WEBVTT - Radio Rebel

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<v Speaker 1>I have a question okay that I've been thinking about,

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<v Speaker 1>and I thought about it when I started watching the

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<v Speaker 1>film that we're going to be recapping today.

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<v Speaker 2>Okay, because I know you have a.

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<v Speaker 1>Musical background, and so excluding Cheetah Girls, forget Cheetah Girls,

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<v Speaker 1>have you ever been in a band?

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<v Speaker 3>You mean, like a rock band?

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<v Speaker 2>Yeah? Like a band?

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<v Speaker 1>Like did you and your friends get together and try

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<v Speaker 1>to form a group or form a band or a

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<v Speaker 1>garage band or did you ever do any of that

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<v Speaker 1>kind of stuff?

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<v Speaker 3>I did, Actually, it was so quick. It was really

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<v Speaker 3>early on. I want to say it was in the beginning.

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<v Speaker 3>I was a freshman or sophomore in high school. I

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<v Speaker 3>was a part of sort of. It was a manager

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<v Speaker 3>that knew a bunch of dancers that also sang a

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<v Speaker 3>bit okay, and tried to form it. But that was

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<v Speaker 3>really quick and nothing happened. Absolutely nothing happened from it.

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<v Speaker 2>So no, growing up, did you, like, did you dream

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<v Speaker 2>of being in one? Where? Did you come up with

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<v Speaker 2>a name for your own band? Ever a name?

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<v Speaker 1>No? Yeah, you never got to the naming stage. See,

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<v Speaker 1>I never learned the music. I just instantly jumped to

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<v Speaker 1>naming the band I would be in. I never learned

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<v Speaker 1>how to sing or play instrument, but naming the band I.

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<v Speaker 4>Was good at.

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<v Speaker 3>Okay, do you have a couple of them? Are you

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<v Speaker 3>gonna share it?

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<v Speaker 4>Oh?

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<v Speaker 2>Yeah, well no, the one my friend and I.

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<v Speaker 1>So I was going to sing and I don't sing,

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<v Speaker 1>And then I was also gonna play bass, and I

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<v Speaker 1>also don't play bass, nor did I own one at

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<v Speaker 1>the time, so it was just all right, you're gonna

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<v Speaker 1>play bass. But we got as far as coming up

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<v Speaker 1>with the name Rude Awakening.

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<v Speaker 3>Ooh, that's a good one. Yeah, I do love that. See,

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<v Speaker 3>we never could agree on anything when I played rock

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<v Speaker 3>band for a while. I mean, this was a an obsession.

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<v Speaker 3>That's the way I'm looking for every night occurrence pretty

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<v Speaker 3>much at my place in LA. I have to say,

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<v Speaker 3>I gotta throw out a name. And I know it

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<v Speaker 3>sounds so dumb to do this, but Robert Kardashian was

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<v Speaker 3>in my band.

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<v Speaker 2>That's I think you said that before he.

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<v Speaker 3>Was in my band.

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<v Speaker 2>It's a great band.

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<v Speaker 3>I just have some friends that we would go over,

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<v Speaker 3>you know, after going out to dinner or whatever while

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<v Speaker 3>I was living in LA that would come over and

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<v Speaker 3>I had the whole setup. I had the drums, the bass,

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<v Speaker 3>the main guitar, the mic, the I think at some

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<v Speaker 3>point there was a piano playing situation, or I might

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<v Speaker 3>be making that up in my head.

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<v Speaker 4>I don't know.

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<v Speaker 3>It was a while ago, but it was so fun

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<v Speaker 3>and I cannot pass by in an arcade. If that,

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<v Speaker 3>like guitar hero or rock band is ever there, I can't.

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<v Speaker 2>You're in.

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<v Speaker 3>But it's so frustrating now because I used to be

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<v Speaker 3>on the hard level and I can barely get through

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<v Speaker 3>the easy level now. I mean even on the easiest

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<v Speaker 3>of easy songs, I'm terrible at it. It took a

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<v Speaker 3>lot of work to get good at that game.

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<v Speaker 1>Well, I'd like to just propose that if you do

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<v Speaker 1>put the band back together, you call it the cheap Dashians. Thanks,

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<v Speaker 1>Welcome to Magical Rewind, the show that makes you want

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<v Speaker 1>I grab your friends, your PJS, and your popcorn and

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<v Speaker 1>go back to a time when all the houses were smart,

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<v Speaker 1>the waves, tsunamis and the high School's musical.

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<v Speaker 2>I'm WILFORDE and.

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<v Speaker 3>I'm Sabrina Bryan.

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<v Speaker 1>Oh, strike up the satellites, folks and check your frequencies,

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<v Speaker 1>because we're taking it to the airwaves with twenty twelve's

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<v Speaker 1>Disney Channel movie Radio Rebel, Yes, and possibly the only

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<v Speaker 1>one we can recap that includes the word podcast. And

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<v Speaker 1>that's very true, right because everything else is too early.

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<v Speaker 1>Based on the debut novel Shrinking Violet by author Daniel Joseph,

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<v Speaker 1>is first aired February seventeenth, twenty twelve, to four point

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<v Speaker 1>three million viewers, which is an impressive number, especially over

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<v Speaker 1>ten years ago. Now, some of the differences between the

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<v Speaker 1>book and the movie we will recap, like the book

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<v Speaker 1>takes place in Miami and her DJ name was Sweet Tea.

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<v Speaker 1>But as is the case with every Disney film, it's

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<v Speaker 1>either got sports or music, and this one, of course,

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<v Speaker 1>is all about music and radio personalities and all that stuff. So,

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<v Speaker 1>as you can probably guess, Disney Records put out the

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<v Speaker 1>pop punk Influence soundtrack with three Debbie Ryan who was

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<v Speaker 1>the star, three DeBie Ryan songs, including a cover of

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<v Speaker 1>We Got the Beat which was great, and another contributor

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<v Speaker 1>named Fat Sue.

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<v Speaker 2>It was shot in Vancouver, Canada, beautiful place.

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<v Speaker 1>And it's also worth noting this is different than any

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<v Speaker 1>of the other movies we've covered so far in that

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<v Speaker 1>it's produced by a third party company. So this was

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<v Speaker 1>not done in house. This was not a Disney Channel

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<v Speaker 1>like made at Disney for Disney. This was made by

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<v Speaker 1>a company called mar Vista and two for the Money Media,

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<v Speaker 1>and then they sold it to Disney to air in

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<v Speaker 1>the United States. So very different than the normal kind

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<v Speaker 1>of Disney machine pumping something out. This movie was made

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<v Speaker 1>and then sold to Disney for Disney Channel. Also, it's

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<v Speaker 1>not on Disney Plus, which it was on Disney Plus

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<v Speaker 1>when we were originally starting to outline what we were

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<v Speaker 1>going to do and look in and put our list together.

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<v Speaker 1>It was on Disney Plus then, and then because of

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<v Speaker 1>all this production stuff, with it being a third party,

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<v Speaker 1>it probably had a finite life on the Disney Channel.

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<v Speaker 1>And it is now currently on Peacock and it's on

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<v Speaker 1>Amazon Prime for free. So you can either watch it

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<v Speaker 1>there now or take a look look after you listen

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<v Speaker 1>to us.

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<v Speaker 2>That's up to you.

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<v Speaker 1>So first normal question we always asked, had you heard

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<v Speaker 1>of Radio Rebel before we did this?

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<v Speaker 3>I had not. I had no idea about it. I did.

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<v Speaker 3>I obviously assumed we were going to be doing something

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<v Speaker 3>with the radio station, which I'm so excited. It's always

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<v Speaker 3>been a dream to do radio station be a DJ,

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<v Speaker 3>that would be so incredible, But no, I was excited

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<v Speaker 3>to find out what it was about. Obviously, DeBie Ryan,

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<v Speaker 3>she's a queen on Disney Channel.

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<v Speaker 2>Yeah, yeah, huge on Disney Channel.

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<v Speaker 3>Oh and she's she's actually very comedic, her timing on

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<v Speaker 3>her the shows where she's very funny, she's awesome. So

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<v Speaker 3>I was excited, but just had never heard of this one.

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<v Speaker 2>Yeah, I had neither.

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<v Speaker 1>I went in completely cold, and then instantly I realized

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<v Speaker 1>it was a modern day take on Pump Up the Volume.

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<v Speaker 2>Are you familiar with Pump Up the Volume?

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<v Speaker 1>No, pump up the volume, Pump up the Christian Slater

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<v Speaker 1>underground pirate DJ. High school kid. I think it was

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<v Speaker 1>hig school, high school, early college. Pretty sure it was

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<v Speaker 1>high school. And it's this same kind of premise, and

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<v Speaker 1>you know it's Christian Slaters. He's got the kind of

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<v Speaker 1>come on everybody, you know, he's got that kind of

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<v Speaker 1>Jack Nicholson vibe about it. And he's the cool guy

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<v Speaker 1>who's who's is overlooked in school.

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<v Speaker 2>It's it's this that's awesome.

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<v Speaker 1>Well, I would argue a better version of this, but

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<v Speaker 1>then again, it's a Christian Slater movie. He was the

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<v Speaker 1>biggest one of the biggest stars of the eighties and

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<v Speaker 1>had a ton of money, so it was it was

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<v Speaker 1>really really good. But before we make our debut on

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<v Speaker 1>Seattle's number one destination for rockx slam FM, uh.

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<v Speaker 2>Let's get into the synopsis.

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<v Speaker 1>So when high school shy and I'm underlining shy, really

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<v Speaker 1>really shy girl Ryan goes undercover with a pirate radio

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<v Speaker 1>persona that allows her to express her true feelings, things

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<v Speaker 1>get out of hand, putting her prom and true identity

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<v Speaker 1>at risk.

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<v Speaker 2>Did you like it?

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<v Speaker 3>I did? I actually did.

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<v Speaker 2>Okay.

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<v Speaker 3>Debbie's just so adorable. It's hard to believe that she

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<v Speaker 3>is so shy and and you know, being put into

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<v Speaker 3>this position of not a cool girl because I just

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<v Speaker 3>find everything about her so cute and adorable and she's

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<v Speaker 3>the coolest person in the world exactly, and so you know,

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<v Speaker 3>that was a little bit unbelievable. But yeah, I thought

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<v Speaker 3>it was. I thought it was really a cute movie.

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<v Speaker 3>Cute Okay, Okay, I thought it was. Okay, it wasn't

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<v Speaker 3>my favorite, It wasn't awful. The acting, obviously was very good.

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<v Speaker 1>The acting we've seen is getting kind of better in

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<v Speaker 1>a lot of the movies that were going on. Usually

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<v Speaker 1>I don't have a problem with the acting. The acting

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<v Speaker 1>was fine. I thought some of the characters were way

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<v Speaker 1>over the top. I mean, like way way way over

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<v Speaker 1>the top. But how mean can a bully get? I mean,

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<v Speaker 1>is are there really girls in school that are that

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<v Speaker 1>horribly mean as her bully was in this movie?

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<v Speaker 2>I think a little much.

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<v Speaker 3>Yes, I mean her outright, like basically calling people peasants

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<v Speaker 3>and not the not absolutely not. But I think some

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<v Speaker 3>of the things that she did trapping her in a closet,

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<v Speaker 3>I don't know if that would happen, but to get

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<v Speaker 3>back at her through a boy, that's so typical. There's

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<v Speaker 3>some stuff, but the extreme things of the things she

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<v Speaker 3>was willing to say outright, she's not whispering them to

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<v Speaker 3>her friends, she's literally saying it to anyone that's in

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<v Speaker 3>the room. Are just that that was crazy to me.

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<v Speaker 1>I thought they were a lot of the anciliary characters

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<v Speaker 1>went very cartoony.

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<v Speaker 3>Yeah, the principle was the one for me that just

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<v Speaker 3>I could not stand. I just had such a hard

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<v Speaker 3>time with her. Yeah, what they gave her to do too,

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<v Speaker 3>it was tough.

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<v Speaker 2>Yeah, no, I agree, And again I didn't dislike it.

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<v Speaker 2>It just wasn't. It didn't tonally, it didn't seem to

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<v Speaker 2>know what it was to me.

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<v Speaker 1>It wasn't really a comedy with wacky characters, and it

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<v Speaker 1>wasn't really like a it was. You could tell the

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<v Speaker 1>time this was released seemed to be kind of around

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<v Speaker 1>the mean girls.

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<v Speaker 2>Yes, clueless, kind.

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<v Speaker 1>Of like I know, Clueless was way before that, but

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<v Speaker 1>it tried to catch that vibe, and I don't think

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<v Speaker 1>it necessarily did. But anyway, the movie stars a Disney

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<v Speaker 1>staple and absolutely, as Sabrina said at the beginning, Disney Legend,

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<v Speaker 1>Debbie Ryan. She plays the painfully shy Tara Adams aka

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<v Speaker 1>Radio Rebel. This was her third d com with Sixteen

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<v Speaker 1>Wishes and The Sweet Life Movie in twenty ten and

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<v Speaker 1>twenty eleven, respectively. She also guest starred on shows like

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<v Speaker 1>Hannah Montana, Wizards of Waverley Place, and Austin and Ally,

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<v Speaker 1>and starred in Jesse with Peyton List and Cameron Boyce

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<v Speaker 1>for four seasons on the Disney Channel. So again, Absolute

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<v Speaker 1>Disney Royalty. And then there's Adam DeMarco. He's Gavin. He's

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<v Speaker 1>a member of the G's Not Quite Rude Awakening, who

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<v Speaker 1>is Smack dab in the middle of a prom or morp,

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<v Speaker 1>we'll get into that love triangle as the radio rebel

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<v Speaker 1>love interest. He's also known most recently as Randall on

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<v Speaker 1>The Order and I'll Be on season two of the

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<v Speaker 1>hit show White Lotus, so has gone on to a

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<v Speaker 1>pretty great career. Merritt Patterson plays Stacey, the school's queen

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<v Speaker 1>bee and mean girl who's obsessed with being the prom queen.

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<v Speaker 1>And then we have Serena Palmer as Audrey. That's Tara's

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<v Speaker 1>best friend who helps hide her secret idea wh who I

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<v Speaker 1>thought was very funny.

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<v Speaker 2>And then Martin Cummins is Rob lynch Adams.

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<v Speaker 1>He's TERA's stepfather who runs Slam FM, and he was

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<v Speaker 1>Mayor Kelly in almost eighty episodes of Riverdale.

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<v Speaker 2>And I liked what they did with his character.

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<v Speaker 3>I did too. I liked their relationship.

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<v Speaker 1>Yes, that that to me was actually one of the

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<v Speaker 1>nicer relationships of the film, is watching that kind of

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<v Speaker 1>them learn each other and grow and then she's able

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<v Speaker 1>to open up to him.

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<v Speaker 2>It was I liked that. I liked how they went.

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<v Speaker 3>It's one of our first step relationships. Yeah, they've done

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<v Speaker 3>the dad one a bunch of times. We've always had

0:10:31.200 --> 0:10:33.439
<v Speaker 3>a lot to say about this, so I wasn't expecting

0:10:33.480 --> 0:10:35.000
<v Speaker 3>it to be great, and then it turned out to

0:10:35.040 --> 0:10:38.800
<v Speaker 3>be a really nice transition, different kind of relationship for

0:10:38.880 --> 0:10:39.959
<v Speaker 3>us to see. I enjoyed that.

0:10:40.080 --> 0:10:42.240
<v Speaker 1>I agree the easy writing thing would have made it

0:10:42.320 --> 0:10:44.800
<v Speaker 1>where he doesn't care about her. She's successful, so we

0:10:44.880 --> 0:10:46.679
<v Speaker 1>want to keep it going. It's all about slam FM

0:10:46.760 --> 0:10:48.520
<v Speaker 1>and he was like, you're my stepdaughter.

0:10:48.520 --> 0:10:51.680
<v Speaker 2>First. I liked that question. Yes, there's a lot.

0:10:51.559 --> 0:10:53.280
<v Speaker 1>Of other people in this one, with a large majority

0:10:53.320 --> 0:10:55.400
<v Speaker 1>being local Canadian actors, which you will see a lot

0:10:55.440 --> 0:10:58.599
<v Speaker 1>of because of lower budgets and rules productions have to

0:10:58.640 --> 0:11:01.040
<v Speaker 1>follow and shooting U in Canada, you have to do

0:11:01.080 --> 0:11:03.880
<v Speaker 1>a certain percentage of your cast has to be Canadian

0:11:03.920 --> 0:11:05.360
<v Speaker 1>actors and that's absolutely the way it should be.

0:11:05.360 --> 0:11:07.680
<v Speaker 3>Well, it's also cheaper not having them come fly.

0:11:07.840 --> 0:11:11.040
<v Speaker 1>Stay sure, but it's also like, if you're going to

0:11:11.080 --> 0:11:12.720
<v Speaker 1>come shoot a movie in our country, you've got to

0:11:12.800 --> 0:11:13.960
<v Speaker 1>use a group of actors.

0:11:14.200 --> 0:11:15.360
<v Speaker 2>I think that's I think that's fair.

0:11:15.440 --> 0:11:15.880
<v Speaker 3>I do too.

0:11:16.760 --> 0:11:20.200
<v Speaker 1>Yeah, this movie runs just eighty five minutes, five below

0:11:20.240 --> 0:11:22.760
<v Speaker 1>the target, a number we continue to flirt with, unlike

0:11:22.800 --> 0:11:23.840
<v Speaker 1>something like say.

0:11:25.240 --> 0:11:26.880
<v Speaker 2>Fuzzbucket which was nine minutes long.

0:11:28.280 --> 0:11:30.640
<v Speaker 1>It was directed by Peter Howitt, who directed the nineteen

0:11:30.679 --> 0:11:34.440
<v Speaker 1>eighty eight Gwyneth Paltrow hit Sliding Doors, also the Julian

0:11:34.520 --> 0:11:37.440
<v Speaker 1>Moore Pierce Brosnan rom com Laws of Attraction, and the

0:11:37.480 --> 0:11:40.720
<v Speaker 1>Mister Bean movie Johnny English. If you look at this

0:11:40.840 --> 0:11:43.920
<v Speaker 1>man's IMDb, it is so strange where it's like you

0:11:43.960 --> 0:11:47.720
<v Speaker 1>go from Sliding Doors and movies with Pierce Brosen into

0:11:47.800 --> 0:11:49.400
<v Speaker 1>kind of d cooms and stuff. It is.

0:11:49.600 --> 0:11:51.760
<v Speaker 2>It's a wild ride in this man's career.

0:11:52.360 --> 0:11:57.400
<v Speaker 1>It really is. Outside of the original novels writer. The

0:11:57.440 --> 0:12:00.280
<v Speaker 1>script was written by Eric Patterson and Jessica Scott, who

0:12:00.320 --> 0:12:04.000
<v Speaker 1>wrote Another Cinderella Story and a Cinderella story Once Upon

0:12:04.040 --> 0:12:07.760
<v Speaker 1>a Song. So first, I think the way we have

0:12:07.800 --> 0:12:11.040
<v Speaker 1>to get into this for some of our younger listeners, okay,

0:12:13.240 --> 0:12:16.960
<v Speaker 1>who are joining our show, let's first discuss what radio is.

0:12:18.440 --> 0:12:19.520
<v Speaker 2>So radio kids.

0:12:20.280 --> 0:12:22.640
<v Speaker 1>No, I'm kidding, but I think that in twenty twelve

0:12:23.080 --> 0:12:26.640
<v Speaker 1>this might have been the last kind of year could

0:12:26.640 --> 0:12:29.439
<v Speaker 1>have pulled off a movie about radio.

0:12:31.040 --> 0:12:33.880
<v Speaker 2>Did the girls on your dance team? Does anybody listen

0:12:33.920 --> 0:12:35.760
<v Speaker 2>to the radio? Do they have favorite DJs? Is this

0:12:35.800 --> 0:12:36.520
<v Speaker 2>a thing anymore?

0:12:36.640 --> 0:12:36.760
<v Speaker 1>No?

0:12:36.960 --> 0:12:43.400
<v Speaker 3>I think everything is basically on Pandora or where you know, Spotify, Apple,

0:12:43.840 --> 0:12:48.760
<v Speaker 3>iHeart I Heart is probably I would say the biggest.

0:12:48.520 --> 0:12:50.080
<v Speaker 2>The one that's still going the most, that.

0:12:50.160 --> 0:12:53.240
<v Speaker 3>Feels most like a radio station type thing.

0:12:53.240 --> 0:12:56.040
<v Speaker 1>You got Ryan Seacrest thing people like that are still

0:12:56.040 --> 0:12:57.040
<v Speaker 1>doing and Mario Lopez and.

0:12:57.040 --> 0:12:59.560
<v Speaker 3>Stuff, but it's still streaming. You still do not have

0:12:59.640 --> 0:13:03.040
<v Speaker 3>to turn on a radio. You know specifically you can,

0:13:03.400 --> 0:13:05.400
<v Speaker 3>but you don't have to. You can stream it on

0:13:05.440 --> 0:13:09.000
<v Speaker 3>your phone, you know, anywhere you are, your computer, anywhere,

0:13:09.240 --> 0:13:13.360
<v Speaker 3>which is so different than having to be at either

0:13:13.440 --> 0:13:17.280
<v Speaker 3>your car or in your your house to like tune

0:13:17.320 --> 0:13:18.360
<v Speaker 3>into a radio station.

0:13:19.760 --> 0:13:21.640
<v Speaker 1>It's my wife and I were on a walk this morning.

0:13:21.720 --> 0:13:23.520
<v Speaker 1>It took two of us to answer a text on

0:13:23.559 --> 0:13:28.120
<v Speaker 1>her watch. Oh that's all I have to say about that. Yeah,

0:13:28.160 --> 0:13:31.360
<v Speaker 1>so that's what You're absolutely right. It was all streaming

0:13:31.360 --> 0:13:34.160
<v Speaker 1>and everything. So so then yes, this is probably the

0:13:34.240 --> 0:13:36.920
<v Speaker 1>last year that they can pull off a movie about

0:13:36.960 --> 0:13:39.160
<v Speaker 1>an actual DJ or what would be DJ If they

0:13:39.160 --> 0:13:40.559
<v Speaker 1>were going to make the monitor equivalent of this, it

0:13:40.559 --> 0:13:42.559
<v Speaker 1>would be something like a podcast, right, or you know,

0:13:42.600 --> 0:13:44.360
<v Speaker 1>a podcast that all the kids are listening to, or

0:13:44.400 --> 0:13:46.800
<v Speaker 1>something they can stream. But then a lot of the

0:13:48.040 --> 0:13:50.320
<v Speaker 1>instant we oh, it has to go live, you need

0:13:50.360 --> 0:13:51.920
<v Speaker 1>to be here at such and such a time, that

0:13:52.040 --> 0:13:54.880
<v Speaker 1>kind of goes away. Yes, a lot of the problems

0:13:54.920 --> 0:13:57.280
<v Speaker 1>and difficulties that she finds during this film wouldn't exist

0:13:57.320 --> 0:13:59.360
<v Speaker 1>because she could prerecord a bunch of stuff and do

0:13:59.480 --> 0:14:01.840
<v Speaker 1>ten podcast episodes and walk away, which you can't do anymore.

0:14:02.080 --> 0:14:06.280
<v Speaker 1>It's what we, my friends and I call the public

0:14:06.320 --> 0:14:09.319
<v Speaker 1>phone problem, where in the eighties there are so many

0:14:09.400 --> 0:14:12.320
<v Speaker 1>eighties movies just about we can't find a telephone that works.

0:14:12.360 --> 0:14:15.440
<v Speaker 3>Yes, and you said you that those movies now would

0:14:15.480 --> 0:14:17.000
<v Speaker 3>be five minutes long at the most.

0:14:17.080 --> 0:14:18.880
<v Speaker 2>They would you pick up your cell phone and you

0:14:19.000 --> 0:14:20.480
<v Speaker 2>call somebody and you're done.

0:14:20.600 --> 0:14:23.120
<v Speaker 3>Or back when I was younger, it was the pager.

0:14:23.600 --> 0:14:26.120
<v Speaker 3>You could you had a pager so your parents could

0:14:26.240 --> 0:14:28.080
<v Speaker 3>could get a hold of you. They'd send a certain

0:14:28.160 --> 0:14:31.920
<v Speaker 3>message to call back them when they needed you, and

0:14:32.760 --> 0:14:34.440
<v Speaker 3>you had to find a phone so you were at

0:14:34.480 --> 0:14:35.640
<v Speaker 3>your friend's house or whatever.

0:14:35.840 --> 0:14:37.800
<v Speaker 2>Yeah, you know, nobody does that anymore, no one.

0:14:38.640 --> 0:14:41.440
<v Speaker 1>There is a whole thing about how kids no longer

0:14:41.520 --> 0:14:43.880
<v Speaker 1>have to speak to their friend's parents anymore. Because you

0:14:43.960 --> 0:14:46.560
<v Speaker 1>used to call the house and say hello, mister Johnson

0:14:47.080 --> 0:14:49.480
<v Speaker 1>is john there? Can I please talk to him? Although

0:14:49.520 --> 0:14:52.440
<v Speaker 1>that'd be terrible for his name is actually Johnson, but

0:14:53.320 --> 0:14:54.600
<v Speaker 1>it is they don't have to do that anymore. You

0:14:54.680 --> 0:14:55.880
<v Speaker 1>just call your friend, you hit your friend up, and

0:14:55.920 --> 0:15:05.400
<v Speaker 1>that's right. So they've they've skipped a step. Yeah, did

0:15:05.480 --> 0:15:07.360
<v Speaker 1>you have trouble buying it? So the premise you have

0:15:07.400 --> 0:15:09.200
<v Speaker 1>to buy into right away with this movie, and they

0:15:09.280 --> 0:15:11.640
<v Speaker 1>really pushed it far and I get it is that

0:15:11.960 --> 0:15:18.720
<v Speaker 1>Tara is so shot that she can't speak to most people.

0:15:18.840 --> 0:15:22.720
<v Speaker 1>And that's not hyperbole. She literally can't speak. She can

0:15:22.760 --> 0:15:25.720
<v Speaker 1>talk to her best friend, right, and the two twins

0:15:25.920 --> 0:15:28.800
<v Speaker 1>that are there, but she can't talk to any of

0:15:28.800 --> 0:15:32.120
<v Speaker 1>the other kids in school, her stepdad. She literally can't

0:15:32.200 --> 0:15:32.720
<v Speaker 1>form words.

0:15:33.480 --> 0:15:34.240
<v Speaker 2>Were you okay with that?

0:15:34.480 --> 0:15:37.880
<v Speaker 3>I watched Big Bang Theory, and there's a character in

0:15:38.000 --> 0:15:41.480
<v Speaker 3>Big Bang that can't. I think it would need so

0:15:41.680 --> 0:15:47.520
<v Speaker 3>much more of a pre story type thing to actually

0:15:47.640 --> 0:15:50.680
<v Speaker 3>believe it, or to see it happen over and over again.

0:15:50.720 --> 0:15:53.800
<v Speaker 3>And I think it doesn't happen enough, you know, I

0:15:54.480 --> 0:15:56.400
<v Speaker 3>think it like it needs to be a lot more.

0:15:56.440 --> 0:15:58.000
<v Speaker 3>It needs to be where you can really realize. I

0:15:58.040 --> 0:16:00.520
<v Speaker 3>didn't understand that until a second time I watched it.

0:16:00.720 --> 0:16:02.480
<v Speaker 3>I just thought she was shy, and I thought she

0:16:02.560 --> 0:16:06.120
<v Speaker 3>was shy around boys. Okay, that's normal. But the idea

0:16:06.200 --> 0:16:10.840
<v Speaker 3>that this character cannot speak who she basically freezes completely

0:16:11.520 --> 0:16:12.200
<v Speaker 3>shuts down.

0:16:12.400 --> 0:16:14.280
<v Speaker 1>Yeah, I mean, it's a real thing, but it's I

0:16:14.320 --> 0:16:15.880
<v Speaker 1>would I agree with you. I would like to have

0:16:15.960 --> 0:16:18.920
<v Speaker 1>seen that set up a little because like thirty to

0:16:19.040 --> 0:16:23.200
<v Speaker 1>forty percent of this film is convincing people that she's

0:16:23.320 --> 0:16:26.920
<v Speaker 1>so shy, right, that she couldn't be Radio rebel because

0:16:26.920 --> 0:16:27.720
<v Speaker 1>she literally can't.

0:16:28.040 --> 0:16:30.920
<v Speaker 3>And you don't get that again, She's just I mean,

0:16:31.000 --> 0:16:35.000
<v Speaker 3>it's just hard to believe with just that just was tough.

0:16:35.080 --> 0:16:38.880
<v Speaker 3>That was really hard to put in to my brain that, oh,

0:16:39.080 --> 0:16:43.160
<v Speaker 3>she's not speaking at all. Yeah, she must she might

0:16:43.200 --> 0:16:44.920
<v Speaker 3>have only she might need to get rid of the

0:16:44.960 --> 0:16:48.120
<v Speaker 3>twin friends. It really just be one friend, right.

0:16:48.320 --> 0:16:50.800
<v Speaker 1>Yeah, the twin friend with those were that was another

0:16:50.960 --> 0:16:54.760
<v Speaker 1>very cartoony pair of it was I'm a cartoony.

0:16:54.920 --> 0:16:56.720
<v Speaker 2>A lot of the extra characters.

0:16:56.800 --> 0:16:59.360
<v Speaker 3>They showed up in the elevator with the outfit, the

0:16:59.400 --> 0:17:00.440
<v Speaker 3>red alphant I died.

0:17:02.080 --> 0:17:04.560
<v Speaker 1>Oh, they were very funny. I love the dewey Can

0:17:04.640 --> 0:17:07.679
<v Speaker 1>you tell us apart? It's like you are fraternal Twitter, you're.

0:17:07.640 --> 0:17:12.000
<v Speaker 5>Not even near again identical, but one extras agree with

0:17:12.040 --> 0:17:12.680
<v Speaker 5>you one hundred percent.

0:17:12.760 --> 0:17:14.520
<v Speaker 1>One extra scene of her mom may be saying like,

0:17:14.520 --> 0:17:16.639
<v Speaker 1>why don't you try to talk to somebody today, or

0:17:17.040 --> 0:17:19.280
<v Speaker 1>sitting with a counselor saying I want you to say

0:17:19.359 --> 0:17:20.760
<v Speaker 1>one thing to one person today.

0:17:20.800 --> 0:17:22.080
<v Speaker 2>That's your whole goal today.

0:17:22.600 --> 0:17:26.760
<v Speaker 1>Because then it that contrast between her when she then

0:17:26.840 --> 0:17:32.000
<v Speaker 1>becomes Radio Rebel, where she puts she instantly snaps into Okay,

0:17:32.080 --> 0:17:33.520
<v Speaker 1>this is my happy place, and when I'm in front

0:17:33.520 --> 0:17:35.760
<v Speaker 1>of the microphone, I'm in my bedroom. This is my

0:17:35.840 --> 0:17:37.600
<v Speaker 1>happy place. I can say all the things I couldn't

0:17:37.600 --> 0:17:39.280
<v Speaker 1>say today. I would just love to have seen a

0:17:39.440 --> 0:17:43.359
<v Speaker 1>little more of that than just I can't talk to

0:17:43.480 --> 0:17:43.840
<v Speaker 1>this guy.

0:17:44.000 --> 0:17:46.440
<v Speaker 2>To Gavin, you know it did it didn't really.

0:17:46.520 --> 0:17:48.840
<v Speaker 3>I don't think it read as well as it There

0:17:48.920 --> 0:17:50.760
<v Speaker 3>might have been another way to do it, to make

0:17:50.800 --> 0:17:53.840
<v Speaker 3>it read and be understood just a little bit more.

0:17:54.680 --> 0:17:55.159
<v Speaker 2>I agree.

0:17:55.520 --> 0:17:58.000
<v Speaker 1>And so of course the show she's doing, which she

0:17:58.119 --> 0:18:01.800
<v Speaker 1>does live from her bedroom, takes off in popularity. Everybody

0:18:02.000 --> 0:18:04.280
<v Speaker 1>is starting to love this show. They're trying to figure

0:18:04.280 --> 0:18:08.280
<v Speaker 1>out who Radio Rebel is, and she's obviously staying as

0:18:08.320 --> 0:18:11.439
<v Speaker 1>anonymous as she can, and it's easy to overlook her.

0:18:11.560 --> 0:18:14.160
<v Speaker 1>That's they've set that up, because this person who talks

0:18:14.200 --> 0:18:17.720
<v Speaker 1>so eloquently on the radio every week, who it seems

0:18:17.760 --> 0:18:19.879
<v Speaker 1>to get us, knows exactly what we're going through, speaking

0:18:19.960 --> 0:18:22.280
<v Speaker 1>right to us, can't possibly be the girl who can't

0:18:22.359 --> 0:18:26.760
<v Speaker 1>form words in front of anybody. It turns out, of course,

0:18:26.920 --> 0:18:30.359
<v Speaker 1>that her stepdad, which is we talked about a little

0:18:30.359 --> 0:18:33.240
<v Speaker 1>bit before there runs or is a like a managing

0:18:33.320 --> 0:18:37.720
<v Speaker 1>director at the biggest radio station in Seattle, SLAMM huge,

0:18:38.200 --> 0:18:41.840
<v Speaker 1>and so again, I found it interesting that she let

0:18:42.000 --> 0:18:46.160
<v Speaker 1>the persona drop, so she instantly the first real scene

0:18:46.240 --> 0:18:49.280
<v Speaker 1>that we have with the stepfather and her, she gives

0:18:49.359 --> 0:18:50.760
<v Speaker 1>up that she's radio rebels cut out.

0:18:50.800 --> 0:18:51.520
<v Speaker 2>It's so fast.

0:18:51.600 --> 0:18:54.680
<v Speaker 3>I was not ready for that. I thought this was

0:18:54.800 --> 0:18:58.560
<v Speaker 3>going to go on for a while. We're five minutes

0:18:58.640 --> 0:19:02.440
<v Speaker 3>into the movie. She has to, you know, he comes

0:19:02.520 --> 0:19:05.840
<v Speaker 3>to her door. She doesn't. Again, she doesn't look like

0:19:06.000 --> 0:19:09.000
<v Speaker 3>she doesn't want It didn't come off that she could

0:19:09.080 --> 0:19:12.040
<v Speaker 3>not talk to him. It was like she was uncomfortable

0:19:12.080 --> 0:19:14.160
<v Speaker 3>and just didn't want to talk to him, which most

0:19:14.200 --> 0:19:17.160
<v Speaker 3>teenagers are. I feel that's what I hear at that age,

0:19:17.200 --> 0:19:19.399
<v Speaker 3>they get out of my room. This is my personal space,

0:19:19.640 --> 0:19:22.320
<v Speaker 3>this is my safe I don't be in here. But

0:19:23.560 --> 0:19:27.000
<v Speaker 3>it's I mean, that happens so fast. That happened so

0:19:27.600 --> 0:19:28.920
<v Speaker 3>so fast, I couldn't believe it.

0:19:29.359 --> 0:19:30.879
<v Speaker 2>But I also like, you know, how I read it,

0:19:30.960 --> 0:19:31.800
<v Speaker 2>which I kind of liked.

0:19:31.920 --> 0:19:36.359
<v Speaker 1>I read it to where she would rather give up

0:19:36.440 --> 0:19:40.320
<v Speaker 1>her identity in front of her new stepdad than than

0:19:40.480 --> 0:19:44.359
<v Speaker 1>leave dead air on her radio show. True, like it

0:19:44.480 --> 0:19:47.800
<v Speaker 1>was more important to get to speak to the listeners

0:19:47.840 --> 0:19:50.080
<v Speaker 1>than it was for this guy, not to realize. And

0:19:50.720 --> 0:19:53.159
<v Speaker 1>of course he, you know, offers her a slot at

0:19:53.200 --> 0:19:55.880
<v Speaker 1>the station, because why not. She's hugely popular, she's hip,

0:19:56.880 --> 0:19:58.800
<v Speaker 1>everybody's loving her so great.

0:19:58.880 --> 0:20:00.159
<v Speaker 2>She is now going to be on.

0:20:01.640 --> 0:20:02.040
<v Speaker 3>The radio.

0:20:02.320 --> 0:20:05.399
<v Speaker 1>And by the way, we mentioned in the book that

0:20:05.520 --> 0:20:08.199
<v Speaker 1>her DJ name was Sweet Tea. I asked you at

0:20:08.240 --> 0:20:10.680
<v Speaker 1>the beginning what your band name would be? Do you

0:20:10.840 --> 0:20:14.000
<v Speaker 1>have a persona? You'd be like, what would your DJ

0:20:14.200 --> 0:20:14.440
<v Speaker 1>name be?

0:20:15.280 --> 0:20:19.200
<v Speaker 3>I don't see, I don't know, I don't I don't know.

0:20:21.400 --> 0:20:24.840
<v Speaker 3>I was younger, So my nickname when I was younger

0:20:25.119 --> 0:20:28.200
<v Speaker 3>was Brie. I got called like when I was really

0:20:28.280 --> 0:20:30.800
<v Speaker 3>little by my family, and my family still calls me

0:20:30.920 --> 0:20:33.320
<v Speaker 3>Brie A lot of times. Some of my close friends

0:20:33.400 --> 0:20:37.639
<v Speaker 3>call me Bri, so it'd probably maybe be along the

0:20:37.760 --> 0:20:39.280
<v Speaker 3>lines of something with Bri in it.

0:20:39.440 --> 0:20:41.800
<v Speaker 1>I think, yeah, well, I got depending on when your

0:20:41.800 --> 0:20:43.520
<v Speaker 1>time slot is, if you're at three, then it's be

0:20:43.640 --> 0:20:44.240
<v Speaker 1>with Brie at three.

0:20:44.359 --> 0:20:45.280
<v Speaker 2>Would be incredible.

0:20:46.320 --> 0:20:47.720
<v Speaker 3>Yeah, I mean that, I love that.

0:20:47.920 --> 0:20:51.520
<v Speaker 2>I love come on, I would be Will the Will

0:20:51.720 --> 0:20:52.240
<v Speaker 2>for dell.

0:20:53.680 --> 0:20:53.720
<v Speaker 3>It.

0:20:54.000 --> 0:20:57.240
<v Speaker 1>It's just easier for people to run, right. But she

0:20:57.560 --> 0:20:59.960
<v Speaker 1>quickly builds her audience up, so she starts the show,

0:21:00.000 --> 0:21:03.320
<v Speaker 1>so she moves over there again. They show her in

0:21:03.359 --> 0:21:06.520
<v Speaker 1>the booth for the first time ever, and she's very,

0:21:06.640 --> 0:21:09.479
<v Speaker 1>very nervous. The thing that threw me was her engineer

0:21:09.520 --> 0:21:12.000
<v Speaker 1>who's now her best friend, saying down you're on in fifteen.

0:21:12.680 --> 0:21:15.600
<v Speaker 1>I assumed that was fifteen minutes and she had some time,

0:21:15.640 --> 0:21:18.879
<v Speaker 1>and she starts pounding down fourteen thirteen. I was like, oh,

0:21:18.920 --> 0:21:19.840
<v Speaker 1>it's fifteen seconds.

0:21:20.200 --> 0:21:21.720
<v Speaker 3>She doesn't have a lot of time and she just

0:21:22.160 --> 0:21:24.080
<v Speaker 3>just had told her to practice. That was one of

0:21:24.160 --> 0:21:27.000
<v Speaker 3>my sees. Ye, the British sees. You literally told me

0:21:27.119 --> 0:21:28.840
<v Speaker 3>to practice and she said, okay, I'm going to try

0:21:28.880 --> 0:21:31.600
<v Speaker 3>to do put on a music and she's like, great.

0:21:31.520 --> 0:21:36.520
<v Speaker 1>You're on in fifteen fourteen Wait wait wait, she hit

0:21:36.600 --> 0:21:38.359
<v Speaker 1>one button and then it's like, you're on in fifteen

0:21:38.400 --> 0:21:39.040
<v Speaker 1>go what?

0:21:40.400 --> 0:21:43.080
<v Speaker 2>But she ends up again. The audience is starting to build.

0:21:43.200 --> 0:21:45.800
<v Speaker 1>The kids in school are starting to really get into this,

0:21:45.880 --> 0:21:47.560
<v Speaker 1>The kids all over Seattle are starting to really get

0:21:47.600 --> 0:21:50.879
<v Speaker 1>into us. And she is now starting to drop little

0:21:51.000 --> 0:21:54.320
<v Speaker 1>what we would call easter eggs into her show to say,

0:21:54.480 --> 0:21:56.440
<v Speaker 1>like to affect what's going on in her life. So

0:21:57.000 --> 0:21:59.320
<v Speaker 1>let's everybody wear red tomorrow because that'll show that we're

0:21:59.320 --> 0:22:01.000
<v Speaker 1>all in this together. And then the whole school is

0:22:01.040 --> 0:22:03.440
<v Speaker 1>filled with red. You know, let's all do that. We're

0:22:03.440 --> 0:22:05.000
<v Speaker 1>having a dance party. So they're all kind of doing

0:22:05.040 --> 0:22:06.960
<v Speaker 1>that kind of stuff. But one of the things she

0:22:07.080 --> 0:22:09.919
<v Speaker 1>does is the guy she has a crush on leaves

0:22:10.040 --> 0:22:14.200
<v Speaker 1>a demo CD and she picks it up, which is

0:22:14.240 --> 0:22:20.480
<v Speaker 1>again by the horribly named band the G's, and plays

0:22:20.520 --> 0:22:22.800
<v Speaker 1>it and they start to become very, very big. It

0:22:22.920 --> 0:22:26.679
<v Speaker 1>leads to a spontaneous dance mid class to release all

0:22:26.720 --> 0:22:29.280
<v Speaker 1>these pent up emotions, and of course this catches the

0:22:29.359 --> 0:22:36.840
<v Speaker 1>attention of the most animated principle and it seemed like

0:22:36.920 --> 0:22:38.520
<v Speaker 1>she was in a movie for like seven year olds.

0:22:38.560 --> 0:22:41.520
<v Speaker 1>It really did like the wacky principle, and it wasn't

0:22:41.600 --> 0:22:43.680
<v Speaker 1>that she was unfunny, it just seemed like she was

0:22:43.760 --> 0:22:46.280
<v Speaker 1>in a completely different movie, principal movie.

0:22:46.320 --> 0:22:53.160
<v Speaker 3>Besides the Twins. No one was really at that quirky animated. Yes,

0:22:54.160 --> 0:22:57.040
<v Speaker 3>you know, no one's characters really seem like that. Maybe

0:22:57.720 --> 0:22:59.840
<v Speaker 3>the one that helps out our villain.

0:23:00.560 --> 0:23:02.080
<v Speaker 2>Oh, the bad Girl's.

0:23:01.920 --> 0:23:03.000
<v Speaker 3>Stacy's best friend.

0:23:03.240 --> 0:23:04.920
<v Speaker 2>Yeah, yeah, you know, I don't know.

0:23:05.080 --> 0:23:07.720
<v Speaker 3>Maybe she was a little big, but not really, you know,

0:23:07.840 --> 0:23:11.080
<v Speaker 3>everyone was. She just was over over the top.

0:23:11.119 --> 0:23:11.880
<v Speaker 2>They're over the top.

0:23:11.960 --> 0:23:14.560
<v Speaker 1>I agree, and that's her best friend. That the best

0:23:14.600 --> 0:23:17.800
<v Speaker 1>Stacy's best friend could be a very fun character. A

0:23:17.880 --> 0:23:20.399
<v Speaker 1>girl who has her own personal assistant in school is

0:23:20.520 --> 0:23:23.560
<v Speaker 1>very fun. But again, everything was just kind of outlandish.

0:23:23.640 --> 0:23:28.280
<v Speaker 1>So so eventually Radio Rebel has to come clean because

0:23:28.320 --> 0:23:31.000
<v Speaker 1>even her best friend Audrey doesn't know who she is.

0:23:31.200 --> 0:23:34.600
<v Speaker 1>Eventually she comes clean, and now so she's got somebody

0:23:34.640 --> 0:23:36.560
<v Speaker 1>else on her side who's helping her out with everything,

0:23:37.040 --> 0:23:40.520
<v Speaker 1>and the team is now in place to keep her

0:23:40.560 --> 0:23:44.680
<v Speaker 1>anonymity while she is also growing in popularity and starting

0:23:44.720 --> 0:23:45.760
<v Speaker 1>to affect the school around her.

0:23:45.800 --> 0:23:48.560
<v Speaker 3>Stepdad has said that he wants to keep that together right,

0:23:48.600 --> 0:23:50.959
<v Speaker 3>which is great, which was big, but also a lot

0:23:51.000 --> 0:23:54.000
<v Speaker 3>of pressure because now it's not just her because she's embarrassed,

0:23:54.040 --> 0:23:56.880
<v Speaker 3>and now it's he goes through this whole like little

0:23:56.960 --> 0:23:59.080
<v Speaker 3>teeny tiny monolog of saying like, you know, I could

0:23:59.119 --> 0:24:00.760
<v Speaker 3>lose my job, no big deal, no pressure.

0:24:01.160 --> 0:24:05.160
<v Speaker 1>Oh okay, okay, yeah, but it's like it's but it's

0:24:05.200 --> 0:24:07.320
<v Speaker 1>like you're more important, and I like that that you

0:24:07.440 --> 0:24:10.040
<v Speaker 1>are more important. You're more important than being able to

0:24:10.040 --> 0:24:14.080
<v Speaker 1>feed the family if I was with it, which is fine. Uh,

0:24:14.560 --> 0:24:18.320
<v Speaker 1>another question for you, did you find the voice that

0:24:18.480 --> 0:24:21.040
<v Speaker 1>she was talking with and then the voice that went

0:24:21.080 --> 0:24:22.800
<v Speaker 1>out on the radio were that different?

0:24:24.080 --> 0:24:26.959
<v Speaker 3>No, you mean as far as it is it concealing

0:24:27.080 --> 0:24:27.720
<v Speaker 3>who she was.

0:24:28.280 --> 0:24:31.800
<v Speaker 2>Yeah, she uses a voice modulator, and it didn't seem

0:24:31.840 --> 0:24:32.399
<v Speaker 2>like it was all that.

0:24:32.600 --> 0:24:34.959
<v Speaker 3>That was one of the things that I saw too.

0:24:36.960 --> 0:24:39.760
<v Speaker 3>That's okay, because I wanted to make sure I'm glad

0:24:39.800 --> 0:24:42.680
<v Speaker 3>that you're hearing it too, because she was supposed to

0:24:42.760 --> 0:24:45.600
<v Speaker 3>be using something to make her voice sound different so

0:24:45.760 --> 0:24:48.760
<v Speaker 3>much that when her her twin best friends have some

0:24:49.000 --> 0:24:51.919
<v Speaker 3>kind of you know, they've they're computer guys.

0:24:52.359 --> 0:24:54.760
<v Speaker 2>They built a program or sign something, yeah.

0:24:54.960 --> 0:24:59.000
<v Speaker 3>Program something to try to expose her. There's a moment

0:24:59.160 --> 0:25:03.120
<v Speaker 3>where that's when I went, oh, wow, okay, so she's

0:25:03.160 --> 0:25:05.680
<v Speaker 3>supposed to sound a lot different, and she really does it.

0:25:05.840 --> 0:25:08.160
<v Speaker 3>I agree, her voice might be a little bit more

0:25:08.280 --> 0:25:10.000
<v Speaker 3>raspy on the radio than it was.

0:25:10.160 --> 0:25:12.280
<v Speaker 1>They made it a little more sultry, a little more raspy,

0:25:12.320 --> 0:25:14.480
<v Speaker 1>which I also kind of thought was a weird choice

0:25:14.560 --> 0:25:17.080
<v Speaker 1>to make her almost like a like a sexy DJ.

0:25:17.280 --> 0:25:21.040
<v Speaker 2>It was a little strange, it was, But I yes,

0:25:21.119 --> 0:25:24.280
<v Speaker 2>I didn't think the voice was was different enough. But

0:25:25.720 --> 0:25:29.280
<v Speaker 2>and again, why she's now she's on buses.

0:25:29.640 --> 0:25:32.280
<v Speaker 1>There's pictures, not pictures of her, but who is Radio

0:25:32.320 --> 0:25:34.480
<v Speaker 1>rebel is kind of everywhere, And you figure you could

0:25:34.480 --> 0:25:36.159
<v Speaker 1>just stand outside the station and watch her walk in,

0:25:36.240 --> 0:25:37.919
<v Speaker 1>which they tried to do later I think, but.

0:25:39.800 --> 0:25:40.320
<v Speaker 2>Yeah, didn't.

0:25:40.800 --> 0:25:42.760
<v Speaker 1>She was hiding her identity, But it wouldn't have been

0:25:42.960 --> 0:25:45.280
<v Speaker 1>that difficult to find out because she says, I'm recording

0:25:45.320 --> 0:25:48.280
<v Speaker 1>here at such a right time exactly. It's like you

0:25:48.280 --> 0:25:50.919
<v Speaker 1>would know when she was there. But things even get

0:25:51.000 --> 0:25:53.840
<v Speaker 1>worse for Tara as radio rebel, who's just spilling all

0:25:53.840 --> 0:25:56.640
<v Speaker 1>of her emo feelings on the air, making the principal

0:25:56.720 --> 0:26:00.480
<v Speaker 1>even angrier. She then the Principle threatens to expell any

0:26:00.520 --> 0:26:02.800
<v Speaker 1>students for listening to the show or anyone involved in

0:26:02.920 --> 0:26:07.400
<v Speaker 1>concealing the host's identity. And if that's not hard enough,

0:26:07.480 --> 0:26:10.320
<v Speaker 1>prom is also coming up, and Tara's arch nemesis, Stacy

0:26:10.480 --> 0:26:14.840
<v Speaker 1>is already taking Gavin right, who Tara obviously likes, and

0:26:14.920 --> 0:26:18.640
<v Speaker 1>Gavin is a cool guy, and it seems like Gavin

0:26:18.800 --> 0:26:23.200
<v Speaker 1>and Tara have a lot in common. They like talking

0:26:23.240 --> 0:26:26.280
<v Speaker 1>about kind of obscure bands or into indie stuff, and

0:26:26.560 --> 0:26:28.280
<v Speaker 1>you can see Stacy doesn't like that. And I think

0:26:28.320 --> 0:26:30.320
<v Speaker 1>one of the other reasons that Gavin and Stacey wouldn't

0:26:30.359 --> 0:26:32.400
<v Speaker 1>work is because that's also the name of a very

0:26:32.520 --> 0:26:36.320
<v Speaker 1>popular Welsh sitcom Gavin and Stacey look it up, great show,

0:26:37.000 --> 0:26:43.680
<v Speaker 1>It's true. So, again making things worse, Principal Mareno decides

0:26:44.200 --> 0:26:46.879
<v Speaker 1>if Rebel, if somebody doesn't come forward and say who

0:26:46.960 --> 0:26:49.399
<v Speaker 1>Radio Rebel is, or if Radio Rebel doesn't give herself up,

0:26:50.080 --> 0:26:54.880
<v Speaker 1>she's canceling the prom. Yes, which the only thing going

0:26:54.960 --> 0:26:56.840
<v Speaker 1>through my head, as the son of two lawyers, is

0:26:57.119 --> 0:27:00.600
<v Speaker 1>I'm not sure that's legal. I don't think you can

0:27:00.760 --> 0:27:05.480
<v Speaker 1>cancel a school event based on something not happening on

0:27:05.600 --> 0:27:09.200
<v Speaker 1>school ground. So I'm going and making a radio show

0:27:10.200 --> 0:27:13.359
<v Speaker 1>that kids are listening to good point at home at

0:27:13.440 --> 0:27:16.640
<v Speaker 1>six pm or whatever. You can't now cancel school functions

0:27:16.640 --> 0:27:18.480
<v Speaker 1>because you don't like something that's not taking place on

0:27:18.560 --> 0:27:19.159
<v Speaker 1>school grounds.

0:27:19.400 --> 0:27:21.120
<v Speaker 2>I don't think you're allowed to do that. I could

0:27:21.160 --> 0:27:23.639
<v Speaker 2>be wrong. And if you are a lawyer in the

0:27:23.680 --> 0:27:24.480
<v Speaker 2>prom world.

0:27:24.359 --> 0:27:27.959
<v Speaker 3>Let us know it not happening on school grounds. Yes,

0:27:28.040 --> 0:27:31.679
<v Speaker 3>I think that's a huge thing. You also cannot confiscate

0:27:32.359 --> 0:27:35.280
<v Speaker 3>items from a kid and never give them back, which

0:27:35.359 --> 0:27:37.960
<v Speaker 3>is what it seems like. I got my cell phone

0:27:38.000 --> 0:27:41.400
<v Speaker 3>taken away from me almost every day in second period

0:27:42.400 --> 0:27:45.639
<v Speaker 3>my senior year, and every day I had to go

0:27:46.240 --> 0:27:48.000
<v Speaker 3>and get it back at the end of the day,

0:27:48.600 --> 0:27:50.440
<v Speaker 3>and it got so bad that my mom had to

0:27:50.600 --> 0:27:51.600
<v Speaker 3>And at that point it.

0:27:51.720 --> 0:27:54.119
<v Speaker 2>Was why were you on what was second period? What

0:27:54.160 --> 0:27:56.000
<v Speaker 2>were you learning? And why were you on your phone

0:27:56.040 --> 0:27:56.480
<v Speaker 2>the whole time?

0:27:56.560 --> 0:28:01.320
<v Speaker 3>Sabrina economics class and my boyfriend at the time always

0:28:01.400 --> 0:28:02.400
<v Speaker 3>called me during.

0:28:02.240 --> 0:28:04.879
<v Speaker 2>That time, so he got me in trouble, and you

0:28:04.920 --> 0:28:05.840
<v Speaker 2>would answer.

0:28:05.640 --> 0:28:07.440
<v Speaker 3>No, I would just forget to turn my phone on

0:28:07.640 --> 0:28:11.920
<v Speaker 3>ring like, oh, it would be on either vibrate or

0:28:12.160 --> 0:28:13.680
<v Speaker 3>I wouldn't turn it off, which I should have just

0:28:13.760 --> 0:28:16.879
<v Speaker 3>turned it off. So still my bad. I was a knucklehead.

0:28:17.160 --> 0:28:21.160
<v Speaker 3>But you can't just take somebody's actual phone away, nor

0:28:21.280 --> 0:28:23.919
<v Speaker 3>can you do what however, they're listening to the radio there.

0:28:23.880 --> 0:28:27.240
<v Speaker 1>Oh no, she had several thousand dollars worth of iPods

0:28:27.320 --> 0:28:29.119
<v Speaker 1>and earbuds and every other thing.

0:28:29.320 --> 0:28:32.879
<v Speaker 2>So yeah, which is which is nuts? So but this

0:28:33.240 --> 0:28:33.680
<v Speaker 2>this works.

0:28:33.720 --> 0:28:36.320
<v Speaker 3>But this lady's on a power trip regardless, and it works.

0:28:36.600 --> 0:28:37.560
<v Speaker 2>Yes, and it works.

0:28:37.840 --> 0:28:41.040
<v Speaker 1>The student body is now has turned on Radio Radio Rebel.

0:28:41.400 --> 0:28:44.920
<v Speaker 1>They are furious, they want their prom. Tara is now

0:28:45.080 --> 0:28:48.520
<v Speaker 1>completely defeated. She's taking calls from angry classmates and she's

0:28:48.560 --> 0:28:50.240
<v Speaker 1>ready to give it up and drop the whole act.

0:28:50.320 --> 0:28:53.320
<v Speaker 2>But then so bad for her. She has a plan,

0:28:53.560 --> 0:28:54.680
<v Speaker 2>so yeah, there's a plan.

0:28:55.080 --> 0:28:58.520
<v Speaker 3>There's a plan, and that plan there's a plan is morp.

0:28:59.040 --> 0:29:01.840
<v Speaker 2>Yes, the plan is more and MORP, of course is

0:29:01.920 --> 0:29:02.720
<v Speaker 2>prom backwards.

0:29:02.760 --> 0:29:05.040
<v Speaker 1>So students can wear casual clothes, they can dance however

0:29:05.080 --> 0:29:07.520
<v Speaker 1>they want, and most importantly, they can listen to any

0:29:07.640 --> 0:29:10.440
<v Speaker 1>radio show their heart desires. And add to this pressure,

0:29:10.520 --> 0:29:14.160
<v Speaker 1>Radio Rebel has now been nominated Radio Rebel not terrible,

0:29:14.920 --> 0:29:18.560
<v Speaker 1>but Radio Rebel has been nominated for prom Queen against

0:29:18.600 --> 0:29:21.360
<v Speaker 1>her number one enemy, Stacey, who has been.

0:29:21.360 --> 0:29:26.040
<v Speaker 2>Lobbying and lobbying and lobbying to.

0:29:26.520 --> 0:29:30.440
<v Speaker 1>Get I mean, just man, did she just like Sean

0:29:30.600 --> 0:29:34.480
<v Speaker 1>Young trying to be catwoman? She is lobbying to be

0:29:35.040 --> 0:29:35.600
<v Speaker 1>prom queen.

0:29:35.680 --> 0:29:40.040
<v Speaker 2>I'm telling you yeah, and so who's going to be

0:29:40.120 --> 0:29:40.560
<v Speaker 2>more queen?

0:29:40.600 --> 0:29:44.200
<v Speaker 1>And she even says, well, if radio Rebel wins, who's

0:29:44.200 --> 0:29:46.360
<v Speaker 1>going to accept the crown? I could be expelled. And

0:29:46.480 --> 0:29:49.120
<v Speaker 1>it's like, well, then don't just don't accept the crowns

0:29:49.680 --> 0:29:50.960
<v Speaker 1>You're you're anonymous.

0:29:51.680 --> 0:29:53.960
<v Speaker 3>That seems like an easy answer to me.

0:29:54.120 --> 0:30:00.360
<v Speaker 2>Will answer, yes. Okay.

0:30:00.440 --> 0:30:03.520
<v Speaker 1>So one thing we haven't mentioned yet through the entire conversation.

0:30:03.560 --> 0:30:06.560
<v Speaker 1>We've talked about her stepdad, who we both really liked

0:30:06.600 --> 0:30:07.880
<v Speaker 1>what they did in that character.

0:30:08.840 --> 0:30:12.520
<v Speaker 2>We haven't talked about her mom, No, who was what

0:30:12.880 --> 0:30:18.000
<v Speaker 2>a quack I mean just overly involved mom, which is

0:30:18.040 --> 0:30:20.840
<v Speaker 2>a new Decom trope we haven't seen yet, like like

0:30:21.080 --> 0:30:23.960
<v Speaker 2>overly overly, overly involved in her life, to.

0:30:24.000 --> 0:30:28.280
<v Speaker 3>The point where she says she's so excited that she, well,

0:30:28.480 --> 0:30:33.640
<v Speaker 3>not Tara, but her persona radio rebel, has been nominated

0:30:33.760 --> 0:30:37.440
<v Speaker 3>that she says she doesn't even care if she gets expelled.

0:30:38.320 --> 0:30:41.760
<v Speaker 1>Okay, Mom, yo, I don't care if you're kicked out

0:30:41.760 --> 0:30:44.160
<v Speaker 1>of school. I care about prom that's your mom.

0:30:44.240 --> 0:30:47.880
<v Speaker 3>I care about you getting a crown at a dance. Yes,

0:30:48.320 --> 0:30:51.320
<v Speaker 3>oh my goodness, that knocked me off my feet a

0:30:51.360 --> 0:30:51.760
<v Speaker 3>little bit.

0:30:51.800 --> 0:30:52.120
<v Speaker 2>I could.

0:30:52.200 --> 0:30:55.320
<v Speaker 3>I wasn't ready for that. I thought maybe she'd bring

0:30:55.640 --> 0:30:57.920
<v Speaker 3>the idea that you and I both had easily. Well,

0:30:58.040 --> 0:31:00.560
<v Speaker 3>why don't you just maybe you'll win. You just don't

0:31:00.600 --> 0:31:01.560
<v Speaker 3>have to accept the award.

0:31:01.680 --> 0:31:05.480
<v Speaker 2>Yeah, just go to the problem, enjoy yourself, be anonymous.

0:31:05.000 --> 0:31:08.560
<v Speaker 3>Have fun, have a good time, like keep it moving.

0:31:09.040 --> 0:31:11.320
<v Speaker 1>Yeah, I mean so I get her mom. It's like

0:31:11.600 --> 0:31:14.280
<v Speaker 1>shows up at places and eavesdrops on her conversations.

0:31:14.440 --> 0:31:16.320
<v Speaker 2>Very very involved mom.

0:31:16.520 --> 0:31:19.040
<v Speaker 3>Also, I didn't another thing to go back to the

0:31:19.160 --> 0:31:21.720
<v Speaker 3>characters just being a little funky and weird. There's a

0:31:21.800 --> 0:31:24.600
<v Speaker 3>part of her like the second I saw oatmeal or

0:31:24.640 --> 0:31:28.520
<v Speaker 3>whatever it was on her face, and then when Stacy

0:31:28.600 --> 0:31:31.080
<v Speaker 3>comes to the door and she's got some like cherry

0:31:31.920 --> 0:31:34.480
<v Speaker 3>things on her fingers or whatever those were for cuticle,

0:31:34.680 --> 0:31:36.520
<v Speaker 3>that whole thing was pushed.

0:31:36.800 --> 0:31:37.960
<v Speaker 2>Yeah, very character.

0:31:38.160 --> 0:31:41.040
<v Speaker 3>You're much and didn't really understand why that was really

0:31:41.120 --> 0:31:41.960
<v Speaker 3>that necessary.

0:31:42.080 --> 0:31:44.000
<v Speaker 2>But no, again, very cartoony.

0:31:44.080 --> 0:31:46.640
<v Speaker 1>They took every other character and I guess you could

0:31:46.640 --> 0:31:49.080
<v Speaker 1>even say they took Tara cartoony with not being able

0:31:49.080 --> 0:31:49.880
<v Speaker 1>to speak in front of people.

0:31:49.880 --> 0:31:53.200
<v Speaker 2>I mean they were very pronounced characters. Let's say that. Yes,

0:32:01.680 --> 0:32:04.000
<v Speaker 2>so Stacey and her minions are hot on the trail

0:32:04.040 --> 0:32:04.360
<v Speaker 2>of terror.

0:32:04.400 --> 0:32:06.760
<v Speaker 1>They're trying to figure out obviously who radio rebel is

0:32:07.040 --> 0:32:10.000
<v Speaker 1>a because their radio rebel is now up against her

0:32:10.040 --> 0:32:13.440
<v Speaker 1>at prom but be also because the norms are coming

0:32:13.560 --> 0:32:15.680
<v Speaker 1>up and talking to her like they think that, you know,

0:32:16.360 --> 0:32:17.840
<v Speaker 1>she's made everyone equal.

0:32:18.280 --> 0:32:19.960
<v Speaker 2>The pops they call it here are.

0:32:19.920 --> 0:32:23.400
<v Speaker 1>Coming up and talking to us. It's crazy, and they

0:32:23.560 --> 0:32:28.840
<v Speaker 1>even so at one point they have her kind of

0:32:29.040 --> 0:32:34.240
<v Speaker 1>cornered in the radio station and to get out, a

0:32:34.560 --> 0:32:38.920
<v Speaker 1>giant sandwich shows up, A guy in a sandwich sho

0:32:39.000 --> 0:32:43.840
<v Speaker 1>shows up to deliver the food and not all no,

0:32:44.120 --> 0:32:48.280
<v Speaker 1>and it's also everybody. Even in twenty twelve, I've never

0:32:48.480 --> 0:32:51.480
<v Speaker 1>never saw a delivery person come to your house dressed

0:32:51.520 --> 0:32:55.000
<v Speaker 1>as the mascot of the restaurant that you were going.

0:32:55.800 --> 0:32:57.520
<v Speaker 1>I mean, maybe out in front of the store there's

0:32:57.560 --> 0:32:59.440
<v Speaker 1>a giant sandwich with a flippy sign or something like that,

0:32:59.560 --> 0:33:01.480
<v Speaker 1>but the guy delivering it to your house and the

0:33:01.520 --> 0:33:04.000
<v Speaker 1>person delivering to isn't dressed like a sand.

0:33:03.960 --> 0:33:05.400
<v Speaker 3>Right, how do they get in and out of their

0:33:05.480 --> 0:33:06.200
<v Speaker 3>car so often?

0:33:06.320 --> 0:33:08.240
<v Speaker 1>Okay or yeah, or on their little moped. Can you

0:33:08.240 --> 0:33:10.480
<v Speaker 1>imagine seeing a giant sandwich? That would be just a

0:33:10.520 --> 0:33:12.760
<v Speaker 1>big sale that would blow him right off the moment

0:33:13.000 --> 0:33:13.640
<v Speaker 1>the entire.

0:33:13.520 --> 0:33:18.760
<v Speaker 3>Time, all right, exactly, we are not here drive vehicles

0:33:18.840 --> 0:33:21.280
<v Speaker 3>with full blown exactly.

0:33:23.280 --> 0:33:24.640
<v Speaker 2>Stacy now thinks it could be Terra.

0:33:24.760 --> 0:33:27.600
<v Speaker 1>So what she does is she holds a pre more

0:33:28.000 --> 0:33:31.920
<v Speaker 1>party at her house so she can keep an eye

0:33:32.000 --> 0:33:34.960
<v Speaker 1>on everybody, because of course she invited twenty three people

0:33:35.520 --> 0:33:37.920
<v Speaker 1>in a school of one thousands, so she can keep

0:33:37.920 --> 0:33:41.160
<v Speaker 1>an eye on everybody while the show goes on live

0:33:41.760 --> 0:33:44.520
<v Speaker 1>and she and she essentially says to Terror. She actually says, Tara,

0:33:44.600 --> 0:33:46.280
<v Speaker 1>if you're not there, I'm going to know that your

0:33:46.360 --> 0:33:49.720
<v Speaker 1>radio river, So they don't pre record a show, which

0:33:49.800 --> 0:33:51.920
<v Speaker 1>they should have obviously to play.

0:33:52.000 --> 0:33:53.880
<v Speaker 2>While Terra's at this party, they have.

0:33:54.720 --> 0:33:58.120
<v Speaker 1>Old clips of her that are trying to answer questions

0:33:58.160 --> 0:34:01.680
<v Speaker 1>from callers, and of course Stacey calls in, but it's

0:34:01.760 --> 0:34:05.040
<v Speaker 1>going badly, so Tara grabs her phone from the party

0:34:05.480 --> 0:34:08.160
<v Speaker 1>and is running around the house while Stacy's trying to

0:34:08.239 --> 0:34:10.000
<v Speaker 1>find her and doing her radio show.

0:34:10.040 --> 0:34:11.960
<v Speaker 2>The only thing missing was the Benny Hill theme song.

0:34:12.120 --> 0:34:16.920
<v Speaker 3>Tara slips out quickly yeah, but then starts to have

0:34:17.080 --> 0:34:20.000
<v Speaker 3>to do this whole and we see all of Stacy's parents' house,

0:34:20.560 --> 0:34:21.960
<v Speaker 3>including a coat close and.

0:34:21.960 --> 0:34:24.480
<v Speaker 5>Again there's two hundred extras that could work, but there

0:34:24.600 --> 0:34:27.279
<v Speaker 5>was Yeah, there wasn't, no, there was it.

0:34:27.400 --> 0:34:29.759
<v Speaker 2>There's twenty five people there, so you're gonna notice that.

0:34:29.840 --> 0:34:32.280
<v Speaker 1>And it's also Stacy's staring at her on the couch

0:34:32.960 --> 0:34:34.960
<v Speaker 1>and then she gets up and walks away, and then

0:34:35.280 --> 0:34:36.520
<v Speaker 1>the guy comes in. He's like, hey, can I have

0:34:36.600 --> 0:34:38.600
<v Speaker 1>my coat? And you can hear that on the radio,

0:34:38.680 --> 0:34:41.760
<v Speaker 1>and it's Stacy going what is that? And it's like, okay,

0:34:41.800 --> 0:34:46.120
<v Speaker 1>this this didn't work even a little bit. Also, the

0:34:46.239 --> 0:34:49.680
<v Speaker 1>Gees perform at the party. Again terrible band name from

0:34:49.680 --> 0:34:52.680
<v Speaker 1>now and I'm not calling rude. Awakening performs at the party.

0:34:52.840 --> 0:34:56.839
<v Speaker 3>Awakening was not there, well, not there.

0:34:56.960 --> 0:35:00.840
<v Speaker 1>The she Dashians perform at the part. Even though they

0:35:01.080 --> 0:35:04.239
<v Speaker 1>just formed a couple of weeks ago. They're technically like,

0:35:04.320 --> 0:35:08.160
<v Speaker 1>they're really polished, they're already working on His friend wants

0:35:08.239 --> 0:35:10.120
<v Speaker 1>to drop them from the band because he wants to

0:35:10.640 --> 0:35:12.000
<v Speaker 1>play real music.

0:35:12.080 --> 0:35:13.360
<v Speaker 2>Even though they are playing.

0:35:13.120 --> 0:35:16.880
<v Speaker 3>Real That party was very I didn't see the difference

0:35:17.040 --> 0:35:20.600
<v Speaker 3>much besides more of an acoustic set than what they

0:35:20.760 --> 0:35:24.160
<v Speaker 3>played normally at the party. You know, later on what

0:35:24.320 --> 0:35:27.399
<v Speaker 3>they played was good. Yes, I kept going, wow, these

0:35:27.480 --> 0:35:30.960
<v Speaker 3>are great songs. They were going to free there. But

0:35:32.320 --> 0:35:35.040
<v Speaker 3>when he's going, you know, we could talk about so

0:35:35.239 --> 0:35:38.240
<v Speaker 3>much more, it's it's kind of sure.

0:35:38.120 --> 0:35:41.239
<v Speaker 2>We can, but yeah, but that's not the band we're These.

0:35:41.160 --> 0:35:43.960
<v Speaker 3>Are also fun party anthems, like you know, that's kind

0:35:44.000 --> 0:35:45.800
<v Speaker 3>of what we're gonna do first, and then maybe on

0:35:45.880 --> 0:35:47.800
<v Speaker 3>our second album. We'll get a little deeper.

0:35:48.080 --> 0:35:52.239
<v Speaker 1>All right, on the sophomore album, after we've hit that

0:35:52.480 --> 0:35:55.879
<v Speaker 1>mom down Gavin, juniors in high school, maybe we could

0:35:56.040 --> 0:35:59.440
<v Speaker 1>just play Stacy's party and not worry about anything.

0:35:59.160 --> 0:36:01.799
<v Speaker 3>Else of this way need to solve the world problems

0:36:02.120 --> 0:36:03.399
<v Speaker 3>on track number one.

0:36:04.120 --> 0:36:07.480
<v Speaker 2>We will do imagine on our second album.

0:36:07.440 --> 0:36:10.360
<v Speaker 3>Gea girls do that enough. What's solving the world.

0:36:10.200 --> 0:36:13.000
<v Speaker 2>Problem is that this song is called so Flies. That's

0:36:13.080 --> 0:36:15.160
<v Speaker 2>that's the extent of what we're doing right now.

0:36:15.400 --> 0:36:18.399
<v Speaker 3>Get in your zone, Gavin, exactly, Stay in your lane, Gav.

0:36:19.040 --> 0:36:22.760
<v Speaker 1>I mean, man, you're you're you're already going uh rockstar

0:36:23.040 --> 0:36:26.000
<v Speaker 1>persona here, You've had one song play one time on

0:36:26.160 --> 0:36:29.560
<v Speaker 1>one radio station. But it's fine anyway. None of this

0:36:29.680 --> 0:36:32.440
<v Speaker 1>matters because MORP has finally arrived. Gavin has left the

0:36:32.520 --> 0:36:36.839
<v Speaker 1>band again for difficult reasons to explain, Radio Rebel does

0:36:37.040 --> 0:36:42.160
<v Speaker 1>win more Queen, and then Tara walks out to accept

0:36:42.840 --> 0:36:46.720
<v Speaker 1>she's made the decision to walk out and accept the award.

0:36:46.800 --> 0:36:49.279
<v Speaker 1>Did you find it weird that she did it on

0:36:49.360 --> 0:36:52.240
<v Speaker 1>her own? That it wasn't like through a random series

0:36:52.280 --> 0:36:54.640
<v Speaker 1>of events she got outed as Radio Rebel, but she

0:36:54.800 --> 0:36:58.960
<v Speaker 1>actually makes the state, like, dresses up and walks out

0:36:59.000 --> 0:36:59.440
<v Speaker 1>on stage.

0:36:59.840 --> 0:37:03.200
<v Speaker 3>I mean, it's weird how they did it. Was it

0:37:03.320 --> 0:37:05.960
<v Speaker 3>a recording? Was that a recording that was going on right?

0:37:06.239 --> 0:37:06.319
<v Speaker 1>Well?

0:37:06.360 --> 0:37:07.320
<v Speaker 2>Did she have a micropho?

0:37:07.440 --> 0:37:09.560
<v Speaker 3>But then she shows up with a mic? I don't know,

0:37:10.160 --> 0:37:12.680
<v Speaker 3>a lot of it was confusing to me. I you

0:37:12.800 --> 0:37:14.759
<v Speaker 3>know that ending was a little.

0:37:15.160 --> 0:37:16.160
<v Speaker 2>Funky, so strange.

0:37:16.239 --> 0:37:18.600
<v Speaker 1>Yeah, yeah, I agree, because the principal then walks out

0:37:19.239 --> 0:37:22.840
<v Speaker 1>and claps like a cartoon character and then expels Tara

0:37:22.960 --> 0:37:29.160
<v Speaker 1>and then the entire student body one by one, and

0:37:29.280 --> 0:37:32.000
<v Speaker 1>of course her mother, her mom's there. But all of

0:37:32.040 --> 0:37:34.279
<v Speaker 1>a sudden, everybody starts saying I am spartan, so I

0:37:34.400 --> 0:37:35.120
<v Speaker 1>am radio revel.

0:37:35.600 --> 0:37:42.440
<v Speaker 2>So they don't know. So she can't expel everyone, but yes,

0:37:42.560 --> 0:37:43.399
<v Speaker 2>apparently she can.

0:37:43.520 --> 0:37:47.920
<v Speaker 1>And also she seems to like, obviously it's Terra, so

0:37:47.920 --> 0:37:50.359
<v Speaker 1>why wouldn't she just expel terr it's it was kind

0:37:50.400 --> 0:37:50.960
<v Speaker 1>of thrown away.

0:37:52.600 --> 0:37:52.719
<v Speaker 6>Uh.

0:37:52.880 --> 0:37:56.319
<v Speaker 2>But then and then she wins the crown, but then

0:37:56.560 --> 0:37:57.759
<v Speaker 2>gives the crown.

0:37:57.680 --> 0:38:01.440
<v Speaker 1>To Stacy because Stacey was the one who really wanted

0:38:01.480 --> 0:38:03.280
<v Speaker 1>to win anyway.

0:38:04.480 --> 0:38:08.680
<v Speaker 3>As long as Stacy said she was radio rebel.

0:38:09.600 --> 0:38:12.120
<v Speaker 2>Right you I I hear your so you have to

0:38:12.160 --> 0:38:13.520
<v Speaker 2>admit your radio rebel.

0:38:13.280 --> 0:38:16.320
<v Speaker 3>As well, which means she's part of the rest of

0:38:17.320 --> 0:38:21.399
<v Speaker 3>the peasant. Yes, she's a pop now.

0:38:22.400 --> 0:38:24.240
<v Speaker 2>It was really weird.

0:38:24.400 --> 0:38:26.960
<v Speaker 1>And then to ratchet up the weirdness even one kind

0:38:27.000 --> 0:38:30.320
<v Speaker 1>of step farther, Gavin gets on stage with justin acoustic guitar,

0:38:30.480 --> 0:38:32.240
<v Speaker 1>because of course he's no longer in the Gens.

0:38:32.280 --> 0:38:32.960
<v Speaker 2>He's just Gavin.

0:38:33.400 --> 0:38:36.160
<v Speaker 3>He's yeah, He's not Genes, He's.

0:38:36.160 --> 0:38:37.719
<v Speaker 2>Just g Yeah.

0:38:37.800 --> 0:38:40.000
<v Speaker 1>So we imagine that this is a song he's had

0:38:40.200 --> 0:38:43.040
<v Speaker 1>in his arsenal that he didn't play for his bandmates

0:38:43.080 --> 0:38:45.600
<v Speaker 1>for some reason that we don't understand. He starts playing,

0:38:45.680 --> 0:38:49.680
<v Speaker 1>but then his bandmates get up on stage and play

0:38:50.840 --> 0:38:54.200
<v Speaker 1>with him. So obviously they'd had some rehearsal time.

0:38:56.080 --> 0:38:58.279
<v Speaker 3>If you think about it, bands, from what I hear,

0:38:58.440 --> 0:39:01.200
<v Speaker 3>they you know, practice in their girl rag all the time.

0:39:01.360 --> 0:39:05.279
<v Speaker 3>So it's just the fact that they all had their

0:39:05.360 --> 0:39:06.120
<v Speaker 3>instruments there.

0:39:07.160 --> 0:39:09.360
<v Speaker 1>Well that too, But it's also like it if this

0:39:09.560 --> 0:39:10.960
<v Speaker 1>was the song you wanted to play, if this is

0:39:11.000 --> 0:39:13.440
<v Speaker 1>the song that your heart song that you really wanted

0:39:13.480 --> 0:39:17.160
<v Speaker 1>to really say something the band, You've obviously rehearsed this

0:39:17.280 --> 0:39:18.040
<v Speaker 1>with the band.

0:39:18.120 --> 0:39:21.400
<v Speaker 3>So it's not obviously it's not fully full blown Disney,

0:39:21.520 --> 0:39:24.840
<v Speaker 3>but this is the idea of that you a band

0:39:25.400 --> 0:39:28.880
<v Speaker 3>can just pick up and pick up and play and

0:39:29.040 --> 0:39:31.719
<v Speaker 3>follow along. Oh, I can hear the I can hear

0:39:31.800 --> 0:39:34.880
<v Speaker 3>the melody. Here's my little adding into it here, you

0:39:34.960 --> 0:39:35.680
<v Speaker 3>know that kind of thing.

0:39:35.719 --> 0:39:38.319
<v Speaker 1>All right, that's fair Okay, I was I was gonna

0:39:38.320 --> 0:39:39.920
<v Speaker 1>say fair enough, but I don't think it's fair enough.

0:39:39.960 --> 0:39:43.719
<v Speaker 2>It's weird, but it's a Disney trope, but I guess.

0:39:43.760 --> 0:39:48.280
<v Speaker 3>The TV version of what could actually really happen.

0:39:49.200 --> 0:39:52.640
<v Speaker 2>Yeah, and you know this scene, so everybody gets a crown,

0:39:52.719 --> 0:39:56.000
<v Speaker 2>everybody wins. It's great. But this scene also became famous

0:39:56.080 --> 0:40:00.040
<v Speaker 2>because as the you know as e.

0:40:00.360 --> 0:40:03.839
<v Speaker 1>But Debbie is watching the performance at More. She makes

0:40:03.920 --> 0:40:07.240
<v Speaker 1>this very saucy kind of grin at Gavin on stage

0:40:07.640 --> 0:40:09.359
<v Speaker 1>and it has become a really famous meme.

0:40:09.480 --> 0:40:11.640
<v Speaker 3>When she moves her bang and gives the eyes, I.

0:40:11.640 --> 0:40:13.160
<v Speaker 2>Think we have it? Do we we have it?

0:40:13.280 --> 0:40:16.880
<v Speaker 1>Do we actually have said meme? Because this is uh,

0:40:17.280 --> 0:40:22.680
<v Speaker 1>this is one that has become famous. There it is,

0:40:22.920 --> 0:40:24.040
<v Speaker 1>So that's become.

0:40:25.680 --> 0:40:26.480
<v Speaker 2>The gaze.

0:40:26.719 --> 0:40:29.799
<v Speaker 1>That is the Debbie Ryan radio rebel gaze. You never

0:40:29.920 --> 0:40:31.919
<v Speaker 1>know what somebody's gonna grab. It becomes a meme.

0:40:32.040 --> 0:40:35.480
<v Speaker 3>I know she's the Queen of Disney memes, right is

0:40:35.600 --> 0:40:37.600
<v Speaker 3>that is that? When we found out the queen of

0:40:37.680 --> 0:40:38.360
<v Speaker 3>Disney memes?

0:40:38.640 --> 0:40:39.160
<v Speaker 6>She is?

0:40:39.360 --> 0:40:42.600
<v Speaker 3>It is a good one. Again, I don't know, didn't

0:40:42.640 --> 0:40:46.000
<v Speaker 3>know the movie before this. See that little segment pop up,

0:40:46.000 --> 0:40:49.279
<v Speaker 3>and it was like, recognize it right away, right, that's

0:40:49.320 --> 0:40:51.879
<v Speaker 3>where from. Wasn't sure what it would come from.

0:40:52.000 --> 0:41:02.080
<v Speaker 2>Yes, there we go, Yeah, there you go. That is

0:41:02.440 --> 0:41:03.120
<v Speaker 2>the famous meme.

0:41:03.320 --> 0:41:08.200
<v Speaker 1>Now she's obviously as she's she's reacting to Gavin singing,

0:41:08.600 --> 0:41:11.120
<v Speaker 1>singing his song as she's doing this little hair flip.

0:41:11.320 --> 0:41:12.520
<v Speaker 3>Yes, did you like the.

0:41:12.600 --> 0:41:13.600
<v Speaker 2>Music that was in the movie.

0:41:13.680 --> 0:41:14.000
<v Speaker 5>I did?

0:41:14.600 --> 0:41:16.480
<v Speaker 3>I really did. I thought it was I thought it

0:41:16.640 --> 0:41:20.600
<v Speaker 3>was some of the best music we've heard from as

0:41:20.680 --> 0:41:24.080
<v Speaker 3>far as band goes. With them playing, I agree. They

0:41:24.120 --> 0:41:28.000
<v Speaker 3>also didn't just we've seen some really bad guitar playing,

0:41:28.360 --> 0:41:31.080
<v Speaker 3>and they didn't show a lot of them actually.

0:41:31.239 --> 0:41:34.840
<v Speaker 2>Playing the guitar, or they cut to close up of hands, so.

0:41:35.400 --> 0:41:38.120
<v Speaker 3>Yes, they don't make it to where the actor is

0:41:38.760 --> 0:41:45.759
<v Speaker 3>obviously not well advanced within the guitar playing levels, so

0:41:46.040 --> 0:41:47.880
<v Speaker 3>instead of doing that, they do close up on the

0:41:47.920 --> 0:41:50.880
<v Speaker 3>face with them singing, and then close up on the hands.

0:41:51.080 --> 0:41:54.280
<v Speaker 3>I'm okay with that. Not everyone can play the guitar.

0:41:54.480 --> 0:41:57.600
<v Speaker 3>I sure as hell can't, so I'm alright with it.

0:41:58.280 --> 0:42:00.320
<v Speaker 2>It was fine. I agree. I liked the movie. But

0:42:00.400 --> 0:42:02.400
<v Speaker 2>in the end we find out that Gavin was.

0:42:02.480 --> 0:42:08.120
<v Speaker 1>In fact the Sandwich mascot said help it Tara escaped,

0:42:08.239 --> 0:42:10.480
<v Speaker 1>so he always knew Tara was radio rebel, and then

0:42:11.200 --> 0:42:13.319
<v Speaker 1>you know, he kisses her on the cheek because their

0:42:13.360 --> 0:42:15.640
<v Speaker 1>official war updates. But the thing that's cool is in

0:42:15.880 --> 0:42:18.719
<v Speaker 1>twenty fifteen, Debbie revealed on Facebook that they shot an

0:42:18.840 --> 0:42:23.120
<v Speaker 1>alternate ending where they actually kissed, but it wasn't you right.

0:42:23.280 --> 0:42:26.799
<v Speaker 3>Which upset me even more After the kiss on the cheek.

0:42:26.920 --> 0:42:30.480
<v Speaker 3>I thought that was garbage. These are finally we've got

0:42:30.560 --> 0:42:34.120
<v Speaker 3>two kids that are high school age, so it would

0:42:34.200 --> 0:42:39.239
<v Speaker 3>not be too inappropriate. Yeah, inappropriate anyway. Why can't we

0:42:39.400 --> 0:42:42.759
<v Speaker 3>just get a little peck? Why? Yeah, the kissing on

0:42:42.840 --> 0:42:46.080
<v Speaker 3>the cheek was so awkward. They've gone through this whole

0:42:46.120 --> 0:42:49.120
<v Speaker 3>little journey together and you're gonna kiss her on the cheek,

0:42:49.320 --> 0:42:52.800
<v Speaker 3>and then to find out they actually did film it

0:42:54.200 --> 0:42:54.759
<v Speaker 3>and didn't you.

0:42:54.880 --> 0:42:56.719
<v Speaker 2>So you're asking for an all you're asking for.

0:42:57.080 --> 0:42:59.640
<v Speaker 3>I want to remake. I want them to redo that.

0:42:59.760 --> 0:43:04.759
<v Speaker 3>See for me, the alternate ending, okay, because to me,

0:43:04.880 --> 0:43:07.560
<v Speaker 3>a kiss on the cheek is just so awkward. Okay,

0:43:07.680 --> 0:43:10.200
<v Speaker 3>I guess, especially at that age, I don't think boys

0:43:10.239 --> 0:43:12.200
<v Speaker 3>are going around kissing girls on the cheek.

0:43:12.719 --> 0:43:14.560
<v Speaker 1>Yeah, so you you're well, I'm gonna get you a

0:43:14.600 --> 0:43:18.880
<v Speaker 1>shirt that just says release the kiss cut. Okay, So no,

0:43:19.040 --> 0:43:20.800
<v Speaker 1>I think if you're not gonna have them kiss, I

0:43:20.880 --> 0:43:23.040
<v Speaker 1>agree that to me, a kiss on the cheek is

0:43:23.239 --> 0:43:27.319
<v Speaker 1>like swearing without swearing in movies where they say things

0:43:27.440 --> 0:43:30.719
<v Speaker 1>like crud yeah exactly, where it just doesn't work. So

0:43:32.160 --> 0:43:34.600
<v Speaker 1>you have them look at each other, the lights behind them,

0:43:34.640 --> 0:43:36.600
<v Speaker 1>and then freeze on them looking at each other. You

0:43:36.640 --> 0:43:38.680
<v Speaker 1>don't need any contact if that's what you're gonna do.

0:43:38.880 --> 0:43:43.320
<v Speaker 3>Exactly, I gotcha. Yeah, all right, that that part annoyed me,

0:43:43.680 --> 0:43:46.600
<v Speaker 3>and then it was even more they actually filmed it.

0:43:47.400 --> 0:43:49.440
<v Speaker 1>Yeah, all right, release the kiss cut. I'm giving you

0:43:49.480 --> 0:44:01.080
<v Speaker 1>the shirt, release the kiss cut. Let's do some real Sabrina,

0:44:01.080 --> 0:44:02.319
<v Speaker 1>whyn't you start with our five star?

0:44:02.480 --> 0:44:05.439
<v Speaker 3>I will because I really did like this little movie.

0:44:05.520 --> 0:44:09.160
<v Speaker 3>It was fun for me. Loved. This is from Nicholas p.

0:44:09.520 --> 0:44:12.279
<v Speaker 3>Five stars. Okay, love this movie since I was eight

0:44:12.560 --> 0:44:15.920
<v Speaker 3>and now I'm nineteen. Such an amazing positive approach that

0:44:16.040 --> 0:44:19.160
<v Speaker 3>helps kids and adults see good in life. Also, the

0:44:19.360 --> 0:44:23.680
<v Speaker 3>music is amazing. The movie is worth a try for anyone,

0:44:23.840 --> 0:44:26.120
<v Speaker 3>So if you haven't watched it, go for it. You

0:44:26.200 --> 0:44:30.239
<v Speaker 3>won't be sorry. Solid five star reviews, Solid five. The

0:44:30.360 --> 0:44:32.240
<v Speaker 3>one star review is from Olivia.

0:44:32.040 --> 0:44:37.000
<v Speaker 1>W Olivia's Pisted Olivia's Pet Gotter read this has written

0:44:38.239 --> 0:44:41.520
<v Speaker 1>this film is corrupt and dishonorable. The premise of Morp

0:44:41.640 --> 0:44:44.759
<v Speaker 1>is ludicrous. What happened at tradition promise something that under

0:44:44.840 --> 0:44:47.880
<v Speaker 1>no circumstances should be compromised or altered. There is no

0:44:48.040 --> 0:44:51.239
<v Speaker 1>doubt in my mind that MORP is leftist propaganda made

0:44:51.280 --> 0:44:53.760
<v Speaker 1>to insert the idea of rebellion in our young teens,

0:44:53.880 --> 0:44:57.440
<v Speaker 1>developing minds that said, unless you want your child to

0:44:57.480 --> 0:45:02.319
<v Speaker 1>grow up a loopy, eggheaded liberal, let them watch Radio Rebel.

0:45:04.080 --> 0:45:05.560
<v Speaker 2>Very specific.

0:45:07.200 --> 0:45:10.360
<v Speaker 3>To calm down for five seconds. MORP is something that

0:45:10.560 --> 0:45:13.200
<v Speaker 3>is at so many high schools nowadays.

0:45:13.320 --> 0:45:16.040
<v Speaker 2>So you're yes, wait, Morp's the real thing.

0:45:16.239 --> 0:45:19.200
<v Speaker 3>Yes, don't worry. I'll getting toes because I knew that

0:45:20.239 --> 0:45:21.680
<v Speaker 3>you've been aware of the don't worry.

0:45:21.719 --> 0:45:23.840
<v Speaker 2>Oh no, of course not. You know, Olivia had some

0:45:24.640 --> 0:45:26.120
<v Speaker 2>yeah issues there with the film.

0:45:26.480 --> 0:45:28.759
<v Speaker 3>You know what, I think Olivia was actually the real

0:45:28.800 --> 0:45:29.440
<v Speaker 3>life Stacy.

0:45:30.719 --> 0:45:32.640
<v Speaker 2>That's what I think it is. Yes, I want to

0:45:32.760 --> 0:45:34.680
<v Speaker 2>release the Olivia of the movie.

0:45:34.840 --> 0:45:38.880
<v Speaker 3>The book was written about her and she is still.

0:45:38.719 --> 0:45:39.520
<v Speaker 2>Not with it.

0:45:41.480 --> 0:45:43.319
<v Speaker 1>We're also going to be doing a new feature this week,

0:45:43.360 --> 0:45:48.120
<v Speaker 1>we're calling the even more Warped Tour. So there's a

0:45:48.160 --> 0:45:50.720
<v Speaker 1>bunch of bands that are mentioned this movie, like the G's.

0:45:51.200 --> 0:45:53.319
<v Speaker 1>So I'm going to name a band and you got

0:45:53.400 --> 0:45:55.640
<v Speaker 1>to tell me if it's mentioned as a fictitious band

0:45:55.680 --> 0:45:58.200
<v Speaker 1>in Radio Rebel or someone who played on the infamous

0:45:58.239 --> 0:46:03.480
<v Speaker 1>Warped Tour In twenty twelve, the year the movie was released. Okay,

0:46:04.120 --> 0:46:09.279
<v Speaker 1>all right, first band, name you first Radio Rebel. I'm

0:46:09.320 --> 0:46:11.040
<v Speaker 1>I think it was Radio Rebel as well, wasn't it.

0:46:11.560 --> 0:46:13.880
<v Speaker 4>That is Radio Rebel. It's the first band on the

0:46:13.960 --> 0:46:16.320
<v Speaker 4>T shirt. That that one, That one I gave you

0:46:16.440 --> 0:46:17.200
<v Speaker 4>kind of an easy.

0:46:17.000 --> 0:46:21.560
<v Speaker 2>One, that's what I thought. Okay, really, well you are.

0:46:21.640 --> 0:46:23.080
<v Speaker 2>We're one for one all right.

0:46:23.160 --> 0:46:27.919
<v Speaker 1>The second band, oh, Sleeper, I'm gonna say that's warped

0:46:28.600 --> 0:46:29.600
<v Speaker 1>I don't remember that in the movie.

0:46:29.840 --> 0:46:32.279
<v Speaker 4>Yeah, two for two. That's a warped tour band on

0:46:32.360 --> 0:46:32.720
<v Speaker 4>a street.

0:46:33.040 --> 0:46:41.759
<v Speaker 1>Yes, okay, all right. Band number three, the Smugglers I'm

0:46:41.800 --> 0:46:43.680
<v Speaker 1>gonna say Warped Tour again. That sounds warped Tour.

0:46:43.800 --> 0:46:46.760
<v Speaker 4>I'm gonna say warped Tour to Nope, that's a poster

0:46:46.920 --> 0:46:48.640
<v Speaker 4>in the radio station. That's Radio.

0:46:50.239 --> 0:46:55.160
<v Speaker 1>Radio Rebel poster. Okay, uh, Beabs and Her Moneymakers.

0:46:56.920 --> 0:46:57.839
<v Speaker 2>That's a great name.

0:46:58.239 --> 0:46:58.359
<v Speaker 1>Oh.

0:46:58.440 --> 0:47:00.279
<v Speaker 2>I hope that's a real band. I feel like I

0:47:00.719 --> 0:47:03.359
<v Speaker 2>just because I hope it's real. I'm gonna say warped Tour.

0:47:04.000 --> 0:47:06.120
<v Speaker 4>That's right. They did a handful of dates of Warped Tour.

0:47:06.760 --> 0:47:07.040
<v Speaker 1>Wow.

0:47:08.600 --> 0:47:12.520
<v Speaker 2>Beabs and Her money Maker's great band name nan Cougar.

0:47:13.680 --> 0:47:17.640
<v Speaker 3>Nan Cougar. I didn't see that anywhere either.

0:47:18.200 --> 0:47:21.759
<v Speaker 4>I didn't either, So warp warp to you didn't see

0:47:21.760 --> 0:47:24.640
<v Speaker 4>it because you didn't use AI to enhance her bedroom.

0:47:24.719 --> 0:47:27.200
<v Speaker 4>Because there is a poster for Nan Cougar that I,

0:47:28.200 --> 0:47:34.360
<v Speaker 4>thank god had to do work to find in her bedroom.

0:47:34.440 --> 0:47:37.719
<v Speaker 3>It's a poster in her bedroom. Okay, yeah, this.

0:47:37.960 --> 0:47:41.279
<v Speaker 2>Is what AI should be used. By the way, this,

0:47:41.640 --> 0:47:42.520
<v Speaker 2>this is why we have it.

0:47:42.640 --> 0:47:45.040
<v Speaker 4>Brilliant Enhancing a dcon is worth using AI.

0:47:45.160 --> 0:47:48.759
<v Speaker 1>Yeah, absolutely, And I think I know the last one

0:47:48.800 --> 0:47:50.839
<v Speaker 1>because he mentions Red Letter Day.

0:47:51.120 --> 0:47:53.040
<v Speaker 2>Yes, doesn't he talk about Red Letter Day?

0:47:53.200 --> 0:47:56.440
<v Speaker 3>No, she introduces the band Red Letter Day when she

0:47:56.520 --> 0:47:57.880
<v Speaker 3>tells everyone to wear red.

0:47:58.520 --> 0:48:01.759
<v Speaker 4>Right, Well no, she okay, red Letter Day is from

0:48:02.080 --> 0:48:02.800
<v Speaker 4>is from radio?

0:48:02.920 --> 0:48:05.279
<v Speaker 2>Yeah, but it's because he's he says it to her.

0:48:05.520 --> 0:48:07.840
<v Speaker 4>Correct. He suggests, if you like you first, you'll like

0:48:08.040 --> 0:48:08.759
<v Speaker 4>Red Letter Deck.

0:48:09.120 --> 0:48:10.160
<v Speaker 2>You love Red Letter Day?

0:48:10.200 --> 0:48:12.360
<v Speaker 1>Yes, yeah, that's that's when Stacey then walks over. It's like,

0:48:12.440 --> 0:48:13.719
<v Speaker 1>no band talk because I'm a juror.

0:48:13.880 --> 0:48:17.000
<v Speaker 3>That's not the band that she introduces on the radio though. Yea,

0:48:17.160 --> 0:48:18.680
<v Speaker 3>so it is the same same Okay.

0:48:18.520 --> 0:48:21.040
<v Speaker 2>Yeah, yeah, yes, he tells her about it and then

0:48:21.080 --> 0:48:21.560
<v Speaker 2>she plays it.

0:48:21.560 --> 0:48:24.960
<v Speaker 4>On the Okay, yeah, I'm going to go enhance more dcoms.

0:48:25.080 --> 0:48:28.320
<v Speaker 1>Yeah, go go ai more d cooms because that's awesome Jensen,

0:48:28.360 --> 0:48:28.600
<v Speaker 1>thank you.

0:48:29.000 --> 0:48:30.320
<v Speaker 4>I'll just keep checking posters.

0:48:30.719 --> 0:48:31.480
<v Speaker 3>What's wonderful.

0:48:32.239 --> 0:48:34.520
<v Speaker 2>Beabes and her money Makers is now my favorite thing ever.

0:48:34.560 --> 0:48:35.960
<v Speaker 1>I can't wait to google and listen to the music

0:48:35.960 --> 0:48:38.799
<v Speaker 1>because I'm gonna let's do Sabrina seas.

0:48:42.400 --> 0:48:47.680
<v Speaker 3>All right, Okay, so I've got the main one is

0:48:47.719 --> 0:48:50.000
<v Speaker 3>to talk about more, but I'm gonna go through real

0:48:50.120 --> 0:48:54.880
<v Speaker 3>quick and see which ones. Okay. One thing that hit

0:48:54.920 --> 0:48:56.960
<v Speaker 3>me right from the start, especially since you hated the

0:48:57.080 --> 0:49:00.359
<v Speaker 3>name Gez so much. Did you see the G shirt

0:49:00.440 --> 0:49:03.919
<v Speaker 3>he was wearing in the beginning. It was a pac

0:49:04.080 --> 0:49:08.680
<v Speaker 3>Man shirt. Yes, we're gonna go with his mom. His

0:49:08.880 --> 0:49:12.839
<v Speaker 3>mom ryingstoned with these silver studs, just the G. They

0:49:12.960 --> 0:49:15.520
<v Speaker 3>tried to make the pac Man look like G. That

0:49:15.760 --> 0:49:19.400
<v Speaker 3>was the most hilarious shirt. I mean, I love the

0:49:19.480 --> 0:49:21.359
<v Speaker 3>wardrobe in these movies all the time.

0:49:21.440 --> 0:49:22.040
<v Speaker 2>There's so few.

0:49:22.280 --> 0:49:24.920
<v Speaker 3>Sometimes they are so funny you have to just stop

0:49:25.040 --> 0:49:27.400
<v Speaker 3>and like soak it in. That was one of the

0:49:27.480 --> 0:49:31.160
<v Speaker 3>best shirts ever. And then I do have to say

0:49:31.680 --> 0:49:35.480
<v Speaker 3>this one moment in the movie with her best friend

0:49:35.960 --> 0:49:38.880
<v Speaker 3>where she's out on the grass and she does the

0:49:39.120 --> 0:49:42.160
<v Speaker 3>screaming thing that like a toddler does, where she's like,

0:49:43.920 --> 0:49:47.840
<v Speaker 3>she's gonna scream, and she did. I was appalled for her.

0:49:48.360 --> 0:49:50.640
<v Speaker 3>That would have made me not be your friend for

0:49:50.760 --> 0:49:54.600
<v Speaker 3>at least a three or four day span, because that's

0:49:54.680 --> 0:49:56.759
<v Speaker 3>embarrassing for a mom to have to go through with

0:49:56.800 --> 0:49:58.360
<v Speaker 3>a five year old, but a best friend to go

0:49:58.480 --> 0:50:02.920
<v Speaker 3>through with somebody her own age, that was so so embarrassing.

0:50:03.719 --> 0:50:05.480
<v Speaker 2>I love that you would have sentenced her to three

0:50:05.560 --> 0:50:06.960
<v Speaker 2>or four days of not being your friend.

0:50:07.080 --> 0:50:10.040
<v Speaker 3>Yes, there's just so you understood that that could never

0:50:10.239 --> 0:50:12.320
<v Speaker 3>happen again. We are going to just have some space

0:50:12.719 --> 0:50:15.160
<v Speaker 3>for a good three to four days because really that

0:50:15.719 --> 0:50:18.000
<v Speaker 3>that would have embarrassed me so much, and she did it.

0:50:18.120 --> 0:50:21.440
<v Speaker 2>I can't wait in public together against I'm gonna just yell.

0:50:23.160 --> 0:50:23.399
<v Speaker 4>Something.

0:50:24.000 --> 0:50:26.600
<v Speaker 3>I will take a hiatus from the show. Without a

0:50:26.719 --> 0:50:30.080
<v Speaker 3>doubt you would not do that. That was awful. Okay,

0:50:30.760 --> 0:50:34.520
<v Speaker 3>more so I knew that. I'm like, I can't wait

0:50:34.680 --> 0:50:37.440
<v Speaker 3>to explain more because I don't. I bet you will's

0:50:37.480 --> 0:50:39.440
<v Speaker 3>not going to really actually know that this was a thing.

0:50:39.719 --> 0:50:42.840
<v Speaker 3>This this happened when I was in high school, the

0:50:42.920 --> 0:50:45.120
<v Speaker 3>way they do it here in Orange County, and of

0:50:45.239 --> 0:50:47.799
<v Speaker 3>course there's other ways. I loved the spin that they

0:50:47.840 --> 0:50:50.120
<v Speaker 3>did it where everything was there saying we're gonna flip

0:50:50.200 --> 0:50:52.960
<v Speaker 3>everything upside down, and in the movie the chairs were

0:50:53.000 --> 0:50:56.680
<v Speaker 3>hanging from the ceiling, like they really went to a

0:50:57.080 --> 0:51:01.839
<v Speaker 3>great like extent to do the creation of morp, which

0:51:01.880 --> 0:51:05.719
<v Speaker 3>I love. Morp is obviously prom spelled backwards. So here

0:51:05.800 --> 0:51:09.359
<v Speaker 3>it's the first dance of the year because you end

0:51:09.480 --> 0:51:11.879
<v Speaker 3>with brace, yes, you end with problem, you start with morp.

0:51:12.200 --> 0:51:15.719
<v Speaker 3>It's it's kind of a back to school date. So

0:51:15.920 --> 0:51:18.759
<v Speaker 3>I will send you the two Morphs that I went to.

0:51:19.760 --> 0:51:22.600
<v Speaker 3>One was my freshman year and it's like I had

0:51:22.680 --> 0:51:24.920
<v Speaker 3>all these little butterflies in our hair and we had

0:51:25.320 --> 0:51:28.400
<v Speaker 3>this cute, kind of cute outfit. Right we're freshmen. And

0:51:28.480 --> 0:51:30.840
<v Speaker 3>then the next year when I find when we find

0:51:30.880 --> 0:51:34.360
<v Speaker 3>ourselves and we're not caring to be cute and adorable

0:51:34.560 --> 0:51:38.040
<v Speaker 3>or whatever, we're really just going for fun. Because really

0:51:38.120 --> 0:51:41.600
<v Speaker 3>at my school it was mainly girls that went to it.

0:51:42.200 --> 0:51:42.600
<v Speaker 4>The guys.

0:51:42.719 --> 0:51:45.919
<v Speaker 3>It wasn't a date dance, it was just a group dance.

0:51:45.960 --> 0:51:48.440
<v Speaker 3>It kind of became a group dance. So I went

0:51:48.480 --> 0:51:50.600
<v Speaker 3>with all my girls and we all dressed up like

0:51:50.719 --> 0:51:53.399
<v Speaker 3>our boyfriends. So we all had our big their big

0:51:53.520 --> 0:51:56.759
<v Speaker 3>cargo pants on with socks and their vans and you know,

0:51:56.840 --> 0:52:00.319
<v Speaker 3>their their bats and whatever, and we had the best time.

0:52:00.440 --> 0:52:02.960
<v Speaker 3>It was such a fun time with just the girls.

0:52:03.360 --> 0:52:06.279
<v Speaker 3>So more was one of my favorite dances in high school.

0:52:06.440 --> 0:52:09.240
<v Speaker 2>So I have to ask, did did this movie invent

0:52:09.440 --> 0:52:12.239
<v Speaker 2>morep or was more of a thing considering.

0:52:11.840 --> 0:52:14.440
<v Speaker 3>I graduated ten years earlier than this movie.

0:52:14.719 --> 0:52:17.279
<v Speaker 2>Oh yeah, okay, right, that's right. I keep forgetting that. Yes,

0:52:17.360 --> 0:52:18.840
<v Speaker 2>you're right, Okay, it did not.

0:52:19.400 --> 0:52:23.120
<v Speaker 3>Okay, Morpe was definitely very new when I was in

0:52:23.200 --> 0:52:25.320
<v Speaker 3>high school. For our high school, at least, it wasn't

0:52:25.680 --> 0:52:29.400
<v Speaker 3>done very many times before I was actually in high school.

0:52:29.440 --> 0:52:30.960
<v Speaker 3>So my freshman year, I want to say, it was

0:52:31.000 --> 0:52:32.600
<v Speaker 3>one of the first times it was done, and it

0:52:32.719 --> 0:52:34.880
<v Speaker 3>was a really fun dance and I loved it. And

0:52:34.960 --> 0:52:37.360
<v Speaker 3>I loved it because it wasn't a dance that was

0:52:37.880 --> 0:52:40.960
<v Speaker 3>just for, you know, the date aspect, which all the

0:52:41.040 --> 0:52:43.759
<v Speaker 3>other dances are. This ended up being more of a

0:52:43.800 --> 0:52:45.440
<v Speaker 3>group dance. You don't go with the date, you go

0:52:45.520 --> 0:52:46.800
<v Speaker 3>with a group of people. So it could be a

0:52:46.840 --> 0:52:49.000
<v Speaker 3>group of mix of girls and guys, or there were

0:52:49.080 --> 0:52:52.000
<v Speaker 3>guy groups that went as well. But uh, it was

0:52:52.080 --> 0:52:54.400
<v Speaker 3>so fun. I will send the pictures for you and

0:52:54.600 --> 0:52:58.320
<v Speaker 3>leave the chat so you could see because it's definitely vibes,

0:52:58.480 --> 0:53:02.360
<v Speaker 3>it's cute, and then it's look at us where like

0:53:03.160 --> 0:53:05.240
<v Speaker 3>we're being a lot more funny.

0:53:05.480 --> 0:53:08.880
<v Speaker 2>So okay, I like that. At my school we had bloors,

0:53:09.160 --> 0:53:10.520
<v Speaker 2>but I'm not going to explain what it is.

0:53:13.360 --> 0:53:14.200
<v Speaker 3>So uh.

0:53:16.040 --> 0:53:18.759
<v Speaker 2>We okay, did you have any more sites?

0:53:18.960 --> 0:53:20.560
<v Speaker 3>That's all I already go to you today.

0:53:20.640 --> 0:53:23.480
<v Speaker 2>I love the morphing. So now we have to rate

0:53:23.600 --> 0:53:25.440
<v Speaker 2>the movie one out of ten. And here are the

0:53:25.480 --> 0:53:26.520
<v Speaker 2>options we've got this week.

0:53:27.280 --> 0:53:34.520
<v Speaker 1>Voice distortion, filters, dancing sandwiches, morps, sherry o, terry lookalike, principles,

0:53:35.480 --> 0:53:38.640
<v Speaker 1>over involved moms, or I'm going to add beabs and

0:53:38.719 --> 0:53:39.400
<v Speaker 1>the money makers.

0:53:39.800 --> 0:53:41.279
<v Speaker 3>Let's do beabs and the moneymakers.

0:53:41.960 --> 0:53:45.239
<v Speaker 2>Okay, so how many beabs and the money makers do

0:53:45.320 --> 0:53:46.320
<v Speaker 2>you give this film?

0:53:46.480 --> 0:53:50.960
<v Speaker 3>I felt this movie was an easy watch. It wasn't

0:53:51.239 --> 0:53:55.440
<v Speaker 3>super I got caught up on a few things, you know,

0:53:55.760 --> 0:54:00.720
<v Speaker 3>but mainly the principal drove me nuts. Right, So because

0:54:00.760 --> 0:54:03.120
<v Speaker 3>of her, I'm going to take it down to A seven.

0:54:04.320 --> 0:54:07.080
<v Speaker 1>A seven, okay, not too far apart. I had some

0:54:07.280 --> 0:54:09.960
<v Speaker 1>I had some issues with a lot of the caricatures. Yeah,

0:54:10.000 --> 0:54:12.160
<v Speaker 1>were just very kind of over the top. The end

0:54:12.200 --> 0:54:13.960
<v Speaker 1>didn't make any real sense to me at all.

0:54:14.040 --> 0:54:15.640
<v Speaker 2>I didn't kind of get that. So I'm going to

0:54:15.680 --> 0:54:18.000
<v Speaker 2>give this. I'm going to give it six Beads and

0:54:18.040 --> 0:54:19.000
<v Speaker 2>the money Makers.

0:54:18.880 --> 0:54:21.840
<v Speaker 3>Seven beads and the money makers versus the six beads in.

0:54:21.840 --> 0:54:25.440
<v Speaker 2>The money six bees the money Maker. Yeah, I might

0:54:25.480 --> 0:54:27.719
<v Speaker 2>even go six point five again because the acting was good.

0:54:27.760 --> 0:54:30.000
<v Speaker 3>That that's what kept me going.

0:54:30.080 --> 0:54:33.040
<v Speaker 2>The characters weren't great, but the with the acting was

0:54:33.440 --> 0:54:33.879
<v Speaker 2>not bad.

0:54:33.960 --> 0:54:37.319
<v Speaker 3>The characters that I liked was good. I really really

0:54:37.440 --> 0:54:39.719
<v Speaker 3>loved the way the actors did it. One of my

0:54:39.800 --> 0:54:42.319
<v Speaker 3>favorite things was her best friend when she did her

0:54:42.440 --> 0:54:45.160
<v Speaker 3>monologue for their acting class.

0:54:45.280 --> 0:54:46.759
<v Speaker 2>Great, wasn't she so good?

0:54:47.520 --> 0:54:50.280
<v Speaker 1>They were that the whole I mean again, the characters

0:54:50.320 --> 0:54:52.040
<v Speaker 1>were over the top, but they were written and directed

0:54:52.080 --> 0:54:54.480
<v Speaker 1>that way. The actors were good at pulling them off.

0:54:54.560 --> 0:54:56.399
<v Speaker 1>So I might even go six point five to seven,

0:54:57.239 --> 0:54:58.920
<v Speaker 1>could be seven. Now I'm gonna stick her to six

0:54:58.960 --> 0:55:01.600
<v Speaker 1>point five six point five. I've Beabes and the Money

0:55:01.680 --> 0:55:02.760
<v Speaker 1>you're changing it from.

0:55:02.600 --> 0:55:03.960
<v Speaker 3>The six to six point five.

0:55:04.080 --> 0:55:05.560
<v Speaker 1>Yeah, I'm gonna go to six point five. I kind

0:55:05.600 --> 0:55:08.239
<v Speaker 1>of go up to six point because of the actors. Yeah, yeah,

0:55:08.400 --> 0:55:09.960
<v Speaker 1>and I think that. I think that's good.

0:55:10.040 --> 0:55:11.080
<v Speaker 2>So there you have it.

0:55:11.200 --> 0:55:13.759
<v Speaker 1>We we have put another one in the books, and

0:55:13.880 --> 0:55:17.160
<v Speaker 1>I know everybody's going to be very excited because one

0:55:17.360 --> 0:55:21.680
<v Speaker 1>of the most asked for and I mean far and

0:55:21.760 --> 0:55:24.880
<v Speaker 1>away most asked for films is coming up next. We

0:55:24.960 --> 0:55:28.879
<v Speaker 1>are going to be doing nineteen ninety nine's Xenon Girl

0:55:28.920 --> 0:55:31.279
<v Speaker 1>of the twenty first Century. Yes, we are doing it,

0:55:31.480 --> 0:55:34.359
<v Speaker 1>but before we get to it, we want to kind

0:55:34.360 --> 0:55:37.040
<v Speaker 1>of wet your appetites, and we are talk about Disney Royalty.

0:55:37.160 --> 0:55:39.560
<v Speaker 1>But from the other side of the camera, we're going

0:55:39.640 --> 0:55:43.040
<v Speaker 1>to be talking to Stu Krieger. Now, Stu wrote all

0:55:43.120 --> 0:55:46.440
<v Speaker 1>of the Xenon movies. Yes, he also wrote Going to

0:55:46.520 --> 0:55:51.080
<v Speaker 1>the Mat, Gotta Kick It Up, Smart House, Phantom of

0:55:51.120 --> 0:55:54.200
<v Speaker 1>the Megaplex. I mean, it's like, this guy is responsible

0:55:54.280 --> 0:56:00.400
<v Speaker 1>for a ridiculous number of these d coms, huge, huge,

0:56:00.719 --> 0:56:03.120
<v Speaker 1>huge dcoms. It was a great ada and it's going to.

0:56:03.120 --> 0:56:06.600
<v Speaker 3>Be so exciting to have his take on what it's

0:56:06.760 --> 0:56:09.320
<v Speaker 3>like to be a part of you know this the

0:56:09.480 --> 0:56:14.200
<v Speaker 3>Xenon franchise, you know, watching it from the very beginning.

0:56:14.280 --> 0:56:16.840
<v Speaker 3>We get to talk to the actors after it's already written,

0:56:17.200 --> 0:56:19.640
<v Speaker 3>things have been produced, you know that kind of thing.

0:56:19.760 --> 0:56:22.880
<v Speaker 3>This is from the very beginning, starting starting with just

0:56:22.960 --> 0:56:26.239
<v Speaker 3>page one. That's incredible. What a different ride we're gonna

0:56:26.239 --> 0:56:28.680
<v Speaker 3>hear about. I'm so excited, I cannot wait. It was

0:56:28.719 --> 0:56:29.520
<v Speaker 3>a great interview.

0:56:29.600 --> 0:56:31.640
<v Speaker 1>Actually, we want to play a little bit for you now,

0:56:31.800 --> 0:56:34.400
<v Speaker 1>so check out this little moment with Stu Kreeger.

0:56:36.400 --> 0:56:39.440
<v Speaker 6>Xenon is Eloise at the Plaza on the Space Station.

0:56:40.160 --> 0:56:43.040
<v Speaker 6>And if you know that emblematic kid's book from the fifties,

0:56:43.080 --> 0:56:44.920
<v Speaker 6>it was a kid living at the Plaza Hotel in

0:56:45.000 --> 0:56:47.960
<v Speaker 6>New York, creating mischief and wreaking havoc and getting into

0:56:47.960 --> 0:56:50.799
<v Speaker 6>places she shouldn't be. And I said it's Eloise at

0:56:50.800 --> 0:56:53.280
<v Speaker 6>the Plaza on the Space Station, and they went, you're hired.

0:56:53.680 --> 0:56:53.960
<v Speaker 3>Wow.

0:56:54.680 --> 0:56:57.640
<v Speaker 6>The reason you were hired is eighteen writers before you

0:56:57.840 --> 0:57:00.759
<v Speaker 6>came in and said it's They said it was a

0:57:00.880 --> 0:57:03.359
<v Speaker 6>variation over and over again of its nine O two

0:57:03.400 --> 0:57:06.640
<v Speaker 6>one oh meets Star Trek. Disney Channel would not do

0:57:06.760 --> 0:57:08.960
<v Speaker 6>nine O two one oh Disney Channel would not do

0:57:09.120 --> 0:57:11.799
<v Speaker 6>Star Trek. No, thank you, and you came in and said,

0:57:11.840 --> 0:57:14.439
<v Speaker 6>eloie's at the applause of this on the Space station.

0:57:14.560 --> 0:57:16.440
<v Speaker 4>That's who we are, that's what we do. Boom, let's go.

0:57:18.200 --> 0:57:18.400
<v Speaker 2>Yeah.

0:57:18.480 --> 0:57:20.480
<v Speaker 1>There is plenty more of that and that is going

0:57:20.520 --> 0:57:22.840
<v Speaker 1>to be Monday on the Magical Rewind feed, So go

0:57:23.040 --> 0:57:24.760
<v Speaker 1>and check that out because some of the insights you

0:57:24.840 --> 0:57:26.960
<v Speaker 1>had into some of the biggest dcoms of all time

0:57:27.000 --> 0:57:29.760
<v Speaker 1>were really, really cool, and it was amazing to hear.

0:57:29.720 --> 0:57:31.720
<v Speaker 2>From the beginning. You're exactly what you said, how how

0:57:31.880 --> 0:57:32.560
<v Speaker 2>it all started.

0:57:32.680 --> 0:57:36.200
<v Speaker 1>Yes, so appreciate you sticking with us. Remember to subscribe

0:57:36.240 --> 0:57:38.760
<v Speaker 1>to our feed and you can follow us at Magical

0:57:38.800 --> 0:57:41.680
<v Speaker 1>Rewind Pod on the Instagram machine. Thanks everybody, and we

0:57:41.760 --> 0:57:42.600
<v Speaker 1>will see you next time.

0:57:42.760 --> 0:57:43.360
<v Speaker 3>Bye bye,