WEBVTT - 50 Cent’s Never Before Seen Video of Diddy Could Effect His Appeal! Let's Talk! 

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<v Speaker 1>I'm a homegrow that knows a little bit about everything

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<v Speaker 1>and everybody.

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<v Speaker 2>You know, if you don't lie about that? Right, la Hey, y'all,

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<v Speaker 2>what's up.

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<v Speaker 1>It's Lauren de Rosa and this is the latest with

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<v Speaker 1>Lauren de Rosa. This is your daily dig on all

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<v Speaker 1>things pop culture, entertainment, news, and all of the conversations

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<v Speaker 1>that shake the room. Now today the room has been shook.

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<v Speaker 1>It Okay, Curtis fifty cent Jackson pulled up and did

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<v Speaker 1>not come to play. We have not yet seen the

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<v Speaker 1>full documentary, but Sean colmbs The Reckoning, which is an

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<v Speaker 1>exclusive documentary. It's a four part docuseries that will err

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<v Speaker 1>on Netflix exclusively, and we've talked about here on the podcast.

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<v Speaker 1>Please go check out the prior episode with Me and

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<v Speaker 1>Miss More Money, formerly of Love and Hip Hop, where

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<v Speaker 1>we talk about just the New York pettiness of this

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<v Speaker 1>all and you know how it affects everybody involved, the

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<v Speaker 1>families the alleged victim, like everybody right. But that is

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<v Speaker 1>airing on Netflix in twenty four hours, and Good Morning

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<v Speaker 1>America has previewed some of the exclusive scenes or footage

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<v Speaker 1>that they've been saying, like, okay, we have this exclusive

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<v Speaker 1>footage never before seen. Baby, Good Morning America gave us

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<v Speaker 1>a glimpse in so let's take a listen and a

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<v Speaker 1>watch to some of this footage.

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<v Speaker 3>This morning, never before seen footage of Sean Diddy Combs

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<v Speaker 3>in the days leading up to his arrest in New

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<v Speaker 3>York last September.

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<v Speaker 4>You will put stuff on my family, Black James.

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<v Speaker 3>The exclusive video obtained by Netflix shows Combs debating with

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<v Speaker 3>his lawyers about strategy.

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<v Speaker 4>Listen to me, I'm gonna get off the phone right now,

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<v Speaker 4>and i am gonna let you professionals look at the

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<v Speaker 4>situation and come back to me with a solution. No

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<v Speaker 4>matter what nobody said. Let's just here and there. Y'all

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<v Speaker 4>are not working together.

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<v Speaker 3>The right way. We're losing. The footage is part of

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<v Speaker 3>a new highly anticipated docu series by director Alex Stapleton

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<v Speaker 3>and rapper and executive producer Curtis Fittyson Jackson, titled Sean

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<v Speaker 3>Combs The Reckoning. Was there anything that surprised you when

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<v Speaker 3>you were watching?

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<v Speaker 5>I think it was surprised that he actually filmed it.

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<v Speaker 5>It was very interesting to watch a man who's known

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<v Speaker 5>for his brand presence. You know, he has a really

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<v Speaker 5>amazing knack for marketing and all of that, and how

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<v Speaker 5>he was sort of taking that into account and how

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<v Speaker 5>he was coming off to the public.

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<v Speaker 1>So we talked a lot about, you know, a lot

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<v Speaker 1>of this on the Breakfast Club during the latest What

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<v Speaker 1>Lona Rosa, But you know, here on the podcast, I

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<v Speaker 1>wanted to kind of focus on some other things. So

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<v Speaker 1>two things that instantly, you know, just took over my

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<v Speaker 1>mind when I saw this interview. When I saw these clips.

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<v Speaker 1>Number one, my first thought was, this is going to

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<v Speaker 1>mess up this man's appeal. You guys know that Diddy

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<v Speaker 1>is currently f fort Dix here in New Jersey. He

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<v Speaker 1>is you know, supposed to be doing fifty months, which

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<v Speaker 1>is like two years and some months, hoping that he

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<v Speaker 1>can or he's hoping that he can even if the

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<v Speaker 1>uppial doesn't work, that they are like programs and different

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<v Speaker 1>things that he's doing and' kind of get him out

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<v Speaker 1>in a little bit of you know, earlier time.

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<v Speaker 2>But what he's.

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<v Speaker 1>Really hoping is is that he is either pardoned by

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<v Speaker 1>President Trump, and we've heard rumbling's around that, but nothing

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<v Speaker 1>confirmed or that.

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<v Speaker 2>This appeal works.

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<v Speaker 1>Now, his team said almost a month ago now, so

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<v Speaker 1>this appeal was coming in the next few weeks that

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<v Speaker 1>they are looking.

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<v Speaker 2>To appeal his conviction.

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<v Speaker 1>Did he was convicted of two counts of the man

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<v Speaker 1>at which are prostitution charges and being in the courtroom.

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<v Speaker 1>And I've mentioned and talked to you guys through this

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<v Speaker 1>a lot. Please go, you know, back and take a

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<v Speaker 1>listen at all of our Diddy trial covers. We were there,

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<v Speaker 1>We were in the courtroom, we were on the street,

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<v Speaker 1>we were in the thick of it.

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<v Speaker 2>Right.

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<v Speaker 1>The main thing that I took away from trial and

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<v Speaker 1>away from the judge was that they really felt as

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<v Speaker 1>though as a human.

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<v Speaker 2>Being, did he just wasn't a good person?

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<v Speaker 1>And because he wasn't a good person, you know, And

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<v Speaker 1>I'm gonna say allegedly, but like you know, from what

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<v Speaker 1>I took away from court, I felt as if the

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<v Speaker 1>judge felt like did he morally wasn't a good person? Right, allegedly,

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<v Speaker 1>And on top of that, coupled with all of his

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<v Speaker 1>resources and his power and his money and basically there

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<v Speaker 1>being no real checks and balances, it could lead to him,

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<v Speaker 1>you know, allegedly being able to continue the cycle of things. Well,

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<v Speaker 1>I gotta even say allegedly, because when it comes to

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<v Speaker 1>the prostitution, he was convicted of that, so it could

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<v Speaker 1>lead to him being or continuing to be this person

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<v Speaker 1>who was convicted of these two acts of prostitution, but

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<v Speaker 1>even bigger than that, not even bigger than that. But

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<v Speaker 1>in addition to that, a judge although did he was

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<v Speaker 1>not charged with anything directly related to that Cassie CNN

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<v Speaker 1>twenty sixteen. You know that Cassie CNN video that was

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<v Speaker 1>released recently, but it was from a twenty sixteen beating

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<v Speaker 1>of Cassie in a hotel in LA The judge made

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<v Speaker 1>it very clear that you know, watching that video, but

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<v Speaker 1>seeing what Diddy did in public as his public fixture

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<v Speaker 1>who denied things and you know, said that you know,

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<v Speaker 1>he was rehabilitating himself and working on himself, and then

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<v Speaker 1>went on to get into it with a Jane Doe

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<v Speaker 1>who also testified that was one of his former girlfriends,

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<v Speaker 1>and physically get into it with her, and there was

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<v Speaker 1>you know, you know, all these substances involved.

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<v Speaker 2>And all the things.

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<v Speaker 1>Right, the footage that if as advertised, right, so if

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<v Speaker 1>this Netflix documentary is as advertised, and we are going

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<v Speaker 1>to see footage from those last few weeks before Diddy

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<v Speaker 1>was going to be you know, turning himself into the FEDS.

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<v Speaker 1>I think character wise, the fact that Diddy can't control

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<v Speaker 1>what we might see for since that he did call

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<v Speaker 1>with his attorneys or I know, they mentioned the hand

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<v Speaker 1>sanitizer and stuff like that and tried to make it

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<v Speaker 1>where like, you know, he's not as much of a

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<v Speaker 1>man of the people as he seems, and everything has

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<v Speaker 1>been about Diddy and for the people and for the culture.

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<v Speaker 1>And it's like he really from what they're alleging, based

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<v Speaker 1>on the way that this angle of this interview is

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<v Speaker 1>set up, it's like he almost feels like, you know,

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<v Speaker 1>he's above, and that has been the conversation with the

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<v Speaker 1>legal system in Diddy. It's like you you are not

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<v Speaker 1>greater then, and because there has been this, you know,

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<v Speaker 1>height of fame and uncontrolled everything, substance abuse and you know,

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<v Speaker 1>all of these things that you've been able to do uncontrollably,

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<v Speaker 1>you need to sit down and we need to control

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<v Speaker 1>this for a bit. If these videos show anything like that,

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<v Speaker 1>and I doubt based on the relationship between Fifty and Diddy,

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<v Speaker 1>I highly doubt he gonna hold back.

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<v Speaker 2>Any of that if it's there.

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<v Speaker 1>Morally, I just don't know how a judge could could

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<v Speaker 1>be made aware of this, and I'm sure the government

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<v Speaker 1>is watching to use it as they fight the appeal

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<v Speaker 1>and not feel like, oh no, we're not about to

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<v Speaker 1>do this cycle again.

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<v Speaker 2>Sit down.

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<v Speaker 1>And that was a question that I asked did his

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<v Speaker 1>team today when I watch this, And what they told

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<v Speaker 1>me is legally it can't stop anything. Like, of course,

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<v Speaker 1>legally he's still going to be able to appeal and

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<v Speaker 1>all of the things. But judges are human. So whether

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<v Speaker 1>or not there's like a moral or an emotional pull

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<v Speaker 1>on him by whatever he sees in his video, you

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<v Speaker 1>just don't know. And I will tell y'all from sitting

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<v Speaker 1>in that courtroom the day that did he was sentenced.

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<v Speaker 1>Prior to the sentencing, the day that Diddy was found

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<v Speaker 1>not guilty in the RICO but guilty on the Mann

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<v Speaker 1>Act charges but denied a bond. This judge does not

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<v Speaker 1>think that Diddy number one can be in control of hisself.

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<v Speaker 2>Number two. He thinks that morally did he needs to

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<v Speaker 2>reset restart.

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<v Speaker 1>It's already leaning a little bit towards these clips showing

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<v Speaker 1>that right like him kind of caring about his image

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<v Speaker 1>more than anything else, and that leans into like this

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<v Speaker 1>whole like monster that was the narrative that was created

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<v Speaker 1>following the cast video, which the judge leaned on a

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<v Speaker 1>lot and allowed the jury to do so as well.

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<v Speaker 2>So there was also the audio.

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<v Speaker 1>In this documentary where fifty Cent talks about like people

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<v Speaker 1>making this like a personal.

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<v Speaker 2>Thing, right, and Diddy's team is leaning heavily on.

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<v Speaker 1>That, Like Diddy's team is like, look of all the

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<v Speaker 1>things Netflix could do, like this is not journalism because

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<v Speaker 1>y'all went and got somebody who did. He team alleged

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<v Speaker 1>obviously has this malice and this hate towards Diddy to

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<v Speaker 1>work on the documentary. So they say, we've confirmed that

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<v Speaker 1>Netflix used footage that was never authorized for release because

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<v Speaker 1>from what I've been told this, this video that was

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<v Speaker 1>shot was shot by a video photographer, like a videographer

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<v Speaker 1>photographer who was hired by Diddy's main videographer photographer. But

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<v Speaker 1>Diddy's team is really not sure if all of the

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<v Speaker 1>documentation and paperwork that Diddy's videographer and photographer was under

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<v Speaker 1>covers this person, Like they just they don't know, but

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<v Speaker 1>they didn't authorize anything to be used. But I did

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<v Speaker 1>hear that, you know, Diddy was in his own Netflix situation.

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<v Speaker 1>Netflix conversation with Netflix and the CEO over there, but

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<v Speaker 1>once they wouldn't give him create a control, he moved

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<v Speaker 1>on and then now fifty cent has this documentary. I

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<v Speaker 1>have yet to hear back from Netflix on this, but

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<v Speaker 1>I have reached out. They say, you know, the footage

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<v Speaker 1>was created for an entirely different purpose under an arrangement

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<v Speaker 1>that was never completed, and no rights were ever transferred

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<v Speaker 1>to Netflix. A payment dispute between outside parties does not

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<v Speaker 1>create PERMISSI Netflix for Netflix to use unlicensed private material.

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<v Speaker 1>Because from what I'm told, there was a payment dispute

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<v Speaker 1>between the videographer, photographer and Diddy. This guy whoever it

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<v Speaker 1>is that sold this footage or whatever he did to

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<v Speaker 1>get the footage to fifty.

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<v Speaker 2>Cent, because I don't know for sure if it was sold.

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<v Speaker 1>I don't know what their licensing agreement was, but whatever

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<v Speaker 1>it was that they did, I know that this guy

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<v Speaker 1>wasn't paid by Diddy, and he should have been. From

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<v Speaker 1>what I understand, none of this footage came from mister

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<v Speaker 1>Combs or his team, and its inclusion raises serious questions

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<v Speaker 1>about how it was obtained and why Netflix chose to

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<v Speaker 1>use it. They also go on they alleged that Netflix

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<v Speaker 1>is only heightening the court issue by giving creative control

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<v Speaker 1>on this production to Curtige fifty cent Jackson. They alleged

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<v Speaker 1>fifty cent is a long time public adversary who has

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<v Speaker 1>mocked mister Colnbs for decades, posting fabricated accusations and publicly

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<v Speaker 1>and publicly celebrated his legal challenges.

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<v Speaker 2>Even mister Jackson has admitted he was shopped. Sean Ever

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<v Speaker 2>filmed some of.

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<v Speaker 1>These moments and Ever firm back to this moment right

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<v Speaker 1>here when fifty says this, and we're going to input

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<v Speaker 1>that when he said I'm shocked.

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<v Speaker 2>He even recorded it for those that are editing, which underscores.

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<v Speaker 1>The footage is being exploited for entertainment rather than present

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<v Speaker 1>with fairness or context. Now that's what they're alleged, But

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<v Speaker 1>I'll be fair here that like, if you can get

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<v Speaker 1>some exclusive footage from that week, those few days whatever

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<v Speaker 1>before Diddy was going to be locked up, anybody, even

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<v Speaker 1>if you were a random journalist at an outlet wherever,

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<v Speaker 1>you're going to run that, it's a gold mine, to

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<v Speaker 1>be honest. I don't know how I fell in fifty

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<v Speaker 1>since lat but it is a gold mine. I don't

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<v Speaker 1>think that that shows biased. I think it's just good

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<v Speaker 1>footage to have for something like this, which of course

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<v Speaker 1>they're not celebrating that.

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<v Speaker 2>Diddy seam is obviously pissed about that.

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<v Speaker 1>Beyond the legal concerns, mister COLMBS views Netflix decisions as

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<v Speaker 1>they allege, it's a personal breach of trust. He has

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<v Speaker 1>long respected Ted Sarando's who is a CEO at Netflix,

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<v Speaker 1>admired the legacy of Clarence Ava and maintained a positive

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<v Speaker 1>personal relationship with the company's leader. For Netflix to hand

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<v Speaker 1>this story to someone who is publicly attacked and for

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<v Speaker 1>decades feels to mister Calms like an unnecessary and deeply

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<v Speaker 1>personal at front. He expected fairness at minimum from the

0:12:09.840 --> 0:12:13.760
<v Speaker 1>people he considered colleagues. Now keep in mind, y'all, Like

0:12:13.800 --> 0:12:15.640
<v Speaker 1>I told you, I was told that Diddy had his

0:12:15.679 --> 0:12:18.720
<v Speaker 1>own situation that was in conversation at Netflix. Again, I

0:12:18.720 --> 0:12:21.120
<v Speaker 1>don't know how far it got, but I do know

0:12:21.280 --> 0:12:25.160
<v Speaker 1>that there was something happening there. Diddy seem continues and

0:12:25.200 --> 0:12:29.120
<v Speaker 1>the alleged that Netflix recent pattern of prioritizing sensational content

0:12:29.160 --> 0:12:31.960
<v Speaker 1>over accuracy. But they do say that they're legal team

0:12:32.240 --> 0:12:34.720
<v Speaker 1>plan to you know, formally reach out to Netflix about

0:12:34.760 --> 0:12:37.240
<v Speaker 1>this to have a conversation, but they haven't confirmed nothing

0:12:37.320 --> 0:12:40.880
<v Speaker 1>legally like officially like no season desists, no lawsuit or

0:12:40.880 --> 0:12:41.480
<v Speaker 1>anything like that.

0:12:41.520 --> 0:12:43.200
<v Speaker 2>And you know they've done that in the past.

0:12:44.480 --> 0:12:45.880
<v Speaker 1>I don't think that ain't no of that matters, to

0:12:45.920 --> 0:12:47.880
<v Speaker 1>be honest with y'all, because at midnight we're all going

0:12:47.920 --> 0:12:51.079
<v Speaker 1>to watch the documentary. It's gonna be everywhere by tomorrow morning.

0:12:51.160 --> 0:12:54.040
<v Speaker 1>So it's like Diddy's team can do all of this,

0:12:54.160 --> 0:12:57.920
<v Speaker 1>but like it's done, Like it's fifty cent has pulled

0:12:57.960 --> 0:13:01.280
<v Speaker 1>it off. It's it's literally done. The documentary goes live

0:13:01.480 --> 0:13:05.760
<v Speaker 1>tonight at twelve pm or twelve am Eastern Standard time.

0:13:05.800 --> 0:13:08.360
<v Speaker 2>I will be tuned in. We'll be backward conversation here

0:13:08.400 --> 0:13:09.640
<v Speaker 2>about it. Yeah.

0:13:09.720 --> 0:13:12.680
<v Speaker 1>I just there's several reasons why this documentary was like,

0:13:12.720 --> 0:13:15.079
<v Speaker 1>oh my god, but there's been so many Diddy documentaries

0:13:15.120 --> 0:13:18.840
<v Speaker 1>at this point. But I think that footage I'm trying

0:13:18.840 --> 0:13:23.120
<v Speaker 1>to tell y'all, man, I just that footage that's gonna

0:13:23.120 --> 0:13:26.160
<v Speaker 1>be the thing, Like that is going to be the

0:13:26.280 --> 0:13:31.560
<v Speaker 1>it thing that can make or break kind of how

0:13:31.600 --> 0:13:34.480
<v Speaker 1>Diddy is able to move forward from this documentary or not.

0:13:34.600 --> 0:13:35.960
<v Speaker 2>I mean he'll move forward at some point.

0:13:36.000 --> 0:13:39.240
<v Speaker 1>But like, and I'm be honest with y'all, I don't

0:13:39.240 --> 0:13:41.400
<v Speaker 1>think that the government really believes that did he has

0:13:41.520 --> 0:13:44.520
<v Speaker 1>a strong appeal anyway, because when his team acts for

0:13:44.559 --> 0:13:47.880
<v Speaker 1>the appeal conversation to be expedited, they didn't even oppose,

0:13:47.960 --> 0:13:49.520
<v Speaker 1>Like they didn't even fight that. They're like, okay, cool,

0:13:49.559 --> 0:13:51.200
<v Speaker 1>we can get it out the way. I really don't

0:13:51.200 --> 0:13:54.240
<v Speaker 1>think that they believe he has a strong argument. Just

0:13:54.320 --> 0:13:56.160
<v Speaker 1>in everything I watched in court, I don't think a

0:13:56.240 --> 0:13:58.480
<v Speaker 1>judge will grant Diddy in a pill, especially not that

0:13:58.559 --> 0:14:01.520
<v Speaker 1>same judge that he saw, you know, his whole trial.

0:14:01.920 --> 0:14:05.120
<v Speaker 1>But we'll just have to see. Man, fifty cent is

0:14:05.120 --> 0:14:07.000
<v Speaker 1>not somebody you want to have as one of your enemies.

0:14:07.000 --> 0:14:09.160
<v Speaker 1>I'll tell you that. Want you guys to take a

0:14:09.200 --> 0:14:11.120
<v Speaker 1>look at the documentary. Let me know how you feel.

0:14:11.440 --> 0:14:15.080
<v Speaker 1>I'm Laura la Rosa everywhere on social getting the streets

0:14:15.120 --> 0:14:18.200
<v Speaker 1>and in the tweets. Okay, I've posted this statement to

0:14:18.520 --> 0:14:20.920
<v Speaker 1>my Instagram, into the bron Gar Grinda Instagram.

0:14:20.920 --> 0:14:22.320
<v Speaker 2>Get in the comments. I want to know how y'all

0:14:22.320 --> 0:14:22.840
<v Speaker 2>feel about this.

0:14:23.440 --> 0:14:26.080
<v Speaker 1>I see people saying fifty cent has this crazy obsession

0:14:26.080 --> 0:14:27.200
<v Speaker 1>with Diddy, why what.

0:14:27.240 --> 0:14:27.760
<v Speaker 2>Is going on?

0:14:28.320 --> 0:14:31.440
<v Speaker 1>I see people saying, you know, it's fair game, anybody

0:14:31.480 --> 0:14:32.720
<v Speaker 1>else will produce it and put out.

0:14:33.640 --> 0:14:34.800
<v Speaker 2>Other people were asking a question.

0:14:34.880 --> 0:14:38.000
<v Speaker 1>I'm asking like, legally, I want to know what they

0:14:38.040 --> 0:14:40.720
<v Speaker 1>included and what they didn't because legally, like, there's so

0:14:40.920 --> 0:14:42.000
<v Speaker 1>much to vet here.

0:14:42.080 --> 0:14:45.520
<v Speaker 2>There have been so many claims.

0:14:44.960 --> 0:14:48.400
<v Speaker 1>With the situation, there's so much to vet, what's real,

0:14:48.520 --> 0:14:48.960
<v Speaker 1>what's not.

0:14:49.880 --> 0:14:50.560
<v Speaker 2>I just want to know.

0:14:51.800 --> 0:14:53.600
<v Speaker 1>At the end of the day, y'all could be anywhere

0:14:53.640 --> 0:14:55.840
<v Speaker 1>with anybody talking about all these things, but y'all choose

0:14:55.880 --> 0:14:58.080
<v Speaker 1>to be right here with me, my low Riders.

0:14:58.120 --> 0:14:59.800
<v Speaker 2>I appreciate you, guys. I'll see you in my MI

0:15:00.080 --> 0:15:01.960
<v Speaker 2>next episode.