1 00:00:07,560 --> 00:00:09,920 Speaker 1: Hey, everyone, thanks for pulling up a chair for this 2 00:00:10,039 --> 00:00:13,880 Speaker 1: bonus episode of Table for two. This week, we're back 3 00:00:13,960 --> 00:00:17,079 Speaker 1: with another quick lightning round. A few weeks ago, I 4 00:00:17,120 --> 00:00:20,360 Speaker 1: sat down for launch with artist and film director Sam 5 00:00:20,400 --> 00:00:23,640 Speaker 1: Taylor Johnson. Our full out of view about her. 6 00:00:23,520 --> 00:00:27,320 Speaker 2: Career and her new Amy Winehouse biopic, Back to Black, 7 00:00:27,600 --> 00:00:31,440 Speaker 2: will drop soon, but for now, I hope you enjoy 8 00:00:31,520 --> 00:00:34,280 Speaker 2: this fun little excerpt from our conversation. 9 00:00:34,960 --> 00:00:40,800 Speaker 3: We'll be back next week with more from Sam Taylor Johnson. Okay, 10 00:00:40,840 --> 00:00:42,839 Speaker 3: so let's do a fun little quick round, so you 11 00:00:42,880 --> 00:00:48,720 Speaker 3: know whatever. First thing, first person, favorite artist, Oh. 12 00:00:48,479 --> 00:00:51,920 Speaker 4: God, that's so hard a rothka. 13 00:00:52,400 --> 00:00:56,160 Speaker 3: Oh okay. Favorite vacation destination? 14 00:00:56,680 --> 00:00:58,000 Speaker 4: Oh god, anywhere right now? 15 00:01:00,120 --> 00:01:01,520 Speaker 3: Be warmer, cold. 16 00:01:01,400 --> 00:01:03,880 Speaker 4: Warm, Jamaica. I love Jamaica. 17 00:01:03,960 --> 00:01:09,920 Speaker 3: I love it. Photographer, director artist Pierre to choose director 18 00:01:10,720 --> 00:01:11,479 Speaker 3: favorite book? 19 00:01:11,959 --> 00:01:15,080 Speaker 4: Oh god, that's so good. That's a great question. It's 20 00:01:15,120 --> 00:01:17,679 Speaker 4: a great question, but also near impossible to answer. 21 00:01:18,520 --> 00:01:19,240 Speaker 3: It's a tough fee. 22 00:01:19,520 --> 00:01:22,720 Speaker 4: It's a toughie, the one that you sit down and 23 00:01:22,800 --> 00:01:24,760 Speaker 4: just go. I could read that again. Do you know what? 24 00:01:24,800 --> 00:01:27,560 Speaker 4: It's going to sound so pretentious, but when I was nineteen, 25 00:01:28,120 --> 00:01:31,080 Speaker 4: I wasn't a reader. Growing up at all. I just 26 00:01:31,080 --> 00:01:34,560 Speaker 4: didn't grow up in that environment. And I read. I 27 00:01:34,600 --> 00:01:38,120 Speaker 4: went to art school and you know, everyone started was 28 00:01:38,160 --> 00:01:41,320 Speaker 4: reading French novels. Yeah, I thought, God, I've got to 29 00:01:41,600 --> 00:01:44,080 Speaker 4: look the part two. So I got this book called 30 00:01:44,480 --> 00:01:51,520 Speaker 4: lebet Humane and it's by Emil Zola. Ok, and I 31 00:01:51,560 --> 00:01:57,600 Speaker 4: read it and I remember understanding exactly what it meant 32 00:01:57,960 --> 00:02:01,520 Speaker 4: to love a book and to know what reading is. 33 00:02:01,520 --> 00:02:04,840 Speaker 4: So I should probably say that one because spark. But 34 00:02:04,880 --> 00:02:06,160 Speaker 4: I just didn't want to sound like. 35 00:02:06,120 --> 00:02:11,520 Speaker 3: A No, you don't sound European, you do not. 36 00:02:11,960 --> 00:02:13,919 Speaker 4: And that was a great I was a great. I 37 00:02:13,960 --> 00:02:16,000 Speaker 4: think there was a movie. There is a movie made 38 00:02:16,040 --> 00:02:16,440 Speaker 4: about it. 39 00:02:16,480 --> 00:02:21,639 Speaker 3: In the third, I'm going to I'm gonna You're gonna 40 00:02:21,639 --> 00:02:23,840 Speaker 3: have to text me that. I'm gonna text you the 41 00:02:23,960 --> 00:02:28,799 Speaker 3: song on repeat well right now right? Yeah? I repeat 42 00:02:28,880 --> 00:02:29,480 Speaker 3: now too, just. 43 00:02:30,480 --> 00:02:33,079 Speaker 4: Right now obviously, Amy, But I'm not going to say 44 00:02:33,120 --> 00:02:36,440 Speaker 4: that because that's what I say in every interview. But 45 00:02:36,560 --> 00:02:38,919 Speaker 4: the song I haven't I actually have do you know 46 00:02:39,000 --> 00:02:44,440 Speaker 4: the artists right our h I would say, I'm not joking. 47 00:02:44,520 --> 00:02:47,519 Speaker 4: I got one of those Spotify messages from hey, this 48 00:02:47,720 --> 00:02:50,799 Speaker 4: is right, thank you for playing my music so much. 49 00:02:50,919 --> 00:02:54,959 Speaker 4: She're my number one fan, and I was like, oh, diggle, 50 00:02:57,240 --> 00:03:00,400 Speaker 4: But I would I would probably say, I mean, kids 51 00:03:00,440 --> 00:03:03,880 Speaker 4: are like, could you just maybe change it? But can 52 00:03:03,919 --> 00:03:06,120 Speaker 4: I have one more? I would probably say. 53 00:03:06,160 --> 00:03:08,160 Speaker 3: Real the eyelish, Okay, that's all. Okay. 54 00:03:08,400 --> 00:03:10,560 Speaker 4: I mean all the girls absolutely love her and I 55 00:03:10,680 --> 00:03:12,720 Speaker 4: love her too, so maybe that's a better one and 56 00:03:12,800 --> 00:03:13,359 Speaker 4: slightly cool. 57 00:03:13,520 --> 00:03:16,520 Speaker 3: Okay, now both work, pet peeve. 58 00:03:17,080 --> 00:03:20,320 Speaker 4: Oh my god, it's funny. This old woman once said. 59 00:03:20,400 --> 00:03:22,760 Speaker 4: I said to her, what are the greatest changes in 60 00:03:22,840 --> 00:03:25,040 Speaker 4: your I think she's ninety nine, and I was having 61 00:03:25,080 --> 00:03:27,800 Speaker 4: a conversation, what are the greatest changes in your lifetime 62 00:03:27,840 --> 00:03:31,000 Speaker 4: that you've seen? And she said manners? And at the 63 00:03:31,080 --> 00:03:33,919 Speaker 4: time I thought, seriously, you know electricity, you know the 64 00:03:34,040 --> 00:03:38,400 Speaker 4: card And I guess as time goes on, I don't. 65 00:03:38,640 --> 00:03:42,200 Speaker 4: I don't like bad manners. It's really an important thing. 66 00:03:43,240 --> 00:03:47,200 Speaker 4: Being late. I don't like people being late. I'm always 67 00:03:47,240 --> 00:03:50,200 Speaker 4: on time too. That's probably a pet peeve. I'm sure 68 00:03:50,240 --> 00:03:52,040 Speaker 4: I could think of more. No chewing gum. 69 00:03:52,080 --> 00:03:55,800 Speaker 3: I hate triming gum, especially how some people show gout. 70 00:03:55,880 --> 00:03:58,760 Speaker 4: Oh yeah, I hate hearing it on the phone. 71 00:03:59,320 --> 00:04:04,800 Speaker 3: The manners resonates deeply with me. Have I really understand 72 00:04:04,840 --> 00:04:09,320 Speaker 3: that and they seem to be going away quicker and quicker. 73 00:04:09,760 --> 00:04:11,960 Speaker 4: It sort of goes hand in hand with arrogance, which 74 00:04:12,040 --> 00:04:12,720 Speaker 4: is a pet fave. 75 00:04:12,800 --> 00:04:14,600 Speaker 3: I guess favorite yoga position. 76 00:04:15,800 --> 00:04:18,159 Speaker 4: Oh I am. I'm the master of the headstand. 77 00:04:18,680 --> 00:04:22,040 Speaker 3: Really standing headstand. Oh my god, I'm going to get there. 78 00:04:22,480 --> 00:04:26,839 Speaker 4: I want to now master the freestanding handstand. I can't, wow, 79 00:04:27,400 --> 00:04:30,880 Speaker 4: but I want to. But the headstand is yeah, it's 80 00:04:30,880 --> 00:04:33,640 Speaker 4: actually a party trick because I can do it and 81 00:04:33,760 --> 00:04:36,680 Speaker 4: take my hands away really yeah, and stand on my head. 82 00:04:37,040 --> 00:04:39,640 Speaker 3: It's really that's like, that's a whole life. 83 00:04:39,680 --> 00:04:40,680 Speaker 4: I wasn't wearing a dress. 84 00:04:40,720 --> 00:04:46,000 Speaker 3: I literally would do it here, damn. And what is 85 00:04:46,720 --> 00:04:48,360 Speaker 3: the best piece of advice. 86 00:04:48,440 --> 00:04:51,279 Speaker 4: That you've been I've been given all that I give 87 00:04:51,360 --> 00:04:54,760 Speaker 4: there's too. Let's well, Anthony and gear is the reason 88 00:04:54,920 --> 00:05:01,000 Speaker 4: I got into filmmaking. Yes, a brilliant, brilliant filmmaker, Cold 89 00:05:01,080 --> 00:05:04,080 Speaker 4: Mountain talented, mister Ripley, the English patient for those who 90 00:05:04,160 --> 00:05:09,680 Speaker 4: may not. And he approached me cold and said, I 91 00:05:09,800 --> 00:05:12,520 Speaker 4: know your artwork. I think you're a filmmaker, and I 92 00:05:12,640 --> 00:05:15,880 Speaker 4: have a film production company. Come for a meeting. And 93 00:05:16,000 --> 00:05:18,040 Speaker 4: it was like a sort of Charlie the Chocolate Factory 94 00:05:18,080 --> 00:05:20,880 Speaker 4: Golden Ticket moment where I went straight round there and 95 00:05:20,880 --> 00:05:23,800 Speaker 4: I was like, right, what should we do? And we 96 00:05:23,920 --> 00:05:26,520 Speaker 4: made a short film together. He produced it, I directed it. 97 00:05:26,839 --> 00:05:30,840 Speaker 4: We've gone nominated at can for palmd Or and he 98 00:05:31,120 --> 00:05:34,120 Speaker 4: wrote me an email and it said, don't rest on 99 00:05:34,200 --> 00:05:40,000 Speaker 4: your laurels. I was literally the best thing that I 100 00:05:40,120 --> 00:05:42,400 Speaker 4: guess that he could have said to me, because I 101 00:05:42,480 --> 00:05:44,280 Speaker 4: didn't just sit back and go, well, that's that in 102 00:05:44,320 --> 00:05:46,840 Speaker 4: the bag. And then he was like, get up and 103 00:05:46,880 --> 00:05:48,680 Speaker 4: get it on with the next thing and just keep 104 00:05:48,720 --> 00:05:50,480 Speaker 4: and so I do have that in my mind. But 105 00:05:51,000 --> 00:05:55,880 Speaker 4: my advice when people ask me is filmmakers specifically, I'm like, yeah, 106 00:05:55,880 --> 00:05:57,520 Speaker 4: I've just kicked the door down. If someone says no, 107 00:05:58,320 --> 00:06:01,240 Speaker 4: it's basically my advice. That is, I'm not saying my 108 00:06:01,320 --> 00:06:02,880 Speaker 4: advice is better than ansneeze, but. 109 00:06:03,400 --> 00:06:06,679 Speaker 3: No, but it's Yes, it's your advice, and it's. 110 00:06:08,640 --> 00:06:12,880 Speaker 4: Life as well as your work, your career or anything. 111 00:06:12,960 --> 00:06:13,719 Speaker 3: Oh, it's everything. 112 00:06:14,000 --> 00:06:17,520 Speaker 2: And it's and I think being the mother of four girls, 113 00:06:17,960 --> 00:06:20,400 Speaker 2: it's a great gift as I. 114 00:06:21,160 --> 00:06:25,200 Speaker 3: Am my father of a girl, and uh, it's great advice. Yeah. 115 00:06:33,400 --> 00:06:35,920 Speaker 2: Table for two with Bruce Bosi is produced by iHeart 116 00:06:36,040 --> 00:06:39,040 Speaker 2: Radio seven three seven, Park and Airmail. 117 00:06:39,320 --> 00:06:42,960 Speaker 3: Our executive producers are Bruce Bosi and Nathan King. Our 118 00:06:43,040 --> 00:06:47,200 Speaker 3: supervising producer and editor is Dylan Fagan. Table for two 119 00:06:47,560 --> 00:06:51,479 Speaker 3: is researched and written by Jack Sullivan. Our sound engineers 120 00:06:51,520 --> 00:06:55,640 Speaker 3: our Meil B. Klein, Jess Crainich, Evan Taylor, and Jesse Funk. 121 00:06:56,279 --> 00:06:59,680 Speaker 3: Our music supervisor is Randall Poster. Our talent booking is 122 00:06:59,720 --> 00:07:03,240 Speaker 3: done by Jane Sarkin. Table for two Social media manager 123 00:07:03,360 --> 00:07:07,600 Speaker 3: is Gracie Wiener. Special thanks to Amy Sugarman, Uni Scherer, 124 00:07:08,040 --> 00:07:09,200 Speaker 3: Kevin Yuvane. 125 00:07:09,279 --> 00:07:14,200 Speaker 1: Bobby Bauer, Alison Kanter, Graber, Jody Williams, Rita Sodi, and 126 00:07:14,280 --> 00:07:16,840 Speaker 1: the team at Via Cororoda in Manhattan's West Village. 127 00:07:17,360 --> 00:07:22,600 Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcast, 128 00:07:23,160 --> 00:07:26,200 Speaker 2: or wherever you listen to your favorite shows.