WEBVTT - 9-6: Bobby Cast Ep. 6 (Charles Esten)

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<v Speaker 1>Well, I got the episode six of the Bobby Cast,

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<v Speaker 1>Thank you very much, And it's our studio guest, Charles Eston,

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<v Speaker 1>musician and actor and all around happy guy. Let's welcome

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<v Speaker 1>him in with our two people clapping. Thank you for

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<v Speaker 1>that matter. By the way, I don't you know after

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<v Speaker 1>about I guess about nine months ago, I don't call

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<v Speaker 1>you Charles anymore. I call you Chip. Yeah, well that's

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<v Speaker 1>what everybody calls me. I mean when it maybe to

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<v Speaker 1>watch twos line, it was always Chip, and on the

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<v Speaker 1>show they said they chipped this, Chip that, and in

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<v Speaker 1>fact they used that on the screen. But every other

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<v Speaker 1>time you ever see me, my credit is Charles. But

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<v Speaker 1>everybody's calling me Chip. People think I somehow moved to

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<v Speaker 1>Nashville and I'm Charles. Now. It was never that. It wasn't.

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<v Speaker 1>This is Mike. By the way, a producer, Hey Mike,

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<v Speaker 1>I'm Charles called me Charles. Sorry. You had to walk

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<v Speaker 1>through the war zone to get here. The flood has

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<v Speaker 1>caused this place to be a disaster. No, it was.

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<v Speaker 1>It was very interesting. It was like back at this alley,

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<v Speaker 1>up through there and downstair. That felt very magical. When

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<v Speaker 1>I finally arrived at it's like you've walked through the

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<v Speaker 1>d dark woods then finally it opens. So let's start

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<v Speaker 1>with today, and I want to make a full circle

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<v Speaker 1>back all the way around to today. Okay, so let's

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<v Speaker 1>start with today because now I think it's interesting what

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<v Speaker 1>you're doing. And so you're doing something now every single Friday,

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<v Speaker 1>which means you put out a song every single Friday.

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<v Speaker 1>It's like a single every single Friday. Now, So so

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<v Speaker 1>talk about that for a second. So you decided why

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<v Speaker 1>did you want to do this? Well, you know, I

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<v Speaker 1>get to be on the show and I get to

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<v Speaker 1>play a singer song, right exactly. Yeah, and that's what

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<v Speaker 1>brought me here. But I was a singer songwriter long

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<v Speaker 1>before I ever came here, long before I was an

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<v Speaker 1>actor either. And um, I just certainly the show gets

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<v Speaker 1>to where you can meet a whole lot of people,

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<v Speaker 1>and I've been able to write with a lot of

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<v Speaker 1>people and performing a whole lot of people. Some of

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<v Speaker 1>these last four years, I've been not only writing music

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<v Speaker 1>but actually recording it and ended up with a whole

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<v Speaker 1>bunch of music that when I would go out to

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<v Speaker 1>play shows, I would play a show fucus songs that

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<v Speaker 1>nobody had ever heard and then when I was done,

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<v Speaker 1>nobody could even go buy it, or if they liked

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<v Speaker 1>it they had there was nothing they could really do.

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<v Speaker 1>And so I always meant to put out an EP

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<v Speaker 1>or an album, because you know, that's what you're supposed

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<v Speaker 1>to do. And finally I just I don't know what

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<v Speaker 1>was holding me up. It was the very fact that

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<v Speaker 1>I wasn't doing that. It was telling me something was

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<v Speaker 1>wrong with that, that was rubbing against me and the

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<v Speaker 1>wrong way. Certainly, some of it is is that it's

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<v Speaker 1>not like there were all these labels, you know, O

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<v Speaker 1>Line and dynam me or calling me or anything like that,

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<v Speaker 1>just that that's just the nature of it. I have

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<v Speaker 1>this following in these people that love the show Nashville

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<v Speaker 1>and love and come see my shows, um, but I

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<v Speaker 1>didn't have that, and so it was like, well, am

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<v Speaker 1>I gonna do this? And I don't know what made

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<v Speaker 1>me think of it, but when I finally did, it

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<v Speaker 1>was just like an aha moment of Yeah, the only

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<v Speaker 1>reason I wouldn't do this is because nobody does it.

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<v Speaker 1>And that's not a good enough reason because what I

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<v Speaker 1>really really want is all these songs that I really

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<v Speaker 1>love and I love getting to go play. I just

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<v Speaker 1>want them out there. I mean, if anything comes of it,

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<v Speaker 1>that would be fantastic, but I'm not really chasing that

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<v Speaker 1>per se. I want to say fantastic. I mean it

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<v Speaker 1>would be unbelievably fantastic because I just wanted to get hurt.

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<v Speaker 1>And for now, I know very well what the mistakes

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<v Speaker 1>are about this. I know how you're stepping on your

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<v Speaker 1>own single every single week and how long it takes

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<v Speaker 1>for one to go. But this is really just inspiring

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<v Speaker 1>for me. It makes me want to write, It makes

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<v Speaker 1>me want to record. If I can do this for

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<v Speaker 1>a while, if I could do it in some insane

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<v Speaker 1>way for a year and somehow a song every week

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<v Speaker 1>for a year, if I could, I'm not Look, I'm

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<v Speaker 1>not gonna go, oh I need a song. Oh this

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<v Speaker 1>one sucks, but I need one. I'm not gonna do that.

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<v Speaker 1>I mean, you might think it sucks, but I'll never

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<v Speaker 1>put out one that I think sucks. They're always going

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<v Speaker 1>to mean something to me. And that's the other thing

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<v Speaker 1>is that I'm all over the map. I don't know

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<v Speaker 1>what the album would be everybody. I mean, it wouldn't

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<v Speaker 1>be cohesive. There's no A and R department or no

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<v Speaker 1>label saying this is the album and this song gets

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<v Speaker 1>off it, and this song gets on it. I also

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<v Speaker 1>don't think the albums are going to be a thing

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<v Speaker 1>right in five years, Like they're not going to be

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<v Speaker 1>a thing because nobody cares. Right frankly, nobody cares about

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<v Speaker 1>records and people do buy them because they have artists.

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<v Speaker 1>And but you're saying, for example, Florida, Georgia Lina put

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<v Speaker 1>out a record this week and I think it was

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<v Speaker 1>number two Barbara Streis and beat it crazily like I

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<v Speaker 1>was less. If people don't understand how big Barbara Streis

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<v Speaker 1>it is and was and has sold over the years.

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<v Speaker 1>So she's number one, their number two. Brittany's right there too.

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<v Speaker 1>This album was like sixty thou less than the last album.

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<v Speaker 1>And it's not because this album isn't any bigger or

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<v Speaker 1>there any smaller. It's because people are consuming it the

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<v Speaker 1>same way they're not buying whole products anymore. We want

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<v Speaker 1>the songs, one to three songs, maybe because we're not

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<v Speaker 1>looking for the whole album anymore. You know, go make

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<v Speaker 1>when when when I was growing up, it was always

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<v Speaker 1>mixed tapes. I mean, yeah, they had albums and we

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<v Speaker 1>all had the albums, but then you would take your

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<v Speaker 1>albums and you would make mix tapes with the exact

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<v Speaker 1>songs you wanted on it, or even if it was

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<v Speaker 1>the one artist. So I'm like, here's all these singles,

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<v Speaker 1>go make your own albums out of my single I

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<v Speaker 1>did on the radio, like I would hit a core

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<v Speaker 1>pause play and then tone loqual come on and I

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<v Speaker 1>would hit un paused and then record funky called Medina,

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<v Speaker 1>and then I'll wait for that to go off, and

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<v Speaker 1>then I would do I Touch Myself by the Divinyls

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<v Speaker 1>and I would do that, and then I would do

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<v Speaker 1>President and as I have there is the actual cassette tape.

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<v Speaker 1>I bet you still have those tapes to I do.

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<v Speaker 1>I just put them all on a playlist, now do it.

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<v Speaker 1>So I'm gonna play this is uh, this town is ours.

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<v Speaker 1>Tell me about this song here? Well, this is actually

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<v Speaker 1>a song I wrote with Chris Farren and Matthew West.

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<v Speaker 1>Just wanted a song that says I like songs when

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<v Speaker 1>when you go play live, you probably notice yourself. When

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<v Speaker 1>you play live, it makes you realize what you're set needs,

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<v Speaker 1>what your show needs, um in, whether there's I need

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<v Speaker 1>something tempo here I I just wanted a song to

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<v Speaker 1>step out on stage and say we're here, you know,

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<v Speaker 1>and and the first lines really speak to me. It's

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<v Speaker 1>it's been a long time coming. It's been a hard

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<v Speaker 1>road running. Now all that's done and all we want

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<v Speaker 1>to do is play. Is it less that people searching

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<v Speaker 1>as Charles or Chip It's that's that's a very good point.

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<v Speaker 1>You probably shouldn't given me a long time. IM gonna

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<v Speaker 1>go it's all under Charles because wherever, wherever it's written,

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<v Speaker 1>it's Charles. But if they if they, if they search

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<v Speaker 1>chip est and I believe they do find it. Here

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<v Speaker 1>we go. This town is ours. I'm gonna give me

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<v Speaker 1>some of this night. Who everybody right left the good town?

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<v Speaker 1>You said so tonight We're gonna go and tell it's

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<v Speaker 1>gone night, no doubt about it. You're friending in stuff.

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<v Speaker 1>This town is so that's been part of every single Friday. Yeah,

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<v Speaker 1>that's the most recent single. And um, I tell you,

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<v Speaker 1>even listening to you play, even listening to you play

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<v Speaker 1>my single is a whole different ball game than hearing

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<v Speaker 1>you play something that Deacon sings on the area. That's

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<v Speaker 1>me performing it. But I think this is getting to

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<v Speaker 1>the real root of it as I was hearing that,

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<v Speaker 1>because you're like, well, that's that's my baby, that's my child.

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<v Speaker 1>Some people are gonna like it. Some people aren't gonna

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<v Speaker 1>like it. And by the way, the cool thing about

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<v Speaker 1>is if you didn't like that, guess what in like

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<v Speaker 1>three more days, there's another saying, So don't sweat it.

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<v Speaker 1>But the cool thing about it is is that, um,

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<v Speaker 1>even just having it out there UM is thrilling. I've

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<v Speaker 1>been an actor for twenty five years, so that means

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<v Speaker 1>for twenty five years, I go around, uh, saying what

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<v Speaker 1>other people tell me to say, saying it in a

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<v Speaker 1>way another guy or directs me to say it. Somebody

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<v Speaker 1>else edits. It's produces that they dressed me. They want

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<v Speaker 1>to address me. I realized that it was tricky when

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<v Speaker 1>coming here is like who am I? What do I

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<v Speaker 1>have to say? What is? You know what I mean?

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<v Speaker 1>And that's what music does, is you're trying to speak

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<v Speaker 1>from your heart. So I think I'm pinballing around to

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<v Speaker 1>anything that comes through me right now. And I think

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<v Speaker 1>after doing a whole bunch of this, I bet you

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<v Speaker 1>that I know a whole lot more who I am

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<v Speaker 1>and where my strengths are and what people are drawn

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<v Speaker 1>to the most, and then maybe uh, you know, at

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<v Speaker 1>some point it's I'll click into that a little bit more.

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<v Speaker 1>But right now told me so. I can say from

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<v Speaker 1>experience that listen, Chips are really nice. Guy like he

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<v Speaker 1>he's one of the few guys that he is as

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<v Speaker 1>nice as he seems. We were walking through the airport

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<v Speaker 1>and we've been together on a few occasions doing different things.

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<v Speaker 1>And when people call you Deacon, that's just hey, it's

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<v Speaker 1>great to see you. Thank you for It's weird that

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<v Speaker 1>people have like hey, Deacon, and you're like, that's that's me.

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<v Speaker 1>How are you? Let's take a picture. And I was like, man,

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<v Speaker 1>like a little bit, are you? Like? Man? I wish

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<v Speaker 1>they would call me Chip. I wish they would know

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<v Speaker 1>me as my How does that work in your brain?

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<v Speaker 1>You know what's funny is I don't it's interesting to

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<v Speaker 1>me hearing you say that, because it doesn't even occur

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<v Speaker 1>to me that I wish they called me Chip or

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<v Speaker 1>they called me Charles. I don't care. It brought them joy,

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<v Speaker 1>it brought them a connection. There's something about that character

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<v Speaker 1>that means something to them. Maybe they share they watch

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<v Speaker 1>it with their mom every week, or maybe they share

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<v Speaker 1>that you know, Um, there's something about the music. So

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<v Speaker 1>the like I said, maybe it said I've been doing

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<v Speaker 1>this a long time. So there were people that knew

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<v Speaker 1>me as Chip when I did whose line, and then

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<v Speaker 1>there were people for a long time they just didn't

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<v Speaker 1>know me. So I'm not gonna I'm not gonna get

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<v Speaker 1>in their face about how they know me. I just

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<v Speaker 1>you know, and it's all pure low. I mean, especially

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<v Speaker 1>when you're walking down Broadway a little too late at night,

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<v Speaker 1>you'll get a whole lot of teak And that's all right.

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<v Speaker 1>That's that's why, that's why we have season five, Bobby.

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<v Speaker 1>So I'm not gonna look that in the face and go,

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<v Speaker 1>come on, man, my name is Charles. So let's talk

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<v Speaker 1>about that for a second, because I want to go

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<v Speaker 1>full circle and come back to the music. So Nashville

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<v Speaker 1>is about to take season five, and it got pulled

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<v Speaker 1>from ABC and CMT and Hulu. I believe we're doing

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<v Speaker 1>it altogether now with it. Is that right? That's right

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<v Speaker 1>the first time on CMT and then Hulu has it

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<v Speaker 1>the very next day, I believe. So was there a

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<v Speaker 1>bit of time where you were really like Oh, I

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<v Speaker 1>don't know if it's gonna get picked up, Like maybe

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<v Speaker 1>I have to go and search for another job. Was

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<v Speaker 1>that to you nerve racking because you had set your

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<v Speaker 1>roots down here with your family. Yeah. And you, you know,

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<v Speaker 1>you were kind enough you had me on in that

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<v Speaker 1>in that interim gap where we were between um, what

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<v Speaker 1>we had lost and what we might find, what we

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<v Speaker 1>were sort of hoping to find. But again, I think

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<v Speaker 1>this goes back to how long I've been doing it

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<v Speaker 1>and how old I am, and how and maybe it's

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<v Speaker 1>just my basic faith has a lot to do with

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<v Speaker 1>it as well. Before I got Nashville, I've been doing

0:10:23.280 --> 0:10:25.000
<v Speaker 1>it all for a long time. And I remember having

0:10:25.000 --> 0:10:27.360
<v Speaker 1>a meeting with my agent and I said, here's my

0:10:27.760 --> 0:10:31.280
<v Speaker 1>problem with me as an actor. Um as I'm content.

0:10:31.480 --> 0:10:35.160
<v Speaker 1>I'm too content. I have this unbelievable family that I

0:10:35.240 --> 0:10:38.160
<v Speaker 1>just love being around. I get to do these good

0:10:38.280 --> 0:10:40.640
<v Speaker 1>arcs on great shows, like whether it was The Office

0:10:40.800 --> 0:10:44.200
<v Speaker 1>or Big Love or Enlightened, and you know, just on

0:10:44.240 --> 0:10:45.880
<v Speaker 1>and on. I've been able to do these things that

0:10:45.920 --> 0:10:47.440
<v Speaker 1>where I was never the star, and I was I

0:10:47.480 --> 0:10:49.760
<v Speaker 1>never really stepped above radar, but I was always that

0:10:49.760 --> 0:10:51.720
<v Speaker 1>guy that people sort of knew, and so I literally

0:10:51.720 --> 0:10:53.680
<v Speaker 1>said to him, my problems is that your problem with

0:10:53.679 --> 0:10:56.120
<v Speaker 1>me is that I'm content. I said, anything else more

0:10:56.160 --> 0:10:58.240
<v Speaker 1>than I have right now would be gravy. And I

0:10:58.360 --> 0:11:00.360
<v Speaker 1>literally said this, and I said, but don't me wrong.

0:11:00.520 --> 0:11:04.280
<v Speaker 1>I love gravy. Gravy is amazing, because I said, And

0:11:04.400 --> 0:11:06.920
<v Speaker 1>it was weird because once I said that, it was

0:11:06.960 --> 0:11:09.000
<v Speaker 1>it was literally speaking it out and sort of letting

0:11:09.040 --> 0:11:11.520
<v Speaker 1>go of the desperation to be that other thing. And

0:11:11.559 --> 0:11:13.199
<v Speaker 1>I had a long time to let go. Sure, when

0:11:13.200 --> 0:11:15.000
<v Speaker 1>I started out, I was gonna be you know, my

0:11:15.040 --> 0:11:17.400
<v Speaker 1>wife worked with Kevin Costner, and I remember sitting across

0:11:17.440 --> 0:11:18.920
<v Speaker 1>from Kevin and hanging out with him, and he could

0:11:18.920 --> 0:11:20.760
<v Speaker 1>not have been kinder. But in my mind I was

0:11:20.800 --> 0:11:22.760
<v Speaker 1>young enough to go, yeah, I could be this. I

0:11:22.800 --> 0:11:26.560
<v Speaker 1>got this, I could be the next that. And you know,

0:11:26.640 --> 0:11:30.680
<v Speaker 1>after a long time ago or not. And you understood

0:11:30.720 --> 0:11:32.960
<v Speaker 1>first of all that very few people are that and

0:11:33.000 --> 0:11:34.880
<v Speaker 1>are that anymore, and the way we are, they don't

0:11:34.880 --> 0:11:37.360
<v Speaker 1>have that. But what I'm getting back to is, so

0:11:37.800 --> 0:11:41.040
<v Speaker 1>when I got Nashville, that was that was you know,

0:11:41.120 --> 0:11:44.360
<v Speaker 1>that's southern gravy. That was everything I ever literally everything

0:11:44.360 --> 0:11:46.360
<v Speaker 1>I ever wanted in the show because it put together

0:11:46.400 --> 0:11:49.520
<v Speaker 1>the music, the writing, the guitar, acting with people like

0:11:49.600 --> 0:11:53.200
<v Speaker 1>Connie Britton and Hayden and just these unbelievable actors. Written

0:11:53.200 --> 0:11:55.840
<v Speaker 1>by Callie Curry t Bone Burnett. Literally, my wife used

0:11:55.880 --> 0:11:57.520
<v Speaker 1>to say, if you wrote down everything you ever wanted

0:11:57.520 --> 0:12:00.200
<v Speaker 1>on the show, you would have missed of this, And

0:12:00.240 --> 0:12:03.400
<v Speaker 1>she's right. So I get to do four seasons of it.

0:12:03.640 --> 0:12:06.040
<v Speaker 1>Then when it goes away, I don't slip right back

0:12:06.080 --> 0:12:10.079
<v Speaker 1>to desperation. Honestly, the first thing I said to was gratitude.

0:12:10.120 --> 0:12:12.720
<v Speaker 1>And I know it's probably a little boring, and you

0:12:12.760 --> 0:12:15.640
<v Speaker 1>want you want, like, oh my god. I went to

0:12:15.720 --> 0:12:20.000
<v Speaker 1>gratitude first because there was no nothing I did out

0:12:20.000 --> 0:12:23.320
<v Speaker 1>of desperation that got me Nashville. It was probably relaxing

0:12:23.320 --> 0:12:25.880
<v Speaker 1>into it that got me Nashville. So I thought, man,

0:12:26.280 --> 0:12:28.240
<v Speaker 1>And now the other thing I thought was that's a shame.

0:12:28.360 --> 0:12:30.080
<v Speaker 1>It's a real shame, because I knew we had new

0:12:30.080 --> 0:12:33.280
<v Speaker 1>writers coming in and I thought we had places to go,

0:12:33.360 --> 0:12:35.079
<v Speaker 1>and I thought we had more songs to do. And

0:12:35.120 --> 0:12:37.280
<v Speaker 1>then the very next thing that happened, the very next breath,

0:12:37.320 --> 0:12:41.000
<v Speaker 1>almost the same breath, is that the Nashville fans started

0:12:41.040 --> 0:12:45.880
<v Speaker 1>being heard and then it was even more gratitude. It's like, damn,

0:12:45.920 --> 0:12:47.880
<v Speaker 1>I don't know, man. It's one thing to lose your

0:12:47.880 --> 0:12:50.320
<v Speaker 1>show and nobody says a word and it just sort

0:12:50.320 --> 0:12:53.520
<v Speaker 1>of goes away. It's another thing to lose your show.

0:12:53.679 --> 0:12:57.480
<v Speaker 1>And there's this outcry and people are really upset and

0:12:57.559 --> 0:12:59.520
<v Speaker 1>really organizing. I mean that's the other thing. You know,

0:12:59.520 --> 0:13:02.640
<v Speaker 1>how fan is now they're not just into you. Their savvy,

0:13:03.400 --> 0:13:05.520
<v Speaker 1>they know that they don't know social media. They know

0:13:05.720 --> 0:13:09.800
<v Speaker 1>getting organized as signed petitions and things. And still if

0:13:09.840 --> 0:13:11.640
<v Speaker 1>nothing had ever come with that, that's a have of

0:13:11.760 --> 0:13:14.040
<v Speaker 1>way to go out with people that love your show

0:13:14.080 --> 0:13:17.440
<v Speaker 1>and your character going nuts. Um. And then there were

0:13:17.440 --> 0:13:18.680
<v Speaker 1>people on the show that I was like, oh yeah,

0:13:18.679 --> 0:13:21.840
<v Speaker 1>we're getting picked up and by somebody. And I was

0:13:21.920 --> 0:13:24.000
<v Speaker 1>never that guy, but when it happened, I was like,

0:13:24.520 --> 0:13:27.640
<v Speaker 1>that's awesome, that's really awesome. How did you get the role?

0:13:28.120 --> 0:13:29.920
<v Speaker 1>And were you ever in? It was at a spot

0:13:29.920 --> 0:13:31.760
<v Speaker 1>where you're sitting because I was reading an article by

0:13:32.360 --> 0:13:34.520
<v Speaker 1>John Krasinski and he's talking about he went to New

0:13:34.600 --> 0:13:36.520
<v Speaker 1>York and he was trying to make it forever and

0:13:36.800 --> 0:13:39.040
<v Speaker 1>he didn't make it at g Q, but did this

0:13:39.080 --> 0:13:41.640
<v Speaker 1>great article about how he spent three or four years

0:13:41.640 --> 0:13:44.880
<v Speaker 1>out there, and he told his mom, hamm moving back,

0:13:44.920 --> 0:13:46.360
<v Speaker 1>and she's like, wait a few more months, and he

0:13:46.520 --> 0:13:48.840
<v Speaker 1>said he walked into this room and there were like

0:13:48.920 --> 0:13:51.400
<v Speaker 1>eleven guys that looked exactly like him trying for the

0:13:51.480 --> 0:13:54.679
<v Speaker 1>role of Jim Halpert for the Office. And he was like,

0:13:54.760 --> 0:13:57.760
<v Speaker 1>there's no way, and he said as as his time

0:13:57.800 --> 0:14:00.920
<v Speaker 1>came up, they all went to lunch. He's like, well,

0:14:00.960 --> 0:14:02.920
<v Speaker 1>this is weird. So he sits there through lunch. They

0:14:02.960 --> 0:14:05.000
<v Speaker 1>come back. One of the guys sits down and he goes, hey,

0:14:05.040 --> 0:14:06.200
<v Speaker 1>what do you think about the show? And he goes, well,

0:14:06.280 --> 0:14:07.960
<v Speaker 1>to be honest with you, I just don't want to

0:14:07.960 --> 0:14:10.880
<v Speaker 1>see an American version of the greatest show of all

0:14:10.960 --> 0:14:13.200
<v Speaker 1>time run that show. And the guy to being like,

0:14:13.280 --> 0:14:16.200
<v Speaker 1>Jeff Daniels or whoever the producer or the Greg Daniels,

0:14:16.240 --> 0:14:19.840
<v Speaker 1>give me Jeff Daniels. Yeah, so Greg dani it was

0:14:19.840 --> 0:14:22.320
<v Speaker 1>Greg Daniels. He was like, I like your honesty. They

0:14:22.320 --> 0:14:24.720
<v Speaker 1>auditioned and he got the role right before he quit,

0:14:25.320 --> 0:14:27.240
<v Speaker 1>and so for me, I'm thinking, man, that's how that's

0:14:27.240 --> 0:14:29.320
<v Speaker 1>how these guys are auditioning. Can you talk about how

0:14:29.360 --> 0:14:31.320
<v Speaker 1>you auditioned or they came to you for the role

0:14:31.320 --> 0:14:33.600
<v Speaker 1>of Deacon. Sure. First of all, By the way, do

0:14:33.640 --> 0:14:35.800
<v Speaker 1>you ever go to YouTube and watch auditions? I do

0:14:35.880 --> 0:14:40.080
<v Speaker 1>sometimes watched, Yes, I have so fully and completely Jim

0:14:40.200 --> 0:14:42.840
<v Speaker 1>immediately and you get to see the other guys do

0:14:42.920 --> 0:14:44.680
<v Speaker 1>it too, and they're they're all fantastic. And that's my

0:14:44.800 --> 0:14:47.480
<v Speaker 1>nightmares that my bad auditions are somewhere up there out there.

0:14:47.880 --> 0:14:50.560
<v Speaker 1>But um, they're also great. But he's just so utterly Jim.

0:14:50.880 --> 0:14:53.320
<v Speaker 1>I don't know when I started out. I guess it

0:14:53.400 --> 0:14:56.000
<v Speaker 1>was the fact I didn't have a plan. B Um,

0:14:56.040 --> 0:14:58.960
<v Speaker 1>there's nothing else, um that I thought I'd be great at.

0:14:59.600 --> 0:15:01.880
<v Speaker 1>So I told you before. I had a desk job

0:15:01.880 --> 0:15:04.920
<v Speaker 1>and the the my boss utterally found me more than

0:15:04.960 --> 0:15:07.000
<v Speaker 1>twice with my face on the desk and slaw, what

0:15:07.040 --> 0:15:12.440
<v Speaker 1>did you do? Oh, honestly, I sold. I sold advertising

0:15:12.480 --> 0:15:16.960
<v Speaker 1>supplies for real estate companies, so like Coldwell Banker, fly

0:15:17.120 --> 0:15:23.240
<v Speaker 1>Swatters and E. R A. Shoe Wrens and Century. No. No.

0:15:23.360 --> 0:15:24.960
<v Speaker 1>In fact, I remember the guy told me that got

0:15:25.000 --> 0:15:26.720
<v Speaker 1>me the job. I needed something to support me while

0:15:26.760 --> 0:15:28.960
<v Speaker 1>I was first in l A and he said, this

0:15:29.040 --> 0:15:30.520
<v Speaker 1>is after. I want a game show. By the way,

0:15:30.560 --> 0:15:33.080
<v Speaker 1>I want a game show that that got me to

0:15:33.120 --> 0:15:34.560
<v Speaker 1>be able to be there for a year. But then

0:15:34.560 --> 0:15:37.320
<v Speaker 1>I need to get an actual job and so um,

0:15:37.400 --> 0:15:39.320
<v Speaker 1>he said, oh, you gotta don't tell this guy you're

0:15:39.320 --> 0:15:42.560
<v Speaker 1>an actor. He wants somebody's really a salesman that wants

0:15:42.560 --> 0:15:45.120
<v Speaker 1>to So I had to go to act. I had

0:15:45.120 --> 0:15:47.880
<v Speaker 1>to act like I really wanted to sell you know,

0:15:48.040 --> 0:15:50.880
<v Speaker 1>your a key chains for for the rest of my life.

0:15:50.880 --> 0:15:53.760
<v Speaker 1>And this I found my career. Um and and then

0:15:53.840 --> 0:15:55.600
<v Speaker 1>it was about eight months later that I got my

0:15:55.640 --> 0:15:58.920
<v Speaker 1>first talking bit on TV and I was gonna have

0:15:58.960 --> 0:16:01.320
<v Speaker 1>to quit and go do this this show. And that

0:16:01.360 --> 0:16:02.920
<v Speaker 1>was when I got my first taste of people just

0:16:02.960 --> 0:16:05.400
<v Speaker 1>love TV man. Because that boss, I was like, I'm

0:16:05.440 --> 0:16:08.240
<v Speaker 1>real sorry I wasn't honest and upfront and I'm not

0:16:08.280 --> 0:16:10.160
<v Speaker 1>gonna lie again because it felt gross. I didn't like.

0:16:10.160 --> 0:16:12.240
<v Speaker 1>I was like, um, I should have told you I'm

0:16:12.280 --> 0:16:14.680
<v Speaker 1>an actor, and um, I'm gonna After he was like,

0:16:14.720 --> 0:16:17.200
<v Speaker 1>you're good about TV, Like he could he could have

0:16:17.240 --> 0:16:20.320
<v Speaker 1>cared less that I was quitting. I was a lousy

0:16:20.320 --> 0:16:22.000
<v Speaker 1>employee anyway, but he was a thrilled I was gonna

0:16:22.000 --> 0:16:25.440
<v Speaker 1>be on TV. So anyway, Um, what show was that

0:16:25.440 --> 0:16:26.960
<v Speaker 1>that was a thing a long time ago on a

0:16:26.960 --> 0:16:29.280
<v Speaker 1>little cable channel called it was it was Nickelodeon, so

0:16:29.280 --> 0:16:31.160
<v Speaker 1>it was nick at Night and that was called on

0:16:31.200 --> 0:16:33.200
<v Speaker 1>the television, which was sort of like a Ciskel and

0:16:33.240 --> 0:16:36.680
<v Speaker 1>Ebert spoof, except it was TV shows that they would, uh,

0:16:36.720 --> 0:16:39.080
<v Speaker 1>they would make a little mock TV show like My

0:16:39.240 --> 0:16:41.600
<v Speaker 1>five Dads instead of my two dads. And and I

0:16:41.640 --> 0:16:43.560
<v Speaker 1>just had a few roles, a little small roles on it,

0:16:43.600 --> 0:16:44.680
<v Speaker 1>and I got to write a little bit on it.

0:16:44.760 --> 0:16:47.080
<v Speaker 1>It was it was the first thing. But um, I'd

0:16:47.080 --> 0:16:49.480
<v Speaker 1>bring it back to the Nashville. So that so I

0:16:49.480 --> 0:16:52.720
<v Speaker 1>was saying that, um, that's uh. I had been doing

0:16:52.720 --> 0:16:56.680
<v Speaker 1>it for so long that I was always the guy

0:16:57.080 --> 0:16:58.920
<v Speaker 1>I knew. I remember, I was gonna said there was

0:16:58.960 --> 0:17:00.720
<v Speaker 1>nothing else that I was to do. I figured it

0:17:00.760 --> 0:17:02.360
<v Speaker 1>was gonna take six years. I don't know where I

0:17:02.400 --> 0:17:04.760
<v Speaker 1>got that number, but I also knew that I just

0:17:04.840 --> 0:17:07.119
<v Speaker 1>keep doing it as long as I can do it. Um.

0:17:07.280 --> 0:17:10.240
<v Speaker 1>So six turned into more and turned into more, and

0:17:10.280 --> 0:17:13.800
<v Speaker 1>then I was always working. But there was always sort

0:17:13.840 --> 0:17:17.320
<v Speaker 1>of a I don't know, we're definitely have a thing

0:17:17.359 --> 0:17:19.639
<v Speaker 1>where I like to be liked, and when you're an actor,

0:17:19.680 --> 0:17:21.119
<v Speaker 1>that can be able to brutal because it means you're

0:17:21.119 --> 0:17:22.600
<v Speaker 1>always trying to be the good boy. And I can

0:17:22.640 --> 0:17:24.679
<v Speaker 1>remember once it occurred to me that do you know

0:17:24.760 --> 0:17:27.040
<v Speaker 1>that you take a shower and brush your hair and

0:17:27.080 --> 0:17:30.800
<v Speaker 1>get brand new clothes on for every single audition, and

0:17:31.600 --> 0:17:33.760
<v Speaker 1>like I'm going on a job interview. You know, even

0:17:33.760 --> 0:17:35.879
<v Speaker 1>if it was I could probably go playing a homeless

0:17:35.880 --> 0:17:37.640
<v Speaker 1>guy that had been in the streets for three weeks

0:17:37.680 --> 0:17:39.960
<v Speaker 1>and I'd go take a shower and brush my teeth

0:17:39.960 --> 0:17:42.280
<v Speaker 1>and get a hair cut. And I was just always

0:17:42.280 --> 0:17:45.359
<v Speaker 1>trying to be the best guy. And there's so little

0:17:45.400 --> 0:17:47.439
<v Speaker 1>in acting that you can actually take care of that.

0:17:47.480 --> 0:17:49.520
<v Speaker 1>I was trying to take care of every variable I

0:17:49.560 --> 0:17:52.639
<v Speaker 1>could um And it was it wasn't long before this,

0:17:52.920 --> 0:17:54.480
<v Speaker 1>as I just told you that other story, that I

0:17:54.480 --> 0:17:56.719
<v Speaker 1>sort of relaxed into it, like just quit trying so

0:17:56.800 --> 0:17:58.840
<v Speaker 1>much quick caaren so much. And and I think that

0:17:58.920 --> 0:18:02.159
<v Speaker 1>was really important for a like Deacon, because there's nothing

0:18:02.240 --> 0:18:06.080
<v Speaker 1>needy and hepped up about Deacon. It's just sort of

0:18:06.480 --> 0:18:09.360
<v Speaker 1>very very chill guy that's seen it all, been there,

0:18:09.400 --> 0:18:10.840
<v Speaker 1>done it. I don't think I could have gotten the

0:18:10.920 --> 0:18:13.720
<v Speaker 1>role even three years earlier. I wouldn't have been able

0:18:13.720 --> 0:18:16.199
<v Speaker 1>to sit back it in it in the same way.

0:18:16.560 --> 0:18:18.520
<v Speaker 1>Were you the guy that had in mind originally or

0:18:18.600 --> 0:18:20.879
<v Speaker 1>there are a bunch of guys that you had. Nobody

0:18:20.920 --> 0:18:23.439
<v Speaker 1>had me in mind originally. It was Thank goodness, it was.

0:18:23.480 --> 0:18:26.960
<v Speaker 1>Calie Curry was casting with R. J. Cutler was the

0:18:26.960 --> 0:18:31.159
<v Speaker 1>other producer, and very strangely, Um, Jennie Backrack was the

0:18:31.160 --> 0:18:34.520
<v Speaker 1>casting director. Jennie backracks husband is one of my best

0:18:34.560 --> 0:18:37.040
<v Speaker 1>friends in the world, David Burke. David and I went

0:18:37.080 --> 0:18:39.359
<v Speaker 1>to college together. I did one play in college because

0:18:39.359 --> 0:18:41.399
<v Speaker 1>of in a band. David and I did that play together,

0:18:41.400 --> 0:18:43.520
<v Speaker 1>almost like a two man thing. So all those years

0:18:43.600 --> 0:18:45.720
<v Speaker 1>later she's casting it. Now that to anybody out there,

0:18:45.760 --> 0:18:48.520
<v Speaker 1>that sounds like, oh he's in, it's you're not. And

0:18:48.560 --> 0:18:51.440
<v Speaker 1>that's I could have gotten into that audition. So Jennie

0:18:51.480 --> 0:18:55.159
<v Speaker 1>was very kind and supportive always of me. But um,

0:18:55.240 --> 0:18:57.200
<v Speaker 1>you got it once you're in. All the casting director

0:18:57.240 --> 0:18:58.919
<v Speaker 1>doesn't get you in and support you on the way.

0:18:58.920 --> 0:19:01.959
<v Speaker 1>You gotta earn that from the producers. So I remember

0:19:02.000 --> 0:19:04.320
<v Speaker 1>I knew who Cali crew was. I read that script

0:19:04.320 --> 0:19:07.640
<v Speaker 1>and I was like, oh man, you know, the inside

0:19:07.640 --> 0:19:10.359
<v Speaker 1>head goes, I really want this and and you go

0:19:10.440 --> 0:19:13.480
<v Speaker 1>shut up, man, just calm down, be cool, and and

0:19:13.520 --> 0:19:16.000
<v Speaker 1>somehow that was the stronger voice. And I never went

0:19:16.080 --> 0:19:18.720
<v Speaker 1>to I really want this again. I just I just said.

0:19:19.160 --> 0:19:21.520
<v Speaker 1>What occurred to me is I'd come so close on

0:19:21.600 --> 0:19:24.119
<v Speaker 1>so many things shows you've seen, movies you've heard of

0:19:24.800 --> 0:19:28.080
<v Speaker 1>and not gotten them that I realized that. So what

0:19:28.200 --> 0:19:30.040
<v Speaker 1>I survived. You know, like when you do stand up,

0:19:30.080 --> 0:19:32.639
<v Speaker 1>they say you die on stage. Died last time. I

0:19:32.680 --> 0:19:34.920
<v Speaker 1>died many times during a great set. Yeah, but that's

0:19:34.960 --> 0:19:38.280
<v Speaker 1>the thing is you don't really die. The next morning.

0:19:38.400 --> 0:19:40.480
<v Speaker 1>You know, you're still eating breakfast, and you know, when

0:19:40.480 --> 0:19:42.480
<v Speaker 1>you get kids, they're still telling you they need new

0:19:42.520 --> 0:19:45.400
<v Speaker 1>shoes or something. So you don't die. And all those

0:19:45.400 --> 0:19:47.160
<v Speaker 1>shows I didn't get, I was like, I'm fine, I'm

0:19:47.200 --> 0:19:49.760
<v Speaker 1>still here, so you sort of let go in that

0:19:49.800 --> 0:19:52.359
<v Speaker 1>way a little bit. And by the way, maybe letting

0:19:52.400 --> 0:19:54.520
<v Speaker 1>go and maybe my lack of drive and my I'll

0:19:54.560 --> 0:19:56.120
<v Speaker 1>take all the time I want is why it took

0:19:56.119 --> 0:19:59.440
<v Speaker 1>me twenty damn years. It's very possible. I just don't

0:19:59.440 --> 0:20:01.639
<v Speaker 1>have that my so that some others have. But in

0:20:01.640 --> 0:20:04.320
<v Speaker 1>an event, so um, when I when I know I'm

0:20:04.359 --> 0:20:06.000
<v Speaker 1>going in there, Yeah, they got other people in mind,

0:20:06.040 --> 0:20:08.000
<v Speaker 1>they got names and were the only one there when

0:20:08.040 --> 0:20:12.720
<v Speaker 1>you showed up. Well, that's funny because um, I was

0:20:12.880 --> 0:20:15.840
<v Speaker 1>except as I showed up there in the waiting room

0:20:15.880 --> 0:20:18.879
<v Speaker 1>was Hayden Panachier and there were no guys are no.

0:20:19.080 --> 0:20:22.439
<v Speaker 1>Obviously she wasn't trying for the deacon role. She was not. No, no,

0:20:22.520 --> 0:20:24.360
<v Speaker 1>thank god, because she would have she would have beat

0:20:24.400 --> 0:20:27.000
<v Speaker 1>me out. Um. Before I went in there, I thought,

0:20:27.040 --> 0:20:30.760
<v Speaker 1>you know what I can. I've been doing this country music.

0:20:30.800 --> 0:20:32.679
<v Speaker 1>I've been writing it, I've been playing it live, I've

0:20:32.720 --> 0:20:36.560
<v Speaker 1>been doing writers rounds, and I know that all these

0:20:36.600 --> 0:20:38.720
<v Speaker 1>guys that beat me out all the time, the same guys.

0:20:38.840 --> 0:20:41.480
<v Speaker 1>You know that. Uh John was talking about that. You

0:20:41.560 --> 0:20:43.440
<v Speaker 1>see those same guys again and again in the room,

0:20:43.520 --> 0:20:44.919
<v Speaker 1>or if they weren't the room, you'd see him later

0:20:44.960 --> 0:20:47.160
<v Speaker 1>in the show. That's it's one of the hardest jobs

0:20:47.200 --> 0:20:49.440
<v Speaker 1>in the world because it's one thing to really want

0:20:49.480 --> 0:20:51.040
<v Speaker 1>a job. If you'd say, there's in the real world,

0:20:51.080 --> 0:20:53.040
<v Speaker 1>there's a job, and you really want to do everything

0:20:53.080 --> 0:20:54.920
<v Speaker 1>you can. You put your your soul, you go and

0:20:55.000 --> 0:20:57.280
<v Speaker 1>you do a meeting and you give your resume, and

0:20:57.320 --> 0:20:58.959
<v Speaker 1>then you don't get it all right, you move on,

0:20:59.000 --> 0:21:00.840
<v Speaker 1>but which you don't have to do in the real world,

0:21:00.920 --> 0:21:03.400
<v Speaker 1>is watch somebody else go do it for twelve years

0:21:03.480 --> 0:21:07.439
<v Speaker 1>and make thirty million dollars to it. And so so

0:21:07.560 --> 0:21:09.359
<v Speaker 1>I had anyway, I've gotten around that and I and

0:21:09.400 --> 0:21:11.199
<v Speaker 1>I just I thought, you know what, I might have

0:21:11.240 --> 0:21:12.960
<v Speaker 1>a chance at this one because all those guys, I know,

0:21:13.119 --> 0:21:15.359
<v Speaker 1>not everybody can play guitar. Did you take a guitar

0:21:15.480 --> 0:21:17.200
<v Speaker 1>with you? Oh yeah, they told us to, they said,

0:21:17.440 --> 0:21:19.440
<v Speaker 1>And I was thrilled by that. I was like, oh man,

0:21:19.840 --> 0:21:22.240
<v Speaker 1>they're not going to pretend that these people are musicians

0:21:22.280 --> 0:21:25.600
<v Speaker 1>and singers. That's that's why I might have a shot

0:21:25.640 --> 0:21:28.000
<v Speaker 1>at this one. And um, so there's a couple of

0:21:28.040 --> 0:21:30.280
<v Speaker 1>things real quickly. This is a small piece of the story.

0:21:30.320 --> 0:21:33.280
<v Speaker 1>But I had just recently found a really cool little

0:21:33.320 --> 0:21:36.119
<v Speaker 1>stand from my guitar, pulled it up into nothing. You know,

0:21:36.160 --> 0:21:38.840
<v Speaker 1>sometimes the guitar stands are big, unwieldy things. So I'm

0:21:38.880 --> 0:21:40.439
<v Speaker 1>walking out the door and I go, I might as

0:21:40.440 --> 0:21:42.679
<v Speaker 1>well bring my cool new stand. And I go to

0:21:42.720 --> 0:21:45.840
<v Speaker 1>this audition and I walk into the building and this

0:21:45.880 --> 0:21:47.679
<v Speaker 1>happens again again in my career, where things that are

0:21:47.680 --> 0:21:49.400
<v Speaker 1>meant to be have meant to be written all over

0:21:49.400 --> 0:21:51.320
<v Speaker 1>them and the little hints from God that this might

0:21:51.359 --> 0:21:53.960
<v Speaker 1>be the thing. And one of those was the very

0:21:54.000 --> 0:21:56.480
<v Speaker 1>place I went to audition with Kadi and r J

0:21:56.840 --> 0:22:00.200
<v Speaker 1>and Jeanie. Was the same building and the same aim

0:22:00.280 --> 0:22:03.080
<v Speaker 1>hallway where I had shot whose line is it? Anyway

0:22:03.359 --> 0:22:05.920
<v Speaker 1>for a couple of years, and I knew that place

0:22:06.000 --> 0:22:08.960
<v Speaker 1>way didn't feel comfortable to you just because you were there.

0:22:09.119 --> 0:22:13.480
<v Speaker 1>Oh yeah, absolutely, there's a little bit of ownership. I mean, um,

0:22:13.840 --> 0:22:15.960
<v Speaker 1>years ago I auditioned to play Buddy Holly, and it

0:22:16.080 --> 0:22:17.879
<v Speaker 1>ended up that I got to audition for Buddy in

0:22:17.880 --> 0:22:20.360
<v Speaker 1>the very same theater where I was the house manager.

0:22:20.600 --> 0:22:24.199
<v Speaker 1>I swept up, I tore tickets, made coffee, and so

0:22:24.280 --> 0:22:25.919
<v Speaker 1>it was like auditioning in my living room. And this

0:22:26.000 --> 0:22:27.360
<v Speaker 1>had a little bit of that. So I walked into

0:22:27.359 --> 0:22:29.639
<v Speaker 1>that building already with that little lift in your step,

0:22:29.720 --> 0:22:33.240
<v Speaker 1>like alright, this not everybody has this wind behind them.

0:22:33.320 --> 0:22:35.920
<v Speaker 1>And then I walk in and there's Hayden panic here

0:22:35.960 --> 0:22:39.120
<v Speaker 1>and you know that's the cheerleader, say the cheerleaders saved

0:22:39.119 --> 0:22:41.119
<v Speaker 1>the world. And I know who she is. You know

0:22:41.240 --> 0:22:45.280
<v Speaker 1>clue who I am? And um, we said, oh it's

0:22:45.440 --> 0:22:46.800
<v Speaker 1>nice to meet you, shook her hand, and we all

0:22:46.880 --> 0:22:49.120
<v Speaker 1>both went back to our notes. They were seeing me first.

0:22:49.200 --> 0:22:51.359
<v Speaker 1>She was just doing something before she went in. So

0:22:51.400 --> 0:22:55.119
<v Speaker 1>I went in and um, they were very very warm

0:22:55.160 --> 0:22:58.560
<v Speaker 1>and welcoming, and there was two songs and then I

0:22:58.640 --> 0:23:00.320
<v Speaker 1>first I did a couple of scenes. Then I'm gonna

0:23:00.359 --> 0:23:03.600
<v Speaker 1>do two songs. I completely forget the order I did

0:23:03.600 --> 0:23:05.560
<v Speaker 1>the man Um I played an original. I played a

0:23:05.600 --> 0:23:08.360
<v Speaker 1>bleak Shelton song actually, which was what I wouldn't give,

0:23:08.880 --> 0:23:10.840
<v Speaker 1>which is what I really liked, and I thought it

0:23:10.880 --> 0:23:13.760
<v Speaker 1>was right for Deacon and Reino. Um, did you know

0:23:13.880 --> 0:23:17.280
<v Speaker 1>rain I was gonna be Connie at the time in

0:23:17.320 --> 0:23:20.720
<v Speaker 1>the first audition, I don't think. So that's a character

0:23:20.800 --> 0:23:23.080
<v Speaker 1>in your mind that you were thinking too or about

0:23:23.200 --> 0:23:26.120
<v Speaker 1>or with Yeah, yeah, absolutely, and and it jumped off

0:23:26.119 --> 0:23:28.399
<v Speaker 1>the page. Who that character wasn't who these two people

0:23:28.440 --> 0:23:30.320
<v Speaker 1>were in the history they had. By the way you

0:23:30.359 --> 0:23:31.920
<v Speaker 1>ask questions, I don't know when I went. When I

0:23:31.960 --> 0:23:34.880
<v Speaker 1>read your autobiography or when I read other people's autobiographies,

0:23:34.880 --> 0:23:37.000
<v Speaker 1>I'm like, I would have no shot at writing that

0:23:37.040 --> 0:23:39.600
<v Speaker 1>because I have the worst memory, So I would How

0:23:39.600 --> 0:23:41.720
<v Speaker 1>do you know all that? Because you're gonna get sued

0:23:41.760 --> 0:23:45.760
<v Speaker 1>if it's not right you better freaking get it right. No,

0:23:46.040 --> 0:23:50.840
<v Speaker 1>I'm not. That's start you'll start remembering once you decided, well,

0:23:50.920 --> 0:23:52.520
<v Speaker 1>I gotta write a book. You got to get sued

0:23:52.560 --> 0:23:54.240
<v Speaker 1>if I'm not right. I could see that You're like.

0:23:54.280 --> 0:23:56.880
<v Speaker 1>It was kind of like, um no, I don't know. Yeah,

0:23:56.880 --> 0:23:58.440
<v Speaker 1>I guess I don't think I didn't know at that point,

0:23:58.480 --> 0:24:00.400
<v Speaker 1>because I would have made me a little nervous for

0:24:00.400 --> 0:24:02.880
<v Speaker 1>for for for to be honest. So I sit down

0:24:02.920 --> 0:24:04.520
<v Speaker 1>and I think what I did is I played the

0:24:04.520 --> 0:24:07.119
<v Speaker 1>songs first, and then um, I remember, I pulled up

0:24:07.160 --> 0:24:08.840
<v Speaker 1>my little stand and I put my guitar in it,

0:24:08.840 --> 0:24:11.359
<v Speaker 1>and I went over to do the scenes. And I

0:24:11.440 --> 0:24:14.200
<v Speaker 1>knew this guy. I knew this guy Deacon. I don't

0:24:14.240 --> 0:24:16.200
<v Speaker 1>know why. I just got him and I could sit

0:24:16.240 --> 0:24:19.399
<v Speaker 1>back in him and and it came very easy. And

0:24:19.440 --> 0:24:21.480
<v Speaker 1>the thing that I know what I was talking about earlier,

0:24:21.880 --> 0:24:23.879
<v Speaker 1>from this long career, not getting these things I wanted.

0:24:23.920 --> 0:24:27.400
<v Speaker 1>Sometimes there's roles that are so good that you might

0:24:27.520 --> 0:24:30.840
<v Speaker 1>end up only getting to play this guy once, and

0:24:30.840 --> 0:24:34.280
<v Speaker 1>that's at the audition. So what I would always say

0:24:34.400 --> 0:24:36.640
<v Speaker 1>is I'm gonna do it my way. I get one

0:24:36.680 --> 0:24:39.199
<v Speaker 1>shot to play this guy right now in this moment,

0:24:39.359 --> 0:24:42.480
<v Speaker 1>I'm the one playing Deacon, and this is how and

0:24:42.520 --> 0:24:44.920
<v Speaker 1>instead of what you know, you always talking about aiming

0:24:44.960 --> 0:24:47.680
<v Speaker 1>for what they want, instead of doing what you are

0:24:47.720 --> 0:24:49.800
<v Speaker 1>going to be great at or what you what you want.

0:24:50.280 --> 0:24:52.840
<v Speaker 1>I wouldn't know what they wanted Deacon to look like.

0:24:52.880 --> 0:24:54.680
<v Speaker 1>There was a time. That's all I tried to guess

0:24:54.680 --> 0:24:56.600
<v Speaker 1>that you didn't chase what you thought they wanted. You

0:24:56.640 --> 0:24:59.800
<v Speaker 1>did what you felt was you because honestly, you reach

0:24:59.880 --> 0:25:01.720
<v Speaker 1>us certain point where I was like, you might think

0:25:01.760 --> 0:25:05.080
<v Speaker 1>you want that, You're wrong. You want this. You finished

0:25:05.080 --> 0:25:08.440
<v Speaker 1>the audition, you you play, you sing, you do your scene.

0:25:08.480 --> 0:25:10.919
<v Speaker 1>How long until you actually know from that point that

0:25:11.000 --> 0:25:14.320
<v Speaker 1>you have their old Deacon. Let me take a quick shortcut.

0:25:14.359 --> 0:25:15.560
<v Speaker 1>As I'm walking out of the room, I don't know

0:25:15.560 --> 0:25:18.280
<v Speaker 1>if I told you this before, but as I opened

0:25:18.280 --> 0:25:20.879
<v Speaker 1>the door, there's Hayden Panet chair by the door, like listening,

0:25:20.960 --> 0:25:23.879
<v Speaker 1>like like comedically, like I love Lucy or something. He

0:25:24.160 --> 0:25:26.040
<v Speaker 1>almost hit her in the head with the door and

0:25:26.040 --> 0:25:28.760
<v Speaker 1>and I walk out and she starts clapping and saying

0:25:28.840 --> 0:25:31.040
<v Speaker 1>because she heard me singing and she liked the songs,

0:25:31.040 --> 0:25:34.840
<v Speaker 1>and she was I'm like, what, who I've never I

0:25:34.840 --> 0:25:37.320
<v Speaker 1>said can you come to all my auditions because this

0:25:37.400 --> 0:25:39.760
<v Speaker 1>is fantastic and and so I'm acting cool and she

0:25:39.920 --> 0:25:41.880
<v Speaker 1>now we really meet, and I said, as I'm ready

0:25:41.880 --> 0:25:44.360
<v Speaker 1>to leave, I I'm just sort of blowing small guy. Well,

0:25:44.840 --> 0:25:46.600
<v Speaker 1>I'll see you on the set. That's what I said

0:25:46.600 --> 0:25:48.720
<v Speaker 1>to her totally, and I was nowhere near getting this job.

0:25:49.160 --> 0:25:51.240
<v Speaker 1>And uh, you know, finally when we're on the set

0:25:51.240 --> 0:25:53.600
<v Speaker 1>one day, she said to see on the set, and um,

0:25:53.600 --> 0:25:55.520
<v Speaker 1>but so no, I go home, and I knew it

0:25:55.560 --> 0:25:59.200
<v Speaker 1>went really well. Um, Kellie Curry is a very enthusiastic

0:25:59.600 --> 0:26:03.440
<v Speaker 1>heart on her sleeve person and um, and she also

0:26:03.480 --> 0:26:07.520
<v Speaker 1>doesn't suffer fulls gladly, She's very intelligent, very and I

0:26:07.560 --> 0:26:10.680
<v Speaker 1>could tell there was a connection towards what I was doing.

0:26:11.280 --> 0:26:13.320
<v Speaker 1>I also know how far that I'm not a name,

0:26:13.880 --> 0:26:15.760
<v Speaker 1>and so that they generally networks you want to give

0:26:15.800 --> 0:26:18.159
<v Speaker 1>shows to name, especially a bang on lead like this.

0:26:18.640 --> 0:26:20.240
<v Speaker 1>I've been doing it long enough to know a bang

0:26:20.280 --> 0:26:23.480
<v Speaker 1>on lead and Deacon is exactly that. Um, he gets

0:26:23.480 --> 0:26:26.040
<v Speaker 1>to hurt, he gets to feel, he gets to fail,

0:26:26.119 --> 0:26:29.080
<v Speaker 1>he gets to win. And that was all in the lance,

0:26:29.720 --> 0:26:32.199
<v Speaker 1>so I knew. So yeah, it took a while and

0:26:32.200 --> 0:26:34.000
<v Speaker 1>then I had to go in again, and then I

0:26:34.040 --> 0:26:37.919
<v Speaker 1>had to go in another time, and uh, not a

0:26:37.960 --> 0:26:40.360
<v Speaker 1>lot of people know this, but at one point they

0:26:40.359 --> 0:26:43.760
<v Speaker 1>made an offer to somebody. They called me, my agent calling, well,

0:26:43.800 --> 0:26:46.600
<v Speaker 1>they made an offer and I was like, oh, you're commune,

0:26:46.640 --> 0:26:48.600
<v Speaker 1>they said who? And the guy they said was somebody

0:26:48.600 --> 0:26:50.679
<v Speaker 1>I knew personally and somebody had grown up with actually

0:26:50.680 --> 0:26:53.960
<v Speaker 1>and sort of not followed out to l A, but

0:26:54.440 --> 0:26:57.600
<v Speaker 1>somewhere where somebody where. I was like, I know that guy.

0:26:57.640 --> 0:27:00.400
<v Speaker 1>I know those guys. Maybe it's not just crazy easiness.

0:27:01.520 --> 0:27:02.840
<v Speaker 1>If you can do it, maybe I can do it.

0:27:03.080 --> 0:27:06.040
<v Speaker 1>So they offered the role to him and he said no,

0:27:06.600 --> 0:27:08.679
<v Speaker 1>Well I didn't know that the first day, and then

0:27:08.720 --> 0:27:10.440
<v Speaker 1>the second day I keep reading the trades right, and

0:27:11.119 --> 0:27:13.560
<v Speaker 1>I thought he'd be great, he'd be fantastic, And I

0:27:13.600 --> 0:27:16.240
<v Speaker 1>was a little heartbroken. There's more than a little heartbroken. Finally,

0:27:16.240 --> 0:27:19.000
<v Speaker 1>after a week, I'm going, what the hell and my

0:27:19.080 --> 0:27:22.640
<v Speaker 1>agent calls up and goes, um, yeah, your friend passed,

0:27:23.320 --> 0:27:25.120
<v Speaker 1>Like what, they go, they want to see you again.

0:27:25.359 --> 0:27:28.000
<v Speaker 1>Even after that, there was another two auditions, including a

0:27:28.040 --> 0:27:31.879
<v Speaker 1>stre screen test again for ABC. I'm telling my family

0:27:31.960 --> 0:27:34.560
<v Speaker 1>we would drive right by the ABC building in Burbank

0:27:34.680 --> 0:27:37.240
<v Speaker 1>every day I was taking my girls to soccer, and

0:27:37.359 --> 0:27:39.520
<v Speaker 1>every single day we'd drive by it at least twice

0:27:39.560 --> 0:27:42.840
<v Speaker 1>there in back yeah yeah, well yeah, but I was

0:27:42.880 --> 0:27:45.000
<v Speaker 1>on the one four yeah right, but right, well, Baba

0:27:45.200 --> 0:27:48.160
<v Speaker 1>drives NBC. It's right before, that's right next to it. Yeah.

0:27:48.560 --> 0:27:51.560
<v Speaker 1>And and every single time we'd walk drive by, the

0:27:51.600 --> 0:27:55.600
<v Speaker 1>whole car would say please, ABC, I'm talking. We'd be

0:27:55.640 --> 0:27:57.800
<v Speaker 1>in the middle of a discussion. We'd be going, I

0:27:57.800 --> 0:27:59.560
<v Speaker 1>don't want to when we had chicken last night, let's

0:27:59.560 --> 0:28:03.200
<v Speaker 1>get hit us ABC Hamburgers and and and then uh

0:28:03.240 --> 0:28:06.960
<v Speaker 1>and so I waited and I waited, and finally, um,

0:28:07.080 --> 0:28:10.320
<v Speaker 1>I ended up getting it. And real funny is a

0:28:10.359 --> 0:28:12.480
<v Speaker 1>couple of weeks after I shot the pilot, I finally

0:28:12.480 --> 0:28:15.760
<v Speaker 1>gave my friend a call and said, I didn't really know.

0:28:16.160 --> 0:28:19.760
<v Speaker 1>You know, they don't make Hallmark cards for this situation,

0:28:19.800 --> 0:28:23.119
<v Speaker 1>but thank you for passing on Deacon. And by the way,

0:28:23.160 --> 0:28:25.320
<v Speaker 1>he had personal reasons. It wasn't that he didn't love

0:28:25.320 --> 0:28:26.760
<v Speaker 1>the role. He just there was something he had, He

0:28:26.800 --> 0:28:29.679
<v Speaker 1>had other things. He was. He more aheaded than I was.

0:28:30.119 --> 0:28:32.680
<v Speaker 1>And he started laughing. He said, I was so glad

0:28:32.680 --> 0:28:34.320
<v Speaker 1>when I heard you got it. I was just you know,

0:28:34.400 --> 0:28:36.400
<v Speaker 1>meant to be and it still blows my mind. I'm

0:28:36.400 --> 0:28:37.800
<v Speaker 1>not gonna ask you who it was, but we what

0:28:37.840 --> 0:28:39.800
<v Speaker 1>do we know him? If he said his name? Yeah, yeah,

0:28:40.160 --> 0:28:44.040
<v Speaker 1>yeah cool. I'll leave it right there. Uh so, okay,

0:28:44.080 --> 0:28:46.120
<v Speaker 1>let's back off in Nashville for a second. Go backwards.

0:28:46.440 --> 0:28:50.880
<v Speaker 1>So my two favorite shows are The British Office in

0:28:50.920 --> 0:28:53.560
<v Speaker 1>the American Office. Those are my two favorite shows. Like

0:28:53.800 --> 0:28:56.840
<v Speaker 1>I love them both. I just I just loved them.

0:28:56.920 --> 0:29:00.960
<v Speaker 1>And so one of my top favorite episode and even

0:29:01.800 --> 0:29:04.680
<v Speaker 1>it's you You're in like whenever they go to the

0:29:04.720 --> 0:29:10.200
<v Speaker 1>convention and working with those guys and working with because

0:29:10.200 --> 0:29:12.160
<v Speaker 1>you're on the office, working with Jim and Michael Scott.

0:29:12.200 --> 0:29:17.000
<v Speaker 1>Michael called their characters than Steve Carrell like talk about that,

0:29:17.720 --> 0:29:21.080
<v Speaker 1>like you get such your role was so funny as

0:29:21.080 --> 0:29:24.960
<v Speaker 1>a straight guy. So they called and said, hey, we

0:29:25.000 --> 0:29:26.760
<v Speaker 1>want you to do this role in the office. You

0:29:26.840 --> 0:29:30.200
<v Speaker 1>walk in. It's a single camera shoot. Had you been

0:29:30.200 --> 0:29:32.080
<v Speaker 1>a part of a single camera shoot before where there's

0:29:32.120 --> 0:29:35.760
<v Speaker 1>no laughter while doing a comedy? I actually had And

0:29:35.960 --> 0:29:37.400
<v Speaker 1>let me back up, Will said, they didn't just call

0:29:37.480 --> 0:29:39.360
<v Speaker 1>and offer me this thing. This is a very interesting

0:29:39.560 --> 0:29:41.200
<v Speaker 1>story on how I got the Office, and by the way,

0:29:41.200 --> 0:29:42.800
<v Speaker 1>the Office opened me up for a whole bunch of

0:29:42.840 --> 0:29:45.000
<v Speaker 1>other things. If you went back and look at my resume,

0:29:45.320 --> 0:29:47.000
<v Speaker 1>you would see that The Office was a point, was

0:29:47.080 --> 0:29:49.480
<v Speaker 1>sort of a sea change. And the reason for that

0:29:49.600 --> 0:29:52.520
<v Speaker 1>is because it was an industry show. It was beloved,

0:29:52.560 --> 0:29:55.200
<v Speaker 1>it was intelligent, it was done right. So in a sense,

0:29:55.240 --> 0:29:57.120
<v Speaker 1>when you get on a show like that, it vouches

0:29:57.200 --> 0:30:01.320
<v Speaker 1>for you for other shows. The it's a shortcut. They go, oh,

0:30:01.400 --> 0:30:03.640
<v Speaker 1>there was the guy in the office, and they probably

0:30:03.680 --> 0:30:06.400
<v Speaker 1>watched it too, so that gets you another level up.

0:30:06.400 --> 0:30:08.960
<v Speaker 1>And that started opening up things on HBO, and all

0:30:09.000 --> 0:30:11.080
<v Speaker 1>of those things were one of the reasons where they said, yeah,

0:30:11.080 --> 0:30:13.880
<v Speaker 1>he can do that in Nashville. So it all goes together.

0:30:13.920 --> 0:30:15.920
<v Speaker 1>But the funny story about I got that one, let

0:30:16.000 --> 0:30:18.080
<v Speaker 1>me tell you. I was on a single camera comedy

0:30:18.680 --> 0:30:22.960
<v Speaker 1>pilot um that got It got shot for NBC, and

0:30:23.080 --> 0:30:26.000
<v Speaker 1>in that show, it was a complete cattle call for

0:30:26.040 --> 0:30:30.440
<v Speaker 1>these two characters, and I got completely arbitrarily hooked up

0:30:30.640 --> 0:30:35.760
<v Speaker 1>with Rain Wilson. This is years before the years before

0:30:35.760 --> 0:30:39.280
<v Speaker 1>The Office, totally randomly me and him. These two characters

0:30:40.040 --> 0:30:45.040
<v Speaker 1>are androids who solve crimes and this pilot called The Expendables.

0:30:45.040 --> 0:30:46.560
<v Speaker 1>It wasn't even a pilot that it was a script

0:30:46.960 --> 0:30:48.760
<v Speaker 1>and they would just put you together. And we're reading

0:30:48.760 --> 0:30:51.040
<v Speaker 1>the script back and forth, and we just started improvising

0:30:51.080 --> 0:30:53.960
<v Speaker 1>and messing around and screwing around, and immediately I saw

0:30:54.000 --> 0:30:57.000
<v Speaker 1>this guy was brilliant and hilarious and very kind, and

0:30:57.040 --> 0:30:59.120
<v Speaker 1>so we just we just clicked and we were having

0:30:59.120 --> 0:31:01.600
<v Speaker 1>a ball with it. You know. It was so silly

0:31:01.600 --> 0:31:03.560
<v Speaker 1>and goofy, and so we went and then we we

0:31:03.680 --> 0:31:05.680
<v Speaker 1>ended up getting it, and more than that, then we

0:31:05.760 --> 0:31:08.280
<v Speaker 1>end up getting Now we're gonna have a it's all,

0:31:08.280 --> 0:31:10.960
<v Speaker 1>it's the whole show is cast. Now we go to

0:31:11.080 --> 0:31:12.920
<v Speaker 1>NBC and it's a big table reading. This is where

0:31:12.920 --> 0:31:15.240
<v Speaker 1>they decided they're going to even make a pilot of it.

0:31:15.560 --> 0:31:17.280
<v Speaker 1>And we're sitting at this long corporate table and he

0:31:17.320 --> 0:31:19.840
<v Speaker 1>and I just sit next to each utterly riffing on

0:31:19.920 --> 0:31:23.960
<v Speaker 1>these two idiot um characters who are androids that soft crimes.

0:31:24.440 --> 0:31:26.800
<v Speaker 1>And by the way of the show, we were naked,

0:31:26.960 --> 0:31:29.280
<v Speaker 1>and you know, just because we were androids, and they

0:31:29.280 --> 0:31:34.080
<v Speaker 1>were just strategically shot. So we end up because it

0:31:34.120 --> 0:31:35.840
<v Speaker 1>went so well, we were so loose and that we're

0:31:35.840 --> 0:31:38.320
<v Speaker 1>making each other laugh at that table. Read ends up

0:31:38.320 --> 0:31:40.840
<v Speaker 1>getting going to pilot. So we shoot a pilot for

0:31:40.840 --> 0:31:43.960
<v Speaker 1>this thing, and um, it's such a tricky line to

0:31:44.000 --> 0:31:46.320
<v Speaker 1>walk and it ended up not really work and we

0:31:46.360 --> 0:31:49.000
<v Speaker 1>didn't get picked up. But there's some very funny moments

0:31:49.000 --> 0:31:51.200
<v Speaker 1>back and forth with he and I, and I knew

0:31:51.320 --> 0:31:54.280
<v Speaker 1>he was destined for great and big stuff and an

0:31:54.320 --> 0:31:56.320
<v Speaker 1>even I get this audition, and when I was a

0:31:56.400 --> 0:32:00.600
<v Speaker 1>huge British office fan myself unbelievable believe we talk about

0:32:00.640 --> 0:32:02.520
<v Speaker 1>sea change. I've never seen anything like that, when anything

0:32:02.560 --> 0:32:04.760
<v Speaker 1>could be allowed to be that quiet and that boring

0:32:04.800 --> 0:32:08.880
<v Speaker 1>for that long, and that uncomfortable. Uncomfortable is the key.

0:32:08.920 --> 0:32:11.920
<v Speaker 1>I mean, it's the most uncomfortably awesome show I've ever

0:32:11.920 --> 0:32:14.200
<v Speaker 1>seen in my life. It's cringe e it's you wouldn't

0:32:14.200 --> 0:32:15.760
<v Speaker 1>even share it with some people, like you gotta see

0:32:15.760 --> 0:32:17.360
<v Speaker 1>this most amazing and you'd sit there for a couple

0:32:17.400 --> 0:32:20.080
<v Speaker 1>of minutes ago they got it. They're gonna have to

0:32:20.080 --> 0:32:24.640
<v Speaker 1>get this, idiots like it's like, you gotta see this

0:32:24.720 --> 0:32:28.680
<v Speaker 1>video of paint drying hilarious. Yeah yeah, yeah, and they're

0:32:28.720 --> 0:32:31.080
<v Speaker 1>just going I just see paint drying. So and then

0:32:31.440 --> 0:32:33.280
<v Speaker 1>I was a huge fan and I saw it and

0:32:33.320 --> 0:32:35.040
<v Speaker 1>I was like, man, there, I can't even believe they're

0:32:35.040 --> 0:32:36.640
<v Speaker 1>gonna try that. I know a bunch of shows that

0:32:36.640 --> 0:32:38.680
<v Speaker 1>they've done it this way. But and then I saw

0:32:38.760 --> 0:32:41.200
<v Speaker 1>Steve Carrell was going to be the lead, and then

0:32:41.240 --> 0:32:43.480
<v Speaker 1>I saw Rain was and I was like, I don't know,

0:32:43.520 --> 0:32:45.280
<v Speaker 1>they might be able to do this. So immediately I

0:32:45.320 --> 0:32:46.760
<v Speaker 1>saw the first two, I go, I think they got

0:32:46.760 --> 0:32:48.480
<v Speaker 1>a shot at this. They're finding their own voice. I

0:32:48.480 --> 0:32:50.960
<v Speaker 1>called my agent type, I go, you know, on the

0:32:50.960 --> 0:32:53.160
<v Speaker 1>British one, there's the good boss, the guy that has

0:32:53.160 --> 0:32:56.280
<v Speaker 1>this stuff to gather and everybody Michael wishes he was,

0:32:56.600 --> 0:32:58.360
<v Speaker 1>I bet they end up doing that. When they do,

0:32:58.440 --> 0:33:01.280
<v Speaker 1>you gotta get me in there. And so they ended

0:33:01.360 --> 0:33:03.360
<v Speaker 1>up doing that in season three or at the very

0:33:03.440 --> 0:33:06.360
<v Speaker 1>end of season two actually, and he got me in there,

0:33:06.440 --> 0:33:09.440
<v Speaker 1>and I wanted to meet with them, and uh we

0:33:09.680 --> 0:33:11.400
<v Speaker 1>I'm sitting there and go, so I hear you're a

0:33:11.400 --> 0:33:14.320
<v Speaker 1>friend of Rains. Because Rain must have said something nice

0:33:14.440 --> 0:33:16.680
<v Speaker 1>that I was coming in. I saihow let him know

0:33:16.840 --> 0:33:19.760
<v Speaker 1>or maybe saw him as I walked in, and I go,

0:33:19.960 --> 0:33:22.400
<v Speaker 1>I said, yeah, not only that, Rain and I were

0:33:22.400 --> 0:33:25.440
<v Speaker 1>in a pilot together where we played androids that solved crimes,

0:33:25.800 --> 0:33:28.760
<v Speaker 1>and they're they're just dying laughing. You know, you're kidding myself.

0:33:28.800 --> 0:33:31.480
<v Speaker 1>And not only that, I have a DVD of that

0:33:31.560 --> 0:33:33.880
<v Speaker 1>pilot and they're they're like, no, you don't saying. And

0:33:33.920 --> 0:33:36.120
<v Speaker 1>not only that, if you give me this job. On

0:33:36.160 --> 0:33:37.800
<v Speaker 1>the first day of shooting, I will show up and

0:33:37.800 --> 0:33:40.960
<v Speaker 1>put that DVD in here. And I could just see

0:33:41.000 --> 0:33:43.000
<v Speaker 1>all their eyes light up. And they called before I

0:33:43.000 --> 0:33:44.920
<v Speaker 1>got to my car on the parking lot, and I'm

0:33:44.960 --> 0:33:46.719
<v Speaker 1>I'm certain that's how I got that. There was a

0:33:46.720 --> 0:33:48.320
<v Speaker 1>lot of great guys in the town, but they wanted

0:33:48.320 --> 0:33:51.360
<v Speaker 1>that DVD, so they got their DVD and I got

0:33:51.360 --> 0:33:54.520
<v Speaker 1>to play this character, and you're right, he was. He

0:33:54.560 --> 0:33:56.200
<v Speaker 1>was a straight man. And that was another real lesson

0:33:56.240 --> 0:33:58.800
<v Speaker 1>because that showed what it's like to be on something great.

0:33:58.880 --> 0:34:02.480
<v Speaker 1>I had been on a lot of cool things, but

0:34:02.520 --> 0:34:05.160
<v Speaker 1>this was really very, very special. And what it occurred

0:34:05.160 --> 0:34:08.239
<v Speaker 1>to me was that just being on it, people thought

0:34:08.239 --> 0:34:10.839
<v Speaker 1>I was funnier, because if you look, I don't have

0:34:10.880 --> 0:34:14.080
<v Speaker 1>that many jokes. I don't I didn't really. I had

0:34:14.120 --> 0:34:16.400
<v Speaker 1>to really work a lot harder at being funny on

0:34:16.440 --> 0:34:19.440
<v Speaker 1>things that weren't half as good so people would see

0:34:19.480 --> 0:34:21.280
<v Speaker 1>you on and they go, oh my god, you're so funny.

0:34:21.360 --> 0:34:23.200
<v Speaker 1>But here's the thing, though, when you say that, like

0:34:23.239 --> 0:34:25.200
<v Speaker 1>I look at that and I and I disagree and

0:34:25.280 --> 0:34:29.440
<v Speaker 1>go your timing of not being funny was equally as funny,

0:34:29.680 --> 0:34:33.200
<v Speaker 1>because to me, humor is not just about saying something funny.

0:34:33.400 --> 0:34:36.160
<v Speaker 1>It's also about sitting back and letting funny happy, letting

0:34:36.160 --> 0:34:38.839
<v Speaker 1>funny happen, and then hopping back in at a point

0:34:38.880 --> 0:34:40.640
<v Speaker 1>even if you're not funny, knowing when that point to

0:34:40.680 --> 0:34:42.920
<v Speaker 1>hop back in was know what, You're right, You're you're right,

0:34:42.960 --> 0:34:46.000
<v Speaker 1>You're right. I was very funny, you were. I thought

0:34:46.000 --> 0:34:49.160
<v Speaker 1>it was amazing, Like it's really one of my favorite episodes.

0:34:49.280 --> 0:34:50.960
<v Speaker 1>I mean, and then Michael Scotten's up in him by

0:34:51.000 --> 0:34:53.240
<v Speaker 1>himself having the party. Oh that's one of my favorite

0:34:53.239 --> 0:34:56.359
<v Speaker 1>lines is Jim and I do uh an inside joke?

0:34:56.440 --> 0:35:02.239
<v Speaker 1>He goes, huh part of joke. Not a fan of

0:35:02.280 --> 0:35:05.000
<v Speaker 1>that show. That's so crazy. Yeah, did you crack a

0:35:05.040 --> 0:35:07.480
<v Speaker 1>lot during that? Well, you know what, I was actually

0:35:07.560 --> 0:35:11.399
<v Speaker 1>pretty good at maintaining for the joke itself. But then

0:35:11.600 --> 0:35:14.000
<v Speaker 1>when when normally you would say cut because we're out

0:35:14.000 --> 0:35:16.040
<v Speaker 1>a dialogue that you'd be a fool to cut on

0:35:16.160 --> 0:35:18.480
<v Speaker 1>Steve or on Gen or any of them. So that's

0:35:18.480 --> 0:35:20.839
<v Speaker 1>when they would try a couple of other things. And

0:35:20.840 --> 0:35:23.959
<v Speaker 1>and those are the ones that sometimes you would you'd

0:35:23.960 --> 0:35:26.239
<v Speaker 1>lose it a little bit. But look, I was just

0:35:26.480 --> 0:35:28.799
<v Speaker 1>I'll tell you what, I was uncool when I went

0:35:28.840 --> 0:35:31.000
<v Speaker 1>to the office. I had been doing this a long time,

0:35:31.040 --> 0:35:32.640
<v Speaker 1>but I wasn't cool enough to be cool. I was

0:35:32.680 --> 0:35:34.160
<v Speaker 1>too much of a fan. It was like I'd want

0:35:34.160 --> 0:35:37.160
<v Speaker 1>a damn radio contest to go be on a show

0:35:37.239 --> 0:35:40.120
<v Speaker 1>that you love. Um. I was doing my best to

0:35:40.200 --> 0:35:42.040
<v Speaker 1>be good, but I have to admit, those are some

0:35:42.080 --> 0:35:44.720
<v Speaker 1>cool kids to be hanging around. It's like a high school.

0:35:44.960 --> 0:35:47.480
<v Speaker 1>And in retrospect there probably yeah, he was a little

0:35:47.520 --> 0:35:49.799
<v Speaker 1>bit uh you know, excited to be there. I bet

0:35:49.800 --> 0:35:52.279
<v Speaker 1>they would, but they couldn't have been kinder. I spent

0:35:52.719 --> 0:35:54.840
<v Speaker 1>you know, most of the time with with John, with

0:35:55.400 --> 0:35:58.600
<v Speaker 1>Ed helms Um, and we had a We had a

0:35:58.640 --> 0:36:01.200
<v Speaker 1>great time. It was one of the hardest lines I've

0:36:01.200 --> 0:36:04.319
<v Speaker 1>ever said in my life was when I'm offered the

0:36:04.400 --> 0:36:08.320
<v Speaker 1>job to take over it, uh you know, the Scranton branch,

0:36:08.640 --> 0:36:11.520
<v Speaker 1>and I said, well, actually, I have agreed to a

0:36:11.640 --> 0:36:14.440
<v Speaker 1>job that I'll be taking at Staples. And I remember

0:36:14.480 --> 0:36:17.480
<v Speaker 1>first reading that in my script, the line that basically

0:36:17.600 --> 0:36:21.759
<v Speaker 1>kills you off the show, and I was like, Ah,

0:36:22.239 --> 0:36:24.120
<v Speaker 1>what would happen if you just refused to say that?

0:36:25.320 --> 0:36:27.279
<v Speaker 1>What if I had just said, well, thank you very much,

0:36:27.400 --> 0:36:35.040
<v Speaker 1>accept your The producer like, oh damn, So let's let's

0:36:35.080 --> 0:36:38.360
<v Speaker 1>go back for a second to whose line, because I

0:36:38.400 --> 0:36:42.160
<v Speaker 1>watched whose line? And you know, I remember, uh, all

0:36:42.200 --> 0:36:45.160
<v Speaker 1>of you guys like Wayne and drewid hosted and Wayne

0:36:45.280 --> 0:36:47.239
<v Speaker 1>and I mean, you can go through the whole cast.

0:36:47.239 --> 0:36:49.319
<v Speaker 1>But I just didn't know how that was shot, Like

0:36:49.320 --> 0:36:50.799
<v Speaker 1>would you guys just call up a nail at every

0:36:50.840 --> 0:36:53.120
<v Speaker 1>time half hour? And no? No? That See, that's the

0:36:53.160 --> 0:36:55.520
<v Speaker 1>thing is the level of First of all it was

0:36:55.880 --> 0:36:57.680
<v Speaker 1>people always wonder how could it be so good at it?

0:36:58.000 --> 0:36:59.880
<v Speaker 1>It was perfect. I was like, you guys are improving

0:36:59.880 --> 0:37:03.399
<v Speaker 1>in are nailing every second every joe. So everybody would

0:37:03.440 --> 0:37:06.600
<v Speaker 1>think with improv that it wasn't really improvised. They were

0:37:06.600 --> 0:37:09.040
<v Speaker 1>always sure that we were given the topic, are the topic.

0:37:09.440 --> 0:37:12.440
<v Speaker 1>We were never given the topics. In fact, I contend

0:37:12.560 --> 0:37:15.279
<v Speaker 1>that it would be way harder to act like you

0:37:15.280 --> 0:37:17.440
<v Speaker 1>were thinking of something off the top of your head

0:37:18.000 --> 0:37:20.400
<v Speaker 1>than to actually think of something off the topic. And

0:37:20.480 --> 0:37:22.200
<v Speaker 1>something else I'll say is if you go back and

0:37:22.280 --> 0:37:26.600
<v Speaker 1>look at the transcripts, that's not like something you would

0:37:26.640 --> 0:37:29.840
<v Speaker 1>write if you're gonna You know, Greg always talks about

0:37:29.960 --> 0:37:32.359
<v Speaker 1>somebody heard he was on an improv show and watch

0:37:32.400 --> 0:37:35.120
<v Speaker 1>and said, why not prepare something funny? It was was

0:37:35.200 --> 0:37:37.799
<v Speaker 1>that guy's take you you can't really do that. Now.

0:37:37.840 --> 0:37:40.239
<v Speaker 1>What the trick was that nobody really thought of was

0:37:40.920 --> 0:37:44.600
<v Speaker 1>they just wouldn't air the crap. They wouldn't, you know, say,

0:37:44.600 --> 0:37:46.239
<v Speaker 1>you would take for a long period of time for

0:37:46.280 --> 0:37:48.479
<v Speaker 1>whose line. Yeah, you would take like maybe three hours,

0:37:48.480 --> 0:37:50.799
<v Speaker 1>maybe three and a half hours. Sometimes I think it

0:37:50.800 --> 0:37:52.600
<v Speaker 1>would be like that. I don't know, because you never

0:37:53.000 --> 0:37:55.439
<v Speaker 1>you never came down. You would even you would even

0:37:55.440 --> 0:37:57.719
<v Speaker 1>stop during commercial breaks. They would they would put the

0:37:57.719 --> 0:38:00.920
<v Speaker 1>commercial break in there. But while they were doing that,

0:38:01.040 --> 0:38:04.000
<v Speaker 1>it wasn't like we were towling down and just drinking water.

0:38:04.120 --> 0:38:06.600
<v Speaker 1>We had to keep that audience going. So we keep

0:38:06.640 --> 0:38:08.799
<v Speaker 1>giving each other crap or just you know, giving Drew

0:38:08.840 --> 0:38:10.719
<v Speaker 1>a hard time, or the director would come out and

0:38:10.840 --> 0:38:12.840
<v Speaker 1>Ryan would throw something at him. And so it was

0:38:12.880 --> 0:38:15.319
<v Speaker 1>like Colin who was on the show when I was on.

0:38:15.440 --> 0:38:17.080
<v Speaker 1>I was, I was one of the fourth chair guys.

0:38:17.160 --> 0:38:20.120
<v Speaker 1>It was Um, Wayne Brady and Ryan Styles and Colin

0:38:20.200 --> 0:38:23.360
<v Speaker 1>Mockery and then the fourth chair would rotate and between

0:38:23.400 --> 0:38:25.120
<v Speaker 1>a bunch of different, you know, great people, and it

0:38:25.160 --> 0:38:27.560
<v Speaker 1>was it was great to be on that. But that

0:38:27.640 --> 0:38:29.400
<v Speaker 1>meant I remember when I got I was on the

0:38:29.440 --> 0:38:31.480
<v Speaker 1>British one, and then I wasn't on for a little bit.

0:38:31.480 --> 0:38:35.239
<v Speaker 1>Who hosted the British Clive Anderson who was the British one,

0:38:35.320 --> 0:38:37.600
<v Speaker 1>he goes, you know, it was it was just a

0:38:37.640 --> 0:38:39.120
<v Speaker 1>little bit of a different ball game. In fact, that

0:38:39.160 --> 0:38:41.439
<v Speaker 1>started off as extremely British. It was a radio show.

0:38:41.440 --> 0:38:43.959
<v Speaker 1>Bobby started off in in England as a radio show.

0:38:44.280 --> 0:38:46.960
<v Speaker 1>So they would improvise just like we are sitting at

0:38:46.960 --> 0:38:48.960
<v Speaker 1>mix and create these things. And then they decided to

0:38:48.960 --> 0:38:51.000
<v Speaker 1>make a TV show out of it, and still very

0:38:51.000 --> 0:38:54.959
<v Speaker 1>British and still in that more British way, was very

0:38:55.040 --> 0:38:58.040
<v Speaker 1>cerebral and very verbal, so they would almost stand right

0:38:58.040 --> 0:39:00.759
<v Speaker 1>where they were. That's why the stage was probably so small. Um,

0:39:00.840 --> 0:39:04.240
<v Speaker 1>and then you started hiring Americans like Ryan and Colin

0:39:04.280 --> 0:39:07.280
<v Speaker 1>who would look like a velociraptor walking across this strager

0:39:07.560 --> 0:39:11.080
<v Speaker 1>or I remember Ryance was just a baby deer being born,

0:39:11.560 --> 0:39:14.120
<v Speaker 1>and that some of that way more physical stuff. And

0:39:14.120 --> 0:39:16.920
<v Speaker 1>then the Americans, you know, the British invasion came this way,

0:39:16.920 --> 0:39:19.120
<v Speaker 1>the American invasion of whose line went that way, and

0:39:19.160 --> 0:39:21.680
<v Speaker 1>then the whole show came here to the States. And

0:39:21.719 --> 0:39:23.840
<v Speaker 1>when it came back to the States, it was not

0:39:23.960 --> 0:39:25.799
<v Speaker 1>lost on me that here's these three guys that are

0:39:25.800 --> 0:39:28.720
<v Speaker 1>on every week. Andrew and and these guys my friends.

0:39:28.800 --> 0:39:31.640
<v Speaker 1>Ryan was my biggest supporter. He told those producers all

0:39:31.640 --> 0:39:33.759
<v Speaker 1>the time, you gotta get chipped on, and that meant

0:39:33.760 --> 0:39:35.360
<v Speaker 1>a lot to me. But I knew that when I

0:39:35.400 --> 0:39:37.239
<v Speaker 1>got on the show, it wasn't just a matter of

0:39:37.280 --> 0:39:40.600
<v Speaker 1>being funny. I had seen other people as in that

0:39:40.719 --> 0:39:43.800
<v Speaker 1>guest role, and I noticed that the ones that worked

0:39:43.960 --> 0:39:47.280
<v Speaker 1>didn't defer, didn't act like a guest at the party.

0:39:47.600 --> 0:39:51.000
<v Speaker 1>They acted like they belonged there as much as anybody.

0:39:51.200 --> 0:39:52.560
<v Speaker 1>And the way to do that is to throw a

0:39:52.600 --> 0:39:55.160
<v Speaker 1>few elbows and smack somebody else comedically in the face,

0:39:55.200 --> 0:39:58.319
<v Speaker 1>because it's like walking into your house. I would defer

0:39:58.320 --> 0:40:02.480
<v Speaker 1>a little bit, and you know, but um, I realized

0:40:02.520 --> 0:40:04.560
<v Speaker 1>that that didn't work there, So you just had The

0:40:04.680 --> 0:40:07.239
<v Speaker 1>first job was to act like you belonged, and then

0:40:07.239 --> 0:40:09.080
<v Speaker 1>once you act like you belong now you're just improvising,

0:40:09.080 --> 0:40:10.960
<v Speaker 1>and they want you to do that too, because it's

0:40:11.000 --> 0:40:12.959
<v Speaker 1>just like tennis with people that are putting the ball

0:40:13.080 --> 0:40:14.800
<v Speaker 1>right back on your racket, and they want you to

0:40:14.800 --> 0:40:17.359
<v Speaker 1>put it right back at them, very very hard. So

0:40:17.520 --> 0:40:20.879
<v Speaker 1>you know, it was just a matter of at first

0:40:20.880 --> 0:40:22.960
<v Speaker 1>of all, they're the funniest guys. I know, which you

0:40:23.080 --> 0:40:26.880
<v Speaker 1>feel because I have Pierre's friends, very close friends that

0:40:26.960 --> 0:40:28.520
<v Speaker 1>I think are so much better than me at what

0:40:28.600 --> 0:40:30.560
<v Speaker 1>I do, and we do the same thing. Like one

0:40:30.600 --> 0:40:32.520
<v Speaker 1>of my buddies has the biggest hip hoptional in the

0:40:32.560 --> 0:40:35.120
<v Speaker 1>country is named Charlemagne. I have a friend named Kennedy

0:40:35.120 --> 0:40:37.839
<v Speaker 1>who was on MTV uh she does Fox. She one

0:40:37.840 --> 0:40:40.279
<v Speaker 1>of my best friends. She's so smart, and we will

0:40:40.320 --> 0:40:43.040
<v Speaker 1>go to dinners together. It's like our little like group.

0:40:43.520 --> 0:40:47.840
<v Speaker 1>It's our group. We talk all we stay close, we confide,

0:40:47.880 --> 0:40:49.440
<v Speaker 1>we go to advice. But I feel like there's so

0:40:49.520 --> 0:40:52.759
<v Speaker 1>much brighter and quicker and funny that I just felt

0:40:52.800 --> 0:40:56.240
<v Speaker 1>so much pressure and I want to be as good

0:40:56.280 --> 0:40:58.600
<v Speaker 1>as they are. At the same time, I just respect

0:40:58.680 --> 0:41:01.279
<v Speaker 1>them so much. Did you feel that with those guys like, Wow,

0:41:01.280 --> 0:41:03.120
<v Speaker 1>these guys are so good. I've got to get to

0:41:03.160 --> 0:41:04.920
<v Speaker 1>that level, or do you just feel like I'm part

0:41:04.960 --> 0:41:08.480
<v Speaker 1>of the group. It was. It was when I was

0:41:08.520 --> 0:41:10.360
<v Speaker 1>in England that I felt I didn't know what the

0:41:10.400 --> 0:41:11.920
<v Speaker 1>group was and I didn't know how good they were

0:41:11.960 --> 0:41:13.960
<v Speaker 1>when I first got it, so that was not an issue.

0:41:14.320 --> 0:41:15.719
<v Speaker 1>And then when I was I was like, oh, man,

0:41:15.760 --> 0:41:18.520
<v Speaker 1>they're bringing it, so I gotta bring it. And then

0:41:18.560 --> 0:41:20.719
<v Speaker 1>I did, and then I started seeing how good that

0:41:20.760 --> 0:41:23.160
<v Speaker 1>people I was with were, and and it made me

0:41:23.200 --> 0:41:24.960
<v Speaker 1>think about them more. And when I started thinking about it,

0:41:25.000 --> 0:41:27.520
<v Speaker 1>I got less good and so I fell off for

0:41:27.560 --> 0:41:30.160
<v Speaker 1>a while. But when I got back on, I didn't

0:41:30.160 --> 0:41:31.919
<v Speaker 1>go to that place again. Now, I have to admit,

0:41:31.960 --> 0:41:35.360
<v Speaker 1>and the reason is, in any given moment, uh, what

0:41:35.480 --> 0:41:37.640
<v Speaker 1>you don't have is you're rarely on stage with those

0:41:37.800 --> 0:41:41.000
<v Speaker 1>peers of yours I had. I would sit in four chairs,

0:41:41.000 --> 0:41:43.000
<v Speaker 1>we'd all stepped to the end of the line, and

0:41:43.080 --> 0:41:44.600
<v Speaker 1>they would tell a joke and it would kill and

0:41:44.640 --> 0:41:46.319
<v Speaker 1>somebody else to do another joke, and then I would

0:41:46.320 --> 0:41:48.319
<v Speaker 1>step forward, and every once in a while I would

0:41:48.320 --> 0:41:51.759
<v Speaker 1>get the biggest laugh in any given moment, any of them,

0:41:51.880 --> 0:41:54.200
<v Speaker 1>any of us can kill. And we would realize that

0:41:54.200 --> 0:41:55.840
<v Speaker 1>on tour. We would tour with the larger groups, like

0:41:55.840 --> 0:41:57.640
<v Speaker 1>ten of us would go out in Las Vegas every

0:41:57.680 --> 0:42:00.400
<v Speaker 1>Super Bowl, Drew would bring like ten people to the

0:42:00.480 --> 0:42:02.799
<v Speaker 1>MGM Grand and at the beginning of the night they

0:42:02.800 --> 0:42:05.279
<v Speaker 1>would give all the applause the last people out, where

0:42:05.280 --> 0:42:07.319
<v Speaker 1>the people that everybody knew the most. You would end

0:42:07.320 --> 0:42:10.240
<v Speaker 1>with the biggest names, and the applause would gradually grow

0:42:10.640 --> 0:42:12.360
<v Speaker 1>so that by the very and the very people they

0:42:12.400 --> 0:42:14.880
<v Speaker 1>knew the most got the most applause. What we what

0:42:14.960 --> 0:42:16.680
<v Speaker 1>we always notice is at the end of the show,

0:42:17.120 --> 0:42:19.719
<v Speaker 1>the applause was based on what kind of show you had,

0:42:20.280 --> 0:42:22.520
<v Speaker 1>so it would it could totally change up. The first

0:42:22.520 --> 0:42:25.800
<v Speaker 1>guy introduced might have just been on fire and he

0:42:25.800 --> 0:42:28.239
<v Speaker 1>would get the biggest and people go crazy at the end.

0:42:28.480 --> 0:42:30.960
<v Speaker 1>And so we did know that on any given night,

0:42:31.120 --> 0:42:35.320
<v Speaker 1>anybody can can win the day. And and honestly, it's funny,

0:42:35.400 --> 0:42:37.719
<v Speaker 1>it's it's not you would think it would be way

0:42:37.719 --> 0:42:41.239
<v Speaker 1>more competitive. It's not. It's thrilling when somebody across from

0:42:41.239 --> 0:42:44.360
<v Speaker 1>you says something hilarious and it's not competitive. With my friends,

0:42:44.560 --> 0:42:47.400
<v Speaker 1>it's like, man, I just want to be that good.

0:42:47.719 --> 0:42:49.480
<v Speaker 1>Oh I look at them and go there that I

0:42:49.520 --> 0:42:50.759
<v Speaker 1>don't know if I can ever be that good? But

0:42:50.800 --> 0:42:54.280
<v Speaker 1>aren't they completely good in different ways? For some reason

0:42:54.320 --> 0:42:56.160
<v Speaker 1>they come to me too and go, hey, can you

0:42:56.160 --> 0:42:57.600
<v Speaker 1>help me with this? And I'm just blown away that

0:42:57.680 --> 0:43:00.799
<v Speaker 1>they're like, why do you need my help with thing? Well,

0:43:00.960 --> 0:43:03.000
<v Speaker 1>the thing is with comedy and when this thing we're doing,

0:43:03.480 --> 0:43:06.640
<v Speaker 1>and you guys too, you're different things in the stew,

0:43:07.120 --> 0:43:10.160
<v Speaker 1>like Ryan's a carrot and and you know Collins a

0:43:10.239 --> 0:43:14.359
<v Speaker 1>potato and I mean that literally for both of them. No, no, no,

0:43:14.360 --> 0:43:17.879
<v Speaker 1>I'm like, but but so I would never say how

0:43:17.880 --> 0:43:19.840
<v Speaker 1>can I be more potato e? Or how can I

0:43:19.880 --> 0:43:23.439
<v Speaker 1>be more carroty? I know that I had a different role,

0:43:23.600 --> 0:43:25.839
<v Speaker 1>and it's funny. Once you start to understand what your

0:43:25.920 --> 0:43:28.879
<v Speaker 1>role is, then you get to really be that thing.

0:43:29.000 --> 0:43:31.000
<v Speaker 1>I mean, I forget who said that somebody's famous and

0:43:31.280 --> 0:43:33.640
<v Speaker 1>learn what you are then go be that um And

0:43:34.000 --> 0:43:35.560
<v Speaker 1>we ended up getting to do that, and then they

0:43:35.560 --> 0:43:38.200
<v Speaker 1>rely on who your characters. Drew, for example, would always

0:43:38.280 --> 0:43:39.960
<v Speaker 1>know he was the guy that would be the butt

0:43:40.000 --> 0:43:42.719
<v Speaker 1>of the joke, and and he played that. That's not

0:43:42.840 --> 0:43:45.200
<v Speaker 1>always an easy play to character to play because you

0:43:45.239 --> 0:43:47.319
<v Speaker 1>can act to hurt in an audience is like oh

0:43:47.440 --> 0:43:49.560
<v Speaker 1>or you or just that, you know. So everybody had

0:43:49.560 --> 0:43:52.239
<v Speaker 1>their role and they made me honest to god, that's

0:43:52.239 --> 0:43:55.399
<v Speaker 1>probably the real answers. Those friends of mine. They made

0:43:55.480 --> 0:43:57.960
<v Speaker 1>me feel funny. So I have a clip hered of

0:43:58.000 --> 0:44:00.480
<v Speaker 1>how down from whose? Line? So? What does it? Mike

0:44:00.560 --> 0:44:03.640
<v Speaker 1>set me up here? Just the music. That was my

0:44:03.640 --> 0:44:06.840
<v Speaker 1>favorite bit on the show. So what was who? What was?

0:44:06.920 --> 0:44:09.840
<v Speaker 1>Hold down? Holdown? They start playing this and you just

0:44:09.880 --> 0:44:11.839
<v Speaker 1>had to make up a line. And if you went first,

0:44:11.840 --> 0:44:14.839
<v Speaker 1>it was the hardest because you had no time, right,

0:44:14.880 --> 0:44:16.400
<v Speaker 1>you had to just think of it quick, and you

0:44:16.520 --> 0:44:20.319
<v Speaker 1>usually first, right, I was first, Yeah, I'm um. So

0:44:20.400 --> 0:44:23.160
<v Speaker 1>it was tricky, although sometimes I liked first the most

0:44:23.560 --> 0:44:26.080
<v Speaker 1>because you've got a song you had to continue on. Yeah,

0:44:26.200 --> 0:44:28.840
<v Speaker 1>I get big on I'm sitting here with Bobby and

0:44:28.920 --> 0:44:32.000
<v Speaker 1>we're sitting in the chair, you know, and and and

0:44:32.120 --> 0:44:35.800
<v Speaker 1>then make it comes the woods. I see a Harry Bear.

0:44:36.600 --> 0:44:40.120
<v Speaker 1>He's gonna chase me. Now, he's gonna be a blaster

0:44:40.280 --> 0:44:42.399
<v Speaker 1>and I can't run that fast, but Bobby can run

0:44:42.440 --> 0:44:46.600
<v Speaker 1>faster or something something like that. And uh, they weren't

0:44:46.600 --> 0:44:50.360
<v Speaker 1>all that good, um, you know. But the thing was

0:44:50.360 --> 0:44:52.160
<v Speaker 1>you would get to gather your thoughts as quickly as

0:44:52.160 --> 0:44:54.200
<v Speaker 1>you could. And the good thing about going first is

0:44:54.560 --> 0:44:56.520
<v Speaker 1>when you went second, what would happen all the time

0:44:56.920 --> 0:44:59.200
<v Speaker 1>is that person in first part would steal your best

0:44:59.280 --> 0:45:02.839
<v Speaker 1>rhyme with steal your best joke and so um god,

0:45:02.920 --> 0:45:06.920
<v Speaker 1>people loved how down um? And those are some of

0:45:06.960 --> 0:45:10.800
<v Speaker 1>my favorite things. Two and it's funny real quickly. No,

0:45:10.960 --> 0:45:12.640
<v Speaker 1>you didn't even ask. One of the funny things that

0:45:12.880 --> 0:45:16.080
<v Speaker 1>people that try music improv and something even like howdown is,

0:45:16.800 --> 0:45:19.880
<v Speaker 1>they forget the concept of a punch line. So that

0:45:20.080 --> 0:45:25.480
<v Speaker 1>if if you're doing a song um about about um

0:45:25.680 --> 0:45:30.520
<v Speaker 1>this podcast, the line is UM gonna be um the

0:45:30.600 --> 0:45:33.520
<v Speaker 1>last the punch line would be podcast alright, so, or

0:45:33.560 --> 0:45:37.160
<v Speaker 1>maybe I'll make it Bobby Bones, um zona. But I'm

0:45:37.200 --> 0:45:40.360
<v Speaker 1>not here alone. I'm sitting in my chair beside Bobby

0:45:40.480 --> 0:45:44.879
<v Speaker 1>Bones and beside Bobby Bones. Right. So what people would

0:45:44.880 --> 0:45:46.520
<v Speaker 1>do is they mess up in what every amateur does

0:45:46.600 --> 0:45:49.000
<v Speaker 1>is they go, um, I'm here with Bobby Bones, but

0:45:49.080 --> 0:45:52.600
<v Speaker 1>that's okay because I am not alone. And it's like, wait,

0:45:53.040 --> 0:45:56.239
<v Speaker 1>that didn't pay off. That that was the rhyme that

0:45:56.360 --> 0:45:58.799
<v Speaker 1>you wanted to set up. The thing the feeling of

0:45:58.880 --> 0:46:03.120
<v Speaker 1>resolution when you say the thing that clinics um. You know,

0:46:03.200 --> 0:46:05.000
<v Speaker 1>you get what I mean. It's not it's not like

0:46:05.000 --> 0:46:07.400
<v Speaker 1>your name is some huge punch line, but it's the

0:46:07.520 --> 0:46:09.920
<v Speaker 1>It's the more satisfying way to do it. Otherwise you

0:46:10.000 --> 0:46:12.160
<v Speaker 1>say the thing and then anybody can come up with

0:46:12.200 --> 0:46:14.400
<v Speaker 1>the thing that rhymes with Bobby bones and it doesn't

0:46:14.400 --> 0:46:18.040
<v Speaker 1>really point to anything. So um, there was one I did,

0:46:18.200 --> 0:46:22.880
<v Speaker 1>um and sometimes you would have to actually have a

0:46:23.640 --> 0:46:25.600
<v Speaker 1>a punch a punch line itself. And these jokes. I

0:46:25.600 --> 0:46:28.640
<v Speaker 1>did one about Colin. It was about drinking, and um,

0:46:28.680 --> 0:46:32.279
<v Speaker 1>I talked about his His mother drank when she was pregnant. Sorry,

0:46:32.360 --> 0:46:35.359
<v Speaker 1>that's the truth. When they took her her blood, her

0:46:35.719 --> 0:46:38.959
<v Speaker 1>her blood was a d proof. Um. The doctors felt

0:46:38.960 --> 0:46:40.640
<v Speaker 1>so bad. They didn't know what to do. But if

0:46:40.680 --> 0:46:43.040
<v Speaker 1>your baby looked like Colin, then you'd be drinking too,

0:46:44.000 --> 0:46:46.120
<v Speaker 1>was was you know? And and and it's not. That's

0:46:46.120 --> 0:46:48.480
<v Speaker 1>the thing is it's not the funniest joke in the world.

0:46:48.480 --> 0:46:52.040
<v Speaker 1>But number one, it rhymed in the right order, and

0:46:52.080 --> 0:46:53.799
<v Speaker 1>the punch line came at the end. And number two

0:46:53.960 --> 0:46:56.960
<v Speaker 1>they just watched you think of it. That's always the

0:46:57.000 --> 0:46:58.360
<v Speaker 1>magic of it, and it is a little bit like

0:46:58.440 --> 0:47:01.520
<v Speaker 1>magic that um it seems like a magic trick, which

0:47:01.560 --> 0:47:03.759
<v Speaker 1>is why sometimes it's even more exciting in person. I

0:47:03.800 --> 0:47:05.520
<v Speaker 1>don't know if you've been to a vive improv show,

0:47:06.000 --> 0:47:08.040
<v Speaker 1>but you know how you watched magic on TV. There's

0:47:08.040 --> 0:47:09.480
<v Speaker 1>always somewhere in the back of your head, well yeah,

0:47:09.480 --> 0:47:12.080
<v Speaker 1>it's on TV. Yeah, but if you're sitting there, I mean,

0:47:12.120 --> 0:47:14.600
<v Speaker 1>if you're sitting somebody did it. I was over at

0:47:14.719 --> 0:47:16.520
<v Speaker 1>um Tin Ruth the other night and this guy came

0:47:16.560 --> 0:47:18.040
<v Speaker 1>by doing card tricks and he did that thing. I

0:47:18.080 --> 0:47:19.520
<v Speaker 1>wrote my name on a card and he put in

0:47:19.520 --> 0:47:22.440
<v Speaker 1>his and I was like, if that had been on TV,

0:47:23.719 --> 0:47:25.520
<v Speaker 1>but it was right in front of me, So that's

0:47:25.560 --> 0:47:27.480
<v Speaker 1>improvs Like that, it freaks you out. I had friends

0:47:27.520 --> 0:47:30.319
<v Speaker 1>that would come to the Groundlings Stater did it and

0:47:30.360 --> 0:47:34.400
<v Speaker 1>they just didn't believe it was improvised. Actually I was

0:47:34.440 --> 0:47:37.000
<v Speaker 1>not a Groundling because I was I took all their classes.

0:47:37.000 --> 0:47:39.880
<v Speaker 1>It was like you start with basic, Intermediate, Lab, Advanced,

0:47:40.200 --> 0:47:43.640
<v Speaker 1>did all that got into the Sunday Show. Did when

0:47:43.719 --> 0:47:46.239
<v Speaker 1>in the Sunday Show would be like the JV and

0:47:46.280 --> 0:47:48.399
<v Speaker 1>it's from the Sunday Show. You're generaling this Sunday Show

0:47:48.400 --> 0:47:50.439
<v Speaker 1>about six months or maybe a year, and from that

0:47:50.640 --> 0:47:52.879
<v Speaker 1>they get the new ground Links. So I was there

0:47:52.880 --> 0:47:55.040
<v Speaker 1>almost a year and a half, two years, taking all

0:47:55.080 --> 0:47:57.200
<v Speaker 1>these classes and getting high and hirh get in the

0:47:57.239 --> 0:48:02.320
<v Speaker 1>Sunday Show, did one Sunday Show and I got Buddy Holly,

0:48:02.400 --> 0:48:04.680
<v Speaker 1>and I moved to London, say even to London to

0:48:04.760 --> 0:48:07.400
<v Speaker 1>the stage show Buddy Holly. Yep. So was there anyone

0:48:07.800 --> 0:48:10.160
<v Speaker 1>that you were training within the ground Lings that ended

0:48:10.239 --> 0:48:11.960
<v Speaker 1>up being a big deal because they put out a

0:48:12.000 --> 0:48:15.320
<v Speaker 1>lot of famous people. Yeah, I was actually right before

0:48:15.400 --> 0:48:17.920
<v Speaker 1>a lot of them. I was sort of in between. Um.

0:48:18.160 --> 0:48:20.040
<v Speaker 1>Uh Phil Hartman had been just a few years and

0:48:20.120 --> 0:48:24.399
<v Speaker 1>John Lovett's right, what geniuses You're right, especially I mean

0:48:24.600 --> 0:48:27.200
<v Speaker 1>especially Phil. I mean anybody at the Groundlings would say

0:48:27.200 --> 0:48:29.759
<v Speaker 1>that he was auto unique and born to be on

0:48:29.800 --> 0:48:32.120
<v Speaker 1>that SNL stage because he could play all those characters,

0:48:32.160 --> 0:48:34.080
<v Speaker 1>but all those things, so many of his earlier characters

0:48:34.320 --> 0:48:36.200
<v Speaker 1>happened right there on the Groundling stage. And he was

0:48:36.239 --> 0:48:41.680
<v Speaker 1>actually um a mentor towards uh um Julia um Sweeney

0:48:41.800 --> 0:48:45.040
<v Speaker 1>who it's patch, she was there too, And then right

0:48:45.080 --> 0:48:48.560
<v Speaker 1>behind me was Will Ferrell. When I went off to London,

0:48:48.640 --> 0:48:51.320
<v Speaker 1>Will came in right after and was joined was in

0:48:51.360 --> 0:48:55.280
<v Speaker 1>the Groundlings and Will Farrell and Chris Ktan and Cherry Oh, Terry,

0:48:55.320 --> 0:48:57.040
<v Speaker 1>and I mean it really wasn't training ground for us

0:48:57.040 --> 0:48:59.520
<v Speaker 1>to now. I mean that's where they went to find yeah,

0:48:59.560 --> 0:49:01.040
<v Speaker 1>because it there was there were a few of them.

0:49:01.040 --> 0:49:03.080
<v Speaker 1>There was one in Chicago, there was one in l A.

0:49:03.160 --> 0:49:06.040
<v Speaker 1>There was one, but that was really one of oh man, Yeah,

0:49:06.120 --> 0:49:08.680
<v Speaker 1>I mean I couldn't do justice to the actual list.

0:49:09.080 --> 0:49:10.440
<v Speaker 1>You would have to go look at it and you'd

0:49:10.480 --> 0:49:13.040
<v Speaker 1>be blown away because it wasn't just improv at the Groundlings.

0:49:13.320 --> 0:49:15.719
<v Speaker 1>Most of it was sketch work. You would That's what

0:49:15.800 --> 0:49:17.360
<v Speaker 1>actually brought me there when I first went to l A.

0:49:17.400 --> 0:49:19.560
<v Speaker 1>I mean, I was so respect you doing stand up

0:49:19.560 --> 0:49:21.560
<v Speaker 1>because I've tried it. I went out when I first

0:49:21.560 --> 0:49:23.160
<v Speaker 1>went to l A. And you can't just jump in

0:49:23.200 --> 0:49:24.719
<v Speaker 1>a movie or jump in a TV show, but you

0:49:24.760 --> 0:49:26.719
<v Speaker 1>can jump up on a stage with a microphone. They'll

0:49:26.800 --> 0:49:29.560
<v Speaker 1>let you do that every Wednesday at certain places. So

0:49:29.600 --> 0:49:32.200
<v Speaker 1>I remember going to the comedy store on Sunset Boulevard

0:49:32.480 --> 0:49:35.640
<v Speaker 1>wrote this horrible little five minutes, and I remember getting

0:49:35.680 --> 0:49:37.920
<v Speaker 1>up and I had a guitar and I had a

0:49:37.920 --> 0:49:41.640
<v Speaker 1>couple of funny songs to sing, and um. I remember

0:49:41.880 --> 0:49:44.680
<v Speaker 1>the first reson I learned is you gotta be talking immediately,

0:49:44.719 --> 0:49:46.319
<v Speaker 1>because I was silent and I was setting up my

0:49:46.360 --> 0:49:48.839
<v Speaker 1>mic and my head was down and getting everything ready,

0:49:48.840 --> 0:49:50.600
<v Speaker 1>and I look up and it's been dead silent for

0:49:50.680 --> 0:49:55.759
<v Speaker 1>thirty seconds. And I was so scared. I remember my

0:49:55.840 --> 0:49:59.440
<v Speaker 1>knees knock and my mouth was foamy. I was freaking out,

0:49:59.680 --> 0:50:02.000
<v Speaker 1>and I in my horrible five minutes and I got

0:50:02.000 --> 0:50:03.960
<v Speaker 1>off and I went into the bathroom. And this was

0:50:04.000 --> 0:50:06.440
<v Speaker 1>one of the most pivotal things for me ever, was

0:50:06.480 --> 0:50:08.840
<v Speaker 1>I went into that bathroom at the comedy store and

0:50:08.920 --> 0:50:11.799
<v Speaker 1>I looked into the mirror, and I was just so

0:50:12.000 --> 0:50:17.040
<v Speaker 1>furious with myself, just furious because it was instantly clear

0:50:17.040 --> 0:50:18.759
<v Speaker 1>to me that as I walked off the stage, even

0:50:18.760 --> 0:50:21.160
<v Speaker 1>before I got to the stages, this is what you

0:50:21.200 --> 0:50:22.959
<v Speaker 1>want to do for a living, not stand up perhaps,

0:50:23.040 --> 0:50:24.920
<v Speaker 1>but standing in front of people and performing. You want

0:50:24.920 --> 0:50:27.080
<v Speaker 1>to do this for the rest of your life. And

0:50:27.120 --> 0:50:31.720
<v Speaker 1>you're gonna let two strangers that you will never see again,

0:50:31.960 --> 0:50:34.919
<v Speaker 1>half of whom are in the bag. You're gonna let

0:50:34.960 --> 0:50:37.840
<v Speaker 1>them petrify you like that. You're gonna let them freak

0:50:37.880 --> 0:50:39.759
<v Speaker 1>you out like that? So how did that change you?

0:50:40.719 --> 0:50:44.200
<v Speaker 1>I went back a week later with the same middling

0:50:44.280 --> 0:50:47.719
<v Speaker 1>material and did it again, and it wasn't even a

0:50:47.719 --> 0:50:50.600
<v Speaker 1>little scared. It was. It was so it was so

0:50:51.040 --> 0:50:53.839
<v Speaker 1>binary and on off switch because I was way more

0:50:53.880 --> 0:50:55.160
<v Speaker 1>afraid of me and what it was. It was a

0:50:55.239 --> 0:50:58.880
<v Speaker 1>perception perception thing. I perceived the whole thing differently. I

0:50:58.920 --> 0:51:00.920
<v Speaker 1>didn't perceive that I need it to be great right then.

0:51:00.960 --> 0:51:03.120
<v Speaker 1>I perceived that I needed to not give and not

0:51:03.160 --> 0:51:05.200
<v Speaker 1>be afraid of them, not just I needed to be

0:51:05.239 --> 0:51:07.640
<v Speaker 1>able to breathe on stage. So I just got up

0:51:07.680 --> 0:51:10.920
<v Speaker 1>and I just stood there and and and then I

0:51:10.960 --> 0:51:12.239
<v Speaker 1>was able to do it a couple of other times,

0:51:12.239 --> 0:51:13.960
<v Speaker 1>and it quickly became clear to me that it wasn't

0:51:14.000 --> 0:51:15.960
<v Speaker 1>my thing. I'm not that solitary a guy. I'm a

0:51:16.080 --> 0:51:20.839
<v Speaker 1>more um social person and I'd like interacting and and

0:51:20.920 --> 0:51:23.719
<v Speaker 1>also not knowing anybody. It was a really bad way

0:51:23.719 --> 0:51:27.640
<v Speaker 1>to uh did network. I wasn't meeting anybody. Um and

0:51:27.680 --> 0:51:29.640
<v Speaker 1>a couple of comics I met, I would feel like

0:51:29.640 --> 0:51:32.000
<v Speaker 1>we'd be talking and have a conversation and I was like, Oh,

0:51:32.040 --> 0:51:34.360
<v Speaker 1>this guy's cool and he's funny man and then like

0:51:34.400 --> 0:51:36.520
<v Speaker 1>an hour later, I go that dude was trying out

0:51:36.520 --> 0:51:39.360
<v Speaker 1>his whole act on me. He get up there and

0:51:39.360 --> 0:51:42.120
<v Speaker 1>say all those same bits and if you laugh during

0:51:42.120 --> 0:51:44.759
<v Speaker 1>the conversation and like, oh man, I didn't know my

0:51:44.760 --> 0:51:47.319
<v Speaker 1>friends sometimes and they don't even know I got you stuff,

0:51:47.360 --> 0:51:52.120
<v Speaker 1>but like and they didn't laugh. And that's what we do.

0:51:52.239 --> 0:51:54.239
<v Speaker 1>We have to find a training now, because here's the

0:51:54.280 --> 0:51:56.640
<v Speaker 1>difference is that I can sit in my room and

0:51:56.719 --> 0:51:58.000
<v Speaker 1>for us when we do the reging and it's a

0:51:58.000 --> 0:51:59.799
<v Speaker 1>whole different show. I can sit do around, I can

0:51:59.840 --> 0:52:02.440
<v Speaker 1>pla guitar, and I can practice. I can practice uh

0:52:02.600 --> 0:52:07.839
<v Speaker 1>chords and and fingering and muscle memory. And then you

0:52:07.880 --> 0:52:10.600
<v Speaker 1>can't practice on stage. You have to get up and fail,

0:52:10.800 --> 0:52:12.959
<v Speaker 1>and you have to be confident that you're going to fail,

0:52:13.239 --> 0:52:16.080
<v Speaker 1>and then it's okay, well you're never going to make

0:52:16.200 --> 0:52:17.920
<v Speaker 1>This is why I'm so impressed with what you do,

0:52:18.000 --> 0:52:20.560
<v Speaker 1>because I'm I've often thought of what if I went back. Now,

0:52:20.640 --> 0:52:23.120
<v Speaker 1>I have points of view, now, I have things I

0:52:23.200 --> 0:52:25.040
<v Speaker 1>might like to say. I might be able to do that,

0:52:25.080 --> 0:52:27.040
<v Speaker 1>but I know you gotta suck for a while, or

0:52:27.120 --> 0:52:30.880
<v Speaker 1>you gotta be um find your material. Even the best

0:52:30.960 --> 0:52:34.359
<v Speaker 1>comics go into little clubs and and there's some now,

0:52:34.600 --> 0:52:36.560
<v Speaker 1>some of the bigger ones, I think Chris Rock and

0:52:36.600 --> 0:52:38.759
<v Speaker 1>the others where everybody has to put their cell phone

0:52:38.760 --> 0:52:41.960
<v Speaker 1>in the back. And because you know that all these

0:52:42.040 --> 0:52:44.479
<v Speaker 1>comics they got great with that to suck for a while.

0:52:44.520 --> 0:52:47.200
<v Speaker 1>It's the ten thousand world. They got great by being

0:52:47.200 --> 0:52:49.800
<v Speaker 1>bad for ten And you how do you do that?

0:52:49.880 --> 0:52:52.239
<v Speaker 1>You suck for a long time, but you suck and

0:52:52.280 --> 0:52:53.839
<v Speaker 1>you get better and you get better until you hit

0:52:53.880 --> 0:52:55.799
<v Speaker 1>it and then you accord it. Then you're done. You

0:52:55.800 --> 0:52:58.560
<v Speaker 1>gotta start sucking again. Yeah, that's the weird part about

0:52:58.600 --> 0:52:59.880
<v Speaker 1>it all, because well, I'm gonna do the comedies a

0:53:00.040 --> 0:53:03.719
<v Speaker 1>shell in March or April the next year, like a

0:53:03.800 --> 0:53:06.319
<v Speaker 1>special special that we haven't announced it. But it's like

0:53:06.360 --> 0:53:08.520
<v Speaker 1>we've been building and getting better and getting better, and

0:53:08.600 --> 0:53:09.920
<v Speaker 1>I know as soon as we do the special, all

0:53:09.920 --> 0:53:12.640
<v Speaker 1>that material is dead because you've done it. It's not

0:53:12.680 --> 0:53:14.319
<v Speaker 1>like a song where you can hear it thirty times.

0:53:14.360 --> 0:53:15.799
<v Speaker 1>You know, there's there's a real debate on that. There

0:53:16.080 --> 0:53:18.080
<v Speaker 1>goes back and forth. There's a there's a book I

0:53:18.080 --> 0:53:20.160
<v Speaker 1>gotta I gotta give you a fantastic book I just read.

0:53:20.160 --> 0:53:23.680
<v Speaker 1>I guess I'm I can remember Steve Martin would do

0:53:23.680 --> 0:53:25.799
<v Speaker 1>this some of the because I'm huge Steve Martin, like

0:53:26.080 --> 0:53:28.640
<v Speaker 1>one of Steve Martin did something remarkable in his career

0:53:28.680 --> 0:53:31.000
<v Speaker 1>that I have seen no one do, and that is

0:53:31.680 --> 0:53:34.280
<v Speaker 1>retire at the top of his game and not tell anybody.

0:53:34.719 --> 0:53:37.239
<v Speaker 1>He was just the greatest and was like I quit.

0:53:37.280 --> 0:53:39.880
<v Speaker 1>He didn't tell anybody quit. He just quit. But he

0:53:40.000 --> 0:53:42.440
<v Speaker 1>but he people knew his jokes. Well, that's the thing

0:53:42.480 --> 0:53:45.319
<v Speaker 1>this this book. I was reading Judd Apatow's since he

0:53:45.400 --> 0:53:47.600
<v Speaker 1>was really young. Wasn't just a stand up, but he

0:53:47.600 --> 0:53:49.600
<v Speaker 1>would interview all these stand ups, so he has interviews

0:53:49.600 --> 0:53:52.080
<v Speaker 1>with his kids. He would have them. Yeah, exactly, I'm

0:53:52.080 --> 0:53:53.840
<v Speaker 1>trying to remember this. It's crazy in the head or

0:53:53.840 --> 0:53:55.960
<v Speaker 1>something like that. I'm getting the title wrong. In any

0:53:56.000 --> 0:53:59.840
<v Speaker 1>event um, there was a debate within there with some people.

0:53:59.840 --> 0:54:01.960
<v Speaker 1>To Jared Seinfeld, I guess it is one of the

0:54:02.000 --> 0:54:04.240
<v Speaker 1>few that says you don't have to retire anything. People

0:54:04.440 --> 0:54:07.080
<v Speaker 1>don't mind hearing that joke again if it's funny, but

0:54:07.120 --> 0:54:09.440
<v Speaker 1>I i'd be in your camp. I would feel like, oh,

0:54:09.520 --> 0:54:11.200
<v Speaker 1>they've heard this one. That's the worst. I start to

0:54:11.200 --> 0:54:13.080
<v Speaker 1>feel like, oh, they already know where does it go?

0:54:13.360 --> 0:54:15.200
<v Speaker 1>And I needed to get better and man, maybe that's

0:54:15.200 --> 0:54:17.680
<v Speaker 1>a personal thing with me like you. But even if

0:54:17.680 --> 0:54:19.880
<v Speaker 1>it is a personal thing, you gotta you can't fight it.

0:54:20.000 --> 0:54:22.719
<v Speaker 1>You get is get But how do you what is

0:54:22.760 --> 0:54:25.520
<v Speaker 1>your thing like when you're on stage? If when something

0:54:25.560 --> 0:54:27.960
<v Speaker 1>wouldn't work, that's the thing I realized, when something wouldn't

0:54:27.960 --> 0:54:30.759
<v Speaker 1>work in improv we can you know, we always get

0:54:30.800 --> 0:54:34.080
<v Speaker 1>to go what I just made it up? Don't judge me.

0:54:34.480 --> 0:54:36.200
<v Speaker 1>You know it's not so easy, is it? Um? And

0:54:36.440 --> 0:54:38.879
<v Speaker 1>the other thing is if something if I said something

0:54:38.960 --> 0:54:41.560
<v Speaker 1>that wasn't funny, I got three other guys to go. Really,

0:54:41.719 --> 0:54:43.640
<v Speaker 1>that's that's what you're gonna go with and the audience

0:54:43.640 --> 0:54:46.600
<v Speaker 1>would die laughing at how bad the thing I said was.

0:54:46.920 --> 0:54:48.399
<v Speaker 1>So what do you do? Do you embrace the suck

0:54:48.480 --> 0:54:50.120
<v Speaker 1>when it goes bad? Or what do you do? You

0:54:50.200 --> 0:54:53.120
<v Speaker 1>know that it's the loneliest place in the world before

0:54:53.160 --> 0:54:54.960
<v Speaker 1>you go out there, there's no one to lean on,

0:54:55.040 --> 0:54:57.959
<v Speaker 1>there's nowhere to fall back. It's it's when you miss,

0:54:57.960 --> 0:54:59.560
<v Speaker 1>and you shouldn't miss a lot, and I do you

0:54:59.600 --> 0:55:02.759
<v Speaker 1>have to you have when you miss, it's awful. When

0:55:02.760 --> 0:55:05.359
<v Speaker 1>you hit, it's the most amazing thing. So you really

0:55:05.400 --> 0:55:07.279
<v Speaker 1>play for the amazing nous. But we cross to your

0:55:07.320 --> 0:55:11.200
<v Speaker 1>head after a miss interception. You have to be the

0:55:11.239 --> 0:55:13.440
<v Speaker 1>quarterback that throws in. You gotta be Aaron Rodgers, the

0:55:13.480 --> 0:55:14.960
<v Speaker 1>thirst three picks in the game and gets back up

0:55:15.000 --> 0:55:17.600
<v Speaker 1>and continues. And if you don't have that mentality, it's

0:55:17.640 --> 0:55:19.960
<v Speaker 1>just not for you because you will throw a lot

0:55:20.000 --> 0:55:22.640
<v Speaker 1>of interceptions. Yeah, you know, it's it's very That's something

0:55:22.680 --> 0:55:24.560
<v Speaker 1>that's very common with improv is. I used to say

0:55:24.560 --> 0:55:26.480
<v Speaker 1>that you have to rip out the rear view mirror

0:55:27.239 --> 0:55:30.319
<v Speaker 1>because every second you're looking in that rear view mirror,

0:55:30.400 --> 0:55:32.839
<v Speaker 1>that thing that you could have made funnier twenty seconds ago,

0:55:32.920 --> 0:55:35.120
<v Speaker 1>you're gonna go right into a brick wall. So and

0:55:35.200 --> 0:55:37.960
<v Speaker 1>take that out and you move forward. But I'm even

0:55:38.000 --> 0:55:39.960
<v Speaker 1>talking about that thing where you tell a joke and

0:55:39.960 --> 0:55:43.880
<v Speaker 1>it gets sort of a go anyway that I know

0:55:43.960 --> 0:55:47.640
<v Speaker 1>the next thing. Just move, Just move, just go to

0:55:47.680 --> 0:55:50.600
<v Speaker 1>the next thing. And there are jokes that I've I've

0:55:50.719 --> 0:55:54.000
<v Speaker 1>worried about and that I wonder and I don't ever

0:55:54.400 --> 0:55:56.839
<v Speaker 1>share my act any you know, because I just wait

0:55:56.880 --> 0:55:58.120
<v Speaker 1>for But there was one joke that I told in

0:55:58.160 --> 0:56:00.120
<v Speaker 1>particular that I tried it out because what happened. I

0:56:00.120 --> 0:56:01.640
<v Speaker 1>had a weekend off, which is awful for me. I

0:56:01.640 --> 0:56:04.000
<v Speaker 1>don't like to have weekends off. And so I was like, no,

0:56:04.080 --> 0:56:07.160
<v Speaker 1>I'm gonna go to theater down in uh Franklin and

0:56:07.200 --> 0:56:08.879
<v Speaker 1>I'll do two shows back to back. So I wanted

0:56:08.880 --> 0:56:11.839
<v Speaker 1>to work just new material. And so the problem was

0:56:12.280 --> 0:56:15.000
<v Speaker 1>some of the critics and blogs and press wanted to

0:56:15.040 --> 0:56:16.200
<v Speaker 1>cover it. And I was like, oh, great, I can't

0:56:16.239 --> 0:56:18.520
<v Speaker 1>just go work new material if people are gonna come

0:56:18.560 --> 0:56:21.439
<v Speaker 1>out and watch it. But I still had the two

0:56:21.440 --> 0:56:23.239
<v Speaker 1>shows and I wanted to throw some new stuff in.

0:56:23.600 --> 0:56:25.360
<v Speaker 1>And I had written this joke this day, and I

0:56:25.400 --> 0:56:26.840
<v Speaker 1>was like, oh, I don't know if I should try it.

0:56:26.920 --> 0:56:32.960
<v Speaker 1>And the joke was it was and it's already happened.

0:56:33.040 --> 0:56:36.040
<v Speaker 1>It's not me and and I don't ever just sit

0:56:36.160 --> 0:56:38.560
<v Speaker 1>after a joke and wait, like more of my stylists

0:56:38.560 --> 0:56:41.759
<v Speaker 1>tell the joke, and I'm moving, I'm quick, I'm quick,

0:56:41.760 --> 0:56:44.160
<v Speaker 1>I'm quick, I'm quick, and sometimes they missed, sometimes they don't.

0:56:44.600 --> 0:56:48.000
<v Speaker 1>But the joke was, you know, finding an uber driver

0:56:48.560 --> 0:56:50.879
<v Speaker 1>is like, I've been an uber. I think I would

0:56:50.880 --> 0:56:52.440
<v Speaker 1>not stop talking. I think I would not stop talking.

0:56:52.600 --> 0:56:54.080
<v Speaker 1>And I was like finding a good uber drivers like

0:56:54.120 --> 0:56:57.440
<v Speaker 1>finding um a good woman. Because I've been single a

0:56:57.480 --> 0:56:59.200
<v Speaker 1>long time. I had I had let up into all

0:56:59.200 --> 0:57:01.759
<v Speaker 1>this singleness joke. They have apps for that too, Yeah,

0:57:01.800 --> 0:57:04.200
<v Speaker 1>they I tried him. It's like finding a good uber

0:57:04.280 --> 0:57:07.480
<v Speaker 1>drivers like finding a good woman. Either talk all the

0:57:07.520 --> 0:57:10.120
<v Speaker 1>time that either don't stop talking or they don't let

0:57:10.160 --> 0:57:16.200
<v Speaker 1>you do but stuff. And I just sat and I

0:57:16.360 --> 0:57:19.800
<v Speaker 1>let and I let them, and I let the crowd go.

0:57:22.520 --> 0:57:27.920
<v Speaker 1>I let the crowd go, and then they started it.

0:57:28.320 --> 0:57:30.840
<v Speaker 1>And there's never a more vulnerable moment than when you

0:57:30.880 --> 0:57:33.560
<v Speaker 1>say that either don't stop talking or they don't let

0:57:33.600 --> 0:57:36.880
<v Speaker 1>you do butt stuff talking about an uber dry and

0:57:36.920 --> 0:57:38.680
<v Speaker 1>it was a really hard spot for me just to

0:57:38.760 --> 0:57:42.240
<v Speaker 1>sit and wait. Well, that's that's fascinating because so much

0:57:42.280 --> 0:57:43.840
<v Speaker 1>what you do on the radio, you don't get to

0:57:43.960 --> 0:57:45.960
<v Speaker 1>learn the timing of it all. It's a completely it's

0:57:45.960 --> 0:57:47.920
<v Speaker 1>two different things. So you wouldn't have a clue that differing,

0:57:48.000 --> 0:57:49.840
<v Speaker 1>but you would. You were wise to know that that

0:57:49.920 --> 0:57:53.840
<v Speaker 1>required math. They had to do the math on Wait

0:57:53.880 --> 0:57:56.720
<v Speaker 1>a second, that is he's talking about an uber and

0:57:56.720 --> 0:57:59.240
<v Speaker 1>then they get and it's just so absurd exactly what

0:57:59.360 --> 0:58:02.680
<v Speaker 1>let me ask you, I haven't seeing the app They

0:58:02.800 --> 0:58:05.240
<v Speaker 1>get there faster when the jokes are like that. My

0:58:05.320 --> 0:58:07.000
<v Speaker 1>problem was as some of my jokes would be one

0:58:07.000 --> 0:58:08.560
<v Speaker 1>way and then I would do the absurd one. And

0:58:08.560 --> 0:58:10.560
<v Speaker 1>if they're not expect you know, Steve Martin, you knew

0:58:10.560 --> 0:58:13.040
<v Speaker 1>the absurd one was coming, was Stephen right? You know

0:58:13.200 --> 0:58:15.800
<v Speaker 1>the absurdance coming, So they're faster to it. But if

0:58:15.800 --> 0:58:18.640
<v Speaker 1>you're not dealing pitches like that, then they it takes

0:58:18.680 --> 0:58:20.200
<v Speaker 1>them a second longer to catch. Is that a lot

0:58:20.200 --> 0:58:23.440
<v Speaker 1>of them or is that very That one is unlike

0:58:23.440 --> 0:58:28.440
<v Speaker 1>any other, and it's it's a very vulnerable feeling sitting

0:58:28.480 --> 0:58:31.160
<v Speaker 1>and waiting because as I sit there and waited, I

0:58:31.240 --> 0:58:34.920
<v Speaker 1>just waited and if nobody laughs, you're you're isolated, and

0:58:34.960 --> 0:58:38.400
<v Speaker 1>then you just go to the next joke. But they laughed.

0:58:38.520 --> 0:58:40.920
<v Speaker 1>Do you ever watching Andy Kaufman. That's my hero, It's

0:58:40.960 --> 0:58:43.320
<v Speaker 1>my hero any conference my hero, like David Letterman is

0:58:43.360 --> 0:58:45.320
<v Speaker 1>my real life hero of my lifetime. Like I was

0:58:45.360 --> 0:58:48.280
<v Speaker 1>able to watch Andy Kaufman, to me, is the most brilliant.

0:58:48.400 --> 0:58:51.000
<v Speaker 1>The name was a comic performer that I have ever seen.

0:58:51.640 --> 0:58:53.440
<v Speaker 1>I just went down the Andy. I went down that

0:58:53.520 --> 0:58:56.880
<v Speaker 1>rabbit hole the other night on YouTube was watching Jerry Lawler. Uh,

0:58:56.920 --> 0:58:59.880
<v Speaker 1>there's a great Jerry Lawler interview about that whole thing

0:59:00.000 --> 0:59:02.120
<v Speaker 1>I did. The wrestling thing that Andy did, that he

0:59:02.120 --> 0:59:04.480
<v Speaker 1>would wrestle women. For those who don't know, Andy was

0:59:04.560 --> 0:59:07.080
<v Speaker 1>the woman's wrestling champion. No woman could beat him wrestling.

0:59:07.920 --> 0:59:10.640
<v Speaker 1>And he finally said that this Jerry Lawler, and nobody

0:59:10.640 --> 0:59:12.880
<v Speaker 1>would nobody would have him wrestle guys up north. But

0:59:12.920 --> 0:59:14.400
<v Speaker 1>there's this guy down here I think it was in

0:59:14.480 --> 0:59:19.320
<v Speaker 1>Memphis actually, and Jerry Lawler said exactly, said I'll wrestle him.

0:59:19.480 --> 0:59:22.959
<v Speaker 1>So they went down and Jerry Lawler put a pile drop,

0:59:23.000 --> 0:59:25.960
<v Speaker 1>put two pile drivers on him, then supposedly broke your

0:59:26.040 --> 0:59:27.600
<v Speaker 1>neck and he put on that and back in the

0:59:27.680 --> 0:59:29.680
<v Speaker 1>day when you were watching it live, you were honestly

0:59:29.760 --> 0:59:32.120
<v Speaker 1>never you were you thought it might be a put on.

0:59:32.160 --> 0:59:33.600
<v Speaker 1>But then you go, no, no, no, I think this

0:59:33.680 --> 0:59:35.600
<v Speaker 1>is real. And that was the joy in the in

0:59:35.640 --> 0:59:37.960
<v Speaker 1>the beauty of Andy. But on what I'm relating it

0:59:38.040 --> 0:59:41.240
<v Speaker 1>to is I would think going back to that and

0:59:41.280 --> 0:59:43.479
<v Speaker 1>watching him stand in front of an audience that hates

0:59:43.560 --> 0:59:46.480
<v Speaker 1>him or isn't getting it, that would give me, that

0:59:47.080 --> 0:59:49.600
<v Speaker 1>would give me strength to the next time I went on,

0:59:49.680 --> 0:59:52.240
<v Speaker 1>I would choose to be braver. I would want to

0:59:52.280 --> 0:59:54.520
<v Speaker 1>be able to stand there. I remember even one of

0:59:54.520 --> 0:59:57.120
<v Speaker 1>my first auditions. I had an audition to play um

0:59:57.360 --> 1:00:00.960
<v Speaker 1>Prince Charming and some show at some big, big theater.

1:00:01.040 --> 1:00:02.760
<v Speaker 1>This is in the Los Angeles. I had not auditioned

1:00:02.760 --> 1:00:04.960
<v Speaker 1>for anything, and I could feel those nerves creeping in again,

1:00:05.400 --> 1:00:07.120
<v Speaker 1>and I knew I didn't want to do this job

1:00:07.120 --> 1:00:09.280
<v Speaker 1>and I probably wasn't going to get it. We had

1:00:09.280 --> 1:00:12.720
<v Speaker 1>to audition in front of everybody. Everybody was all in

1:00:12.720 --> 1:00:15.200
<v Speaker 1>the room when you auditioned and read before, like the table.

1:00:15.280 --> 1:00:17.520
<v Speaker 1>I can fame that long table where they all sit there,

1:00:18.040 --> 1:00:19.919
<v Speaker 1>and I didn't. They said they wanted you to read

1:00:19.920 --> 1:00:22.160
<v Speaker 1>a piece like a monogue. I didn't have a monologue.

1:00:22.320 --> 1:00:24.520
<v Speaker 1>So I stood there and I and I said, um,

1:00:24.560 --> 1:00:26.840
<v Speaker 1>I do not have a monologue today, So for my audition,

1:00:27.240 --> 1:00:30.680
<v Speaker 1>I will be reading from the classic Louis Lamore novel Hondo.

1:00:32.360 --> 1:00:35.200
<v Speaker 1>It's like it was. It was exactly that, and I

1:00:35.280 --> 1:00:37.040
<v Speaker 1>knew that. I knew I wasn't being original, but I

1:00:37.080 --> 1:00:39.040
<v Speaker 1>also knew it was going to take a tremendous amount

1:00:39.040 --> 1:00:41.000
<v Speaker 1>of balls to just stand there and read until they

1:00:41.040 --> 1:00:43.600
<v Speaker 1>stopped me. So I just opened up and it's dead silent,

1:00:43.600 --> 1:00:45.600
<v Speaker 1>and you hear a little rustling and go Hondo walked

1:00:45.640 --> 1:00:48.800
<v Speaker 1>into the noonday sun and I just began. And they're

1:00:48.800 --> 1:00:50.919
<v Speaker 1>just sitting there a letting me read and read and read.

1:00:51.280 --> 1:00:54.480
<v Speaker 1>And I was doing it on purpose, for cou frominesque

1:00:54.520 --> 1:00:57.840
<v Speaker 1>reasons of internal strength. Man, I bet you were developing

1:00:57.840 --> 1:01:00.280
<v Speaker 1>as a yes, I'm the boss at this moment it

1:01:01.000 --> 1:01:03.160
<v Speaker 1>um and and to prove it, I'm gonna I'm gonna

1:01:03.200 --> 1:01:05.920
<v Speaker 1>I'm not gonna go for your approval at all. I'm

1:01:05.920 --> 1:01:08.360
<v Speaker 1>gonna stand here and be disapproved by you, and and

1:01:08.360 --> 1:01:13.920
<v Speaker 1>and sit in that for a little bit. Yeah. Yeah,

1:01:14.040 --> 1:01:17.000
<v Speaker 1>you know it's funny because uh, it's the same way

1:01:17.120 --> 1:01:20.200
<v Speaker 1>we both makes sense. We love the British Office. It's uncomfortable,

1:01:20.400 --> 1:01:22.800
<v Speaker 1>so uncomfortable. I don't know why I love that. I'm

1:01:23.160 --> 1:01:25.800
<v Speaker 1>comfortable because it's it's a risk. I think that's why

1:01:25.840 --> 1:01:27.520
<v Speaker 1>I love it. It's a really risky thing to do.

1:01:27.600 --> 1:01:29.520
<v Speaker 1>It is and also you talk about his timing and

1:01:29.560 --> 1:01:35.240
<v Speaker 1>his commitment, um, it's he was fully fully invested. And

1:01:35.280 --> 1:01:38.600
<v Speaker 1>I just honestly, I don't regret much, but I do

1:01:38.720 --> 1:01:41.600
<v Speaker 1>regret looking back that I didn't more fully commit to

1:01:41.640 --> 1:01:44.040
<v Speaker 1>some of the comedy I was a part of. That's

1:01:44.040 --> 1:01:47.800
<v Speaker 1>who the great ones are, that's your Chris Farley's And

1:01:47.880 --> 1:01:51.520
<v Speaker 1>you know it's always it's always the darkest people that

1:01:51.800 --> 1:01:56.080
<v Speaker 1>are the brightest shiners. Well that's true. But which is

1:01:56.120 --> 1:01:59.080
<v Speaker 1>weird for you because you are the happiest and not

1:01:59.400 --> 1:02:02.240
<v Speaker 1>like me into a hole, Chip and I go into

1:02:02.240 --> 1:02:03.600
<v Speaker 1>a hole until the time to come out and do

1:02:03.640 --> 1:02:06.160
<v Speaker 1>my thing, and I'm not super social. And I see

1:02:06.160 --> 1:02:08.000
<v Speaker 1>you and people, and you talk to people and you

1:02:08.080 --> 1:02:11.320
<v Speaker 1>hug people, and I do until I don't. But you

1:02:11.400 --> 1:02:13.800
<v Speaker 1>are always on, Which is weird for me to see

1:02:13.840 --> 1:02:16.880
<v Speaker 1>someone who can do all of this and still maintain

1:02:17.960 --> 1:02:21.120
<v Speaker 1>like your creativity. You know. I there was a time

1:02:21.160 --> 1:02:24.240
<v Speaker 1>in my acting classes where I remember, look, I haven't

1:02:24.280 --> 1:02:26.800
<v Speaker 1>had this easy upbringing. If I could, if I wrote

1:02:26.840 --> 1:02:29.040
<v Speaker 1>a book, there would be things. There would be my

1:02:29.120 --> 1:02:31.720
<v Speaker 1>parents divorce and growing up without my dad right there,

1:02:31.840 --> 1:02:36.720
<v Speaker 1>Um my dad uh and his second wife lost a

1:02:36.800 --> 1:02:38.760
<v Speaker 1>son to crib death, and I was I was still

1:02:38.760 --> 1:02:43.240
<v Speaker 1>a young guy. Um there there's that stuff was brutal

1:02:43.280 --> 1:02:46.720
<v Speaker 1>and hurts and still hurts. So that's all in there.

1:02:46.760 --> 1:02:49.480
<v Speaker 1>But I remember, even in acting going seeing these people

1:02:49.480 --> 1:02:52.920
<v Speaker 1>with these really these stories and going, man, I somehow

1:02:52.960 --> 1:02:55.120
<v Speaker 1>wish my life was a little more messed up and

1:02:55.120 --> 1:02:57.920
<v Speaker 1>I'd have more to draw on. But I stopped that.

1:02:58.040 --> 1:03:00.760
<v Speaker 1>I grew, I grew out of that. I am not

1:03:01.240 --> 1:03:04.959
<v Speaker 1>believe me. I got my dark places on, my tough,

1:03:05.080 --> 1:03:09.880
<v Speaker 1>my sad moments. I don't know if it's any less

1:03:09.880 --> 1:03:13.840
<v Speaker 1>than a whole lot of people. I some times, I

1:03:13.880 --> 1:03:18.080
<v Speaker 1>gotta be honest, I feel very very blessed, very very fortunate,

1:03:18.480 --> 1:03:22.920
<v Speaker 1>and I feel not a responsibility that I have to

1:03:22.920 --> 1:03:26.480
<v Speaker 1>put a fake face on. But when somebody comes up,

1:03:27.640 --> 1:03:30.600
<v Speaker 1>it requires so little for me. It requires so few

1:03:30.760 --> 1:03:34.000
<v Speaker 1>calories fame or these TV things. It's almost like a

1:03:34.080 --> 1:03:36.720
<v Speaker 1>long level. Like if you're trying to get a rock

1:03:36.800 --> 1:03:38.840
<v Speaker 1>out of your yard right and you have a little stick,

1:03:38.880 --> 1:03:40.040
<v Speaker 1>it's not gonna do it. But if you have this

1:03:40.160 --> 1:03:42.040
<v Speaker 1>long and long two by four right, and you stick

1:03:42.040 --> 1:03:43.520
<v Speaker 1>it under there, and you got a good level, you

1:03:43.600 --> 1:03:45.360
<v Speaker 1>barely gotta pull at the end of it, and you

1:03:45.400 --> 1:03:48.080
<v Speaker 1>can move a big old boulder. I feel like that's

1:03:48.120 --> 1:03:50.240
<v Speaker 1>what it is. When I'm out there. Oh I gotta

1:03:50.280 --> 1:03:52.760
<v Speaker 1>do is say it's nice to meet you. Thank you, really,

1:03:53.760 --> 1:03:57.000
<v Speaker 1>thank your mom. For me and you know, take a picture.

1:03:57.000 --> 1:03:59.760
<v Speaker 1>It just doesn't feel like a lot to me. In fact,

1:04:00.000 --> 1:04:02.880
<v Speaker 1>I don't know why. Psychically, emotionally, it feels like more

1:04:03.120 --> 1:04:06.560
<v Speaker 1>energy to me to hold that off somehow, to put

1:04:06.600 --> 1:04:09.240
<v Speaker 1>my to give a stiff hand, to keep my head down,

1:04:09.480 --> 1:04:11.880
<v Speaker 1>to avoid it feels like it would take a whole

1:04:11.920 --> 1:04:16.160
<v Speaker 1>lot of effort for me. It's not avoidance because when

1:04:16.160 --> 1:04:19.240
<v Speaker 1>I'm out, like, I appreciate anyone that does anything that

1:04:19.320 --> 1:04:23.720
<v Speaker 1>I do, it comes listens, but it's I stay in

1:04:23.760 --> 1:04:26.880
<v Speaker 1>my room until I want to go out. It seems

1:04:26.920 --> 1:04:29.000
<v Speaker 1>like you're out and you're very social all the time. No,

1:04:29.120 --> 1:04:31.280
<v Speaker 1>I don't. I don't. I'm home. I'm home a whole

1:04:31.320 --> 1:04:37.960
<v Speaker 1>lot um the things I go to. You when you

1:04:38.040 --> 1:04:40.560
<v Speaker 1>do a ton of charity events, you go to things,

1:04:40.600 --> 1:04:43.520
<v Speaker 1>and you're I mean, you're out in the world, probably

1:04:43.520 --> 1:04:44.920
<v Speaker 1>more than I am. If we were really going to

1:04:45.000 --> 1:04:48.040
<v Speaker 1>compare schedules you're talking about when you're off the clock.

1:04:48.320 --> 1:04:50.600
<v Speaker 1>You mean, I just feel like I have two modes.

1:04:50.680 --> 1:04:54.320
<v Speaker 1>Hide in my room and then when I'm out, and

1:04:54.360 --> 1:04:56.720
<v Speaker 1>when I'm out, I'm appreciative and I love everybody all

1:04:56.760 --> 1:04:58.680
<v Speaker 1>the time. But I have a really well, I just

1:04:58.720 --> 1:05:00.880
<v Speaker 1>want to be by myself a lot. Well, I think

1:05:00.880 --> 1:05:04.320
<v Speaker 1>the family changes that. You know, that's fair, and you

1:05:04.320 --> 1:05:07.880
<v Speaker 1>do have a family, Yeah, when when when you do,

1:05:08.400 --> 1:05:11.600
<v Speaker 1>when you have whatever you have, you're gonna you're going

1:05:11.640 --> 1:05:14.920
<v Speaker 1>to go to your daughter's UM pageant. You know, You're

1:05:14.920 --> 1:05:18.160
<v Speaker 1>going to go to your son's UM scout meeting. And

1:05:18.200 --> 1:05:20.520
<v Speaker 1>there's gonna be other fathers and there's gonna be other people.

1:05:20.600 --> 1:05:24.240
<v Speaker 1>And I'm not always super in my comfort zone in

1:05:24.240 --> 1:05:28.120
<v Speaker 1>those in those moments, but I can't choose that other thing,

1:05:28.320 --> 1:05:30.960
<v Speaker 1>and um, and I really don't want to look. It

1:05:31.000 --> 1:05:33.200
<v Speaker 1>goes again to I've been doing this a long time.

1:05:33.240 --> 1:05:35.400
<v Speaker 1>I'm just grateful. I don't know how long I have

1:05:35.720 --> 1:05:37.560
<v Speaker 1>doing this. We saw how fragile it is. It almost

1:05:37.560 --> 1:05:39.400
<v Speaker 1>went away right there. And when it's gone, I don't

1:05:39.400 --> 1:05:42.720
<v Speaker 1>know how long people care about my singles or what

1:05:42.760 --> 1:05:46.560
<v Speaker 1>I'm doing. Um, I've had twenty years to sort of

1:05:46.600 --> 1:05:51.680
<v Speaker 1>not be bothered. It's like it's not even please, It's

1:05:51.720 --> 1:05:53.520
<v Speaker 1>like I don't mind. I mean, whose line was fine,

1:05:53.520 --> 1:05:55.640
<v Speaker 1>I'd be in line, it would nobody say anything for

1:05:55.680 --> 1:05:56.960
<v Speaker 1>like a week, and then I'd be in line at

1:05:56.960 --> 1:05:58.520
<v Speaker 1>the bank and somebody just tapped my shot and go.

1:05:58.680 --> 1:06:02.320
<v Speaker 1>You're very funny and you can't pay for that, and

1:06:02.400 --> 1:06:05.760
<v Speaker 1>so so yeah, I think I just I'm making hay

1:06:05.800 --> 1:06:08.360
<v Speaker 1>while the while the sun shines, and I do enjoy it.

1:06:08.440 --> 1:06:10.200
<v Speaker 1>I'm not gonna lie. I love it. Mike. How long

1:06:10.240 --> 1:06:13.200
<v Speaker 1>we into this? Okay, well we're about to wrap. This

1:06:13.240 --> 1:06:15.120
<v Speaker 1>is the long we did for three hours? Like I

1:06:15.160 --> 1:06:16.760
<v Speaker 1>really felt like we get here for three hours and

1:06:16.800 --> 1:06:18.560
<v Speaker 1>just talk. I do want to say the first time

1:06:18.640 --> 1:06:20.680
<v Speaker 1>I saw you, I was a huge married with children fan.

1:06:21.040 --> 1:06:22.800
<v Speaker 1>And when you came in, and when you came in

1:06:22.800 --> 1:06:28.120
<v Speaker 1>as Kelly's boyfriend, um Lonnie Tott. Yeah, that's the first

1:06:28.160 --> 1:06:31.320
<v Speaker 1>time I ever saw chip past on television. There you go,

1:06:31.480 --> 1:06:35.440
<v Speaker 1>and you were Kelly Bundy's boyfriend. What you have a mechanic?

1:06:36.200 --> 1:06:39.680
<v Speaker 1>Were you? What was your job? You know what? I Yeah,

1:06:39.720 --> 1:06:41.120
<v Speaker 1>I think I was. I was the heir to the

1:06:41.160 --> 1:06:44.080
<v Speaker 1>top fortune. They actually made tater totts, and so I was.

1:06:44.320 --> 1:06:47.240
<v Speaker 1>I was the dumb son of a rich really dumb. Yeah,

1:06:48.240 --> 1:06:50.640
<v Speaker 1>really good looking. I made I made Kelly look smart,

1:06:50.640 --> 1:06:52.400
<v Speaker 1>which was which was the trick? And that thing, by

1:06:52.400 --> 1:06:53.720
<v Speaker 1>the way, I think I bet I knew something. I

1:06:53.800 --> 1:06:55.760
<v Speaker 1>bet I was on something before that that you knew.

1:06:56.680 --> 1:06:58.880
<v Speaker 1>Do you remember were you a Cheers fan? Oh? Yeah,

1:06:58.880 --> 1:07:01.760
<v Speaker 1>I watched yours obviously. Young. Do you ever remember an

1:07:01.800 --> 1:07:08.280
<v Speaker 1>episode where um give me pitching myself? I was? I was.

1:07:08.320 --> 1:07:10.120
<v Speaker 1>That was the very first thing I did, which was

1:07:10.280 --> 1:07:12.760
<v Speaker 1>mind blowing because it was like through the looking glass.

1:07:12.800 --> 1:07:14.880
<v Speaker 1>It was literally like looking at a painting, or it

1:07:14.880 --> 1:07:17.240
<v Speaker 1>would be like looking at that dogs playing poker, painting

1:07:17.280 --> 1:07:19.560
<v Speaker 1>your whole life, right, and then one day you're sitting

1:07:19.640 --> 1:07:23.000
<v Speaker 1>at the table with the dogs looking out. That made

1:07:23.040 --> 1:07:24.960
<v Speaker 1>no sense, but you know what I mean, I'm stepping

1:07:25.000 --> 1:07:26.840
<v Speaker 1>to the other side of that was mind blowing. But

1:07:26.880 --> 1:07:30.080
<v Speaker 1>it was a really fun episode where cliff Um buys

1:07:30.160 --> 1:07:33.160
<v Speaker 1>a video camera and he and he gets into this

1:07:33.320 --> 1:07:35.560
<v Speaker 1>idea that he and Norm are gonna start filming people's

1:07:35.560 --> 1:07:37.760
<v Speaker 1>events because so many events happened at the bar, they

1:07:37.760 --> 1:07:40.480
<v Speaker 1>will start videotaping I'm on a big old VHS tape

1:07:40.800 --> 1:07:42.600
<v Speaker 1>and they will make some money while they're they're in

1:07:42.600 --> 1:07:44.600
<v Speaker 1>the bar anyway, so let's video tape their events. The

1:07:44.640 --> 1:07:46.800
<v Speaker 1>very first one they do, it's a giant family reunion

1:07:47.840 --> 1:07:49.520
<v Speaker 1>and they've got this thing on their shoulder and these

1:07:49.520 --> 1:07:51.680
<v Speaker 1>cool things are happening, and suddenly they realized that they

1:07:51.720 --> 1:07:54.080
<v Speaker 1>don't have a battery. There's no battery and he didn't

1:07:54.080 --> 1:07:56.600
<v Speaker 1>get a battery, and so it's just a dead camera.

1:07:56.640 --> 1:07:59.200
<v Speaker 1>And so they decided what they're gonna do iss that's

1:07:59.200 --> 1:08:01.440
<v Speaker 1>all right, Nomi would is gonna pretend that way shooting

1:08:01.440 --> 1:08:03.160
<v Speaker 1>this whole thing. And then later we tell him we

1:08:03.240 --> 1:08:05.200
<v Speaker 1>lost the tape in the mail that you know we sent.

1:08:05.400 --> 1:08:07.600
<v Speaker 1>We sent the tape and it just won't arrive. So

1:08:07.640 --> 1:08:09.920
<v Speaker 1>the whole episode is them pretending to tape and he goes,

1:08:10.000 --> 1:08:13.000
<v Speaker 1>what's gonna happen anyway, It's just a family reunion, and uh,

1:08:13.040 --> 1:08:15.720
<v Speaker 1>of course bigger and bigger things happened, and the grandfather

1:08:15.800 --> 1:08:17.960
<v Speaker 1>stands up and goes, I've never told you all this,

1:08:18.040 --> 1:08:20.960
<v Speaker 1>but I want you didn't know I love you. I

1:08:21.040 --> 1:08:23.559
<v Speaker 1>love every one of you. And he's like, oh, it's

1:08:23.560 --> 1:08:25.559
<v Speaker 1>not my fault. He didn't tell his family love them.

1:08:26.000 --> 1:08:27.760
<v Speaker 1>And then later I was like the second thing where

1:08:27.760 --> 1:08:30.479
<v Speaker 1>I'd come busting in the door and dressed in full

1:08:30.479 --> 1:08:34.600
<v Speaker 1>military garden. I'm like Grandma Grandpa through thirty hours on

1:08:34.680 --> 1:08:40.200
<v Speaker 1>the MAX Happy Anniversary, like, oh, Terry, we thought you

1:08:40.240 --> 1:08:44.040
<v Speaker 1>were dead, and they're pretending to film it. And then

1:08:44.080 --> 1:08:46.080
<v Speaker 1>the best one of all is the grandmother who's been

1:08:46.080 --> 1:08:49.920
<v Speaker 1>in a wheelchair. The entire episode says I want you

1:08:49.960 --> 1:08:53.080
<v Speaker 1>to all know that you've given me the strength to

1:08:53.240 --> 1:08:58.320
<v Speaker 1>do this about it and they're, oh my god. So

1:08:58.400 --> 1:09:01.080
<v Speaker 1>I guess you don't remember. But if if you saw

1:09:01.200 --> 1:09:03.920
<v Speaker 1>that was that was the real first big thing that

1:09:04.000 --> 1:09:05.800
<v Speaker 1>I did. It was their last season. It was it

1:09:05.880 --> 1:09:09.639
<v Speaker 1>was a thrill. So yeah, so here's and back to today.

1:09:10.120 --> 1:09:14.400
<v Speaker 1>So search Charles Eston and this is called this town

1:09:14.479 --> 1:09:28.280
<v Speaker 1>is ours. It's out now right lo, the good town Son?

1:09:29.560 --> 1:09:31.280
<v Speaker 1>So in every single Friday for how long are you

1:09:31.320 --> 1:09:33.240
<v Speaker 1>putting these songs out? Like do you have in your

1:09:33.240 --> 1:09:35.439
<v Speaker 1>mind what you can do? Now? I think that's number

1:09:35.520 --> 1:09:39.120
<v Speaker 1>nine and m yeah, I gotta I got a bunch more,

1:09:39.280 --> 1:09:42.320
<v Speaker 1>and each I like more than next of They're all

1:09:42.400 --> 1:09:46.200
<v Speaker 1>very very different. I look, let's I'm gonna aim at

1:09:46.200 --> 1:09:49.519
<v Speaker 1>a year. That's crazy to even go twenty five is crazy,

1:09:49.560 --> 1:09:53.519
<v Speaker 1>to go fifty two, Like that's right, I probably won't

1:09:53.520 --> 1:09:57.040
<v Speaker 1>make it. And but but but if I say twenty

1:09:57.120 --> 1:09:58.880
<v Speaker 1>it's like, so what you made two albums? You made

1:09:58.920 --> 1:10:01.559
<v Speaker 1>a double album. That's a lot. That's still a lot.

1:10:01.800 --> 1:10:05.960
<v Speaker 1>I know. Um, Look, I love writing, I love doing

1:10:06.000 --> 1:10:08.720
<v Speaker 1>and more than anything, if we've come down to one thing,

1:10:08.840 --> 1:10:11.040
<v Speaker 1>unifying threat of all this, I don't mind failing if

1:10:11.040 --> 1:10:12.880
<v Speaker 1>I don't make it through a year. I didn't make

1:10:12.920 --> 1:10:15.040
<v Speaker 1>it to a year. It's just it's a nice round number.

1:10:15.040 --> 1:10:16.639
<v Speaker 1>If there were ten months in a year, I'd probably

1:10:16.640 --> 1:10:22.400
<v Speaker 1>say that. But um, I know I have over thirty. Um.

1:10:22.439 --> 1:10:26.240
<v Speaker 1>And and for me, it's it'll mean the music's out there,

1:10:26.240 --> 1:10:28.840
<v Speaker 1>It'll mean I have a body of work. I'm I'm

1:10:29.040 --> 1:10:31.479
<v Speaker 1>fifty damn years old and two days I'm fifty one.

1:10:31.680 --> 1:10:34.559
<v Speaker 1>What day is it? Three days? Oh? You can cut

1:10:34.560 --> 1:10:37.439
<v Speaker 1>that out if we're not on the right day. Um,

1:10:37.560 --> 1:10:40.160
<v Speaker 1>but what am I gonna wait from? I'm gonna put

1:10:40.160 --> 1:10:42.160
<v Speaker 1>out an album, put out twelve songs, and wait another

1:10:42.200 --> 1:10:44.800
<v Speaker 1>eight ten months, put on another twelve. Yeah, I could

1:10:44.880 --> 1:10:47.360
<v Speaker 1>do that. I don't know. Is it gonna. Am I

1:10:47.360 --> 1:10:52.479
<v Speaker 1>gonna knock Barber streisand off the starts? No? So I'm

1:10:52.479 --> 1:10:54.360
<v Speaker 1>just putting out the songs and and and I already

1:10:54.400 --> 1:10:57.360
<v Speaker 1>they're streaming, and already people are you can put on

1:10:57.360 --> 1:11:00.519
<v Speaker 1>play left like I mean it is you. You're doing

1:11:00.520 --> 1:11:02.280
<v Speaker 1>a thing where I think people are starting to appreciate

1:11:02.320 --> 1:11:03.720
<v Speaker 1>you as an artist, which is hard to do. If

1:11:03.720 --> 1:11:06.760
<v Speaker 1>you're coming for more, people know you doing something else,

1:11:07.040 --> 1:11:09.599
<v Speaker 1>which is your acting. I think this takes that on immediately.

1:11:09.640 --> 1:11:11.040
<v Speaker 1>That's right in the face. I mean, if I could,

1:11:11.320 --> 1:11:13.080
<v Speaker 1>if I could do that for any amount, and if

1:11:13.120 --> 1:11:15.439
<v Speaker 1>it's nowhere near fifty two. And by the way, I

1:11:15.439 --> 1:11:17.800
<v Speaker 1>wrote a ma all, I co wrote them all. That's

1:11:17.880 --> 1:11:22.200
<v Speaker 1>just that's saying something I mean. So it's I'm I

1:11:22.240 --> 1:11:25.080
<v Speaker 1>gotta be honest. I'm I told you old I am.

1:11:25.120 --> 1:11:27.639
<v Speaker 1>I'm at the foot of a mountain again and I'm

1:11:27.680 --> 1:11:31.120
<v Speaker 1>looking up and I'm just starting to climb. And that's thrilling.

1:11:31.120 --> 1:11:32.880
<v Speaker 1>I'm not one of those guys that want to be

1:11:32.920 --> 1:11:35.280
<v Speaker 1>I've worked hard long enough. I'm done with it. I

1:11:36.720 --> 1:11:38.920
<v Speaker 1>I love this, and I love the fact that you

1:11:38.960 --> 1:11:40.680
<v Speaker 1>and I sitting right here don't know what will come

1:11:40.680 --> 1:11:42.080
<v Speaker 1>of this. We don't know what will come of it

1:11:42.439 --> 1:11:44.880
<v Speaker 1>in a month or a year, um any of it.

1:11:45.120 --> 1:11:47.040
<v Speaker 1>If nothing comes of it, the music's all out of it.

1:11:47.080 --> 1:11:48.960
<v Speaker 1>But meanwhile you're walking around. Every single song is a

1:11:48.960 --> 1:11:51.920
<v Speaker 1>lottery ticket. I don't care if somebody here's one cuts it,

1:11:52.400 --> 1:11:55.280
<v Speaker 1>and you know it does an unbelievable version of it

1:11:55.280 --> 1:11:58.639
<v Speaker 1>that I could never imagine. Um, any there's I don't

1:11:58.640 --> 1:12:00.559
<v Speaker 1>even know what's going to happen. All I know is

1:12:00.600 --> 1:12:02.200
<v Speaker 1>that I can only be in control of what I'm

1:12:02.200 --> 1:12:05.280
<v Speaker 1>control of, and that is making this music and sending

1:12:05.320 --> 1:12:09.280
<v Speaker 1>it out there. And Nashville starts back in November. Actually, um,

1:12:09.560 --> 1:12:11.519
<v Speaker 1>I believe they said the beginning of January, and I

1:12:11.560 --> 1:12:14.160
<v Speaker 1>start back tomorrow. I shoot my first scene to January.

1:12:14.320 --> 1:12:16.920
<v Speaker 1>Why do I think November? Um, I don't know. There

1:12:16.960 --> 1:12:19.080
<v Speaker 1>was there was talk of December, but it wasn't my talk.

1:12:19.120 --> 1:12:22.639
<v Speaker 1>Well that's also not November. Twice you just couldn't wait.

1:12:23.120 --> 1:12:26.479
<v Speaker 1>It's January. You were thinking of Thanksgiving and gratitude. That

1:12:27.000 --> 1:12:28.960
<v Speaker 1>the gratitude that I have for you for sitting in

1:12:29.280 --> 1:12:31.880
<v Speaker 1>a bedroom here at my house. Hey we have Do

1:12:31.920 --> 1:12:34.360
<v Speaker 1>you have cushy chairs that rock? This is cushy. This

1:12:34.400 --> 1:12:37.559
<v Speaker 1>is the most comfortable interview I have ever been in.

1:12:37.560 --> 1:12:39.600
<v Speaker 1>This sincerely, the fact that I'm still await this is

1:12:39.640 --> 1:12:42.000
<v Speaker 1>so comfortable. I appreciate it. Hanging for an hour and

1:12:42.040 --> 1:12:44.800
<v Speaker 1>just talking like this is my favorite thing to do,

1:12:44.960 --> 1:12:50.960
<v Speaker 1>Like just get down, learn understand. I like this podcast

1:12:51.000 --> 1:12:54.639
<v Speaker 1>because it's it allows you to what what was the version?

1:12:54.720 --> 1:12:57.960
<v Speaker 1>You get a different version of it's like, um, slower,

1:12:58.000 --> 1:12:59.920
<v Speaker 1>you can you can go down paths and abbey way

1:13:00.080 --> 1:13:02.160
<v Speaker 1>that you normally wouldn't have time for want to. I

1:13:02.360 --> 1:13:04.559
<v Speaker 1>could take you on a boring and ordote or anecdote

1:13:04.600 --> 1:13:07.000
<v Speaker 1>or two that we would add to cut from. Sometimes

1:13:07.040 --> 1:13:08.519
<v Speaker 1>it's just how stories is. So that's why I like

1:13:08.560 --> 1:13:10.280
<v Speaker 1>listening to them too, And so you're gonna get that

1:13:10.320 --> 1:13:15.000
<v Speaker 1>next level. So thanks Nashville back in January, and uh,

1:13:15.240 --> 1:13:18.479
<v Speaker 1>that's awesome. We're watching and the music's out there for

1:13:18.680 --> 1:13:21.760
<v Speaker 1>it starts again stars Charles that's his performer name and

1:13:21.760 --> 1:13:24.120
<v Speaker 1>his hashtag every single Friday. Let me say one more

1:13:24.120 --> 1:13:27.240
<v Speaker 1>thing about Nashville. We we didn't get too much. Um.

1:13:27.280 --> 1:13:31.000
<v Speaker 1>This will be about the show. Okay, I'm really this

1:13:31.080 --> 1:13:33.960
<v Speaker 1>is not like going to c MT and these new writers.

1:13:34.000 --> 1:13:36.600
<v Speaker 1>This is not like a tact on extra year to

1:13:36.680 --> 1:13:38.559
<v Speaker 1>a show that by all right, I didn't know that.

1:13:38.560 --> 1:13:41.200
<v Speaker 1>That's what it feels like it could be. No, that's

1:13:41.200 --> 1:13:43.400
<v Speaker 1>that's what it might have been and could have been.

1:13:43.439 --> 1:13:45.800
<v Speaker 1>I totally get that, honest goodness. As much as I

1:13:45.840 --> 1:13:47.439
<v Speaker 1>love the show, I wouldn't have wanted to do that.

1:13:47.880 --> 1:13:49.800
<v Speaker 1>I don't want to tackle on and out a year

1:13:49.800 --> 1:13:52.280
<v Speaker 1>beyond what it is. Uh, this is at the beginning.

1:13:52.320 --> 1:13:53.800
<v Speaker 1>I sat the beginning of my Mountain. Again, this is

1:13:53.840 --> 1:13:57.760
<v Speaker 1>a new thing. These writers have a new take on

1:13:57.760 --> 1:13:59.439
<v Speaker 1>this show. But when I say a new take, it's

1:13:59.439 --> 1:14:02.640
<v Speaker 1>almost there. It will take not look even this right

1:14:03.000 --> 1:14:06.400
<v Speaker 1>what we're doing right here as a more lyrically paste

1:14:06.400 --> 1:14:08.760
<v Speaker 1>and you can wander and meander and and touch on

1:14:08.800 --> 1:14:12.439
<v Speaker 1>some things that you couldn't on on Well, I can't

1:14:12.439 --> 1:14:14.439
<v Speaker 1>tell you you can't do, because you do whatever you

1:14:14.479 --> 1:14:16.439
<v Speaker 1>want on your show. But I just generally mean in

1:14:16.479 --> 1:14:21.320
<v Speaker 1>the format of radio broadcast radio, well, what's the exact

1:14:21.400 --> 1:14:24.559
<v Speaker 1>same thing with network TV. You have to you have there,

1:14:24.640 --> 1:14:27.320
<v Speaker 1>there's things you have to do, there's masters, you have

1:14:27.360 --> 1:14:29.080
<v Speaker 1>to serve, you have to flip a truck or two,

1:14:29.120 --> 1:14:31.160
<v Speaker 1>you have to uh, you know, fall off a building

1:14:31.240 --> 1:14:33.920
<v Speaker 1>or two. There's and these things that Um, I'm I'm

1:14:34.040 --> 1:14:36.240
<v Speaker 1>real pleased for the four years we had and very grateful.

1:14:36.600 --> 1:14:39.200
<v Speaker 1>But in this other setting, whether it's CMT and these

1:14:39.240 --> 1:14:41.800
<v Speaker 1>new writers, I think that we can go back to

1:14:41.880 --> 1:14:44.599
<v Speaker 1>some of the stuff that not only was initially drew

1:14:44.640 --> 1:14:46.320
<v Speaker 1>people to the show, but I always think it was

1:14:46.360 --> 1:14:49.480
<v Speaker 1>the real heart of the show. Anyway, we were sometimes

1:14:50.280 --> 1:14:52.599
<v Speaker 1>competing in an arena that we weren't wasn't our strength,

1:14:52.640 --> 1:14:56.400
<v Speaker 1>It wasn't our forte to compete with a show um

1:14:56.439 --> 1:15:01.400
<v Speaker 1>that can be so um incredibly. I'm uh. There's so

1:15:01.400 --> 1:15:03.320
<v Speaker 1>many things that go on on some of these shows,

1:15:03.320 --> 1:15:05.400
<v Speaker 1>on these network shows, and we were doing that too.

1:15:05.400 --> 1:15:07.599
<v Speaker 1>But I thought the thing and that's what makes them great,

1:15:07.640 --> 1:15:10.160
<v Speaker 1>But that's never was what made us great. What made

1:15:10.200 --> 1:15:12.280
<v Speaker 1>us great, what what attached people to us and made

1:15:12.320 --> 1:15:14.880
<v Speaker 1>him not let go, was those tiny little moments, those

1:15:14.960 --> 1:15:17.360
<v Speaker 1>little looks between Deacon and Rain or that or that

1:15:17.400 --> 1:15:21.560
<v Speaker 1>little sad moment between you know, whether it was Juliet

1:15:21.680 --> 1:15:24.280
<v Speaker 1>or something like that. As those moments of connection and

1:15:24.280 --> 1:15:27.080
<v Speaker 1>those those more real moments, I think we're gonna be

1:15:27.120 --> 1:15:29.880
<v Speaker 1>able to get to do a lot more of those,

1:15:29.960 --> 1:15:31.679
<v Speaker 1>and the whole thing is gonna be able to breathe

1:15:31.680 --> 1:15:35.480
<v Speaker 1>a little bit. It's gonna it's like an old time lemonade,

1:15:35.680 --> 1:15:38.760
<v Speaker 1>that lemonade stand that we first were for a little bit.

1:15:38.840 --> 1:15:41.000
<v Speaker 1>We ended up having to make a lot more lemonade

1:15:41.000 --> 1:15:44.360
<v Speaker 1>at a much bigger scale, quicker pace. Yeah, and even

1:15:44.439 --> 1:15:47.479
<v Speaker 1>what I'm saying, I don't I'm not disrespecting what we did,

1:15:47.600 --> 1:15:50.479
<v Speaker 1>but I'm just saying that this the nature of the

1:15:50.479 --> 1:15:54.400
<v Speaker 1>Beast was that you had to do a network television

1:15:54.479 --> 1:15:57.439
<v Speaker 1>show at a network television pace. Yeah, and and we

1:15:57.560 --> 1:15:59.679
<v Speaker 1>loved getting to do it, and they were fantastic while

1:15:59.720 --> 1:16:02.040
<v Speaker 1>we got to do it. But it's like, oh, what

1:16:02.080 --> 1:16:04.720
<v Speaker 1>are we gonna get to do now? Well, is there

1:16:04.720 --> 1:16:06.920
<v Speaker 1>anything you want to say? Because we rather that Connie

1:16:06.960 --> 1:16:09.840
<v Speaker 1>only signed up for half the season. I'm not allowed

1:16:09.880 --> 1:16:12.080
<v Speaker 1>to comment on any of that because that that leads

1:16:12.080 --> 1:16:14.680
<v Speaker 1>to her storyline, and all that all I can do

1:16:14.760 --> 1:16:18.120
<v Speaker 1>is comment backwards and and you know, I mean, how

1:16:18.200 --> 1:16:21.840
<v Speaker 1>much uh she was the day I met her. This

1:16:21.880 --> 1:16:23.160
<v Speaker 1>is the worst line in the world. But it was

1:16:23.200 --> 1:16:25.000
<v Speaker 1>truer than a Kobe. So I said, I said, there's

1:16:25.000 --> 1:16:27.200
<v Speaker 1>a million reasons I'm excited to do this show, and

1:16:27.240 --> 1:16:28.640
<v Speaker 1>you're a couple of hundred of them. I was a

1:16:28.720 --> 1:16:31.920
<v Speaker 1>huge Friday Night Lights fan. She is going to be

1:16:31.960 --> 1:16:34.320
<v Speaker 1>there tomorrow when I go to work, and she's been

1:16:34.320 --> 1:16:37.080
<v Speaker 1>there every day until now. And I could not act.

1:16:37.240 --> 1:16:39.000
<v Speaker 1>I could not bring that up. No, no, no no, I wouldn't.

1:16:39.680 --> 1:16:42.000
<v Speaker 1>I would have drive out here going I couldn't. Don't

1:16:42.000 --> 1:16:45.600
<v Speaker 1>even ask. Yeah. I have also become personal friends with

1:16:45.640 --> 1:16:53.080
<v Speaker 1>Connie and man, what a strong And I'm like, I

1:16:53.120 --> 1:16:55.120
<v Speaker 1>don't even say a strong woman, because I don't want

1:16:55.120 --> 1:16:58.760
<v Speaker 1>to disrespect women. Right, She's just one of the strongest

1:16:59.040 --> 1:17:05.080
<v Speaker 1>people and one of you have a conversation and you

1:17:05.160 --> 1:17:08.960
<v Speaker 1>just kind of fall into it with her. I completely agree.

1:17:08.960 --> 1:17:12.800
<v Speaker 1>And I'll tell you what more than that. Throughout all

1:17:12.840 --> 1:17:14.559
<v Speaker 1>these years of what we've been doing, one of the

1:17:14.680 --> 1:17:17.599
<v Speaker 1>one of the true north of the show was Callie Curry.

1:17:17.880 --> 1:17:20.200
<v Speaker 1>Whenever she would direct her, whenever she would write an episode,

1:17:20.200 --> 1:17:22.439
<v Speaker 1>I always could feel the whole thing come more back

1:17:22.479 --> 1:17:24.720
<v Speaker 1>towards true north, Like on your compass of what the

1:17:24.720 --> 1:17:27.679
<v Speaker 1>show is best at, what it's meant to be, Connie

1:17:27.760 --> 1:17:31.720
<v Speaker 1>is that as well. Connie Um would always have a

1:17:31.760 --> 1:17:34.120
<v Speaker 1>clear vision of what this should be and what we

1:17:34.120 --> 1:17:38.160
<v Speaker 1>were doing, and Um she was for me. I give

1:17:38.200 --> 1:17:40.280
<v Speaker 1>her so much credit for anything I've ever been able

1:17:40.280 --> 1:17:42.120
<v Speaker 1>to do on the show because she's an absolute truth

1:17:42.120 --> 1:17:43.800
<v Speaker 1>detector or maybe that's a nice way of saying a

1:17:43.840 --> 1:17:45.920
<v Speaker 1>bullshit detect her big time and with me too, like

1:17:45.960 --> 1:17:50.479
<v Speaker 1>she's called me out on She's passionate and she's very

1:17:50.560 --> 1:17:53.719
<v Speaker 1>much here's what I am and that's it. And also

1:17:53.760 --> 1:17:56.439
<v Speaker 1>even in terms of her acting, it's just real. She's

1:17:56.479 --> 1:17:59.679
<v Speaker 1>just talking. I remember, I think it was first season,

1:17:59.760 --> 1:18:02.960
<v Speaker 1>but I realized that if you're talking to her in

1:18:03.000 --> 1:18:06.040
<v Speaker 1>a scene, and it's very hard not to add your

1:18:06.040 --> 1:18:08.200
<v Speaker 1>little things that you think are gonna make you look

1:18:08.200 --> 1:18:11.160
<v Speaker 1>cool or make the line sound really good. And so

1:18:11.240 --> 1:18:13.559
<v Speaker 1>you create this little primrose path that you might walk

1:18:13.600 --> 1:18:16.280
<v Speaker 1>down for how the scene will play the best. But

1:18:16.360 --> 1:18:18.439
<v Speaker 1>that's not being in the moment, and that's not being real.

1:18:18.479 --> 1:18:19.880
<v Speaker 1>And I don't know how she's going to react to

1:18:19.920 --> 1:18:21.240
<v Speaker 1>something I said, So how can I know how I'm

1:18:21.240 --> 1:18:23.720
<v Speaker 1>gonna react to her reaction? So it forced you to

1:18:23.800 --> 1:18:25.920
<v Speaker 1>let all that go, because the second I didn't let

1:18:25.960 --> 1:18:29.559
<v Speaker 1>it go, if I ever said something her truthfulness would

1:18:29.560 --> 1:18:32.760
<v Speaker 1>make me sound so damned phony that I'd go, let's

1:18:32.800 --> 1:18:34.599
<v Speaker 1>try that again. Stop, I can't do it that way,

1:18:35.040 --> 1:18:37.160
<v Speaker 1>and I would just And so remember one time, this

1:18:37.240 --> 1:18:38.800
<v Speaker 1>was it in a nutshell that we did. We were

1:18:38.800 --> 1:18:40.960
<v Speaker 1>doing some scenes and she did all her coverage and

1:18:41.000 --> 1:18:42.880
<v Speaker 1>it was my turn, and it was feeling good. It

1:18:42.960 --> 1:18:45.880
<v Speaker 1>was fine. And uh and finally, um, we had a

1:18:45.920 --> 1:18:48.240
<v Speaker 1>great director too, but he worked back and he's going

1:18:48.280 --> 1:18:50.559
<v Speaker 1>to the back to the video village and and we're

1:18:50.560 --> 1:18:52.559
<v Speaker 1>about to stay action again. I just leaned over to her.

1:18:52.600 --> 1:18:54.760
<v Speaker 1>I go, I just wasn't bend it all the way,

1:18:54.760 --> 1:18:56.920
<v Speaker 1>and I said, just give me something, give me something,

1:18:57.000 --> 1:18:58.960
<v Speaker 1>give me not say something, make me be better, you know,

1:18:59.280 --> 1:19:02.840
<v Speaker 1>real quickly, and she smiles. She goes just talk to me,

1:19:03.560 --> 1:19:08.439
<v Speaker 1>and I was like, m damn it, yes, yes, exactly that.

1:19:08.600 --> 1:19:12.360
<v Speaker 1>It's so obvious, but it's so brilliant. And so we

1:19:12.439 --> 1:19:13.960
<v Speaker 1>did that take and she says her thing, and I

1:19:14.040 --> 1:19:17.000
<v Speaker 1>just talked to her and it's like that that again

1:19:17.040 --> 1:19:20.400
<v Speaker 1>and again that. But it takes somebody uh strong, uh,

1:19:20.479 --> 1:19:22.840
<v Speaker 1>both mentally and you know, mostly every other way to

1:19:22.880 --> 1:19:25.200
<v Speaker 1>remember that and to hold their guns and always be that.

1:19:26.000 --> 1:19:30.240
<v Speaker 1>It's back in January. Uh, Chips got songs every Friday

1:19:30.240 --> 1:19:32.559
<v Speaker 1>for the next ten years. He's claimed it here. He's

1:19:32.600 --> 1:19:36.120
<v Speaker 1>going to do this for ten years, every single day.

1:19:36.840 --> 1:19:39.320
<v Speaker 1>It's every single Friday until it's stupid. And I don't

1:19:39.360 --> 1:19:41.799
<v Speaker 1>know it might already be, but until I think it's stupid.

1:19:41.920 --> 1:19:44.559
<v Speaker 1>I think it's like I told you privately, was I

1:19:44.600 --> 1:19:47.200
<v Speaker 1>think as an artist, you're showing something here that people

1:19:47.240 --> 1:19:52.719
<v Speaker 1>didn't know you were, and so you're consistently putting out

1:19:52.920 --> 1:19:56.680
<v Speaker 1>new music. You're showing that you are Okay, yeah, you're

1:19:56.720 --> 1:19:59.200
<v Speaker 1>deacon on Nashville, you're this, here, that, but you're also

1:19:59.240 --> 1:20:01.760
<v Speaker 1>an artist and play live shows and you you know,

1:20:01.840 --> 1:20:04.719
<v Speaker 1>for people to be able to see versatility is tough

1:20:04.760 --> 1:20:07.800
<v Speaker 1>because they start to put people in rolls and you're

1:20:07.840 --> 1:20:10.719
<v Speaker 1>doing something that's kind of hard for people to understand

1:20:10.720 --> 1:20:13.080
<v Speaker 1>it first. But I think people are finally getting it now.

1:20:13.120 --> 1:20:15.639
<v Speaker 1>I'll tell you one more thing, the real already though.

1:20:15.680 --> 1:20:18.920
<v Speaker 1>It's it's it's been so cool because you've seen this

1:20:19.000 --> 1:20:21.000
<v Speaker 1>and now I've finally seen it after all these years

1:20:21.000 --> 1:20:22.799
<v Speaker 1>of playing here in a round town and around the country.

1:20:23.000 --> 1:20:24.920
<v Speaker 1>I played shows now for the last couple of weeks,

1:20:25.120 --> 1:20:26.920
<v Speaker 1>and as I'm singing a song I love, I see

1:20:26.920 --> 1:20:29.400
<v Speaker 1>it on their lips. It's the coolest thing ever. It's

1:20:29.880 --> 1:20:32.559
<v Speaker 1>the cool thing ever. Yeah, so it's nuts. So already

1:20:32.640 --> 1:20:37.800
<v Speaker 1>I wind all right, there is Chip Veston or is

1:20:37.800 --> 1:20:41.599
<v Speaker 1>it makes me call him off the microphone, Charlie. Thank

1:20:41.640 --> 1:20:43.320
<v Speaker 1>you for being here on the Bobby becaust dude. I

1:20:43.320 --> 1:20:44.439
<v Speaker 1>hope you had fun. This is a lot of fun

1:20:44.439 --> 1:20:47.040
<v Speaker 1>for me to sit back and and and talk it out.

1:20:47.120 --> 1:20:49.600
<v Speaker 1>Thank you, man. Mike Wanna, we never went to we

1:20:49.600 --> 1:20:51.559
<v Speaker 1>got lost. Anything you want to ask the ship before

1:20:51.560 --> 1:20:54.280
<v Speaker 1>we go. Just thanks for talking about Holdown. That was

1:20:54.320 --> 1:20:57.800
<v Speaker 1>my favorite bit ever. I was geeking out a bit. Yeah, alright, well,

1:20:57.800 --> 1:21:02.480
<v Speaker 1>thank you. I appreciate it, alright. Hashtag every single Friday

1:21:02.800 --> 1:21:05.599
<v Speaker 1>again Charles Eston. And he's got new music every Friday.

1:21:05.600 --> 1:21:07.920
<v Speaker 1>And there's a light out there already. And he's also

1:21:08.680 --> 1:21:10.400
<v Speaker 1>on the road a lot playing You, and Claire are

1:21:10.400 --> 1:21:13.000
<v Speaker 1>playing You and all. We're in New Jersey on I

1:21:13.000 --> 1:21:15.400
<v Speaker 1>don't know when this airs, it'll it'll be up tonight,

1:21:15.400 --> 1:21:17.439
<v Speaker 1>but it'll be up forever. So he'll be in New

1:21:17.520 --> 1:21:21.320
<v Speaker 1>Jersey soon and they're probably again again. All right, thank

1:21:21.360 --> 1:21:22.439
<v Speaker 1>you guys, and we'll talk to you soon.