1 00:00:00,520 --> 00:00:05,080 Speaker 1: Hey rain Drops. Yes, so I finally got merch. That's right. 2 00:00:05,600 --> 00:00:11,280 Speaker 2: You can buy your Allegedly and my Boys mugs, T shirts, 3 00:00:11,560 --> 00:00:16,440 Speaker 2: rain Drops, hoodies and T shirts all on Carlos Kingshop 4 00:00:16,960 --> 00:00:17,639 Speaker 2: dot com. 5 00:00:17,960 --> 00:00:21,680 Speaker 1: That's right. Get your hoodies, your T shirts, and your. 6 00:00:21,600 --> 00:00:30,040 Speaker 2: Mugs all on Carlos Kingshop dot com. Welcome to Reality 7 00:00:30,080 --> 00:00:33,320 Speaker 2: with the King. It's me Carlos King, the King of 8 00:00:33,400 --> 00:00:36,760 Speaker 2: Reality TV and one of the most sought after executive 9 00:00:36,800 --> 00:00:42,120 Speaker 2: producers in reality television with over ten years of production experience. 10 00:00:42,440 --> 00:00:45,200 Speaker 2: Once a week from Reality with the King, we'll sit 11 00:00:45,240 --> 00:00:49,000 Speaker 2: down with my friends across the entertainment industry, recap our 12 00:00:49,040 --> 00:00:53,199 Speaker 2: favorite reality shows, and revisit unforgettable moments that we are 13 00:00:53,240 --> 00:00:58,600 Speaker 2: still talking and tweeting about. Hey rain Drops. On today's 14 00:00:58,640 --> 00:01:02,360 Speaker 2: episode of Reality with the King, I am reunited with 15 00:01:02,480 --> 00:01:06,040 Speaker 2: my favorite blonde Well no, not Taylor Swift or Beyonce. 16 00:01:06,319 --> 00:01:10,800 Speaker 2: I'm talking about my favorite blonde host who does the 17 00:01:10,920 --> 00:01:14,080 Speaker 2: absolute most, who I love and a dear friend than mine. 18 00:01:14,440 --> 00:01:17,560 Speaker 2: The amazing KKSE is back. 19 00:01:18,520 --> 00:01:19,960 Speaker 3: Thank you for having me back. 20 00:01:20,040 --> 00:01:22,240 Speaker 4: And by the way, I just interview to you for 21 00:01:22,280 --> 00:01:24,200 Speaker 4: a Saturday series and people need to go and listen 22 00:01:24,240 --> 00:01:28,600 Speaker 4: to that episode because it's the entire personal story growing 23 00:01:28,680 --> 00:01:33,640 Speaker 4: up in Detroit, ten siblings, well, ten including yourself, how 24 00:01:33,680 --> 00:01:37,039 Speaker 4: you came out to your parents, working in the industry, 25 00:01:37,240 --> 00:01:39,559 Speaker 4: advice for people who are moving into a new chapter 26 00:01:39,640 --> 00:01:42,280 Speaker 4: of business or personal. It's really good. So people shall 27 00:01:42,319 --> 00:01:42,680 Speaker 4: listen to that. 28 00:01:43,000 --> 00:01:47,920 Speaker 2: Yes, no, go on kkc's podcast Reality Life with KKSE 29 00:01:48,200 --> 00:01:51,720 Speaker 2: and listen to this amazing episode that just came out 30 00:01:51,880 --> 00:01:56,080 Speaker 2: where you guys know, I'm very private, so of course 31 00:01:56,120 --> 00:02:01,000 Speaker 2: it would take the journalistic skill set of Kate to 32 00:02:01,120 --> 00:02:05,400 Speaker 2: get me to reveal so much personal stories about myself. 33 00:02:05,400 --> 00:02:07,640 Speaker 2: But I'm so happy we did it. She made me 34 00:02:07,640 --> 00:02:10,440 Speaker 2: feel so comfortable and almost cried. I'm like, is this 35 00:02:10,480 --> 00:02:12,400 Speaker 2: a white crotch? As the interview like what are we 36 00:02:12,480 --> 00:02:12,880 Speaker 2: doing here? 37 00:02:13,160 --> 00:02:15,480 Speaker 4: Well, when you told the story about when you came 38 00:02:15,480 --> 00:02:17,520 Speaker 4: out and your dad, that made me cry. Then I 39 00:02:17,560 --> 00:02:20,320 Speaker 4: asked you to send me pictures of your siblings and 40 00:02:20,360 --> 00:02:22,560 Speaker 4: I what did I send to you about your sister? 41 00:02:22,840 --> 00:02:26,639 Speaker 1: You said, where's her reality show? I mean she's a stunner. 42 00:02:26,760 --> 00:02:28,080 Speaker 1: She's a stunner and a star. 43 00:02:28,280 --> 00:02:32,040 Speaker 2: Shout out to my sister Jazzy Bell, who also has 44 00:02:32,080 --> 00:02:33,720 Speaker 2: a podcast called. 45 00:02:33,560 --> 00:02:34,600 Speaker 1: Women in Hip Hop. 46 00:02:35,040 --> 00:02:39,320 Speaker 2: So yeah, She's a star and I love her dearly. 47 00:02:40,000 --> 00:02:41,960 Speaker 2: You know who else is a star to me? 48 00:02:42,919 --> 00:02:44,360 Speaker 1: Who? Your brother? 49 00:02:44,840 --> 00:02:48,279 Speaker 2: No? The Edibles Denise Richards took in this episode. 50 00:02:48,360 --> 00:02:51,959 Speaker 4: I want to know what happened, Like, do you think 51 00:02:52,000 --> 00:02:55,519 Speaker 4: she just took too many and too early? They drove 52 00:02:55,520 --> 00:02:58,520 Speaker 4: her around in that car too long. You know, she 53 00:02:58,680 --> 00:03:02,200 Speaker 4: lives in Malibu, so the parties in Encino. That's like 54 00:03:02,400 --> 00:03:04,640 Speaker 4: quite a ride and they had to pick up somebody 55 00:03:04,639 --> 00:03:06,280 Speaker 4: else along the way, Camille. 56 00:03:06,720 --> 00:03:09,840 Speaker 3: Yes, do you think like she just overshot it? 57 00:03:10,560 --> 00:03:12,760 Speaker 1: Yeah? I think that's how Funny brought that up. 58 00:03:12,840 --> 00:03:17,320 Speaker 2: I definitely think she has so much time to pass 59 00:03:17,720 --> 00:03:21,639 Speaker 2: getting away from Malibu, going to pick up Camille, who 60 00:03:21,680 --> 00:03:25,959 Speaker 2: I'm assuming does live in Beverly Hills, and then having 61 00:03:26,040 --> 00:03:31,320 Speaker 2: to drive to Encino. Not to mention Kate, I'm pretty 62 00:03:31,400 --> 00:03:33,720 Speaker 2: sure Denise was nervous. 63 00:03:33,680 --> 00:03:36,760 Speaker 1: Because she was walking in the light. Yeah, so I'm sure. 64 00:03:36,920 --> 00:03:41,480 Speaker 2: Listen, allegedly, I'm pretty sure she swallowed and drank a 65 00:03:41,560 --> 00:03:47,360 Speaker 2: couple of things and it showed due to her nervousness. Because, 66 00:03:48,040 --> 00:03:52,480 Speaker 2: let's be honest here, nothing was happening on the show, 67 00:03:53,080 --> 00:03:58,880 Speaker 2: which is why the producers allegedly brought Camille and Denise 68 00:03:59,240 --> 00:04:04,320 Speaker 2: because things were falling flat in the drama meter and 69 00:04:04,400 --> 00:04:09,000 Speaker 2: they needed to do something to ignite some drama. And 70 00:04:09,040 --> 00:04:12,960 Speaker 2: I think Denise, by the way, who got paid to 71 00:04:13,000 --> 00:04:16,279 Speaker 2: be there. Let's be very clear, Denise got a check 72 00:04:16,440 --> 00:04:20,760 Speaker 2: to show up and they had to tell her what 73 00:04:20,880 --> 00:04:23,480 Speaker 2: was going on. And I think it was the nervousness 74 00:04:23,560 --> 00:04:29,919 Speaker 2: of all this pressure on Denise to deliver a good scene. 75 00:04:30,400 --> 00:04:35,000 Speaker 2: She had to like take something to have the courage 76 00:04:35,000 --> 00:04:36,159 Speaker 2: to stand up against Erica. 77 00:04:36,240 --> 00:04:38,800 Speaker 1: Jane. Do you think. 78 00:04:40,560 --> 00:04:45,480 Speaker 4: The same thing's happening with Sutton and Kyle. How Sutton 79 00:04:45,640 --> 00:04:50,159 Speaker 4: keeps pushing this conversation about denial denial? Is it because 80 00:04:50,160 --> 00:04:52,680 Speaker 4: Sutton is the only one that has the balls to 81 00:04:52,720 --> 00:04:52,960 Speaker 4: do it? 82 00:04:53,120 --> 00:04:56,240 Speaker 1: Yes? Yes, listen you and the beauty of you. 83 00:04:56,800 --> 00:04:59,719 Speaker 2: The conversation that you and I have is we just 84 00:04:59,720 --> 00:05:02,920 Speaker 2: don't recap an episode and regurgitate what we saw. 85 00:05:02,760 --> 00:05:03,800 Speaker 1: And give our opinions. 86 00:05:04,040 --> 00:05:07,640 Speaker 2: We go deeper in terms of what we're seeing, what 87 00:05:07,880 --> 00:05:11,560 Speaker 2: I can share with you. Based on being a producer 88 00:05:11,560 --> 00:05:14,919 Speaker 2: in this business, it was a lot of pressures to 89 00:05:15,040 --> 00:05:19,320 Speaker 2: make sure this season was great without Lisa Renna right, Yes, 90 00:05:19,400 --> 00:05:21,679 Speaker 2: it was. It was the pressures of that because Lisa 91 00:05:21,800 --> 00:05:26,040 Speaker 2: Renna was the only person who will call things out. 92 00:05:26,400 --> 00:05:28,919 Speaker 1: Alex ba igniter. 93 00:05:29,040 --> 00:05:32,440 Speaker 2: She's a force igniter, not multiplier. She's a force igniter. 94 00:05:33,120 --> 00:05:35,720 Speaker 2: Alex Baskin, who was an EP of the show, was 95 00:05:35,760 --> 00:05:38,000 Speaker 2: on your podcast and I tell this story all the time. 96 00:05:38,880 --> 00:05:43,159 Speaker 2: When you interviewed him, he said, the difference between OC 97 00:05:43,279 --> 00:05:46,440 Speaker 2: and Beverly Hills OC cost each other out and Beverly 98 00:05:46,560 --> 00:05:47,080 Speaker 2: Hills they. 99 00:05:47,000 --> 00:05:49,280 Speaker 1: Don't, they don't, they don't do it. 100 00:05:49,839 --> 00:05:56,480 Speaker 2: And this constant battle between Kyle and Sutton, in my opinion, 101 00:05:56,800 --> 00:05:58,599 Speaker 2: has a lot to do with the fact that nothing 102 00:05:58,720 --> 00:06:04,480 Speaker 2: was happening and these two were I'm not gonna say pressured, 103 00:06:04,680 --> 00:06:07,960 Speaker 2: but they knew that they had to do something because 104 00:06:08,080 --> 00:06:12,200 Speaker 2: this season was falling flat. And is the only person 105 00:06:12,320 --> 00:06:15,120 Speaker 2: that has the gravitaze to stand up against Kyle. And 106 00:06:15,160 --> 00:06:18,040 Speaker 2: I want people to know this. A friend of mine 107 00:06:18,120 --> 00:06:21,320 Speaker 2: text me and said, which is funny. Kate, a friend 108 00:06:21,360 --> 00:06:24,240 Speaker 2: of mine who's in the business, he texted me, he said, 109 00:06:24,240 --> 00:06:28,080 Speaker 2: who's the force multiplier of Beverly Hills. I'm having lunch 110 00:06:28,080 --> 00:06:30,719 Speaker 2: with a girlfriend of mine and we're debating who will 111 00:06:30,760 --> 00:06:34,640 Speaker 2: Carlos Kings say is a force multiplier? So now it's 112 00:06:34,680 --> 00:06:38,119 Speaker 2: like a topic of conversation at brunch Kate, So, I said, 113 00:06:38,240 --> 00:06:42,000 Speaker 2: Kyle Richards, and he said, I'm shocked you would say that. 114 00:06:42,040 --> 00:06:44,600 Speaker 2: I said, listen to me as to why I'm saying it. 115 00:06:45,640 --> 00:06:51,640 Speaker 2: Kyle understands that she has to move shit around. Let's 116 00:06:51,680 --> 00:06:55,479 Speaker 2: not get into the fact that she really pushed something 117 00:06:55,560 --> 00:06:59,320 Speaker 2: over the edge in Vegas because Kyle knew that Erica 118 00:06:59,400 --> 00:07:01,200 Speaker 2: Jane was to be is it getting a lab dance 119 00:07:01,360 --> 00:07:05,039 Speaker 2: deree is trying to figure out what hair dyes she's. 120 00:07:04,960 --> 00:07:07,680 Speaker 1: Using in a scene, and then the other girls are 121 00:07:07,760 --> 00:07:08,200 Speaker 1: checked out. 122 00:07:08,360 --> 00:07:12,840 Speaker 2: Kyle pushed, pushed, pushed Sutton to be crazy Town at 123 00:07:12,880 --> 00:07:17,120 Speaker 2: the dinner table scene in this past week's episode, Kyle 124 00:07:17,240 --> 00:07:18,720 Speaker 2: kept asking her say it. 125 00:07:19,280 --> 00:07:21,840 Speaker 1: What is that you want to say? Just say it. 126 00:07:22,240 --> 00:07:26,880 Speaker 2: Kyle was giving Sutton permission put it out there. Let's 127 00:07:26,880 --> 00:07:29,280 Speaker 2: have a conversation about it. Because I know the mummy 128 00:07:29,320 --> 00:07:32,000 Speaker 2: you do. I'm going to get you, which is why 129 00:07:32,080 --> 00:07:35,960 Speaker 2: she said, Kate, you have some nerve telling talking to 130 00:07:35,960 --> 00:07:38,400 Speaker 2: me about a diet when you don't eat well. 131 00:07:38,480 --> 00:07:41,440 Speaker 4: I think that they're both full force multipliers, but I 132 00:07:41,480 --> 00:07:44,600 Speaker 4: think that one is passive aggressive and the other is 133 00:07:44,640 --> 00:07:45,760 Speaker 4: aggressive aggressive. 134 00:07:46,480 --> 00:07:48,560 Speaker 3: I think Sutton is aggressive aggressive. 135 00:07:48,680 --> 00:07:51,200 Speaker 4: Yes, because Sutton is willing to say things the other 136 00:07:51,240 --> 00:07:57,200 Speaker 4: women won't, and she has great in the moment, you know, dialogue. 137 00:07:58,280 --> 00:08:03,040 Speaker 4: But I could not believe the way I think Kyle 138 00:08:03,160 --> 00:08:06,160 Speaker 4: is almost crossing over from her typical which is like 139 00:08:06,200 --> 00:08:08,520 Speaker 4: passive aggressive and aggressive aggressive aggressive. 140 00:08:08,600 --> 00:08:12,119 Speaker 1: Was you don't eat, which was like such a low blow. 141 00:08:13,040 --> 00:08:16,760 Speaker 4: Yes, And also you're drinking a lot, like this is 142 00:08:16,800 --> 00:08:19,680 Speaker 4: a different version of Kyle that's ever been She would 143 00:08:19,680 --> 00:08:21,280 Speaker 4: have never done that in the past. 144 00:08:21,520 --> 00:08:26,520 Speaker 2: No, because Lisa Renna would have. Yeah, Lisa Renna would have. 145 00:08:26,920 --> 00:08:30,880 Speaker 2: And because Kyle is the only os. 146 00:08:31,920 --> 00:08:34,160 Speaker 4: Coke in the bathroom is like the equivalent of the 147 00:08:34,200 --> 00:08:36,760 Speaker 4: season of like what you're pushing food around your plate? 148 00:08:37,320 --> 00:08:43,280 Speaker 4: That I was surprised too, because eating issues, surprisingly over 149 00:08:43,440 --> 00:08:48,200 Speaker 4: all these franchises is never really brought up, which is 150 00:08:48,440 --> 00:08:53,160 Speaker 4: such like a pervasive issue for women, especially over the 151 00:08:53,160 --> 00:08:57,320 Speaker 4: age of like twenty five. You know your body image 152 00:08:57,320 --> 00:08:59,920 Speaker 4: and how you eat predominantly I think in white culture too, 153 00:09:00,160 --> 00:09:02,520 Speaker 4: like being thin is so important. 154 00:09:02,559 --> 00:09:05,679 Speaker 1: Like do you watch Miami of course? Yes? 155 00:09:05,880 --> 00:09:09,120 Speaker 4: Okay, did you remember the scene where Lisa's kids get 156 00:09:09,120 --> 00:09:13,960 Speaker 4: a pizza? Yes, Lisa's very distracted on a phone conversation 157 00:09:14,080 --> 00:09:17,199 Speaker 4: with Jody and the kids get a pizza and she says, 158 00:09:17,280 --> 00:09:20,240 Speaker 4: this is your cheat, and then the little boy wants 159 00:09:20,280 --> 00:09:22,200 Speaker 4: to have another piece and she's telling them no. 160 00:09:22,640 --> 00:09:24,720 Speaker 1: Yeah, I thought that was so weird. 161 00:09:25,880 --> 00:09:28,720 Speaker 4: It's weird, but it's like I think that happens all 162 00:09:28,840 --> 00:09:29,360 Speaker 4: the time. 163 00:09:29,679 --> 00:09:30,600 Speaker 3: I couldn't believe that. 164 00:09:30,800 --> 00:09:33,439 Speaker 4: I'm glad the producers showed that because I feel like 165 00:09:33,480 --> 00:09:37,199 Speaker 4: they never show anything happen to do with eating issues. 166 00:09:37,240 --> 00:09:40,040 Speaker 4: And all of these women are on television now, and 167 00:09:40,120 --> 00:09:43,200 Speaker 4: I think it got exponentially harder for them, you know, 168 00:09:43,400 --> 00:09:46,839 Speaker 4: once they became a celebrity to like how they I mean, 169 00:09:47,360 --> 00:09:51,240 Speaker 4: you know, ozembic is like used everywhere, but we've seen 170 00:09:51,320 --> 00:09:53,160 Speaker 4: like a lot of their bodies change, and I think 171 00:09:53,200 --> 00:09:57,800 Speaker 4: it's because the pressure that they put on themselves, you know, 172 00:09:57,920 --> 00:10:02,959 Speaker 4: personally in the because of society, societal norms, and then 173 00:10:03,000 --> 00:10:05,240 Speaker 4: the added element of being on television when you have 174 00:10:05,280 --> 00:10:08,200 Speaker 4: people that DM you and they're like you need to 175 00:10:08,240 --> 00:10:11,880 Speaker 4: lose weight, Like I'm a I'm nobody, Like I'm a podcaster, 176 00:10:12,040 --> 00:10:15,160 Speaker 4: and I get dms like, you know, telling me things 177 00:10:15,240 --> 00:10:18,320 Speaker 4: I need to tweak about my face. I can't imagine 178 00:10:18,360 --> 00:10:21,440 Speaker 4: what these women get, like dms all the time about 179 00:10:21,679 --> 00:10:25,000 Speaker 4: you know, you look fatter this season, And I was 180 00:10:25,120 --> 00:10:28,280 Speaker 4: just surprised that it's taken this long, all these seasons 181 00:10:28,280 --> 00:10:33,760 Speaker 4: of Beverly Hills for somebody having an eating issue to 182 00:10:33,920 --> 00:10:34,280 Speaker 4: come up. 183 00:10:34,400 --> 00:10:34,600 Speaker 1: Yeah. 184 00:10:34,679 --> 00:10:38,920 Speaker 2: Remember Crystal on Belly Hills was the first person a 185 00:10:39,000 --> 00:10:43,240 Speaker 2: Moser franchise of Beverly Hills to talk about it, and 186 00:10:43,280 --> 00:10:47,320 Speaker 2: then we had Joke Jackie Golschneider on Jersey to talk 187 00:10:47,360 --> 00:10:51,920 Speaker 2: about it. So when I'm very by the way, very 188 00:10:51,960 --> 00:10:55,280 Speaker 2: cool of those two women to be that open about that. 189 00:10:55,520 --> 00:10:57,400 Speaker 4: Yeah, Like I have great respect for them for that. 190 00:10:57,760 --> 00:11:00,600 Speaker 2: Oh No, for sure, because it's it's it's was realistic, 191 00:11:00,679 --> 00:11:06,840 Speaker 2: especially in the entertainment business, which is why Ozimpic is 192 00:11:06,920 --> 00:11:12,800 Speaker 2: like the new weight Watchers pill that everyone's taking. I 193 00:11:12,840 --> 00:11:16,240 Speaker 2: know men who are on a Zimpic, Like, it's not 194 00:11:16,360 --> 00:11:17,319 Speaker 2: just reduced to women. 195 00:11:17,800 --> 00:11:19,839 Speaker 1: It's this obsession with the weight. 196 00:11:20,160 --> 00:11:24,320 Speaker 2: So when Kyle brought up to Sutton that you have 197 00:11:24,440 --> 00:11:27,120 Speaker 2: some nerve talking about my diet when you don't eat 198 00:11:27,200 --> 00:11:30,360 Speaker 2: and you push your food around, I really wanted the 199 00:11:30,440 --> 00:11:33,160 Speaker 2: producer to do a montage so that we can see 200 00:11:33,160 --> 00:11:37,560 Speaker 2: that because prior to that statement, I never I never 201 00:11:37,679 --> 00:11:44,080 Speaker 2: really even thought about Sutton's eating habits, you know, And 202 00:11:44,160 --> 00:11:47,720 Speaker 2: now to your point, they're sort of alluding that Sutton 203 00:11:47,840 --> 00:11:50,800 Speaker 2: is a drinker, you know, like, is she an alcoholic? 204 00:11:52,160 --> 00:11:55,680 Speaker 2: We always thought possibly that something was just a weirdo 205 00:11:56,240 --> 00:12:00,280 Speaker 2: in the most complementity way of saying that, but now 206 00:12:00,320 --> 00:12:03,360 Speaker 2: they're trying to say, no, it's deeper than that, that 207 00:12:03,440 --> 00:12:08,640 Speaker 2: there could be some mixture of alcohol and medication, which 208 00:12:08,679 --> 00:12:11,280 Speaker 2: is the same thing that Erica Jane said last season 209 00:12:11,920 --> 00:12:13,880 Speaker 2: was the reason why she was acting so wacky. 210 00:12:14,480 --> 00:12:18,040 Speaker 4: So to your point earlier of Alex saying, you know, 211 00:12:18,559 --> 00:12:22,040 Speaker 4: Beverly Hills is different because they don't really address things, 212 00:12:22,160 --> 00:12:26,760 Speaker 4: and also their fights are about petty things. So it's 213 00:12:26,880 --> 00:12:31,199 Speaker 4: just interesting the concern maybe Lisa Renna's gone house, this 214 00:12:31,240 --> 00:12:36,120 Speaker 4: show going to be different. These comments are cutting deep. Yes, 215 00:12:36,800 --> 00:12:40,319 Speaker 4: if you're Sudden and you are on this ballet theater, 216 00:12:40,679 --> 00:12:44,720 Speaker 4: you know board, and you have been married to an 217 00:12:44,720 --> 00:12:48,439 Speaker 4: executive at PIMCO, and you're from the South, then you 218 00:12:48,480 --> 00:12:50,920 Speaker 4: have a certain way that you want people to perceive you. 219 00:12:51,880 --> 00:12:54,160 Speaker 4: And then someone on your cast is suggesting you have 220 00:12:54,200 --> 00:12:56,160 Speaker 4: eating issues and a drinking problem. 221 00:12:57,280 --> 00:13:01,480 Speaker 2: This is some heavy shit, it is, and that's the 222 00:13:01,559 --> 00:13:05,880 Speaker 2: reason why Sutton is so thrown off because I'm sure 223 00:13:05,880 --> 00:13:08,640 Speaker 2: she's like, look, I don't mind giving you guys good TV, 224 00:13:09,280 --> 00:13:11,719 Speaker 2: but I don't think Sutton ever thought. 225 00:13:11,559 --> 00:13:14,680 Speaker 1: Kyle would go there. No, you know what I mean. 226 00:13:14,920 --> 00:13:16,600 Speaker 1: So I'm going to challenge you though. 227 00:13:17,000 --> 00:13:20,760 Speaker 2: I think Kyle is more aggressive as a force multiplier 228 00:13:20,800 --> 00:13:21,439 Speaker 2: than Sutton. 229 00:13:21,880 --> 00:13:22,640 Speaker 1: And the reason why I so. 230 00:13:22,920 --> 00:13:25,920 Speaker 4: You know, I agree with you. I'm saying historically she's 231 00:13:25,960 --> 00:13:29,480 Speaker 4: been oh yes, yes, So this season I'm throwing me 232 00:13:29,640 --> 00:13:32,320 Speaker 4: and everybody else for a loop because she It's like, 233 00:13:32,480 --> 00:13:36,200 Speaker 4: so you're wondering, have you always been like this and 234 00:13:36,240 --> 00:13:39,880 Speaker 4: you've been like, it's been dormant, yes, and and you're 235 00:13:39,880 --> 00:13:41,080 Speaker 4: bringing it out now. 236 00:13:41,080 --> 00:13:43,640 Speaker 1: Oh yeah, because they they are you. 237 00:13:43,760 --> 00:13:47,800 Speaker 4: So frustrated by the marriage that you've had to Mauricio 238 00:13:47,840 --> 00:13:50,840 Speaker 4: where you did not have a voice, and not having 239 00:13:50,840 --> 00:13:53,200 Speaker 4: a voice in your family of origin with your sisters, 240 00:13:54,080 --> 00:13:57,000 Speaker 4: that now you have found a power in your sobriety 241 00:13:57,080 --> 00:14:00,320 Speaker 4: and in this friendship slash relationship that you have with 242 00:14:00,400 --> 00:14:04,560 Speaker 4: Morgan that you feel that now you can use your voice. 243 00:14:04,880 --> 00:14:07,120 Speaker 2: I think it's all of those things. I think it's 244 00:14:07,240 --> 00:14:09,959 Speaker 2: all of those things. I think, listen, I've always said 245 00:14:10,000 --> 00:14:14,719 Speaker 2: that people, Kyle is my favorite housewife across all franchises, 246 00:14:14,840 --> 00:14:21,000 Speaker 2: because she just has this amazing quality to me of 247 00:14:22,240 --> 00:14:27,680 Speaker 2: being so likable but not boring, Like there's something interesting 248 00:14:27,720 --> 00:14:30,560 Speaker 2: about a woman who's been on the show since season 249 00:14:30,600 --> 00:14:35,280 Speaker 2: one who understands how to produce moments in scene and 250 00:14:35,360 --> 00:14:38,640 Speaker 2: how to bring these women together but also drop a 251 00:14:38,680 --> 00:14:41,160 Speaker 2: bomb to tear them apart and to make sure we 252 00:14:41,240 --> 00:14:45,240 Speaker 2: get the drama that we're watching for her, right, which 253 00:14:45,280 --> 00:14:49,560 Speaker 2: is why she's She's always pushing the envelope and trying 254 00:14:49,560 --> 00:14:52,240 Speaker 2: to get deep in the story. And I as a 255 00:14:52,280 --> 00:14:54,400 Speaker 2: producer and I work with women. 256 00:14:54,680 --> 00:14:55,760 Speaker 1: She's a producer mind. 257 00:14:55,800 --> 00:14:59,560 Speaker 2: She's like you, Oh no, she's Oh, she's Kyle is fantastic. 258 00:15:00,240 --> 00:15:04,120 Speaker 3: She doesn't always have to be the front and center talent. 259 00:15:04,400 --> 00:15:04,560 Speaker 2: No. 260 00:15:04,880 --> 00:15:07,600 Speaker 3: I think she's actually most happy in the background. 261 00:15:08,040 --> 00:15:12,800 Speaker 2: Oh yeah, no, for sure, she's she Listen, Kyle does 262 00:15:12,920 --> 00:15:15,440 Speaker 2: care what people think about her. I think now she's 263 00:15:15,480 --> 00:15:19,160 Speaker 2: not caring as much. But she's always been a woman 264 00:15:20,320 --> 00:15:23,080 Speaker 2: who cared what people thought about her. So when you 265 00:15:23,120 --> 00:15:26,040 Speaker 2: have a Lisa Renna who doesn't give a fuck, who's like, 266 00:15:26,400 --> 00:15:29,760 Speaker 2: I don't care, it was nice to have somebody else 267 00:15:29,800 --> 00:15:34,600 Speaker 2: play that role. And to your earlier point because Kyle 268 00:15:34,840 --> 00:15:38,520 Speaker 2: did not have a voice in her sisterhood and she 269 00:15:38,680 --> 00:15:40,280 Speaker 2: did not have the biggest. 270 00:15:40,000 --> 00:15:43,200 Speaker 1: Voice in her marriage. Here she is on the. 271 00:15:43,280 --> 00:15:49,120 Speaker 2: Number one Real Housewives franchise on Bravo. Yeah, and she's 272 00:15:49,360 --> 00:15:55,720 Speaker 2: now dating, allegedly a woman who will talk about that 273 00:15:55,760 --> 00:15:58,680 Speaker 2: in a second. Two, honey, because they're smitten with each 274 00:15:58,720 --> 00:16:04,080 Speaker 2: other does not lie. Honey, they are smitten. But we'll 275 00:16:04,120 --> 00:16:07,840 Speaker 2: get to that in a second. She now understands that 276 00:16:07,920 --> 00:16:13,320 Speaker 2: if I'm going to divorce Mauricio, who's the breadwinner, I 277 00:16:13,440 --> 00:16:17,480 Speaker 2: need for Beverly Hill's Housewives to be successful because this 278 00:16:17,720 --> 00:16:20,440 Speaker 2: is my bread and butter at the moment, and I'm 279 00:16:20,480 --> 00:16:23,400 Speaker 2: not going to make this season flop. And that's why 280 00:16:23,440 --> 00:16:27,200 Speaker 2: she got in her red dress or her cramped ponytail 281 00:16:27,320 --> 00:16:31,160 Speaker 2: with the waterfall curls and and and. 282 00:16:31,160 --> 00:16:32,600 Speaker 1: Look never looked better. 283 00:16:33,000 --> 00:16:36,080 Speaker 2: And she gave something a run for her motherfucking money 284 00:16:36,160 --> 00:16:41,120 Speaker 2: and and and Kate, this this dinner party listen is 285 00:16:41,160 --> 00:16:46,200 Speaker 2: not as iconic iconic as Allison Dubois like. It fails 286 00:16:46,240 --> 00:16:50,880 Speaker 2: in comparison to that. But in my opinion, these past 287 00:16:50,920 --> 00:16:53,840 Speaker 2: two episodes were the best of the season. 288 00:16:54,360 --> 00:16:56,920 Speaker 4: Yeah, well, you know, in next week's episode, she meets 289 00:16:56,960 --> 00:16:57,720 Speaker 4: with a therapist. 290 00:16:58,160 --> 00:16:59,960 Speaker 3: Yeah, she talks about her sister. 291 00:17:00,440 --> 00:17:01,840 Speaker 1: Let's talk about her sister. 292 00:17:01,960 --> 00:17:04,640 Speaker 4: So she wait to your point though, like she would 293 00:17:04,680 --> 00:17:07,520 Speaker 4: have never done that in seasons past because she's terrib 294 00:17:07,600 --> 00:17:11,520 Speaker 4: she should be terrified of upsetting Kathy in any way. 295 00:17:13,480 --> 00:17:20,159 Speaker 4: But there's something something happened with MAURICEO. Something happened and 296 00:17:20,200 --> 00:17:21,200 Speaker 4: I don't know what it is. 297 00:17:21,359 --> 00:17:24,200 Speaker 2: You don't what what are you? Because you're the smart one. 298 00:17:26,560 --> 00:17:29,280 Speaker 2: What do you because listen the reason why? 299 00:17:29,320 --> 00:17:32,159 Speaker 4: I mean I can only guess through the television with 300 00:17:32,240 --> 00:17:37,280 Speaker 4: my armchair psychology degree. But I mean there's something he 301 00:17:37,280 --> 00:17:40,200 Speaker 4: he did something that was such a betrayal to her. 302 00:17:41,240 --> 00:17:47,000 Speaker 4: Something happened where she I tend to believe that having 303 00:17:47,119 --> 00:17:51,080 Speaker 4: separation from her sister, being isolated from her sister and 304 00:17:51,200 --> 00:17:56,880 Speaker 4: her nieces and nephews, then having her best friend die 305 00:17:56,920 --> 00:18:01,440 Speaker 4: by suicide, that would be a ton where you expect 306 00:18:01,440 --> 00:18:04,399 Speaker 4: your partner to be there for you. Was that is 307 00:18:04,440 --> 00:18:07,680 Speaker 4: when you would need the most. And like also added element, 308 00:18:08,080 --> 00:18:10,360 Speaker 4: a lot of her kids are, you know, going off 309 00:18:10,359 --> 00:18:13,120 Speaker 4: to college, moving on the house. It's like an identity 310 00:18:13,160 --> 00:18:15,399 Speaker 4: issue of like, you know, my kids don't need me 311 00:18:15,440 --> 00:18:18,560 Speaker 4: as much. But the significance of your best friend, you 312 00:18:19,040 --> 00:18:22,359 Speaker 4: like childhood best friend, your witness to your life experiences, 313 00:18:22,400 --> 00:18:24,840 Speaker 4: the person who knows you better than anybody, who you 314 00:18:24,880 --> 00:18:28,320 Speaker 4: don't have to explain things to. If I were Kyle's 315 00:18:28,359 --> 00:18:31,120 Speaker 4: friend this week, and she'd be like, Kate's great, She's 316 00:18:31,160 --> 00:18:32,960 Speaker 4: got to give me a history of you know, fifty 317 00:18:33,040 --> 00:18:37,280 Speaker 4: years her friend dies by suicide, and she's isolated from 318 00:18:37,320 --> 00:18:39,880 Speaker 4: her siblings and her nieces and nephews, and they're all 319 00:18:39,920 --> 00:18:42,520 Speaker 4: having life experiences like Paris having a son that she's 320 00:18:42,760 --> 00:18:43,840 Speaker 4: not getting access to. 321 00:18:45,160 --> 00:18:46,560 Speaker 3: You would expect your partner. 322 00:18:46,280 --> 00:18:48,359 Speaker 4: To be there, and if they are not, whether it's 323 00:18:48,440 --> 00:18:51,800 Speaker 4: they've cheated or they're checked out because they have their 324 00:18:51,800 --> 00:18:53,879 Speaker 4: own reality show and they're trying to get booked on 325 00:18:53,960 --> 00:18:57,320 Speaker 4: Dancing with the Stars. He was not there for her 326 00:18:57,480 --> 00:19:02,880 Speaker 4: in some way that was such a life changing boundary 327 00:19:03,440 --> 00:19:09,239 Speaker 4: crossing issue that she is willing to come forward and 328 00:19:09,320 --> 00:19:12,919 Speaker 4: say I am separated and I don't know what the 329 00:19:12,920 --> 00:19:15,640 Speaker 4: future is like. I don't think Kyle five years would 330 00:19:15,640 --> 00:19:18,360 Speaker 4: have said that. So something something significant happened. 331 00:19:19,920 --> 00:19:22,080 Speaker 2: I never looked at it that way. I think you're 332 00:19:22,119 --> 00:19:27,160 Speaker 2: onto something in the sense of listen. I was always 333 00:19:27,200 --> 00:19:30,640 Speaker 2: told in any successful marriage, there has to be one 334 00:19:30,760 --> 00:19:34,960 Speaker 2: star per household for sure, because it's a. 335 00:19:35,160 --> 00:19:37,440 Speaker 3: I mean my mother said that. Did your mother say that? 336 00:19:37,520 --> 00:19:39,560 Speaker 4: My mom said that. She would just say always say 337 00:19:39,800 --> 00:19:41,960 Speaker 4: when you find a partner, there can only be one 338 00:19:42,000 --> 00:19:44,960 Speaker 4: star of the show. So when you're the star, they 339 00:19:45,000 --> 00:19:47,520 Speaker 4: take a backseat, and conversely, when they're the star, you 340 00:19:47,600 --> 00:19:49,680 Speaker 4: take it. There can never be two stars. 341 00:19:51,000 --> 00:19:56,920 Speaker 1: No, I'll go on record, I will never date a star. Yeah, 342 00:19:58,880 --> 00:20:01,600 Speaker 1: it's not. I don't have time to compete with you. 343 00:20:01,920 --> 00:20:04,760 Speaker 2: And when you look at relationships that have lasted until 344 00:20:04,760 --> 00:20:06,800 Speaker 2: the end of time, a lot of it has to 345 00:20:06,800 --> 00:20:09,000 Speaker 2: do with the fact of what your mom said in 346 00:20:09,119 --> 00:20:12,800 Speaker 2: terms of there has to be somebody who's the star 347 00:20:13,000 --> 00:20:15,159 Speaker 2: and the other person takes the back seat, and then 348 00:20:15,240 --> 00:20:18,040 Speaker 2: roads can change, but you can't do it. There is 349 00:20:18,080 --> 00:20:22,720 Speaker 2: something interesting that when Mauricio got the buying Beverly Hills 350 00:20:22,720 --> 00:20:27,840 Speaker 2: shown Netflix, Netflix, that all of a sudden there's been 351 00:20:27,920 --> 00:20:32,800 Speaker 2: like these rumors always existed, but now it is so 352 00:20:33,000 --> 00:20:38,639 Speaker 2: prevalent to where they're announced a separation and Mauricio's agency 353 00:20:39,080 --> 00:20:42,240 Speaker 2: is killing it. He literally has the number one agency 354 00:20:42,760 --> 00:20:46,159 Speaker 2: in all of them, in all of like California, you know, 355 00:20:46,840 --> 00:20:54,320 Speaker 2: this man left the Hilton Okay, left the family business 356 00:20:54,440 --> 00:20:57,359 Speaker 2: and started his own agency, which, in case you guys 357 00:20:57,359 --> 00:21:00,359 Speaker 2: don't know, allegedly that's the main reason why At and 358 00:21:00,400 --> 00:21:04,440 Speaker 2: Kyle have issues because Mauricio left the family Hilton agency 359 00:21:04,760 --> 00:21:07,719 Speaker 2: to start his own and now he beat them twenty 360 00:21:07,760 --> 00:21:11,680 Speaker 2: times over. Yeah, so Mauricio, who never looked better, living 361 00:21:11,720 --> 00:21:15,359 Speaker 2: his best life, he now has what he wants. Kyle 362 00:21:15,480 --> 00:21:20,160 Speaker 2: no longer probably has the availability to Mauricio. You have Morgan, 363 00:21:20,440 --> 00:21:24,080 Speaker 2: who I never heard of until her her tattoos appeared 364 00:21:24,560 --> 00:21:29,640 Speaker 2: on the show. By the way, pretty girl, very soft spoken. 365 00:21:29,840 --> 00:21:33,240 Speaker 2: I was expecting more of like a death Row Records 366 00:21:33,720 --> 00:21:34,960 Speaker 2: little Wayne type of voice. 367 00:21:35,320 --> 00:21:38,880 Speaker 4: You know who? She reminds me of, Oh Leather Tuscadero 368 00:21:39,320 --> 00:21:42,160 Speaker 4: from Feeling what was that called Happy Days? 369 00:21:42,640 --> 00:21:45,360 Speaker 1: Who is also who is played. 370 00:21:45,000 --> 00:21:50,480 Speaker 4: By Susie Quatro, seventies singing ballad star stumbling in Looking 371 00:21:50,560 --> 00:21:52,480 Speaker 4: up on YouTube, you will be like, oh my god, 372 00:21:52,560 --> 00:21:55,080 Speaker 4: Christy McNichol, she's got the whole look. Can I say 373 00:21:55,080 --> 00:21:57,119 Speaker 4: that because I have older sisters so my references can 374 00:21:57,160 --> 00:21:59,800 Speaker 4: be a little bit off, but she looks just like her. 375 00:21:59,800 --> 00:22:01,600 Speaker 4: But I will also say this, like there's a lot 376 00:22:01,640 --> 00:22:05,400 Speaker 4: of speculation obviously whether or not they're in an intimate relationship. 377 00:22:05,520 --> 00:22:08,159 Speaker 4: What we all can agree on is they have an 378 00:22:08,200 --> 00:22:14,480 Speaker 4: emotional connection because of and Kathy's pointed this out too, 379 00:22:14,840 --> 00:22:17,639 Speaker 4: Morgan has had a mistectomy, Their mother had a mistectomy. 380 00:22:18,160 --> 00:22:23,720 Speaker 4: Morgan has tourettes. There are like things about her that 381 00:22:24,119 --> 00:22:28,119 Speaker 4: I could see, like there's something connection that they've talked about. 382 00:22:28,160 --> 00:22:32,199 Speaker 4: Another alluring thing about someone who's significantly younger than you, 383 00:22:32,760 --> 00:22:36,639 Speaker 4: who is outside of your bubble. Imagine if you're Kyle 384 00:22:36,720 --> 00:22:40,679 Speaker 4: and by the way, I don't know you know them personally, 385 00:22:40,800 --> 00:22:44,960 Speaker 4: but this is my how I perceive things. If you're 386 00:22:45,160 --> 00:22:49,479 Speaker 4: Kyle and you've had the same friends for decades and 387 00:22:49,520 --> 00:22:53,800 Speaker 4: then someone younger comes in their perspective of you and 388 00:22:53,920 --> 00:22:58,679 Speaker 4: your life can be very Entrancein Yes, an outsider who says, 389 00:22:59,359 --> 00:23:02,760 Speaker 4: wait a minute, so like this goes on with your sister, 390 00:23:03,040 --> 00:23:07,080 Speaker 4: and then like MAURICEO does this, and you're like, oh 391 00:23:07,119 --> 00:23:09,679 Speaker 4: my god, you're right, Like why do I put up 392 00:23:09,720 --> 00:23:14,520 Speaker 4: with this shit? Why does why is this okay? Somehow 393 00:23:14,560 --> 00:23:16,920 Speaker 4: you will take that from an outsider in a way 394 00:23:17,040 --> 00:23:20,560 Speaker 4: like because Fay is friends with Kathy and Chris Jenner's 395 00:23:20,560 --> 00:23:24,640 Speaker 4: friends with Kathy, and Sutton's friends with Kathy, and I'm 396 00:23:24,680 --> 00:23:28,200 Speaker 4: assuming that a younger person is like, I don't care 397 00:23:28,320 --> 00:23:32,120 Speaker 4: about Kathy, I care about you. That could be very 398 00:23:32,600 --> 00:23:34,160 Speaker 4: very entrancing. 399 00:23:34,480 --> 00:23:38,040 Speaker 1: C K I knew you had the answer, you know 400 00:23:38,080 --> 00:23:38,680 Speaker 1: what I mean. 401 00:23:38,520 --> 00:23:41,119 Speaker 4: Like sometimes when somebody outside your little bubble is like 402 00:23:41,880 --> 00:23:43,440 Speaker 4: I would never stand up for that. 403 00:23:43,520 --> 00:23:44,080 Speaker 3: Why would you? 404 00:23:44,119 --> 00:23:46,920 Speaker 4: And listen, there's the added component of the they're both 405 00:23:46,920 --> 00:23:52,359 Speaker 4: women that are sober, you know, I don't necessarily think 406 00:23:52,480 --> 00:23:54,879 Speaker 4: and based on things that Kyla said, like she doesn't 407 00:23:54,880 --> 00:23:58,160 Speaker 4: feel like she was an alcoholic per se, but more 408 00:23:58,200 --> 00:24:00,560 Speaker 4: of like she didn't like her relationship with alcohol, apparently 409 00:24:00,560 --> 00:24:03,200 Speaker 4: there's a difference from that like yeah, I think she 410 00:24:03,359 --> 00:24:06,480 Speaker 4: just said I I think perst. Probably she looked back 411 00:24:06,480 --> 00:24:09,400 Speaker 4: at episodes from the previous scene season. 412 00:24:10,080 --> 00:24:11,640 Speaker 3: I didn't like the way she looked. 413 00:24:11,520 --> 00:24:14,800 Speaker 2: Especially the scene where she pushed and while I was 414 00:24:14,800 --> 00:24:18,400 Speaker 2: talking to Diana. 415 00:24:17,080 --> 00:24:19,680 Speaker 4: And she may have thought, maybe this stuff with Kathy 416 00:24:19,680 --> 00:24:21,800 Speaker 4: wouldn't have been so bad if I hadn't been drinking 417 00:24:21,880 --> 00:24:25,840 Speaker 4: in scenes. So now you're with somebody who doesn't drink, 418 00:24:25,880 --> 00:24:29,760 Speaker 4: who likes to work out, who has you know, is 419 00:24:29,800 --> 00:24:33,600 Speaker 4: in the country world. She doesn't feel like needs her 420 00:24:33,960 --> 00:24:37,520 Speaker 4: like I'm assuming for Kyle, the people that are around 421 00:24:37,560 --> 00:24:40,040 Speaker 4: her life all the time want something from her. 422 00:24:40,520 --> 00:24:43,359 Speaker 1: Yes, Oh everybody wants. 423 00:24:43,080 --> 00:24:46,840 Speaker 4: Something for her. How refreshing. If it's somebody who comes 424 00:24:46,840 --> 00:24:49,840 Speaker 4: from a completely different world, it doesn't need something from her. 425 00:24:50,160 --> 00:24:51,680 Speaker 1: Ding ding ding ding ding ding ding. 426 00:24:51,920 --> 00:24:54,600 Speaker 2: Kate once again hit the nod on the head. So 427 00:24:56,160 --> 00:24:58,040 Speaker 2: I don't drink. I have had a drink in like 428 00:24:58,040 --> 00:25:03,760 Speaker 2: almost ten years. Drink, I will say as somebody who 429 00:25:03,800 --> 00:25:09,640 Speaker 2: doesn't drink. When I stopped drinking, I stop hanging out 430 00:25:09,680 --> 00:25:14,719 Speaker 2: with the people who used it to you know, have 431 00:25:14,840 --> 00:25:17,080 Speaker 2: fun and party and stuff like I just I became 432 00:25:17,119 --> 00:25:18,960 Speaker 2: a different person. I was more focused on, like my 433 00:25:19,000 --> 00:25:20,960 Speaker 2: career and other things happening. 434 00:25:21,080 --> 00:25:21,320 Speaker 1: Right. 435 00:25:21,960 --> 00:25:26,920 Speaker 2: When you are a sober person, you attract people who 436 00:25:27,000 --> 00:25:29,120 Speaker 2: are a part of this new face in your life 437 00:25:29,119 --> 00:25:32,320 Speaker 2: who represents this new person. Because not drinking around people 438 00:25:32,359 --> 00:25:35,720 Speaker 2: in our business, you're weirdough, So when you find your 439 00:25:35,760 --> 00:25:40,399 Speaker 2: community and you find somebody who doesn't do it, you 440 00:25:41,080 --> 00:25:45,600 Speaker 2: engage and converse over something totally different. I also am 441 00:25:45,600 --> 00:25:50,280 Speaker 2: a workout fanatic because when you don't drink, you find 442 00:25:50,359 --> 00:25:54,399 Speaker 2: other ways to get this burst of energy. And I 443 00:25:54,440 --> 00:25:56,600 Speaker 2: wake up at five thirty in the morning, I work out. 444 00:25:56,600 --> 00:25:59,960 Speaker 2: I'm a crazy person, right, I relate to Kyle someone 445 00:26:00,119 --> 00:26:03,560 Speaker 2: much in that sense, And you're right, Listen, this is no. 446 00:26:03,600 --> 00:26:05,200 Speaker 1: Shade to her friends. 447 00:26:05,600 --> 00:26:09,080 Speaker 2: Okay, I agree with you in terms of I don't 448 00:26:09,119 --> 00:26:13,159 Speaker 2: think she has anybody in her life probably who doesn't 449 00:26:13,200 --> 00:26:15,520 Speaker 2: need something from her. I don't think Dere's her real 450 00:26:15,600 --> 00:26:19,159 Speaker 2: friend in the sense of I think if Dereet was 451 00:26:19,560 --> 00:26:21,280 Speaker 2: not on the show, her and Kyle would have nothing 452 00:26:21,320 --> 00:26:26,639 Speaker 2: in common. I think Piku and Mauricio being men, what 453 00:26:26,720 --> 00:26:28,800 Speaker 2: they have in common is the fact that our wives 454 00:26:28,840 --> 00:26:30,640 Speaker 2: on this crazy show and they're crazy. 455 00:26:31,440 --> 00:26:33,480 Speaker 1: But Drey needs. 456 00:26:33,359 --> 00:26:37,840 Speaker 2: Kyle because without Kyle, Deriy is nothing on the show. 457 00:26:38,600 --> 00:26:42,560 Speaker 4: She has said that after Morgan came into her life 458 00:26:42,560 --> 00:26:43,800 Speaker 4: that they don't have the same friendships. 459 00:26:43,920 --> 00:26:46,320 Speaker 2: You're right, And she also said, you don't drink anymore, 460 00:26:46,320 --> 00:26:48,040 Speaker 2: and that was our thing. We would get drunk and 461 00:26:48,040 --> 00:26:52,520 Speaker 2: go to Vegas and party. That's not who Kyle is anymore. 462 00:26:52,760 --> 00:26:54,760 Speaker 2: And the reason why Derei feels that way is this, 463 00:26:55,200 --> 00:26:59,720 Speaker 2: when a person gets sober, the biggest fear that they 464 00:27:00,080 --> 00:27:02,920 Speaker 2: friends have is I'm going to be axed out because 465 00:27:02,960 --> 00:27:06,320 Speaker 2: I am a drinker and Derey is feeling like she's 466 00:27:06,320 --> 00:27:10,000 Speaker 2: going to be ostracized because she no longer can call 467 00:27:10,160 --> 00:27:12,199 Speaker 2: Kyle and say let's have let's let's go to the 468 00:27:12,240 --> 00:27:15,000 Speaker 2: barge with happy Hour, let's go to Vegas and get 469 00:27:15,040 --> 00:27:18,159 Speaker 2: fucked up and like dance on people. That that's what 470 00:27:18,320 --> 00:27:21,600 Speaker 2: happens to you. You listen, guys. Anybody who doesn't drink 471 00:27:21,680 --> 00:27:25,440 Speaker 2: knows this. You lose friends. I'm a product of losing friends. 472 00:27:25,920 --> 00:27:29,600 Speaker 2: When I stop drinking, you lose friends because you guys 473 00:27:29,680 --> 00:27:32,680 Speaker 2: don't have that much in common anymore. And that's why 474 00:27:32,720 --> 00:27:37,119 Speaker 2: I love this new Kyle who understands that what you 475 00:27:37,200 --> 00:27:44,600 Speaker 2: said so brilliantly, I now am seeing myself outside of 476 00:27:44,640 --> 00:27:50,200 Speaker 2: this fucking nine oh two and no bubble, And and 477 00:27:50,280 --> 00:27:52,959 Speaker 2: I don't like who I was when she told Mauricio, 478 00:27:54,359 --> 00:27:56,720 Speaker 2: I can't get how many tattoos I want, like I 479 00:27:56,920 --> 00:27:57,600 Speaker 2: can't do what my mom. 480 00:28:00,560 --> 00:28:04,199 Speaker 4: I love that scene. She would have never said that 481 00:28:04,280 --> 00:28:06,600 Speaker 4: years before she really was a wife. I think people 482 00:28:06,680 --> 00:28:08,960 Speaker 4: forget this too when you look back at old episodes, 483 00:28:09,000 --> 00:28:11,760 Speaker 4: Like she does all of her kids laundry, she's making 484 00:28:11,760 --> 00:28:15,760 Speaker 4: their lunches, like she was a very very hands on mother. 485 00:28:16,640 --> 00:28:20,200 Speaker 4: And I would presume he expected the same of himself 486 00:28:20,200 --> 00:28:22,840 Speaker 4: in his life, like you know, you need to show 487 00:28:22,920 --> 00:28:24,720 Speaker 4: up at every event. I need you to be here. 488 00:28:25,040 --> 00:28:26,199 Speaker 3: Also, he's owns a. 489 00:28:26,160 --> 00:28:29,239 Speaker 4: Real estate company, right, he wants his wife, who's a 490 00:28:29,280 --> 00:28:32,359 Speaker 4: reality star and has worked in the entertainment industry for 491 00:28:32,400 --> 00:28:37,280 Speaker 4: decades to come. She was probably enormously helpful in him 492 00:28:37,320 --> 00:28:42,160 Speaker 4: building his business, right. So it was great in that 493 00:28:42,240 --> 00:28:45,560 Speaker 4: moment where she's like Hubert, like, you know, you don't 494 00:28:45,320 --> 00:28:48,600 Speaker 4: get to look at my body like it's That was 495 00:28:48,600 --> 00:28:52,560 Speaker 4: a great scene. That was like a Sister Wives Janelle 496 00:28:52,960 --> 00:28:57,720 Speaker 4: and Christine leaving Cody. Yes kind of scene. I love 497 00:28:57,760 --> 00:29:01,760 Speaker 4: it when a woman like finds her. 498 00:29:01,760 --> 00:29:04,400 Speaker 1: I hate to interrupt, but stay tuned for more. 499 00:29:11,320 --> 00:29:15,400 Speaker 2: Life doesn't happen bi weekly, So why should payday? The 500 00:29:15,560 --> 00:29:18,600 Speaker 2: money you earn can be in your hands today with 501 00:29:18,800 --> 00:29:22,360 Speaker 2: earn in. 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So any opportunity to 512 00:30:02,720 --> 00:30:04,800 Speaker 2: where I'm able to get paid at a moment's known 513 00:30:04,800 --> 00:30:05,640 Speaker 2: as honey. 514 00:30:05,800 --> 00:30:06,640 Speaker 1: Sign me up. 515 00:30:06,840 --> 00:30:10,440 Speaker 2: Make earn In a part of your financial routine. Enjoy 516 00:30:10,560 --> 00:30:15,000 Speaker 2: earnings over three and a half million customers who say 517 00:30:15,400 --> 00:30:20,440 Speaker 2: when I think about earn in, I think about financial stability, security. 518 00:30:21,000 --> 00:30:24,640 Speaker 2: It gives me a lot of peace of mind. Download 519 00:30:24,760 --> 00:30:31,360 Speaker 2: earn in today spelled e a r n i in 520 00:30:31,360 --> 00:30:35,280 Speaker 2: in the Google Play or Apple App Store. When you 521 00:30:35,400 --> 00:30:39,920 Speaker 2: download the earn in app, type in reality under Podcasts 522 00:30:40,040 --> 00:30:44,000 Speaker 2: when you sign up. It'll really help the show reality 523 00:30:44,680 --> 00:30:49,400 Speaker 2: under podcast subject to your available earnings dailymax and pay 524 00:30:49,520 --> 00:30:57,959 Speaker 2: period max. See earnin dot com slash ts for details. 525 00:30:58,280 --> 00:31:01,040 Speaker 2: This is Reality with the King, and I'm Carlos King. 526 00:31:01,560 --> 00:31:05,440 Speaker 2: Let's get back into the show. We have to get 527 00:31:05,480 --> 00:31:09,080 Speaker 2: into the big Kathy, who you call. 528 00:31:09,040 --> 00:31:11,720 Speaker 1: The mayor of Beverly Hill. 529 00:31:11,960 --> 00:31:18,240 Speaker 2: So, Kate, I was floored when I'm telling you Kyle 530 00:31:18,360 --> 00:31:19,200 Speaker 2: doesn't give a fuck. 531 00:31:19,560 --> 00:31:23,000 Speaker 1: I love this new Kyle. Kyle, my apologies. 532 00:31:23,560 --> 00:31:26,280 Speaker 2: You should have been in my top ten Greatest Housewives 533 00:31:26,320 --> 00:31:27,080 Speaker 2: of All Time list. 534 00:31:27,600 --> 00:31:31,800 Speaker 1: You were number eleven. She she was number eleven. 535 00:31:32,000 --> 00:31:33,560 Speaker 4: I don't remember that she was eleven. 536 00:31:33,640 --> 00:31:37,480 Speaker 2: Well I never revealed who was eleven, but she wasn't 537 00:31:37,480 --> 00:31:41,160 Speaker 2: into the That's why Kyle is going to replace somebody else. 538 00:31:41,280 --> 00:31:43,880 Speaker 2: I'm going to redo it. In twenty twenty four, Kyle 539 00:31:44,720 --> 00:31:51,200 Speaker 2: Is when she revealed and challenged Sutton, broke the fourth wall. 540 00:31:51,360 --> 00:31:54,120 Speaker 2: No say it, say what she said to you tell 541 00:31:54,160 --> 00:31:59,840 Speaker 2: everybody's fucking kitchen. When it was revealed, honey, that big 542 00:32:00,080 --> 00:32:06,600 Speaker 2: Kathy called Sutton and cussed her out. The fact that 543 00:32:06,720 --> 00:32:10,560 Speaker 2: Kathy has the power to ice you allegedly out of 544 00:32:10,760 --> 00:32:14,640 Speaker 2: Beverly Hill's parties, which is why when Lisa, Renna and 545 00:32:14,760 --> 00:32:17,200 Speaker 2: Erica Jayne said you did say the F word to 546 00:32:17,240 --> 00:32:21,760 Speaker 2: the DJ, you said it, and Crystal and everybody else 547 00:32:21,760 --> 00:32:24,920 Speaker 2: had amnesia. They all felt in that moment, I'm not 548 00:32:25,040 --> 00:32:27,880 Speaker 2: going to be ostracized from the Beverly Hills socialites. 549 00:32:28,360 --> 00:32:30,120 Speaker 1: I had no idea. Okay, maybe you did. 550 00:32:30,720 --> 00:32:34,800 Speaker 2: I had no idea the power that Kathy Hilton has 551 00:32:35,120 --> 00:32:35,720 Speaker 2: not had. 552 00:32:36,840 --> 00:32:41,120 Speaker 4: I think I think that there's this weird wartex there's 553 00:32:41,280 --> 00:32:45,720 Speaker 4: real power and perceived power. If she was that powerful, 554 00:32:45,720 --> 00:32:47,440 Speaker 4: that was the tweet I put out. If she was 555 00:32:47,440 --> 00:32:50,000 Speaker 4: that powerful, she should be the mayor of Beverly Hills. 556 00:32:50,040 --> 00:32:53,120 Speaker 4: Like obviously this woman like people do what she says. 557 00:32:54,040 --> 00:32:56,320 Speaker 4: I think it's a lot of that is perceived power, 558 00:32:57,360 --> 00:33:01,080 Speaker 4: you know, And I think it originates in they're Richard's family. 559 00:33:02,200 --> 00:33:04,280 Speaker 4: Like I'm telling you everything that we need to know 560 00:33:04,360 --> 00:33:06,560 Speaker 4: about every house wife. I've built a show about it. 561 00:33:06,920 --> 00:33:09,080 Speaker 4: You got to go look at someone's origin story and 562 00:33:09,120 --> 00:33:12,160 Speaker 4: then all the puzzle pieces fit together. And in the 563 00:33:12,200 --> 00:33:15,760 Speaker 4: family of origin, Kathleen Dugan, who was their mother, she 564 00:33:15,880 --> 00:33:17,960 Speaker 4: set it up like this with these three sisters that 565 00:33:18,000 --> 00:33:23,040 Speaker 4: they all have like their positions and they have decided 566 00:33:23,080 --> 00:33:26,240 Speaker 4: to continue with that. This is like an intergenerational thing. 567 00:33:26,920 --> 00:33:30,760 Speaker 4: And listen, Beverly Hills is great because it's relatable and 568 00:33:30,960 --> 00:33:33,920 Speaker 4: unrelatable at the same time. There's that dichotomy. Yes, it's 569 00:33:33,960 --> 00:33:38,880 Speaker 4: relatable because in the in the in Kyle's personal story, 570 00:33:38,920 --> 00:33:40,680 Speaker 4: and especially when Kathy was on the show and when 571 00:33:40,760 --> 00:33:43,080 Speaker 4: Kim was on the show, we are witnessed to the 572 00:33:43,120 --> 00:33:45,800 Speaker 4: family dynamics of these sisters, and there are so many 573 00:33:45,800 --> 00:33:48,080 Speaker 4: things that are related about oh To that you and 574 00:33:48,120 --> 00:33:50,840 Speaker 4: I can relate to that I'm sure most people can. 575 00:33:51,200 --> 00:33:53,280 Speaker 4: At the same time, it's totally unrelatable because it's in 576 00:33:53,360 --> 00:33:58,160 Speaker 4: this city where everybody works in the entertainment industry. They're 577 00:33:58,280 --> 00:34:00,640 Speaker 4: very beautiful, they have a lot of wealth, they have 578 00:34:00,720 --> 00:34:03,840 Speaker 4: access to money and power. It's almost like we're standing 579 00:34:03,880 --> 00:34:08,120 Speaker 4: outside their family room window and we're watching them, so 580 00:34:09,000 --> 00:34:13,640 Speaker 4: you know, it's it's both unrelatable and relatable. And the 581 00:34:13,760 --> 00:34:17,000 Speaker 4: family dynamics that they've chosen to continue even as they 582 00:34:17,040 --> 00:34:19,960 Speaker 4: have their own children is that they have these like 583 00:34:20,080 --> 00:34:23,680 Speaker 4: three positions where Kathy is like the dictator. 584 00:34:24,000 --> 00:34:27,759 Speaker 3: She dictates the rules, like we should behave. 585 00:34:27,520 --> 00:34:30,560 Speaker 4: This way, you marry a guy like this, you should 586 00:34:30,600 --> 00:34:33,440 Speaker 4: live here, your house should be decorated like and you 587 00:34:33,480 --> 00:34:35,960 Speaker 4: can see micro moments where like Kim will walk in 588 00:34:36,000 --> 00:34:37,080 Speaker 4: the door and Kathy would be. 589 00:34:37,040 --> 00:34:39,560 Speaker 1: Like, you're gonna wear that. You're really you're gonna wear that. 590 00:34:40,160 --> 00:34:43,319 Speaker 4: It's like, you know, these are all positions where they 591 00:34:43,360 --> 00:34:45,080 Speaker 4: were kind of set up by their mother and that 592 00:34:45,120 --> 00:34:48,920 Speaker 4: they've continued to kind of carry on well after her death. 593 00:34:49,600 --> 00:34:54,080 Speaker 4: But that was the power dynamic that the mom set up, 594 00:34:54,160 --> 00:34:57,200 Speaker 4: but some of it's still perceived power. That even though 595 00:34:57,280 --> 00:34:59,839 Speaker 4: Kyle's in her fifties and she has her own six 596 00:35:00,080 --> 00:35:02,200 Speaker 4: sas and her own family and her own set of friends, 597 00:35:02,920 --> 00:35:06,960 Speaker 4: her sister still has power over in a way. So 598 00:35:07,040 --> 00:35:11,120 Speaker 4: that is real power. The perceived power are the people 599 00:35:11,160 --> 00:35:13,880 Speaker 4: that are outside of that family dynamic, the women on 600 00:35:13,920 --> 00:35:18,040 Speaker 4: the show, the Crystals and the Suttons. And when Eric 601 00:35:18,160 --> 00:35:20,880 Speaker 4: points out in the last episode that what you just said, 602 00:35:20,920 --> 00:35:24,200 Speaker 4: like they're all in fear of Kathy because if you 603 00:35:24,760 --> 00:35:27,480 Speaker 4: puss her off, like you're gonna cut off, I think 604 00:35:27,520 --> 00:35:28,720 Speaker 4: that's perceived power. 605 00:35:28,880 --> 00:35:32,400 Speaker 1: Like is that really a reality? I don't think so. 606 00:35:33,960 --> 00:35:39,960 Speaker 4: But the dynamics of these three sisters have somehow trickled 607 00:35:39,960 --> 00:35:43,480 Speaker 4: out into their friendship circle. I don't know if fay 608 00:35:43,560 --> 00:35:46,160 Speaker 4: Resnick would have the same opinion that the others that 609 00:35:46,280 --> 00:35:50,240 Speaker 4: maybe she would, I don't know. But this is why 610 00:35:50,320 --> 00:35:54,000 Speaker 4: I find Beverly Hills to be the most fascinating because Kyle, 611 00:35:54,760 --> 00:35:57,719 Speaker 4: the producers, their sisters have given us access to the 612 00:35:57,760 --> 00:36:02,000 Speaker 4: family dynamics. If you take any Housewife and any other franchise, 613 00:36:02,080 --> 00:36:05,280 Speaker 4: they would be exponentially more interesting if we were given 614 00:36:05,320 --> 00:36:09,799 Speaker 4: access to their siblings and more to their parents, because 615 00:36:09,920 --> 00:36:13,120 Speaker 4: they become even more complicated. The more complicated they become, 616 00:36:13,120 --> 00:36:16,160 Speaker 4: the more interesting they become, the more empathy we have 617 00:36:16,320 --> 00:36:19,319 Speaker 4: for them, the more we fight for them. Right, if 618 00:36:19,360 --> 00:36:22,799 Speaker 4: you just met Teresa Judae and she showed up at 619 00:36:22,800 --> 00:36:26,279 Speaker 4: a party, you may not like her as much as 620 00:36:26,280 --> 00:36:29,240 Speaker 4: you would because you met her parents, you met her brother, 621 00:36:29,480 --> 00:36:32,080 Speaker 4: you met her sister in law, you meet her kids, 622 00:36:32,760 --> 00:36:35,399 Speaker 4: and then you're like, oh, there's like so much more 623 00:36:35,440 --> 00:36:38,360 Speaker 4: to this person. So I think that people like Beverly 624 00:36:38,480 --> 00:36:43,720 Speaker 4: Hills because of the Richard sisters and I'm sorry, like Kyle, Kim, Kathy, 625 00:36:44,000 --> 00:36:49,240 Speaker 4: whatever they paid for them, it's worth it because despite 626 00:36:49,239 --> 00:36:53,000 Speaker 4: the fact, this is really an Irish Catholic family. And 627 00:36:53,000 --> 00:36:54,839 Speaker 4: that's maybe why I get it so much, because it's 628 00:36:54,840 --> 00:36:59,080 Speaker 4: like so similar to my own family dynamics. It's relatable 629 00:37:00,080 --> 00:37:02,719 Speaker 4: the family dynamics and not here's a question I have 630 00:37:02,840 --> 00:37:03,120 Speaker 4: for you. 631 00:37:03,560 --> 00:37:04,880 Speaker 3: I was thinking about this a lot today. 632 00:37:04,960 --> 00:37:07,960 Speaker 4: Is like I get their dynamics a lot because my 633 00:37:08,120 --> 00:37:11,360 Speaker 4: family of origin is similar like an Irish Catholic. I'm Protestant, 634 00:37:11,360 --> 00:37:13,080 Speaker 4: but like my mom was raised Catholic. I went to 635 00:37:13,120 --> 00:37:15,880 Speaker 4: a Catholic college, so like the way that they're not 636 00:37:16,080 --> 00:37:19,480 Speaker 4: allowed to talk about deep issues, like as soon as 637 00:37:19,480 --> 00:37:21,520 Speaker 4: they get into it, they cut it off. The way 638 00:37:21,560 --> 00:37:24,600 Speaker 4: that Kathy showed up at Kyle's house at the end 639 00:37:24,640 --> 00:37:28,560 Speaker 4: of last season and Kyle starts crying and she goes 640 00:37:28,880 --> 00:37:34,120 Speaker 4: Kyle Kyle, which is like, shut up, stop crying. That 641 00:37:34,239 --> 00:37:37,760 Speaker 4: is very much my culture, Like sweep it under the rug, 642 00:37:39,200 --> 00:37:41,799 Speaker 4: pick up your chin. No one wants to hear about 643 00:37:41,800 --> 00:37:44,520 Speaker 4: your problems, and this should definitely not be on TV. 644 00:37:46,440 --> 00:37:51,719 Speaker 4: How how do you look at that as a black man? Like, 645 00:37:52,160 --> 00:37:56,200 Speaker 4: how would it be different if the Dugan Richard's family 646 00:37:57,640 --> 00:37:58,520 Speaker 4: or the King family? 647 00:37:58,840 --> 00:38:00,120 Speaker 3: Like how what? 648 00:38:00,120 --> 00:38:00,600 Speaker 1: What? 649 00:38:00,600 --> 00:38:03,320 Speaker 4: What dynamics are similar to your family and different? 650 00:38:03,840 --> 00:38:06,360 Speaker 1: So that's the thing. It's funny, you're so you're so smart. 651 00:38:06,400 --> 00:38:07,359 Speaker 1: I was gonna bring up. 652 00:38:08,160 --> 00:38:12,399 Speaker 2: The black gay perspective of the you know of all 653 00:38:12,400 --> 00:38:16,680 Speaker 2: of this. Obviously, I have nine siblings. I know what 654 00:38:16,719 --> 00:38:19,480 Speaker 2: it's like to operate out of a big family. The 655 00:38:19,520 --> 00:38:25,000 Speaker 2: thing is this, in every siblinghood, you do have a spokesperson. 656 00:38:25,520 --> 00:38:27,440 Speaker 2: You do have a leader, whether it's the mother or 657 00:38:27,440 --> 00:38:29,440 Speaker 2: the father of the ship group. When it's more than 658 00:38:29,480 --> 00:38:32,600 Speaker 2: like three, there is there is like the matriarch and 659 00:38:32,640 --> 00:38:33,239 Speaker 2: the patriarch. 660 00:38:33,360 --> 00:38:33,520 Speaker 1: Right. 661 00:38:35,520 --> 00:38:39,839 Speaker 2: What I can relate to with with the Hilton, well 662 00:38:39,880 --> 00:38:43,240 Speaker 2: with with with the sisters, right Kim, Kathy and Kyle, 663 00:38:44,120 --> 00:38:47,160 Speaker 2: is the fact that you don't go against the family. 664 00:38:47,280 --> 00:38:47,920 Speaker 1: You just don't. 665 00:38:48,320 --> 00:38:53,280 Speaker 2: You don't go against the family, and you don't say 666 00:38:53,400 --> 00:38:59,400 Speaker 2: anything to them on camera because Kyle is less worried 667 00:38:59,600 --> 00:39:04,240 Speaker 2: about the perception of the fans when it comes to Kathy. 668 00:39:04,840 --> 00:39:07,760 Speaker 2: It's more about the damage that is going to happen 669 00:39:07,800 --> 00:39:11,759 Speaker 2: behind the scenes that Kathy is allegedly going to do 670 00:39:12,160 --> 00:39:14,719 Speaker 2: that will never see the light of day. And this 671 00:39:15,200 --> 00:39:19,080 Speaker 2: is Kyle's concern on camera. I'll get the blame for 672 00:39:19,120 --> 00:39:21,520 Speaker 2: it because Kathy is going to play along with this 673 00:39:21,600 --> 00:39:25,839 Speaker 2: aloof personality she has that the fans eat up right, 674 00:39:27,840 --> 00:39:31,200 Speaker 2: Kyle fear is the world would think I'm the bitch 675 00:39:31,560 --> 00:39:34,879 Speaker 2: when they have no idea that the moment they yell 676 00:39:35,000 --> 00:39:39,560 Speaker 2: rap and we go home, there's going to be months 677 00:39:39,920 --> 00:39:43,879 Speaker 2: of me being attacked by Kathy allegedly that the world 678 00:39:43,880 --> 00:39:44,800 Speaker 2: will never see. 679 00:39:45,160 --> 00:39:47,279 Speaker 1: And that's what Kyle is so worried about. 680 00:39:47,320 --> 00:39:50,399 Speaker 2: That's why she cries or just cut off, cut off 681 00:39:50,440 --> 00:39:53,319 Speaker 2: when she said that if I get let me tell 682 00:39:53,360 --> 00:39:55,520 Speaker 2: you something, which which is not something me and my 683 00:39:55,520 --> 00:39:59,319 Speaker 2: siblings ever do when we get into it. We don't 684 00:39:59,440 --> 00:40:04,439 Speaker 2: pick the cousins against each other like that's that's I'll 685 00:40:04,440 --> 00:40:05,879 Speaker 2: say it. That's fucked up dark. 686 00:40:06,160 --> 00:40:06,760 Speaker 4: It's dark. 687 00:40:07,200 --> 00:40:12,080 Speaker 2: So if if Kyle and Kathy have an issue Paris 688 00:40:13,000 --> 00:40:18,480 Speaker 2: and what's the oldest name, Kyle's oldest daughter, Yeah, Paris 689 00:40:18,480 --> 00:40:24,960 Speaker 2: and Parah can't talk Farah can't Sarah can't be around 690 00:40:26,000 --> 00:40:30,920 Speaker 2: Paris's new son. Maybe that's the fuck. The part about 691 00:40:30,920 --> 00:40:34,480 Speaker 2: this is the fact that in my fam and the 692 00:40:34,520 --> 00:40:38,719 Speaker 2: black family household, when we have issues among siblings, we 693 00:40:38,800 --> 00:40:41,600 Speaker 2: don't We don't bring it to the cousins like that. 694 00:40:41,920 --> 00:40:42,640 Speaker 1: It's separate. 695 00:40:43,160 --> 00:40:46,799 Speaker 2: And that's the reason why the most dangerous person in 696 00:40:46,800 --> 00:40:47,960 Speaker 2: Beverly Hills to me. 697 00:40:49,480 --> 00:40:51,080 Speaker 1: Is Kathy in the sense of. 698 00:40:52,840 --> 00:40:59,040 Speaker 2: The perceived power that Sutton and Crystal that they make 699 00:40:59,840 --> 00:41:03,560 Speaker 2: on Kathy is because they see what Kathy. 700 00:41:03,280 --> 00:41:07,359 Speaker 1: Can do with her real blood family, and. 701 00:41:07,280 --> 00:41:10,280 Speaker 4: They're like, look, great observation, great observation. 702 00:41:10,360 --> 00:41:16,120 Speaker 2: If this bitch can isolate her her fucking sister, we're pony. 703 00:41:17,239 --> 00:41:20,120 Speaker 2: And that's the reason why, because let's be real, I 704 00:41:20,160 --> 00:41:21,040 Speaker 2: want to get your thoughts. 705 00:41:21,520 --> 00:41:24,200 Speaker 4: And by the way, it's dangerous too. Because they're like, 706 00:41:25,160 --> 00:41:28,439 Speaker 4: I can only get so close to her because the 707 00:41:28,480 --> 00:41:34,759 Speaker 4: slightest thing that upsets her, I'm off, Like I'm cut off. 708 00:41:35,280 --> 00:41:37,000 Speaker 1: Kathy is so powerful. 709 00:41:37,120 --> 00:41:41,320 Speaker 2: They never showed what was in Lisa Renda's Malila envelope 710 00:41:41,320 --> 00:41:42,040 Speaker 2: on the reunion. 711 00:41:42,680 --> 00:41:44,239 Speaker 1: Kathy is so powerful. 712 00:41:44,440 --> 00:41:48,760 Speaker 2: Lisa Renna left the reunion and resigned from the show 713 00:41:49,400 --> 00:41:53,400 Speaker 2: because for her, she probably realized even in the midst 714 00:41:53,400 --> 00:41:58,279 Speaker 2: of this, she's being protected allegedly, right, you would think 715 00:41:58,360 --> 00:42:01,279 Speaker 2: Chris Jenner is the most powerful part in Beverly Hills just. 716 00:42:01,160 --> 00:42:05,200 Speaker 4: My property of But again, but is this real though. 717 00:42:07,680 --> 00:42:10,480 Speaker 2: Which is why I agree with you. I always thought, 718 00:42:11,080 --> 00:42:14,160 Speaker 2: like kathink that power for Honey's Chris Jenner. But it's 719 00:42:14,239 --> 00:42:17,719 Speaker 2: perceived because they see the power there. 720 00:42:18,160 --> 00:42:22,400 Speaker 4: Yes, there is power because it's perceived power. Yes, when's 721 00:42:22,440 --> 00:42:24,520 Speaker 4: our college course that we're going to direct? 722 00:42:24,760 --> 00:42:31,080 Speaker 1: Oh, Honey, you see La n Y you look war gates. 723 00:42:30,760 --> 00:42:33,880 Speaker 4: Were coming for you at Columbia. But wait, Detorisa Judice 724 00:42:34,600 --> 00:42:37,280 Speaker 4: does the same thing that Kathy does, because those cousins 725 00:42:37,320 --> 00:42:38,280 Speaker 4: don't talk either. 726 00:42:38,800 --> 00:42:41,720 Speaker 1: See don't I don't think no, no, no, they don't talk. 727 00:42:42,160 --> 00:42:44,040 Speaker 4: No, they don't talk. They don't follow each other. 728 00:42:44,080 --> 00:42:45,080 Speaker 1: I don't think they talk. 729 00:42:45,040 --> 00:42:47,200 Speaker 2: But I don't think it's esa telling her daughters don't 730 00:42:47,200 --> 00:42:48,240 Speaker 2: fuck with your cousins. 731 00:42:49,080 --> 00:42:52,600 Speaker 1: That's the difference. I think, Yeah, you're Kathy. 732 00:42:53,360 --> 00:42:57,960 Speaker 2: Kathy allegedly is telling Paris Nikki you're not allowed to 733 00:42:58,000 --> 00:43:01,799 Speaker 2: speak to them, and they're like okay and that or maybe. 734 00:43:01,560 --> 00:43:07,160 Speaker 4: She doesn't say it, but they know, let's start. 735 00:43:07,320 --> 00:43:09,040 Speaker 1: Nobody goes against Big Kathy. 736 00:43:09,440 --> 00:43:11,840 Speaker 4: I have to. I would love to talk to Kathy 737 00:43:11,920 --> 00:43:15,879 Speaker 4: Hilton about her mother. Yes, I really feel like if 738 00:43:15,880 --> 00:43:19,640 Speaker 4: we understand Big Kathy in there in a way that's 739 00:43:19,680 --> 00:43:22,239 Speaker 4: different than reading the op Jerry Oppenheimer book, which we 740 00:43:22,280 --> 00:43:24,920 Speaker 4: all could do, but it's really when you talk to somebody, 741 00:43:25,400 --> 00:43:27,960 Speaker 4: you get really a sense of like who their parents 742 00:43:27,960 --> 00:43:30,520 Speaker 4: were and what set them up to be the person 743 00:43:30,560 --> 00:43:33,200 Speaker 4: that they are, and how they look at parenting and 744 00:43:33,239 --> 00:43:35,520 Speaker 4: sibling relationships and friendships. 745 00:43:36,320 --> 00:43:40,600 Speaker 1: I mean, it all really does make more sense now 746 00:43:40,719 --> 00:43:43,719 Speaker 1: listen the Gults. I think I think there's. 747 00:43:43,480 --> 00:43:48,719 Speaker 4: Something happened with Kathy that if we understood her story more, 748 00:43:49,280 --> 00:43:52,279 Speaker 4: it would make sense why she's so protective, why she 749 00:43:52,440 --> 00:43:55,200 Speaker 4: isolates people, like something must have happened to her as 750 00:43:55,239 --> 00:44:00,160 Speaker 4: a kid, family dynamics or what life circumstances where he 751 00:44:00,320 --> 00:44:06,600 Speaker 4: feels completely vulnerable and or doesn't want to feel vulnerable 752 00:44:06,600 --> 00:44:08,040 Speaker 4: and therefore cuts people off. 753 00:44:08,400 --> 00:44:10,640 Speaker 1: Yeah, yeah, no, I agree with you. 754 00:44:10,719 --> 00:44:14,040 Speaker 2: I think you're probably the only person who can get 755 00:44:14,080 --> 00:44:19,879 Speaker 2: a solid interview out of Kathy Hilton, because I think 756 00:44:19,880 --> 00:44:21,680 Speaker 2: a lot of people would just fan out, like, oh 757 00:44:21,719 --> 00:44:24,680 Speaker 2: my god, you're so funny and hunky dory and yeah, 758 00:44:24,880 --> 00:44:25,760 Speaker 2: team Kathy. 759 00:44:26,400 --> 00:44:31,080 Speaker 1: I think you being a neutral party, like you. 760 00:44:31,040 --> 00:44:33,640 Speaker 2: Don't give a fuck about what team you're like, You're 761 00:44:33,640 --> 00:44:37,319 Speaker 2: not on anyone's team here. The beauty of you is 762 00:44:37,400 --> 00:44:41,240 Speaker 2: you're able to see things from a deeper perspective. 763 00:44:41,200 --> 00:44:44,759 Speaker 1: And you're able to team truth. Yes, exactly your team. 764 00:44:44,840 --> 00:44:47,320 Speaker 4: I'm your team, like understanding and truth. 765 00:44:48,000 --> 00:44:48,200 Speaker 1: Yeah. 766 00:44:48,239 --> 00:44:52,560 Speaker 4: I feel like, listen all of these housewives, I feel 767 00:44:52,600 --> 00:44:55,319 Speaker 4: like we're all we all want the best for them, 768 00:44:57,000 --> 00:44:59,400 Speaker 4: and I feel like a lot of them really just 769 00:44:59,440 --> 00:45:03,520 Speaker 4: want to be her heard. Yes, And it's not always 770 00:45:03,520 --> 00:45:05,840 Speaker 4: easy to do when you're part of an ensemble cast 771 00:45:05,880 --> 00:45:10,399 Speaker 4: and you get like snippets of their personal lives. That's 772 00:45:10,400 --> 00:45:13,320 Speaker 4: why I like doing interviews with them, because I really 773 00:45:13,400 --> 00:45:16,640 Speaker 4: think that they all have such a unique way of 774 00:45:16,680 --> 00:45:20,040 Speaker 4: looking at the world based on their own life circumstances, 775 00:45:20,320 --> 00:45:23,440 Speaker 4: and the more you learn about them, the more you 776 00:45:23,440 --> 00:45:26,879 Speaker 4: you're kind of like, Okay, well that's the reason they 777 00:45:26,920 --> 00:45:30,000 Speaker 4: parent the way. That's the way that they don't always 778 00:45:30,040 --> 00:45:33,000 Speaker 4: feel protected in their friendships. Like you could do this 779 00:45:33,080 --> 00:45:37,600 Speaker 4: for every single housewife, but I just think Kathy, Kyle, 780 00:45:38,040 --> 00:45:41,960 Speaker 4: and Kim are so fascinating because of the added element 781 00:45:42,000 --> 00:45:45,440 Speaker 4: of like two of them have been working since there 782 00:45:45,440 --> 00:45:50,520 Speaker 4: were kids, Like what is that like? Imagine your own 783 00:45:50,560 --> 00:45:54,240 Speaker 4: family if like two of your siblings had been working 784 00:45:54,280 --> 00:45:58,600 Speaker 4: in Detroit in commercials and movies, and then at some 785 00:45:58,680 --> 00:46:01,880 Speaker 4: point if your parents are reliant on their income that 786 00:46:01,960 --> 00:46:03,080 Speaker 4: they generate. 787 00:46:03,840 --> 00:46:06,280 Speaker 1: That's a lot. Yeah. Yeah. 788 00:46:06,560 --> 00:46:08,720 Speaker 4: Now they live in a city where everything is about 789 00:46:08,719 --> 00:46:12,200 Speaker 4: how much power you have, Like that's going to mess 790 00:46:12,239 --> 00:46:14,520 Speaker 4: you up too. So that's why I'm saying the power 791 00:46:14,800 --> 00:46:19,799 Speaker 4: and the perceived power are are are sometimes hard to 792 00:46:19,880 --> 00:46:23,319 Speaker 4: understand in just their family, But then you add like 793 00:46:23,440 --> 00:46:27,360 Speaker 4: a city that's all about power and perceived power. Perceived 794 00:46:27,400 --> 00:46:30,880 Speaker 4: power is like that person is like like influencers in 795 00:46:30,960 --> 00:46:33,919 Speaker 4: modern day era, Like that's perceived power. Do they really 796 00:46:33,920 --> 00:46:34,400 Speaker 4: have power? 797 00:46:34,400 --> 00:46:34,600 Speaker 1: Though? 798 00:46:34,880 --> 00:46:36,880 Speaker 3: Can they green light movies and TV shows? 799 00:46:37,040 --> 00:46:37,279 Speaker 4: Right? 800 00:46:38,280 --> 00:46:38,560 Speaker 1: Right? 801 00:46:38,600 --> 00:46:41,359 Speaker 4: But people think because they have like four point two 802 00:46:41,400 --> 00:46:45,440 Speaker 4: million followers on TikTok that that's power, it's perceived power. 803 00:46:45,719 --> 00:46:45,959 Speaker 2: Hm. 804 00:46:48,320 --> 00:46:51,960 Speaker 1: No, you're right, you're right, You're absolutely right. Like why 805 00:46:51,960 --> 00:46:53,840 Speaker 1: aren't all these TikTokers running for office? 806 00:46:55,360 --> 00:46:57,920 Speaker 4: That's like they're so powerful, so many people follow them, 807 00:46:57,920 --> 00:46:59,719 Speaker 4: they want to buy it, like, but they don't run 808 00:46:59,719 --> 00:47:01,440 Speaker 4: for off best Why because it's perceived. 809 00:47:01,440 --> 00:47:06,399 Speaker 1: Its perceived. It's perceived. No, it really, it really is. 810 00:47:06,480 --> 00:47:10,280 Speaker 2: And that's the reason why when you look at this episode, listen, 811 00:47:11,400 --> 00:47:14,520 Speaker 2: Denise Richards being on is like whatever, Like, we get it. 812 00:47:14,600 --> 00:47:17,759 Speaker 2: She was, she was, you know, nervous, Nelly nervous, She 813 00:47:17,880 --> 00:47:23,959 Speaker 2: was nervous, she drank a little allegedly, yes, exactly. But 814 00:47:24,040 --> 00:47:28,799 Speaker 2: what I got from this episode was really the I'm 815 00:47:28,840 --> 00:47:33,120 Speaker 2: going to say it, the perceived power of Kathy and 816 00:47:33,640 --> 00:47:37,200 Speaker 2: I am more interested in seeing how that play out 817 00:47:37,520 --> 00:47:42,400 Speaker 2: versus seeing pque redo Pretty Woman Part five with dried 818 00:47:42,800 --> 00:47:46,440 Speaker 2: and the return necklace, Like I really want to dive 819 00:47:46,520 --> 00:47:50,520 Speaker 2: more into what you said, like what is happening in 820 00:47:50,719 --> 00:47:57,600 Speaker 2: Kyle's life to where she now has a voice and 821 00:47:56,480 --> 00:48:03,000 Speaker 2: she she feels so much freedom and you. 822 00:48:02,960 --> 00:48:06,880 Speaker 1: Can you see a different person? Yeah, do you like 823 00:48:06,960 --> 00:48:07,680 Speaker 1: this new Kyle? 824 00:48:09,080 --> 00:48:11,759 Speaker 3: I do, but I don't like how mean she can be. 825 00:48:13,400 --> 00:48:14,760 Speaker 3: I don't think the moment. 826 00:48:14,520 --> 00:48:17,160 Speaker 4: Where she said to Sudden moving the food around the 827 00:48:17,160 --> 00:48:20,080 Speaker 4: plate was very kind. It could be very damaging. I 828 00:48:20,080 --> 00:48:23,120 Speaker 4: don't think alluding to someone having an alcohol problem is 829 00:48:23,200 --> 00:48:25,960 Speaker 4: very kind. And I don't think I would suspect the 830 00:48:26,040 --> 00:48:29,440 Speaker 4: reading she's gonna say. I didn't like myself in that moment, yeah, 831 00:48:29,440 --> 00:48:34,200 Speaker 4: because I think she's a deeply caring person. Yeah, And 832 00:48:34,239 --> 00:48:37,400 Speaker 4: I don't think that she that actually reminded me of 833 00:48:37,440 --> 00:48:40,440 Speaker 4: the moments where she was probably drunk, like being snippy. 834 00:48:40,800 --> 00:48:44,520 Speaker 4: But you know, you know, we always say people that 835 00:48:44,560 --> 00:48:48,600 Speaker 4: are hurt people, right, I think you're seeing somebody who's 836 00:48:49,040 --> 00:48:52,640 Speaker 4: deeply in pain at that. But when they were filming that, 837 00:48:53,960 --> 00:48:56,799 Speaker 4: and I suspect the longer time goes on, she's gonna 838 00:48:56,800 --> 00:48:59,759 Speaker 4: have more clarity. But I didn't like those scenes. But 839 00:48:59,880 --> 00:49:02,280 Speaker 4: I I like someone finding freedom. And you know what, frankly, 840 00:49:02,320 --> 00:49:06,120 Speaker 4: I like, I like a show where I watched someone 841 00:49:06,239 --> 00:49:11,480 Speaker 4: season after season and then suddenly they reveal themselves or 842 00:49:11,520 --> 00:49:16,080 Speaker 4: they reveal another interesting part of themselves. And very few 843 00:49:16,080 --> 00:49:19,239 Speaker 4: housewives can do that for me, you know, I'm kind 844 00:49:19,239 --> 00:49:22,440 Speaker 4: of like, I get it. I know your story, and 845 00:49:22,960 --> 00:49:26,799 Speaker 4: you know that you got to hire people for these 846 00:49:26,800 --> 00:49:30,759 Speaker 4: shows that are very complex because it's I want to 847 00:49:30,920 --> 00:49:35,120 Speaker 4: follow someone's story, and if you're really like pretty bland 848 00:49:35,160 --> 00:49:38,040 Speaker 4: and one sided, one note, I'm going to get over 849 00:49:38,080 --> 00:49:42,839 Speaker 4: you pretty quickly. I Vicky Gumbelson. But I like that 850 00:49:43,600 --> 00:49:45,600 Speaker 4: this is like a whole new chapter, you know. 851 00:49:45,920 --> 00:49:46,160 Speaker 1: Yeah. 852 00:49:46,239 --> 00:49:50,840 Speaker 2: No, Kyle's story obviously breathe new life into this season, 853 00:49:51,640 --> 00:49:55,920 Speaker 2: and I'm very intrigued with what she has going on. 854 00:49:56,040 --> 00:49:59,439 Speaker 2: I wish the other ladies on the show had enough 855 00:49:59,480 --> 00:50:02,759 Speaker 2: personal story to go along with what Kyle is. 856 00:50:02,760 --> 00:50:04,319 Speaker 1: Giving us, because I do agree with you. 857 00:50:05,239 --> 00:50:09,120 Speaker 2: I do feel like this season is lacking real personal story. 858 00:50:10,520 --> 00:50:15,040 Speaker 2: I miss seeing Erica like defend herself and getting like, 859 00:50:15,239 --> 00:50:21,280 Speaker 2: you know, the bad bitch persona that she always had. 860 00:50:21,920 --> 00:50:23,440 Speaker 1: Deree forget about it. 861 00:50:23,520 --> 00:50:26,480 Speaker 2: We're never getting anything ever again. I've already said that 862 00:50:26,520 --> 00:50:27,160 Speaker 2: three years ago. 863 00:50:27,280 --> 00:50:28,760 Speaker 1: She's still on. So that's that, Crystal. 864 00:50:29,000 --> 00:50:30,560 Speaker 4: You know what they you know, it's a story that's 865 00:50:30,600 --> 00:50:33,080 Speaker 4: kind of they glossed over. I hope they go back to. 866 00:50:33,200 --> 00:50:38,080 Speaker 4: Is like the fact that Crystal's brother was heartbroken because 867 00:50:38,800 --> 00:50:43,799 Speaker 4: of that breakup and this like this alluding to like 868 00:50:43,920 --> 00:50:46,160 Speaker 4: Crystal's hand in that. 869 00:50:46,160 --> 00:50:46,920 Speaker 3: That's interesting too. 870 00:50:46,960 --> 00:50:50,239 Speaker 4: It's also I mean cultural issues, like Chinese families, are 871 00:50:50,239 --> 00:50:53,960 Speaker 4: they like that tight that you're old, the older sister 872 00:50:54,080 --> 00:50:57,719 Speaker 4: has power over the younger brother, Like I why, I 873 00:50:57,719 --> 00:50:59,520 Speaker 4: wish they would explore that more. I thought that was 874 00:50:59,520 --> 00:51:03,000 Speaker 4: really interesting. Of course I'm a lunatic and I DM Crystal. 875 00:51:03,080 --> 00:51:05,080 Speaker 4: I was like, I need, like, what's happening with your brother? 876 00:51:05,080 --> 00:51:08,200 Speaker 4: Did he mean anybody? She said he's single. And then 877 00:51:08,280 --> 00:51:09,960 Speaker 4: I'm like, well, why can't he get back with the girl? 878 00:51:10,000 --> 00:51:12,920 Speaker 4: And she said he met somebody else? Oh, I know, 879 00:51:13,040 --> 00:51:15,719 Speaker 4: that's so sad. Then I went, why can't he be 880 00:51:15,800 --> 00:51:17,680 Speaker 4: the bachelor? And she said, but he's forty two, And 881 00:51:17,760 --> 00:51:19,680 Speaker 4: I said, but he's an Asian forty two, which is 882 00:51:19,719 --> 00:51:25,480 Speaker 4: an Irish twenty six year old. So I mean, make 883 00:51:25,520 --> 00:51:25,960 Speaker 4: that happen. 884 00:51:26,000 --> 00:51:27,680 Speaker 1: No, And by the way, I think he's so hot. 885 00:51:27,719 --> 00:51:31,520 Speaker 4: By the way, he's very cute. By the way, let's 886 00:51:31,560 --> 00:51:33,840 Speaker 4: not gloss over the fact he's like a major pop 887 00:51:33,880 --> 00:51:34,720 Speaker 4: star in China. 888 00:51:34,800 --> 00:51:38,279 Speaker 2: Yeah no, no, Like what did not know that? But 889 00:51:38,320 --> 00:51:40,719 Speaker 2: that's what I want from Beverly Hills, Like, let's give more. 890 00:51:40,960 --> 00:51:43,279 Speaker 2: We can't just focus on Kyle. I'm loving it. But 891 00:51:43,400 --> 00:51:47,239 Speaker 2: let's listen. That was one scene that I was really 892 00:51:47,320 --> 00:51:51,400 Speaker 2: captivated by. But we don't see we haven't seen it. 893 00:51:51,719 --> 00:51:53,719 Speaker 1: So yeah, they were like. 894 00:51:53,680 --> 00:51:55,640 Speaker 4: Oh, we got it, we gotta chase this story. I 895 00:51:55,640 --> 00:51:57,719 Speaker 4: also think some of the Erica stuff, I wonder if 896 00:51:57,719 --> 00:51:59,640 Speaker 4: they're couching it because they're going to use it for 897 00:51:59,680 --> 00:52:02,600 Speaker 4: that too. Episodes special where we follow her a Las Vegas. 898 00:52:02,880 --> 00:52:08,560 Speaker 1: Maybe maybe. 899 00:52:07,760 --> 00:52:10,960 Speaker 4: I think Durreet has phoned it in for a long time. 900 00:52:11,239 --> 00:52:14,919 Speaker 4: But maybe the truth is there are lots of people 901 00:52:15,000 --> 00:52:18,160 Speaker 4: in this world who are really nice, interesting people, but 902 00:52:18,200 --> 00:52:20,160 Speaker 4: they're just not great for television. 903 00:52:21,239 --> 00:52:23,040 Speaker 1: Maybe she's just like we are. 904 00:52:23,880 --> 00:52:26,520 Speaker 4: You can learn her whole story in one season, you know, 905 00:52:26,800 --> 00:52:30,520 Speaker 4: like she doesn't have the longitevity because she's not maybe 906 00:52:30,560 --> 00:52:36,320 Speaker 4: complex enough. Or I would say, if I were a producer, 907 00:52:36,360 --> 00:52:39,680 Speaker 4: which obviously I'm not, I would say, why don't we 908 00:52:39,760 --> 00:52:42,399 Speaker 4: explore more of her origin story? Like her I think 909 00:52:42,400 --> 00:52:47,200 Speaker 4: her parents are from Israel. Oh, and so it's like, Okay, 910 00:52:47,280 --> 00:52:49,200 Speaker 4: she grew up in Connecticut, Like what is that like 911 00:52:49,280 --> 00:52:54,440 Speaker 4: to be like raised by parents from another country? Like 912 00:52:54,640 --> 00:52:57,040 Speaker 4: what was that like in Connecticut? And then you know 913 00:52:57,280 --> 00:52:59,640 Speaker 4: she was traveling all over the world working in the 914 00:52:59,640 --> 00:53:02,120 Speaker 4: fashion industry. I feel like they kind of touched on that. 915 00:53:02,239 --> 00:53:04,759 Speaker 4: Maybe they her first season, but maybe there's more there 916 00:53:04,840 --> 00:53:06,960 Speaker 4: that that could be What is it like to be 917 00:53:07,800 --> 00:53:10,600 Speaker 4: a Jewish woman in America in the year twenty twenty four, 918 00:53:10,719 --> 00:53:13,600 Speaker 4: Like that would be like the story that I would 919 00:53:13,680 --> 00:53:14,520 Speaker 4: want to chase a bit. 920 00:53:15,200 --> 00:53:17,560 Speaker 2: Yeah, and what what's that like in Beverly Hills And 921 00:53:17,560 --> 00:53:19,560 Speaker 2: what does that mean for your social circle and all 922 00:53:19,600 --> 00:53:23,760 Speaker 2: that stuff. Yeah, I really listen. This season is lacking 923 00:53:23,840 --> 00:53:27,279 Speaker 2: substance for me. I enjoy the dinner party, but I 924 00:53:27,360 --> 00:53:32,920 Speaker 2: enjoyed it because it brought more information that we just 925 00:53:32,960 --> 00:53:37,320 Speaker 2: didn't know, and that, to me is what's fascinating about 926 00:53:37,320 --> 00:53:41,720 Speaker 2: these past two episodes. We'll see what happens next week, 927 00:53:42,000 --> 00:53:46,439 Speaker 2: but I really want them to focus more on that 928 00:53:47,040 --> 00:53:51,960 Speaker 2: and seeing how that dinner party hopefully produced more great 929 00:53:52,040 --> 00:53:58,160 Speaker 2: moments that we'll see afterwards. Lastly, I am interested in 930 00:53:58,560 --> 00:53:59,920 Speaker 2: is a Marie the New. 931 00:54:01,120 --> 00:54:02,760 Speaker 1: So We're psych your Psychic? 932 00:54:02,800 --> 00:54:04,759 Speaker 4: Because I was just gonna say I didn't like the 933 00:54:04,840 --> 00:54:09,000 Speaker 4: clip where Anne Marie is asking uh Sutton about the 934 00:54:09,120 --> 00:54:13,200 Speaker 4: esophagus issue because she's an anesthesiologist, I believe, and remember 935 00:54:13,239 --> 00:54:15,120 Speaker 4: she had the conversation with Kyle. Kyle was like, I 936 00:54:15,120 --> 00:54:17,880 Speaker 4: think it's weird. She says, like things get caught in 937 00:54:17,920 --> 00:54:20,920 Speaker 4: her esophagus, and then Amory's like is it a sphincter issue? 938 00:54:20,920 --> 00:54:24,160 Speaker 4: Like what? And it looks like she's like in a 939 00:54:24,200 --> 00:54:28,360 Speaker 4: group of other people kind of drilling down on Ston 940 00:54:28,480 --> 00:54:32,440 Speaker 4: like well, this esophagus story, like it doesn't make any sense. 941 00:54:33,000 --> 00:54:36,680 Speaker 4: Now if it's true, let's live in that vortex. Like 942 00:54:36,719 --> 00:54:40,120 Speaker 4: if it is true that Sutton does have some eating issues, 943 00:54:40,400 --> 00:54:42,560 Speaker 4: which we don't know if it's true, but it's been 944 00:54:42,640 --> 00:54:46,239 Speaker 4: like alluded to. I'm not going to feel good about 945 00:54:46,239 --> 00:54:49,719 Speaker 4: a scene where someone's like this story doesn't add up 946 00:54:49,920 --> 00:54:52,080 Speaker 4: or you like, do you have anorexia? 947 00:54:52,320 --> 00:54:55,960 Speaker 3: Like that would be pretty gross and yeah. 948 00:54:55,560 --> 00:54:57,839 Speaker 4: That's dark, Like I don't know if people really want 949 00:54:57,840 --> 00:54:59,960 Speaker 4: to see that. You know, people would like to see 950 00:55:00,320 --> 00:55:02,759 Speaker 4: a scene where maybe Sutton is on a hike with 951 00:55:02,840 --> 00:55:06,799 Speaker 4: somebody like a Kyle and Kyle talks about like, you know, 952 00:55:06,840 --> 00:55:09,480 Speaker 4: I grew up in an industry where I was a 953 00:55:09,520 --> 00:55:12,160 Speaker 4: six year old on a movie set and I'm being told, 954 00:55:12,360 --> 00:55:14,400 Speaker 4: you know, you got to watch what you eat and 955 00:55:14,520 --> 00:55:17,720 Speaker 4: the very realistic pressures because we can't forget that Sutton 956 00:55:17,880 --> 00:55:21,719 Speaker 4: was a ballerina, yeah, and like, well they need to 957 00:55:21,719 --> 00:55:24,400 Speaker 4: explore that too, Like what is it like to be 958 00:55:24,440 --> 00:55:28,719 Speaker 4: a ballerina? Like I'm a daughter who's a dance and 959 00:55:28,800 --> 00:55:31,560 Speaker 4: I don't know anything about I'm a sports mom really 960 00:55:31,560 --> 00:55:35,480 Speaker 4: at heart, I played college sports, and as an outsider 961 00:55:35,480 --> 00:55:37,719 Speaker 4: to this dance world, I'm like, wait, what like the 962 00:55:37,760 --> 00:55:42,080 Speaker 4: things that people say to dancers about their weight, and 963 00:55:42,120 --> 00:55:44,440 Speaker 4: then you think about how much worse it would be 964 00:55:44,560 --> 00:55:46,640 Speaker 4: if you were a she I believe was a very 965 00:55:46,680 --> 00:55:48,959 Speaker 4: good ballerina, like I think she danced in New York 966 00:55:49,640 --> 00:55:52,759 Speaker 4: and the pressure of like your body, That, to me, 967 00:55:52,840 --> 00:55:56,320 Speaker 4: is a much more effective conversation. That's a conversation starter 968 00:55:56,480 --> 00:55:59,200 Speaker 4: and could be really healing to a lot of the women. 969 00:55:59,440 --> 00:56:02,680 Speaker 4: That frame is the majority of the audience. That, to 970 00:56:02,760 --> 00:56:05,560 Speaker 4: me is a much more effective and powerful conversation than 971 00:56:06,440 --> 00:56:10,600 Speaker 4: this esophagus story is like bullshit, And you know you're 972 00:56:10,640 --> 00:56:12,640 Speaker 4: the one who pushed food around your plate, Like I 973 00:56:12,680 --> 00:56:14,840 Speaker 4: don't feel like that's what we should be doing in 974 00:56:14,880 --> 00:56:16,719 Speaker 4: the year twenty twenty three, twenty twenty four. 975 00:56:17,080 --> 00:56:18,839 Speaker 1: No, no, I cannot agree more with that. 976 00:56:19,280 --> 00:56:22,799 Speaker 2: I'm definitely intrigue with what a Marie has going on 977 00:56:22,880 --> 00:56:24,400 Speaker 2: outside of buddy. 978 00:56:24,560 --> 00:56:27,280 Speaker 4: Yeah, like who is she? Yeah? Like, what's her story? 979 00:56:27,719 --> 00:56:31,719 Speaker 5: I want to see They're they're positioning her to be 980 00:56:31,719 --> 00:56:37,440 Speaker 5: belittling to a woman about her eating issues without providing 981 00:56:37,800 --> 00:56:40,239 Speaker 5: the audience opportunity to get to know her. 982 00:56:40,480 --> 00:56:42,880 Speaker 3: Don't you think that's kind of setting her up for disaster? 983 00:56:43,680 --> 00:56:43,960 Speaker 1: Uh? 984 00:56:44,080 --> 00:56:46,239 Speaker 2: Yeah, which is why I'm lying, because the audience is 985 00:56:46,239 --> 00:56:48,439 Speaker 2: going to be that yeah. Yeah. 986 00:56:48,480 --> 00:56:52,520 Speaker 4: Like like she talked about how she was an athlete, 987 00:56:52,640 --> 00:56:54,919 Speaker 4: she's married to an athlete. I want to know her 988 00:56:54,960 --> 00:56:57,239 Speaker 4: personal story. I don't like how they kind of just 989 00:56:57,280 --> 00:56:59,839 Speaker 4: like threw her into a dinner scene either. I would 990 00:56:59,880 --> 00:57:03,040 Speaker 4: have like like something where I learned more about her 991 00:57:03,080 --> 00:57:06,160 Speaker 4: before she just shows up to a party. But I 992 00:57:06,160 --> 00:57:08,440 Speaker 4: feel like that's a lot of housewives now, Like New 993 00:57:08,480 --> 00:57:11,200 Speaker 4: York we saw that too. It's like and then they're together, 994 00:57:11,880 --> 00:57:14,600 Speaker 4: and I don't know, maybe I'm old school that way, 995 00:57:14,760 --> 00:57:16,000 Speaker 4: like I need a little. 996 00:57:15,719 --> 00:57:18,280 Speaker 3: I need a little bit of appetizer before the dinner. 997 00:57:18,600 --> 00:57:20,800 Speaker 2: No, I'm gonna say something to you because obviously I 998 00:57:21,320 --> 00:57:25,640 Speaker 2: produce shows and create them too. A new season one 999 00:57:25,640 --> 00:57:28,320 Speaker 2: of my shows were filming it long story shure, we're 1000 00:57:28,360 --> 00:57:31,480 Speaker 2: adding someone new to the cast and the first time 1001 00:57:31,520 --> 00:57:35,880 Speaker 2: she filmed with us. It was a big explosive argument 1002 00:57:35,960 --> 00:57:38,120 Speaker 2: she had with a cast member, like huge, it was 1003 00:57:38,320 --> 00:57:43,200 Speaker 2: major and the whole time, I said, this can't be 1004 00:57:44,520 --> 00:57:47,440 Speaker 2: how people meet her for the first time. Yeah, you 1005 00:57:47,480 --> 00:57:49,800 Speaker 2: can't meet her at a group event and she's arguing 1006 00:57:49,840 --> 00:57:50,960 Speaker 2: with a fellow cast member. 1007 00:57:51,000 --> 00:57:51,720 Speaker 1: That can't be it. 1008 00:57:52,200 --> 00:57:54,320 Speaker 2: I said, we have to show who she is at 1009 00:57:54,320 --> 00:57:58,200 Speaker 2: home first. You have to like rest in her world 1010 00:57:58,320 --> 00:58:00,760 Speaker 2: and know who she is and feel like, oh, I 1011 00:58:00,840 --> 00:58:03,880 Speaker 2: know you. So when you see them argue like Okay, 1012 00:58:05,200 --> 00:58:07,680 Speaker 2: now I really know you. But that can be the 1013 00:58:07,680 --> 00:58:09,680 Speaker 2: first time you meet them, because you're gonna be like 1014 00:58:10,480 --> 00:58:15,800 Speaker 2: what You're either thirsty, you're trying too hard, and it 1015 00:58:15,880 --> 00:58:17,480 Speaker 2: doesn't connect to the audience. 1016 00:58:17,480 --> 00:58:19,840 Speaker 1: So you're absolutely right about that. 1017 00:58:19,960 --> 00:58:24,040 Speaker 2: If we would have met Kyle going over Amory's house, 1018 00:58:24,320 --> 00:58:25,600 Speaker 2: I'm having a dinner party. 1019 00:58:26,080 --> 00:58:26,920 Speaker 1: I would love you to. 1020 00:58:26,880 --> 00:58:31,040 Speaker 2: Come cut to like a package of a Marie with 1021 00:58:31,080 --> 00:58:34,640 Speaker 2: her husband and the kids, seeing her world. Then when 1022 00:58:34,680 --> 00:58:38,439 Speaker 2: she gets there being nosy, You're like, yeah, that's who 1023 00:58:38,480 --> 00:58:40,320 Speaker 2: she is, and I'm now I know. 1024 00:58:40,360 --> 00:58:41,840 Speaker 1: Her at least. Yes. 1025 00:58:43,400 --> 00:58:47,600 Speaker 2: Yeah, But overall, I enjoyed these past two episodes, So 1026 00:58:47,760 --> 00:58:50,640 Speaker 2: Beverly Hills, I'll say this once, I'll say it again, 1027 00:58:50,800 --> 00:58:52,240 Speaker 2: Alex Baskin, please. 1028 00:58:52,040 --> 00:58:56,880 Speaker 1: Hire Kate Casey as a producer or a consultant. I know. 1029 00:58:57,000 --> 00:58:59,440 Speaker 1: That's why I'm saying it publicly, So Alex. 1030 00:58:59,200 --> 00:59:02,520 Speaker 4: Ai, they do a great job higher Kate. 1031 00:59:02,760 --> 00:59:04,360 Speaker 1: You know, I just I am. 1032 00:59:04,200 --> 00:59:09,120 Speaker 4: A big fan of production because I think the audience 1033 00:59:09,160 --> 00:59:11,560 Speaker 4: really rips on them when they don't like something. But 1034 00:59:11,920 --> 00:59:15,040 Speaker 4: I just this is a team of people who work. 1035 00:59:15,440 --> 00:59:18,680 Speaker 4: They're fans of the show too, and they work really 1036 00:59:18,720 --> 00:59:22,360 Speaker 4: really hard. They are embedded in people's homes and lives 1037 00:59:22,400 --> 00:59:25,280 Speaker 4: and they get to know the cast very well. And 1038 00:59:25,600 --> 00:59:28,280 Speaker 4: I think they're all doing the best they can to 1039 00:59:28,760 --> 00:59:33,280 Speaker 4: do really great storytelling. And yeah, sometimes people miss things, 1040 00:59:33,280 --> 00:59:36,120 Speaker 4: but you know, it's a really tough, tough job, and 1041 00:59:36,240 --> 00:59:38,320 Speaker 4: I just like great storytelling. 1042 00:59:38,960 --> 00:59:42,360 Speaker 2: Now listen, Belly Hills is number one for a reason 1043 00:59:43,040 --> 00:59:46,840 Speaker 2: and it's the best. But I still want them to 1044 00:59:46,880 --> 00:59:49,880 Speaker 2: hire you because I want them to I. 1045 00:59:49,800 --> 00:59:51,480 Speaker 1: Want the women to go deeper. And I think it 1046 00:59:51,520 --> 00:59:52,480 Speaker 1: takes a moment. 1047 00:59:52,440 --> 00:59:56,280 Speaker 2: Like you, who is a housewife to say no, Sister, 1048 00:59:56,440 --> 01:00:00,160 Speaker 2: I actually relate to you, and like, I know, I 1049 01:00:00,200 --> 01:00:02,000 Speaker 2: know what's going on, and I'm telling you what I 1050 01:00:02,040 --> 01:00:03,680 Speaker 2: want to see because I'm your audience. 1051 01:00:04,000 --> 01:00:05,680 Speaker 3: By the way, that's why I'm like, why am I 1052 01:00:05,720 --> 01:00:07,120 Speaker 3: not on Watch What Happens Live? 1053 01:00:07,240 --> 01:00:07,600 Speaker 1: Ask me. 1054 01:00:07,760 --> 01:00:10,040 Speaker 4: I'm a real housewife. I got five kids at home. 1055 01:00:10,240 --> 01:00:12,200 Speaker 4: I got a husband that works all the time. Like 1056 01:00:12,240 --> 01:00:14,120 Speaker 4: I'm in the thick of it, Like I can give 1057 01:00:14,160 --> 01:00:14,960 Speaker 4: you a perspective. 1058 01:00:15,280 --> 01:00:17,640 Speaker 1: Yeah, I'm telling you. That's why I've listened. 1059 01:00:17,760 --> 01:00:20,480 Speaker 4: Yeah, thank you, Thank you for thank you for. 1060 01:00:20,480 --> 01:00:25,640 Speaker 2: A producer credit at least consulting something. Okay, thank you, well, Kate, 1061 01:00:25,760 --> 01:00:26,400 Speaker 2: You're welcome. 1062 01:00:26,560 --> 01:00:29,720 Speaker 1: Thank you once again. We always have a good time together. 1063 01:00:30,280 --> 01:00:33,200 Speaker 2: Please let the rain drops know where they can find 1064 01:00:33,240 --> 01:00:35,360 Speaker 2: you following support you although they already know you. 1065 01:00:35,400 --> 01:00:35,640 Speaker 1: Boo. 1066 01:00:35,960 --> 01:00:38,360 Speaker 4: Well, the podcast is Reality of Life with Kay Casey, 1067 01:00:38,480 --> 01:00:41,840 Speaker 4: and you have to listen to Saturday's episode with Carlos because. 1068 01:00:42,080 --> 01:00:43,400 Speaker 3: You know him and you love him. 1069 01:00:43,440 --> 01:00:46,160 Speaker 4: I really think that you're going to just be so 1070 01:00:46,360 --> 01:00:48,880 Speaker 4: touched by his story. And if you don't cry about 1071 01:00:48,880 --> 01:00:51,320 Speaker 4: the story about when his father found out that he 1072 01:00:51,480 --> 01:00:54,280 Speaker 4: was out of the closet, you don't have a heartbeat. 1073 01:00:54,800 --> 01:00:58,560 Speaker 4: It's a great story. And also I think that your 1074 01:00:58,600 --> 01:01:02,400 Speaker 4: listeners will love my must watch list, which comes out 1075 01:01:02,440 --> 01:01:05,600 Speaker 4: every Monday. You sign up for it at Katecasey dot 1076 01:01:05,680 --> 01:01:08,160 Speaker 4: substack dot com. Every Monday, in your inbox, you're going 1077 01:01:08,240 --> 01:01:10,040 Speaker 4: to get a list of what to watch this week, 1078 01:01:10,480 --> 01:01:12,000 Speaker 4: and I'm going to give you things that are from 1079 01:01:12,040 --> 01:01:15,640 Speaker 4: different networks and different genres sports, Like for example, this 1080 01:01:15,720 --> 01:01:18,640 Speaker 4: week you got to watch Coach Prime on Amazon Prime 1081 01:01:19,120 --> 01:01:22,000 Speaker 4: about Dion Sanders. It's such a great show if you 1082 01:01:22,080 --> 01:01:25,439 Speaker 4: love sports. You should also watch Murder in Boston, which 1083 01:01:25,480 --> 01:01:28,880 Speaker 4: is a true crime docuseries three parts about a man 1084 01:01:29,040 --> 01:01:31,960 Speaker 4: who killed his pregnant wife in Boston and he lied 1085 01:01:32,000 --> 01:01:34,400 Speaker 4: about who did it and it caused all this this 1086 01:01:34,480 --> 01:01:38,479 Speaker 4: aftermath of racial relations. And also there's like a good 1087 01:01:38,680 --> 01:01:41,800 Speaker 4: cult doc on right now called Love His wand about 1088 01:01:41,800 --> 01:01:45,640 Speaker 4: this Banana's woman named Amy Carlson who became what she 1089 01:01:45,760 --> 01:01:51,200 Speaker 4: called Mother God and she's You're gonna die. She believed 1090 01:01:51,480 --> 01:01:55,040 Speaker 4: that she was getting messages from the intergalactic Federation of 1091 01:01:55,120 --> 01:01:58,560 Speaker 4: Light and that included Robin Williams, and that they were 1092 01:01:58,600 --> 01:02:02,400 Speaker 4: sending messages to her, and all of the members of 1093 01:02:02,400 --> 01:02:04,600 Speaker 4: the cult moved to be with her, and they would 1094 01:02:04,640 --> 01:02:08,000 Speaker 4: drink colloidal silver so her like skin turned purple. And 1095 01:02:08,120 --> 01:02:10,440 Speaker 4: so when she died because she went into organ failure, 1096 01:02:10,960 --> 01:02:13,520 Speaker 4: they wrapped her dead body in a sleeping bag in 1097 01:02:13,600 --> 01:02:17,160 Speaker 4: Christmas lights and covered her with glitter and they made 1098 01:02:17,160 --> 01:02:18,760 Speaker 4: a shrine to her. I'm not kidding you. 1099 01:02:18,800 --> 01:02:20,000 Speaker 3: This is on HBO Max. 1100 01:02:20,080 --> 01:02:21,040 Speaker 1: So this is why you need to. 1101 01:02:21,000 --> 01:02:23,120 Speaker 4: Sign up, because I'm going to tell you things that 1102 01:02:23,200 --> 01:02:25,320 Speaker 4: you need to watch, and you can get archive list, 1103 01:02:25,400 --> 01:02:26,439 Speaker 4: you can go back two months ago. 1104 01:02:27,320 --> 01:02:29,360 Speaker 1: What I didn't know about this at all. 1105 01:02:29,400 --> 01:02:33,440 Speaker 4: So I and I really do bring people together. I'm 1106 01:02:33,440 --> 01:02:35,640 Speaker 4: not kidding, Like, I'll get dms like I could not 1107 01:02:35,760 --> 01:02:38,360 Speaker 4: watch anything with my spouse or my sister like, and 1108 01:02:38,440 --> 01:02:39,320 Speaker 4: I'll give you stuff to watch. 1109 01:02:39,360 --> 01:02:40,000 Speaker 1: So do that. 1110 01:02:40,120 --> 01:02:44,760 Speaker 4: Facebook group Reality Life the kksey, Patreon for bonus episodes, 1111 01:02:45,440 --> 01:02:50,160 Speaker 4: and then Instagram, Kkcca, TikTok, It's KKC and Twitter at KKC. 1112 01:02:54,560 --> 01:02:56,800 Speaker 1: Thank you for listening to Reality with the King. 1113 01:02:57,240 --> 01:03:03,800 Speaker 2: New episodes dropped every Tuesday, Share, comment, follow and subscribe 1114 01:03:04,200 --> 01:03:07,280 Speaker 2: to Reality with the King Wherever you get your podcast, 1115 01:03:07,920 --> 01:03:11,360 Speaker 2: visit Reality withthe King dot com and be sure to 1116 01:03:11,440 --> 01:03:16,120 Speaker 2: follow me at the Carlos King Underscore on Instagram, Twitter, 1117 01:03:16,360 --> 01:03:19,800 Speaker 2: TikTok and yes baby, my YouTube channel where you can 1118 01:03:19,840 --> 01:03:23,880 Speaker 2: get all of my visuals baby, my expressions. Yes, and 1119 01:03:24,000 --> 01:03:27,400 Speaker 2: don't forget tweet me your thoughts and hot takes about 1120 01:03:27,400 --> 01:03:33,240 Speaker 2: this episode using the hashtag Reality with the King. Reality 1121 01:03:33,280 --> 01:03:36,720 Speaker 2: with the King is a production of Kingdom Reign Entertainment. 1122 01:03:37,520 --> 01:03:41,880 Speaker 2: It is produced by Sierra Spragley Rix An executive produced 1123 01:03:42,000 --> 01:03:43,560 Speaker 2: by Me Carlos King 1124 01:03:53,040 --> 01:03:55,200 Speaker 1: Kingdom Reign Entertainment, Baby