WEBVTT - Eugenio Derbez: From “Overboard” to “Acapulco” Making it in America

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<v Speaker 1>Hey, there are folks quick, can you name the highest

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<v Speaker 1>grossing Spanish language movie of all time? It's okay, I

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<v Speaker 1>couldn't either, But then I found out who wrote, directed,

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<v Speaker 1>and starred in it, and I said, oh, that guy.

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<v Speaker 2>We love that guy, and that guy just happens to

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<v Speaker 2>be our guest right here today on this episode of

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<v Speaker 2>Amy and TJ.

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<v Speaker 1>Welcome everybody to the show.

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<v Speaker 3>Rose.

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<v Speaker 1>This is like, you're giddy. You know him, you know

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<v Speaker 1>him so well, you love him and everything you've seen,

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<v Speaker 1>and now we got him in here with us.

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<v Speaker 4>A you Henneo Derbez and that smiles, even his face,

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<v Speaker 4>like as soon as you see it, it makes what

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<v Speaker 4>doesn't matter what kind of day you're having, all of

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<v Speaker 4>a sudden you feel lighter, brighter, better. He is that

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<v Speaker 4>light and certainly everything he's been touching as a blade

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<v Speaker 4>has been turning to gold. I mean, it's an incredible story.

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<v Speaker 4>A Hano, thank you for being with us, and congratulations

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<v Speaker 4>on all of your remarkable success.

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<v Speaker 3>Oh, thank you guys. First of all, thanks for so

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<v Speaker 3>beautiful introduction. I had chills. Thank you very much, thank you,

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<v Speaker 3>thank you, thank you. Well. Yeah, I am, I'm a

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<v Speaker 3>very familiar face to all Latinos. Let's say they've been

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<v Speaker 3>watching my shows for decades, but I'm a kind of

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<v Speaker 3>a new phase for the for the Americans. It's it's

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<v Speaker 3>a great story because I had a career my entire life.

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<v Speaker 3>I worked in Mexico, from Mexico for all Latin America,

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<v Speaker 3>and and eleven years ago after my I did a

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<v Speaker 3>movie called Instructions Not Included. That was the one who

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<v Speaker 3>had the title of the highest crossing Spanish language film

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<v Speaker 3>ever worldwide. And that movie changed my and so eleven

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<v Speaker 3>years ago I moved to the US and I started

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<v Speaker 3>from scratch in my career here in the US. So

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<v Speaker 3>it's been it's been a trip.

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<v Speaker 4>You started from scratch. You have a you know, a

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<v Speaker 4>star on the Hollywood Walk of FG, which is always

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<v Speaker 4>like that big You've made it moment, and that is

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<v Speaker 4>that was nine years ago. Even so all you've done

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<v Speaker 4>since then. When I see you, I think of how

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<v Speaker 4>to be a Latin lover. I think about the Overboard

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<v Speaker 4>remake because that is literally my favorite movie, the original

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<v Speaker 4>of all time. And you all just did Anna Faris.

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<v Speaker 4>It was such a cute flip on a script that

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<v Speaker 4>I loved. But Dora, the Lost City of gold. I mean,

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<v Speaker 4>you just name it. And so all of you have

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<v Speaker 4>been on the big screen for some many of us.

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<v Speaker 4>But now you're wrapping up a highly successful four seasons

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<v Speaker 4>on Apple plus Acapulco and we've been watching it all

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<v Speaker 4>morning long. It just puts you on a good mood.

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<v Speaker 4>It's such a great fun just like it's It's something

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<v Speaker 4>that you don't have out there and a lot of

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<v Speaker 4>the streaming services, something that's wholesome even and fun.

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<v Speaker 3>To watch absolutely well. I always wanted to. I remember

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<v Speaker 3>that I grew up watching a series with my parents,

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<v Speaker 3>The Beverly Hill Billies, the Monsters, the Adams Family, the

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<v Speaker 3>Love Boats, you name it, many many many, and I

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<v Speaker 3>was like, why they don't do family stuff right now?

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<v Speaker 3>Everything is about kidnapping, murders, blood, sex, violence, And I

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<v Speaker 3>wanted to do something that could you could watch with

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<v Speaker 3>your family. And also I wanted to portray Mexico in

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<v Speaker 3>a different way because every time you would turn on

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<v Speaker 3>the news and you hear about Mexico, it's always about

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<v Speaker 3>narcos killing all the bad stuff that I know it's there,

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<v Speaker 3>but Mexico is more, much more than that, and I

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<v Speaker 3>really wanted to show Mexico the others side of Mexico

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<v Speaker 3>that sometimes the news doesn't show. So that's why we

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<v Speaker 3>came up with this idea of a Capulco that it's

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<v Speaker 3>it's based slightly based in in How to Be a

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<v Speaker 3>Latin Lover. It's like the prequel of How to Be

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<v Speaker 3>a Latin Lover that if you if you haven't watched

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<v Speaker 3>the movie, it's a very very very funny movie with

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<v Speaker 3>Sana Hayek, Robbulo, Kristen Bell, Michael Sarah. It's a great

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<v Speaker 3>cast and it was hilarious and Raquel Welch also it

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<v Speaker 3>was her last movie. So anyway, we decided to do

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<v Speaker 3>this prequel called Akapulco, and thank god we've been on

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<v Speaker 3>the air for the last four seasons.

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<v Speaker 1>You talked about how successful a lot fat might I

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<v Speaker 1>know you were wildly successful in Mexico. Everybody knows you,

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<v Speaker 1>of course in Latin America. But to compare for me,

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<v Speaker 1>if you will, compare might be the wrong word, but

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<v Speaker 1>success in Mexico as a television or movie star and

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<v Speaker 1>success in Hollywood as a television or movie star, and

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<v Speaker 1>some of that. You could talk about the practical rewards

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<v Speaker 1>and what life looks like. But for you personally, How

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<v Speaker 1>did those two accomplishments even compare or feel different to

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<v Speaker 1>conquering Mexico or and then conquering a certain degree Hollywood.

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<v Speaker 3>It's completely different. I remember that I tried to do

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<v Speaker 3>the crossover for many many years. I remember that I was,

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<v Speaker 3>let me tell you really quickly story I was in.

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<v Speaker 3>I fell in love with Hollywood. Since I was a kid.

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<v Speaker 3>I used to go to the movie theaters to watch

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<v Speaker 3>Hollywood movies with my mom and we watched like three

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<v Speaker 3>movies on Friday, four movies on Saturday, three movies. It

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<v Speaker 3>was insane. I really loved with movies. And every year

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<v Speaker 3>I was watching the Oscars, and one day I told

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<v Speaker 3>my mom while we were watching the Oscars, that's what

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<v Speaker 3>I want to do when I grow up. I want

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<v Speaker 3>to tell stories. I want to be a storyteller. And

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<v Speaker 3>since then I fell in love with Hollywood. But then

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<v Speaker 3>I started working in Mexico. Thank god, I had a

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<v Speaker 3>very successful career. And it was until my mom died

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<v Speaker 3>when I was forty two. And when I somebody called me,

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<v Speaker 3>I always think that it was my mom from heaven

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<v Speaker 3>reminding me that I had a dream. But anyway, she

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<v Speaker 3>passed after she passed. Like two weeks later, I received

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<v Speaker 3>the call from an agent from Hollywood, and that's when

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<v Speaker 3>I remember, of course I had a dream. So first

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<v Speaker 3>thing I did, I said, yeah, let's have a meeting

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<v Speaker 3>in la And I immediately called Berlitz and I started

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<v Speaker 3>taking English lessons because my English was really, really really

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<v Speaker 3>it is still I'm still a working progress, but it

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<v Speaker 3>was really bad back then. And I started learning English,

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<v Speaker 3>real English at forty two, and well, yeah, and here

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<v Speaker 3>I am. I started. I had a meeting then I

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<v Speaker 3>long story, I'm not gonna bore you, but I ended

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<v Speaker 3>up three years after that meeting. I ended up doing

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<v Speaker 3>a play in Broadway on Broadway at the Helen Hayes

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<v Speaker 3>Theater called Latino Loagues. And then I did a movie

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<v Speaker 3>with Adam Sandler Blah blah blah blah blah, Jack and Jill.

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<v Speaker 3>And then I did a TV series with Rob Schnyder

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<v Speaker 3>called Rob and I was ten years later, after trying

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<v Speaker 3>to do the crossover, finally I did Broadway. I did

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<v Speaker 3>my movie with Adam Sandler, I did a series and

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<v Speaker 3>many other things in the middle and then I said, Okay,

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<v Speaker 3>I I had it. I'm going to go back to

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<v Speaker 3>my country because this it was taking a lot of

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<v Speaker 3>energy from me. Because I had my career in Mexico.

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<v Speaker 3>I was like shooting all the week long my my

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<v Speaker 3>TV shows, and then during the weekends I was coming

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<v Speaker 3>to the US to do my stuff. It was insane.

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<v Speaker 3>So I said, not anymore, and I went back to

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<v Speaker 3>Mexico and to do my movie called Instruction Not Included.

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<v Speaker 3>And when I quit the American Dream and I came back,

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<v Speaker 3>it came back when it is the theaters. So it's

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<v Speaker 3>a it's a it's a great story. You know.

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<v Speaker 1>I'm curious about the We were just talking about this

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<v Speaker 1>with Bad Money the other night. Well, he did Saturday

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<v Speaker 1>Night Live. He did, He hosted Saturday Night Live. English

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<v Speaker 1>is not his first language either, and I was thinking

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<v Speaker 1>about how terrifying that is if I had to go

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<v Speaker 1>to fans and get in front of a live television audience,

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<v Speaker 1>no matter how good my French might be. When you

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<v Speaker 1>started learning English at forty two, how long before you

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<v Speaker 1>got the first gig in which you had to perform

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<v Speaker 1>in English? And what did that feel like? Having to

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<v Speaker 1>like this is it? You got to try out the

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<v Speaker 1>English you've been learning and do it on camera.

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<v Speaker 3>That's a great question. I this is a story I

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<v Speaker 3>went to I came to La as a tourist one

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<v Speaker 3>not a tourists. I had to learn English after that meeting.

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<v Speaker 3>I remember that I took my meeting and I said,

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<v Speaker 3>I need urgently to take English lessnse. So I went

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<v Speaker 3>to Berlin's. I took like a week intense week course

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<v Speaker 3>and then the teacher sent me to see a play

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<v Speaker 3>called Latino Loogux that was in a at the current theater,

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<v Speaker 3>this small theater in La and I saw this monologues

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<v Speaker 3>and I said I I cannot do this. I have

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<v Speaker 3>to be honest with me. I can't do this. But

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<v Speaker 3>but the director.

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<v Speaker 4>Uh.

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<v Speaker 3>There was a Latin actor who knew me. He saw

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<v Speaker 3>me in the in the audience and he presented me

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<v Speaker 3>with the director. The director invited me, if you ever

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<v Speaker 3>want to do a monologue, just call me and come

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<v Speaker 3>to La and do it. And I was like, I

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<v Speaker 3>didn't tell him, but I was like, I cannot do this.

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<v Speaker 3>I know my ligit. I cannot do this. Well. It

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<v Speaker 3>was in my head for three months and after three

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<v Speaker 3>months I said I'm gonna do it. So I called

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<v Speaker 3>the director. They sent me three monologues. I learned the

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<v Speaker 3>monologues by I mean literally by the book. I didn't

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<v Speaker 3>know what I was saying. I was trying to do

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<v Speaker 3>some research, but it was a lot of slang and

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<v Speaker 3>things that were related with the culture, and I was

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<v Speaker 3>afraid of asking because I didn't want to lose the opportunity.

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<v Speaker 3>So I just learned everything just by the book memory memorized.

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<v Speaker 3>I didn't I saw I was not understanding what I

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<v Speaker 3>was saying. And I finally showed up like six months later.

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<v Speaker 3>So I was still learning English when I stood up

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<v Speaker 3>in front of this audience in La and I delivered

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<v Speaker 3>my first monologue like nine months after I started studying

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<v Speaker 3>and studying English. And that night, after that monologue, I

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<v Speaker 3>went to a hotel, to my hotel to sleep, and

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<v Speaker 3>I had an internal bleeding because of the stress I had,

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<v Speaker 3>and I ended up. I ended up in the hospital.

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<v Speaker 3>I had to call nine one one because I was fainting.

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<v Speaker 3>I called the reception. I was like, I feel really bad.

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<v Speaker 3>So anyway, story short story, I went to the hospital

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<v Speaker 3>because I was because the amount of stress that I

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<v Speaker 3>had that night, it was insane.

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<v Speaker 1>Jesus.

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<v Speaker 4>I mean that just speaks to what you put yourself

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<v Speaker 4>through there was a physical manifestation of the stress and

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<v Speaker 4>the worry, all the hard work. I'm for the pressure

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<v Speaker 4>you put on yourself to be the best, but my goodness, yeah,

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<v Speaker 4>and then what did you change?

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<v Speaker 3>Did you?

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<v Speaker 4>How did you evolve from that where Okay, I can

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<v Speaker 4>now get up and perform and not feel this terrible

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<v Speaker 4>and this scared. How long did it take?

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<v Speaker 3>Well? I after that night, I continued every every single

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<v Speaker 3>weekend without any payment. They just let me perform. I

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<v Speaker 3>had to pay my own hotels, flights, everything. So every

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<v Speaker 3>weekend I was like going back to LA to perform

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<v Speaker 3>until three years later. Three years later, every single weekend

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<v Speaker 3>performing we ended up on Broadway with that play. That

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<v Speaker 3>was a play that we presented on Broadway. So but

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<v Speaker 3>before that, it was insane, I know, and I was

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<v Speaker 3>I wasn't Broadway and I was telling my my, my,

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<v Speaker 3>my friends. The actors that were performing with me. I

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<v Speaker 3>was like, why you never told me that I was

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<v Speaker 3>mispronouncing a lot of words And they were like, well,

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<v Speaker 3>we thought you were like playing with the with the language,

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<v Speaker 3>making fun of the language. I was like, no, no, no,

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<v Speaker 3>it was me mispronouncing. But let me tell you story,

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<v Speaker 3>uh I? I mean after I decided to do this.

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<v Speaker 3>I mean I I went to the hospital that day.

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<v Speaker 3>I'm sorry because I'm like, I don't want you to

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<v Speaker 3>confuse you. I decided to to finally perform in English

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<v Speaker 3>every weekend. Then I went back to Mexico. I I

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<v Speaker 3>did Broadway in La, no Broadway in New York, and

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<v Speaker 3>then I went back to La to do the Adam

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<v Speaker 3>Sander movie, then the Rob Schneider and then I quit

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<v Speaker 3>the American Dream. But I was still working in Mexico

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<v Speaker 3>with my show on my TV shows that were airing

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<v Speaker 3>every single week at the same time. So it was

0:14:23.080 --> 0:14:27.720
<v Speaker 3>really really tired, tired for me. And then I had

0:14:27.720 --> 0:14:32.000
<v Speaker 3>to make a decision. When the movie opens in two

0:14:32.000 --> 0:14:36.000
<v Speaker 3>thoy thirteen and it became the highest grossing splanis Langlas

0:14:36.040 --> 0:14:39.520
<v Speaker 3>film in the US and worldwide, my agents told me,

0:14:39.600 --> 0:14:43.560
<v Speaker 3>you need to come to the US, and it's now

0:14:43.680 --> 0:14:49.280
<v Speaker 3>or never. So I closed my office, my production company,

0:14:49.960 --> 0:14:52.600
<v Speaker 3>every my entire life. I shut down my entire life

0:14:52.600 --> 0:14:58.160
<v Speaker 3>in Mexico to move to the US. And I was

0:14:58.200 --> 0:15:02.200
<v Speaker 3>fifty two by then, So it's been it's been an

0:15:02.200 --> 0:15:03.760
<v Speaker 3>insane adventure.

0:15:04.520 --> 0:15:14.480
<v Speaker 4>And you know, a you hennyway, I think it is

0:15:14.560 --> 0:15:17.360
<v Speaker 4>so cool for people to hear and to listen because

0:15:17.360 --> 0:15:19.880
<v Speaker 4>people think I'm too old. I can't do this, I

0:15:19.920 --> 0:15:23.480
<v Speaker 4>can't learn that. I can't be that vulnerable. I can't

0:15:23.520 --> 0:15:27.640
<v Speaker 4>push myself that hard. I'm this age to hear you

0:15:27.720 --> 0:15:30.400
<v Speaker 4>tell your story and to see your level of success.

0:15:30.440 --> 0:15:33.600
<v Speaker 4>It wasn't luck, it wasn't right place, right time. It

0:15:33.720 --> 0:15:38.360
<v Speaker 4>was courage, and it was hard work. And that was

0:15:38.560 --> 0:15:41.480
<v Speaker 4>and of course you're talented, you have to have that foundation.

0:15:41.760 --> 0:15:46.720
<v Speaker 4>But that is so inspirational and I appreciate. I know

0:15:46.760 --> 0:15:50.480
<v Speaker 4>people listening appreciate hearing your story because we give up

0:15:50.520 --> 0:15:53.360
<v Speaker 4>too quickly. But to hear what you did and to

0:15:53.360 --> 0:15:54.880
<v Speaker 4>see your success, it's awesome.

0:15:55.000 --> 0:15:56.600
<v Speaker 1>Even I appreciate hearing it.

0:15:56.880 --> 0:16:00.800
<v Speaker 3>Oh, thank you. It was. It was hard because I

0:16:00.840 --> 0:16:03.840
<v Speaker 3>remember that I was fifty two when I took a

0:16:03.920 --> 0:16:07.880
<v Speaker 3>lip of faith and I left everything behind. Everyone. Everyone

0:16:07.880 --> 0:16:11.160
<v Speaker 3>in Mexico was telling me, are you crazy? I mean,

0:16:11.680 --> 0:16:16.080
<v Speaker 3>you have a family, You had the highest My show

0:16:16.240 --> 0:16:20.560
<v Speaker 3>was number one on ratings in Mexico. Imagine like, I

0:16:20.560 --> 0:16:24.920
<v Speaker 3>don't know if all of a sudden, Jimmy fallon quitting

0:16:24.960 --> 0:16:27.840
<v Speaker 3>his job and going to China to start all over

0:16:27.880 --> 0:16:31.960
<v Speaker 3>in another language.

0:16:32.760 --> 0:16:34.880
<v Speaker 4>Yeah, that would be saying.

0:16:34.960 --> 0:16:37.880
<v Speaker 3>It was insane in the room. Are you crazy? Your

0:16:37.920 --> 0:16:40.200
<v Speaker 3>show is number one on the Are you going to

0:16:40.320 --> 0:16:43.760
<v Speaker 3>quit your show? Your production company? Everything? But I felt

0:16:44.000 --> 0:16:46.680
<v Speaker 3>inside of me that it was my dreams. Inside was

0:16:46.680 --> 0:16:50.040
<v Speaker 3>a kid that I and I fought for it like

0:16:50.880 --> 0:16:54.560
<v Speaker 3>it left ten years before and it didn't really happen.

0:16:55.040 --> 0:16:58.520
<v Speaker 3>So it was now or never. So I moved to

0:16:58.640 --> 0:17:02.880
<v Speaker 3>LA and it was this is a true story. When

0:17:02.880 --> 0:17:05.359
<v Speaker 3>I took them, I make the decision to move to

0:17:05.359 --> 0:17:10.120
<v Speaker 3>the US. June nineteenth, I was flying with my wife

0:17:10.800 --> 0:17:15.520
<v Speaker 3>finally with all my luggage to start a new life

0:17:15.600 --> 0:17:19.720
<v Speaker 3>in the US. And that day we woke up at

0:17:19.760 --> 0:17:22.840
<v Speaker 3>four am. We say we said goodbye to my house

0:17:22.880 --> 0:17:26.639
<v Speaker 3>for many many years, friends, family, and I was on

0:17:26.760 --> 0:17:30.240
<v Speaker 3>the airplane with my wife and I was like, I

0:17:30.760 --> 0:17:33.240
<v Speaker 3>asked her, do you think we're making the right decision?

0:17:33.680 --> 0:17:37.320
<v Speaker 3>And she was like, my love, it's too late. Let's

0:17:37.520 --> 0:17:41.800
<v Speaker 3>just go for it. We were flying and when we

0:17:42.000 --> 0:17:49.159
<v Speaker 3>landed in LA we had hundreds of messages. While we

0:17:49.160 --> 0:17:52.080
<v Speaker 3>were flying from Mexico to LA. They gave me the

0:17:52.200 --> 0:17:57.359
<v Speaker 3>start in the Hollywood Book of Fame. While we were flying.

0:17:57.440 --> 0:17:59.239
<v Speaker 3>I mean, if I put this in a movie, They

0:17:59.280 --> 0:18:03.240
<v Speaker 3>will say, come on the day you were moving from Mexico,

0:18:03.640 --> 0:18:06.679
<v Speaker 3>that day you received it. Well, that really happened in

0:18:06.720 --> 0:18:07.160
<v Speaker 3>real life.

0:18:07.760 --> 0:18:11.520
<v Speaker 2>And when we come on sign oh come on it

0:18:12.720 --> 0:18:17.800
<v Speaker 2>no way, this is the universe asking your question that

0:18:17.960 --> 0:18:20.000
<v Speaker 2>you asked me when we were about to take off.

0:18:20.080 --> 0:18:24.240
<v Speaker 3>So it's crazy that that same day, when we were flying,

0:18:24.640 --> 0:18:27.520
<v Speaker 3>I received the news that I got the starting the

0:18:27.520 --> 0:18:28.400
<v Speaker 3>Hollywood Block of Fame.

0:18:29.440 --> 0:18:31.280
<v Speaker 4>It's called validation from the universe.

0:18:31.560 --> 0:18:36.400
<v Speaker 1>Yeah, are you one of those folks who again, I've

0:18:36.400 --> 0:18:38.200
<v Speaker 1>been on board with this more of the past few

0:18:38.240 --> 0:18:42.000
<v Speaker 1>years because of my dear Amy Robot here. But don't

0:18:42.000 --> 0:18:44.479
<v Speaker 1>ignore the signs from the universe. Are you one that

0:18:44.560 --> 0:18:47.200
<v Speaker 1>now pays attention to signs? Are you one that follows

0:18:47.320 --> 0:18:49.480
<v Speaker 1>or you one that kind of has ignored them a

0:18:49.480 --> 0:18:51.439
<v Speaker 1>lot of times in your life? Because this one was

0:18:51.600 --> 0:18:52.240
<v Speaker 1>a clear sign.

0:18:53.119 --> 0:18:58.879
<v Speaker 3>Absolutely. I I I'm always looking for those signs that

0:18:59.080 --> 0:19:03.440
<v Speaker 3>life is given you. And the first time I really

0:19:03.600 --> 0:19:09.679
<v Speaker 3>understood the value of flowing. Actually I'm right right now,

0:19:09.680 --> 0:19:14.480
<v Speaker 3>I'm writing a movie about about that. But the first

0:19:14.520 --> 0:19:17.840
<v Speaker 3>time I pay attention was when I in two thousand

0:19:17.880 --> 0:19:23.800
<v Speaker 3>and one, I was doing my shows were like number one.

0:19:24.040 --> 0:19:26.280
<v Speaker 3>For the first time I was the peak of my

0:19:26.359 --> 0:19:31.080
<v Speaker 3>career in television in Mexico and I wanted to transition

0:19:31.160 --> 0:19:35.560
<v Speaker 3>to movies and nobody wanted to hire me. And I

0:19:35.640 --> 0:19:39.280
<v Speaker 3>was like, but why, I mean, I have the highest ratings.

0:19:39.560 --> 0:19:42.159
<v Speaker 3>All the companies wanted to work with me, but not

0:19:43.160 --> 0:19:48.640
<v Speaker 3>the the movie directors, the director from the movies. They

0:19:48.720 --> 0:19:53.040
<v Speaker 3>didn't want to hire me, and they said, you are

0:19:53.080 --> 0:19:59.560
<v Speaker 3>too commercial, too commercial for us, you are the TV comedian.

0:20:00.760 --> 0:20:04.520
<v Speaker 3>So they never gave me the opportunity. And that's when

0:20:04.680 --> 0:20:07.160
<v Speaker 3>I and back then, I said this is not fair.

0:20:08.760 --> 0:20:14.600
<v Speaker 3>Life is not fair. I was blaming on everyone and

0:20:14.600 --> 0:20:18.080
<v Speaker 3>and but because of that, I had the courage to

0:20:18.240 --> 0:20:21.320
<v Speaker 3>start writing my first movie, because I said, if nobody's

0:20:21.359 --> 0:20:23.919
<v Speaker 3>gonna is giving me the opportunity, I have to build

0:20:23.920 --> 0:20:28.080
<v Speaker 3>my own opportunity. And that day I sat down to

0:20:28.160 --> 0:20:34.280
<v Speaker 3>start writing my own movie. Twelve years later, that movie

0:20:34.720 --> 0:20:43.119
<v Speaker 3>was instructions not included. When I I was finishing the movie,

0:20:43.280 --> 0:20:45.560
<v Speaker 3>I told my produce, my co producer, I was like,

0:20:45.600 --> 0:20:47.720
<v Speaker 3>I want to put at the very end in the

0:20:47.720 --> 0:20:51.960
<v Speaker 3>credits something like I want to thank all the people

0:20:52.040 --> 0:20:57.760
<v Speaker 3>who rejected me, because thanks to them, I could make

0:20:57.800 --> 0:21:02.560
<v Speaker 3>this movie. I didn't do it but that was a lesson.

0:21:04.240 --> 0:21:08.080
<v Speaker 3>Sometimes life is you you feel that this is unfair.

0:21:08.240 --> 0:21:10.760
<v Speaker 3>Why is this happening to me? It's the universe telling

0:21:10.800 --> 0:21:13.440
<v Speaker 3>you it's this way, not this way.

0:21:14.960 --> 0:21:16.439
<v Speaker 1>You didn't have to put that at the end of

0:21:16.480 --> 0:21:19.080
<v Speaker 1>your movie at all, because when you were on the

0:21:19.240 --> 0:21:24.840
<v Speaker 1>Oscar stage with your cast from Coda getting a freaking Oscar,

0:21:25.240 --> 0:21:27.760
<v Speaker 1>I assure you that was a bigger message than anything

0:21:27.800 --> 0:21:29.199
<v Speaker 1>you could have put at the credits.

0:21:29.560 --> 0:21:34.919
<v Speaker 3>Now I got Chelsea, yeah.

0:21:32.760 --> 0:21:35.879
<v Speaker 4>Oh yes, we didn't even talk about Soda that movie.

0:21:37.160 --> 0:21:41.720
<v Speaker 4>My god, what I've seen it twice now, but your performance,

0:21:41.720 --> 0:21:44.520
<v Speaker 4>along with everyone else in that cast, that had to

0:21:44.520 --> 0:21:47.840
<v Speaker 4>be What was that moment like you've just described how

0:21:47.880 --> 0:21:52.440
<v Speaker 4>you have, you know, just paved your way like a bulldozer,

0:21:52.600 --> 0:21:56.119
<v Speaker 4>just finding a way, forging your own path to be

0:21:56.280 --> 0:21:59.880
<v Speaker 4>standing on that stage for that incredible piece of art.

0:22:00.320 --> 0:22:01.679
<v Speaker 4>What was that moment? Like?

0:22:02.800 --> 0:22:07.120
<v Speaker 3>It was surreal. As I told you before, I used

0:22:07.160 --> 0:22:10.680
<v Speaker 3>to watch the Oscars every year since I was eight

0:22:10.880 --> 0:22:14.240
<v Speaker 3>years old. I was watching every year the Oscars with

0:22:14.280 --> 0:22:17.119
<v Speaker 3>my mom by my side. So if you see the

0:22:17.240 --> 0:22:21.760
<v Speaker 3>video when we are receiving the Oscar at the very end,

0:22:22.359 --> 0:22:25.600
<v Speaker 3>you will see me back looking at the sky and

0:22:25.640 --> 0:22:28.879
<v Speaker 3>I was talking with my mom. It's it's there. I

0:22:28.880 --> 0:22:32.119
<v Speaker 3>don't have the picture right now, but I was like Mom.

0:22:32.880 --> 0:22:34.960
<v Speaker 3>Inside of me, I was like telling Mom, I'm here.

0:22:35.240 --> 0:22:38.400
<v Speaker 3>I mean, I know, many many years ago, I was

0:22:38.720 --> 0:22:41.119
<v Speaker 3>on the other side of the TV in my house

0:22:41.119 --> 0:22:44.639
<v Speaker 3>in Mexico watching the Oscars. Now I'm here. Finally. I

0:22:44.640 --> 0:22:50.679
<v Speaker 3>couldn't believe it. And I swear that year there were

0:22:50.920 --> 0:22:55.359
<v Speaker 3>there were many, many, many movies with it was Leonardo DiCaprio,

0:22:55.520 --> 0:23:02.960
<v Speaker 3>Jennifer Lawrence, will Smith, Al Pacino, Lady Gaga, your Red Letto.

0:23:04.040 --> 0:23:07.360
<v Speaker 3>The casts of the other movies was insane, and we

0:23:07.359 --> 0:23:12.000
<v Speaker 3>were small independent movie with no big names. So I

0:23:12.160 --> 0:23:17.320
<v Speaker 3>was absolutely sure that we were not gonna win. It

0:23:17.480 --> 0:23:22.720
<v Speaker 3>was like so I enjoyed the Oscars so bad because

0:23:22.760 --> 0:23:26.440
<v Speaker 3>I was like, I'm sure this, It's just I we're

0:23:26.480 --> 0:23:28.760
<v Speaker 3>not gonna win. I don't have to speak anything. So

0:23:28.960 --> 0:23:33.120
<v Speaker 3>I was just watching the Oscars. I was a little

0:23:33.119 --> 0:23:36.679
<v Speaker 3>bit shocked by the slap because that year was well

0:23:37.720 --> 0:23:41.520
<v Speaker 3>remember but all of the time when they said and

0:23:41.560 --> 0:23:46.840
<v Speaker 3>the winner is coda, I just couldn't believe. I'm I

0:23:46.840 --> 0:23:50.720
<v Speaker 3>don't have I don't remember what happened when between they

0:23:50.760 --> 0:23:53.600
<v Speaker 3>said coda, and I went to the stage. I was like,

0:23:55.480 --> 0:23:58.359
<v Speaker 3>it was like all the memories coming into my head

0:23:58.400 --> 0:24:02.000
<v Speaker 3>and the shock that I don't even remember what happened

0:24:02.000 --> 0:24:04.960
<v Speaker 3>between they said code and I went to the stage.

0:24:05.160 --> 0:24:06.040
<v Speaker 3>It was insane.

0:24:07.840 --> 0:24:10.040
<v Speaker 1>But how did your life change from the moment you

0:24:10.080 --> 0:24:12.560
<v Speaker 1>got off that stage. We've seen the projects you've been

0:24:12.560 --> 0:24:14.600
<v Speaker 1>doing and what now, But really what how did you

0:24:14.840 --> 0:24:18.240
<v Speaker 1>feel life got different from you? Almost literally from the

0:24:18.280 --> 0:24:20.240
<v Speaker 1>moment you walked off that stage.

0:24:20.560 --> 0:24:25.479
<v Speaker 3>Everything changes in your life. I remember that in just

0:24:25.880 --> 0:24:30.480
<v Speaker 3>I was shooting a movie called Radical and I had to.

0:24:32.520 --> 0:24:35.840
<v Speaker 3>I stopped shooting for just twenty four hours to go

0:24:35.920 --> 0:24:38.680
<v Speaker 3>to the Oscars, and then I went back to Mexico

0:24:39.280 --> 0:24:44.320
<v Speaker 3>and just the airport was insane, insane. I couldn't walk

0:24:44.359 --> 0:24:47.200
<v Speaker 3>when I came back to my country because the press

0:24:47.280 --> 0:24:50.600
<v Speaker 3>was there and they didn't let me even walk outside

0:24:50.640 --> 0:24:56.879
<v Speaker 3>the airport and a lot of offers, and I remember

0:24:56.880 --> 0:25:00.639
<v Speaker 3>that I had to. It's very dangerous when you you

0:25:00.760 --> 0:25:02.600
<v Speaker 3>get to that point, because you have to make a

0:25:02.680 --> 0:25:05.439
<v Speaker 3>lot of big decisions. And I think I was not

0:25:05.560 --> 0:25:09.240
<v Speaker 3>ready for that, because you have a lot of voices

0:25:09.320 --> 0:25:12.960
<v Speaker 3>like don't take any job, wait for something more important,

0:25:13.240 --> 0:25:15.600
<v Speaker 3>and on the other side, it's like, no, no, no,

0:25:15.840 --> 0:25:19.600
<v Speaker 3>this is a great opportunity. It's really really, really life changing.

0:25:20.040 --> 0:25:25.840
<v Speaker 3>It's complicated. And then on the other hand, I'm well

0:25:25.880 --> 0:25:30.760
<v Speaker 3>known for being a comedian, so constantly everyone wanted me

0:25:30.840 --> 0:25:33.840
<v Speaker 3>to do comedy, and I want to do more drama.

0:25:34.880 --> 0:25:38.360
<v Speaker 3>So it was like also a struggle, a big struggle

0:25:38.640 --> 0:25:41.919
<v Speaker 3>in what kind of offers take and what to do

0:25:42.000 --> 0:25:46.720
<v Speaker 3>with my career from now on. So it's been a challenge, I.

0:25:46.680 --> 0:25:48.880
<v Speaker 4>Mean, and I think it's so cool to see your

0:25:48.880 --> 0:25:53.240
<v Speaker 4>work and to see you building your career across two cultures,

0:25:53.880 --> 0:25:57.160
<v Speaker 4>and to be able to be bilingual and to have

0:25:57.480 --> 0:26:00.440
<v Speaker 4>some Spanish and some English in your projects, to ring

0:26:00.480 --> 0:26:04.000
<v Speaker 4>and unite two neighboring countries together in the midst of

0:26:04.080 --> 0:26:07.280
<v Speaker 4>a lot of political upheaval. How do you balance making

0:26:07.320 --> 0:26:10.080
<v Speaker 4>the art you make with the realities that you see

0:26:10.080 --> 0:26:11.920
<v Speaker 4>all around you? I mean, that has to be tough,

0:26:12.440 --> 0:26:15.000
<v Speaker 4>you know. Do you speak out? Do you say what

0:26:15.040 --> 0:26:17.600
<v Speaker 4>you think? Do you feel like you would be ostracized

0:26:17.640 --> 0:26:20.000
<v Speaker 4>in a way if you actually spoke how you truly feel?

0:26:20.080 --> 0:26:22.960
<v Speaker 4>I mean, I'm just curious, as an artist and as

0:26:22.960 --> 0:26:25.440
<v Speaker 4>a Mexican, how you balance that.

0:26:26.960 --> 0:26:31.360
<v Speaker 3>It's really hard to balance because, as I just mentioned,

0:26:33.480 --> 0:26:39.480
<v Speaker 3>I want to do something more significant, something deeper, especially

0:26:39.560 --> 0:26:46.399
<v Speaker 3>after Coda. When I was shooting Coda, I remember that

0:26:46.640 --> 0:26:50.639
<v Speaker 3>we had the project and I beg you to watch

0:26:50.680 --> 0:26:54.760
<v Speaker 3>a movie called Radical, because Radical was one of the

0:26:54.800 --> 0:26:58.080
<v Speaker 3>projects that I wanted to do for many, many years.

0:26:58.480 --> 0:27:00.560
<v Speaker 3>But the studios were like, no, no, no, you are the

0:27:00.640 --> 0:27:04.040
<v Speaker 3>funny guy. You did a one hundred million dollars with

0:27:04.240 --> 0:27:08.600
<v Speaker 3>instruction not included overboarded also one hundred million dollars at

0:27:08.600 --> 0:27:13.000
<v Speaker 3>the box office, so you need to continue doing comedies.

0:27:13.760 --> 0:27:16.520
<v Speaker 3>And I wanted to do something deeper, something different. I

0:27:16.560 --> 0:27:22.480
<v Speaker 3>wanted to explore drama, et cetera. And Coda, thank God,

0:27:23.760 --> 0:27:29.040
<v Speaker 3>was the project that opened a small door to start

0:27:29.119 --> 0:27:33.760
<v Speaker 3>changing that that vision that all the producers have of me.

0:27:35.760 --> 0:27:38.639
<v Speaker 3>So it's helped me a lot because after Code, I

0:27:38.680 --> 0:27:42.640
<v Speaker 3>did Radical that won the Sundance Film Festival and it's

0:27:42.640 --> 0:27:46.240
<v Speaker 3>based on a true story. It's incredible. You have to

0:27:46.280 --> 0:27:53.560
<v Speaker 3>watch it. And but still until this day is for

0:27:53.640 --> 0:27:58.440
<v Speaker 3>me a very very complicated because the studios, the producers,

0:27:58.480 --> 0:28:02.159
<v Speaker 3>they were always asking me to commercial stuff and I

0:28:02.200 --> 0:28:05.919
<v Speaker 3>don't really want to. I want to do something different,

0:28:06.680 --> 0:28:10.960
<v Speaker 3>and that's been the struggle to balance my entire life

0:28:11.359 --> 0:28:13.520
<v Speaker 3>between I know that I can make a lot of

0:28:13.600 --> 0:28:16.119
<v Speaker 3>money and at the box office, at least in Latin America.

0:28:16.160 --> 0:28:19.920
<v Speaker 3>I've been always thank god I have a very faithful

0:28:20.040 --> 0:28:23.159
<v Speaker 3>fan base, but at the same time, I want to

0:28:23.200 --> 0:28:27.520
<v Speaker 3>do something different, and it's been it's been very complicated

0:28:27.520 --> 0:28:30.199
<v Speaker 3>to find the balance I.

0:28:30.320 --> 0:28:32.280
<v Speaker 1>Have there and trying to find the balance. You're talking

0:28:32.280 --> 0:28:35.560
<v Speaker 1>about some somebody's offering you something and then somebody saying, hey,

0:28:35.560 --> 0:28:37.520
<v Speaker 1>you need to hold on for something bigger. Has there

0:28:37.600 --> 0:28:40.240
<v Speaker 1>been something or projects that have come along that you

0:28:40.320 --> 0:28:42.440
<v Speaker 1>did say no to and then you see how they

0:28:42.480 --> 0:28:44.080
<v Speaker 1>came out later and you go, damn, I could have

0:28:44.080 --> 0:28:46.000
<v Speaker 1>done that better, or man, I would have Do you

0:28:46.160 --> 0:28:50.040
<v Speaker 1>have those roles and movies that you have given up

0:28:50.080 --> 0:28:52.720
<v Speaker 1>and just something that still sticks with you, like, damn,

0:28:52.720 --> 0:28:53.800
<v Speaker 1>I shouldn't have given that one up.

0:28:54.520 --> 0:28:59.800
<v Speaker 3>Yeah, since the beginning of my career, Okay, let me

0:29:00.720 --> 0:29:05.640
<v Speaker 3>I said no. I said no to Alphonso when he

0:29:05.800 --> 0:29:10.400
<v Speaker 3>was in his first movie. He was he was a student,

0:29:11.200 --> 0:29:15.280
<v Speaker 3>he was not well known. I was I was already

0:29:15.320 --> 0:29:18.560
<v Speaker 3>working on TV. And he called me for his first

0:29:18.840 --> 0:29:23.120
<v Speaker 3>movie project, and and I said no to him, and

0:29:23.120 --> 0:29:28.120
<v Speaker 3>and I think that's why I've never worked with him again, because.

0:29:28.800 --> 0:29:30.320
<v Speaker 1>Why do you say no?

0:29:30.760 --> 0:29:36.920
<v Speaker 3>Because I was I just had my first TV show.

0:29:37.640 --> 0:29:42.440
<v Speaker 3>After many many years of uh you know, uh struggling

0:29:42.520 --> 0:29:46.640
<v Speaker 3>of asking for jobs in Mexico, I was starting my

0:29:46.720 --> 0:29:50.200
<v Speaker 3>career and this is I got finally my first TV

0:29:50.320 --> 0:29:53.920
<v Speaker 3>show in Mexico when Alphonso called me and he was

0:29:54.920 --> 0:29:59.280
<v Speaker 3>still a student at UH and in the in Mexico,

0:29:59.480 --> 0:30:04.240
<v Speaker 3>in in a place in a school called well whatever,

0:30:04.320 --> 0:30:07.720
<v Speaker 3>c CEC. I think it's CCC and UH, and he

0:30:07.920 --> 0:30:13.400
<v Speaker 3>was doing his how do you call his final exam

0:30:13.960 --> 0:30:19.200
<v Speaker 3>with a movie called solo only with your I know

0:30:19.280 --> 0:30:23.000
<v Speaker 3>how it translates to do English like only with your

0:30:23.120 --> 0:30:29.280
<v Speaker 3>partner or only with your something. So uh. The thing

0:30:29.360 --> 0:30:31.840
<v Speaker 3>is that I was doing the skilly show and I

0:30:31.960 --> 0:30:34.720
<v Speaker 3>was like, I'm too busy right now. This guy is

0:30:34.760 --> 0:30:38.160
<v Speaker 3>a very nice students, but I don't have time to

0:30:38.200 --> 0:30:41.840
<v Speaker 3>do things. So thank you allphone, so thank you very much.

0:30:42.000 --> 0:30:45.479
<v Speaker 3>And I didn't do that, so I of course I

0:30:45.520 --> 0:30:50.240
<v Speaker 3>regretted a lot. And now we're friends. He's a friend

0:30:50.240 --> 0:30:52.600
<v Speaker 3>of mine, but he's never hired me again.

0:30:56.680 --> 0:31:06.960
<v Speaker 4>And do you have a lot of I can only

0:31:07.000 --> 0:31:11.640
<v Speaker 4>imagine how many young men and women, especially from Mexico,

0:31:11.760 --> 0:31:13.800
<v Speaker 4>look up to you and say, I want to do

0:31:13.960 --> 0:31:16.600
<v Speaker 4>what Aohinio did, I want to be like him? What

0:31:16.720 --> 0:31:20.920
<v Speaker 4>advice do you give, especially those young folks, but anyone

0:31:20.960 --> 0:31:24.560
<v Speaker 4>truly who looks at someone's improbable story like yours and think,

0:31:25.200 --> 0:31:27.680
<v Speaker 4>how could I do that? Or I could never do that?

0:31:29.440 --> 0:31:32.240
<v Speaker 3>I would say, And it's something I always mentioned to

0:31:32.440 --> 0:31:38.640
<v Speaker 3>especially to students. Never say I cannot do this. Ever,

0:31:39.600 --> 0:31:44.400
<v Speaker 3>it's complicated, but the only way that I've at least

0:31:44.520 --> 0:31:51.000
<v Speaker 3>in my experience. Don't put your life or your opportunities

0:31:51.040 --> 0:31:56.920
<v Speaker 3>in somebody else's hands. Create your own opportunities. So I'm

0:31:56.960 --> 0:31:59.120
<v Speaker 3>always telling if you want to make a movie, or

0:31:59.200 --> 0:32:01.880
<v Speaker 3>you want to make it TV show, whatever you want

0:32:01.880 --> 0:32:08.480
<v Speaker 3>to do, write it yourself. But I'm not a writer, okay,

0:32:08.600 --> 0:32:13.000
<v Speaker 3>So go and work as a waiter, or go wash

0:32:13.120 --> 0:32:17.120
<v Speaker 3>cars or do whatever you want, make some money, and

0:32:17.200 --> 0:32:21.920
<v Speaker 3>then hire a writer and sit down with him with him.

0:32:22.280 --> 0:32:25.760
<v Speaker 3>Not just please write something, No, sit down with him.

0:32:25.960 --> 0:32:29.440
<v Speaker 3>Develop your own script. And that's the only way you're

0:32:29.520 --> 0:32:33.960
<v Speaker 3>going to achieve your dreams. Don't wait until someone calls you.

0:32:34.000 --> 0:32:39.480
<v Speaker 3>Create your own opportunities. Don't ask for a job, Come

0:32:39.560 --> 0:32:43.320
<v Speaker 3>and knock at the door with the proposal. That's what

0:32:43.440 --> 0:32:44.400
<v Speaker 3>it changed my life.

0:32:45.680 --> 0:32:48.480
<v Speaker 1>How do you the folks you do tell that to

0:32:48.520 --> 0:32:53.360
<v Speaker 1>the maybe young students are up and coming actors, writers, directors,

0:32:53.400 --> 0:32:55.880
<v Speaker 1>How do they receive that news? I asked that because

0:32:55.880 --> 0:33:00.440
<v Speaker 1>sometimes a younger generation gets no, no, sometimes criticized for

0:33:00.840 --> 0:33:03.280
<v Speaker 1>wanting it all too quickly, or I'll I'll use a

0:33:03.280 --> 0:33:05.520
<v Speaker 1>YouTube channel and I just want to go viral kind

0:33:05.640 --> 0:33:07.360
<v Speaker 1>of a thing. And they look at you and they

0:33:07.360 --> 0:33:10.800
<v Speaker 1>see your success. They don't know the grind and the

0:33:10.920 --> 0:33:13.959
<v Speaker 1>every weekend for three years in la flights you're making right,

0:33:14.040 --> 0:33:16.400
<v Speaker 1>So how do they receive that news when you tell

0:33:16.440 --> 0:33:18.560
<v Speaker 1>them put your head down and get to work.

0:33:20.640 --> 0:33:25.360
<v Speaker 3>I feel that nowadays generation they don't understand that anymore.

0:33:25.440 --> 0:33:29.240
<v Speaker 3>It's like they, as you just said, they want everything quick,

0:33:29.800 --> 0:33:37.360
<v Speaker 3>easy and and and unfortunately this device, it's it's danger

0:33:37.480 --> 0:33:42.200
<v Speaker 3>because anyone from your house, from your home, you can

0:33:42.720 --> 0:33:46.280
<v Speaker 3>just put it in front and do this. For the

0:33:46.400 --> 0:33:51.640
<v Speaker 3>reason that I don't understand why you have ten million

0:33:51.800 --> 0:33:55.840
<v Speaker 3>US and now you're famous. And of course how can

0:33:56.480 --> 0:33:59.680
<v Speaker 3>why I would listen to Ans or TG or Amy

0:33:59.800 --> 0:34:02.960
<v Speaker 3>or or Robert de Niro or whever you want. When

0:34:03.000 --> 0:34:06.560
<v Speaker 3>I know that by doing I'm going to have ten

0:34:06.600 --> 0:34:10.080
<v Speaker 3>million reviews and companies are gonna pay me a lot

0:34:10.120 --> 0:34:16.480
<v Speaker 3>of money for doing so. It's that's another world.

0:34:17.560 --> 0:34:19.200
<v Speaker 4>How old are your kids are you, Haniel?

0:34:19.760 --> 0:34:26.120
<v Speaker 3>I have three grown ups thirty well, yeah, thirty seven,

0:34:26.560 --> 0:34:31.640
<v Speaker 3>thirty three, and thirty one, and a little one eleven.

0:34:33.000 --> 0:34:36.080
<v Speaker 3>The little one, Yeah, the little one is like that.

0:34:36.320 --> 0:34:40.839
<v Speaker 3>I didn't we were not expecting to have another kid,

0:34:40.880 --> 0:34:45.479
<v Speaker 3>but we finally decided to and she changed my entire life.

0:34:45.600 --> 0:34:50.040
<v Speaker 3>So and now I'm struggling with having her off screen

0:34:50.120 --> 0:34:51.120
<v Speaker 3>as much as possible.

0:34:52.560 --> 0:34:55.279
<v Speaker 1>Yeah, that's eleven. You said we had a twelve year old.

0:34:55.360 --> 0:35:01.640
<v Speaker 3>Here you are eleven. So we have to make them

0:35:01.760 --> 0:35:05.680
<v Speaker 3>understand that this is not good for anyone.

0:35:06.120 --> 0:35:08.160
<v Speaker 4>But I think it's pretty cool to hear about the

0:35:08.200 --> 0:35:11.960
<v Speaker 4>fact that you and your adult children and your wife

0:35:12.239 --> 0:35:15.520
<v Speaker 4>all forming a company together. I mean, that is the dream,

0:35:15.560 --> 0:35:17.680
<v Speaker 4>isn't it for so many people? Just to do what

0:35:17.719 --> 0:35:19.240
<v Speaker 4>you love and then to do it with the people

0:35:19.320 --> 0:35:22.080
<v Speaker 4>you love. How has that been navigating that?

0:35:23.239 --> 0:35:28.000
<v Speaker 3>Well, let me tell you all my kids, for some reason,

0:35:28.040 --> 0:35:30.920
<v Speaker 3>they decided to be to get to be in the

0:35:30.960 --> 0:35:34.960
<v Speaker 3>show business. So all of them are independent and all

0:35:35.000 --> 0:35:39.239
<v Speaker 3>of them are successful. They are starring each one of them.

0:35:39.640 --> 0:35:45.959
<v Speaker 3>They're starting already their own movies, serious TV shows. And

0:35:46.520 --> 0:35:48.960
<v Speaker 3>my three kids and my wife is a very popular

0:35:49.120 --> 0:35:53.520
<v Speaker 3>pop singer right now, she's in Mexico, she's touring. She's

0:35:53.560 --> 0:35:56.120
<v Speaker 3>always like performing in front of twenty five thousand people.

0:35:57.000 --> 0:36:01.280
<v Speaker 3>So we decided one day to do a show called

0:36:02.560 --> 0:36:06.360
<v Speaker 3>Traveling with Lost Their Best Traveling with their Best family,

0:36:06.880 --> 0:36:10.359
<v Speaker 3>and you can watch it and on Amazon worldwide, and

0:36:10.680 --> 0:36:12.800
<v Speaker 3>I think in the US unfortunately it's in a small

0:36:13.160 --> 0:36:19.200
<v Speaker 3>platform called vix but it's one of the most and

0:36:19.320 --> 0:36:24.000
<v Speaker 3>I think it's number one series for Amazon in Latin America.

0:36:24.800 --> 0:36:29.080
<v Speaker 3>So every single year we do a trip. We just

0:36:29.440 --> 0:36:33.000
<v Speaker 3>launched Japan season. We went to Japan with the entire

0:36:33.040 --> 0:36:36.960
<v Speaker 3>family and it's really really successful. I don't know why

0:36:37.080 --> 0:36:38.920
<v Speaker 3>it was for me, it was an experiment, but it

0:36:39.280 --> 0:36:41.680
<v Speaker 3>worked really well. I was like, people are not going

0:36:41.760 --> 0:36:45.000
<v Speaker 3>to be interested in me traveling with my family. It's

0:36:45.040 --> 0:36:48.719
<v Speaker 3>gonna be it's not gonna happen. People are not gonna

0:36:48.760 --> 0:36:53.240
<v Speaker 3>watch this. Well, it was a huge success. So after

0:36:53.520 --> 0:36:57.600
<v Speaker 3>five seasons, we decided to launch a studio with my

0:36:57.800 --> 0:37:02.400
<v Speaker 3>entire family and we are going to start We're going

0:37:02.480 --> 0:37:06.279
<v Speaker 3>to start working in our own stuff. We're not going

0:37:06.320 --> 0:37:11.040
<v Speaker 3>to wait for companies, studios or platforms to hire us.

0:37:11.160 --> 0:37:14.239
<v Speaker 3>We're going to start producing our own stuff with our

0:37:14.480 --> 0:37:17.000
<v Speaker 3>own ideas. And that's the idea of this to you.

0:37:18.280 --> 0:37:21.240
<v Speaker 1>And you wonder why they want you to keep doing comedy.

0:37:21.320 --> 0:37:23.879
<v Speaker 1>You've gone through everything you touched. This was number one,

0:37:23.880 --> 0:37:25.560
<v Speaker 1>this was the highest person in this, this was number

0:37:25.560 --> 0:37:27.879
<v Speaker 1>one here, and this was number one. So yeah, they

0:37:27.920 --> 0:37:31.479
<v Speaker 1>see your number one resume and it's hard. Why would

0:37:31.520 --> 0:37:34.279
<v Speaker 1>we have him step out of that lane where he's successful.

0:37:34.320 --> 0:37:36.920
<v Speaker 1>But to your point, it's a good one. I think

0:37:36.960 --> 0:37:39.000
<v Speaker 1>a lot of actors that already struggle with that, even

0:37:39.040 --> 0:37:41.680
<v Speaker 1>musicians right trying to try something new. So I applaud

0:37:41.680 --> 0:37:44.520
<v Speaker 1>you for doing so and sticking with it. My last

0:37:44.600 --> 0:37:47.160
<v Speaker 1>question for you has to do with you know you

0:37:47.239 --> 0:37:49.359
<v Speaker 1>mentioned it at the top right. It's difficult to see

0:37:49.360 --> 0:37:51.480
<v Speaker 1>and you're trying to give a different impression in our

0:37:52.640 --> 0:37:55.080
<v Speaker 1>view of Mexico. And I know we've turned the TV

0:37:55.160 --> 0:37:56.839
<v Speaker 1>here every single day and the debates are going on

0:37:56.880 --> 0:37:59.520
<v Speaker 1>in politics. I'm not going to get into a political debate,

0:38:00.160 --> 0:38:04.360
<v Speaker 1>but it has gotten nasty with immigration talk and the

0:38:04.440 --> 0:38:07.200
<v Speaker 1>ice raids. If you had a chance to, I know,

0:38:07.080 --> 0:38:10.120
<v Speaker 1>you can't sit down with every single American who's maybe

0:38:10.120 --> 0:38:13.719
<v Speaker 1>you applaud in the ice raids and maybe don't maybe

0:38:13.800 --> 0:38:16.280
<v Speaker 1>have a colder heart when it comes to the compassion

0:38:16.320 --> 0:38:19.600
<v Speaker 1>for people who are maybe here illegally for whatever reason.

0:38:19.960 --> 0:38:22.719
<v Speaker 1>If you had a chance, though, to just make a

0:38:22.880 --> 0:38:25.160
<v Speaker 1>plead to them to soften their hearts a little bit

0:38:25.200 --> 0:38:28.240
<v Speaker 1>about what they're seeing. Nobody here wants anyone to break

0:38:28.280 --> 0:38:30.160
<v Speaker 1>the law and get away with it. We all can

0:38:30.200 --> 0:38:33.399
<v Speaker 1>agree on that, but there's a little compassion sometimes that's

0:38:33.440 --> 0:38:35.880
<v Speaker 1>missing from the conversation. For you, if you could just

0:38:35.920 --> 0:38:39.200
<v Speaker 1>take a moment for those Americans, what would you say

0:38:39.239 --> 0:38:42.239
<v Speaker 1>to them to try to possibly just soften the heart

0:38:42.320 --> 0:38:44.040
<v Speaker 1>or give a little different perspective.

0:38:45.600 --> 0:38:50.520
<v Speaker 3>Thank you for this opportunity and for this question. I

0:38:50.560 --> 0:38:57.640
<v Speaker 3>would say, I know that we just see or feel

0:38:58.000 --> 0:39:03.919
<v Speaker 3>that all these people coming to this country are stealing jobs.

0:39:04.520 --> 0:39:08.719
<v Speaker 3>First of all, they're not stealing anything. They are the

0:39:08.800 --> 0:39:15.200
<v Speaker 3>ones that start America at four am by cooking cleaning.

0:39:15.320 --> 0:39:19.760
<v Speaker 3>When you arrive to your office, a Latino already cooked

0:39:19.760 --> 0:39:25.440
<v Speaker 3>your breakfast, or clean your floor or whatever in any area.

0:39:26.440 --> 0:39:30.640
<v Speaker 3>We are hard working people, but we're in this country

0:39:30.880 --> 0:39:33.160
<v Speaker 3>not because we want to make more money or steal

0:39:33.200 --> 0:39:37.160
<v Speaker 3>a job. Most of the people that are all these

0:39:37.200 --> 0:39:42.200
<v Speaker 3>immigrants that come to the US are clean, are running

0:39:42.239 --> 0:39:49.080
<v Speaker 3>away from violence. It's not their fault. I swear. I've

0:39:49.080 --> 0:39:53.759
<v Speaker 3>seen these people that are constantly threatened. They rape their

0:39:55.520 --> 0:40:02.759
<v Speaker 3>woman's their child, they're steal their houses. The narcos sometimes

0:40:02.800 --> 0:40:08.920
<v Speaker 3>many of them, they're constantly making. All these people flee

0:40:08.960 --> 0:40:14.560
<v Speaker 3>from their countries because they're again they're raping, stealing, There's

0:40:14.640 --> 0:40:18.759
<v Speaker 3>no job opportunities, so these people are starving, so they

0:40:18.800 --> 0:40:22.880
<v Speaker 3>come to the US just to find some peace, to

0:40:23.000 --> 0:40:28.520
<v Speaker 3>find a decent way to make a living, and to

0:40:28.560 --> 0:40:33.040
<v Speaker 3>feed their families and their kids. So I just want

0:40:33.120 --> 0:40:35.319
<v Speaker 3>to put this on the table, because they're not criminals,

0:40:35.400 --> 0:40:37.360
<v Speaker 3>or they're not just looking well, let's go to the

0:40:37.480 --> 0:40:42.040
<v Speaker 3>US to make more money. Why not. No, they're literally

0:40:42.480 --> 0:40:48.520
<v Speaker 3>fleeing from being killed or being raped or starving, and

0:40:49.760 --> 0:40:53.960
<v Speaker 3>all they want is to work decently and try to

0:40:53.960 --> 0:40:55.280
<v Speaker 3>feed their families.

0:40:57.719 --> 0:41:00.880
<v Speaker 4>You know, and we appreciate that. I can't imagine just

0:41:00.960 --> 0:41:04.400
<v Speaker 4>the pull that must but you must feel, and so

0:41:04.480 --> 0:41:08.320
<v Speaker 4>many other just Latino Americans and Latinos around the world

0:41:08.440 --> 0:41:13.760
<v Speaker 4>just feeling torn because people don't understand unless you've walked

0:41:14.200 --> 0:41:16.359
<v Speaker 4>in their shoes. And I think that's what we're all

0:41:16.360 --> 0:41:16.919
<v Speaker 4>hoping for.

0:41:17.000 --> 0:41:17.920
<v Speaker 3>I mean, so.

0:41:17.920 --> 0:41:21.520
<v Speaker 4>Many of us just want there to be just more

0:41:21.560 --> 0:41:25.160
<v Speaker 4>perspective and bigger hearts and just a willingness to try

0:41:25.160 --> 0:41:28.640
<v Speaker 4>and understand and to ask questions instead of to throw accusations.

0:41:29.120 --> 0:41:32.800
<v Speaker 3>So yeah, we appreciate that, no think. And of course

0:41:33.520 --> 0:41:37.600
<v Speaker 3>in one and I don't know in between, in ten

0:41:37.680 --> 0:41:40.440
<v Speaker 3>thousand people probably are two that are not good people,

0:41:40.560 --> 0:41:45.080
<v Speaker 3>but they're like pointing them like they're like they they're

0:41:45.760 --> 0:41:53.360
<v Speaker 3>like gang members, like you kill assistance or rapers. They're not.

0:41:54.080 --> 0:41:58.440
<v Speaker 3>They're good people and they're they have families, and it

0:41:58.480 --> 0:42:01.560
<v Speaker 3>breaks my heart to see how they are like reporting

0:42:01.600 --> 0:42:06.200
<v Speaker 3>them and tearing them away from their kids and making

0:42:06.800 --> 0:42:10.080
<v Speaker 3>I don't know, it's a mess. It's a very complicated subject.

0:42:11.360 --> 0:42:14.279
<v Speaker 4>Well, the art that you make, uh and certainly just

0:42:14.360 --> 0:42:18.080
<v Speaker 4>even programs like Alcopolco, which I love that you're part

0:42:18.080 --> 0:42:23.240
<v Speaker 4>of your mission is to show people your culture, your people,

0:42:23.440 --> 0:42:25.600
<v Speaker 4>not in the way they've been depicted on the news,

0:42:25.680 --> 0:42:29.040
<v Speaker 4>but in the way you live, breathe see experience them.

0:42:29.160 --> 0:42:32.719
<v Speaker 4>And anyone who travels to your beautiful country knows the same.

0:42:32.719 --> 0:42:33.520
<v Speaker 4>We're huge fans.

0:42:33.560 --> 0:42:33.920
<v Speaker 1>We're there.

0:42:33.920 --> 0:42:35.799
<v Speaker 4>We try to be there at least once a year.

0:42:36.840 --> 0:42:40.160
<v Speaker 4>We love the West and the East coast. They are

0:42:40.239 --> 0:42:41.960
<v Speaker 4>and we I still want to go to Mexico City.

0:42:41.960 --> 0:42:45.080
<v Speaker 1>I'm gonna start going on the weekend. Get my Spanish better.

0:42:47.280 --> 0:42:50.520
<v Speaker 3>Yes, Mexico City. It's a great, great city. It's it's

0:42:50.640 --> 0:42:54.520
<v Speaker 3>it's it's so completely different from anything else you'll see.

0:42:54.560 --> 0:42:57.680
<v Speaker 3>And great food, by the way, it is in there.

0:42:57.800 --> 0:43:00.919
<v Speaker 4>It's on my list. But yes, we are just huge

0:43:00.960 --> 0:43:04.440
<v Speaker 4>fans of yours and your work and just continued success.

0:43:04.520 --> 0:43:08.479
<v Speaker 4>I don't think that you need any like adda boys

0:43:08.520 --> 0:43:11.040
<v Speaker 4>from us, because certainly you are self motivated in a

0:43:11.080 --> 0:43:14.120
<v Speaker 4>way most people are not, and you have read benefits

0:43:14.160 --> 0:43:16.920
<v Speaker 4>and just your warm heart, your beautiful smile.

0:43:17.040 --> 0:43:20.200
<v Speaker 1>Thank you, thank you about you being okay. We know

0:43:20.440 --> 0:43:23.520
<v Speaker 1>whatever happens, you're gonna be fine. You'll work your way

0:43:23.520 --> 0:43:24.640
<v Speaker 1>out of it. It'll be fine.

0:43:24.800 --> 0:43:24.960
<v Speaker 2>Man.

0:43:25.000 --> 0:43:28.160
<v Speaker 1>It is an absolute pleasure and it's an inspiration. Look,

0:43:28.200 --> 0:43:30.279
<v Speaker 1>we didn't know how this was going to go and

0:43:30.360 --> 0:43:32.680
<v Speaker 1>how much stuff to promote, but once you started talking,

0:43:32.719 --> 0:43:34.560
<v Speaker 1>we just wanted to talk to you back. So if

0:43:34.560 --> 0:43:36.440
<v Speaker 1>you know no notes. We just wanted to have a

0:43:36.480 --> 0:43:40.440
<v Speaker 1>conversation with you man, and this is absolutely been beautiful

0:43:40.440 --> 0:43:42.800
<v Speaker 1>for it. Thank you so much, this man.

0:43:42.800 --> 0:43:45.959
<v Speaker 3>Thank you for this opportunity. I was really nervous because

0:43:45.960 --> 0:43:48.920
<v Speaker 3>i know your podcast is listening by many many people,

0:43:49.000 --> 0:43:53.719
<v Speaker 3>and I'm always worried about my English because I'm still

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<v Speaker 3>working on my English every single day, I swear. But

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<v Speaker 3>now that I happened in eleven year old, she constantly

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<v Speaker 3>request me, like, Dad, it's not this, it's that. And

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<v Speaker 3>I'm always speaking in Spanish at home because I want

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<v Speaker 3>her not to lose the Spanish, but I'm losing my

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<v Speaker 3>English because of that.

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<v Speaker 1>Thank you.

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<v Speaker 4>Please give love to your beautiful family, and thanks for

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<v Speaker 4>being on the podcast.

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<v Speaker 3>Thank you, thank you for inviting me. Thank you very much.