1
00:00:12,960 --> 00:00:13,880
Speaker 1: I got a text.

2
00:00:15,640 --> 00:00:16,360
Speaker 2: Is he on his way?

3
00:00:16,600 --> 00:00:24,079
Speaker 1: Huh yeah, Hayes, Yeah, yeah, he said he texted me

4
00:00:25,160 --> 00:00:33,360
Speaker 1: that he was on his way, Like, but I mean

5
00:00:33,400 --> 00:00:34,760
Speaker 1: almost three or four.

6
00:00:34,600 --> 00:00:36,760
Speaker 2: Hours ago, three or four hours ago.

7
00:00:36,920 --> 00:00:39,680
Speaker 1: Yeah, he said he was close. I mean he I mean,

8
00:00:39,760 --> 00:00:41,239
Speaker 1: so you should be here soon. He only lives like

9
00:00:41,280 --> 00:00:41,960
Speaker 1: ten minutes away.

10
00:00:43,640 --> 00:00:47,879
Speaker 2: Okay, do you want to just get started like I

11
00:00:47,920 --> 00:00:48,800
Speaker 2: can play the song.

12
00:00:49,720 --> 00:00:52,000
Speaker 1: Let's wait, let's wait wait.

13
00:00:52,000 --> 00:01:03,480
Speaker 3: Okay, yeah, well so what uh, what's what's up?

14
00:01:03,680 --> 00:01:04,320
Speaker 1: What's new?

15
00:01:04,720 --> 00:01:09,319
Speaker 2: Oh? Not too much. I'm going to Germany soon.

16
00:01:09,959 --> 00:01:11,960
Speaker 1: Okay? Are you from there?

17
00:01:11,959 --> 00:01:12,080
Speaker 4: Are?

18
00:01:12,120 --> 00:01:12,640
Speaker 1: Do you live?

19
00:01:13,240 --> 00:01:13,440
Speaker 4: Where?

20
00:01:13,480 --> 00:01:15,360
Speaker 1: Do you? Are you from there?

21
00:01:16,720 --> 00:01:20,320
Speaker 2: No? No, I'm from here. Your parents Ania. No, it's

22
00:01:20,400 --> 00:01:21,760
Speaker 2: just like a it's a trip.

23
00:01:22,400 --> 00:01:26,440
Speaker 1: Oh yeah, you're from California. So you live here? You

24
00:01:26,480 --> 00:01:28,080
Speaker 1: live out here?

25
00:01:29,000 --> 00:01:29,240
Speaker 5: Yeah?

26
00:01:29,280 --> 00:01:34,840
Speaker 2: I live? Yeah, I live out here. I've been here

27
00:01:34,880 --> 00:01:35,240
Speaker 2: for a while.

28
00:01:35,240 --> 00:01:38,480
Speaker 1: For some reason, I thought you lived in like Germany.

29
00:01:41,319 --> 00:01:44,960
Speaker 2: I mean, I record your show all the time.

30
00:01:45,360 --> 00:01:47,760
Speaker 1: But I only every like third or fourth time.

31
00:01:48,800 --> 00:01:51,600
Speaker 2: Yeah that's true, so it's like once a month.

32
00:01:51,640 --> 00:01:52,920
Speaker 1: I mean, so I thought you were just.

33
00:01:54,560 --> 00:01:57,919
Speaker 2: Mostly I don't have a German accent, do I?

34
00:01:57,920 --> 00:01:59,960
Speaker 1: I guess I never really listened for it, I mean,

35
00:02:00,080 --> 00:02:02,920
Speaker 1: and it's a little funky, like you talk kind of

36
00:02:02,960 --> 00:02:16,519
Speaker 1: fucked up. Say, uh say vote ist hayes mon.

37
00:02:18,480 --> 00:02:20,160
Speaker 2: Vote is Heismann?

38
00:02:20,400 --> 00:02:20,600
Speaker 5: Yeah?

39
00:02:20,720 --> 00:02:22,240
Speaker 1: See to me that sounds German.

40
00:02:23,280 --> 00:02:26,240
Speaker 2: That was just totally how I talked.

41
00:02:26,320 --> 00:02:28,240
Speaker 1: That sounds that sounds German to me.

42
00:02:28,320 --> 00:02:33,960
Speaker 2: Okay, yeah, not German at all. Oh yeah your parents

43
00:02:33,960 --> 00:02:34,400
Speaker 2: are there?

44
00:02:35,360 --> 00:02:35,720
Speaker 5: No?

45
00:02:35,720 --> 00:02:38,480
Speaker 2: No, my parents are my parents? We just I felt

46
00:02:38,520 --> 00:02:41,799
Speaker 2: like I just we just talked about this. Yeah, geez

47
00:02:42,360 --> 00:02:49,840
Speaker 2: a couple of weeks ago. So uh yeah, how's everything

48
00:02:49,880 --> 00:02:50,120
Speaker 2: with you?

49
00:02:50,280 --> 00:02:54,840
Speaker 1: Are you sorry? Are you like? Is it just Brett?

50
00:02:55,160 --> 00:02:57,640
Speaker 1: Like is your whole name Brett?

51
00:02:58,320 --> 00:03:01,960
Speaker 2: No, it's Brett more us. You didn't you didn't know.

52
00:03:02,560 --> 00:03:03,720
Speaker 2: You didn't know my last name?

53
00:03:03,800 --> 00:03:08,000
Speaker 1: You're Seth Morris's friend or what are you guys? Or

54
00:03:08,080 --> 00:03:10,079
Speaker 1: you're like related to him?

55
00:03:10,600 --> 00:03:14,640
Speaker 2: No, we're actually not. You have the last name. Yeah,

56
00:03:15,919 --> 00:03:17,760
Speaker 2: you have to know, you don't do?

57
00:03:17,960 --> 00:03:23,320
Speaker 1: Are your engineers h na? Yeah?

58
00:03:24,680 --> 00:03:28,400
Speaker 2: Uh yeah, we all I think we all have last names. Ryan,

59
00:03:28,480 --> 00:03:33,840
Speaker 2: I'm not totally yeah Ryan, Ryan Connery can't right, Yeah,

60
00:03:33,880 --> 00:03:39,800
Speaker 2: that doesn't seem Cody's Scully, Sam Keith for Yeah, we

61
00:03:39,840 --> 00:03:42,080
Speaker 2: have last names.

62
00:03:43,560 --> 00:03:45,320
Speaker 1: It's fucking weird place, man, you.

63
00:03:47,120 --> 00:03:48,560
Speaker 2: Know, like who I am right?

64
00:03:48,680 --> 00:03:55,200
Speaker 1: Yeah, yeah, little guy Brett. Okay, you get your drivers

65
00:03:55,920 --> 00:04:00,920
Speaker 1: get your driver's license. Yeah, I've had my full out there. Man,

66
00:04:01,240 --> 00:04:03,560
Speaker 1: be careful. I remember when I first got mine. It

67
00:04:03,680 --> 00:04:07,400
Speaker 1: was like, you gotta be rich, you gotta go easy.

68
00:04:08,240 --> 00:04:08,480
Speaker 4: You know.

69
00:04:09,320 --> 00:04:12,240
Speaker 2: Yeah, you think I'm sixteen.

70
00:04:14,680 --> 00:04:18,080
Speaker 1: I mean I I you know, I didn't think that.

71
00:04:19,839 --> 00:04:22,160
Speaker 1: I thought you were going to say, no, I'm excited

72
00:04:22,200 --> 00:04:25,279
Speaker 1: to take the test in a couple of years. When

73
00:04:25,320 --> 00:04:28,520
Speaker 1: I asked the question, But that's fucking awesome that you

74
00:04:28,560 --> 00:04:30,880
Speaker 1: did it. I mean, that's great.

75
00:04:31,680 --> 00:04:32,200
Speaker 5: What do you drive?

76
00:04:32,240 --> 00:04:33,000
Speaker 1: A real piece of shit?

77
00:04:35,440 --> 00:04:39,560
Speaker 2: I mean, yeah, I can't afford that much, but it's

78
00:04:39,680 --> 00:04:40,840
Speaker 2: it's just like an old.

79
00:04:40,720 --> 00:04:43,400
Speaker 1: You know what you should do when you're at your parents' place.

80
00:04:43,520 --> 00:04:46,160
Speaker 1: If you buy a car in Germany and you drive

81
00:04:46,160 --> 00:04:49,000
Speaker 1: it around for a little while, you can get it

82
00:04:49,040 --> 00:04:50,960
Speaker 1: flown back. It's cheaper than getting it here.

83
00:04:52,720 --> 00:04:56,160
Speaker 2: Okay, my my parents don't live in Germany during cars.

84
00:04:56,200 --> 00:04:56,880
Speaker 2: That's interesting.

85
00:04:56,960 --> 00:04:59,280
Speaker 1: But yeah, when did they move while we were having

86
00:04:59,320 --> 00:04:59,920
Speaker 1: this conversation.

87
00:05:01,839 --> 00:05:04,640
Speaker 2: No, I feel like this is weird, Like I thought

88
00:05:04,720 --> 00:05:08,000
Speaker 2: we thought, like I'm just realizing now, like you don't

89
00:05:08,080 --> 00:05:09,559
Speaker 2: know who I am really?

90
00:05:09,640 --> 00:05:12,240
Speaker 1: Well for me, it's always been like you to me,

91
00:05:12,880 --> 00:05:15,200
Speaker 1: I mean you seem fine, but like you're kind of

92
00:05:15,200 --> 00:05:20,359
Speaker 1: Hayes's friend, Like you're like my my friend who I

93
00:05:20,440 --> 00:05:26,320
Speaker 1: know through Hayes. That makes sense. Yeah, you guys are tied, right,

94
00:05:26,480 --> 00:05:27,799
Speaker 1: like he knows all your stuff.

95
00:05:28,360 --> 00:05:28,560
Speaker 4: Yeah.

96
00:05:28,600 --> 00:05:30,320
Speaker 2: I feel like Hayes would know my last name.

97
00:05:30,480 --> 00:05:33,760
Speaker 1: He might. Yeah, I mean you've never used it, but

98
00:05:35,120 --> 00:05:37,359
Speaker 1: yeah no. But to me, it's like you're sort of

99
00:05:37,360 --> 00:05:40,400
Speaker 1: Hayes's work friend, and then I wind up seeing you

100
00:05:40,400 --> 00:05:44,440
Speaker 1: because of that. But uh, I don't know what's going

101
00:05:44,480 --> 00:05:48,800
Speaker 1: on with him. Let's you know what he's not you

102
00:05:49,000 --> 00:05:52,120
Speaker 1: answering my tech been to my house? I okay, so

103
00:05:52,240 --> 00:05:56,159
Speaker 1: that okay, so that was your house. I knew the

104
00:05:56,279 --> 00:05:57,560
Speaker 1: girl in that house.

105
00:05:58,040 --> 00:06:06,760
Speaker 2: Oh you yeah, Well what's hert Ohndy? Yeah, Memby that's right.

106
00:06:06,920 --> 00:06:11,239
Speaker 2: Yeah her I knew just from like the scene. Yeah,

107
00:06:11,400 --> 00:06:12,440
Speaker 2: she's cool, Mendy.

108
00:06:12,520 --> 00:06:15,680
Speaker 1: I've been to her house that yeah, but no, it

109
00:06:15,760 --> 00:06:19,640
Speaker 1: was so funny running into you there. Look, let's do

110
00:06:19,760 --> 00:06:22,800
Speaker 1: the fucking song thing. Uh, let's just follow my lead,

111
00:06:22,960 --> 00:06:24,720
Speaker 1: you know, watch me for the changes and try to

112
00:06:24,839 --> 00:06:27,040
Speaker 1: keep up. Back to the future.

113
00:06:27,320 --> 00:06:29,560
Speaker 2: Yeah, I have done this show for like years now.

114
00:06:29,800 --> 00:06:32,920
Speaker 1: Yeah, because like we'll just patch that on, we'll tack

115
00:06:33,000 --> 00:06:34,720
Speaker 1: it onto whatever Hayes has going on.

116
00:06:35,600 --> 00:06:38,600
Speaker 2: Okay, okay, so put the song in later.

117
00:06:38,600 --> 00:06:42,800
Speaker 1: We'll just stitch it together whatever you guys do. But

118
00:06:42,960 --> 00:06:45,120
Speaker 1: just let's play the song just to save time because

119
00:06:45,120 --> 00:06:46,560
Speaker 1: when he gets here and now we're running so late,

120
00:06:46,560 --> 00:06:47,920
Speaker 1: we're gonna run out of studio time.

121
00:06:48,080 --> 00:06:50,440
Speaker 2: Yeah, it's been hours.

122
00:06:50,640 --> 00:06:57,440
Speaker 1: Play play the song. Yeah, there it is, and just

123
00:06:57,480 --> 00:07:03,680
Speaker 1: go whatever you're doing that just I didn't know I

124
00:07:03,720 --> 00:07:06,839
Speaker 1: did the it's not my turn to do the like

125
00:07:07,080 --> 00:07:07,800
Speaker 1: intro story.

126
00:07:08,279 --> 00:07:09,640
Speaker 2: Oh I'm doing the intro story.

127
00:07:10,200 --> 00:07:12,200
Speaker 1: Yeah, well no, I mean I guess not. Now the

128
00:07:12,240 --> 00:07:13,440
Speaker 1: song's based let.

129
00:07:13,440 --> 00:07:16,360
Speaker 2: Me tell you, let me start over. Jesus Christ Bratt,

130
00:07:17,960 --> 00:07:22,240
Speaker 2: I have stories. Well, I would hope. That's why I said,

131
00:07:22,280 --> 00:07:26,040
Speaker 2: let's do the song thing. I mean the other day,

132
00:07:26,200 --> 00:07:30,120
Speaker 2: like I I went to the v like a fucking

133
00:07:30,240 --> 00:07:30,920
Speaker 2: Nazi thing.

134
00:07:30,960 --> 00:07:31,880
Speaker 1: You go into Germany?

135
00:07:32,000 --> 00:07:32,200
Speaker 5: Right?

136
00:07:33,240 --> 00:07:37,960
Speaker 1: No? Is it to investigate the Harry's razor factory.

137
00:07:38,200 --> 00:07:41,320
Speaker 2: That we're on air right now?

138
00:07:41,800 --> 00:07:42,200
Speaker 1: Okay?

139
00:07:42,320 --> 00:07:46,120
Speaker 2: Yeah, I wanted to reveal that way later, oh.

140
00:07:46,120 --> 00:07:49,000
Speaker 1: Right, that you're doing an expose like a Mike Daisy style,

141
00:07:49,280 --> 00:07:52,920
Speaker 1: like finding out what the actor working conditions are for

142
00:07:52,960 --> 00:07:56,400
Speaker 1: the Harry's razors. Oh well, that's pretty cool. So okay,

143
00:07:56,480 --> 00:07:58,320
Speaker 1: so you know, don't tell me the story when the

144
00:07:58,320 --> 00:08:02,520
Speaker 1: song's not playing. Start the fucking song again, do the story.

145
00:08:03,760 --> 00:08:07,440
Speaker 1: I'll probably find what's actually in there, okay, and we'll

146
00:08:07,480 --> 00:08:12,000
Speaker 1: have great content like always right.

147
00:08:15,680 --> 00:08:21,680
Speaker 2: So, the other day I did the twenty three in

148
00:08:21,800 --> 00:08:22,320
Speaker 2: me test?

149
00:08:22,520 --> 00:08:23,640
Speaker 1: Are you making this up?

150
00:08:24,400 --> 00:08:24,600
Speaker 2: No?

151
00:08:25,440 --> 00:08:27,920
Speaker 1: No, you guys never make We don't make stuff up

152
00:08:27,960 --> 00:08:31,200
Speaker 1: on this show. That's very important that our listeners can

153
00:08:31,280 --> 00:08:32,000
Speaker 1: trust us.

154
00:08:33,320 --> 00:08:35,800
Speaker 2: I totally agree. I wasn't gonna make anything up.

155
00:08:35,920 --> 00:08:40,440
Speaker 1: Okay, good because you had a mischievous gleam in your eye,

156
00:08:41,320 --> 00:08:43,839
Speaker 1: as if, perhaps Brett, you thought you were gonna pull

157
00:08:43,840 --> 00:08:47,240
Speaker 1: a fast one on the listeners of Hollywood Handbook, the Smartest,

158
00:08:47,480 --> 00:08:52,440
Speaker 1: Coolest podcast listeners in the entire country. I got a

159
00:08:52,440 --> 00:08:57,360
Speaker 1: buttload of respect for these guys. I suggest you fall

160
00:08:57,400 --> 00:09:00,720
Speaker 1: in line. I would hate to have to find a

161
00:09:00,760 --> 00:09:02,520
Speaker 1: new engineer in the middle of the show, especially when

162
00:09:02,520 --> 00:09:03,400
Speaker 1: Hayes is already late.

163
00:09:06,160 --> 00:09:08,120
Speaker 2: Yeah, you know, out of all the things, I feel

164
00:09:08,160 --> 00:09:18,560
Speaker 2: like you'd never clear Marcus morris Man, not what you said, Yes, sir, sir, yes, sir.

165
00:09:19,120 --> 00:09:21,320
Speaker 1: Okay, so you did a twenty three and Me test,

166
00:09:21,360 --> 00:09:22,520
Speaker 1: and I hope that's true.

167
00:09:23,400 --> 00:09:24,040
Speaker 2: It's true.

168
00:09:24,640 --> 00:09:28,880
Speaker 1: I spit into the little Vile and that's that is

169
00:09:28,920 --> 00:09:30,040
Speaker 1: absolutely vile.

170
00:09:32,200 --> 00:09:32,880
Speaker 2: That's a good one.

171
00:09:32,920 --> 00:09:36,040
Speaker 1: That's a vile story. I wish Hayes was here for it.

172
00:09:36,080 --> 00:09:41,000
Speaker 1: He loves you, he loves my word jokes. He's not

173
00:09:41,160 --> 00:09:43,120
Speaker 1: as hot on my political stuff.

174
00:09:45,160 --> 00:09:46,360
Speaker 2: That gets a little.

175
00:09:46,640 --> 00:09:49,160
Speaker 1: Yeah, I mean he goes over his head. I think

176
00:09:49,160 --> 00:09:51,000
Speaker 1: it goes over his head. No, no, I know you're

177
00:09:51,040 --> 00:09:53,000
Speaker 1: picking up on it, and you're just like, oh, this

178
00:09:53,040 --> 00:09:55,520
Speaker 1: guy's going to bring some heat down on me, right,

179
00:09:56,200 --> 00:10:00,440
Speaker 1: But that's what all those amendments and constitutions for, So

180
00:10:01,440 --> 00:10:04,120
Speaker 1: go uh, go ahead. So you're doing twenty three and

181
00:10:04,200 --> 00:10:06,920
Speaker 1: me and we're gonna craft this into a good story. Yeah, okay,

182
00:10:07,040 --> 00:10:11,400
Speaker 1: you'll piece it together, all right. So I get the

183
00:10:12,160 --> 00:10:14,439
Speaker 1: who are you with when you're spinning?

184
00:10:14,880 --> 00:10:18,040
Speaker 2: When I was spinning, Oh, I was just like outside

185
00:10:18,040 --> 00:10:19,800
Speaker 2: by by the garbage bins.

186
00:10:19,840 --> 00:10:23,679
Speaker 1: You weren't with like it would be good to be with.

187
00:10:26,240 --> 00:10:33,800
Speaker 2: Oh yeah, I like like Sully Sullenburger. Yeah yeah, So

188
00:10:33,840 --> 00:10:34,199
Speaker 2: I was with.

189
00:10:35,760 --> 00:10:36,600
Speaker 1: So here with Sully.

190
00:10:36,800 --> 00:10:43,040
Speaker 2: I was with Sully, no joke, mm hmm. And we're

191
00:10:43,120 --> 00:10:48,079
Speaker 2: like in this plane. It's it's crazy. We're flying down

192
00:10:48,880 --> 00:10:53,599
Speaker 2: hauling ass and we hit some turbulence and all of

193
00:10:53,640 --> 00:10:57,480
Speaker 2: a sudden, my twenty three and meter results come in. Uh,

194
00:10:58,320 --> 00:11:02,640
Speaker 2: And so I tell him, man, you wouldn't believe this.

195
00:11:02,840 --> 00:11:07,040
Speaker 1: Nobody's gonna know what this is. Twenty three meters and Hayes,

196
00:11:07,200 --> 00:11:10,200
Speaker 1: I think has done Sully already.

197
00:11:10,280 --> 00:11:12,920
Speaker 2: But we're not making this up. We're not making this

198
00:11:13,040 --> 00:11:17,040
Speaker 2: up though, right, Okay, good, okay, So maybe soli erna

199
00:11:17,160 --> 00:11:18,319
Speaker 2: from godsmack.

200
00:11:19,600 --> 00:11:27,880
Speaker 1: Okay, Uh that's good. And then uh so you get

201
00:11:27,920 --> 00:11:32,559
Speaker 1: the results? Uh yeah, Well, I mean I love the

202
00:11:32,559 --> 00:11:38,360
Speaker 1: concept of smacking God. Who really is just? Who is God? Really?

203
00:11:38,920 --> 00:11:41,679
Speaker 2: This is just our father's I always want to hear

204
00:11:41,760 --> 00:11:43,880
Speaker 2: this stuff, and haz isn't a round so I can

205
00:11:43,920 --> 00:11:44,320
Speaker 2: get there?

206
00:11:44,440 --> 00:11:47,840
Speaker 1: You well, because really look at it? Who is God?

207
00:11:47,960 --> 00:11:48,200
Speaker 5: You know?

208
00:11:48,640 --> 00:11:52,679
Speaker 1: If you watch Sausage Party, which I did see and

209
00:11:52,720 --> 00:11:56,640
Speaker 1: which had a pretty strong religious message in it, which

210
00:11:56,720 --> 00:12:01,080
Speaker 1: is that you should be fucking all the time with

211
00:12:01,280 --> 00:12:07,120
Speaker 1: everyone because you're going to get eaten. God is real,

212
00:12:07,400 --> 00:12:11,760
Speaker 1: he exists, He's coming for you, He's going to devour you.

213
00:12:12,920 --> 00:12:15,559
Speaker 1: There is no such thing as heaven, but hell does exist,

214
00:12:15,600 --> 00:12:17,560
Speaker 1: and God is a demon who's going to eat you,

215
00:12:17,720 --> 00:12:20,640
Speaker 1: so you should have sex before you get married, and

216
00:12:20,760 --> 00:12:23,160
Speaker 1: being married, of course, is being taken out of the store.

217
00:12:25,280 --> 00:12:28,880
Speaker 1: This is the it's rock solid. Yeah, that's the message.

218
00:12:29,440 --> 00:12:32,120
Speaker 1: You ever think about that shit man? You ever trip

219
00:12:32,160 --> 00:12:34,120
Speaker 1: out on that that Really we're all just food on

220
00:12:34,160 --> 00:12:37,679
Speaker 1: grocery store shelves in a lot of ways. And you've

221
00:12:37,720 --> 00:12:39,560
Speaker 1: been waiting to get inside a hot dog bun your

222
00:12:39,559 --> 00:12:41,440
Speaker 1: whole life. And even though the hot dog bun is

223
00:12:41,480 --> 00:12:45,800
Speaker 1: a vagina, it also has breasts. And even though the

224
00:12:45,800 --> 00:12:49,480
Speaker 1: hot dog is a dick, there's sort of it's implied

225
00:12:49,480 --> 00:12:53,800
Speaker 1: that it has dick, Like do you ever think about

226
00:12:53,800 --> 00:12:57,080
Speaker 1: that man? Like that's you? And so if you get

227
00:12:57,120 --> 00:13:01,880
Speaker 1: freaking taken out of the store, I eat married, then

228
00:13:01,920 --> 00:13:06,120
Speaker 1: you just assume what's gonna happen. They get fucked, Yeah,

229
00:13:06,200 --> 00:13:08,680
Speaker 1: you get well, you'd think that you're gonna get fucked

230
00:13:09,440 --> 00:13:13,800
Speaker 1: and then be happy. But what's the truth is that

231
00:13:13,800 --> 00:13:16,440
Speaker 1: that's God taking you out and he's gonna freaking chop

232
00:13:16,480 --> 00:13:17,840
Speaker 1: you up and boil you in.

233
00:13:17,880 --> 00:13:21,680
Speaker 2: The pop oh boiled hot dogs. He likes the boiled kind.

234
00:13:21,920 --> 00:13:24,360
Speaker 1: Yes, everyone in the movie only did them boiled?

235
00:13:24,520 --> 00:13:28,440
Speaker 2: Okay, I never trust that water, but then.

236
00:13:28,600 --> 00:13:34,600
Speaker 1: You wouldn't want it that way. Yeah. So anyway, uh yeah,

237
00:13:34,679 --> 00:13:37,960
Speaker 1: that's like probably the most movie that lines up with

238
00:13:38,000 --> 00:13:44,200
Speaker 1: my religious views, the most out of anyone. Okay, so

239
00:13:44,280 --> 00:13:45,959
Speaker 1: we found something pretty good in the twenty three and

240
00:13:46,080 --> 00:13:50,400
Speaker 1: Me story that feels good. Where is the Hairy Man?

241
00:13:52,720 --> 00:13:54,160
Speaker 2: Should I call him up?

242
00:13:54,280 --> 00:13:58,880
Speaker 1: Or no? He doesn't want to get a call from you.

243
00:14:00,400 --> 00:14:02,520
Speaker 1: He's kind of a don't call me, I'll call you.

244
00:14:02,640 --> 00:14:02,800
Speaker 5: Oh?

245
00:14:02,920 --> 00:14:03,319
Speaker 1: Is he is?

246
00:14:03,360 --> 00:14:07,440
Speaker 2: He? Is he calling me right now? You're saying that too?

247
00:14:07,559 --> 00:14:08,040
Speaker 1: Oh wow?

248
00:14:10,679 --> 00:14:10,880
Speaker 5: Hey?

249
00:14:10,960 --> 00:14:11,360
Speaker 2: Is he there?

250
00:14:11,520 --> 00:14:11,920
Speaker 3: Hayes?

251
00:14:12,480 --> 00:14:17,040
Speaker 1: Hello, Hi, Hayes, Hello, Hayes.

252
00:14:18,120 --> 00:14:19,600
Speaker 5: Sean Hayes.

253
00:14:19,760 --> 00:14:20,480
Speaker 1: Are you okay?

254
00:14:20,840 --> 00:14:22,200
Speaker 2: Hayes? I passed you into Sean.

255
00:14:22,320 --> 00:14:23,360
Speaker 1: I'm nervous.

256
00:14:24,040 --> 00:14:28,080
Speaker 2: Oh maam, what's wrong? Man?

257
00:14:28,160 --> 00:14:32,080
Speaker 4: I'm coming, I'm I am coming. I'm on my way.

258
00:14:33,520 --> 00:14:38,840
Speaker 1: Hey, you messed up? What do you mean, Hayes? Whatever

259
00:14:38,920 --> 00:14:41,080
Speaker 1: it is, I'll help you clean it up.

260
00:14:41,440 --> 00:14:43,720
Speaker 4: It's actually I didn't actually mess thought I did. It's

261
00:14:43,760 --> 00:14:46,120
Speaker 4: not even for my fault, and I was just kind

262
00:14:46,120 --> 00:14:49,200
Speaker 4: of saying I messed up. But it's really so like

263
00:14:49,280 --> 00:14:53,320
Speaker 4: all this ship has happened to me, uh and I'm

264
00:14:53,360 --> 00:14:54,880
Speaker 4: just really a victim of it.

265
00:14:55,120 --> 00:14:56,040
Speaker 1: That's not fair.

266
00:14:57,600 --> 00:15:00,920
Speaker 4: I am coming. I am. I am going to the studio.

267
00:15:01,040 --> 00:15:03,480
Speaker 1: Well, what happened? You texted me four or five hours

268
00:15:03,480 --> 00:15:05,640
Speaker 1: ago and said that you were on your way here

269
00:15:05,680 --> 00:15:08,680
Speaker 1: and you live so close, so what did you leave?

270
00:15:08,800 --> 00:15:13,280
Speaker 1: I mean that was five hours ago, just about yeah,

271
00:15:13,960 --> 00:15:17,480
Speaker 1: oh my god.

272
00:15:18,680 --> 00:15:25,680
Speaker 4: Okay, all right, all right. You know how I was

273
00:15:25,720 --> 00:15:28,440
Speaker 4: gonna ride the horses today.

274
00:15:29,240 --> 00:15:31,720
Speaker 1: Yeah, of course you're gonna ride the horses today.

275
00:15:32,480 --> 00:15:36,360
Speaker 4: Me and Carrie Anne got these horses. This is her

276
00:15:38,040 --> 00:15:42,400
Speaker 4: Brad and the guests. Me and Carrie Ane got these

277
00:15:42,400 --> 00:15:43,240
Speaker 4: big horses.

278
00:15:43,920 --> 00:15:46,080
Speaker 1: Sure, yeah, you wanted the huge ones.

279
00:15:47,760 --> 00:15:49,520
Speaker 4: And we were gonna take them out on the trail

280
00:15:50,920 --> 00:15:55,880
Speaker 4: today to test them to see if we even sit

281
00:15:56,000 --> 00:15:56,880
Speaker 4: on them. They're so big.

282
00:15:57,600 --> 00:15:57,840
Speaker 5: Yeah.

283
00:15:58,000 --> 00:15:59,440
Speaker 1: No, I know that was a concern.

284
00:16:00,920 --> 00:16:04,320
Speaker 4: But we're getting on and she's like, I'll ride him

285
00:16:04,360 --> 00:16:06,640
Speaker 4: back so I can keep an eye on you.

286
00:16:07,040 --> 00:16:07,480
Speaker 5: Mm hmm.

287
00:16:07,840 --> 00:16:08,520
Speaker 1: That's safe.

288
00:16:10,280 --> 00:16:13,880
Speaker 4: Well I'm like, why am I the one that has

289
00:16:13,920 --> 00:16:20,640
Speaker 4: to be supervised? Like, wow, I'll watch you. Yeah, Like,

290
00:16:20,840 --> 00:16:24,720
Speaker 4: whenever we go anywhere, she's right behind me, and she's

291
00:16:24,760 --> 00:16:27,840
Speaker 4: like just to make sure I don't trip, or like

292
00:16:28,200 --> 00:16:31,760
Speaker 4: we're gonna walk into something weird, or like whenever she like,

293
00:16:31,920 --> 00:16:34,800
Speaker 4: you know, is gonna watch out for me. And then

294
00:16:34,840 --> 00:16:38,000
Speaker 4: when if I do walk into something, it's like it

295
00:16:38,000 --> 00:16:38,680
Speaker 4: makes it seem like.

296
00:16:38,640 --> 00:16:42,600
Speaker 1: She was right right, I see? And what does that?

297
00:16:42,640 --> 00:16:43,800
Speaker 1: How does that make you feel?

298
00:16:44,880 --> 00:16:47,440
Speaker 4: Well? It just builds up to the scene where I'm like,

299
00:16:47,680 --> 00:16:48,600
Speaker 4: it makes me feel like.

300
00:16:49,120 --> 00:16:51,480
Speaker 1: She's kind of stifling you, isn't she, sweetie?

301
00:16:52,320 --> 00:16:56,680
Speaker 4: Yes? And so this time I say, I'm gonna watch you.

302
00:16:58,000 --> 00:16:59,600
Speaker 4: I'll watch you this time.

303
00:16:59,680 --> 00:17:01,080
Speaker 1: Well that's pretty brave.

304
00:17:02,280 --> 00:17:07,200
Speaker 4: But she's riding it back. I say, fine, Well, okay,

305
00:17:07,280 --> 00:17:09,480
Speaker 4: we'll watch each other. We'll keep an eye on each other.

306
00:17:09,600 --> 00:17:12,000
Speaker 1: So you're riding backwards in front of her.

307
00:17:12,520 --> 00:17:17,000
Speaker 4: I ride backwards in front of her. And so we're

308
00:17:17,119 --> 00:17:18,520
Speaker 4: doing the horses.

309
00:17:19,880 --> 00:17:25,919
Speaker 1: Going oh yeah, yeah, do you skip? Did you manage

310
00:17:25,920 --> 00:17:26,760
Speaker 1: to fit on the horse?

311
00:17:28,000 --> 00:17:29,080
Speaker 4: Yes? We did that.

312
00:17:29,400 --> 00:17:32,040
Speaker 1: Yes, nice catch bread.

313
00:17:33,520 --> 00:17:34,320
Speaker 2: Like sideways.

314
00:17:34,760 --> 00:17:38,000
Speaker 4: You're kind of doing the split on top? Are you

315
00:17:38,040 --> 00:17:38,600
Speaker 4: picturing that?

316
00:17:39,480 --> 00:17:39,760
Speaker 5: Yeah?

317
00:17:39,920 --> 00:17:41,760
Speaker 1: Okay, I've got it now.

318
00:17:42,760 --> 00:17:44,720
Speaker 4: Or you can put your head or you can like

319
00:17:44,760 --> 00:17:47,359
Speaker 4: sit with your legs straight out front but they don't

320
00:17:47,760 --> 00:17:51,200
Speaker 4: bend over the side. Is that a clear image?

321
00:17:51,920 --> 00:17:54,520
Speaker 1: Yeah? No, okay, So you're doing the splits on top

322
00:17:54,680 --> 00:17:56,560
Speaker 1: or you can put your legs straight out in the front.

323
00:17:57,520 --> 00:18:01,080
Speaker 4: You or you can eye down sure, okay in this

324
00:18:01,520 --> 00:18:05,679
Speaker 4: at this moment, the important part. I was sitting with

325
00:18:05,840 --> 00:18:07,800
Speaker 4: my legs straight out in front like an hell.

326
00:18:08,359 --> 00:18:09,320
Speaker 1: Yeah, I see.

327
00:18:09,400 --> 00:18:12,199
Speaker 2: So you guys are touching feet then, because you're pointing

328
00:18:12,240 --> 00:18:12,960
Speaker 2: towards each other.

329
00:18:13,240 --> 00:18:18,440
Speaker 1: Oh, sorry, that's Brett. Oh he no, Hay said that's

330
00:18:18,440 --> 00:18:20,240
Speaker 1: one of the ways you could sit. That's not how

331
00:18:20,240 --> 00:18:23,280
Speaker 1: he was sitting. And I believe Carrie Anne Moss when

332
00:18:23,280 --> 00:18:27,080
Speaker 1: she goes horse riding puts an Eames chair on top.

333
00:18:27,480 --> 00:18:29,160
Speaker 4: Yeah, and an automan.

334
00:18:29,960 --> 00:18:32,560
Speaker 1: Yeah, she's got an automan in a Nime's chair that

335
00:18:32,680 --> 00:18:38,640
Speaker 1: she brings out. O man, okay, is auto man? Sorry?

336
00:18:39,680 --> 00:18:43,560
Speaker 1: Auto man is here? Uh? Brett brought him with him.

337
00:18:43,720 --> 00:18:47,240
Speaker 1: Oh no, he was showing us he's a true grease monkey.

338
00:18:47,320 --> 00:18:50,159
Speaker 1: And he was showing us some of the ways that

339
00:18:50,280 --> 00:18:52,720
Speaker 1: you could trick out Brett's piece of shit car earlier,

340
00:18:55,200 --> 00:18:55,800
Speaker 1: who was it is?

341
00:18:55,920 --> 00:19:00,439
Speaker 4: It's like, is this Bret Brett's doing? It must be

342
00:19:00,480 --> 00:19:01,679
Speaker 4: one of the Beatles or something.

343
00:19:02,280 --> 00:19:04,720
Speaker 1: Yes, Otto man, I guess is one of the Beatles.

344
00:19:04,760 --> 00:19:07,480
Speaker 1: I think he's like George Ringo or something.

345
00:19:08,119 --> 00:19:12,320
Speaker 2: Piece in love dude.

346
00:19:11,040 --> 00:19:18,560
Speaker 1: Yeah, okay, And he's taking it too far now, uh huh.

347
00:19:18,600 --> 00:19:21,240
Speaker 4: And we're, you know, just kind of stare at each

348
00:19:21,280 --> 00:19:23,439
Speaker 4: other down we were we weren't talking on the right,

349
00:19:23,520 --> 00:19:25,840
Speaker 4: but we're just kind of I'm looking at her like see,

350
00:19:26,240 --> 00:19:28,760
Speaker 4: and she's looking at me like see what you know.

351
00:19:28,960 --> 00:19:32,879
Speaker 4: I don't see nothing. I don't see ship. That's like

352
00:19:32,920 --> 00:19:34,119
Speaker 4: what she was looking like.

353
00:19:34,680 --> 00:19:40,159
Speaker 6: Mmm that she's like And then yeah, wetally, just as

354
00:19:40,160 --> 00:19:45,920
Speaker 6: we're about to get to sunset peete, uh, I.

355
00:19:45,800 --> 00:19:51,040
Speaker 4: Feel like I feel a major bunk on the back

356
00:19:51,080 --> 00:19:51,639
Speaker 4: of my head.

357
00:19:52,359 --> 00:19:57,520
Speaker 1: Oh no, you on your noggine.

358
00:19:58,280 --> 00:20:05,080
Speaker 4: Oh there's that think that huge branch right before sunset peak.

359
00:20:05,160 --> 00:20:09,080
Speaker 1: Sunset peak at the sunset peak. Okay, coming from your

360
00:20:09,119 --> 00:20:11,679
Speaker 1: approaching from the If you're seeing that big branch and

361
00:20:11,720 --> 00:20:14,760
Speaker 1: you're going to sunset peak, you're in a horror. So

362
00:20:15,000 --> 00:20:19,360
Speaker 1: you're not coming from the water side. So yes, from

363
00:20:19,359 --> 00:20:21,680
Speaker 1: your house, So that means you're putting from the east

364
00:20:21,800 --> 00:20:25,800
Speaker 1: to Sunset Peak. Yes, the branch Ooh, that branch is.

365
00:20:25,880 --> 00:20:31,520
Speaker 4: Big, so imagine how big mm hmm your whole head.

366
00:20:31,880 --> 00:20:33,879
Speaker 4: And that is what happens.

367
00:20:33,560 --> 00:20:35,760
Speaker 1: And I'm drying it now and I don't even have

368
00:20:35,760 --> 00:20:37,680
Speaker 1: a room.

369
00:20:38,040 --> 00:20:44,840
Speaker 4: Both my contacts pop out. It's lying at Carrianne's mouth.

370
00:20:45,600 --> 00:20:48,359
Speaker 1: Uh oh, she pretends like.

371
00:20:49,760 --> 00:20:53,680
Speaker 4: She is enjoying them. She almost enjoys them so much.

372
00:20:53,680 --> 00:20:59,240
Speaker 4: She choose them so like luxuriously that I almost feel

373
00:20:59,280 --> 00:21:01,080
Speaker 4: like she did do it on purpose, because she didn't

374
00:21:01,119 --> 00:21:03,439
Speaker 4: warned me about the branch. She did not do a

375
00:21:03,440 --> 00:21:06,000
Speaker 4: good job of watching out for me, which I told her.

376
00:21:06,520 --> 00:21:07,080
Speaker 4: Mm hmm.

377
00:21:08,640 --> 00:21:12,520
Speaker 1: And so and sweetie, that kind of must have made

378
00:21:12,560 --> 00:21:14,600
Speaker 1: you feel like you were a little bit stifled.

379
00:21:14,680 --> 00:21:19,679
Speaker 4: Huh, Well was that made me do? Because now I'm

380
00:21:19,840 --> 00:21:26,280
Speaker 4: very embarrassed and there's a big, big lump coming out

381
00:21:26,320 --> 00:21:27,439
Speaker 4: of the back of my head. Make me look like

382
00:21:27,560 --> 00:21:28,480
Speaker 4: Zippy the pinhead.

383
00:21:29,119 --> 00:21:29,760
Speaker 3: Oh w.

384
00:21:31,520 --> 00:21:35,440
Speaker 1: From the from the Gabors podcast where you talk about comics.

385
00:21:36,160 --> 00:21:39,800
Speaker 4: Yes, can you listen to that? By the way, it's

386
00:21:39,800 --> 00:21:41,040
Speaker 4: getting big response.

387
00:21:42,160 --> 00:21:44,879
Speaker 1: Yes, when I have time.

388
00:21:45,040 --> 00:21:46,359
Speaker 5: Yeah.

389
00:21:46,440 --> 00:21:50,919
Speaker 4: So I've got this big love on my bed. And

390
00:21:51,320 --> 00:21:53,520
Speaker 4: at this point the horses are I say to the horse,

391
00:21:53,720 --> 00:21:55,760
Speaker 4: go let's go home. I don't even want to see

392
00:21:55,760 --> 00:21:58,880
Speaker 4: on the peak. It's daytime anyway, I don't give a ship.

393
00:21:59,119 --> 00:22:01,200
Speaker 2: The horse knows a little go all the way back down.

394
00:22:01,920 --> 00:22:05,880
Speaker 4: I'm getting in my car to come to the studio.

395
00:22:06,560 --> 00:22:09,320
Speaker 1: Yes, well, and then that's and that's when you texted me.

396
00:22:09,440 --> 00:22:10,880
Speaker 1: I assume, yeah, And.

397
00:22:10,800 --> 00:22:12,600
Speaker 4: I figure I'll just get there four and a half

398
00:22:12,640 --> 00:22:15,960
Speaker 4: hours early and chill with Brett or something actually a

399
00:22:15,960 --> 00:22:18,360
Speaker 4: good meaning to catch up with Brett a little bit.

400
00:22:19,440 --> 00:22:22,240
Speaker 1: Yeah, yeah, do you know Brett pretty well?

401
00:22:23,880 --> 00:22:26,199
Speaker 4: Well, that's the thing. There's a lot of stuff I

402
00:22:26,320 --> 00:22:29,600
Speaker 4: was thinking, there's a lot of stuff about him. I

403
00:22:29,600 --> 00:22:33,880
Speaker 4: don't really I don't know where he's, like, where he's from.

404
00:22:33,800 --> 00:22:36,080
Speaker 1: Like from from? Yeah? Yeah, yeah, where is he?

405
00:22:36,320 --> 00:22:39,000
Speaker 4: Where is he like coming in from? You know what

406
00:22:39,000 --> 00:22:39,320
Speaker 4: I mean?

407
00:22:39,520 --> 00:22:42,640
Speaker 2: Yeah, this is what Sean sing.

408
00:22:44,800 --> 00:22:49,280
Speaker 4: I know he doesn't have his license and so, but

409
00:22:49,920 --> 00:22:52,680
Speaker 4: how is he getting there without a driver's license from

410
00:22:53,200 --> 00:22:55,439
Speaker 4: like somewhere really far away? I want to say, I

411
00:22:55,480 --> 00:22:59,280
Speaker 4: feel he was from.

412
00:22:57,960 --> 00:23:01,800
Speaker 2: Don't say it, don't say it.

413
00:23:02,600 --> 00:23:09,040
Speaker 1: I mean, you're closer than I was. He's so he's apparently, Yeah,

414
00:23:09,240 --> 00:23:16,120
Speaker 1: he's apparently from some littler place like in the Netherlands

415
00:23:16,200 --> 00:23:20,120
Speaker 1: or something. I mean from what I'm hearing.

416
00:23:21,119 --> 00:23:23,240
Speaker 4: That's because it's how did you pronounce it?

417
00:23:26,680 --> 00:23:30,359
Speaker 2: Yeah, I said, I'm from here. I'm local. I mean,

418
00:23:30,400 --> 00:23:34,800
Speaker 2: I'm from California, but I've lived in LA for years.

419
00:23:34,920 --> 00:23:39,880
Speaker 2: I never said anything about the Netherlands or Germany or

420
00:23:39,920 --> 00:23:40,760
Speaker 2: anything like that.

421
00:23:41,119 --> 00:23:42,600
Speaker 1: Say du bist I.

422
00:23:42,680 --> 00:23:43,840
Speaker 5: Accordion get to l A.

423
00:23:43,960 --> 00:23:46,360
Speaker 4: How did you get to la from the nether worlds?

424
00:23:46,400 --> 00:23:47,400
Speaker 4: About a driver's life?

425
00:23:47,400 --> 00:23:52,639
Speaker 2: Then I have why why do you guys think I

426
00:23:52,680 --> 00:23:58,440
Speaker 2: don't have a driver's license? Mhm, Hayes, I thought you.

427
00:23:58,560 --> 00:24:02,359
Speaker 2: I thought you at least knew something about me. Sean,

428
00:24:03,000 --> 00:24:04,040
Speaker 2: I do I know?

429
00:24:04,359 --> 00:24:05,760
Speaker 4: Yes, Yeah, you're Brett.

430
00:24:06,440 --> 00:24:08,639
Speaker 1: Yeah, yeah, he's my last name, Hayes.

431
00:24:09,080 --> 00:24:11,800
Speaker 4: That's a true question, Brett. You don't have a last.

432
00:24:11,560 --> 00:24:14,119
Speaker 1: Name, okay, yeah, and he tried to get me with

433
00:24:14,200 --> 00:24:14,879
Speaker 1: this as well.

434
00:24:16,880 --> 00:24:25,040
Speaker 2: It's Morris Morris, yes, not Seth Morris. I'm not related

435
00:24:25,080 --> 00:24:27,159
Speaker 2: to Seth Morris.

436
00:24:29,080 --> 00:24:32,040
Speaker 4: Why would you wait, wait, why would you just say that?

437
00:24:32,119 --> 00:24:33,800
Speaker 4: Why would you think that I would think you were

438
00:24:33,840 --> 00:24:36,720
Speaker 4: related to Seth Morris because your last name is MORI.

439
00:24:36,600 --> 00:24:38,879
Speaker 1: Are you pissed at Seth Morris? Brett?

440
00:24:40,080 --> 00:24:42,800
Speaker 2: No, I love the guy. I just you've asked those

441
00:24:42,840 --> 00:24:46,320
Speaker 2: the everything about this conversation is going the exact same way.

442
00:24:46,720 --> 00:24:48,639
Speaker 4: Your last name is Morris. That takes something to me

443
00:24:48,720 --> 00:24:49,600
Speaker 4: in Morrise code.

444
00:24:50,560 --> 00:24:54,439
Speaker 2: No, that's a good one. I've never heard that. Okay, uh,

445
00:24:55,080 --> 00:24:59,879
Speaker 2: dink dink think slash slash slash dink dink thing.

446
00:25:01,119 --> 00:25:02,840
Speaker 4: Oh the way you say it, it's so ugly.

447
00:25:03,960 --> 00:25:08,199
Speaker 1: Yeah, it doesn't sound good at all. It's such a

448
00:25:08,200 --> 00:25:10,800
Speaker 1: beautiful language. I hate to hear it butchered like that.

449
00:25:12,440 --> 00:25:14,960
Speaker 1: He's definitely spelling a racial slur. But the big thing

450
00:25:15,000 --> 00:25:17,480
Speaker 1: that's said to me is it's just such a beautiful language.

451
00:25:17,480 --> 00:25:20,560
Speaker 1: And to hear one of the romance languages butchered that way.

452
00:25:22,400 --> 00:25:28,880
Speaker 4: Using racial as the like I mean, people say.

453
00:25:28,800 --> 00:25:32,560
Speaker 1: Got oh, no, yeah, no, they say dot and dash,

454
00:25:32,640 --> 00:25:36,679
Speaker 1: But with Brett, it's all dinks and slashes. And I

455
00:25:36,720 --> 00:25:38,840
Speaker 1: think we know what he's talking about when he says that,

456
00:25:39,000 --> 00:25:41,600
Speaker 1: don't we Brett? And I wonder he spends so much

457
00:25:41,600 --> 00:25:43,480
Speaker 1: time in Germany he wants to wipe out all the

458
00:25:43,560 --> 00:25:47,920
Speaker 1: dinks and slashes, and please don't do that.

459
00:25:49,440 --> 00:25:51,800
Speaker 4: Can I get back to my story, Bradley? Do you mind.

460
00:25:54,080 --> 00:25:54,959
Speaker 1: Tells his story?

461
00:25:55,080 --> 00:25:55,320
Speaker 5: Now?

462
00:25:55,880 --> 00:25:56,080
Speaker 4: Yeah?

463
00:25:56,640 --> 00:25:58,320
Speaker 2: Are you driving though? Right now?

464
00:25:59,840 --> 00:26:02,720
Speaker 4: I'm on my knees here, Brick. Can I please finish

465
00:26:02,800 --> 00:26:03,320
Speaker 4: my story?

466
00:26:03,359 --> 00:26:05,440
Speaker 1: Don't make him be on his knees and a really

467
00:26:05,440 --> 00:26:06,399
Speaker 1: big factor here.

468
00:26:07,320 --> 00:26:09,359
Speaker 2: Yeah, I would love for you to finish your story

469
00:26:09,440 --> 00:26:12,320
Speaker 2: and get here I've been here for hours. To go ahead.

470
00:26:15,119 --> 00:26:18,359
Speaker 4: So I get in my car and Carrie Anne's like,

471
00:26:18,560 --> 00:26:20,080
Speaker 4: how are you gonna get in the car. You can't

472
00:26:20,119 --> 00:26:22,919
Speaker 4: see I'll drive And she was like, i'll drive you,

473
00:26:22,960 --> 00:26:24,600
Speaker 4: I'll walk, or I'll watch you drive.

474
00:26:25,400 --> 00:26:29,440
Speaker 1: Oh no, here she goes again et.

475
00:26:29,320 --> 00:26:32,399
Speaker 4: Them, and I say, that's it. I've done you with

476
00:26:32,600 --> 00:26:36,000
Speaker 4: you watching me everywhere I go. I'm gonna go somewhere

477
00:26:36,040 --> 00:26:36,800
Speaker 4: by myself.

478
00:26:37,280 --> 00:26:39,560
Speaker 1: God, I can't believe she said that, Hayes. She really

479
00:26:39,560 --> 00:26:44,280
Speaker 1: devalued you in that moment. How stifling you diminish my

480
00:26:44,359 --> 00:26:50,400
Speaker 1: lived experience. That's absolutely right, Hayes. That's big for you.

481
00:26:52,119 --> 00:26:54,840
Speaker 4: My lived experience is so important to me.

482
00:26:56,200 --> 00:26:59,520
Speaker 1: Yeah. I love how you are a witness to your

483
00:26:59,560 --> 00:27:03,439
Speaker 1: own life life and that you're so present and that

484
00:27:03,520 --> 00:27:06,640
Speaker 1: you're so honest with me about it and presents such

485
00:27:06,640 --> 00:27:08,400
Speaker 1: an authentic version of yourself.

486
00:27:08,480 --> 00:27:11,320
Speaker 4: Is that not like my biggest thing?

487
00:27:11,840 --> 00:27:14,200
Speaker 1: And if Carrie in can't see that, and if your

488
00:27:14,280 --> 00:27:16,920
Speaker 1: lived experience to her is just something that you can

489
00:27:17,160 --> 00:27:21,159
Speaker 1: diminish off hand, then I'm sorry, sweetie. She does not

490
00:27:21,320 --> 00:27:23,960
Speaker 1: deserve you, and you can do better than that. I

491
00:27:24,000 --> 00:27:24,840
Speaker 1: know she's beautiful.

492
00:27:26,080 --> 00:27:29,800
Speaker 4: I tried to kick her, not like really not kick

493
00:27:29,840 --> 00:27:30,359
Speaker 4: her hard.

494
00:27:31,040 --> 00:27:33,880
Speaker 1: No, not an angry kick, just a sort of lesson.

495
00:27:34,800 --> 00:27:38,600
Speaker 4: Basically, yes, like kind of a shove, but with my foot.

496
00:27:39,119 --> 00:27:41,560
Speaker 1: Yeah, sort of a mush. You know how on some

497
00:27:41,640 --> 00:27:43,960
Speaker 1: of the reality shows they are not allowed to punch

498
00:27:44,000 --> 00:27:46,520
Speaker 1: each other, but they can mush each other's faces.

499
00:27:46,680 --> 00:27:48,800
Speaker 4: Yeah, they placed their hand on their face.

500
00:27:48,880 --> 00:27:50,920
Speaker 5: And then so you were just.

501
00:27:50,880 --> 00:27:54,119
Speaker 1: Doing a foot mush a little bit, which is totally okay.

502
00:27:54,200 --> 00:27:59,520
Speaker 4: But I missed by I think a lot. And I

503
00:27:59,640 --> 00:28:02,720
Speaker 4: sort of fell.

504
00:28:01,920 --> 00:28:04,360
Speaker 1: Yes, and that is a vine that Carrie Anne put up.

505
00:28:05,520 --> 00:28:07,399
Speaker 4: Okay, that makes sense.

506
00:28:07,760 --> 00:28:12,840
Speaker 1: Yes, you do go to do a big foot mush.

507
00:28:12,960 --> 00:28:17,000
Speaker 1: Your foot goes through a tree, comes back out, lands

508
00:28:17,040 --> 00:28:20,400
Speaker 1: on the back of like a painted turtle.

509
00:28:20,560 --> 00:28:22,160
Speaker 4: But I said, I think I missed by a lot.

510
00:28:22,200 --> 00:28:24,199
Speaker 4: I was kind of setting up an alibi because I

511
00:28:24,320 --> 00:28:26,680
Speaker 4: thought my foot might have got through her stomach.

512
00:28:28,040 --> 00:28:31,719
Speaker 1: No, No, you do look shocked when it happens. You

513
00:28:31,720 --> 00:28:33,399
Speaker 1: pull it back out and your foot lands like kind

514
00:28:33,400 --> 00:28:37,240
Speaker 1: of a painted turtle, and you go sliding, slipping and

515
00:28:37,280 --> 00:28:40,200
Speaker 1: flipping every which way through a boggy marsh.

516
00:28:42,160 --> 00:28:48,719
Speaker 4: Okay, this is all really coming together. I thought it

517
00:28:48,760 --> 00:28:50,160
Speaker 4: was like her gut or something.

518
00:28:51,840 --> 00:28:55,400
Speaker 1: Yeah, no, you seem pretty concerned, not concerned, like you

519
00:28:55,440 --> 00:28:57,560
Speaker 1: want to help her, But you get in the car

520
00:28:57,600 --> 00:29:01,600
Speaker 1: and drive away very quickly, as if you're fleeing the

521
00:29:01,640 --> 00:29:03,760
Speaker 1: scene of some kind of crime you think you committed.

522
00:29:04,680 --> 00:29:07,680
Speaker 4: Okay, so this is great that you saw me drive away,

523
00:29:07,720 --> 00:29:10,440
Speaker 4: because this is huge perface. I'm so glad to hear

524
00:29:10,520 --> 00:29:14,760
Speaker 4: that because I'm in the car now and I'm still going,

525
00:29:14,840 --> 00:29:17,960
Speaker 4: and I think I'm going the same direction that I

526
00:29:18,000 --> 00:29:23,520
Speaker 4: went when I left the horse house.

527
00:29:25,640 --> 00:29:29,480
Speaker 1: Yes, yes, yes, the the horse mansion.

528
00:29:30,480 --> 00:29:38,480
Speaker 4: Yes, I have not been using the steering wheel a ton,

529
00:29:38,760 --> 00:29:39,400
Speaker 4: a little bit.

530
00:29:39,520 --> 00:29:44,240
Speaker 1: I have here and the area by not but not

531
00:29:44,440 --> 00:29:45,000
Speaker 1: that much.

532
00:29:46,040 --> 00:29:48,560
Speaker 4: And so if we can figure out because I thought

533
00:29:48,560 --> 00:29:52,760
Speaker 4: I was kind of pointed at the studio and I cannot.

534
00:29:53,160 --> 00:29:55,239
Speaker 4: So this is the thing, Like, I'm i'm driving, I'm

535
00:29:55,280 --> 00:29:57,960
Speaker 4: not going that bad, but I am definitely booted. You know.

536
00:29:58,120 --> 00:29:59,680
Speaker 4: I don't want to go too slow either.

537
00:30:00,280 --> 00:30:02,600
Speaker 2: Well, yeah, man, please don't go too slow.

538
00:30:03,320 --> 00:30:05,600
Speaker 1: I get so mad when I'm behind a driver who's

539
00:30:05,640 --> 00:30:06,360
Speaker 1: going slow.

540
00:30:07,720 --> 00:30:10,320
Speaker 4: Yes, and there was that Vox thing that everyone was

541
00:30:10,400 --> 00:30:11,920
Speaker 4: so fired up about recently.

542
00:30:12,080 --> 00:30:13,960
Speaker 5: Don't use the left left lane?

543
00:30:14,000 --> 00:30:15,880
Speaker 4: Did you guys see this? I didn't watch it, but.

544
00:30:16,040 --> 00:30:18,880
Speaker 1: Man, it's more dangerous to drive in the left lane

545
00:30:18,960 --> 00:30:22,880
Speaker 1: slow than it is to drive really fast everywhere. Yeah,

546
00:30:23,040 --> 00:30:27,680
Speaker 1: that's actually causes. It causes more accidents and kills more people,

547
00:30:27,720 --> 00:30:30,840
Speaker 1: and is more irresponsible to drive in the left lane

548
00:30:30,880 --> 00:30:33,840
Speaker 1: at the speed limit or slightly below than it is

549
00:30:33,880 --> 00:30:36,920
Speaker 1: to drive as fast as you can in every lane everywhere.

550
00:30:37,920 --> 00:30:39,840
Speaker 1: And that's the numbers. That's science.

551
00:30:41,320 --> 00:30:43,479
Speaker 4: Because I saw the thing, and because I was driving

552
00:30:43,520 --> 00:30:46,120
Speaker 4: and I was remembering that people were so excited about that,

553
00:30:46,200 --> 00:30:48,440
Speaker 4: and I thought I'd better not go too slow. And

554
00:30:48,560 --> 00:30:50,040
Speaker 4: that's me in that video.

555
00:30:50,320 --> 00:30:53,280
Speaker 1: Oh yeah, no, it's much safer that you've been going fast.

556
00:30:53,760 --> 00:30:56,440
Speaker 1: Can you see any shapes around that you can make

557
00:30:56,480 --> 00:30:59,320
Speaker 1: out that maybe Brett and I might have seen before,

558
00:31:00,200 --> 00:31:03,800
Speaker 1: And uh, we could sort of. Because what I'll do

559
00:31:04,080 --> 00:31:08,200
Speaker 1: is I will, in solidarity, punch myself in the back

560
00:31:08,240 --> 00:31:09,720
Speaker 1: of the head as hard as I can, knock out

561
00:31:09,760 --> 00:31:13,760
Speaker 1: my contact lenses into Brett's mouth, and then he's going up.

562
00:31:13,880 --> 00:31:16,440
Speaker 1: He's going to show me, don't be gross, Brett. He's

563
00:31:16,480 --> 00:31:21,000
Speaker 1: going to show me images of landmarks around the state. Brett,

564
00:31:21,000 --> 00:31:25,640
Speaker 1: You're discussed. You are being disgusting, Brett and I'm gonna

565
00:31:26,120 --> 00:31:28,520
Speaker 1: absolutely be sick if you don't stop it.

566
00:31:29,080 --> 00:31:31,600
Speaker 2: I gotta chew him very luxuriously.

567
00:31:33,200 --> 00:31:36,920
Speaker 1: Brett, what's the end game for you?

568
00:31:38,800 --> 00:31:39,080
Speaker 4: Stuff?

569
00:31:39,160 --> 00:31:42,560
Speaker 1: He's doing sick o stuff. It's a freaking Fairly Brothers

570
00:31:42,600 --> 00:31:48,840
Speaker 1: on steroids over here. Yeah, it's Peter and Bobby Fairly

571
00:31:48,960 --> 00:31:51,440
Speaker 1: on steroids in the studio. Hey is, And this is

572
00:31:51,440 --> 00:31:52,480
Speaker 1: what happens when you're.

573
00:31:52,360 --> 00:31:55,560
Speaker 5: Gone, Peter, my steroidly brother.

574
00:31:55,760 --> 00:31:57,960
Speaker 1: He just tried to pretend he has a third name.

575
00:31:59,320 --> 00:32:03,440
Speaker 1: By the way, that name is German Peter and the Wolf. Now,

576
00:32:04,400 --> 00:32:06,840
Speaker 1: everybody shut up for a second. I just got a

577
00:32:06,880 --> 00:32:09,960
Speaker 1: text message, Oh great, Hayes, Alyssa is almost here. Are

578
00:32:09,960 --> 00:32:10,520
Speaker 1: you close?

579
00:32:12,560 --> 00:32:16,160
Speaker 4: I thought Alyssa was there. Why is she not there now?

580
00:32:16,600 --> 00:32:19,080
Speaker 1: Well, because I had told her that you were running

581
00:32:19,080 --> 00:32:20,920
Speaker 1: a little bit behind, and that you and I would

582
00:32:20,960 --> 00:32:24,920
Speaker 1: maybe be recording one of our classic intro pieces before

583
00:32:24,920 --> 00:32:27,760
Speaker 1: the guest arrived. You know, some of the stuff where

584
00:32:27,800 --> 00:32:29,480
Speaker 1: we just say, what's so crazy?

585
00:32:29,960 --> 00:32:31,480
Speaker 4: Hey? But they like to watch that.

586
00:32:32,280 --> 00:32:35,040
Speaker 1: No, most guests do want to sit through that. But

587
00:32:35,880 --> 00:32:38,000
Speaker 1: I think that what happened for her was she was

588
00:32:38,040 --> 00:32:40,520
Speaker 1: afraid she'd be all laughed out and have nothing left

589
00:32:40,560 --> 00:32:42,480
Speaker 1: for the show she'd pass out and not be able

590
00:32:42,480 --> 00:32:44,360
Speaker 1: to breathe because our stuff's so funny.

591
00:32:45,360 --> 00:32:47,400
Speaker 4: Okay, well I have the cookies.

592
00:32:48,040 --> 00:32:50,120
Speaker 1: Okay, so Brett, I guess I don't know if I

593
00:32:50,200 --> 00:32:52,479
Speaker 1: told you this, but Alyssa Milana was supposed to come

594
00:32:52,520 --> 00:32:55,680
Speaker 1: here and we have this great hook where we're gonna

595
00:32:55,720 --> 00:33:00,640
Speaker 1: eat fifty cookies, fifty bags of milanos with a lista milano,

596
00:33:01,160 --> 00:33:03,920
Speaker 1: and there's going to be, you know, welcome to our

597
00:33:03,960 --> 00:33:06,720
Speaker 1: pepperidge farm. We were going to sing to the tune

598
00:33:06,720 --> 00:33:10,400
Speaker 1: of that welcome to my house, you know, uh and

599
00:33:10,960 --> 00:33:12,160
Speaker 1: the flow ride of stuff.

600
00:33:12,240 --> 00:33:15,280
Speaker 4: That's not I sorry, we spent so much time on

601
00:33:15,360 --> 00:33:18,520
Speaker 4: the June and it's not welcome to my house. It's

602
00:33:18,560 --> 00:33:19,320
Speaker 4: not like that.

603
00:33:19,880 --> 00:33:20,240
Speaker 5: Huh.

604
00:33:20,280 --> 00:33:22,920
Speaker 4: No, it is the way you just did. It is

605
00:33:22,960 --> 00:33:24,680
Speaker 4: what I tried to coach out it.

606
00:33:24,920 --> 00:33:27,479
Speaker 1: That's the second part of it. The first part is

607
00:33:27,720 --> 00:33:33,200
Speaker 1: welcome to my peppers farm. Well, let's eat milanas. Your

608
00:33:33,280 --> 00:33:39,280
Speaker 1: name's all this up, remember charmed, Welcome to my house.

609
00:33:39,880 --> 00:33:44,600
Speaker 1: I'm for pepperage farm. But so it's that. So that

610
00:33:45,240 --> 00:33:48,200
Speaker 1: would have been really very funny and cool, and we.

611
00:33:48,040 --> 00:33:51,200
Speaker 4: Were gonna do it with Milana Bintrip, but we emailed her,

612
00:33:51,240 --> 00:33:52,480
Speaker 4: and she didn't response.

613
00:33:52,640 --> 00:33:58,120
Speaker 1: She yes, she was not interested in even having a

614
00:33:58,240 --> 00:34:00,640
Speaker 1: polite email exchange.

615
00:34:01,080 --> 00:34:03,280
Speaker 4: And I think this is better because her name is

616
00:34:03,320 --> 00:34:08,600
Speaker 4: really Milano and we didn't have to pretend that Milana.

617
00:34:08,840 --> 00:34:13,120
Speaker 1: Yes, that's right, and we were and we were going

618
00:34:13,200 --> 00:34:15,239
Speaker 1: to do something. We didn't have the second half. But

619
00:34:15,320 --> 00:34:17,800
Speaker 1: we're going to try to become vine stars with Milana

620
00:34:17,880 --> 00:34:21,239
Speaker 1: vine trub while we ate Milana cookies. And I think

621
00:34:21,239 --> 00:34:23,920
Speaker 1: it was going to get too complex, but this is

622
00:34:23,960 --> 00:34:24,720
Speaker 1: pretty clean.

623
00:34:25,040 --> 00:34:26,760
Speaker 4: We had to do something with these cookies.

624
00:34:27,520 --> 00:34:29,080
Speaker 2: Do you have the mint ones? Have you ever had

625
00:34:29,080 --> 00:34:30,200
Speaker 2: the mint ones? Those are good?

626
00:34:31,760 --> 00:34:33,719
Speaker 4: What are you talking about?

627
00:34:33,760 --> 00:34:35,960
Speaker 1: What the fuck are you talking about?

628
00:34:36,719 --> 00:34:38,320
Speaker 4: There's no cookies?

629
00:34:38,480 --> 00:34:42,919
Speaker 1: Is this like a europe thing? Vince a leaf, mins

630
00:34:42,960 --> 00:34:45,520
Speaker 1: a freaking plant. It's not a tree. It's a cookie,

631
00:34:47,040 --> 00:34:51,880
Speaker 1: Cookies of bread, mince of plants, Cookies of bread. I

632
00:34:51,880 --> 00:34:57,200
Speaker 1: don't want to get in Joel Boy's territory. Cookies of bread,

633
00:34:57,719 --> 00:34:59,960
Speaker 1: mincea plant, piza cake.

634
00:35:01,400 --> 00:35:04,120
Speaker 4: Here's what I would like to do. Wait, do you

635
00:35:04,200 --> 00:35:05,040
Speaker 4: have any more of these?

636
00:35:05,760 --> 00:35:08,960
Speaker 1: Do? I personally? Oh, just about a billion?

637
00:35:11,480 --> 00:35:13,359
Speaker 4: Did you have one? I didn't know if you had

638
00:35:13,360 --> 00:35:14,080
Speaker 4: any more food?

639
00:35:14,480 --> 00:35:20,960
Speaker 1: Chocolate, water, water is a juice. Stop it, bratt meats

640
00:35:20,960 --> 00:35:27,160
Speaker 1: a vegetable. Uh and and uh, you know anything else

641
00:35:27,280 --> 00:35:29,160
Speaker 1: is a hat on a hat. Go ahead, Hayes, what

642
00:35:29,200 --> 00:35:29,799
Speaker 1: were we gonna say?

643
00:35:30,640 --> 00:35:34,920
Speaker 4: I would like to establish whether I am facing the

644
00:35:35,040 --> 00:35:36,280
Speaker 4: right way in my feet.

645
00:35:36,760 --> 00:35:41,640
Speaker 1: Uh huh uh huh, okay, press on the horn.

646
00:35:44,080 --> 00:35:46,560
Speaker 4: Okay, Well, this is gonna be the problem because I

647
00:35:46,680 --> 00:35:48,759
Speaker 4: don't like I can't really see it from where I

648
00:35:48,840 --> 00:35:53,960
Speaker 4: am right now. I did a I just do a push.

649
00:35:55,520 --> 00:35:57,640
Speaker 1: Yeah. What you're gonna want to do is do a

650
00:35:58,040 --> 00:36:00,680
Speaker 1: quick punch and then two long pushes.

651
00:36:02,960 --> 00:36:05,839
Speaker 4: Okay. I want to accidentally open the door?

652
00:36:06,560 --> 00:36:10,120
Speaker 1: No, no, no, I don't think that's gonna happen to

653
00:36:10,160 --> 00:36:10,840
Speaker 1: you if you do it.

654
00:36:11,080 --> 00:36:12,719
Speaker 4: Not I should tell you this.

655
00:36:12,880 --> 00:36:16,680
Speaker 2: The door is not secure, right, it's slightly open.

656
00:36:18,400 --> 00:36:20,800
Speaker 4: It's it is a little bit open. And I was

657
00:36:20,920 --> 00:36:24,240
Speaker 4: peeping a lot. The car was doing so many beats

658
00:36:24,360 --> 00:36:26,319
Speaker 4: at the beginning of my drive, but then it did

659
00:36:26,440 --> 00:36:27,120
Speaker 4: finally stop.

660
00:36:27,239 --> 00:36:29,120
Speaker 1: Were you now, I know you were going up to

661
00:36:29,200 --> 00:36:31,400
Speaker 1: the horsehouse. Did you drive Ojay's Bronco up there?

662
00:36:34,160 --> 00:36:37,120
Speaker 4: Yeah? I did, yes, because I figured that's like the

663
00:36:38,520 --> 00:36:40,560
Speaker 4: most horse of any cars.

664
00:36:40,719 --> 00:36:42,800
Speaker 1: Yeah, that's I know, Well, I know you like to

665
00:36:42,880 --> 00:36:46,320
Speaker 1: take that to the horses and do a series of jokes.

666
00:36:48,760 --> 00:36:49,719
Speaker 1: So that makes sense.

667
00:36:50,160 --> 00:36:53,480
Speaker 2: You take main Street like the long jokes.

668
00:36:53,640 --> 00:36:58,520
Speaker 4: Yeah, but wait, wait, wait, wait wait did Bread say.

669
00:37:00,600 --> 00:37:02,759
Speaker 2: I said, do you take may? I said, do you

670
00:37:02,840 --> 00:37:07,760
Speaker 2: take main Street like a horse's Maine Brett.

671
00:37:08,560 --> 00:37:11,760
Speaker 4: As far as you as you're concerned, you never said that. Okay,

672
00:37:13,600 --> 00:37:15,080
Speaker 4: you said it in the studio.

673
00:37:16,280 --> 00:37:19,279
Speaker 1: You said it our bad cast Cousin Hayes, and we're

674
00:37:19,320 --> 00:37:21,640
Speaker 1: gonna sell it to Kenny Maine. There's gonna be a

675
00:37:21,719 --> 00:37:24,240
Speaker 1: new season on main Street Kenny Man Shepard. We're bringing

676
00:37:24,280 --> 00:37:27,720
Speaker 1: BB eight back. We're bringing We're bringing the whole bringing

677
00:37:27,840 --> 00:37:32,200
Speaker 1: crew back. We're gonna get everybody from main Street web series,

678
00:37:32,239 --> 00:37:34,080
Speaker 1: and we're doing a new one where he's friends with

679
00:37:34,200 --> 00:37:34,680
Speaker 1: a horse.

680
00:37:36,600 --> 00:37:37,360
Speaker 4: Was a girl in that?

681
00:37:37,760 --> 00:37:44,040
Speaker 1: I believe it was Alison Becker, gotta be I believe

682
00:37:44,080 --> 00:37:46,080
Speaker 1: was Alsin Becker, and I believe there was probably a

683
00:37:46,120 --> 00:37:48,120
Speaker 1: guest spot by one can't be giggles.

684
00:37:49,560 --> 00:37:51,759
Speaker 2: I did not realize you guys had a whole plan

685
00:37:51,920 --> 00:37:52,640
Speaker 2: around that joke.

686
00:37:52,880 --> 00:37:56,359
Speaker 4: Oh would not even you still be in Germany if

687
00:37:56,400 --> 00:37:57,000
Speaker 4: not for us.

688
00:37:57,400 --> 00:38:01,279
Speaker 1: Yeah, so you're on a work visa here for our show.

689
00:38:01,640 --> 00:38:04,160
Speaker 1: So please, don't mess around you.

690
00:38:05,960 --> 00:38:06,960
Speaker 5: All right, you can have it.

691
00:38:07,800 --> 00:38:09,480
Speaker 4: We do have it. We do have it.

692
00:38:09,560 --> 00:38:12,920
Speaker 1: Brett telling you, Brett, we do have it.

693
00:38:13,920 --> 00:38:14,279
Speaker 4: You get it.

694
00:38:14,360 --> 00:38:15,480
Speaker 5: Tell me that I can have it.

695
00:38:15,640 --> 00:38:17,919
Speaker 2: You can't tell me that in my head, I don't

696
00:38:18,000 --> 00:38:18,239
Speaker 2: have it.

697
00:38:18,560 --> 00:38:21,759
Speaker 1: Hey seconds, quick word association. First thing that pops in

698
00:38:21,840 --> 00:38:22,120
Speaker 1: your head.

699
00:38:22,160 --> 00:38:27,160
Speaker 5: Twenty three and me, uh, twenty three jump Street.

700
00:38:27,680 --> 00:38:32,920
Speaker 1: Yeah, yeah, that's what I said to Brett. Thinks it's

701
00:38:33,000 --> 00:38:33,480
Speaker 1: a test.

702
00:38:35,960 --> 00:38:40,840
Speaker 4: Oh no, Brett, No, it's twenty three jump Street. No, no, Brett,

703
00:38:41,520 --> 00:38:44,200
Speaker 4: it's not a test. It is related to school. It

704
00:38:44,360 --> 00:38:47,439
Speaker 4: is related to school. What you're thinking of is because

705
00:38:47,440 --> 00:38:49,440
Speaker 4: they go to school, that it's a test. No, no, no,

706
00:38:50,120 --> 00:38:52,759
Speaker 4: only they have to go to school. Only they have

707
00:38:52,880 --> 00:38:53,440
Speaker 4: to go to school.

708
00:38:53,520 --> 00:38:55,279
Speaker 1: You get to just sit in the theater and list.

709
00:38:55,360 --> 00:38:56,840
Speaker 4: And even then they're just pretending.

710
00:38:58,600 --> 00:39:01,000
Speaker 2: Are you just drying? Are you just cruising the whole

711
00:39:01,080 --> 00:39:04,719
Speaker 2: time you're you're talking right now, I'm worried about you.

712
00:39:04,840 --> 00:39:08,440
Speaker 4: Yeah, well, my hair brush is on the gas, my seat,

713
00:39:10,719 --> 00:39:14,120
Speaker 4: they're all over the plate. Just to explain, because I

714
00:39:14,239 --> 00:39:16,320
Speaker 4: wanted to, you know, I you know, I had to

715
00:39:16,400 --> 00:39:18,120
Speaker 4: like kind of get ready to be at the studio.

716
00:39:18,800 --> 00:39:20,799
Speaker 4: I'm trying to brush my hair, and at some point

717
00:39:20,840 --> 00:39:22,560
Speaker 4: it did fall down and it did get with each

718
00:39:22,600 --> 00:39:23,080
Speaker 4: other gas.

719
00:39:23,760 --> 00:39:26,240
Speaker 1: Just to explain, Hayes had to get a very heavy

720
00:39:26,320 --> 00:39:33,320
Speaker 1: hair brush, and it's his hair was too strong and

721
00:39:33,840 --> 00:39:36,719
Speaker 1: was actually taking control of his head following some of

722
00:39:36,760 --> 00:39:40,359
Speaker 1: the surgeries that he's had and was trying to pull

723
00:39:40,400 --> 00:39:43,319
Speaker 1: the skin off. It was behaving on his head as

724
00:39:43,320 --> 00:39:48,440
Speaker 1: an octopus might, and was slapping on his ears, pulling

725
00:39:48,480 --> 00:39:50,960
Speaker 1: on his ears, sticking up his nose and trying to

726
00:39:51,000 --> 00:39:54,320
Speaker 1: get at his brain and completely take over. And so

727
00:39:54,560 --> 00:39:58,560
Speaker 1: he got a medical hair brush that's incredibly heavy and

728
00:39:58,800 --> 00:40:00,879
Speaker 1: he can weigh his hair down with it and sort

729
00:40:00,920 --> 00:40:05,800
Speaker 1: of bludgeon it so that it does not behave so unruly. Okay,

730
00:40:06,600 --> 00:40:07,440
Speaker 1: that's really helpful.

731
00:40:08,200 --> 00:40:09,120
Speaker 4: It's like a mate.

732
00:40:09,560 --> 00:40:11,920
Speaker 2: I feel like you could use your hair to solve

733
00:40:12,000 --> 00:40:15,960
Speaker 2: this driving Maybe maybe you could cooperate.

734
00:40:17,400 --> 00:40:21,200
Speaker 4: My hair is against me. My hair has no interest

735
00:40:21,520 --> 00:40:22,200
Speaker 4: in helping me.

736
00:40:22,440 --> 00:40:25,919
Speaker 1: No, if he ever on this side of my hair,

737
00:40:26,360 --> 00:40:28,719
Speaker 1: you do not what he would not want to work

738
00:40:28,800 --> 00:40:30,239
Speaker 1: with his enemy in that way.

739
00:40:31,040 --> 00:40:33,520
Speaker 2: You don't think you could trick your hair into maybe

740
00:40:33,600 --> 00:40:34,239
Speaker 2: shifting the.

741
00:40:35,800 --> 00:40:38,920
Speaker 1: If they had af If Haze and his hair had

742
00:40:39,000 --> 00:40:43,920
Speaker 1: a mutual enemy. They could perhaps form an uneasy alliance

743
00:40:44,040 --> 00:40:44,759
Speaker 1: for a time.

744
00:40:46,200 --> 00:40:51,040
Speaker 2: Hayes could draw his face on the the stick shift

745
00:40:51,840 --> 00:40:53,480
Speaker 2: and the hair thinks the stick shift.

746
00:40:55,200 --> 00:40:55,960
Speaker 4: You know what we could do.

747
00:40:56,280 --> 00:40:57,440
Speaker 1: Oh, this is gonna be good.

748
00:40:58,360 --> 00:41:00,920
Speaker 4: Hang on, let me put a big well he had

749
00:41:01,000 --> 00:41:01,720
Speaker 4: on for a second.

750
00:41:02,000 --> 00:41:06,480
Speaker 1: Oh, Alyssa is here by the way, Hi, Alissa, I sweetie,

751
00:41:06,680 --> 00:41:08,040
Speaker 1: and her MIC's not live.

752
00:41:09,680 --> 00:41:11,759
Speaker 4: Okay you can you talk to her for me?

753
00:41:12,360 --> 00:41:12,560
Speaker 1: Yeah?

754
00:41:12,640 --> 00:41:15,239
Speaker 7: Hey, so we were gonna eat these memonia cookies and uh,

755
00:41:15,640 --> 00:41:17,440
Speaker 7: we had all the fifty bags.

756
00:41:17,200 --> 00:41:21,880
Speaker 1: But Hayes did the bad surprise. He's got a sweet

757
00:41:21,920 --> 00:41:26,200
Speaker 1: surprise for you, sweetie, and it's you know, even sweeter

758
00:41:26,239 --> 00:41:31,320
Speaker 1: than new Sugar Cup. And so, uh he is on

759
00:41:31,480 --> 00:41:31,960
Speaker 1: his way here.

760
00:41:32,200 --> 00:41:36,120
Speaker 7: Uh please, when he gets here, his hair is probably

761
00:41:36,160 --> 00:41:37,800
Speaker 7: gonna be a mess, just because of sort of he

762
00:41:37,880 --> 00:41:39,200
Speaker 7: hasn't had his brush on it for a while.

763
00:41:39,320 --> 00:41:41,160
Speaker 1: So be nice about it. I don't want him to

764
00:41:41,280 --> 00:41:42,200
Speaker 1: mush you with his foot.

765
00:41:42,880 --> 00:41:43,000
Speaker 2: Uh.

766
00:41:43,600 --> 00:41:46,680
Speaker 1: And uh, just have fun, relax yourself. You know, you

767
00:41:46,840 --> 00:41:49,400
Speaker 1: know the show. You're a big fan. It's fun, it's funny.

768
00:41:49,480 --> 00:41:51,680
Speaker 1: It's great for the guests. They always get a chance

769
00:41:51,760 --> 00:41:52,240
Speaker 1: to shine.

770
00:41:52,760 --> 00:41:52,880
Speaker 5: Uh.

771
00:41:53,080 --> 00:41:55,560
Speaker 1: It's a really comfortable environment to just drop into and

772
00:41:55,680 --> 00:41:56,600
Speaker 1: do for a little while.

773
00:41:57,400 --> 00:42:01,920
Speaker 5: Uh So that's it, hey, that we didn't email Milana first,

774
00:42:02,360 --> 00:42:03,040
Speaker 5: and you were.

775
00:42:03,000 --> 00:42:05,120
Speaker 1: The first person we emailed. We didn't email Milana.

776
00:42:05,440 --> 00:42:08,160
Speaker 4: Uh, and probably would have been better just to not

777
00:42:08,400 --> 00:42:09,120
Speaker 4: mention that at all.

778
00:42:09,200 --> 00:42:10,800
Speaker 1: And if we had emailed her, she would have just

779
00:42:10,880 --> 00:42:12,560
Speaker 1: written back even if she couldn't do it, just to

780
00:42:12,640 --> 00:42:13,960
Speaker 1: be like, hey, guys, it's not for me.

781
00:42:15,000 --> 00:42:19,160
Speaker 2: That's good, and you can look at me like anytime

782
00:42:19,239 --> 00:42:23,319
Speaker 2: you want, I'll be here, and it's totally fine if

783
00:42:23,320 --> 00:42:24,799
Speaker 2: you want to make eye contact with her.

784
00:42:24,840 --> 00:42:28,040
Speaker 1: So she's leaving now, Hayes, she's leaving. Brett started talking

785
00:42:28,120 --> 00:42:31,640
Speaker 1: to her, and she she looks like she saw a ghost.

786
00:42:32,840 --> 00:42:35,000
Speaker 1: He just told her it was okay to look at him,

787
00:42:35,040 --> 00:42:37,960
Speaker 1: and she was very upset by this. It seems as

788
00:42:38,000 --> 00:42:40,200
Speaker 1: if she recognizes him from something else.

789
00:42:42,239 --> 00:42:48,120
Speaker 2: Oh my god, Brad, I she was my childhood rush.

790
00:42:49,760 --> 00:42:55,240
Speaker 1: I don't, Brett, we can't do two shows without a guest.

791
00:42:57,600 --> 00:42:59,879
Speaker 2: It's not my fault. You didn't have a guest last week.

792
00:43:00,320 --> 00:43:06,160
Speaker 1: Is this anything, Hayes, The Brett pack, I like that, well, okay,

793
00:43:07,080 --> 00:43:10,840
Speaker 1: like the brat Yeah, the Brett peck. Oh, Brett. So

794
00:43:10,960 --> 00:43:13,440
Speaker 1: Brett starts an Instagram account. It's just a photo of

795
00:43:13,520 --> 00:43:15,919
Speaker 1: one of his pecks, and it's called the Brett Peck.

796
00:43:17,880 --> 00:43:19,680
Speaker 4: I tell you what I'd like to see right now,

797
00:43:20,080 --> 00:43:22,200
Speaker 4: And I'm not really sure exactly how I'm going to

798
00:43:22,239 --> 00:43:27,240
Speaker 4: pronounce this, but I'd like to see uh Brett Brett.

799
00:43:27,560 --> 00:43:35,080
Speaker 1: Si oh right, yes, yes, Brett's here, like Brexit.

800
00:43:36,440 --> 00:43:38,440
Speaker 4: But how would you But how would you say that?

801
00:43:38,600 --> 00:43:41,279
Speaker 4: Because that's I ran into trouble trying to.

802
00:43:42,960 --> 00:43:43,280
Speaker 5: Brett.

803
00:43:43,480 --> 00:43:46,919
Speaker 1: Oh yeah, Morris Code Breck Brexit through the guest shop,

804
00:43:48,840 --> 00:43:51,600
Speaker 1: had to do the guest shop Brett Ski. Did anybody

805
00:43:51,680 --> 00:43:53,080
Speaker 1: do anything like that on Twitter?

806
00:43:54,239 --> 00:44:00,279
Speaker 4: Uh? God, we just said Spot. We were just coming

807
00:44:00,320 --> 00:44:00,960
Speaker 4: off Spot.

808
00:44:02,200 --> 00:44:07,880
Speaker 1: Oh my god, all the Spot that I so well received.

809
00:44:08,760 --> 00:44:10,719
Speaker 1: Oh no, all the comics.

810
00:44:11,800 --> 00:44:13,280
Speaker 2: You guys are in the wake of a spot.

811
00:44:14,160 --> 00:44:17,799
Speaker 4: Yeah you probably, Sean, you are probably doing boys? Did

812
00:44:17,840 --> 00:44:19,759
Speaker 4: you do do boys this week? Because they said like

813
00:44:20,040 --> 00:44:23,200
Speaker 4: five weeks ago that they were gonna have you on.

814
00:44:23,760 --> 00:44:23,960
Speaker 6: Yeah.

815
00:44:24,200 --> 00:44:27,520
Speaker 1: So I think what's going on with that is that

816
00:44:27,920 --> 00:44:32,520
Speaker 1: those guys have been kidnapped, or maybe they're just not

817
00:44:32,760 --> 00:44:36,120
Speaker 1: making any new episodes. I think that no new episodes

818
00:44:36,160 --> 00:44:39,640
Speaker 1: have come out since they said that or something okay,

819
00:44:40,200 --> 00:44:42,920
Speaker 1: but or they're in trouble, or they might be in trouble.

820
00:44:43,040 --> 00:44:45,200
Speaker 1: Maybe they're in a similar situation you're driving the wrong

821
00:44:45,239 --> 00:44:52,120
Speaker 1: way in a car. Because they haven't contacted me, and

822
00:44:52,320 --> 00:44:53,279
Speaker 1: so there has to.

823
00:44:53,320 --> 00:44:55,400
Speaker 5: Be an explanation public that they said that.

824
00:44:56,360 --> 00:44:58,600
Speaker 1: They did do that. So you would think that would

825
00:44:58,640 --> 00:45:00,960
Speaker 1: have sort of been got Selene on the fire.

826
00:45:01,360 --> 00:45:05,680
Speaker 4: Uh. And you could do bj brew house, you know.

827
00:45:06,000 --> 00:45:11,000
Speaker 1: I I guess they did bread.

828
00:45:13,080 --> 00:45:16,560
Speaker 4: This is not I won't say if they aren't still

829
00:45:16,640 --> 00:45:19,120
Speaker 4: doing new episodes, this is not gonna help with that.

830
00:45:19,320 --> 00:45:21,840
Speaker 4: Two guests on episodes in a I mean, we have

831
00:45:22,200 --> 00:45:24,240
Speaker 4: never done anything like this before.

832
00:45:24,600 --> 00:45:24,640
Speaker 3: No.

833
00:45:25,040 --> 00:45:29,680
Speaker 1: Our value is at an all time low, and people

834
00:45:29,719 --> 00:45:30,080
Speaker 1: are I.

835
00:45:30,520 --> 00:45:32,759
Speaker 4: See people talking all the time like they're saying this

836
00:45:32,880 --> 00:45:34,799
Speaker 4: show is they think the show is going to add

837
00:45:36,600 --> 00:45:40,320
Speaker 4: and this is really gonna take that to like another level.

838
00:45:40,560 --> 00:45:43,839
Speaker 1: I recently thought that I hit an all time low

839
00:45:43,960 --> 00:45:49,640
Speaker 1: in my life, as you know. Uh, Stephie embarrassed me

840
00:45:50,719 --> 00:45:57,480
Speaker 1: in front of Richard kind uh and she stifled me.

841
00:45:57,719 --> 00:46:09,080
Speaker 1: She devalued life experience, my lived experience, and that was

842
00:46:09,160 --> 00:46:15,200
Speaker 1: really big for me, and I thought it can't get

843
00:46:15,239 --> 00:46:19,120
Speaker 1: any worse for me. Uh, that's the good news. It's

844
00:46:19,200 --> 00:46:22,360
Speaker 1: all up from here. I'm going to.

845
00:46:23,880 --> 00:46:25,240
Speaker 4: Help you to say what happened.

846
00:46:25,880 --> 00:46:34,640
Speaker 1: So there was a Russell Stover sampler on the table

847
00:46:34,920 --> 00:46:39,520
Speaker 1: at Richard Kyde's house. Uh this was He has kind

848
00:46:39,560 --> 00:46:44,640
Speaker 1: of an early Easter every year where he gets a

849
00:46:44,680 --> 00:46:49,200
Speaker 1: lot of candies together. And I said that I would

850
00:46:49,239 --> 00:46:54,759
Speaker 1: be able to tell what flavor everyone was on the inside. Uh,

851
00:46:55,000 --> 00:46:57,080
Speaker 1: just by looking at one of those sort of chocolate samplers,

852
00:46:57,200 --> 00:46:59,680
Speaker 1: I said, I can tell without without taking a bite.

853
00:47:01,920 --> 00:47:08,760
Speaker 1: So every you know, everyone was intrigued, of course.

854
00:47:09,200 --> 00:47:09,359
Speaker 3: Uh.

855
00:47:10,680 --> 00:47:13,480
Speaker 4: Both, you do not have to finish this. I'm sorry

856
00:47:13,600 --> 00:47:16,960
Speaker 4: that I push you to do it in the first place.

857
00:47:17,400 --> 00:47:20,600
Speaker 4: Would you like to stop telling the story now?

858
00:47:22,880 --> 00:47:26,799
Speaker 1: I mean I want to leave. I'd like to leave

859
00:47:26,800 --> 00:47:27,520
Speaker 1: it up to Brett.

860
00:47:28,480 --> 00:47:30,879
Speaker 4: You can take I do not want to. I don't

861
00:47:30,920 --> 00:47:32,000
Speaker 4: want it to be because of me.

862
00:47:33,480 --> 00:47:34,920
Speaker 2: You can take a mull again on this one.

863
00:47:36,320 --> 00:47:40,000
Speaker 5: What do you mean, what do you think you can

864
00:47:40,160 --> 00:47:40,840
Speaker 5: do it again?

865
00:47:42,600 --> 00:47:44,440
Speaker 1: I wouldn't want to tell the beginning again.

866
00:47:45,560 --> 00:47:47,800
Speaker 4: I think taking a mollgan is that you could start

867
00:47:47,880 --> 00:47:48,600
Speaker 4: over from the.

868
00:47:48,920 --> 00:47:50,640
Speaker 1: Begin with a new story.

869
00:47:52,960 --> 00:47:59,719
Speaker 4: I guess because because it doesn't mean that you just

870
00:47:59,800 --> 00:48:01,240
Speaker 4: like with the game.

871
00:48:02,239 --> 00:48:05,239
Speaker 1: No, No, that's not what a mulligan is.

872
00:48:05,640 --> 00:48:07,000
Speaker 2: Can I take all he think?

873
00:48:07,320 --> 00:48:10,440
Speaker 1: Does he think? Wait? Is this because his last name

874
00:48:10,560 --> 00:48:11,080
Speaker 1: is Mulligan?

875
00:48:16,280 --> 00:48:17,520
Speaker 2: Can I take a mulligan on that?

876
00:48:17,680 --> 00:48:20,560
Speaker 1: Anyway? I do it by putting the chocolates in my butt,

877
00:48:20,760 --> 00:48:25,800
Speaker 1: And that's how I'm able to tell, which technically I'm not,

878
00:48:26,120 --> 00:48:28,919
Speaker 1: you know, putting it in my mouth. I'm not taking

879
00:48:28,960 --> 00:48:32,359
Speaker 1: a bite of it. And so it's kind of a cool,

880
00:48:32,680 --> 00:48:38,239
Speaker 1: fun trick that a lot of people usually enjoy. And uh,

881
00:48:42,400 --> 00:48:44,279
Speaker 1: that's sort of the end of the story. In the middle,

882
00:48:44,320 --> 00:48:51,400
Speaker 1: there's a bunch of kind of antics. But Stephie, so.

883
00:48:51,480 --> 00:48:55,160
Speaker 2: You still have a mulligan, then, oh you can save it?

884
00:48:55,280 --> 00:48:57,320
Speaker 1: Okay, So wait, what do you mean.

885
00:48:58,960 --> 00:48:59,880
Speaker 2: You still have a mulligan?

886
00:49:00,040 --> 00:49:00,239
Speaker 5: Am I?

887
00:49:02,080 --> 00:49:04,920
Speaker 1: What am I doing with the mulligan? And your eyes? Like,

888
00:49:05,000 --> 00:49:07,000
Speaker 1: what does it mean? How am I using the Mulligan?

889
00:49:08,239 --> 00:49:11,480
Speaker 2: I don't feel like this needs to be explained like defined.

890
00:49:11,800 --> 00:49:13,600
Speaker 2: I can't define it for you.

891
00:49:14,560 --> 00:49:15,279
Speaker 1: It's just you.

892
00:49:15,719 --> 00:49:17,320
Speaker 2: Come on, you get a mulligan.

893
00:49:17,440 --> 00:49:22,480
Speaker 1: Brett, please stop stifling me. You're devaluing my lived experience

894
00:49:22,640 --> 00:49:23,000
Speaker 1: right now.

895
00:49:23,640 --> 00:49:25,839
Speaker 2: It means you get to stop whatever you're doing.

896
00:49:27,280 --> 00:49:28,520
Speaker 5: His agency.

897
00:49:29,960 --> 00:49:34,520
Speaker 2: I'm I can't apologize to you because I haven't lived it,

898
00:49:35,800 --> 00:49:38,839
Speaker 2: so I don't even know what it feels like, Bret,

899
00:49:39,080 --> 00:49:41,480
Speaker 2: to receive my My ego is.

900
00:49:41,560 --> 00:49:49,600
Speaker 4: Not extremely bad. Ally right now, I.

901
00:49:49,680 --> 00:49:52,120
Speaker 1: Need you to be an ally and something that would

902
00:49:52,160 --> 00:49:55,440
Speaker 1: be great for me is if you could, in a

903
00:49:55,680 --> 00:50:03,719
Speaker 1: kind way just listen. I know I'm not the easiest

904
00:50:03,760 --> 00:50:09,560
Speaker 1: person to be around. Okay, I'm owning that. Okay, I'm

905
00:50:09,640 --> 00:50:13,320
Speaker 1: not without flaw, Brett, I'm owning that I'm not the

906
00:50:13,560 --> 00:50:19,040
Speaker 1: easiest guy to spend time with. All right, Okay, my

907
00:50:19,239 --> 00:50:20,520
Speaker 1: ego is not my amigo?

908
00:50:20,640 --> 00:50:20,920
Speaker 5: Brett?

909
00:50:20,960 --> 00:50:22,440
Speaker 1: How many times you want me to say it?

910
00:50:23,400 --> 00:50:25,759
Speaker 2: And it's not your job to explain this to me.

911
00:50:26,719 --> 00:50:27,960
Speaker 2: I've heard you say that a lot.

912
00:50:28,440 --> 00:50:31,360
Speaker 4: Did you say your ego's not your amibo?

913
00:50:32,560 --> 00:50:32,600
Speaker 3: No?

914
00:50:33,200 --> 00:50:34,920
Speaker 1: No, do you want me to say that?

915
00:50:36,640 --> 00:50:36,680
Speaker 4: No?

916
00:50:36,960 --> 00:50:39,480
Speaker 1: Do you want me to say that you can take a.

917
00:50:39,520 --> 00:50:42,120
Speaker 4: Mulli in on that, you can take a mulligan on that. Yeah?

918
00:50:42,239 --> 00:50:54,120
Speaker 1: Sure, my ebo's not my amibo. So no, Brett, I

919
00:50:54,320 --> 00:50:56,719
Speaker 1: say I've taken ownership of some of my flaws.

920
00:50:58,520 --> 00:50:58,719
Speaker 5: Now.

921
00:50:59,680 --> 00:51:03,759
Speaker 1: I don't want this to feel like an attack, But

922
00:51:03,920 --> 00:51:06,319
Speaker 1: what I would say to you about some of your

923
00:51:06,400 --> 00:51:13,839
Speaker 1: behaviors is that they're unconscionable. They're despicable, they're disgusting, they're insulting,

924
00:51:14,719 --> 00:51:22,719
Speaker 1: they're sickening, they're they're dastardly. They're dastardly, they're nefarious, and

925
00:51:22,880 --> 00:51:26,640
Speaker 1: more than that, Brett, I think you do it on purpose.

926
00:51:28,000 --> 00:51:28,600
Speaker 5: I really do.

927
00:51:31,560 --> 00:51:35,800
Speaker 4: I think I'm am I I think I'm in a

928
00:51:37,960 --> 00:51:38,919
Speaker 4: some kind of race.

929
00:51:40,600 --> 00:51:43,480
Speaker 2: Oh, Hayes, do you see a lot of cars whizzing

930
00:51:43,600 --> 00:51:44,000
Speaker 2: past you?

931
00:51:44,880 --> 00:51:48,319
Speaker 4: So many cars? Yeah, I think I'm in a NASCAR.

932
00:51:49,880 --> 00:51:53,840
Speaker 1: Okay, that would make sense, that would make sense.

933
00:51:54,000 --> 00:51:56,200
Speaker 2: Uh, you're really far away.

934
00:51:56,320 --> 00:51:59,319
Speaker 1: Then I'm tracing the I'm tracing the route. I took

935
00:51:59,360 --> 00:52:01,680
Speaker 1: the direction you were pointing, and I just sort of

936
00:52:01,800 --> 00:52:05,040
Speaker 1: drew a line and it leads right into a NASCAR race.

937
00:52:09,200 --> 00:52:14,280
Speaker 2: But then that means he's turning exactly with the circle

938
00:52:14,400 --> 00:52:15,200
Speaker 2: of the race track.

939
00:52:15,280 --> 00:52:18,840
Speaker 1: That's Hayes. Yeah, I bet he is. Hayes and his

940
00:52:18,960 --> 00:52:20,960
Speaker 1: hair brusher in first place in the race. I just

941
00:52:21,040 --> 00:52:29,279
Speaker 1: looked at the news. Oh my gosh, he was drinking champagne.

942
00:52:29,520 --> 00:52:29,840
Speaker 5: Hayes.

943
00:52:29,960 --> 00:52:31,840
Speaker 1: Can you feel the champagne? Can you taste it?

944
00:52:32,760 --> 00:52:36,840
Speaker 4: Yes? I can feel. Yes, there's some very like hurting water.

945
00:52:37,040 --> 00:52:37,320
Speaker 4: On me.

946
00:52:37,600 --> 00:52:42,399
Speaker 1: Mm hmmm. Yeah, Oh that's trouble because now he's gonna

947
00:52:42,440 --> 00:52:46,400
Speaker 1: be driving away even faster drunk. Yeah, with all the

948
00:52:46,520 --> 00:52:47,760
Speaker 1: champagne in his system.

949
00:52:49,320 --> 00:52:52,759
Speaker 2: Can you somehow turn out of the race track and

950
00:52:52,960 --> 00:52:56,120
Speaker 2: back towards ear Wolf please, Hayes.

951
00:52:56,200 --> 00:52:58,200
Speaker 1: I'm gonna do a cool thing that I've seen people

952
00:52:58,280 --> 00:53:00,960
Speaker 1: do a lot, which is I'm gonna post start posting

953
00:53:01,080 --> 00:53:04,840
Speaker 1: on uh Facebook for you to see whenever there's like

954
00:53:04,920 --> 00:53:06,319
Speaker 1: a dui checkpoint.

955
00:53:07,880 --> 00:53:11,600
Speaker 5: Oh that would be so helpful to me, isn't.

956
00:53:11,400 --> 00:53:15,920
Speaker 4: That when people do that, because then I can drive drunk.

957
00:53:16,000 --> 00:53:16,600
Speaker 4: I won't get.

958
00:53:17,160 --> 00:53:20,960
Speaker 1: Heads up everybody, Yeah, to UI checkpoint between here, If

959
00:53:21,000 --> 00:53:23,400
Speaker 1: there's any between here and the NASCAR race, I'll go

960
00:53:23,440 --> 00:53:23,920
Speaker 1: ahead and do it.

961
00:53:24,280 --> 00:53:24,480
Speaker 4: Yeah.

962
00:53:24,480 --> 00:53:27,600
Speaker 1: I think it's really good that it really is helpful

963
00:53:27,719 --> 00:53:30,480
Speaker 1: for me because I know I want to drive drunk,

964
00:53:30,600 --> 00:53:32,200
Speaker 1: and the thing that stops me a lot of the

965
00:53:32,280 --> 00:53:35,279
Speaker 1: time is no one's sharing where the dui checkpoints are,

966
00:53:35,719 --> 00:53:37,080
Speaker 1: and it's just unfair.

967
00:53:38,200 --> 00:53:41,200
Speaker 4: Tells me that there's a red light camera ahead, because

968
00:53:41,560 --> 00:53:44,720
Speaker 4: then I'm not going to run the red light. Mmmmmm

969
00:53:45,520 --> 00:53:48,399
Speaker 4: there's no camera. There's no camera. I'm going straight through

970
00:53:48,480 --> 00:53:48,839
Speaker 4: that light.

971
00:53:49,440 --> 00:53:51,040
Speaker 1: Yeah, that's a nice thing that Ways?

972
00:53:51,200 --> 00:53:55,120
Speaker 2: Does would Ways help you right now? Is there anything

973
00:53:55,600 --> 00:53:57,080
Speaker 2: can you download that Ways?

974
00:53:57,200 --> 00:53:58,560
Speaker 1: Davenport? Is this something?

975
00:53:58,680 --> 00:53:59,279
Speaker 2: Oh wow?

976
00:54:00,000 --> 00:54:08,439
Speaker 4: Whoa? Who was that? Brett? Yes, Brett, you know the deal.

977
00:54:10,840 --> 00:54:16,160
Speaker 2: How does that relate to horses? What is this a

978
00:54:16,239 --> 00:54:17,279
Speaker 2: separate pitch car?

979
00:54:17,640 --> 00:54:19,400
Speaker 1: You don't think that BB eight is gonna be the

980
00:54:19,480 --> 00:54:23,040
Speaker 1: voice of Kenny Maine's uh ways device that's plugged into

981
00:54:23,080 --> 00:54:28,040
Speaker 1: his horse. I'm freaking horse uh main Street. Think about

982
00:54:28,080 --> 00:54:29,160
Speaker 1: it for one second.

983
00:54:31,920 --> 00:54:35,239
Speaker 4: Now, I gotta go. I gotta download this thing. I

984
00:54:35,320 --> 00:54:38,040
Speaker 4: gotta go. It's not gonna let me download while on

985
00:54:38,120 --> 00:54:38,560
Speaker 4: the phone.

986
00:54:38,800 --> 00:54:42,080
Speaker 1: Okay, well you should be here soon. Surely we'll have

987
00:54:42,160 --> 00:54:44,319
Speaker 1: a good episode with a good guest. I mean if

988
00:54:44,400 --> 00:54:47,920
Speaker 1: we don't, if something happens where we can't recover Alyssa,

989
00:54:48,520 --> 00:54:51,040
Speaker 1: you never find the studio, we don't get a good guest,

990
00:54:51,360 --> 00:54:54,920
Speaker 1: and the show gets canceled, we'll just release this episode,

991
00:54:54,960 --> 00:55:00,879
Speaker 1: I guess, and it'll be the last one the meantime,

992
00:55:02,200 --> 00:55:06,279
Speaker 1: Like the call could be recorded it Yes, if you're

993
00:55:06,360 --> 00:55:11,200
Speaker 1: listening to this, the show's over so so, but that

994
00:55:11,280 --> 00:55:13,160
Speaker 1: probably won't happen. I mean, this is just a stupid

995
00:55:13,200 --> 00:55:15,640
Speaker 1: phone call between friends and Brett actually interrupted with some

996
00:55:15,680 --> 00:55:18,560
Speaker 1: pretty bad stuff and some stuff that was really our idea.

997
00:55:19,080 --> 00:55:27,880
Speaker 1: So you know, uh, like it's on Facebook, go to

998
00:55:27,960 --> 00:55:31,279
Speaker 1: your go to any if there's a charity, car wash,

999
00:55:32,239 --> 00:55:36,040
Speaker 1: alter all their signs to be about Hollywood Handbook. What

1000
00:55:36,160 --> 00:55:40,759
Speaker 1: are some other badass garrule of marketing techniques on the

1001
00:55:40,840 --> 00:55:44,960
Speaker 1: dollar bill? Okay, yeah right, Hollywood Handbook on the dollar.

1002
00:55:46,239 --> 00:55:48,960
Speaker 4: Do cod a design.

1003
00:55:50,080 --> 00:55:51,720
Speaker 1: And do a fucking cool design.

1004
00:55:52,920 --> 00:55:58,320
Speaker 5: Uh for the bloodshot from smoking from smoking?

1005
00:56:00,560 --> 00:56:00,759
Speaker 4: Yeah?

1006
00:56:00,760 --> 00:56:02,759
Speaker 2: The Illuminati, the Illuminati.

1007
00:56:03,239 --> 00:56:06,120
Speaker 1: I oh my god, it's so funny.

1008
00:56:06,120 --> 00:56:07,880
Speaker 4: I don't want to bread thing.

1009
00:56:07,920 --> 00:56:11,640
Speaker 1: I'm gonna go Okay, go ahead, hayes eyes. Hopefully I'll

1010
00:56:11,640 --> 00:56:13,040
Speaker 1: see you soon or the show's over.

1011
00:56:13,160 --> 00:56:15,359
Speaker 4: Bye bye bye.

1012
00:56:21,080 --> 00:56:24,960
Speaker 1: Hollywood hand Book is brought to you by Wolf Cool Production,

1013
00:56:25,160 --> 00:56:30,440
Speaker 1: to subsidiary of Calvin noondobs ow Baby