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Speaker 1: I have a question okay that I've been thinking about,

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Speaker 1: and I thought about it when I started watching the

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Speaker 1: film that we're going to be recapping today.

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Speaker 2: Okay, because I know you have a.

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Speaker 1: Musical background, and so excluding Cheetah Girls, forget Cheetah Girls,

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Speaker 1: have you ever been in a band?

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Speaker 3: You mean, like a rock band?

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Speaker 2: Yeah? Like a band?

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Speaker 1: Like did you and your friends get together and try

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Speaker 1: to form a group or form a band or a

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Speaker 1: garage band or did you ever do any of that

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Speaker 1: kind of stuff?

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Speaker 3: I did, Actually, it was so quick. It was really

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Speaker 3: early on. I want to say it was in the beginning.

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Speaker 3: I was a freshman or sophomore in high school. I

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Speaker 3: was a part of sort of. It was a manager

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Speaker 3: that knew a bunch of dancers that also sang a

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Speaker 3: bit okay, and tried to form it. But that was

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Speaker 3: really quick and nothing happened. Absolutely nothing happened from it.

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Speaker 2: So no, growing up, did you, like, did you dream

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Speaker 2: of being in one? Where? Did you come up with

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Speaker 2: a name for your own band? Ever a name?

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Speaker 1: No? Yeah, you never got to the naming stage. See,

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Speaker 1: I never learned the music. I just instantly jumped to

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Speaker 1: naming the band I would be in. I never learned

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Speaker 1: how to sing or play instrument, but naming the band I.

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Speaker 4: Was good at.

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Speaker 3: Okay, do you have a couple of them? Are you

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Speaker 3: gonna share it?

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Speaker 4: Oh?

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Speaker 2: Yeah, well no, the one my friend and I.

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Speaker 1: So I was going to sing and I don't sing,

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Speaker 1: And then I was also gonna play bass, and I

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Speaker 1: also don't play bass, nor did I own one at

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Speaker 1: the time, so it was just all right, you're gonna

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Speaker 1: play bass. But we got as far as coming up

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Speaker 1: with the name Rude Awakening.

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Speaker 3: Ooh, that's a good one. Yeah, I do love that. See,

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Speaker 3: we never could agree on anything when I played rock

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Speaker 3: band for a while. I mean, this was a an obsession.

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Speaker 3: That's the way I'm looking for every night occurrence pretty

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Speaker 3: much at my place in LA. I have to say,

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Speaker 3: I gotta throw out a name. And I know it

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Speaker 3: sounds so dumb to do this, but Robert Kardashian was

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Speaker 3: in my band.

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Speaker 2: That's I think you said that before he.

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Speaker 3: Was in my band.

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Speaker 2: It's a great band.

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Speaker 3: I just have some friends that we would go over,

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Speaker 3: you know, after going out to dinner or whatever while

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Speaker 3: I was living in LA that would come over and

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Speaker 3: I had the whole setup. I had the drums, the bass,

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Speaker 3: the main guitar, the mic, the I think at some

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Speaker 3: point there was a piano playing situation, or I might

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Speaker 3: be making that up in my head.

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Speaker 4: I don't know.

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Speaker 3: It was a while ago, but it was so fun

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Speaker 3: and I cannot pass by in an arcade. If that,

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Speaker 3: like guitar hero or rock band is ever there, I can't.

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Speaker 2: You're in.

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Speaker 3: But it's so frustrating now because I used to be

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Speaker 3: on the hard level and I can barely get through

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Speaker 3: the easy level now. I mean even on the easiest

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Speaker 3: of easy songs, I'm terrible at it. It took a

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Speaker 3: lot of work to get good at that game.

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Speaker 1: Well, I'd like to just propose that if you do

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Speaker 1: put the band back together, you call it the cheap Dashians. Thanks,

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Speaker 1: Welcome to Magical Rewind, the show that makes you want

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Speaker 1: I grab your friends, your PJS, and your popcorn and

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Speaker 1: go back to a time when all the houses were smart,

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Speaker 1: the waves, tsunamis and the high School's musical.

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Speaker 2: I'm WILFORDE and.

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Speaker 3: I'm Sabrina Bryan.

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Speaker 1: Oh, strike up the satellites, folks and check your frequencies,

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Speaker 1: because we're taking it to the airwaves with twenty twelve's

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Speaker 1: Disney Channel movie Radio Rebel, Yes, and possibly the only

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Speaker 1: one we can recap that includes the word podcast. And

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Speaker 1: that's very true, right because everything else is too early.

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Speaker 1: Based on the debut novel Shrinking Violet by author Daniel Joseph,

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Speaker 1: is first aired February seventeenth, twenty twelve, to four point

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Speaker 1: three million viewers, which is an impressive number, especially over

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Speaker 1: ten years ago. Now, some of the differences between the

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Speaker 1: book and the movie we will recap, like the book

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Speaker 1: takes place in Miami and her DJ name was Sweet Tea.

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Speaker 1: But as is the case with every Disney film, it's

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Speaker 1: either got sports or music, and this one, of course,

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Speaker 1: is all about music and radio personalities and all that stuff. So,

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Speaker 1: as you can probably guess, Disney Records put out the

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Speaker 1: pop punk Influence soundtrack with three Debbie Ryan who was

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Speaker 1: the star, three DeBie Ryan songs, including a cover of

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Speaker 1: We Got the Beat which was great, and another contributor

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Speaker 1: named Fat Sue.

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Speaker 2: It was shot in Vancouver, Canada, beautiful place.

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Speaker 1: And it's also worth noting this is different than any

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Speaker 1: of the other movies we've covered so far in that

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Speaker 1: it's produced by a third party company. So this was

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Speaker 1: not done in house. This was not a Disney Channel

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Speaker 1: like made at Disney for Disney. This was made by

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Speaker 1: a company called mar Vista and two for the Money Media,

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Speaker 1: and then they sold it to Disney to air in

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Speaker 1: the United States. So very different than the normal kind

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Speaker 1: of Disney machine pumping something out. This movie was made

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Speaker 1: and then sold to Disney for Disney Channel. Also, it's

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Speaker 1: not on Disney Plus, which it was on Disney Plus

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Speaker 1: when we were originally starting to outline what we were

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Speaker 1: going to do and look in and put our list together.

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Speaker 1: It was on Disney Plus then, and then because of

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Speaker 1: all this production stuff, with it being a third party,

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Speaker 1: it probably had a finite life on the Disney Channel.

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Speaker 1: And it is now currently on Peacock and it's on

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Speaker 1: Amazon Prime for free. So you can either watch it

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Speaker 1: there now or take a look look after you listen

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Speaker 1: to us.

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Speaker 2: That's up to you.

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Speaker 1: So first normal question we always asked, had you heard

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Speaker 1: of Radio Rebel before we did this?

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Speaker 3: I had not. I had no idea about it. I did.

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Speaker 3: I obviously assumed we were going to be doing something

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Speaker 3: with the radio station, which I'm so excited. It's always

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Speaker 3: been a dream to do radio station be a DJ,

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Speaker 3: that would be so incredible, But no, I was excited

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Speaker 3: to find out what it was about. Obviously, DeBie Ryan,

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Speaker 3: she's a queen on Disney Channel.

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Speaker 2: Yeah, yeah, huge on Disney Channel.

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Speaker 3: Oh and she's she's actually very comedic, her timing on

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Speaker 3: her the shows where she's very funny, she's awesome. So

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Speaker 3: I was excited, but just had never heard of this one.

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Speaker 2: Yeah, I had neither.

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Speaker 1: I went in completely cold, and then instantly I realized

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Speaker 1: it was a modern day take on Pump Up the Volume.

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Speaker 2: Are you familiar with Pump Up the Volume?

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Speaker 1: No, pump up the volume, Pump up the Christian Slater

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Speaker 1: underground pirate DJ. High school kid. I think it was

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Speaker 1: hig school, high school, early college. Pretty sure it was

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Speaker 1: high school. And it's this same kind of premise, and

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Speaker 1: you know it's Christian Slaters. He's got the kind of

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Speaker 1: come on everybody, you know, he's got that kind of

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Speaker 1: Jack Nicholson vibe about it. And he's the cool guy

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Speaker 1: who's who's is overlooked in school.

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Speaker 2: It's it's this that's awesome.

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Speaker 1: Well, I would argue a better version of this, but

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Speaker 1: then again, it's a Christian Slater movie. He was the

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Speaker 1: biggest one of the biggest stars of the eighties and

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Speaker 1: had a ton of money, so it was it was

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Speaker 1: really really good. But before we make our debut on

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Speaker 1: Seattle's number one destination for rockx slam FM, uh.

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Speaker 2: Let's get into the synopsis.

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Speaker 1: So when high school shy and I'm underlining shy, really

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Speaker 1: really shy girl Ryan goes undercover with a pirate radio

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Speaker 1: persona that allows her to express her true feelings, things

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Speaker 1: get out of hand, putting her prom and true identity

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Speaker 1: at risk.

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Speaker 2: Did you like it?

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Speaker 3: I did? I actually did.

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Speaker 2: Okay.

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Speaker 3: Debbie's just so adorable. It's hard to believe that she

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Speaker 3: is so shy and and you know, being put into

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Speaker 3: this position of not a cool girl because I just

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Speaker 3: find everything about her so cute and adorable and she's

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Speaker 3: the coolest person in the world exactly, and so you know,

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Speaker 3: that was a little bit unbelievable. But yeah, I thought

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Speaker 3: it was. I thought it was really a cute movie.

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Speaker 3: Cute Okay, Okay, I thought it was. Okay, it wasn't

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Speaker 3: my favorite, It wasn't awful. The acting, obviously was very good.

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Speaker 1: The acting we've seen is getting kind of better in

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Speaker 1: a lot of the movies that were going on. Usually

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Speaker 1: I don't have a problem with the acting. The acting

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Speaker 1: was fine. I thought some of the characters were way

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Speaker 1: over the top. I mean, like way way way over

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Speaker 1: the top. But how mean can a bully get? I mean,

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Speaker 1: is are there really girls in school that are that

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Speaker 1: horribly mean as her bully was in this movie?

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Speaker 2: I think a little much.

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Speaker 3: Yes, I mean her outright, like basically calling people peasants

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Speaker 3: and not the not absolutely not. But I think some

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Speaker 3: of the things that she did trapping her in a closet,

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Speaker 3: I don't know if that would happen, but to get

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Speaker 3: back at her through a boy, that's so typical. There's

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Speaker 3: some stuff, but the extreme things of the things she

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Speaker 3: was willing to say outright, she's not whispering them to

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Speaker 3: her friends, she's literally saying it to anyone that's in

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Speaker 3: the room. Are just that that was crazy to me.

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Speaker 1: I thought they were a lot of the anciliary characters

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Speaker 1: went very cartoony.

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Speaker 3: Yeah, the principle was the one for me that just

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Speaker 3: I could not stand. I just had such a hard

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Speaker 3: time with her. Yeah, what they gave her to do too,

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Speaker 3: it was tough.

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Speaker 2: Yeah, no, I agree, And again I didn't dislike it.

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Speaker 2: It just wasn't. It didn't tonally, it didn't seem to

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Speaker 2: know what it was to me.

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Speaker 1: It wasn't really a comedy with wacky characters, and it

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Speaker 1: wasn't really like a it was. You could tell the

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Speaker 1: time this was released seemed to be kind of around

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Speaker 1: the mean girls.

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Speaker 2: Yes, clueless, kind.

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Speaker 1: Of like I know, Clueless was way before that, but

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Speaker 1: it tried to catch that vibe, and I don't think

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Speaker 1: it necessarily did. But anyway, the movie stars a Disney

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Speaker 1: staple and absolutely, as Sabrina said at the beginning, Disney Legend,

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Speaker 1: Debbie Ryan. She plays the painfully shy Tara Adams aka

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Speaker 1: Radio Rebel. This was her third d com with Sixteen

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Speaker 1: Wishes and The Sweet Life Movie in twenty ten and

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Speaker 1: twenty eleven, respectively. She also guest starred on shows like

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Speaker 1: Hannah Montana, Wizards of Waverley Place, and Austin and Ally,

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Speaker 1: and starred in Jesse with Peyton List and Cameron Boyce

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Speaker 1: for four seasons on the Disney Channel. So again, Absolute

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Speaker 1: Disney Royalty. And then there's Adam DeMarco. He's Gavin. He's

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Speaker 1: a member of the G's Not Quite Rude Awakening, who

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Speaker 1: is Smack dab in the middle of a prom or morp,

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Speaker 1: we'll get into that love triangle as the radio rebel

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Speaker 1: love interest. He's also known most recently as Randall on

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Speaker 1: The Order and I'll Be on season two of the

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Speaker 1: hit show White Lotus, so has gone on to a

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Speaker 1: pretty great career. Merritt Patterson plays Stacey, the school's queen

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Speaker 1: bee and mean girl who's obsessed with being the prom queen.

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Speaker 1: And then we have Serena Palmer as Audrey. That's Tara's

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Speaker 1: best friend who helps hide her secret idea wh who I

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Speaker 1: thought was very funny.

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Speaker 2: And then Martin Cummins is Rob lynch Adams.

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Speaker 1: He's TERA's stepfather who runs Slam FM, and he was

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Speaker 1: Mayor Kelly in almost eighty episodes of Riverdale.

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Speaker 2: And I liked what they did with his character.

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Speaker 3: I did too. I liked their relationship.

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Speaker 1: Yes, that that to me was actually one of the

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Speaker 1: nicer relationships of the film, is watching that kind of

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Speaker 1: them learn each other and grow and then she's able

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Speaker 1: to open up to him.

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Speaker 2: It was I liked that. I liked how they went.

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Speaker 3: It's one of our first step relationships. Yeah, they've done

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Speaker 3: the dad one a bunch of times. We've always had

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Speaker 3: a lot to say about this, so I wasn't expecting

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Speaker 3: it to be great, and then it turned out to

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Speaker 3: be a really nice transition, different kind of relationship for

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Speaker 3: us to see. I enjoyed that.

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Speaker 1: I agree the easy writing thing would have made it

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Speaker 1: where he doesn't care about her. She's successful, so we

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Speaker 1: want to keep it going. It's all about slam FM

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Speaker 1: and he was like, you're my stepdaughter.

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Speaker 2: First. I liked that question. Yes, there's a lot.

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Speaker 1: Of other people in this one, with a large majority

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Speaker 1: being local Canadian actors, which you will see a lot

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Speaker 1: of because of lower budgets and rules productions have to

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Speaker 1: follow and shooting U in Canada, you have to do

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Speaker 1: a certain percentage of your cast has to be Canadian

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Speaker 1: actors and that's absolutely the way it should be.

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Speaker 3: Well, it's also cheaper not having them come fly.

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Speaker 1: Stay sure, but it's also like, if you're going to

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Speaker 1: come shoot a movie in our country, you've got to

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Speaker 1: use a group of actors.

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Speaker 2: I think that's I think that's fair.

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Speaker 3: I do too.

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Speaker 1: Yeah, this movie runs just eighty five minutes, five below

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Speaker 1: the target, a number we continue to flirt with, unlike

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Speaker 1: something like say.

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Speaker 2: Fuzzbucket which was nine minutes long.

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Speaker 1: It was directed by Peter Howitt, who directed the nineteen

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Speaker 1: eighty eight Gwyneth Paltrow hit Sliding Doors, also the Julian

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Speaker 1: Moore Pierce Brosnan rom com Laws of Attraction, and the

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Speaker 1: Mister Bean movie Johnny English. If you look at this

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Speaker 1: man's IMDb, it is so strange where it's like you

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Speaker 1: go from Sliding Doors and movies with Pierce Brosen into

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Speaker 1: kind of d cooms and stuff. It is.

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Speaker 2: It's a wild ride in this man's career.

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Speaker 1: It really is. Outside of the original novels writer. The

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Speaker 1: script was written by Eric Patterson and Jessica Scott, who

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Speaker 1: wrote Another Cinderella Story and a Cinderella story Once Upon

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Speaker 1: a Song. So first, I think the way we have

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Speaker 1: to get into this for some of our younger listeners, okay,

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Speaker 1: who are joining our show, let's first discuss what radio is.

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Speaker 2: So radio kids.

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Speaker 1: No, I'm kidding, but I think that in twenty twelve

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Speaker 1: this might have been the last kind of year could

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Speaker 1: have pulled off a movie about radio.

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Speaker 2: Did the girls on your dance team? Does anybody listen

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Speaker 2: to the radio? Do they have favorite DJs? Is this

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Speaker 2: a thing anymore?

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Speaker 1: No?

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Speaker 3: I think everything is basically on Pandora or where you know, Spotify, Apple,

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Speaker 3: iHeart I Heart is probably I would say the biggest.

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Speaker 2: The one that's still going the most, that.

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Speaker 3: Feels most like a radio station type thing.

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Speaker 1: You got Ryan Seacrest thing people like that are still

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Speaker 1: doing and Mario Lopez and.

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Speaker 3: Stuff, but it's still streaming. You still do not have

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Speaker 3: to turn on a radio. You know specifically you can,

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Speaker 3: but you don't have to. You can stream it on

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Speaker 3: your phone, you know, anywhere you are, your computer, anywhere,

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Speaker 3: which is so different than having to be at either

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Speaker 3: your car or in your your house to like tune

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Speaker 3: into a radio station.

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Speaker 1: It's my wife and I were on a walk this morning.

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Speaker 1: It took two of us to answer a text on

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Speaker 1: her watch. Oh that's all I have to say about that. Yeah,

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Speaker 1: so that's what You're absolutely right. It was all streaming

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Speaker 1: and everything. So so then yes, this is probably the

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Speaker 1: last year that they can pull off a movie about

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Speaker 1: an actual DJ or what would be DJ If they

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Speaker 1: were going to make the monitor equivalent of this, it

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Speaker 1: would be something like a podcast, right, or you know,

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Speaker 1: a podcast that all the kids are listening to, or

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Speaker 1: something they can stream. But then a lot of the

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Speaker 1: instant we oh, it has to go live, you need

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Speaker 1: to be here at such and such a time, that

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Speaker 1: kind of goes away. Yes, a lot of the problems

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Speaker 1: and difficulties that she finds during this film wouldn't exist

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Speaker 1: because she could prerecord a bunch of stuff and do

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Speaker 1: ten podcast episodes and walk away, which you can't do anymore.

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Speaker 1: It's what we, my friends and I call the public

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Speaker 1: phone problem, where in the eighties there are so many

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Speaker 1: eighties movies just about we can't find a telephone that works.

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Speaker 3: Yes, and you said you that those movies now would

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Speaker 3: be five minutes long at the most.

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Speaker 2: They would you pick up your cell phone and you

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Speaker 2: call somebody and you're done.

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Speaker 3: Or back when I was younger, it was the pager.

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Speaker 3: You could you had a pager so your parents could

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Speaker 3: could get a hold of you. They'd send a certain

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Speaker 3: message to call back them when they needed you, and

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Speaker 3: you had to find a phone so you were at

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Speaker 3: your friend's house or whatever.

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Speaker 2: Yeah, you know, nobody does that anymore, no one.

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Speaker 1: There is a whole thing about how kids no longer

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Speaker 1: have to speak to their friend's parents anymore. Because you

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Speaker 1: used to call the house and say hello, mister Johnson

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Speaker 1: is john there? Can I please talk to him? Although

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Speaker 1: that'd be terrible for his name is actually Johnson, but

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Speaker 1: it is they don't have to do that anymore. You

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Speaker 1: just call your friend, you hit your friend up, and

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Speaker 1: that's right. So they've they've skipped a step. Yeah, did

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Speaker 1: you have trouble buying it? So the premise you have

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Speaker 1: to buy into right away with this movie, and they

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Speaker 1: really pushed it far and I get it is that

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Speaker 1: Tara is so shot that she can't speak to most people.

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Speaker 1: And that's not hyperbole. She literally can't speak. She can

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Speaker 1: talk to her best friend, right, and the two twins

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Speaker 1: that are there, but she can't talk to any of

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Speaker 1: the other kids in school, her stepdad. She literally can't

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Speaker 1: form words.

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Speaker 2: Were you okay with that?

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Speaker 3: I watched Big Bang Theory, and there's a character in

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Speaker 3: Big Bang that can't. I think it would need so

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Speaker 3: much more of a pre story type thing to actually

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Speaker 3: believe it, or to see it happen over and over again.

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Speaker 3: And I think it doesn't happen enough, you know, I

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Speaker 3: think it like it needs to be a lot more.

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Speaker 3: It needs to be where you can really realize. I

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Speaker 3: didn't understand that until a second time I watched it.

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Speaker 3: I just thought she was shy, and I thought she

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Speaker 3: was shy around boys. Okay, that's normal. But the idea

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Speaker 3: that this character cannot speak who she basically freezes completely

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Speaker 3: shuts down.

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Speaker 1: Yeah, I mean, it's a real thing, but it's I

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Speaker 1: would I agree with you. I would like to have

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Speaker 1: seen that set up a little because like thirty to

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Speaker 1: forty percent of this film is convincing people that she's

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Speaker 1: so shy, right, that she couldn't be Radio rebel because

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Speaker 1: she literally can't.

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Speaker 3: And you don't get that again, She's just I mean,

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Speaker 3: it's just hard to believe with just that just was tough.

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Speaker 3: That was really hard to put in to my brain that, oh,

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Speaker 3: she's not speaking at all. Yeah, she must she might

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Speaker 3: have only she might need to get rid of the

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Speaker 3: twin friends. It really just be one friend, right.

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Speaker 1: Yeah, the twin friend with those were that was another

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Speaker 1: very cartoony pair of it was I'm a cartoony.

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Speaker 2: A lot of the extra characters.

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Speaker 3: They showed up in the elevator with the outfit, the

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Speaker 3: red alphant I died.

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Speaker 1: Oh, they were very funny. I love the dewey Can

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Speaker 1: you tell us apart? It's like you are fraternal Twitter, you're.

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Speaker 5: Not even near again identical, but one extras agree with

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Speaker 5: you one hundred percent.

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Speaker 1: One extra scene of her mom may be saying like,

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Speaker 1: why don't you try to talk to somebody today, or

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Speaker 1: sitting with a counselor saying I want you to say

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Speaker 1: one thing to one person today.

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Speaker 2: That's your whole goal today.

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Speaker 1: Because then it that contrast between her when she then

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Speaker 1: becomes Radio Rebel, where she puts she instantly snaps into Okay,

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Speaker 1: this is my happy place, and when I'm in front

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Speaker 1: of the microphone, I'm in my bedroom. This is my

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Speaker 1: happy place. I can say all the things I couldn't

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Speaker 1: say today. I would just love to have seen a

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Speaker 1: little more of that than just I can't talk to

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Speaker 1: this guy.

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Speaker 2: To Gavin, you know it did it didn't really.

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Speaker 3: I don't think it read as well as it There

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Speaker 3: might have been another way to do it, to make

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Speaker 3: it read and be understood just a little bit more.

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Speaker 2: I agree.

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Speaker 1: And so of course the show she's doing, which she

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Speaker 1: does live from her bedroom, takes off in popularity. Everybody

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Speaker 1: is starting to love this show. They're trying to figure

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Speaker 1: out who Radio Rebel is, and she's obviously staying as

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Speaker 1: anonymous as she can, and it's easy to overlook her.

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Speaker 1: That's they've set that up, because this person who talks

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Speaker 1: so eloquently on the radio every week, who it seems

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Speaker 1: to get us, knows exactly what we're going through, speaking

400
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Speaker 1: right to us, can't possibly be the girl who can't

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Speaker 1: form words in front of anybody. It turns out, of course,

402
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Speaker 1: that her stepdad, which is we talked about a little

403
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Speaker 1: bit before there runs or is a like a managing

404
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Speaker 1: director at the biggest radio station in Seattle, SLAMM huge,

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Speaker 1: and so again, I found it interesting that she let

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Speaker 1: the persona drop, so she instantly the first real scene

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Speaker 1: that we have with the stepfather and her, she gives

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Speaker 1: up that she's radio rebels cut out.

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Speaker 2: It's so fast.

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Speaker 3: I was not ready for that. I thought this was

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Speaker 3: going to go on for a while. We're five minutes

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Speaker 3: into the movie. She has to, you know, he comes

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Speaker 3: to her door. She doesn't. Again, she doesn't look like

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Speaker 3: she doesn't want It didn't come off that she could

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Speaker 3: not talk to him. It was like she was uncomfortable

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Speaker 3: and just didn't want to talk to him, which most

417
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Speaker 3: teenagers are. I feel that's what I hear at that age,

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Speaker 3: they get out of my room. This is my personal space,

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Speaker 3: this is my safe I don't be in here. But

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Speaker 3: it's I mean, that happens so fast. That happened so

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Speaker 3: so fast, I couldn't believe it.

422
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Speaker 2: But I also like, you know, how I read it,

423
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Speaker 2: which I kind of liked.

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Speaker 1: I read it to where she would rather give up

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Speaker 1: her identity in front of her new stepdad than than

426
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Speaker 1: leave dead air on her radio show. True, like it

427
00:19:44,480 --> 00:19:47,800
Speaker 1: was more important to get to speak to the listeners

428
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Speaker 1: than it was for this guy, not to realize. And

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Speaker 1: of course he, you know, offers her a slot at

430
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Speaker 1: the station, because why not. She's hugely popular, she's hip,

431
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Speaker 1: everybody's loving her so great.

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Speaker 2: She is now going to be on.

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Speaker 3: The radio.

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Speaker 1: And by the way, we mentioned in the book that

435
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Speaker 1: her DJ name was Sweet Tea. I asked you at

436
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Speaker 1: the beginning what your band name would be? Do you

437
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Speaker 1: have a persona? You'd be like, what would your DJ

438
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Speaker 1: name be?

439
00:20:15,280 --> 00:20:19,200
Speaker 3: I don't see, I don't know, I don't I don't know.

440
00:20:21,400 --> 00:20:24,840
Speaker 3: I was younger, So my nickname when I was younger

441
00:20:25,119 --> 00:20:28,200
Speaker 3: was Brie. I got called like when I was really

442
00:20:28,280 --> 00:20:30,800
Speaker 3: little by my family, and my family still calls me

443
00:20:30,920 --> 00:20:33,320
Speaker 3: Brie A lot of times. Some of my close friends

444
00:20:33,400 --> 00:20:37,639
Speaker 3: call me Bri, so it'd probably maybe be along the

445
00:20:37,760 --> 00:20:39,280
Speaker 3: lines of something with Bri in it.

446
00:20:39,440 --> 00:20:41,800
Speaker 1: I think, yeah, well, I got depending on when your

447
00:20:41,800 --> 00:20:43,520
Speaker 1: time slot is, if you're at three, then it's be

448
00:20:43,640 --> 00:20:44,240
Speaker 1: with Brie at three.

449
00:20:44,359 --> 00:20:45,280
Speaker 2: Would be incredible.

450
00:20:46,320 --> 00:20:47,720
Speaker 3: Yeah, I mean that, I love that.

451
00:20:47,920 --> 00:20:51,520
Speaker 2: I love come on, I would be Will the Will

452
00:20:51,720 --> 00:20:52,240
Speaker 2: for dell.

453
00:20:53,680 --> 00:20:53,720
Speaker 3: It.

454
00:20:54,000 --> 00:20:57,240
Speaker 1: It's just easier for people to run, right. But she

455
00:20:57,560 --> 00:20:59,960
Speaker 1: quickly builds her audience up, so she starts the show,

456
00:21:00,000 --> 00:21:03,320
Speaker 1: so she moves over there again. They show her in

457
00:21:03,359 --> 00:21:06,520
Speaker 1: the booth for the first time ever, and she's very,

458
00:21:06,640 --> 00:21:09,479
Speaker 1: very nervous. The thing that threw me was her engineer

459
00:21:09,520 --> 00:21:12,000
Speaker 1: who's now her best friend, saying down you're on in fifteen.

460
00:21:12,680 --> 00:21:15,600
Speaker 1: I assumed that was fifteen minutes and she had some time,

461
00:21:15,640 --> 00:21:18,879
Speaker 1: and she starts pounding down fourteen thirteen. I was like, oh,

462
00:21:18,920 --> 00:21:19,840
Speaker 1: it's fifteen seconds.

463
00:21:20,200 --> 00:21:21,720
Speaker 3: She doesn't have a lot of time and she just

464
00:21:22,160 --> 00:21:24,080
Speaker 3: just had told her to practice. That was one of

465
00:21:24,160 --> 00:21:27,000
Speaker 3: my sees. Ye, the British sees. You literally told me

466
00:21:27,119 --> 00:21:28,840
Speaker 3: to practice and she said, okay, I'm going to try

467
00:21:28,880 --> 00:21:31,600
Speaker 3: to do put on a music and she's like, great.

468
00:21:31,520 --> 00:21:36,520
Speaker 1: You're on in fifteen fourteen Wait wait wait, she hit

469
00:21:36,600 --> 00:21:38,359
Speaker 1: one button and then it's like, you're on in fifteen

470
00:21:38,400 --> 00:21:39,040
Speaker 1: go what?

471
00:21:40,400 --> 00:21:43,080
Speaker 2: But she ends up again. The audience is starting to build.

472
00:21:43,200 --> 00:21:45,800
Speaker 1: The kids in school are starting to really get into this,

473
00:21:45,880 --> 00:21:47,560
Speaker 1: The kids all over Seattle are starting to really get

474
00:21:47,600 --> 00:21:50,879
Speaker 1: into us. And she is now starting to drop little

475
00:21:51,000 --> 00:21:54,320
Speaker 1: what we would call easter eggs into her show to say,

476
00:21:54,480 --> 00:21:56,440
Speaker 1: like to affect what's going on in her life. So

477
00:21:57,000 --> 00:21:59,320
Speaker 1: let's everybody wear red tomorrow because that'll show that we're

478
00:21:59,320 --> 00:22:01,000
Speaker 1: all in this together. And then the whole school is

479
00:22:01,040 --> 00:22:03,440
Speaker 1: filled with red. You know, let's all do that. We're

480
00:22:03,440 --> 00:22:05,000
Speaker 1: having a dance party. So they're all kind of doing

481
00:22:05,040 --> 00:22:06,960
Speaker 1: that kind of stuff. But one of the things she

482
00:22:07,080 --> 00:22:09,919
Speaker 1: does is the guy she has a crush on leaves

483
00:22:10,040 --> 00:22:14,200
Speaker 1: a demo CD and she picks it up, which is

484
00:22:14,240 --> 00:22:20,480
Speaker 1: again by the horribly named band the G's, and plays

485
00:22:20,520 --> 00:22:22,800
Speaker 1: it and they start to become very, very big. It

486
00:22:22,920 --> 00:22:26,679
Speaker 1: leads to a spontaneous dance mid class to release all

487
00:22:26,720 --> 00:22:29,280
Speaker 1: these pent up emotions, and of course this catches the

488
00:22:29,359 --> 00:22:36,840
Speaker 1: attention of the most animated principle and it seemed like

489
00:22:36,920 --> 00:22:38,520
Speaker 1: she was in a movie for like seven year olds.

490
00:22:38,560 --> 00:22:41,520
Speaker 1: It really did like the wacky principle, and it wasn't

491
00:22:41,600 --> 00:22:43,680
Speaker 1: that she was unfunny, it just seemed like she was

492
00:22:43,760 --> 00:22:46,280
Speaker 1: in a completely different movie, principal movie.

493
00:22:46,320 --> 00:22:53,160
Speaker 3: Besides the Twins. No one was really at that quirky animated. Yes,

494
00:22:54,160 --> 00:22:57,040
Speaker 3: you know, no one's characters really seem like that. Maybe

495
00:22:57,720 --> 00:22:59,840
Speaker 3: the one that helps out our villain.

496
00:23:00,560 --> 00:23:02,080
Speaker 2: Oh, the bad Girl's.

497
00:23:01,920 --> 00:23:03,000
Speaker 3: Stacy's best friend.

498
00:23:03,240 --> 00:23:04,920
Speaker 2: Yeah, yeah, you know, I don't know.

499
00:23:05,080 --> 00:23:07,720
Speaker 3: Maybe she was a little big, but not really, you know,

500
00:23:07,840 --> 00:23:11,080
Speaker 3: everyone was. She just was over over the top.

501
00:23:11,119 --> 00:23:11,880
Speaker 2: They're over the top.

502
00:23:11,960 --> 00:23:14,560
Speaker 1: I agree, and that's her best friend. That the best

503
00:23:14,600 --> 00:23:17,800
Speaker 1: Stacy's best friend could be a very fun character. A

504
00:23:17,880 --> 00:23:20,399
Speaker 1: girl who has her own personal assistant in school is

505
00:23:20,520 --> 00:23:23,560
Speaker 1: very fun. But again, everything was just kind of outlandish.

506
00:23:23,640 --> 00:23:28,280
Speaker 1: So so eventually Radio Rebel has to come clean because

507
00:23:28,320 --> 00:23:31,000
Speaker 1: even her best friend Audrey doesn't know who she is.

508
00:23:31,200 --> 00:23:34,600
Speaker 1: Eventually she comes clean, and now so she's got somebody

509
00:23:34,640 --> 00:23:36,560
Speaker 1: else on her side who's helping her out with everything,

510
00:23:37,040 --> 00:23:40,520
Speaker 1: and the team is now in place to keep her

511
00:23:40,560 --> 00:23:44,680
Speaker 1: anonymity while she is also growing in popularity and starting

512
00:23:44,720 --> 00:23:45,760
Speaker 1: to affect the school around her.

513
00:23:45,800 --> 00:23:48,560
Speaker 3: Stepdad has said that he wants to keep that together right,

514
00:23:48,600 --> 00:23:50,959
Speaker 3: which is great, which was big, but also a lot

515
00:23:51,000 --> 00:23:54,000
Speaker 3: of pressure because now it's not just her because she's embarrassed,

516
00:23:54,040 --> 00:23:56,880
Speaker 3: and now it's he goes through this whole like little

517
00:23:56,960 --> 00:23:59,080
Speaker 3: teeny tiny monolog of saying like, you know, I could

518
00:23:59,119 --> 00:24:00,760
Speaker 3: lose my job, no big deal, no pressure.

519
00:24:01,160 --> 00:24:05,160
Speaker 1: Oh okay, okay, yeah, but it's like it's but it's

520
00:24:05,200 --> 00:24:07,320
Speaker 1: like you're more important, and I like that that you

521
00:24:07,440 --> 00:24:10,040
Speaker 1: are more important. You're more important than being able to

522
00:24:10,040 --> 00:24:14,080
Speaker 1: feed the family if I was with it, which is fine. Uh,

523
00:24:14,560 --> 00:24:18,320
Speaker 1: another question for you, did you find the voice that

524
00:24:18,480 --> 00:24:21,040
Speaker 1: she was talking with and then the voice that went

525
00:24:21,080 --> 00:24:22,800
Speaker 1: out on the radio were that different?

526
00:24:24,080 --> 00:24:26,959
Speaker 3: No, you mean as far as it is it concealing

527
00:24:27,080 --> 00:24:27,720
Speaker 3: who she was.

528
00:24:28,280 --> 00:24:31,800
Speaker 2: Yeah, she uses a voice modulator, and it didn't seem

529
00:24:31,840 --> 00:24:32,399
Speaker 2: like it was all that.

530
00:24:32,600 --> 00:24:34,959
Speaker 3: That was one of the things that I saw too.

531
00:24:36,960 --> 00:24:39,760
Speaker 3: That's okay, because I wanted to make sure I'm glad

532
00:24:39,800 --> 00:24:42,680
Speaker 3: that you're hearing it too, because she was supposed to

533
00:24:42,760 --> 00:24:45,600
Speaker 3: be using something to make her voice sound different so

534
00:24:45,760 --> 00:24:48,760
Speaker 3: much that when her her twin best friends have some

535
00:24:49,000 --> 00:24:51,919
Speaker 3: kind of you know, they've they're computer guys.

536
00:24:52,359 --> 00:24:54,760
Speaker 2: They built a program or sign something, yeah.

537
00:24:54,960 --> 00:24:59,000
Speaker 3: Program something to try to expose her. There's a moment

538
00:24:59,160 --> 00:25:03,120
Speaker 3: where that's when I went, oh, wow, okay, so she's

539
00:25:03,160 --> 00:25:05,680
Speaker 3: supposed to sound a lot different, and she really does it.

540
00:25:05,840 --> 00:25:08,160
Speaker 3: I agree, her voice might be a little bit more

541
00:25:08,280 --> 00:25:10,000
Speaker 3: raspy on the radio than it was.

542
00:25:10,160 --> 00:25:12,280
Speaker 1: They made it a little more sultry, a little more raspy,

543
00:25:12,320 --> 00:25:14,480
Speaker 1: which I also kind of thought was a weird choice

544
00:25:14,560 --> 00:25:17,080
Speaker 1: to make her almost like a like a sexy DJ.

545
00:25:17,280 --> 00:25:21,040
Speaker 2: It was a little strange, it was, But I yes,

546
00:25:21,119 --> 00:25:24,280
Speaker 2: I didn't think the voice was was different enough. But

547
00:25:25,720 --> 00:25:29,280
Speaker 2: and again, why she's now she's on buses.

548
00:25:29,640 --> 00:25:32,280
Speaker 1: There's pictures, not pictures of her, but who is Radio

549
00:25:32,320 --> 00:25:34,480
Speaker 1: rebel is kind of everywhere, And you figure you could

550
00:25:34,480 --> 00:25:36,159
Speaker 1: just stand outside the station and watch her walk in,

551
00:25:36,240 --> 00:25:37,919
Speaker 1: which they tried to do later I think, but.

552
00:25:39,800 --> 00:25:40,320
Speaker 2: Yeah, didn't.

553
00:25:40,800 --> 00:25:42,760
Speaker 1: She was hiding her identity, But it wouldn't have been

554
00:25:42,960 --> 00:25:45,280
Speaker 1: that difficult to find out because she says, I'm recording

555
00:25:45,320 --> 00:25:48,280
Speaker 1: here at such a right time exactly. It's like you

556
00:25:48,280 --> 00:25:50,919
Speaker 1: would know when she was there. But things even get

557
00:25:51,000 --> 00:25:53,840
Speaker 1: worse for Tara as radio rebel, who's just spilling all

558
00:25:53,840 --> 00:25:56,640
Speaker 1: of her emo feelings on the air, making the principal

559
00:25:56,720 --> 00:26:00,480
Speaker 1: even angrier. She then the Principle threatens to expell any

560
00:26:00,520 --> 00:26:02,800
Speaker 1: students for listening to the show or anyone involved in

561
00:26:02,920 --> 00:26:07,400
Speaker 1: concealing the host's identity. And if that's not hard enough,

562
00:26:07,480 --> 00:26:10,320
Speaker 1: prom is also coming up, and Tara's arch nemesis, Stacy

563
00:26:10,480 --> 00:26:14,840
Speaker 1: is already taking Gavin right, who Tara obviously likes, and

564
00:26:14,920 --> 00:26:18,640
Speaker 1: Gavin is a cool guy, and it seems like Gavin

565
00:26:18,800 --> 00:26:23,200
Speaker 1: and Tara have a lot in common. They like talking

566
00:26:23,240 --> 00:26:26,280
Speaker 1: about kind of obscure bands or into indie stuff, and

567
00:26:26,560 --> 00:26:28,280
Speaker 1: you can see Stacy doesn't like that. And I think

568
00:26:28,320 --> 00:26:30,320
Speaker 1: one of the other reasons that Gavin and Stacey wouldn't

569
00:26:30,359 --> 00:26:32,400
Speaker 1: work is because that's also the name of a very

570
00:26:32,520 --> 00:26:36,320
Speaker 1: popular Welsh sitcom Gavin and Stacey look it up, great show,

571
00:26:37,000 --> 00:26:43,680
Speaker 1: It's true. So, again making things worse, Principal Mareno decides

572
00:26:44,200 --> 00:26:46,879
Speaker 1: if Rebel, if somebody doesn't come forward and say who

573
00:26:46,960 --> 00:26:49,399
Speaker 1: Radio Rebel is, or if Radio Rebel doesn't give herself up,

574
00:26:50,080 --> 00:26:54,880
Speaker 1: she's canceling the prom. Yes, which the only thing going

575
00:26:54,960 --> 00:26:56,840
Speaker 1: through my head, as the son of two lawyers, is

576
00:26:57,119 --> 00:27:00,600
Speaker 1: I'm not sure that's legal. I don't think you can

577
00:27:00,760 --> 00:27:05,480
Speaker 1: cancel a school event based on something not happening on

578
00:27:05,600 --> 00:27:09,200
Speaker 1: school ground. So I'm going and making a radio show

579
00:27:10,200 --> 00:27:13,359
Speaker 1: that kids are listening to good point at home at

580
00:27:13,440 --> 00:27:16,640
Speaker 1: six pm or whatever. You can't now cancel school functions

581
00:27:16,640 --> 00:27:18,480
Speaker 1: because you don't like something that's not taking place on

582
00:27:18,560 --> 00:27:19,159
Speaker 1: school grounds.

583
00:27:19,400 --> 00:27:21,120
Speaker 2: I don't think you're allowed to do that. I could

584
00:27:21,160 --> 00:27:23,639
Speaker 2: be wrong. And if you are a lawyer in the

585
00:27:23,680 --> 00:27:24,480
Speaker 2: prom world.

586
00:27:24,359 --> 00:27:27,959
Speaker 3: Let us know it not happening on school grounds. Yes,

587
00:27:28,040 --> 00:27:31,679
Speaker 3: I think that's a huge thing. You also cannot confiscate

588
00:27:32,359 --> 00:27:35,280
Speaker 3: items from a kid and never give them back, which

589
00:27:35,359 --> 00:27:37,960
Speaker 3: is what it seems like. I got my cell phone

590
00:27:38,000 --> 00:27:41,400
Speaker 3: taken away from me almost every day in second period

591
00:27:42,400 --> 00:27:45,639
Speaker 3: my senior year, and every day I had to go

592
00:27:46,240 --> 00:27:48,000
Speaker 3: and get it back at the end of the day,

593
00:27:48,600 --> 00:27:50,440
Speaker 3: and it got so bad that my mom had to

594
00:27:50,600 --> 00:27:51,600
Speaker 3: And at that point it.

595
00:27:51,720 --> 00:27:54,119
Speaker 2: Was why were you on what was second period? What

596
00:27:54,160 --> 00:27:56,000
Speaker 2: were you learning? And why were you on your phone

597
00:27:56,040 --> 00:27:56,480
Speaker 2: the whole time?

598
00:27:56,560 --> 00:28:01,320
Speaker 3: Sabrina economics class and my boyfriend at the time always

599
00:28:01,400 --> 00:28:02,400
Speaker 3: called me during.

600
00:28:02,240 --> 00:28:04,879
Speaker 2: That time, so he got me in trouble, and you

601
00:28:04,920 --> 00:28:05,840
Speaker 2: would answer.

602
00:28:05,640 --> 00:28:07,440
Speaker 3: No, I would just forget to turn my phone on

603
00:28:07,640 --> 00:28:11,920
Speaker 3: ring like, oh, it would be on either vibrate or

604
00:28:12,160 --> 00:28:13,680
Speaker 3: I wouldn't turn it off, which I should have just

605
00:28:13,760 --> 00:28:16,879
Speaker 3: turned it off. So still my bad. I was a knucklehead.

606
00:28:17,160 --> 00:28:21,160
Speaker 3: But you can't just take somebody's actual phone away, nor

607
00:28:21,280 --> 00:28:23,919
Speaker 3: can you do what however, they're listening to the radio there.

608
00:28:23,880 --> 00:28:27,240
Speaker 1: Oh no, she had several thousand dollars worth of iPods

609
00:28:27,320 --> 00:28:29,119
Speaker 1: and earbuds and every other thing.

610
00:28:29,320 --> 00:28:32,879
Speaker 2: So yeah, which is which is nuts? So but this

611
00:28:33,240 --> 00:28:33,680
Speaker 2: this works.

612
00:28:33,720 --> 00:28:36,320
Speaker 3: But this lady's on a power trip regardless, and it works.

613
00:28:36,600 --> 00:28:37,560
Speaker 2: Yes, and it works.

614
00:28:37,840 --> 00:28:41,040
Speaker 1: The student body is now has turned on Radio Radio Rebel.

615
00:28:41,400 --> 00:28:44,920
Speaker 1: They are furious, they want their prom. Tara is now

616
00:28:45,080 --> 00:28:48,520
Speaker 1: completely defeated. She's taking calls from angry classmates and she's

617
00:28:48,560 --> 00:28:50,240
Speaker 1: ready to give it up and drop the whole act.

618
00:28:50,320 --> 00:28:53,320
Speaker 2: But then so bad for her. She has a plan,

619
00:28:53,560 --> 00:28:54,680
Speaker 2: so yeah, there's a plan.

620
00:28:55,080 --> 00:28:58,520
Speaker 3: There's a plan, and that plan there's a plan is morp.

621
00:28:59,040 --> 00:29:01,840
Speaker 2: Yes, the plan is more and MORP, of course is

622
00:29:01,920 --> 00:29:02,720
Speaker 2: prom backwards.

623
00:29:02,760 --> 00:29:05,040
Speaker 1: So students can wear casual clothes, they can dance however

624
00:29:05,080 --> 00:29:07,520
Speaker 1: they want, and most importantly, they can listen to any

625
00:29:07,640 --> 00:29:10,440
Speaker 1: radio show their heart desires. And add to this pressure,

626
00:29:10,520 --> 00:29:14,160
Speaker 1: Radio Rebel has now been nominated Radio Rebel not terrible,

627
00:29:14,920 --> 00:29:18,560
Speaker 1: but Radio Rebel has been nominated for prom Queen against

628
00:29:18,600 --> 00:29:21,360
Speaker 1: her number one enemy, Stacey, who has been.

629
00:29:21,360 --> 00:29:26,040
Speaker 2: Lobbying and lobbying and lobbying to.

630
00:29:26,520 --> 00:29:30,440
Speaker 1: Get I mean, just man, did she just like Sean

631
00:29:30,600 --> 00:29:34,480
Speaker 1: Young trying to be catwoman? She is lobbying to be

632
00:29:35,040 --> 00:29:35,600
Speaker 1: prom queen.

633
00:29:35,680 --> 00:29:40,040
Speaker 2: I'm telling you yeah, and so who's going to be

634
00:29:40,120 --> 00:29:40,560
Speaker 2: more queen?

635
00:29:40,600 --> 00:29:44,200
Speaker 1: And she even says, well, if radio Rebel wins, who's

636
00:29:44,200 --> 00:29:46,360
Speaker 1: going to accept the crown? I could be expelled. And

637
00:29:46,480 --> 00:29:49,120
Speaker 1: it's like, well, then don't just don't accept the crowns

638
00:29:49,680 --> 00:29:50,960
Speaker 1: You're you're anonymous.

639
00:29:51,680 --> 00:29:53,960
Speaker 3: That seems like an easy answer to me.

640
00:29:54,120 --> 00:30:00,360
Speaker 2: Will answer, yes. Okay.

641
00:30:00,440 --> 00:30:03,520
Speaker 1: So one thing we haven't mentioned yet through the entire conversation.

642
00:30:03,560 --> 00:30:06,560
Speaker 1: We've talked about her stepdad, who we both really liked

643
00:30:06,600 --> 00:30:07,880
Speaker 1: what they did in that character.

644
00:30:08,840 --> 00:30:12,520
Speaker 2: We haven't talked about her mom, No, who was what

645
00:30:12,880 --> 00:30:18,000
Speaker 2: a quack I mean just overly involved mom, which is

646
00:30:18,040 --> 00:30:20,840
Speaker 2: a new Decom trope we haven't seen yet, like like

647
00:30:21,080 --> 00:30:23,960
Speaker 2: overly overly, overly involved in her life, to.

648
00:30:24,000 --> 00:30:28,280
Speaker 3: The point where she says she's so excited that she, well,

649
00:30:28,480 --> 00:30:33,640
Speaker 3: not Tara, but her persona radio rebel, has been nominated

650
00:30:33,760 --> 00:30:37,440
Speaker 3: that she says she doesn't even care if she gets expelled.

651
00:30:38,320 --> 00:30:41,760
Speaker 1: Okay, Mom, yo, I don't care if you're kicked out

652
00:30:41,760 --> 00:30:44,160
Speaker 1: of school. I care about prom that's your mom.

653
00:30:44,240 --> 00:30:47,880
Speaker 3: I care about you getting a crown at a dance. Yes,

654
00:30:48,320 --> 00:30:51,320
Speaker 3: oh my goodness, that knocked me off my feet a

655
00:30:51,360 --> 00:30:51,760
Speaker 3: little bit.

656
00:30:51,800 --> 00:30:52,120
Speaker 2: I could.

657
00:30:52,200 --> 00:30:55,320
Speaker 3: I wasn't ready for that. I thought maybe she'd bring

658
00:30:55,640 --> 00:30:57,920
Speaker 3: the idea that you and I both had easily. Well,

659
00:30:58,040 --> 00:31:00,560
Speaker 3: why don't you just maybe you'll win. You just don't

660
00:31:00,600 --> 00:31:01,560
Speaker 3: have to accept the award.

661
00:31:01,680 --> 00:31:05,480
Speaker 2: Yeah, just go to the problem, enjoy yourself, be anonymous.

662
00:31:05,000 --> 00:31:08,560
Speaker 3: Have fun, have a good time, like keep it moving.

663
00:31:09,040 --> 00:31:11,320
Speaker 1: Yeah, I mean so I get her mom. It's like

664
00:31:11,600 --> 00:31:14,280
Speaker 1: shows up at places and eavesdrops on her conversations.

665
00:31:14,440 --> 00:31:16,320
Speaker 2: Very very involved mom.

666
00:31:16,520 --> 00:31:19,040
Speaker 3: Also, I didn't another thing to go back to the

667
00:31:19,160 --> 00:31:21,720
Speaker 3: characters just being a little funky and weird. There's a

668
00:31:21,800 --> 00:31:24,600
Speaker 3: part of her like the second I saw oatmeal or

669
00:31:24,640 --> 00:31:28,520
Speaker 3: whatever it was on her face, and then when Stacy

670
00:31:28,600 --> 00:31:31,080
Speaker 3: comes to the door and she's got some like cherry

671
00:31:31,920 --> 00:31:34,480
Speaker 3: things on her fingers or whatever those were for cuticle,

672
00:31:34,680 --> 00:31:36,520
Speaker 3: that whole thing was pushed.

673
00:31:36,800 --> 00:31:37,960
Speaker 2: Yeah, very character.

674
00:31:38,160 --> 00:31:41,040
Speaker 3: You're much and didn't really understand why that was really

675
00:31:41,120 --> 00:31:41,960
Speaker 3: that necessary.

676
00:31:42,080 --> 00:31:44,000
Speaker 2: But no, again, very cartoony.

677
00:31:44,080 --> 00:31:46,640
Speaker 1: They took every other character and I guess you could

678
00:31:46,640 --> 00:31:49,080
Speaker 1: even say they took Tara cartoony with not being able

679
00:31:49,080 --> 00:31:49,880
Speaker 1: to speak in front of people.

680
00:31:49,880 --> 00:31:53,200
Speaker 2: I mean they were very pronounced characters. Let's say that. Yes,

681
00:32:01,680 --> 00:32:04,000
Speaker 2: so Stacey and her minions are hot on the trail

682
00:32:04,040 --> 00:32:04,360
Speaker 2: of terror.

683
00:32:04,400 --> 00:32:06,760
Speaker 1: They're trying to figure out obviously who radio rebel is

684
00:32:07,040 --> 00:32:10,000
Speaker 1: a because their radio rebel is now up against her

685
00:32:10,040 --> 00:32:13,440
Speaker 1: at prom but be also because the norms are coming

686
00:32:13,560 --> 00:32:15,680
Speaker 1: up and talking to her like they think that, you know,

687
00:32:16,360 --> 00:32:17,840
Speaker 1: she's made everyone equal.

688
00:32:18,280 --> 00:32:19,960
Speaker 2: The pops they call it here are.

689
00:32:19,920 --> 00:32:23,400
Speaker 1: Coming up and talking to us. It's crazy, and they

690
00:32:23,560 --> 00:32:28,840
Speaker 1: even so at one point they have her kind of

691
00:32:29,040 --> 00:32:34,240
Speaker 1: cornered in the radio station and to get out, a

692
00:32:34,560 --> 00:32:38,920
Speaker 1: giant sandwich shows up, A guy in a sandwich sho

693
00:32:39,000 --> 00:32:43,840
Speaker 1: shows up to deliver the food and not all no,

694
00:32:44,120 --> 00:32:48,280
Speaker 1: and it's also everybody. Even in twenty twelve, I've never

695
00:32:48,480 --> 00:32:51,480
Speaker 1: never saw a delivery person come to your house dressed

696
00:32:51,520 --> 00:32:55,000
Speaker 1: as the mascot of the restaurant that you were going.

697
00:32:55,800 --> 00:32:57,520
Speaker 1: I mean, maybe out in front of the store there's

698
00:32:57,560 --> 00:32:59,440
Speaker 1: a giant sandwich with a flippy sign or something like that,

699
00:32:59,560 --> 00:33:01,480
Speaker 1: but the guy delivering it to your house and the

700
00:33:01,520 --> 00:33:04,000
Speaker 1: person delivering to isn't dressed like a sand.

701
00:33:03,960 --> 00:33:05,400
Speaker 3: Right, how do they get in and out of their

702
00:33:05,480 --> 00:33:06,200
Speaker 3: car so often?

703
00:33:06,320 --> 00:33:08,240
Speaker 1: Okay or yeah, or on their little moped. Can you

704
00:33:08,240 --> 00:33:10,480
Speaker 1: imagine seeing a giant sandwich? That would be just a

705
00:33:10,520 --> 00:33:12,760
Speaker 1: big sale that would blow him right off the moment

706
00:33:13,000 --> 00:33:13,640
Speaker 1: the entire.

707
00:33:13,520 --> 00:33:18,760
Speaker 3: Time, all right, exactly, we are not here drive vehicles

708
00:33:18,840 --> 00:33:21,280
Speaker 3: with full blown exactly.

709
00:33:23,280 --> 00:33:24,640
Speaker 2: Stacy now thinks it could be Terra.

710
00:33:24,760 --> 00:33:27,600
Speaker 1: So what she does is she holds a pre more

711
00:33:28,000 --> 00:33:31,920
Speaker 1: party at her house so she can keep an eye

712
00:33:32,000 --> 00:33:34,960
Speaker 1: on everybody, because of course she invited twenty three people

713
00:33:35,520 --> 00:33:37,920
Speaker 1: in a school of one thousands, so she can keep

714
00:33:37,920 --> 00:33:41,160
Speaker 1: an eye on everybody while the show goes on live

715
00:33:41,760 --> 00:33:44,520
Speaker 1: and she and she essentially says to Terror. She actually says, Tara,

716
00:33:44,600 --> 00:33:46,280
Speaker 1: if you're not there, I'm going to know that your

717
00:33:46,360 --> 00:33:49,720
Speaker 1: radio river, So they don't pre record a show, which

718
00:33:49,800 --> 00:33:51,920
Speaker 1: they should have obviously to play.

719
00:33:52,000 --> 00:33:53,880
Speaker 2: While Terra's at this party, they have.

720
00:33:54,720 --> 00:33:58,120
Speaker 1: Old clips of her that are trying to answer questions

721
00:33:58,160 --> 00:34:01,680
Speaker 1: from callers, and of course Stacey calls in, but it's

722
00:34:01,760 --> 00:34:05,040
Speaker 1: going badly, so Tara grabs her phone from the party

723
00:34:05,480 --> 00:34:08,160
Speaker 1: and is running around the house while Stacy's trying to

724
00:34:08,239 --> 00:34:10,000
Speaker 1: find her and doing her radio show.

725
00:34:10,040 --> 00:34:11,960
Speaker 2: The only thing missing was the Benny Hill theme song.

726
00:34:12,120 --> 00:34:16,920
Speaker 3: Tara slips out quickly yeah, but then starts to have

727
00:34:17,080 --> 00:34:20,000
Speaker 3: to do this whole and we see all of Stacy's parents' house,

728
00:34:20,560 --> 00:34:21,960
Speaker 3: including a coat close and.

729
00:34:21,960 --> 00:34:24,480
Speaker 5: Again there's two hundred extras that could work, but there

730
00:34:24,600 --> 00:34:27,279
Speaker 5: was Yeah, there wasn't, no, there was it.

731
00:34:27,400 --> 00:34:29,759
Speaker 2: There's twenty five people there, so you're gonna notice that.

732
00:34:29,840 --> 00:34:32,280
Speaker 1: And it's also Stacy's staring at her on the couch

733
00:34:32,960 --> 00:34:34,960
Speaker 1: and then she gets up and walks away, and then

734
00:34:35,280 --> 00:34:36,520
Speaker 1: the guy comes in. He's like, hey, can I have

735
00:34:36,600 --> 00:34:38,600
Speaker 1: my coat? And you can hear that on the radio,

736
00:34:38,680 --> 00:34:41,760
Speaker 1: and it's Stacy going what is that? And it's like, okay,

737
00:34:41,800 --> 00:34:46,120
Speaker 1: this this didn't work even a little bit. Also, the

738
00:34:46,239 --> 00:34:49,680
Speaker 1: Gees perform at the party. Again terrible band name from

739
00:34:49,680 --> 00:34:52,680
Speaker 1: now and I'm not calling rude. Awakening performs at the party.

740
00:34:52,840 --> 00:34:56,839
Speaker 3: Awakening was not there, well, not there.

741
00:34:56,960 --> 00:35:00,840
Speaker 1: The she Dashians perform at the part. Even though they

742
00:35:01,080 --> 00:35:04,239
Speaker 1: just formed a couple of weeks ago. They're technically like,

743
00:35:04,320 --> 00:35:08,160
Speaker 1: they're really polished, they're already working on His friend wants

744
00:35:08,239 --> 00:35:10,120
Speaker 1: to drop them from the band because he wants to

745
00:35:10,640 --> 00:35:12,000
Speaker 1: play real music.

746
00:35:12,080 --> 00:35:13,360
Speaker 2: Even though they are playing.

747
00:35:13,120 --> 00:35:16,880
Speaker 3: Real That party was very I didn't see the difference

748
00:35:17,040 --> 00:35:20,600
Speaker 3: much besides more of an acoustic set than what they

749
00:35:20,760 --> 00:35:24,160
Speaker 3: played normally at the party. You know, later on what

750
00:35:24,320 --> 00:35:27,399
Speaker 3: they played was good. Yes, I kept going, wow, these

751
00:35:27,480 --> 00:35:30,960
Speaker 3: are great songs. They were going to free there. But

752
00:35:32,320 --> 00:35:35,040
Speaker 3: when he's going, you know, we could talk about so

753
00:35:35,239 --> 00:35:38,240
Speaker 3: much more, it's it's kind of sure.

754
00:35:38,120 --> 00:35:41,239
Speaker 2: We can, but yeah, but that's not the band we're These.

755
00:35:41,160 --> 00:35:43,960
Speaker 3: Are also fun party anthems, like you know, that's kind

756
00:35:44,000 --> 00:35:45,800
Speaker 3: of what we're gonna do first, and then maybe on

757
00:35:45,880 --> 00:35:47,800
Speaker 3: our second album. We'll get a little deeper.

758
00:35:48,080 --> 00:35:52,239
Speaker 1: All right, on the sophomore album, after we've hit that

759
00:35:52,480 --> 00:35:55,879
Speaker 1: mom down Gavin, juniors in high school, maybe we could

760
00:35:56,040 --> 00:35:59,440
Speaker 1: just play Stacy's party and not worry about anything.

761
00:35:59,160 --> 00:36:01,799
Speaker 3: Else of this way need to solve the world problems

762
00:36:02,120 --> 00:36:03,399
Speaker 3: on track number one.

763
00:36:04,120 --> 00:36:07,480
Speaker 2: We will do imagine on our second album.

764
00:36:07,440 --> 00:36:10,360
Speaker 3: Gea girls do that enough. What's solving the world.

765
00:36:10,200 --> 00:36:13,000
Speaker 2: Problem is that this song is called so Flies. That's

766
00:36:13,080 --> 00:36:15,160
Speaker 2: that's the extent of what we're doing right now.

767
00:36:15,400 --> 00:36:18,399
Speaker 3: Get in your zone, Gavin, exactly, Stay in your lane, Gav.

768
00:36:19,040 --> 00:36:22,760
Speaker 1: I mean, man, you're you're you're already going uh rockstar

769
00:36:23,040 --> 00:36:26,000
Speaker 1: persona here, You've had one song play one time on

770
00:36:26,160 --> 00:36:29,560
Speaker 1: one radio station. But it's fine anyway. None of this

771
00:36:29,680 --> 00:36:32,440
Speaker 1: matters because MORP has finally arrived. Gavin has left the

772
00:36:32,520 --> 00:36:36,839
Speaker 1: band again for difficult reasons to explain, Radio Rebel does

773
00:36:37,040 --> 00:36:42,160
Speaker 1: win more Queen, and then Tara walks out to accept

774
00:36:42,840 --> 00:36:46,720
Speaker 1: she's made the decision to walk out and accept the award.

775
00:36:46,800 --> 00:36:49,279
Speaker 1: Did you find it weird that she did it on

776
00:36:49,360 --> 00:36:52,240
Speaker 1: her own? That it wasn't like through a random series

777
00:36:52,280 --> 00:36:54,640
Speaker 1: of events she got outed as Radio Rebel, but she

778
00:36:54,800 --> 00:36:58,960
Speaker 1: actually makes the state, like, dresses up and walks out

779
00:36:59,000 --> 00:36:59,440
Speaker 1: on stage.

780
00:36:59,840 --> 00:37:03,200
Speaker 3: I mean, it's weird how they did it. Was it

781
00:37:03,320 --> 00:37:05,960
Speaker 3: a recording? Was that a recording that was going on right?

782
00:37:06,239 --> 00:37:06,319
Speaker 1: Well?

783
00:37:06,360 --> 00:37:07,320
Speaker 2: Did she have a micropho?

784
00:37:07,440 --> 00:37:09,560
Speaker 3: But then she shows up with a mic? I don't know,

785
00:37:10,160 --> 00:37:12,680
Speaker 3: a lot of it was confusing to me. I you

786
00:37:12,800 --> 00:37:14,759
Speaker 3: know that ending was a little.

787
00:37:15,160 --> 00:37:16,160
Speaker 2: Funky, so strange.

788
00:37:16,239 --> 00:37:18,600
Speaker 1: Yeah, yeah, I agree, because the principal then walks out

789
00:37:19,239 --> 00:37:22,840
Speaker 1: and claps like a cartoon character and then expels Tara

790
00:37:22,960 --> 00:37:29,160
Speaker 1: and then the entire student body one by one, and

791
00:37:29,280 --> 00:37:32,000
Speaker 1: of course her mother, her mom's there. But all of

792
00:37:32,040 --> 00:37:34,279
Speaker 1: a sudden, everybody starts saying I am spartan, so I

793
00:37:34,400 --> 00:37:35,120
Speaker 1: am radio revel.

794
00:37:35,600 --> 00:37:42,440
Speaker 2: So they don't know. So she can't expel everyone, but yes,

795
00:37:42,560 --> 00:37:43,399
Speaker 2: apparently she can.

796
00:37:43,520 --> 00:37:47,920
Speaker 1: And also she seems to like, obviously it's Terra, so

797
00:37:47,920 --> 00:37:50,359
Speaker 1: why wouldn't she just expel terr it's it was kind

798
00:37:50,400 --> 00:37:50,960
Speaker 1: of thrown away.

799
00:37:52,600 --> 00:37:52,719
Speaker 6: Uh.

800
00:37:52,880 --> 00:37:56,319
Speaker 2: But then and then she wins the crown, but then

801
00:37:56,560 --> 00:37:57,759
Speaker 2: gives the crown.

802
00:37:57,680 --> 00:38:01,440
Speaker 1: To Stacy because Stacey was the one who really wanted

803
00:38:01,480 --> 00:38:03,280
Speaker 1: to win anyway.

804
00:38:04,480 --> 00:38:08,680
Speaker 3: As long as Stacy said she was radio rebel.

805
00:38:09,600 --> 00:38:12,120
Speaker 2: Right you I I hear your so you have to

806
00:38:12,160 --> 00:38:13,520
Speaker 2: admit your radio rebel.

807
00:38:13,280 --> 00:38:16,320
Speaker 3: As well, which means she's part of the rest of

808
00:38:17,320 --> 00:38:21,399
Speaker 3: the peasant. Yes, she's a pop now.

809
00:38:22,400 --> 00:38:24,240
Speaker 2: It was really weird.

810
00:38:24,400 --> 00:38:26,960
Speaker 1: And then to ratchet up the weirdness even one kind

811
00:38:27,000 --> 00:38:30,320
Speaker 1: of step farther, Gavin gets on stage with justin acoustic guitar,

812
00:38:30,480 --> 00:38:32,240
Speaker 1: because of course he's no longer in the Gens.

813
00:38:32,280 --> 00:38:32,960
Speaker 2: He's just Gavin.

814
00:38:33,400 --> 00:38:36,160
Speaker 3: He's yeah, He's not Genes, He's.

815
00:38:36,160 --> 00:38:37,719
Speaker 2: Just g Yeah.

816
00:38:37,800 --> 00:38:40,000
Speaker 1: So we imagine that this is a song he's had

817
00:38:40,200 --> 00:38:43,040
Speaker 1: in his arsenal that he didn't play for his bandmates

818
00:38:43,080 --> 00:38:45,600
Speaker 1: for some reason that we don't understand. He starts playing,

819
00:38:45,680 --> 00:38:49,680
Speaker 1: but then his bandmates get up on stage and play

820
00:38:50,840 --> 00:38:54,200
Speaker 1: with him. So obviously they'd had some rehearsal time.

821
00:38:56,080 --> 00:38:58,279
Speaker 3: If you think about it, bands, from what I hear,

822
00:38:58,440 --> 00:39:01,200
Speaker 3: they you know, practice in their girl rag all the time.

823
00:39:01,360 --> 00:39:05,279
Speaker 3: So it's just the fact that they all had their

824
00:39:05,360 --> 00:39:06,120
Speaker 3: instruments there.

825
00:39:07,160 --> 00:39:09,360
Speaker 1: Well that too, But it's also like it if this

826
00:39:09,560 --> 00:39:10,960
Speaker 1: was the song you wanted to play, if this is

827
00:39:11,000 --> 00:39:13,440
Speaker 1: the song that your heart song that you really wanted

828
00:39:13,480 --> 00:39:17,160
Speaker 1: to really say something the band, You've obviously rehearsed this

829
00:39:17,280 --> 00:39:18,040
Speaker 1: with the band.

830
00:39:18,120 --> 00:39:21,400
Speaker 3: So it's not obviously it's not fully full blown Disney,

831
00:39:21,520 --> 00:39:24,840
Speaker 3: but this is the idea of that you a band

832
00:39:25,400 --> 00:39:28,880
Speaker 3: can just pick up and pick up and play and

833
00:39:29,040 --> 00:39:31,719
Speaker 3: follow along. Oh, I can hear the I can hear

834
00:39:31,800 --> 00:39:34,880
Speaker 3: the melody. Here's my little adding into it here, you

835
00:39:34,960 --> 00:39:35,680
Speaker 3: know that kind of thing.

836
00:39:35,719 --> 00:39:38,319
Speaker 1: All right, that's fair Okay, I was I was gonna

837
00:39:38,320 --> 00:39:39,920
Speaker 1: say fair enough, but I don't think it's fair enough.

838
00:39:39,960 --> 00:39:43,719
Speaker 2: It's weird, but it's a Disney trope, but I guess.

839
00:39:43,760 --> 00:39:48,280
Speaker 3: The TV version of what could actually really happen.

840
00:39:49,200 --> 00:39:52,640
Speaker 2: Yeah, and you know this scene, so everybody gets a crown,

841
00:39:52,719 --> 00:39:56,000
Speaker 2: everybody wins. It's great. But this scene also became famous

842
00:39:56,080 --> 00:40:00,040
Speaker 2: because as the you know as e.

843
00:40:00,360 --> 00:40:03,839
Speaker 1: But Debbie is watching the performance at More. She makes

844
00:40:03,920 --> 00:40:07,240
Speaker 1: this very saucy kind of grin at Gavin on stage

845
00:40:07,640 --> 00:40:09,359
Speaker 1: and it has become a really famous meme.

846
00:40:09,480 --> 00:40:11,640
Speaker 3: When she moves her bang and gives the eyes, I.

847
00:40:11,640 --> 00:40:13,160
Speaker 2: Think we have it? Do we we have it?

848
00:40:13,280 --> 00:40:16,880
Speaker 1: Do we actually have said meme? Because this is uh,

849
00:40:17,280 --> 00:40:22,680
Speaker 1: this is one that has become famous. There it is,

850
00:40:22,920 --> 00:40:24,040
Speaker 1: So that's become.

851
00:40:25,680 --> 00:40:26,480
Speaker 2: The gaze.

852
00:40:26,719 --> 00:40:29,799
Speaker 1: That is the Debbie Ryan radio rebel gaze. You never

853
00:40:29,920 --> 00:40:31,919
Speaker 1: know what somebody's gonna grab. It becomes a meme.

854
00:40:32,040 --> 00:40:35,480
Speaker 3: I know she's the Queen of Disney memes, right is

855
00:40:35,600 --> 00:40:37,600
Speaker 3: that is that? When we found out the queen of

856
00:40:37,680 --> 00:40:38,360
Speaker 3: Disney memes?

857
00:40:38,640 --> 00:40:39,160
Speaker 6: She is?

858
00:40:39,360 --> 00:40:42,600
Speaker 3: It is a good one. Again, I don't know, didn't

859
00:40:42,640 --> 00:40:46,000
Speaker 3: know the movie before this. See that little segment pop up,

860
00:40:46,000 --> 00:40:49,279
Speaker 3: and it was like, recognize it right away, right, that's

861
00:40:49,320 --> 00:40:51,879
Speaker 3: where from. Wasn't sure what it would come from.

862
00:40:52,000 --> 00:41:02,080
Speaker 2: Yes, there we go, Yeah, there you go. That is

863
00:41:02,440 --> 00:41:03,120
Speaker 2: the famous meme.

864
00:41:03,320 --> 00:41:08,200
Speaker 1: Now she's obviously as she's she's reacting to Gavin singing,

865
00:41:08,600 --> 00:41:11,120
Speaker 1: singing his song as she's doing this little hair flip.

866
00:41:11,320 --> 00:41:12,520
Speaker 3: Yes, did you like the.

867
00:41:12,600 --> 00:41:13,600
Speaker 2: Music that was in the movie.

868
00:41:13,680 --> 00:41:14,000
Speaker 5: I did?

869
00:41:14,600 --> 00:41:16,480
Speaker 3: I really did. I thought it was I thought it

870
00:41:16,640 --> 00:41:20,600
Speaker 3: was some of the best music we've heard from as

871
00:41:20,680 --> 00:41:24,080
Speaker 3: far as band goes. With them playing, I agree. They

872
00:41:24,120 --> 00:41:28,000
Speaker 3: also didn't just we've seen some really bad guitar playing,

873
00:41:28,360 --> 00:41:31,080
Speaker 3: and they didn't show a lot of them actually.

874
00:41:31,239 --> 00:41:34,840
Speaker 2: Playing the guitar, or they cut to close up of hands, so.

875
00:41:35,400 --> 00:41:38,120
Speaker 3: Yes, they don't make it to where the actor is

876
00:41:38,760 --> 00:41:45,759
Speaker 3: obviously not well advanced within the guitar playing levels, so

877
00:41:46,040 --> 00:41:47,880
Speaker 3: instead of doing that, they do close up on the

878
00:41:47,920 --> 00:41:50,880
Speaker 3: face with them singing, and then close up on the hands.

879
00:41:51,080 --> 00:41:54,280
Speaker 3: I'm okay with that. Not everyone can play the guitar.

880
00:41:54,480 --> 00:41:57,600
Speaker 3: I sure as hell can't, so I'm alright with it.

881
00:41:58,280 --> 00:42:00,320
Speaker 2: It was fine. I agree. I liked the movie. But

882
00:42:00,400 --> 00:42:02,400
Speaker 2: in the end we find out that Gavin was.

883
00:42:02,480 --> 00:42:08,120
Speaker 1: In fact the Sandwich mascot said help it Tara escaped,

884
00:42:08,239 --> 00:42:10,480
Speaker 1: so he always knew Tara was radio rebel, and then

885
00:42:11,200 --> 00:42:13,319
Speaker 1: you know, he kisses her on the cheek because their

886
00:42:13,360 --> 00:42:15,640
Speaker 1: official war updates. But the thing that's cool is in

887
00:42:15,880 --> 00:42:18,719
Speaker 1: twenty fifteen, Debbie revealed on Facebook that they shot an

888
00:42:18,840 --> 00:42:23,120
Speaker 1: alternate ending where they actually kissed, but it wasn't you right.

889
00:42:23,280 --> 00:42:26,799
Speaker 3: Which upset me even more After the kiss on the cheek.

890
00:42:26,920 --> 00:42:30,480
Speaker 3: I thought that was garbage. These are finally we've got

891
00:42:30,560 --> 00:42:34,120
Speaker 3: two kids that are high school age, so it would

892
00:42:34,200 --> 00:42:39,239
Speaker 3: not be too inappropriate. Yeah, inappropriate anyway. Why can't we

893
00:42:39,400 --> 00:42:42,759
Speaker 3: just get a little peck? Why? Yeah, the kissing on

894
00:42:42,840 --> 00:42:46,080
Speaker 3: the cheek was so awkward. They've gone through this whole

895
00:42:46,120 --> 00:42:49,120
Speaker 3: little journey together and you're gonna kiss her on the cheek,

896
00:42:49,320 --> 00:42:52,800
Speaker 3: and then to find out they actually did film it

897
00:42:54,200 --> 00:42:54,759
Speaker 3: and didn't you.

898
00:42:54,880 --> 00:42:56,719
Speaker 2: So you're asking for an all you're asking for.

899
00:42:57,080 --> 00:42:59,640
Speaker 3: I want to remake. I want them to redo that.

900
00:42:59,760 --> 00:43:04,759
Speaker 3: See for me, the alternate ending, okay, because to me,

901
00:43:04,880 --> 00:43:07,560
Speaker 3: a kiss on the cheek is just so awkward. Okay,

902
00:43:07,680 --> 00:43:10,200
Speaker 3: I guess, especially at that age, I don't think boys

903
00:43:10,239 --> 00:43:12,200
Speaker 3: are going around kissing girls on the cheek.

904
00:43:12,719 --> 00:43:14,560
Speaker 1: Yeah, so you you're well, I'm gonna get you a

905
00:43:14,600 --> 00:43:18,880
Speaker 1: shirt that just says release the kiss cut. Okay, So no,

906
00:43:19,040 --> 00:43:20,800
Speaker 1: I think if you're not gonna have them kiss, I

907
00:43:20,880 --> 00:43:23,040
Speaker 1: agree that to me, a kiss on the cheek is

908
00:43:23,239 --> 00:43:27,319
Speaker 1: like swearing without swearing in movies where they say things

909
00:43:27,440 --> 00:43:30,719
Speaker 1: like crud yeah exactly, where it just doesn't work. So

910
00:43:32,160 --> 00:43:34,600
Speaker 1: you have them look at each other, the lights behind them,

911
00:43:34,640 --> 00:43:36,600
Speaker 1: and then freeze on them looking at each other. You

912
00:43:36,640 --> 00:43:38,680
Speaker 1: don't need any contact if that's what you're gonna do.

913
00:43:38,880 --> 00:43:43,320
Speaker 3: Exactly, I gotcha. Yeah, all right, that that part annoyed me,

914
00:43:43,680 --> 00:43:46,600
Speaker 3: and then it was even more they actually filmed it.

915
00:43:47,400 --> 00:43:49,440
Speaker 1: Yeah, all right, release the kiss cut. I'm giving you

916
00:43:49,480 --> 00:44:01,080
Speaker 1: the shirt, release the kiss cut. Let's do some real Sabrina,

917
00:44:01,080 --> 00:44:02,319
Speaker 1: whyn't you start with our five star?

918
00:44:02,480 --> 00:44:05,439
Speaker 3: I will because I really did like this little movie.

919
00:44:05,520 --> 00:44:09,160
Speaker 3: It was fun for me. Loved. This is from Nicholas p.

920
00:44:09,520 --> 00:44:12,279
Speaker 3: Five stars. Okay, love this movie since I was eight

921
00:44:12,560 --> 00:44:15,920
Speaker 3: and now I'm nineteen. Such an amazing positive approach that

922
00:44:16,040 --> 00:44:19,160
Speaker 3: helps kids and adults see good in life. Also, the

923
00:44:19,360 --> 00:44:23,680
Speaker 3: music is amazing. The movie is worth a try for anyone,

924
00:44:23,840 --> 00:44:26,120
Speaker 3: So if you haven't watched it, go for it. You

925
00:44:26,200 --> 00:44:30,239
Speaker 3: won't be sorry. Solid five star reviews, Solid five. The

926
00:44:30,360 --> 00:44:32,240
Speaker 3: one star review is from Olivia.

927
00:44:32,040 --> 00:44:37,000
Speaker 1: W Olivia's Pisted Olivia's Pet Gotter read this has written

928
00:44:38,239 --> 00:44:41,520
Speaker 1: this film is corrupt and dishonorable. The premise of Morp

929
00:44:41,640 --> 00:44:44,759
Speaker 1: is ludicrous. What happened at tradition promise something that under

930
00:44:44,840 --> 00:44:47,880
Speaker 1: no circumstances should be compromised or altered. There is no

931
00:44:48,040 --> 00:44:51,239
Speaker 1: doubt in my mind that MORP is leftist propaganda made

932
00:44:51,280 --> 00:44:53,760
Speaker 1: to insert the idea of rebellion in our young teens,

933
00:44:53,880 --> 00:44:57,440
Speaker 1: developing minds that said, unless you want your child to

934
00:44:57,480 --> 00:45:02,319
Speaker 1: grow up a loopy, eggheaded liberal, let them watch Radio Rebel.

935
00:45:04,080 --> 00:45:05,560
Speaker 2: Very specific.

936
00:45:07,200 --> 00:45:10,360
Speaker 3: To calm down for five seconds. MORP is something that

937
00:45:10,560 --> 00:45:13,200
Speaker 3: is at so many high schools nowadays.

938
00:45:13,320 --> 00:45:16,040
Speaker 2: So you're yes, wait, Morp's the real thing.

939
00:45:16,239 --> 00:45:19,200
Speaker 3: Yes, don't worry. I'll getting toes because I knew that

940
00:45:20,239 --> 00:45:21,680
Speaker 3: you've been aware of the don't worry.

941
00:45:21,719 --> 00:45:23,840
Speaker 2: Oh no, of course not. You know, Olivia had some

942
00:45:24,640 --> 00:45:26,120
Speaker 2: yeah issues there with the film.

943
00:45:26,480 --> 00:45:28,759
Speaker 3: You know what, I think Olivia was actually the real

944
00:45:28,800 --> 00:45:29,440
Speaker 3: life Stacy.

945
00:45:30,719 --> 00:45:32,640
Speaker 2: That's what I think it is. Yes, I want to

946
00:45:32,760 --> 00:45:34,680
Speaker 2: release the Olivia of the movie.

947
00:45:34,840 --> 00:45:38,880
Speaker 3: The book was written about her and she is still.

948
00:45:38,719 --> 00:45:39,520
Speaker 2: Not with it.

949
00:45:41,480 --> 00:45:43,319
Speaker 1: We're also going to be doing a new feature this week,

950
00:45:43,360 --> 00:45:48,120
Speaker 1: we're calling the even more Warped Tour. So there's a

951
00:45:48,160 --> 00:45:50,720
Speaker 1: bunch of bands that are mentioned this movie, like the G's.

952
00:45:51,200 --> 00:45:53,319
Speaker 1: So I'm going to name a band and you got

953
00:45:53,400 --> 00:45:55,640
Speaker 1: to tell me if it's mentioned as a fictitious band

954
00:45:55,680 --> 00:45:58,200
Speaker 1: in Radio Rebel or someone who played on the infamous

955
00:45:58,239 --> 00:46:03,480
Speaker 1: Warped Tour In twenty twelve, the year the movie was released. Okay,

956
00:46:04,120 --> 00:46:09,279
Speaker 1: all right, first band, name you first Radio Rebel. I'm

957
00:46:09,320 --> 00:46:11,040
Speaker 1: I think it was Radio Rebel as well, wasn't it.

958
00:46:11,560 --> 00:46:13,880
Speaker 4: That is Radio Rebel. It's the first band on the

959
00:46:13,960 --> 00:46:16,320
Speaker 4: T shirt. That that one, That one I gave you

960
00:46:16,440 --> 00:46:17,200
Speaker 4: kind of an easy.

961
00:46:17,000 --> 00:46:21,560
Speaker 2: One, that's what I thought. Okay, really, well you are.

962
00:46:21,640 --> 00:46:23,080
Speaker 2: We're one for one all right.

963
00:46:23,160 --> 00:46:27,919
Speaker 1: The second band, oh, Sleeper, I'm gonna say that's warped

964
00:46:28,600 --> 00:46:29,600
Speaker 1: I don't remember that in the movie.

965
00:46:29,840 --> 00:46:32,279
Speaker 4: Yeah, two for two. That's a warped tour band on

966
00:46:32,360 --> 00:46:32,720
Speaker 4: a street.

967
00:46:33,040 --> 00:46:41,759
Speaker 1: Yes, okay, all right. Band number three, the Smugglers I'm

968
00:46:41,800 --> 00:46:43,680
Speaker 1: gonna say Warped Tour again. That sounds warped Tour.

969
00:46:43,800 --> 00:46:46,760
Speaker 4: I'm gonna say warped Tour to Nope, that's a poster

970
00:46:46,920 --> 00:46:48,640
Speaker 4: in the radio station. That's Radio.

971
00:46:50,239 --> 00:46:55,160
Speaker 1: Radio Rebel poster. Okay, uh, Beabs and Her Moneymakers.

972
00:46:56,920 --> 00:46:57,839
Speaker 2: That's a great name.

973
00:46:58,239 --> 00:46:58,359
Speaker 1: Oh.

974
00:46:58,440 --> 00:47:00,279
Speaker 2: I hope that's a real band. I feel like I

975
00:47:00,719 --> 00:47:03,359
Speaker 2: just because I hope it's real. I'm gonna say warped Tour.

976
00:47:04,000 --> 00:47:06,120
Speaker 4: That's right. They did a handful of dates of Warped Tour.

977
00:47:06,760 --> 00:47:07,040
Speaker 1: Wow.

978
00:47:08,600 --> 00:47:12,520
Speaker 2: Beabs and Her money Maker's great band name nan Cougar.

979
00:47:13,680 --> 00:47:17,640
Speaker 3: Nan Cougar. I didn't see that anywhere either.

980
00:47:18,200 --> 00:47:21,759
Speaker 4: I didn't either, So warp warp to you didn't see

981
00:47:21,760 --> 00:47:24,640
Speaker 4: it because you didn't use AI to enhance her bedroom.

982
00:47:24,719 --> 00:47:27,200
Speaker 4: Because there is a poster for Nan Cougar that I,

983
00:47:28,200 --> 00:47:34,360
Speaker 4: thank god had to do work to find in her bedroom.

984
00:47:34,440 --> 00:47:37,719
Speaker 3: It's a poster in her bedroom. Okay, yeah, this.

985
00:47:37,960 --> 00:47:41,279
Speaker 2: Is what AI should be used. By the way, this,

986
00:47:41,640 --> 00:47:42,520
Speaker 2: this is why we have it.

987
00:47:42,640 --> 00:47:45,040
Speaker 4: Brilliant Enhancing a dcon is worth using AI.

988
00:47:45,160 --> 00:47:48,759
Speaker 1: Yeah, absolutely, And I think I know the last one

989
00:47:48,800 --> 00:47:50,839
Speaker 1: because he mentions Red Letter Day.

990
00:47:51,120 --> 00:47:53,040
Speaker 2: Yes, doesn't he talk about Red Letter Day?

991
00:47:53,200 --> 00:47:56,440
Speaker 3: No, she introduces the band Red Letter Day when she

992
00:47:56,520 --> 00:47:57,880
Speaker 3: tells everyone to wear red.

993
00:47:58,520 --> 00:48:01,759
Speaker 4: Right, Well no, she okay, red Letter Day is from

994
00:48:02,080 --> 00:48:02,800
Speaker 4: is from radio?

995
00:48:02,920 --> 00:48:05,279
Speaker 2: Yeah, but it's because he's he says it to her.

996
00:48:05,520 --> 00:48:07,840
Speaker 4: Correct. He suggests, if you like you first, you'll like

997
00:48:08,040 --> 00:48:08,759
Speaker 4: Red Letter Deck.

998
00:48:09,120 --> 00:48:10,160
Speaker 2: You love Red Letter Day?

999
00:48:10,200 --> 00:48:12,360
Speaker 1: Yes, yeah, that's that's when Stacey then walks over. It's like,

1000
00:48:12,440 --> 00:48:13,719
Speaker 1: no band talk because I'm a juror.

1001
00:48:13,880 --> 00:48:17,000
Speaker 3: That's not the band that she introduces on the radio though. Yea,

1002
00:48:17,160 --> 00:48:18,680
Speaker 3: so it is the same same Okay.

1003
00:48:18,520 --> 00:48:21,040
Speaker 2: Yeah, yeah, yes, he tells her about it and then

1004
00:48:21,080 --> 00:48:21,560
Speaker 2: she plays it.

1005
00:48:21,560 --> 00:48:24,960
Speaker 4: On the Okay, yeah, I'm going to go enhance more dcoms.

1006
00:48:25,080 --> 00:48:28,320
Speaker 1: Yeah, go go ai more d cooms because that's awesome Jensen,

1007
00:48:28,360 --> 00:48:28,600
Speaker 1: thank you.

1008
00:48:29,000 --> 00:48:30,320
Speaker 4: I'll just keep checking posters.

1009
00:48:30,719 --> 00:48:31,480
Speaker 3: What's wonderful.

1010
00:48:32,239 --> 00:48:34,520
Speaker 2: Beabes and her money Makers is now my favorite thing ever.

1011
00:48:34,560 --> 00:48:35,960
Speaker 1: I can't wait to google and listen to the music

1012
00:48:35,960 --> 00:48:38,799
Speaker 1: because I'm gonna let's do Sabrina seas.

1013
00:48:42,400 --> 00:48:47,680
Speaker 3: All right, Okay, so I've got the main one is

1014
00:48:47,719 --> 00:48:50,000
Speaker 3: to talk about more, but I'm gonna go through real

1015
00:48:50,120 --> 00:48:54,880
Speaker 3: quick and see which ones. Okay. One thing that hit

1016
00:48:54,920 --> 00:48:56,960
Speaker 3: me right from the start, especially since you hated the

1017
00:48:57,080 --> 00:49:00,359
Speaker 3: name Gez so much. Did you see the G shirt

1018
00:49:00,440 --> 00:49:03,919
Speaker 3: he was wearing in the beginning. It was a pac

1019
00:49:04,080 --> 00:49:08,680
Speaker 3: Man shirt. Yes, we're gonna go with his mom. His

1020
00:49:08,880 --> 00:49:12,839
Speaker 3: mom ryingstoned with these silver studs, just the G. They

1021
00:49:12,960 --> 00:49:15,520
Speaker 3: tried to make the pac Man look like G. That

1022
00:49:15,760 --> 00:49:19,400
Speaker 3: was the most hilarious shirt. I mean, I love the

1023
00:49:19,480 --> 00:49:21,359
Speaker 3: wardrobe in these movies all the time.

1024
00:49:21,440 --> 00:49:22,040
Speaker 2: There's so few.

1025
00:49:22,280 --> 00:49:24,920
Speaker 3: Sometimes they are so funny you have to just stop

1026
00:49:25,040 --> 00:49:27,400
Speaker 3: and like soak it in. That was one of the

1027
00:49:27,480 --> 00:49:31,160
Speaker 3: best shirts ever. And then I do have to say

1028
00:49:31,680 --> 00:49:35,480
Speaker 3: this one moment in the movie with her best friend

1029
00:49:35,960 --> 00:49:38,880
Speaker 3: where she's out on the grass and she does the

1030
00:49:39,120 --> 00:49:42,160
Speaker 3: screaming thing that like a toddler does, where she's like,

1031
00:49:43,920 --> 00:49:47,840
Speaker 3: she's gonna scream, and she did. I was appalled for her.

1032
00:49:48,360 --> 00:49:50,640
Speaker 3: That would have made me not be your friend for

1033
00:49:50,760 --> 00:49:54,600
Speaker 3: at least a three or four day span, because that's

1034
00:49:54,680 --> 00:49:56,759
Speaker 3: embarrassing for a mom to have to go through with

1035
00:49:56,800 --> 00:49:58,360
Speaker 3: a five year old, but a best friend to go

1036
00:49:58,480 --> 00:50:02,920
Speaker 3: through with somebody her own age, that was so so embarrassing.

1037
00:50:03,719 --> 00:50:05,480
Speaker 2: I love that you would have sentenced her to three

1038
00:50:05,560 --> 00:50:06,960
Speaker 2: or four days of not being your friend.

1039
00:50:07,080 --> 00:50:10,040
Speaker 3: Yes, there's just so you understood that that could never

1040
00:50:10,239 --> 00:50:12,320
Speaker 3: happen again. We are going to just have some space

1041
00:50:12,719 --> 00:50:15,160
Speaker 3: for a good three to four days because really that

1042
00:50:15,719 --> 00:50:18,000
Speaker 3: that would have embarrassed me so much, and she did it.

1043
00:50:18,120 --> 00:50:21,440
Speaker 2: I can't wait in public together against I'm gonna just yell.

1044
00:50:23,160 --> 00:50:23,399
Speaker 4: Something.

1045
00:50:24,000 --> 00:50:26,600
Speaker 3: I will take a hiatus from the show. Without a

1046
00:50:26,719 --> 00:50:30,080
Speaker 3: doubt you would not do that. That was awful. Okay,

1047
00:50:30,760 --> 00:50:34,520
Speaker 3: more so I knew that. I'm like, I can't wait

1048
00:50:34,680 --> 00:50:37,440
Speaker 3: to explain more because I don't. I bet you will's

1049
00:50:37,480 --> 00:50:39,440
Speaker 3: not going to really actually know that this was a thing.

1050
00:50:39,719 --> 00:50:42,840
Speaker 3: This this happened when I was in high school, the

1051
00:50:42,920 --> 00:50:45,120
Speaker 3: way they do it here in Orange County, and of

1052
00:50:45,239 --> 00:50:47,799
Speaker 3: course there's other ways. I loved the spin that they

1053
00:50:47,840 --> 00:50:50,120
Speaker 3: did it where everything was there saying we're gonna flip

1054
00:50:50,200 --> 00:50:52,960
Speaker 3: everything upside down, and in the movie the chairs were

1055
00:50:53,000 --> 00:50:56,680
Speaker 3: hanging from the ceiling, like they really went to a

1056
00:50:57,080 --> 00:51:01,839
Speaker 3: great like extent to do the creation of morp, which

1057
00:51:01,880 --> 00:51:05,719
Speaker 3: I love. Morp is obviously prom spelled backwards. So here

1058
00:51:05,800 --> 00:51:09,359
Speaker 3: it's the first dance of the year because you end

1059
00:51:09,480 --> 00:51:11,879
Speaker 3: with brace, yes, you end with problem, you start with morp.

1060
00:51:12,200 --> 00:51:15,719
Speaker 3: It's it's kind of a back to school date. So

1061
00:51:15,920 --> 00:51:18,759
Speaker 3: I will send you the two Morphs that I went to.

1062
00:51:19,760 --> 00:51:22,600
Speaker 3: One was my freshman year and it's like I had

1063
00:51:22,680 --> 00:51:24,920
Speaker 3: all these little butterflies in our hair and we had

1064
00:51:25,320 --> 00:51:28,400
Speaker 3: this cute, kind of cute outfit. Right we're freshmen. And

1065
00:51:28,480 --> 00:51:30,840
Speaker 3: then the next year when I find when we find

1066
00:51:30,880 --> 00:51:34,360
Speaker 3: ourselves and we're not caring to be cute and adorable

1067
00:51:34,560 --> 00:51:38,040
Speaker 3: or whatever, we're really just going for fun. Because really

1068
00:51:38,120 --> 00:51:41,600
Speaker 3: at my school it was mainly girls that went to it.

1069
00:51:42,200 --> 00:51:42,600
Speaker 4: The guys.

1070
00:51:42,719 --> 00:51:45,919
Speaker 3: It wasn't a date dance, it was just a group dance.

1071
00:51:45,960 --> 00:51:48,440
Speaker 3: It kind of became a group dance. So I went

1072
00:51:48,480 --> 00:51:50,600
Speaker 3: with all my girls and we all dressed up like

1073
00:51:50,719 --> 00:51:53,399
Speaker 3: our boyfriends. So we all had our big their big

1074
00:51:53,520 --> 00:51:56,759
Speaker 3: cargo pants on with socks and their vans and you know,

1075
00:51:56,840 --> 00:52:00,319
Speaker 3: their their bats and whatever, and we had the best time.

1076
00:52:00,440 --> 00:52:02,960
Speaker 3: It was such a fun time with just the girls.

1077
00:52:03,360 --> 00:52:06,279
Speaker 3: So more was one of my favorite dances in high school.

1078
00:52:06,440 --> 00:52:09,240
Speaker 2: So I have to ask, did did this movie invent

1079
00:52:09,440 --> 00:52:12,239
Speaker 2: morep or was more of a thing considering.

1080
00:52:11,840 --> 00:52:14,440
Speaker 3: I graduated ten years earlier than this movie.

1081
00:52:14,719 --> 00:52:17,279
Speaker 2: Oh yeah, okay, right, that's right. I keep forgetting that. Yes,

1082
00:52:17,360 --> 00:52:18,840
Speaker 2: you're right, Okay, it did not.

1083
00:52:19,400 --> 00:52:23,120
Speaker 3: Okay, Morpe was definitely very new when I was in

1084
00:52:23,200 --> 00:52:25,320
Speaker 3: high school. For our high school, at least, it wasn't

1085
00:52:25,680 --> 00:52:29,400
Speaker 3: done very many times before I was actually in high school.

1086
00:52:29,440 --> 00:52:30,960
Speaker 3: So my freshman year, I want to say, it was

1087
00:52:31,000 --> 00:52:32,600
Speaker 3: one of the first times it was done, and it

1088
00:52:32,719 --> 00:52:34,880
Speaker 3: was a really fun dance and I loved it. And

1089
00:52:34,960 --> 00:52:37,360
Speaker 3: I loved it because it wasn't a dance that was

1090
00:52:37,880 --> 00:52:40,960
Speaker 3: just for, you know, the date aspect, which all the

1091
00:52:41,040 --> 00:52:43,759
Speaker 3: other dances are. This ended up being more of a

1092
00:52:43,800 --> 00:52:45,440
Speaker 3: group dance. You don't go with the date, you go

1093
00:52:45,520 --> 00:52:46,800
Speaker 3: with a group of people. So it could be a

1094
00:52:46,840 --> 00:52:49,000
Speaker 3: group of mix of girls and guys, or there were

1095
00:52:49,080 --> 00:52:52,000
Speaker 3: guy groups that went as well. But uh, it was

1096
00:52:52,080 --> 00:52:54,400
Speaker 3: so fun. I will send the pictures for you and

1097
00:52:54,600 --> 00:52:58,320
Speaker 3: leave the chat so you could see because it's definitely vibes,

1098
00:52:58,480 --> 00:53:02,360
Speaker 3: it's cute, and then it's look at us where like

1099
00:53:03,160 --> 00:53:05,240
Speaker 3: we're being a lot more funny.

1100
00:53:05,480 --> 00:53:08,880
Speaker 2: So okay, I like that. At my school we had bloors,

1101
00:53:09,160 --> 00:53:10,520
Speaker 2: but I'm not going to explain what it is.

1102
00:53:13,360 --> 00:53:14,200
Speaker 3: So uh.

1103
00:53:16,040 --> 00:53:18,759
Speaker 2: We okay, did you have any more sites?

1104
00:53:18,960 --> 00:53:20,560
Speaker 3: That's all I already go to you today.

1105
00:53:20,640 --> 00:53:23,480
Speaker 2: I love the morphing. So now we have to rate

1106
00:53:23,600 --> 00:53:25,440
Speaker 2: the movie one out of ten. And here are the

1107
00:53:25,480 --> 00:53:26,520
Speaker 2: options we've got this week.

1108
00:53:27,280 --> 00:53:34,520
Speaker 1: Voice distortion, filters, dancing sandwiches, morps, sherry o, terry lookalike, principles,

1109
00:53:35,480 --> 00:53:38,640
Speaker 1: over involved moms, or I'm going to add beabs and

1110
00:53:38,719 --> 00:53:39,400
Speaker 1: the money makers.

1111
00:53:39,800 --> 00:53:41,279
Speaker 3: Let's do beabs and the moneymakers.

1112
00:53:41,960 --> 00:53:45,239
Speaker 2: Okay, so how many beabs and the money makers do

1113
00:53:45,320 --> 00:53:46,320
Speaker 2: you give this film?

1114
00:53:46,480 --> 00:53:50,960
Speaker 3: I felt this movie was an easy watch. It wasn't

1115
00:53:51,239 --> 00:53:55,440
Speaker 3: super I got caught up on a few things, you know,

1116
00:53:55,760 --> 00:54:00,720
Speaker 3: but mainly the principal drove me nuts. Right, So because

1117
00:54:00,760 --> 00:54:03,120
Speaker 3: of her, I'm going to take it down to A seven.

1118
00:54:04,320 --> 00:54:07,080
Speaker 1: A seven, okay, not too far apart. I had some

1119
00:54:07,280 --> 00:54:09,960
Speaker 1: I had some issues with a lot of the caricatures. Yeah,

1120
00:54:10,000 --> 00:54:12,160
Speaker 1: were just very kind of over the top. The end

1121
00:54:12,200 --> 00:54:13,960
Speaker 1: didn't make any real sense to me at all.

1122
00:54:14,040 --> 00:54:15,640
Speaker 2: I didn't kind of get that. So I'm going to

1123
00:54:15,680 --> 00:54:18,000
Speaker 2: give this. I'm going to give it six Beads and

1124
00:54:18,040 --> 00:54:19,000
Speaker 2: the money Makers.

1125
00:54:18,880 --> 00:54:21,840
Speaker 3: Seven beads and the money makers versus the six beads in.

1126
00:54:21,840 --> 00:54:25,440
Speaker 2: The money six bees the money Maker. Yeah, I might

1127
00:54:25,480 --> 00:54:27,719
Speaker 2: even go six point five again because the acting was good.

1128
00:54:27,760 --> 00:54:30,000
Speaker 3: That that's what kept me going.

1129
00:54:30,080 --> 00:54:33,040
Speaker 2: The characters weren't great, but the with the acting was

1130
00:54:33,440 --> 00:54:33,879
Speaker 2: not bad.

1131
00:54:33,960 --> 00:54:37,319
Speaker 3: The characters that I liked was good. I really really

1132
00:54:37,440 --> 00:54:39,719
Speaker 3: loved the way the actors did it. One of my

1133
00:54:39,800 --> 00:54:42,319
Speaker 3: favorite things was her best friend when she did her

1134
00:54:42,440 --> 00:54:45,160
Speaker 3: monologue for their acting class.

1135
00:54:45,280 --> 00:54:46,759
Speaker 2: Great, wasn't she so good?

1136
00:54:47,520 --> 00:54:50,280
Speaker 1: They were that the whole I mean again, the characters

1137
00:54:50,320 --> 00:54:52,040
Speaker 1: were over the top, but they were written and directed

1138
00:54:52,080 --> 00:54:54,480
Speaker 1: that way. The actors were good at pulling them off.

1139
00:54:54,560 --> 00:54:56,399
Speaker 1: So I might even go six point five to seven,

1140
00:54:57,239 --> 00:54:58,920
Speaker 1: could be seven. Now I'm gonna stick her to six

1141
00:54:58,960 --> 00:55:01,600
Speaker 1: point five six point five. I've Beabes and the Money

1142
00:55:01,680 --> 00:55:02,760
Speaker 1: you're changing it from.

1143
00:55:02,600 --> 00:55:03,960
Speaker 3: The six to six point five.

1144
00:55:04,080 --> 00:55:05,560
Speaker 1: Yeah, I'm gonna go to six point five. I kind

1145
00:55:05,600 --> 00:55:08,239
Speaker 1: of go up to six point because of the actors. Yeah, yeah,

1146
00:55:08,400 --> 00:55:09,960
Speaker 1: and I think that. I think that's good.

1147
00:55:10,040 --> 00:55:11,080
Speaker 2: So there you have it.

1148
00:55:11,200 --> 00:55:13,759
Speaker 1: We we have put another one in the books, and

1149
00:55:13,880 --> 00:55:17,160
Speaker 1: I know everybody's going to be very excited because one

1150
00:55:17,360 --> 00:55:21,680
Speaker 1: of the most asked for and I mean far and

1151
00:55:21,760 --> 00:55:24,880
Speaker 1: away most asked for films is coming up next. We

1152
00:55:24,960 --> 00:55:28,879
Speaker 1: are going to be doing nineteen ninety nine's Xenon Girl

1153
00:55:28,920 --> 00:55:31,279
Speaker 1: of the twenty first Century. Yes, we are doing it,

1154
00:55:31,480 --> 00:55:34,359
Speaker 1: but before we get to it, we want to kind

1155
00:55:34,360 --> 00:55:37,040
Speaker 1: of wet your appetites, and we are talk about Disney Royalty.

1156
00:55:37,160 --> 00:55:39,560
Speaker 1: But from the other side of the camera, we're going

1157
00:55:39,640 --> 00:55:43,040
Speaker 1: to be talking to Stu Krieger. Now, Stu wrote all

1158
00:55:43,120 --> 00:55:46,440
Speaker 1: of the Xenon movies. Yes, he also wrote Going to

1159
00:55:46,520 --> 00:55:51,080
Speaker 1: the Mat, Gotta Kick It Up, Smart House, Phantom of

1160
00:55:51,120 --> 00:55:54,200
Speaker 1: the Megaplex. I mean, it's like, this guy is responsible

1161
00:55:54,280 --> 00:56:00,400
Speaker 1: for a ridiculous number of these d coms, huge, huge,

1162
00:56:00,719 --> 00:56:03,120
Speaker 1: huge dcoms. It was a great ada and it's going to.

1163
00:56:03,120 --> 00:56:06,600
Speaker 3: Be so exciting to have his take on what it's

1164
00:56:06,760 --> 00:56:09,320
Speaker 3: like to be a part of you know this the

1165
00:56:09,480 --> 00:56:14,200
Speaker 3: Xenon franchise, you know, watching it from the very beginning.

1166
00:56:14,280 --> 00:56:16,840
Speaker 3: We get to talk to the actors after it's already written,

1167
00:56:17,200 --> 00:56:19,640
Speaker 3: things have been produced, you know that kind of thing.

1168
00:56:19,760 --> 00:56:22,880
Speaker 3: This is from the very beginning, starting starting with just

1169
00:56:22,960 --> 00:56:26,239
Speaker 3: page one. That's incredible. What a different ride we're gonna

1170
00:56:26,239 --> 00:56:28,680
Speaker 3: hear about. I'm so excited, I cannot wait. It was

1171
00:56:28,719 --> 00:56:29,520
Speaker 3: a great interview.

1172
00:56:29,600 --> 00:56:31,640
Speaker 1: Actually, we want to play a little bit for you now,

1173
00:56:31,800 --> 00:56:34,400
Speaker 1: so check out this little moment with Stu Kreeger.

1174
00:56:36,400 --> 00:56:39,440
Speaker 6: Xenon is Eloise at the Plaza on the Space Station.

1175
00:56:40,160 --> 00:56:43,040
Speaker 6: And if you know that emblematic kid's book from the fifties,

1176
00:56:43,080 --> 00:56:44,920
Speaker 6: it was a kid living at the Plaza Hotel in

1177
00:56:45,000 --> 00:56:47,960
Speaker 6: New York, creating mischief and wreaking havoc and getting into

1178
00:56:47,960 --> 00:56:50,799
Speaker 6: places she shouldn't be. And I said it's Eloise at

1179
00:56:50,800 --> 00:56:53,280
Speaker 6: the Plaza on the Space Station, and they went, you're hired.

1180
00:56:53,680 --> 00:56:53,960
Speaker 3: Wow.

1181
00:56:54,680 --> 00:56:57,640
Speaker 6: The reason you were hired is eighteen writers before you

1182
00:56:57,840 --> 00:57:00,759
Speaker 6: came in and said it's They said it was a

1183
00:57:00,880 --> 00:57:03,359
Speaker 6: variation over and over again of its nine O two

1184
00:57:03,400 --> 00:57:06,640
Speaker 6: one oh meets Star Trek. Disney Channel would not do

1185
00:57:06,760 --> 00:57:08,960
Speaker 6: nine O two one oh Disney Channel would not do

1186
00:57:09,120 --> 00:57:11,799
Speaker 6: Star Trek. No, thank you, and you came in and said,

1187
00:57:11,840 --> 00:57:14,439
Speaker 6: eloie's at the applause of this on the Space station.

1188
00:57:14,560 --> 00:57:16,440
Speaker 4: That's who we are, that's what we do. Boom, let's go.

1189
00:57:18,200 --> 00:57:18,400
Speaker 2: Yeah.

1190
00:57:18,480 --> 00:57:20,480
Speaker 1: There is plenty more of that and that is going

1191
00:57:20,520 --> 00:57:22,840
Speaker 1: to be Monday on the Magical Rewind feed, So go

1192
00:57:23,040 --> 00:57:24,760
Speaker 1: and check that out because some of the insights you

1193
00:57:24,840 --> 00:57:26,960
Speaker 1: had into some of the biggest dcoms of all time

1194
00:57:27,000 --> 00:57:29,760
Speaker 1: were really, really cool, and it was amazing to hear.

1195
00:57:29,720 --> 00:57:31,720
Speaker 2: From the beginning. You're exactly what you said, how how

1196
00:57:31,880 --> 00:57:32,560
Speaker 2: it all started.

1197
00:57:32,680 --> 00:57:36,200
Speaker 1: Yes, so appreciate you sticking with us. Remember to subscribe

1198
00:57:36,240 --> 00:57:38,760
Speaker 1: to our feed and you can follow us at Magical

1199
00:57:38,800 --> 00:57:41,680
Speaker 1: Rewind Pod on the Instagram machine. Thanks everybody, and we

1200
00:57:41,760 --> 00:57:42,600
Speaker 1: will see you next time.

1201
00:57:42,760 --> 00:57:43,360
Speaker 3: Bye bye,