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Speaker 1: So just to clarify, Clia, I uh, I think you're

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Speaker 1: mischaracterizing what I said. I don't think Hayes or I

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Speaker 1: ever used the word pathetic. We said, you know, we

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Speaker 1: said that you were begging to come back on and

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Speaker 1: continue the franchise, and but I don't, and which I

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Speaker 1: guess that's your you know, your own feeling you bring

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Speaker 1: to it when you say that we called you pathetic.

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Speaker 2: Okay, I hear that you're saying that that that pathetic

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Speaker 2: is my word, but it's also like, okay, so Sean,

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Speaker 2: I really, I really want to come back here because

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Speaker 2: we know we have something. Okay, we have something special,

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Speaker 2: and I feel like, yes, do you and Hayes and

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Speaker 2: I have creative differences? Of course, like is this a

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Speaker 2: good match creatively? No, but love and Santa is special

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Speaker 2: and we can't just walk away from it.

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Speaker 3: I've hit the reset button all the baggage you're bringing

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Speaker 3: to this, like I you know, I've I've just like

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Speaker 3: left it on the carousel, like I'm just turning and

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Speaker 3: walking away.

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Speaker 1: That's the thing about me, I'm such an adult about

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Speaker 1: this stuff.

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Speaker 3: I said you and I also didn't say you were pathetic.

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Speaker 3: I said it reeks of pathos.

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Speaker 2: Right, which you know, I don't know what that means.

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Speaker 3: I said, the stench of pathos is absolutely suffocating and

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Speaker 3: it stinks.

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Speaker 1: And actually, Kevin, who has no bedside manner whatsoever, also

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Speaker 1: didn't say pathetic. What he said is here comes Clea's

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Speaker 1: thirsty ass sniffing around again, trying to get this love

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Speaker 1: and Santa thing off the ground.

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Speaker 3: But I'm I'm juiced up, like just to be having

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Speaker 3: this conversation, Like, I am fully juiced, and this is

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Speaker 3: such a labor of love for me. And the fact

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Speaker 3: that you were willing to be the one who essentially

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Speaker 3: went to Mary and uh, you know, basically put two

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Speaker 3: in the dome executor.

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Speaker 1: Yeah, yeah, that's right.

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Speaker 2: Mary's ideas I liked, but they were a little scary

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Speaker 2: and like some of her dialogue, the straight to audience

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Speaker 2: dialogue was pretty rude.

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Speaker 1: Here's the thing, the ideas, the ideas themselves in a vacuum.

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Speaker 1: They were great. Yeah, they were fantastic, but they weren't

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Speaker 1: loving Santa.

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Speaker 2: No, we were losing the love. Thank you, thank you.

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Speaker 3: Yes, yes, we needed.

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Speaker 2: To bring the love back, which is why I wanted

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Speaker 2: to bring in McKenzie.

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Speaker 3: Mackenzie Davis. Uh so juiced to have you a part

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Speaker 3: of this project.

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Speaker 4: I'm jess as hell. Thank you guys for having me.

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Speaker 3: With your coming involvement in this in particular instead of

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Speaker 3: Mary's is a one to one replacement for Mary. Yeah,

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Speaker 3: we just.

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Speaker 1: As a singular upgrade where we identified a weakness and

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Speaker 1: replaced it with a strength.

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Speaker 4: Yeah.

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Speaker 1: Yeah, yeah, we feel a huge future.

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Speaker 3: We can really with you, We can really bring some

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Speaker 3: artillery to this budget piece speaking. Yeah, I know they

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Speaker 3: call you nine digit day for a reason. Yep. Terminator

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Speaker 3: Dark Fate one hundred seventy five million, under twenty forty

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Speaker 3: nine multi twenty million, the Martian Station eleven. I don't

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Speaker 3: know exactly what the budget on that was, but it's

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Speaker 3: still on HBO Max, so they must really need to Oh.

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Speaker 4: You're talking about budget, not earnings.

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Speaker 3: No, it's all budget for us.

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Speaker 1: No, the earnings. No earnings, The earnings we are throwing

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Speaker 1: out the window just for this. We kind of have

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Speaker 1: to put our blinders on earnings wise, I see it,

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Speaker 1: and really just look at what you've been able to

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Speaker 1: command in terms of studios investing initially, Yeah, and the rest,

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Speaker 1: you know, we figure out on the b side because

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Speaker 1: I I'm hoping that we all get our beaks wet

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Speaker 1: far before the you know, the final tally comes in

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Speaker 1: on what we earn, although I expect that to be

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Speaker 1: astronomical as well. I mean, we're dealing with the franchise.

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Speaker 3: This is going to keep being an issue. We are

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Speaker 3: having a little We have kind of had to sell

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Speaker 3: some infrastructure in order to support Love in Santa. Yeah,

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Speaker 3: and so some of the our information technology is like

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Speaker 3: one of the first things to go.

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Speaker 5: I think you guys should think about box office rather

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Speaker 5: than just budget confusing.

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Speaker 4: So some of your investment.

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Speaker 3: I'm not ready to I'm not I'm not ready to

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Speaker 3: say I've noted that yet.

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Speaker 1: Can you talk looking me up?

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Speaker 5: Yeah, I don't think I will talk about it anymore,

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Speaker 5: but I will say that as somebody who has worked

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Speaker 5: with Mary in the past and has experienced a lot

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Speaker 5: of what you guys are talking about fully.

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Speaker 4: Yeah, No, and to you as well.

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Speaker 5: Yeah, this makes sense to me, just like as an

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Speaker 5: anecdotal thing.

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Speaker 2: And I just want to call out, like I just

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Speaker 2: want to acknowledge that I did bring Mary in and

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Speaker 2: I do take responsibility for that.

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Speaker 1: Yeah.

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Speaker 3: Mary basically the box office equivalent of of whatever happened

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Speaker 3: in Station eleven like that, Like it's that level like

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Speaker 3: global box office poison event.

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Speaker 1: Yeah, yeah, a disease.

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Speaker 3: This movie, Love and Santa, of course, originally intended to

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Speaker 3: be a Christmas movie, sort of in the Happiest Reason

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Speaker 3: of all family mold. A couple delays made it. We

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Speaker 3: were then planning it for it to be a was

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Speaker 3: it New Year's Years? Okay, Yeah, I'm really excited about

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Speaker 3: the Saint Patrick's Day possibilities. It's March fifth, so we

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Speaker 3: have a little bit more breathing room than I think

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Speaker 3: we had with some previous versions of this that we

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Speaker 3: were trying. And culturally, I think it's really a time

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Speaker 3: for this like community to really be able to like

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Speaker 3: has has something to say, to really be like out

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Speaker 3: there and like have a voice publicly.

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Speaker 5: And the community is okay, And just to I'm just

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Speaker 5: catching up because I wasn't part of all the development

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Speaker 5: meetings that you guys had.

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Speaker 1: But okay, yeah, I thought I thought we were doing.

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Speaker 2: Easter, and I thought it was spring break, and I

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Speaker 2: did think it was spring break.

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Speaker 1: And I was sort of pitch say, but that's fine, Okay,

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Speaker 1: So I don't see any reason these ideas can't coexist.

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Speaker 3: I was going to say on the exact same page. Yes,

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Speaker 3: not not as clear as somehow, but.

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Speaker 2: Yeah, but that's part of the course. Like I think,

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Speaker 2: as long as you and I are at odds, then

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Speaker 2: the ideas really get. That's when the sparks are really.

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Speaker 1: That's what we need. That's how that's folded. Yeah, we're

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Speaker 1: folding the sort. Yeah, it's Spring fools mm hmm Easter.

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Speaker 1: Was there another one Easter? Patrick?

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Speaker 2: Yeah, but still with Santa.

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Speaker 1: And love Saint Fool's Easter break.

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Speaker 3: We have Santa, We have love for sure.

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Speaker 6: Yeah, but Sat Santa Patrick hmm, yeah, wow Santa Patrick,

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Speaker 6: Santa Patrick Leprecan Santa.

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Speaker 1: It was just Valentine's Day recently. I don't we might

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Speaker 1: want to put that in for the love part.

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Speaker 2: Well we have Yeah, yeah, we do need it for

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Speaker 2: the love part.

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Speaker 1: I mean, my main thing, the reason I wanted Easter

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Speaker 1: to be involved is because we do have all the

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Speaker 1: you know, really, the only footage we were able to

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Speaker 1: capture so far is Santa oding next to a pool, Yeah,

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Speaker 1: dying of an overdose, and I think we do need

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Speaker 1: to resurrect him for this and if he comes back

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Speaker 1: as a Leprechaun all the better.

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Speaker 3: And so maybe that's kind of like a cold open

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Speaker 3: style piece that like this happened to sant. I mean

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Speaker 3: we have other pieces of course that we've developed where

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Speaker 3: Sean and Hayes are not going to Carsons this year.

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Speaker 3: It was for uh, like previously we were talking about

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Speaker 3: Christmas or whatever, but like now it's for every year

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Speaker 3: to go to Carsons for St Patricks, d April Fool's

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Speaker 3: spring Break, not as or not happening this year, and

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Speaker 3: instead they are.

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Speaker 2: This.

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Speaker 3: We still have the same relationship with Swimpley that we

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Speaker 3: had previously. They have been very patient. Uh Mackenzie, what's

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Speaker 3: your what's your background with U with Swimpley. Are you

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Speaker 3: mostly a a sharer? Yeah?

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Speaker 5: Profit participant yes, yes, I'm a profit participant on sort

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Speaker 5: of like a micro finance scheme.

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Speaker 3: Okay, so you have a like a little piece of

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Speaker 3: you let people come swim in a little piece of

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Speaker 3: your pool. M h just one tiny little part.

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Speaker 1: Do you just drop a brick in the pool and

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Speaker 1: say if you go on the other side of this,

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Speaker 1: your ass is mine.

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Speaker 5: No, it's like a swim lanes, but I just do

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Speaker 5: it in a very tight grip.

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Speaker 3: Very thin lane.

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Speaker 4: Yeah, but again it square.

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Speaker 1: Yeah, so you're able, So you're able to rent out

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Speaker 1: dozens of squares. It seems like in a single afternoon.

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Speaker 1: Well yeah, and a whole family will fit itself into

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Speaker 1: the square.

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Speaker 5: Or if you're a rich family, you can have multiple

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Speaker 5: squares adjacent to one another.

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Speaker 1: But there's no guarantee that the squares will be near

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Speaker 1: each other. Is that correct? They're free obviously to ask, hey,

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Speaker 1: will you switch squares with me? My wife is in

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Speaker 1: that square by you, and I'm all the way in

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Speaker 1: the square on the other side of the pool. Obviously

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Speaker 1: you could have that conversation.

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Speaker 4: You don't actually switch that often with the squares.

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Speaker 3: They kind of like it's hard to maneuver. There's so

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Speaker 3: many other things.

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Speaker 4: Is going to the bottom of the pool. You don't

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Speaker 4: want to swim under the square.

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Speaker 1: It's like it's just a mentality with reserved seating, you

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Speaker 1: know where it's just like, hey, this is what's on

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Speaker 1: the ticket, Like that's what I paid for? Yeah, uh you.

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Speaker 3: Know, oh clear, yes, okay.

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Speaker 2: Oh no, I was just gonna say, since since Sanma

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Speaker 2: died next to the pool of a drug overdose, I

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Speaker 2: think and we're resurrecting him at the beginning of the film.

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Speaker 2: I think, like, because there's the spring Break element of it,

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Speaker 2: Pools play a very large role in spring Break, so

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Speaker 2: I think that an arc for Santa doesn't his only arc.

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Speaker 2: But like I think an arc for him would be

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Speaker 2: like he's traumatized from that od next to the pool,

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Speaker 2: but like trying to get him back to the.

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Speaker 1: Pool only arc. It won't be.

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Speaker 3: And I did say, and I did multiple which is

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Speaker 3: what I did say, especially with the little of the

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Speaker 3: budget artillery, some of the ordnance we're going to be

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Speaker 3: bringing that.

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Speaker 2: And can you hear me? Because I did say that

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Speaker 2: it doesn't have to be the only arc, and it

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Speaker 2: seems like you guys didn't hear that.

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Speaker 1: I could hear that, I was repeating it. I didn't

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Speaker 1: know if Mackenzie could hear it, because that's she of

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Speaker 1: course is is not wearing headphones and our first non

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Speaker 1: headphone guests, so she sounds different to people we are

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Speaker 1: using the zoom audio. Yeah, are you comfortable with Kenzie

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Speaker 1: with when we film it if we do have like

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Speaker 1: mics and like sound and all of that for the

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Speaker 1: for the movie.

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Speaker 5: Itself, Yeah, for the same Patrick's.

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Speaker 1: For Santa Patrick's yeah, meant for the zoomer.

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Speaker 3: And also I'm sort of I'm circling April Pool's Day.

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Speaker 3: I just have that written down here.

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Speaker 5: Is it like colon April Pool's Day, Santa Patrick, colon

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Speaker 5: April Pool Pool's Day, Calm of the Resurrection, Well.

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Speaker 3: It's I like of love love is Santa? Is there

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Speaker 3: a way to fit a dark fad in this as well?

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Speaker 2: Is it return from the dark fate because he's coming,

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Speaker 2: because he is coming back from the dead, which is

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Speaker 2: the dark face?

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Speaker 3: Seems like it's not that.

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Speaker 2: Yeah, it's not that. I'm just saying, let's.

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Speaker 3: Definitely not that, but it will.

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Speaker 1: I know what it's not.

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Speaker 2: Yeah.

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Speaker 7: This week on the Patreon, the Boys say farewell to

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Speaker 7: Stitch your Premium, and The flagran Ones are mostly talking

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Speaker 7: all things basketball. Plus see Hollywood Handbook Live in Los

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Speaker 7: Angeles March twenty ninth with guest Timothy Simons at the

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Speaker 7: Dynasty Typewriter. Check out all these shows and the video

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Speaker 7: for today's episode with Mackenzie and Clia at patreon dot com.

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Speaker 7: Slash the Flagrant Ones.

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Speaker 3: So I was in and out of the production meeting

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Speaker 3: and so I can report on idlemit of sort of

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Speaker 3: what we have going there. Talking about talking location, there's

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Speaker 3: there's a tiny patch of Kosovo that is still disputed

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Speaker 3: by Bosnia or you know, just like some of the

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Speaker 3: neighbors there, and we will be doing a company move

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Speaker 3: to there. Uh just sort of hope mm yeah, I

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Speaker 3: mean we're we are mid shoot, Like let's be honest,

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Speaker 3: like we're like.

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Speaker 1: We've got this, We've got the O D footage and

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Speaker 1: basically you know, and so Swimpley's infrastructure in this portion

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Speaker 1: of Kosovo is not as robust, I think as it

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Speaker 1: was where we began filming.

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Speaker 3: No, uh, so that's what they happen. They have the

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Speaker 3: Adriatic c that they're sort of pitching to stand in

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Speaker 3: for like.

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Speaker 2: And you can fit a lot of brick squires in

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Speaker 2: there too, so that is a plus.

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Speaker 1: Mm hmmm mm hmm. Yeah.

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Speaker 3: I'm not gonna yeah, but we're gonna do Kosovo for

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Speaker 3: Santa Barbara type thing. We're really gonna try and like

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Speaker 3: obviously the movie, like is said in Santa Barbara, we

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Speaker 3: want to have like this place like Santa Barbara be

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Speaker 3: the destination for Saint Patrick's Day April Fools Easter, like

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Speaker 3: just like create that shorthand for people.

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Speaker 1: You know, as we do dip into the idea of

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Speaker 1: like the involving the colons and the title and topping

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Speaker 1: ourselves and all of this, we're bringing Santa back, which

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Speaker 1: I think people will be happy about. I'm seeing a

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Speaker 1: leprechaun coms gives him CPR, he wakes up with an

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Speaker 1: Irish accent. Now he's Santa Patrick. I am curious whether

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Speaker 1: there's an expectation that we do need to keep topping

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Speaker 1: ourselves and basically we need the death of another beloved

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Speaker 1: figure in order for it to feel like our story. Okay,

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Speaker 1: I was gonna say, one of the pigs from singh

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Speaker 1: could like, let me see what an autoerotic asphyxiate himself

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Speaker 1: or something.

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Speaker 3: Let me see what our options are there. Yeah, so

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Speaker 3: there's multiple there's multiple pigs.

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Speaker 1: There's Gunter, but I think he has like a girlfriend

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Speaker 1: or something.

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Speaker 3: Okay, there's Rosita.

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Speaker 1: Rosita, this is who I'm thinking.

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Speaker 3: Yeah, that's the mother. She had teenage music dreams, but

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Speaker 3: now she's the mother of twenty five piglets. I guess

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Speaker 3: maybe including there's a lot of little pigs to you. Oh,

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Speaker 3: Gunter has partnered with Rosita for the show, and there's

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Speaker 3: also Norman, who is Rosita's workaholic husband.

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Speaker 5: I think that's nice for sort of sequel options if

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Speaker 5: there's a lot of orphan pigs after the mother dies,

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Speaker 5: and then there's sort of.

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Speaker 1: Sort of oh, and they're going to take revenge on

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Speaker 1: uh yeah, whoever?

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Speaker 3: Twenty five piglets getting revenge? Okay, Just so.

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Speaker 2: I'm clear, the only Easter thing is gonna be the resurrection,

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Speaker 2: because I just don't want to keep pitching things and

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Speaker 2: getting shot up like I want to do. I want

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Speaker 2: us to be on the same.

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Speaker 3: Stop.

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Speaker 2: Oh okay, I'm it's just I'm the director, so I

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Speaker 2: kind of do need to like I do need to

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Speaker 2: be candy.

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Speaker 1: So bring candy. If it's if it's literally just about

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Speaker 1: candy for you, like that's fine, Like yeah, bring a

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Speaker 1: fucking duffel bag of candy.

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Speaker 2: You know, Okay, Okay, and then that's that is all

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Speaker 2: I wanted and we can move on. Well, let's go

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Speaker 2: back to the picklets, because you guys were so into.

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Speaker 3: That, and maybe it's like maybe it's actually asking Mackenzie

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Speaker 3: what kind of candy she would like to have on set,

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Speaker 3: so you're not just like, bring a duffel bag of

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Speaker 3: something that it's just like your favorite mm hmm.

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Speaker 1: You know what, I don't know if she's a gummy,

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Speaker 1: if she's a chocoholic.

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Speaker 2: Okay, yeah, okay, So I mean do we figure out

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Speaker 2: the candy now or do we want to go back

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Speaker 2: to the bit Let's figure out let's.

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Speaker 1: Know, you want to know you want to stop down

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Speaker 1: and deal with the candy. I want you to be comfortable.

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Speaker 1: Uh you know the story I guess will work itself out.

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Speaker 2: Yeah, so okay, I can't deal with.

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Speaker 4: This is the whole vive On said.

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Speaker 5: If we're gonna be I mean working together again, Like,

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Speaker 5: let's just set up the dynamic correctly.

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Speaker 3: First, what was the candy situation last time?

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Speaker 1: What happened unhappiest seasons of all?

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Speaker 3: Sounds like there was some issues, like some friction.

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Speaker 2: Well there, like everybody was like yeah, but there were.

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Speaker 5: A decades so there were just huge bowls of collective

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Speaker 5: eminems that everybody put their hands into.

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Speaker 4: Yeah, I think that's all you had.

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Speaker 2: Well, no, I had the I had the red in

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Speaker 2: the red and green eminem's, and then there were a

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Speaker 2: lot of cant It's a Christmas move, Like I just

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Speaker 2: want everybody to stay in character because that was a

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Speaker 2: challenge apparently for everyone.

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Speaker 4: It was January and there was a pandemic coming.

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Speaker 2: Yeah, but we didn't know that at the time.

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Speaker 1: Maybe caused, maybe caused, possibly caused by the eminem bull

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Speaker 1: the communal eminem bulls may have been the Petri dish

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Speaker 1: where COVID nineteen was initially born.

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Speaker 5: I didn't I cannot hear about like we knew what

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Speaker 5: was happening when we were shooting the movie, okay, and

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Speaker 5: you were making a big oa, okay.

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Speaker 2: You know what that is not can we Why are

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Speaker 2: we even talking about you?

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Speaker 4: Like, not us? It'll never hit.

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Speaker 1: Up, couldn't happen to us.

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Speaker 4: It could never happened to us.

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Speaker 5: If I kept being like, no, Clea, why is it

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Speaker 5: different in China? Why is it different in Italy?

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Speaker 1: And you said, not us, that kind of stuff can't.

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Speaker 2: Happen us, and it and it didn't, and it didn't.

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Speaker 4: But because the world didn't.

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Speaker 2: I'm not getting into this. I'm not you know what,

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Speaker 2: I'm not going to get into this territory like that's

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Speaker 2: in the past. That's in the past.

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Speaker 3: And like Cleia talking about some of the biological differences

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Speaker 3: for Italians.

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Speaker 1: Listen that Italians are genetically predisposed to fall ill.

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Speaker 3: So like there their respiratory systems.

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Speaker 2: Okay, it's just if we keep talking about this, then

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Speaker 2: we're not then there's gonna be oh, candy on the

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Speaker 2: new set. Like I feel like that's.

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Speaker 1: Not a threat to me, that that the candy is

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Speaker 1: for you. I guess you're just saying you'll be impossible

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Speaker 1: to deal with.

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Speaker 2: I'm getting I'm feeling like, Okay, I know I'm new.

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Speaker 2: So there candy.

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Speaker 1: I don't like, go take it, like, go take candy.

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Speaker 3: Break. Do we want to.

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Speaker 4: Start bringing Mary back in as a director.

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Speaker 1: Let's not go nuclear just yet.

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Speaker 2: I'm gonna go off for a couple of minutes. I

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Speaker 2: need to, just like you've.

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Speaker 3: Been going off.

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00:20:35,840 --> 00:20:40,080
Speaker 1: What I actually need is for you to stop going off, queen. Okay, no,

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Speaker 1: if you need to, like mute, go off video right,

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Speaker 1: have a half dozen Cabury eggs, and then reappear ready

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Speaker 1: to work.

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Speaker 4: Okay.

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Speaker 2: So what I'm hearing is the resurrection is the only

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Speaker 2: thing that we're going to use from Eastern.

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Speaker 4: Yes we do.

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Speaker 6: Okay, we don't know yet, but probably okay, probably because

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Speaker 6: we haven't addressed all the other pieces, like we have

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Speaker 6: to keep it.

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Speaker 3: In balance, Like we have the leopard, we have a leprechaun,

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Speaker 3: we have, of course the Santa piece. We have April

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Speaker 3: Pool's Day.

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Speaker 1: No one has been April fooled?

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Speaker 3: No, yeah, wow?

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Speaker 1: And with like I do want to bring in the

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Speaker 1: Jerky Boys to do some pranks.

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00:21:29,000 --> 00:21:31,840
Speaker 3: Yeah, we could bring in the Jerky boys if.

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Speaker 1: We got the Jerky Boys doing prank calls. I feel

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00:21:33,720 --> 00:21:35,680
Speaker 1: like the April Fool's portion, you know, that can just.

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Speaker 3: Be that's good for budget and with our with the

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Speaker 3: budget that we You're and I think we're confusing box

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00:21:41,800 --> 00:21:44,560
Speaker 3: office and budget again. You're talking about box office, which

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00:21:44,600 --> 00:21:47,439
Speaker 3: we do not have time to consider right now. We

403
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Speaker 3: are talking about we have this our control.

404
00:21:51,000 --> 00:21:54,639
Speaker 1: We have control whether the movie earns money. What I

405
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Speaker 1: can do is spend money making the movie.

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Speaker 4: That was my mistake. CLEAs thrown me off in this

407
00:22:01,040 --> 00:22:02,240
Speaker 4: last little bit. I'm sorry.

408
00:22:02,280 --> 00:22:05,439
Speaker 1: I've already sold off multiple pieces of my computer in

409
00:22:05,520 --> 00:22:09,240
Speaker 1: order to try to make this thing happen. Okay, what

410
00:22:09,400 --> 00:22:11,840
Speaker 1: pieces important pieces?

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Speaker 3: Hey?

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00:22:12,160 --> 00:22:18,040
Speaker 1: Yeah, pieces that make the internet go. So I'm sacrificing

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Speaker 1: podcasts too.

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Speaker 3: I've been thinking, like something huge rising out of the ocean,

415
00:22:23,359 --> 00:22:26,320
Speaker 3: you know, and is it like you know, they're they're

416
00:22:26,359 --> 00:22:33,399
Speaker 3: trying to have this holiday Santa Barbara Swimpley experience. We

417
00:22:33,480 --> 00:22:37,479
Speaker 3: need a threat, We need an antagonist, right, and so

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00:22:38,080 --> 00:22:44,040
Speaker 3: if it's a huge is it, is it clear rising

419
00:22:44,080 --> 00:22:46,240
Speaker 3: out of the ocean to just like fuck everything up?

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Speaker 1: Like I just want to signal to the audience right away,

421
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Speaker 1: like this is dangerous.

422
00:22:50,880 --> 00:22:56,600
Speaker 5: Yeah, Clia just sneezing right into her hands, shaking hands

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Speaker 5: with people she comes out of the ocean, or running into.

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Speaker 3: Us, putting it right into the evidence.

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00:23:03,680 --> 00:23:07,680
Speaker 1: I'm just reaching into a communal snack.

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Speaker 3: Selecting only likes one. It's only two different colors of

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00:23:11,560 --> 00:23:12,680
Speaker 3: eminem's by.

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00:23:12,680 --> 00:23:15,359
Speaker 1: Taking something out and looking at them and then putting

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Speaker 1: them back.

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Speaker 4: But in the poem first and then in the Yeah,

431
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Speaker 4: not that I.

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Speaker 2: Don't like obviously, I love acting. It's like my first passion.

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00:23:25,760 --> 00:23:29,240
Speaker 2: But I just want us to know that since all

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00:23:29,280 --> 00:23:31,359
Speaker 2: we do care about is budget, it is going to

435
00:23:31,440 --> 00:23:35,399
Speaker 2: add because I'm gonna need playback if I'm directing and

436
00:23:35,440 --> 00:23:39,320
Speaker 2: then also acting, I'm gonna need the playback. I'm gonna

437
00:23:39,320 --> 00:23:40,720
Speaker 2: need to be able to go back and watch playback,

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00:23:40,800 --> 00:23:42,760
Speaker 2: make sure the shots are right. Like, and are you

439
00:23:42,800 --> 00:23:44,880
Speaker 2: guys okay with spending money in that way?

440
00:23:46,160 --> 00:23:49,800
Speaker 3: Not that I'm do you say that? You like, what

441
00:23:49,840 --> 00:23:52,000
Speaker 3: are you talking about that?

442
00:23:52,200 --> 00:23:55,120
Speaker 2: I like, if I am performing in the in the

443
00:23:55,119 --> 00:23:59,520
Speaker 2: film and directing the film is like, I'm just gonna

444
00:23:59,520 --> 00:24:02,359
Speaker 2: say that kind of ad time and money to the

445
00:24:02,520 --> 00:24:04,640
Speaker 2: to the budget and time to our days, like are

446
00:24:04,680 --> 00:24:06,639
Speaker 2: we okay with that? I just I just I'm bringing

447
00:24:06,720 --> 00:24:07,280
Speaker 2: up now.

448
00:24:07,400 --> 00:24:09,680
Speaker 1: From what I just go back and watch every take.

449
00:24:10,680 --> 00:24:12,640
Speaker 2: I'm gonna I'm gonna have to go back and watch

450
00:24:12,680 --> 00:24:17,160
Speaker 2: every single take. Mm hmmm, especially now I'm not gonna

451
00:24:17,160 --> 00:24:19,680
Speaker 2: have my candy, so like I I'm not going to

452
00:24:19,720 --> 00:24:22,480
Speaker 2: be as like on so I might need more takes

453
00:24:22,520 --> 00:24:23,040
Speaker 2: as well.

454
00:24:23,960 --> 00:24:29,320
Speaker 1: Mm hmm. Well you know we may. Then we may

455
00:24:29,400 --> 00:24:31,680
Speaker 1: not want to deal with that. Just from a time perspective,

456
00:24:31,720 --> 00:24:33,760
Speaker 1: I don't really care about the money, like that's it's

457
00:24:33,800 --> 00:24:36,720
Speaker 1: fucking monopoly money to me. You know, I'm playing a

458
00:24:36,840 --> 00:24:42,199
Speaker 1: game and I'm winning. But I think that, uh, in

459
00:24:42,359 --> 00:24:47,400
Speaker 1: order to keep the thread alive, but not slow down

460
00:24:47,440 --> 00:24:49,240
Speaker 1: the days just because I don't want to be sitting

461
00:24:49,320 --> 00:24:52,159
Speaker 1: there watching you watch yourself. Do we get like a

462
00:24:52,320 --> 00:24:55,160
Speaker 1: fucking Bin Lodden lookalike? Or something like that.

463
00:24:55,880 --> 00:24:58,080
Speaker 3: Huge bin Laden coming out of the ocean.

464
00:24:58,200 --> 00:24:59,520
Speaker 1: Just a giant bin Lodden.

465
00:24:59,600 --> 00:25:02,919
Speaker 3: They him in there, in there, Yes, they tried to

466
00:25:02,960 --> 00:25:04,639
Speaker 3: bury him. They didn't know he was a seat.

467
00:25:05,240 --> 00:25:07,160
Speaker 1: He's like holding the Malaysian plane.

468
00:25:08,280 --> 00:25:13,439
Speaker 3: Wow. Okay, he grew, he.

469
00:25:13,520 --> 00:25:19,119
Speaker 1: Got even taller down there. Mm hmmm. He comes out

470
00:25:19,160 --> 00:25:20,720
Speaker 1: and he says, next time, don't.

471
00:25:20,480 --> 00:25:23,639
Speaker 3: And if you've got attached me to like if you

472
00:25:23,720 --> 00:25:27,720
Speaker 3: gotta tell you know, I know, like, yes, you act

473
00:25:27,760 --> 00:25:31,240
Speaker 3: as well. And so if you got attached to being

474
00:25:31,320 --> 00:25:33,080
Speaker 3: in this bo if you want to dress up has

475
00:25:33,119 --> 00:25:36,240
Speaker 3: bin Lad and then like be that character like rising

476
00:25:36,240 --> 00:25:37,200
Speaker 3: out of the ocean.

477
00:25:36,920 --> 00:25:39,600
Speaker 1: Would that then limit some of your concern about watching

478
00:25:39,640 --> 00:25:43,680
Speaker 1: playback because it's like you're so deep into a character it's.

479
00:25:43,520 --> 00:25:44,359
Speaker 3: Not really.

480
00:25:45,680 --> 00:25:49,040
Speaker 1: Yeah, I don't like how you are perceived.

481
00:25:49,720 --> 00:25:52,360
Speaker 2: I'm I'm gonna just say I'm worried about the bin

482
00:25:52,440 --> 00:25:54,200
Speaker 2: Laden because like they're.

483
00:25:56,280 --> 00:25:57,119
Speaker 1: You think he's nice.

484
00:25:58,200 --> 00:26:01,080
Speaker 2: I don't. I don't think he's nice. I don't try to.

485
00:26:01,400 --> 00:26:03,280
Speaker 2: I know what you're trying to do. I know what

486
00:26:03,280 --> 00:26:03,720
Speaker 2: you're trying to.

487
00:26:04,359 --> 00:26:07,879
Speaker 1: I'm trying to understand where you're coming from. We needed

488
00:26:07,880 --> 00:26:10,880
Speaker 1: someone evil, I suggested been loaden, you're worried about it.

489
00:26:12,240 --> 00:26:15,359
Speaker 2: I just real, No, I don't think a laden is

490
00:26:15,480 --> 00:26:19,280
Speaker 2: nice sean for the millions of time, Okay. I just

491
00:26:19,320 --> 00:26:22,080
Speaker 2: think that it is like, are we bringing in an

492
00:26:22,080 --> 00:26:24,679
Speaker 2: element that is kind of off theme? Like we have

493
00:26:24,800 --> 00:26:29,760
Speaker 2: so many holidays meeting you know that, are we missing

494
00:26:29,760 --> 00:26:30,440
Speaker 2: an opportunity?

495
00:26:30,520 --> 00:26:32,199
Speaker 1: You're all pretty far from nine to eleven.

496
00:26:32,760 --> 00:26:34,879
Speaker 2: They're pretty they're all far from nine to eleven. Like,

497
00:26:34,880 --> 00:26:38,560
Speaker 2: there's no this is springtime. That's all of our springtime things,

498
00:26:38,640 --> 00:26:41,359
Speaker 2: like and because someone brought.

499
00:26:41,160 --> 00:26:44,600
Speaker 4: Up is having in spring this year? If you want

500
00:26:44,600 --> 00:26:45,400
Speaker 4: to include.

501
00:26:45,040 --> 00:26:47,880
Speaker 2: That, you can be in charge of that.

502
00:26:50,560 --> 00:26:53,680
Speaker 1: Second, Yeah, let's spring this year.

503
00:26:54,480 --> 00:26:57,440
Speaker 5: Just I don't know what holidays sort of who can

504
00:26:57,480 --> 00:26:58,119
Speaker 5: be in charge of it?

505
00:26:59,119 --> 00:27:00,760
Speaker 2: Mckenzy can be a charge of that one.

506
00:27:00,880 --> 00:27:02,560
Speaker 1: I was trying to figure out what mackenzie is in

507
00:27:02,640 --> 00:27:04,880
Speaker 1: charge of, no offense, I was thinking that as well.

508
00:27:05,320 --> 00:27:06,479
Speaker 1: I don't know exactly what.

509
00:27:06,520 --> 00:27:06,879
Speaker 4: I was a.

510
00:27:08,560 --> 00:27:12,119
Speaker 1: Yeah, like do you what you would do? Yeah, let

511
00:27:12,920 --> 00:27:14,600
Speaker 1: let's drill down on that moment.

512
00:27:14,760 --> 00:27:16,240
Speaker 4: That's why I offered the Ramadan thing.

513
00:27:16,320 --> 00:27:21,080
Speaker 3: But I guess we need something to one's huge, a

514
00:27:21,160 --> 00:27:23,679
Speaker 3: huge thing to like kill bin lad like that, like

515
00:27:23,800 --> 00:27:26,800
Speaker 3: or whatever it is. Maybe Okay, Clea does not want to.

516
00:27:26,880 --> 00:27:30,400
Speaker 1: Villainize placeholder bin Laden, that's the house number, and we'll

517
00:27:30,440 --> 00:27:31,719
Speaker 1: sort of figure out exactly what.

518
00:27:31,960 --> 00:27:34,080
Speaker 2: Let's just use me as a placeholder for now. Let's

519
00:27:34,080 --> 00:27:35,560
Speaker 2: go back to that because everybody loved that.

520
00:27:36,200 --> 00:27:39,800
Speaker 3: Clear Okay, Okay, So someone something has to come in

521
00:27:39,880 --> 00:27:44,840
Speaker 3: and like kill Cleia. I'm picturing like, uh, you know,

522
00:27:47,280 --> 00:27:47,680
Speaker 3: can I.

523
00:27:47,680 --> 00:27:50,760
Speaker 2: Please sorry, I'm so sorry, I'm just I'm I'm just

524
00:27:51,320 --> 00:27:53,440
Speaker 2: but the ideas are firing. I'm sorry, but I will

525
00:27:53,480 --> 00:27:53,960
Speaker 2: slow down.

526
00:27:54,640 --> 00:27:58,720
Speaker 3: I can't imagine what six Cadbury eggs would Dude, if

527
00:27:58,720 --> 00:28:02,880
Speaker 3: this is baseline, are you familiar with the Jaegers from.

528
00:28:02,840 --> 00:28:11,480
Speaker 8: Pacific Pacific Rim Yeah? No, wow, Okay, okay. They are

529
00:28:11,880 --> 00:28:14,800
Speaker 8: giant and the director.

530
00:28:15,400 --> 00:28:20,480
Speaker 3: Like giant robots that come to the kill the Kaiju's,

531
00:28:20,520 --> 00:28:27,359
Speaker 3: the beasts that are uh threatening the planet. I'm thinking

532
00:28:27,359 --> 00:28:32,400
Speaker 3: about a Jaeger that is like Irish in a very

533
00:28:32,440 --> 00:28:35,640
Speaker 3: distinct way, you know what I mean. And I'm looking

534
00:28:35,720 --> 00:28:40,160
Speaker 3: at Mackenzie. Mackenzie is like kind of British in a way,

535
00:28:40,320 --> 00:28:46,160
Speaker 3: like like just sort of pan United King, like the Queen.

536
00:28:47,640 --> 00:28:54,000
Speaker 3: She's the like one of the Queen's constituents from like

537
00:28:54,080 --> 00:28:56,720
Speaker 3: kind of every all different places.

538
00:28:56,800 --> 00:29:00,400
Speaker 4: You know what I mean, a member of the common well.

539
00:29:00,800 --> 00:29:04,040
Speaker 3: Absolutely like basically every You're just going on a tour

540
00:29:04,160 --> 00:29:11,200
Speaker 3: of the Commonwealth in Her Majesty's Secret Service. And so

541
00:29:11,440 --> 00:29:18,160
Speaker 3: for you to be representing Irish like unification in this

542
00:29:18,440 --> 00:29:21,320
Speaker 3: you know, like I'm just like I'm all around it,

543
00:29:21,440 --> 00:29:24,680
Speaker 3: but just like there's something there to me that this

544
00:29:24,760 --> 00:29:30,200
Speaker 3: Saint Pat we're bringing Ireland back together as part of England.

545
00:29:30,280 --> 00:29:33,400
Speaker 5: Maybe I feel really good about spearheading ramadand but I

546
00:29:33,440 --> 00:29:34,880
Speaker 5: feel a little touchy.

547
00:29:34,560 --> 00:29:38,320
Speaker 3: About making all of Ireland part of not.

548
00:29:38,920 --> 00:29:41,520
Speaker 4: And then also together with England again.

549
00:29:41,360 --> 00:29:43,360
Speaker 3: Not even as part of the U. There's no more UK.

550
00:29:43,440 --> 00:29:44,440
Speaker 3: It's all England.

551
00:29:44,560 --> 00:29:45,320
Speaker 4: It's all England.

552
00:29:45,440 --> 00:29:49,240
Speaker 5: Yeah, and Ireland is England Northern.

553
00:29:50,120 --> 00:29:53,280
Speaker 1: And shreks pop out. What about Scotland, he's asking, and

554
00:29:53,320 --> 00:29:55,320
Speaker 1: we do have to answer also.

555
00:29:55,480 --> 00:29:57,080
Speaker 3: Yes, it's all going to be England.

556
00:29:57,360 --> 00:29:58,600
Speaker 1: It's all England by the end.

557
00:29:58,920 --> 00:30:04,960
Speaker 4: And the villain this story placeholder, placeholder, just so we.

558
00:30:04,960 --> 00:30:08,040
Speaker 1: Have an understanding that something something evil is.

559
00:30:07,960 --> 00:30:10,880
Speaker 4: Happening and it's not what I'm doing.

560
00:30:11,880 --> 00:30:15,320
Speaker 3: No, that's yes, you're talking about like bringing peace to

561
00:30:15,400 --> 00:30:17,840
Speaker 3: the land, Okay.

562
00:30:19,760 --> 00:30:22,520
Speaker 4: Clear kind of brought me on as an actor, and

563
00:30:22,560 --> 00:30:23,560
Speaker 4: I assume the lead.

564
00:30:23,720 --> 00:30:28,080
Speaker 2: But does this not sound like that you're uniting, you're

565
00:30:28,120 --> 00:30:32,800
Speaker 2: making Scotland and Ireland England? Does that not sound like

566
00:30:32,880 --> 00:30:33,920
Speaker 2: the character.

567
00:30:34,280 --> 00:30:37,160
Speaker 4: Between the lead and the villain. You're obviously the villain,

568
00:30:37,520 --> 00:30:38,440
Speaker 4: and so how.

569
00:30:39,880 --> 00:30:42,520
Speaker 2: Well, so what's the what's the question? Where are you

570
00:30:42,640 --> 00:30:45,200
Speaker 2: confused here? McKenzie? How can how can I help you?

571
00:30:45,280 --> 00:30:45,840
Speaker 4: Let me finish?

572
00:30:45,920 --> 00:30:49,640
Speaker 5: It would be easier, but I well, as soon as

573
00:30:49,680 --> 00:30:51,000
Speaker 5: you a question.

574
00:30:51,080 --> 00:30:54,200
Speaker 3: Let's assume that's not gonna happen, and like, let's let

575
00:30:54,360 --> 00:30:58,240
Speaker 3: let's let's go to whatever the next alternative is after that.

576
00:30:58,840 --> 00:31:00,640
Speaker 3: You cannot what I might.

577
00:31:00,560 --> 00:31:03,720
Speaker 2: Be saying and answer that, Yeah, do you I mean,

578
00:31:03,800 --> 00:31:06,719
Speaker 2: do you have some dialogue or do you like, do

579
00:31:06,760 --> 00:31:09,000
Speaker 2: you have any dialogue that is just like coming.

580
00:31:08,720 --> 00:31:11,560
Speaker 1: To you you want to have in the movie that

581
00:31:12,240 --> 00:31:14,640
Speaker 1: going to sort of find the character.

582
00:31:16,000 --> 00:31:17,479
Speaker 5: The first thing that came to my head was this

583
00:31:17,520 --> 00:31:20,000
Speaker 5: is out of line. I don't think it's it's good.

584
00:31:20,080 --> 00:31:21,920
Speaker 5: I'm just saying I'm trying to.

585
00:31:22,200 --> 00:31:24,000
Speaker 2: Out a line that sounds pretty good.

586
00:31:24,040 --> 00:31:27,880
Speaker 5: I could see it not not not not in this but.

587
00:31:27,800 --> 00:31:31,800
Speaker 1: Like you're looking at the UK here hear the accent.

588
00:31:34,520 --> 00:31:39,800
Speaker 2: Yeah, this is everybody, which because you just be quiet.

589
00:31:39,840 --> 00:31:41,440
Speaker 2: I just want to make sure everybody settles.

590
00:31:41,800 --> 00:31:43,360
Speaker 1: Everyone will be quiet for the action.

591
00:31:43,600 --> 00:31:52,920
Speaker 2: Please subtle action accent. This is out of line, okay,

592
00:31:53,040 --> 00:31:54,720
Speaker 2: and that because you know that was.

593
00:31:54,160 --> 00:31:59,320
Speaker 8: A little Australia, part of part of the Wealth where

594
00:31:59,360 --> 00:31:59,960
Speaker 8: it's all.

595
00:31:59,840 --> 00:32:05,840
Speaker 4: In so is Canada twist. I'm not going to but

596
00:32:06,040 --> 00:32:08,000
Speaker 4: there's a lot of members of the Commonwealth.

597
00:32:08,680 --> 00:32:09,840
Speaker 2: Okay, Well let's try it again.

598
00:32:10,360 --> 00:32:11,600
Speaker 4: And where do you want it to come from.

599
00:32:12,200 --> 00:32:14,160
Speaker 2: Well, I'd like it to be like your.

600
00:32:14,080 --> 00:32:18,800
Speaker 1: Heart, right, Yeah, let's try ultimately if it's gonna if

601
00:32:18,800 --> 00:32:22,360
Speaker 1: it's gonna resonate with people at home, they're just watching

602
00:32:22,600 --> 00:32:26,360
Speaker 1: pixels on a screen. You know, it's fucking meaningless unless

603
00:32:26,400 --> 00:32:30,640
Speaker 1: you make it mean something. So it's got to come

604
00:32:30,640 --> 00:32:35,320
Speaker 1: from in there. Dig deep, hear the accents record for once.

605
00:32:37,200 --> 00:32:42,320
Speaker 2: Now this is out of line, and that is that

606
00:32:42,400 --> 00:32:45,960
Speaker 2: was more Australian than the first one.

607
00:32:46,480 --> 00:32:48,240
Speaker 5: I think what I'm struggling with is I wanted to

608
00:32:48,240 --> 00:32:51,680
Speaker 5: be Australian and that's how it came into my head.

609
00:32:51,720 --> 00:32:53,840
Speaker 5: And I'm trying to make it British, but I'm denying

610
00:32:55,160 --> 00:32:56,280
Speaker 5: the place that it came from you.

611
00:32:58,920 --> 00:33:03,320
Speaker 2: Yeah, yeah, that is clear. I mean, are we married

612
00:33:03,440 --> 00:33:06,040
Speaker 2: to the English? Like I know that I like the

613
00:33:06,120 --> 00:33:09,000
Speaker 2: Saint Patrick say, Ireland all that stuff, but like do

614
00:33:09,040 --> 00:33:09,520
Speaker 2: you think we can?

615
00:33:11,560 --> 00:33:11,680
Speaker 3: Uh?

616
00:33:12,480 --> 00:33:13,640
Speaker 1: I don't know if we do.

617
00:33:15,280 --> 00:33:17,800
Speaker 2: Yeah, I just don't know if we do, like if

618
00:33:17,800 --> 00:33:20,200
Speaker 2: we need the Ireland stuff, Like.

619
00:33:20,280 --> 00:33:21,360
Speaker 4: Would we go Astra?

620
00:33:23,120 --> 00:33:25,200
Speaker 1: I don't think I want to go Australian, just because

621
00:33:25,200 --> 00:33:27,880
Speaker 1: that feels like Mackenzie like bullied us into doing that,

622
00:33:28,040 --> 00:33:29,720
Speaker 1: you know what I mean, Like I don't I don't

623
00:33:29,760 --> 00:33:31,520
Speaker 1: like to buckle to that sort of pressure.

624
00:33:32,200 --> 00:33:32,680
Speaker 2: You're right.

625
00:33:32,800 --> 00:33:35,000
Speaker 1: It sets a bad precedent because then on set when

626
00:33:35,000 --> 00:33:38,000
Speaker 1: she wants to change it to like whatever other you

627
00:33:38,040 --> 00:33:42,480
Speaker 1: know accent, she thinks she's like mastered this week, then

628
00:33:42,680 --> 00:33:44,240
Speaker 1: suddenly we've got an issue.

629
00:33:44,760 --> 00:33:46,600
Speaker 2: Yeah, we're gonna have an ader. I have a whole

630
00:33:46,640 --> 00:33:49,160
Speaker 2: thing anyway. If she's changing accents every week.

631
00:33:49,560 --> 00:33:52,840
Speaker 1: Yeah, no shit, I'm already prepping for that. Let's hear

632
00:33:52,880 --> 00:33:57,800
Speaker 1: it with no you know, like forget Australia, forget the Commonwealth,

633
00:33:58,040 --> 00:34:04,280
Speaker 1: forget you just you've got to kill Cleia And you're

634
00:34:04,360 --> 00:34:07,480
Speaker 1: saying this is out of line, and I don't care.

635
00:34:07,600 --> 00:34:12,480
Speaker 1: Don't think about accents don't think about anything else. Cleia

636
00:34:12,760 --> 00:34:17,440
Speaker 1: just came out of the ocean. She's sneezing and grabbing candies.

637
00:34:18,920 --> 00:34:22,040
Speaker 1: Sannah has been brought back to life by a leprechat,

638
00:34:23,000 --> 00:34:26,920
Speaker 1: but he's still very weak. He's woozy. He's Mary Holland

639
00:34:26,960 --> 00:34:27,439
Speaker 1: by the way.

640
00:34:28,000 --> 00:34:33,840
Speaker 3: Mm hmm oh wow. Well that level of weakness and

641
00:34:33,920 --> 00:34:37,480
Speaker 3: wooziness that you know, are you ready?

642
00:34:38,000 --> 00:34:42,440
Speaker 4: Mm hmm, Okay, this is out of line.

643
00:34:46,440 --> 00:34:47,360
Speaker 3: It did work for me.

644
00:34:47,640 --> 00:34:54,520
Speaker 1: I go back to Australia. Yeah it is.

645
00:34:54,719 --> 00:34:58,719
Speaker 3: I got really close, got really close to camera. I'm

646
00:34:58,719 --> 00:35:01,799
Speaker 3: actually worried about some of the equipment if we keep Yeah,

647
00:35:01,840 --> 00:35:02,520
Speaker 3: we don't.

648
00:35:02,640 --> 00:35:04,560
Speaker 2: I don't know if our lenses can handle that kind

649
00:35:04,640 --> 00:35:05,200
Speaker 2: of speed.

650
00:35:05,440 --> 00:35:08,040
Speaker 1: Well, they're going to get spit on them and stuff.

651
00:35:09,160 --> 00:35:12,719
Speaker 3: Something like what we have. So we have Mackenzie to

652
00:35:12,920 --> 00:35:17,879
Speaker 3: just like tack zeros onto the budget basically, and that's

653
00:35:17,920 --> 00:35:22,640
Speaker 3: like the role that she's fulfilling. I wonder if acting

654
00:35:22,800 --> 00:35:26,360
Speaker 3: wise something we have So we have a three D

655
00:35:26,440 --> 00:35:33,120
Speaker 3: printer that is basically able to use organic material as

656
00:35:33,480 --> 00:35:38,120
Speaker 3: like like as toner right, like what you feed into it,

657
00:35:38,520 --> 00:35:41,880
Speaker 3: it's like organic parts and then we can three D

658
00:35:41,960 --> 00:35:44,920
Speaker 3: print sort of like whatever it designs skins a bone,

659
00:35:44,920 --> 00:35:46,880
Speaker 3: I mean it's bones, like, it's just bones.

660
00:35:48,320 --> 00:35:49,600
Speaker 1: Primarily it's bones.

661
00:35:49,719 --> 00:35:54,120
Speaker 3: Yeah, and so then we're able to choose the design.

662
00:35:55,000 --> 00:35:57,239
Speaker 3: We can go in the sort of mackenzie direction, but

663
00:35:57,280 --> 00:36:01,920
Speaker 3: we can also like incorporate other elements it might be useful.

664
00:36:03,400 --> 00:36:06,719
Speaker 3: And then Mackenzie, do you have like voice what's your

665
00:36:06,840 --> 00:36:10,920
Speaker 3: voice acting background? What are some of your voice credits?

666
00:36:12,160 --> 00:36:12,560
Speaker 5: Mm hmm.

667
00:36:14,760 --> 00:36:17,280
Speaker 4: I've been toying around with an Australian accent recently.

668
00:36:17,440 --> 00:36:21,920
Speaker 1: That's okay, that's from what we Yeah.

669
00:36:22,880 --> 00:36:26,880
Speaker 3: That's want under the special skills part of your resume

670
00:36:26,960 --> 00:36:27,799
Speaker 3: where I want to be going.

671
00:36:28,600 --> 00:36:31,600
Speaker 1: We want to credit. We want to voice acting credit.

672
00:36:32,160 --> 00:36:37,000
Speaker 2: Yeah, yeah, like that. What have you gotten paid to do?

673
00:36:37,440 --> 00:36:37,960
Speaker 3: That is?

674
00:36:38,080 --> 00:36:41,279
Speaker 2: That is what we are considering voice.

675
00:36:41,040 --> 00:36:43,680
Speaker 3: Acting credits in the voice space.

676
00:36:43,800 --> 00:36:47,400
Speaker 4: Yes, I mean I've played a lot with accents.

677
00:36:48,360 --> 00:36:55,480
Speaker 2: Okay, okay, so I'm here, you don't have any.

678
00:36:52,320 --> 00:36:57,400
Speaker 4: For voice work primarily a moving image actor.

679
00:36:58,120 --> 00:36:59,479
Speaker 1: Okay, all right, But I.

680
00:36:59,560 --> 00:37:04,239
Speaker 5: Love the opportunity to do an Australian accent and the piece.

681
00:37:04,760 --> 00:37:06,799
Speaker 2: I think, based on what we've seen here, I don't

682
00:37:06,840 --> 00:37:09,279
Speaker 2: think that I don't think we can do that, But

683
00:37:09,640 --> 00:37:14,520
Speaker 2: I wonder if what if Mackenzie is coming out of

684
00:37:14,560 --> 00:37:17,719
Speaker 2: the sea, playing against type, she is coming out of

685
00:37:17,760 --> 00:37:22,239
Speaker 2: the sea, and then I don't know, maybe I could

686
00:37:22,320 --> 00:37:26,160
Speaker 2: be the part that we're a hero for Mackenzie the hero.

687
00:37:26,760 --> 00:37:30,920
Speaker 3: Okay, so you as bin Laden is now you not

688
00:37:31,000 --> 00:37:34,960
Speaker 3: want to make that the hero of this movie?

689
00:37:35,239 --> 00:37:38,080
Speaker 2: Well, we have a pin in the bin Laden thing

690
00:37:38,200 --> 00:37:42,000
Speaker 2: that's not one hundred Well, oct.

691
00:37:41,960 --> 00:37:44,200
Speaker 1: You put that pin there and I pulled it out

692
00:37:44,239 --> 00:37:47,120
Speaker 1: because we were talking about him growing inside the ocean

693
00:37:47,160 --> 00:37:50,440
Speaker 1: and I do have the name Big Loden lined up.

694
00:37:51,239 --> 00:37:54,640
Speaker 2: Oh that is good. Well, but could but but see

695
00:37:54,640 --> 00:37:58,960
Speaker 2: if I'm playing the hero on land, then how would

696
00:37:59,040 --> 00:38:01,839
Speaker 2: I So then mcken's would have to be because if

697
00:38:01,880 --> 00:38:04,160
Speaker 2: Mackenzie is coming out of the sea, then Mackenzie has

698
00:38:04,239 --> 00:38:05,799
Speaker 2: to be bin Laden.

699
00:38:05,920 --> 00:38:08,480
Speaker 1: I just have to say, guys, this is tri month. Okay,

700
00:38:08,560 --> 00:38:09,600
Speaker 1: this is tri month?

701
00:38:09,680 --> 00:38:09,799
Speaker 3: Right?

702
00:38:10,600 --> 00:38:11,800
Speaker 2: Is it tri Month? Again?

703
00:38:12,239 --> 00:38:15,520
Speaker 1: This is tri month? Believe me, I asked myself the

704
00:38:15,560 --> 00:38:18,560
Speaker 1: same thing. So this is like, these are supposed to

705
00:38:18,600 --> 00:38:22,040
Speaker 1: be some of our best episodes and we can't get

706
00:38:22,040 --> 00:38:27,520
Speaker 1: a fucking line reading on the catchphrase that anchors the

707
00:38:27,719 --> 00:38:32,160
Speaker 1: entire film. So what I need from you right now? Clea?

708
00:38:32,280 --> 00:38:35,040
Speaker 1: Just to try to salvage the episode in any way,

709
00:38:35,200 --> 00:38:37,880
Speaker 1: is okay, I'm hearing you. You want to audition for

710
00:38:37,920 --> 00:38:41,040
Speaker 1: the part. So how would Osama Big Laden say this

711
00:38:41,080 --> 00:38:43,200
Speaker 1: is out of line in a way that makes me

712
00:38:43,280 --> 00:38:46,480
Speaker 1: feel he's gonna stick it to Mackenzie?

713
00:38:46,880 --> 00:38:47,279
Speaker 2: Uh huh.

714
00:38:47,560 --> 00:38:49,600
Speaker 3: And I just want to say, for anyone who can't see,

715
00:38:49,680 --> 00:38:54,520
Speaker 3: Clia just coughed and reached into a bowl of ice cream,

716
00:38:54,560 --> 00:38:58,600
Speaker 3: a shared public bowl of ice cream. But whatever preparation

717
00:38:59,120 --> 00:39:00,759
Speaker 3: you need to to deliver this.

718
00:39:00,800 --> 00:39:04,960
Speaker 2: Line, great, is anyone can sebody? Just have everybody subtle?

719
00:39:06,120 --> 00:39:13,000
Speaker 3: Kevin, Kevin enough? Wait wait wait wait wait wait wait

720
00:39:13,040 --> 00:39:18,000
Speaker 3: wait wait wait wait wait wait wait Kevin, do that again? Enough?

721
00:39:18,760 --> 00:39:21,520
Speaker 1: Oh man, Big Laden doesn't stand a chance again.

722
00:39:21,560 --> 00:39:25,719
Speaker 3: That's it, guy, We had it, We had it the

723
00:39:25,719 --> 00:39:29,760
Speaker 3: whole time. Keep going, Kevin, Kevin, this is your big

724
00:39:30,600 --> 00:39:32,520
Speaker 3: your big speech. Just stay in that.

725
00:39:32,400 --> 00:39:35,400
Speaker 1: Exact field energy. Mackenzie, you felt that.

726
00:39:35,480 --> 00:39:40,560
Speaker 3: Kevin, keep that exactly. It's your big speech. You're you're

727
00:39:40,800 --> 00:39:43,759
Speaker 3: about to take os I'm a big glodding out. Go

728
00:39:44,160 --> 00:39:45,879
Speaker 3: just just go whatever comes to your mind.

729
00:39:45,960 --> 00:39:46,040
Speaker 5: Go.

730
00:39:46,680 --> 00:39:50,120
Speaker 7: This is out of line.

731
00:39:50,760 --> 00:39:57,760
Speaker 2: That is good, That is good, It is strong. Yeah.

732
00:39:57,880 --> 00:40:00,840
Speaker 2: I just I just didn't get to audition, get to audition,

733
00:40:02,040 --> 00:40:05,279
Speaker 2: m M. And I feel like it's fine, like if

734
00:40:05,320 --> 00:40:07,279
Speaker 2: we all like if your mind is already made up

735
00:40:08,040 --> 00:40:10,680
Speaker 2: with Kevin, like I and I get that because that

736
00:40:10,840 --> 00:40:12,160
Speaker 2: was yeah, that was strong. He is good.

737
00:40:12,360 --> 00:40:15,920
Speaker 1: But this is the equivalent Cleo. Basically like you were

738
00:40:15,960 --> 00:40:18,080
Speaker 1: the next in line to try to pull the sword

739
00:40:18,080 --> 00:40:21,120
Speaker 1: from the stone. Now King Arthur has produced it, and

740
00:40:21,120 --> 00:40:23,000
Speaker 1: you're like, can we just put the sword back in

741
00:40:23,080 --> 00:40:25,279
Speaker 1: the stone real quick, just to see if I would

742
00:40:25,320 --> 00:40:29,000
Speaker 1: have pulled it too, And it's like, no, the fucking

743
00:40:29,120 --> 00:40:34,640
Speaker 1: chosen One has arrived to unite the entire UK under

744
00:40:34,719 --> 00:40:35,960
Speaker 1: the banner of England.

745
00:40:36,960 --> 00:40:37,280
Speaker 4: Whoa.

746
00:40:38,000 --> 00:40:40,799
Speaker 1: And then you are abow being like, oh but what

747
00:40:40,880 --> 00:40:46,239
Speaker 1: about my turn? And it's like, unfortunately, for once, it's

748
00:40:46,239 --> 00:40:47,040
Speaker 1: not about you.

749
00:40:48,000 --> 00:40:50,040
Speaker 2: And I hear, I hear that you're saying that it's

750
00:40:50,080 --> 00:40:53,440
Speaker 2: not about me. But we do have twelve days like

751
00:40:53,800 --> 00:40:55,640
Speaker 2: to make this movie. I don't think it would like

752
00:40:56,000 --> 00:40:57,720
Speaker 2: hurt us to just let me audition.

753
00:40:58,440 --> 00:41:01,280
Speaker 3: Okay, I'm comfortable knowing what we.

754
00:41:01,360 --> 00:41:04,319
Speaker 1: Yeah, like knowing that we have it and just saying like,

755
00:41:04,560 --> 00:41:07,080
Speaker 1: let's take a look. Charity case kind.

756
00:41:06,920 --> 00:41:18,640
Speaker 3: Of go ahead. DVD FEATURETTE.

757
00:41:16,800 --> 00:41:18,280
Speaker 4: Okay, got out of the woods.

758
00:41:18,320 --> 00:41:24,760
Speaker 2: Yeah, okay, what's the line.

759
00:41:26,480 --> 00:41:27,120
Speaker 1: That's close?

760
00:41:29,080 --> 00:41:31,160
Speaker 2: Okay, what is it? This? This is out of line?

761
00:41:31,560 --> 00:41:32,400
Speaker 1: This is online.

762
00:41:32,640 --> 00:41:36,960
Speaker 2: Okay, this is out of line.

763
00:41:39,239 --> 00:41:39,680
Speaker 3: I like it.

764
00:41:39,760 --> 00:41:41,560
Speaker 1: It's like you said, this is adel.

765
00:41:42,280 --> 00:41:46,360
Speaker 2: Yes, well what's this is at a line? This is

766
00:41:47,600 --> 00:41:48,720
Speaker 2: this is out a line.

767
00:41:49,040 --> 00:41:54,080
Speaker 3: What about instead of this is Sparta, this is adelaide

768
00:41:55,200 --> 00:41:57,799
Speaker 3: mm hmm you know what I mean, Like you like

769
00:41:58,800 --> 00:42:00,279
Speaker 3: Australian version of that.

770
00:42:01,000 --> 00:42:06,400
Speaker 8: This is out of lied, this is alled this.

771
00:42:06,400 --> 00:42:07,239
Speaker 2: This is a lot.

772
00:42:07,920 --> 00:42:08,400
Speaker 1: I like it.

773
00:42:09,520 --> 00:42:12,000
Speaker 2: I like it. I mean it's kind of do we

774
00:42:12,080 --> 00:42:21,160
Speaker 2: just do it in Australia.

775
00:42:17,680 --> 00:42:20,320
Speaker 3: A little patch of Yeah, we can do Kosovo for

776
00:42:21,280 --> 00:42:26,400
Speaker 3: anywhere for Australia, which it's maybe is like a compromise.

777
00:42:26,480 --> 00:42:30,000
Speaker 3: Maybe we're called like if it's like so King Charles

778
00:42:31,120 --> 00:42:36,480
Speaker 3: has taken over and he's like enough is enough. It's

779
00:42:36,520 --> 00:42:39,320
Speaker 3: all England now, like this is like this is bullshit.

780
00:42:41,080 --> 00:42:44,520
Speaker 3: But and there's also like people are moving, like we're

781
00:42:44,560 --> 00:42:49,040
Speaker 3: moving a bunch of Australian people to Ireland to kind

782
00:42:49,040 --> 00:42:54,160
Speaker 3: of create like a like a you know, I don't

783
00:42:53,960 --> 00:42:57,080
Speaker 3: have every have all the different lands of England be

784
00:42:57,200 --> 00:43:00,720
Speaker 3: like an exact equal mix of the of like Canadian stream.

785
00:43:00,840 --> 00:43:05,719
Speaker 1: I see, yes, equal percentages in every area. So it's like,

786
00:43:05,800 --> 00:43:07,880
Speaker 1: hey man, it's all you know, it's all.

787
00:43:07,760 --> 00:43:11,320
Speaker 3: The same, right, But there's gonna be some conflict obviously.

788
00:43:11,000 --> 00:43:11,960
Speaker 1: There's like a draft.

789
00:43:12,760 --> 00:43:16,799
Speaker 8: Basically, yes, it's like a lottery and Adelaide is at

790
00:43:16,840 --> 00:43:17,600
Speaker 8: the center of that.

791
00:43:18,880 --> 00:43:22,440
Speaker 3: I still love Kevin for this part, and I think

792
00:43:22,520 --> 00:43:28,480
Speaker 3: like we can have Cleia be there to sort of

793
00:43:28,880 --> 00:43:33,680
Speaker 3: like inspire Kevin's performance in a way off camera, okay,

794
00:43:34,360 --> 00:43:38,040
Speaker 3: because it seems like it's like something about this mix

795
00:43:38,120 --> 00:43:41,600
Speaker 3: is really working for Kevin, like this combination of like.

796
00:43:41,560 --> 00:43:45,759
Speaker 1: I've never seen Kevin like this. Yes, Mackenzie, I've seen

797
00:43:45,800 --> 00:43:52,920
Speaker 1: be better and stuff. Clea's resume obviously speaks for itself,

798
00:43:54,000 --> 00:43:57,280
Speaker 1: but Kevin, I've never seen him come alive. He really

799
00:43:57,280 --> 00:44:02,120
Speaker 1: turned it on for you too, And so congratulations on that.

800
00:44:02,560 --> 00:44:08,240
Speaker 1: If nothing else should say, and nothing else, So yeah,

801
00:44:08,520 --> 00:44:11,799
Speaker 1: I like that idea. That sounds very fair as far

802
00:44:11,840 --> 00:44:17,440
Speaker 1: as a way to unite the commonwealth. And I just

803
00:44:17,880 --> 00:44:20,920
Speaker 1: have a little bit of a you know, housekeeping to do,

804
00:44:21,040 --> 00:44:24,000
Speaker 1: which is can I be in the movie? Can I

805
00:44:24,080 --> 00:44:25,120
Speaker 1: be in the movie please?

806
00:44:25,200 --> 00:44:27,440
Speaker 3: Too? Of course?

807
00:44:29,440 --> 00:44:31,760
Speaker 2: Of course, what I mean, do you have an idea

808
00:44:31,800 --> 00:44:34,319
Speaker 2: of what you would like to do or do you

809
00:44:34,360 --> 00:44:36,120
Speaker 2: want to like hit spitball or do you want to

810
00:44:36,280 --> 00:44:39,000
Speaker 2: I mean, we wouldn't have I don't think we can

811
00:44:39,040 --> 00:44:40,759
Speaker 2: all agree this movie wouldn't exist without you.

812
00:44:41,000 --> 00:44:45,000
Speaker 1: So yeah, thanks, that feels really good to hear.

813
00:44:45,800 --> 00:44:49,719
Speaker 2: Do you want to be the love part of the movie? Oh?

814
00:44:50,480 --> 00:44:55,280
Speaker 1: Oh, I don't know. Do you even think I could

815
00:44:56,640 --> 00:44:57,640
Speaker 1: one hundred percent?

816
00:44:57,840 --> 00:45:01,520
Speaker 2: I mean you you who? Sorry? Go ahead.

817
00:45:01,840 --> 00:45:03,799
Speaker 3: I wonder if this is a time, Like with some

818
00:45:03,880 --> 00:45:05,480
Speaker 3: of the other pieces we have in this movie, you

819
00:45:05,480 --> 00:45:09,560
Speaker 3: have a character that you've sort of been developing named

820
00:45:10,120 --> 00:45:16,080
Speaker 3: Neil Team six. Mm hm, who I mean, I don't

821
00:45:16,120 --> 00:45:17,640
Speaker 3: know if he could if we could do a huge

822
00:45:17,719 --> 00:45:19,160
Speaker 3: version of him.

823
00:45:19,800 --> 00:45:22,360
Speaker 1: Yeah, it's kind of two jokes. He's a guy named Neil.

824
00:45:22,880 --> 00:45:25,319
Speaker 1: But I also do this sort of like dwarf thing

825
00:45:25,400 --> 00:45:28,279
Speaker 1: where I'm on my knees and I have shoes in

826
00:45:28,280 --> 00:45:30,320
Speaker 1: front of my knees, so it looks like I'm small

827
00:45:30,480 --> 00:45:35,719
Speaker 1: and I kind of shuffle forward and I, you know,

828
00:45:36,080 --> 00:45:39,520
Speaker 1: shoot some Moally pirates and stuff like I do a

829
00:45:39,520 --> 00:45:44,400
Speaker 1: lot of like very dangerous missions. And he's he and

830
00:45:44,480 --> 00:45:47,000
Speaker 1: he's Neil Team six. He's six years old. His name

831
00:45:47,080 --> 00:45:49,040
Speaker 1: is Neil and is.

832
00:45:48,960 --> 00:45:52,480
Speaker 2: He do you think with as I'm a big lot,

833
00:45:52,560 --> 00:45:56,640
Speaker 2: and like, is there some sort of like romantic element

834
00:45:56,719 --> 00:46:05,480
Speaker 2: between Neil and big because that feels like real like romance. Interesting.

835
00:46:05,800 --> 00:46:08,440
Speaker 1: I think Dad, I think it's.

836
00:46:08,280 --> 00:46:10,359
Speaker 2: An either or with the romance and the dad thing.

837
00:46:10,400 --> 00:46:12,840
Speaker 2: I think doing both is going to really turn people off.

838
00:46:13,800 --> 00:46:16,480
Speaker 2: But so I would say, like, let's keep the dad stuff,

839
00:46:17,239 --> 00:46:18,920
Speaker 2: especially since he's six.

840
00:46:19,480 --> 00:46:22,440
Speaker 4: You still stuck on a plane?

841
00:46:23,000 --> 00:46:25,680
Speaker 1: God, is that why he suggested the romantic thing?

842
00:46:26,360 --> 00:46:31,480
Speaker 2: No, I mean I just thought six Yeah, but I

843
00:46:31,520 --> 00:46:35,800
Speaker 2: mean you, God, in fairness, you didn't say the sixth

844
00:46:35,800 --> 00:46:38,920
Speaker 2: thing until a little bit later. He did say that

845
00:46:38,960 --> 00:46:39,359
Speaker 2: a little bit.

846
00:46:39,719 --> 00:46:41,960
Speaker 5: He's six years old and he shoots Smoy pirates and

847
00:46:42,000 --> 00:46:44,480
Speaker 5: you said maybe, okay, I didn't think.

848
00:46:46,719 --> 00:46:49,080
Speaker 2: I think that maybe Sean's internet cut out for a

849
00:46:49,120 --> 00:46:50,080
Speaker 2: second during that part.

850
00:46:51,160 --> 00:46:53,200
Speaker 1: I just think, like, but not for a little while.

851
00:46:53,680 --> 00:46:56,759
Speaker 3: Yeah, So your story clear is that you want to

852
00:46:56,800 --> 00:47:04,040
Speaker 3: make sure that Osama big Waden is single and like available,

853
00:47:05,960 --> 00:47:09,560
Speaker 3: and because you want to date thesam a big lot

854
00:47:09,640 --> 00:47:13,040
Speaker 3: and his and his waist is absolutely snatched.

855
00:47:15,760 --> 00:47:18,680
Speaker 2: I just feel I mean, I just think like like

856
00:47:19,040 --> 00:47:22,360
Speaker 2: there's no diner like Sean and I have insane chemistry,

857
00:47:22,600 --> 00:47:24,640
Speaker 2: Like there's no denying it, and I just wanted to

858
00:47:24,640 --> 00:47:27,560
Speaker 2: take advantage of it in the movie because I think, like,

859
00:47:27,600 --> 00:47:30,239
Speaker 2: I know, we don't care about box office, but we're

860
00:47:30,280 --> 00:47:32,080
Speaker 2: not going to kick it out a bit, you know. Like,

861
00:47:32,160 --> 00:47:35,719
Speaker 2: so I felt like it would be nice, a special thing.

862
00:47:36,160 --> 00:47:38,480
Speaker 1: Yeah, if we could bottle this thing and sell it

863
00:47:38,840 --> 00:47:41,120
Speaker 1: and what's happening here in the zoom.

864
00:47:41,120 --> 00:47:42,240
Speaker 2: And that is what I'm saying.

865
00:47:42,960 --> 00:47:46,120
Speaker 1: Yeah, Jesus Christ, why fight it. We can make him

866
00:47:46,160 --> 00:47:51,080
Speaker 1: sixteen Neil team sixteen sixteen because.

867
00:47:50,840 --> 00:47:55,040
Speaker 2: The age of consent I think in Santa Barbara is sixteen.

868
00:47:55,280 --> 00:48:01,319
Speaker 1: So no Neil team, Snil teen six Neil teen six

869
00:48:01,560 --> 00:48:06,000
Speaker 1: So we're just saying team. We don't have to put

870
00:48:06,040 --> 00:48:10,040
Speaker 1: an exact number on it, yeah, because he's but these

871
00:48:10,160 --> 00:48:14,319
Speaker 1: like yeah, wow, yeah, we hope, yeah, but we don't.

872
00:48:14,680 --> 00:48:17,200
Speaker 1: But we also don't want to say like he definitely is.

873
00:48:17,239 --> 00:48:21,440
Speaker 2: Because well, no, we can have some sort of like uh,

874
00:48:21,880 --> 00:48:25,000
Speaker 2: you know, like flirty dialogue about it, you know.

875
00:48:25,840 --> 00:48:28,719
Speaker 1: And and I think we should lose the dad stuff

876
00:48:29,360 --> 00:48:32,520
Speaker 1: if we're going in this direction. I'm just gonna sort

877
00:48:32,560 --> 00:48:34,840
Speaker 1: of plant my flag in this right now.

878
00:48:35,800 --> 00:48:37,239
Speaker 2: Yeah, let's lose.

879
00:48:37,040 --> 00:48:38,360
Speaker 1: The dad stuff.

880
00:48:38,880 --> 00:48:41,759
Speaker 2: Too many questions with that, and we have a lot

881
00:48:41,760 --> 00:48:43,319
Speaker 2: of other stuff going on in the movie. We don't

882
00:48:43,320 --> 00:48:46,040
Speaker 2: need to deal with the dad stuff, like talk like

883
00:48:46,080 --> 00:48:46,640
Speaker 2: a baby.

884
00:48:46,800 --> 00:48:48,200
Speaker 1: Oh my god, a dog.

885
00:48:48,800 --> 00:48:50,080
Speaker 3: Who's that big dog?

886
00:48:50,960 --> 00:48:52,400
Speaker 1: There's a huge dog.

887
00:48:53,719 --> 00:48:55,320
Speaker 3: Ah, what's he doing?

888
00:49:00,160 --> 00:49:00,839
Speaker 4: That's my dog.

889
00:49:01,560 --> 00:49:03,520
Speaker 1: Let me guess the dog wants to be in it.

890
00:49:04,520 --> 00:49:06,120
Speaker 4: I don't even know if I'm in it anymore.

891
00:49:06,360 --> 00:49:07,560
Speaker 1: Bye, I don't need that.

892
00:49:09,640 --> 00:49:10,800
Speaker 2: Hollywood, Hamburg