1 00:00:01,080 --> 00:00:07,600 Speaker 1: Real people, real celebrity, real talk joined the Breakfast Morning Morning. 2 00:00:07,600 --> 00:00:10,440 Speaker 1: Everybody is DJ Envy Angela Ye show. I mean the 3 00:00:10,480 --> 00:00:13,080 Speaker 1: guy we are the Breakfast Club special guests in the building. 4 00:00:13,280 --> 00:00:17,000 Speaker 1: He's from queens Borough, points right, Virgo and he's late 5 00:00:18,600 --> 00:00:24,000 Speaker 1: always like two weeks late. You just for for week 6 00:00:24,040 --> 00:00:26,239 Speaker 1: after was my feelings. I was like, damn, this is 7 00:00:26,280 --> 00:00:28,760 Speaker 1: my family member, not one of them gonna call you 8 00:00:29,200 --> 00:00:31,240 Speaker 1: like I was like, I thought about let me not 9 00:00:31,280 --> 00:00:35,440 Speaker 1: lose my luck. You know, wis up real quick. But yeah, 10 00:00:35,440 --> 00:00:37,760 Speaker 1: the Na Norri stands for nice guy. Now I noticed 11 00:00:38,040 --> 00:00:40,600 Speaker 1: I saw you on Twitter making up with everybody saying 12 00:00:40,680 --> 00:00:43,120 Speaker 1: happy birthday the Prodigy. You might go too, I said, 13 00:00:43,120 --> 00:00:50,120 Speaker 1: I said, happy birthday, No, happy birthday of the actual information. Yeah, yeah, yeah, 14 00:00:50,320 --> 00:00:55,080 Speaker 1: I saw you Niles made up. It's a great thing. 15 00:00:55,400 --> 00:00:57,200 Speaker 1: I didn't know you and na beef to that extent. 16 00:00:57,320 --> 00:00:58,680 Speaker 1: But then when when I when I saw I saw 17 00:00:58,720 --> 00:01:00,560 Speaker 1: the inter of you do a doggy diamond, and then 18 00:01:00,600 --> 00:01:03,800 Speaker 1: I remember, oh yeah, Nas did come up here history. 19 00:01:03,840 --> 00:01:07,480 Speaker 1: It's like like the biggest moment and Paul before the 20 00:01:07,520 --> 00:01:13,680 Speaker 1: breakfastcuse me, excuse me started from the bottom and got him. 21 00:01:14,880 --> 00:01:17,400 Speaker 1: But yeah, um we had seen each other and you 22 00:01:17,480 --> 00:01:20,240 Speaker 1: know whatever, whatever, But just for this this that moment, 23 00:01:20,280 --> 00:01:22,440 Speaker 1: I didn't realize how big that moment was, you know 24 00:01:22,440 --> 00:01:24,920 Speaker 1: what I'm saying, because at the end of the day, 25 00:01:25,000 --> 00:01:26,880 Speaker 1: I love the people that he's rolling with right now, 26 00:01:27,000 --> 00:01:29,240 Speaker 1: Like he's rolling with the new version of Queen's Bridge. 27 00:01:29,760 --> 00:01:32,199 Speaker 1: And these dudes just happened to be like Capone's little 28 00:01:32,319 --> 00:01:34,959 Speaker 1: little man that that grew up to be grown men. 29 00:01:35,520 --> 00:01:38,760 Speaker 1: And they like they're like holding themselves down, you know 30 00:01:38,800 --> 00:01:41,520 Speaker 1: what I'm saying, and whatever, So they rappers. Oh, these 31 00:01:41,640 --> 00:01:43,240 Speaker 1: is just dudes from the you know what I'm saying, 32 00:01:43,280 --> 00:01:44,880 Speaker 1: Big Up Left, Big Up Adam. I want to keep 33 00:01:44,880 --> 00:01:46,440 Speaker 1: bicking up everybody because you know, I don't know if 34 00:01:46,480 --> 00:01:49,760 Speaker 1: they want the name. He got the right crew with them, 35 00:01:50,200 --> 00:01:53,400 Speaker 1: and I had see Nas. Nas came to Miami twice 36 00:01:53,480 --> 00:01:56,440 Speaker 1: while I was there. He came to Um cameo and 37 00:01:56,520 --> 00:01:58,360 Speaker 1: I was too drunk, and I see he had like 38 00:01:58,840 --> 00:02:00,600 Speaker 1: like people that I didn't know. I'd rather deal with 39 00:02:00,680 --> 00:02:02,880 Speaker 1: you with hood people. And then I was with Buster Rhymes. 40 00:02:02,920 --> 00:02:06,320 Speaker 1: Me and Buster Um performed that I think the Dolphin 41 00:02:06,400 --> 00:02:08,720 Speaker 1: Stadium or something like that, and then NAS came on 42 00:02:08,840 --> 00:02:10,920 Speaker 1: after and I went in Nads dressing room, and again 43 00:02:11,160 --> 00:02:13,480 Speaker 1: it wasn't nobody from Queensbridge. So I walked out because 44 00:02:13,600 --> 00:02:16,320 Speaker 1: I didn't want to be a funny situation. You understand 45 00:02:16,320 --> 00:02:17,880 Speaker 1: what I'm saying. He just walk into his ears dress 46 00:02:17,960 --> 00:02:19,919 Speaker 1: room like no I had just it was. It was 47 00:02:20,000 --> 00:02:22,239 Speaker 1: the backstage I had just performed with Buster, so it 48 00:02:22,320 --> 00:02:24,799 Speaker 1: was only people that was basically artists that was there. 49 00:02:25,000 --> 00:02:26,120 Speaker 1: But I didn't want him to come out of the 50 00:02:26,160 --> 00:02:28,079 Speaker 1: bathroom and just see me and just be like, that's 51 00:02:28,120 --> 00:02:29,679 Speaker 1: an awkward feeling. You know what I'm saying. It would 52 00:02:29,680 --> 00:02:33,000 Speaker 1: be awkward for me if the tables was reverse. So, um, 53 00:02:34,040 --> 00:02:36,639 Speaker 1: I can't. It might get a little emotional, you know 54 00:02:36,639 --> 00:02:38,480 Speaker 1: what I'm saying. I can't. So I came to see 55 00:02:38,560 --> 00:02:41,880 Speaker 1: him this time even before you maybe ain't gonna made 56 00:02:41,880 --> 00:02:45,000 Speaker 1: me emotion, made me want to shoot something. You know 57 00:02:45,320 --> 00:02:48,600 Speaker 1: I would happen Drake Brown Liquor and over like ten years, 58 00:02:49,040 --> 00:02:51,280 Speaker 1: you know what I'm saying, the population so um. So 59 00:02:51,360 --> 00:02:54,160 Speaker 1: when I seed him, it messed me up because I 60 00:02:54,280 --> 00:02:57,120 Speaker 1: had only remembered my my wrong doings, you know what 61 00:02:57,120 --> 00:02:59,520 Speaker 1: I'm saying. In the situation, and when he seen him, 62 00:02:59,520 --> 00:03:01,600 Speaker 1: the first thing he said to me was I'm sorry, 63 00:03:02,160 --> 00:03:05,679 Speaker 1: And as a man, I didn't realize how much sorry meant, 64 00:03:05,880 --> 00:03:07,720 Speaker 1: you know what I'm saying, Like sometimes you be beefing 65 00:03:07,760 --> 00:03:10,680 Speaker 1: with somebody and it's something so simple like that, sorry, 66 00:03:10,680 --> 00:03:13,000 Speaker 1: and it's like, oh, forgive you, you know what I'm saying, like, 67 00:03:13,160 --> 00:03:15,400 Speaker 1: and we forgive each other, and it was just so 68 00:03:16,080 --> 00:03:17,799 Speaker 1: it was as a man, it was like, it was 69 00:03:17,880 --> 00:03:19,799 Speaker 1: great to see him who he grown to be. You 70 00:03:19,840 --> 00:03:21,880 Speaker 1: know what I'm saying. Everybody know, he's the best. He 71 00:03:22,000 --> 00:03:23,839 Speaker 1: might be the best lyrics, he might be the best 72 00:03:24,040 --> 00:03:26,359 Speaker 1: rapper in the world. But the fact is he paid 73 00:03:26,400 --> 00:03:30,280 Speaker 1: attention that. You know, our drama first occurred from his 74 00:03:30,520 --> 00:03:33,400 Speaker 1: wrong doing. And obviously I said sorry too, and we 75 00:03:33,560 --> 00:03:37,120 Speaker 1: just we just um, just like yaller him. He dropped. 76 00:03:37,440 --> 00:03:39,040 Speaker 1: He offered me some heney and I said, it's the 77 00:03:39,120 --> 00:03:41,280 Speaker 1: only thing I'm not gonna do. Let's drink heney, and 78 00:03:41,320 --> 00:03:43,720 Speaker 1: then we drank some rolls and he's he's he It 79 00:03:43,880 --> 00:03:45,840 Speaker 1: was so honorable of him. Man. He looked at me 80 00:03:45,880 --> 00:03:51,080 Speaker 1: and said, Yo smiles though, because um, like I said, 81 00:03:51,160 --> 00:03:53,800 Speaker 1: I just I just didn't want to come around, you 82 00:03:53,840 --> 00:03:57,360 Speaker 1: know what I'm saying the wrong people, so um right now, 83 00:03:57,440 --> 00:03:59,600 Speaker 1: it's it's it's the perfect time. It's just like Mayweather 84 00:03:59,640 --> 00:04:01,640 Speaker 1: and Pack. Yeah, like they could have fought five years ago, 85 00:04:01,680 --> 00:04:03,440 Speaker 1: but they fight it now. And I think that that 86 00:04:03,960 --> 00:04:06,280 Speaker 1: maybe I needed to grow more, you know what I'm saying, 87 00:04:06,280 --> 00:04:08,680 Speaker 1: because I got parts in here that's wrong too, you 88 00:04:08,720 --> 00:04:11,480 Speaker 1: know what I'm saying. And um, man, like, did you 89 00:04:11,560 --> 00:04:14,680 Speaker 1: have any questions though, like why why you called my name? 90 00:04:16,320 --> 00:04:18,560 Speaker 1: You know, I'm gonna be honest this is We had 91 00:04:18,600 --> 00:04:20,880 Speaker 1: spoke after that, and we saw each other after that, 92 00:04:21,560 --> 00:04:24,920 Speaker 1: so I don't I don't know what. You know. I 93 00:04:25,120 --> 00:04:26,920 Speaker 1: was young. I was young. It was dumb. It was 94 00:04:26,960 --> 00:04:29,960 Speaker 1: dumb on my behalf. But um, like I said, when 95 00:04:30,040 --> 00:04:31,839 Speaker 1: we seeing each other, he looked at me, he said, 96 00:04:31,880 --> 00:04:35,320 Speaker 1: off smiles, it is better than that. I don't know 97 00:04:35,360 --> 00:04:42,960 Speaker 1: if he answered, I think and he said to me, 98 00:04:43,040 --> 00:04:45,440 Speaker 1: he said to me, let's go to the stage, and um, 99 00:04:45,560 --> 00:04:48,400 Speaker 1: you know live like live is. You know that's that's 100 00:04:48,440 --> 00:04:50,480 Speaker 1: not really a stage. But when we went and we 101 00:04:50,600 --> 00:04:52,800 Speaker 1: got on stage, it was like it was a moment 102 00:04:52,839 --> 00:04:55,640 Speaker 1: of hip hop. The conversation was at the club. Behind 103 00:04:55,640 --> 00:04:57,960 Speaker 1: the initial conversation, Yeah, like, you know what I'm saying, Um, 104 00:04:59,080 --> 00:05:02,480 Speaker 1: I was supposed to get what them and I messed 105 00:05:02,520 --> 00:05:04,600 Speaker 1: around and did something wrong and the people kid and 106 00:05:05,000 --> 00:05:06,400 Speaker 1: that's the only place we could and I was like, 107 00:05:06,440 --> 00:05:07,600 Speaker 1: I just got to get it over with, you know 108 00:05:07,640 --> 00:05:10,360 Speaker 1: what I'm saying, because I'm sorry, like Naas was my friend, 109 00:05:10,560 --> 00:05:12,920 Speaker 1: Like I ate in his house before. You can't take 110 00:05:13,000 --> 00:05:14,800 Speaker 1: back something like that, you know what I'm saying. And 111 00:05:14,880 --> 00:05:16,400 Speaker 1: then when like I said, when he said that, he 112 00:05:16,480 --> 00:05:18,719 Speaker 1: looked at us and he's like, man, let's go show 113 00:05:18,760 --> 00:05:20,520 Speaker 1: the world. And I ain't know what he meant. So 114 00:05:20,800 --> 00:05:24,280 Speaker 1: I thought he was gonna DJ and be like you 115 00:05:24,320 --> 00:05:25,719 Speaker 1: know what I'm saying, look at me and already together, 116 00:05:25,839 --> 00:05:27,000 Speaker 1: like you know what I'm saying. Like I thought he's 117 00:05:27,000 --> 00:05:28,760 Speaker 1: gonna do that. He was like put on some music 118 00:05:29,279 --> 00:05:33,160 Speaker 1: and I'm looking I'm like I wasn't we performed the 119 00:05:33,760 --> 00:05:36,600 Speaker 1: hell no, we looked at each other like I ain't ready, 120 00:05:36,760 --> 00:05:38,760 Speaker 1: like you know what I'm saying. But it was a 121 00:05:38,839 --> 00:05:40,960 Speaker 1: great moment, and I really like respect who he turned 122 00:05:40,960 --> 00:05:42,400 Speaker 1: out who you know what I'm saying. I ain't see 123 00:05:42,440 --> 00:05:44,320 Speaker 1: him in so long. I wouldn't respect who he turned 124 00:05:44,320 --> 00:05:47,080 Speaker 1: out then, and you know, he was my friend, So 125 00:05:47,440 --> 00:05:50,640 Speaker 1: I'm really like I hung out two days after I 126 00:05:50,680 --> 00:05:52,440 Speaker 1: ain't taking no pictures. We didn't do that. We just 127 00:05:52,560 --> 00:05:54,400 Speaker 1: I was on my left rack. He's in this Queen's Bridge, 128 00:05:54,440 --> 00:05:56,240 Speaker 1: you know, just and it was beautiful. Man, it's a 129 00:05:56,240 --> 00:06:00,760 Speaker 1: beautiful thing. You talk about doing a song together. I 130 00:06:00,800 --> 00:06:03,280 Speaker 1: would never like like envy you my guy, and I 131 00:06:03,400 --> 00:06:05,680 Speaker 1: know that your favorite. But you know why we can't 132 00:06:05,720 --> 00:06:09,000 Speaker 1: do Body in the Trunk part too, because it's time. Yeah, 133 00:06:09,000 --> 00:06:12,400 Speaker 1: it's true, very true. And it was a moment like 134 00:06:12,760 --> 00:06:14,600 Speaker 1: you can't, we can't, Like I would never try to 135 00:06:14,640 --> 00:06:16,640 Speaker 1: do bad from TV part two, Like you know a 136 00:06:16,680 --> 00:06:19,080 Speaker 1: lot of people have tried. I really wish they would 137 00:06:19,080 --> 00:06:21,040 Speaker 1: stop touching my music, you know what I'm saying, Like 138 00:06:21,040 --> 00:06:22,960 Speaker 1: because when they get older, when you get when they 139 00:06:23,040 --> 00:06:25,240 Speaker 1: get older and they realize that these young kids are 140 00:06:25,279 --> 00:06:28,240 Speaker 1: touching it and not doing not doing it righteous like 141 00:06:28,240 --> 00:06:30,920 Speaker 1: you can't you know, you can't get on sometimes which 142 00:06:31,000 --> 00:06:32,960 Speaker 1: is a record I dedicated to my father and pun 143 00:06:33,200 --> 00:06:36,000 Speaker 1: and talk about sometimes on the flip bricks and sometimes 144 00:06:36,160 --> 00:06:38,760 Speaker 1: like I don't actually like that, you know what I'm saying, 145 00:06:38,839 --> 00:06:40,960 Speaker 1: Like that was a record for my father, So you 146 00:06:41,000 --> 00:06:43,200 Speaker 1: know what I'm saying, Like a lot of people, if 147 00:06:43,560 --> 00:06:45,480 Speaker 1: anybody ever tried to get me on the record, and 148 00:06:45,560 --> 00:06:47,400 Speaker 1: I didn't do it this because they tried to recreate 149 00:06:47,680 --> 00:06:50,640 Speaker 1: one of my records without really showing me the respect. 150 00:06:50,720 --> 00:06:52,360 Speaker 1: You know what I'm saying, like, Yeah, you know, some 151 00:06:52,520 --> 00:06:54,560 Speaker 1: of these records I don't own. I don't own all 152 00:06:54,600 --> 00:06:57,360 Speaker 1: the publishers, but some of them I own spiritually. It's 153 00:06:57,360 --> 00:06:59,360 Speaker 1: like a person who lives in the hood lived in 154 00:06:59,400 --> 00:07:01,680 Speaker 1: the hood thirty is. They don't own that apartment, but 155 00:07:01,800 --> 00:07:03,920 Speaker 1: they feel like they own that apartment, you know. You 156 00:07:03,960 --> 00:07:05,960 Speaker 1: know what, I'm certain things you just gotta leave alone, 157 00:07:06,000 --> 00:07:09,440 Speaker 1: like a band from TV. I'm not doing the I'm 158 00:07:09,480 --> 00:07:11,840 Speaker 1: not and there's nobody could replace Pun, you know what 159 00:07:11,880 --> 00:07:14,480 Speaker 1: I'm saying, Like, there's nobody that could replace Puns. So 160 00:07:14,520 --> 00:07:17,240 Speaker 1: it's disrespect to even try to attempt that. There's been 161 00:07:17,240 --> 00:07:19,440 Speaker 1: a lot of great Latin rappers after Pun. I'm sorry, 162 00:07:19,680 --> 00:07:24,400 Speaker 1: but nobody ain't been up. I couldn't think I couldn't 163 00:07:24,440 --> 00:07:27,120 Speaker 1: throw him. You know, I don't know this is a curveball, 164 00:07:27,600 --> 00:07:30,880 Speaker 1: but I think his sons signs Joe crack like that's 165 00:07:30,920 --> 00:07:34,520 Speaker 1: who Pun rhyme Like before Pun got with Joey and 166 00:07:34,640 --> 00:07:37,320 Speaker 1: Joey showed Pun how to make hit records. I don't 167 00:07:37,360 --> 00:07:39,560 Speaker 1: care what everybody. I don't care about, no politics, don't 168 00:07:39,640 --> 00:07:41,520 Speaker 1: don't bring up none of that. To me, that is 169 00:07:41,640 --> 00:07:45,120 Speaker 1: factual evidence. I knew Big Dog Punisher and when he 170 00:07:45,200 --> 00:07:47,880 Speaker 1: got with with Fat Joe, Fat Joe showed that man 171 00:07:47,960 --> 00:07:51,000 Speaker 1: how to make hit records. You know what she's saying, 172 00:07:51,040 --> 00:07:53,560 Speaker 1: punch soun Now it sounds like how punts sound. Pun sound, 173 00:07:53,640 --> 00:07:56,520 Speaker 1: he shout, just sound. He sounds like punning when when 174 00:07:56,560 --> 00:07:59,160 Speaker 1: Punn had no guidance, which is not a disc you 175 00:07:59,200 --> 00:08:00,760 Speaker 1: know what I'm saying, It's a it's a diamond. A 176 00:08:00,800 --> 00:08:02,920 Speaker 1: diamond is still a diamond. You just gotta polish that more. 177 00:08:03,600 --> 00:08:06,240 Speaker 1: And it's just like you've been here enough to know 178 00:08:06,320 --> 00:08:13,920 Speaker 1: you can't curry. But you know, I'm sorry, sorry, I'm sorry, yeah, 179 00:08:14,000 --> 00:08:17,640 Speaker 1: but um but um yeah. I just like Rimby, like 180 00:08:17,960 --> 00:08:21,400 Speaker 1: I hear Remy and I'm like, I feel like pause. 181 00:08:21,440 --> 00:08:23,080 Speaker 1: I think jokes should be behind that, you know what 182 00:08:23,120 --> 00:08:25,320 Speaker 1: I'm saying, because that chemistry, you just can't buy it. 183 00:08:25,360 --> 00:08:26,880 Speaker 1: You know what I'm saying. You can't force it neither. 184 00:08:27,240 --> 00:08:28,800 Speaker 1: So as long as they don't force it, I think 185 00:08:29,520 --> 00:08:31,600 Speaker 1: I think I think this is still something there. Do 186 00:08:31,760 --> 00:08:35,400 Speaker 1: you think pun like I think Point is like dumb knife, 187 00:08:35,480 --> 00:08:37,160 Speaker 1: like on the level and it's people hat when I 188 00:08:37,200 --> 00:08:39,160 Speaker 1: say that's been on the level of the Tory's big knife. 189 00:08:39,320 --> 00:08:42,520 Speaker 1: But they never mentioned him with the greats. Only only 190 00:08:42,679 --> 00:08:47,240 Speaker 1: you here mentioned with the greates is Puerto Ricans. That 191 00:08:47,360 --> 00:08:51,840 Speaker 1: was racist. But why do you think that is? Um? 192 00:08:52,800 --> 00:08:55,120 Speaker 1: I don't know you you know you're right, you know um? 193 00:08:55,960 --> 00:08:59,240 Speaker 1: To me, Pun Pun was actually like if you listen 194 00:08:59,320 --> 00:09:01,640 Speaker 1: to his first album, like he rhymes with people like 195 00:09:01,720 --> 00:09:05,600 Speaker 1: black thought because he thought he thought lyrically in that realm. 196 00:09:05,840 --> 00:09:08,240 Speaker 1: You know what I'm saying, And I don't think most 197 00:09:08,840 --> 00:09:10,880 Speaker 1: black people get that. If you're not even you know 198 00:09:10,920 --> 00:09:13,520 Speaker 1: what I'm saying. Damn on black am Spanish. So if 199 00:09:13,559 --> 00:09:15,400 Speaker 1: you're not, you know what I'm saying. Like because he was, 200 00:09:15,559 --> 00:09:17,719 Speaker 1: he he didn't want to be Pun didn't want to 201 00:09:17,760 --> 00:09:20,240 Speaker 1: be nice for a Puerto Rican. Pun wanted to be nice. 202 00:09:20,880 --> 00:09:23,679 Speaker 1: That's what like, I'm not rhyming with black thought consciously, 203 00:09:23,960 --> 00:09:26,480 Speaker 1: like if I'm black though a whole loan, let me 204 00:09:26,559 --> 00:09:28,839 Speaker 1: go write something I gotta write, let me take ten days. 205 00:09:29,200 --> 00:09:31,319 Speaker 1: And Pun consciously wanted to let people know like this 206 00:09:31,480 --> 00:09:34,760 Speaker 1: is how nice I am. And sometimes like Pun was 207 00:09:34,880 --> 00:09:37,880 Speaker 1: a backpack rapper. You know what I'm saying without Fat Joe, 208 00:09:38,040 --> 00:09:40,199 Speaker 1: Like you know what I'm saying, And don't get me wrong, 209 00:09:40,320 --> 00:09:42,559 Speaker 1: Like that's that's what I see. You know what I'm saying. 210 00:09:42,600 --> 00:09:44,440 Speaker 1: Fat Joe norted to make hit records. To this day, 211 00:09:44,480 --> 00:09:46,680 Speaker 1: you go to Fat Joe, he just he just costly 212 00:09:46,720 --> 00:09:48,360 Speaker 1: want to play your hit record. You're listen, Tori. You 213 00:09:48,400 --> 00:09:50,360 Speaker 1: know what I'm saying, Like he that's his thing. And 214 00:09:50,559 --> 00:09:53,120 Speaker 1: and um, that's why I think what Pun is, Pun 215 00:09:53,280 --> 00:09:56,720 Speaker 1: is in heart. He was the underground of the underground. 216 00:09:56,840 --> 00:09:59,439 Speaker 1: You know what I'm saying, Nacy. You've also been having 217 00:09:59,520 --> 00:10:02,240 Speaker 1: some convers stations with Damon Dash as well. Yes, it's 218 00:10:02,320 --> 00:10:06,760 Speaker 1: pretty weird, ahead pretty weird. I don't know, it's weird. 219 00:10:07,040 --> 00:10:14,959 Speaker 1: That's my man property three. Yeah, Um, stay stopt. I 220 00:10:15,040 --> 00:10:18,800 Speaker 1: hope it happens. Man Um. I first spoke to Beans, 221 00:10:19,840 --> 00:10:24,559 Speaker 1: it was crazy because, um, Dame, I've seen Dame on 222 00:10:24,720 --> 00:10:31,800 Speaker 1: here and I remember that, you know. And I just 223 00:10:31,920 --> 00:10:34,560 Speaker 1: felt like I felt like I older my phone call. 224 00:10:34,600 --> 00:10:42,400 Speaker 1: I didn't know why. I just like it was just 225 00:10:42,559 --> 00:10:46,160 Speaker 1: someone right, I just felt like something someone I wanted 226 00:10:46,200 --> 00:10:49,680 Speaker 1: to say, I love you, like you know, I don't 227 00:10:49,720 --> 00:10:51,599 Speaker 1: know about I don't go that far, but you know, 228 00:10:52,000 --> 00:10:54,240 Speaker 1: I just felt like it felt like, you know, Dame 229 00:10:54,320 --> 00:10:57,040 Speaker 1: did so much things for a lot of rappers indirectly 230 00:10:57,280 --> 00:11:00,400 Speaker 1: and directly that I just felt like I owe him 231 00:11:00,440 --> 00:11:02,079 Speaker 1: a phone call. So I was just like, yo, Dame, 232 00:11:02,160 --> 00:11:04,040 Speaker 1: you know, I don't know what's going on. And he 233 00:11:04,600 --> 00:11:06,680 Speaker 1: was in good spirits. He put me on the phone 234 00:11:06,720 --> 00:11:08,280 Speaker 1: with three different people are like, hold on, I'm gonna 235 00:11:08,280 --> 00:11:11,040 Speaker 1: be doing I was like superholom and I'm like, wow, 236 00:11:11,120 --> 00:11:13,400 Speaker 1: that's that's that super halo like you know what I man. 237 00:11:13,480 --> 00:11:17,000 Speaker 1: So I'm like and then he and then and then 238 00:11:17,120 --> 00:11:18,959 Speaker 1: he said, yo, I just spoke the beans. And it 239 00:11:19,120 --> 00:11:22,240 Speaker 1: was just like whoa okay, because I thought they had something. 240 00:11:22,679 --> 00:11:24,800 Speaker 1: And we got on the phone and for three days 241 00:11:24,840 --> 00:11:28,160 Speaker 1: straight when we was talking and speaking about Hong Kong 242 00:11:28,480 --> 00:11:31,400 Speaker 1: and let's go over here and let's go over here, 243 00:11:31,640 --> 00:11:34,160 Speaker 1: and it was it was just weird for me because 244 00:11:34,600 --> 00:11:36,880 Speaker 1: if this can happen, this would be a surreal moment, 245 00:11:36,960 --> 00:11:40,480 Speaker 1: this would be real, like but um ill story though 246 00:11:40,600 --> 00:11:43,000 Speaker 1: it has to be because State property too, Like you 247 00:11:43,080 --> 00:11:45,719 Speaker 1: gotta realize, I would have never played in State property too, 248 00:11:45,800 --> 00:11:49,360 Speaker 1: had PD crack and I got locked up. So when 249 00:11:49,440 --> 00:11:51,679 Speaker 1: they presented me with the role, I was like, I 250 00:11:51,720 --> 00:11:53,920 Speaker 1: didn't like it, you know what I'm saying. So I said, 251 00:11:53,960 --> 00:11:56,320 Speaker 1: if you're gonna make me act, if you're gonna make 252 00:11:56,360 --> 00:11:58,120 Speaker 1: me be somebody, you're gonna it's gonna be me. I 253 00:11:58,160 --> 00:11:59,800 Speaker 1: don't I don't want to act. I want to be me. 254 00:12:00,000 --> 00:12:01,400 Speaker 1: Oh so your role was supposed to be pet Crack. 255 00:12:01,480 --> 00:12:03,640 Speaker 1: My role was supposed to be pet Cracks, and I 256 00:12:03,760 --> 00:12:05,720 Speaker 1: ain't like it. It was pay I like Pedro, that's 257 00:12:05,760 --> 00:12:07,640 Speaker 1: my man, Peter Crack, but don't know, I can't call 258 00:12:07,679 --> 00:12:09,439 Speaker 1: me Paedro. I felt like it was racist, you know 259 00:12:09,480 --> 00:12:12,680 Speaker 1: what I'm saying. Every time they said guala they actually 260 00:12:12,720 --> 00:12:16,800 Speaker 1: had Gualac. I was like, yea, this is like what 261 00:12:16,960 --> 00:12:21,719 Speaker 1: you worked for. Help Polo, I was so, but that's 262 00:12:21,920 --> 00:12:24,360 Speaker 1: that's what it was. I changed my name to elpoo 263 00:12:24,440 --> 00:12:26,760 Speaker 1: Loca and I made them write the script to to 264 00:12:27,320 --> 00:12:31,599 Speaker 1: cater to me. And I think as long as I 265 00:12:31,760 --> 00:12:33,840 Speaker 1: think Dame is still powerful enough to pull it off, 266 00:12:33,880 --> 00:12:35,840 Speaker 1: you know what I'm saying, I just feel like, um, 267 00:12:36,559 --> 00:12:39,360 Speaker 1: me me him and beans on the phone probably wasn't enough. 268 00:12:39,440 --> 00:12:44,440 Speaker 1: It probably had to be in face because you know, Dame. 269 00:12:44,760 --> 00:12:46,880 Speaker 1: Dame is smarter than me. Let me just what I 270 00:12:46,960 --> 00:12:50,400 Speaker 1: mean by that is, I could do two things at once. 271 00:12:51,360 --> 00:12:54,199 Speaker 1: I can probably roll a blunt and send the text 272 00:12:54,559 --> 00:12:58,320 Speaker 1: as far as I got, as far as I got, okay, 273 00:12:58,960 --> 00:13:03,319 Speaker 1: as far as I This dude is the clothing like 274 00:13:03,480 --> 00:13:06,920 Speaker 1: he's that that's much smarter than me. Like I don't 275 00:13:06,960 --> 00:13:09,680 Speaker 1: Actually I need a B and C Like I'm an 276 00:13:09,720 --> 00:13:11,719 Speaker 1: A B and C dude. When you get to W 277 00:13:12,360 --> 00:13:15,120 Speaker 1: and all that, I get. So I got friends with 278 00:13:16,160 --> 00:13:18,839 Speaker 1: you know what I'm saying, Binger just came home for 279 00:13:18,920 --> 00:13:21,599 Speaker 1: ten years. I need that to help me out. I 280 00:13:21,679 --> 00:13:25,240 Speaker 1: got seven grade education. I know I could, I could. 281 00:13:25,559 --> 00:13:28,360 Speaker 1: I know I'm a smart to a certain extent. You 282 00:13:28,400 --> 00:13:30,480 Speaker 1: know what I'm saying. I'm saying street smart like, but 283 00:13:30,720 --> 00:13:33,439 Speaker 1: I just I think, dam is he gonna get it together. 284 00:13:33,559 --> 00:13:35,720 Speaker 1: I think it's gonna happen. I mean it was announced 285 00:13:35,760 --> 00:13:37,640 Speaker 1: like it seemed like they announced it like no, I 286 00:13:37,720 --> 00:13:40,000 Speaker 1: mean I was with it. I announced it too. And 287 00:13:40,960 --> 00:13:44,000 Speaker 1: it's just you know, I'm feeling like I'm feeling like 288 00:13:44,280 --> 00:13:46,079 Speaker 1: he's going through you know what I'm saying, what he's 289 00:13:46,080 --> 00:13:49,600 Speaker 1: going through, which I can't speak about. I don't know nothing, Chaddy, Patty, 290 00:13:49,600 --> 00:13:52,880 Speaker 1: we ain't gonna do that. He puts out all the 291 00:13:52,920 --> 00:13:54,560 Speaker 1: business and we ain't gonna be this is my thing. 292 00:13:54,559 --> 00:13:56,800 Speaker 1: I'm gonna get y'all this. You ain't gonna be negative Nancy. 293 00:13:56,960 --> 00:14:03,280 Speaker 1: That's the other one, not negative Nancis. People hit me. 294 00:14:03,400 --> 00:14:06,440 Speaker 1: It was like, yo, Nahs, I'm like, what is this about? 295 00:14:07,960 --> 00:14:11,719 Speaker 1: Like if you got for them? I never hit you 296 00:14:11,840 --> 00:14:14,360 Speaker 1: and say that. It was like it's certain people that 297 00:14:14,559 --> 00:14:17,440 Speaker 1: didn't like there's certain people that just they don't They 298 00:14:17,480 --> 00:14:19,280 Speaker 1: just want to be negative about everything. You know what 299 00:14:19,320 --> 00:14:22,160 Speaker 1: I'm saying, and negative Nancies. Man, let's watch out for them, 300 00:14:22,240 --> 00:14:24,400 Speaker 1: you know what I mean? Or could you and Prodigy 301 00:14:24,480 --> 00:14:29,640 Speaker 1: ever be cool? Yo? Listen man, listen man. I never 302 00:14:30,160 --> 00:14:31,680 Speaker 1: and I didn't want speak about because I don't want 303 00:14:31,680 --> 00:14:32,920 Speaker 1: to feel like every time we come up people speak 304 00:14:32,920 --> 00:14:35,240 Speaker 1: about them, but what we do because I just have 305 00:14:35,360 --> 00:14:37,600 Speaker 1: to be real. Listen. At the end of the day, 306 00:14:38,280 --> 00:14:41,760 Speaker 1: if you smack me right and I shoot you, I'm 307 00:14:41,880 --> 00:14:50,320 Speaker 1: wronger ruht, I'm wronger for shooting you. But if you 308 00:14:50,360 --> 00:14:52,480 Speaker 1: would have never smacked me, I wouldn't. You would have 309 00:14:52,560 --> 00:14:55,080 Speaker 1: never got shot. I'm glad you use that analogy because 310 00:14:55,080 --> 00:14:58,600 Speaker 1: I've been using this all week Intimore. Right, Okay, if 311 00:14:58,680 --> 00:15:01,080 Speaker 1: somebody smacks you and I think it's about anything, but 312 00:15:01,720 --> 00:15:03,880 Speaker 1: it don't matter how you react. You should have never smacked. 313 00:15:07,200 --> 00:15:09,360 Speaker 1: So I don't understand why he's mad at me. Like 314 00:15:09,480 --> 00:15:11,720 Speaker 1: at the end of the day, at the end of 315 00:15:11,720 --> 00:15:14,000 Speaker 1: the day, you wrote the book and you called me 316 00:15:14,240 --> 00:15:17,360 Speaker 1: and you said, I didn't this you. I felt it. 317 00:15:17,680 --> 00:15:19,960 Speaker 1: I was whatever I said on Twitter that day, I believe, 318 00:15:20,240 --> 00:15:24,240 Speaker 1: I don't. I don't really erase you, so um, but 319 00:15:24,400 --> 00:15:28,320 Speaker 1: I diffused the statement. When the book came out, you 320 00:15:28,440 --> 00:15:31,480 Speaker 1: got people like Angela and if you were him saying, y'all, 321 00:15:32,320 --> 00:15:36,160 Speaker 1: you know, Norm got beat up in here, and he's like, yeah, no, dude, 322 00:15:36,200 --> 00:15:38,360 Speaker 1: you just took me and said that you didn't mean that. 323 00:15:38,520 --> 00:15:41,480 Speaker 1: And I know the real story, and I won. I 324 00:15:41,680 --> 00:15:45,480 Speaker 1: really won this like this, I was wronger run no 325 00:15:46,160 --> 00:15:48,080 Speaker 1: no no, no, I wasn't wronger running no no, no, no, 326 00:15:48,200 --> 00:15:52,120 Speaker 1: I was right or running that whole situation. I'm really right. 327 00:15:52,160 --> 00:15:54,840 Speaker 1: I'm really the righteous. That's why, by the grace of God, 328 00:15:54,920 --> 00:15:56,800 Speaker 1: Like nothing really happened to me, you know, other than 329 00:15:56,920 --> 00:15:58,440 Speaker 1: the jump in and then we got up and we 330 00:15:58,800 --> 00:16:00,880 Speaker 1: got them. But so what I'm saying is by you 331 00:16:01,000 --> 00:16:03,640 Speaker 1: bringing it up, this was some street, this is between us, 332 00:16:04,240 --> 00:16:06,760 Speaker 1: like by you bringing it up and then by me 333 00:16:07,320 --> 00:16:10,200 Speaker 1: capitalizing off of the situation, me being fans of y'all. 334 00:16:10,240 --> 00:16:12,760 Speaker 1: And every time they slipped up, Havoc said this, I'm 335 00:16:12,800 --> 00:16:15,400 Speaker 1: on y'all hills. Let's do it. Call me up, call 336 00:16:15,520 --> 00:16:18,480 Speaker 1: me up. I'm wrong, gonna wrong, but you were wrong. 337 00:16:18,720 --> 00:16:22,720 Speaker 1: Verse when you ever write a book, because a book, right, 338 00:16:22,880 --> 00:16:25,240 Speaker 1: you do, you gotta put everything. You gotta be completely honest. 339 00:16:25,320 --> 00:16:26,960 Speaker 1: I did you got to polygone a couple of times. 340 00:16:27,000 --> 00:16:29,680 Speaker 1: If I have no problem, it's gonna be like project 341 00:16:29,720 --> 00:16:35,000 Speaker 1: book project. Listen. The thing is, the thing is. The 342 00:16:35,120 --> 00:16:38,360 Speaker 1: thing is, I'm gonna tell my history like I'm gonna say, 343 00:16:38,760 --> 00:16:42,320 Speaker 1: like what I did or what I heard. And if 344 00:16:42,680 --> 00:16:44,440 Speaker 1: if I say what I heard, I won't put my 345 00:16:44,680 --> 00:16:47,640 Speaker 1: I wonna place myself in that situation. That's my only 346 00:16:47,760 --> 00:16:51,120 Speaker 1: problem with people who do books like that when they say, yo, 347 00:16:51,520 --> 00:16:53,400 Speaker 1: you know we was dead. You know we went to 348 00:16:53,480 --> 00:16:56,120 Speaker 1: go ride and we went to Nah. You wasn't there, 349 00:16:56,480 --> 00:16:58,040 Speaker 1: heard about it? You heard about it. You know what 350 00:16:58,040 --> 00:17:00,960 Speaker 1: I'm saying. I was there and I let the things go. Now, 351 00:17:01,040 --> 00:17:03,480 Speaker 1: of course, if I shoot at you and you're y'all 352 00:17:03,520 --> 00:17:05,879 Speaker 1: get shot. Your crew members is probably gonna go out. 353 00:17:05,920 --> 00:17:07,960 Speaker 1: You know he was nervous, he was no, but you 354 00:17:08,119 --> 00:17:12,320 Speaker 1: still got popped. You know what I'm saying, I don't 355 00:17:12,400 --> 00:17:14,240 Speaker 1: care like I talked about you gotta talk about the 356 00:17:14,280 --> 00:17:16,000 Speaker 1: whole history because it's very interesting. I know I know 357 00:17:16,200 --> 00:17:19,000 Speaker 1: some of it, and it's interesting. I love the Prodigies book. 358 00:17:19,000 --> 00:17:20,760 Speaker 1: I think prog books should be a move. You know what, 359 00:17:20,840 --> 00:17:22,680 Speaker 1: I'm gonna tell you the truth. I'm gonna tell you 360 00:17:22,680 --> 00:17:24,399 Speaker 1: the truth. I would No, I'm not gonna read it, 361 00:17:24,680 --> 00:17:26,520 Speaker 1: but um, I was gonna say I'll read it, but 362 00:17:26,720 --> 00:17:29,720 Speaker 1: I probably would. I know. I'm trying to get into 363 00:17:29,720 --> 00:17:32,040 Speaker 1: audio books while you know what I'm saying, like you 364 00:17:32,080 --> 00:17:34,960 Speaker 1: know yaging like that, so I would look into it. 365 00:17:35,040 --> 00:17:36,880 Speaker 1: But my book is gonna be more of my experience, 366 00:17:37,000 --> 00:17:38,920 Speaker 1: not to let take anything away because I don't have 367 00:17:39,080 --> 00:17:41,480 Speaker 1: no beef for Prodigy, like not that kind of I 368 00:17:41,600 --> 00:17:44,080 Speaker 1: kind of hate answering those questions. But I see he's 369 00:17:44,160 --> 00:17:45,840 Speaker 1: mad at me, and he's mad at me because of 370 00:17:45,960 --> 00:17:48,199 Speaker 1: my reaction, and you just got to be a grown man, 371 00:17:48,320 --> 00:17:49,760 Speaker 1: just like we all gotta be a grown man and 372 00:17:49,840 --> 00:17:51,560 Speaker 1: just get over it, But my book is gonna be 373 00:17:51,920 --> 00:17:56,040 Speaker 1: based on my story. I was gonna I was calling it. 374 00:17:56,520 --> 00:17:59,359 Speaker 1: I forget what I was called it. Man, I'm on 375 00:17:59,440 --> 00:18:02,080 Speaker 1: the run. On the run. Jay took my tightle on 376 00:18:02,200 --> 00:18:05,720 Speaker 1: the run maybe super and said a superhead. Oh yeah, definitely, 377 00:18:05,720 --> 00:18:12,280 Speaker 1: I'm not in super Head. I avoided that situation. You have. 378 00:18:12,480 --> 00:18:14,240 Speaker 1: You have a dope story, just you the industry and 379 00:18:14,400 --> 00:18:17,960 Speaker 1: how you done something? Make something real quick? Yeah, leaks something. 380 00:18:19,200 --> 00:18:20,800 Speaker 1: I think I told the story before. One time, I'm 381 00:18:20,840 --> 00:18:23,720 Speaker 1: in my basement doing my mixtape. Nori calls me and 382 00:18:24,119 --> 00:18:27,640 Speaker 1: he has a DJ hanging upside down. Yeah, they're torturing 383 00:18:27,720 --> 00:18:29,679 Speaker 1: because the DJ leaked the Nori record and the DJ 384 00:18:29,880 --> 00:18:31,960 Speaker 1: told Nori that I said it was okay to play 385 00:18:32,000 --> 00:18:37,040 Speaker 1: the record. Yo. Yo, he never smoked weed, and they 386 00:18:37,119 --> 00:18:40,640 Speaker 1: got a lot of war stories, says Envy. I'm gonna 387 00:18:40,640 --> 00:18:44,280 Speaker 1: ask you one time, did you give this guy permission 388 00:18:44,280 --> 00:18:46,199 Speaker 1: to leak this record? Now, if you say you gave 389 00:18:46,280 --> 00:18:48,159 Speaker 1: him permission, I'm gonna let him go. But if you 390 00:18:48,240 --> 00:18:50,480 Speaker 1: say you didn't, we're gonna tear his ass up. I 391 00:18:50,560 --> 00:18:52,640 Speaker 1: said no, I'm gonna be honest. I didn't give permission. 392 00:18:52,720 --> 00:18:56,760 Speaker 1: Or I start hearing this click. But I'm trying to 393 00:18:58,880 --> 00:19:01,280 Speaker 1: I never try to think that pun to who kid 394 00:19:01,440 --> 00:19:06,600 Speaker 1: first or you did it first? I did, so I'm 395 00:19:06,640 --> 00:19:09,360 Speaker 1: right into a put what did you do to the dj? Nah? 396 00:19:09,480 --> 00:19:13,120 Speaker 1: You know at the time, I was screaming at the time, 397 00:19:13,400 --> 00:19:15,800 Speaker 1: you know, we had dropped The War Report and we 398 00:19:15,920 --> 00:19:17,720 Speaker 1: had like eighteen tracks. I'm just giving a zamp, I 399 00:19:17,760 --> 00:19:20,199 Speaker 1: don't know. And on his mixtape he had like eleven 400 00:19:21,520 --> 00:19:24,119 Speaker 1: and I think he was trying to pick us up, 401 00:19:24,160 --> 00:19:26,399 Speaker 1: but he didn't realize that people wasn't buying our album. 402 00:19:26,920 --> 00:19:28,960 Speaker 1: They were going buying your mixtape. They were you know 403 00:19:28,960 --> 00:19:30,960 Speaker 1: what I mean. It wasn't even downloads back then, you 404 00:19:30,960 --> 00:19:33,119 Speaker 1: know what I'm saying. And you know, to make records 405 00:19:33,160 --> 00:19:35,400 Speaker 1: back then, it was so hard, like to get nas 406 00:19:35,400 --> 00:19:36,920 Speaker 1: in the studio, to get a bust of rhymes in 407 00:19:36,960 --> 00:19:39,240 Speaker 1: the studio. There was no emailing you, there was no 408 00:19:39,800 --> 00:19:41,879 Speaker 1: you had. It was at eight inch rail. You know 409 00:19:41,920 --> 00:19:43,960 Speaker 1: what that looked like, That's look a little weight like 410 00:19:44,040 --> 00:19:45,320 Speaker 1: you know what I'm saying, Like you run around a 411 00:19:45,320 --> 00:19:46,879 Speaker 1: little mitchet, you know what I'm saying. So if you 412 00:19:46,960 --> 00:19:49,359 Speaker 1: get NIS on your record, you get mob deep on 413 00:19:49,480 --> 00:19:52,400 Speaker 1: your record. This this was hard task. So for him 414 00:19:52,440 --> 00:19:54,080 Speaker 1: to just put it the whole thing on the album, 415 00:19:54,400 --> 00:19:56,680 Speaker 1: and like he blamed, He blamed Clue and Envy. You 416 00:19:56,680 --> 00:19:58,879 Speaker 1: know what I'm saying. It's like, yo, your clue. Me 417 00:19:58,960 --> 00:20:00,560 Speaker 1: and Clue had beef, but you know, I never we 418 00:20:00,680 --> 00:20:02,840 Speaker 1: never spoke about it. We had it like men handled 419 00:20:02,920 --> 00:20:04,560 Speaker 1: like man. Clue was my man. You know what I'm saying. 420 00:20:04,680 --> 00:20:06,000 Speaker 1: It was one of those things, whichever one of these 421 00:20:06,040 --> 00:20:08,440 Speaker 1: guys that catched for us and getting hung from the roof. No, no, 422 00:20:08,600 --> 00:20:11,879 Speaker 1: no no. He blamed Clue an Envy. But Clue and 423 00:20:12,040 --> 00:20:14,800 Speaker 1: Envy didn't do it. It wasn't on Nyme mixtapes. You 424 00:20:14,840 --> 00:20:16,800 Speaker 1: know what I'm saying. That they used it regularly, so 425 00:20:17,000 --> 00:20:19,600 Speaker 1: he he used it in a way where it was disrespect. 426 00:20:20,240 --> 00:20:21,800 Speaker 1: Now what if Mvy said that he did do it? 427 00:20:21,840 --> 00:20:24,120 Speaker 1: Would you have hung him from the basement? I think 428 00:20:24,240 --> 00:20:26,560 Speaker 1: Envy would have told me, Like at the time, Envy 429 00:20:26,640 --> 00:20:31,240 Speaker 1: was actually close. We lived in the way every beginning 430 00:20:31,240 --> 00:20:32,800 Speaker 1: a lot of money. Don't even know me no more? 431 00:20:32,880 --> 00:20:35,639 Speaker 1: He a week, Well you know you did try all 432 00:20:35,680 --> 00:20:38,720 Speaker 1: that money? When I still don't. I still think he's exaggerating. 433 00:20:39,600 --> 00:20:45,199 Speaker 1: I still think that man. Everybody, let me think. Let 434 00:20:46,200 --> 00:20:56,000 Speaker 1: me end myself. So this day, I think it was 435 00:20:56,040 --> 00:20:58,119 Speaker 1: the time me and Clue had beef. When I thought that, 436 00:20:58,320 --> 00:20:59,800 Speaker 1: I was like, Yo, they're never gonna mess with me 437 00:20:59,840 --> 00:21:02,480 Speaker 1: on the outside anyway, So maybe I did do that. 438 00:21:02,960 --> 00:21:05,200 Speaker 1: I never denied it. I never denied he was really 439 00:21:05,240 --> 00:21:07,160 Speaker 1: hurt about that. I was hurting when I found out 440 00:21:07,200 --> 00:21:09,040 Speaker 1: he was hurt ten years later, like just random and 441 00:21:09,080 --> 00:21:11,040 Speaker 1: he goes, yo, I used to used to be in 442 00:21:11,080 --> 00:21:16,719 Speaker 1: the same car dropping around. Have a license, I got 443 00:21:16,800 --> 00:21:19,920 Speaker 1: a permit, I'm working, I got a permit. He still 444 00:21:19,960 --> 00:21:21,800 Speaker 1: don't gotta like, yeah, Yo, we're telling him I never 445 00:21:21,920 --> 00:21:24,040 Speaker 1: had record. Said something real the other day though, he 446 00:21:24,160 --> 00:21:26,360 Speaker 1: was like, if you my man, you know what I'm saying, 447 00:21:26,640 --> 00:21:28,000 Speaker 1: I'll do it for you because you're my man. But 448 00:21:28,040 --> 00:21:29,960 Speaker 1: if you get in the check from the label, let 449 00:21:30,000 --> 00:21:31,879 Speaker 1: me get some of that bread too. Nah. It's true, yo, 450 00:21:32,000 --> 00:21:34,440 Speaker 1: I would be one hundred percent honest. Foxy Brown taught 451 00:21:34,480 --> 00:21:37,440 Speaker 1: me that. One day. Fox she hit me. She was like, um, 452 00:21:37,680 --> 00:21:39,560 Speaker 1: she jumped on my record, and she was like, Yo, 453 00:21:39,640 --> 00:21:41,760 Speaker 1: you're gonna give me thirty thousand for it. I was like, oh, 454 00:21:42,600 --> 00:21:45,520 Speaker 1: that was like the stortion. She was like, yeah, I'm 455 00:21:45,520 --> 00:21:46,920 Speaker 1: gonna jump on it, but you're gonna give me thirty 456 00:21:46,960 --> 00:21:50,040 Speaker 1: thousan Um No, I don't think it was. I think 457 00:21:50,080 --> 00:21:53,720 Speaker 1: it was um, um nothing rebix Homeboy, I can't remit. 458 00:21:53,840 --> 00:21:55,760 Speaker 1: So I gave up thirty thousand, and then two months 459 00:21:55,840 --> 00:21:58,440 Speaker 1: later she gave me thirty thousand back for a hook. 460 00:21:58,760 --> 00:22:00,520 Speaker 1: So I thought that was on them if you do 461 00:22:00,760 --> 00:22:03,240 Speaker 1: charge me, If I do charge you, I'm gonna charge 462 00:22:03,320 --> 00:22:05,119 Speaker 1: give you that red back. So I thought that was 463 00:22:05,160 --> 00:22:08,160 Speaker 1: a way to hustle. So yeah, yeah, I wondered about 464 00:22:08,160 --> 00:22:10,399 Speaker 1: that Bang Bang record. I don't know, while randomly with 465 00:22:10,440 --> 00:22:14,639 Speaker 1: thinking this is good questions, I have beef with Biggie 466 00:22:14,680 --> 00:22:17,200 Speaker 1: and Junior motherfi them too. I mean after that record 467 00:22:17,280 --> 00:22:22,520 Speaker 1: came out obviously, um the shootout, the shootout, the shootout. Yeah, 468 00:22:22,720 --> 00:22:26,000 Speaker 1: so um, well did we have beep Nah. It was 469 00:22:26,080 --> 00:22:28,760 Speaker 1: really like like, I don't I don't want to call 470 00:22:28,800 --> 00:22:30,639 Speaker 1: her inger because I was calling a Foxy already. So 471 00:22:30,880 --> 00:22:33,560 Speaker 1: you know, Foxy was was a person I considered my 472 00:22:33,640 --> 00:22:35,920 Speaker 1: sister at the time and still dude, you know what 473 00:22:35,920 --> 00:22:39,399 Speaker 1: I'm saying. We had we had the studio and she 474 00:22:39,560 --> 00:22:43,639 Speaker 1: had wrote a direct response to Kim, but she wrote 475 00:22:43,680 --> 00:22:47,520 Speaker 1: like seventeen verses like the verse on Bang Bang was 476 00:22:47,600 --> 00:22:50,240 Speaker 1: actually like the I don't know how you call the 477 00:22:50,520 --> 00:22:54,120 Speaker 1: less disrespectful one right let me, she will pop off. 478 00:22:54,200 --> 00:22:55,960 Speaker 1: She will pop up off the mouth in a minute. 479 00:22:55,960 --> 00:22:57,200 Speaker 1: Like she's the one that when you go to the 480 00:22:57,240 --> 00:22:59,400 Speaker 1: club you're gonna get into a fight because she's why 481 00:22:59,560 --> 00:23:02,480 Speaker 1: on the band ain't bang record? Though I guess we were. 482 00:23:02,560 --> 00:23:04,280 Speaker 1: We were like, you know, we were being petty, you 483 00:23:04,320 --> 00:23:06,400 Speaker 1: know what I'm saying. Alchemists did to be it's kind 484 00:23:06,440 --> 00:23:09,080 Speaker 1: of down with Marb that he's down mob deep. And 485 00:23:09,560 --> 00:23:11,440 Speaker 1: Foxy walked in the studio was like, yo, give me 486 00:23:11,480 --> 00:23:13,879 Speaker 1: a record to jump on, and when she did it, 487 00:23:14,320 --> 00:23:15,840 Speaker 1: this was this is like the like I said, it 488 00:23:15,920 --> 00:23:18,520 Speaker 1: was the less disrespectful and I didn't know how disrespectful 489 00:23:18,600 --> 00:23:20,800 Speaker 1: it was. I brung it to Puff you know me, 490 00:23:20,840 --> 00:23:23,439 Speaker 1: and Puffa's cool. When Puffs like he was turned up. 491 00:23:23,480 --> 00:23:25,760 Speaker 1: He was like, no, we don't ever lets somebody diss 492 00:23:25,840 --> 00:23:28,359 Speaker 1: me on your record and the mother wanted to diss me. 493 00:23:28,520 --> 00:23:29,840 Speaker 1: You could diss me. I was like, so Puff you 494 00:23:29,880 --> 00:23:31,040 Speaker 1: don't want me use it? He's like, you cool, you 495 00:23:31,040 --> 00:23:35,560 Speaker 1: could use it, like I know a different type of animal, 496 00:23:35,960 --> 00:23:38,560 Speaker 1: like he flipped, don't get me wrong. Puff actually flipped 497 00:23:38,600 --> 00:23:40,520 Speaker 1: on me. He was like, Yo, don't you ever let it? 498 00:23:41,600 --> 00:23:43,760 Speaker 1: And I'm like, that's when I realized Puffa's gangster way 499 00:23:43,840 --> 00:23:45,960 Speaker 1: before the night and lived with Drake because I was 500 00:23:46,040 --> 00:23:48,280 Speaker 1: there that night too. But let's move on. We're gonna 501 00:23:48,280 --> 00:23:52,480 Speaker 1: talk about that. I'll go back to that. But um, yeah, 502 00:23:54,160 --> 00:23:56,639 Speaker 1: it was real so so puff Um so I was. 503 00:23:56,760 --> 00:24:00,360 Speaker 1: I didn't really know what she was saying to Kim, 504 00:24:00,400 --> 00:24:02,600 Speaker 1: you know what I'm saying. And I never met Little Kim. 505 00:24:02,800 --> 00:24:07,720 Speaker 1: To this day, I never grudge you probably still don't 506 00:24:07,760 --> 00:24:11,680 Speaker 1: like against me, and and um we're supposed to do 507 00:24:11,720 --> 00:24:15,080 Speaker 1: the bt sper together and and um um she ain't. 508 00:24:15,119 --> 00:24:17,360 Speaker 1: She ain't saying you've never met little Killer. I've never 509 00:24:17,440 --> 00:24:19,360 Speaker 1: met Little Kim. I've never been in the same room. 510 00:24:19,560 --> 00:24:21,000 Speaker 1: I've been in the same room, but I don't think 511 00:24:21,080 --> 00:24:23,800 Speaker 1: we've ever like I met Big you know what I'm saying. 512 00:24:23,920 --> 00:24:26,760 Speaker 1: And um, and you know Sea season my man, like, 513 00:24:27,080 --> 00:24:29,199 Speaker 1: like that's probably the most embarrassing beef I've ever had 514 00:24:29,240 --> 00:24:32,960 Speaker 1: in him, No junior mafia period, because here I was, 515 00:24:33,000 --> 00:24:35,680 Speaker 1: I used to smoke blunts were Big and and Branson, 516 00:24:36,000 --> 00:24:38,280 Speaker 1: Like I remember one day Branson we went to Branson, 517 00:24:38,400 --> 00:24:42,040 Speaker 1: Red Man and Biggie Smalls. It is behind. They've ben 518 00:24:42,160 --> 00:24:46,720 Speaker 1: serving the weed, Biggie Smalls and Red Man. My dude, look, 519 00:24:46,800 --> 00:24:49,480 Speaker 1: Branson had to go do something and he left these 520 00:24:49,600 --> 00:24:52,439 Speaker 1: dudes with the keys to the week. Branson with the weed. Man, 521 00:24:54,240 --> 00:24:56,280 Speaker 1: I'm not blowing up noting. Everybody knows that. Yeah, and 522 00:24:57,000 --> 00:25:00,320 Speaker 1: and Big and Red Man was in there. They're like, yo, 523 00:25:00,400 --> 00:25:02,520 Speaker 1: they're giving you a lottipossibles up what you want? You 524 00:25:02,560 --> 00:25:06,040 Speaker 1: want to hunt? I'm like yo, Big, like yo, Eddie 525 00:25:06,119 --> 00:25:07,480 Speaker 1: Eddie because I have the dude was running. He's like 526 00:25:07,720 --> 00:25:10,240 Speaker 1: Eddie left out Man, Me and ready doing that. And 527 00:25:10,359 --> 00:25:13,240 Speaker 1: he was back there and me and Big Smoke Wrapper, 528 00:25:13,359 --> 00:25:16,480 Speaker 1: they was wrapping it. Yes, he had the cherry red legs. 529 00:25:16,600 --> 00:25:19,680 Speaker 1: Um the lex are you talking about? It was right outside. 530 00:25:19,880 --> 00:25:21,720 Speaker 1: I guess Big really ain't drop so he's waiting for 531 00:25:21,800 --> 00:25:23,840 Speaker 1: his people to come back. So until they came back, 532 00:25:24,040 --> 00:25:26,680 Speaker 1: he was serving the way. This is a fact. Me 533 00:25:26,760 --> 00:25:29,399 Speaker 1: and Big Side outside Drake Champagne Smoke and for him 534 00:25:29,480 --> 00:25:31,719 Speaker 1: to pass away and for us to have any friction, 535 00:25:32,119 --> 00:25:33,679 Speaker 1: like I should have got on the phone with them 536 00:25:33,720 --> 00:25:36,119 Speaker 1: immediately wants Fox. You know what I'm saying. Let let 537 00:25:36,200 --> 00:25:38,840 Speaker 1: her go and you know, kim, let let it be 538 00:25:38,840 --> 00:25:40,720 Speaker 1: a girl fight. You know what I'm saying, because immediately 539 00:25:41,040 --> 00:25:45,800 Speaker 1: it transpired and I got point a gunshot, they got federal. Yeah, yeah, 540 00:25:46,240 --> 00:25:47,760 Speaker 1: what happens. If you see him now, you think you 541 00:25:47,800 --> 00:25:53,880 Speaker 1: would say what's up? He? Would you say something? Sorry? Oh, 542 00:25:53,920 --> 00:25:57,520 Speaker 1: I wasn't there. No, this is facts what you're talking about. 543 00:25:57,520 --> 00:26:00,560 Speaker 1: Wouldn't there. I'm gonna say sorry about you. An I 544 00:26:00,640 --> 00:26:06,879 Speaker 1: wasn't there. I wasn't there. I wasn't there there. I 545 00:26:07,119 --> 00:26:11,399 Speaker 1: was not there. But you were with Puffy. You know, 546 00:26:11,720 --> 00:26:13,680 Speaker 1: I didn't see nothing. I didn't see nothing, but what 547 00:26:13,800 --> 00:26:16,720 Speaker 1: I seen was I seen. When Puff walked back into 548 00:26:16,800 --> 00:26:20,080 Speaker 1: the club, like it reminded me of like why I'm 549 00:26:20,119 --> 00:26:22,200 Speaker 1: from New York, you know what I'm saying, Like we 550 00:26:22,320 --> 00:26:24,960 Speaker 1: get on some bulls sometimes it don't matter what it is, 551 00:26:25,040 --> 00:26:27,600 Speaker 1: no matter how much money you got. And I guess 552 00:26:28,200 --> 00:26:30,520 Speaker 1: I guess Puff got it off his chest. And when 553 00:26:30,560 --> 00:26:32,919 Speaker 1: he walked through the list, he's like he's walking through 554 00:26:33,000 --> 00:26:39,520 Speaker 1: those like I'm like sucking. So he was like, you know, 555 00:26:39,720 --> 00:26:42,520 Speaker 1: he was struking over here and every New York like 556 00:26:42,680 --> 00:26:45,720 Speaker 1: me and Fab, Me and Fab. For some reason, me 557 00:26:45,840 --> 00:26:48,480 Speaker 1: and Fab have never really kicked it at all, like 558 00:26:48,720 --> 00:26:51,320 Speaker 1: just it's I don't think it's ever been beef, but 559 00:26:51,400 --> 00:26:54,640 Speaker 1: I felt like it's never been one hundred percent love, 560 00:26:54,800 --> 00:26:57,480 Speaker 1: neither like his people cool with But that night Fab 561 00:26:57,600 --> 00:27:00,440 Speaker 1: grabbed me. I was like, Yo, it's good my brother around. 562 00:27:00,640 --> 00:27:02,239 Speaker 1: I gave him a hug, and it was he was like, yo, 563 00:27:02,359 --> 00:27:03,680 Speaker 1: just in case I'm over here. I was like, bad, 564 00:27:03,720 --> 00:27:05,920 Speaker 1: I'm over here, and that little thing just let me 565 00:27:06,000 --> 00:27:08,040 Speaker 1: know that it was open, you know what I'm saying. Like, 566 00:27:08,320 --> 00:27:10,000 Speaker 1: and then you know, Boss was over here, and then 567 00:27:10,040 --> 00:27:12,360 Speaker 1: Fat Joe was over here, and it was like, that's 568 00:27:12,359 --> 00:27:14,359 Speaker 1: the only time I see New York show. Love is 569 00:27:14,400 --> 00:27:16,119 Speaker 1: out of town. Like you know what I'm saying. I'm 570 00:27:16,119 --> 00:27:17,840 Speaker 1: saying because at the end of the day, even though 571 00:27:17,960 --> 00:27:19,760 Speaker 1: me and Fab, like I don't have his number, he 572 00:27:19,800 --> 00:27:21,720 Speaker 1: don't have my number. There's no way in hell I 573 00:27:21,760 --> 00:27:25,000 Speaker 1: could ever see anybody trying to front on him without 574 00:27:25,080 --> 00:27:27,920 Speaker 1: me trying to get that person right, you know, to 575 00:27:27,960 --> 00:27:29,400 Speaker 1: be having me for each other, just because they don't 576 00:27:29,400 --> 00:27:30,639 Speaker 1: simply walk up to each other and be like yo. 577 00:27:30,760 --> 00:27:34,120 Speaker 1: That's why I like living in Miami, because like if 578 00:27:34,200 --> 00:27:37,520 Speaker 1: I would have maybe approached Nas in New York like 579 00:27:37,640 --> 00:27:40,639 Speaker 1: like I get example, right, one day at one time, 580 00:27:40,680 --> 00:27:43,119 Speaker 1: I stayed in Miami for six eight months, right straight, 581 00:27:44,000 --> 00:27:45,840 Speaker 1: I came back to New York. I'm I walk in 582 00:27:45,880 --> 00:27:48,440 Speaker 1: the club, I'm like, yo, what's up? Yo? Yo? My 583 00:27:48,600 --> 00:27:54,080 Speaker 1: dudes was like if you don't stop smiling, like yo, 584 00:27:54,160 --> 00:27:58,159 Speaker 1: it's winter time and section I'm like, and I'm like 585 00:27:58,280 --> 00:28:00,960 Speaker 1: these these dudes is literally like they're looking at me 586 00:28:01,080 --> 00:28:05,080 Speaker 1: like you chatty patty ass. You're like, I'm like, and 587 00:28:05,119 --> 00:28:07,520 Speaker 1: I'm looking like what did I do? Like they like, yo, 588 00:28:07,600 --> 00:28:12,400 Speaker 1: you take that Miami off. So that's an example. That's 589 00:28:12,400 --> 00:28:14,480 Speaker 1: a mantality like out here, it's like, yo, don't be 590 00:28:14,640 --> 00:28:17,240 Speaker 1: happy even when you happy, like, don't let the next 591 00:28:17,320 --> 00:28:19,399 Speaker 1: man know you're happy. Because it's so many of us 592 00:28:19,880 --> 00:28:22,200 Speaker 1: that somebody would take that as weakness, and it's true, 593 00:28:22,520 --> 00:28:24,800 Speaker 1: but we're not in jail. That's why I like Miami. 594 00:28:24,840 --> 00:28:27,600 Speaker 1: I'm out there like that to hang, hang dance like 595 00:28:27,680 --> 00:28:29,159 Speaker 1: that was at Pro Styles part of the other day 596 00:28:29,160 --> 00:28:31,560 Speaker 1: and everybody was, you know, rappers, everybody was dead. We 597 00:28:31,680 --> 00:28:33,240 Speaker 1: was on one side and I wouldn't go over there 598 00:28:33,280 --> 00:28:36,560 Speaker 1: and speak. I was like, am I going over there? Queen? 599 00:28:37,440 --> 00:28:39,880 Speaker 1: That's how I'm not going over there. And then when 600 00:28:39,880 --> 00:28:41,280 Speaker 1: I when I was leaving, I was like, what's wrong 601 00:28:41,280 --> 00:28:45,480 Speaker 1: with me? Exactly already walking just now? If he ain't 602 00:28:45,480 --> 00:28:47,840 Speaker 1: paying nor no attention? Yeah he was on it, he's on, 603 00:28:48,280 --> 00:28:49,400 Speaker 1: he was on, he was on. I don't know what 604 00:28:49,480 --> 00:28:53,080 Speaker 1: he was on. Be like, yeah, yeah, yeah, I thought 605 00:28:53,120 --> 00:28:58,520 Speaker 1: I was going on. But did you and Dame have 606 00:28:58,680 --> 00:29:01,240 Speaker 1: beef back in the days or no, day before? You 607 00:29:01,360 --> 00:29:05,080 Speaker 1: never met himout? Now that's a lot. You never met 608 00:29:05,120 --> 00:29:08,080 Speaker 1: him before one of y'all salty about not signing that 609 00:29:08,360 --> 00:29:13,520 Speaker 1: rocket full of yall. I just couldn't tell which he 610 00:29:13,680 --> 00:29:16,840 Speaker 1: might have gave you a deal you might have said sorry. 611 00:29:16,920 --> 00:29:18,280 Speaker 1: The first question when I was like, you know, how 612 00:29:18,360 --> 00:29:20,840 Speaker 1: a job meet? I honestly wanted to know. Now, let's 613 00:29:20,840 --> 00:29:23,520 Speaker 1: talk about where it really started from really started from 614 00:29:23,640 --> 00:29:29,400 Speaker 1: Charlotmagne wearing the T shirt and the hat legends said 615 00:29:29,560 --> 00:29:32,560 Speaker 1: Legend and had jay Z's face on it. He wore 616 00:29:32,600 --> 00:29:34,440 Speaker 1: a T shirt that said rock Nation and jay Z, 617 00:29:34,480 --> 00:29:35,720 Speaker 1: so he was kind of sold this sort. I asked, 618 00:29:35,800 --> 00:29:38,000 Speaker 1: how did y'all meet? Because I was really curious, you 619 00:29:38,040 --> 00:29:40,480 Speaker 1: know that in the interview you had that Rock Nation 620 00:29:40,560 --> 00:29:42,600 Speaker 1: had j T shirt. I didn't. I didn't keep that. 621 00:29:42,800 --> 00:29:45,760 Speaker 1: I didn't kitchen from him again. He walked in here 622 00:29:45,800 --> 00:29:47,720 Speaker 1: and the dog barked, and he said, the dog feels 623 00:29:47,760 --> 00:29:51,400 Speaker 1: the bad energy. And that's where it started started. When 624 00:29:51,400 --> 00:29:53,200 Speaker 1: I asked him the question, he was already defensive, so 625 00:29:53,560 --> 00:29:57,320 Speaker 1: you know, you defense him. I go back there. You 626 00:29:57,400 --> 00:29:59,920 Speaker 1: ain't going back then? You know it's too much, Les, 627 00:30:00,280 --> 00:30:04,040 Speaker 1: Why are you like fer I ain't gonna lie. I 628 00:30:04,160 --> 00:30:06,320 Speaker 1: feel like you were getting along with Fero, Like I 629 00:30:06,440 --> 00:30:09,280 Speaker 1: kid you, I don't think so much for me why 630 00:30:09,440 --> 00:30:11,719 Speaker 1: I don't know nothing about that, But you know, did 631 00:30:11,760 --> 00:30:14,040 Speaker 1: they real cool dudes? I was like certain, I don't know. 632 00:30:14,160 --> 00:30:16,320 Speaker 1: It's a rumor like Sticky like it's a rumor about 633 00:30:16,360 --> 00:30:19,200 Speaker 1: you somewhere that people is like your Charlemagne goes at people. 634 00:30:19,200 --> 00:30:22,160 Speaker 1: And I'm like, that's absolutely not with me, you know 635 00:30:22,160 --> 00:30:24,320 Speaker 1: what I'm saying. I gotta judge. Like it's a lot 636 00:30:24,360 --> 00:30:25,920 Speaker 1: of friends that I have that people say, hey, that 637 00:30:25,960 --> 00:30:31,160 Speaker 1: friend is a scumbag. Okay, it's not a scumbag with me. 638 00:30:31,720 --> 00:30:33,920 Speaker 1: So I have to judge this person based upon how 639 00:30:34,000 --> 00:30:36,560 Speaker 1: they treat me, you know what I'm saying. And that's 640 00:30:36,600 --> 00:30:38,440 Speaker 1: just what it is. So like having on this conversation. 641 00:30:38,520 --> 00:30:40,640 Speaker 1: You know I love it too, man, Like I just 642 00:30:40,760 --> 00:30:43,000 Speaker 1: told these people. Man, I listen, man, I'm thirty seven 643 00:30:43,080 --> 00:30:44,760 Speaker 1: years old. I sat on my balls the other day. 644 00:30:44,960 --> 00:30:48,720 Speaker 1: It's real. I know I'm getting old, like y'all. Yeah, 645 00:30:48,840 --> 00:30:50,880 Speaker 1: like that's real. That's really like. You know what I'm 646 00:30:50,880 --> 00:30:55,280 Speaker 1: saying this is listen. No, I ain't got no graves. 647 00:30:55,760 --> 00:30:58,160 Speaker 1: God that means what that means just gonna drop when 648 00:30:58,160 --> 00:31:04,920 Speaker 1: you get a certain age grabbing the app. It's the 649 00:31:05,000 --> 00:31:09,520 Speaker 1: app called no how old he look? Yeah, I ain't 650 00:31:09,520 --> 00:31:12,000 Speaker 1: like that. I ain't want to be on there. I 651 00:31:12,040 --> 00:31:17,720 Speaker 1: got my password on sign up. Oh yeah. But so 652 00:31:17,840 --> 00:31:19,440 Speaker 1: you know, I'm still working with the Good Belt Gang. 653 00:31:19,480 --> 00:31:21,040 Speaker 1: You know what I'm saying. Hopefully me and Mike Kaiser 654 00:31:21,120 --> 00:31:23,200 Speaker 1: is gonna get together to sit down. That's what That's 655 00:31:23,440 --> 00:31:26,120 Speaker 1: my next maneuver is I really want to be a CEO. 656 00:31:26,200 --> 00:31:29,400 Speaker 1: You know what I'm saying. More, I'm gonna always rap 657 00:31:29,520 --> 00:31:33,080 Speaker 1: because that's it's not even a hobby, excuse me, a hobby. 658 00:31:33,480 --> 00:31:37,000 Speaker 1: It's it's something that I use as a vehicle. That's therapeutic, 659 00:31:37,240 --> 00:31:39,440 Speaker 1: you know what I'm saying, Like I don't jog anymore 660 00:31:39,560 --> 00:31:42,160 Speaker 1: to lose weight weight. But I don't do it to 661 00:31:42,240 --> 00:31:45,760 Speaker 1: lose weight. I do it simply because it's therapeutic to me, 662 00:31:46,000 --> 00:31:47,520 Speaker 1: you know what I'm saying. You know, I like jogging 663 00:31:47,560 --> 00:31:49,400 Speaker 1: for that same reason. It's the only time I think. 664 00:31:49,440 --> 00:31:50,800 Speaker 1: And I don't have my phone with me. Yeah, I 665 00:31:51,720 --> 00:31:53,760 Speaker 1: have my phone. I have my headphones in there, and 666 00:31:53,800 --> 00:31:55,960 Speaker 1: I would not play no music. You know what I'm saying. 667 00:31:56,240 --> 00:31:58,720 Speaker 1: It's just it's therapeutic to me. And that's what music is. 668 00:31:58,800 --> 00:32:02,120 Speaker 1: Making music is actually a therapy for me, you know 669 00:32:02,160 --> 00:32:04,760 Speaker 1: what I'm saying. So but right now, like I feel 670 00:32:04,800 --> 00:32:07,760 Speaker 1: like I have to take this next step into my 671 00:32:08,920 --> 00:32:12,440 Speaker 1: into this life. I want to say. Man, and my 672 00:32:12,520 --> 00:32:15,080 Speaker 1: cousin is talking about sitting down right now. You know 673 00:32:15,120 --> 00:32:17,040 Speaker 1: a couple of other people, but you know, not to 674 00:32:17,120 --> 00:32:18,800 Speaker 1: throw it out to all these millions, but you know, 675 00:32:19,120 --> 00:32:21,720 Speaker 1: I'd rather work with somebody that I know. You know 676 00:32:21,720 --> 00:32:24,360 Speaker 1: what I'm saying. Like I was there with Mike Kayser 677 00:32:24,400 --> 00:32:26,240 Speaker 1: smoked dust. You know what I'm saying. I was there. 678 00:32:27,160 --> 00:32:31,640 Speaker 1: What wh he went blind? That's why I don't know 679 00:32:33,320 --> 00:32:36,800 Speaker 1: smoke no other don't smoke around method, man, I bet 680 00:32:36,920 --> 00:32:41,920 Speaker 1: he run out of the room. Okay, smoke around method Man. 681 00:32:42,440 --> 00:32:43,680 Speaker 1: You know what, I'm not gonna lie. One of my 682 00:32:43,760 --> 00:32:45,920 Speaker 1: friends smoked after Method Man in the video shoot one 683 00:32:46,000 --> 00:32:48,720 Speaker 1: day and she started having seizures. And I don't want 684 00:32:48,720 --> 00:32:50,400 Speaker 1: this to seem like I just said Math is doing 685 00:32:50,440 --> 00:32:54,920 Speaker 1: some crazy. I'm saying so back in the days Methods 686 00:32:55,720 --> 00:32:57,280 Speaker 1: was doing it. He was like, you watch me catch 687 00:32:57,440 --> 00:32:59,920 Speaker 1: Mike Kaiser and then caught my guys when he put 688 00:33:00,040 --> 00:33:02,920 Speaker 1: one blunt in the sleeping front of the mother's and 689 00:33:03,040 --> 00:33:06,040 Speaker 1: I forgot the other dude, what's the actor? Dude? They was, 690 00:33:06,120 --> 00:33:09,280 Speaker 1: they were smoked, They was playing the guitar. It was weird. 691 00:33:10,200 --> 00:33:12,560 Speaker 1: He passed away. I want to say, but Yoba, but 692 00:33:12,600 --> 00:33:17,360 Speaker 1: that's not it. I'm gone, I forget, I forget, I forget. 693 00:33:17,360 --> 00:33:22,600 Speaker 1: He just went, I'm doing the fat dude with the dress. 694 00:33:22,720 --> 00:33:26,080 Speaker 1: They can't arrest do what I'm staying, me up, me up. 695 00:33:26,120 --> 00:33:28,280 Speaker 1: But I was saying, I'm stay in smooth. I was 696 00:33:28,320 --> 00:33:32,280 Speaker 1: trying to stay smooth. Listen, I got I get offered 697 00:33:32,400 --> 00:33:36,360 Speaker 1: reality shows. Every the closest one, the closest one I 698 00:33:36,480 --> 00:33:40,719 Speaker 1: was coming to was a couples therapy. What they actually 699 00:33:40,840 --> 00:33:43,080 Speaker 1: hit me and the reason why I said, I said, 700 00:33:43,080 --> 00:33:46,280 Speaker 1: ghost faces of respectful dude. Dr Max's respectful to Chi 701 00:33:47,440 --> 00:33:50,040 Speaker 1: Chinger was on it. Yeah it was. Oh, I didn't 702 00:33:50,080 --> 00:33:52,440 Speaker 1: know that. I didn't do my math on that. Those 703 00:33:52,560 --> 00:33:57,200 Speaker 1: was in my lesson. Yeah, trash, you never study Chicken. 704 00:33:58,320 --> 00:34:01,040 Speaker 1: Ain't stay my chicken, my ching you one ten? Uh. 705 00:34:03,240 --> 00:34:06,000 Speaker 1: But yeah, I was close. I'm close. I mean I 706 00:34:06,080 --> 00:34:09,680 Speaker 1: don't know, because one, I love my wife. I just 707 00:34:09,760 --> 00:34:13,840 Speaker 1: want to know how to love them more. Okay, you 708 00:34:13,920 --> 00:34:19,440 Speaker 1: know what, I got a record dropping produced by DJ Mustard, 709 00:34:19,640 --> 00:34:22,240 Speaker 1: Todd Dollars Signs, Rick Ross, and my boy City boyd 710 00:34:22,400 --> 00:34:26,320 Speaker 1: on there. CNN actually has an album that's dropping June, 711 00:34:26,520 --> 00:34:29,600 Speaker 1: not June sixteenth, the week after June sixteen. I'm gonna 712 00:34:29,600 --> 00:34:35,120 Speaker 1: send you sound like a reach for radio. See that's 713 00:34:35,120 --> 00:34:37,560 Speaker 1: the thing about it. When I did tied out. When 714 00:34:37,600 --> 00:34:39,640 Speaker 1: I did tied out, which is the joint with me 715 00:34:40,160 --> 00:34:46,840 Speaker 1: French push your two chasing right, I felt like that. 716 00:34:47,120 --> 00:34:49,719 Speaker 1: I felt like I was compmising who I was radio. 717 00:34:49,760 --> 00:34:52,719 Speaker 1: You felt not a reach for radio, but to reach 718 00:34:52,800 --> 00:34:54,880 Speaker 1: for that sound. And when I listened to tild it 719 00:34:54,920 --> 00:34:58,440 Speaker 1: doesn't sound like me. So todd Ola signs. I've been 720 00:34:58,480 --> 00:35:03,440 Speaker 1: working with Todd Olds for like two years right before UMP. 721 00:35:07,440 --> 00:35:09,600 Speaker 1: We work with tid dollar signs and todd dollar signs. 722 00:35:09,760 --> 00:35:13,560 Speaker 1: Um he he hated to a record that was just 723 00:35:13,719 --> 00:35:18,279 Speaker 1: for me, and when he gave it to me, I 724 00:35:18,440 --> 00:35:24,320 Speaker 1: felt I took my time. Okay, cool, cool, cool, cool, alright, 725 00:35:24,360 --> 00:35:27,680 Speaker 1: alright cool. So um so I mean this to make 726 00:35:27,680 --> 00:35:29,920 Speaker 1: a long story short. This record sounds like me. You 727 00:35:30,000 --> 00:35:34,080 Speaker 1: know what I'm saying, Um Me and Pharrell again. I 728 00:35:34,160 --> 00:35:38,160 Speaker 1: try to take Phararell to another um atmosphere because you know, 729 00:35:38,280 --> 00:35:40,759 Speaker 1: we recently did a record and um we had to 730 00:35:40,840 --> 00:35:45,600 Speaker 1: join thing Lord Boy Standing Screaming Lord the Ak Screaming Law. 731 00:35:45,840 --> 00:35:49,000 Speaker 1: At the same time he got happy out, I knew 732 00:35:49,040 --> 00:35:51,480 Speaker 1: they wasn't gonna clear the record. You got the biggest 733 00:35:51,480 --> 00:35:54,840 Speaker 1: and I told him, I said, stupid for being you 734 00:35:54,920 --> 00:35:57,319 Speaker 1: to do gangs the records like you got all these 735 00:35:57,440 --> 00:35:59,920 Speaker 1: girls following you. I wanted like a two percent of that. 736 00:36:00,480 --> 00:36:02,360 Speaker 1: You know what I'm saying, because because at the end 737 00:36:02,360 --> 00:36:04,759 Speaker 1: of the day, I gotta stop making gangster music. I 738 00:36:04,920 --> 00:36:07,759 Speaker 1: am tired of having. Like I had a birthday party 739 00:36:07,840 --> 00:36:10,120 Speaker 1: last year. Do some a story. I came to see 740 00:36:10,200 --> 00:36:12,560 Speaker 1: me through some queen's bride came to see me due 741 00:36:12,600 --> 00:36:16,960 Speaker 1: from Ravenswood through some left Frack forty projects and nobody 742 00:36:17,000 --> 00:36:19,600 Speaker 1: said nothing to each other, Like everybody is just in 743 00:36:19,680 --> 00:36:22,680 Speaker 1: the room, like what's up? Nor It's cool? And I'm like, damn, 744 00:36:22,680 --> 00:36:24,560 Speaker 1: they couldn't walk over to my section. I couldn't walk 745 00:36:24,600 --> 00:36:27,399 Speaker 1: over to another section. And I said, this reflects my music. 746 00:36:27,520 --> 00:36:29,359 Speaker 1: Carris once said a long time, watch what you say, 747 00:36:29,360 --> 00:36:33,120 Speaker 1: because you attracted. I need to stop. I am too 748 00:36:33,200 --> 00:36:35,200 Speaker 1: old for a trn y. You know what I'm saying. 749 00:36:35,239 --> 00:36:37,239 Speaker 1: I'm too old for another y'all don't want to. But 750 00:36:38,000 --> 00:36:41,440 Speaker 1: on my solo career, I'm going for the broads. You 751 00:36:41,480 --> 00:36:42,920 Speaker 1: know what I'm saying. If I if I care, if 752 00:36:42,960 --> 00:36:45,799 Speaker 1: I still make it joints, I'm going for the because man, 753 00:36:45,960 --> 00:36:47,840 Speaker 1: it's it's just it's too many guys who come to 754 00:36:47,960 --> 00:36:51,879 Speaker 1: my shows, man, and it's just terrible. Like I've been 755 00:36:51,960 --> 00:36:54,080 Speaker 1: grown up. It's just my crowd ain't grown with me. 756 00:36:54,200 --> 00:36:56,480 Speaker 1: My crowd wanted me to be ignorant. Like It's like 757 00:36:56,600 --> 00:36:59,319 Speaker 1: when I posted a picture, I post a picture with Nas, 758 00:36:59,360 --> 00:37:02,240 Speaker 1: Everybody's like, oh yeah, I posted a picture with Wayne. 759 00:37:02,239 --> 00:37:04,279 Speaker 1: People were like, man, Wayne, you ain't supposed to be sitting. 760 00:37:04,440 --> 00:37:06,800 Speaker 1: Wayne was on my Wayne was the first feature you 761 00:37:06,840 --> 00:37:11,360 Speaker 1: ever heard Wayne was on the things. You know what 762 00:37:11,400 --> 00:37:13,399 Speaker 1: I'm saying. For real, I had the whole cash money 763 00:37:13,480 --> 00:37:16,480 Speaker 1: be you know what I'm saying. I had, I paid Baby, 764 00:37:16,719 --> 00:37:18,640 Speaker 1: and then the next time Baby came and I hired them, 765 00:37:18,640 --> 00:37:21,920 Speaker 1: Baby said play boy. This on me. Play boys. When 766 00:37:22,000 --> 00:37:24,839 Speaker 1: Baby was that dude, that's when he was that, That's 767 00:37:24,880 --> 00:37:27,560 Speaker 1: what name was. Baby wasn't even when his baby, you 768 00:37:27,600 --> 00:37:29,399 Speaker 1: know what I mean. Now he that he that he's 769 00:37:29,400 --> 00:37:32,480 Speaker 1: still that dude. But you know, God blessed the situation. Man. 770 00:37:32,600 --> 00:37:35,400 Speaker 1: That's that's one of the funniest, weirdest things. I had 771 00:37:35,480 --> 00:37:37,600 Speaker 1: never seen this. Like, if you tell me Tupac was 772 00:37:37,719 --> 00:37:39,680 Speaker 1: leaving death Row, I could say maybe I saw it, 773 00:37:40,360 --> 00:37:43,280 Speaker 1: Like I never like people. There's there's no rumor Upun 774 00:37:43,960 --> 00:37:46,439 Speaker 1: wanting to leave terror squad. So these stories, I don't 775 00:37:46,480 --> 00:37:50,200 Speaker 1: know where these stories come from. But you know this situation, man, 776 00:37:50,239 --> 00:37:51,800 Speaker 1: I want to say, God bless them both. You know 777 00:37:51,800 --> 00:37:54,920 Speaker 1: what I'm saying, because it's a weird situation right now. Man, 778 00:37:55,080 --> 00:37:58,120 Speaker 1: you know mac Maine and Bird and see Low and 779 00:37:58,320 --> 00:38:01,879 Speaker 1: Wayne uh and and Cortez and all y'all. I hope 780 00:38:01,920 --> 00:38:03,120 Speaker 1: they work it out. You know what I'm saying. It's 781 00:38:03,160 --> 00:38:06,000 Speaker 1: not really my position to speak on, but I have 782 00:38:06,160 --> 00:38:09,200 Speaker 1: to watch because it's on my TV. But um, god 783 00:38:09,239 --> 00:38:10,920 Speaker 1: bless him. Brother. I do feel like you don't get 784 00:38:11,000 --> 00:38:12,640 Speaker 1: enough credit for a lot of things you stamped because 785 00:38:14,920 --> 00:38:17,799 Speaker 1: I remember you jumped on Pastor Troy. We ran as 786 00:38:18,000 --> 00:38:21,680 Speaker 1: Troy be ready, Yo, the slime is me, Yeah, slime 787 00:38:21,800 --> 00:38:24,560 Speaker 1: is me, Um, Pastor Troy. I went to North Carolina. 788 00:38:24,600 --> 00:38:27,759 Speaker 1: I performed a Pastor Troy. He performed twenty minutes one 789 00:38:27,920 --> 00:38:31,320 Speaker 1: record and by no way, shape or former fashion was 790 00:38:31,360 --> 00:38:36,200 Speaker 1: that whack man I'm talking about love. I was like, yo, buddy, 791 00:38:36,400 --> 00:38:39,040 Speaker 1: I'll pay you to get on your record. He was like, 792 00:38:39,160 --> 00:38:40,640 Speaker 1: you know who I am. I was like, yeo, I'll 793 00:38:40,680 --> 00:38:43,239 Speaker 1: go to your shows all the time. David Banner, I 794 00:38:43,400 --> 00:38:45,320 Speaker 1: was the first one to work with David Banner. I 795 00:38:45,480 --> 00:38:48,000 Speaker 1: was the first one. Everybody used to think the South 796 00:38:48,120 --> 00:38:50,480 Speaker 1: was corny. Like I remember Outcast called me to come 797 00:38:50,520 --> 00:38:52,120 Speaker 1: with them to the tunnel. You know what I'm saying, Well, 798 00:38:52,200 --> 00:38:54,600 Speaker 1: big boy did. I never had andre number, you know 799 00:38:54,640 --> 00:38:56,239 Speaker 1: what I'm saying, But Big Boy called me to come 800 00:38:56,280 --> 00:38:57,920 Speaker 1: hang with me at the tunnel. Like he didn't say 801 00:38:57,960 --> 00:39:00,680 Speaker 1: he's scared, but he didn't feel comfortable. Going by itself. 802 00:39:00,760 --> 00:39:03,360 Speaker 1: I came with them and I was the dude that 803 00:39:03,520 --> 00:39:05,600 Speaker 1: hung out in the strip club. Because we gotta remember, 804 00:39:05,760 --> 00:39:07,600 Speaker 1: back in the days in New York, if you went 805 00:39:07,640 --> 00:39:10,000 Speaker 1: to a strip club, you was a lamee. You was like, 806 00:39:10,400 --> 00:39:12,600 Speaker 1: it was like a sucker. It was really no strip club. 807 00:39:12,719 --> 00:39:14,880 Speaker 1: There was no strip It was like scores, like the 808 00:39:14,960 --> 00:39:17,040 Speaker 1: white the white, white white clubs. And then it was 809 00:39:17,080 --> 00:39:19,719 Speaker 1: like the Sopranos, by the by the Bingu I think 810 00:39:19,760 --> 00:39:22,759 Speaker 1: was sues and no, but suits even came later. So 811 00:39:22,920 --> 00:39:25,319 Speaker 1: then when ice Cube came out with Players Club, there 812 00:39:25,360 --> 00:39:29,279 Speaker 1: was an actual Players Club in Atlanta, and I used 813 00:39:29,320 --> 00:39:30,920 Speaker 1: to go hang out to it, and people like my 814 00:39:31,040 --> 00:39:33,239 Speaker 1: New York dudes, was like, this ain't really that bad, 815 00:39:33,719 --> 00:39:36,319 Speaker 1: like you know, you're thinking that this is some corner. 816 00:39:36,360 --> 00:39:38,080 Speaker 1: And then we started going to strip club and I 817 00:39:38,160 --> 00:39:42,240 Speaker 1: started to embrace a crooked cooked cooked was a crooking letters, 818 00:39:42,320 --> 00:39:45,000 Speaker 1: cook letters. I started to embrace a juvenile like I'm 819 00:39:45,080 --> 00:39:48,120 Speaker 1: the one who came and I went to Ansie Martinez 820 00:39:48,280 --> 00:39:50,759 Speaker 1: and I was like be high, no, no, no, no no, 821 00:39:51,560 --> 00:39:53,360 Speaker 1: And people was like, yo, what are you singing? You 822 00:39:53,400 --> 00:39:55,200 Speaker 1: know what I'm saying? People was like, because I ain't 823 00:39:55,200 --> 00:39:57,080 Speaker 1: know nothing though you thought you didn't know what future 824 00:39:57,160 --> 00:39:59,439 Speaker 1: was saying. I ain't know when nothing Julie was saying, 825 00:39:59,440 --> 00:40:00,800 Speaker 1: but I knew it. I was like hit, I was 826 00:40:00,840 --> 00:40:05,520 Speaker 1: like huh, Like yo, yo, this dude, Norma is on prozac. 827 00:40:05,719 --> 00:40:08,000 Speaker 1: You know what I'm saying. But and I was embracing 828 00:40:08,080 --> 00:40:10,080 Speaker 1: these coaches, and I knew the South would be as 829 00:40:10,160 --> 00:40:12,279 Speaker 1: powerful that it's gonna be because at the end of 830 00:40:12,320 --> 00:40:14,520 Speaker 1: the day, New York can't go against the whole coast. 831 00:40:14,880 --> 00:40:19,680 Speaker 1: You understand, I'm saying, Philly, Philly, d c Va, Va Va. 832 00:40:19,840 --> 00:40:22,560 Speaker 1: You still East Coast, my brother, but they claim the South, 833 00:40:23,080 --> 00:40:25,920 Speaker 1: you know what I'm saying. So well, like as as 834 00:40:26,080 --> 00:40:28,759 Speaker 1: East Coast, we would all have to show unity in 835 00:40:28,880 --> 00:40:30,799 Speaker 1: order to compete with them. I'm not saying go against them. 836 00:40:30,800 --> 00:40:32,320 Speaker 1: I'm just saying, just to compete with them, you know 837 00:40:32,320 --> 00:40:34,080 Speaker 1: what I'm saying. You gotta think about how big the 838 00:40:34,200 --> 00:40:35,600 Speaker 1: South is. You know what I'm saying. It's been weird 839 00:40:35,680 --> 00:40:37,320 Speaker 1: because you gotta interested now. I remember, even back in 840 00:40:37,360 --> 00:40:39,600 Speaker 1: twenty ten, I wasn't even working on a radio. You 841 00:40:39,719 --> 00:40:41,239 Speaker 1: hit me like, yeah, I want you to marry my album? 842 00:40:41,360 --> 00:40:45,520 Speaker 1: Like yeah, I mean I like see, that's why I said, 843 00:40:45,520 --> 00:40:47,480 Speaker 1: but I said, Dame thinks faster than me, because Dame, 844 00:40:47,520 --> 00:40:50,280 Speaker 1: because I think fast. But Dame could do five different 845 00:40:50,360 --> 00:40:53,160 Speaker 1: things at once. I can't. I can do five different things, 846 00:40:53,239 --> 00:40:55,120 Speaker 1: but two of them is gonna come out great, you 847 00:40:55,160 --> 00:40:58,000 Speaker 1: know what I'm saying. So you gotta you gotta embed 848 00:40:58,120 --> 00:41:00,880 Speaker 1: the team, and you also gotta make so just into bosses, 849 00:41:00,960 --> 00:41:03,399 Speaker 1: like everybody can't be a boss. That's my man, Dame, 850 00:41:03,480 --> 00:41:06,200 Speaker 1: I love him, but everybody, if we're all bosses, will 851 00:41:06,239 --> 00:41:08,000 Speaker 1: never roll a blunt, you know what I'm saying, because 852 00:41:08,000 --> 00:41:09,800 Speaker 1: you'll feel like she's supposed to roll a blunt. He 853 00:41:09,800 --> 00:41:11,839 Speaker 1: supposed to blunt. So we'll sit here, won't be high. 854 00:41:11,840 --> 00:41:15,000 Speaker 1: Nobody what I'm saying, smoke. So there's there is positions 855 00:41:15,040 --> 00:41:17,640 Speaker 1: in the places, and that's just really we're really what 856 00:41:17,719 --> 00:41:18,960 Speaker 1: I want to do. That's what I'm doing with the 857 00:41:19,000 --> 00:41:21,000 Speaker 1: Good Bell Gang. I want to I want to see 858 00:41:21,040 --> 00:41:23,759 Speaker 1: this new talent, you know what I'm saying, And like 859 00:41:23,960 --> 00:41:27,080 Speaker 1: like Swiss Swiss, I had Swiss early pause, you know 860 00:41:27,120 --> 00:41:30,320 Speaker 1: what I'm saying. That sounded wrong, came out as it 861 00:41:30,400 --> 00:41:35,439 Speaker 1: came out. Scott Scott Starts. We worked on the Firm 862 00:41:35,480 --> 00:41:37,839 Speaker 1: album and Scott Stortz was out there. I seen him, 863 00:41:37,880 --> 00:41:39,799 Speaker 1: was the ghost producer of Dre. You know what I'm saying. 864 00:41:39,840 --> 00:41:42,239 Speaker 1: So when he left Dre and he told me, I'm 865 00:41:42,239 --> 00:41:44,360 Speaker 1: selling this beat for this amount, it was no problem 866 00:41:44,440 --> 00:41:46,520 Speaker 1: for me doing it because I had the foresight te 867 00:41:46,640 --> 00:41:48,840 Speaker 1: paying A knew, I knew Team James. They don't do 868 00:41:48,880 --> 00:41:50,640 Speaker 1: his own beach by the way, who you just said, 869 00:41:51,000 --> 00:41:52,880 Speaker 1: well and not then? Not then? Not in my bed, 870 00:41:53,160 --> 00:41:54,600 Speaker 1: in my face. When I was out there doing the 871 00:41:54,640 --> 00:41:56,520 Speaker 1: Firm album at that time, it was Scott and it 872 00:41:56,600 --> 00:41:58,520 Speaker 1: was mail Man, you know what I'm saying. And then 873 00:41:58,800 --> 00:42:01,200 Speaker 1: one of Drey's managers, Yo, how much would it be 874 00:42:01,360 --> 00:42:04,520 Speaker 1: to get a Dre beat? And it was like, you know, 875 00:42:04,800 --> 00:42:06,800 Speaker 1: like I ain't had no budget back then. They was like, 876 00:42:07,719 --> 00:42:10,279 Speaker 1: just I'll tell you what to do. Just hire um 877 00:42:10,440 --> 00:42:13,200 Speaker 1: Scott and hire mail Man and you know what I mean, 878 00:42:13,840 --> 00:42:16,960 Speaker 1: and you'll get the beats or whatever. But yeah, it's 879 00:42:17,120 --> 00:42:19,400 Speaker 1: that's I had to foresight to see a lot of 880 00:42:19,800 --> 00:42:24,399 Speaker 1: you know, people paying is great. That's why I want 881 00:42:24,400 --> 00:42:26,080 Speaker 1: to be a At the end of the day, if 882 00:42:26,120 --> 00:42:28,920 Speaker 1: being Kaiser, listen, Kaiser, if you don't hire the good 883 00:42:28,960 --> 00:42:30,480 Speaker 1: Belt Gang, you know, that's the next thing I want 884 00:42:30,520 --> 00:42:32,239 Speaker 1: to do is I want to I want to learn 885 00:42:32,360 --> 00:42:35,080 Speaker 1: the music business because I it's like it's like being 886 00:42:35,120 --> 00:42:36,759 Speaker 1: a street smart, all right, but now let's let's be 887 00:42:36,840 --> 00:42:38,439 Speaker 1: book smart, you know what I'm saying. So I would 888 00:42:38,480 --> 00:42:41,280 Speaker 1: love to be behind the desk and learn the industry 889 00:42:41,320 --> 00:42:43,640 Speaker 1: because at the end of the day, I know radio. 890 00:42:43,760 --> 00:42:45,840 Speaker 1: But if you ask me, you know what's um the 891 00:42:46,200 --> 00:42:48,600 Speaker 1: letter hads for for for for power one or five, 892 00:42:48,719 --> 00:42:53,840 Speaker 1: I won't know it was call letters. I'm there, but 893 00:42:53,880 --> 00:42:56,840 Speaker 1: I ain't fully there. I'm that I think you know 894 00:42:56,880 --> 00:42:58,840 Speaker 1: because even you know with your records, and I always 895 00:42:58,880 --> 00:43:00,400 Speaker 1: used to tell you that I just felt like if 896 00:43:00,440 --> 00:43:02,200 Speaker 1: you were wasn't on no disrepect the penalty, if you 897 00:43:02,239 --> 00:43:03,799 Speaker 1: wasn't on penalty back then, I think you'd have been 898 00:43:03,800 --> 00:43:06,200 Speaker 1: a big, bigger honist because like when that's why def 899 00:43:06,320 --> 00:43:08,040 Speaker 1: jam came. But I love my life with the all 900 00:43:08,120 --> 00:43:09,840 Speaker 1: times that could have been a smack a lot of 901 00:43:09,920 --> 00:43:12,000 Speaker 1: dis records that you have, even body and the trunk. 902 00:43:12,040 --> 00:43:15,000 Speaker 1: Back then, everybody loved it, but I just didn't think 903 00:43:15,000 --> 00:43:16,880 Speaker 1: they took you to that far until you got to 904 00:43:18,520 --> 00:43:21,279 Speaker 1: know nothing nothing that's death jam. So what happened was um, 905 00:43:22,800 --> 00:43:26,600 Speaker 1: like my favorite CEOs in this business is Leo Cones, 906 00:43:27,200 --> 00:43:32,960 Speaker 1: Kevin Lyles, Julie Greenwall, Todd Mosk and miss and Randy 907 00:43:33,040 --> 00:43:39,680 Speaker 1: Aker and Rob Love and listen when those that chemistry 908 00:43:39,840 --> 00:43:42,960 Speaker 1: when they were together, that was my favorite. Like I 909 00:43:43,120 --> 00:43:45,439 Speaker 1: was so they used to come to me. They's like, listen, 910 00:43:45,920 --> 00:43:48,040 Speaker 1: I'm not gonna tell you who, but they listening. Jay 911 00:43:48,560 --> 00:43:51,399 Speaker 1: and Ja Rule and DMX. They get the four million 912 00:43:51,440 --> 00:43:54,040 Speaker 1: dollar budgets and they get the three million dollar budgets 913 00:43:54,200 --> 00:43:56,120 Speaker 1: and you guys, you don't get that, but we're gonna 914 00:43:56,160 --> 00:43:58,800 Speaker 1: put you on tour for three years. And it's like 915 00:43:58,880 --> 00:44:01,319 Speaker 1: I actually learned how to do shows on death Jam. 916 00:44:01,800 --> 00:44:04,640 Speaker 1: Like you can't yo. You ever try to perform after 917 00:44:04,760 --> 00:44:09,120 Speaker 1: Red Man? Impossible? This guy? Is you ever tried to? 918 00:44:09,400 --> 00:44:14,920 Speaker 1: You ever tried to? Like method Man? Let me tell 919 00:44:14,920 --> 00:44:19,280 Speaker 1: you something, method Man. It's the like me and Mephos 920 00:44:19,280 --> 00:44:21,759 Speaker 1: on tour. We was on tour and Math kept wanted 921 00:44:21,800 --> 00:44:23,879 Speaker 1: to bring um. He was the host of the tour, 922 00:44:24,400 --> 00:44:29,320 Speaker 1: so he kept me back. I said, so every he 923 00:44:29,440 --> 00:44:31,200 Speaker 1: on the tour with Keith married. This is my first 924 00:44:31,400 --> 00:44:33,680 Speaker 1: argument with method Man. But first and the only argument 925 00:44:33,719 --> 00:44:35,840 Speaker 1: with method Man. Methy Man is on the bus to 926 00:44:36,000 --> 00:44:38,160 Speaker 1: keep married, right, and we're going on tour every night 927 00:44:38,400 --> 00:44:41,799 Speaker 1: and he's hosting, so in between acts, he's hosting this. Dude, 928 00:44:41,920 --> 00:44:44,120 Speaker 1: want to do right before I come out? I came 929 00:44:44,160 --> 00:44:47,799 Speaker 1: to bring the pain. We got to stop this right, Yeah, 930 00:44:50,160 --> 00:44:52,040 Speaker 1: you want to? You want to bus? We keep marrying 931 00:44:52,120 --> 00:44:56,640 Speaker 1: My dude, you perform after him? Before him? You can't. 932 00:44:56,680 --> 00:45:00,799 Speaker 1: I can't. I'm not do performing at the p my dude. 933 00:45:00,800 --> 00:45:03,680 Speaker 1: You just gotta let that stage calm down. You gotta 934 00:45:03,719 --> 00:45:06,000 Speaker 1: look at you know why Meth don't kid, he's gonna 935 00:45:06,120 --> 00:45:09,640 Speaker 1: he's gonna. He's gonna white and sweat and swap it 936 00:45:09,719 --> 00:45:11,239 Speaker 1: to the white boy, and the white boy gonna look it. 937 00:45:12,600 --> 00:45:14,440 Speaker 1: You know what I'm saying, whoa gang? You can't do 938 00:45:15,000 --> 00:45:18,200 Speaker 1: You can't do it? Do this? Who you can't mote 939 00:45:18,239 --> 00:45:19,800 Speaker 1: bomb after that? You know what I'm saying to my 940 00:45:19,920 --> 00:45:21,920 Speaker 1: only time he ever had an argument, I was like 941 00:45:21,960 --> 00:45:25,319 Speaker 1: a math, Please, you cannot do that before me. Man, 942 00:45:25,400 --> 00:45:27,399 Speaker 1: You're still in the crowd. You know what I'm saying. 943 00:45:27,480 --> 00:45:30,080 Speaker 1: But my point of bringing that up is Death Jam 944 00:45:30,840 --> 00:45:34,240 Speaker 1: showed you how to do how to do um shows. 945 00:45:34,239 --> 00:45:37,320 Speaker 1: And not only that, they made you work your record 946 00:45:37,480 --> 00:45:42,120 Speaker 1: like Jay and Jah and d and Al when I 947 00:45:42,200 --> 00:45:44,000 Speaker 1: was on Death Jam, they came out and they fully 948 00:45:44,040 --> 00:45:48,200 Speaker 1: spent the budget on them immediately Boom but Me method Man, 949 00:45:48,600 --> 00:45:53,759 Speaker 1: Keith Murray, UH Freeway Cameron so so to speak, we 950 00:45:53,880 --> 00:45:57,000 Speaker 1: were like the B Squad, but they sent us on 951 00:45:57,160 --> 00:45:59,239 Speaker 1: Talk for the for the whole year. You know what 952 00:45:59,239 --> 00:46:01,279 Speaker 1: I'm saying. Me and M did up paid and fall 953 00:46:01,400 --> 00:46:05,799 Speaker 1: Tall for like two three months. You're on the straight. 954 00:46:05,840 --> 00:46:07,359 Speaker 1: We got an album dropping, you know what I'm saying. 955 00:46:07,360 --> 00:46:09,120 Speaker 1: I just you know, swant poem will come out a 956 00:46:09,160 --> 00:46:10,920 Speaker 1: little bit more, you know what I'm saying. And and 957 00:46:11,120 --> 00:46:13,200 Speaker 1: and that's really it. And the freestyle you know the 958 00:46:13,239 --> 00:46:17,960 Speaker 1: freestyles that come out every Friday. Yes, I'm waiting for y'all. 959 00:46:18,160 --> 00:46:21,440 Speaker 1: Know we're dropping a Blend tape. Um, we're dropping a 960 00:46:21,440 --> 00:46:23,200 Speaker 1: Blend tape. We're gonna do something different. We're doing a 961 00:46:23,239 --> 00:46:26,040 Speaker 1: Blend tape, actual blends. Big up the djook butch Rock 962 00:46:26,480 --> 00:46:29,080 Speaker 1: Um that's our actual DJ. And we we we flipped 963 00:46:29,080 --> 00:46:31,000 Speaker 1: all the old school joints. I believe we inspired it 964 00:46:31,040 --> 00:46:32,920 Speaker 1: because we threw out a little bit of love. I 965 00:46:32,960 --> 00:46:34,680 Speaker 1: don't know if you got that. All of the beat nuts, 966 00:46:34,760 --> 00:46:37,680 Speaker 1: beat Um and uh a chick singing over it. So 967 00:46:38,320 --> 00:46:40,399 Speaker 1: I'm loving with Fabist doing, you know what I'm saying. 968 00:46:40,400 --> 00:46:43,399 Speaker 1: I'm loving with Jada is doing, and um, New York 969 00:46:43,440 --> 00:46:44,880 Speaker 1: were trying to we're trying to. I don't say, I 970 00:46:44,880 --> 00:46:46,319 Speaker 1: don't want to say bring it back, and said, we're 971 00:46:46,320 --> 00:46:49,080 Speaker 1: bringing it forward. We're bringing it forward, and we gotta 972 00:46:49,200 --> 00:46:51,239 Speaker 1: we gotta support each other more like at the end 973 00:46:51,239 --> 00:46:52,640 Speaker 1: of the day, to love that I see from New 974 00:46:52,719 --> 00:46:55,880 Speaker 1: York artists in Miami or not just in Miami, just 975 00:46:55,920 --> 00:46:57,720 Speaker 1: when you're out of town, you're a little bit more comfortable. 976 00:46:57,880 --> 00:47:00,400 Speaker 1: If we could start doing that and support each other 977 00:47:00,760 --> 00:47:03,480 Speaker 1: and get a good even as the station wars and 978 00:47:03,920 --> 00:47:05,560 Speaker 1: you know, like you're hearing you gotta give them the 979 00:47:05,600 --> 00:47:06,960 Speaker 1: record of you, or you get or you give y'all 980 00:47:07,000 --> 00:47:09,319 Speaker 1: the record and this, and it's it's corny. Like at 981 00:47:09,360 --> 00:47:11,359 Speaker 1: the end of the day, we ain't bloods and crips, man, 982 00:47:11,560 --> 00:47:13,040 Speaker 1: you know what I'm saying, even the bloods and cryps 983 00:47:13,120 --> 00:47:15,160 Speaker 1: is together, standing together and boredom on. We can't do 984 00:47:15,280 --> 00:47:17,680 Speaker 1: that in music, you know what I'm saying, Like, we're gonna, 985 00:47:17,719 --> 00:47:20,839 Speaker 1: we're gonna, We're gonna die if we don't help each 986 00:47:20,880 --> 00:47:22,480 Speaker 1: other at some point, you know, what I'm saying, Like 987 00:47:22,960 --> 00:47:25,120 Speaker 1: it's cool. But if you see an artist he ain't 988 00:47:25,160 --> 00:47:28,120 Speaker 1: got a hit record in two years, something's wrong, or 989 00:47:28,200 --> 00:47:31,239 Speaker 1: he ain't out there trying, something's wrong. Reach out say 990 00:47:31,280 --> 00:47:33,560 Speaker 1: what's up? You know what I'm saying, Like I call people, yo, 991 00:47:33,600 --> 00:47:36,560 Speaker 1: what's up? What's going on now? Charlomagne always talks about this. 992 00:47:36,640 --> 00:47:39,000 Speaker 1: I say as well. And once you get older in 993 00:47:39,080 --> 00:47:40,960 Speaker 1: hip hop, it seems like people they don't want to 994 00:47:41,280 --> 00:47:43,280 Speaker 1: with you no more. That's messed up. That's it's crazy. 995 00:47:43,320 --> 00:47:46,440 Speaker 1: Because Rolling Stones could go on, Toll and Ebony and 996 00:47:46,520 --> 00:47:49,640 Speaker 1: Ivory and all these people. Like in any genre of music, 997 00:47:49,760 --> 00:47:52,919 Speaker 1: people can continue to tour, people can continue to get money. 998 00:47:53,239 --> 00:47:55,879 Speaker 1: E forty is my og, you know what I'm saying. 999 00:47:55,920 --> 00:47:58,000 Speaker 1: But he got the he got the he got, Look 1000 00:47:58,080 --> 00:48:00,279 Speaker 1: what he got. To be real quiet about out his 1001 00:48:00,360 --> 00:48:02,359 Speaker 1: age and be real like you don't never hit. Really 1002 00:48:02,400 --> 00:48:04,319 Speaker 1: hear him say that, and that's not right. Like Ray 1003 00:48:04,400 --> 00:48:06,719 Speaker 1: Kwan should be you know what I'm saying, should be 1004 00:48:06,800 --> 00:48:08,600 Speaker 1: proud of his age. He forty should be proud of 1005 00:48:08,640 --> 00:48:10,400 Speaker 1: his age and so on and so forth. But it 1006 00:48:10,440 --> 00:48:12,239 Speaker 1: should be a market for that, you know what I'm saying. 1007 00:48:12,239 --> 00:48:14,680 Speaker 1: I remember at one point, Deaf Jam had Death Soul, 1008 00:48:14,920 --> 00:48:17,320 Speaker 1: which meant it was the old goodies, you know, it 1009 00:48:17,400 --> 00:48:20,279 Speaker 1: was the Aretha Franklins and all that. Like why hip hop, 1010 00:48:20,680 --> 00:48:23,080 Speaker 1: like Chuck d Like I ain't gonna front the other day. 1011 00:48:23,080 --> 00:48:25,200 Speaker 1: I forget who had who had a were lived in 1012 00:48:25,400 --> 00:48:27,279 Speaker 1: a crazy era, you know what I'm saying, Like, um, 1013 00:48:27,719 --> 00:48:29,719 Speaker 1: I forget. I think it was a Red Man or 1014 00:48:30,560 --> 00:48:32,440 Speaker 1: or somebody had a party and to Harry had a 1015 00:48:32,480 --> 00:48:34,920 Speaker 1: party right next to them, and to Harry's party was packed. 1016 00:48:35,280 --> 00:48:37,800 Speaker 1: And it's great because to Harry has a market, But 1017 00:48:37,920 --> 00:48:40,960 Speaker 1: you mean to tell me that, like, where is that 1018 00:48:41,120 --> 00:48:43,680 Speaker 1: market for the older people who's been out, who still 1019 00:48:43,719 --> 00:48:46,640 Speaker 1: got hit records? Red Man got a You see Red 1020 00:48:46,719 --> 00:48:48,360 Speaker 1: Man perform, You're gonna be there for an hour and 1021 00:48:48,400 --> 00:48:50,799 Speaker 1: a half. Sad, damn damn it. Look how many these 1022 00:48:50,880 --> 00:48:53,200 Speaker 1: things he got and to think about are it's not 1023 00:48:53,360 --> 00:48:55,799 Speaker 1: it's not just hip hop. It's not just hip hop. 1024 00:48:55,840 --> 00:48:57,960 Speaker 1: When you're the old dude in the hood, they want 1025 00:48:58,000 --> 00:49:00,280 Speaker 1: to kick you out, Like if you shot some body 1026 00:49:00,600 --> 00:49:03,160 Speaker 1: your whole career, your whole life, and then you become forty, 1027 00:49:03,360 --> 00:49:06,120 Speaker 1: they tell they don't say he's forty's he's he's chilling. 1028 00:49:06,280 --> 00:49:09,560 Speaker 1: They say, oh he's but because he ain't, you ain't shooting, 1029 00:49:09,560 --> 00:49:11,759 Speaker 1: And that's that's our mentality. I think they respect you 1030 00:49:11,840 --> 00:49:14,000 Speaker 1: when you still like when you're popping though, like and 1031 00:49:14,080 --> 00:49:15,719 Speaker 1: you're successful, Like they could look at him and be like, 1032 00:49:15,719 --> 00:49:17,600 Speaker 1: I know they're still doing it thing he got chips 1033 00:49:17,640 --> 00:49:20,360 Speaker 1: from back when they when you successful, they still respect 1034 00:49:20,360 --> 00:49:22,040 Speaker 1: you because nobody looks at Diddy and be like, you 1035 00:49:22,080 --> 00:49:23,520 Speaker 1: gotta think about it, like I think a part of 1036 00:49:23,560 --> 00:49:26,279 Speaker 1: me for you, you gotta think about it. Rick Ross 1037 00:49:26,400 --> 00:49:29,440 Speaker 1: is older than me, you know what I'm saying. Kanye 1038 00:49:29,480 --> 00:49:31,759 Speaker 1: West is older than me. Push It is older than me. 1039 00:49:31,840 --> 00:49:34,480 Speaker 1: But they came out before me, so you can look 1040 00:49:34,480 --> 00:49:36,560 Speaker 1: at it like I'm not old. I mean after me, 1041 00:49:36,680 --> 00:49:38,080 Speaker 1: after me, so you can look at at me and 1042 00:49:38,120 --> 00:49:39,960 Speaker 1: I'm the old. Or I could just look at me 1043 00:49:40,080 --> 00:49:41,840 Speaker 1: like I got I was getting money longer. You know 1044 00:49:41,840 --> 00:49:44,120 Speaker 1: what I'm saying. I got on longer. But to these 1045 00:49:44,200 --> 00:49:47,680 Speaker 1: average kids, I'm nine hundred years old. You know what 1046 00:49:47,719 --> 00:49:50,920 Speaker 1: I'm saying. Because I came out in nineteen ninety seven, 1047 00:49:51,360 --> 00:49:55,200 Speaker 1: I can't I gotta tape. I got on it. I 1048 00:49:55,320 --> 00:49:58,239 Speaker 1: could set. I got a album with vinyl on it 1049 00:49:58,480 --> 00:50:01,320 Speaker 1: and these kids, really they think it was a clothing necessary. 1050 00:50:01,600 --> 00:50:03,360 Speaker 1: You know what I'm saying, Like, these kids buy vinyl 1051 00:50:03,560 --> 00:50:05,399 Speaker 1: and it's like, No, at one point there was real 1052 00:50:05,520 --> 00:50:08,600 Speaker 1: DJs who actually took you had to bring your crates 1053 00:50:08,760 --> 00:50:12,320 Speaker 1: to the show, young guy. And they don't understand this. 1054 00:50:12,520 --> 00:50:16,320 Speaker 1: They're looking at me like, oh, yeah, I bought the vinyls. 1055 00:50:16,320 --> 00:50:18,160 Speaker 1: You looked by my laptop. No. I come from the 1056 00:50:18,320 --> 00:50:20,879 Speaker 1: dinosaur stages. But the thing about it, I can still 1057 00:50:20,920 --> 00:50:23,239 Speaker 1: work with Rick Ross, I can still speak to the 1058 00:50:23,320 --> 00:50:26,120 Speaker 1: little Wayne. I can still make jokes with with two Change. 1059 00:50:26,120 --> 00:50:27,719 Speaker 1: You know what I'm saying, because I told two Chase 1060 00:50:28,320 --> 00:50:30,000 Speaker 1: I'm a body him on the record. You know what 1061 00:50:30,040 --> 00:50:32,040 Speaker 1: I'm saying. But why they act like we can't get 1062 00:50:32,080 --> 00:50:35,000 Speaker 1: better with age, That's what we're saying. Human beings put 1063 00:50:35,160 --> 00:50:41,200 Speaker 1: value on everything except for us. It's at we supposed 1064 00:50:41,200 --> 00:50:43,080 Speaker 1: to get better with time. And you know, you know what, 1065 00:50:43,520 --> 00:50:47,520 Speaker 1: But that's why Jay and Nas and not somebody said that, 1066 00:50:48,680 --> 00:50:51,360 Speaker 1: but but that's Jay and Nas is a great example 1067 00:50:51,400 --> 00:50:52,880 Speaker 1: of that. And now I got to be more of that. 1068 00:50:53,080 --> 00:50:54,480 Speaker 1: You know what I'm saying. Now, it can't just be 1069 00:50:54,640 --> 00:50:57,400 Speaker 1: just them, Okay, they're the upper antrelant that's who made it. 1070 00:50:57,440 --> 00:50:59,680 Speaker 1: That's who whatever. They're still looking young, They staying in 1071 00:50:59,680 --> 00:51:01,680 Speaker 1: the gym, they juice in, they doing whatever they gotta do. 1072 00:51:01,920 --> 00:51:04,279 Speaker 1: All right, they gotta be others and I ain't not 1073 00:51:04,400 --> 00:51:07,080 Speaker 1: just money. You gotta stay relevant. You gotta stay relevant, 1074 00:51:07,120 --> 00:51:11,520 Speaker 1: like listen, dude relevant. I love car Hearts, but I 1075 00:51:11,640 --> 00:51:14,280 Speaker 1: know if I walk in and right now and amigo, 1076 00:51:14,400 --> 00:51:17,279 Speaker 1: show what car Hearts on, I'm the corny dude. Right 1077 00:51:17,680 --> 00:51:20,279 Speaker 1: I'm saying, Oh, you might make them young, yo, that flyer. 1078 00:51:20,400 --> 00:51:22,120 Speaker 1: But see, that's what see. I'm gonna do it to 1079 00:51:22,120 --> 00:51:24,200 Speaker 1: a certain state. I'm gonna be me to a certain state. 1080 00:51:24,200 --> 00:51:26,560 Speaker 1: I'm not gonna be me where I offend the new 1081 00:51:26,640 --> 00:51:29,520 Speaker 1: generation because at the end of the day, I know this. 1082 00:51:29,680 --> 00:51:31,880 Speaker 1: When they talk about classic hip hop and yo, I 1083 00:51:32,040 --> 00:51:35,160 Speaker 1: was around when BIG's album first came. I was around 1084 00:51:35,560 --> 00:51:38,440 Speaker 1: when Mob Deep's album first came. I was around when 1085 00:51:38,560 --> 00:51:40,920 Speaker 1: Seeing in his album first dropping I'll Matter It was 1086 00:51:41,080 --> 00:51:45,200 Speaker 1: mixed reviews. They didn't instantly say that was a classic. Yo. 1087 00:51:45,280 --> 00:51:47,560 Speaker 1: When the War Report came out, I was still selling 1088 00:51:47,719 --> 00:51:51,239 Speaker 1: crack on ninety seven Dash thirty fifty seventh Avenue. I 1089 00:51:51,360 --> 00:51:53,120 Speaker 1: Cannelly came up to me he had put it in 1090 00:51:53,200 --> 00:51:55,520 Speaker 1: your mouth and I can nelly see me make a sell. 1091 00:51:55,960 --> 00:51:58,440 Speaker 1: And I jumped out of his car and he grabbed 1092 00:51:58,480 --> 00:52:01,360 Speaker 1: me and he said, you to just pay attention and 1093 00:52:01,520 --> 00:52:04,560 Speaker 1: he listened to every car that rolled by in the hood. 1094 00:52:05,280 --> 00:52:07,680 Speaker 1: In the hood was playing the War report. I didn't 1095 00:52:07,680 --> 00:52:10,839 Speaker 1: know how to get to the money, I said. He said, 1096 00:52:11,600 --> 00:52:13,120 Speaker 1: how much crack you had on you? I had a 1097 00:52:13,160 --> 00:52:15,279 Speaker 1: five hundred dollars pack. He said, give it to give 1098 00:52:15,280 --> 00:52:16,960 Speaker 1: me five hundred dollars and said, give me the crack, 1099 00:52:17,160 --> 00:52:19,319 Speaker 1: took it and threw it away. Did you see him 1100 00:52:19,320 --> 00:52:25,200 Speaker 1: throw it away? Yeah? No, no. I flipped on him. 1101 00:52:25,200 --> 00:52:26,960 Speaker 1: I'm like, yo, watch you throw it away and said 1102 00:52:27,040 --> 00:52:28,800 Speaker 1: I paid for it? Would you care about? And he 1103 00:52:28,920 --> 00:52:31,680 Speaker 1: brought me on tour after that. You know what I'm saying. 1104 00:52:31,840 --> 00:52:34,520 Speaker 1: He brought me on tour after that and and taught that. 1105 00:52:34,800 --> 00:52:37,080 Speaker 1: See these young kids right now, they just you could 1106 00:52:37,080 --> 00:52:40,080 Speaker 1: get hot and there's no respect. There's no artist development. 1107 00:52:40,160 --> 00:52:42,520 Speaker 1: That's why you have so many one hit wonders, right. 1108 00:52:42,800 --> 00:52:44,200 Speaker 1: But you know what too, But like you said, there's 1109 00:52:44,239 --> 00:52:47,399 Speaker 1: nobody teaching him, Like you know, that's what I want 1110 00:52:47,440 --> 00:52:50,080 Speaker 1: to be. I want to be artist development. But um, 1111 00:52:50,200 --> 00:52:52,239 Speaker 1: so um. Like I said, man, you know, we're still 1112 00:52:52,280 --> 00:52:54,399 Speaker 1: promoting the good Bell game, City boyd sign A Graham 1113 00:52:54,440 --> 00:52:57,480 Speaker 1: tweets Moneyming Coca Young Willy the don You know what 1114 00:52:57,480 --> 00:52:59,920 Speaker 1: I'm saying, Um, my man, Chimbe just came home after 1115 00:53:00,040 --> 00:53:01,799 Speaker 1: ten years. He's standing you home, my brother. You can 1116 00:53:01,840 --> 00:53:08,840 Speaker 1: you can unfold your arms? Got that fresh? Yeah. I 1117 00:53:08,880 --> 00:53:10,120 Speaker 1: put him on the phone with you when he was 1118 00:53:10,160 --> 00:53:15,000 Speaker 1: in jail. He was going down, baby, come home, baby. 1119 00:53:15,120 --> 00:53:16,560 Speaker 1: You know what I'm saying. Because my man sick and 1120 00:53:16,920 --> 00:53:18,520 Speaker 1: like I said, we really I just really want to 1121 00:53:18,560 --> 00:53:21,320 Speaker 1: be executive. I really want to um bug out. I 1122 00:53:21,320 --> 00:53:23,080 Speaker 1: would like to do a reality show. But something that 1123 00:53:23,280 --> 00:53:25,759 Speaker 1: makes our culture proud. No gonna make that happen, make 1124 00:53:25,800 --> 00:53:28,040 Speaker 1: our culture proud instead of making our like you know, 1125 00:53:28,239 --> 00:53:30,319 Speaker 1: give or take some Monday nights, I'll be sitting there 1126 00:53:30,400 --> 00:53:34,160 Speaker 1: like Diablo B. It's a little crazy. It's a little 1127 00:53:34,200 --> 00:53:36,279 Speaker 1: crazy for me. It's little crazy for my taste, you 1128 00:53:36,320 --> 00:53:38,480 Speaker 1: know what I'm saying. And I feel like that's what 1129 00:53:39,000 --> 00:53:40,800 Speaker 1: they have. But they got to be a show to 1130 00:53:41,040 --> 00:53:45,839 Speaker 1: to to to um to to talk to respectful people. 1131 00:53:45,960 --> 00:53:48,239 Speaker 1: You know what I'm saying, And it makes sense. That 1132 00:53:48,320 --> 00:53:50,400 Speaker 1: makes sense for me because I ain't gonna lie. I 1133 00:53:50,480 --> 00:53:53,640 Speaker 1: couldn't do no reality show with any woman threatened my right. 1134 00:53:53,719 --> 00:53:55,400 Speaker 1: Oh I get it. I love right. You know what 1135 00:53:55,480 --> 00:53:57,319 Speaker 1: I tell you. One thing, Nori, every time you come here, 1136 00:53:57,600 --> 00:54:00,400 Speaker 1: you're here over sixty minutes. I never feel like it 1137 00:54:00,680 --> 00:54:06,360 Speaker 1: never feels like annual thing. Though listen, I did and 1138 00:54:06,480 --> 00:54:08,839 Speaker 1: I did come early. Like I listen, I can't heat 1139 00:54:08,960 --> 00:54:11,440 Speaker 1: as far as being actual here, but I was sah, 1140 00:54:11,600 --> 00:54:14,760 Speaker 1: I was earlier smoking a cigarette. No, I wasn't smoking 1141 00:54:14,800 --> 00:54:18,080 Speaker 1: a cigarette. I forgot to give us the vapor. Look, 1142 00:54:18,120 --> 00:54:19,840 Speaker 1: oh my god, thank you, thank you for thinking it 1143 00:54:19,880 --> 00:54:22,360 Speaker 1: was a cigarette. It was crime, but thank you for 1144 00:54:22,440 --> 00:54:24,120 Speaker 1: thinking it was a cigarette. This is my new venture. 1145 00:54:24,400 --> 00:54:28,560 Speaker 1: I'm Morris hustling. Um. I got is uh Nori shorts. 1146 00:54:28,960 --> 00:54:30,600 Speaker 1: So I mean, I know, I know you don't smoke, 1147 00:54:30,680 --> 00:54:32,279 Speaker 1: but it's like like a hookah just in case you 1148 00:54:32,320 --> 00:54:34,600 Speaker 1: want to smoke hook like look a little bit okay, 1149 00:54:34,680 --> 00:54:36,800 Speaker 1: So look, you know we got y'all. You know what 1150 00:54:36,840 --> 00:54:38,600 Speaker 1: I mean. But listen, man, thank y'all for having me. 1151 00:54:38,880 --> 00:54:41,680 Speaker 1: Like the Nori shorts. We got the Blend tape coming 1152 00:54:41,719 --> 00:54:48,360 Speaker 1: out May ninth, and then CNN album dropping the sixteenth 1153 00:54:48,440 --> 00:54:52,560 Speaker 1: after I don't know June, and then I'm dropping the 1154 00:54:52,640 --> 00:54:55,360 Speaker 1: Rick Ross topped out of signed DJ Mustard record and 1155 00:54:55,520 --> 00:54:57,279 Speaker 1: the whole good belt. And we also got to sign 1156 00:54:57,320 --> 00:54:59,560 Speaker 1: a grand record feature in fat Trail keeping in the 1157 00:54:59,640 --> 00:55:03,239 Speaker 1: DC because I'm sinograms from DC and Fatril signograms from 1158 00:55:03,280 --> 00:55:05,840 Speaker 1: bartom all excuse me, and Fatchril from DC. So we 1159 00:55:05,920 --> 00:55:07,760 Speaker 1: got that whole thing going. I got my boy tweets 1160 00:55:08,200 --> 00:55:11,520 Speaker 1: dropping um Mouth's defeat and um We're gonna just have 1161 00:55:11,640 --> 00:55:14,000 Speaker 1: fun this summer. Nor East came late, but it was 1162 00:55:14,040 --> 00:55:17,560 Speaker 1: worth its absolutely and we appreciate you joining us as always. 1163 00:55:17,680 --> 00:55:19,319 Speaker 1: Thank you, and I appreciate my call. Let me want 1164 00:55:19,360 --> 00:55:21,160 Speaker 1: to know while Noria texts me in the morning, Yes 1165 00:55:21,200 --> 00:55:23,759 Speaker 1: I will. I do. I try to detect you while 1166 00:55:23,760 --> 00:55:25,600 Speaker 1: you on the air because I am a fan of 1167 00:55:25,719 --> 00:55:28,359 Speaker 1: the show. I really wake up and listen to this show. 1168 00:55:29,480 --> 00:55:30,920 Speaker 1: We don't text me no more because we're not We're 1169 00:55:30,920 --> 00:55:33,799 Speaker 1: not in no challenge together no more. You know why? 1170 00:55:33,920 --> 00:55:36,400 Speaker 1: You know what it is? I see, I see, I 1171 00:55:36,480 --> 00:55:38,440 Speaker 1: went to it. I was in a UM, I was 1172 00:55:38,480 --> 00:55:41,239 Speaker 1: in a m I was in the party with Hole 1173 00:55:41,440 --> 00:55:43,840 Speaker 1: right and somebody asks Hole for his number and he 1174 00:55:43,960 --> 00:55:48,520 Speaker 1: curved him crazy. I cannot ask. I cannot ask for 1175 00:55:48,560 --> 00:55:50,919 Speaker 1: famous person, but they number no more. Like I see 1176 00:55:51,000 --> 00:55:53,040 Speaker 1: somebody come up to Hold and it just like and 1177 00:55:53,200 --> 00:55:56,160 Speaker 1: Hold was like, we're not gonna do that, play boy 1178 00:55:57,800 --> 00:56:00,440 Speaker 1: hold up his number and he said small. He was like, 1179 00:56:00,640 --> 00:56:03,640 Speaker 1: we're not gonna do that, playboy. I pull out my phone. 1180 00:56:03,640 --> 00:56:10,360 Speaker 1: I gotta give it to everybody and everybody. I like, 1181 00:56:10,520 --> 00:56:16,719 Speaker 1: I can't ask the industry dude, Like I'm like, like 1182 00:56:16,760 --> 00:56:18,359 Speaker 1: I can said, it's the OG, Like he don't called 1183 00:56:18,360 --> 00:56:19,640 Speaker 1: me if it's a good interview, He'll tell me if 1184 00:56:19,640 --> 00:56:21,279 Speaker 1: it's bad interview, will tell me no matter what is, 1185 00:56:21,320 --> 00:56:22,719 Speaker 1: he's og. He's the one that can say whatever you 1186 00:56:22,760 --> 00:56:24,200 Speaker 1: want to you and you don't get offended. Right, you know, 1187 00:56:24,239 --> 00:56:26,480 Speaker 1: I watched all your interviews. Man, I watch you're doing 1188 00:56:26,480 --> 00:56:28,440 Speaker 1: a great job. I've seen it from the beginning until now. 1189 00:56:28,760 --> 00:56:31,480 Speaker 1: Saying that you're a great job. Scar Face was probably 1190 00:56:31,520 --> 00:56:34,399 Speaker 1: the most hilarious one we have. Getting up. He kept 1191 00:56:34,480 --> 00:56:36,279 Speaker 1: doing this and I say, Yo, he's at the real 1192 00:56:36,400 --> 00:56:39,520 Speaker 1: scar face Like that's like he's really he's really that 1193 00:56:39,680 --> 00:56:42,880 Speaker 1: funny bro. Look at Jamie fox Yo, what's up with 1194 00:56:42,920 --> 00:56:45,920 Speaker 1: Will Smith? Jamie FOXX got a wall full of hairlines 1195 00:56:46,120 --> 00:56:49,000 Speaker 1: like yeah, yeah, definitely, definitely but yo once again man 1196 00:56:49,000 --> 00:56:51,279 Speaker 1: as the preface club you boy and a hit us up. 1197 00:56:51,320 --> 00:56:54,040 Speaker 1: It's going down. I always