speaker 2: It was cute. It was the best one Netflix has 505 00:20:28,800 --> 00:20:31,320 Speaker 2: done so far this year. I have not watched the 506 00:20:31,320 --> 00:20:35,800 Speaker 2: one where Chad Michael Murray is an exotic dancer Dnswer. Yeah, 507 00:20:37,080 --> 00:20:40,040 Speaker 2: I think I've heard he's a one of my one 508 00:20:40,080 --> 00:20:42,160 Speaker 2: of my friends at work called it a clean stripper. 509 00:20:43,560 --> 00:20:47,480 Speaker 2: I can't take Chad Michael Murray seriously in the year 510 00:20:47,520 --> 00:20:49,679 Speaker 2: twenty twenty four, two thousand and three. Is Lucas Scott 511 00:20:49,760 --> 00:20:53,200 Speaker 2: sure heart Throb twenty twenty four when he's like still 512 00:20:53,240 --> 00:20:55,400 Speaker 2: trying to be relevant, it's so cringey. 513 00:20:55,680 --> 00:20:57,960 Speaker 1: Yeah. I saw him do that one interview where he's like, 514 00:20:58,080 --> 00:21:00,840 Speaker 1: name one actor who has never fallen off, like every 515 00:21:00,840 --> 00:21:02,879 Speaker 1: actor falls off at some point, and you could just 516 00:21:02,920 --> 00:21:05,240 Speaker 1: tell it was coming from like a very emotional place 517 00:21:05,240 --> 00:21:07,359 Speaker 1: that he struggles with and I was like, well, Leonardo 518 00:21:07,359 --> 00:21:10,959 Speaker 1: DiCaprio has never fallen off, Robert de Niro, Jennifer la 519 00:21:11,560 --> 00:21:15,280 Speaker 1: and Washington. Yeah, there's a lot of actors friendly Cooper, 520 00:21:16,280 --> 00:21:20,320 Speaker 1: so I just feel like he was like, uh, gonna 521 00:21:20,359 --> 00:21:21,000 Speaker 1: make something up. 522 00:21:21,119 --> 00:21:25,280 Speaker 2: I really enjoyed our little secret. Lindsay Lohan greatest comeback 523 00:21:25,280 --> 00:21:28,520 Speaker 2: of all time. I love it for her. I enjoyed it. 524 00:21:28,680 --> 00:21:30,440 Speaker 1: I do want to play a game with everybody listening 525 00:21:30,560 --> 00:21:32,560 Speaker 1: right now, see if you can figure out this riddle. 526 00:21:32,600 --> 00:21:35,000 Speaker 1: We went to a movie and there was these people 527 00:21:35,040 --> 00:21:36,679 Speaker 1: sitting next to us. It was a group of guys 528 00:21:37,640 --> 00:21:40,359 Speaker 1: and they had their tickets and they were seated, you know, 529 00:21:40,440 --> 00:21:43,360 Speaker 1: they had drinks and everything. This other couple comes up 530 00:21:43,680 --> 00:21:46,680 Speaker 1: and they're like, hey, you're in our seats. And they're like, well, 531 00:21:46,720 --> 00:21:48,800 Speaker 1: let's figure this thing out. They both pull out their 532 00:21:48,840 --> 00:21:51,879 Speaker 1: phones and they both say, no, these are our seats. 533 00:21:51,880 --> 00:21:54,280 Speaker 1: We have D five and six. We have D five 534 00:21:54,320 --> 00:21:54,720 Speaker 1: and six. 535 00:21:54,840 --> 00:21:57,000 Speaker 2: The group of guys had four through six, and then 536 00:21:57,000 --> 00:21:59,520 Speaker 2: this couple is claiming they had five and six. 537 00:21:59,600 --> 00:22:02,280 Speaker 1: So what you think happened here? As the listener, what 538 00:22:02,400 --> 00:22:04,479 Speaker 1: was the issue here? Who was in the right and 539 00:22:04,520 --> 00:22:08,119 Speaker 1: who was in the wrong. It turns out, initially I 540 00:22:08,119 --> 00:22:11,280 Speaker 1: would think this has happened to me us before. And 541 00:22:11,320 --> 00:22:14,919 Speaker 1: what happened? They had the wrong theater, So that's what 542 00:22:14,960 --> 00:22:16,800 Speaker 1: I thought initially, like they were supposed to be at 543 00:22:16,840 --> 00:22:20,000 Speaker 1: a different regal and this day I figured it out, Yes, 544 00:22:20,040 --> 00:22:23,920 Speaker 1: in this case, same theater. They looked at the ticket again, Oh, 545 00:22:24,000 --> 00:22:26,000 Speaker 1: this is the theater. We're at the same one. Okay. 546 00:22:26,680 --> 00:22:29,720 Speaker 1: Then I thought, maybe they have the wrong time. We 547 00:22:29,720 --> 00:22:31,440 Speaker 1: were at a seven to twenty five showing. Maybe they 548 00:22:31,440 --> 00:22:33,439 Speaker 1: had picked a different time and got there at the 549 00:22:33,440 --> 00:22:37,560 Speaker 1: wrong time. Not the case, same time on the ticket, 550 00:22:37,680 --> 00:22:40,480 Speaker 1: seven to twenty five, same seats, same theater. 551 00:22:40,640 --> 00:22:44,320 Speaker 2: And by theater you mean like the specific regal, not 552 00:22:44,320 --> 00:22:45,920 Speaker 2: the auditorium screen. 553 00:22:46,080 --> 00:22:47,919 Speaker 1: Yeah, that was the next thing. Could it be a 554 00:22:47,920 --> 00:22:52,440 Speaker 1: different screen? Nope, screen sixteen. We're here at the same time. 555 00:22:53,240 --> 00:22:55,520 Speaker 1: What do you think was the issue here? What do 556 00:22:55,560 --> 00:22:58,119 Speaker 1: you think happened? And the. 557 00:23:02,480 --> 00:23:03,320 Speaker 2: Do do do? 558 00:23:03,320 --> 00:23:03,359 Speaker 4: Do? 559 00:23:03,640 --> 00:23:05,720 Speaker 1: I would be so good at Final Jeopardy? Actually no, 560 00:23:05,760 --> 00:23:07,479 Speaker 1: that's the hardest gan to be terrible at it? 561 00:23:07,560 --> 00:23:08,160 Speaker 2: Can I say? 562 00:23:08,520 --> 00:23:10,719 Speaker 1: And the answer is Kelsey, what happened? 563 00:23:10,880 --> 00:23:13,240 Speaker 2: They bought tickets for the wrong day the wrong day? 564 00:23:13,359 --> 00:23:14,919 Speaker 1: Because it was blowing my mind too. 565 00:23:15,280 --> 00:23:16,280 Speaker 2: I figured it out quick. 566 00:23:16,320 --> 00:23:19,600 Speaker 1: We're like right, same seat, same time. I thought it 567 00:23:19,640 --> 00:23:22,120 Speaker 1: had to be they went to the wrong regal, which 568 00:23:22,160 --> 00:23:23,800 Speaker 1: is I've seen that happen before, Like, oh, I'm with 569 00:23:23,800 --> 00:23:24,600 Speaker 1: the one across town. 570 00:23:24,800 --> 00:23:26,159 Speaker 2: I got out the regal app and I was like 571 00:23:26,200 --> 00:23:28,560 Speaker 2: pretending that's what I did. We learnt tickets and I 572 00:23:28,640 --> 00:23:30,160 Speaker 2: was like, okay, next day, and I was like, ooh, 573 00:23:30,200 --> 00:23:32,200 Speaker 2: seats five and six taken for tomorrow. 574 00:23:32,280 --> 00:23:33,320 Speaker 1: They got the wrong date. 575 00:23:33,640 --> 00:23:36,879 Speaker 2: So then there was an awkward thing where they walked 576 00:23:36,880 --> 00:23:38,760 Speaker 2: out they were gonna go like check with someone, and 577 00:23:38,800 --> 00:23:41,760 Speaker 2: then the guy that had the seats was also walking out, 578 00:23:41,800 --> 00:23:43,280 Speaker 2: and the girl kind turns out and she was like, oh, 579 00:23:43,280 --> 00:23:45,159 Speaker 2: I didn't mean you had to come with us, and 580 00:23:45,160 --> 00:23:46,960 Speaker 2: the guy was like, I'm not, I'm going to the bath. 581 00:23:47,600 --> 00:23:49,560 Speaker 2: So then they later came back in and they had 582 00:23:49,600 --> 00:23:52,800 Speaker 2: to seat sit in seats in the second row because 583 00:23:52,880 --> 00:23:54,360 Speaker 2: they definitely were there for the wrong day. 584 00:23:54,480 --> 00:23:57,480 Speaker 1: Their next definitely hurt Buddy in the night acci that 585 00:23:57,560 --> 00:24:00,240 Speaker 1: was their ingladiator, though another thing happened this is an game, 586 00:24:00,800 --> 00:24:03,000 Speaker 1: but during Mawana. Well, first of all, when we got 587 00:24:03,000 --> 00:24:05,080 Speaker 1: in there, the lights were bright. They didn't turn down 588 00:24:05,119 --> 00:24:08,320 Speaker 1: the main lights, which it just felt like we were 589 00:24:08,320 --> 00:24:10,680 Speaker 1: in like a big auditorial with a lot of families 590 00:24:10,680 --> 00:24:13,560 Speaker 1: that I felt very exposed. It's weird the level of 591 00:24:13,600 --> 00:24:14,879 Speaker 1: comfort the darkness brings in. 592 00:24:15,440 --> 00:24:17,400 Speaker 2: Don't want to see how old those seats are. Yeah, 593 00:24:17,440 --> 00:24:22,160 Speaker 2: I love to live in obliviousness. That was seeing an airplane. 594 00:24:22,280 --> 00:24:24,399 Speaker 1: It was like pulling back the curtain. And initially I 595 00:24:24,440 --> 00:24:26,159 Speaker 1: thought I was like, oh, no, I sure hope they 596 00:24:26,160 --> 00:24:27,960 Speaker 1: turned on the lights by the time you get here, 597 00:24:28,040 --> 00:24:30,159 Speaker 1: because he's gonna be more tofied at these seats. 598 00:24:30,560 --> 00:24:31,000 Speaker 2: They did not. 599 00:24:31,359 --> 00:24:32,840 Speaker 1: They did not. The movie was about to start. 600 00:24:32,880 --> 00:24:35,080 Speaker 2: I could tell kids were are the lights on? 601 00:24:35,320 --> 00:24:36,960 Speaker 1: And I could tell we were in a theater where 602 00:24:37,080 --> 00:24:39,280 Speaker 1: maybe families don't come as often as we do. I 603 00:24:39,280 --> 00:24:41,000 Speaker 1: don't think a lot of people go as often as 604 00:24:41,040 --> 00:24:42,879 Speaker 1: we do. And I knew the movie was about to 605 00:24:42,920 --> 00:24:45,080 Speaker 1: start and the lights should have been down by this point, 606 00:24:45,080 --> 00:24:47,480 Speaker 1: because they're usually down and then they go down further 607 00:24:47,520 --> 00:24:49,440 Speaker 1: once the movie starts. So I went to go tell 608 00:24:49,440 --> 00:24:51,080 Speaker 1: them that the lights were still up. And now I 609 00:24:51,119 --> 00:24:53,960 Speaker 1: know where the light switches, so if ever it happens again, 610 00:24:54,000 --> 00:24:56,000 Speaker 1: I could just go turn them off myself. But then 611 00:24:56,040 --> 00:24:58,560 Speaker 1: what happened again towards the end of the movie, the 612 00:24:58,680 --> 00:25:01,359 Speaker 1: lights on the back on and like one of the 613 00:25:01,400 --> 00:25:05,320 Speaker 1: most emotional parts, like all right, movies over it did 614 00:25:05,720 --> 00:25:06,400 Speaker 1: and I see you have. 615 00:25:06,359 --> 00:25:08,760 Speaker 2: Another note too. We need to talk about your other 616 00:25:08,760 --> 00:25:09,200 Speaker 2: note about it? 617 00:25:09,200 --> 00:25:11,119 Speaker 1: Oh yeah, I was getting to that one next. But 618 00:25:11,600 --> 00:25:14,560 Speaker 1: that was just another thing. If ever the lights come 619 00:25:14,600 --> 00:25:17,600 Speaker 1: on into the theater, just don't look around, Just immediately 620 00:25:17,640 --> 00:25:19,520 Speaker 1: get up and go find an employee because you did 621 00:25:19,560 --> 00:25:21,080 Speaker 1: not want to see the condition of the seats. 622 00:25:21,200 --> 00:25:22,440 Speaker 2: You don't, you really don't. 623 00:25:23,119 --> 00:25:24,879 Speaker 1: The other issue I had this was when we went 624 00:25:24,920 --> 00:25:28,280 Speaker 1: to go see Gladiator. I made the mistake of raw 625 00:25:28,320 --> 00:25:31,520 Speaker 1: dogging a sweatshirt, meaning I did not wear a T 626 00:25:31,640 --> 00:25:35,000 Speaker 1: shirt underneath, because right now we're in wintertime is so 627 00:25:35,160 --> 00:25:38,639 Speaker 1: cold and it's cold and for the most part, movie 628 00:25:38,640 --> 00:25:39,639 Speaker 1: theaters are cold. 629 00:25:40,040 --> 00:25:41,520 Speaker 2: But they had cranked the heat that night. 630 00:25:41,600 --> 00:25:44,520 Speaker 1: But for some reason, this theater was like it was 631 00:25:44,560 --> 00:25:47,520 Speaker 1: hot a hot box. It's like they turned off the ac, 632 00:25:47,720 --> 00:25:49,919 Speaker 1: turn off the fans, and turned on the heater. So 633 00:25:50,000 --> 00:25:51,639 Speaker 1: I went into it thinking that we were going to 634 00:25:51,680 --> 00:25:54,040 Speaker 1: be in a nice, cool theater. I was like, oh, 635 00:25:54,119 --> 00:25:56,719 Speaker 1: maybe I'll just be nice and cozy, and my my 636 00:25:56,760 --> 00:25:59,040 Speaker 1: hoodie I'll put my pockets in there, I'll put my 637 00:25:59,080 --> 00:26:01,439 Speaker 1: snack in there. And it was so hot, and I 638 00:26:01,480 --> 00:26:03,920 Speaker 1: didn't have a T shirt on underneath, so I spent 639 00:26:04,000 --> 00:26:05,880 Speaker 1: the entire movie sweating. 640 00:26:06,119 --> 00:26:08,160 Speaker 2: Yeah you were. You were having a rough time. 641 00:26:08,200 --> 00:26:11,080 Speaker 1: And now it's so uncomfortable because before I'd done the 642 00:26:11,080 --> 00:26:13,280 Speaker 1: opposite of regretting that breaking a sweater and I've been 643 00:26:13,320 --> 00:26:16,480 Speaker 1: freezing in movies. I think it's much worse not wearing 644 00:26:16,520 --> 00:26:18,320 Speaker 1: a shirt underneath than being stuck. 645 00:26:18,040 --> 00:26:19,600 Speaker 2: Hot, Haven't I tall? You layer? 646 00:26:20,040 --> 00:26:22,879 Speaker 1: Yeah, but I just felt so confident in just not 647 00:26:22,960 --> 00:26:24,120 Speaker 1: wearing a shirt underneath. 648 00:26:24,119 --> 00:26:27,800 Speaker 2: So layer, always layer on an airplane, layer at the movie. 649 00:26:27,920 --> 00:26:29,960 Speaker 1: I just like the feeling of just having a sweater on. 650 00:26:30,240 --> 00:26:32,520 Speaker 1: It just feels more comfortable to me. It depends on 651 00:26:32,560 --> 00:26:34,960 Speaker 1: the interior fabric. It feels like I'm wearing like a blanket, 652 00:26:35,000 --> 00:26:36,760 Speaker 1: just straight on. So a lesson. 653 00:26:37,000 --> 00:26:38,680 Speaker 2: She didn't wear your Spiderman blanket, you'd have been a 654 00:26:38,720 --> 00:26:42,560 Speaker 2: real hot died. Speaking of Spiderman blanket, you walked out 655 00:26:42,920 --> 00:26:44,960 Speaker 2: of our bedroom earlier, and we have like a so 656 00:26:45,040 --> 00:26:47,640 Speaker 2: my desk is in our living room because someone gets 657 00:26:47,640 --> 00:26:48,480 Speaker 2: the office in the list. 658 00:26:48,560 --> 00:26:49,800 Speaker 1: Tell your version of the story. 659 00:26:50,480 --> 00:26:54,000 Speaker 2: So the blanket basket for the living room is next 660 00:26:54,000 --> 00:26:56,120 Speaker 2: to my desk, and your Spider Man hoodie had fallen 661 00:26:56,160 --> 00:26:57,520 Speaker 2: out of it earlier, so just picked it up in 662 00:26:57,520 --> 00:26:59,680 Speaker 2: through back and I'm sitting at my desk typing, working 663 00:26:59,760 --> 00:27:01,960 Speaker 2: and you you're like, do you wear my Spider Man hoodie? 664 00:27:02,320 --> 00:27:02,680 Speaker 1: Mm hmm. 665 00:27:02,800 --> 00:27:05,159 Speaker 2: I was like, excuse me, and you're like, it's moved, 666 00:27:05,520 --> 00:27:08,000 Speaker 2: and I said, that's what you noticed has been moved 667 00:27:08,040 --> 00:27:10,560 Speaker 2: in this house. That's what you notice is out of place. 668 00:27:10,840 --> 00:27:12,520 Speaker 2: It's never the trash by the door that needs to 669 00:27:12,560 --> 00:27:15,080 Speaker 2: be taken out. It's the spider Man hoodie that is 670 00:27:15,119 --> 00:27:16,399 Speaker 2: off by like a centimeter. 671 00:27:16,920 --> 00:27:17,399 Speaker 1: You wore it. 672 00:27:17,600 --> 00:27:19,600 Speaker 2: I didn't wear it. I didn't. 673 00:27:19,680 --> 00:27:21,240 Speaker 1: You're like, I want to know what this feels like. 674 00:27:21,680 --> 00:27:23,840 Speaker 2: No, Nope, because you always put your feet in it. 675 00:27:23,920 --> 00:27:24,439 Speaker 2: I don't want to. 676 00:27:24,680 --> 00:27:26,240 Speaker 1: Wear it's an all body blanket. 677 00:27:26,320 --> 00:27:28,720 Speaker 2: I don't. I'm not wearing anything that your feet of touch. 678 00:27:30,080 --> 00:27:32,040 Speaker 1: But that is a lesson. Never a raw dog a 679 00:27:32,080 --> 00:27:33,480 Speaker 1: sweatshirt to a movie. 680 00:27:33,560 --> 00:27:35,040 Speaker 2: Please stop saying around because you. 681 00:27:35,040 --> 00:27:37,960 Speaker 1: Will have a bad time. We've been going a while now, 682 00:27:37,960 --> 00:27:41,040 Speaker 1: but we can do our TV shows of the month? 683 00:27:41,560 --> 00:27:42,560 Speaker 1: Was your favorite TV show? 684 00:27:43,080 --> 00:27:44,760 Speaker 2: I'm trying to think what I watched this month, I'll 685 00:27:44,800 --> 00:27:46,680 Speaker 2: go for We're also gone. Yeah, it was gone for 686 00:27:46,720 --> 00:27:47,200 Speaker 2: two weekends. 687 00:27:47,560 --> 00:27:50,000 Speaker 1: We crammed everything in. Towards the end of November. 688 00:27:49,600 --> 00:27:51,560 Speaker 2: I watched The Diplomat season two on Netflix. 689 00:27:51,640 --> 00:27:52,199 Speaker 1: Do you like that? 690 00:27:52,320 --> 00:27:55,399 Speaker 2: I did. It's really hard though, And I told you 691 00:27:55,440 --> 00:27:57,720 Speaker 2: I was gonna bring this up, so about The Diplomat too, 692 00:27:57,840 --> 00:28:02,240 Speaker 2: and about this show on Apple TV. Streaming services have 693 00:28:02,480 --> 00:28:05,439 Speaker 2: to stop putting two plus years in between seasons. I 694 00:28:05,520 --> 00:28:07,800 Speaker 2: don't know what happened anymore. The amount of TV and 695 00:28:07,800 --> 00:28:10,600 Speaker 2: books I read season one out of my head, gone minute, 696 00:28:10,640 --> 00:28:14,400 Speaker 2: I'm done watching it. Gone, Like Apple is putting back 697 00:28:14,400 --> 00:28:17,080 Speaker 2: out that show's surface. I was like, sounds familiar. It's 698 00:28:17,119 --> 00:28:20,840 Speaker 2: coming out in February twenty twenty five. It aired July 699 00:28:20,920 --> 00:28:23,879 Speaker 2: through September of twenty twenty two. We've got to stop 700 00:28:24,040 --> 00:28:27,280 Speaker 2: putting such a long period of time, or your recap 701 00:28:27,359 --> 00:28:29,800 Speaker 2: episode needs to be an hour long. Yeah, I don't 702 00:28:29,800 --> 00:28:31,399 Speaker 2: know what happened, thank you. 703 00:28:31,880 --> 00:28:34,560 Speaker 1: That is an issue. I think that's also streaming services. 704 00:28:34,720 --> 00:28:36,600 Speaker 1: I mean, TV shows are so expensive to make, and 705 00:28:36,600 --> 00:28:38,040 Speaker 1: they don't really make a whole lot of money like 706 00:28:38,080 --> 00:28:39,920 Speaker 1: movies do. Like instantly a movie comes out. It can 707 00:28:39,960 --> 00:28:43,160 Speaker 1: make money, but I just feel like overall streaming services 708 00:28:43,200 --> 00:28:46,880 Speaker 1: are hurting financially, so I think I mean, it's also 709 00:28:46,960 --> 00:28:48,640 Speaker 1: less episodes too. If you think about a lot of 710 00:28:48,680 --> 00:28:52,440 Speaker 1: those episodes now or seasons or eight ten episodes maybe. 711 00:28:52,160 --> 00:28:54,360 Speaker 2: Listen, Virgin River comes out once a year on Netflix. 712 00:28:54,440 --> 00:28:56,520 Speaker 2: Some shows can do it ten episodes. It does come 713 00:28:56,520 --> 00:28:58,200 Speaker 2: out in two weeks, so I don't clear my calendar 714 00:28:58,200 --> 00:28:58,480 Speaker 2: for that. 715 00:28:58,760 --> 00:29:00,480 Speaker 1: For my best TV show in the month, it was 716 00:29:00,560 --> 00:29:03,240 Speaker 1: easily The Penguin. If I had to rate a TV show, 717 00:29:03,880 --> 00:29:05,480 Speaker 1: I was it close to a five out of five 718 00:29:06,440 --> 00:29:09,960 Speaker 1: because at moments it had you rooting for the penguin 719 00:29:10,000 --> 00:29:11,760 Speaker 1: and you forget that he's a villain, and by the 720 00:29:11,840 --> 00:29:14,000 Speaker 1: end of it, it reminds you, oh, he's a villain. 721 00:29:14,120 --> 00:29:16,320 Speaker 1: And I think I love it so much because I 722 00:29:16,400 --> 00:29:19,680 Speaker 1: did The Batman with Robert Pattinson was like one of 723 00:29:19,680 --> 00:29:23,320 Speaker 1: my favorite portrayals of the character. And now I cannot 724 00:29:23,360 --> 00:29:25,960 Speaker 1: wait to see how this ties into the Batman two, 725 00:29:25,960 --> 00:29:28,160 Speaker 1: which I think it's good. Like, I don't think they're 726 00:29:28,160 --> 00:29:30,840 Speaker 1: gonna put anything out in between that because Batman two 727 00:29:30,880 --> 00:29:33,200 Speaker 1: is supposed to come out in twenty twenty six, so 728 00:29:33,280 --> 00:29:35,920 Speaker 1: far away. Again with movies too. It takes so long, 729 00:29:36,000 --> 00:29:39,720 Speaker 1: but these things are so freaking expensive. But yeah, that 730 00:29:39,840 --> 00:29:43,600 Speaker 1: was my favorite show. And Diane, you got a book. 731 00:29:44,000 --> 00:29:46,000 Speaker 2: Ye, I don't remember what I read this month. Let's see, 732 00:29:46,200 --> 00:29:48,680 Speaker 2: let's go to my We will be doing my yearly 733 00:29:48,760 --> 00:29:51,320 Speaker 2: best books. But I will do a plug for this now. 734 00:29:51,360 --> 00:29:53,600 Speaker 2: So I'm using this new reading app called story Graph. 735 00:29:53,640 --> 00:29:56,840 Speaker 2: It's great, created by a woman. It has like much 736 00:29:56,880 --> 00:30:01,080 Speaker 2: better functionality. You can rate by quarter stars, so you 737 00:30:01,120 --> 00:30:02,920 Speaker 2: can give like a four point two five, a four 738 00:30:02,960 --> 00:30:05,360 Speaker 2: point five, a four point seven five, whereas on Goodreads 739 00:30:05,400 --> 00:30:07,560 Speaker 2: you can only give something whole stars, and a four 740 00:30:07,720 --> 00:30:09,680 Speaker 2: is very different from four point seven five. But then 741 00:30:09,680 --> 00:30:11,280 Speaker 2: I have to read a four point seven five of five, 742 00:30:11,320 --> 00:30:12,960 Speaker 2: and I don't mean that it's really a five because 743 00:30:12,960 --> 00:30:16,400 Speaker 2: a five is outstanding. So story Graph great. They also 744 00:30:16,480 --> 00:30:19,160 Speaker 2: create these cool little like graphics and charts for you 745 00:30:19,200 --> 00:30:21,200 Speaker 2: of like the different books you read, by the genre, 746 00:30:21,320 --> 00:30:22,840 Speaker 2: the page number, the pace of books. 747 00:30:23,480 --> 00:30:25,520 Speaker 1: Story Graph do we put in the episode notes? 748 00:30:25,640 --> 00:30:29,280 Speaker 2: Should? It's amazing? Okay, what did I read this month? Okay? 749 00:30:29,320 --> 00:30:32,720 Speaker 2: I'm gonna go with The Brier Club by Kate Quinn 750 00:30:32,800 --> 00:30:35,200 Speaker 2: historical fiction, pre visual but not about World War Two. 751 00:30:35,600 --> 00:30:38,760 Speaker 2: It is post World War two in like the McCarthy era, 752 00:30:38,880 --> 00:30:40,680 Speaker 2: so when they were really worried about communism in the 753 00:30:40,720 --> 00:30:44,600 Speaker 2: United States. Kate Quinn is one of my favorite historical 754 00:30:44,600 --> 00:30:47,240 Speaker 2: fiction writers, and it's about this group of women that 755 00:30:47,840 --> 00:30:50,040 Speaker 2: lives in like the Sporting House, and how their stories 756 00:30:50,080 --> 00:30:52,800 Speaker 2: tied to each other. And it takes you through. It's 757 00:30:52,800 --> 00:30:54,640 Speaker 2: almost kind of like a mystery at the beginning, and 758 00:30:54,680 --> 00:30:56,440 Speaker 2: then you go back and like each woman has a 759 00:30:56,520 --> 00:31:00,480 Speaker 2: chapter detailing their backstory. Really well done. Loved that one. 760 00:31:01,080 --> 00:31:04,000 Speaker 2: I just love anything Cake Quinn. Right, So, yeah, that's 761 00:31:04,040 --> 00:31:05,880 Speaker 2: my book of the month. Uh. 762 00:31:06,040 --> 00:31:08,760 Speaker 1: Comic i'm reading right now is Absolute Batman. I read 763 00:31:08,800 --> 00:31:10,720 Speaker 1: issue one and two. It's the comic that took me 764 00:31:10,760 --> 00:31:11,440 Speaker 1: forever to find. 765 00:31:11,760 --> 00:31:13,120 Speaker 2: It did take a long time to find the one. 766 00:31:13,200 --> 00:31:15,480 Speaker 1: Yeah, Issue too is really good. That's really all I'm 767 00:31:15,480 --> 00:31:17,920 Speaker 1: reading right now. I would say that my goal in 768 00:31:17,960 --> 00:31:19,880 Speaker 1: twenty twenty five is going to be to finish a book, 769 00:31:19,920 --> 00:31:22,120 Speaker 1: but I just can't do it. I'm going to commit 770 00:31:22,160 --> 00:31:23,800 Speaker 1: to comics and graphic novels. 771 00:31:23,840 --> 00:31:26,840 Speaker 2: There you go. I think that's fine, read what you enjoy, 772 00:31:27,440 --> 00:31:30,000 Speaker 2: but we will do I'm on my goal this year 773 00:31:30,040 --> 00:31:33,400 Speaker 2: with eighty books and I'm reading. I'm reading like four 774 00:31:33,400 --> 00:31:36,280 Speaker 2: books right now, but I will finish eighty soon. But 775 00:31:36,360 --> 00:31:37,840 Speaker 2: I think the one I'm reading could be in my 776 00:31:37,880 --> 00:31:39,920 Speaker 2: top ten list, so I need to finish it before 777 00:31:40,240 --> 00:31:41,000 Speaker 2: we record that. 778 00:31:41,720 --> 00:31:43,360 Speaker 1: There you go, anything else you want to talk about. 779 00:31:43,560 --> 00:31:45,400 Speaker 2: I did go start making my list, and I don't 780 00:31:45,400 --> 00:31:47,120 Speaker 2: think any of the books that are my favorites of 781 00:31:47,120 --> 00:31:51,800 Speaker 2: the year revolved around men. Shocking, I know. Oh. I 782 00:31:51,840 --> 00:31:54,960 Speaker 2: also read one. It was called When Women Ran Fifth Avenue. 783 00:31:55,200 --> 00:32:00,520 Speaker 2: Very interesting if you're into the history of New York fashion. 784 00:32:00,600 --> 00:32:04,360 Speaker 2: It's about how Fit Avenue became this huge shopping mecca 785 00:32:05,080 --> 00:32:06,800 Speaker 2: and like all of the department stores back then, and 786 00:32:06,840 --> 00:32:09,800 Speaker 2: how at one point women were running all of them. 787 00:32:10,200 --> 00:32:11,520 Speaker 2: And I thought that was very fascinating. 788 00:32:11,760 --> 00:32:14,640 Speaker 1: While you were saying that, I realized something ironic. I'm 789 00:32:14,680 --> 00:32:15,840 Speaker 1: round dog in this sweatshirt. 790 00:32:16,600 --> 00:32:19,000 Speaker 2: I don't think everyone needed to see that much. Trust here. 791 00:32:19,240 --> 00:32:21,240 Speaker 1: All right, We'll come back and do a spoiler free 792 00:32:21,240 --> 00:32:28,120 Speaker 1: review of Gladiator too, because you hated it, all right? Alright, alright, 793 00:32:28,200 --> 00:32:32,040 Speaker 1: let's get into a spoiler free movie review of Gladiator two. 794 00:32:32,160 --> 00:32:35,520 Speaker 1: Before we talk about two. Let's talk about one because 795 00:32:35,520 --> 00:32:37,800 Speaker 1: I would say my relationship with the first one is 796 00:32:38,280 --> 00:32:40,480 Speaker 1: really wasn't one of my favorite movies in the two thousands, 797 00:32:40,520 --> 00:32:45,280 Speaker 1: I can recognize its impact. Really, Scott obviously made that 798 00:32:45,400 --> 00:32:48,160 Speaker 1: movie with the intent, I think of making a more 799 00:32:48,360 --> 00:32:51,600 Speaker 1: I don't want to say, completely historically accurate movie, but 800 00:32:51,720 --> 00:32:55,080 Speaker 1: he did draw a lot of inspiration from actual historical 801 00:32:55,160 --> 00:32:59,560 Speaker 1: figures to create Russell Crow's character. So Russell Crost's character 802 00:32:59,600 --> 00:33:01,760 Speaker 1: from the first movie is based on a lot of people. 803 00:33:02,520 --> 00:33:05,240 Speaker 1: And if I watched that movie, which I actually rewatched 804 00:33:05,240 --> 00:33:06,800 Speaker 1: it going into this winter, just because I wanted to 805 00:33:06,840 --> 00:33:09,880 Speaker 1: be refreshed. Back when that movie came out, I was 806 00:33:09,920 --> 00:33:12,120 Speaker 1: pretty young when I watched it. I remember watching it 807 00:33:12,160 --> 00:33:14,720 Speaker 1: on DVD and thinking, Wow, that was a cool movie, 808 00:33:15,040 --> 00:33:17,240 Speaker 1: and then I never really thought about it again. I'll 809 00:33:17,280 --> 00:33:19,720 Speaker 1: be honest, it's just not one of my favorite movies. 810 00:33:20,040 --> 00:33:24,640 Speaker 1: But to some people, this is a covied movie that 811 00:33:25,280 --> 00:33:27,440 Speaker 1: a lot of people were upset that it was getting 812 00:33:27,520 --> 00:33:30,200 Speaker 1: a sequel. I've been there before. There have been movies 813 00:33:30,640 --> 00:33:32,520 Speaker 1: that have made sequels that I was like, you should 814 00:33:32,560 --> 00:33:35,720 Speaker 1: not do it. Don't mess with the original, You're only 815 00:33:35,760 --> 00:33:39,520 Speaker 1: going to make it worse. I wasn't on that level 816 00:33:39,560 --> 00:33:42,479 Speaker 1: with this movie. Didn't have that personal relationship. Gladiator one 817 00:33:42,480 --> 00:33:44,200 Speaker 1: and I didn't hook up. We knew each other, we 818 00:33:44,200 --> 00:33:46,880 Speaker 1: were friends, we were acquaintances, but it was more like, oh, 819 00:33:46,880 --> 00:33:50,600 Speaker 1: another Gladiator movie. That's cool, they're casting Paul Meskel. You know, 820 00:33:50,720 --> 00:33:53,760 Speaker 1: I really only know him from After Son a couple 821 00:33:53,840 --> 00:33:57,080 Speaker 1: of other movies, mainly from being Phoebe Bridger's ex boyfriend. 822 00:33:57,720 --> 00:34:00,680 Speaker 1: I couldn't really see him in that role just because 823 00:34:00,760 --> 00:34:02,959 Speaker 1: all the movies I have seen him in he's been 824 00:34:02,960 --> 00:34:05,760 Speaker 1: an indie darkling. So I was going into this just 825 00:34:05,840 --> 00:34:09,759 Speaker 1: wanting to watch a fun movie. Had no real expectations 826 00:34:09,800 --> 00:34:12,399 Speaker 1: into it. You throw Denzel Washington in there, I'm all 827 00:34:12,400 --> 00:34:14,879 Speaker 1: in for it. But to some people, they were wanting 828 00:34:14,920 --> 00:34:18,400 Speaker 1: to see something as good as the first one, and 829 00:34:18,480 --> 00:34:22,080 Speaker 1: I didn't have those expectations. So what Gladiator Too is 830 00:34:22,120 --> 00:34:26,600 Speaker 1: about takes place about sixteen years after that original movie. 831 00:34:27,800 --> 00:34:31,520 Speaker 1: If you haven't seen it at this point, I feel 832 00:34:31,560 --> 00:34:34,359 Speaker 1: like this movie kind of tells you what happens at 833 00:34:34,360 --> 00:34:36,520 Speaker 1: the end of Gladiator. Because Russell Crowe is not in 834 00:34:36,520 --> 00:34:38,880 Speaker 1: this movie, maybe some people haven't seen it, maybe some 835 00:34:38,920 --> 00:34:41,000 Speaker 1: people still want to watch that one before this movie. 836 00:34:41,440 --> 00:34:44,239 Speaker 1: I think that is common movie knowledge by Now the 837 00:34:44,320 --> 00:34:47,600 Speaker 1: movie is over twenty years old at this point, so 838 00:34:47,680 --> 00:34:51,120 Speaker 1: it far exceeds the spoiler warning. So if for some 839 00:34:51,160 --> 00:34:53,640 Speaker 1: reason you don't know what happens to Russell Crow's character, 840 00:34:54,080 --> 00:34:57,440 Speaker 1: fast forward in this skip this on YouTube. He dies, 841 00:34:57,800 --> 00:35:00,279 Speaker 1: so he's not in this one, and that is this 842 00:35:00,320 --> 00:35:03,719 Speaker 1: movie is about sixteen years after his death. You have 843 00:35:03,840 --> 00:35:07,239 Speaker 1: Paul Meskal's character. I believe I am pronouncing his name right. 844 00:35:07,239 --> 00:35:09,919 Speaker 1: I am so fixated on names now after being called 845 00:35:10,000 --> 00:35:12,520 Speaker 1: out by saying some people's names wrong, which I believe 846 00:35:12,560 --> 00:35:15,520 Speaker 1: is how you say his name Mescal not Mescal, because 847 00:35:15,560 --> 00:35:17,760 Speaker 1: I think he gets people confusing it with the alcohol. 848 00:35:17,880 --> 00:35:21,800 Speaker 1: But anyway, Paul Meskal's character starts out at the beginning 849 00:35:21,840 --> 00:35:24,959 Speaker 1: of this one and he loses everything. He is trying 850 00:35:24,960 --> 00:35:28,120 Speaker 1: to defend his city, trying to defend his home, and 851 00:35:28,239 --> 00:35:32,400 Speaker 1: Pedro Pascal's character comes in and basically Rex House takes 852 00:35:32,400 --> 00:35:34,840 Speaker 1: over the place in the name of the Roman Empire, 853 00:35:35,280 --> 00:35:37,760 Speaker 1: and then he is captured and has to be forced 854 00:35:37,760 --> 00:35:40,200 Speaker 1: to become a gladiator thrown into the coliseum, much like 855 00:35:40,280 --> 00:35:43,160 Speaker 1: Russell Crow did in the first one. Now, big difference 856 00:35:43,200 --> 00:35:45,759 Speaker 1: is between the first act of this movie and the 857 00:35:45,800 --> 00:35:48,560 Speaker 1: first act of Gladiator one. A lot of similarities a 858 00:35:48,600 --> 00:35:51,919 Speaker 1: lot of parallels throughout the entire film, but I would 859 00:35:51,960 --> 00:35:55,400 Speaker 1: say where it differs the most is how our characters 860 00:35:55,400 --> 00:35:58,400 Speaker 1: get into the coliseum as far as the timeline, and 861 00:35:58,440 --> 00:36:01,560 Speaker 1: what I liked about the first one is you spend 862 00:36:01,600 --> 00:36:04,719 Speaker 1: a lot more time with Russell Crow's character, getting to 863 00:36:04,800 --> 00:36:07,520 Speaker 1: know how badass he is and seeing all those things 864 00:36:07,840 --> 00:36:10,520 Speaker 1: of him fighting people, how much of a warrior he is. 865 00:36:10,560 --> 00:36:14,040 Speaker 1: I think my favorite scene in that first movie is 866 00:36:14,080 --> 00:36:16,879 Speaker 1: whenever he is straight up prisoner and finds a way 867 00:36:16,920 --> 00:36:19,800 Speaker 1: to escape and then grabs the sword with his hands 868 00:36:19,840 --> 00:36:21,640 Speaker 1: like that was an awesome moment that sets you up 869 00:36:21,680 --> 00:36:23,680 Speaker 1: for the rest of the movie that he is going 870 00:36:23,719 --> 00:36:26,880 Speaker 1: to be a force to be reckoned with. But in 871 00:36:26,920 --> 00:36:29,640 Speaker 1: Gladiator two, everything happens a lot more quickly. It still 872 00:36:29,680 --> 00:36:33,040 Speaker 1: starts out with a big battle, much like Gladiator one did, 873 00:36:33,800 --> 00:36:37,200 Speaker 1: but you get less time to know Paul Meskal's character, 874 00:36:38,239 --> 00:36:42,560 Speaker 1: and really you are only told how strong and how 875 00:36:42,640 --> 00:36:45,120 Speaker 1: much of a fighter he is in the beginning. You 876 00:36:45,280 --> 00:36:47,520 Speaker 1: learn that later as he fights more and more people 877 00:36:47,719 --> 00:36:51,080 Speaker 1: and animals. But I feel like you had more time 878 00:36:51,120 --> 00:36:55,600 Speaker 1: to spend with Russell Crow's character and you fully got that, Oh, Okay, 879 00:36:55,840 --> 00:36:59,440 Speaker 1: this dude is awesome. He's going to rip everybody to shreds. 880 00:36:59,440 --> 00:37:02,239 Speaker 1: With Paul Mess, you kind of had to grow with 881 00:37:02,280 --> 00:37:04,880 Speaker 1: the character a little bit more. And I feel like 882 00:37:04,920 --> 00:37:06,879 Speaker 1: that hurt the movie a little bit, because I think 883 00:37:06,920 --> 00:37:10,080 Speaker 1: that was the one hang up I had going into 884 00:37:10,120 --> 00:37:12,160 Speaker 1: the movie. Is this guy really going to be able 885 00:37:12,160 --> 00:37:15,640 Speaker 1: to pull off being a gladiator? But dude committed to 886 00:37:15,840 --> 00:37:18,680 Speaker 1: getting in shape for the role. He looked great, and 887 00:37:18,719 --> 00:37:20,960 Speaker 1: by the end of the movie all of my doubts 888 00:37:20,960 --> 00:37:23,600 Speaker 1: were really gone. I just would have liked to see 889 00:37:23,640 --> 00:37:26,480 Speaker 1: a little bit more of his development early on, just 890 00:37:26,520 --> 00:37:28,560 Speaker 1: to have me rooting for him earlier in the movie. 891 00:37:28,640 --> 00:37:31,520 Speaker 1: But that is getting very nitpicky. I understand that. I 892 00:37:31,560 --> 00:37:33,640 Speaker 1: always say, in those first twenty minutes you can tell 893 00:37:33,680 --> 00:37:35,319 Speaker 1: if a movie is going to be good or not. 894 00:37:35,800 --> 00:37:38,000 Speaker 1: And I could tell that this movie was at least 895 00:37:38,040 --> 00:37:40,319 Speaker 1: going to be worthy of my time. But I also 896 00:37:40,480 --> 00:37:42,359 Speaker 1: knew that it was not going to be as good 897 00:37:42,440 --> 00:37:46,120 Speaker 1: as the original, and I started thinking about how that 898 00:37:46,200 --> 00:37:49,960 Speaker 1: might feel to some other people. I took into consideration 899 00:37:50,120 --> 00:37:53,440 Speaker 1: these film bros after the movie who were really upset 900 00:37:53,880 --> 00:37:57,120 Speaker 1: they hated this movie, And I think why that is 901 00:37:57,320 --> 00:38:01,399 Speaker 1: is because it tries to be upon the first one, 902 00:38:01,480 --> 00:38:04,640 Speaker 1: which a good sequel does. And I almost feel like 903 00:38:05,320 --> 00:38:08,560 Speaker 1: if this would have been a standalone sequel, less people 904 00:38:08,560 --> 00:38:10,279 Speaker 1: would have had a problem with it. And I think 905 00:38:10,320 --> 00:38:13,160 Speaker 1: you could have done that because the gladiator format is 906 00:38:13,239 --> 00:38:16,160 Speaker 1: kind of there. You take the same situation, but just 907 00:38:16,200 --> 00:38:18,719 Speaker 1: don't try to tie it into that first one whatsoever. 908 00:38:19,440 --> 00:38:22,520 Speaker 1: I think when they started to do that, the plotline 909 00:38:22,560 --> 00:38:26,640 Speaker 1: became a little bit more unbelievable. The waters got a 910 00:38:26,640 --> 00:38:29,440 Speaker 1: little muddy, and all of the webs of how this 911 00:38:29,560 --> 00:38:32,560 Speaker 1: connected to Hear just didn't quite add up. I think 912 00:38:32,600 --> 00:38:35,680 Speaker 1: that is what really hurt this movie. If he would 913 00:38:35,680 --> 00:38:38,600 Speaker 1: have just been an entirely new character, had no connection 914 00:38:38,680 --> 00:38:41,239 Speaker 1: with that one, it would have felt less like, Oh, 915 00:38:41,360 --> 00:38:44,160 Speaker 1: you're making this sequel to spit on the grave of 916 00:38:44,200 --> 00:38:46,160 Speaker 1: the first one. I don't think that's what Ridley Scott 917 00:38:46,200 --> 00:38:48,440 Speaker 1: was trying to do. And the other thing you have 918 00:38:48,520 --> 00:38:52,200 Speaker 1: to realize about Ridley Scott, dude is eighty seven years old. 919 00:38:52,680 --> 00:38:56,439 Speaker 1: He does not care at this point what anybody thinks 920 00:38:56,440 --> 00:38:59,040 Speaker 1: of his movies. He just doesn't. He is making movies 921 00:38:59,239 --> 00:39:01,239 Speaker 1: that he wants to make. Why didn't you do that? 922 00:39:01,320 --> 00:39:04,960 Speaker 1: At eighty seven years old. Look at Napoleon. I feel 923 00:39:04,960 --> 00:39:06,600 Speaker 1: like he'd been wanting to make that movie for a 924 00:39:06,680 --> 00:39:09,960 Speaker 1: long time. And the thing that he does is he 925 00:39:10,000 --> 00:39:15,000 Speaker 1: makes historical dramas with really bloody, intense violence. That is 926 00:39:15,040 --> 00:39:19,080 Speaker 1: his calling card. And the difference between Gladiator one and 927 00:39:19,120 --> 00:39:23,120 Speaker 1: two is I feel with Gladiator one he at least 928 00:39:23,160 --> 00:39:28,960 Speaker 1: tried to pull inspiration from historical facts and be a 929 00:39:29,000 --> 00:39:33,160 Speaker 1: little bit more accurate, and in this one. For Gladiator two, 930 00:39:33,760 --> 00:39:36,439 Speaker 1: he straight up just said to people, were you there? 931 00:39:37,320 --> 00:39:37,400 Speaker 2: Like? 932 00:39:37,480 --> 00:39:39,640 Speaker 1: Were you there back in the day? I don't think 933 00:39:39,719 --> 00:39:42,680 Speaker 1: you were. So I'm gonna make this movie based upon 934 00:39:42,719 --> 00:39:45,520 Speaker 1: what I've read and based upon the movie I want 935 00:39:45,520 --> 00:39:48,239 Speaker 1: to make. And that tells me that he doesn't care 936 00:39:48,280 --> 00:39:50,799 Speaker 1: what you think, and I can respect that. Again, dude 937 00:39:50,840 --> 00:39:54,520 Speaker 1: is eighty seven years old, has made amazing movies throughout 938 00:39:54,560 --> 00:39:58,279 Speaker 1: his career, is a legendary director. Why should I be 939 00:39:58,360 --> 00:40:02,040 Speaker 1: questioning his decisions? The studio isn't The studio is letting 940 00:40:02,080 --> 00:40:05,600 Speaker 1: them make these movies. This movie was in development starting 941 00:40:05,600 --> 00:40:09,040 Speaker 1: back in twenty eighteen. They didn't start filming until twenty 942 00:40:09,080 --> 00:40:11,759 Speaker 1: twenty two. I don't even think we heard until twenty 943 00:40:11,800 --> 00:40:14,160 Speaker 1: twenty three. That Paul Meskal was cast as the lead, 944 00:40:14,320 --> 00:40:16,560 Speaker 1: and then you have a fantastic cast with Denzel Washington, 945 00:40:16,600 --> 00:40:19,239 Speaker 1: who was my favorite in this movie, Pedro Pascal, who 946 00:40:19,280 --> 00:40:22,480 Speaker 1: was kind of just there. Pedro is solid and everything. 947 00:40:22,480 --> 00:40:24,600 Speaker 1: I really enjoy him as an actor. I don't know 948 00:40:24,640 --> 00:40:27,360 Speaker 1: that his presence really took this movie to another level, 949 00:40:27,680 --> 00:40:30,480 Speaker 1: but I enjoyed his role, and I don't think it 950 00:40:30,520 --> 00:40:33,719 Speaker 1: was as impactful as anything from the first movie where 951 00:40:33,719 --> 00:40:36,200 Speaker 1: he had Russell Crow and Joaquin Phoenix, which was just 952 00:40:36,239 --> 00:40:38,640 Speaker 1: acting on an entirely different level. But so I just 953 00:40:38,640 --> 00:40:41,319 Speaker 1: think Ridley Scott said out with the intention of I 954 00:40:41,400 --> 00:40:43,719 Speaker 1: want to do everything that I couldn't fit in that 955 00:40:43,760 --> 00:40:47,759 Speaker 1: first One grand example of that is the rhino. He 956 00:40:47,880 --> 00:40:51,239 Speaker 1: wanted that rhino in the first movie. But back when 957 00:40:51,239 --> 00:40:53,799 Speaker 1: they were making that early two thousands, you have to 958 00:40:53,840 --> 00:40:57,359 Speaker 1: think you're still in like late nineties technology. The CG 959 00:40:57,480 --> 00:40:59,920 Speaker 1: guy and special effects weren't there. They couldn't make it happen. 960 00:41:00,000 --> 00:41:02,560 Speaker 1: And now in twenty twenty four and in the last 961 00:41:02,600 --> 00:41:04,480 Speaker 1: couple of years that they were making this movie, he 962 00:41:04,560 --> 00:41:07,120 Speaker 1: could finally get his rhino. What surprised me about that 963 00:41:07,320 --> 00:41:10,040 Speaker 1: is that rhino didn't look that good. Really, none of 964 00:41:10,040 --> 00:41:12,960 Speaker 1: the animals looked that good in this movie, and that 965 00:41:13,120 --> 00:41:15,520 Speaker 1: is what took me out of it. Started with the monkeys, 966 00:41:15,760 --> 00:41:19,480 Speaker 1: which we're vicious looking. I love that scene, but the 967 00:41:19,600 --> 00:41:23,240 Speaker 1: monkeys look fake. The rhino looked fake from the trailer. 968 00:41:23,280 --> 00:41:26,319 Speaker 1: If you've seen the trailer, at least you see they 969 00:41:26,400 --> 00:41:29,760 Speaker 1: fill the Colosseum with water and there are sharks roaming 970 00:41:29,800 --> 00:41:32,960 Speaker 1: around in the waters in the colisseum. He says, were 971 00:41:33,000 --> 00:41:35,880 Speaker 1: you there? Apparently that to him at least that happened. 972 00:41:36,000 --> 00:41:40,200 Speaker 1: And while it doesn't feel authentic, maybe it's authentic to him. 973 00:41:40,480 --> 00:41:43,839 Speaker 1: And I could sit here and cry about how it 974 00:41:43,920 --> 00:41:47,240 Speaker 1: didn't feel real or set in reality, but to be honest, 975 00:41:47,280 --> 00:41:50,680 Speaker 1: I didn't really care about that. At that point. I 976 00:41:50,800 --> 00:41:54,680 Speaker 1: was sold on the story. I was able to suspend 977 00:41:54,760 --> 00:41:58,600 Speaker 1: disbelief and just allow myself to enjoy it because I 978 00:41:58,760 --> 00:42:01,520 Speaker 1: wasn't holding it to the standards of the first one. 979 00:42:01,719 --> 00:42:03,959 Speaker 1: Once I realized it wasn't going to be as good. 980 00:42:04,280 --> 00:42:08,399 Speaker 1: It is just a fun action movie with some real 981 00:42:08,600 --> 00:42:11,200 Speaker 1: good acting. Rarely do you get a movie that is 982 00:42:11,239 --> 00:42:16,640 Speaker 1: both fun and has great a level acting from Denzel Washington, 983 00:42:16,680 --> 00:42:20,759 Speaker 1: Paul Mesk, the entire cast, fantastic actors, and that is 984 00:42:20,800 --> 00:42:23,719 Speaker 1: really what elevates this movie. If you didn't have them, 985 00:42:23,760 --> 00:42:27,120 Speaker 1: if you didn't have such a great director as really Scott, 986 00:42:27,520 --> 00:42:29,960 Speaker 1: this movie would be hot garbage. But you don't have 987 00:42:30,000 --> 00:42:32,960 Speaker 1: to worry about that because you have really great people 988 00:42:33,440 --> 00:42:36,560 Speaker 1: making this art. And it might not be what you 989 00:42:36,719 --> 00:42:39,560 Speaker 1: wanted in the sequel, but I truly believe this is 990 00:42:39,600 --> 00:42:42,480 Speaker 1: exactly the movie they wanted to make. And a lot 991 00:42:42,560 --> 00:42:45,120 Speaker 1: of people were saying this was a lazy sequel, I 992 00:42:45,120 --> 00:42:46,840 Speaker 1: would say, aside from the special effect, which it is 993 00:42:46,880 --> 00:42:50,320 Speaker 1: just surprising to me, how bad they looked and how 994 00:42:50,960 --> 00:42:54,360 Speaker 1: cheap they looked. This was a much more expensive movie 995 00:42:54,400 --> 00:42:56,560 Speaker 1: than the first one. I think almost one hundred million 996 00:42:56,640 --> 00:42:59,759 Speaker 1: more that they spent on this movie, and it still 997 00:42:59,760 --> 00:43:03,600 Speaker 1: it didn't quite look like that price tag, and it's 998 00:43:03,719 --> 00:43:06,520 Speaker 1: unfairly well at the box office, still about one hundred 999 00:43:06,520 --> 00:43:10,799 Speaker 1: million less at the time of recording this under what 1000 00:43:10,880 --> 00:43:13,160 Speaker 1: the first one made in its entire run. So I 1001 00:43:13,200 --> 00:43:15,560 Speaker 1: still think it'll climb towards that as we go through 1002 00:43:15,560 --> 00:43:17,480 Speaker 1: the holiday season. I don't know if it's gonna be 1003 00:43:17,520 --> 00:43:20,360 Speaker 1: as profitable now because it already cost one hundred million 1004 00:43:20,360 --> 00:43:22,880 Speaker 1: dollars more but that was the only part to me 1005 00:43:22,960 --> 00:43:25,839 Speaker 1: that felt lazy in any way. And I don't know 1006 00:43:25,880 --> 00:43:30,960 Speaker 1: if it was just too ambitious of special effects to 1007 00:43:31,040 --> 00:43:33,840 Speaker 1: have some of these animals that it was gonna be 1008 00:43:33,920 --> 00:43:36,360 Speaker 1: hard for this not to look fake. And I know 1009 00:43:36,440 --> 00:43:38,799 Speaker 1: a lot of people were complaining about the use of 1010 00:43:38,920 --> 00:43:41,520 Speaker 1: CGI and special effects. When it comes to filling out 1011 00:43:41,560 --> 00:43:44,200 Speaker 1: the colisseum, what are you gonna do? Are you gonna 1012 00:43:44,239 --> 00:43:47,479 Speaker 1: get thousands and thousands of extras in there? I don't 1013 00:43:47,520 --> 00:43:50,800 Speaker 1: think that is gonna happen. There are other little things 1014 00:43:50,840 --> 00:43:55,360 Speaker 1: that you think about. As people are speaking in the coliseum, 1015 00:43:55,680 --> 00:43:58,440 Speaker 1: there's no microphones and they're speaking out into the abyss, 1016 00:43:58,800 --> 00:44:03,080 Speaker 1: and you're assuming that everybody there can hear. So there 1017 00:44:03,080 --> 00:44:05,560 Speaker 1: are just some things that aren't going to add up 1018 00:44:05,560 --> 00:44:07,919 Speaker 1: when it comes to those little details. But I would 1019 00:44:07,920 --> 00:44:11,759 Speaker 1: say overall, the action is there, the performances are there, 1020 00:44:12,080 --> 00:44:14,880 Speaker 1: and even though the animals don't look the way I 1021 00:44:14,960 --> 00:44:17,560 Speaker 1: would envision them to look in a movie that costs 1022 00:44:17,600 --> 00:44:21,080 Speaker 1: this much, it's really not that distracting unless you're just 1023 00:44:21,160 --> 00:44:23,439 Speaker 1: being like, oh, why does that thing look so weird? 1024 00:44:23,520 --> 00:44:23,680 Speaker 2: To me? 1025 00:44:24,239 --> 00:44:25,840 Speaker 1: That is just a thing I noticed that I was 1026 00:44:25,840 --> 00:44:30,040 Speaker 1: surprised by but overall, nothing about this screamed cash grab 1027 00:44:30,080 --> 00:44:33,880 Speaker 1: to me. And even if it was the only reason, 1028 00:44:35,200 --> 00:44:37,560 Speaker 1: I feel okay with it in this sense because most 1029 00:44:37,600 --> 00:44:39,640 Speaker 1: times I get annoyed by cash crabs. I feel like 1030 00:44:40,200 --> 00:44:43,200 Speaker 1: it makes me think less of the people who make 1031 00:44:43,239 --> 00:44:45,319 Speaker 1: a movie for that reason. But in one of the 1032 00:44:45,320 --> 00:44:48,279 Speaker 1: plot lines, I feel like Ridley Scott told us why 1033 00:44:48,320 --> 00:44:51,040 Speaker 1: he made this movie. Because this movie focuses a lot 1034 00:44:51,120 --> 00:44:55,400 Speaker 1: on power, particularly the cost of power. Legacy is what 1035 00:44:55,520 --> 00:44:58,760 Speaker 1: you inherit from the past. And there is one moment 1036 00:44:58,880 --> 00:45:01,120 Speaker 1: that I won't reveal every thing that has spoken and 1037 00:45:01,160 --> 00:45:04,640 Speaker 1: all the details around it, but they make a reference 1038 00:45:04,680 --> 00:45:08,239 Speaker 1: to why people do certain things, and the reason they 1039 00:45:08,239 --> 00:45:11,360 Speaker 1: give is because of money. And I feel like that 1040 00:45:11,520 --> 00:45:14,080 Speaker 1: was really Scott telling us why would I make a 1041 00:45:14,120 --> 00:45:18,120 Speaker 1: sequel twenty plus years after the original one. I'll tell 1042 00:45:18,160 --> 00:45:20,440 Speaker 1: you in the movie it is because of money. I 1043 00:45:20,440 --> 00:45:22,520 Speaker 1: think he is setting up his family and thinking about 1044 00:45:22,560 --> 00:45:26,840 Speaker 1: his legacy of is he going to leave behind movies 1045 00:45:26,840 --> 00:45:29,640 Speaker 1: that he is truly proud of and does he want 1046 00:45:29,680 --> 00:45:31,839 Speaker 1: to be on his deathbed thinking oh, I just would 1047 00:45:31,880 --> 00:45:34,440 Speaker 1: have made this movie and done it this way, done 1048 00:45:34,480 --> 00:45:36,879 Speaker 1: it my own way. That is what I regret because 1049 00:45:36,880 --> 00:45:38,520 Speaker 1: that's what you regret in life, the things you don't do. 1050 00:45:39,120 --> 00:45:41,080 Speaker 1: I think that is what he is doing at this 1051 00:45:41,200 --> 00:45:43,640 Speaker 1: point in his career. You get the best of both worlds. 1052 00:45:43,640 --> 00:45:46,360 Speaker 1: You make the money, which is the root of power, 1053 00:45:46,840 --> 00:45:49,280 Speaker 1: just like in this movie, and then you leave behind 1054 00:45:49,320 --> 00:45:51,960 Speaker 1: the legacy of all these films. He told us in 1055 00:45:52,000 --> 00:45:53,960 Speaker 1: the plot line. So you can't be mad at that, 1056 00:45:54,040 --> 00:45:57,160 Speaker 1: because he showed his cards. He revealed it to us 1057 00:45:57,560 --> 00:46:00,000 Speaker 1: exactly why he is doing this, exactly why he's made 1058 00:46:00,000 --> 00:46:02,960 Speaker 1: making movies. And most times I would have an issue 1059 00:46:02,960 --> 00:46:05,440 Speaker 1: with the director making a movie without me the viewer 1060 00:46:05,560 --> 00:46:08,960 Speaker 1: in mind. How selfish of them. But it's Raisley Scott. 1061 00:46:09,120 --> 00:46:11,160 Speaker 1: I'm gonna keep going back to the well, even though 1062 00:46:11,200 --> 00:46:13,480 Speaker 1: I know exactly what he's gonna do at this point. 1063 00:46:13,800 --> 00:46:16,319 Speaker 1: So for gladiat Or two, I give it four out 1064 00:46:16,360 --> 00:46:19,760 Speaker 1: of five swords. 1065 00:46:21,440 --> 00:46:25,080 Speaker 3: It's time to head down to movie Mike trailer Paul. 1066 00:46:26,000 --> 00:46:28,720 Speaker 1: First full trailer for the new Snow White Live action 1067 00:46:28,920 --> 00:46:31,880 Speaker 1: remake is out, and I think it's gonna be Disney's 1068 00:46:31,880 --> 00:46:35,120 Speaker 1: worst bomb. Just looking at the numbers here, which let's 1069 00:46:35,160 --> 00:46:38,359 Speaker 1: break down Snow White by the numbers. The movie cost 1070 00:46:38,920 --> 00:46:43,839 Speaker 1: two hundred and nine million dollars to make. Initially wasn't 1071 00:46:43,840 --> 00:46:45,759 Speaker 1: going to be that expensive, but they had to do 1072 00:46:45,840 --> 00:46:49,480 Speaker 1: a lot of reshoots. This movie has been in development 1073 00:46:49,520 --> 00:46:51,799 Speaker 1: for eight years, took about two and a half years 1074 00:46:51,840 --> 00:46:56,560 Speaker 1: to film, multiple rewrites. I would say, just looking at 1075 00:46:56,560 --> 00:47:01,319 Speaker 1: the trailer, endless amount of scenes with unnecessary CGI. I 1076 00:47:01,320 --> 00:47:04,239 Speaker 1: think initially they were gonna have real actors play the 1077 00:47:04,280 --> 00:47:07,240 Speaker 1: Seven Dwarves. I remember seeing a set photo of snow 1078 00:47:07,239 --> 00:47:10,240 Speaker 1: White with actual actors. They opted out of that because 1079 00:47:10,239 --> 00:47:12,800 Speaker 1: I think they had some pushback online of people not 1080 00:47:13,000 --> 00:47:16,720 Speaker 1: wanting to see that in the movie, saying that probably 1081 00:47:16,760 --> 00:47:19,160 Speaker 1: wasn't the way to go. So now all the Seven 1082 00:47:19,200 --> 00:47:22,960 Speaker 1: Doors are CGI characters and they look freaky. Their facial 1083 00:47:23,000 --> 00:47:25,359 Speaker 1: features just look disturbing to me, and I am an 1084 00:47:25,360 --> 00:47:27,520 Speaker 1: adult man. I can only imagine a kid going to 1085 00:47:27,520 --> 00:47:30,360 Speaker 1: see this movie, especially a younger kid, probably gonna be 1086 00:47:30,360 --> 00:47:32,759 Speaker 1: a little terrified at the Seven Dwarves. They're not cute 1087 00:47:32,760 --> 00:47:34,520 Speaker 1: and friendly like they were in the animated movie, which 1088 00:47:34,560 --> 00:47:37,719 Speaker 1: the animated movie is so good. Their first ever animated 1089 00:47:37,760 --> 00:47:40,480 Speaker 1: movie back in nineteen thirty seven, obviously way before all 1090 00:47:40,520 --> 00:47:43,200 Speaker 1: of our times. And what I love about that movie 1091 00:47:43,239 --> 00:47:45,759 Speaker 1: is it has such a warmth to it, that hand 1092 00:47:45,840 --> 00:47:49,759 Speaker 1: drawn animation, just seeing those characters come to life with 1093 00:47:49,840 --> 00:47:52,960 Speaker 1: the soundtrack. It is the classic. And they have tried 1094 00:47:53,000 --> 00:47:56,960 Speaker 1: to do all different kinds of snow White movies. Not 1095 00:47:57,080 --> 00:47:59,840 Speaker 1: all of them have been Disney because snow White is 1096 00:48:00,040 --> 00:48:03,600 Speaker 1: in the public domain. So you've seen movies like snow 1097 00:48:03,600 --> 00:48:06,400 Speaker 1: White and The Huntsmen and all these prequels and Maleficent, 1098 00:48:06,680 --> 00:48:09,719 Speaker 1: although I think that was still Disney, but they want 1099 00:48:09,760 --> 00:48:14,120 Speaker 1: to go back to their very original movies, their core 1100 00:48:14,200 --> 00:48:18,360 Speaker 1: source material with snow White, and this movie just, oh, 1101 00:48:18,400 --> 00:48:21,000 Speaker 1: it just feels to me like it's gonna have a 1102 00:48:21,040 --> 00:48:23,000 Speaker 1: bad time at the box office. Going back to the 1103 00:48:23,120 --> 00:48:26,080 Speaker 1: numbers right now, the trailer has, at the time of 1104 00:48:26,120 --> 00:48:29,839 Speaker 1: recording this twenty four thousand likes on YouTube. It's pretty good, 1105 00:48:30,120 --> 00:48:34,360 Speaker 1: but it has six hundred thousand dislikes. It might be 1106 00:48:35,000 --> 00:48:39,279 Speaker 1: in history now the most disliked movie trailer of all 1107 00:48:39,400 --> 00:48:43,000 Speaker 1: time on YouTube, and that is not good. So what 1108 00:48:43,120 --> 00:48:45,279 Speaker 1: Disney has done here, much like they've done with their 1109 00:48:45,320 --> 00:48:50,160 Speaker 1: other classic movies, they reimagine them for a live action adaptation. 1110 00:48:50,760 --> 00:48:53,960 Speaker 1: You have snow White being played by Rachel Zegler, Evil 1111 00:48:54,040 --> 00:48:57,000 Speaker 1: Moleficent being played by Galagado. She is the evil Queen, 1112 00:48:57,640 --> 00:48:59,800 Speaker 1: and it looks like this movie isn't going to feature 1113 00:48:59,840 --> 00:49:02,759 Speaker 1: the traditional love story from the Snow White. There is 1114 00:49:02,840 --> 00:49:06,360 Speaker 1: no Prince Charming character. There is a character named Jonathan 1115 00:49:06,400 --> 00:49:09,640 Speaker 1: played by Andrew Burtnapp, but by the looks of this trailer, 1116 00:49:09,760 --> 00:49:13,160 Speaker 1: it looks the plotline they are following along snow White. 1117 00:49:13,960 --> 00:49:16,720 Speaker 1: At her home, she doesn't get along with the evil Queen. 1118 00:49:17,480 --> 00:49:20,319 Speaker 1: Somebody warns her and tells her, you need to leave 1119 00:49:20,360 --> 00:49:22,719 Speaker 1: here because she's gonna try to kill you. So she 1120 00:49:22,840 --> 00:49:25,600 Speaker 1: goes out and lives in the woods, finds the Seven Dwarfs, 1121 00:49:25,640 --> 00:49:27,760 Speaker 1: and then realizes that she needs to go back home 1122 00:49:28,200 --> 00:49:32,040 Speaker 1: and fight for her people, fight for her city because 1123 00:49:32,080 --> 00:49:34,239 Speaker 1: they need her. So maybe something the Seven Dwarfs do 1124 00:49:34,400 --> 00:49:36,960 Speaker 1: inspire her. It still looks like they sing all the 1125 00:49:36,960 --> 00:49:39,400 Speaker 1: same songs. There's just no real love story, so I 1126 00:49:39,400 --> 00:49:41,279 Speaker 1: think they're trying to get away from that. They feel 1127 00:49:41,320 --> 00:49:45,080 Speaker 1: that story is outdated. Rachel Zegler has been very, very 1128 00:49:45,120 --> 00:49:48,680 Speaker 1: opinionated almost how she doesn't even like the story in 1129 00:49:48,719 --> 00:49:51,080 Speaker 1: the original movie, which leads me to believe is she 1130 00:49:51,160 --> 00:49:54,120 Speaker 1: even doing this because she likes snow White or is 1131 00:49:54,160 --> 00:49:57,480 Speaker 1: it just a paycheck. It just seems like nobody associated 1132 00:49:57,520 --> 00:50:01,080 Speaker 1: with this movie really wants to be a part and 1133 00:50:01,120 --> 00:50:02,719 Speaker 1: that is going to be a big issue when you're 1134 00:50:02,719 --> 00:50:05,640 Speaker 1: trying to sell this movie. They're out doing the press 1135 00:50:05,760 --> 00:50:08,840 Speaker 1: run if they don't truly believe in it. And it 1136 00:50:09,400 --> 00:50:13,520 Speaker 1: had so many reshoots and issues and production delays that 1137 00:50:13,640 --> 00:50:16,319 Speaker 1: I just don't feel good about this movie going in 1138 00:50:16,360 --> 00:50:18,880 Speaker 1: the theater. Before I get into more, here's just a 1139 00:50:18,920 --> 00:50:22,840 Speaker 1: little bit of the snow white trailer, magic mirror on 1140 00:50:22,920 --> 00:50:26,720 Speaker 1: the wall. Who is the fairest of them all? Fame 1141 00:50:27,040 --> 00:50:31,720 Speaker 1: is the beauty majesty, a lovely maiden. 1142 00:50:31,840 --> 00:50:35,680 Speaker 2: I now behold, I look at you, and I just 1143 00:50:35,920 --> 00:50:41,919 Speaker 2: want to be the fairest of them all. The Queen 1144 00:50:42,040 --> 00:50:49,200 Speaker 2: is evil, evens flee into the woods. Queen, it's a human. 1145 00:50:49,320 --> 00:50:57,239 Speaker 1: What did you think I was nothing? Ghost? So you 1146 00:50:57,280 --> 00:50:59,520 Speaker 1: hear some of the high ho there at the end. 1147 00:51:00,160 --> 00:51:01,799 Speaker 1: One of my favorite teens is when they are like 1148 00:51:02,040 --> 00:51:04,080 Speaker 1: mining and they have like the things in their eyes. 1149 00:51:04,080 --> 00:51:06,480 Speaker 1: You see a little glimpse of that here too. I 1150 00:51:06,520 --> 00:51:09,120 Speaker 1: think the problem with this is that nobody asked for it. 1151 00:51:09,320 --> 00:51:12,040 Speaker 1: I also feel that this story is too classic now 1152 00:51:12,080 --> 00:51:15,480 Speaker 1: to be remade. It is so outdated with the values 1153 00:51:16,040 --> 00:51:18,680 Speaker 1: and just a plot line and the level of storytelling 1154 00:51:19,000 --> 00:51:22,040 Speaker 1: that I think just taking a known property and remaking 1155 00:51:22,080 --> 00:51:25,520 Speaker 1: it doesn't really have that same effect because it's just 1156 00:51:25,560 --> 00:51:29,240 Speaker 1: so outdated. It's too classic. The character of snow White 1157 00:51:29,440 --> 00:51:33,240 Speaker 1: is ancient that I feel that Hollywood has been punching 1158 00:51:33,239 --> 00:51:36,560 Speaker 1: this bag to death and no one cares to see 1159 00:51:36,600 --> 00:51:38,840 Speaker 1: anything about it because it's all something we already know. 1160 00:51:39,239 --> 00:51:41,080 Speaker 1: I don't even feel like kids these days want to 1161 00:51:41,120 --> 00:51:44,040 Speaker 1: go and rewatch the original one because it's so dated. 1162 00:51:44,560 --> 00:51:47,160 Speaker 1: So I just think the time that this story takes 1163 00:51:47,200 --> 00:51:50,759 Speaker 1: place is just not going to work. And if you 1164 00:51:50,880 --> 00:51:53,920 Speaker 1: try to make it so updated where snow White is 1165 00:51:54,000 --> 00:51:56,600 Speaker 1: texting and trying to appeal to gen z and she's 1166 00:51:56,600 --> 00:51:59,319 Speaker 1: a streamer instead of living out in the woods, or 1167 00:51:59,360 --> 00:52:01,759 Speaker 1: you could be like a YouTuber who lives out in 1168 00:52:01,840 --> 00:52:05,160 Speaker 1: nature with seven dudes. Maybe that would work better. But 1169 00:52:05,280 --> 00:52:09,200 Speaker 1: I just feel that a musical at this level isn't 1170 00:52:09,280 --> 00:52:12,520 Speaker 1: going to have the same effect essay a Wicked because 1171 00:52:12,560 --> 00:52:15,440 Speaker 1: it's just not on the entirely same level. If you 1172 00:52:15,480 --> 00:52:17,759 Speaker 1: look at the production design in this trailer and the 1173 00:52:17,800 --> 00:52:21,880 Speaker 1: wardrobe and all the characters, there's just not that craft 1174 00:52:21,960 --> 00:52:24,400 Speaker 1: behind this, you can't feel the love in it. It 1175 00:52:24,480 --> 00:52:27,240 Speaker 1: is from director Mark Webb, who I like. He directed 1176 00:52:27,239 --> 00:52:29,960 Speaker 1: the amazing Spider Man one and two. He did Five 1177 00:52:30,040 --> 00:52:32,719 Speaker 1: Hundred Days of Summer before those movies. I think he 1178 00:52:32,840 --> 00:52:35,840 Speaker 1: is a good director, but I just don't think that 1179 00:52:36,000 --> 00:52:38,960 Speaker 1: even having somebody like him behind this is gonna make 1180 00:52:39,040 --> 00:52:41,120 Speaker 1: me think it is a good movie. And then you 1181 00:52:41,120 --> 00:52:44,560 Speaker 1: have Rachel Segler, who really is a new actress that 1182 00:52:44,680 --> 00:52:48,239 Speaker 1: really hasn't had that breakthrough role yet. She was in 1183 00:52:48,280 --> 00:52:51,040 Speaker 1: the Hunger Games prequel. She was just in y Chu K, 1184 00:52:51,239 --> 00:52:54,040 Speaker 1: which I will review next week. She also had a 1185 00:52:54,120 --> 00:52:55,799 Speaker 1: role in Shazam Fury of the Gods. 1186 00:52:55,800 --> 00:52:56,319 Speaker 2: I thought she was. 1187 00:52:56,320 --> 00:52:59,640 Speaker 1: Pretty good in that. People hated that movie. I at 1188 00:52:59,640 --> 00:53:02,040 Speaker 1: the time I enjoyed it. I still haven't gone back 1189 00:53:02,080 --> 00:53:04,680 Speaker 1: and rewatched that one. I felt like that movie was 1190 00:53:04,760 --> 00:53:06,600 Speaker 1: kind of like a roller coaster to me. I wrote 1191 00:53:06,600 --> 00:53:08,800 Speaker 1: it once. I don't really care to get on it again. 1192 00:53:09,480 --> 00:53:13,200 Speaker 1: But I think she is a good actor. It just 1193 00:53:13,280 --> 00:53:16,759 Speaker 1: feels like her relationship with this movie hasn't been good 1194 00:53:16,800 --> 00:53:19,320 Speaker 1: and she said some things that a lot of people 1195 00:53:20,080 --> 00:53:23,480 Speaker 1: they may have rubbed them the wrong way. So I 1196 00:53:23,560 --> 00:53:26,879 Speaker 1: feel whenever you have somebody like that being so outspoken 1197 00:53:26,920 --> 00:53:30,800 Speaker 1: about not liking things about the original movie, It's gonna 1198 00:53:30,840 --> 00:53:33,120 Speaker 1: make you think that, well, do they even really want 1199 00:53:33,160 --> 00:53:34,880 Speaker 1: to do this movie? Are you buying into them with 1200 00:53:34,960 --> 00:53:37,520 Speaker 1: this character? And when you see other people like Ariana 1201 00:53:37,560 --> 00:53:40,640 Speaker 1: Grande loving the history of the Wizard of Oz and 1202 00:53:40,680 --> 00:53:43,959 Speaker 1: being so invested in it, even tweeting like ten years 1203 00:53:44,040 --> 00:53:47,560 Speaker 1: ago that it was her dream to be a part 1204 00:53:47,640 --> 00:53:50,200 Speaker 1: of Wicked and do this role, and you hear you 1205 00:53:50,239 --> 00:53:53,200 Speaker 1: have her ten fifteen years later actually doing it much 1206 00:53:53,239 --> 00:53:57,279 Speaker 1: different level. I don't think anybody is that passionate that 1207 00:53:57,320 --> 00:54:00,960 Speaker 1: they dreamed of being snow White able to play them 1208 00:54:01,239 --> 00:54:04,160 Speaker 1: whenever their acting career came to fruition. And then you 1209 00:54:04,200 --> 00:54:08,920 Speaker 1: have gal Gado, who is always I feel, a safe 1210 00:54:09,080 --> 00:54:13,040 Speaker 1: choice for studios because she does have success as wonder Woman, 1211 00:54:13,560 --> 00:54:16,719 Speaker 1: she has that name recognition. A lot of people give 1212 00:54:16,760 --> 00:54:19,000 Speaker 1: her crap for not being a good actor. I think 1213 00:54:19,040 --> 00:54:21,480 Speaker 1: she's a good actor. I just feel like she is 1214 00:54:21,520 --> 00:54:24,400 Speaker 1: that safe investment that studios make where they need to 1215 00:54:24,400 --> 00:54:27,239 Speaker 1: find somebody who fits the role but most importantly that 1216 00:54:27,320 --> 00:54:30,239 Speaker 1: they can sell. But even just from the trailer, I 1217 00:54:30,320 --> 00:54:34,560 Speaker 1: don't really see any chemistry or connection between Snow White 1218 00:54:34,600 --> 00:54:37,560 Speaker 1: and the Evil Queen, And there's nothing about the trailer 1219 00:54:38,120 --> 00:54:39,960 Speaker 1: that screams to me, I need to go see this 1220 00:54:40,120 --> 00:54:43,040 Speaker 1: in theaters. And there are some good songs in Snow White, 1221 00:54:43,640 --> 00:54:46,319 Speaker 1: but I don't think it's anything that is heightened by 1222 00:54:46,400 --> 00:54:50,040 Speaker 1: experiencing that with other people. This screams. Disney Plus just 1223 00:54:50,120 --> 00:54:52,319 Speaker 1: has it written all over to me. To me, this 1224 00:54:52,360 --> 00:54:53,839 Speaker 1: is a movie they should have made and put out, 1225 00:54:53,880 --> 00:54:56,560 Speaker 1: and maybe because it has been in development for so long, 1226 00:54:56,760 --> 00:54:59,440 Speaker 1: when they were first launching Disney Plus, whenever they put 1227 00:54:59,440 --> 00:55:02,239 Speaker 1: out the Lie Action Lady in the Tramp Movie when 1228 00:55:02,280 --> 00:55:05,480 Speaker 1: that service first rolled out, and even putting out Pinocchio 1229 00:55:05,560 --> 00:55:09,080 Speaker 1: during the pandemic. This feels on that level to me 1230 00:55:09,280 --> 00:55:13,120 Speaker 1: that it's gonna be very lifeless, very stiff and stale, 1231 00:55:13,280 --> 00:55:16,160 Speaker 1: and a classic tale that just doesn't need to be retold. 1232 00:55:16,400 --> 00:55:19,799 Speaker 1: But I also don't think I am so outraged by 1233 00:55:19,840 --> 00:55:22,160 Speaker 1: the trailer it hate it so much that's gonna stop 1234 00:55:22,200 --> 00:55:24,640 Speaker 1: me from going to Seed in theaters so I can 1235 00:55:24,760 --> 00:55:26,640 Speaker 1: review and talk about it on the podcast. I'm not 1236 00:55:26,760 --> 00:55:28,680 Speaker 1: at a level red one what I now refer to 1237 00:55:28,719 --> 00:55:30,960 Speaker 1: as movies I refuse to see in theaters. I just 1238 00:55:31,000 --> 00:55:33,440 Speaker 1: think at some point they just have to stop remaking 1239 00:55:33,480 --> 00:55:36,719 Speaker 1: these animated movies into live action movies, because when is 1240 00:55:36,760 --> 00:55:39,479 Speaker 1: it going to end? But again, this movie is coming 1241 00:55:39,520 --> 00:55:43,080 Speaker 1: out next year on March twenty first at that for 1242 00:55:43,360 --> 00:55:47,239 Speaker 1: was this week's edition of Movie min Tramer par and 1243 00:55:47,280 --> 00:55:49,440 Speaker 1: that is gonna do it for another episode here of 1244 00:55:49,440 --> 00:55:51,560 Speaker 1: the podcast. Before I go, I got to give my 1245 00:55:51,640 --> 00:55:54,480 Speaker 1: listener a shout out of the week this week. I'm 1246 00:55:54,520 --> 00:55:57,839 Speaker 1: going over to Instagram and shouting out Anthony Miller who 1247 00:55:57,880 --> 00:56:00,640 Speaker 1: tagged me in his Instagram story because he did his 1248 00:56:00,680 --> 00:56:04,160 Speaker 1: Spotify rapped and Movie Mike's Movie Podcast came in at 1249 00:56:04,239 --> 00:56:08,040 Speaker 1: number three. So appreciate that Anthony Miller, and have everybody 1250 00:56:08,040 --> 00:56:10,520 Speaker 1: who tagged me in that, which I super appreciate. Thank 1251 00:56:10,560 --> 00:56:13,799 Speaker 1: you all for listening every single week, making me a 1252 00:56:13,800 --> 00:56:16,080 Speaker 1: part of your day, part of your week. Whenever you 1253 00:56:16,200 --> 00:56:18,280 Speaker 1: go listen, maybe you go listen to a few episodes 1254 00:56:18,320 --> 00:56:20,759 Speaker 1: at once. That means the world to me. And in 1255 00:56:20,880 --> 00:56:24,200 Speaker 1: Anthony's top three, he goes Movie Mike's Movie Podcast, New Heights. 1256 00:56:24,280 --> 00:56:26,560 Speaker 1: I can respect that number one the Bobby Bone Show. 1257 00:56:26,600 --> 00:56:29,120 Speaker 1: So I am in a great top three there. Thank 1258 00:56:29,160 --> 00:56:32,400 Speaker 1: you Anthony, Thank you movie crew. If you haven't posted 1259 00:56:32,440 --> 00:56:34,360 Speaker 1: your rap yet and tag me in it. Do that, 1260 00:56:34,440 --> 00:56:36,520 Speaker 1: and maybe I'll give you next week's listener shout out. 1261 00:56:36,719 --> 00:56:39,600 Speaker 1: And until then, go out and watch good movies and 1262 00:56:39,680 --> 00:56:41,359 Speaker 1: I will talk to you later