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Speaker 1: No will now.

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Speaker 2: Remember you just to hit you with that with the

3
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Speaker 2: make shut up? Make me.

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Speaker 1: I love them, but make me shut up. Make me.

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Speaker 1: I'm a sucker for make me. We're recording this. Make

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Speaker 1: me on my way.

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Speaker 3: I'm on my way to make you right now, make me.

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Speaker 1: Oh man, you rid of your attitude. Make me.

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Speaker 2: We used to get some nasty ship off. Make me

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Speaker 2: was my upper teenage.

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Speaker 1: Because it's just mature for me.

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Speaker 4: It's exactly, it's not even mature.

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Speaker 1: It's just make me. All right, I'm on my way.

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Speaker 4: I've gotten to make me off before you said make

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Speaker 4: me said that to a girl?

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Speaker 1: Where is your fucking pride?

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Speaker 4: Because I'm doing it in a funny, sarcastic way to

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Speaker 4: get her to laugh.

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Speaker 1: But I'm seriously saying, hey, you can find.

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Speaker 3: Know that's why you're you want how to really make you?

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Speaker 1: Curtison, you still be making out.

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Speaker 4: With girls what she was pregnant. But my fucking go

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Speaker 4: to you. Yeah, like the fucking like the freshman danced makeout.

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Speaker 3: I'm talking about like like you just met them. Yeah

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Speaker 3: that's yes, yes, yes bad, that's a white boy. Be

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Speaker 3: sure y'all make out in the ball with chickshaw just met.

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Speaker 4: I mean, if should a dream of Festive, a girl

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Speaker 4: would have liked me, I would have done it over

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Speaker 4: the fucking j I D set, you know.

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Speaker 1: Making out over j I dirty sneakers. How could you not?

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Speaker 2: I'm sure there was a girl in that crowd.

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Speaker 4: Imagine just being the side stage and JID look over

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Speaker 4: and you just sucking face with a girl, Like what

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Speaker 4: are you doing? Like?

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Speaker 3: Just ain't even that type of like saint even that

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Speaker 3: wait for a set. Yeah, for those of you that

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Speaker 3: do not know, this is the new Rory Mall Show.

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Speaker 1: This is Rory.

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Speaker 3: I am all welcome to another experience of this your

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Speaker 3: first time. This ship gets out of hand quick, but

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Speaker 3: it's okay. We find the trail and we end where

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Speaker 3: we want to end. Eventually we get to our destinations

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Speaker 3: and gay and I'm not. I'm not gay love gay people.

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Speaker 3: He was fine, It'd be totally fine, but I'm just

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Speaker 3: not gay.

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Speaker 2: Oh how was Dreamville fest?

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Speaker 4: It was great?

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Speaker 1: It was great.

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Speaker 4: I had some work to do, but I did have fun.

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Speaker 4: I did really enjoy it. I think I industried pretty

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Speaker 4: well good. I definitely industry pretty well. It was peak

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Speaker 4: small talk, but all small talk had some type of

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Speaker 4: purpose and some type of substance and didn't end with yeah,

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Speaker 4: hit hit me, man, let's work.

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Speaker 3: I'm not mad at small talk if it actually leads

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Speaker 3: to something. Yeah, you know what I mean, and small

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Speaker 3: talk with what the right people is necessary in the moment.

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Speaker 4: You know why it was Dreamville was cool and not

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Speaker 4: industry outside of that crew, just not being industry. It's

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Speaker 4: in North Carolina. If you look at the lineup too,

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Speaker 4: you have to actually give a fuck about music, whether

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Speaker 4: you work in the business or not to fly to Raleigh,

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Speaker 4: North Carolina for that specific lineup, like it's a different

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Speaker 4: type of crowd, even in the backstage industry small talk world.

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Speaker 3: I entertained the thought of coming down there for about

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Speaker 3: thirty minutes, and I checked flights, I was checking hotels,

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Speaker 3: and then I was like, do I really want to

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Speaker 3: go to Raleigh right now?

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Speaker 1: Like last minute, pack a bag, catch a flight.

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Speaker 4: I had your credentials ready, artist, I know everything.

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Speaker 3: I know, everything was you know, set up and ready

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Speaker 3: once I arrived, But it was just it was just

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Speaker 3: everything leading up to like actually leaving and heading to

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Speaker 3: the Yeah, it was like they.

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Speaker 4: Did a shop a party like you. I think you

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Speaker 4: would have a good.

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Speaker 3: Time no, I'm pretty sure I would have, but its

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Speaker 3: just I should have been more.

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Speaker 4: Prepared and it was a bunch of women that like lyrics.

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Speaker 1: Yeah, no, I'm not.

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Speaker 3: I saw a lot of it. I saw a lot

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Speaker 3: of videos from down there. The lineup was dope. Uh

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Speaker 3: I saw your video?

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Speaker 1: So Wayne was there. I thought that was pretty dope.

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Speaker 4: The goat, Yeah, fath could never your faith, could never

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Speaker 4: do Sky's the Limit at a festival because it's his song.

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Speaker 3: Yeah it's not, it's not his record, but okay, I

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Speaker 3: get it. But that was dope to see Wayne Wayne

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Speaker 3: there that that that's like a real, real uh iconic

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Speaker 3: you know, it's it's not many artists that are as

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Speaker 3: respected and and golded as Wayne. And we'll get to

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Speaker 3: him to still fuck with the festival, j Cole, you

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Speaker 3: know that that that that shows his his love and

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Speaker 3: respect for dreamvill.

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Speaker 4: Love and respect for for Drama because it was a

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Speaker 4: gangster grill set with him, T I and g Z.

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Speaker 4: And we'll get to the Greening Ship on that put

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Speaker 4: drama putting together that set at a festival and rally.

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Speaker 1: It's not like the ship was in La. It was

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Speaker 1: like a Miami ship where people love to go anywhere.

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Speaker 4: Like Jez be like, I'll bring my wife, It'll be

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Speaker 4: right here, like it's it's in a location that is

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Speaker 4: not so appealing. And then to win a Grammy for

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Speaker 4: a Gangster Grills album with Tyler Creator while you're on

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Speaker 4: stage with Wayne Ti and Gez to celebrate Gangster Grills.

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Speaker 1: I thought it was like the illest moment ever. Yeah.

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Speaker 4: I don't know why, like more people aren't talking about that.

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Speaker 1: That's nut. Yeah. I thought that was pretty dope to

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Speaker 1: see that.

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Speaker 3: That was like, okay, uh, Dreamville, is they really like,

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Speaker 3: are really doing this festival shit.

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Speaker 1: The right way? Yeah? But it was. It was a

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Speaker 1: really good time and they put out an album. The album

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Speaker 1: is dope.

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Speaker 4: Yeah, can I be phony?

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Speaker 1: You got thirty seconds? Okay, because of.

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Speaker 4: Course I was chumming it up, hugging everyone else. So

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Speaker 4: good to see Oh yeah, all on my favorite label.

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Speaker 1: H hate myself, you gotta do that.

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Speaker 4: I like the Gangster Grills Dreamville stuff, but a lot

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Speaker 4: of it did kind of feel like, oh, maybe some

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Speaker 4: of these are extras from when they did that Wild Rap.

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Speaker 1: Camp in Atlanta and invited everybody.

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Speaker 4: Some of it felt like it was there. Yeah, I

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Speaker 4: mean I could like tell the difference between like the

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Speaker 4: Boston ferg record. I'm like, oh, yeah, they just did this,

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Speaker 4: this feel new and some of the other stuff is

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Speaker 4: like all right, this was on a hard drive. They's

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Speaker 4: not mad at I love that they did it around

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Speaker 4: the festival and drama like it. The idea was ill

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Speaker 4: and they probably put it together pretty quickly, so I'm

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Speaker 4: there's gonna be throways.

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Speaker 3: I think it seems it's starting to just over this

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Speaker 3: project and you know, other things that they've been doing

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Speaker 3: leading up to Dreamville Fest. It seems like they're now

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Speaker 3: like pushing Boss a little more, like they're starting to

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Speaker 3: put the light on him.

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Speaker 1: Like it's his turn now.

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Speaker 4: Yeah, and definitely Cole is given the support music wise

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Speaker 4: with that because I think that that Jackie record it

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Speaker 4: works well in New York. I didn't really travel to

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Speaker 4: go to parties to hear it anywhere else, but in

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Speaker 4: New York that shit worked him. Cole and TJ Yeah

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Speaker 4: yeah know, but I really fuck the Boss and they had.

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Speaker 4: He was all over Cole's album, singing and shit sounding

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Speaker 4: like fucking James Sponsor Roy.

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Speaker 3: I was like, what, like this, he's super talented, It's

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Speaker 3: might be super talented artist. So I like the fact

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Speaker 3: that it does look and feel like they're pushing him

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Speaker 3: like more into the spotlight.

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Speaker 2: Now.

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Speaker 4: It's it's funny to watch Dreamville being in North Carolina.

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Speaker 4: Of course, I know Cole is from there, but all

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Speaker 4: a Dreamville is really j Cole and the Borough of Queens. Yeah,

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Speaker 4: the Dreamville had every hotel lobby looking like the Coliseum

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Speaker 4: block I was running. I was like, this is hysterical.

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Speaker 4: Like everyone in Roy know was confused as fucking like wait, Dreamville,

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Speaker 4: likein't they from Fayetteville or some ship's like nah dog,

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Speaker 4: everybody went to Saint John's.

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Speaker 3: Cole Cole obviously went to school. He went to Saint

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Speaker 3: John's out and Queens. He spent a lot of his

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Speaker 3: time here in New York City, a lot of his

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Speaker 3: friends and his cruise staff.

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Speaker 4: I mean, his manager in the President dream Yeah from Jamaica.

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Speaker 4: But yeah, I had a really good time, got some

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Speaker 4: work done, made some music, slept on Fante's floor.

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Speaker 3: It's fun, as you should, That's what the festival is

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Speaker 3: all about. You got to sleep on the floor.

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Speaker 1: Fuck Hotel Tonight, Fuck Hotel Tonight.

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Speaker 3: Listen, well is that Hotel Tonight was like yeah, but

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Speaker 3: you're kind of crazy for going to like somewhere where

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Speaker 3: it's a festival in a small like city.

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Speaker 1: You're trying to like find your luck on hotel.

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Speaker 4: No, Hotel Tonight. Now you can book in advance. I

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Speaker 4: booked it a week in advance for a hotel.

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Speaker 1: Right, Oh okay, this is different.

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Speaker 4: And I'm on level I'm such a home I'm on.

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Speaker 1: Like level thirty. Yeah, you're a platinum member for sure.

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Speaker 4: So I get there and they're like, oh, yeah, we

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Speaker 4: told Hotel Tonight like a week ago that there was

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Speaker 4: no rooms and we canceled your reservation, like you don't.

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Speaker 1: Have a room. And I'm like what, no dog?

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Speaker 4: And I took a six am flight. I get to

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Speaker 4: the shit at eight am.

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Speaker 1: I hadn't slept.

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Speaker 4: I was like, cool, I get some hours and just

187
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Speaker 4: lay the fuck down before I go to this festival.

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Speaker 4: They're like, I mean you could wait in the lobby,

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Speaker 4: so you had to wait for a room, so you know,

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Speaker 4: squeak Wheel gets the grease and I got on my

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Speaker 4: care and shit and everything. So they're like, we can

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Speaker 4: get you a room for tomorrow night, but tonight there's.

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Speaker 1: Literally no rooms at all.

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Speaker 4: But we'll honor your reservation and you don't have to

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Speaker 4: pay for shit, because clearly its fucked up. You just

196
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Speaker 4: landed in a city and you don't have a place

197
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Speaker 4: to go, and it's a festival where every last.

198
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Speaker 1: Hotel is sold out.

199
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Speaker 4: So I'm like, I bet I thug it out and

200
00:09:00,080 --> 00:09:02,200
Speaker 4: try to find some random ship. Like, oh, there's something

201
00:09:02,240 --> 00:09:05,040
Speaker 4: right next door. I was like, all right, cool, they

202
00:09:05,080 --> 00:09:07,160
Speaker 4: didn't tell me it was a fucking actual crackhouse.

203
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Speaker 1: Mm hmmm, they have you in the track.

204
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Speaker 4: They sent me to. They sent me to Extended Stays

205
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Speaker 4: of America.

206
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Speaker 3: Oh yeah, those are those were the deals go down

207
00:09:18,040 --> 00:09:21,280
Speaker 3: at all the truck here, the they trade off the dope,

208
00:09:21,280 --> 00:09:22,199
Speaker 3: they dropped the cargo.

209
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Speaker 4: If it thy extended, it's hourly hookers in that bitch.

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Speaker 1: Absolutely.

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Speaker 4: I got my fucking keys. And they sent me to

212
00:09:28,840 --> 00:09:30,480
Speaker 4: like the back one. It wasn't even like the one

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Speaker 4: in the front.

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Speaker 1: No, no, no, your room is in the back.

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Speaker 4: It smelt like actual human ship when I got over

216
00:09:35,280 --> 00:09:38,560
Speaker 4: there and I was like, okay, somebody's just shipp here. Yeah,

217
00:09:38,600 --> 00:09:40,280
Speaker 4: I'm on the second floor ship and I get to

218
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Speaker 4: the staircase. Of course there's an empty shopping cart there.

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Speaker 1: Why wouldn't there be It has to be.

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Speaker 4: I get into that room when that I say that

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Speaker 4: ship smelled like cigarettes and latex. I was like, bro,

222
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Speaker 4: I will I will sleep on the festival rounds. I'm

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Speaker 4: gonna sleep in jar Rose trailer.

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Speaker 3: That's the smell of them wrapping the bricks, you know

225
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Speaker 3: in the rooms you're smelling.

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Speaker 4: Yeah, for sure, I was thinking condoms. But you know,

227
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Speaker 4: I figured you were there.

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Speaker 5: No.

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Speaker 4: I was like, well, MA must have stayed this room.

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Speaker 1: Whenever you smell latext, that was my room.

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Speaker 4: Smelling late text and thinking of mall was fucking terical

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Speaker 4: in its own right, Like why are you thinking about

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Speaker 4: me when you smell latex?

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Speaker 1: Oh that's funny. So you had to stay in there extended,

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Speaker 1: stayed for a.

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Speaker 4: Night and thank God already bless her fucking soul. Let

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Speaker 4: me put all my stuff in her room. And I

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Speaker 4: ended up just going to Fonte's to work on ship

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Speaker 4: and stayed.

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Speaker 1: Up all night.

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Speaker 4: So it's like, yeah, I didn't even need this crackhead room.

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Speaker 1: That's part of but that's you know.

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Speaker 2: Did you get your money, Mack?

244
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Speaker 1: Yeah?

245
00:10:40,760 --> 00:10:43,400
Speaker 4: I got refund of everything, but what else good?

246
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Speaker 3: I mean, at least you didn't pay for that experience

247
00:10:46,160 --> 00:10:49,800
Speaker 3: that was on the house. My man, that's a terrible

248
00:10:49,840 --> 00:10:51,360
Speaker 3: crackhouse experience was on the house.

249
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Speaker 4: My mans Kyle prime Son, he lives in North Carolina,

250
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Speaker 4: so he put up on me in the first day.

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Speaker 4: He's like, I'm gonna put I'm gonna park at your hotel,

252
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Speaker 4: just so you know, there's never been part at the festival.

253
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Speaker 1: I dropped him a pin. He pulls back.

254
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Speaker 4: He said, my shit will be on cylinder blocks.

255
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Speaker 5: I leave my car.

256
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Speaker 2: You can't.

257
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Speaker 3: You can't park at those type of motels. And no, no, no, no,

258
00:11:11,400 --> 00:11:13,200
Speaker 3: you gotta take your ship to a more like well

259
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Speaker 3: lit area, more traffic, foot traffic like extended stays. Is

260
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Speaker 3: too dark back there's nobody's really going over there. Niggas

261
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Speaker 3: is looking out their window like, oh, this car been

262
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Speaker 3: here for eight hours. There's time to go get that.

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Speaker 4: So next door to the nice hotel the second day,

264
00:11:28,600 --> 00:11:30,319
Speaker 4: they had like just some Caribbean spot and you know

265
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Speaker 4: North Carolina camp walk anywhere, And I was like, all right,

266
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Speaker 4: that's the one thing I can walk.

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Speaker 1: To to get food.

268
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Speaker 4: So I sat down the'sd that picture on Twitter and

269
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Speaker 4: all that shit happened. But that's not what I talk

270
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Speaker 4: about this large, large, fucking gentleman sits next to me.

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Speaker 1: He's like, this spot taken. I'm like, no, go ahead.

272
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Speaker 1: He's like, I followed a girl in here, man, and

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Speaker 1: I lost her.

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Speaker 4: I'm like, it's a pretty big restaurant, but you just

275
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Speaker 4: followed the girl into this rest He's like, yeah, he

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Speaker 4: ordered the fucking margarita just to kill time to see

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Speaker 4: if she'd like come out of the bathroom some She's like, man,

278
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Speaker 4: she's the one bro like, I could just tell, So

279
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Speaker 4: I followed her in here. I was like, what if

280
00:12:03,480 --> 00:12:07,000
Speaker 4: she was going to meet like her husband, Like did

281
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Speaker 4: you do any research? He's like no, That's why I

282
00:12:08,440 --> 00:12:11,160
Speaker 4: came in here. And we ended up having just a funny,

283
00:12:11,320 --> 00:12:15,079
Speaker 4: deep conversation about soulmates and all that other bullshit. And

284
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Speaker 4: I'm on stage for the Gangster Grill shit and TI

285
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Speaker 4: is about to come on and I feel this fucking

286
00:12:22,840 --> 00:12:24,680
Speaker 4: big ass dude like over me.

287
00:12:24,760 --> 00:12:25,760
Speaker 1: You know, you just feel.

288
00:12:25,480 --> 00:12:28,720
Speaker 4: Somebody and he tapped me and I turned around. He smiled,

289
00:12:28,800 --> 00:12:32,040
Speaker 4: I'm like, oh, your t I's bodyguards from the restaurant.

290
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Speaker 3: Only you would meet a guy that stalked the woman

291
00:12:37,559 --> 00:12:41,480
Speaker 3: into a restaurant had a great conversation with him about

292
00:12:41,520 --> 00:12:45,880
Speaker 3: life and the emotions over Margarita, and then come to

293
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Speaker 3: find out he's doing security for the guy that invented

294
00:12:50,120 --> 00:12:50,839
Speaker 3: the word trap.

295
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Speaker 1: Only you, this is only the experience.

296
00:12:55,040 --> 00:12:57,000
Speaker 4: That you now no longer use his four letter words.

297
00:12:57,080 --> 00:12:58,719
Speaker 4: You're only sixteen letter words.

298
00:13:00,080 --> 00:13:03,280
Speaker 3: This is only documently the only person that had this

299
00:13:03,320 --> 00:13:04,680
Speaker 3: type of experience at Dreamville.

300
00:13:04,720 --> 00:13:07,000
Speaker 4: But he because I thought it was creepy when he

301
00:13:07,000 --> 00:13:08,560
Speaker 4: originally said, like I filed a woman in here. Then

302
00:13:08,559 --> 00:13:10,600
Speaker 4: I got to know him and he was like, really

303
00:13:10,640 --> 00:13:12,800
Speaker 4: just looking for love. He wasn't creepy, even though it

304
00:13:12,840 --> 00:13:14,280
Speaker 4: sounded that way, Like we had a nice music.

305
00:13:14,360 --> 00:13:16,679
Speaker 3: Oh all right, So my question is who was securing

306
00:13:16,760 --> 00:13:20,679
Speaker 3: TI when he was stalking this young lady over Margarita?

307
00:13:20,720 --> 00:13:21,400
Speaker 1: Like where was t I?

308
00:13:21,559 --> 00:13:23,520
Speaker 4: But here's the thing. We had such a good conversation

309
00:13:23,679 --> 00:13:29,920
Speaker 4: over Savvion Blanc and Margarita's and fucking drama was playing

310
00:13:30,000 --> 00:13:31,760
Speaker 4: music in the background and see him and we hugged.

311
00:13:31,840 --> 00:13:34,920
Speaker 4: It was like, oh shit, shot, maybe we were the

312
00:13:34,960 --> 00:13:38,400
Speaker 4: song mates. Maybe maybe maybe he was looking for me?

313
00:13:41,559 --> 00:13:42,679
Speaker 1: Yeah, what's wrong with you? Man?

314
00:13:42,920 --> 00:13:44,679
Speaker 4: It was I felt it was a bit I felt

315
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Speaker 4: safe in his arms.

316
00:13:45,559 --> 00:13:47,280
Speaker 1: No, well, I'm glad you felt safe.

317
00:13:47,320 --> 00:13:50,360
Speaker 3: I'm glad that he brought some sunshine to your uh,

318
00:13:50,880 --> 00:13:54,000
Speaker 3: which started off as a terrible experience for you.

319
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Speaker 1: And it seems like you and this uh did you

320
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Speaker 1: get his name? What is the now? I want to

321
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Speaker 1: just call him the bodyguard.

322
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Speaker 4: It's funny. I was gonna ask his name, but I

323
00:14:00,600 --> 00:14:02,160
Speaker 4: was like, maybe it's better off that I just never know.

324
00:14:02,440 --> 00:14:04,319
Speaker 1: Yeah, because sometimes that's how you find true love. You

325
00:14:04,320 --> 00:14:07,000
Speaker 1: don't ask for the name. You just enjoy the experience

326
00:14:07,000 --> 00:14:07,520
Speaker 1: in the moment.

327
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Speaker 4: And it's a weird observation.

328
00:14:09,720 --> 00:14:10,480
Speaker 1: You're gonna judge me.

329
00:14:10,559 --> 00:14:14,920
Speaker 4: I totally understand now why women love like tall guys

330
00:14:14,960 --> 00:14:17,600
Speaker 4: that are big. I felt so safe in his arms.

331
00:14:17,640 --> 00:14:20,360
Speaker 4: I unders now understand why women go to that.

332
00:14:20,440 --> 00:14:22,560
Speaker 3: Yeah, I mean he probably felt that you needed a

333
00:14:22,600 --> 00:14:25,360
Speaker 3: comforter and yeah, you know, some type of security in

334
00:14:25,400 --> 00:14:27,960
Speaker 3: your life at the moment. Maybe God just put him,

335
00:14:28,040 --> 00:14:30,360
Speaker 3: you know, maybe that was an angel he followed into

336
00:14:30,400 --> 00:14:34,520
Speaker 3: the restaurant, and then he found an angel that needed somebody,

337
00:14:34,640 --> 00:14:35,960
Speaker 3: a soul that needed more healing.

338
00:14:36,040 --> 00:14:38,440
Speaker 4: He wasn't projecting. Maybe he was just trying to tell

339
00:14:38,440 --> 00:14:39,160
Speaker 4: me about my inn or.

340
00:14:39,160 --> 00:14:42,640
Speaker 3: So yeah, and that for man, I'm glad you experienced that,

341
00:14:42,640 --> 00:14:45,560
Speaker 3: that that love and that affection from a random six

342
00:14:45,840 --> 00:14:47,120
Speaker 3: seven black man.

343
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Speaker 4: But then I sat there when he left, I was like, damn,

344
00:14:50,080 --> 00:14:52,920
Speaker 4: I didn't come in here for love. I just came

345
00:14:52,920 --> 00:14:55,800
Speaker 4: in here for some jerk chicken and some wine. Like

346
00:14:55,840 --> 00:14:57,760
Speaker 4: maybe I'm an empty person. Maybe I should have had

347
00:14:57,800 --> 00:14:59,840
Speaker 4: purpose in going into this. So then I hit on

348
00:14:59,840 --> 00:15:00,880
Speaker 4: the our tender would didn't worked?

349
00:15:00,920 --> 00:15:06,960
Speaker 1: Did y'all perform? He performed? Yeah, And that was you know,

350
00:15:07,080 --> 00:15:09,440
Speaker 1: I want to say, of course we give Ashanti her

351
00:15:09,520 --> 00:15:11,000
Speaker 1: Her t paint had a great set to by the

352
00:15:11,000 --> 00:15:12,680
Speaker 1: way I watched it on the TV thing.

353
00:15:12,840 --> 00:15:14,880
Speaker 4: I wasn't at the actual festival at that time because

354
00:15:14,920 --> 00:15:20,120
Speaker 4: we're shooting with drama. But Ashanti, when she first came out,

355
00:15:20,120 --> 00:15:21,800
Speaker 4: it was always kind of like through, Oh she's dope,

356
00:15:21,800 --> 00:15:24,880
Speaker 4: but she she's not like a vocalist. She can't She

357
00:15:24,960 --> 00:15:28,120
Speaker 4: can sing, but she can't like sing sing from that era,

358
00:15:30,360 --> 00:15:35,240
Speaker 4: watching her perform in twenty twenty two, I'm like, these

359
00:15:35,880 --> 00:15:40,240
Speaker 4: young whispering chicks can't hold a fucking candle to Ashanti's vocals.

360
00:15:40,560 --> 00:15:41,280
Speaker 1: Like we were wrong.

361
00:15:42,000 --> 00:15:43,840
Speaker 4: She was just in an era where everyone was fucking

362
00:15:44,360 --> 00:15:46,320
Speaker 4: like singing, singing, singing type shit.

363
00:15:46,400 --> 00:15:49,680
Speaker 1: Well, yeah, and it would be is her vocals.

364
00:15:49,440 --> 00:15:51,680
Speaker 4: Compared to this new era R and B, which I love.

365
00:15:52,560 --> 00:15:54,120
Speaker 4: Ashanti is smoking these hoes.

366
00:15:54,520 --> 00:15:58,680
Speaker 3: Well, back in the early two thousands, the hip hop

367
00:15:59,360 --> 00:16:01,520
Speaker 3: with the you know the pretty girl in the hook,

368
00:16:01,520 --> 00:16:04,280
Speaker 3: that was like the cheat code, but it wasn't really

369
00:16:05,360 --> 00:16:09,920
Speaker 3: for a vocal like performance. It was more so just

370
00:16:09,920 --> 00:16:12,480
Speaker 3: the melody the look with the video have.

371
00:16:12,440 --> 00:16:15,120
Speaker 1: A pretty girl Sarren Howard.

372
00:16:15,520 --> 00:16:17,000
Speaker 3: Yeah, you know what I mean, Like it was like,

373
00:16:17,160 --> 00:16:19,920
Speaker 3: just have like a pretty girl that has a nice voice.

374
00:16:20,960 --> 00:16:22,600
Speaker 4: It's biggie sample and we're out of here.

375
00:16:22,760 --> 00:16:25,880
Speaker 1: That's it. It's a cheat code. You know. I'm still

376
00:16:25,880 --> 00:16:28,840
Speaker 1: one of the greatest records of my Shanty and jar

377
00:16:29,000 --> 00:16:34,640
Speaker 1: rule as they've displayed on versus. They have a they

378
00:16:34,680 --> 00:16:36,440
Speaker 1: have a very very extensive catalog.

379
00:16:36,520 --> 00:16:40,320
Speaker 3: Yeah, and they are legends by not It's not an accident.

380
00:16:40,480 --> 00:16:43,040
Speaker 3: I mean, like they deserve to be legends in the game.

381
00:16:44,120 --> 00:16:45,720
Speaker 3: Who else was there as far as like any other

382
00:16:45,760 --> 00:16:47,800
Speaker 3: guests that we might not have know.

383
00:16:48,040 --> 00:16:51,960
Speaker 4: That was random? Not really, I mean, the the lineup

384
00:16:52,000 --> 00:16:54,080
Speaker 4: in itself was already great, so yeah, I don't remember

385
00:16:54,120 --> 00:16:57,440
Speaker 4: any pop up ship in that regard, but it was

386
00:16:57,960 --> 00:16:59,720
Speaker 4: a shout out to call again because for his set,

387
00:17:00,080 --> 00:17:02,520
Speaker 4: brought out every last person on Dreamville and got that

388
00:17:02,560 --> 00:17:04,679
Speaker 4: look on the main stage. But it was on it

389
00:17:04,800 --> 00:17:07,639
Speaker 4: or not and they all did rapper hands together. It

390
00:17:07,760 --> 00:17:10,240
Speaker 4: was beautiful, even even are he was up there giving

391
00:17:10,320 --> 00:17:12,879
Speaker 4: rapper hands. I'll shoying a coature after IM like, no,

392
00:17:13,000 --> 00:17:14,760
Speaker 4: you can't especially gonna be next to Earth Game.

393
00:17:14,800 --> 00:17:17,240
Speaker 1: You gotta be like, maybe get one of these. Yeah,

394
00:17:17,440 --> 00:17:19,640
Speaker 1: you gotta from side to side a couple.

395
00:17:19,480 --> 00:17:22,200
Speaker 4: Of She just like did she get us sat?

396
00:17:22,680 --> 00:17:23,840
Speaker 1: Yeah? She was on the main stage. She was.

397
00:17:24,040 --> 00:17:26,480
Speaker 4: She went on right before Cole and her set was

398
00:17:26,600 --> 00:17:28,840
Speaker 4: incredible and her she has an all female band.

399
00:17:28,760 --> 00:17:29,840
Speaker 1: Like that's fire.

400
00:17:30,280 --> 00:17:32,200
Speaker 4: Yeah that It was just a good festival.

401
00:17:32,240 --> 00:17:34,040
Speaker 1: Man. I'm gonna make sure I go next year. I'm

402
00:17:34,080 --> 00:17:34,520
Speaker 1: a plumber.

403
00:17:34,560 --> 00:17:36,320
Speaker 3: Definitely make sure I plan to go next year because

404
00:17:36,320 --> 00:17:38,560
Speaker 3: I do want to experience it. I love what Jay

405
00:17:38,560 --> 00:17:44,040
Speaker 3: Cole is doing. He's like the humble superstar who looks

406
00:17:44,080 --> 00:17:44,919
Speaker 3: like every day.

407
00:17:44,880 --> 00:17:45,560
Speaker 1: Is laundry day.

408
00:17:45,560 --> 00:17:47,680
Speaker 3: I love it, you know what I mean, Like that's

409
00:17:47,680 --> 00:17:49,280
Speaker 3: how I want to do it. Like I don't want

410
00:17:49,280 --> 00:17:51,040
Speaker 3: to get dressed up and all this ship, like I

411
00:17:51,040 --> 00:17:54,040
Speaker 3: want to be comfortable surrounded by my crew, people that

412
00:17:54,080 --> 00:17:56,879
Speaker 3: I fuck with, that I love, that I support, and

413
00:17:57,000 --> 00:17:57,679
Speaker 3: just getting.

414
00:17:57,440 --> 00:17:59,040
Speaker 1: To the bag. Yeah you know what I mean.

415
00:17:59,040 --> 00:18:00,600
Speaker 3: So yeah, i'mna make sure I go next year. Shout

416
00:18:00,600 --> 00:18:03,400
Speaker 3: out to Raleigh, North Carolina. Shout out to Dreamville, all

417
00:18:03,400 --> 00:18:05,159
Speaker 3: of the artists that touched the stage, Shout out to

418
00:18:05,200 --> 00:18:06,600
Speaker 3: all the people that supported the event.

419
00:18:06,720 --> 00:18:10,000
Speaker 1: The festival sounds like it was another win. That was

420
00:18:10,000 --> 00:18:12,800
Speaker 1: a great, great weekend for sure. And I don't think.

421
00:18:13,080 --> 00:18:14,520
Speaker 4: I don't want to make this like a fucking cold

422
00:18:14,560 --> 00:18:15,760
Speaker 4: dick writing segment.

423
00:18:16,000 --> 00:18:19,520
Speaker 2: I loved dick writing, but if you from an.

424
00:18:19,400 --> 00:18:21,399
Speaker 1: Execs stable, I just iagnored it.

425
00:18:21,440 --> 00:18:23,639
Speaker 4: I knowed it. He's married with children.

426
00:18:24,160 --> 00:18:26,880
Speaker 2: I didn't mean literally, I like I like colds music.

427
00:18:26,920 --> 00:18:30,280
Speaker 2: I'm a cold fan. You was talking about Wis Kalifa's

428
00:18:30,280 --> 00:18:31,840
Speaker 2: dick print, but I can't ride dick.

429
00:18:32,000 --> 00:18:34,040
Speaker 3: I wasn't talk see this enough. Y'all be trying to

430
00:18:34,040 --> 00:18:36,960
Speaker 3: make me gay so bad in the edits, I'm not gay.

431
00:18:37,119 --> 00:18:39,320
Speaker 4: She didn't, she didn't spend a narrative. That's really what happened.

432
00:18:40,040 --> 00:18:43,080
Speaker 3: I said that Wiz Khalifa was posting videos of him

433
00:18:43,080 --> 00:18:46,080
Speaker 3: working out showing his dick print. I'm reporting what's happening

434
00:18:47,240 --> 00:18:51,320
Speaker 3: that that doesn't make me gay. I'm reporting with Wis

435
00:18:51,359 --> 00:18:52,960
Speaker 3: Khalifa is doing on his days off.

436
00:18:53,000 --> 00:18:57,800
Speaker 4: Okay, but the things you choose to report follow him?

437
00:18:57,840 --> 00:18:59,159
Speaker 1: What do you want me to do? It's all my

438
00:18:59,240 --> 00:19:00,080
Speaker 1: time people.

439
00:18:59,840 --> 00:19:02,000
Speaker 4: You shoes to follow and the contant.

440
00:19:02,080 --> 00:19:03,960
Speaker 1: He is a great artist. Who you want me to house?

441
00:19:04,720 --> 00:19:07,520
Speaker 1: Did you see his not that dream Ville?

442
00:19:07,680 --> 00:19:08,480
Speaker 2: Yeah?

443
00:19:08,600 --> 00:19:09,520
Speaker 1: That was, Yes, it was.

444
00:19:09,560 --> 00:19:10,120
Speaker 2: He performed.

445
00:19:10,600 --> 00:19:12,600
Speaker 1: Shit, I didn't know that. That's what I'm saying. Come on,

446
00:19:12,680 --> 00:19:13,720
Speaker 1: ro you're not reporting the ship.

447
00:19:13,760 --> 00:19:17,680
Speaker 4: I was trying to kid, that's what the hoes were.

448
00:19:17,760 --> 00:19:19,000
Speaker 1: Oh yeah, so it was some It was some ship

449
00:19:19,080 --> 00:19:19,760
Speaker 1: going on down there.

450
00:19:19,840 --> 00:19:22,639
Speaker 4: Damn whis was Yeah? Wiley said it was great.

451
00:19:23,480 --> 00:19:25,480
Speaker 1: Yeah, it was really good. I gotta I heard. I

452
00:19:25,520 --> 00:19:25,800
Speaker 1: heard it.

453
00:19:25,840 --> 00:19:28,639
Speaker 3: I heard his excuse for being late. Somebody called me

454
00:19:28,680 --> 00:19:30,159
Speaker 3: and was like, yo, listen, I love while A, but

455
00:19:30,200 --> 00:19:31,879
Speaker 3: why is he on stage telling people that he was

456
00:19:31,960 --> 00:19:33,320
Speaker 3: late because he was getting his hair done?

457
00:19:33,800 --> 00:19:36,679
Speaker 1: While A? Where came, am I at this one?

458
00:19:37,000 --> 00:19:37,760
Speaker 4: His hair look great?

459
00:19:37,880 --> 00:19:40,119
Speaker 3: But while I love you, think you're amazing, and I

460
00:19:40,400 --> 00:19:43,240
Speaker 3: can't tell a fucking crowd full of people that you're

461
00:19:43,320 --> 00:19:46,560
Speaker 3: late for your show because you were getting your hair done.

462
00:19:47,280 --> 00:19:48,560
Speaker 1: That's not hip hop, bro.

463
00:19:49,080 --> 00:19:51,040
Speaker 4: No, that's very much hip hop, very hip hop.

464
00:19:51,160 --> 00:19:54,720
Speaker 3: I was getting my hair done. You think Snooping pulled

465
00:19:54,760 --> 00:19:57,480
Speaker 3: you over, that's hip hop. Say the police pulled you

466
00:19:57,480 --> 00:19:59,280
Speaker 3: over and searched your vehicle, had the dogs on you.

467
00:19:59,320 --> 00:20:01,720
Speaker 2: If you think snoo wasn't lake for performance because he

468
00:20:01,760 --> 00:20:02,920
Speaker 2: was getting a press and curl.

469
00:20:02,760 --> 00:20:03,960
Speaker 1: But he wouldn't say it though.

470
00:20:04,680 --> 00:20:06,960
Speaker 3: Maybe that's the reason Snooper has never got on staying

471
00:20:06,960 --> 00:20:08,520
Speaker 3: to say, y'all was late because I was getting this

472
00:20:08,720 --> 00:20:10,159
Speaker 3: texturalage and this relax.

473
00:20:09,960 --> 00:20:10,600
Speaker 1: And putting my hair.

474
00:20:11,480 --> 00:20:13,720
Speaker 4: Listen, he Snoop has never said that he was one

475
00:20:13,760 --> 00:20:16,640
Speaker 4: thousand percent late to the next episode video with that.

476
00:20:16,560 --> 00:20:20,240
Speaker 6: Perm He may have been no listen. He may have been.

477
00:20:20,280 --> 00:20:21,680
Speaker 6: He may have sweated out and had to go back.

478
00:20:21,920 --> 00:20:24,880
Speaker 6: He made that made true, he didn't say it. That's

479
00:20:24,880 --> 00:20:26,719
Speaker 6: my that's small only thing why he was getting your

480
00:20:26,760 --> 00:20:27,200
Speaker 6: head twisted?

481
00:20:27,320 --> 00:20:29,439
Speaker 1: Whatever? Cool, great, but you can't tell he was in

482
00:20:29,440 --> 00:20:32,280
Speaker 1: a crowd for waiting people for pink sweater. Yeah, I

483
00:20:32,320 --> 00:20:33,560
Speaker 1: would get He has.

484
00:20:33,480 --> 00:20:36,280
Speaker 2: A large female audience, and I feel especially black female audience,

485
00:20:36,280 --> 00:20:38,720
Speaker 2: and they probably identify with him in that moment he connected.

486
00:20:38,800 --> 00:20:40,920
Speaker 1: They don't want to hear that shit though, not from

487
00:20:40,920 --> 00:20:43,680
Speaker 1: No black Man. Why I'm lazy as I was getting

488
00:20:43,680 --> 00:20:47,359
Speaker 1: my hair done. Okay, but when someone we've been standing

489
00:20:47,440 --> 00:20:49,080
Speaker 1: out here since ten in the morning.

490
00:20:49,000 --> 00:20:52,000
Speaker 4: Okay, but when someone says something about someone else not

491
00:20:52,040 --> 00:20:54,280
Speaker 4: having hair, it's a fucking problem. So what can anyone do?

492
00:20:54,560 --> 00:20:54,800
Speaker 1: Yeah?

493
00:20:54,840 --> 00:20:58,200
Speaker 2: But did you release? Are you? Okay?

494
00:20:58,400 --> 00:20:58,560
Speaker 5: Yeah?

495
00:20:58,720 --> 00:20:59,399
Speaker 4: You shit yourself.

496
00:21:00,640 --> 00:21:02,800
Speaker 5: I just saw that coming from this episode.

497
00:21:03,440 --> 00:21:05,960
Speaker 3: I am kind of looking forward to the to the

498
00:21:05,960 --> 00:21:07,800
Speaker 3: next shear though, Yeah, because I think.

499
00:21:07,680 --> 00:21:10,200
Speaker 1: That you get playing time to get your hair done. Yeah,

500
00:21:10,640 --> 00:21:11,679
Speaker 1: you've had braids, got a year.

501
00:21:11,680 --> 00:21:13,320
Speaker 4: You've been late to some live shows, I think because

502
00:21:13,320 --> 00:21:15,560
Speaker 4: he was he was getting your hair braided. No, it

503
00:21:15,640 --> 00:21:16,680
Speaker 4: was between Shorty's legs.

504
00:21:16,680 --> 00:21:18,639
Speaker 1: We didn't. We didn't have a live show when I

505
00:21:18,680 --> 00:21:21,440
Speaker 1: had braids. She said that you. I didn't.

506
00:21:21,480 --> 00:21:23,600
Speaker 4: You never sat between the girls like hair braided one

507
00:21:24,160 --> 00:21:25,639
Speaker 4: not No, not between their legs.

508
00:21:26,320 --> 00:21:28,200
Speaker 1: I sat in her chair. She has a chair, that shot.

509
00:21:28,680 --> 00:21:29,560
Speaker 1: I mean, that's so.

510
00:21:29,520 --> 00:21:31,240
Speaker 2: You're saying, never in life have you ever sat between

511
00:21:31,240 --> 00:21:32,439
Speaker 2: the girls legs and got your hair braided.

512
00:21:32,800 --> 00:21:34,359
Speaker 3: I just only had braids for a few months during

513
00:21:34,400 --> 00:21:36,240
Speaker 3: the pandemic, the first time in my life. Oh okay,

514
00:21:36,359 --> 00:21:39,600
Speaker 3: who raided them though, My homegirl Queen's Camilla.

515
00:21:39,720 --> 00:21:41,160
Speaker 4: And so you were sitting in a chair.

516
00:21:41,560 --> 00:21:43,840
Speaker 1: Yeah, she has a chair to shot, okay.

517
00:21:43,720 --> 00:21:47,119
Speaker 4: Not like on her stairs on the lower one'raid?

518
00:21:47,200 --> 00:21:49,119
Speaker 1: No, no, no, I was she has a shot? Do you

519
00:21:49,200 --> 00:21:50,760
Speaker 1: kept your hat on? I wasn't. I was in it.

520
00:21:51,000 --> 00:21:54,240
Speaker 4: You had chair braids. You need to step braids.

521
00:21:54,280 --> 00:21:56,359
Speaker 3: Nah, she's Camilla. She she definitely did a thing. But

522
00:21:56,400 --> 00:21:58,359
Speaker 3: I just can't that braid. Shit, I can't keep up

523
00:21:58,359 --> 00:21:59,719
Speaker 3: with that ship. That ship was just way too much.

524
00:21:59,760 --> 00:22:02,800
Speaker 3: But yeah, man, I'm definitely looking forward to next year.

525
00:22:03,280 --> 00:22:05,160
Speaker 3: I want to experience dream Dreamville Fest.

526
00:22:05,200 --> 00:22:06,560
Speaker 1: I want to just call it Dreamville. Don't want to

527
00:22:06,560 --> 00:22:11,320
Speaker 1: say Dreamville Fest, dreamt Yeah, a dream fest, dream festival. Yeah,

528
00:22:11,320 --> 00:22:13,840
Speaker 1: I don't know. I don't want to say Dreamville festival.

529
00:22:13,840 --> 00:22:14,560
Speaker 1: I don't want to say.

530
00:22:14,400 --> 00:22:17,280
Speaker 4: That you you had from a distance. You kind of

531
00:22:17,280 --> 00:22:18,800
Speaker 4: had the festival in a frenzy.

532
00:22:19,000 --> 00:22:21,960
Speaker 1: From a distance. Yeah, did I Your presence was known? Really?

533
00:22:23,119 --> 00:22:26,760
Speaker 4: I thought people was coming up. I'm like, oh, I'm ill,

534
00:22:27,080 --> 00:22:32,000
Speaker 4: Yeah up, flick, oh you want to flick? Where's my

535
00:22:32,040 --> 00:22:32,880
Speaker 4: all at?

536
00:22:34,320 --> 00:22:34,600
Speaker 1: I don't know.

537
00:22:35,160 --> 00:22:37,760
Speaker 3: That's yeah, but it's the it's the same for me

538
00:22:37,800 --> 00:22:40,440
Speaker 3: and people see me somewhere. I went to UH so Friday,

539
00:22:40,560 --> 00:22:42,159
Speaker 3: I went to UH I went down to Philly to

540
00:22:42,200 --> 00:22:45,040
Speaker 3: the snow Legra show because I was I missed her

541
00:22:45,119 --> 00:22:46,800
Speaker 3: when she was here at Radio City too.

542
00:22:46,880 --> 00:22:47,280
Speaker 1: I was type.

543
00:22:47,320 --> 00:22:48,520
Speaker 3: I was, Yeah, I was mad I missed it. And

544
00:22:48,560 --> 00:22:51,240
Speaker 3: I've never seen snow before I live. So I saw

545
00:22:51,280 --> 00:22:53,720
Speaker 3: that she was in Philly, so I hit her up.

546
00:22:53,800 --> 00:22:55,440
Speaker 3: I was like, I'm coming to the show and Philly,

547
00:22:55,440 --> 00:22:56,280
Speaker 3: I've never seen you live.

548
00:22:56,840 --> 00:22:58,320
Speaker 4: Just casually hit snow up real quick.

549
00:22:58,560 --> 00:23:00,359
Speaker 1: Yeah, I hit snow uptil I was coming to show,

550
00:23:00,440 --> 00:23:01,879
Speaker 1: and so I went down to Philly.

551
00:23:02,200 --> 00:23:05,200
Speaker 3: Checked the shot amazing show. She's an amazing live super doope.

552
00:23:05,240 --> 00:23:07,680
Speaker 3: She looked great, sounds great, the crowd was amazing.

553
00:23:08,040 --> 00:23:08,600
Speaker 4: Swint dolo.

554
00:23:09,080 --> 00:23:09,280
Speaker 1: Yeah.

555
00:23:09,320 --> 00:23:11,920
Speaker 3: I went down there by myself, real quick ride down

556
00:23:11,960 --> 00:23:16,199
Speaker 3: the turnpipe, nothing crazy, and drove had a car service.

557
00:23:18,080 --> 00:23:19,960
Speaker 4: Hit up snow to go to the show in a

558
00:23:20,040 --> 00:23:23,720
Speaker 4: car service money ride down the turnpike. Meanwhile, I am

559
00:23:23,800 --> 00:23:27,240
Speaker 4: in the extended stay of America fighting for my fucking life,

560
00:23:27,280 --> 00:23:28,679
Speaker 4: and more is in car service.

561
00:23:29,560 --> 00:23:31,960
Speaker 3: They feel bad on that side. Now she had a

562
00:23:32,000 --> 00:23:35,280
Speaker 3: tables turned white. Usually it's the niggas that got to

563
00:23:35,320 --> 00:23:37,840
Speaker 3: go through that. No niggas got luxury now, nigga. Yeah,

564
00:23:38,080 --> 00:23:40,159
Speaker 3: written this car drive me to drive me to Philly

565
00:23:40,160 --> 00:23:40,720
Speaker 3: and back, sir.

566
00:23:41,640 --> 00:23:41,840
Speaker 1: Yeah.

567
00:23:41,840 --> 00:23:44,160
Speaker 3: So I went down to Philly, saw the Snow Allegra show.

568
00:23:44,440 --> 00:23:47,520
Speaker 3: She killed it, amazing job. But it was the same thing.

569
00:23:47,880 --> 00:23:50,080
Speaker 3: I was there sitting down and you know, people coming

570
00:23:50,080 --> 00:23:52,840
Speaker 3: through the sand, what's up, asking where's Rory. I'm like, yo,

571
00:23:52,880 --> 00:23:56,199
Speaker 3: y'all know that we don't have to like always be together.

572
00:23:56,280 --> 00:23:58,080
Speaker 3: It's the it's the red Man method man thing at

573
00:23:58,080 --> 00:23:58,960
Speaker 3: this point now for sure.

574
00:23:59,040 --> 00:24:05,440
Speaker 1: Yeah, but gonna you know what, she is your last

575
00:24:05,480 --> 00:24:07,000
Speaker 1: day here too, better think about it.

576
00:24:07,119 --> 00:24:10,040
Speaker 4: And I think it's my last day. I think I'm

577
00:24:10,040 --> 00:24:10,639
Speaker 4: done after this this.

578
00:24:12,920 --> 00:24:15,680
Speaker 1: Yeah man. But yeah, Philly was great. Snow show was great.

579
00:24:15,880 --> 00:24:19,200
Speaker 3: She was nominated for for Grammy, so shout out to

580
00:24:19,240 --> 00:24:20,080
Speaker 3: her in her nomination.

581
00:24:20,160 --> 00:24:21,120
Speaker 1: She looked great last night.

582
00:24:21,240 --> 00:24:25,000
Speaker 4: Yeah, Okay, Lonnie was great. Just thinking of songstresses that

583
00:24:25,119 --> 00:24:25,960
Speaker 4: was at the festival.

584
00:24:26,880 --> 00:24:28,600
Speaker 3: Oh yeah, I saw she She brought a security guard

585
00:24:28,640 --> 00:24:31,520
Speaker 3: on stage that she had heard singing backstage and he

586
00:24:31,560 --> 00:24:33,480
Speaker 3: had I guess. She loved his voice and she gave

587
00:24:33,560 --> 00:24:36,879
Speaker 3: him a couple of seconds on her set to perform

588
00:24:36,920 --> 00:24:39,000
Speaker 3: which I thought was dope. I like seeing ship like that,

589
00:24:39,040 --> 00:24:41,720
Speaker 3: like when the artists they see somebody that's working at

590
00:24:41,760 --> 00:24:44,200
Speaker 3: the festival and they're like, yo, I heard this security

591
00:24:44,200 --> 00:24:47,199
Speaker 3: guard singing backstage like he had a great voice, and

592
00:24:47,200 --> 00:24:49,199
Speaker 3: then now put them on the stage like he's on

593
00:24:49,240 --> 00:24:51,800
Speaker 3: the stage with his security uniform. I thought that was

594
00:24:51,840 --> 00:24:55,560
Speaker 3: pretty dope for Kaylan. He sounded good. But this is

595
00:24:55,560 --> 00:24:57,000
Speaker 3: North Carolina. You know a lot of them dudes grow

596
00:24:57,040 --> 00:24:58,560
Speaker 3: up in the church. You know, they singing for real

597
00:24:58,640 --> 00:25:00,800
Speaker 3: down there, so he had he's he sounded great.

598
00:25:00,840 --> 00:25:03,159
Speaker 1: He sounded great. Yeah, that was good. I thought she

599
00:25:03,160 --> 00:25:04,600
Speaker 1: forgot about our beef. She clearly didn't.

600
00:25:06,880 --> 00:25:08,280
Speaker 4: Really we're good enough?

601
00:25:08,400 --> 00:25:10,400
Speaker 1: Okay, Yeah, because she did.

602
00:25:10,480 --> 00:25:12,840
Speaker 4: She did run up on me and say should we

603
00:25:12,880 --> 00:25:13,639
Speaker 4: fight on stage?

604
00:25:13,920 --> 00:25:16,040
Speaker 1: Oh man, I was like, ken know, we love her.

605
00:25:17,000 --> 00:25:19,520
Speaker 1: That's I just thought she thought about that entire last

606
00:25:19,880 --> 00:25:23,680
Speaker 1: one hundred percent with my ask and look great doing it. Yeah,

607
00:25:23,720 --> 00:25:25,200
Speaker 1: for sure, she's in shape.

608
00:25:25,840 --> 00:25:27,600
Speaker 4: I guess we could segue segway into Grammys.

609
00:25:27,600 --> 00:25:28,880
Speaker 1: Then do people care.

610
00:25:28,760 --> 00:25:29,480
Speaker 4: About the Grammys?

611
00:25:29,880 --> 00:25:30,120
Speaker 1: Uh?

612
00:25:30,359 --> 00:25:34,639
Speaker 3: You know, I'm so confused, roy right, because I feel like,

613
00:25:36,320 --> 00:25:37,840
Speaker 3: you know, we always have this thing when people say

614
00:25:37,880 --> 00:25:40,800
Speaker 3: we're boycotting. We're boycotting, and you know, they told Kanye

615
00:25:40,840 --> 00:25:42,919
Speaker 3: he couldn't come from the Grammys, and da da da.

616
00:25:43,600 --> 00:25:45,960
Speaker 3: And then the day of the Grammys, everybody shows up

617
00:25:45,960 --> 00:25:50,040
Speaker 3: looking amazing and happy and everybody supporting, and it's like, well, wait,

618
00:25:50,119 --> 00:25:52,200
Speaker 3: I thought we all agreed that as a culture since

619
00:25:52,240 --> 00:25:55,320
Speaker 3: they told Kanye he couldn't come because of his antics

620
00:25:55,320 --> 00:25:57,920
Speaker 3: on social media, which has nothing to do with the Grammys.

621
00:25:58,320 --> 00:26:00,399
Speaker 3: But like, I thought that we agree that it was

622
00:26:00,440 --> 00:26:01,480
Speaker 3: fucked the Grammys.

623
00:26:02,040 --> 00:26:02,360
Speaker 1: I don't.

624
00:26:02,440 --> 00:26:05,040
Speaker 4: I think just J Prince said that and and no

625
00:26:05,080 --> 00:26:08,280
Speaker 4: one replied yeah, But we just thought because J Prince

626
00:26:08,280 --> 00:26:09,119
Speaker 4: said it, well we.

627
00:26:09,600 --> 00:26:12,520
Speaker 3: Know more people said they was it was fuck the Grammys.

628
00:26:12,560 --> 00:26:14,600
Speaker 3: I think Puff came out and said it. There was

629
00:26:14,640 --> 00:26:16,800
Speaker 3: a few other people that said, you know, Kanye is

630
00:26:16,800 --> 00:26:20,439
Speaker 3: bigger than the Grammys. So you know, I mean I

631
00:26:20,480 --> 00:26:22,600
Speaker 3: thought that it was fuck the Grammys. And then next thing,

632
00:26:22,600 --> 00:26:27,280
Speaker 3: I know, everybody's watching it. Everybody's at the Grammys, everybody's wearing.

633
00:26:26,960 --> 00:26:29,240
Speaker 1: Their you know best. I didn't see a single frame

634
00:26:29,280 --> 00:26:30,440
Speaker 1: of it.

635
00:26:30,440 --> 00:26:33,080
Speaker 3: It was some It was some really good uh Jack

636
00:26:33,119 --> 00:26:35,280
Speaker 3: Harlow his suit when his performance that shooting out on

637
00:26:35,400 --> 00:26:37,199
Speaker 3: was fly. I thought he looked great on stage with

638
00:26:37,240 --> 00:26:39,480
Speaker 3: a Little knaz X. That shooting out on was dope.

639
00:26:40,280 --> 00:26:43,840
Speaker 4: I like Wizards, Dick Prince, Jack Harlow and Lilon Nase.

640
00:26:44,040 --> 00:26:46,359
Speaker 4: I'm just listen, I'm bread crumbs. I'm just found the

641
00:26:46,359 --> 00:26:48,880
Speaker 4: bread crumbs. That's all I said. That Jack Harlow suit

642
00:26:48,960 --> 00:26:49,560
Speaker 4: was dope.

643
00:26:49,400 --> 00:26:49,960
Speaker 2: Like that.

644
00:26:52,359 --> 00:26:54,160
Speaker 1: Shoulders with Lil nas X though.

645
00:26:54,520 --> 00:26:56,320
Speaker 3: I mean, I didn't say Little knas X looked great.

646
00:26:56,400 --> 00:26:57,800
Speaker 3: That would have been something for you to raise your

647
00:26:57,800 --> 00:26:58,240
Speaker 3: brow at.

648
00:26:58,359 --> 00:27:00,199
Speaker 2: No, because he did look great, and you're allowed to

649
00:27:00,240 --> 00:27:00,920
Speaker 2: say that.

650
00:27:01,080 --> 00:27:02,200
Speaker 1: Little nozects look great.

651
00:27:02,320 --> 00:27:06,040
Speaker 4: Yeah, I'm not with he has amazing skin, He's he's

652
00:27:06,080 --> 00:27:07,399
Speaker 4: a handsome guy addresses well.

653
00:27:07,400 --> 00:27:09,119
Speaker 1: I'm not saying he's not. I'm just I just didn't.

654
00:27:09,160 --> 00:27:11,879
Speaker 3: I don't think the belly top was like well with

655
00:27:11,920 --> 00:27:13,600
Speaker 3: a head and field. It's just not me, Like I

656
00:27:13,680 --> 00:27:15,400
Speaker 3: just wouldn't look at the belly top like.

657
00:27:16,080 --> 00:27:18,200
Speaker 1: Wasn't for you, huh, the midriff wasn't.

658
00:27:18,320 --> 00:27:20,560
Speaker 3: Yeah, it's just not you know what I mean, Like

659
00:27:20,640 --> 00:27:22,240
Speaker 3: you could have you could be working out in the gym,

660
00:27:22,280 --> 00:27:22,840
Speaker 3: but you ain't got.

661
00:27:22,880 --> 00:27:25,440
Speaker 1: Away the the midra's shirts. Okay, when Wiz does it though,

662
00:27:26,240 --> 00:27:30,200
Speaker 1: where's when he works out where's shirt he does? Come

663
00:27:30,240 --> 00:27:32,400
Speaker 1: on WITHZ, you can't wear Midria's shirts and be working

664
00:27:32,440 --> 00:27:32,639
Speaker 1: out in.

665
00:27:32,680 --> 00:27:34,639
Speaker 2: Your under and ship. We have no idea if he

666
00:27:34,640 --> 00:27:35,520
Speaker 2: wears Mitchell shirts and.

667
00:27:35,760 --> 00:27:37,560
Speaker 4: Oh you don't do that to wed and you can't

668
00:27:37,560 --> 00:27:38,560
Speaker 4: hang out with crypts and do that.

669
00:27:39,960 --> 00:27:43,040
Speaker 1: Yeah you we probably shouldn't. But whatever, it's a new

670
00:27:43,040 --> 00:27:44,440
Speaker 1: world we live in. Man. I don't know what the

671
00:27:44,520 --> 00:27:47,440
Speaker 1: rules are anymore. Jeezy had on a orange bandana.

672
00:27:47,480 --> 00:27:49,040
Speaker 4: I was like, listen, man, I don't know again, culture

673
00:27:49,080 --> 00:27:51,240
Speaker 4: is I'm just gonna sit over here and enjoy the show.

674
00:27:51,880 --> 00:27:54,359
Speaker 3: Well, I'm pretty sure his wife probably helped him with that.

675
00:27:54,480 --> 00:27:56,440
Speaker 3: Was like, you can we still have the bandana. Look,

676
00:27:56,640 --> 00:27:58,360
Speaker 3: let's go with the orange is great on your skin.

677
00:27:58,600 --> 00:28:01,359
Speaker 4: And he had the Miami Doll joint with the orange trim.

678
00:28:01,520 --> 00:28:03,440
Speaker 4: I got it. It just threw me off with the lighting.

679
00:28:03,480 --> 00:28:04,480
Speaker 4: It looked like a red rag.

680
00:28:04,720 --> 00:28:06,159
Speaker 3: Yeah, but no, if he had the Dolphins, he had

681
00:28:06,160 --> 00:28:08,320
Speaker 3: a Dolphins jersey on. Oh he had to wear an

682
00:28:08,320 --> 00:28:09,480
Speaker 3: orange bandann at that point.

683
00:28:09,760 --> 00:28:12,720
Speaker 1: Yeah, I guess. Yeah, come on, the fuck is gonna

684
00:28:12,720 --> 00:28:13,800
Speaker 1: say about the Gravey's.

685
00:28:15,160 --> 00:28:17,119
Speaker 4: Anyone else think Lil nas X like, maybe are we

686
00:28:17,160 --> 00:28:20,399
Speaker 4: allowed to say this, we're joking, he really might not

687
00:28:20,480 --> 00:28:25,240
Speaker 4: be gay. He's the greatest troll.

688
00:28:26,040 --> 00:28:28,239
Speaker 1: We'll make nose how to work the Internet better than

689
00:28:28,280 --> 00:28:30,480
Speaker 1: any human being I've ever seen in my entire life.

690
00:28:30,480 --> 00:28:34,000
Speaker 1: That motherfucker is a marketing genius. But what makes you

691
00:28:34,040 --> 00:28:35,720
Speaker 1: say that he may not be gay.

692
00:28:37,040 --> 00:28:39,840
Speaker 4: Because he understands the internet, that he's the greatest marketer ever.

693
00:28:40,000 --> 00:28:41,640
Speaker 1: I think I feel like we talked about this before.

694
00:28:41,640 --> 00:28:44,600
Speaker 3: But if he's not if he's not gay and people

695
00:28:44,640 --> 00:28:46,400
Speaker 3: find out that he's not gay and he used that

696
00:28:46,520 --> 00:28:48,760
Speaker 3: as a tool, but how he gonna find out, I mean,

697
00:28:48,840 --> 00:28:50,240
Speaker 3: people find out everything, it's full.

698
00:28:50,800 --> 00:28:51,760
Speaker 4: How you're gonna find out.

699
00:28:51,680 --> 00:28:53,400
Speaker 2: He's just if you catch him with a woman, he

700
00:28:53,400 --> 00:28:55,120
Speaker 2: can just say he's bisexual like there's nothing.

701
00:28:55,240 --> 00:28:57,720
Speaker 3: Well, yeah, no, that true. But when I'm saying that,

702
00:28:57,800 --> 00:28:59,760
Speaker 3: if they find out that all of this was a

703
00:28:59,800 --> 00:29:00,680
Speaker 3: part part of his.

704
00:29:00,680 --> 00:29:02,640
Speaker 1: Plan and that he never was really gay.

705
00:29:02,600 --> 00:29:05,000
Speaker 4: I don't think Future has ever taken drugs Like I

706
00:29:05,080 --> 00:29:07,920
Speaker 4: just think some people are really good at marketing themselves.

707
00:29:08,280 --> 00:29:10,480
Speaker 3: Know that that is true, and two things can be true.

708
00:29:10,680 --> 00:29:14,800
Speaker 3: But he's doing a hell of a job at at

709
00:29:14,840 --> 00:29:17,240
Speaker 3: that gay ship. Yeah, he's knocking his gay ship out

710
00:29:17,240 --> 00:29:19,680
Speaker 3: the park like he's gay and very well, like I

711
00:29:19,720 --> 00:29:22,760
Speaker 3: saw a little I saw Little at l a X.

712
00:29:22,880 --> 00:29:23,760
Speaker 1: That's a lot of excess.

713
00:29:23,760 --> 00:29:26,760
Speaker 3: But I saw Little at Lax and he had a

714
00:29:26,800 --> 00:29:29,760
Speaker 3: security with him, and he was walking And let me

715
00:29:29,800 --> 00:29:30,640
Speaker 3: be the first to tell.

716
00:29:30,480 --> 00:29:31,840
Speaker 1: You that Little is gay.

717
00:29:32,480 --> 00:29:34,480
Speaker 3: You could just tell by the struct his feet did

718
00:29:34,560 --> 00:29:38,280
Speaker 3: not touch the ground. He was floating to the Delta

719
00:29:38,280 --> 00:29:41,040
Speaker 3: Sky Club like. I was just like, and he's a

720
00:29:41,040 --> 00:29:43,760
Speaker 3: lot taller than I expected. Okay, I didn't know Little.

721
00:29:44,000 --> 00:29:45,560
Speaker 3: I mean, well, he had heels on.

722
00:29:45,640 --> 00:29:47,760
Speaker 4: He had like he'll be pleasantly surprised.

723
00:29:47,800 --> 00:29:50,560
Speaker 3: Not pleasantly, but I was like, damn. I was like, na,

724
00:29:50,720 --> 00:29:53,880
Speaker 3: this little he's not a little kid like you didn't Little.

725
00:29:54,320 --> 00:29:56,000
Speaker 3: You expect a little cute kid to come out and

726
00:29:56,040 --> 00:30:01,680
Speaker 3: start rapping. That's I'm gonna call him big nas X.

727
00:30:01,760 --> 00:30:04,560
Speaker 3: But he's taller than I expected him to be and

728
00:30:04,600 --> 00:30:06,560
Speaker 3: he had heels on, so that added to it. But

729
00:30:06,880 --> 00:30:09,280
Speaker 3: he's definitely if he's not gay, he's doing a He's

730
00:30:09,320 --> 00:30:10,440
Speaker 3: a hell of a fucking actor.

731
00:30:10,480 --> 00:30:14,120
Speaker 1: He'll be at the Oscars in no time. He was

732
00:30:14,120 --> 00:30:14,760
Speaker 1: a little.

733
00:30:16,960 --> 00:30:20,120
Speaker 2: He was a NICKI Minda's stand account before he became famous.

734
00:30:20,160 --> 00:30:22,240
Speaker 4: I'm not telling someone with their sexualities. I am joking.

735
00:30:22,320 --> 00:30:23,959
Speaker 4: I just think he's really fucking good at the Internet

736
00:30:24,000 --> 00:30:25,880
Speaker 4: and it would just be funny as fuck to me.

737
00:30:26,000 --> 00:30:27,800
Speaker 4: And I think he has that type of sense of humor. Well,

738
00:30:27,840 --> 00:30:30,400
Speaker 4: he'll just come out in ten years, like y'all thought

739
00:30:30,400 --> 00:30:31,080
Speaker 4: I was sucking dick.

740
00:30:32,080 --> 00:30:36,520
Speaker 1: I love women. Yeah, but you know, not that he's sucking.

741
00:30:36,760 --> 00:30:37,920
Speaker 1: He's probably getting his dick.

742
00:30:37,840 --> 00:30:40,240
Speaker 4: Suck by Oh, he's probably got the gaze on lot.

743
00:30:40,320 --> 00:30:41,080
Speaker 1: Yeah, for sure.

744
00:30:41,200 --> 00:30:44,640
Speaker 4: His grind account super nutty. I'm sure no fun intended.

745
00:30:45,400 --> 00:30:47,160
Speaker 1: Yeah, he got you know, he got the holes. I

746
00:30:47,200 --> 00:30:48,920
Speaker 1: saw Jacket Lax and I was like, wow, he's tall

747
00:30:49,840 --> 00:30:54,080
Speaker 1: with a similar experience with those two. Yeah, well, I

748
00:30:54,080 --> 00:30:55,680
Speaker 1: don't know what experience you had with Jack Carl.

749
00:30:55,720 --> 00:30:57,960
Speaker 4: I just saw I was sitting in the lounge with

750
00:30:58,560 --> 00:31:02,640
Speaker 4: and some old gentleman with big sunglasses, his hood up

751
00:31:02,880 --> 00:31:06,200
Speaker 4: and a mask started approaching us like he was like

752
00:31:06,280 --> 00:31:09,680
Speaker 4: on some fucking diehard I'm taking over the airport and

753
00:31:09,800 --> 00:31:13,560
Speaker 4: everyone get the fuck down, and came over like it's Jack.

754
00:31:14,560 --> 00:31:14,920
Speaker 1: Mm hmm.

755
00:31:15,200 --> 00:31:15,560
Speaker 5: Okay.

756
00:31:17,640 --> 00:31:19,880
Speaker 1: I would have been like Jack, who That's exactly exactly

757
00:31:19,880 --> 00:31:21,120
Speaker 1: what I said, Who's Jack?

758
00:31:21,800 --> 00:31:23,960
Speaker 4: I thought he was some creepy Ari Lennox fan that

759
00:31:24,040 --> 00:31:28,240
Speaker 4: was like trying to run down on her. It's Jack. Oh,

760
00:31:28,280 --> 00:31:30,720
Speaker 4: I see the curls now got through the hoodie.

761
00:31:30,480 --> 00:31:33,320
Speaker 1: Got it? Okay? Yeah, Little knas X is definitely a

762
00:31:33,360 --> 00:31:34,360
Speaker 1: lot taller than I expected.

763
00:31:34,920 --> 00:31:36,960
Speaker 2: Shout out to Jack Harlowe and Little X.

764
00:31:37,040 --> 00:31:40,640
Speaker 3: Yeah, the performance was great. Little Little nas X is

765
00:31:40,680 --> 00:31:42,480
Speaker 3: obviously super talented.

766
00:31:42,800 --> 00:31:44,280
Speaker 4: We'll put it this way. I think both of them

767
00:31:44,280 --> 00:31:47,200
Speaker 4: got the host. Oh yeah, whatever your definition of what

768
00:31:47,320 --> 00:31:49,640
Speaker 4: a hoe is to you, ye, respectfully, and I mean

769
00:31:49,640 --> 00:31:50,320
Speaker 4: that in a positive way.

770
00:31:50,320 --> 00:31:52,560
Speaker 1: They got him. They got him you're.

771
00:31:52,440 --> 00:31:54,760
Speaker 4: Looking for and whatever your um is, either Jack got

772
00:31:54,840 --> 00:31:56,920
Speaker 4: him or Little Nazax got.

773
00:31:56,840 --> 00:31:57,320
Speaker 1: Him, for sure.

774
00:31:57,480 --> 00:32:02,040
Speaker 3: I'm with you on that. The Grammys, though, let's we

775
00:32:02,080 --> 00:32:04,400
Speaker 3: could talk about the Grammys. So the Grammys were last night.

776
00:32:04,600 --> 00:32:04,719
Speaker 1: Uh.

777
00:32:05,160 --> 00:32:07,080
Speaker 3: First of all, shout out to all the nominees that

778
00:32:07,160 --> 00:32:10,360
Speaker 3: were there, uh and the nominees that weren't there. It's

779
00:32:10,360 --> 00:32:13,400
Speaker 3: always an honor to be, you know, nominated for your

780
00:32:13,560 --> 00:32:15,800
Speaker 3: your skill and your talent, and especially at the highest

781
00:32:15,800 --> 00:32:17,840
Speaker 3: stage of the Academy Awards.

782
00:32:18,400 --> 00:32:22,240
Speaker 1: UH. But there was some there was some surprises. As

783
00:32:22,240 --> 00:32:23,960
Speaker 1: far as I'm concerned, I would be.

784
00:32:23,920 --> 00:32:26,440
Speaker 4: Tight though, if I'm a new artist and I've dreamt

785
00:32:26,440 --> 00:32:29,480
Speaker 4: my whole life of getting nominated for a Grammy, and

786
00:32:29,480 --> 00:32:31,959
Speaker 4: then I get nominated, and then everyone's like, yeah, we're

787
00:32:31,960 --> 00:32:35,160
Speaker 4: about to boycott this shit, Like, yeah, y'all are boycotting

788
00:32:35,160 --> 00:32:37,720
Speaker 4: because y'all got a bunch of Grammys. It's easy for

789
00:32:37,760 --> 00:32:38,440
Speaker 4: you to boycott.

790
00:32:38,560 --> 00:32:41,280
Speaker 1: You got set. Yeah, I'm going to get mine.

791
00:32:41,680 --> 00:32:43,920
Speaker 4: A magic getting nominated, and then that year everyone's like

792
00:32:43,960 --> 00:32:46,160
Speaker 4: we're not doing the shit. He's like, fuck, yeah, can

793
00:32:46,280 --> 00:32:47,080
Speaker 4: we wait one more year?

794
00:32:47,200 --> 00:32:48,760
Speaker 1: It was like it was like Doja Cat said.

795
00:32:48,840 --> 00:32:50,400
Speaker 3: She was like, you know, people try to act like

796
00:32:50,480 --> 00:32:53,000
Speaker 3: this isn't a big big deal and this doesn't mean

797
00:32:53,360 --> 00:32:56,120
Speaker 3: you know whatever. She was like, but it is, you know,

798
00:32:56,160 --> 00:32:58,000
Speaker 3: I mean it is a big deal. It is, and

799
00:32:58,040 --> 00:32:59,800
Speaker 3: it's an honor and the privilege to stand up there

800
00:33:00,160 --> 00:33:04,000
Speaker 3: receiving award is something that I'm pretty sure every recording

801
00:33:04,080 --> 00:33:07,520
Speaker 3: artist has dreamt about. Yeah, but I think that you know,

802
00:33:07,520 --> 00:33:10,560
Speaker 3: when you're actually in the room and you win, and

803
00:33:10,600 --> 00:33:12,920
Speaker 3: it hits you like holy shit, this is the moment

804
00:33:12,960 --> 00:33:18,560
Speaker 3: that I've always thought about in the studio, recording album songs, touring, performing,

805
00:33:19,480 --> 00:33:21,840
Speaker 3: and now this moment is here, Like even when Jasmine

806
00:33:21,840 --> 00:33:24,760
Speaker 3: won her award, she kind of was like stuck.

807
00:33:24,840 --> 00:33:26,640
Speaker 1: She was sitting down. Everybody was clapping looking at her,

808
00:33:26,720 --> 00:33:28,880
Speaker 1: and she was like, oh shit, like this is for real,

809
00:33:29,280 --> 00:33:31,240
Speaker 1: this is me, Like this I won. You know what

810
00:33:31,280 --> 00:33:31,560
Speaker 1: I mean?

811
00:33:32,000 --> 00:33:33,960
Speaker 4: I mean, I can at least I know the feeling

812
00:33:34,000 --> 00:33:36,040
Speaker 4: that Dojakata is talking about because I have been nominated

813
00:33:36,040 --> 00:33:39,120
Speaker 4: for an MBI, So like I totally understand like that

814
00:33:39,200 --> 00:33:41,440
Speaker 4: level of success and like what it means to you

815
00:33:41,440 --> 00:33:43,840
Speaker 4: when you finally reached that plateau means a lot the

816
00:33:43,880 --> 00:33:45,440
Speaker 4: same AMBI Grammy, It's all the same shit.

817
00:33:45,560 --> 00:33:49,840
Speaker 1: Yeah, one of the same pick this the same statue.

818
00:33:50,560 --> 00:33:52,080
Speaker 4: Do we want to run through through some of the

819
00:33:52,160 --> 00:33:53,120
Speaker 4: categories that people.

820
00:33:52,880 --> 00:33:55,000
Speaker 1: Give a fuck about that? Let's run through real quick

821
00:33:55,480 --> 00:33:58,920
Speaker 1: Record of the year Silk Sonic. I wasn't mad at that.

822
00:33:59,520 --> 00:34:01,240
Speaker 4: I mean I leave the Door Open. I wasn't the

823
00:34:01,240 --> 00:34:03,440
Speaker 4: biggest fan of that album, but Leave the Door Open

824
00:34:03,560 --> 00:34:06,000
Speaker 4: is fucking incredible, So biggest hmm.

825
00:34:06,360 --> 00:34:08,319
Speaker 3: I'm I'm not sure if it was the biggest, but

826
00:34:08,400 --> 00:34:10,920
Speaker 3: it was definitely top two biggest songs that year.

827
00:34:10,960 --> 00:34:12,680
Speaker 4: I assume they were they were going to clean up

828
00:34:13,440 --> 00:34:18,960
Speaker 4: because they're making quote unquote urban music. So the Grammys

829
00:34:18,960 --> 00:34:22,320
Speaker 4: can look cool and they're safe. They're too safe.

830
00:34:22,120 --> 00:34:24,719
Speaker 1: Artists and they're like real musicians. Yeah, at the end

831
00:34:24,760 --> 00:34:25,280
Speaker 1: of the day.

832
00:34:25,160 --> 00:34:27,160
Speaker 4: So I figured out they're just gonna win everything if

833
00:34:27,160 --> 00:34:30,439
Speaker 4: they're not even nominated, Like Silk here you go, yeah,

834
00:34:30,920 --> 00:34:31,440
Speaker 4: why we're here.

835
00:34:31,600 --> 00:34:36,279
Speaker 1: Yeah, Album of the Year. I loved what Anderson Pac said.

836
00:34:36,760 --> 00:34:36,960
Speaker 2: I did.

837
00:34:36,960 --> 00:34:38,240
Speaker 4: I'm tell you, I didn't see anything.

838
00:34:38,040 --> 00:34:41,680
Speaker 3: When Anderson Pact. So when they won was out Record

839
00:34:41,719 --> 00:34:44,799
Speaker 3: of the Year. He went up there and was like, Yo,

840
00:34:45,080 --> 00:34:47,520
Speaker 3: you know, I'm trying real hard to remain humble right now.

841
00:34:47,600 --> 00:34:49,239
Speaker 3: This is they probably had won two or three at

842
00:34:49,239 --> 00:34:52,880
Speaker 3: this time, and he said, but this is called a.

843
00:34:52,920 --> 00:34:54,880
Speaker 1: Clean sweet like it.

844
00:34:54,920 --> 00:34:57,640
Speaker 3: Talk your shit, I mean, you know, talk your ship

845
00:34:57,719 --> 00:35:00,520
Speaker 3: listen man and see.

846
00:35:00,600 --> 00:35:00,759
Speaker 5: Yeah.

847
00:35:00,840 --> 00:35:02,759
Speaker 3: Yeah, it's kind of like you, you know, we're trying

848
00:35:02,800 --> 00:35:04,400
Speaker 3: to remain humble and have fun tonight.

849
00:35:04,440 --> 00:35:07,800
Speaker 4: But you know, enjoy your participation award peasants.

850
00:35:09,440 --> 00:35:10,840
Speaker 1: Enjoy your little gift bag.

851
00:35:10,680 --> 00:35:13,239
Speaker 4: Right after Part'll be great.

852
00:35:13,520 --> 00:35:15,759
Speaker 3: Yeah yeah, yeah, but shout out to shout out to

853
00:35:15,800 --> 00:35:18,880
Speaker 3: Silk Sonic though they definitely had an amazing album and

854
00:35:19,000 --> 00:35:21,399
Speaker 3: that song was probably the song of the year.

855
00:35:21,480 --> 00:35:28,400
Speaker 1: Yeah, Album of the Year. John Baptiste. We are listen.

856
00:35:28,400 --> 00:35:30,640
Speaker 3: I mean, I've seen the video, you know, I've heard

857
00:35:30,680 --> 00:35:34,719
Speaker 3: the music. I'm not a huge fan of anything like that.

858
00:35:34,760 --> 00:35:37,840
Speaker 3: I do recognize he's obviously talented in the musician.

859
00:35:37,480 --> 00:35:38,279
Speaker 1: And everything like that.

860
00:35:38,320 --> 00:35:41,560
Speaker 3: But I think that the Grammys also used that the

861
00:35:41,600 --> 00:35:45,239
Speaker 3: awards to kind of like push the artists that they like.

862
00:35:45,280 --> 00:35:48,120
Speaker 1: Okay, for sure, they love him, love her, Let's push

863
00:35:48,200 --> 00:35:49,200
Speaker 1: them out there. Let's get that.

864
00:35:49,640 --> 00:35:51,959
Speaker 3: And he's a black man, so I'm rooting for him. Hey,

865
00:35:52,440 --> 00:35:53,360
Speaker 3: happy for him.

866
00:35:53,560 --> 00:35:56,399
Speaker 4: And I'm looking at this, these are really what would

867
00:35:56,400 --> 00:35:58,560
Speaker 4: be nominated for Album of the Year. There's good albums

868
00:35:58,600 --> 00:35:59,920
Speaker 4: on here. I just felt like there was more stuff.

869
00:36:00,920 --> 00:36:04,279
Speaker 4: What the fuck do I know? Song of the Year,

870
00:36:05,520 --> 00:36:09,200
Speaker 4: Leave the Door Open, cleaned Up. I was shocked her

871
00:36:09,320 --> 00:36:09,759
Speaker 4: fight for.

872
00:36:09,719 --> 00:36:13,040
Speaker 1: You is in Song of the Year and not Damage. Yeah,

873
00:36:13,400 --> 00:36:16,640
Speaker 1: that was odd to me. Damage, Damage, lead the Door Open.

874
00:36:18,120 --> 00:36:20,239
Speaker 4: I told Joam when I went to the Joja Cat

875
00:36:20,400 --> 00:36:27,000
Speaker 4: concert that Kissed Me More record has me and another

876
00:36:27,320 --> 00:36:28,959
Speaker 4: sing at the top of my lungs in my crib

877
00:36:29,600 --> 00:36:30,240
Speaker 4: to that record.

878
00:36:30,360 --> 00:36:31,839
Speaker 1: Kiss Me More is the perfect song.

879
00:36:31,920 --> 00:36:35,080
Speaker 3: Like when you're in like a department store shopping looking

880
00:36:35,080 --> 00:36:37,880
Speaker 3: for close, you definitely find yourself picking up the shirts

881
00:36:37,880 --> 00:36:40,879
Speaker 3: and the jeans, checking the waist out, singing kiss Me More.

882
00:36:40,960 --> 00:36:41,959
Speaker 1: For sure, it's a very.

883
00:36:41,920 --> 00:36:44,359
Speaker 3: Vulnerable time in your life as a man when kiss

884
00:36:44,400 --> 00:36:45,839
Speaker 3: Me More comes on in the store and you're looking

885
00:36:45,840 --> 00:36:48,720
Speaker 3: for jeans because you just find yourself just singing.

886
00:36:49,000 --> 00:36:51,360
Speaker 4: I mean, I have PTSD of H and M dressing

887
00:36:51,400 --> 00:36:57,600
Speaker 4: rooms because of that record. Yeah, I have not slefty everyone,

888
00:36:57,280 --> 00:37:00,600
Speaker 4: So everyone bear with me today. Best New artis Olivia

889
00:37:01,280 --> 00:37:05,840
Speaker 4: Olivia Rodrigo Cool. Shout out to Keen forgetting nominated that

890
00:37:05,880 --> 00:37:06,880
Speaker 4: and shout out to Sweetie.

891
00:37:06,920 --> 00:37:07,400
Speaker 1: That's big.

892
00:37:07,920 --> 00:37:10,640
Speaker 4: That's an artist to get ticket nominated that way. Uh,

893
00:37:10,760 --> 00:37:13,200
Speaker 4: that's I don't care about about Best Pop Solo Performance.

894
00:37:15,239 --> 00:37:17,000
Speaker 4: Did you care about the traditional Pop Folk Album?

895
00:37:17,760 --> 00:37:17,920
Speaker 2: Uh?

896
00:37:18,080 --> 00:37:19,240
Speaker 1: No, I actually didn't.

897
00:37:19,360 --> 00:37:22,040
Speaker 3: It's a lot of categories that I could care less about.

898
00:37:22,120 --> 00:37:24,160
Speaker 3: I was just trying to see, you know, if Jasmine

899
00:37:24,200 --> 00:37:27,320
Speaker 3: Sullivan was gonna win what she did. Congrats to Jasmine

900
00:37:27,920 --> 00:37:29,640
Speaker 3: uh and Silk Sonic.

901
00:37:30,360 --> 00:37:31,719
Speaker 1: I don't like that they tied for Best R and

902
00:37:31,719 --> 00:37:32,600
Speaker 1: B Performance though.

903
00:37:32,480 --> 00:37:35,160
Speaker 3: I hate that's weird and how is that even possible?

904
00:37:35,280 --> 00:37:37,200
Speaker 3: Has there ever been how many tires have there been

905
00:37:37,239 --> 00:37:38,480
Speaker 3: in Grammy?

906
00:37:38,480 --> 00:37:38,719
Speaker 1: Listen?

907
00:37:38,760 --> 00:37:40,200
Speaker 4: I don't know how many people are in the committee.

908
00:37:40,200 --> 00:37:42,239
Speaker 4: I don't know none of that ship. If I was

909
00:37:42,280 --> 00:37:43,680
Speaker 4: just allowed to leave.

910
00:37:43,600 --> 00:37:45,840
Speaker 3: The room until everybody count, yeah, it has to be like, no,

911
00:37:45,960 --> 00:37:47,000
Speaker 3: we gotta get a winner.

912
00:37:47,040 --> 00:37:49,759
Speaker 1: We cannot have it tied. That's because you're a Trump fan. Yeah.

913
00:37:49,840 --> 00:37:52,440
Speaker 1: I think as far as counting.

914
00:37:52,760 --> 00:37:54,920
Speaker 3: Those mailing ballots for the Grammys are ridiculous, Like what

915
00:37:54,960 --> 00:37:57,200
Speaker 3: are we doing here, Like there's three people that live

916
00:37:57,200 --> 00:37:58,640
Speaker 3: in this house, why are they're fifteen ballots?

917
00:37:58,680 --> 00:38:03,560
Speaker 1: Co bro Clintons were behind it, somebody would if you

918
00:38:03,560 --> 00:38:04,120
Speaker 1: think about him.

919
00:38:04,360 --> 00:38:07,279
Speaker 4: Honestly, I think Pennsylvania was the reason why Her did not.

920
00:38:07,480 --> 00:38:07,920
Speaker 1: I believe.

921
00:38:08,040 --> 00:38:10,120
Speaker 3: I believe they need to recount in Pennsylvania and Her

922
00:38:10,200 --> 00:38:11,840
Speaker 3: should have definitely won that award without it.

923
00:38:11,880 --> 00:38:14,920
Speaker 4: That shout out to Snow and Her for being nominating

924
00:38:14,960 --> 00:38:17,000
Speaker 4: that as well, Best R and B Song, Leave the

925
00:38:17,000 --> 00:38:19,080
Speaker 4: Door Open R and B Album we just talked. Jazmine

926
00:38:19,080 --> 00:38:22,319
Speaker 4: Sullivan fucking well deserved by far to me, the best

927
00:38:22,560 --> 00:38:25,600
Speaker 4: R and B album of that year. I didn't I

928
00:38:25,640 --> 00:38:28,960
Speaker 4: didn't even hear Leon bridges gold Digger sound. Is he

929
00:38:29,000 --> 00:38:29,720
Speaker 4: an industry plant?

930
00:38:30,840 --> 00:38:31,839
Speaker 1: Just because you never heard him?

931
00:38:32,000 --> 00:38:32,040
Speaker 2: No?

932
00:38:32,160 --> 00:38:34,719
Speaker 4: No, no, I fuck with Leon Bridges. I just hadn't

933
00:38:34,760 --> 00:38:40,160
Speaker 4: heard this album. I have some suspections if that's a word,

934
00:38:40,400 --> 00:38:43,200
Speaker 4: that he's a little plantish.

935
00:38:43,400 --> 00:38:44,920
Speaker 1: He does have little green thumbs.

936
00:38:45,120 --> 00:38:48,080
Speaker 4: I think I think they those A and R's heard

937
00:38:48,160 --> 00:38:50,399
Speaker 4: him sing that he was in a regulars T shirt whatever.

938
00:38:50,560 --> 00:38:52,200
Speaker 4: They heard his tone of voice, say, yo, put a

939
00:38:52,239 --> 00:38:53,760
Speaker 4: for door on that guy, and let's.

940
00:38:53,680 --> 00:38:57,800
Speaker 1: Dress out the fifties now, Leon, I mean his album.

941
00:38:57,800 --> 00:39:00,839
Speaker 3: I've heard, I heard his album. H I fuck with him.

942
00:39:00,840 --> 00:39:02,399
Speaker 3: I don't think they. I don't think he's a plant though.

943
00:39:02,880 --> 00:39:06,480
Speaker 4: Best Rap Performance Baby keem Kenchrick Lamar shout out to them,

944
00:39:06,840 --> 00:39:11,080
Speaker 4: Uh you you were tight my life j Cole twenty

945
00:39:11,080 --> 00:39:12,680
Speaker 4: one Savage Mary didn't didn't win.

946
00:39:13,320 --> 00:39:15,919
Speaker 2: Yeah, I think that it's a better a better song,

947
00:39:16,000 --> 00:39:16,640
Speaker 2: way better song.

948
00:39:16,719 --> 00:39:19,840
Speaker 4: Does Parahmachin styles Peed get to share that Grammy if

949
00:39:19,880 --> 00:39:20,320
Speaker 4: they win.

950
00:39:21,719 --> 00:39:24,960
Speaker 1: Because that's the I mean, it's a sample. Yeah, it's

951
00:39:24,960 --> 00:39:27,480
Speaker 1: state state record, Yeah it is. I'm pretty sure they

952
00:39:27,480 --> 00:39:28,680
Speaker 1: would have got a great may for that.

953
00:39:28,960 --> 00:39:32,879
Speaker 4: Best Rap Song, jail jay Z and Conye West.

954
00:39:33,840 --> 00:39:36,080
Speaker 1: You seem like you weren't too happy about that. You

955
00:39:36,120 --> 00:39:39,239
Speaker 1: had some that was the best good record. Nothing against

956
00:39:39,600 --> 00:39:42,680
Speaker 1: that category, which one would you have voted for for

957
00:39:42,680 --> 00:39:46,080
Speaker 1: for Rap Song of the Year or is it rap performance?

958
00:39:46,360 --> 00:39:51,640
Speaker 1: The nominees bath Salts, which was dmx nas jay Z

959
00:39:51,760 --> 00:39:53,560
Speaker 1: from from Max's album m hm.

960
00:39:53,600 --> 00:39:55,600
Speaker 4: They have their actual real names here and after artist shit.

961
00:39:55,760 --> 00:39:57,680
Speaker 4: So best Friend I don't know who that is, oh

962
00:39:58,080 --> 00:40:01,919
Speaker 4: Sweety and Doja Cat. I think that's a better record

963
00:40:01,920 --> 00:40:05,040
Speaker 4: than Jail call Me Crazy.

964
00:40:05,320 --> 00:40:08,000
Speaker 1: Best Friend Sweetie and Doja Cat is better than jay

965
00:40:08,040 --> 00:40:08,919
Speaker 1: Z and Kanye West. Jail.

966
00:40:10,480 --> 00:40:13,600
Speaker 4: I know the hip hop nerds, you're gonna crucify me tomorrow.

967
00:40:14,120 --> 00:40:15,640
Speaker 4: Best Friend is a better record than Jill.

968
00:40:17,600 --> 00:40:20,920
Speaker 3: That's my best friend And that's the song you want?

969
00:40:21,520 --> 00:40:22,400
Speaker 2: Ringtone on your phone?

970
00:40:22,640 --> 00:40:22,879
Speaker 5: Yeah?

971
00:40:23,960 --> 00:40:28,200
Speaker 1: Is that my Bessie in a Tessie Wait, let's rewinder section.

972
00:40:28,960 --> 00:40:32,080
Speaker 1: Your ringtone is no. Okay, you know what I'm saying.

973
00:40:32,600 --> 00:40:34,600
Speaker 2: It was missed the joke I said when Rory caused you,

974
00:40:34,640 --> 00:40:35,520
Speaker 2: that's what plays.

975
00:40:35,520 --> 00:40:39,720
Speaker 1: On my phone.

976
00:40:39,840 --> 00:40:43,160
Speaker 4: Not a real bad bitch, No, not at all, far

977
00:40:43,239 --> 00:40:44,960
Speaker 4: from it. That's pretty good impression of it. I felt

978
00:40:45,560 --> 00:40:47,000
Speaker 4: she's a real bad bitch.

979
00:40:48,200 --> 00:40:50,359
Speaker 2: Act on it.

980
00:40:50,400 --> 00:40:52,680
Speaker 4: I don't because she has an accent on the hook.

981
00:40:52,760 --> 00:40:54,600
Speaker 2: Yeah, but you have put like an Irish some Irish

982
00:40:54,640 --> 00:40:55,160
Speaker 2: stink on it.

983
00:40:55,200 --> 00:41:00,520
Speaker 4: I have some Irish stank on the best m y know,

984
00:41:00,680 --> 00:41:04,960
Speaker 4: the Irish Celtic version, the Celtic remix A best friend,

985
00:41:05,080 --> 00:41:09,440
Speaker 4: Oh my god, listen in my Life I think My

986
00:41:09,520 --> 00:41:11,680
Speaker 4: Life should have won is a way better song than

987
00:41:11,760 --> 00:41:17,440
Speaker 4: jail Yep, you know, best rap album, well deserved. I

988
00:41:17,440 --> 00:41:19,840
Speaker 4: think Tyler creator DJ Drama Yeah, called me if you

989
00:41:19,880 --> 00:41:22,360
Speaker 4: get lost. If it went to cold, I wouldn't have

990
00:41:22,360 --> 00:41:25,880
Speaker 4: been mad. I know CLBT was a classic, but I

991
00:41:25,880 --> 00:41:27,520
Speaker 4: wouldn't have picked it out of those two.

992
00:41:28,040 --> 00:41:29,520
Speaker 1: And Donnie was great. I wouldn't have been mad. If

993
00:41:29,560 --> 00:41:31,960
Speaker 1: you Wan's done. You said I said CLB was a

994
00:41:32,000 --> 00:41:36,920
Speaker 1: classic in my story? Okay, you did that? Did I know?

995
00:41:37,120 --> 00:41:38,799
Speaker 1: I said classic when we reviewed it.

996
00:41:39,000 --> 00:41:40,520
Speaker 2: Now, I don't know if you said classic.

997
00:41:40,560 --> 00:41:41,280
Speaker 1: Was a good album.

998
00:41:42,000 --> 00:41:47,480
Speaker 3: I never said classic. It certain songs over the year, absolutely,

999
00:41:47,560 --> 00:41:49,239
Speaker 3: I mean it's strict. You're gonna find some songs on

1000
00:41:49,239 --> 00:41:50,880
Speaker 3: this project that you're gonna keep playing.

1001
00:41:50,640 --> 00:41:52,719
Speaker 2: But does that make it a good album.

1002
00:41:52,960 --> 00:41:55,759
Speaker 3: I think these days, if you have an album with

1003
00:41:55,920 --> 00:41:59,600
Speaker 3: like sixteen songs and you keep going back to six

1004
00:41:59,719 --> 00:42:00,160
Speaker 3: or seven.

1005
00:42:00,160 --> 00:42:01,680
Speaker 1: That's a good album because a lot.

1006
00:42:01,560 --> 00:42:03,080
Speaker 3: Of niggas you're only gonna play two songs from the

1007
00:42:03,080 --> 00:42:05,040
Speaker 3: album make a playlist, and you ain't gonna never hit

1008
00:42:05,040 --> 00:42:07,000
Speaker 3: the rest of that album again. So if you go

1009
00:42:07,080 --> 00:42:09,200
Speaker 3: back to six or seven songs from somebody's project, that's

1010
00:42:09,200 --> 00:42:10,719
Speaker 3: a good album for sure.

1011
00:42:12,120 --> 00:42:14,960
Speaker 4: It is kind of funny though, last year for Grammys

1012
00:42:14,960 --> 00:42:18,520
Speaker 4: that it was such a fucking underground rap album categories

1013
00:42:18,560 --> 00:42:20,719
Speaker 4: like look at it's changing. This year there was like,

1014
00:42:20,920 --> 00:42:23,120
Speaker 4: just give me the top five biggest rap artists. We'll

1015
00:42:23,120 --> 00:42:23,600
Speaker 4: just take those.

1016
00:42:24,160 --> 00:42:24,560
Speaker 2: Yeah.

1017
00:42:24,640 --> 00:42:27,160
Speaker 1: Yeah, that ship went out the door quick. We thought that.

1018
00:42:27,239 --> 00:42:29,400
Speaker 3: We thought the Grammys was headed somewhere where it was like, Okay,

1019
00:42:29,440 --> 00:42:31,320
Speaker 3: they're gonna start recognizing real rap.

1020
00:42:31,680 --> 00:42:31,960
Speaker 5: Mmm.

1021
00:42:32,760 --> 00:42:36,040
Speaker 4: But to be fair, these to be fair, all these

1022
00:42:36,040 --> 00:42:36,880
Speaker 4: albums are.

1023
00:42:37,000 --> 00:42:40,600
Speaker 3: Good and Tyler probably definitely deserved that. Hell yeah yeah

1024
00:42:40,600 --> 00:42:42,319
Speaker 3: that album. Definitely, that album was great.

1025
00:42:42,680 --> 00:42:45,239
Speaker 2: Do you guys feel like Doja Cat was Doja Cat

1026
00:42:45,320 --> 00:42:52,720
Speaker 2: was snubbed in a lot of these one was kissed

1027
00:42:52,719 --> 00:42:53,080
Speaker 2: Me More.

1028
00:42:53,640 --> 00:42:56,600
Speaker 4: I feel like the presence of Doojah Cat over the

1029
00:42:56,680 --> 00:43:00,120
Speaker 4: last year warrants winning a couple of those like you

1030
00:43:00,160 --> 00:43:02,440
Speaker 4: could not get rid of Dojah Cat compared to these

1031
00:43:02,440 --> 00:43:05,760
Speaker 4: people that be heard, they had their moment when it happened,

1032
00:43:05,800 --> 00:43:07,319
Speaker 4: you could not escape Doja Cat.

1033
00:43:07,400 --> 00:43:09,360
Speaker 1: It's amazing just to see Dojah Cat's growth.

1034
00:43:09,400 --> 00:43:10,840
Speaker 3: Like you know, when she had the Bitch on a

1035
00:43:10,920 --> 00:43:13,840
Speaker 3: Cayle record, I kind of was like, all right, what

1036
00:43:13,960 --> 00:43:14,560
Speaker 3: is happening?

1037
00:43:14,680 --> 00:43:15,120
Speaker 1: Didn't know?

1038
00:43:15,160 --> 00:43:17,840
Speaker 3: And then I started like listening to more of her

1039
00:43:18,239 --> 00:43:20,799
Speaker 3: her songs, and shit, I'm like, oh no, she's you

1040
00:43:20,800 --> 00:43:23,600
Speaker 3: could rap like she's she's actually she's talented, Like this

1041
00:43:23,640 --> 00:43:24,879
Speaker 3: isn't some troll shit like.

1042
00:43:24,840 --> 00:43:28,799
Speaker 2: This is They were dragging Remy because Remy Remy said

1043
00:43:28,800 --> 00:43:33,480
Speaker 2: that Dojah wasn't a rapper, was not a rapper.

1044
00:43:33,520 --> 00:43:35,879
Speaker 1: Well, she's an artist if she does. But she can rap.

1045
00:43:35,920 --> 00:43:38,560
Speaker 1: A rapper, she can rap, and that's it. You know.

1046
00:43:38,680 --> 00:43:39,319
Speaker 1: That's another thing.

1047
00:43:39,400 --> 00:43:41,560
Speaker 3: You know, people get into this thing of what's who,

1048
00:43:41,719 --> 00:43:42,720
Speaker 3: who's really rapping?

1049
00:43:43,000 --> 00:43:44,480
Speaker 1: Who really had a rap album?

1050
00:43:44,800 --> 00:43:46,640
Speaker 3: Because I seen a lot of people saying that Tyler's

1051
00:43:46,680 --> 00:43:50,360
Speaker 3: album is not shouldn't be considered rap, and I'm.

1052
00:43:50,200 --> 00:43:52,280
Speaker 4: Like, it's a fucking gangster grills.

1053
00:43:52,400 --> 00:43:55,120
Speaker 1: Yeah, I'm like, all right, I just don't know what

1054
00:43:55,200 --> 00:43:56,400
Speaker 1: y'all are listening to.

1055
00:43:56,640 --> 00:43:59,000
Speaker 4: Or you know, I felt that way about Igor. I

1056
00:43:59,000 --> 00:44:01,680
Speaker 4: thought Egor should have been and fuck of rap category.

1057
00:44:01,719 --> 00:44:03,480
Speaker 4: It should have been an Album of the Year. And

1058
00:44:03,520 --> 00:44:06,799
Speaker 4: they had them in the Best Rap Album. I think

1059
00:44:06,840 --> 00:44:08,719
Speaker 4: that album is a classic. It just didn't belong in

1060
00:44:08,719 --> 00:44:10,920
Speaker 4: a rap album because it's a rap album. No, but

1061
00:44:10,960 --> 00:44:13,839
Speaker 4: this one, if you don't think that's a rap album,

1062
00:44:13,880 --> 00:44:15,200
Speaker 4: called Me to Get Home, I don't know. I don't

1063
00:44:15,200 --> 00:44:16,000
Speaker 4: want to tell you to go.

1064
00:44:16,280 --> 00:44:18,400
Speaker 1: It's objective. Music is subjective.

1065
00:44:19,000 --> 00:44:21,200
Speaker 3: Going to rap, people are gonna take from it whatever

1066
00:44:21,200 --> 00:44:23,520
Speaker 3: they take from it. But I don't think that the

1067
00:44:23,560 --> 00:44:28,000
Speaker 3: Grammys missed the mark in any of these categories. They

1068
00:44:28,000 --> 00:44:30,359
Speaker 3: could have went maybe to another artist, But it's not

1069
00:44:30,400 --> 00:44:33,359
Speaker 3: like you're mad that it went to that artist. Yeah,

1070
00:44:33,400 --> 00:44:34,880
Speaker 3: if you feel like those you should have won some

1071
00:44:34,920 --> 00:44:38,080
Speaker 3: other categories. Maybe, But the person who did win is

1072
00:44:38,080 --> 00:44:40,880
Speaker 3: some of those other categories had a great project and

1073
00:44:40,920 --> 00:44:41,759
Speaker 3: great record as well.

1074
00:44:41,800 --> 00:44:43,560
Speaker 2: Oh yeah, definitely. It was just that she wasn't It

1075
00:44:43,600 --> 00:44:45,880
Speaker 2: wasn't that, not that she didn't want. She wasn't nominated

1076
00:44:46,239 --> 00:44:48,239
Speaker 2: in a lot of these rap categories. She was in

1077
00:44:48,280 --> 00:44:51,279
Speaker 2: a lot of these pop categories. She wasn't nominated, And

1078
00:44:51,360 --> 00:44:53,280
Speaker 2: I don't think that it's fair that she gets snubbed

1079
00:44:53,320 --> 00:44:56,439
Speaker 2: from making pop music because they don't like to give

1080
00:44:56,440 --> 00:44:59,480
Speaker 2: pop two people of color.

1081
00:45:00,280 --> 00:45:00,880
Speaker 1: Well those.

1082
00:45:02,360 --> 00:45:04,840
Speaker 3: Let's be very clear those Your cat isn't going anywhere.

1083
00:45:04,960 --> 00:45:07,040
Speaker 3: She'll be at plenty of Grammy Awards, She'll be on

1084
00:45:07,120 --> 00:45:10,520
Speaker 3: stage performing. She's just one of those artists that you

1085
00:45:10,520 --> 00:45:12,880
Speaker 3: can tell is going to have a very long and

1086
00:45:13,239 --> 00:45:16,759
Speaker 3: successful career in music. She just has that personality and

1087
00:45:16,800 --> 00:45:19,960
Speaker 3: that that that star appeal. Yeah, she's not going nowhere.

1088
00:45:20,000 --> 00:45:22,560
Speaker 3: So yeah, maybe this year didn't go as some of

1089
00:45:22,560 --> 00:45:24,920
Speaker 3: her fans would have hoped as far as nominations, but

1090
00:45:25,280 --> 00:45:26,040
Speaker 3: she ain't going nowhere.

1091
00:45:26,120 --> 00:45:26,600
Speaker 1: She'll be back.

1092
00:45:26,640 --> 00:45:27,479
Speaker 4: What's her high called?

1093
00:45:28,800 --> 00:45:30,879
Speaker 1: I'm part of it? I don't know what. I don't

1094
00:45:30,880 --> 00:45:34,120
Speaker 1: know what he called. Look up the cat, I'm a cat.

1095
00:45:34,160 --> 00:45:34,840
Speaker 2: The kittens.

1096
00:45:35,360 --> 00:45:35,840
Speaker 4: I'm kidding.

1097
00:45:36,640 --> 00:45:37,400
Speaker 5: It is the kittens.

1098
00:45:37,760 --> 00:45:38,040
Speaker 2: It is.

1099
00:45:40,360 --> 00:45:41,360
Speaker 1: Far kitten with a Z.

1100
00:45:42,719 --> 00:45:44,680
Speaker 3: You definitely if I saw you just sitting at that

1101
00:45:44,880 --> 00:45:47,040
Speaker 3: bar in the restaurant drinking or sabb on black white,

1102
00:45:47,040 --> 00:45:47,800
Speaker 3: look at this kitten.

1103
00:45:48,239 --> 00:45:50,400
Speaker 4: That's what's that security guard saw me.

1104
00:45:50,760 --> 00:45:52,520
Speaker 1: He saw a homeless kitten. He just wanted to do.

1105
00:45:52,600 --> 00:45:55,319
Speaker 4: He's trained to protect someone.

1106
00:45:56,719 --> 00:45:58,120
Speaker 3: He just wanted to give it a home and some

1107
00:45:58,200 --> 00:46:00,960
Speaker 3: love and some milk. I get it back to help. Yeah,

1108
00:46:01,080 --> 00:46:02,879
Speaker 3: I understand.

1109
00:46:03,920 --> 00:46:04,800
Speaker 1: Yeah, you're a kitten?

1110
00:46:05,560 --> 00:46:08,600
Speaker 2: What what hives are you a part of what hives?

1111
00:46:10,560 --> 00:46:15,520
Speaker 1: I don't know. I'm a I'm a whole avenger like

1112
00:46:16,040 --> 00:46:19,520
Speaker 1: I guess, oh vo, I don't know. I don't.

1113
00:46:20,120 --> 00:46:21,120
Speaker 4: You're a bar. He's got a bar.

1114
00:46:22,440 --> 00:46:24,359
Speaker 1: I'm a bar. They called me a bar. They called

1115
00:46:24,360 --> 00:46:25,440
Speaker 1: me a lot of things. The marriage.

1116
00:46:25,520 --> 00:46:28,200
Speaker 3: I just I just listened to people and support good music.

1117
00:46:28,239 --> 00:46:31,480
Speaker 3: I don't I shouldn't be in a hive because, like

1118
00:46:31,520 --> 00:46:33,040
Speaker 3: I think, if you're in a hive, that means like

1119
00:46:33,080 --> 00:46:36,360
Speaker 3: you have like posters on your wall, or like you

1120
00:46:36,480 --> 00:46:39,680
Speaker 3: stand outside of like hotel screaming at the window hoping

1121
00:46:39,680 --> 00:46:42,439
Speaker 3: that they just show you a hand. Like I've never

1122
00:46:42,480 --> 00:46:44,800
Speaker 3: done any of those things for anybody.

1123
00:46:44,360 --> 00:46:47,080
Speaker 2: Like you would know it for Michael Michael was still alive,

1124
00:46:47,120 --> 00:46:47,680
Speaker 2: you wouldn't be a.

1125
00:46:48,040 --> 00:46:51,600
Speaker 3: For Michael Jackson. I would definitely stand outside Michael's hotel

1126
00:46:51,640 --> 00:46:56,480
Speaker 3: screaming for Michael Jackson. Are you kidding me, Michael jacksonket Yeah, Like,

1127
00:46:56,520 --> 00:46:57,920
Speaker 3: are you kidding Michael Jackson?

1128
00:46:58,280 --> 00:46:58,480
Speaker 1: Yes?

1129
00:46:59,160 --> 00:47:01,359
Speaker 3: If nigga's like your staying right there, I'm like, we're

1130
00:47:03,239 --> 00:47:04,680
Speaker 3: I'm going to look at that. I'm like, you know, nah,

1131
00:47:04,719 --> 00:47:06,560
Speaker 3: Mike got it. He gotta come outside. He gotta holler

1132
00:47:06,600 --> 00:47:08,840
Speaker 3: at a nigga, Mike gott a holler. You stay in

1133
00:47:08,840 --> 00:47:11,120
Speaker 3: New York, you gotta come outside, holl check in with

1134
00:47:11,160 --> 00:47:12,400
Speaker 3: you for sure, not check in.

1135
00:47:12,440 --> 00:47:13,280
Speaker 1: That's Michael Jackson.

1136
00:47:13,320 --> 00:47:15,160
Speaker 4: But no one does talk about how it was that

1137
00:47:15,200 --> 00:47:16,400
Speaker 4: he wrapped blanket in a blanket.

1138
00:47:17,680 --> 00:47:19,560
Speaker 3: No, they just talk about how he dangled his child

1139
00:47:19,640 --> 00:47:23,160
Speaker 3: over a balcony railing that you just just a little weird,

1140
00:47:23,360 --> 00:47:24,840
Speaker 3: Like why are you doing that? We don't need to

1141
00:47:24,880 --> 00:47:26,640
Speaker 3: see your baby's feet hanging over the road.

1142
00:47:27,040 --> 00:47:29,239
Speaker 2: We thought you value kids too much to be fair,

1143
00:47:29,480 --> 00:47:31,600
Speaker 2: like men don't know how to Men don't be knowing

1144
00:47:31,600 --> 00:47:33,439
Speaker 2: how to handle their children, like how to hold baby.

1145
00:47:33,440 --> 00:47:34,680
Speaker 2: Did you ever see a man with a baby and

1146
00:47:34,680 --> 00:47:36,040
Speaker 2: you get nervous like get there?

1147
00:47:36,160 --> 00:47:39,040
Speaker 3: Yeah, man, we know we hold babies like like like

1148
00:47:39,040 --> 00:47:41,279
Speaker 3: like a rip grocery bag, Like.

1149
00:47:43,680 --> 00:47:44,160
Speaker 1: You know what I'm saying.

1150
00:47:44,200 --> 00:47:45,919
Speaker 3: We hold it like it's about the fall and it's

1151
00:47:46,000 --> 00:47:48,399
Speaker 3: like and everybody's like, Yo're like I got him.

1152
00:47:48,320 --> 00:47:49,960
Speaker 4: Here, going nowhere, Like you know, instead of getting a

1153
00:47:49,960 --> 00:47:51,600
Speaker 4: new bag, you just try to have spilled.

1154
00:47:52,120 --> 00:47:55,720
Speaker 3: Like yeah, we definitely hold babies like rip grocery bags.

1155
00:47:55,719 --> 00:47:57,240
Speaker 3: But you know they're safe with us, man.

1156
00:47:57,360 --> 00:48:00,960
Speaker 4: And we we never remember that babies necks and heads

1157
00:48:01,040 --> 00:48:03,120
Speaker 4: just you kind of have to support them. Yeah, every

1158
00:48:03,120 --> 00:48:03,719
Speaker 4: time we hold it.

1159
00:48:03,800 --> 00:48:05,960
Speaker 3: That's why I mean, yeah, we shouldn't be We shouldn't

1160
00:48:05,960 --> 00:48:08,400
Speaker 3: be allowed the whole babies until they could sit up. Like,

1161
00:48:08,440 --> 00:48:10,080
Speaker 3: we shouldn't be allowed the whole babies until they could

1162
00:48:10,080 --> 00:48:11,920
Speaker 3: sit up. Because if you let us, you give us

1163
00:48:11,920 --> 00:48:13,400
Speaker 3: a baby and it ain't got no bones in his

1164
00:48:13,480 --> 00:48:15,640
Speaker 3: neck yet. It's like, you know what I'm saying, that

1165
00:48:15,920 --> 00:48:17,759
Speaker 3: baby all over the fucking place. Man, you holding that

1166
00:48:17,760 --> 00:48:18,640
Speaker 3: baby like a scarf.

1167
00:48:19,880 --> 00:48:21,960
Speaker 4: Every one of my friends has had kids, family members.

1168
00:48:22,160 --> 00:48:24,640
Speaker 4: Every time, do you want to hold him or nope?

1169
00:48:25,360 --> 00:48:27,960
Speaker 4: You know, like, I don't want this responsibility. Yeah, if

1170
00:48:27,960 --> 00:48:29,839
Speaker 4: I'm dropping a baby, it better be mine.

1171
00:48:30,360 --> 00:48:32,200
Speaker 3: I hold kids like I hold a baby, but I

1172
00:48:32,200 --> 00:48:33,840
Speaker 3: have to be Like sitting down on the couch, it

1173
00:48:33,840 --> 00:48:35,840
Speaker 3: has to be a very safe environment because kids do

1174
00:48:35,880 --> 00:48:39,040
Speaker 3: this thing where they buck like they jump and it's like,

1175
00:48:39,080 --> 00:48:41,239
Speaker 3: little nigga, like you're about to fall off of this

1176
00:48:41,320 --> 00:48:41,880
Speaker 3: fucking couch.

1177
00:48:41,960 --> 00:48:43,279
Speaker 1: Like you know what I'm saying, You better sit your

1178
00:48:43,320 --> 00:48:45,280
Speaker 1: ass still, listen.

1179
00:48:45,680 --> 00:48:48,719
Speaker 4: Too much responsibility? Yeah, holding other people's kids.

1180
00:48:48,600 --> 00:48:50,600
Speaker 3: Or shout out to the Grammys. Uh, shout out to

1181
00:48:50,640 --> 00:48:52,920
Speaker 3: all the winners and the nominees. Uh, shout out the

1182
00:48:53,000 --> 00:48:53,800
Speaker 3: NAS performance.

1183
00:48:54,360 --> 00:48:56,040
Speaker 1: Yeah, I have to actually watch the great I saw

1184
00:48:56,080 --> 00:48:57,399
Speaker 1: it had looked great, it sounded great.

1185
00:48:57,480 --> 00:48:59,759
Speaker 3: Nas is almost fifty and he looks like he's still

1186
00:49:00,200 --> 00:49:04,720
Speaker 3: five years old. Yeah, it's your last day.

1187
00:49:05,760 --> 00:49:08,520
Speaker 1: So he looked. He did his thing. Shout out the

1188
00:49:08,600 --> 00:49:11,040
Speaker 1: nads and he was nominated for King's Disease.

1189
00:49:11,080 --> 00:49:15,400
Speaker 3: To shout out the hit Boy. He was nominated. I

1190
00:49:15,440 --> 00:49:17,480
Speaker 3: don't know if they didn't. He didn't win though, No

1191
00:49:17,760 --> 00:49:20,439
Speaker 3: kings these too, because I saw his Uh. I saw

1192
00:49:20,480 --> 00:49:22,120
Speaker 3: he was being funny. I saw his caption ship the

1193
00:49:22,160 --> 00:49:25,600
Speaker 3: People's Champ when he didn't. I mean, listen, he's the

1194
00:49:25,719 --> 00:49:28,879
Speaker 3: influence of People's Champ. Hit Boy is definitely the People's Champ.

1195
00:49:29,239 --> 00:49:31,200
Speaker 3: And he'll be nominated for a bunch of Ship again

1196
00:49:31,280 --> 00:49:31,640
Speaker 3: next year.

1197
00:49:31,960 --> 00:49:35,040
Speaker 4: I'm sure we know God God gives the strongest battles

1198
00:49:35,040 --> 00:49:37,839
Speaker 4: to his strongest soldiers hip boy, I think would be right.

1199
00:49:38,360 --> 00:49:39,440
Speaker 1: Uh, he's prepared.

1200
00:49:39,719 --> 00:49:44,680
Speaker 3: I do want to highlight Uh Carrie Underwood, Okay, Uh,

1201
00:49:45,160 --> 00:49:46,399
Speaker 3: I didn't even know.

1202
00:49:46,640 --> 00:49:47,880
Speaker 1: I know, carry on Underwood.

1203
00:49:47,920 --> 00:49:50,919
Speaker 3: If I remember she started with American Idol, she yeah,

1204
00:49:51,000 --> 00:49:53,879
Speaker 3: I think, and she's still in Tony Romo.

1205
00:49:53,960 --> 00:49:54,360
Speaker 1: I believe.

1206
00:49:55,120 --> 00:49:57,080
Speaker 4: I thought Tony Romo was married to Jessica Simpson.

1207
00:49:59,400 --> 00:50:00,879
Speaker 1: And they say all black people look alike.

1208
00:50:00,920 --> 00:50:04,040
Speaker 3: See, you can't tell the difference between Carrie Underwood and

1209
00:50:04,080 --> 00:50:04,720
Speaker 3: Jessica Simpson.

1210
00:50:05,080 --> 00:50:08,759
Speaker 1: All blonde women look alike. That may be true. I

1211
00:50:08,800 --> 00:50:10,920
Speaker 1: think Carrie Underwood is married to Tony Romo.

1212
00:50:11,080 --> 00:50:12,600
Speaker 2: No, she's married to Mike Fisher.

1213
00:50:13,760 --> 00:50:16,520
Speaker 1: Was she married to Tony Romo before with Jessica Simpson?

1214
00:50:16,600 --> 00:50:18,399
Speaker 1: Was it a throttle? I'm almost sure.

1215
00:50:18,480 --> 00:50:20,920
Speaker 2: Listen, I haven't been married to Mike Fisher since twenty ten.

1216
00:50:21,280 --> 00:50:23,359
Speaker 5: They did did in two thousand and seven, though, her

1217
00:50:23,360 --> 00:50:24,040
Speaker 5: and Tony Romo?

1218
00:50:24,200 --> 00:50:27,799
Speaker 3: Yes, Okay, see, so I know I wasn't and Jessica Simpson, right,

1219
00:50:29,719 --> 00:50:31,919
Speaker 3: Jessica Simpson never Well, we don't know. Let's not get

1220
00:50:31,920 --> 00:50:34,000
Speaker 3: nobody caught up. She may have dated Tony ro I

1221
00:50:34,000 --> 00:50:36,120
Speaker 3: ain't know, married.

1222
00:50:35,920 --> 00:50:40,239
Speaker 2: To Diana Ross's son, if I'm not mistaken. Okay, I

1223
00:50:40,239 --> 00:50:42,080
Speaker 2: didn't the Liskin boy from me too.

1224
00:50:42,360 --> 00:50:44,200
Speaker 1: I still had hope for her Nickola. She believe his

1225
00:50:44,239 --> 00:50:46,000
Speaker 1: name is Evan, Yeah, Evan.

1226
00:50:45,800 --> 00:50:47,800
Speaker 5: Ross and Jessica and Tony dated for a year and

1227
00:50:47,840 --> 00:50:48,120
Speaker 5: a half.

1228
00:50:48,680 --> 00:50:51,320
Speaker 4: See, I don't question my Romo dating history.

1229
00:50:51,360 --> 00:50:55,120
Speaker 3: Come on, man, I know we're off, but Carrie Underwood

1230
00:50:55,480 --> 00:50:58,920
Speaker 3: performed last night. She looked amazing. She's been she has

1231
00:50:58,960 --> 00:51:01,440
Speaker 3: not missed leg day. Okay, I don't think in the

1232
00:51:01,520 --> 00:51:04,400
Speaker 3: last seventeen years she had on the dress.

1233
00:51:04,560 --> 00:51:08,759
Speaker 1: She looked amazing. She sounded amazing. No objectifism, No, No,

1234
00:51:09,000 --> 00:51:09,680
Speaker 1: she looked amazing.

1235
00:51:09,680 --> 00:51:11,520
Speaker 3: I mean I was just watching the Grammys and she

1236
00:51:12,080 --> 00:51:13,880
Speaker 3: hit the stage and came out in this dress. And

1237
00:51:13,920 --> 00:51:15,719
Speaker 3: she knew what she was doing when she put that

1238
00:51:15,800 --> 00:51:19,080
Speaker 3: dress on. She knew the highlight, the legs, she knew

1239
00:51:19,160 --> 00:51:21,480
Speaker 3: she put the right heels on. She had the right

1240
00:51:22,200 --> 00:51:24,960
Speaker 3: It didn't look like shade butter, because she's a she's

1241
00:51:25,000 --> 00:51:26,799
Speaker 3: a white woman, So I don't think it was shade butter.

1242
00:51:27,239 --> 00:51:29,479
Speaker 3: It might have been like more of a luber.

1243
00:51:31,600 --> 00:51:33,680
Speaker 1: It was not lubraderm. It was vasoline.

1244
00:51:34,360 --> 00:51:36,360
Speaker 3: I can promise you it wasn't vascilline. It looked like

1245
00:51:36,400 --> 00:51:38,480
Speaker 3: it was some type of body butter. She looks like

1246
00:51:38,520 --> 00:51:41,600
Speaker 3: she has an array of body butter in her bathroom.

1247
00:51:41,920 --> 00:51:45,239
Speaker 3: But the legs were moisturized, they were toned, they were

1248
00:51:45,280 --> 00:51:48,239
Speaker 3: cut up. She had the right heels on. She looks great.

1249
00:51:48,360 --> 00:51:50,040
Speaker 3: Carry on, well, looked great, she sounded great, but she

1250
00:51:50,080 --> 00:51:53,719
Speaker 3: definitely looked great. Yet we have a foot No, I

1251
00:51:53,719 --> 00:51:55,759
Speaker 3: mean I couldn't see her. I couldn't see her feet,

1252
00:51:55,840 --> 00:51:57,759
Speaker 3: So no, I didn't say anything about her feet. I

1253
00:51:57,760 --> 00:51:58,520
Speaker 3: said her legs.

1254
00:51:58,560 --> 00:52:00,799
Speaker 1: But that's what she was fanning about. Some of them

1255
00:52:00,800 --> 00:52:04,239
Speaker 1: heels she had on her dress and she was the

1256
00:52:04,400 --> 00:52:09,200
Speaker 1: legs were out. How the knees look amazing? Watch carry

1257
00:52:09,239 --> 00:52:10,560
Speaker 1: under what is not skipping leg d?

1258
00:52:10,800 --> 00:52:12,719
Speaker 3: Like, I'm telling she's not skipping leg that she's in

1259
00:52:12,760 --> 00:52:14,759
Speaker 3: the gym working on legs if she's not working on

1260
00:52:14,800 --> 00:52:15,279
Speaker 3: anything else.

1261
00:52:15,440 --> 00:52:17,040
Speaker 1: So yeah, shout out to carry On Underwood.

1262
00:52:17,160 --> 00:52:19,120
Speaker 4: I wasn't mad looking at my Instagram because I didn't

1263
00:52:19,120 --> 00:52:22,480
Speaker 4: watch the show. But remember when everyone but me got

1264
00:52:22,520 --> 00:52:25,279
Speaker 4: to meet Andre three thousand and so, yeah, I.

1265
00:52:25,239 --> 00:52:27,239
Speaker 1: Met him in front of the Victorious Secret store, and.

1266
00:52:27,200 --> 00:52:30,000
Speaker 4: Of course everyone besides me has met Andre two thousand.

1267
00:52:30,239 --> 00:52:32,600
Speaker 4: I'm starting to feel that way about Nas now.

1268
00:52:33,080 --> 00:52:35,080
Speaker 1: That everyone has met NOAs mad people with Nas.

1269
00:52:35,160 --> 00:52:36,120
Speaker 4: Last night, I was like, the.

1270
00:52:36,080 --> 00:52:37,640
Speaker 1: Fuck, why are you doing? Why? You just gotta go

1271
00:52:37,640 --> 00:52:39,320
Speaker 1: to sweet Chick? He's right there?

1272
00:52:39,880 --> 00:52:40,359
Speaker 2: Which one?

1273
00:52:42,320 --> 00:52:43,000
Speaker 1: This is your last?

1274
00:52:43,040 --> 00:52:43,480
Speaker 2: Which one?

1275
00:52:43,520 --> 00:52:46,040
Speaker 1: I just You're gonna have plenty of time to find out.

1276
00:52:46,080 --> 00:52:48,799
Speaker 1: Don't you worry. You're gonna be able to hit every time.

1277
00:52:48,840 --> 00:52:51,000
Speaker 3: You're gonna hit every sweet chick in America and you're

1278
00:52:51,000 --> 00:52:52,440
Speaker 3: gonna find You're gonna have enough time to.

1279
00:52:52,719 --> 00:52:53,440
Speaker 1: Don't you worry.

1280
00:52:53,680 --> 00:52:56,719
Speaker 4: I was I was looking at my phone hating. I'm like, wait,

1281
00:52:57,320 --> 00:52:58,279
Speaker 4: she gets to hang out with.

1282
00:52:58,280 --> 00:53:02,960
Speaker 1: Nash, Yeah, you want to hang out with Esco?

1283
00:53:03,120 --> 00:53:05,400
Speaker 4: She can't quote every song on it was written?

1284
00:53:05,520 --> 00:53:07,040
Speaker 1: Yeah, you don't.

1285
00:53:06,840 --> 00:53:08,680
Speaker 4: Deserve that, selfie, nas Is.

1286
00:53:09,640 --> 00:53:11,640
Speaker 1: I feel like I'm not gonna say he's accessible, but

1287
00:53:11,680 --> 00:53:13,319
Speaker 1: I feel like you could see Nas if you're just

1288
00:53:13,719 --> 00:53:14,880
Speaker 1: walking around Manhattan.

1289
00:53:15,280 --> 00:53:16,880
Speaker 2: Yeah, I like fab at Marina.

1290
00:53:18,520 --> 00:53:19,880
Speaker 1: I don't know if it's like that.

1291
00:53:20,520 --> 00:53:22,560
Speaker 3: Really, it's just really out like that. You didn't just

1292
00:53:22,560 --> 00:53:24,759
Speaker 3: see Nas just at Lo Marina or nothing like that.

1293
00:53:24,840 --> 00:53:28,080
Speaker 3: But yeah, Nas, he's not somebody's it would be. It's

1294
00:53:28,120 --> 00:53:31,120
Speaker 3: definitely harder to bump into Andre two thousand and it

1295
00:53:31,200 --> 00:53:32,800
Speaker 3: is Nas shit.

1296
00:53:33,239 --> 00:53:36,480
Speaker 4: He was running around Soho for three years, meeting with everybody.

1297
00:53:36,760 --> 00:53:38,880
Speaker 3: I definitely saw him in front of Victoria's seeking. I

1298
00:53:38,920 --> 00:53:42,359
Speaker 3: was just like, you're just standing here like like you're

1299
00:53:42,360 --> 00:53:43,400
Speaker 3: not Andre two thousand bro.

1300
00:53:44,040 --> 00:53:45,839
Speaker 1: And he was just like yeah, man, what's up.

1301
00:53:47,640 --> 00:53:49,120
Speaker 4: It's like, yo, pie man, that's me.

1302
00:53:49,680 --> 00:53:51,400
Speaker 1: I was like, man, I get it.

1303
00:53:51,440 --> 00:53:55,080
Speaker 3: Just in the middle of thirty fourth Street, it is I.

1304
00:53:55,120 --> 00:53:56,440
Speaker 4: You was definitely a lot Marina with.

1305
00:53:56,400 --> 00:53:58,759
Speaker 2: Fab and I've actually never been a Lo Marina.

1306
00:53:58,920 --> 00:54:02,319
Speaker 1: Oh you've never ever never? Wow, what a time. It

1307
00:54:02,320 --> 00:54:03,719
Speaker 1: was definitely Yeah, I.

1308
00:54:03,640 --> 00:54:05,880
Speaker 2: Was in there. I was yea was. I was running

1309
00:54:05,880 --> 00:54:08,880
Speaker 2: around Brooklyn at that time. Everybody was running around uptown.

1310
00:54:09,200 --> 00:54:10,960
Speaker 4: I heard I heard a funny hole story about Lot

1311
00:54:11,080 --> 00:54:13,360
Speaker 4: Marina Bingo card.

1312
00:54:14,160 --> 00:54:15,320
Speaker 1: I forgot who it brought.

1313
00:54:15,160 --> 00:54:17,800
Speaker 4: Him up there and he was a lot Marina. Yeah,

1314
00:54:17,920 --> 00:54:19,640
Speaker 4: quietly like no one need was you want to check

1315
00:54:19,640 --> 00:54:20,880
Speaker 4: it out? It was the hottest shit at the times.

1316
00:54:21,160 --> 00:54:22,680
Speaker 4: Quietly went up there. This could all be a lot

1317
00:54:22,680 --> 00:54:26,160
Speaker 4: And it was this second information and this was Lomrin

1318
00:54:26,239 --> 00:54:29,759
Speaker 4: had just opened. Fake Asses was on the rise. They

1319
00:54:29,760 --> 00:54:32,520
Speaker 4: still hadn't quite figured out proportion yet. They were still

1320
00:54:32,520 --> 00:54:35,120
Speaker 4: putting like what you line bathtubs with in people's legs

1321
00:54:35,120 --> 00:54:39,560
Speaker 4: and cheeks and yeah. So Hope was looking around and

1322
00:54:40,160 --> 00:54:42,759
Speaker 4: said to the individual that told me this, looking at

1323
00:54:42,800 --> 00:54:45,000
Speaker 4: all these women with fake acids and all this ship

1324
00:54:45,000 --> 00:54:46,239
Speaker 4: because you know, Hope didn't come up in the air

1325
00:54:46,280 --> 00:54:49,880
Speaker 4: of that stuff. Don't set y'all liked these women on purpose?

1326
00:54:51,600 --> 00:54:54,239
Speaker 1: He was so confused. It's like, wait, y'all like these

1327
00:54:54,239 --> 00:54:54,960
Speaker 1: women on the purpose.

1328
00:54:55,000 --> 00:54:57,000
Speaker 3: I don't know how true that is, but that sounds

1329
00:54:57,040 --> 00:54:59,879
Speaker 3: like some shiit, like on purpose shop.

1330
00:55:00,120 --> 00:55:02,600
Speaker 4: Wait, hold on, this is what y'all want right now?

1331
00:55:04,320 --> 00:55:06,000
Speaker 1: Y'all like you can't even stand up straight.

1332
00:55:06,960 --> 00:55:09,360
Speaker 3: Lot Marina was a great time, though, man, just just

1333
00:55:09,400 --> 00:55:12,200
Speaker 3: where it was at, uh, you know, uptown Dykeman, in

1334
00:55:12,239 --> 00:55:13,520
Speaker 3: that neighborhood right on the water.

1335
00:55:13,800 --> 00:55:14,879
Speaker 1: I just think that it was.

1336
00:55:17,520 --> 00:55:19,440
Speaker 3: Just getting in and out as far as parking and

1337
00:55:19,560 --> 00:55:22,719
Speaker 3: driving down that block death trap. Yeah, I think that

1338
00:55:22,760 --> 00:55:24,880
Speaker 3: it was just a little you know, it caused a

1339
00:55:24,880 --> 00:55:28,040
Speaker 3: bit of a It was too much traffic for that neighborhood.

1340
00:55:28,040 --> 00:55:29,640
Speaker 1: It wasn't really feeling that I used.

1341
00:55:29,480 --> 00:55:31,080
Speaker 4: To think, because you know, when you go to certain

1342
00:55:31,120 --> 00:55:33,319
Speaker 4: venues and you see what type of time is over there,

1343
00:55:33,320 --> 00:55:35,440
Speaker 4: you just have to have an exit strategy just for

1344
00:55:35,480 --> 00:55:38,360
Speaker 4: your own safety precautions. Every time was at Lomery and

1345
00:55:38,360 --> 00:55:40,480
Speaker 4: I'm like, this is a dead end. If something happened,

1346
00:55:40,520 --> 00:55:43,239
Speaker 4: there's only one way out away from the shots the water.

1347
00:55:43,320 --> 00:55:45,319
Speaker 4: Got to jump the water, Yeah, I have to jump

1348
00:55:45,360 --> 00:55:47,479
Speaker 4: in the Hudson to safely get away from this venue

1349
00:55:47,480 --> 00:55:48,400
Speaker 4: and some shit goes down.

1350
00:55:48,480 --> 00:55:51,040
Speaker 3: But it was definitely a great idea, like being able

1351
00:55:51,120 --> 00:55:55,480
Speaker 3: to have that right there. You have half sand, half concrete.

1352
00:55:55,560 --> 00:55:57,160
Speaker 3: You know, people wanted to get the sand the day

1353
00:55:57,200 --> 00:55:59,640
Speaker 3: party vibe, you know, get they had the little beds

1354
00:55:59,680 --> 00:56:00,760
Speaker 3: that was like the VIPs.

1355
00:56:00,760 --> 00:56:02,560
Speaker 4: So nasty, those cabanas.

1356
00:56:03,120 --> 00:56:05,480
Speaker 3: Yeah, I mean I understand what they were trying to do,

1357
00:56:05,560 --> 00:56:07,680
Speaker 3: but I used to always just tell my homies, I'm like,

1358
00:56:08,880 --> 00:56:12,480
Speaker 3: we are still uptown on Dykeman, like those.

1359
00:56:12,440 --> 00:56:14,120
Speaker 1: Is still the hood. Like I don't give a fuck.

1360
00:56:14,200 --> 00:56:16,120
Speaker 3: How much water is saying y'all put over here, Like

1361
00:56:16,480 --> 00:56:19,799
Speaker 3: niggas is selling domes right down the block and he's

1362
00:56:19,800 --> 00:56:23,120
Speaker 3: getting killed two blocks over. Like it's it's treacherous outside

1363
00:56:23,120 --> 00:56:23,720
Speaker 3: of these gates.

1364
00:56:23,920 --> 00:56:26,520
Speaker 4: Those little mattresses in the cabanas, we're nastier than the

1365
00:56:26,560 --> 00:56:30,160
Speaker 4: mattresses at Extended State of America and North Carolina. Yeah,

1366
00:56:30,160 --> 00:56:31,960
Speaker 4: without a doubt, I think I called a tug on

1367
00:56:32,120 --> 00:56:33,440
Speaker 4: one of those mattresses quietly.

1368
00:56:34,280 --> 00:56:38,120
Speaker 1: Yeah, it's atle they shut that place down to sanitized. Yeah,

1369
00:56:38,160 --> 00:56:40,080
Speaker 1: of course, let you out there getting tugged. What are

1370
00:56:40,080 --> 00:56:40,439
Speaker 1: you doing?

1371
00:56:40,520 --> 00:56:42,480
Speaker 4: I mean the whole place is covered in seemen.

1372
00:56:42,920 --> 00:56:45,880
Speaker 1: Well that is that is that is very true.

1373
00:56:46,719 --> 00:56:47,759
Speaker 4: It had to make my mark.

1374
00:56:48,840 --> 00:56:52,319
Speaker 3: Kanye West drops out of Coachella. No Travis Scott either

1375
00:56:54,280 --> 00:56:56,799
Speaker 3: still got emotional oranges. Look now you gotta what you're

1376
00:56:56,800 --> 00:56:58,160
Speaker 3: gonna do, Roy, it's more time.

1377
00:56:58,000 --> 00:57:00,840
Speaker 4: It's more we're main stage now, We've got to be

1378
00:57:00,880 --> 00:57:04,080
Speaker 4: the natural people to to replace Kanye's out e is.

1379
00:57:04,280 --> 00:57:07,720
Speaker 1: Yeah, that's the progression for me. I think I agree,

1380
00:57:08,000 --> 00:57:09,800
Speaker 1: who But who's gonna replace Kanye?

1381
00:57:10,160 --> 00:57:11,400
Speaker 2: Who's gonna last minute?

1382
00:57:11,440 --> 00:57:13,440
Speaker 1: Like, who's gonna in Travis?

1383
00:57:13,800 --> 00:57:17,760
Speaker 4: Because those headliners they take like a fucking three four

1384
00:57:17,840 --> 00:57:20,400
Speaker 4: or five months to put together that Coachella show. Yeah,

1385
00:57:20,400 --> 00:57:21,440
Speaker 4: that ship isn't two weeks.

1386
00:57:21,560 --> 00:57:24,200
Speaker 1: Two weeks, Yeah, I mean it's it's gonna be tough.

1387
00:57:25,200 --> 00:57:27,800
Speaker 4: You gotta find someone that's on tour, right, a huge

1388
00:57:27,840 --> 00:57:29,640
Speaker 4: artist that's already on tour where you can literally just

1389
00:57:29,680 --> 00:57:31,920
Speaker 4: take their set from the arena and like it was,

1390
00:57:31,920 --> 00:57:34,320
Speaker 4: just throw it on Coachell's stage, no rehearsals because you're

1391
00:57:34,320 --> 00:57:35,120
Speaker 4: already on tour.

1392
00:57:35,720 --> 00:57:38,840
Speaker 3: I mean, if you have Kanye out and no Travis,

1393
00:57:38,880 --> 00:57:45,160
Speaker 3: these are two of the better performers, better artists, I mean, do.

1394
00:57:45,240 --> 00:57:48,520
Speaker 4: They call Drake Drake thing I could think of.

1395
00:57:49,440 --> 00:57:52,360
Speaker 1: But you're saying, but is she already performing? Yeah?

1396
00:57:52,360 --> 00:57:56,080
Speaker 4: Well no, no, she already did Coach though. Okay, but if

1397
00:57:56,160 --> 00:57:58,000
Speaker 4: Drake's gonna headline Coach, I know he's gonna want to

1398
00:57:58,000 --> 00:57:59,840
Speaker 4: do it the Drake way and make it a whole moment.

1399
00:58:00,040 --> 00:58:03,120
Speaker 4: I can calling Drake's phone right now, Yo, can you

1400
00:58:03,200 --> 00:58:05,640
Speaker 4: perform in two weeks as the Coachell Get the funk

1401
00:58:05,680 --> 00:58:06,200
Speaker 4: off my phone.

1402
00:58:07,640 --> 00:58:08,920
Speaker 1: I just don't know where they go.

1403
00:58:10,880 --> 00:58:13,560
Speaker 4: Gang Carlo Jack, Harror.

1404
00:58:14,040 --> 00:58:15,400
Speaker 2: I'm telling you what they're going to try to do.

1405
00:58:15,440 --> 00:58:16,600
Speaker 2: I didn't say that he deserves it.

1406
00:58:16,800 --> 00:58:19,440
Speaker 1: To replace Kanye or Travis.

1407
00:58:19,520 --> 00:58:22,760
Speaker 4: Jack would be a big that's name on for Coachella,

1408
00:58:22,840 --> 00:58:25,080
Speaker 4: but he's not a headliner yet. Eventually he probably will be.

1409
00:58:25,160 --> 00:58:26,880
Speaker 1: But I something to say. You're talking about Kanye.

1410
00:58:27,480 --> 00:58:30,080
Speaker 2: No, you're not going to find anybody to replace Kanye.

1411
00:58:30,120 --> 00:58:30,880
Speaker 2: Oh that's our point.

1412
00:58:31,440 --> 00:58:34,560
Speaker 3: Well, you know it's only one. It's only one kanriend friend,

1413
00:58:34,840 --> 00:58:37,440
Speaker 3: It's only one Kanye. So yes, you can't replace Kanye,

1414
00:58:37,520 --> 00:58:40,240
Speaker 3: but you have to kind of yeah, you have to

1415
00:58:40,320 --> 00:58:45,640
Speaker 3: kind of land somewhere in like, holy shit, land, lady.

1416
00:58:46,080 --> 00:58:47,160
Speaker 1: I don't know. I'm just naming.

1417
00:58:47,360 --> 00:58:51,480
Speaker 2: Yeah, two weeks. Two weeks. Nobody's saying yes to this,

1418
00:58:52,160 --> 00:58:54,560
Speaker 2: and it's a huge scrutiny because Kanye is not going

1419
00:58:54,600 --> 00:58:57,440
Speaker 2: to be there. So now you're technically replacing Kanye, and

1420
00:58:57,520 --> 00:58:59,920
Speaker 2: you have two weeks to replace Kanye. Who the fuck

1421
00:59:00,120 --> 00:59:01,080
Speaker 2: the right mind is doing that?

1422
00:59:01,680 --> 00:59:02,240
Speaker 4: Frank Ocean?

1423
00:59:03,280 --> 00:59:04,360
Speaker 1: Oh he would say not.

1424
00:59:06,640 --> 00:59:08,680
Speaker 4: Yeah, because whoever replaced the same thing. But when Drake

1425
00:59:09,440 --> 00:59:11,880
Speaker 4: didn't replace Frank Ocean, all the fans were wrong. Frank

1426
00:59:12,000 --> 00:59:13,960
Speaker 4: was never booked. They was pissed. So I could see

1427
00:59:13,960 --> 00:59:16,480
Speaker 4: all the Kanye fans just going to the headliner, like

1428
00:59:16,520 --> 00:59:17,160
Speaker 4: now we want.

1429
00:59:17,040 --> 00:59:19,720
Speaker 1: Yeah, maybe Tyler.

1430
00:59:21,120 --> 00:59:21,960
Speaker 4: He's on tour now.

1431
00:59:22,320 --> 00:59:25,760
Speaker 1: I would have to see if it Tyler. I think

1432
00:59:25,840 --> 00:59:28,360
Speaker 1: may Tyler would be a great replacement.

1433
00:59:28,600 --> 00:59:31,520
Speaker 4: Yeah, I think so already has a set together, doesn't

1434
00:59:31,560 --> 00:59:32,840
Speaker 4: need to rehearse because he's at the show.

1435
00:59:33,080 --> 00:59:34,600
Speaker 1: Yeah, Tyler can makes sense, I believe.

1436
00:59:35,200 --> 00:59:38,520
Speaker 3: I think Tyler they or they might just go completely

1437
00:59:38,560 --> 00:59:42,200
Speaker 3: left and they maybe give us Silk Sonic.

1438
00:59:43,840 --> 00:59:45,200
Speaker 1: I could see him trying to do that, but.

1439
00:59:45,160 --> 00:59:48,960
Speaker 4: Then you get a whole Bruno Mars set and yeah, yeah.

1440
00:59:48,520 --> 00:59:50,640
Speaker 3: I could see Silk son I would that. I can

1441
00:59:50,720 --> 00:59:52,800
Speaker 3: see them trying to replace that with soaks sonic because

1442
00:59:52,880 --> 00:59:53,200
Speaker 3: I mean.

1443
00:59:53,160 --> 00:59:54,960
Speaker 4: Kanye and Bruno at eight ball and he'll get that

1444
00:59:55,000 --> 00:59:56,000
Speaker 4: shit done in two weeks.

1445
00:59:56,600 --> 00:59:59,800
Speaker 1: Yeah, Bruno, give him some coke. You know. You know

1446
00:59:59,840 --> 01:00:00,720
Speaker 1: what funny about that.

1447
01:00:00,960 --> 01:00:04,480
Speaker 3: Everybody has that unanimous thy everybody says that about Bruno.

1448
01:00:05,400 --> 01:00:06,760
Speaker 3: As soon as they see Brune, they be like, oh,

1449
01:00:06,760 --> 01:00:09,520
Speaker 3: Bruno got that, he got that, he got that fire coke.

1450
01:00:09,600 --> 01:00:11,720
Speaker 1: And I'm like, why do people just see Bruno Mars

1451
01:00:13,640 --> 01:00:16,320
Speaker 1: he has just coke like in his pocket, because there's

1452
01:00:16,520 --> 01:00:18,680
Speaker 1: paperwork that says yo, he has man coke in his

1453
01:00:18,720 --> 01:00:20,960
Speaker 1: pocket and a mugshot to go with it.

1454
01:00:21,600 --> 01:00:26,040
Speaker 3: I think it's the it's the it's the it's the shirts.

1455
01:00:26,080 --> 01:00:29,080
Speaker 3: I think it's the texture of the guards with the

1456
01:00:29,760 --> 01:00:31,560
Speaker 3: chest out and the chains.

1457
01:00:31,640 --> 01:00:33,240
Speaker 4: And he's a very cokey face though.

1458
01:00:33,320 --> 01:00:35,760
Speaker 1: Yeah, the shades. He has a he has a nineteen

1459
01:00:35,880 --> 01:00:38,120
Speaker 1: seventy eight. Yeah cokey.

1460
01:00:38,440 --> 01:00:40,560
Speaker 4: It just comes with he had no choice, Yeah, and

1461
01:00:40,720 --> 01:00:41,960
Speaker 4: like Heroin anymore.

1462
01:00:42,040 --> 01:00:44,800
Speaker 3: So it's like, Okay, he's at least he has he

1463
01:00:44,840 --> 01:00:46,440
Speaker 3: has a lot of money, he has a lot of women.

1464
01:00:47,480 --> 01:00:51,680
Speaker 1: Cocaine is somewhere in that in that concoction. Two weeks

1465
01:00:51,800 --> 01:00:53,160
Speaker 1: get a may ball to get it done.

1466
01:00:53,360 --> 01:00:56,080
Speaker 3: Yeah, I want to see who they're gonna uh replace

1467
01:00:56,160 --> 01:00:59,120
Speaker 3: Kanye and Travis Scott with a Coachella is available?

1468
01:00:59,720 --> 01:01:01,160
Speaker 4: Who we're available?

1469
01:01:01,960 --> 01:01:03,880
Speaker 1: We weren't nominated for an amby, I mean yeah.

1470
01:01:03,880 --> 01:01:06,600
Speaker 3: I think if they tried to replace Kanye and Travis

1471
01:01:06,600 --> 01:01:10,040
Speaker 3: Scott with Rory and Mall, I think that we would.

1472
01:01:09,880 --> 01:01:13,160
Speaker 1: Get chased out of Coachell. I think they we would

1473
01:01:13,200 --> 01:01:16,520
Speaker 1: get pitchforks. Oh my god. Yeah, no, I don't want

1474
01:01:16,520 --> 01:01:17,120
Speaker 1: no part of that.

1475
01:01:17,240 --> 01:01:20,280
Speaker 4: I'm cool, and it would be funny for like, we

1476
01:01:20,320 --> 01:01:22,360
Speaker 4: didn't even give visuals, no nothing like literally just set

1477
01:01:22,400 --> 01:01:24,920
Speaker 4: up a chairing a mic, blank screen behind us.

1478
01:01:25,400 --> 01:01:29,440
Speaker 2: Yo, you could la Rory and Mare at Coachella.

1479
01:01:29,640 --> 01:01:31,560
Speaker 1: Yeah, at Coachella.

1480
01:01:32,000 --> 01:01:34,080
Speaker 3: That's not gonna that's not gonna work. I can promise

1481
01:01:34,080 --> 01:01:35,480
Speaker 3: you that now. I don't want no part of that.

1482
01:01:35,880 --> 01:01:40,120
Speaker 1: Are you gonna go to Coachella? Come on, I have

1483
01:01:40,160 --> 01:01:41,000
Speaker 1: a confession to make.

1484
01:01:41,160 --> 01:01:42,600
Speaker 4: You got a fuck a dirty bitch in the tent?

1485
01:01:43,400 --> 01:01:46,280
Speaker 4: Check that off the list, all right, bro?

1486
01:01:46,440 --> 01:01:48,840
Speaker 1: I really don't like the festival thing.

1487
01:01:49,120 --> 01:01:52,600
Speaker 2: Yeah, like regarding pussy or just like festivals periods.

1488
01:01:52,360 --> 01:01:53,240
Speaker 1: No, just festivals.

1489
01:01:53,400 --> 01:01:56,640
Speaker 3: I love pussy, but I've gone to some I've gone

1490
01:01:56,680 --> 01:01:59,440
Speaker 3: to some way more treacherous places for pussy than Coachella,

1491
01:02:00,240 --> 01:02:01,960
Speaker 3: the South Bronx, trust me.

1492
01:02:02,080 --> 01:02:06,560
Speaker 1: Yeah, I'm just not the festival guy. Bro, Coachell is

1493
01:02:06,560 --> 01:02:08,840
Speaker 1: definitely not the one. If you're not the festival guy.

1494
01:02:08,960 --> 01:02:11,760
Speaker 3: Yeah, it's just I'm just not you know, it's too

1495
01:02:11,800 --> 01:02:14,760
Speaker 3: many moving parts. It's like, you know, when you find

1496
01:02:14,760 --> 01:02:17,400
Speaker 3: a good spot backstage somewhere, you find yourself just staying

1497
01:02:17,440 --> 01:02:19,959
Speaker 3: there for hours, and it's kind of like I could

1498
01:02:19,960 --> 01:02:22,240
Speaker 3: have been home, you know what i mean. And it's

1499
01:02:22,240 --> 01:02:23,640
Speaker 3: streaming and.

1500
01:02:23,920 --> 01:02:25,080
Speaker 4: The streams look incredible.

1501
01:02:25,520 --> 01:02:27,840
Speaker 3: I'm home, bro, Like I'm gonna just be honest with y'all.

1502
01:02:27,880 --> 01:02:29,280
Speaker 3: I'm at the crib watching this, like you know what

1503
01:02:29,320 --> 01:02:32,160
Speaker 3: I'm saying. I just I'm not really the festival I

1504
01:02:32,200 --> 01:02:33,960
Speaker 3: love live shows, you know what I'm saying. I love

1505
01:02:34,200 --> 01:02:38,240
Speaker 3: just seeing how songs and shit sound live and how artists,

1506
01:02:38,240 --> 01:02:41,400
Speaker 3: you know, they do their live rendition of a song.

1507
01:02:41,240 --> 01:02:42,680
Speaker 1: That I love. I love that part of it.

1508
01:02:43,160 --> 01:02:46,160
Speaker 3: But festivals that are as big as Coachella with those moving

1509
01:02:46,200 --> 01:02:47,920
Speaker 3: parts and you know, gott to stay in here, go

1510
01:02:48,000 --> 01:02:50,640
Speaker 3: back this way, and you know, the artist village and

1511
01:02:50,640 --> 01:02:52,680
Speaker 3: the VIP and this that and the third and everybody

1512
01:02:52,720 --> 01:02:55,040
Speaker 3: hitting your phone trying to get another band for somebody that.

1513
01:02:55,400 --> 01:02:57,160
Speaker 1: It's like, Bro, I'm a spectator here.

1514
01:02:58,120 --> 01:03:01,160
Speaker 3: I have no bands, I have no access to nothing

1515
01:03:01,160 --> 01:03:04,040
Speaker 3: other than what was given access to me. Like, I don't,

1516
01:03:04,120 --> 01:03:05,960
Speaker 3: you know, So I just try to avoid all of that.

1517
01:03:06,080 --> 01:03:09,440
Speaker 3: I don't like doing the fake small talking, so I

1518
01:03:09,560 --> 01:03:12,040
Speaker 3: just avoid that shit. So I don't think I'm doing Coachella.

1519
01:03:12,080 --> 01:03:13,280
Speaker 4: Bro, And then you feel like a burden.

1520
01:03:13,840 --> 01:03:16,080
Speaker 1: Hell cool if I go over it, like, yeah, I'm

1521
01:03:16,120 --> 01:03:19,439
Speaker 1: just not working. Yeah, Like I just don't. I don't.

1522
01:03:19,480 --> 01:03:21,000
Speaker 1: I don't like doing that. I don't like doing that.

1523
01:03:21,000 --> 01:03:21,280
Speaker 1: I could.

1524
01:03:21,360 --> 01:03:24,240
Speaker 3: I could smoke this weed and drink water in the

1525
01:03:24,280 --> 01:03:25,919
Speaker 3: crib and watch this and have and.

1526
01:03:25,800 --> 01:03:27,920
Speaker 1: Get some pussy. Yeah, and exactly, you know if I

1527
01:03:27,920 --> 01:03:30,320
Speaker 1: want to take a little sweating all day. Yeah, you

1528
01:03:30,320 --> 01:03:31,400
Speaker 1: know what I mean. Like so, I don't know.

1529
01:03:31,440 --> 01:03:34,320
Speaker 3: I mean, I I like the fact that Coachella is

1530
01:03:34,360 --> 01:03:36,840
Speaker 3: back and people are back outside, and festivals are back

1531
01:03:36,840 --> 01:03:39,600
Speaker 3: and everybody's together and artists can perform and all that

1532
01:03:39,640 --> 01:03:40,400
Speaker 3: in front of their fans.

1533
01:03:40,520 --> 01:03:42,240
Speaker 1: I love that part. But for me being there, no,

1534
01:03:42,360 --> 01:03:42,920
Speaker 1: I can't do it.

1535
01:03:42,920 --> 01:03:47,240
Speaker 4: Oh I had an idea. Cardi b Presents boat chiller.

1536
01:03:47,760 --> 01:03:51,040
Speaker 4: Oh you can put that together in two weeks.

1537
01:03:52,560 --> 01:03:55,520
Speaker 2: But here's the thing. CARTI performed at Coachella, if I'm

1538
01:03:55,520 --> 01:03:58,960
Speaker 2: not mistaken, when she was pregnant, and she hasn't released

1539
01:03:59,160 --> 01:04:05,080
Speaker 2: much music since then. So card Bill, I was gonna

1540
01:04:05,080 --> 01:04:07,400
Speaker 2: say sil so because I'm watching regardless, but I think

1541
01:04:07,440 --> 01:04:09,040
Speaker 2: that might be their way of thinking with that.

1542
01:04:09,520 --> 01:04:10,400
Speaker 4: NICKI would be great too.

1543
01:04:10,960 --> 01:04:11,760
Speaker 1: I know we just naming it.

1544
01:04:11,760 --> 01:04:12,080
Speaker 4: At this point.

1545
01:04:12,080 --> 01:04:13,360
Speaker 1: People probably like, you shut the fuck up.

1546
01:04:13,400 --> 01:04:17,320
Speaker 4: But that is fucking crazy to try to replace your headliner.

1547
01:04:17,880 --> 01:04:21,240
Speaker 1: Yeah, I mean you would hate it, but why do you?

1548
01:04:21,360 --> 01:04:22,960
Speaker 1: Why do you keep trying to pay this? And I

1549
01:04:23,040 --> 01:04:25,760
Speaker 1: hate Wayne Man? Stop doing I love Wayne.

1550
01:04:25,840 --> 01:04:28,280
Speaker 4: I was wait listen every time I go outside, some

1551
01:04:28,600 --> 01:04:31,360
Speaker 4: artists or producer makes a bee line to tell me

1552
01:04:32,080 --> 01:04:34,080
Speaker 4: how much they hate you. And I was waiting for

1553
01:04:34,080 --> 01:04:35,919
Speaker 4: Wayne when I was on stage to turn over be like, hey,

1554
01:04:36,000 --> 01:04:36,440
Speaker 4: fuck moo.

1555
01:04:38,320 --> 01:04:40,760
Speaker 1: First of all, what is that voice? You just.

1556
01:04:42,680 --> 01:04:43,920
Speaker 4: That my Bessie in at Tessie?

1557
01:04:45,440 --> 01:04:47,320
Speaker 1: I love Wayne Man. Y'all just be trying to make it.

1558
01:04:47,400 --> 01:04:48,360
Speaker 1: I think the fact that I.

1559
01:04:48,320 --> 01:04:52,240
Speaker 3: Don't say Wayne is my favorite ever make it seem

1560
01:04:52,240 --> 01:04:53,280
Speaker 3: like I hate Wayne but I love Wayne.

1561
01:04:53,320 --> 01:04:57,240
Speaker 4: Come on, Yeah, either way, give us some hot topics

1562
01:04:57,280 --> 01:04:59,040
Speaker 4: to maris what happened in the news?

1563
01:05:02,560 --> 01:05:03,840
Speaker 1: Which trending question?

1564
01:05:03,880 --> 01:05:05,320
Speaker 5: Do you guys know what Taxi Durmy is.

1565
01:05:06,280 --> 01:05:08,160
Speaker 3: Yeah, that's when they kill animals and they stuff and

1566
01:05:08,160 --> 01:05:09,480
Speaker 3: then they put them on their mantle.

1567
01:05:09,600 --> 01:05:11,560
Speaker 1: Now I thought it was a guy that did your taxes.

1568
01:05:11,640 --> 01:05:16,760
Speaker 5: Wow. Now let's say just passed away, Maul. Let's use

1569
01:05:16,760 --> 01:05:17,960
Speaker 5: you as an example.

1570
01:05:18,280 --> 01:05:19,600
Speaker 1: Forget where's he going with this?

1571
01:05:19,960 --> 01:05:23,680
Speaker 5: Right? And then to remember you, we do a live show,

1572
01:05:24,800 --> 01:05:27,160
Speaker 5: but then we have you on stage. Tax Durmy. Would

1573
01:05:27,160 --> 01:05:27,760
Speaker 5: you be okay with that?

1574
01:05:28,440 --> 01:05:28,840
Speaker 1: Uh? No?

1575
01:05:28,880 --> 01:05:30,320
Speaker 3: And I will haunt each and every one of you

1576
01:05:30,400 --> 01:05:33,440
Speaker 3: until you're dying day, So please just put People are

1577
01:05:33,440 --> 01:05:33,720
Speaker 3: doing it.

1578
01:05:33,720 --> 01:05:37,400
Speaker 2: People are propping up their dead loved ones at the

1579
01:05:37,440 --> 01:05:39,320
Speaker 2: parties like you know how they usually do like the

1580
01:05:39,360 --> 01:05:42,480
Speaker 2: photo cutouts, like at the ghetto funerals and stand next

1581
01:05:42,480 --> 01:05:44,240
Speaker 2: to the photo cutout the life size. Now they just

1582
01:05:44,280 --> 01:05:46,200
Speaker 2: have like the actual person stuffed.

1583
01:05:46,520 --> 01:05:47,720
Speaker 1: I'm conflicted on this one.

1584
01:05:47,840 --> 01:05:50,160
Speaker 4: Now. I feel like if you rent out the club

1585
01:05:51,600 --> 01:05:55,120
Speaker 4: and it's your people, then yeah we can put a

1586
01:05:55,120 --> 01:05:55,720
Speaker 4: dead body there.

1587
01:05:55,760 --> 01:05:59,600
Speaker 1: It's just it's it's for me. It's just I'm not

1588
01:06:00,160 --> 01:06:02,880
Speaker 1: It's just a little eerie to see that. Yeah, I don't.

1589
01:06:02,920 --> 01:06:04,560
Speaker 3: Yeah, I don't want to. I don't want to see.

1590
01:06:04,560 --> 01:06:08,360
Speaker 3: I understand honoring, you know, the dead and the deceased

1591
01:06:08,400 --> 01:06:13,200
Speaker 3: and and you know, giving them their last you know, flowers.

1592
01:06:14,160 --> 01:06:17,160
Speaker 3: But I just seeing a body outside of a casket

1593
01:06:17,280 --> 01:06:20,320
Speaker 3: like that propped up for me, I'm that's just not

1594
01:06:20,640 --> 01:06:22,640
Speaker 3: you know' that's just eerie for me. It's just a

1595
01:06:22,640 --> 01:06:24,080
Speaker 3: little I don't I don't want to see that.

1596
01:06:24,240 --> 01:06:26,240
Speaker 1: Well, I'm telling you guys now, and this is on record,

1597
01:06:26,760 --> 01:06:29,560
Speaker 1: don't put my body in last lap. No, I was

1598
01:06:29,560 --> 01:06:36,080
Speaker 1: thinking that we put some body put me in a casket. No, yeah,

1599
01:06:36,120 --> 01:06:37,840
Speaker 1: I was thinking we take you to like, you know,

1600
01:06:38,200 --> 01:06:39,080
Speaker 1: s obs.

1601
01:06:39,360 --> 01:06:43,800
Speaker 3: Yeah, I would like that the Irish pubs, pink houses,

1602
01:06:43,960 --> 01:06:47,920
Speaker 3: let them throw some guinness on you.

1603
01:06:50,080 --> 01:06:51,920
Speaker 1: I used throwing beer on a dead body.

1604
01:06:52,400 --> 01:06:56,160
Speaker 3: Oh no, I've seen you seeing a body on stage,

1605
01:06:56,960 --> 01:06:58,800
Speaker 3: you know, that was like for me, that was definitely

1606
01:06:58,800 --> 01:07:03,080
Speaker 3: something I've never seen before. Yeah, but pouring alcohol on

1607
01:07:03,120 --> 01:07:04,080
Speaker 3: a dead I've seen that.

1608
01:07:04,120 --> 01:07:05,400
Speaker 1: They's plenty of seen it.

1609
01:07:05,480 --> 01:07:06,640
Speaker 4: Next to the body.

1610
01:07:06,400 --> 01:07:10,240
Speaker 3: And video is just they opened the casket and whatever.

1611
01:07:10,280 --> 01:07:13,560
Speaker 3: His favorite drink was champagne tequila.

1612
01:07:14,120 --> 01:07:15,880
Speaker 1: And I'm just like a casket, mad Sticky.

1613
01:07:15,960 --> 01:07:19,400
Speaker 3: Yeah, I'm just like, I don't know if he's would

1614
01:07:19,520 --> 01:07:23,080
Speaker 3: want that. I'm pretty sure he wouldn't want that. I've

1615
01:07:23,080 --> 01:07:25,240
Speaker 3: seen one video where they took the body out the casket,

1616
01:07:26,040 --> 01:07:28,320
Speaker 3: put it on the back of a dude had a motorcycle.

1617
01:07:28,360 --> 01:07:31,560
Speaker 3: They put the body on his back, and the dude

1618
01:07:31,680 --> 01:07:33,520
Speaker 3: drove off down the street with the body hanging.

1619
01:07:33,840 --> 01:07:35,600
Speaker 1: I'm just like, though, I don't know where we're going

1620
01:07:35,640 --> 01:07:36,280
Speaker 1: as humans.

1621
01:07:36,320 --> 01:07:38,800
Speaker 4: Like, I understand everyone greets differently.

1622
01:07:38,560 --> 01:07:39,800
Speaker 1: You know, I listen, listen.

1623
01:07:40,400 --> 01:07:44,280
Speaker 3: You know, I'm not disrespecting nobody's deceased relatives and you

1624
01:07:44,320 --> 01:07:44,840
Speaker 3: know whatever.

1625
01:07:45,840 --> 01:07:47,760
Speaker 1: I just think that we need to keep things traditional.

1626
01:07:48,200 --> 01:07:51,520
Speaker 3: Have the casket, have the ceremony, let's say a few words,

1627
01:07:51,600 --> 01:07:54,760
Speaker 3: let's pray, let's hug each other, let's you know, and

1628
01:07:54,800 --> 01:07:57,520
Speaker 3: then let's let the decease to be deceased and you know,

1629
01:07:57,560 --> 01:07:59,600
Speaker 3: put them in their final rest in place. I don't

1630
01:07:59,600 --> 01:08:02,160
Speaker 3: think that we need to prop our dead relatives on

1631
01:08:02,200 --> 01:08:04,560
Speaker 3: the back of motorcycles and take them for their last

1632
01:08:04,640 --> 01:08:06,560
Speaker 3: ride around their favorite like neighborhood.

1633
01:08:06,600 --> 01:08:08,600
Speaker 1: You know, my last ride was when I was alive. Yeah, Like,

1634
01:08:08,680 --> 01:08:11,800
Speaker 1: I just know that's my last ride. Yeah, I'm just

1635
01:08:12,000 --> 01:08:12,960
Speaker 1: you know again.

1636
01:08:13,520 --> 01:08:15,360
Speaker 3: You know, if I'm at a funeral and one of

1637
01:08:15,360 --> 01:08:17,920
Speaker 3: my homies died and his cousins decided to take him

1638
01:08:17,920 --> 01:08:19,559
Speaker 3: out the casket and put him on the motive, who

1639
01:08:19,600 --> 01:08:20,720
Speaker 3: am I to tell him not to do that?

1640
01:08:20,920 --> 01:08:21,160
Speaker 5: True?

1641
01:08:21,720 --> 01:08:23,880
Speaker 1: You know that's their cousin, you know, I'm you know.

1642
01:08:23,920 --> 01:08:25,960
Speaker 4: Okay, Can I say, hey, you shouldn't do that?

1643
01:08:26,600 --> 01:08:29,559
Speaker 1: I would probably whisper it to like, hey, I would.

1644
01:08:29,640 --> 01:08:31,479
Speaker 3: I would find the funeral director and be like, listen,

1645
01:08:31,479 --> 01:08:33,360
Speaker 3: how safe is this that what they're doing right?

1646
01:08:33,439 --> 01:08:34,679
Speaker 2: I mean, well they can't die again.

1647
01:08:34,920 --> 01:08:39,160
Speaker 1: Yo, Well they can't die again, but it's still like, okay, so.

1648
01:08:39,120 --> 01:08:40,880
Speaker 3: They're going to bring the body back to the casket

1649
01:08:40,920 --> 01:08:42,680
Speaker 3: and put it after they take put it on the motorcycle.

1650
01:08:42,800 --> 01:08:45,360
Speaker 4: I feel like, if you take a dead body out

1651
01:08:45,360 --> 01:08:47,280
Speaker 4: of a casket, now, she your responsibility.

1652
01:08:48,360 --> 01:08:51,120
Speaker 1: Your responsible that body now. Yeah, it's just to me,

1653
01:08:51,200 --> 01:08:53,599
Speaker 1: it's just that that's yours now. I'm just I don't

1654
01:08:53,600 --> 01:08:54,760
Speaker 1: want to I don't want to see that.

1655
01:08:54,800 --> 01:08:56,920
Speaker 4: I like what Shorty Low's family different though.

1656
01:08:57,439 --> 01:08:59,280
Speaker 1: They took the casket to the.

1657
01:08:59,080 --> 01:09:01,519
Speaker 4: Strip club and with a bunch of ship that he loved.

1658
01:09:01,560 --> 01:09:04,240
Speaker 4: It was closet like I like that was it was close.

1659
01:09:04,280 --> 01:09:05,639
Speaker 4: It was the cast he was the body was still

1660
01:09:05,680 --> 01:09:08,200
Speaker 4: in the casket. See, I'm not you know those type

1661
01:09:08,240 --> 01:09:08,559
Speaker 4: of things.

1662
01:09:08,680 --> 01:09:12,040
Speaker 1: I understand. You know, take the last ride around the city.

1663
01:09:12,200 --> 01:09:15,720
Speaker 1: You know, people come, you know, throw flowers or whatever

1664
01:09:15,760 --> 01:09:17,320
Speaker 1: in the casket. Whatever. I understand that.

1665
01:09:17,600 --> 01:09:19,320
Speaker 2: Where would you want to go on your last.

1666
01:09:19,160 --> 01:09:21,920
Speaker 1: Right, my last ride music home?

1667
01:09:22,000 --> 01:09:23,800
Speaker 2: Yeah, you got where you want to take you?

1668
01:09:24,120 --> 01:09:28,680
Speaker 1: He left it, He left it on the stage home. Yeah.

1669
01:09:28,840 --> 01:09:31,439
Speaker 1: Put me wherever my body go. Put me in the cemetery,

1670
01:09:32,000 --> 01:09:33,719
Speaker 1: this wild there cemetery.

1671
01:09:34,760 --> 01:09:37,880
Speaker 3: Find a nice plot with a nice like the hills

1672
01:09:37,920 --> 01:09:38,879
Speaker 3: or whatever the sunset.

1673
01:09:38,920 --> 01:09:42,280
Speaker 4: Say, I was missed, brother, listen man.

1674
01:09:42,439 --> 01:09:44,800
Speaker 3: Put me right there, Give me a nice tombstone. Come

1675
01:09:44,880 --> 01:09:46,919
Speaker 3: see me every now and again to clean my tombstone.

1676
01:09:46,960 --> 01:09:48,720
Speaker 3: Make sure the ain't no weeds and nothing growing on me.

1677
01:09:49,160 --> 01:09:50,519
Speaker 1: And that's it. You ain't got to take me on

1678
01:09:50,600 --> 01:09:52,439
Speaker 1: my cast just as long as the Rockefeller set at

1679
01:09:52,479 --> 01:09:54,960
Speaker 1: the repass. Yeah, I'm easy, man. Yeah, that's all.

1680
01:09:55,000 --> 01:09:57,280
Speaker 5: You guys want to be converted to a tree, that's

1681
01:09:57,280 --> 01:09:57,479
Speaker 5: the thing.

1682
01:09:57,560 --> 01:09:58,720
Speaker 1: Now. Yeah, I've seen that.

1683
01:09:58,720 --> 01:10:00,639
Speaker 3: They'll take the they take the body and they plant

1684
01:10:00,720 --> 01:10:07,479
Speaker 3: it like a like soil and listen, I'm no longer

1685
01:10:07,479 --> 01:10:08,040
Speaker 3: in that body.

1686
01:10:08,240 --> 01:10:10,080
Speaker 5: Like imagine if Rory was an orange tree.

1687
01:10:10,360 --> 01:10:11,000
Speaker 4: That'd be cool.

1688
01:10:11,040 --> 01:10:11,439
Speaker 1: But like.

1689
01:10:13,479 --> 01:10:15,840
Speaker 4: But then like you could just chop me down, like

1690
01:10:15,880 --> 01:10:17,240
Speaker 4: I'm already dead, and you.

1691
01:10:17,400 --> 01:10:19,400
Speaker 2: Well you always, You're a tree, You'll always.

1692
01:10:19,880 --> 01:10:21,680
Speaker 4: But like what if a hurricane comes you like be

1693
01:10:21,720 --> 01:10:22,320
Speaker 4: a peach tree.

1694
01:10:26,200 --> 01:10:28,720
Speaker 1: This is his last day ever? Ever hear from it.

1695
01:10:28,760 --> 01:10:30,160
Speaker 1: I was stinking like you, I think I could engineer

1696
01:10:30,200 --> 01:10:32,400
Speaker 1: this ship, like you just gotta hit spacebar.

1697
01:10:32,520 --> 01:10:36,120
Speaker 3: Yeah, this is his last days and the viewers that

1698
01:10:36,360 --> 01:10:38,639
Speaker 3: this will be his last day.

1699
01:10:37,880 --> 01:10:39,040
Speaker 5: Yeah no.

1700
01:10:39,120 --> 01:10:41,400
Speaker 2: But I think conversations like this all jokes aside, because

1701
01:10:41,400 --> 01:10:43,280
Speaker 2: a lot of that ship is I laugh at dark stuff,

1702
01:10:43,320 --> 01:10:44,800
Speaker 2: but a lot of this is really important. I do

1703
01:10:44,840 --> 01:10:47,720
Speaker 2: need to know what you guys as last wishes are.

1704
01:10:47,760 --> 01:10:49,680
Speaker 2: And you said you want to bury. None of you

1705
01:10:49,720 --> 01:10:50,679
Speaker 2: guys want to be creenated.

1706
01:10:51,000 --> 01:10:53,360
Speaker 4: I've thought about the cremation. And I've seen people do

1707
01:10:53,439 --> 01:10:57,960
Speaker 4: ill ship with ashes and making diamond necklaces and rings

1708
01:10:57,960 --> 01:10:58,400
Speaker 4: out and ship.

1709
01:10:58,400 --> 01:10:59,200
Speaker 1: I think that's kind of ill.

1710
01:11:00,240 --> 01:11:02,280
Speaker 3: I saw one video they were taking the ashes to

1711
01:11:02,320 --> 01:11:05,040
Speaker 3: the ocean and they didn't time to win, and they

1712
01:11:05,120 --> 01:11:07,640
Speaker 3: threw the ashes and the wind ashes on everyone I

1713
01:11:07,680 --> 01:11:09,360
Speaker 3: was like, well, look now your relative is with you forever,

1714
01:11:09,439 --> 01:11:11,400
Speaker 3: so it's you know, look how God works.

1715
01:11:11,840 --> 01:11:13,040
Speaker 1: He's not ready to leave you yet.

1716
01:11:13,280 --> 01:11:15,480
Speaker 4: Remember that rumor that was always around that the Outlaws

1717
01:11:15,600 --> 01:11:18,800
Speaker 4: uh smoked Tupac's ashes in a blunt yeah, And that

1718
01:11:18,920 --> 01:11:20,760
Speaker 4: was like for my whole life, I thought that was

1719
01:11:20,800 --> 01:11:23,040
Speaker 4: like absolutely true and everything, and I forgot it might

1720
01:11:23,040 --> 01:11:25,639
Speaker 4: have been a flatter interview someone some of the Outlaws

1721
01:11:25,720 --> 01:11:29,800
Speaker 4: was like, no, we smoke our friends, like.

1722
01:11:29,840 --> 01:11:31,800
Speaker 1: People are people just make these things.

1723
01:11:31,800 --> 01:11:34,240
Speaker 3: Like some of these stories just run for years and

1724
01:11:34,400 --> 01:11:36,320
Speaker 3: you'd sit back and look, actually, that might be a

1725
01:11:36,320 --> 01:11:36,759
Speaker 3: good topic.

1726
01:11:36,760 --> 01:11:38,759
Speaker 1: One day we got to really like go through.

1727
01:11:38,600 --> 01:11:42,200
Speaker 3: All of the tails of hip hop history, yeah and

1728
01:11:42,280 --> 01:11:44,360
Speaker 3: be like, yo, who started this story and ran with it?

1729
01:11:44,600 --> 01:11:48,200
Speaker 3: Because it didn't sound believable back then? It definitely ain't

1730
01:11:48,200 --> 01:11:49,639
Speaker 3: gonna sound believable twenty years later.

1731
01:11:50,040 --> 01:11:52,479
Speaker 4: The Sierra is a man one is to me the

1732
01:11:52,560 --> 01:11:54,519
Speaker 4: most offensive was Sierra was.

1733
01:11:54,520 --> 01:11:57,360
Speaker 1: A man, Olivia Olivia was a man. Most beautiful women.

1734
01:11:57,760 --> 01:12:01,000
Speaker 6: It's like, who thought who really was believe even around

1735
01:12:01,040 --> 01:12:01,920
Speaker 6: saying Megan is a man?

1736
01:12:02,000 --> 01:12:07,200
Speaker 1: Now years how yo, what's first of all?

1737
01:12:08,560 --> 01:12:10,360
Speaker 4: I think game made up that Olivia ship.

1738
01:12:11,400 --> 01:12:13,439
Speaker 3: Game was he was the one pumping that ship. Like

1739
01:12:13,520 --> 01:12:15,240
Speaker 3: and now we know Game to be one of the

1740
01:12:15,280 --> 01:12:19,439
Speaker 3: greatest liars and storytellers and embellishers of the truth that

1741
01:12:19,479 --> 01:12:20,559
Speaker 3: the culture has ever had.

1742
01:12:20,640 --> 01:12:22,800
Speaker 2: No one really believes, So there's no rap rumors that

1743
01:12:22,840 --> 01:12:25,880
Speaker 2: you guys believed, like tupact is alive.

1744
01:12:26,040 --> 01:12:28,320
Speaker 1: Lo, Kim got a stomach pump That was a nasty one,

1745
01:12:28,360 --> 01:12:29,519
Speaker 1: I remember, just.

1746
01:12:29,520 --> 01:12:32,000
Speaker 3: Because she was told about sexual liricly. Yeah, like that

1747
01:12:32,400 --> 01:12:34,800
Speaker 3: Kim had to get her stomach pumped because she had

1748
01:12:34,800 --> 01:12:35,799
Speaker 3: a stomach full of semen.

1749
01:12:35,840 --> 01:12:36,439
Speaker 1: That was like a rule.

1750
01:12:36,520 --> 01:12:37,640
Speaker 2: Wait are you that was?

1751
01:12:38,160 --> 01:12:40,360
Speaker 1: That was rumor When I was a kid, that was

1752
01:12:40,400 --> 01:12:40,800
Speaker 1: a rumor.

1753
01:12:40,840 --> 01:12:41,880
Speaker 2: But when I was a kid, it was a rumor

1754
01:12:41,960 --> 01:12:43,040
Speaker 2: that Chris Brown had aids.

1755
01:12:45,160 --> 01:12:47,320
Speaker 1: That didn't hit my timeline? What the fuck?

1756
01:12:49,920 --> 01:12:52,599
Speaker 4: This was, like my friend Streak, I'm young, I'm very young.

1757
01:12:52,600 --> 01:12:52,880
Speaker 2: You know.

1758
01:12:53,120 --> 01:12:55,840
Speaker 3: Yeah, there was so many dumb ass rumors. Remember when

1759
01:12:55,880 --> 01:12:59,320
Speaker 3: tropical fantasies like made you not you couldn't.

1760
01:12:59,000 --> 01:13:01,640
Speaker 1: Be you wouldn't be able to have kids. Oh yeah,

1761
01:13:01,680 --> 01:13:02,880
Speaker 1: that was the thing they were going to do. Like, yo,

1762
01:13:02,880 --> 01:13:05,439
Speaker 1: you drinking mountain tropical fits, you gonna be have kids.

1763
01:13:05,439 --> 01:13:07,680
Speaker 1: I'm like, I'm fourteen. Bro, I don't even if that

1764
01:13:07,800 --> 01:13:10,080
Speaker 1: is true. I'm not trying to have kids right now, Like,

1765
01:13:10,400 --> 01:13:10,960
Speaker 1: give a fuck.

1766
01:13:11,680 --> 01:13:15,840
Speaker 4: I'm just laughing at us thinking that our stomachs can

1767
01:13:16,320 --> 01:13:18,920
Speaker 4: digest and process fucking fried chicken.

1768
01:13:19,240 --> 01:13:21,800
Speaker 1: But Seemen, you're stumming to be like, Yo, get this

1769
01:13:21,840 --> 01:13:25,680
Speaker 1: out of here. It was just stupid shit, bro. It

1770
01:13:25,840 --> 01:13:27,599
Speaker 1: was so many stupid rumors.

1771
01:13:27,680 --> 01:13:31,439
Speaker 3: Like but that's because there were platforms where artists can

1772
01:13:31,439 --> 01:13:33,719
Speaker 3: speak directly to like social media.

1773
01:13:33,800 --> 01:13:36,920
Speaker 1: See, that's what social media is helpful. It allows artists

1774
01:13:36,960 --> 01:13:39,000
Speaker 1: to step on shit right away.

1775
01:13:39,280 --> 01:13:41,600
Speaker 3: They see shit taking off bottom all this day. I

1776
01:13:41,680 --> 01:13:45,559
Speaker 3: open my Instagram live you listen. That's bullshit. It's lies

1777
01:13:45,600 --> 01:13:46,799
Speaker 3: that I get.

1778
01:13:46,640 --> 01:13:47,639
Speaker 1: That out of here immediately.

1779
01:13:48,160 --> 01:13:51,640
Speaker 3: Early two thousands, early two thousands, Yo, listen. Whatever they

1780
01:13:51,680 --> 01:13:54,360
Speaker 3: said about you, yo, that's what it is, my nigga.

1781
01:13:54,400 --> 01:13:59,160
Speaker 1: And at anytime magic Stick came out, Yo, I told you, look, no,

1782
01:14:01,760 --> 01:14:02,439
Speaker 1: she's still at it.

1783
01:14:02,479 --> 01:14:02,639
Speaker 2: Bro.

1784
01:14:04,080 --> 01:14:07,000
Speaker 3: Nobody ever believed Olivia was a man. Nobody ever believed

1785
01:14:07,000 --> 01:14:07,880
Speaker 3: that Sierra.

1786
01:14:07,600 --> 01:14:08,759
Speaker 2: Was a lot of people believed.

1787
01:14:09,200 --> 01:14:14,440
Speaker 4: When people really thought, which I never saw.

1788
01:14:12,240 --> 01:14:15,760
Speaker 1: How could you because she was in, she had, she had,

1789
01:14:15,800 --> 01:14:19,600
Speaker 1: she was cut up, she was like shape, you know,

1790
01:14:19,640 --> 01:14:22,640
Speaker 1: how stupid that is. Just think about how dumb that is,

1791
01:14:22,680 --> 01:14:23,800
Speaker 1: like because she's in shape.

1792
01:14:24,280 --> 01:14:28,200
Speaker 2: Any they do that to tall women though, whatever, Man,

1793
01:14:28,479 --> 01:14:32,040
Speaker 2: it is so ta tall thick women too, especially they

1794
01:14:32,040 --> 01:14:33,600
Speaker 2: do that well in conclusion.

1795
01:14:34,800 --> 01:14:38,120
Speaker 4: Matter of fact, at my funeral, get your eyes off,

1796
01:14:38,160 --> 01:14:42,080
Speaker 4: tell the illes story about me. That matter of fact,

1797
01:14:42,080 --> 01:14:43,439
Speaker 4: that's why I wanted my funeral. No one go up

1798
01:14:43,439 --> 01:14:43,960
Speaker 4: there and tell.

1799
01:14:43,800 --> 01:14:46,280
Speaker 1: A tree at my funeral.

1800
01:14:46,400 --> 01:14:47,639
Speaker 4: Come up with the illus story.

1801
01:14:47,720 --> 01:14:53,160
Speaker 3: Ever, I'm scared of like girls that I ghosted, like

1802
01:14:53,200 --> 01:14:56,720
Speaker 3: coming to my funeral and like painting a picture of me.

1803
01:14:56,760 --> 01:15:01,160
Speaker 3: That's just like, oh, man, come on, I wasn't that bad, Like, yeah,

1804
01:15:01,360 --> 01:15:03,920
Speaker 3: maybe I should have called you, But don't come up

1805
01:15:03,920 --> 01:15:05,439
Speaker 3: here and say, oh, he was a piece of ship.

1806
01:15:05,680 --> 01:15:07,320
Speaker 2: I don't think they would do that. My family looked

1807
01:15:07,320 --> 01:15:07,840
Speaker 2: like they could fight.

1808
01:15:08,400 --> 01:15:11,400
Speaker 1: My family is crazy. My family is certified. Like looney,

1809
01:15:12,080 --> 01:15:13,960
Speaker 1: I'm the opposite. Scares me.

1810
01:15:14,880 --> 01:15:16,280
Speaker 4: Don't go up there and start telling the truth and

1811
01:15:16,640 --> 01:15:19,040
Speaker 4: posting my DMS with you and I I was just talking.

1812
01:15:19,040 --> 01:15:22,240
Speaker 1: Please don't do that. Please do not do that.

1813
01:15:22,560 --> 01:15:25,720
Speaker 3: Please do not screenshot any DM I've ever sent you,

1814
01:15:26,160 --> 01:15:27,640
Speaker 3: any text message I ever sent you.

1815
01:15:27,640 --> 01:15:28,439
Speaker 1: Please don't do that.

1816
01:15:28,680 --> 01:15:30,759
Speaker 4: Please, I think I'm gonna look down at my funeral

1817
01:15:31,880 --> 01:15:34,679
Speaker 4: and with the attendees from the women's side, I'm gonna

1818
01:15:34,720 --> 01:15:36,840
Speaker 4: kind of feel like, ah, like, look at your body

1819
01:15:36,840 --> 01:15:41,719
Speaker 4: counting here, Bro, you are grossy. There's too many women

1820
01:15:42,120 --> 01:15:44,479
Speaker 4: sitting watching this funeral that know what your dick looks like.

1821
01:15:44,920 --> 01:15:46,560
Speaker 1: See, I know the homies. I know they're gonna be

1822
01:15:46,560 --> 01:15:46,960
Speaker 1: looking like you.

1823
01:15:47,080 --> 01:15:49,000
Speaker 3: I never even knew Mare was fucking with her, because

1824
01:15:49,040 --> 01:15:50,839
Speaker 3: you know who your man was fucking with at the funeral,

1825
01:15:51,280 --> 01:15:51,799
Speaker 3: Like you could.

1826
01:15:51,680 --> 01:15:52,639
Speaker 1: Tell the way they grieving.

1827
01:15:53,200 --> 01:15:55,040
Speaker 3: You could be like, yo, mom, yo, he used to

1828
01:15:55,080 --> 01:15:57,240
Speaker 3: fuck with her. I know I've done that a few

1829
01:15:57,280 --> 01:15:58,840
Speaker 3: of my homeworks. Your only I never even knew he

1830
01:15:58,880 --> 01:15:59,439
Speaker 3: was talking.

1831
01:15:59,200 --> 01:15:59,599
Speaker 1: To that girl.

1832
01:15:59,880 --> 01:16:02,840
Speaker 4: It's kind of your responsibility as the friend at the

1833
01:16:02,880 --> 01:16:07,080
Speaker 4: funeral to guide his girl or wife away from the

1834
01:16:07,120 --> 01:16:09,439
Speaker 4: ones like co Come on, let's go back from a

1835
01:16:09,479 --> 01:16:14,920
Speaker 4: quick like you gotta gota wifey away from all of

1836
01:16:14,960 --> 01:16:19,720
Speaker 4: the yadds because emotions running high side chicks really like you,

1837
01:16:19,960 --> 01:16:23,320
Speaker 4: they'll confess some ship oh and they'll fight and they'll

1838
01:16:23,320 --> 01:16:24,800
Speaker 4: feel like I really knew him, and I need to

1839
01:16:24,800 --> 01:16:25,920
Speaker 4: tell y'all that like.

1840
01:16:26,120 --> 01:16:28,200
Speaker 1: Y'all didn't know him like I knew him. Wife, feel like,

1841
01:16:28,200 --> 01:16:29,120
Speaker 1: what the fuck that means?

1842
01:16:30,640 --> 01:16:32,880
Speaker 3: You know, Whitey's sitting right there like excuse me, Like

1843
01:16:32,880 --> 01:16:33,519
Speaker 3: what fuck you mean?

1844
01:16:33,560 --> 01:16:34,760
Speaker 1: I didn't know him like you knew him.

1845
01:16:35,479 --> 01:16:37,760
Speaker 2: Start making remarks and she look up at the sky

1846
01:16:37,800 --> 01:16:39,280
Speaker 2: and do a little giggle like she had like a

1847
01:16:39,280 --> 01:16:40,679
Speaker 2: little secret memory in her Yeah.

1848
01:16:40,720 --> 01:16:40,920
Speaker 5: Yeah.

1849
01:16:41,360 --> 01:16:43,160
Speaker 4: The caption, which is a little too long on I G.

1850
01:16:43,479 --> 01:16:46,120
Speaker 1: I remember one of my homeboys, God bless you passed away.

1851
01:16:46,120 --> 01:16:47,800
Speaker 1: His funeral a chick out of there.

1852
01:16:47,880 --> 01:16:53,000
Speaker 3: She was like, we had so many great times, so

1853
01:16:53,160 --> 01:16:55,640
Speaker 3: many great times, like, oh my, like the kind of

1854
01:16:55,680 --> 01:16:58,160
Speaker 3: conversations we had. Nobody would talk to me this way.

1855
01:16:58,720 --> 01:16:59,639
Speaker 3: I was sitting there.

1856
01:16:59,439 --> 01:17:01,400
Speaker 1: Like his girl in the front. I'm like, you dog,

1857
01:17:01,520 --> 01:17:03,479
Speaker 1: somebody get this girl off the podium please.

1858
01:17:03,520 --> 01:17:05,200
Speaker 4: And meanwhile, if you looked at their text message, all

1859
01:17:05,200 --> 01:17:07,760
Speaker 4: he probably said was lol, you good.

1860
01:17:08,000 --> 01:17:12,800
Speaker 3: And I'm knowing he said, No, conversations was not deep.

1861
01:17:12,880 --> 01:17:16,680
Speaker 3: This nigga conversations wasn't deep. It wasn't kicking it.

1862
01:17:16,640 --> 01:17:17,320
Speaker 1: With you like that.

1863
01:17:17,439 --> 01:17:18,519
Speaker 4: But today it's gonna be deep.

1864
01:17:18,560 --> 01:17:20,439
Speaker 1: Oh no, today. At the funeral, she had to let

1865
01:17:20,520 --> 01:17:23,240
Speaker 1: everybody know we had a great time. Oh my god.

1866
01:17:23,280 --> 01:17:25,519
Speaker 3: He was the most beautiful person, the way we spoke,

1867
01:17:25,720 --> 01:17:27,799
Speaker 3: the way the things we were talking about for hours,

1868
01:17:28,360 --> 01:17:30,559
Speaker 3: But this nigga wasn't talking to you for hours.

1869
01:17:30,560 --> 01:17:32,080
Speaker 2: See, I have a problem with that at a lot

1870
01:17:32,080 --> 01:17:34,120
Speaker 2: of funerals with people be like you ain't even know

1871
01:17:34,200 --> 01:17:35,800
Speaker 2: him like that, or you didn't even know her like that,

1872
01:17:35,840 --> 01:17:38,000
Speaker 2: and it's like you never really know somebody's relationship with

1873
01:17:38,040 --> 01:17:38,639
Speaker 2: another person.

1874
01:17:39,080 --> 01:17:41,160
Speaker 4: That's true, but I feel like if you held it

1875
01:17:41,240 --> 01:17:44,880
Speaker 4: down when I was alive, you still owe me to

1876
01:17:44,960 --> 01:17:45,920
Speaker 4: hold it down in death.

1877
01:17:46,360 --> 01:17:50,120
Speaker 1: Absolutely, you gotta hold it down even more, for sure,

1878
01:17:50,160 --> 01:17:51,160
Speaker 1: even more because now I can't.

1879
01:17:51,160 --> 01:17:53,600
Speaker 3: I'm not here no more than even like not that

1880
01:17:53,640 --> 01:17:55,280
Speaker 3: I give a fuck, I'm not here, but it's just

1881
01:17:55,320 --> 01:17:57,639
Speaker 3: like you still got it, you still owe me some.

1882
01:17:57,680 --> 01:17:59,439
Speaker 1: Type of like come on, man, don't tell anybody about

1883
01:17:59,439 --> 01:18:01,160
Speaker 1: that time. And I'll shout out to the side.

1884
01:18:01,200 --> 01:18:05,640
Speaker 4: Joints that really do love their dude so much and

1885
01:18:05,680 --> 01:18:08,120
Speaker 4: would really grieve, but because they're so.

1886
01:18:08,200 --> 01:18:11,840
Speaker 1: Thorough, won't even go to the funeral. They'll grieve by themselves,

1887
01:18:12,120 --> 01:18:14,439
Speaker 1: or they'll they'll they'll be around the funeral.

1888
01:18:14,520 --> 01:18:17,120
Speaker 3: They won't go inside the church. They won't go just

1889
01:18:17,120 --> 01:18:19,080
Speaker 3: be in the free past. They won't actually go in

1890
01:18:19,080 --> 01:18:21,639
Speaker 3: the community room with the family. It's like they kind

1891
01:18:21,640 --> 01:18:23,479
Speaker 3: of just play the outside and just you know, won't

1892
01:18:23,520 --> 01:18:25,720
Speaker 3: hug my mom. Yeah, like no, they keep it very

1893
01:18:25,960 --> 01:18:28,160
Speaker 3: like from a distance. Like I don't know if we

1894
01:18:28,160 --> 01:18:31,120
Speaker 3: spoke about already, but Side a good side chick doesn't.

1895
01:18:30,880 --> 01:18:34,719
Speaker 1: Get the credit she deserves. Of course not we did, right, Yeah,

1896
01:18:34,760 --> 01:18:36,920
Speaker 1: like the good side chicks they need they deserve more

1897
01:18:36,960 --> 01:18:44,000
Speaker 1: credit for sure, respect excuse me, y'all should pay them more. Yeah, yeah,

1898
01:18:44,000 --> 01:18:45,400
Speaker 1: I don't know if that's.

1899
01:18:45,640 --> 01:18:47,519
Speaker 4: We've talked about. We do miss the side chicks that

1900
01:18:47,600 --> 01:18:49,200
Speaker 4: was just happy to be here, like I'm just happy

1901
01:18:49,200 --> 01:18:52,680
Speaker 4: to fuck now it's like a come up, Yeah, now

1902
01:18:52,680 --> 01:18:54,680
Speaker 4: I'm gonna use this as a way to expose and

1903
01:18:54,720 --> 01:18:56,160
Speaker 4: this is my lick to get somewhere.

1904
01:18:56,200 --> 01:18:59,479
Speaker 3: But that's men's fault though, because we definitely have done

1905
01:18:59,520 --> 01:19:02,879
Speaker 3: a great job at blurring the lines between Side and Maine.

1906
01:19:03,520 --> 01:19:05,040
Speaker 3: Like if you start treating the side like the main

1907
01:19:05,120 --> 01:19:06,840
Speaker 3: she's confused now, she's like a nigga. I thought we

1908
01:19:06,880 --> 01:19:07,880
Speaker 3: was together for real, like.

1909
01:19:09,040 --> 01:19:13,720
Speaker 1: And and what kind of just fuck anything. We won't

1910
01:19:13,760 --> 01:19:16,840
Speaker 1: really do like a a background check as far as

1911
01:19:16,840 --> 01:19:20,880
Speaker 1: their sanity. We'll still yeah, we're not checking about mental health.

1912
01:19:22,640 --> 01:19:24,880
Speaker 4: I think we need to screen women a little bit

1913
01:19:24,960 --> 01:19:28,479
Speaker 4: better when we're putting them in situations where they have

1914
01:19:28,520 --> 01:19:29,120
Speaker 4: to hold it down.

1915
01:19:29,840 --> 01:19:30,360
Speaker 1: That's true.

1916
01:19:30,520 --> 01:19:31,920
Speaker 4: Let me give you an interview to see what type

1917
01:19:31,920 --> 01:19:32,560
Speaker 4: of holding.

1918
01:19:32,320 --> 01:19:35,760
Speaker 1: Down your Absolutely I agree with you on that.

1919
01:19:35,840 --> 01:19:37,280
Speaker 4: Let's create some scenarios here.

1920
01:19:40,439 --> 01:19:44,360
Speaker 3: More Recording Academy News. Shout out to Justice and the

1921
01:19:44,479 --> 01:19:48,880
Speaker 3: entire lvr in family over the yody. Yeah, shout out

1922
01:19:48,920 --> 01:19:51,519
Speaker 3: to Tuna and everybody over there LVRN. They were giving

1923
01:19:51,640 --> 01:19:56,439
Speaker 3: a Recording Academy Global Impact Award. Okay, uh so shout

1924
01:19:56,439 --> 01:20:00,960
Speaker 3: out to LVRN on that award or that's that's yeah.

1925
01:20:00,960 --> 01:20:03,920
Speaker 3: They what they're doing over there is super dope, really

1926
01:20:03,920 --> 01:20:07,519
Speaker 3: good people doing it together as family and friends. Uh,

1927
01:20:07,560 --> 01:20:10,280
Speaker 3: you know, just doing it their way. And you know,

1928
01:20:11,479 --> 01:20:12,600
Speaker 3: it's good to see shit like that.

1929
01:20:12,800 --> 01:20:13,840
Speaker 1: Yeah, because you know what I'm saying, a lot of

1930
01:20:13,880 --> 01:20:15,840
Speaker 1: times in this industry, people do things and you know

1931
01:20:15,840 --> 01:20:18,280
Speaker 1: it's kind of like, ah, but you're not really like

1932
01:20:18,640 --> 01:20:20,280
Speaker 1: rarely do good people. And yeah, like.

1933
01:20:20,439 --> 01:20:24,320
Speaker 3: They like exactly they're not good people. It's like whatever, cool,

1934
01:20:24,360 --> 01:20:26,799
Speaker 3: but these are like really good people and really family,

1935
01:20:26,840 --> 01:20:29,320
Speaker 3: really friends, really love and respect each other really.

1936
01:20:29,280 --> 01:20:30,759
Speaker 1: And they work hard for their artists.

1937
01:20:31,000 --> 01:20:33,799
Speaker 3: So shout out to LVR and on their Global Impact Award.

1938
01:20:34,600 --> 01:20:37,800
Speaker 3: Shame on the Grammys for referring to the late great

1939
01:20:37,960 --> 01:20:40,280
Speaker 3: Virgil as a hip hop.

1940
01:20:40,120 --> 01:20:42,479
Speaker 1: Fashion designers what they don't know what that means.

1941
01:20:42,600 --> 01:20:45,519
Speaker 3: Referred to them as I, you know again they you know,

1942
01:20:46,640 --> 01:20:49,240
Speaker 3: any chance that people get to box you in to

1943
01:20:49,400 --> 01:20:53,320
Speaker 3: a you know, a certain category, and I don't want

1944
01:20:53,360 --> 01:20:55,040
Speaker 3: to say, well, yeah, I do want to say kind

1945
01:20:55,040 --> 01:20:57,920
Speaker 3: of lessen your greatness and kind of like, you know,

1946
01:20:59,560 --> 01:21:01,240
Speaker 3: scale it down to just hip hop.

1947
01:21:01,680 --> 01:21:04,519
Speaker 1: So it's like, come on, frative director for lv.

1948
01:21:04,640 --> 01:21:08,080
Speaker 3: Yes, it's this. It's not hip hop fashion designer. He's

1949
01:21:08,120 --> 01:21:13,360
Speaker 3: a fashion icon, fashion icon, that's it. It's not hip hop,

1950
01:21:13,760 --> 01:21:14,479
Speaker 3: it's fashion.

1951
01:21:14,600 --> 01:21:16,880
Speaker 2: So did Iver tell y'all that push your team came

1952
01:21:16,920 --> 01:21:18,880
Speaker 2: out with who his top three coke rappers are?

1953
01:21:19,880 --> 01:21:21,880
Speaker 1: I feel like I saw that said, yes, him hoving

1954
01:21:22,000 --> 01:21:25,599
Speaker 1: Geez or something, push a hole in Jeezy.

1955
01:21:26,160 --> 01:21:29,920
Speaker 2: Yeah, Jay was first, then pushing and g Z it's

1956
01:21:29,960 --> 01:21:30,639
Speaker 2: ghost to coke.

1957
01:21:30,520 --> 01:21:37,759
Speaker 1: Wrapper m he wrapped about coke, but wasn't it. Yeah, Okay,

1958
01:21:37,880 --> 01:21:44,320
Speaker 1: I guess that's fair. Yeah, I mean I just got

1959
01:21:44,360 --> 01:21:49,479
Speaker 1: to put Russ above Geez. I'm sorry at coke wrapping, Yes, part.

1960
01:21:49,240 --> 01:21:52,640
Speaker 3: Of my part of Miami. Like what do you think

1961
01:21:52,680 --> 01:21:55,320
Speaker 3: they would bring it? You think they were bringing in rap?

1962
01:21:56,840 --> 01:21:58,840
Speaker 4: Was he the best trapper four years in a row.

1963
01:22:00,400 --> 01:22:03,080
Speaker 1: We don't know if Jez was the best trapper for it.

1964
01:22:03,200 --> 01:22:05,280
Speaker 1: Can we look at that? Can we look that up?

1965
01:22:05,479 --> 01:22:07,160
Speaker 1: Do we know? Do we know if that's a real

1966
01:22:07,360 --> 01:22:08,000
Speaker 1: like accolade?

1967
01:22:08,040 --> 01:22:09,800
Speaker 4: I gotta see the actual troph I got any wore.

1968
01:22:09,880 --> 01:22:11,160
Speaker 1: Yeah, I have to see it. I have to see

1969
01:22:11,160 --> 01:22:13,880
Speaker 1: the real accolades. I see it everyone that was selling

1970
01:22:13,920 --> 01:22:16,200
Speaker 1: cocaine that year. Yeah, like I get to get it.

1971
01:22:16,360 --> 01:22:19,640
Speaker 1: Who we have to call the federal government figure get

1972
01:22:19,680 --> 01:22:20,040
Speaker 1: the list?

1973
01:22:20,080 --> 01:22:22,519
Speaker 3: Like we need to know exactly who had the most weight,

1974
01:22:22,760 --> 01:22:24,439
Speaker 3: who moved the most weight, you know what I mean?

1975
01:22:24,439 --> 01:22:25,880
Speaker 3: Like we need to know, we need to know things

1976
01:22:26,400 --> 01:22:29,320
Speaker 3: raps about what you get after you sell the coke.

1977
01:22:30,960 --> 01:22:32,479
Speaker 1: Jez selling it to.

1978
01:22:33,120 --> 01:22:34,960
Speaker 4: Jeez hit the yams in his auntie's house.

1979
01:22:37,200 --> 01:22:38,760
Speaker 1: Who were gonna have a real talk about that.

1980
01:22:39,760 --> 01:22:42,720
Speaker 4: Because that's probably true. I just don't think that the

1981
01:22:42,800 --> 01:22:45,040
Speaker 4: real No yego, just one that's a thousand favors.

1982
01:22:45,040 --> 01:22:47,160
Speaker 3: I just wanted to ask, like rappers when they say

1983
01:22:47,200 --> 01:22:49,479
Speaker 3: they had they were making so much money in the streets,

1984
01:22:49,520 --> 01:22:52,960
Speaker 3: Like I just want to ask, and you just decided

1985
01:22:52,960 --> 01:22:57,559
Speaker 3: to try rapping, like pretty profitable if I'm touching twenty

1986
01:22:57,560 --> 01:22:59,559
Speaker 3: million in the streets, I'm not thinking about a studio.

1987
01:23:00,120 --> 01:23:03,599
Speaker 1: To me, I'm like, I'm open and dry, cleanness, lauds.

1988
01:23:03,600 --> 01:23:05,559
Speaker 1: You met something. We need some we need some street

1989
01:23:05,600 --> 01:23:08,759
Speaker 1: tax returns. Yeah, I need to see what happened.

1990
01:23:08,760 --> 01:23:10,240
Speaker 3: I don't know, but that is a good list, though

1991
01:23:10,280 --> 01:23:12,519
Speaker 3: I'm not mad at a whole push it in gez.

1992
01:23:12,680 --> 01:23:15,599
Speaker 2: So what rappers do y'all really think? We're really living

1993
01:23:15,640 --> 01:23:17,400
Speaker 2: their wraps? Like we don't got to talk about who

1994
01:23:17,400 --> 01:23:18,479
Speaker 2: we don't think is living our raps?

1995
01:23:18,520 --> 01:23:20,439
Speaker 1: Right, Yeah, nobody hit that leg.

1996
01:23:20,600 --> 01:23:22,840
Speaker 3: Nobody lives there raps more than these young niggas today.

1997
01:23:22,920 --> 01:23:24,479
Speaker 3: Let me tell you that is a fact. When they

1998
01:23:24,479 --> 01:23:26,360
Speaker 3: say they spinning and drilling and all, Oh no they're

1999
01:23:26,400 --> 01:23:28,479
Speaker 3: doing that ship, it's nothing but drilling and spinning going

2000
01:23:28,520 --> 01:23:29,040
Speaker 3: on outside.

2001
01:23:29,200 --> 01:23:31,360
Speaker 1: Mad sticks. Oh I get home quick now. I don't

2002
01:23:31,400 --> 01:23:32,200
Speaker 1: funk around. I don't.

2003
01:23:32,240 --> 01:23:34,320
Speaker 3: I used to, you know, kind of like yeah, I

2004
01:23:34,400 --> 01:23:36,040
Speaker 3: used to kind of like just walk around, you know,

2005
01:23:36,160 --> 01:23:37,760
Speaker 3: uptown and see it's nice.

2006
01:23:38,439 --> 01:23:41,920
Speaker 1: Yeah. No man, no, no, no, no, no, these going a

2007
01:23:41,920 --> 01:23:42,320
Speaker 1: long way.

2008
01:23:42,439 --> 01:23:46,720
Speaker 3: No, no, no, they spinning and drilling at an enormous rate.

2009
01:23:47,200 --> 01:23:49,439
Speaker 3: But nobody has lived there raps more than this generation.

2010
01:23:49,920 --> 01:23:51,080
Speaker 1: Well but but I'm.

2011
01:23:50,880 --> 01:23:54,160
Speaker 2: Talking about you guys' generation and the generation after. So

2012
01:23:54,240 --> 01:23:57,880
Speaker 2: your generation Rory and mind generation. Who do you think

2013
01:23:58,000 --> 01:23:58,599
Speaker 2: was really.

2014
01:23:58,360 --> 01:24:01,280
Speaker 4: But I wouldn't know, but assume Giez probably isn't lying

2015
01:24:01,320 --> 01:24:01,679
Speaker 4: that much.

2016
01:24:02,360 --> 01:24:05,439
Speaker 1: Yeah, I mean Giz was definitely there. T I I

2017
01:24:05,439 --> 01:24:09,080
Speaker 1: don't think was lying. Yeah, I don't think lying. I

2018
01:24:09,080 --> 01:24:10,280
Speaker 1: don't think she was lying.

2019
01:24:10,720 --> 01:24:14,600
Speaker 3: He doesn't have documentary, he doesn't have lyon eyes like

2020
01:24:14,600 --> 01:24:16,559
Speaker 3: you're looking Gui's eyes and tell he's not lying.

2021
01:24:16,640 --> 01:24:18,280
Speaker 1: Yeah, matter of fact that he's leaving things out.

2022
01:24:18,360 --> 01:24:20,920
Speaker 3: Yeah, yeah, I think he's definitely leaving some things out.

2023
01:24:20,920 --> 01:24:23,160
Speaker 3: It's some things that he's not telling us.

2024
01:24:23,680 --> 01:24:25,240
Speaker 1: He don't care how good to beat is. It's certain

2025
01:24:25,240 --> 01:24:29,560
Speaker 1: shit he just can't talk about. But your whole Gucci

2026
01:24:29,680 --> 01:24:32,080
Speaker 1: g Z Ross, Hush.

2027
01:24:32,200 --> 01:24:34,920
Speaker 4: Ross has lived every I think Ross would tell you

2028
01:24:34,920 --> 01:24:39,840
Speaker 4: that he relishing drastically on a lot of things. So

2029
01:24:39,920 --> 01:24:42,439
Speaker 4: if you according to Ross, he invented cocaine, so.

2030
01:24:42,400 --> 01:24:44,760
Speaker 1: You think Ross was embellishing things, but you don't think

2031
01:24:44,840 --> 01:24:46,960
Speaker 1: GIZI was. I think all of them are embellishing things.

2032
01:24:47,080 --> 01:24:47,759
Speaker 1: It's entertainment.

2033
01:24:48,040 --> 01:24:52,640
Speaker 4: I just think Ross is embellishing is to another another degree.

2034
01:24:53,520 --> 01:24:54,760
Speaker 4: I'm not again, I don't know.

2035
01:24:54,840 --> 01:24:56,720
Speaker 1: Well he said he knows the real Noriega. It was

2036
01:24:56,760 --> 01:24:59,439
Speaker 1: in a thousand Favors. Yeah, so mad believe. Yeah I don't. Yeah,

2037
01:24:59,560 --> 01:25:00,400
Speaker 1: I just you know.

2038
01:25:01,880 --> 01:25:06,760
Speaker 4: What's more ridiculous that or Jada Kisses bathtub lifted up

2039
01:25:06,760 --> 01:25:09,720
Speaker 4: in his walls doing three sixties. I could definitely having

2040
01:25:09,720 --> 01:25:10,800
Speaker 4: the ship that the government got.

2041
01:25:10,840 --> 01:25:13,920
Speaker 3: I could definitely see row Snow in the real Noriega

2042
01:25:13,960 --> 01:25:16,519
Speaker 3: before Kisses bathtub lift up.

2043
01:25:17,720 --> 01:25:21,000
Speaker 4: Or that when the coach came in they had to

2044
01:25:21,080 --> 01:25:22,519
Speaker 4: use the scale that they weighed the whales with.

2045
01:25:24,640 --> 01:25:27,559
Speaker 1: I could see that. I mean, Jada looks like a

2046
01:25:27,600 --> 01:25:28,320
Speaker 1: pretty you know.

2047
01:25:28,360 --> 01:25:31,040
Speaker 4: Where does one find that weight system at the docks?

2048
01:25:31,080 --> 01:25:32,679
Speaker 1: I'm dying and you gotta sea world.

2049
01:25:32,800 --> 01:25:34,280
Speaker 3: I mean, well that's where it's coming in. That's coming

2050
01:25:34,280 --> 01:25:36,320
Speaker 3: at the docks. So you just tell one of the fishermen, hey, listen,

2051
01:25:36,360 --> 01:25:38,120
Speaker 3: I need that, you know, the thing that y'all put

2052
01:25:38,120 --> 01:25:40,120
Speaker 3: all the fishermen, yeah put on last week.

2053
01:25:40,160 --> 01:25:41,080
Speaker 1: I need that same net.

2054
01:25:41,120 --> 01:25:45,479
Speaker 4: Who's just weighing whales? Why is there a scale that existed.

2055
01:25:45,560 --> 01:25:46,920
Speaker 4: It's just to weigh whales.

2056
01:25:46,640 --> 01:25:48,400
Speaker 1: Because you have to make sure that the whales are healthy,

2057
01:25:48,439 --> 01:25:50,000
Speaker 1: so you have to weigh them. You have to tag them,

2058
01:25:50,200 --> 01:25:52,920
Speaker 1: so put them in a tank. Yeah. Absolutely, then make.

2059
01:25:53,479 --> 01:25:57,080
Speaker 3: Exactly make them splash children at fucking water World whatever

2060
01:25:57,080 --> 01:25:57,519
Speaker 3: they call the.

2061
01:25:57,560 --> 01:26:01,320
Speaker 4: World water World they call that. Are you going to

2062
01:26:01,320 --> 01:26:03,400
Speaker 4: sea World when you're in San Diego? What are you

2063
01:26:03,400 --> 01:26:04,519
Speaker 4: gonna go to the sea World?

2064
01:26:04,560 --> 01:26:08,880
Speaker 1: When she went, I went with already WoT year?

2065
01:26:09,000 --> 01:26:12,360
Speaker 2: Can you called me at eight a m. New York

2066
01:26:12,439 --> 01:26:13,960
Speaker 2: time I was in San Diego.

2067
01:26:15,800 --> 01:26:19,000
Speaker 1: M hmm. It was urgent. I get it at the

2068
01:26:19,040 --> 01:26:22,799
Speaker 1: same time that my hotel. I get it. You're homeless

2069
01:26:22,800 --> 01:26:25,639
Speaker 1: in North Carolina. I get it. I totally understand. Uh.

2070
01:26:26,080 --> 01:26:28,360
Speaker 3: Shout out the Lucky Day. He won the Best Progressive

2071
01:26:28,439 --> 01:26:29,760
Speaker 3: R and B Album for Table for Two.

2072
01:26:29,840 --> 01:26:32,360
Speaker 1: Yes, yes, album that I believe we spoke about that

2073
01:26:32,439 --> 01:26:35,200
Speaker 1: was underrated for sure. Shout shout out to Lucky Shout

2074
01:26:35,200 --> 01:26:36,040
Speaker 1: out the Lucky Day on that.

2075
01:26:36,160 --> 01:26:38,040
Speaker 3: And he has an amazing album and now I'm sure

2076
01:26:38,040 --> 01:26:39,920
Speaker 3: he'll win a Grammy for this album that he has.

2077
01:26:40,360 --> 01:26:42,679
Speaker 4: I think he lives his wraps Lucky.

2078
01:26:42,840 --> 01:26:44,160
Speaker 1: Yeah.

2079
01:26:44,760 --> 01:26:47,920
Speaker 4: I think he liked these girls, and I think you do.

2080
01:26:48,000 --> 01:26:49,200
Speaker 1: I think he'd be liking these vicious.

2081
01:26:50,200 --> 01:26:51,880
Speaker 4: I gotta stop saying that word.

2082
01:26:52,080 --> 01:26:54,320
Speaker 1: Yes, they're women. We're trying to be a progressive.

2083
01:26:54,360 --> 01:26:55,599
Speaker 2: I was actually going to ask you do you think

2084
01:26:55,680 --> 01:26:57,240
Speaker 2: Jasmine lived hotels?

2085
01:26:57,600 --> 01:26:59,920
Speaker 1: Absolutely? She said she did. She said it in her

2086
01:27:00,160 --> 01:27:00,880
Speaker 1: acceptance speech.

2087
01:27:01,160 --> 01:27:03,760
Speaker 3: She said, oh, you know, I lived my twenties, and

2088
01:27:03,920 --> 01:27:06,600
Speaker 3: you know, I decided to write about it, said all,

2089
01:27:06,640 --> 01:27:11,400
Speaker 3: look at Jasmine trying to heal, trying to.

2090
01:27:11,360 --> 01:27:15,160
Speaker 1: Heal from her whole ways. Listen looked great, though, she

2091
01:27:15,200 --> 01:27:17,719
Speaker 1: looked great last night. Yeah, Jazz looked great, she looked

2092
01:27:17,720 --> 01:27:22,640
Speaker 1: she looked amazing. Yeah, she looked great. Yeah, I don't know.

2093
01:27:22,680 --> 01:27:24,040
Speaker 1: I think that's pretty much it. Man.

2094
01:27:24,600 --> 01:27:26,719
Speaker 4: Now I'm be thinking about coke rappers all day. Wow,

2095
01:27:26,760 --> 01:27:30,519
Speaker 4: you want to wrap trying to I think fifty lived

2096
01:27:30,520 --> 01:27:31,600
Speaker 4: his rhymes.

2097
01:27:31,920 --> 01:27:36,599
Speaker 1: Fifty yeah, yeah, Yeah, for sure, he definitely lived his rhyms.

2098
01:27:36,760 --> 01:27:41,720
Speaker 3: Yeah, some of the things probably, you know, just for

2099
01:27:41,840 --> 01:27:43,760
Speaker 3: some entertainment. He had to add a few things in.

2100
01:27:44,040 --> 01:27:45,960
Speaker 2: I don't think Emma was lying either. I don't think

2101
01:27:45,960 --> 01:27:46,559
Speaker 2: Emma was lying.

2102
01:27:46,720 --> 01:27:49,439
Speaker 1: Do you really think was really eminem was really using

2103
01:27:49,760 --> 01:27:52,960
Speaker 1: popping pills? Yeah? I don't know if he was doing Coach.

2104
01:27:53,120 --> 01:27:54,439
Speaker 1: He was doing pills. I mean I think it was

2105
01:27:54,439 --> 01:27:57,120
Speaker 1: a parent that he was popping pills. One that was

2106
01:27:57,160 --> 01:27:59,960
Speaker 1: an entire album called Recovery. Yeah. Absolutely, he was definitely

2107
01:28:00,120 --> 01:28:02,200
Speaker 1: the user Fields. It ain't no fake in his funk.

2108
01:28:02,439 --> 01:28:03,080
Speaker 1: Didn't he do that?

2109
01:28:03,120 --> 01:28:05,200
Speaker 4: It was the Grammys or VMA's or whatever when he

2110
01:28:05,240 --> 01:28:07,320
Speaker 4: went up he won an award and he was like

2111
01:28:07,360 --> 01:28:09,920
Speaker 4: pretending like take the speech piece of paper out of

2112
01:28:09,920 --> 01:28:12,880
Speaker 4: his pocket and mad pills fell out. That it was

2113
01:28:12,880 --> 01:28:13,360
Speaker 4: pretty funny.

2114
01:28:13,479 --> 01:28:15,400
Speaker 2: Yeah, that's likely not funny. It's pretty sad.

2115
01:28:15,439 --> 01:28:18,720
Speaker 4: But you know, well now in retrospect now that he's

2116
01:28:18,720 --> 01:28:20,880
Speaker 4: sober crying out at the time, was like, wait, yeah,

2117
01:28:20,920 --> 01:28:21,599
Speaker 4: is that an accident.

2118
01:28:21,640 --> 01:28:23,400
Speaker 1: No, he was crying out for help. He was like,

2119
01:28:23,400 --> 01:28:26,320
Speaker 1: look and the guy, I'm a pill head, I don't

2120
01:28:26,360 --> 01:28:26,800
Speaker 1: want to die.

2121
01:28:26,920 --> 01:28:31,719
Speaker 2: I think probably lives. And definitely the Weekend two.

2122
01:28:32,280 --> 01:28:36,080
Speaker 1: Oh for sure. For yo, did you know Belly rode

2123
01:28:36,080 --> 01:28:39,160
Speaker 1: blinded by the lights? Yeah?

2124
01:28:39,200 --> 01:28:40,920
Speaker 3: I saw Belly when we were in La went to

2125
01:28:40,920 --> 01:28:43,360
Speaker 3: the studio. He has a new studio, the whole new

2126
01:28:43,400 --> 01:28:45,479
Speaker 3: set up amazing. He's doing a whole bunch of shit.

2127
01:28:45,520 --> 01:28:47,519
Speaker 3: He wants to like give people creatives like.

2128
01:28:48,439 --> 01:28:50,240
Speaker 1: A space to come through and just created a bunch

2129
01:28:50,240 --> 01:28:54,799
Speaker 1: of room, podcasting rooms, uh, pre production rooms.

2130
01:28:54,600 --> 01:28:56,800
Speaker 3: All kind of shit, right, amazing job. Shout out to Belly,

2131
01:28:56,840 --> 01:28:59,800
Speaker 3: my god, my brother. And he's sitting there and he's like,

2132
01:29:00,920 --> 01:29:02,920
Speaker 3: we having conversation. He just threw that in the car.

2133
01:29:02,960 --> 01:29:05,479
Speaker 3: I was like, well, wait, I know Belly has wrote

2134
01:29:05,920 --> 01:29:08,120
Speaker 3: a bunch of records for and with the Weekend.

2135
01:29:08,120 --> 01:29:08,559
Speaker 1: I know that.

2136
01:29:09,200 --> 01:29:11,320
Speaker 3: I had no idea that he wrote blind about the

2137
01:29:11,400 --> 01:29:14,519
Speaker 3: Lights and it's the biggest streaming song ever in streaming.

2138
01:29:14,840 --> 01:29:16,800
Speaker 1: Like I didn't know that, but that doesn't make sense.

2139
01:29:16,800 --> 01:29:18,439
Speaker 3: I said, Bro, you need to put on a T

2140
01:29:18,520 --> 01:29:20,599
Speaker 3: shirt or hoodie every day for the next two years

2141
01:29:20,600 --> 01:29:23,360
Speaker 3: that says I wrote the biggest streaming song ever, just

2142
01:29:23,439 --> 01:29:25,479
Speaker 3: that on the hoodie and just walking around.

2143
01:29:25,320 --> 01:29:26,400
Speaker 1: I mean, judging by his house.

2144
01:29:28,280 --> 01:29:30,960
Speaker 4: I'm like, I'm like, he don't need the T shirt.

2145
01:29:31,120 --> 01:29:32,680
Speaker 3: I'm just saying, like, you need to go out in

2146
01:29:32,680 --> 01:29:35,360
Speaker 3: public and just staying somewhere with that on your T shirt.

2147
01:29:35,720 --> 01:29:37,840
Speaker 1: Like do you know how crazy that?

2148
01:29:38,120 --> 01:29:40,920
Speaker 3: Like we having conversation, smoke and it's your homie just

2149
01:29:41,000 --> 01:29:43,439
Speaker 3: drops that on you, Like, yeah, you know, I wrote

2150
01:29:43,439 --> 01:29:45,439
Speaker 3: the biggest streaming song ever blind about the lights. But yeah,

2151
01:29:45,439 --> 01:29:47,040
Speaker 3: and I'm gonna put this over here. I'm like, wait,

2152
01:29:47,080 --> 01:29:50,000
Speaker 3: slow down this little number. Yeah wait, you don't just

2153
01:29:50,040 --> 01:29:51,639
Speaker 3: throw that out there like you wrote the.

2154
01:29:51,680 --> 01:29:53,400
Speaker 2: Biggest little tune that was.

2155
01:29:53,680 --> 01:29:56,640
Speaker 3: I mean, I again, I know, I'm very clear on

2156
01:29:56,720 --> 01:29:59,200
Speaker 3: Belly's pen. One of the greatest pins in the industry.

2157
01:29:59,240 --> 01:30:02,040
Speaker 3: We know that, But I didn't know he wrote that record.

2158
01:30:02,200 --> 01:30:05,000
Speaker 1: Yeah. Shout out to Belly, Shout out to the weekend,

2159
01:30:05,040 --> 01:30:08,160
Speaker 1: shout out to the whole Exo family. Yeah. Man, So,

2160
01:30:08,760 --> 01:30:10,280
Speaker 1: I don't know if you got anything else to add.

2161
01:30:10,439 --> 01:30:12,040
Speaker 1: I'm gonna go to look like you need some sleep.

2162
01:30:12,280 --> 01:30:13,559
Speaker 1: You had you had a while weekend.

2163
01:30:14,120 --> 01:30:15,640
Speaker 3: Yeah, I was se I just went to Philly for

2164
01:30:15,640 --> 01:30:17,280
Speaker 3: a couple hours, came right back. See that's how you

2165
01:30:17,280 --> 01:30:18,400
Speaker 3: got in and out, in and out. That's how you

2166
01:30:18,439 --> 01:30:19,160
Speaker 3: gotta do things, man.

2167
01:30:19,200 --> 01:30:21,720
Speaker 1: But just hit Snow in the text. Yow, I'm in

2168
01:30:21,800 --> 01:30:24,920
Speaker 1: the town. No, she was great, man, Snow, she she

2169
01:30:25,000 --> 01:30:27,559
Speaker 1: killed that ship. She looked great shouting the great You

2170
01:30:27,600 --> 01:30:29,559
Speaker 1: definitely hit Snow without in your city. I did not

2171
01:30:29,640 --> 01:30:31,760
Speaker 1: tell Snow. First of all, that's not her city. Number one,

2172
01:30:31,800 --> 01:30:34,599
Speaker 1: I'm going I'm going to your city. That's not her city.

2173
01:30:34,760 --> 01:30:37,120
Speaker 3: I said, Snow, I missed the New York show, but

2174
01:30:37,120 --> 01:30:41,080
Speaker 3: I'm coming to Philly. She said, great, amazing, see you soon,

2175
01:30:41,280 --> 01:30:45,400
Speaker 3: and tell her like I didn't mention you.

2176
01:30:45,439 --> 01:30:45,880
Speaker 2: I'm sorry.

2177
01:30:46,760 --> 01:30:49,000
Speaker 1: I'm sorry, man, I dropped them all in that one

2178
01:30:49,040 --> 01:30:49,720
Speaker 1: I'm listening to.

2179
01:30:50,000 --> 01:30:52,400
Speaker 4: That's just shouting up your name the whole time.

2180
01:30:54,040 --> 01:30:56,280
Speaker 1: Me and Mall's so nasty.

2181
01:30:56,439 --> 01:30:57,880
Speaker 4: That's what I'm just talking more about this.

2182
01:31:00,120 --> 01:31:03,000
Speaker 1: Don't say that. Don't say you was just talking to me.

2183
01:31:03,280 --> 01:31:05,600
Speaker 1: I was just saying to me, no, no, no, don't

2184
01:31:05,680 --> 01:31:08,400
Speaker 1: do that. Man. But you shout out to Snow. She's

2185
01:31:08,439 --> 01:31:10,160
Speaker 1: on tour. Check the tour date.

2186
01:31:10,240 --> 01:31:12,800
Speaker 3: She may be in your city soon. And she's doing

2187
01:31:13,400 --> 01:31:18,240
Speaker 3: she's doing Coachella as well. Okay, so yeah, man, if

2188
01:31:18,240 --> 01:31:20,960
Speaker 3: you don't have anything else to add, we'll see the

2189
01:31:21,000 --> 01:31:22,120
Speaker 3: people in a few days.

2190
01:31:22,120 --> 01:31:23,880
Speaker 1: We'll talk to you in a few days. Be safe.

2191
01:31:25,000 --> 01:31:28,439
Speaker 1: I'm that you're ginger. Are you still ginger? Because you

2192
01:31:28,479 --> 01:31:29,160
Speaker 1: went to North Carolina?

2193
01:31:29,240 --> 01:31:30,759
Speaker 4: You might be like strawberry blind.

2194
01:31:32,280 --> 01:31:35,280
Speaker 3: Yeah, you caught a little son. Yes, not making ginger anymore.

2195
01:31:35,280 --> 01:31:38,120
Speaker 3: You look like you turn it into a little dragon fruit.

2196
01:31:38,960 --> 01:31:41,880
Speaker 3: It was from the crackhouse of just the residue. You

2197
01:31:41,960 --> 01:31:43,760
Speaker 3: look a little crackish right now, I feel it.

2198
01:31:44,640 --> 01:31:50,240
Speaker 4: Got called second hand. Damn hell yeah, I'm the best

2199
01:31:50,240 --> 01:31:50,799
Speaker 4: co grabber.

2200
01:31:50,920 --> 01:31:53,320
Speaker 1: Well, go home shower because you look like ship. Thanks

2201
01:31:53,400 --> 01:31:55,479
Speaker 1: and your life together. We'll see y'a in a couple

2202
01:31:55,520 --> 01:32:00,680
Speaker 1: of days. Peace, love, respect to all we out you

2203
01:32:01,080 --> 01:32:02,240
Speaker 1: Willian Mound