WEBVTT - How Sarah Silverman changed comedy’s boy’s club

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<v Speaker 1>What do you do when life doesn't go according to

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<v Speaker 1>plan that moment you lose a job, or a loved one,

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<v Speaker 1>or even a piece of yourself. I'm Brookshields and this

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<v Speaker 1>is now What, a podcast about pivotal moments as told

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<v Speaker 1>by people who lived them. Each week, I sit down

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<v Speaker 1>with a guest to talk about the times they were

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<v Speaker 1>knocked off course and what they did to move forward.

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<v Speaker 1>Some stories are funny, others are gut wrenching, but all

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<v Speaker 1>are unapologetically human and remind us that every success and

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<v Speaker 1>every setback is accompanied by a choice, and that choice

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<v Speaker 1>answers one question, Now, what when you started in comedy?

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<v Speaker 1>It really and it less so now I think, I mean,

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<v Speaker 1>you tell me, but was really a boys club?

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<v Speaker 2>Yea?

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<v Speaker 1>What personage did you put on to be level with

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<v Speaker 1>the boys?

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<v Speaker 2>When I first started stand up, the guys all told

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<v Speaker 2>me you have to talk about stuff that guys are interested,

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<v Speaker 2>and you can't talk about like the female experience, which

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<v Speaker 2>I don't think they put that in those words even,

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<v Speaker 2>and they explained they had a very good reason. They said,

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<v Speaker 2>because women are there on dates and they will only

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<v Speaker 2>laugh if their date lasts, so you have to make

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<v Speaker 2>the men laugh. That it has to be your priority,

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<v Speaker 2>and I bought into it. I mean, because they were

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<v Speaker 2>grown ups.

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<v Speaker 1>In my mind, my guest today is a comedy icon.

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<v Speaker 1>She's also an actor, a best selling author, a podcaster,

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<v Speaker 1>and so much more. Sarah Silverman has been on the

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<v Speaker 1>scene for thirty years, and I suspect many of you

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<v Speaker 1>have an opinion about her work and her sense of humor.

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<v Speaker 1>Mine is this. I think she is brilliant and I

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<v Speaker 1>have watched in admiration as she's done it all. Award

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<v Speaker 1>winning stand up specials, her own shows on Comedy Central

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<v Speaker 1>and Hulu, dramatic turns in films like I Smile Back,

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<v Speaker 1>and Yes, even in musical about Wedding the Bed. Sarah

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<v Speaker 1>is insanely talented. She's kind, engaging and generous with her time.

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<v Speaker 1>I feel so fortunate that we got to spend some

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<v Speaker 1>time together chatting, just one on one, and I'm so

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<v Speaker 1>excited for you to hear that conversation. So without further ado,

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<v Speaker 1>here is the one and only Sarah Silverman. Thank you

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<v Speaker 1>for giving me of your time. Of course, I always

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<v Speaker 1>get excited when I know I'm going to get a

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<v Speaker 1>chance to see you. Oh my god, even hang out

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<v Speaker 1>a little bit I just wanted to ask how you're doing.

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<v Speaker 1>I know you have family in Israel.

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<v Speaker 2>Yeah, they're all alive, and but it's so scary, you know.

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<v Speaker 2>I mean, my youngest niece is in the army. I

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<v Speaker 2>mean you have to do the army, you know, so

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<v Speaker 2>she's still in it and right girding a bass.

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<v Speaker 1>You know.

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<v Speaker 2>It's just like, oh my gosh, terrifying. They all have

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<v Speaker 2>friends that were murdered. You know. I'm usually pretty good

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<v Speaker 2>at compartmentalizing.

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<v Speaker 1>Well, you have, I mean you have to, you have

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<v Speaker 1>to anyway. I just I'm my heart and soul is

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<v Speaker 1>I just feel I'm putting my version of prayer.

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<v Speaker 2>Yeah, whatever however that looks to everybody, Thank you.

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<v Speaker 1>My heart's with you. That's all. The other thing I

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<v Speaker 1>also want to start off with, Yeah, you are spectacular

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<v Speaker 1>in my strung.

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<v Speaker 2>Oh my gosh, you really.

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<v Speaker 1>I mean I'm not surprised. It's like I always get, oh,

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<v Speaker 1>I thought you were going to stuck. But you're good.

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<v Speaker 1>That's not what I that's not what. I'm not so

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<v Speaker 1>prized at your talent. I'm just I was so glad

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<v Speaker 1>that you were cast in that part, and it's such

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<v Speaker 1>a standout part. I'm so personally attached to that character,

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<v Speaker 1>just because I did Wonderful Town on Broadway and I

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<v Speaker 1>got to meet I got to meet her actually wow,

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<v Speaker 1>when she was still alive, and oh, she just said

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<v Speaker 1>Adolph would be so happy.

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<v Speaker 2>But that's amazing.

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<v Speaker 1>I think she would have just loved just from the

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<v Speaker 1>teeny teeny that I knew her, I think she would

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<v Speaker 1>have just loved what you did with the character.

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<v Speaker 2>It's a very rare time where Adolph would be so happy.

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<v Speaker 2>Is actually a lovely thing to say.

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<v Speaker 1>It's a good thing. Yeah, no, true, But anyway, I

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<v Speaker 1>just congratulations on that. And you have a new stand

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<v Speaker 1>up special which is on HBO. It's called Sarah Silverman

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<v Speaker 1>someone you Love. Yah. But what's weird is I don't

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<v Speaker 1>think that was the case with the other ones, but

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<v Speaker 1>with this one, I thought it was really interesting that

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<v Speaker 1>you you had to create this one on a deadline.

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<v Speaker 2>For h oh. Yeah, I've never done it like that.

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<v Speaker 1>And that's not how it normally works.

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<v Speaker 2>A lot of comics do that. I've never done that.

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<v Speaker 2>I've always first of all, for some reason, specials never

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<v Speaker 2>occur to me. I never think about the future. I mean,

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<v Speaker 2>of course I have the I have anxiety where I

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<v Speaker 2>tkle what if, what if? But I never I rarely

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<v Speaker 2>have dreams or goals. I just do stand up, you know.

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<v Speaker 2>I just never think about it. Like I have friends

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<v Speaker 2>that are on their like fourteenth special. Like this last

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<v Speaker 2>special was my fourth special. I've been doing stand ups

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<v Speaker 2>since I was, you know, seventeen, professionally nineteen. I'm fifty two,

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<v Speaker 2>thirty whatever, thirty three years. So this time I had

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<v Speaker 2>done a pilot for HBO before, right before the pandemic,

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<v Speaker 2>and part of that was a special. The pilot didn't go,

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<v Speaker 2>but I still had them a special. But then the

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<v Speaker 2>COVID came and then that passed and I just started,

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<v Speaker 2>I'm like starting over, like just figuring out what I have,

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<v Speaker 2>and they were like, we won our special, you know,

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<v Speaker 2>Oh my god. So I like did everything I had

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<v Speaker 2>at Largo, and I had thirty six minutes, and of

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<v Speaker 2>course not all of it is like stuff I want

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<v Speaker 2>to necessarily do, like, you know, So I just booked

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<v Speaker 2>the road and rode it on the road and it

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<v Speaker 2>was really fun.

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<v Speaker 1>I mean, I don't know if this is a source

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<v Speaker 1>of constant pressure, but to constantly come up with new

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<v Speaker 1>material has got to be both thrilling and a pressure cooker.

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<v Speaker 2>Yeah, I mean, listen, you know I've been going on

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<v Speaker 2>stage saying, listen, my special just came out. I'm starting over,

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<v Speaker 2>and I have to be willing to disappoint you. So

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<v Speaker 2>basically I'm 'dibly brave right now, you know, Like, but yeah,

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<v Speaker 2>you have to, like I mean, and I really I

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<v Speaker 2>always like, I always mentioned Chris Rock because he's such

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<v Speaker 2>a great example of someone who does a special, murders

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<v Speaker 2>it whatever, and then gets back, you know, takes some

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<v Speaker 2>time off, gets back out there, walks into the comedy celler.

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<v Speaker 2>Everyone goes crazy standing ovation for like four minutes, and

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<v Speaker 2>then he starts and he's just trying stuff, and you know,

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<v Speaker 2>sometimes it's the audience is just like, oh, you know,

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<v Speaker 2>like and he knows that he's going to disappoint them,

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<v Speaker 2>and he's not going to do bits that they want

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<v Speaker 2>him to do that they know he's just gonna and

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<v Speaker 2>if he finds one thing that's like a kernel of something,

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<v Speaker 2>it was a success, you know, And you have to

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<v Speaker 2>be willing to do that. It's really hard for comics

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<v Speaker 2>who are people lasers.

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<v Speaker 1>Especially when you get a laugh. The tendency used to

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<v Speaker 1>want to get that laugh for us.

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<v Speaker 2>You go, I know I have material that can kill,

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<v Speaker 2>but I've already done it. I can't go back on

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<v Speaker 2>the road, and because people will just supplement what you

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<v Speaker 2>don't have that's new with old stuff. You know works,

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<v Speaker 2>and that's so smart. But one I don't like my

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<v Speaker 2>brain won't remember it. And two my fear is that

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<v Speaker 2>I'll figure I'll figure out that joke. Like I did

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<v Speaker 2>some shows after I recorded the special, I had still

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<v Speaker 2>more dates on the road, and it was so frustrating

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<v Speaker 2>because of course, now there's a part of me that's

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<v Speaker 2>so loose and so you know, so free with the

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<v Speaker 2>material that I figure out the perfect tag or and

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<v Speaker 2>that's maddening.

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<v Speaker 1>But there is something that happens when I mean, I've

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<v Speaker 1>done shows for six months at a time on Broadway,

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<v Speaker 1>and what is quite unbelievable to me is when you

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<v Speaker 1>find something that you never knew what's there, even on

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<v Speaker 1>the last performance after eight a week for six months,

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<v Speaker 1>and to me, that just signifies, oh, it's a live

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<v Speaker 1>it's a live, tangible thing. Yeah, just to start a

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<v Speaker 1>little bit back in the early days, I think all

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<v Speaker 1>parents are extremely formative, but your dad just seems to

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<v Speaker 1>be in particular to someone who just was such a

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<v Speaker 1>support of yours and really supported you as a comedian.

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<v Speaker 1>And I was curious what his sense of humor was like,

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<v Speaker 1>and did that shape you at all?

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<v Speaker 2>One hund, I mean, it's I'm such a combination of

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<v Speaker 2>him and my mom. You know, it's he's he was

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<v Speaker 2>so funny. I mean, I don't know if I told you this,

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<v Speaker 2>Like on his deathbed, he Jeff Ross came to visit

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<v Speaker 2>because there you know, a lot of people came to

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<v Speaker 2>visit him, came to visit him, you know, Oh, it

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<v Speaker 2>was pretty amazing. And Jeff Ross, well, first he came

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<v Speaker 2>and he said, Schleppie. Everyone calls me Dad, Schleppe Schleppie.

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<v Speaker 2>I've got bad news. I don't think you can be

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<v Speaker 2>my emergency contact anymore. Theoddy. And then so then he

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<v Speaker 2>Jeff introduced my parents to this guy, Bernie Shine, and

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<v Speaker 2>they became very good friends with him. That he's a

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<v Speaker 2>magician that Jeff is friends with. Of course an older guy,

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<v Speaker 2>and so he put him on FaceTime to say like

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<v Speaker 2>goodbye to my dad, and my stepmother had just died

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<v Speaker 2>a week before, and he said, and her name was Janie,

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<v Speaker 2>and he holds the camera and my dad goes, Bernie,

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<v Speaker 2>your show was so bad. It killed Janice, And I'm

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<v Speaker 2>not feeling so hot either. He was killing on his deathbed.

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<v Speaker 2>It was amazing.

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<v Speaker 1>My mother used to do this thing where she'd, you know,

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<v Speaker 1>she'd see a dog like tied up to a post

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<v Speaker 1>or something outside a store or a restaurant or something, and

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<v Speaker 1>she'd get down to the dog and she'd say, they're

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<v Speaker 1>never coming back. She's so sick. My mother. My mother's

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<v Speaker 1>humor was so like it was hysterical. Were there any

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<v Speaker 1>other people growing up or comics that really and your comedy?

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<v Speaker 2>I mean, my dad was a big one, you know,

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<v Speaker 2>because he was very big and funny, and my mother

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<v Speaker 2>was kind of covertly funny. And to me, I was

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<v Speaker 2>my number one was Steve Martin, you know, I just

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<v Speaker 2>worshiped him. As a matter of the house I grew

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<v Speaker 2>up in with my mom, I lived, I had a

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<v Speaker 2>room in the attic and on the ceiling and pencil

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<v Speaker 2>I wrote, I Love Steve Martin and it's still there

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<v Speaker 2>all these years later, and they, you know, after my

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<v Speaker 2>mom died, my sister sold the house and then I

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<v Speaker 2>did a show in Boston like a year later, and

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<v Speaker 2>the realtor who sold the house came and he brought

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<v Speaker 2>this picture that they had like painted the whole house,

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<v Speaker 2>but they kept that one thing on the ceiling where

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<v Speaker 2>I lived, where my room was.

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<v Speaker 1>You talk about this in your books, and especially in

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<v Speaker 1>bed Weather, the brilliant book, you talk about the struggle

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<v Speaker 1>that you had with wedding the bed. Now I wet

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<v Speaker 1>the bed, but for very different reasons. Now I went

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<v Speaker 1>the bed because I'm a fifty eight year old woman

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<v Speaker 1>five sneeze in my sleepers. But what do you think

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<v Speaker 1>that was? I don't know.

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<v Speaker 2>I don't know. I mean, I went the bed like

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<v Speaker 2>deep into my teens, and you know, I think it

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<v Speaker 2>was probably emotional. I think also it was physical. Like

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<v Speaker 2>I was very small for my age. I looked like

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<v Speaker 2>a little kid when I was like a teenager, and

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<v Speaker 2>then I turned like seventeen, and all of a sudden,

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<v Speaker 2>I had like boobs. But I didn't get my period

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<v Speaker 2>until I was almost eighteen. So it's just like I

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<v Speaker 2>was little for my age, and then I went, yeah,

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<v Speaker 2>like exploded out. You know. It's always funny to me

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<v Speaker 2>when I've like dated men who don't know how to

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<v Speaker 2>do laundry, because I had to learn at a very

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<v Speaker 2>young age, had to wash my sheets and stuff, you know.

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<v Speaker 2>But uh, yeah, it was torture. I thought I was

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<v Speaker 2>positive it would be the biggest shame of my life.

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<v Speaker 2>And of course you know it's not.

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<v Speaker 1>You know, but there were but it didn't happen in

0:13:17.200 --> 0:13:20.120
<v Speaker 1>the day, no, like at school or anything. So it's

0:13:20.200 --> 0:13:23.920
<v Speaker 1>just just in bed. Well, I I mean, listen, I've

0:13:23.960 --> 0:13:27.600
<v Speaker 1>gotten hammered before and and and and pe you know,

0:13:27.679 --> 0:13:29.640
<v Speaker 1>woke up and thought I was in the bathroom.

0:13:29.679 --> 0:13:33.600
<v Speaker 2>And was funny because the year after I got fired

0:13:33.640 --> 0:13:37.800
<v Speaker 2>from Saturday Night Live, I was twenty three and I

0:13:37.840 --> 0:13:41.440
<v Speaker 2>went the bed three times that year. Wow. Yeah, And

0:13:41.480 --> 0:13:43.400
<v Speaker 2>I want like, I don't know if it was some

0:13:43.480 --> 0:13:45.480
<v Speaker 2>kind of like regression or something, but I was in

0:13:45.559 --> 0:13:47.920
<v Speaker 2>the I was in a bed. I was in bed

0:13:47.920 --> 0:13:50.720
<v Speaker 2>with a man all three times. And there were three

0:13:50.760 --> 0:13:51.280
<v Speaker 2>different men.

0:13:53.120 --> 0:13:55.880
<v Speaker 1>Well, you know, they'll get to know you and then

0:13:56.200 --> 0:13:58.960
<v Speaker 1>and then those who stick around, you know, says a lot.

0:13:59.400 --> 0:14:02.040
<v Speaker 2>Yeah, And actually one of the men was not like

0:14:02.200 --> 0:14:04.320
<v Speaker 2>a lover. It was my friend day of Wrath, who

0:14:04.400 --> 0:14:08.160
<v Speaker 2>I was just staying with him. And if you didn't

0:14:08.160 --> 0:14:10.480
<v Speaker 2>hook up with the girl that night, I would sleep

0:14:10.760 --> 0:14:13.280
<v Speaker 2>next to him in bed. Otherwise I'd sleep on the couch.

0:14:13.679 --> 0:14:17.400
<v Speaker 2>And this was a long time ago, and so I

0:14:17.440 --> 0:14:18.880
<v Speaker 2>but I slept next to him. We went to a

0:14:18.920 --> 0:14:22.680
<v Speaker 2>party and you know, and I uh pete and I

0:14:22.720 --> 0:14:25.360
<v Speaker 2>woke up and I remember like thinking, oh my god,

0:14:25.920 --> 0:14:28.600
<v Speaker 2>I have to tell him. Like if I don't tell

0:14:28.680 --> 0:14:30.720
<v Speaker 2>him now, I'm going to be too embarrassed. And I

0:14:30.760 --> 0:14:33.200
<v Speaker 2>was just like, Dave, I peed in your bed. He's

0:14:33.440 --> 0:14:36.480
<v Speaker 2>you know, such a men. She was like, I just

0:14:36.520 --> 0:14:40.720
<v Speaker 2>put a towel down, and I was like, oh, not

0:14:40.800 --> 0:14:42.200
<v Speaker 2>that embarrassing for all. I guess.

0:14:42.440 --> 0:14:44.760
<v Speaker 1>How do you how do you think that shaped you

0:14:44.840 --> 0:14:47.720
<v Speaker 1>as a kid, having to sort of live with that.

0:14:48.120 --> 0:14:52.440
<v Speaker 1>I read a quote where you mentioned that that experience

0:14:53.520 --> 0:14:56.600
<v Speaker 1>helped you be less afraid of sort of sucking on

0:14:56.680 --> 0:14:58.360
<v Speaker 1>stage exactly. You know.

0:14:58.520 --> 0:15:03.120
<v Speaker 2>I mean it's like when you suffered that kind of humiliation,

0:15:03.720 --> 0:15:07.200
<v Speaker 2>you know, you sleep over this or that, you know,

0:15:07.240 --> 0:15:10.760
<v Speaker 2>and you're and you wet your bed wetterre you know,

0:15:11.320 --> 0:15:13.840
<v Speaker 2>and you're way too old to be and you're at

0:15:13.880 --> 0:15:18.880
<v Speaker 2>that age where kids like break your heart, you know,

0:15:19.080 --> 0:15:24.360
<v Speaker 2>like if you're weird. And yeah, like when I started

0:15:24.360 --> 0:15:25.840
<v Speaker 2>doing stand up, but you know, the first time I

0:15:25.840 --> 0:15:29.040
<v Speaker 2>did a stand up. I was seventeen in those early years,

0:15:29.080 --> 0:15:32.920
<v Speaker 2>I sucked, but it didn't deter me because it was

0:15:33.000 --> 0:15:37.680
<v Speaker 2>just it could it nothing compares to the humiliation of

0:15:37.720 --> 0:15:41.640
<v Speaker 2>being a bedwetting kid, you know, an older kid especially,

0:15:42.440 --> 0:15:47.280
<v Speaker 2>so I think it was easy to to persevere for

0:15:47.400 --> 0:15:48.680
<v Speaker 2>me like through.

0:15:48.480 --> 0:15:51.400
<v Speaker 1>That, and it probably breeds a certain type of resilience

0:15:51.520 --> 0:15:55.720
<v Speaker 1>to any type of criticism once you've felt it on

0:15:55.760 --> 0:15:56.880
<v Speaker 1>that vis oral level.

0:15:57.520 --> 0:16:01.280
<v Speaker 2>Yeah, and also just between that and being like this

0:16:02.080 --> 0:16:07.480
<v Speaker 2>very hairy Jewish kid in a sea of strawberry blonde

0:16:07.720 --> 0:16:12.239
<v Speaker 2>you know, Christians. This is unique to me but completely

0:16:12.440 --> 0:16:17.320
<v Speaker 2>ununique to all comedians, which is I think developing skills

0:16:17.360 --> 0:16:20.880
<v Speaker 2>at an early age to survive childhood, and those skills

0:16:20.880 --> 0:16:23.560
<v Speaker 2>were being funny. I knew how to be funny. I

0:16:23.640 --> 0:16:27.880
<v Speaker 2>knew how to get my friend's parents to like me

0:16:28.040 --> 0:16:31.680
<v Speaker 2>and not fear me. I mean, it's funny because you know,

0:16:31.760 --> 0:16:34.080
<v Speaker 2>you're from New York City, so it's like Jews are

0:16:34.240 --> 0:16:37.320
<v Speaker 2>like whatever. I mean, you probably went to so many

0:16:37.520 --> 0:16:40.280
<v Speaker 2>bar mitzvahs. I went to zero. I didn't even know

0:16:40.320 --> 0:16:42.280
<v Speaker 2>what a bar mitzvah was, you know, Like I was

0:16:42.400 --> 0:16:44.960
<v Speaker 2>raised by atheists. The only way we knew we were

0:16:45.040 --> 0:16:47.640
<v Speaker 2>Jewish was because we were different from everyone else. Like

0:16:47.720 --> 0:16:50.520
<v Speaker 2>my sister, who's now a rabbi, would always say, like,

0:16:50.800 --> 0:16:53.480
<v Speaker 2>I thought being Jewish meant being a democrat, because that's

0:16:53.520 --> 0:16:58.320
<v Speaker 2>how we were different where we live. And so you learn,

0:16:58.440 --> 0:17:00.400
<v Speaker 2>like I have a friend Brian Moses, who's black and

0:17:00.440 --> 0:17:02.000
<v Speaker 2>grew up around a lot of white people, and we

0:17:02.080 --> 0:17:05.640
<v Speaker 2>both have that thing that was just innate in us

0:17:05.640 --> 0:17:08.000
<v Speaker 2>that we didn't realize what it was until looking back

0:17:08.040 --> 0:17:10.880
<v Speaker 2>as adults, which is just we knew how to make

0:17:10.920 --> 0:17:15.320
<v Speaker 2>our friends' parents not worry about us, not worry about

0:17:15.400 --> 0:17:20.760
<v Speaker 2>having their kids with us, to make them realize without

0:17:20.800 --> 0:17:24.159
<v Speaker 2>a doubt that we are safe to be around and kind,

0:17:24.320 --> 0:17:27.119
<v Speaker 2>and you know, like it was, you know, it was

0:17:27.200 --> 0:17:30.359
<v Speaker 2>just kind of a thing that you I knew innately,

0:17:30.440 --> 0:17:33.080
<v Speaker 2>but I didn't know intellectually, you know.

0:17:33.480 --> 0:17:36.040
<v Speaker 1>I mean I can identify with that only as I

0:17:36.320 --> 0:17:39.360
<v Speaker 1>always had to make myself relatable and that was through

0:17:39.440 --> 0:17:42.679
<v Speaker 1>hures and making fun of myself and then then I

0:17:42.800 --> 0:17:43.800
<v Speaker 1>was not a threat, you know.

0:17:43.880 --> 0:17:46.520
<v Speaker 2>I mean you're the example of that, because you were

0:17:46.800 --> 0:17:51.320
<v Speaker 2>this baby star and in order to make friends you

0:17:51.400 --> 0:17:53.680
<v Speaker 2>must have had to be like, no, I'm just goofy.

0:17:53.800 --> 0:17:56.680
<v Speaker 2>I'm just not you know, you know, to or even

0:17:56.720 --> 0:17:57.639
<v Speaker 2>to diminish.

0:17:57.320 --> 0:18:02.720
<v Speaker 1>Yourself completely completely. And I know that you're workshopping currently

0:18:03.080 --> 0:18:05.080
<v Speaker 1>the musical version of your memoir.

0:18:05.240 --> 0:18:10.680
<v Speaker 2>And we had a runoff Broadway last spring, and we've

0:18:10.720 --> 0:18:14.240
<v Speaker 2>done a workshop since, and then the plan is we're

0:18:14.280 --> 0:18:18.200
<v Speaker 2>gonna do an out of town run and then to Broadway.

0:18:18.480 --> 0:18:19.960
<v Speaker 1>Are you in it or just no?

0:18:20.720 --> 0:18:21.160
<v Speaker 2>In it?

0:18:21.160 --> 0:18:23.760
<v Speaker 1>It is so we don't get to hear your voice

0:18:23.800 --> 0:18:24.600
<v Speaker 1>eight times.

0:18:24.320 --> 0:18:29.159
<v Speaker 2>A week, well not your voice, not literally. But I

0:18:29.240 --> 0:18:32.240
<v Speaker 2>co wrote it, and I co wrote the book and

0:18:32.280 --> 0:18:36.960
<v Speaker 2>the lyrics with brilliant writers. But it's it's it's called

0:18:36.960 --> 0:18:41.080
<v Speaker 2>The Bedwetter. And I think some people who went without

0:18:41.119 --> 0:18:42.840
<v Speaker 2>knowing what it was just thought it was like the

0:18:42.920 --> 0:18:45.359
<v Speaker 2>whole book, or you know, the book covers like into

0:18:45.440 --> 0:18:48.360
<v Speaker 2>comedy and you know, from from birth to like you know,

0:18:48.720 --> 0:18:51.560
<v Speaker 2>by being a young comic. This is just the year

0:18:51.600 --> 0:18:57.040
<v Speaker 2>I'm ten. So there's this this tiny me and a

0:18:57.119 --> 0:18:59.920
<v Speaker 2>tiny one sister. I only have one sister in it.

0:19:00.160 --> 0:19:02.320
<v Speaker 2>I was like, I had to tell my other sisters,

0:19:02.320 --> 0:19:03.760
<v Speaker 2>I'm sorry, you don't exist.

0:19:03.400 --> 0:19:09.320
<v Speaker 1>In this amalgamation of service three sisters. Yeah, I know.

0:19:10.960 --> 0:19:18.960
<v Speaker 1>No Chekhov already did that. Have you gotten no offer?

0:19:19.040 --> 0:19:22.360
<v Speaker 1>You must have gotten offers to do Broadway shows or

0:19:22.680 --> 0:19:23.600
<v Speaker 1>come into shows.

0:19:23.720 --> 0:19:26.119
<v Speaker 2>I have and I'd love to, but it just hasn't

0:19:26.119 --> 0:19:27.240
<v Speaker 2>been the right Oh.

0:19:27.280 --> 0:19:28.440
<v Speaker 1>And it's grueling.

0:19:28.760 --> 0:19:31.320
<v Speaker 2>I mean it is, but I've not really loved that.

0:19:31.560 --> 0:19:33.720
<v Speaker 2>I mean, you know, I mean I my mom was

0:19:33.720 --> 0:19:36.639
<v Speaker 2>a theater director, and you know I love that. I mean,

0:19:36.880 --> 0:19:40.879
<v Speaker 2>not on Broadway in New Hampshire, but still.

0:19:48.640 --> 0:19:51.719
<v Speaker 1>It's funny. My daughter is, my younger one is looking

0:19:51.800 --> 0:19:54.880
<v Speaker 1>at colleges and she was looking at n y U.

0:19:55.560 --> 0:19:59.399
<v Speaker 1>And it was funny because I said, you know, I

0:19:59.440 --> 0:20:02.159
<v Speaker 1>was kind of not lobbying really, but just sort of

0:20:02.240 --> 0:20:04.520
<v Speaker 1>you know, the mom thing where one's already gone and

0:20:04.560 --> 0:20:06.920
<v Speaker 1>I'm like, how can I keep the other one close by?

0:20:07.400 --> 0:20:11.280
<v Speaker 1>Because I'm ameshed. But I was interested around that time

0:20:11.320 --> 0:20:13.960
<v Speaker 1>because you dropped out after a year. Yeah, did you

0:20:14.040 --> 0:20:14.440
<v Speaker 1>hate it?

0:20:14.760 --> 0:20:19.080
<v Speaker 2>I loved it, but I was I was working every

0:20:19.160 --> 0:20:23.720
<v Speaker 2>day from four pm to two am, passing out flyers

0:20:23.720 --> 0:20:26.679
<v Speaker 2>on the corner of McDougal and West Third, and I

0:20:26.840 --> 0:20:30.239
<v Speaker 2>was sleeping through my classes and it was torture. I

0:20:30.320 --> 0:20:33.000
<v Speaker 2>was like pinching myself awake. It reminded me of like

0:20:33.080 --> 0:20:36.200
<v Speaker 2>sleepovers as a kid, pinging myself awake to try to

0:20:36.359 --> 0:20:37.840
<v Speaker 2>so I wentn't went to bed, but I was just like,

0:20:38.240 --> 0:20:42.840
<v Speaker 2>I felt horrible and teachers going like, Sarah, are you

0:20:42.840 --> 0:20:45.560
<v Speaker 2>you know? Like I couldn't keep my eyes open. It

0:20:45.640 --> 0:20:47.800
<v Speaker 2>was horrible. And I was a drama major, which made

0:20:47.840 --> 0:20:51.560
<v Speaker 2>me feel so guilty because it's such an expensive school

0:20:51.840 --> 0:20:56.040
<v Speaker 2>to be a drama major, Like that's luxurious, you know.

0:20:56.280 --> 0:20:58.639
<v Speaker 2>So you know, I was passing out flyers for a

0:20:58.680 --> 0:21:02.160
<v Speaker 2>comedy club to get to be able to get time

0:21:02.240 --> 0:21:04.719
<v Speaker 2>on stage. So I pat I worked there and I

0:21:04.720 --> 0:21:06.800
<v Speaker 2>got paid ten dollars an hour, which was a lot.

0:21:07.359 --> 0:21:09.800
<v Speaker 2>So I was making one hundred bucks a day and

0:21:09.880 --> 0:21:14.840
<v Speaker 2>then getting on stage. But I was sleeping through school

0:21:15.000 --> 0:21:17.800
<v Speaker 2>and so I took a year off to focus on

0:21:17.880 --> 0:21:21.400
<v Speaker 2>stand up. My plan to go back was to change

0:21:21.440 --> 0:21:26.399
<v Speaker 2>from drama to arts and sciences because I wanted to

0:21:26.480 --> 0:21:31.440
<v Speaker 2>get knowledge, you know. So I signed up and then

0:21:31.560 --> 0:21:35.280
<v Speaker 2>like three weeks before I started my sophomore year, my

0:21:35.400 --> 0:21:39.600
<v Speaker 2>dad called and said, listen, if you drop out and

0:21:39.720 --> 0:21:42.280
<v Speaker 2>just focus on you know, what you want to do,

0:21:42.320 --> 0:21:46.359
<v Speaker 2>because I you know, I'll pay your rent for the

0:21:46.400 --> 0:21:49.280
<v Speaker 2>next three years as if it's your sophomore, junior, senior year.

0:21:50.119 --> 0:21:53.159
<v Speaker 2>And so I said, deal, he paid my rent and utilities.

0:21:53.720 --> 0:21:55.520
<v Speaker 1>But what was his end of the deal. Was it like,

0:21:55.600 --> 0:21:57.479
<v Speaker 1>but you got to hit it hard and really commit

0:21:57.520 --> 0:21:57.679
<v Speaker 1>to this.

0:21:57.880 --> 0:22:00.040
<v Speaker 2>Well that was I was. I mean, I know, I

0:22:00.359 --> 0:22:02.600
<v Speaker 2>went out with friends. I never every night, I was

0:22:02.640 --> 0:22:05.040
<v Speaker 2>at clubs trying to get on every single time. I mean,

0:22:05.040 --> 0:22:07.399
<v Speaker 2>it's all I wanted to do. Was that was like

0:22:07.960 --> 0:22:10.199
<v Speaker 2>not a commitment. He needed to press me on. I

0:22:10.280 --> 0:22:11.160
<v Speaker 2>was all in.

0:22:11.720 --> 0:22:14.280
<v Speaker 1>So you did that. What was the first what do

0:22:14.320 --> 0:22:19.600
<v Speaker 1>you view as the first sort of real achievement that

0:22:19.680 --> 0:22:21.720
<v Speaker 1>you made professionally?

0:22:21.840 --> 0:22:24.320
<v Speaker 2>Well, they're allways little ones, like passing at the comic

0:22:24.400 --> 0:22:27.320
<v Speaker 2>strip when I was nineteen, you know, and then I got,

0:22:27.480 --> 0:22:29.280
<v Speaker 2>you know, to sign up for I got to have

0:22:29.480 --> 0:22:32.240
<v Speaker 2>do paid spots. You know, there were ten dollars a spot,

0:22:32.400 --> 0:22:35.320
<v Speaker 2>you know. But and then I you know, I got

0:22:36.119 --> 0:22:38.440
<v Speaker 2>I became a writer at you know, by the time

0:22:38.480 --> 0:22:41.160
<v Speaker 2>I would have been a senior in college where the money,

0:22:41.160 --> 0:22:43.720
<v Speaker 2>you know, my dad stopped paying for my rent. I

0:22:43.760 --> 0:22:47.399
<v Speaker 2>actually got hired to write for Saturday Night Live, so

0:22:48.119 --> 0:22:53.199
<v Speaker 2>I supported myself since I was twenty two. And that

0:22:53.320 --> 0:22:55.000
<v Speaker 2>lasted a year, and then I got fired, and I

0:22:55.640 --> 0:22:59.600
<v Speaker 2>was shocked. You know, it never occurred to me. I'm

0:22:59.720 --> 0:23:02.040
<v Speaker 2>you know, I'm it never occurs to me. I'm going

0:23:02.080 --> 0:23:05.159
<v Speaker 2>to get fired. I've been fired many times. Never occurs

0:23:05.200 --> 0:23:06.959
<v Speaker 2>to me. It never occurs to me, like a boyfriend

0:23:07.000 --> 0:23:09.280
<v Speaker 2>would cheat on me. Never, And that's happened, you know

0:23:09.359 --> 0:23:12.200
<v Speaker 2>what I mean. But I kind of prefer living this way,

0:23:12.400 --> 0:23:15.560
<v Speaker 2>you know. But it's always a shock. It was always

0:23:15.560 --> 0:23:16.320
<v Speaker 2>a shock. You know.

0:23:17.080 --> 0:23:20.040
<v Speaker 1>Well, I call this show now What because it's about

0:23:20.080 --> 0:23:22.680
<v Speaker 1>those moments. They're not always bad. I mean sometimes they're

0:23:22.680 --> 0:23:25.880
<v Speaker 1>a good now what moment? But those are now what moments?

0:23:25.920 --> 0:23:29.800
<v Speaker 1>And how do you How did you internalize that and

0:23:30.640 --> 0:23:31.560
<v Speaker 1>continue for it?

0:23:31.560 --> 0:23:35.600
<v Speaker 2>Was like I'm I guess I'm not in show business anymore.

0:23:36.040 --> 0:23:39.199
<v Speaker 2>I'm just just like I was stunned. I remember just

0:23:39.240 --> 0:23:42.560
<v Speaker 2>thinking like, who am I without this? Which is interesting

0:23:42.600 --> 0:23:45.920
<v Speaker 2>because that kind of happened in the Double Strike too.

0:23:46.000 --> 0:23:48.439
<v Speaker 2>I think with a lot of people recently just like

0:23:49.480 --> 0:23:52.480
<v Speaker 2>who am I without this? And that's a scary question

0:23:52.520 --> 0:23:55.200
<v Speaker 2>and probably an important question, you know, because I still

0:23:55.200 --> 0:23:59.360
<v Speaker 2>feel like, I mean, if so. But what I realized

0:23:59.400 --> 0:24:02.239
<v Speaker 2>then was like, well, I'm a stand up, you know.

0:24:02.320 --> 0:24:04.399
<v Speaker 2>I just kept my head downe and did stand up,

0:24:04.440 --> 0:24:08.280
<v Speaker 2>which is you know something I'm very lucky can be

0:24:08.560 --> 0:24:09.880
<v Speaker 2>a constant in my life.

0:24:10.280 --> 0:24:14.880
<v Speaker 1>Were you surprised at how shocked people were by your comedy?

0:24:14.920 --> 0:24:15.439
<v Speaker 1>At first?

0:24:15.760 --> 0:24:19.800
<v Speaker 2>I was because in the household I grew up in,

0:24:21.640 --> 0:24:28.080
<v Speaker 2>the comedy was very dark and like hard, you know,

0:24:28.240 --> 0:24:32.119
<v Speaker 2>And so when people were shocked by me, there was

0:24:32.160 --> 0:24:34.440
<v Speaker 2>a little bit of like what who mey? But there

0:24:34.520 --> 0:24:37.240
<v Speaker 2>was some genuine what whomy about it? Like because I

0:24:37.400 --> 0:24:41.560
<v Speaker 2>just that really was my experience in my home.

0:24:41.920 --> 0:24:44.679
<v Speaker 1>Is there one thing that when you look back at

0:24:44.840 --> 0:24:49.120
<v Speaker 1>your comedy and also now that you're especially proud of.

0:24:50.000 --> 0:24:53.960
<v Speaker 2>Well, I think I'm proud of like, you know, I'm

0:24:54.000 --> 0:24:57.280
<v Speaker 2>proud of all of it. I'm cringey at a lot

0:24:57.320 --> 0:25:00.359
<v Speaker 2>of it, you know, I mean, you know, it's comedy

0:25:00.440 --> 0:25:04.679
<v Speaker 2>is not evergreens. I haven't seen my first special Jesus

0:25:04.680 --> 0:25:08.760
<v Speaker 2>is Magic, but I know that it's problematic on several

0:25:08.880 --> 0:25:14.000
<v Speaker 2>levels levels now. But I think I'm proud of the

0:25:14.119 --> 0:25:20.760
<v Speaker 2>changing and being brave enough to lose fans, you know,

0:25:20.840 --> 0:25:25.000
<v Speaker 2>to get new fans, to just be true to like

0:25:25.119 --> 0:25:28.320
<v Speaker 2>whatever I'm into in this moment, you know.

0:25:29.240 --> 0:25:31.200
<v Speaker 1>I mean, I think that that's the most important thing

0:25:31.240 --> 0:25:33.640
<v Speaker 1>is to be able to pivot. And I also think

0:25:33.680 --> 0:25:38.480
<v Speaker 1>that it's so interesting because most, I believe great comics

0:25:38.600 --> 0:25:41.760
<v Speaker 1>have to sort of be polarizing. I don't know if

0:25:42.119 --> 0:25:44.840
<v Speaker 1>I mean, if you're too vanilla down the center, it's

0:25:44.880 --> 0:25:49.159
<v Speaker 1>sort of I don't know. It doesn't comics.

0:25:48.800 --> 0:25:51.960
<v Speaker 2>Who are very you could say, like very clean or

0:25:52.040 --> 0:25:56.919
<v Speaker 2>very vanilla, that are brilliant because it's authentically them, you know,

0:25:57.119 --> 0:26:00.399
<v Speaker 2>I mean Seinfelder, Jim Gaffigan, or people who are like

0:26:00.800 --> 0:26:04.040
<v Speaker 2>very clean but brilliantly funny. I mean, there are a

0:26:04.040 --> 0:26:05.960
<v Speaker 2>lot of dirty comics that suck, you know, I mean

0:26:05.960 --> 0:26:08.320
<v Speaker 2>it's all you know. But but yeah, I mean there's

0:26:08.720 --> 0:26:09.960
<v Speaker 2>there's clear.

0:26:09.800 --> 0:26:12.800
<v Speaker 1>About what they're point. Yes, But I mean I think

0:26:12.840 --> 0:26:16.280
<v Speaker 1>that that's so those two things I think are always

0:26:16.400 --> 0:26:18.960
<v Speaker 1>very close. But I want to ask you the now

0:26:19.000 --> 0:26:24.280
<v Speaker 1>walk question again because I am so interested in those like,

0:26:24.359 --> 0:26:27.920
<v Speaker 1>oh fuck, now what do I do? And in our

0:26:27.960 --> 0:26:32.040
<v Speaker 1>personal lives and why some people go in one direction

0:26:32.160 --> 0:26:35.200
<v Speaker 1>and why other people you know, get stagnant or can't.

0:26:35.880 --> 0:26:39.520
<v Speaker 1>But it's and I understand the professional ones. Are there

0:26:39.560 --> 0:26:43.560
<v Speaker 1>any personal now what moments that stick out for you?

0:26:43.560 --> 0:26:48.399
<v Speaker 2>You know? I will say getting older as a woman,

0:26:48.520 --> 0:26:51.400
<v Speaker 2>and also as someone who like in my younger years,

0:26:51.480 --> 0:26:54.600
<v Speaker 2>I was like the kid and I was like, you know,

0:26:54.880 --> 0:27:01.480
<v Speaker 2>I used my sexual prowess as a you know, it

0:27:01.480 --> 0:27:05.159
<v Speaker 2>was a power. It was the power I had, and

0:27:05.280 --> 0:27:09.920
<v Speaker 2>you know that goes away when you're not like young

0:27:09.960 --> 0:27:14.520
<v Speaker 2>and dumb, and I had to learn all the other

0:27:14.560 --> 0:27:16.640
<v Speaker 2>parts of myself, you know what I mean.

0:27:17.320 --> 0:27:20.160
<v Speaker 1>Yeah, Well also it's I mean I used to see

0:27:20.200 --> 0:27:26.199
<v Speaker 1>you predominantly just at Gary's basketball games, and I remember

0:27:26.920 --> 0:27:32.800
<v Speaker 1>saying to Gary channeling our loved mutual friend who I

0:27:32.840 --> 0:27:37.199
<v Speaker 1>met through my husband, who has passed away. But I

0:27:37.240 --> 0:27:42.040
<v Speaker 1>remember saying to Gary. When Gary invited me, I said, like,

0:27:42.200 --> 0:27:46.960
<v Speaker 1>women don't go, and it was it was funny because

0:27:47.119 --> 0:27:50.000
<v Speaker 1>you were the only girl playing with them. And when

0:27:50.000 --> 0:27:54.240
<v Speaker 1>you when you started in comedy, it really and it

0:27:54.400 --> 0:27:57.199
<v Speaker 1>less so now I think, I mean, you tell me,

0:27:57.280 --> 0:27:58.760
<v Speaker 1>but was really a boys club?

0:27:59.160 --> 0:27:59.560
<v Speaker 2>It was?

0:27:59.640 --> 0:28:03.159
<v Speaker 1>It was boy How did you what personae did you

0:28:03.200 --> 0:28:08.119
<v Speaker 1>put on to be level with the boys? You know,

0:28:08.240 --> 0:28:10.840
<v Speaker 1>you were like alone.

0:28:10.080 --> 0:28:15.240
<v Speaker 2>When I first started stand up, the guys all told

0:28:15.320 --> 0:28:19.400
<v Speaker 2>me you have to talk about stuff that guys are

0:28:19.440 --> 0:28:22.520
<v Speaker 2>interested and you can't talk about like the female experience,

0:28:22.560 --> 0:28:24.720
<v Speaker 2>which I don't think they put that in that word,

0:28:24.800 --> 0:28:28.800
<v Speaker 2>those words even, and they explained they had a very

0:28:28.800 --> 0:28:31.800
<v Speaker 2>good reason. They said, because women are there on dates

0:28:31.880 --> 0:28:34.600
<v Speaker 2>and they will only laugh if their date laughs, So

0:28:34.680 --> 0:28:36.520
<v Speaker 2>you have to make the men laugh that it has

0:28:36.520 --> 0:28:40.600
<v Speaker 2>to be your priority. And I bought into it, I mean,

0:28:40.600 --> 0:28:42.880
<v Speaker 2>because they were grown ups in my mind, you know.

0:28:43.600 --> 0:28:46.840
<v Speaker 2>But at the time it was it was really all men.

0:28:46.920 --> 0:28:49.120
<v Speaker 2>It was very rare to see other women. Of course,

0:28:49.120 --> 0:28:51.080
<v Speaker 2>there were women who came before me, so many, but

0:28:51.680 --> 0:28:56.600
<v Speaker 2>on the ground it was very male. And but you know,

0:28:56.760 --> 0:29:00.800
<v Speaker 2>the thing I love about stand up, especially now, is

0:29:00.840 --> 0:29:04.440
<v Speaker 2>that it's it's so diverse. I mean it's it's so

0:29:04.680 --> 0:29:09.880
<v Speaker 2>diverse every kind of person. There's comics, and we're just

0:29:09.920 --> 0:29:12.360
<v Speaker 2>like this island of misfit toys. I always think of

0:29:12.400 --> 0:29:14.760
<v Speaker 2>it because it's like when you meet a comic, even

0:29:14.800 --> 0:29:17.840
<v Speaker 2>if you've never met them before, you're already like mishbooka.

0:29:18.080 --> 0:29:22.080
<v Speaker 1>You know, well, you always seem like you're someone who's

0:29:22.160 --> 0:29:26.960
<v Speaker 1>really open to growing and changing and being changed and

0:29:27.760 --> 0:29:32.720
<v Speaker 1>open to people and material and life. And if you

0:29:32.760 --> 0:29:35.560
<v Speaker 1>were to look back at your life, what would you

0:29:35.640 --> 0:29:37.080
<v Speaker 1>say Your through line.

0:29:37.360 --> 0:29:42.160
<v Speaker 2>Is give me an example, what do you mean? Okay,

0:29:42.600 --> 0:29:44.360
<v Speaker 2>the content totem.

0:29:44.960 --> 0:29:49.000
<v Speaker 1>Yeah, I mean mine is perseverance. So mine is like

0:29:49.080 --> 0:29:51.880
<v Speaker 1>every time I get knocked down, I get up again,

0:29:52.840 --> 0:29:55.920
<v Speaker 1>like that song, but it's like I'm I'm like that.

0:29:56.120 --> 0:29:56.960
<v Speaker 1>Ye just come of.

0:29:56.960 --> 0:29:59.600
<v Speaker 2>People tobble, but they don't fall down exactly.

0:30:00.200 --> 0:30:04.800
<v Speaker 1>So that for me would be my through line professionally beautiful.

0:30:06.280 --> 0:30:11.360
<v Speaker 2>I don't know. I think just evolving and being okay,

0:30:11.440 --> 0:30:14.600
<v Speaker 2>not knowing stuff, being okay with the stuff that is

0:30:14.760 --> 0:30:17.040
<v Speaker 2>just too big to comprehend.

0:30:21.120 --> 0:30:23.280
<v Speaker 1>That was Sarah Silverman. If you want to hear more

0:30:23.320 --> 0:30:27.280
<v Speaker 1>from her, go check out her latest special, Sarah Silverman

0:30:27.760 --> 0:30:32.240
<v Speaker 1>Someone You Love, streaming now on Max, or go listen

0:30:32.240 --> 0:30:37.480
<v Speaker 1>to the Sarah Silverman podcast on the iHeartRadio app or wherever.

0:30:36.920 --> 0:30:38.000
<v Speaker 2>You get your shows.

0:30:41.000 --> 0:30:44.360
<v Speaker 1>Now. What with Burke Shields is a production of iHeartRadio.

0:30:44.800 --> 0:30:48.680
<v Speaker 1>Our lead producer and wonderful showrunner is Julia Weaver. Additional

0:30:48.720 --> 0:30:53.200
<v Speaker 1>research and editing by Darby Masters and Abu Zafar. Our

0:30:53.240 --> 0:30:57.680
<v Speaker 1>executive producer is Christina Everett. The show is mixed by

0:30:57.760 --> 0:30:58.760
<v Speaker 1>Baheid Fraser.