1 00:00:17,480 --> 00:00:20,280 Speaker 1: So I'm very excited because we're here in Las Vegas 2 00:00:20,280 --> 00:00:23,439 Speaker 1: recording this and I have a massage scheduled for later 3 00:00:23,560 --> 00:00:25,800 Speaker 1: and I don't get yeah, I don't care him any 4 00:00:25,840 --> 00:00:29,480 Speaker 1: a year, but man, I love him. Nightmare nightmare. Getting 5 00:00:29,480 --> 00:00:31,760 Speaker 1: a massage is a nightmare. Las Vegas is a nightmare both. 6 00:00:32,120 --> 00:00:37,440 Speaker 1: But no, get yeah, me hitting a massage in vain. 7 00:00:38,159 --> 00:00:42,280 Speaker 1: He literally just described my like my, hell um, yeah, 8 00:00:42,360 --> 00:00:45,120 Speaker 1: I hate massages. I can't stand I don't know, I 9 00:00:45,120 --> 00:00:47,840 Speaker 1: don't I can't relax people touching me and like trying 10 00:00:47,880 --> 00:00:50,480 Speaker 1: to like push my muscles and like no, I get 11 00:00:50,479 --> 00:00:53,159 Speaker 1: more tense and more uptight. I had one time I 12 00:00:53,200 --> 00:00:54,959 Speaker 1: had one time I had a haircut that turned into 13 00:00:54,960 --> 00:00:57,320 Speaker 1: a head massage, you know sometimes they do that. I 14 00:00:57,440 --> 00:01:00,560 Speaker 1: was like, oh my god. It lasted like, I mean 15 00:01:00,680 --> 00:01:02,880 Speaker 1: maybe fifteen minutes, but it felt like, you know, an 16 00:01:02,920 --> 00:01:04,760 Speaker 1: hour and a half of like because I was like, 17 00:01:05,280 --> 00:01:07,520 Speaker 1: what are we doing? What you know, you're rubbing my scalp? 18 00:01:07,640 --> 00:01:09,639 Speaker 1: Is this a thing? And it was like it wouldn't stop, 19 00:01:09,680 --> 00:01:11,920 Speaker 1: and I was like stop this, you know, you know, 20 00:01:12,520 --> 00:01:14,880 Speaker 1: I think maybe like he noticed how uncomfortable I was 21 00:01:14,920 --> 00:01:17,319 Speaker 1: and finally gave it up. But it was like, oh no, 22 00:01:17,360 --> 00:01:19,720 Speaker 1: I just get so uncomfortable when people are like, yeah, 23 00:01:20,000 --> 00:01:24,120 Speaker 1: rubbing me, and it's just like, no, man, yeah I 24 00:01:24,160 --> 00:01:27,200 Speaker 1: am no Jensen. Jensen also doesn't like massages, and my 25 00:01:27,240 --> 00:01:31,319 Speaker 1: makeup artist Julie doesn't like massages, and I just not either. Yeah. 26 00:01:31,400 --> 00:01:34,440 Speaker 1: I just can't imagine what there isn't absolutely love about it. 27 00:01:34,640 --> 00:01:37,920 Speaker 1: I agree. It's like, you do you get the fifty 28 00:01:37,920 --> 00:01:39,960 Speaker 1: minute massage and you're like, I should have gotten the 29 00:01:40,080 --> 00:01:43,040 Speaker 1: ninety minute massage. You never get a fifty minutes if 30 00:01:43,040 --> 00:01:46,840 Speaker 1: you're gonna do it, do thee because fifty minutes by 31 00:01:46,880 --> 00:01:50,400 Speaker 1: the time you start to like really sink into a sleep, 32 00:01:50,440 --> 00:01:52,760 Speaker 1: they're like and it's over, and you're like, wait, I'm 33 00:01:52,760 --> 00:01:55,160 Speaker 1: not quite done yet. Yeah, I know I love massages. 34 00:01:55,160 --> 00:01:57,160 Speaker 1: Good for you, will, Congratulations. What are you going to 35 00:01:57,240 --> 00:02:01,160 Speaker 1: do with the rest of your day? Writer? Work? Girls? 36 00:02:01,920 --> 00:02:05,560 Speaker 1: Gonna rights? Can? I can? I have a weird thing 37 00:02:05,560 --> 00:02:07,320 Speaker 1: I want to talk about. Um And I don't know 38 00:02:07,320 --> 00:02:09,800 Speaker 1: where this is coming from, but I um, I have 39 00:02:09,880 --> 00:02:12,600 Speaker 1: found that there is a direct correlation between the older 40 00:02:12,639 --> 00:02:17,040 Speaker 1: I'm getting makes me change the superpower I wish I had? 41 00:02:17,120 --> 00:02:19,960 Speaker 1: Does anybody else have? This? Is this just me? Wait? 42 00:02:20,200 --> 00:02:22,639 Speaker 1: This is along with the underwear you change on the 43 00:02:22,639 --> 00:02:26,120 Speaker 1: flights outward boundary, like whether you're Captain America or the 44 00:02:26,200 --> 00:02:29,040 Speaker 1: Hulk or what if the Hulk? No, who flies in 45 00:02:29,120 --> 00:02:34,960 Speaker 1: Hulk underwear? It's America Chiltern's underwear. It's not children to underwear. 46 00:02:35,040 --> 00:02:37,920 Speaker 1: I wear an adult husky. Okay, So let's not even 47 00:02:38,000 --> 00:02:43,400 Speaker 1: start about the children. What superpower? I mean, is this 48 00:02:43,639 --> 00:02:45,520 Speaker 1: your kid? You know, the conversation you have, like if 49 00:02:45,560 --> 00:02:47,320 Speaker 1: you could have any superhea. So we had an episode 50 00:02:47,320 --> 00:02:49,600 Speaker 1: of our show where where we're talking about what which 51 00:02:49,600 --> 00:02:53,040 Speaker 1: superhero dad a show called Boy Meets World. When they 52 00:02:53,080 --> 00:02:57,200 Speaker 1: were children, they do it about their podcasts, they do, Yes, 53 00:02:57,320 --> 00:02:59,720 Speaker 1: they are still This discussion should still happen. They talk 54 00:02:59,720 --> 00:03:04,440 Speaker 1: about older it. Does you know what change when I 55 00:03:04,440 --> 00:03:06,960 Speaker 1: got older? I stopped thinking about did you? That's a shame. 56 00:03:07,200 --> 00:03:10,120 Speaker 1: That's a shame. I know. I'm just kidding. Let's try 57 00:03:10,160 --> 00:03:16,320 Speaker 1: to guess. Will you used to want to fly? Yeah? Don't? Yes? Yes, 58 00:03:17,040 --> 00:03:23,560 Speaker 1: now you want invisibility. I think that's kind of where 59 00:03:23,600 --> 00:03:25,880 Speaker 1: I was going to go. But I don't know. I 60 00:03:25,919 --> 00:03:28,200 Speaker 1: don't know if Will would want invisibility. I think I 61 00:03:28,240 --> 00:03:30,480 Speaker 1: know he's the mayor of the co exactly. He wants 62 00:03:30,520 --> 00:03:34,640 Speaker 1: to be seen, he wants to be I think it 63 00:03:34,760 --> 00:03:40,520 Speaker 1: might be super speed. Well I go now most people 64 00:03:40,560 --> 00:03:42,280 Speaker 1: would say I already have that, but that's a whole 65 00:03:42,280 --> 00:03:46,520 Speaker 1: different podcast. Um. No. I when I was a kid, 66 00:03:47,240 --> 00:03:50,800 Speaker 1: you want to fly or you want invisibility. As I'm 67 00:03:50,840 --> 00:03:54,880 Speaker 1: getting older, I now want the power of time. Oh, 68 00:03:54,920 --> 00:03:56,920 Speaker 1: just a longer life. I don't know if that's it, 69 00:03:57,040 --> 00:03:59,240 Speaker 1: or if it's being able to slow down moments that 70 00:03:59,520 --> 00:04:01,960 Speaker 1: I'm trying to save her more or speed up moments 71 00:04:02,000 --> 00:04:07,800 Speaker 1: that so super speed if you could move, No, because 72 00:04:07,800 --> 00:04:09,920 Speaker 1: there's time, want to slow it all down where it's 73 00:04:09,960 --> 00:04:13,000 Speaker 1: like just make a night last forever, like encapsulate a moment, 74 00:04:13,040 --> 00:04:14,960 Speaker 1: like you know when Sue and I have some great 75 00:04:15,400 --> 00:04:17,279 Speaker 1: nights the other moments together. It's like I could live 76 00:04:17,360 --> 00:04:20,960 Speaker 1: in this moment at least now indefinitely, and I'd love 77 00:04:21,000 --> 00:04:23,320 Speaker 1: to have that power of Like and when you have children, 78 00:04:23,360 --> 00:04:25,359 Speaker 1: you guys made that mistake, so I have to imagine 79 00:04:26,120 --> 00:04:28,520 Speaker 1: that with your kids. There's gotta be a moment where 80 00:04:28,560 --> 00:04:31,000 Speaker 1: you're like, I wish this moment right here, Like Danielle, 81 00:04:31,279 --> 00:04:33,440 Speaker 1: you you said that you you texted us not too 82 00:04:33,440 --> 00:04:35,839 Speaker 1: long ago. One of the cutest things about how Ad 83 00:04:36,080 --> 00:04:39,120 Speaker 1: was talking about the sprinklers were just fake rain, fake rain, 84 00:04:39,240 --> 00:04:42,240 Speaker 1: fake rain. Yeah, kind of something where you want to 85 00:04:42,279 --> 00:04:44,239 Speaker 1: go like, I just want to hold onto that moment 86 00:04:44,279 --> 00:04:46,000 Speaker 1: for a little while and it's yeah, but then it 87 00:04:46,040 --> 00:04:48,960 Speaker 1: would lose its But that the point is that it's fleeting. Man. 88 00:04:49,160 --> 00:04:52,040 Speaker 1: Maybe the Great Walls Stevens wrote death is the mother 89 00:04:52,080 --> 00:04:54,680 Speaker 1: of beauty, and I completely agree with that. It's like 90 00:04:54,680 --> 00:04:57,520 Speaker 1: the only reason that life has values because because it ends, 91 00:04:57,520 --> 00:04:59,800 Speaker 1: it ends, and its fine, yes, But you know what, 92 00:04:59,880 --> 00:05:03,800 Speaker 1: I always thought the dream like heaven. If there was 93 00:05:03,839 --> 00:05:05,800 Speaker 1: a heaven in my for me, it would be that 94 00:05:05,839 --> 00:05:08,480 Speaker 1: the moment you die, you get to relive your life 95 00:05:08,520 --> 00:05:11,159 Speaker 1: over again, but this time just as like a passenger 96 00:05:11,160 --> 00:05:13,760 Speaker 1: getting to enjoy it. So like you get doing I 97 00:05:13,800 --> 00:05:16,200 Speaker 1: know everything that's coming and now, but you don't have 98 00:05:16,240 --> 00:05:18,280 Speaker 1: control over it. You just now get to relive your 99 00:05:18,279 --> 00:05:23,600 Speaker 1: life and yeah, like oh like a pod meat swirld 100 00:05:23,720 --> 00:05:27,640 Speaker 1: rewatch of your life. Wow, that's a that's you guys 101 00:05:27,680 --> 00:05:30,240 Speaker 1: could be there with me. We could be watching little 102 00:05:30,320 --> 00:05:37,120 Speaker 1: Rider do horrible things. Would have been massages in Vegas. 103 00:05:37,160 --> 00:05:40,839 Speaker 1: Just that to me, I can see as riders trunks heaven. Yeah, 104 00:05:41,160 --> 00:05:44,640 Speaker 1: scout massages and Vega right in front of a machine 105 00:05:45,279 --> 00:05:51,240 Speaker 1: that just constantly dinging ding dinging. Alright, Well, I just 106 00:05:51,360 --> 00:05:54,480 Speaker 1: I just the idea of death seems very I just 107 00:05:54,720 --> 00:06:01,640 Speaker 1: sweet sweet sleep. I just it sounds amazing. This is 108 00:06:01,680 --> 00:06:04,400 Speaker 1: such a parent of you children talking right now. Oh 109 00:06:04,440 --> 00:06:07,960 Speaker 1: my god, not morbid, it really isn't I. I look 110 00:06:08,080 --> 00:06:11,120 Speaker 1: forward to it in the in the in the most 111 00:06:11,200 --> 00:06:19,200 Speaker 1: most healthy, quick possible. It'll be great. You are so tired, Daniel. 112 00:06:19,760 --> 00:06:21,839 Speaker 1: I wish you could come to Vegas and just relax, 113 00:06:21,960 --> 00:06:25,480 Speaker 1: just relax, and we can massage because you were working 114 00:06:26,279 --> 00:06:29,200 Speaker 1: so stressed of ringing for the sweet release of death. 115 00:06:30,800 --> 00:06:36,560 Speaker 1: You so good, I hear you. And I've only got 116 00:06:36,560 --> 00:06:40,360 Speaker 1: one kid. I can't imagine. I don't mean it, and 117 00:06:40,480 --> 00:06:43,080 Speaker 1: I really truthfully, I don't mean it in a morbid way. 118 00:06:43,160 --> 00:06:46,440 Speaker 1: It just you know, that's what it's going to be. 119 00:06:47,120 --> 00:06:51,560 Speaker 1: Just the idea of not having any responsibilities sounds so delightful. 120 00:06:54,080 --> 00:06:57,279 Speaker 1: You know that deep deep sleep you're in. Imagine what 121 00:06:57,400 --> 00:07:06,159 Speaker 1: the deep sleep of death just it's so in the bed, 122 00:07:06,839 --> 00:07:11,640 Speaker 1: it's my own space. It is so quiet, so disturbing. 123 00:07:13,200 --> 00:07:21,040 Speaker 1: I don't know how we make but I want it World, 124 00:07:21,240 --> 00:07:31,280 Speaker 1: waiting for the sweet Oh Boy. Welcome to pod Meets World. 125 00:07:33,880 --> 00:07:42,120 Speaker 1: I'm Danielle Fish. I'm Wilfridill. So I have some emails 126 00:07:42,160 --> 00:07:44,560 Speaker 1: that I want to go over because it's been a 127 00:07:44,560 --> 00:07:46,880 Speaker 1: while since I've touched on some of them. And we 128 00:07:46,960 --> 00:07:49,600 Speaker 1: got an email from Jessica s who, as a teen 129 00:07:49,680 --> 00:07:52,400 Speaker 1: in Pittsburgh sent a fan letter to the show, not 130 00:07:52,560 --> 00:07:56,520 Speaker 1: even a specific cast member, just to the show, and 131 00:07:56,600 --> 00:08:00,160 Speaker 1: in return got a season three script signed by the 132 00:08:00,240 --> 00:08:03,520 Speaker 1: cast and the monkeys who appeared in the episode. And 133 00:08:03,600 --> 00:08:08,240 Speaker 1: she still has it. Yeah, isn't that cool? So I 134 00:08:08,280 --> 00:08:10,320 Speaker 1: don't know who would have been in charge of reading 135 00:08:10,320 --> 00:08:13,480 Speaker 1: that letter or sending it back to her, but she 136 00:08:13,760 --> 00:08:16,680 Speaker 1: basically sent a letter to Santa and Santa sends something back. 137 00:08:17,000 --> 00:08:18,840 Speaker 1: You know who you know who seems to have the 138 00:08:18,840 --> 00:08:21,320 Speaker 1: temperament to do that, even though she was busy all 139 00:08:21,360 --> 00:08:25,320 Speaker 1: the time. Is somebody like Karen mckaine. It seems like 140 00:08:25,400 --> 00:08:27,680 Speaker 1: she would have read a letter like that and been like, 141 00:08:27,760 --> 00:08:29,800 Speaker 1: I'm going to respond to this person. I don't know why, 142 00:08:29,920 --> 00:08:31,600 Speaker 1: but that's the first name that pops into my head. 143 00:08:31,680 --> 00:08:34,640 Speaker 1: Is somebody like Karen mckin. That makes sense for sure. 144 00:08:35,440 --> 00:08:39,480 Speaker 1: And then We got an email from Kelly I and many, many, many, 145 00:08:39,480 --> 00:08:42,320 Speaker 1: many many Menny others who pointed out that in the 146 00:08:42,400 --> 00:08:46,200 Speaker 1: class pre union episode, the students were supposed to be 147 00:08:46,240 --> 00:08:51,400 Speaker 1: getting together in twenty years from their high school graduation, 148 00:08:51,840 --> 00:08:56,600 Speaker 1: not their sixth grade graduation, which so our math about 149 00:08:56,640 --> 00:08:59,120 Speaker 1: Tapanga not being thirty five in order to be president 150 00:08:59,240 --> 00:09:02,800 Speaker 1: was actually wrong because it wasn't. It wasn't twenty years 151 00:09:02,800 --> 00:09:05,440 Speaker 1: from the year we were in. It was twenty years 152 00:09:05,600 --> 00:09:07,960 Speaker 1: from four years from now, and that makes the show 153 00:09:08,040 --> 00:09:15,360 Speaker 1: girl it's like year old. Well, no, it would have 154 00:09:15,360 --> 00:09:16,760 Speaker 1: only been yeah, yeah, I guess you would have been 155 00:09:16,760 --> 00:09:21,040 Speaker 1: like thirty six. Okay, so you know she's out there 156 00:09:21,040 --> 00:09:24,280 Speaker 1: doing her thing. But here's my thing, guys. What others 157 00:09:24,360 --> 00:09:27,920 Speaker 1: me is that what why would that? Why was that 158 00:09:27,960 --> 00:09:30,560 Speaker 1: our sixth grade project? So not only do we have 159 00:09:30,600 --> 00:09:33,960 Speaker 1: to envision our future twenty years in the future, but 160 00:09:34,000 --> 00:09:36,559 Speaker 1: also imagine what you're going to be in height when 161 00:09:36,600 --> 00:09:38,800 Speaker 1: you graduate high school. So it's like a hat on 162 00:09:38,840 --> 00:09:40,960 Speaker 1: a hat, like it makes no sense. It was a 163 00:09:41,000 --> 00:09:43,880 Speaker 1: real So yeah, you know what, we're actors and we're 164 00:09:43,920 --> 00:09:46,800 Speaker 1: bad at math and all that, but also that's uh, 165 00:09:48,080 --> 00:09:52,920 Speaker 1: that doesn't really, that doesn't sit well here so and 166 00:09:52,960 --> 00:09:55,360 Speaker 1: then we heard from Michelle A who named her son 167 00:09:55,520 --> 00:10:01,439 Speaker 1: after Corey. That means his name is Corey nice Well. 168 00:10:01,559 --> 00:10:06,000 Speaker 1: Actually wasn't Corey's full name Cornelius Cornelius. I hope she 169 00:10:06,040 --> 00:10:09,200 Speaker 1: did that. Then we have a lot of emails praying 170 00:10:09,240 --> 00:10:11,880 Speaker 1: the idea of Danielle and Will as parents on a 171 00:10:11,920 --> 00:10:15,160 Speaker 1: sitcom can come to life. So we special shouts to 172 00:10:15,240 --> 00:10:17,800 Speaker 1: Chris at Shannon and Rachel See who emailed to say 173 00:10:17,960 --> 00:10:21,560 Speaker 1: they'd watch us as parents. Also on our Instagram, Will 174 00:10:21,840 --> 00:10:23,800 Speaker 1: when we posted that picture of us from that team 175 00:10:23,880 --> 00:10:26,319 Speaker 1: magazine that I had, boy, oh boy, do we look 176 00:10:26,360 --> 00:10:28,280 Speaker 1: alike and people said we look like brother and sister, 177 00:10:30,480 --> 00:10:35,640 Speaker 1: brother and sister siblings kids. I was gonna say, Danielle 178 00:10:36,360 --> 00:10:40,560 Speaker 1: to two or three kids something, maybe you're the husband 179 00:10:40,559 --> 00:10:42,200 Speaker 1: you're with, something happens, he leaves, something like that, and 180 00:10:42,240 --> 00:10:44,520 Speaker 1: you have to move in with your crazy brother. Right. 181 00:10:44,640 --> 00:10:46,560 Speaker 1: I love it. And it's the older brother where I 182 00:10:46,600 --> 00:10:49,280 Speaker 1: have never I'm the man child. I've never actually grown up. 183 00:10:49,280 --> 00:10:51,840 Speaker 1: I'm a total nerd paint minis, I do all this stuff, 184 00:10:52,000 --> 00:10:54,079 Speaker 1: and it's kind of the idea we had before mixed 185 00:10:54,080 --> 00:10:56,480 Speaker 1: with a new sitcom. I love it. It's called where 186 00:10:56,520 --> 00:11:00,360 Speaker 1: there's a will and will, except in this one move 187 00:11:00,400 --> 00:11:04,040 Speaker 1: in with me and my kids, because you would probably have, 188 00:11:04,160 --> 00:11:05,760 Speaker 1: based on what you're saying, you wouldn't live in a 189 00:11:05,800 --> 00:11:07,720 Speaker 1: place where a mom with two or three kids could 190 00:11:07,720 --> 00:11:10,080 Speaker 1: move in. So you decide to come in and help me, 191 00:11:10,280 --> 00:11:12,000 Speaker 1: and you live in our basement and you're the weirdo 192 00:11:12,160 --> 00:11:15,199 Speaker 1: weirdo or I live in a way less creepy, never 193 00:11:15,320 --> 00:11:18,440 Speaker 1: land ranch kind of place like I never grew up. 194 00:11:18,480 --> 00:11:20,000 Speaker 1: You know what I mean. You inherited all the money 195 00:11:20,000 --> 00:11:24,360 Speaker 1: from the parents exactly like something you or I love it. 196 00:11:25,559 --> 00:11:28,439 Speaker 1: Can you write this? Let's get this done please? Okay, writer, 197 00:11:28,520 --> 00:11:30,520 Speaker 1: can get this going. We're going to sell this immediately 198 00:11:30,520 --> 00:11:32,160 Speaker 1: because that's a great But by the way, we need 199 00:11:32,200 --> 00:11:37,880 Speaker 1: to bring back the family sitcom, straight up multiicam family sitcom. 200 00:11:37,880 --> 00:11:40,520 Speaker 1: It needs to come back. Everybody needs it. It's nostalgia. Now, 201 00:11:40,559 --> 00:11:44,640 Speaker 1: it's nostalgia, as my wife likes to say, and that's 202 00:11:44,640 --> 00:11:47,120 Speaker 1: what we need. Is it set in the nineties or 203 00:11:47,200 --> 00:11:51,720 Speaker 1: is it it's contemporary? I think it's now. Yeah, okay, done, great, 204 00:11:51,760 --> 00:11:54,000 Speaker 1: let's go sell that next week please, right, are you're 205 00:11:54,040 --> 00:11:56,640 Speaker 1: working today in Vegas? So put that together? I'm getting 206 00:11:56,640 --> 00:12:00,520 Speaker 1: my massage. Figure that out, please. And and we have 207 00:12:01,000 --> 00:12:03,920 Speaker 1: Tiana d who teaches high school English and had a 208 00:12:03,960 --> 00:12:06,680 Speaker 1: student recently asked her, why can't you be like Mr 209 00:12:06,720 --> 00:12:11,280 Speaker 1: Feenie and follow us to college? Isn't that sweet? If 210 00:12:11,280 --> 00:12:12,959 Speaker 1: I if I were a teacher, I'd want to be 211 00:12:13,040 --> 00:12:17,079 Speaker 1: a teacher that people wanted to have follow them. Yeah, well, 212 00:12:17,080 --> 00:12:19,800 Speaker 1: do you have a teacher that that you know? I 213 00:12:19,840 --> 00:12:21,680 Speaker 1: guess it would be set teachers for you guys, right 214 00:12:21,760 --> 00:12:24,960 Speaker 1: that that meant so much? Do you? Yeah? Yeast Staples, 215 00:12:25,240 --> 00:12:27,960 Speaker 1: Wesley Staples, David Combs. And then I got really lucky 216 00:12:28,000 --> 00:12:29,400 Speaker 1: all throughout my life. I feel like I've a really 217 00:12:29,400 --> 00:12:32,000 Speaker 1: good teacher that's great. In college, I had mentor teachers 218 00:12:32,000 --> 00:12:34,040 Speaker 1: that I still think. I'm still in touch with some 219 00:12:34,120 --> 00:12:36,760 Speaker 1: of my college teachers that you know, had an impact 220 00:12:36,840 --> 00:12:39,559 Speaker 1: on me. Yeah, I have teachers are great. Yeah, A 221 00:12:39,559 --> 00:12:43,560 Speaker 1: good teacher can really absolutely change the entire direction of 222 00:12:43,559 --> 00:12:47,120 Speaker 1: your life. Yeah, yeah, it's cool. And then of course 223 00:12:47,160 --> 00:12:52,880 Speaker 1: we have Bill Danniels. Yeah, the teacher. So today we 224 00:12:52,960 --> 00:12:56,080 Speaker 1: are here to recap season one, episode eighteen, It's a 225 00:12:56,120 --> 00:13:00,520 Speaker 1: Wonderful Night. It originally aired March eleventh, nineteen. This synopsis 226 00:13:00,600 --> 00:13:03,600 Speaker 1: is that Mr Peenie subs in as a babysitter when 227 00:13:03,760 --> 00:13:06,640 Speaker 1: Eric wants to drive for a double date and Corey 228 00:13:06,679 --> 00:13:09,480 Speaker 1: and Sean want to watch an R rated movie, but 229 00:13:09,679 --> 00:13:12,920 Speaker 1: Eric fails his driving test and quickly finds himself in 230 00:13:13,040 --> 00:13:16,000 Speaker 1: Deep Terrible. It was directed by David Trayner. It was 231 00:13:16,000 --> 00:13:18,640 Speaker 1: written by Susan Astell Jansen, and we had a lot 232 00:13:18,679 --> 00:13:21,559 Speaker 1: of guest cast in this episode. Jason Marsden came back 233 00:13:21,640 --> 00:13:26,360 Speaker 1: as Jason Marsden, Don Gibb as Tony with a Y. 234 00:13:26,440 --> 00:13:29,400 Speaker 1: He's best known as Ogre from Revenge of the Nerds 235 00:13:29,679 --> 00:13:32,640 Speaker 1: or Rayed Yeah, or Ray Jackson from Blood Sports. Thank 236 00:13:32,679 --> 00:13:36,760 Speaker 1: you get into Blood Sport later? Wow, Okay great? And 237 00:13:36,800 --> 00:13:39,840 Speaker 1: then Kelly Packard returned as Tracy. She was in the 238 00:13:39,880 --> 00:13:44,679 Speaker 1: episode where You Were a Lobster, Will and Favorite She's 239 00:13:44,679 --> 00:13:53,240 Speaker 1: technically a lobster yes. And then Stephanie Dicker as Aaron, 240 00:13:53,320 --> 00:13:56,400 Speaker 1: who's the other lovely lady in the episode. Christopher Cayer 241 00:13:56,480 --> 00:14:00,360 Speaker 1: did our TV voices. Kevin Thompson as other TV races. 242 00:14:00,480 --> 00:14:02,439 Speaker 1: He was the voice of an Ewok in Return of 243 00:14:02,480 --> 00:14:06,600 Speaker 1: the Jedi and Blob Operator in Weird Science. It's Interesting. 244 00:14:07,600 --> 00:14:10,760 Speaker 1: And then we have Lisa Wilcox as a TV voice, 245 00:14:10,840 --> 00:14:15,160 Speaker 1: so she returns that Jeff Sherman's wife Sherman's ex wife. Yes, correct, Okay, 246 00:14:15,200 --> 00:14:16,760 Speaker 1: this is I would like to point out writer and 247 00:14:16,800 --> 00:14:19,680 Speaker 1: I were talking about this last night. Um, this is 248 00:14:19,720 --> 00:14:24,120 Speaker 1: another episode that, other than the Don Gibbs scene, I 249 00:14:24,160 --> 00:14:27,120 Speaker 1: remember nothing. Are you serious? Because I was talking to 250 00:14:27,200 --> 00:14:30,320 Speaker 1: him yesterday and I said I had already watched the episode, 251 00:14:30,320 --> 00:14:31,880 Speaker 1: and I was like, do you remember when you lose 252 00:14:31,880 --> 00:14:33,880 Speaker 1: your driver you don't get your driver's license. It's like, 253 00:14:33,960 --> 00:14:36,080 Speaker 1: I have no idea what you're talking about, but I 254 00:14:36,120 --> 00:14:39,160 Speaker 1: remember everything about this episode. It's really funny. If if 255 00:14:39,160 --> 00:14:41,320 Speaker 1: you had pitched me the plot, I'd be like, no, 256 00:14:41,320 --> 00:14:43,480 Speaker 1: no recollection. But once I started watching it, I knew 257 00:14:43,520 --> 00:14:45,880 Speaker 1: every line. I knew lines and scenes that I wasn't 258 00:14:45,920 --> 00:14:47,880 Speaker 1: even in. For whatever reason, I was very present for this. 259 00:14:48,000 --> 00:14:51,080 Speaker 1: No no idea. I remember none of it because I 260 00:14:51,120 --> 00:14:54,000 Speaker 1: wasn't in. And there was a line in this show 261 00:14:54,040 --> 00:14:56,680 Speaker 1: the only line I remember. I don't now he didn't say, 262 00:14:56,720 --> 00:14:59,160 Speaker 1: which makes me wonder if Don Gibb was actually this 263 00:14:59,240 --> 00:15:02,280 Speaker 1: is the only episode he did, because there is a 264 00:15:02,320 --> 00:15:05,000 Speaker 1: line that I distinctly remember him saying that he did 265 00:15:05,000 --> 00:15:08,840 Speaker 1: not say what he says at one point and he says, um, oh, 266 00:15:08,880 --> 00:15:11,240 Speaker 1: I'm quaking in my size fourteen steel toe Jack boo. 267 00:15:11,320 --> 00:15:13,240 Speaker 1: I remember that. I remember that, and it wasn't on 268 00:15:13,280 --> 00:15:15,560 Speaker 1: the episode. Are you sure must have been cut? I 269 00:15:15,600 --> 00:15:18,280 Speaker 1: don't think it was on the episode. I remember that line. 270 00:15:19,240 --> 00:15:20,880 Speaker 1: Can we just say that though? But I mean, was 271 00:15:20,920 --> 00:15:23,640 Speaker 1: that just something? Maybe it was said and then it 272 00:15:23,720 --> 00:15:25,800 Speaker 1: got cut, but then we just repeated it over for 273 00:15:25,800 --> 00:15:28,600 Speaker 1: the years. I remember that line. You said that, Yeah, 274 00:15:28,840 --> 00:15:31,520 Speaker 1: I'm quaking in my size fourteen his only episode. He 275 00:15:31,560 --> 00:15:33,560 Speaker 1: did not appear again. So it must have been a 276 00:15:33,560 --> 00:15:35,240 Speaker 1: line that he said that then got cut. Maybe it 277 00:15:35,240 --> 00:15:37,880 Speaker 1: was at the table and you guys repeated it. Maybe gosh, 278 00:15:38,200 --> 00:15:40,640 Speaker 1: or is it from something else if you google? No, 279 00:15:40,720 --> 00:15:43,840 Speaker 1: I haven't googled. I wonder if we google it, Um, 280 00:15:43,320 --> 00:15:50,000 Speaker 1: I'm shaking in my size fourteen steel Jack stea, Yeah, 281 00:15:50,000 --> 00:15:54,120 Speaker 1: I yes, And so I was waiting for that. I 282 00:15:54,160 --> 00:15:56,120 Speaker 1: was like, Oh, this is the Steeler was like, didn't 283 00:15:56,120 --> 00:16:00,160 Speaker 1: say yeah, GiB he was great. That's funny. So have 284 00:16:00,240 --> 00:16:02,000 Speaker 1: no memories of this episode, but you did have a 285 00:16:02,000 --> 00:16:05,960 Speaker 1: memory of something that maybe didn't happen. Yes, this is 286 00:16:06,000 --> 00:16:09,600 Speaker 1: the one where DJ and the Twins. No, um, yeah, 287 00:16:09,800 --> 00:16:14,240 Speaker 1: he's saying that line at the brick level split bricklin level, 288 00:16:14,680 --> 00:16:19,360 Speaker 1: it right, right, Sonny? And how good Jason. I think 289 00:16:19,400 --> 00:16:20,880 Speaker 1: one of the reasons they got rid of Jason is 290 00:16:20,880 --> 00:16:25,560 Speaker 1: because he just made me look bad. He's so good too, 291 00:16:26,480 --> 00:16:33,840 Speaker 1: such a sitcom actor. I mean it was amazing. Yeah. Hi, 292 00:16:34,000 --> 00:16:36,760 Speaker 1: it's Bethany Frankel. My time on The wheel Housewives of 293 00:16:36,800 --> 00:16:38,880 Speaker 1: New York is a few years behind me, and now 294 00:16:38,920 --> 00:16:42,160 Speaker 1: I'm ready to put the reel back into the Real Housewives. 295 00:16:42,200 --> 00:16:45,000 Speaker 1: That's where my new podcast Rewives comes in. He say, 296 00:16:45,000 --> 00:16:48,320 Speaker 1: isn't your typical rewatch podcast. I'm watching only the most 297 00:16:48,480 --> 00:16:51,880 Speaker 1: iconic episodes from all cities. I'm sharing never before heard 298 00:16:51,920 --> 00:16:54,840 Speaker 1: stories of what happened behind the studies. And I'm not 299 00:16:55,120 --> 00:16:58,480 Speaker 1: just calling in cast members for postgame analysis. I'm doing 300 00:16:58,520 --> 00:17:00,720 Speaker 1: something a little bit more interesting. If you've ever seen 301 00:17:00,760 --> 00:17:02,920 Speaker 1: an episode of The wheelhouse Wives and you know the drill, 302 00:17:03,080 --> 00:17:06,240 Speaker 1: but beyond throwing drinks and legs, there are lessons about marriage, 303 00:17:06,280 --> 00:17:09,840 Speaker 1: divorced friendship, money, parenting, and fame. If you have the 304 00:17:09,920 --> 00:17:13,119 Speaker 1: right minds, analyze and dig deeper. So I'm bringing on 305 00:17:13,359 --> 00:17:16,240 Speaker 1: unexpected thought leaders and celebrities to get their take on 306 00:17:16,400 --> 00:17:18,880 Speaker 1: the chaos this season, I sit down with Elizabeth Moss, 307 00:17:19,000 --> 00:17:21,880 Speaker 1: Kevin Neal and Jusie orm and Griffin Johnson and more. 308 00:17:22,040 --> 00:17:23,680 Speaker 1: You just think that there isn't much to learn from 309 00:17:23,680 --> 00:17:26,720 Speaker 1: flipping tables and yanking wigs, but that's where you're wrong. 310 00:17:26,920 --> 00:17:30,240 Speaker 1: Listen to Rewives with Bethany Frankel on the I Heart 311 00:17:30,359 --> 00:17:38,720 Speaker 1: Radio app, Apple Podcast or wherever you get your favorite podcasts. 312 00:17:42,200 --> 00:17:43,840 Speaker 1: Let's go ahead and jump in. We start in the 313 00:17:43,840 --> 00:17:46,520 Speaker 1: school cafeteria. Corey and Shawn are in the cafeteria and 314 00:17:46,520 --> 00:17:48,760 Speaker 1: they are so happy that Corey's family is all going 315 00:17:48,840 --> 00:17:50,440 Speaker 1: to be out of the house and that they're gonna 316 00:17:50,480 --> 00:17:54,359 Speaker 1: have that bad babysitter Judy with her pimpley face. Sean 317 00:17:54,560 --> 00:17:58,439 Speaker 1: brings a VHS in a Barney video case, but inside 318 00:17:58,560 --> 00:18:05,720 Speaker 1: is actually I'm Blowing up your Head Part six. Yeah, 319 00:18:05,800 --> 00:18:07,600 Speaker 1: I remember. This is so fun. This is a fun 320 00:18:07,600 --> 00:18:09,480 Speaker 1: scene because it's very simple. It's just the two of 321 00:18:09,560 --> 00:18:12,760 Speaker 1: us sitting on a table talking. But yeah, we're having 322 00:18:12,800 --> 00:18:15,840 Speaker 1: so much fun. Um Yeah, it was really cute and 323 00:18:15,880 --> 00:18:19,200 Speaker 1: I love the I love that it's um. I remember 324 00:18:19,960 --> 00:18:23,240 Speaker 1: movies and movies you were allowed to watch or movies 325 00:18:23,320 --> 00:18:25,840 Speaker 1: you weren't allowed to watch, being such a thing when 326 00:18:25,840 --> 00:18:29,000 Speaker 1: you were a kid. I don't know if kids feel 327 00:18:29,119 --> 00:18:32,520 Speaker 1: this way anymore, because like Indie knows that everything is available. 328 00:18:32,960 --> 00:18:35,440 Speaker 1: So for instance, if we talk about anything, he'll say, 329 00:18:35,600 --> 00:18:39,439 Speaker 1: look it up. Uh, you know, we can just find it, 330 00:18:39,680 --> 00:18:41,720 Speaker 1: find it on YouTube. But and I'm always like, no, man, 331 00:18:41,840 --> 00:18:45,879 Speaker 1: like you gotta earn it a little bit. I just 332 00:18:45,920 --> 00:18:47,760 Speaker 1: refused to like pull out my phone when we're talking 333 00:18:47,760 --> 00:18:49,440 Speaker 1: because I just want to stay focused on like being 334 00:18:49,480 --> 00:18:51,720 Speaker 1: together all the time. But it's a conscious effort, like 335 00:18:51,760 --> 00:18:54,480 Speaker 1: in his mind, everything is at our fingertips all the time. 336 00:18:54,840 --> 00:18:57,359 Speaker 1: And so the whole concept of like, yeah, having to 337 00:18:57,400 --> 00:18:59,600 Speaker 1: find a copy of a movie, but like for us 338 00:18:59,640 --> 00:19:02,200 Speaker 1: as is that was a journey, like and it was Yeah, 339 00:19:02,240 --> 00:19:04,800 Speaker 1: I remember doing stuff like this to like get ahold 340 00:19:04,840 --> 00:19:06,560 Speaker 1: of a horror film or like, you know, there was 341 00:19:06,600 --> 00:19:09,600 Speaker 1: the one family whose parents let them rent whatever they wanted, 342 00:19:09,640 --> 00:19:11,560 Speaker 1: so I would go spend the night at their house 343 00:19:11,840 --> 00:19:13,960 Speaker 1: and get to watch Nightmare in Elm Street and then 344 00:19:13,960 --> 00:19:17,280 Speaker 1: not sleep for exactly no I remember. So it was 345 00:19:17,359 --> 00:19:19,000 Speaker 1: it was the same with us. But the thing that 346 00:19:19,119 --> 00:19:21,160 Speaker 1: we would do even back in the day in Connecticut 347 00:19:21,200 --> 00:19:22,920 Speaker 1: when the one movie theater opened and we had to 348 00:19:22,960 --> 00:19:24,720 Speaker 1: take the horse and buggy there. Just getting all the 349 00:19:24,800 --> 00:19:31,960 Speaker 1: jokes on right now, start the projector. Um. You would 350 00:19:32,000 --> 00:19:33,879 Speaker 1: get like your older brother or a friend of an 351 00:19:33,880 --> 00:19:35,720 Speaker 1: older brother to actually take you to the movie theater. 352 00:19:35,760 --> 00:19:37,679 Speaker 1: And sometimes they'd have to literally sneak you in, like 353 00:19:37,720 --> 00:19:39,879 Speaker 1: they'd buy a ticket and go in and then open 354 00:19:39,960 --> 00:19:41,520 Speaker 1: the back door and you'd have to walk in the 355 00:19:41,560 --> 00:19:43,320 Speaker 1: exit thing. And then you you do it to your 356 00:19:43,320 --> 00:19:46,640 Speaker 1: own detriment because you wouldn't sleep, terrify, you'd be so 357 00:19:46,720 --> 00:19:50,360 Speaker 1: And I remember we got a brand new TV back 358 00:19:50,400 --> 00:19:53,399 Speaker 1: in the day and it had something that none of 359 00:19:53,440 --> 00:19:55,080 Speaker 1: us had had ever heard of. This feature. It was 360 00:19:55,119 --> 00:19:59,560 Speaker 1: this colored feature. You know what it was, the sleep feature. 361 00:19:59,600 --> 00:20:01,080 Speaker 1: You know, you has a button in the thing and 362 00:20:01,280 --> 00:20:02,879 Speaker 1: it would shut off. It was a talking it was 363 00:20:02,920 --> 00:20:05,359 Speaker 1: a talking that sound it had sound, which was it 364 00:20:05,400 --> 00:20:07,280 Speaker 1: didn't have the crank on the side that he would 365 00:20:07,320 --> 00:20:09,840 Speaker 1: go to sleep. So no, So my brother was watching 366 00:20:09,840 --> 00:20:11,520 Speaker 1: The Exorcist while none of us were there, and he 367 00:20:11,520 --> 00:20:14,879 Speaker 1: had sat on the remote. I remember that. So all 368 00:20:14,920 --> 00:20:17,399 Speaker 1: of a sudden he's there with one friend in the 369 00:20:17,480 --> 00:20:19,639 Speaker 1: dark watching the Exorcist for the first time, and the 370 00:20:19,640 --> 00:20:24,840 Speaker 1: TV starts to count down thirty and they're watching, having 371 00:20:24,920 --> 00:20:27,159 Speaker 1: no idea what is going and it hits zero and 372 00:20:27,200 --> 00:20:29,840 Speaker 1: the TV shuts off, So they of course think something's 373 00:20:29,840 --> 00:20:32,320 Speaker 1: going on because technology was brand new, but it did. 374 00:20:32,359 --> 00:20:34,520 Speaker 1: You would watch these movies to your peril because then 375 00:20:34,560 --> 00:20:37,280 Speaker 1: he can sleep. It was horrifying. I can trace hating 376 00:20:37,320 --> 00:20:39,320 Speaker 1: horror movies back to being a kid and spending the 377 00:20:39,400 --> 00:20:42,359 Speaker 1: night at a girlfriend's house and it was like a 378 00:20:42,359 --> 00:20:45,280 Speaker 1: big group sleepover. So it's probably a birthday or I 379 00:20:45,280 --> 00:20:47,280 Speaker 1: don't know, something like that, and I think it was 380 00:20:47,359 --> 00:20:50,920 Speaker 1: Halloween five. I don't know for sure, but there was 381 00:20:50,960 --> 00:20:54,480 Speaker 1: a scene where a girl is crawling through um one 382 00:20:54,520 --> 00:20:58,479 Speaker 1: of those thin metal air conditioning vents, and he is 383 00:20:58,560 --> 00:21:03,159 Speaker 1: stabbing through it anywhere like down the line, and I 384 00:21:03,160 --> 00:21:08,520 Speaker 1: have been terrified to crawl through fans ever since. It 385 00:21:08,560 --> 00:21:10,600 Speaker 1: doesn't make any sense because why would I ever be 386 00:21:10,640 --> 00:21:13,680 Speaker 1: in one of those situations, but the anxiety of not 387 00:21:13,760 --> 00:21:17,280 Speaker 1: being able to see where the stabs are coming, and 388 00:21:17,800 --> 00:21:20,040 Speaker 1: I was like, no, why would anyone do this to themselves? 389 00:21:20,080 --> 00:21:22,680 Speaker 1: I don't understand. This is a terrible feeling. Why would 390 00:21:22,680 --> 00:21:24,920 Speaker 1: I want to give myself this anxiety, and I don't 391 00:21:24,920 --> 00:21:27,240 Speaker 1: like it, Like jump scares. I just can't. I can't 392 00:21:27,240 --> 00:21:31,199 Speaker 1: get behind it. The film. Have you seen Rubbers? Have 393 00:21:31,280 --> 00:21:34,600 Speaker 1: you seen Rubber? No, it is Easton. It is the 394 00:21:34,840 --> 00:21:37,120 Speaker 1: entire movie as a horror film. This is not a joke. 395 00:21:37,240 --> 00:21:41,760 Speaker 1: A horror film about a runaway evil tire. Oh my 396 00:21:42,080 --> 00:21:45,720 Speaker 1: higre that just rolls and kills people. I'm I'm in. 397 00:21:46,960 --> 00:21:50,479 Speaker 1: I mean like the seventies, eighties, by the way, I 398 00:21:50,520 --> 00:21:53,760 Speaker 1: like some of them, like I loved Bobba Duke film 399 00:21:54,880 --> 00:21:57,480 Speaker 1: two thousand ten. Sorry, that's when Rubber came out. You 400 00:21:57,520 --> 00:22:00,800 Speaker 1: need to watch Under the Shadow next about it? Oh god? Now, 401 00:22:00,880 --> 00:22:03,119 Speaker 1: so if you like Boba Duke, Under the Shadows just 402 00:22:04,560 --> 00:22:07,040 Speaker 1: not so good. I know I If it's like Boba Duke, 403 00:22:07,080 --> 00:22:08,439 Speaker 1: I will watch it. All right, guys, I'm sorry we 404 00:22:08,480 --> 00:22:12,919 Speaker 1: have to jump into this. Sorry. After we set this 405 00:22:13,040 --> 00:22:14,720 Speaker 1: up and you guys are going to watch this rated 406 00:22:14,720 --> 00:22:16,480 Speaker 1: our movie this weekend. We get into our credits and 407 00:22:16,520 --> 00:22:19,080 Speaker 1: then we are in Corey and Eric's bedroom. Eric is 408 00:22:19,160 --> 00:22:21,679 Speaker 1: checking out the Barney vhs Corey brought home, but Corey 409 00:22:21,720 --> 00:22:24,879 Speaker 1: shows him the truth. It's the R rated horror movie. 410 00:22:24,960 --> 00:22:27,000 Speaker 1: But don't worry he's going to fast forward through the nudity, 411 00:22:27,119 --> 00:22:29,200 Speaker 1: which I thought it was very funny. That was a 412 00:22:29,200 --> 00:22:30,800 Speaker 1: good joke. Yeah, that's a good joke. I like the 413 00:22:30,840 --> 00:22:34,959 Speaker 1: phrase baby scam to I was like, baby like that, 414 00:22:35,080 --> 00:22:39,320 Speaker 1: that works. That works, throwing just doing girls and throwing 415 00:22:39,359 --> 00:22:44,920 Speaker 1: on a purple shirt. It is he talked about girls 416 00:22:44,960 --> 00:22:47,120 Speaker 1: all the time, all the time. That's all the dialogue 417 00:22:47,160 --> 00:22:49,240 Speaker 1: I have is about women. That's it. I know. I hope, 418 00:22:49,280 --> 00:22:51,560 Speaker 1: I hope after season one that kind of slows down, 419 00:22:51,600 --> 00:22:53,320 Speaker 1: because so far it seems like we're stuck with it 420 00:22:53,359 --> 00:22:56,520 Speaker 1: through season one. So Eric says, if you're going to 421 00:22:56,600 --> 00:22:58,640 Speaker 1: do the crime, be sure you're ready to do the time. 422 00:22:58,800 --> 00:23:01,639 Speaker 1: Corey is confused, so Eric explains that Aim and Amy 423 00:23:01,640 --> 00:23:03,840 Speaker 1: and Alan trust him, which is why they're letting him 424 00:23:03,880 --> 00:23:07,000 Speaker 1: get his license with Jason instead of his parents. Basically, 425 00:23:07,040 --> 00:23:09,520 Speaker 1: he does enough good things so he doesn't get caught 426 00:23:09,680 --> 00:23:12,159 Speaker 1: doing the few bad things that he does, which I'm 427 00:23:12,200 --> 00:23:15,679 Speaker 1: sorry it's a horrible explanation. No parent is going to 428 00:23:15,760 --> 00:23:18,040 Speaker 1: let their sixteen year old child go and get their 429 00:23:18,080 --> 00:23:21,800 Speaker 1: license by themselves. That's just not going to happen. Ever, 430 00:23:22,480 --> 00:23:24,679 Speaker 1: so that to me, you lost me at the episode 431 00:23:24,680 --> 00:23:26,159 Speaker 1: there where it's like there's no parents, like, oh, you're 432 00:23:26,200 --> 00:23:28,680 Speaker 1: getting your license. Sure, go with your other sixteen year 433 00:23:28,720 --> 00:23:30,639 Speaker 1: old friend to the d m V and get your license. 434 00:23:30,680 --> 00:23:33,239 Speaker 1: That like, well, isn't gonna happen. Your other friend, by 435 00:23:33,240 --> 00:23:36,840 Speaker 1: the way, doesn't have his license. If you do. If 436 00:23:36,880 --> 00:23:39,119 Speaker 1: you do fail, who's taking you home? How did you 437 00:23:39,160 --> 00:23:41,520 Speaker 1: get there? Exactly? No, if none of that made sense 438 00:23:41,560 --> 00:23:43,720 Speaker 1: to me at all, Like logistically, it was just like, no, 439 00:23:43,920 --> 00:23:45,840 Speaker 1: this doesn't make any sense. I get why they're doing 440 00:23:45,840 --> 00:23:47,840 Speaker 1: it to drive the story forward, but it made no 441 00:23:47,920 --> 00:23:50,399 Speaker 1: sense at all. I didn't even didn't even occur to me. 442 00:23:50,920 --> 00:23:53,280 Speaker 1: It's just that's that's also a rite of passage with 443 00:23:53,320 --> 00:23:55,359 Speaker 1: your parents, Like your parents bring you to get your license, 444 00:23:55,359 --> 00:23:57,440 Speaker 1: that's what they do. It's so yeah, yeah, it was 445 00:23:57,480 --> 00:23:59,159 Speaker 1: weird to me. That whole thing was weird. But I 446 00:23:59,160 --> 00:24:01,159 Speaker 1: had a white vest with the hood, so I was happy. 447 00:24:02,160 --> 00:24:04,359 Speaker 1: So that that made you happy, writer, I agree with you. 448 00:24:04,400 --> 00:24:06,800 Speaker 1: I didn't really think too much into it, but I 449 00:24:06,840 --> 00:24:09,679 Speaker 1: definitely knew it was one of those things that was like, Okay, 450 00:24:09,680 --> 00:24:11,560 Speaker 1: here's where they give us a soft setup and I 451 00:24:11,640 --> 00:24:17,919 Speaker 1: just buy it and I very sitcom you know, like 452 00:24:18,080 --> 00:24:19,960 Speaker 1: you can see the pitch for this episode he fails 453 00:24:19,960 --> 00:24:21,879 Speaker 1: this driver's license, but you know, it's like okay, and 454 00:24:21,880 --> 00:24:23,760 Speaker 1: then you they realized like why would he be going? 455 00:24:24,240 --> 00:24:27,800 Speaker 1: Who cares? And because I don't have it, you know, 456 00:24:27,840 --> 00:24:29,439 Speaker 1: and you also just know, like the pitch for this 457 00:24:29,560 --> 00:24:32,280 Speaker 1: was Pheny gets stuck babysitting the kids. Okay, let's come 458 00:24:32,320 --> 00:24:36,240 Speaker 1: up with ways to make that hard for store. Great. Yeah, 459 00:24:36,240 --> 00:24:38,159 Speaker 1: so Corey says that when Eric gets his license, he 460 00:24:38,200 --> 00:24:41,280 Speaker 1: can drive them everywhere, but he breaks the news. Eric 461 00:24:41,320 --> 00:24:43,320 Speaker 1: says that he has a double date with Jason, and 462 00:24:43,320 --> 00:24:45,320 Speaker 1: then you know, hits Corey in the head with a pillow. 463 00:24:45,880 --> 00:24:48,679 Speaker 1: So we have to talk about this moment. I watched 464 00:24:48,680 --> 00:24:52,840 Speaker 1: it three times. Wolves Face is the funniest thing I've 465 00:24:52,840 --> 00:24:56,560 Speaker 1: ever seen in my life. When Ben starts showing like oh, 466 00:24:56,600 --> 00:24:58,920 Speaker 1: and then you're going to do this thing up and 467 00:24:59,040 --> 00:25:03,480 Speaker 1: you make this like and I was like, the camera's 468 00:25:03,480 --> 00:25:05,320 Speaker 1: not even on you. I could just see you profile. 469 00:25:05,359 --> 00:25:08,440 Speaker 1: I watched it three times because it is the best, 470 00:25:08,480 --> 00:25:10,840 Speaker 1: like older brother like and and the fact that Ben 471 00:25:10,920 --> 00:25:13,159 Speaker 1: is so into it and like Earnest and you're just 472 00:25:13,200 --> 00:25:18,080 Speaker 1: like are you making the dirkiest like so so excellent 473 00:25:18,320 --> 00:25:21,080 Speaker 1: and your aunt's going like, oh my god, you are 474 00:25:21,200 --> 00:25:24,320 Speaker 1: so funny in this series. I was dying it was funny. Yeah, 475 00:25:24,320 --> 00:25:25,840 Speaker 1: I was like, what am I doing that? Like face, 476 00:25:25,920 --> 00:25:28,320 Speaker 1: Oh my god, no, you clearly are a younger brother 477 00:25:28,359 --> 00:25:31,080 Speaker 1: who has seen that look from your older brothers. Like 478 00:25:31,200 --> 00:25:33,040 Speaker 1: it was. It just like went right to the core 479 00:25:33,080 --> 00:25:35,040 Speaker 1: of me. I was like, oh my god, Will is 480 00:25:35,119 --> 00:25:39,320 Speaker 1: so funny, genius man. I love Will being able to 481 00:25:39,359 --> 00:25:41,400 Speaker 1: make the most of a moment where he's not even 482 00:25:41,480 --> 00:25:44,919 Speaker 1: on camera because he couldn't show his face because if 483 00:25:44,920 --> 00:25:46,480 Speaker 1: you show his face, it would be so obvious that 484 00:25:46,520 --> 00:25:50,680 Speaker 1: he's joking, you know, leading Corey along. But it's this 485 00:25:50,720 --> 00:25:56,960 Speaker 1: is why I don't want invisibility, just saying and the 486 00:25:57,000 --> 00:25:59,040 Speaker 1: pillow stuff and you can flip over a bed and something. 487 00:25:59,040 --> 00:26:03,920 Speaker 1: It's always fun. Yeah, ben a good stuff. Yeah, yeah, 488 00:26:03,920 --> 00:26:07,880 Speaker 1: those are always fun moments. I remember loving that. Um. 489 00:26:08,000 --> 00:26:09,919 Speaker 1: Then we're in the Matthews living room. Cory's on the 490 00:26:09,920 --> 00:26:12,360 Speaker 1: couch doing homework when Amy comes down and asks him 491 00:26:12,359 --> 00:26:14,639 Speaker 1: what's going on because he's sitting and studying and she 492 00:26:14,680 --> 00:26:17,320 Speaker 1: doesn't really trust that Amy and Alan are going out. 493 00:26:17,400 --> 00:26:20,159 Speaker 1: Alan is dressed casually. Amy says that tonight is a 494 00:26:20,240 --> 00:26:22,920 Speaker 1: really important event for her with the real estate Biggie's 495 00:26:22,960 --> 00:26:26,000 Speaker 1: in Pennsylvania, and he looked to quit a suit. He 496 00:26:26,080 --> 00:26:29,359 Speaker 1: looked looks so good, I think, actually, and yeah, I guess, 497 00:26:29,359 --> 00:26:32,639 Speaker 1: like I don't know. I thought he looked better with 498 00:26:32,680 --> 00:26:34,199 Speaker 1: the jeans. I didn't, but you know, I'm not a 499 00:26:34,200 --> 00:26:37,440 Speaker 1: suit guy. So yeah, I think it's just a level 500 00:26:37,480 --> 00:26:39,159 Speaker 1: of like, you know, if you get invited to a 501 00:26:39,200 --> 00:26:42,680 Speaker 1: wedding and it says black tie, you know you're supposed 502 00:26:42,720 --> 00:26:45,200 Speaker 1: to wear either a tucks or at the very least 503 00:26:45,240 --> 00:26:48,719 Speaker 1: a very nice suit. You're not supposed to wear jeans, 504 00:26:48,720 --> 00:26:53,320 Speaker 1: like if you wore jeans. She doesn't say that it's 505 00:26:53,320 --> 00:26:55,680 Speaker 1: black tie, but she does say, this is a really 506 00:26:56,400 --> 00:26:58,800 Speaker 1: important event for me tonight, and so I think she's 507 00:26:58,840 --> 00:27:01,119 Speaker 1: worried he just looks too casual and jeans. So she 508 00:27:01,160 --> 00:27:02,800 Speaker 1: tells him to put on a suit. But I agree 509 00:27:02,800 --> 00:27:06,040 Speaker 1: that I preferred the casual gene luck. That's a rusty 510 00:27:06,080 --> 00:27:09,360 Speaker 1: that's a rusty thing. That's why I think, Yeah, it's 511 00:27:09,400 --> 00:27:13,159 Speaker 1: so rusty, and he looks great, so ruggedly handsome, So 512 00:27:13,200 --> 00:27:14,840 Speaker 1: she tells him to put on a suit. Alan wants 513 00:27:14,880 --> 00:27:16,560 Speaker 1: to stay home and spend time with his kids, and 514 00:27:16,640 --> 00:27:18,720 Speaker 1: Corey does not want that because it is going to 515 00:27:18,800 --> 00:27:21,879 Speaker 1: ruin his movie plans. So Eric and Jason come in. 516 00:27:22,040 --> 00:27:24,280 Speaker 1: They are both wearing vests, which is how you know 517 00:27:24,320 --> 00:27:29,200 Speaker 1: their best friends exactly, the matching sleeveless hooted vest. Yes, 518 00:27:29,800 --> 00:27:32,960 Speaker 1: I mean listen, if you're not planning your outfit with 519 00:27:32,960 --> 00:27:39,600 Speaker 1: your best friend, are you even best friends? Wow? And 520 00:27:39,640 --> 00:27:44,400 Speaker 1: I'm leaving, thank you very much, goodbye, goodbye best friends. 521 00:27:44,440 --> 00:27:49,760 Speaker 1: Thank you. I can't I'm not gonna. I'm not gonna 522 00:27:50,240 --> 00:27:53,960 Speaker 1: Jason's key flip with a moment when like it's like no, 523 00:27:54,160 --> 00:27:56,440 Speaker 1: it's tossed, and then he kept or he throws it, 524 00:27:56,520 --> 00:27:58,240 Speaker 1: he catches and throws it. I don't know. It was 525 00:27:58,280 --> 00:28:02,320 Speaker 1: like such sitcom. It was like, oh my god, so good. 526 00:28:02,400 --> 00:28:04,600 Speaker 1: He's so good, he's so slick, and you're just like 527 00:28:04,720 --> 00:28:07,520 Speaker 1: you are, like, I mean, how old was he was? Sixteen? 528 00:28:07,720 --> 00:28:09,560 Speaker 1: He's the same age as you know. He's like, a ye, yeah, 529 00:28:09,600 --> 00:28:11,800 Speaker 1: you're too old than me years old at this point 530 00:28:12,560 --> 00:28:15,480 Speaker 1: watching this scene, I uh. And again, I know you 531 00:28:15,480 --> 00:28:18,000 Speaker 1: guys think I bashed myself a lot, But I often 532 00:28:18,080 --> 00:28:21,160 Speaker 1: wonder with scenes because he's so good and so slick 533 00:28:21,280 --> 00:28:24,560 Speaker 1: that if they're watching going, I wonder if we should 534 00:28:24,560 --> 00:28:26,280 Speaker 1: have cast Jason as the older brother, you know what 535 00:28:26,280 --> 00:28:31,159 Speaker 1: I mean, because he's just got that thing. He's so good. Okay, 536 00:28:31,600 --> 00:28:36,040 Speaker 1: I am gonna throw out an alternative though, Is it 537 00:28:36,520 --> 00:28:41,280 Speaker 1: I love Jason? Is it too is it too much? 538 00:28:41,520 --> 00:28:42,920 Speaker 1: I think it can be. I think it can be. 539 00:28:42,960 --> 00:28:44,200 Speaker 1: I think it can be in the wrong, you know. 540 00:28:44,280 --> 00:28:46,720 Speaker 1: I think, like I felt like this whole episode was 541 00:28:46,760 --> 00:28:49,400 Speaker 1: too much said comfy. You know, it's very much like 542 00:28:49,760 --> 00:28:52,560 Speaker 1: set up, set up, and then punchline. You know, like 543 00:28:52,560 --> 00:28:54,160 Speaker 1: when we get to the girls flirting with the guy. 544 00:28:54,200 --> 00:28:57,720 Speaker 1: I just was like, I just wanted to it was. Yeah, 545 00:28:57,720 --> 00:28:59,080 Speaker 1: that was I mean, I just didn't like it. But 546 00:28:59,160 --> 00:29:01,680 Speaker 1: so yes, But I don't think it's Jason's fault. I 547 00:29:01,680 --> 00:29:04,800 Speaker 1: think to find a young actor who can do those 548 00:29:04,880 --> 00:29:07,880 Speaker 1: kinds of slick jokes, it's it's such a skill, and 549 00:29:07,960 --> 00:29:09,960 Speaker 1: Jason was clearly a pro and it's something you have 550 00:29:10,040 --> 00:29:12,560 Speaker 1: to learn, you know. It's and by the way, I 551 00:29:12,600 --> 00:29:14,480 Speaker 1: think one of the things that makes Boy Meets World 552 00:29:14,520 --> 00:29:16,960 Speaker 1: so special is that all of the lead, none of 553 00:29:17,000 --> 00:29:21,880 Speaker 1: the leads had but throwing Jason in give you some 554 00:29:21,960 --> 00:29:28,280 Speaker 1: of that is great nineties version of Eddie Haskell. I 555 00:29:28,280 --> 00:29:31,120 Speaker 1: mean that's what he is. He's the hey, you're looking great, 556 00:29:31,280 --> 00:29:33,200 Speaker 1: Mrs you know, Mrs how you doing? You look great? 557 00:29:33,240 --> 00:29:35,520 Speaker 1: And Mrs Matthews, you're awesome. And then it's like, hey, 558 00:29:35,560 --> 00:29:37,680 Speaker 1: here's the scam. We're gonna get it. It's so Eddie 559 00:29:37,720 --> 00:29:40,000 Speaker 1: Haskell that it might have just been they thought the 560 00:29:40,080 --> 00:29:41,680 Speaker 1: character was too much where it was just like wow, 561 00:29:41,680 --> 00:29:43,920 Speaker 1: it's that's okay, we've gone way towards. But I do 562 00:29:43,960 --> 00:29:47,280 Speaker 1: think that there were other shows populated entirely by actors 563 00:29:47,600 --> 00:29:51,200 Speaker 1: that were like and was not one of those. And 564 00:29:51,240 --> 00:29:52,800 Speaker 1: I think that that you're right, and I think that 565 00:29:52,800 --> 00:29:54,960 Speaker 1: we're totally worked in our favor and that's what makes 566 00:29:54,960 --> 00:29:57,160 Speaker 1: it a little more unique. I agree, yeah, And I 567 00:29:57,160 --> 00:29:59,720 Speaker 1: think it's what makes it still relatable thirty years later, 568 00:30:00,000 --> 00:30:02,440 Speaker 1: as opposed to feeling like a thing of its time. 569 00:30:03,840 --> 00:30:05,920 Speaker 1: There was also did anybody notice in the scene a 570 00:30:06,240 --> 00:30:10,080 Speaker 1: very strange close up just out of nowhere? There was 571 00:30:09,280 --> 00:30:11,959 Speaker 1: a couple of them. Yeah, we're just a random kind 572 00:30:11,960 --> 00:30:14,520 Speaker 1: of like that was weird. All of a sudden it 573 00:30:14,560 --> 00:30:16,240 Speaker 1: was close up on you as you like walked to 574 00:30:16,280 --> 00:30:18,600 Speaker 1: the door, and I thought I actually said out loud, 575 00:30:18,640 --> 00:30:21,239 Speaker 1: oh cut something out there, like something must have been 576 00:30:21,240 --> 00:30:24,120 Speaker 1: in the fire. But there's another one later. There's a 577 00:30:24,120 --> 00:30:25,920 Speaker 1: couple of moments where all of a sudden, we had 578 00:30:25,920 --> 00:30:27,600 Speaker 1: a close up and I was like, that's interesting. It 579 00:30:27,640 --> 00:30:29,200 Speaker 1: totally took me out of the moment. I don't know 580 00:30:30,440 --> 00:30:33,280 Speaker 1: something happen. It was just just a random close up. 581 00:30:33,280 --> 00:30:35,400 Speaker 1: It was like, that's bizarre. Yeah, I bet, I bet 582 00:30:35,440 --> 00:30:37,200 Speaker 1: they had something else in the scene that they cut 583 00:30:37,200 --> 00:30:39,000 Speaker 1: out for time, and that was what they had to 584 00:30:39,040 --> 00:30:42,680 Speaker 1: go to. Yeah. So anyway, Jason says that Eric failed 585 00:30:42,720 --> 00:30:45,360 Speaker 1: his driving test before it even started. Eric mixed up 586 00:30:45,360 --> 00:30:47,120 Speaker 1: someone at the d m V with the guy doing 587 00:30:47,120 --> 00:30:51,720 Speaker 1: the test, and then Tracy calls, and right as Eric 588 00:30:51,800 --> 00:30:53,400 Speaker 1: is about to tell her they can't go because he 589 00:30:53,440 --> 00:30:56,200 Speaker 1: didn't get his license, Jason grabs the phone. He says, 590 00:30:56,240 --> 00:30:58,680 Speaker 1: the only problem is that cash the cast machine only 591 00:30:58,680 --> 00:31:01,480 Speaker 1: gave them two hundred dollars for a date tonight. Tracy 592 00:31:01,560 --> 00:31:04,120 Speaker 1: says she bought a new dress and that she's worried 593 00:31:04,160 --> 00:31:07,560 Speaker 1: it's too short, and Jason sounds like a total sleeves 594 00:31:07,560 --> 00:31:10,320 Speaker 1: ball when he talks about how dresses can never be 595 00:31:10,360 --> 00:31:15,120 Speaker 1: too short. Um, the whole yeah, the whole thing feels 596 00:31:15,120 --> 00:31:17,840 Speaker 1: a little creepy. But whatever, Jason says, they will pick 597 00:31:17,920 --> 00:31:20,800 Speaker 1: up the girls, but Eric doesn't understand, knowing he didn't 598 00:31:20,800 --> 00:31:23,440 Speaker 1: pass his test. Alan now comes down in a nice suit. 599 00:31:23,480 --> 00:31:26,800 Speaker 1: He's ready to congratulate the new driver, Eric, but again 600 00:31:26,920 --> 00:31:29,680 Speaker 1: Jason covers up, lying to Alan and saying that Eric passed. 601 00:31:29,880 --> 00:31:32,560 Speaker 1: This whole plan seems to be really be bothering Eric, 602 00:31:32,600 --> 00:31:35,440 Speaker 1: who because it is this, you know, the family show. 603 00:31:36,200 --> 00:31:38,920 Speaker 1: You guys have to be good kids, Like we couldn't 604 00:31:38,920 --> 00:31:41,120 Speaker 1: have Eric be the one coming up with this scheme 605 00:31:41,160 --> 00:31:46,280 Speaker 1: because then he could be unlikable. So Jason has to 606 00:31:46,280 --> 00:31:49,480 Speaker 1: push this plan forward. So Amy comes down all dressed 607 00:31:49,560 --> 00:31:52,000 Speaker 1: up for her real estate event, and Jason cat calls 608 00:31:52,000 --> 00:31:55,440 Speaker 1: her he's basically really sucking up to everybody in this family. 609 00:31:56,520 --> 00:31:58,280 Speaker 1: Alan says that someone in this house should have a 610 00:31:58,320 --> 00:32:00,760 Speaker 1: good time tonight, and he gives Eric his car keys, 611 00:32:00,920 --> 00:32:04,040 Speaker 1: thinking he just got his license. Jason accepts and takes 612 00:32:04,040 --> 00:32:06,360 Speaker 1: the keys and tosses them before Eric can say anything. 613 00:32:06,760 --> 00:32:09,959 Speaker 1: As soon as Amy and Allan leave, Eric tells Jason 614 00:32:10,040 --> 00:32:11,800 Speaker 1: he is not going to lie to his parents, but 615 00:32:11,800 --> 00:32:13,800 Speaker 1: then he gets over that real quick. He's suddenly on 616 00:32:13,880 --> 00:32:17,320 Speaker 1: plan with the scheme and they plan to drive their dates. 617 00:32:17,760 --> 00:32:22,280 Speaker 1: But then Judy calls pimple Judy and she bails on 618 00:32:22,440 --> 00:32:27,959 Speaker 1: babysitting Corey and Morgan, ruining the entire plan. So now 619 00:32:28,000 --> 00:32:29,640 Speaker 1: they have to come up with what are we gonna do. 620 00:32:29,720 --> 00:32:31,800 Speaker 1: We have to find a babysitter, even though earlier in 621 00:32:31,840 --> 00:32:34,560 Speaker 1: the season there's a time where she says, I think 622 00:32:34,600 --> 00:32:39,760 Speaker 1: you're old enough to watch Morgan. Now you can watch more. 623 00:32:40,080 --> 00:32:42,840 Speaker 1: So it's like they are going to push the storyline through. Guys, 624 00:32:44,000 --> 00:32:46,640 Speaker 1: how do we get to phoene babies? It's make that 625 00:32:46,800 --> 00:32:49,160 Speaker 1: true because that's the other thing is is the parents 626 00:32:49,160 --> 00:32:50,880 Speaker 1: don't take him to get his license, and they don't 627 00:32:50,880 --> 00:32:53,360 Speaker 1: even say, hey, come on, let me all right, let 628 00:32:53,360 --> 00:32:54,960 Speaker 1: me see it. Come on, let me see the license. 629 00:32:55,240 --> 00:32:57,080 Speaker 1: Had the same thought. I thought they were going to 630 00:32:57,120 --> 00:32:58,880 Speaker 1: reference it and then you know, because they actually don't 631 00:32:58,880 --> 00:33:02,360 Speaker 1: give you your license, or maybe they do nowadays, so 632 00:33:02,400 --> 00:33:04,120 Speaker 1: I thought, oh, maybe they would have to do and 633 00:33:04,280 --> 00:33:06,520 Speaker 1: I was like, nope, we don't even acknowledge the key. 634 00:33:06,600 --> 00:33:08,959 Speaker 1: Move on. It's like, okay, here's the keys to the car, 635 00:33:09,080 --> 00:33:20,720 Speaker 1: Like all right, wow, that's interesting. So Eric and Jason 636 00:33:20,840 --> 00:33:22,520 Speaker 1: kind of are scrambling, where are they going to find 637 00:33:22,560 --> 00:33:25,760 Speaker 1: a babysitter. He runs outside because he sees Phoenie is 638 00:33:25,800 --> 00:33:28,400 Speaker 1: in the backyard. Eric says he needs the help because 639 00:33:28,400 --> 00:33:31,760 Speaker 1: he's going to a classical music concert, and Phoene questions 640 00:33:31,800 --> 00:33:33,920 Speaker 1: him about the type of music and then tricks him 641 00:33:33,960 --> 00:33:42,040 Speaker 1: by asking blonder brunette. Phoenie figures out, yeah, um, let 642 00:33:42,080 --> 00:33:44,720 Speaker 1: me just say somebody who had horrible acne, which we 643 00:33:44,720 --> 00:33:48,040 Speaker 1: will get into because it's visible. There's a lot of 644 00:33:48,120 --> 00:33:52,280 Speaker 1: means zip jokes in this episode, and Ye has him like, 645 00:33:52,320 --> 00:33:54,880 Speaker 1: why does I mean it's one thing for like kids say, 646 00:33:55,640 --> 00:33:58,120 Speaker 1: it's like the third time we've made a zip joke 647 00:33:58,160 --> 00:34:01,000 Speaker 1: about car and it's Phoenie and it's seems mean, And 648 00:34:01,040 --> 00:34:02,880 Speaker 1: I just was like, I was like, oh God, Like 649 00:34:02,920 --> 00:34:05,600 Speaker 1: I was so insecure about my acne, and like I 650 00:34:05,720 --> 00:34:08,279 Speaker 1: know that writing like this was part of the reason, 651 00:34:08,480 --> 00:34:11,440 Speaker 1: you know, Like I was so oh God, I just 652 00:34:11,680 --> 00:34:14,520 Speaker 1: it made me die inside. When the couple of ones, 653 00:34:14,560 --> 00:34:16,920 Speaker 1: I was like, oh god, that's that's kind of tasteless. 654 00:34:17,000 --> 00:34:20,840 Speaker 1: And then when Phoenie that was like yis and I 655 00:34:20,920 --> 00:34:23,280 Speaker 1: was watching it going like, man, like, did this contribute 656 00:34:23,320 --> 00:34:25,040 Speaker 1: to the way I felt second and third season when 657 00:34:25,080 --> 00:34:28,520 Speaker 1: I had horrible acne? Like knowing that writers were writing 658 00:34:28,560 --> 00:34:30,440 Speaker 1: this kind of stuff. People I was working with and 659 00:34:30,440 --> 00:34:33,120 Speaker 1: everybody was laughing at the joke of like, oh my god, 660 00:34:33,160 --> 00:34:35,160 Speaker 1: if you have pimples, that makes you ugly and awful 661 00:34:35,160 --> 00:34:37,880 Speaker 1: and weird. Like it made me feel horrible, and you 662 00:34:37,920 --> 00:34:40,239 Speaker 1: know that was not kind. Phoene one took me over 663 00:34:40,280 --> 00:34:43,360 Speaker 1: the top. Two, because you're right, I guess the difference 664 00:34:43,440 --> 00:34:48,520 Speaker 1: between kids making fun of another feasibly another kid, just 665 00:34:48,600 --> 00:34:52,200 Speaker 1: probably a sixteen or seventeen year old babysit are is 666 00:34:52,280 --> 00:34:55,240 Speaker 1: bad enough, especially because it keeps going. But then for Phoenie, 667 00:34:55,760 --> 00:34:58,160 Speaker 1: like as an adult, you should understand this is a 668 00:34:58,239 --> 00:35:01,359 Speaker 1: very hard time for teenagers. Their skin starts breaking out. 669 00:35:01,440 --> 00:35:03,279 Speaker 1: I know, can you make it? Imagine the equivalent of 670 00:35:03,320 --> 00:35:05,800 Speaker 1: a fat joke, like you know it would be horrible. 671 00:35:05,800 --> 00:35:08,399 Speaker 1: It's also Phoenie who's supposed to have kids coming through 672 00:35:08,480 --> 00:35:11,319 Speaker 1: forty years. He's like you, you know that they're going 673 00:35:11,320 --> 00:35:13,359 Speaker 1: through horrible times and you're you're making fun of them 674 00:35:13,360 --> 00:35:15,759 Speaker 1: to like, yeah, it was bad. Also, isn't it kind 675 00:35:15,760 --> 00:35:18,640 Speaker 1: of lazy to just keep making the same joke over 676 00:35:18,719 --> 00:35:20,840 Speaker 1: and over again, Like if you're going to make a 677 00:35:20,840 --> 00:35:23,279 Speaker 1: pimple joke, can you make one and then come up 678 00:35:23,320 --> 00:35:26,120 Speaker 1: with something else because she also have a powerful scent. 679 00:35:26,280 --> 00:35:29,000 Speaker 1: I don't know, there's other things you can do. There's 680 00:35:29,000 --> 00:35:34,319 Speaker 1: other ways to this horrible making something funny and clever, 681 00:35:34,480 --> 00:35:37,279 Speaker 1: you know, like it's just at six she won the 682 00:35:37,320 --> 00:35:39,440 Speaker 1: lottery and took off like you could have done anything 683 00:35:39,520 --> 00:35:41,880 Speaker 1: that was interesting. But no. Yeah, Also she could be, 684 00:35:41,920 --> 00:35:43,560 Speaker 1: she could be. They don't like her as a babysitter 685 00:35:43,600 --> 00:35:45,560 Speaker 1: because she doesn't let them do anything fun. She's on 686 00:35:45,640 --> 00:35:47,680 Speaker 1: top of everything. She makes them go to bed five 687 00:35:47,680 --> 00:35:51,479 Speaker 1: minutes early. She doesn't let them you know, good at it. Yeah, 688 00:35:51,520 --> 00:35:53,880 Speaker 1: she's too good at being. She's even harder on them 689 00:35:53,920 --> 00:35:56,080 Speaker 1: than their parents are. Something like that. There's a million 690 00:35:56,160 --> 00:35:58,680 Speaker 1: there's a million things she eats funny, who knows whatever 691 00:35:58,719 --> 00:36:01,560 Speaker 1: it is? So anyway, okay, we'll probably get letters about 692 00:36:01,560 --> 00:36:07,120 Speaker 1: this being too political. Um so moving on so we 693 00:36:07,160 --> 00:36:11,120 Speaker 1: don't get as many of those. Um uh. Phoenie figures 694 00:36:11,120 --> 00:36:13,160 Speaker 1: out what Eric is trying to do, and Phoenie says 695 00:36:13,200 --> 00:36:15,960 Speaker 1: he will cover if Eric spreads manure in his yard 696 00:36:16,080 --> 00:36:19,080 Speaker 1: for the next four saturdays. Eric tries to get that 697 00:36:19,120 --> 00:36:27,320 Speaker 1: down and then do you need saturdays his mum's or whatever? Backyard. 698 00:36:27,360 --> 00:36:30,720 Speaker 1: If that's what it is, his side, his cornery twelve. 699 00:36:32,480 --> 00:36:34,440 Speaker 1: We don't know what the other side looks like. We 700 00:36:34,440 --> 00:36:36,000 Speaker 1: don't know what the other side. It's like a it's 701 00:36:36,000 --> 00:36:43,440 Speaker 1: an English garden. It goes. What do we need was 702 00:36:43,560 --> 00:36:45,759 Speaker 1: four days when you were spreading? Are you kidding me? 703 00:36:47,920 --> 00:36:54,360 Speaker 1: He's got a full botanical garden. Yes, And this is 704 00:36:54,360 --> 00:36:56,520 Speaker 1: like the repeat of the negotiation joke, which we've seen 705 00:36:56,520 --> 00:36:59,360 Speaker 1: now like three times with the fence, like tricking Corey 706 00:36:59,400 --> 00:37:06,440 Speaker 1: into They decided it was funny the first time, and 707 00:37:06,480 --> 00:37:08,360 Speaker 1: it must be funny the third and fourth time. Is like, 708 00:37:08,520 --> 00:37:10,600 Speaker 1: can keep chricking your students? Doesn't that also just mean 709 00:37:10,640 --> 00:37:14,360 Speaker 1: you're not that great a teacher? Well, it is what 710 00:37:14,480 --> 00:37:18,000 Speaker 1: it is. He needs to spend more time on math. Yeah, exactly. 711 00:37:19,960 --> 00:37:22,319 Speaker 1: Of course, we're in the Matthews living room. Phoenie is 712 00:37:22,360 --> 00:37:26,680 Speaker 1: playing tea party with Morgan, and Phoenie is wearing layers 713 00:37:26,680 --> 00:37:29,600 Speaker 1: and layers of pearl necklaces. But he does not want 714 00:37:29,640 --> 00:37:32,480 Speaker 1: to wear a floppy hat, but because of Morgan's sad 715 00:37:32,480 --> 00:37:34,800 Speaker 1: puppy dog eyes, he agrees to wear it from Morgan, 716 00:37:34,920 --> 00:37:37,880 Speaker 1: even though he has papers he needs to grade. Seeing 717 00:37:37,920 --> 00:37:40,359 Speaker 1: Bill like this, I mean, this is why they wrote 718 00:37:40,360 --> 00:37:42,239 Speaker 1: the episode, right, this is this is why they made 719 00:37:42,280 --> 00:37:44,440 Speaker 1: this episode is because somebody in the writer's room was like, 720 00:37:44,480 --> 00:37:48,040 Speaker 1: I want to see him having tea with morgan jewelry. 721 00:37:48,080 --> 00:37:50,279 Speaker 1: I want to wear enough very funny hat. And sure 722 00:37:50,400 --> 00:37:53,080 Speaker 1: enough he did it, and he still does it with 723 00:37:53,080 --> 00:37:57,839 Speaker 1: with such class. I also just love the writing in this. 724 00:37:58,360 --> 00:38:01,400 Speaker 1: When he has the line I have as stooned myself 725 00:38:01,480 --> 00:38:05,719 Speaker 1: with costumed jewelry, I have swilled your phote, It's like 726 00:38:05,840 --> 00:38:09,520 Speaker 1: you could just see the righted stuff sit. How do 727 00:38:09,560 --> 00:38:12,760 Speaker 1: we make him as fancy as possible to fancy pants? 728 00:38:12,800 --> 00:38:18,640 Speaker 1: And they wonder whytish, Oh my god, stooned myself and 729 00:38:18,719 --> 00:38:21,040 Speaker 1: you just want to see Billy say these words like 730 00:38:21,040 --> 00:38:23,920 Speaker 1: he's funny. Oh my god. It was great. It's also 731 00:38:24,000 --> 00:38:28,480 Speaker 1: great because I see him searching for the words, and 732 00:38:28,560 --> 00:38:31,000 Speaker 1: yet what amazes me about it is I as I 733 00:38:31,040 --> 00:38:32,960 Speaker 1: was watching it, I was like, oh, man, he he 734 00:38:33,040 --> 00:38:35,719 Speaker 1: doesn't He's trying to remember the word for stoon. But 735 00:38:35,760 --> 00:38:37,920 Speaker 1: then he does it and the delivery of it is 736 00:38:38,040 --> 00:38:41,400 Speaker 1: so natural. Still, It's like, how is he as an 737 00:38:41,400 --> 00:38:46,480 Speaker 1: actor both present in his real life of oh gosh, 738 00:38:46,520 --> 00:38:48,680 Speaker 1: I don't remember what I'm supposed to say, but also 739 00:38:48,800 --> 00:38:53,040 Speaker 1: in character still delivering such natural lines as Phenie and 740 00:38:53,080 --> 00:38:55,200 Speaker 1: you believe that Phenie is that intelligent and that he 741 00:38:55,280 --> 00:38:57,560 Speaker 1: has this kind of vocabulary and that this is the 742 00:38:57,560 --> 00:38:59,759 Speaker 1: way he speaks. And that's a crazy thing to pull off, 743 00:38:59,800 --> 00:39:02,919 Speaker 1: Like if you had to audition actors to say these lines, 744 00:39:03,400 --> 00:39:05,360 Speaker 1: there's nobody that could say them that would be this 745 00:39:05,480 --> 00:39:08,560 Speaker 1: natural and this funny and believable. Like it's just with 746 00:39:08,640 --> 00:39:10,640 Speaker 1: a five year old, mind you, he's saying us to 747 00:39:10,680 --> 00:39:14,120 Speaker 1: a five year old, it's great, Yeah, it's great. So 748 00:39:14,200 --> 00:39:16,920 Speaker 1: then a ding goes off and Phoenie goes to get 749 00:39:16,960 --> 00:39:19,440 Speaker 1: food from Morgan's Easy Bake oven. Corey and Shawn are 750 00:39:19,480 --> 00:39:22,279 Speaker 1: on the couch watching TV. It's something about nature with 751 00:39:22,360 --> 00:39:26,840 Speaker 1: like a change the channel. So again Phoenie is four 752 00:39:27,000 --> 00:39:31,279 Speaker 1: feet away and they're why they don't understand that he's 753 00:39:31,280 --> 00:39:34,600 Speaker 1: watching a horror movie. It's so, let's just make this 754 00:39:34,680 --> 00:39:38,120 Speaker 1: episode happen. It's so strange. Well, it gets even worse 755 00:39:38,160 --> 00:39:40,760 Speaker 1: because in the tag there's a TV in the boy's 756 00:39:40,840 --> 00:39:43,200 Speaker 1: bedroom and I was like, why were they watching a 757 00:39:43,280 --> 00:39:46,560 Speaker 1: movie downstairs? Go upstairs and watch your horror film like us, 758 00:39:46,640 --> 00:39:49,160 Speaker 1: move the VCR. If you need to make any say 759 00:39:49,480 --> 00:39:51,640 Speaker 1: didn't make it makes no sense at all. And there's 760 00:39:51,640 --> 00:39:54,920 Speaker 1: even a scene later where Phoenie walks past the couch 761 00:39:55,000 --> 00:39:57,160 Speaker 1: and the second he walks past the couch they change 762 00:39:57,200 --> 00:40:01,760 Speaker 1: the channel. It was really is really yeah, this one's 763 00:40:01,800 --> 00:40:04,360 Speaker 1: put together with scotch tape. Really it really kind of 764 00:40:04,360 --> 00:40:10,000 Speaker 1: seemed like that gag though of the Buxom nurse or 765 00:40:10,000 --> 00:40:15,520 Speaker 1: whoever in the voice over, like getting Sister, like that 766 00:40:15,640 --> 00:40:18,000 Speaker 1: was funny, where it was just every single horror trope 767 00:40:18,239 --> 00:40:20,440 Speaker 1: and so what do you think. It's like literally just 768 00:40:20,520 --> 00:40:25,319 Speaker 1: like he's just blowing up people's head. But then there's 769 00:40:25,360 --> 00:40:29,360 Speaker 1: like a crossbow reference and it's so dumb, so you know, 770 00:40:29,560 --> 00:40:33,279 Speaker 1: it doesn't really make any sense. Um, So Phoenie checks 771 00:40:33,280 --> 00:40:35,080 Speaker 1: to see if it's appropriate, and then when he leaves 772 00:40:35,120 --> 00:40:37,040 Speaker 1: the room, they switch back to their R rated movie. 773 00:40:37,400 --> 00:40:39,640 Speaker 1: Then Phoene walks back in and they switch it back 774 00:40:39,680 --> 00:40:42,080 Speaker 1: to Nature, then they switch it back again. He's literally 775 00:40:42,120 --> 00:40:44,160 Speaker 1: a few feet away. None of it makes any sense. 776 00:40:44,520 --> 00:40:48,319 Speaker 1: It's truly ridiculous. Sean asks if Corey thinks Eric is 777 00:40:48,320 --> 00:40:51,000 Speaker 1: having as much fun as they're having and then say 778 00:40:51,000 --> 00:40:58,319 Speaker 1: it with me optic, we see Eric is begging to 779 00:40:58,400 --> 00:41:06,560 Speaker 1: get his death many Actually that's so yeah. Also, we 780 00:41:06,680 --> 00:41:13,320 Speaker 1: get a fantastic slash absolutely terrible exterior shot of this. Toeyard, 781 00:41:14,600 --> 00:41:17,960 Speaker 1: it was yeah, I was like, oh, look at that. 782 00:41:18,080 --> 00:41:20,920 Speaker 1: It's from Taxi from like the Seven Days, you know, 783 00:41:21,160 --> 00:41:26,000 Speaker 1: like what is that? Yeah. I think they wanted to 784 00:41:26,000 --> 00:41:29,040 Speaker 1: set it up as being a little sketchy, a little scary, 785 00:41:29,680 --> 00:41:32,280 Speaker 1: and said, Don, this is what I remember at this episode. 786 00:41:32,480 --> 00:41:35,200 Speaker 1: I remember talking to Don Gibb, who was one of 787 00:41:35,200 --> 00:41:37,680 Speaker 1: the nicest human beings you will ever meet in your life. 788 00:41:37,680 --> 00:41:40,120 Speaker 1: And I was such a fan of his movies and 789 00:41:40,160 --> 00:41:42,560 Speaker 1: he loved to talk about him. So I got to 790 00:41:42,600 --> 00:41:46,360 Speaker 1: sit there and get Blood Sports stories and I got 791 00:41:46,760 --> 00:41:51,120 Speaker 1: Revenge of the Nerds stories. It was the coolest thing ever. 792 00:41:51,239 --> 00:41:54,160 Speaker 1: He was awesome. Yeah, he was super cool. What did 793 00:41:54,160 --> 00:41:55,960 Speaker 1: you talk to him about Blood Sport? Well, because I 794 00:41:56,000 --> 00:41:57,799 Speaker 1: asked him, I was like, all right, so, you know, 795 00:41:58,360 --> 00:42:00,560 Speaker 1: not that it's like one of my favorite movies through everything, 796 00:42:00,600 --> 00:42:03,239 Speaker 1: but what was it like doing Blood Sport? And so 797 00:42:03,560 --> 00:42:05,839 Speaker 1: he's telling us stories about how it was. You know, 798 00:42:06,120 --> 00:42:07,759 Speaker 1: they were trying not to hurt each other. And I'm 799 00:42:07,760 --> 00:42:09,440 Speaker 1: not going to mention any names, but some of the 800 00:42:09,440 --> 00:42:11,879 Speaker 1: actors would go too far and actually like somebody broke 801 00:42:11,920 --> 00:42:15,920 Speaker 1: somebody's nose and somebody wasn't pulling their punches and and 802 00:42:15,960 --> 00:42:19,319 Speaker 1: they shot it really quick, and um, you know, it 803 00:42:19,360 --> 00:42:20,719 Speaker 1: was just it was amazing. And then of course the 804 00:42:20,719 --> 00:42:22,880 Speaker 1: whole thing came out afterwards about how we won't go 805 00:42:22,920 --> 00:42:24,680 Speaker 1: off on blood Sport, but how it was it was 806 00:42:24,719 --> 00:42:27,720 Speaker 1: about Frank Duke's and and it was all a real story. 807 00:42:27,760 --> 00:42:29,200 Speaker 1: And then it all came out that he just made 808 00:42:29,239 --> 00:42:32,239 Speaker 1: the entire thing up, like none of that actually happened. Um, 809 00:42:32,280 --> 00:42:34,480 Speaker 1: and Frank Duke's is considered one of the biggest martial 810 00:42:34,560 --> 00:42:36,360 Speaker 1: arts frauds in history. So we talked a little bit 811 00:42:36,400 --> 00:42:38,279 Speaker 1: about all that stuff. I mean, it was just like, yeah, 812 00:42:38,320 --> 00:42:39,799 Speaker 1: it was he he had. He was one of those 813 00:42:39,840 --> 00:42:42,160 Speaker 1: guys where he loved his craft, he loved the movies 814 00:42:42,200 --> 00:42:44,640 Speaker 1: that he did, and he liked talking about it. So 815 00:42:44,719 --> 00:42:46,799 Speaker 1: as somebody who wanted to listen, it was like the 816 00:42:46,800 --> 00:42:49,080 Speaker 1: greatest combination where you just want to sit back and like, okay, 817 00:42:49,120 --> 00:42:51,960 Speaker 1: tell me blood blood Sports stories, tell me Revenge of 818 00:42:51,960 --> 00:42:53,680 Speaker 1: the Nerds stories. Told me about how they shot Revenge 819 00:42:53,680 --> 00:42:55,040 Speaker 1: of the Nerds. Like on I think it was an 820 00:42:55,080 --> 00:42:57,560 Speaker 1: Arizona College campus, and they all just partied like the 821 00:42:57,560 --> 00:42:59,719 Speaker 1: whole time they were doing this. So stuff like that 822 00:42:59,840 --> 00:43:01,759 Speaker 1: was just as a film fan was awesome and he 823 00:43:01,880 --> 00:43:04,080 Speaker 1: was just really cool to work with. That's what I 824 00:43:04,080 --> 00:43:15,480 Speaker 1: remember the most. Yeah, so it was it was great. Well, 825 00:43:15,600 --> 00:43:17,720 Speaker 1: Eric gets off the pay phone and says that Phoenie 826 00:43:17,760 --> 00:43:20,480 Speaker 1: is on his way. The toeyard guy says he needs 827 00:43:20,600 --> 00:43:23,759 Speaker 1: Eric license his license to match the registration on the 828 00:43:23,800 --> 00:43:26,480 Speaker 1: car in order to give it back. Their dates say 829 00:43:26,520 --> 00:43:28,920 Speaker 1: they found a junior with a Camaro, and Eric and 830 00:43:29,000 --> 00:43:32,280 Speaker 1: Jason say they don't need the girls anyway. The girls 831 00:43:32,360 --> 00:43:34,759 Speaker 1: end up flirting with the tow truck guy Tony with 832 00:43:34,760 --> 00:43:38,319 Speaker 1: a y to get the car back, and they're successful, 833 00:43:38,840 --> 00:43:41,000 Speaker 1: but then they rip up the release instead of handing 834 00:43:41,000 --> 00:43:43,240 Speaker 1: it back, and then they take off in the Camaro. 835 00:43:44,520 --> 00:43:47,000 Speaker 1: This whole scene just it was flat from me. I 836 00:43:47,080 --> 00:43:50,799 Speaker 1: don't disagree with you. It's not funny, so predictable. So 837 00:43:50,920 --> 00:43:56,080 Speaker 1: like here's what's coming, Okay, two pretty ladies, so guy 838 00:43:56,239 --> 00:44:01,080 Speaker 1: can't think anymore. It's like it was just very sitcom. 839 00:44:01,160 --> 00:44:05,040 Speaker 1: It was very nineties sitcom, especially um and it's just 840 00:44:05,160 --> 00:44:09,080 Speaker 1: kind of this is they didn't yet know and and 841 00:44:09,120 --> 00:44:11,279 Speaker 1: the episode was written by by Susan so written by 842 00:44:11,280 --> 00:44:15,400 Speaker 1: a woman. But the other than to Panga and Lily 843 00:44:15,560 --> 00:44:18,759 Speaker 1: and I guess they're getting better with Amy. Any kind 844 00:44:18,760 --> 00:44:23,400 Speaker 1: of young women or girls that were fourteen, fifteen, sixteen 845 00:44:23,440 --> 00:44:26,359 Speaker 1: years old. It was very one dimensional everybody that they 846 00:44:26,360 --> 00:44:28,520 Speaker 1: brought on just all the way around. So it was 847 00:44:28,640 --> 00:44:30,719 Speaker 1: that and and she was great. I mean she did 848 00:44:30,800 --> 00:44:33,799 Speaker 1: multiple episodes of our show, um, so it was it 849 00:44:33,840 --> 00:44:37,120 Speaker 1: was kind of strange to see that the other woman 850 00:44:37,200 --> 00:44:39,880 Speaker 1: that was there, not Kelly, but the other woman that 851 00:44:39,920 --> 00:44:43,279 Speaker 1: was there, did she do multiple episodes too? I don't know. 852 00:44:43,400 --> 00:44:45,880 Speaker 1: It was Stephanie Dicker. She was, She's the actress that 853 00:44:45,920 --> 00:44:50,400 Speaker 1: played Aaron. She did multiple episodes? Did I thought so? 854 00:44:50,480 --> 00:44:53,319 Speaker 1: Because they brought her back together, the two of them 855 00:44:53,320 --> 00:44:56,560 Speaker 1: in the mall, it's sort of just yeah, I think they. 856 00:44:56,680 --> 00:44:57,960 Speaker 1: I think it was both of them in the mall 857 00:44:58,560 --> 00:45:01,960 Speaker 1: for sure. Kelly was they probably, which was probably like 858 00:45:01,960 --> 00:45:04,880 Speaker 1: the next week, you know, they probably or they the 859 00:45:04,920 --> 00:45:07,040 Speaker 1: mall episode went well, so they were like, oh, let's 860 00:45:07,040 --> 00:45:09,480 Speaker 1: bring Jason and those girls back and do another scene 861 00:45:09,480 --> 00:45:11,520 Speaker 1: with them. And I want to say Kelly came back again. 862 00:45:11,600 --> 00:45:14,319 Speaker 1: I think she's done more than just these two episodes. Yeah, 863 00:45:14,320 --> 00:45:16,080 Speaker 1: I think she does another one. She won't even play 864 00:45:16,080 --> 00:45:20,000 Speaker 1: a different character. She was on my favorite show, California 865 00:45:20,080 --> 00:45:26,839 Speaker 1: Dreams played Yeah. Okay, So just then Phoene gets there 866 00:45:26,880 --> 00:45:29,279 Speaker 1: to help. He is still wearing the clip on earrings. 867 00:45:29,280 --> 00:45:32,480 Speaker 1: He's there with Corey, Shawn and Morgan, which was so frustrating. 868 00:45:32,520 --> 00:45:34,680 Speaker 1: Why does nobody mention the ear rings? It takes like 869 00:45:35,200 --> 00:45:37,520 Speaker 1: three minutes and I was like, well, come on, let's 870 00:45:37,520 --> 00:45:40,520 Speaker 1: make the joke. We're it's so obvious. Like again, the 871 00:45:40,640 --> 00:45:44,319 Speaker 1: writing episode, the writing was not the strongest. It was 872 00:45:44,440 --> 00:45:46,560 Speaker 1: just again it was just let's do Let's get through 873 00:45:46,560 --> 00:45:48,960 Speaker 1: the episode. And I wonder if something happened, like there 874 00:45:49,000 --> 00:45:50,719 Speaker 1: was a major rewrite, you know what I mean, Like 875 00:45:50,960 --> 00:45:53,520 Speaker 1: this feels first drafty. This feels like I wonder if 876 00:45:53,560 --> 00:45:56,960 Speaker 1: like they like had to change a whole plotline or something, 877 00:45:57,080 --> 00:45:59,160 Speaker 1: and so they were like just busted that, you know, 878 00:45:59,320 --> 00:46:01,239 Speaker 1: a change a series of changes in the last day 879 00:46:01,320 --> 00:46:04,600 Speaker 1: or something. Because it feels really first and the episodes 880 00:46:04,640 --> 00:46:07,640 Speaker 1: are getting the writing has been steadily getting better better, 881 00:46:07,680 --> 00:46:10,799 Speaker 1: which is why this was sure us as actors more 882 00:46:11,120 --> 00:46:14,239 Speaker 1: and it felt like such a departure where it was 883 00:46:14,280 --> 00:46:16,040 Speaker 1: like this is wow, the writing took a step back, 884 00:46:16,160 --> 00:46:18,400 Speaker 1: And again we say it was written by Stusan Astelle Jansen, 885 00:46:18,440 --> 00:46:20,960 Speaker 1: but whoever's name is on the script. They write the 886 00:46:21,000 --> 00:46:24,560 Speaker 1: first draft and then it goes essentially to committee, where 887 00:46:24,560 --> 00:46:26,520 Speaker 1: it is rewritten by everybody in the room. So it's 888 00:46:26,520 --> 00:46:29,920 Speaker 1: not like, wow, Susan wrote a bad script. It's like this. 889 00:46:30,040 --> 00:46:31,640 Speaker 1: They come up with the idea in the first draft, 890 00:46:31,680 --> 00:46:33,840 Speaker 1: and then this is what the entire room kind of 891 00:46:33,880 --> 00:46:36,560 Speaker 1: came up with. So certainly not her fault, but it 892 00:46:36,600 --> 00:46:39,719 Speaker 1: was strange. Yeah, yeah, it was not the best. And 893 00:46:39,760 --> 00:46:42,680 Speaker 1: then Phoene keeps correcting Tony's grammar, which Tony does not 894 00:46:42,760 --> 00:46:46,080 Speaker 1: really love. Uh. And when Phoene asks Eric to just 895 00:46:46,200 --> 00:46:48,920 Speaker 1: hand over his license to Tony, Eric admits that he 896 00:46:49,000 --> 00:46:54,279 Speaker 1: doesn't have a driver's license. Done, done, don So then 897 00:46:54,280 --> 00:46:56,399 Speaker 1: we come back. We're in the Matthews family living room. 898 00:46:56,480 --> 00:46:59,319 Speaker 1: Phoenie brings all the kids home. He sends Morgan to bed, 899 00:46:59,600 --> 00:47:02,879 Speaker 1: and he said Jason straight home, and Phoene tells Eric 900 00:47:02,920 --> 00:47:04,880 Speaker 1: to go up to his room and wait for Amy 901 00:47:04,880 --> 00:47:08,720 Speaker 1: and Allen, and Eric here mentions that Phoenie was once 902 00:47:09,000 --> 00:47:13,200 Speaker 1: his sixth grade teachers too. I saw that too, but 903 00:47:13,360 --> 00:47:16,240 Speaker 1: only his sixth grade teacher, So I guess he waited 904 00:47:16,280 --> 00:47:19,800 Speaker 1: for Corey's class and then just follow them everywhere. Correct, Okay, 905 00:47:20,400 --> 00:47:23,880 Speaker 1: he didn't like you enough to follow it exactly exactly, Well, 906 00:47:23,880 --> 00:47:25,799 Speaker 1: because all I talk, my dad didn't even like me 907 00:47:25,840 --> 00:47:29,080 Speaker 1: until an episode ago, So yeah, it's fine. Alan didn't 908 00:47:29,080 --> 00:47:31,640 Speaker 1: even know I had another kid. Still still rankles anyway. 909 00:47:31,719 --> 00:47:34,360 Speaker 1: So phoene then notices that Corey and Sean have been 910 00:47:34,400 --> 00:47:37,280 Speaker 1: watching an R rated movie with the exploding heads. Phoeney 911 00:47:37,400 --> 00:47:39,920 Speaker 1: calls it cheap garbage, garbage and takes out the tape 912 00:47:39,920 --> 00:47:43,000 Speaker 1: and all the film from the VHS unravels. Corey says, 913 00:47:43,040 --> 00:47:44,839 Speaker 1: Sean is now going to have to pay for it, 914 00:47:45,040 --> 00:47:48,200 Speaker 1: and Sean says, me, can we also talk about how 915 00:47:48,239 --> 00:47:50,239 Speaker 1: the fact that so all this stuff has gone on 916 00:47:50,360 --> 00:47:52,680 Speaker 1: and the film is still going it's apparently as long 917 00:47:52,680 --> 00:47:56,719 Speaker 1: as Heaven's Gate. Yeah, it's like it's a four and 918 00:47:56,760 --> 00:47:59,480 Speaker 1: a half hour movie of blowing up heads. He's there 919 00:47:59,480 --> 00:48:01,759 Speaker 1: halfway through, when Phoenie is already there, and then the 920 00:48:01,800 --> 00:48:04,600 Speaker 1: car is towed, Phoenie goes down there, we go, we 921 00:48:04,640 --> 00:48:10,200 Speaker 1: go with it. We're we're only watching five minutes at 922 00:48:10,200 --> 00:48:12,920 Speaker 1: a time because every time he passes the couch channel. 923 00:48:13,320 --> 00:48:16,000 Speaker 1: That's true. Yeah, that's true. Fair enough, fair enough. So 924 00:48:16,200 --> 00:48:18,640 Speaker 1: Amy and Allen return from their event, they asked, why 925 00:48:18,680 --> 00:48:21,480 Speaker 1: is Phoenie here. Phoenie says he was covering for the babysitter. 926 00:48:21,640 --> 00:48:24,640 Speaker 1: Sean runs home the same way Jason did earlier. Allen 927 00:48:24,680 --> 00:48:26,879 Speaker 1: and Amy then see the R rated movie and they 928 00:48:26,880 --> 00:48:29,880 Speaker 1: are furious and they ground him for thirty one years 929 00:48:30,040 --> 00:48:34,680 Speaker 1: and say he's dog meat. Uh. Bill's line, I totally 930 00:48:34,680 --> 00:48:36,839 Speaker 1: remember this when he hands out his holds out his hand, 931 00:48:36,840 --> 00:48:40,520 Speaker 1: it says tip no. Well, one of the funniest lines 932 00:48:40,520 --> 00:48:43,600 Speaker 1: I've ever I that is like just it's just a 933 00:48:43,760 --> 00:48:48,600 Speaker 1: great red because I love it. It's like my favorite, 934 00:48:48,600 --> 00:48:50,719 Speaker 1: and I remembered it. I was watching this episode like, oh, 935 00:48:50,719 --> 00:48:53,520 Speaker 1: he's gonna ask for a tip, and it's so like 936 00:48:53,680 --> 00:48:56,359 Speaker 1: ingrained in my mind. Anytime he sneaks a little out 937 00:48:56,360 --> 00:48:59,640 Speaker 1: of Phoenie, it works so a little bit of a 938 00:48:59,640 --> 00:49:02,680 Speaker 1: little so perfectly. It's also like I'm leaving you with 939 00:49:02,680 --> 00:49:05,600 Speaker 1: these kids who are terrible tonight. It's also just yeah, 940 00:49:05,600 --> 00:49:07,960 Speaker 1: it's also just the fact that nobody else acknowledges it. 941 00:49:07,960 --> 00:49:09,799 Speaker 1: It's a moment where Foenie and the audience are the 942 00:49:09,840 --> 00:49:11,279 Speaker 1: only people in on the jokes, you know what I mean. 943 00:49:11,320 --> 00:49:13,080 Speaker 1: Like the whole scene, the whole episode has been like 944 00:49:13,239 --> 00:49:15,480 Speaker 1: hijacked by all these crazy things, and then it's just 945 00:49:15,520 --> 00:49:17,520 Speaker 1: like Feenie able to like basically wink at the audience 946 00:49:17,560 --> 00:49:19,400 Speaker 1: and be like, well, my job is done here, and 947 00:49:19,640 --> 00:49:24,400 Speaker 1: it's so funny. I also really liked Alan turning to 948 00:49:24,480 --> 00:49:27,560 Speaker 1: him and saying you're the worst babies that ever lived. 949 00:49:28,520 --> 00:49:32,239 Speaker 1: That was really funny. So Alan is getting angrier. Eric 950 00:49:32,280 --> 00:49:35,640 Speaker 1: confesses he never passed his driving test. Phoenie leaves, just 951 00:49:35,680 --> 00:49:37,640 Speaker 1: as Alan yells at Eric and says Eric will be 952 00:49:37,640 --> 00:49:40,320 Speaker 1: a pedestrian for the rest of his life. Amy asks 953 00:49:40,320 --> 00:49:43,560 Speaker 1: Alan to breathe for a second. Alan sends Eric upstairs. 954 00:49:43,920 --> 00:49:46,000 Speaker 1: She says she is the one who has to drive 955 00:49:46,040 --> 00:49:49,960 Speaker 1: the kids everywhere, not Alan, and she really needs Eric 956 00:49:50,000 --> 00:49:51,960 Speaker 1: to get his license. I thought this was a nice turn. 957 00:49:52,120 --> 00:49:54,719 Speaker 1: This was a cool perspective shift because the scene had 958 00:49:54,719 --> 00:49:56,400 Speaker 1: been you didn't like it. The scene had been building 959 00:49:56,440 --> 00:49:59,120 Speaker 1: it up as if like authoritative father is going to 960 00:49:59,239 --> 00:50:01,279 Speaker 1: yell and have a twist and be like, no, I 961 00:50:01,320 --> 00:50:04,640 Speaker 1: actually want him to drive because I'm as a mom 962 00:50:04,680 --> 00:50:07,040 Speaker 1: always having to drive, Like I like that at a 963 00:50:07,160 --> 00:50:09,200 Speaker 1: point like because I hadn't seen that coming, I am 964 00:50:09,239 --> 00:50:12,160 Speaker 1: now tired though this is the third or fourth time 965 00:50:12,400 --> 00:50:15,080 Speaker 1: of Alan's about to do something and Amy stops him 966 00:50:15,080 --> 00:50:16,759 Speaker 1: and says, can I see you outside? Like let me 967 00:50:16,800 --> 00:50:18,839 Speaker 1: tell you how we need to parent? Now? This has 968 00:50:18,880 --> 00:50:22,719 Speaker 1: now happened over and over and over again. So I 969 00:50:22,760 --> 00:50:25,560 Speaker 1: love the idea that she wanted Eric to do, but 970 00:50:25,680 --> 00:50:28,279 Speaker 1: the idea of like, wait stop, Alan, let me tell 971 00:50:28,280 --> 00:50:30,320 Speaker 1: you what you're about to do wrong, Eric, go upstairs. 972 00:50:30,560 --> 00:50:32,560 Speaker 1: Let me tell you what it's like now that's happened 973 00:50:32,800 --> 00:50:35,680 Speaker 1: like four times, so that I didn't like it where 974 00:50:35,719 --> 00:50:38,120 Speaker 1: it's like, okay, you know, I get that Alan's gonna 975 00:50:38,120 --> 00:50:39,640 Speaker 1: make a mistake and Amy needs to tell him what's 976 00:50:39,640 --> 00:50:41,719 Speaker 1: going to happen next. I like this the change that 977 00:50:41,800 --> 00:50:44,200 Speaker 1: she did, but the kind of like you're about to 978 00:50:44,239 --> 00:50:48,239 Speaker 1: mess up as a because like the sitcom down right 979 00:50:49,239 --> 00:50:52,000 Speaker 1: wants to write, so that I didn't like. I love again. 980 00:50:52,040 --> 00:50:53,799 Speaker 1: I love the twist of I wanted him to drive 981 00:50:53,840 --> 00:50:55,040 Speaker 1: to take some of the burden off. I mean, I 982 00:50:55,040 --> 00:50:56,719 Speaker 1: think that's great. I just wish they did it in 983 00:50:56,719 --> 00:50:58,840 Speaker 1: a different way other than can I see you outside again? 984 00:50:59,280 --> 00:51:01,680 Speaker 1: Which is essentially what they did. I agree with you, 985 00:51:01,880 --> 00:51:04,000 Speaker 1: and all the other times, the other time she stopped him, 986 00:51:04,040 --> 00:51:06,719 Speaker 1: it's been Alan, you need to calm down and think 987 00:51:06,760 --> 00:51:09,520 Speaker 1: about this from a different parenting perspective, this one. I 988 00:51:09,520 --> 00:51:11,600 Speaker 1: don't think she has any problem with how angry he 989 00:51:11,719 --> 00:51:13,960 Speaker 1: is and wouldn't normally care at all about what the 990 00:51:14,000 --> 00:51:16,160 Speaker 1: punishment was she's going to give, except for what she's 991 00:51:16,160 --> 00:51:18,560 Speaker 1: really saying is I'm going to be the one who's punished. 992 00:51:18,719 --> 00:51:22,040 Speaker 1: Don't punish me here. So but it does. It does 993 00:51:22,040 --> 00:51:23,839 Speaker 1: feel the same way because she stops him the same way. 994 00:51:25,040 --> 00:51:27,719 Speaker 1: He says, are you undermining my authority? She's just like, 995 00:51:27,760 --> 00:51:29,520 Speaker 1: not in front of your son or whatever, I do 996 00:51:29,560 --> 00:51:34,000 Speaker 1: that in front of yourn So Amy says, yeah, they're 997 00:51:34,320 --> 00:51:37,279 Speaker 1: Amy says, Eric will be driving driving around to help 998 00:51:37,320 --> 00:51:39,520 Speaker 1: her run errands, not just having fun. So then we 999 00:51:39,560 --> 00:51:41,839 Speaker 1: go to Corey and Eric's bedroom. Corey and Eric are 1000 00:51:41,880 --> 00:51:44,359 Speaker 1: on the bed, just absolutely panicked about how much trouble 1001 00:51:44,360 --> 00:51:46,680 Speaker 1: they're in. Corey hits Eric in the face with a 1002 00:51:46,719 --> 00:51:49,320 Speaker 1: pillow for a parting gift, a call back to earlier 1003 00:51:49,360 --> 00:51:52,520 Speaker 1: and uh, will you go flying off the bed from this? 1004 00:51:54,840 --> 00:51:57,160 Speaker 1: Really great? Alan and Amy come in to talk to 1005 00:51:57,160 --> 00:51:59,600 Speaker 1: the boys and explain they are grounded for two weeks, 1006 00:51:59,680 --> 00:52:02,279 Speaker 1: and you guys do those really cute phases? Oh, no, 1007 00:52:02,719 --> 00:52:06,279 Speaker 1: to how do you get like talking at the same time, like, 1008 00:52:06,320 --> 00:52:11,719 Speaker 1: it's very sitcom? This is the sitcom sitcom episode. Yeah, yeah, 1009 00:52:11,920 --> 00:52:14,680 Speaker 1: it really is. It's it's it's every sitcom trope you 1010 00:52:14,680 --> 00:52:18,400 Speaker 1: can imagine, but it is. It is kind of to 1011 00:52:18,400 --> 00:52:21,600 Speaker 1: see you guys doing that that phase. Uh, during those 1012 00:52:21,600 --> 00:52:24,160 Speaker 1: two weeks, Eric will just study and he is going 1013 00:52:24,200 --> 00:52:26,320 Speaker 1: to pass his test, and Corey is only going to 1014 00:52:26,360 --> 00:52:30,080 Speaker 1: watch educational TV. And we fade out with Corey wincing 1015 00:52:30,200 --> 00:52:33,399 Speaker 1: from the you know, the caribou with the TV that's 1016 00:52:33,480 --> 00:52:34,959 Speaker 1: right there that they could have been watching the horror 1017 00:52:34,960 --> 00:52:38,319 Speaker 1: film all night. And it was in this moment that 1018 00:52:38,400 --> 00:52:42,959 Speaker 1: I went, Hey, I wasn't in this episode. You kept 1019 00:52:42,960 --> 00:52:45,279 Speaker 1: waiting for you to show up. What if you just 1020 00:52:45,320 --> 00:52:50,680 Speaker 1: were like in the camaro at the junior because I 1021 00:52:51,080 --> 00:52:53,480 Speaker 1: literally never even thought about me or to Bang of 1022 00:52:53,560 --> 00:52:55,520 Speaker 1: the entire episode. And then when the episode was over, 1023 00:52:55,560 --> 00:52:57,799 Speaker 1: I was like, Hey, wasn't in it. It's weird. So 1024 00:52:57,880 --> 00:53:00,480 Speaker 1: I have a question for you. Did you will ever 1025 00:53:00,719 --> 00:53:04,640 Speaker 1: work with Jason? No? That's why when you said Jason 1026 00:53:04,719 --> 00:53:07,080 Speaker 1: was in like twenty episodes. I was like, really, I 1027 00:53:07,080 --> 00:53:09,600 Speaker 1: would have said three, he was, you know, I thought 1028 00:53:09,600 --> 00:53:11,759 Speaker 1: he was in twenty. He was only in nine or 1029 00:53:11,800 --> 00:53:14,040 Speaker 1: something like that. But you never had like a scene 1030 00:53:14,080 --> 00:53:19,080 Speaker 1: never acted with Jason. Second season, we're all at school together, though, 1031 00:53:19,200 --> 00:53:21,399 Speaker 1: so there could have been hallway seen. Maybe there would 1032 00:53:21,400 --> 00:53:23,120 Speaker 1: have been always seen, because I feel like I have 1033 00:53:23,280 --> 00:53:25,280 Speaker 1: images in my head of Jason and you in the hallway, 1034 00:53:25,440 --> 00:53:27,160 Speaker 1: which would have been the same hallway that we were in. 1035 00:53:27,320 --> 00:53:30,719 Speaker 1: So I'm amazed watching this how often you and I 1036 00:53:30,719 --> 00:53:33,040 Speaker 1: are in scenes together. I did not think that was 1037 00:53:33,080 --> 00:53:36,920 Speaker 1: a thing. Almost every episode we're doing something together. No. 1038 00:53:37,040 --> 00:53:39,080 Speaker 1: I remember this first season because I know the season 1039 00:53:39,200 --> 00:53:42,400 Speaker 1: ends with you, me and Ben in the backyard, and 1040 00:53:42,440 --> 00:53:44,719 Speaker 1: I remember loving doing that scene too, and I think 1041 00:53:44,760 --> 00:53:46,759 Speaker 1: that's where I wear the leather jacket. I think that's 1042 00:53:46,800 --> 00:53:49,480 Speaker 1: maybe the scene where I inherited and maybe I don't 1043 00:53:49,480 --> 00:53:53,480 Speaker 1: know my leather jacket. Well, we're in the tag in 1044 00:53:53,520 --> 00:53:55,920 Speaker 1: the Matthews living room. Morgan and Corey are tugging at 1045 00:53:56,040 --> 00:53:58,840 Speaker 1: Eric to drive them around the city. Amy is relaxing 1046 00:53:58,880 --> 00:54:01,360 Speaker 1: on the couch as eating some grapes, and she asks 1047 00:54:01,360 --> 00:54:03,440 Speaker 1: herself what would she like to do with her afternoon 1048 00:54:03,719 --> 00:54:06,440 Speaker 1: soak and read or read and soak. She's loving this 1049 00:54:06,520 --> 00:54:09,000 Speaker 1: new life. Eric says he'll drive off a bridge and 1050 00:54:09,040 --> 00:54:11,759 Speaker 1: Alan make sure he takes his mother's car, and Eric 1051 00:54:11,800 --> 00:54:14,000 Speaker 1: heads out to drive his brothers and sister around and 1052 00:54:14,040 --> 00:54:17,719 Speaker 1: that's the end of this very sitcomy episode. It it 1053 00:54:17,800 --> 00:54:19,799 Speaker 1: bends a very small part in this episode. You know, 1054 00:54:19,800 --> 00:54:22,359 Speaker 1: it's it's maybe one of the first episodes where Corey 1055 00:54:22,600 --> 00:54:25,520 Speaker 1: is B or C storyline. You know, the Stumpies Revenge 1056 00:54:25,560 --> 00:54:28,280 Speaker 1: is like a total of two minutes of screen time. 1057 00:54:28,400 --> 00:54:30,239 Speaker 1: You know, like the rest of the episode is all 1058 00:54:30,320 --> 00:54:33,120 Speaker 1: driven funny because you know with the episode where Will 1059 00:54:33,200 --> 00:54:35,799 Speaker 1: was a lobster at the mall and then with this 1060 00:54:35,920 --> 00:54:39,279 Speaker 1: junkyard or toe yard scene, it feels like somebody was 1061 00:54:39,320 --> 00:54:40,960 Speaker 1: starting to push for like we need to make the 1062 00:54:41,000 --> 00:54:43,000 Speaker 1: world bigger, we need to we need to show like 1063 00:54:43,040 --> 00:54:45,120 Speaker 1: we need to bring in other things we're getting. I 1064 00:54:45,120 --> 00:54:46,560 Speaker 1: don't know if they felt like they were running out 1065 00:54:46,600 --> 00:54:50,720 Speaker 1: of ideas in nine, so we probably had more money. Yeah, 1066 00:54:51,680 --> 00:54:53,920 Speaker 1: if we were doing the first thirteen episodes, you're you're 1067 00:54:53,960 --> 00:54:55,600 Speaker 1: basically not sure if you're going to get picked up, 1068 00:54:55,640 --> 00:54:58,279 Speaker 1: so you don't put money on swing sets, whereas when 1069 00:54:58,280 --> 00:55:00,359 Speaker 1: you have the back nine is when you can, oh, 1070 00:55:00,440 --> 00:55:02,799 Speaker 1: let's throw some money at building out the world and 1071 00:55:02,840 --> 00:55:05,480 Speaker 1: showing different places. So yeah, that's totally what what happened 1072 00:55:05,480 --> 00:55:07,040 Speaker 1: is about. Yeah, it just feels like they were like, 1073 00:55:07,120 --> 00:55:09,080 Speaker 1: let's make the world bigger with this extra money we got, 1074 00:55:09,480 --> 00:55:12,120 Speaker 1: but they're making it a little bigger through Eric, which 1075 00:55:12,160 --> 00:55:14,120 Speaker 1: is also an interesting what's kind of the only way 1076 00:55:14,160 --> 00:55:16,000 Speaker 1: to do it right because you're the only one old enough, 1077 00:55:16,120 --> 00:55:19,160 Speaker 1: because Corey can't leave without explaining how he gets somewhere, 1078 00:55:19,840 --> 00:55:22,520 Speaker 1: you know, and of course, like twelve years he's twelve 1079 00:55:22,600 --> 00:55:24,880 Speaker 1: right now, he's eleven. Eleven year olds don't go to malls, 1080 00:55:24,920 --> 00:55:26,680 Speaker 1: like you know, Like, I just don't think there was 1081 00:55:26,680 --> 00:55:28,960 Speaker 1: the thing that's true. Yeah, it's interesting, And this could 1082 00:55:28,960 --> 00:55:30,560 Speaker 1: also have been one of those weeks where Ben had 1083 00:55:30,560 --> 00:55:32,600 Speaker 1: a test or something. It's like, you know, it was 1084 00:55:32,640 --> 00:55:35,279 Speaker 1: a real Eric episode, so Ben probably had something more 1085 00:55:35,280 --> 00:55:38,480 Speaker 1: important to do, maybe, but you think it. I don't know. 1086 00:55:38,480 --> 00:55:40,560 Speaker 1: When he was twelve, Ben had those kinds of tests. 1087 00:55:40,520 --> 00:55:42,560 Speaker 1: I remember that for sure when we were in high school. 1088 00:55:42,600 --> 00:55:45,440 Speaker 1: But like, yeah, he had finals, finals and stuff like that. 1089 00:55:47,840 --> 00:55:49,759 Speaker 1: What must that been have must have been like to like, 1090 00:55:50,040 --> 00:55:54,200 Speaker 1: take school so seriously. I don't know. You didn't know. 1091 00:55:55,440 --> 00:55:58,200 Speaker 1: I took school more seriously than my school took school. 1092 00:55:58,239 --> 00:56:00,680 Speaker 1: You did, Oh my god, I'm dropping it. Yes you did. 1093 00:56:00,760 --> 00:56:03,160 Speaker 1: That's funny. I took it so seriously, Like I know, 1094 00:56:03,200 --> 00:56:06,440 Speaker 1: I didn't either. I didn't. No. I was like, okay, 1095 00:56:06,480 --> 00:56:08,719 Speaker 1: sure there's a test whatever, I'll be fine. And if 1096 00:56:08,760 --> 00:56:09,960 Speaker 1: I got to see I was like, I could have 1097 00:56:10,000 --> 00:56:12,160 Speaker 1: done better. But oh well, like big deal, Like you know, 1098 00:56:12,520 --> 00:56:15,879 Speaker 1: I don't know. But I also probably from the report cards, 1099 00:56:15,960 --> 00:56:21,800 Speaker 1: Danielle isn't living up to her potential. Man. Yeah, I 1100 00:56:21,920 --> 00:56:24,120 Speaker 1: just I was not. I was when I got to 1101 00:56:24,160 --> 00:56:26,120 Speaker 1: college late in life because I went at twenty seven. 1102 00:56:26,200 --> 00:56:28,520 Speaker 1: Then I took it very seriously. I became so ta 1103 00:56:28,600 --> 00:56:31,400 Speaker 1: panga in my later years, but in high school, I 1104 00:56:31,400 --> 00:56:34,359 Speaker 1: was very much just into the social aspect um. Well. 1105 00:56:34,400 --> 00:56:36,600 Speaker 1: Our next episode that we will recap is season one 1106 00:56:36,640 --> 00:56:42,160 Speaker 1: episode nineteen, kid Gloves. It originally aired March um. Maybe 1107 00:56:42,160 --> 00:56:43,680 Speaker 1: not our best episode, but I had fun with you 1108 00:56:43,680 --> 00:56:46,200 Speaker 1: guys recapping it. Yeah, and we're gonna have There's gonna 1109 00:56:46,239 --> 00:56:47,880 Speaker 1: be some some hits and misses. It's the way it 1110 00:56:47,920 --> 00:56:50,319 Speaker 1: works when you do three episodes of Something not all 1111 00:56:50,640 --> 00:56:53,360 Speaker 1: not all of them are going to be Lobster's the 1112 00:56:53,360 --> 00:56:57,560 Speaker 1: way it is exactly right. Writer, you want to take 1113 00:56:57,640 --> 00:57:02,359 Speaker 1: us out. We love you all, pod dismissed. Pod Meets 1114 00:57:02,400 --> 00:57:05,000 Speaker 1: World is an I heart podcast produced and hosted by 1115 00:57:05,040 --> 00:57:09,000 Speaker 1: Danielle Fischer, Wilfrid l and Writer Strong Executive producers Jensen 1116 00:57:09,040 --> 00:57:12,760 Speaker 1: Carp and Amy Sugarman. Executive in charge of production, Danielle Romo, 1117 00:57:12,920 --> 00:57:17,560 Speaker 1: producer and editor, Tara Sudbach, producer, Jackie Rodriguez, engineer and 1118 00:57:17,640 --> 00:57:20,760 Speaker 1: Boy Meets World super fan Easton Allen. Our theme song 1119 00:57:20,840 --> 00:57:23,480 Speaker 1: is by Kyle Morton of Typhoon. You can follow us 1120 00:57:23,520 --> 00:57:26,320 Speaker 1: on Instagram at Pod meets World Show or email us 1121 00:57:26,360 --> 00:57:29,160 Speaker 1: at pod Meets World Show at gmail dot com.