Speaker 1: Oh, we're starting like that today.
Speaker 2: Yeah, babe, Yeah, babe. What's happening?
Speaker 3: Man?
Speaker 1: I am excited about today.
Speaker 2: I am too.
Speaker 4: The episode we are talking about is Chicago. Obviously, that
Speaker 4: means a lot to me because they call me the
Speaker 4: mayor of the city.
Speaker 2: Born and bred Chicago, you know what I mean.
Speaker 4: I'm from there, born and raised there. The culture is
Speaker 4: in me right in the culture.
Speaker 3: When you rewatched it, did it does it look they
Speaker 3: didn't obviously shoot it in Chicago? Did it did it
Speaker 3: look like home? Did it feel like home?
Speaker 4: It didn't feel like home necessarily, but it definitely looks
Speaker 4: like certain parts looks like a south suburb. I want
Speaker 4: to say, it looks like it definitely, or maybe like
Speaker 4: a north Way North Evanston Town or something like that.
Speaker 3: You just went like full mom, right now, You're like,
Speaker 3: it looked like a south South. It could be north
Speaker 3: on the east side, I want and my friend who
Speaker 3: lives on the west side side.
Speaker 4: Mom, you just said, well, yeah, it kind of looks
Speaker 4: like Chicago. The snow when you add the snow to it, obviously,
Speaker 4: so they you know, fun fact, they added fake snow
Speaker 4: and then they also added cotton.
Speaker 2: They just had like cotton everywhere to make it look
Speaker 2: like snow.
Speaker 1: It feels environmentally sound.
Speaker 4: Yeah, but the inside of those houses definitely looked like
Speaker 4: Chicago style houses, which you find those in La.
Speaker 2: In the east side of the Pasadena I.
Speaker 1: Think, oh, you know, like on the west side.
Speaker 4: No, no, no, no, not west side. Those ain't Those ain't
Speaker 4: west side interiors.
Speaker 1: That's true.
Speaker 3: It does feel like a very like Echo Park, Silver Lake,
Speaker 3: Eagle Rock.
Speaker 4: But we shot it in Passidena, Altadena. I think we
Speaker 4: shot in a were doing great today. No, Pasadena alter Dina
Speaker 4: like connected, They're like right next to each other.
Speaker 1: I don't got that way.
Speaker 3: Come on, Hannah, you know I don't like a long
Speaker 3: commute with more than ten minutes with traffic.
Speaker 1: I'm like, I'm busy. Come to me.
Speaker 2: Yeah, You'll just get on a plane and fly to
Speaker 2: a different country.
Speaker 1: That's fact. That's cause alas as close.
Speaker 3: Driving, I got on a plane to see you.
Speaker 2: He lives in el.
Speaker 5: I mean everybody, Okay, So in this episode, what are
Speaker 5: some of the themes we're talking about.
Speaker 2: We've got funeral etiquette.
Speaker 1: Yeah, and the double life, the secret life of.
Speaker 3: Nick Miller being a responsible human, which was so weird It's.
Speaker 1: Honestly felt weird to watch.
Speaker 2: I was like, wait, what it says a lot about
Speaker 2: his family.
Speaker 1: That's exactly what it does.
Speaker 3: It doesn't tell you anything about Nick, but it tells
Speaker 3: you everything about his family facts.
Speaker 4: Also, we got some crazy Elvis. Elvis themed things happening
Speaker 4: in here. Apparently Walt was a huge Elvis fan, So yeah,
Speaker 4: let us dive in. Let's go So in this episode,
Speaker 4: after learning that Nick's father, Walt, has passed away RP Walt,
Speaker 4: the gang accompanies Nick back home for the funeral. In Chicago,
Speaker 4: we meet the Miller, including his mother Bonnie, and discover
Speaker 4: that they consider Nick to pee the responsible one screw
Speaker 4: it up. Meanwhile, Winston helped Schmid get over his fear
Speaker 4: of death with some rather unique tactics, all while Jess
Speaker 4: tries to help Nick plan an.
Speaker 2: Elvis themed funeral.
Speaker 4: Let's go to Break and when we come back, we
Speaker 4: want to dive in to Chicago.
Speaker 2: Written by Love Rocke, directed by Jack Castin.
Speaker 6: And back. That was nice.
Speaker 4: A little bit about Chicago makes me want to sing.
Speaker 4: You know what I'm saying like Elvis.
Speaker 3: That was actually very Elvis ash. Every time I go
Speaker 3: to break, this is how you gotta do it now
Speaker 3: I should.
Speaker 4: Yeah, Elvis used to steal from from us, so I'm
Speaker 4: gonna steal from him.
Speaker 1: The bag.
Speaker 2: I have taken back the power Elvis.
Speaker 1: That's right.
Speaker 2: Shout out to Elvis.
Speaker 1: Shut down, get some reverse thievery.
Speaker 2: Oh my gosh.
Speaker 3: Okay, So it starts off with Jess walking department with balloons.
Speaker 2: Read me, so horny?
Speaker 1: Who's buying that balloon?
Speaker 2: I have no idea, but I found it to be
Speaker 2: really funny when Nick walks in and gets caught in
Speaker 2: the balloons.
Speaker 1: Oh my gosh.
Speaker 3: Have you actually ever gotten kind of twisted up in
Speaker 3: some balloons? It does feel like they're attacking you from
Speaker 3: all sides.
Speaker 1: But I'm skilled to the punch is so fast with
Speaker 1: the balloon.
Speaker 4: Well, yeah, because it's helium, and you know it's going
Speaker 4: to come right back. It's gonna come right back. Not
Speaker 4: for me, though, because I'm really skilled at the art
Speaker 4: of like balloon evading. Yeah, something I've learned as a kid,
Speaker 4: because when I was a kid, I was told that
Speaker 4: if I held onto a helium balloon, I was going
Speaker 4: to get taken away to a white family and they
Speaker 4: would raise me.
Speaker 1: So you'd started grabbing balloons yeah, I.
Speaker 2: Was like, we rich Okay.
Speaker 4: Yeah, so Nick walks in, he gets you know, he
Speaker 4: gets kind of messed up with the balloons. He's beating
Speaker 4: up the balloons. But the gang they're all playing with
Speaker 4: the balloons. They're all sucking on helium, which is something
Speaker 4: you would do.
Speaker 1: Yeah, it's fun.
Speaker 4: Yeah, I'm not sure that like ramifications of that though,
Speaker 4: I don't know if they're negative effects of too much helium.
Speaker 3: I'm gonna go with it's the amount of time that
Speaker 3: you would be doing it, like it was a daily habit.
Speaker 2: Yeah, if you will huffer, that's what.
Speaker 1: I'm saying, then there's this is a problem in general.
Speaker 2: Possibly. Yeah, there's other things you should be thinking about,
Speaker 2: that's right.
Speaker 3: Yeah, like once in a while, a tiny little squeak,
Speaker 3: we got it, No, don't, don't, no, big inhales you guys.
Speaker 1: It's very dangerous.
Speaker 2: It can kill you.
Speaker 1: That's right in fact.
Speaker 2: But obviously the gang, they're all stupid.
Speaker 1: So they're just television. Yeah, understand that TV show, not
Speaker 1: real life.
Speaker 2: Yeah, but the thing is Nick comes out of the room.
Speaker 4: Yeah, and unfortunately his father died.
Speaker 3: One of the I forgot about this episode once again,
Speaker 3: and I genuinely forgot that. This is how he has
Speaker 3: to like break it to the gang. Yeah, when they
Speaker 3: all have.
Speaker 1: Helium in their bodies, which would be truly like a.
Speaker 3: Living nightmare for me to sit there and have someone
Speaker 3: be so emotional and vulnerable and just in shock.
Speaker 2: Yeah mm hmm, what a night man.
Speaker 1: That's why they didn't talk.
Speaker 2: Yeah, they didn't.
Speaker 4: And what I found also interesting is that they get
Speaker 4: to Chicago. They get to Chicago, which was in Altadena,
Speaker 4: I believe, and you get to meet his family. But
Speaker 4: right before we meet his family, Winston. Winston is like, yeah,
Speaker 4: well you know, he he loved me. He loved me
Speaker 4: more than he loved you. He's like, yeah, that's true.
Speaker 4: So in this we get to see Nick Kroll, Yeah,
Speaker 4: get to see Bill Burr, Bilburt, Margot Martindale. We get
Speaker 4: to see a fun group, a real like they feel
Speaker 4: like the Millers.
Speaker 1: Oh yeah.
Speaker 3: The casting is phenomenal in this episode. I feel like
Speaker 3: everybody always talks about Taylor, Swift and Prince, but this
Speaker 3: particular episode, it's it's all stars. Yeah, like everyone is
Speaker 3: just like a yeah, a phenomenal, phenomenal comedic actor and
Speaker 3: they go full force, which is also so funny how
Speaker 3: committed they all are to the bit which sells it,
Speaker 3: which gives you the relief because it's quite a heavy episode,
Speaker 3: and Jake really does play the dramatic.
Speaker 4: Yeah, which is so interesting to see because you see
Speaker 4: Nick Kroll at an eleven yeah and Bill Nick is
Speaker 4: out like he is out of his mind in this episode,
Speaker 4: and it's funny because like Nick is, you're right, he's
Speaker 4: the grounded one, and I don't think we've ever really
Speaker 4: seen that on this show. Obviously, when he's having his
Speaker 4: romantic moments with Jess, he's a bit more serious, but
Speaker 4: in some of the bits, like he's usually pushing the
Speaker 4: bits forward, and this one he's like the adult in
Speaker 4: the room.
Speaker 3: We got to see like two of the things I
Speaker 3: feel like Jake Johnson does really really well, which is
Speaker 3: play that drama.
Speaker 1: He knows how to do it. He knows how to
Speaker 1: like be real in those.
Speaker 3: Moments, and he didn't get a ton of them in
Speaker 3: New Girl. He got a fair share, but not a ton,
Speaker 3: And this one is basically the entire thing.
Speaker 1: And we get to see.
Speaker 3: Jake Johnson play drunk yes, which is always the greatest thing, which.
Speaker 4: Is really which is his resting right, Yeah, yeah, yeah,
Speaker 4: Jake is always well because of i'd say because of
Speaker 4: his real life drinking.
Speaker 3: Habits method acting in your twenties.
Speaker 4: Yeah yeah, he consumes a lot of booze in his body,
Speaker 4: which causes him to act a certain way, like stumble
Speaker 4: over a shoe perhaps, you know what I mean. Speech,
Speaker 4: that's all. That's all Jake Johnson, right there. Also, what's
Speaker 4: happening in this episode is Schmidt. Schmid's freaking out right,
Speaker 4: he can't. He's you know, complaining about the suit.
Speaker 2: The airline. They lose his suit so he has to wear.
Speaker 4: A walt suit and you could tell he's being distracted
Speaker 4: just because he just Ultimately he comes out with it
Speaker 4: that he doesn't like death.
Speaker 1: He's scared of death.
Speaker 4: He's scared of death, which is just same here. You
Speaker 4: know what I mean, I go to funerals. I'm not
Speaker 4: afraid to go to funerals, but I'm afraid of death. Yeah,
Speaker 4: so watching it, I'm like, you can identify that.
Speaker 1: But who's not afraid of death?
Speaker 2: The Grim Reaper?
Speaker 1: Okay, I know him.
Speaker 2: He lives over on Fairfax.
Speaker 1: I've seen them. Yeah, he's got.
Speaker 2: A new scythe Yeah, good guy. Good guy.
Speaker 1: City is a very you know, I'm talking about your
Speaker 1: little hook, thank you, the little along stick?
Speaker 2: Now, just sorry with that thing? Yeah? Is he killing
Speaker 2: people with that? Yeah, because I'm like, yeah, so everybody.
Speaker 2: It's like a decapitation.
Speaker 1: Yeah, he goes old school with it.
Speaker 4: It's a blade because he'd be showing up when people
Speaker 4: got like natural causes happening.
Speaker 1: Yeah, but they're already dead. So what's he doing.
Speaker 2: What's what's the blade for?
Speaker 1: It's just an aggressive cane.
Speaker 2: Don't scare me, dog, I'm about to die.
Speaker 3: Yeah, I'm already dead. You're here to just like take
Speaker 3: your take me away.
Speaker 1: You know what it means.
Speaker 2: You know what it is. You know what it is.
Speaker 4: You ever go in one of those like you ever
Speaker 4: go to like the coliseum and you do those tours
Speaker 4: and it's like a big group, or you go like
Speaker 4: a museum.
Speaker 3: You look at you, mister, I've been to Italia just
Speaker 3: a casual drop.
Speaker 1: You ever been to your room?
Speaker 2: No it's not recently, it's not a big deal. Okay,
Speaker 2: but when you have a tour guide there's a group
Speaker 2: of people, they have those long little sticks with the
Speaker 2: flag on the end. Yes, what that is? When he's
Speaker 2: gotten you into the Africa.
Speaker 1: I think that's what the Green Reaper has.
Speaker 3: Yes, yes, she's like this way, follow them into the
Speaker 3: next step.
Speaker 1: We're gonna do Prehistoric Room.
Speaker 2: Got it. We digress, We've solved it.
Speaker 4: Let's talk about Margot Martindale, Nick's mom.
Speaker 1: He's so good in this.
Speaker 3: I remember when they got her for this episode, everybody
Speaker 3: just freaked out.
Speaker 1: They just couldn't believe they'd convinced her to do New Girl.
Speaker 3: I think it was also early days of New Girl,
Speaker 3: where like Liz was still just like just so shocked
Speaker 3: and overwhelmed that all of these heroes of hers who
Speaker 3: are friends but like heroes of hers would come and
Speaker 3: do her show. It's always weird, you know, most comedy
Speaker 3: network shows are not getting this level of a guest
Speaker 3: our episode after episode.
Speaker 4: Wild Wild Indeed, Like, like you said, she's a legend,
Speaker 4: and when you watch her in this, it genuinely feels
Speaker 4: like she's his mom.
Speaker 1: Oh yeah, I know you feel it deep.
Speaker 2: Yeah.
Speaker 4: She tells him that he has to arrange everything for
Speaker 4: the funeral, and he goes He's like, wait, what.
Speaker 2: Yeah, I have to plan the funeral is some what
Speaker 2: are you're talking about?
Speaker 1: But then he just takes it on again.
Speaker 3: It's like not a bit, And I think that's what
Speaker 3: makes this episode so heartfelt and such a huge fan favorite.
Speaker 1: He's just like, all right, I got it.
Speaker 3: And doesn't question the craziness of the funeral, the family
Speaker 3: of anything right, and he can.
Speaker 1: Do all of that.
Speaker 3: He'd much rather go try to find Elvis than actually
Speaker 3: then dive into himself and try to figure out what
Speaker 3: to say about his very complicated relationship.
Speaker 1: With his father.
Speaker 3: The avoidance of it all outsource the writing of your
Speaker 3: father's eulogy.
Speaker 4: Yes, which is you know, I'm well, my father passed.
Speaker 4: I was glad I didn't have to speak. I was
Speaker 4: so glad I didn't have to speak. I just assumed
Speaker 4: they would ask me to speak. Yeah, but I preemptively
Speaker 4: let his brother know I'm not speaking right, you know
Speaker 4: what I mean, because it would be hard to you know,
Speaker 4: Walt wasn't Walt was always gone, so it would be
Speaker 4: really hard for him to kind of formulate. Usually in
Speaker 4: a eulogy, you're talking about that person's life and all
Speaker 4: these great things. But if you had a complicated relationship
Speaker 4: with someone, you don't want to get up there and
Speaker 4: just lie, you know what, I mean like, you want
Speaker 4: to try to be as truthful as you can. But
Speaker 4: if if your truth is negative and it's their funeral,
Speaker 4: don't say shit, not the.
Speaker 2: Time, not the time. Go into the afterlife.
Speaker 4: Yeah, you know, beautiful, we can with the therapists exactly,
Speaker 4: you know, go to their grave afterwards and have talks
Speaker 4: with them.
Speaker 3: The Schmidt storyline did make me laugh though, because Winston
Speaker 3: is genuinely deeply.
Speaker 1: Grieving his father figure.
Speaker 3: And the part that kept bumping me is Schmidt kept
Speaker 3: referring to Walt as a carcass. Yes, And I was like, look,
Speaker 3: I know you're struggling with this idea of Dez, but
Speaker 3: this is this is like a human being that meant
Speaker 3: a lot to the people that you are speaking to.
Speaker 3: Oh yeah, but it's such a Schmidt thing that he
Speaker 3: is just so in his own narrow world.
Speaker 4: Yeah, he has no idea, no ideas.
Speaker 1: I Walt's house with the wife and the kids.
Speaker 2: Yes, I can't look at the carcass. And what's funny
Speaker 2: about there there?
Speaker 4: Even though Winston is grieving, he now has to coach
Speaker 4: yes schmid It on how to be at the funeral,
Speaker 4: and he's practicing with him.
Speaker 2: He's rehearsing with him.
Speaker 4: Yeah, And I remember shooting that scene and thinking to myself,
Speaker 4: this is ridiculous.
Speaker 2: I was like, this is so stupid, but it was
Speaker 2: also so so funny.
Speaker 4: Max is obviously a comedic genius, so I was just
Speaker 4: watching him do it and I have to sit there
Speaker 4: with my eyes closed, almost like a guided meditation with him,
Speaker 4: coach him through this.
Speaker 2: It gives me. It didn't give me a kiss on
Speaker 2: the floor.
Speaker 1: Yeah, I know, he gets close.
Speaker 3: The thing The part that made me laugh too, is
Speaker 3: like I could hear like your real voice, Like your
Speaker 3: real real voice is when he's like, Okay, just lay
Speaker 3: there and don't breathe, and You're like, I need to breathe,
Speaker 3: man Like.
Speaker 1: I felt like that was just.
Speaker 3: A very little more and response to be like, look,
Speaker 3: I'm gonna do this crazy thing for you, but just man,
Speaker 3: I'm not gonna not breathe.
Speaker 2: Probably I think dead like that.
Speaker 3: I was like, this just sounds like the mourn and
Speaker 3: his voice being like listen otherwise I'm dead.
Speaker 2: I want to go back just slightly.
Speaker 4: In that moment when she when when Margo asks him
Speaker 4: to do the eulogy, one of my favorite.
Speaker 2: Lines that I that I've been quoting for years.
Speaker 4: Afterwards was when he's like, oh, I don't want to
Speaker 4: do it, and everyone's like, oh, you gotta do it,
Speaker 4: you gotta do it, and then.
Speaker 2: Bill Burg goes, he goes, you just say a bunch
Speaker 2: of nice stuff in a row. Yeah. I don't know
Speaker 2: why that makes me laugh so much, and I've every
Speaker 2: time like something similar comes up, I'll just I'll kind
Speaker 2: of refer to that line and do a variation of
Speaker 2: that specific line.
Speaker 3: It's pretty good advice just for a public speaking in general. Yeah,
Speaker 3: you're nervous or your whatever, you have to go introduce somebody.
Speaker 1: Those are words of wisdom.
Speaker 2: They're a bunch of nice stuff in a row.
Speaker 1: Yeah, it's not that hard.
Speaker 3: I guess it's hard if you don't have a lot
Speaker 3: of nice things to say in a room.
Speaker 1: That's where it gets tricky.
Speaker 4: We're gonna go to a quick commercial break and when
Speaker 4: we come back, I want to talk Elvis.
Speaker 7: Yeah, I don't want to talk Elvis.
Speaker 4: So the So if you don't know Jake Johnson, this
Speaker 4: is what Jake does a lot, which I struggle with
Speaker 4: because for some reason, casting and the creatives don't allow
Speaker 4: me to always put my friends and shit. Oh yeah,
Speaker 4: Jake gets the whole damn squad on New Girl.
Speaker 1: Yeah, that's true.
Speaker 3: I remember this. There was a lot of personal phone
Speaker 3: calls for this episode.
Speaker 4: So Eric Edelstein, who is one of Jake's he might be.
Speaker 4: I think he's Jake's best friend. He's really really funny,
Speaker 4: really funny dude. But he's in a lot of Jake's movies.
Speaker 4: Yeah right, he also does his own stuff. He's in
Speaker 4: his own movies and things like that, but he's always
Speaker 4: in something Jake Johnson related.
Speaker 2: And he's in this episode as drunk Elvis.
Speaker 3: Yes, also some of the funniest deliveries. Oh yeah, drunk
Speaker 3: is not easy to play. No, it's not because it
Speaker 3: usually feels really put on. Yeah, but when he's like, yeah, kick,
Speaker 3: who birthday is?
Speaker 1: This also really made me laugh.
Speaker 3: He has some really good lines in this, and I'm like,
Speaker 3: how much of that is improv? Because you know, with
Speaker 3: all of those people in the room, a lot of
Speaker 3: improv had to happen.
Speaker 4: Whatever, there's a whatever, there's like a group like a
Speaker 4: crowd of background and cast, and you have to like
Speaker 4: do a thing.
Speaker 2: You're gonna make shit up?
Speaker 4: Yeah, it's you know if you're if you grew up
Speaker 4: in comedy and you came up in comedy, you start
Speaker 4: to feel like you're you're doing a set.
Speaker 3: Wells Also, when you're you're on a set and everyone
Speaker 3: around you is quite serious because it's a business. So
Speaker 3: we got to get here, we got this much time,
Speaker 3: we got to get to the next scene. But you're
Speaker 3: with all these incredible comedians. What you're doing is just
Speaker 3: trying to make each other laugh, right, So it's not
Speaker 3: even for like I think this would serve the show,
Speaker 3: but improvised this line, not at all.
Speaker 2: Yeah, you're one hundred percent doing it, you know, Yeah,
Speaker 2: for the for the bits.
Speaker 1: That's right, for the laughs, for the bits.
Speaker 4: So the eulogy, Nick is having some issues with writing
Speaker 4: it obviously, and he you know, he just can't. So
Speaker 4: he's really we see him pretty pissed off at Jess.
Speaker 4: He's like, I'm not asking a lot, but he's clearly
Speaker 4: asking for the biggest favor.
Speaker 1: One time during a heist, right, Like what can I say?
Speaker 4: And so she really wants to help, and so the
Speaker 4: best thing she can come up with is dressing up
Speaker 4: like Elvis.
Speaker 3: Yeah, that's where the switcheroo happens. Right, is she It's not.
Speaker 3: I think it's not even that she doesn't want to
Speaker 3: write the eulogy. She just really loves and cares for Nick,
Speaker 3: and he has such a complicated relationship with his dad.
Speaker 3: She got to sit firsthand and watch it at the racetrack,
Speaker 3: and I think that she's just like, for you, forget
Speaker 3: about everybody else in the room, but for you, I
Speaker 3: think you need to talk this out and you need
Speaker 3: to say goodbye. That's what she keeps saying. But I
Speaker 3: also can give some respect to Nick Miller, who's she
Speaker 3: was like, I don't want to Yeah, I don't want
Speaker 3: to do it. It's all very hard and I'd rather
Speaker 3: just disassociate, sit in a pew and just process it internally.
Speaker 1: But she's kind of forcing his hand on it.
Speaker 3: A little bit, and so I think, but that's that
Speaker 3: thing with someone who you know can love you so
Speaker 3: much and be like a little misguided. Yeah, not fully understand.
Speaker 3: But she does save the day because Elvis gets very drunk,
Speaker 3: very very drunk, in classic Elvis style.
Speaker 2: Yeah.
Speaker 4: But before she saves the day, they are shooting their
Speaker 4: shot with trying to have folks do the eulogy. In fact,
Speaker 4: they ask Winston to get up there and say some words,
Speaker 4: and he cannot do it breakdown. He has a nervous
Speaker 4: breakdown and he freaks out. When I was doing that,
Speaker 4: I improvised ninety percent of that. Sure that was like
Speaker 4: an extended bit. I think they were just like, just
Speaker 4: do stuff, you know what I mean? And I immediately
Speaker 4: went to black Auntie at a funeral, who is doing
Speaker 4: the most and when she didn't really even care that
Speaker 4: much the person who dies, he's.
Speaker 2: Just a lot.
Speaker 3: You know, in funerals, they hire professional whalers really to
Speaker 3: come in and do that, to like be histronic, just
Speaker 3: to be like to let out all of it because
Speaker 3: a lot of people can't let the pain out. So
Speaker 3: they sit there and they just kind of get the
Speaker 3: ball rolling and they just kind of do exactly what
Speaker 3: you were doing up. Yes, those are professional mourners.
Speaker 2: I have never knew.
Speaker 3: And they wail and cry, so I have been told.
Speaker 3: I've actually never.
Speaker 2: I wonder if there's a union for them.
Speaker 1: I've only ever been to one funeral unionized them.
Speaker 4: Yeah, you get a whaler union, Like, hey man, can
Speaker 4: I hire you for two funerals this weekend?
Speaker 7: Yeah?
Speaker 3: Yeah?
Speaker 2: Yeah.
Speaker 3: And then a bunch of people on like large boats
Speaker 3: with harpoon show up and you're just like, hold up.
Speaker 1: You're for gon a Whaler.
Speaker 3: Okay, okay, so wait you are directed by the jkas
Speaker 3: for this episode.
Speaker 1: So what did he say? Just do you remember?
Speaker 3: Was he was like just go up there and just like, yeah,
Speaker 3: do all levels of mourning.
Speaker 6: Yeah.
Speaker 4: Jake is very big on like levels and big on
Speaker 4: you know, options, So being silly, you know, being grounded,
Speaker 4: being outrageous, those are all some of the notes that
Speaker 4: he that he gives you. Again, this goes back to
Speaker 4: I want to say episode one of this season where
Speaker 4: Nick is giving me fruity drinks and I say so naughty,
Speaker 4: and I remember Jake screaming, Jake Kasden.
Speaker 2: More girly, more gurly. I'm like, what does that mean.
Speaker 2: He's like, I don't know. He's like try it, like god,
Speaker 2: And then I was like, I'll try something. He's like yeah, yeah, yeah, yeahah.
Speaker 4: And so I would do like these bits and then
Speaker 4: you can just hear him laughing and I'm like, oh,
Speaker 4: I must be in the right zone.
Speaker 1: It's very funny.
Speaker 3: Yeah, to have someone who can't hold it together and
Speaker 3: is trying so desperately.
Speaker 2: Oh yeah, Oh yeah, so now we go into actually
Speaker 2: before we before we go any further. Yeah, I do
Speaker 2: have a question for you, Hannah.
Speaker 1: Wait can we go to break?
Speaker 2: Okay, we'll go to break, and I need you to
Speaker 2: get your ship together while we're at.
Speaker 1: Break in the good too.
Speaker 2: We're back and we're back from break, Hannah.
Speaker 4: I I this is getting to be ridiculous.
Speaker 3: It's truly honestly, for the Where's the Bears segment? Season
Speaker 3: two has been a struggle, and the struggle has been real.
Speaker 3: And I am with you on this particular episode because
Speaker 3: I am genuinely frustrated because the.
Speaker 1: Episode is called Chicago.
Speaker 3: Yeah, I mean Bears, Bears, Bears, Bears, Bears.
Speaker 4: You would think was there like a jersey in the background,
Speaker 4: like a Chicago Bears jersey.
Speaker 3: I body rewatch and find it, screen grab it, tag
Speaker 3: is in it, because it feels impossible that there wasn't.
Speaker 3: I looked, I did not see it. I've gone on
Speaker 3: the interwebs. It seems like no one else has. But
Speaker 3: I know these podcast listeners fine tooth Comb, Yes, they're
Speaker 3: going to go through this episode.
Speaker 4: You find it and I'm disappointment is an understatement.
Speaker 3: You know, you know, even if something is like still
Speaker 3: eight out of ten times, you can still say in
Speaker 3: it as a general rule, it's true.
Speaker 1: Eight out of ten, six out of ten times.
Speaker 2: For six, Hannah, the only bear you found was.
Speaker 1: Was like you said, I said it.
Speaker 2: My character said it.
Speaker 4: Okay, so Hepsi Schmidt confronts who was trying to steal
Speaker 4: the chain of.
Speaker 1: Flocks? Yes, a lot of thick flocks. So funny.
Speaker 3: It's the chain Robbie a casket, Yes, which by the way,
Speaker 3: is like a real thing.
Speaker 2: People do that all the time all the time. Wait,
Speaker 2: they ain't gonna do nothing with it.
Speaker 3: I mean that's why I think people are thinking. Yeah,
Speaker 3: so like that. I guess when you're like in the
Speaker 3: lineup to go pay respects, you always want to be
Speaker 3: less in line, yeah, or first in line. But you
Speaker 3: can't be somewhere in the middle.
Speaker 2: I'd say last. I say, you gotta be last.
Speaker 1: Someone might be quicker than you. Those fast hands number.
Speaker 2: One, they might steal all the good ship.
Speaker 1: That's what I've just said.
Speaker 2: Some gold fronts, that's all that's left. You gotta pop
Speaker 2: them off.
Speaker 3: So you gotta be like, I want to be buried
Speaker 3: with my favorite gold chain. Put it in my back pocket.
Speaker 1: And no one don't let me wear it.
Speaker 3: He does something though in this scene where Schmid is
Speaker 3: they're wrestling over this chain that I like, it gave
Speaker 3: me like a physical reaction because I was like the
Speaker 3: idea of sticking your head in a casket. And then
Speaker 3: he's just like all day and he just was like
Speaker 3: a little one of those like bobbing for apples or
Speaker 3: like goose things or just like what is going on
Speaker 3: with you? And he couldn't stop himself.
Speaker 4: Yeah, well he's getting he's getting over his fear.
Speaker 2: It's like when you have a fear of something, you
Speaker 2: have to just keep doing it.
Speaker 3: I think he's having a psychotic break. I don't think
Speaker 3: he got over his fear. He said a psychotic break
Speaker 3: and he's like I am death now, and you're like, sir,
Speaker 3: you have gone too far.
Speaker 2: Funny thing about him screaming all day? Have I ever
Speaker 2: told you the story about all day?
Speaker 1: You maybe have, but I've forgotten.
Speaker 2: Say it again, very famous New Girl thing.
Speaker 1: Yeah, but with Wriggle, I did that.
Speaker 2: I did that, and this is this is you know
Speaker 2: this a new Girl family and we all help each
Speaker 2: other out. All day was.
Speaker 1: Was me, You're there you're the zero of well.
Speaker 4: I am because we were on the roof and there
Speaker 4: are saying He's like, He's like, I think the Schmid's
Speaker 4: line was like, man, I can do this all day, and.
Speaker 2: I was like, and I pitched him a joke.
Speaker 4: I was like, you gotta say it like oh, and
Speaker 4: so he started doing it that way and it was
Speaker 4: obviously very funny catchphrase.
Speaker 2: Now you know, his delivery was what did it? But
Speaker 2: then they started doing it back and forth and it
Speaker 2: became a thing.
Speaker 3: It's a real thing, and it's in this episode. I
Speaker 3: was like, oh my gosh, it's back. I only remember
Speaker 3: it from the rooftop and it's made multiple appearances now.
Speaker 4: It's the only reason why I wanted to renegotiate my
Speaker 4: contract with New Girl and get paid more money because
Speaker 4: of like all my.
Speaker 1: Can I get all day residuals all day?
Speaker 2: They never let me renegotiation.
Speaker 1: That's why we were canceled. We just figured it out.
Speaker 3: He asked me that all day money, we would have
Speaker 3: gone broke at the studio.
Speaker 1: Guess that show.
Speaker 2: Never let me renegotiat you guys want to talk about it?
Speaker 4: I mean, do you do a renegotiation episode in the room.
Speaker 2: Like, what it went wrong? You guys, Let's talk it out. Yeah,
Speaker 2: why am I sleeping at a van? Let me talk about.
Speaker 3: This is your public eulogy right now, keep it on
Speaker 3: the inside voice, inside voice.
Speaker 2: Okay.
Speaker 4: So we talked about Winston getting up on the podium,
Speaker 4: We talked about drunk impersonator, and we started hinting at
Speaker 4: Jess becoming Elvis, but we didn't dive into it.
Speaker 2: She she goes for it, right, She actually.
Speaker 1: Just goes for it.
Speaker 3: Two things I love the most about her appearing as Elvis.
Speaker 3: The Elvis impersonator is one. The suit fits perfect. Yeah,
Speaker 3: Eric is not a small man. I was like, how
Speaker 3: that has It's a large man and now we're in jeggings.
Speaker 1: Got it? But I love that. I love TV moments
Speaker 1: like that.
Speaker 3: They're not going to make her Also like being like
Speaker 3: this oversized suit. She like, she looks great in it.
Speaker 1: For sure. I feel it was like, hell, not of course,
Speaker 1: but it looks so.
Speaker 3: But I was like it that makes sense, otherwise you're
Speaker 3: distracted by the goofy suit.
Speaker 1: Second, it's Zoe additional that's singing. Yes, a phenomenal thing,
Speaker 1: and she.
Speaker 3: Really like puts some like sauce on it, and it's
Speaker 3: a really good show.
Speaker 1: She sells it.
Speaker 3: I feel like if anybody else, maybe not you, but
Speaker 3: if Jake, for sure myself Max. I don't think Maxican
Speaker 3: sing had to like do that whole bit.
Speaker 1: The comedy would have come from a different place. Let's
Speaker 1: just put it that way.
Speaker 2: Because I would have sang for my soul.
Speaker 1: You would have crushed it. You would have crushed it too.
Speaker 1: You can sing. Are you trying exactly? Are you trying
Speaker 1: to get on Broadway? What's happening is a lot.
Speaker 2: I would love to get on Broadway.
Speaker 4: Broadway, if you're out there, if you're listening, if you're
Speaker 4: a fan of our show, please call me.
Speaker 1: I think it's a person.
Speaker 2: I don't know Broadway, to be honest with you said Broadway.
Speaker 2: I thought it was some dude. So otherwise I'll do Broadway.
Speaker 1: Where's he from?
Speaker 2: Chicago?
Speaker 1: The West? What's up Broadway?
Speaker 4: What I found to be funny about this as well?
Speaker 4: You know these typical TV moments which make me chuckle.
Speaker 4: The whole damn church is singing in the ghetto.
Speaker 2: They're all singing in the gear tool, which I thought was.
Speaker 1: Out of all the Elvis lines.
Speaker 4: By the way because it's what Chicago's in it and
Speaker 4: old and gray Chicago more little baby child.
Speaker 2: In the gear tool. But I was like, man, when
Speaker 2: I first heard that song, I was like, Elvis, shut
Speaker 2: the fuck up. What do you know, sir? What do
Speaker 2: you know?
Speaker 4: But then Nick gets up there and he gives a
Speaker 4: very very heartfelt, emotional Yeah.
Speaker 3: He'd initially written the eulogy and all it said was
Speaker 3: Walt Miller, Am I right?
Speaker 2: Am? I right?
Speaker 1: Which I kind of get it.
Speaker 3: He's like, y'all know I can't do this, and we
Speaker 3: all know what we know exactly?
Speaker 2: Am I right? Am? I right? Like? And that should
Speaker 2: be it.
Speaker 3: And then he watches Jess goes so far out of
Speaker 3: her comfort zone that it kind of gives him some courage, yeah,
Speaker 3: to go out of his comfort zone and just speak
Speaker 3: from the heart, and he is honest. I thought that
Speaker 3: was really nice, Like that line he says right at
Speaker 3: the end where he's like I don't know if he
Speaker 3: was like a good guy or a bad guy, where
Speaker 3: he is like in the spectrum of humanity or whatever.
Speaker 3: He says, He's like, I just know I'm gonna miss him, Yeah,
Speaker 3: And I thought that was like a real sweet like
Speaker 3: way to end the whole thing without it feeling contrived
Speaker 3: or fake or saying things that weren't true.
Speaker 6: Yeah.
Speaker 4: No, it was truthful, is what it was. And I
Speaker 4: think everyone in the crowd who knew Wald knew that
Speaker 4: this is was perfect.
Speaker 1: Yeah it was. It was great. Yeah, great writing by
Speaker 1: mister Love a roquet.
Speaker 4: Now after the funeral, they're back at the house. Cousin
Speaker 4: Bobby tells Smith to stay out of Boston. I'll put
Speaker 4: it's like I put a gun in your luggage.
Speaker 2: Oh my gosh, that's pretty funny. Shout out to Bill
Speaker 2: Burr for being one of the greatest of all time.
Speaker 2: Truly shocked.
Speaker 4: He was not shocked that he was on our show,
Speaker 4: but like he's such a even post new Girl.
Speaker 2: He became even Shoes global icon, you know what I mean.
Speaker 2: And to say that, oh, yeah, we worked with him
Speaker 2: makes me feel old.
Speaker 4: It makes me because it was so long ago. It
Speaker 4: makes me feel like, holy shit, because he had hair.
Speaker 4: This man had hair, you know what I mean. That
Speaker 4: I'd be rocking that that.
Speaker 3: Yeah, Cleans embraced a different look he knew when he
Speaker 3: was a baby.
Speaker 2: Yeah. Winston tries to leave with Walt's hat and true
Speaker 2: Walt fashion.
Speaker 1: By the way, Walt would love it.
Speaker 3: He just goes in and just like like robs the
Speaker 3: house of all his favorite things.
Speaker 2: You got to take something.
Speaker 1: You took more than more than something, filed your pockets.
Speaker 1: You literally filled your pocket. You took one leg chair.
Speaker 2: Yeah, but Michael gotta fall down.
Speaker 4: But I didn't take a gold chain, you know what
Speaker 4: I'm saying. I didn't try to steal it, like it's
Speaker 4: that wasn't in the grave.
Speaker 1: Unscrewing one.
Speaker 3: Chair leg though it feels a little mischievous, very very waltish.
Speaker 2: A little bit weird. Let's see.
Speaker 1: Oh the tap of the shoulder. I was like, is
Speaker 1: that really a thing? Like sap on?
Speaker 3: Like, did you see like Margo's reaction, right, the mom's
Speaker 3: reaction every time that Jess would tap her on the shoulders?
Speaker 1: Did you tap me twice?
Speaker 3: And then at the end she goes to tapper to
Speaker 3: get her attention and she's like, oh wait, stop, I
Speaker 3: didn't do it.
Speaker 1: I didn't tap you. I get it now.
Speaker 3: And I was like, is that really some people don't
Speaker 3: like being touched. Maybe it was just like such a
Speaker 3: specific thing that I was like, what is that about?
Speaker 1: But she was like, don't touch me.
Speaker 2: I love. I love a good touching.
Speaker 1: Yeah, and I saw a tap. I prefer it.
Speaker 2: Then. Hey, yeah, don't hate me now, although I will be.
Speaker 4: I take that back if you if you run up
Speaker 4: on me and you at me, because I'm always trapped.
Speaker 4: You know what I'm saying. For my protection, you know
Speaker 4: what I'm saying, and for the citizens. So as somebody
Speaker 4: like me, you tap me, you might you know.
Speaker 2: What I'm saying. Yeah, don't won't run up.
Speaker 4: You can start with a little more and say my
Speaker 4: name in a pleasant voice, then tap.
Speaker 2: Then I know you're a friendly I got it. You
Speaker 2: know what I'm saying.
Speaker 3: This is a lot of direction. You're giving a human
Speaker 3: being that wants to approach you. Say my name first,
Speaker 3: walk slowly, extend one or two fingers, not a whole hand.
Speaker 4: Don't yell with light tap light tap, gentle grace Yeah, okay,
Speaker 4: a gentle touch.
Speaker 1: Say a god given name.
Speaker 2: Yeah, because if.
Speaker 4: You got strong hands and you put your hands on
Speaker 4: my shoulder, you're gonna lose your feet.
Speaker 7: You.
Speaker 1: I think that Nick's mom is based on you.
Speaker 2: Yeah, it's just a Chicago thing.
Speaker 3: Yeah, you are the mommy loved the dad we're getting
Speaker 3: into it.
Speaker 4: And I love their moment Bonnie when she apologizes to
Speaker 4: Nick and says they depended on him too much and
Speaker 4: he was he was you know, he was just a kid.
Speaker 3: The way that Jake reacts in it, where he's like don't, don't,
Speaker 3: don't do it like he knows and just like don't. Yeah,
Speaker 3: it's like, we can't get too real here. We just
Speaker 3: got through this thing. It's really hard.
Speaker 1: But the fact that she then has that real moment
Speaker 1: and apologize to her baby boy is like.
Speaker 3: Yeah, this is a really good episode.
Speaker 2: You guys.
Speaker 4: And the tag was interesting about the tag, I think
Speaker 4: because Jess is singing or burning around in love as
Speaker 4: the funeral claps on and she's reading you see she's
Speaker 4: reading the lyrics.
Speaker 2: Yeah, I feel like she was just doing that. And
Speaker 2: actually that was Zoe reading the lyrics.
Speaker 1: Oh for sure.
Speaker 3: I feel like someone handed it to her and was
Speaker 3: just like, hey, let's just do one for fun. She's like, well,
Speaker 3: I don't know the lyrics, and then they just kind
Speaker 3: of like had a bake sing song and they did it.
Speaker 1: Yeah, They're like, why am I use this somewhere?
Speaker 2: Yeah, it's kind of fourth wall breaking.
Speaker 1: Yeah, it was good.
Speaker 2: That was pretty good.
Speaker 3: Yeah, great episode, heartfelt, one of those really special ones
Speaker 3: where you get to really see other sides. So like
Speaker 3: the actors, you get to see an all star cast
Speaker 3: and you really get to know one of you know,
Speaker 3: the beloveds there.
Speaker 4: Ellen Albertini, Well, she she's the she's the older lady.
Speaker 3: She's the older Oh the weed, you got any weed you.
Speaker 2: I think when we were there, it was her like
Speaker 2: ninetieth birthday or ninety something crazy or nineteen Night's right,
Speaker 2: I think that's right.
Speaker 1: It was right for a hundredth icon Icon Albertini. That's
Speaker 1: what I'm saying.
Speaker 2: It was.
Speaker 3: Everybody in that room was incredible, and I think that's
Speaker 3: why all those bits between like Bill and Nick and
Speaker 3: everybody just worked so well, because it wasn't even for
Speaker 3: the show.
Speaker 1: It wasn't even for the story. They were all.
Speaker 3: Excited to be in a room together with that level
Speaker 3: of talent everybody, and it was just the bits, and
Speaker 3: they all made the show.
Speaker 2: Yeah. I mean, you got a bunch of home run hitters.
Speaker 2: You know what I'm saying. You gotta put them points
Speaker 2: on the board.
Speaker 1: That's right.
Speaker 2: We gotta go to break and when we come back hennah,
Speaker 2: and I gonna do a little bit of messing.
Speaker 6: Around, Uh babe?
Speaker 1: Yeah, babe.
Speaker 2: Ever experienced the funeral as wacky as the one the
Speaker 2: Miller's through.
Speaker 1: I've only ever been to one funeral in my life?
Speaker 2: How you got away with that? Everybody just alive and
Speaker 2: ship stay alive? Yeah? Only are you just avoid done?
Speaker 1: Never been invited to another one? Maybe? I maybe what
Speaker 1: did I do with that first one?
Speaker 2: I mean, damn?
Speaker 1: How many funerals have you been to?
Speaker 2: A lot? Really a lot of funerals? If I said
Speaker 2: a one hundred out, I think that might be accurate.
Speaker 1: Are you mean serious? How old were you when you
Speaker 1: went to your first funeral?
Speaker 2: I was a kid.
Speaker 4: I remember one of my first funerals was because I
Speaker 4: grew up in the church and there was a lot
Speaker 4: of older folks that were passing away. When I was
Speaker 4: a young kid, there were a lot of people that
Speaker 4: were already in their like eighties, nineties, so you'd go
Speaker 4: to those funerals. And then my cousin was you know,
Speaker 4: my cousin was killed in Chicago when I was much younger,
Speaker 4: and I remember going to his funeral and it being
Speaker 4: really weird because I was like this is my my cousin,
Speaker 4: cousin we played back. He taught me how to play basketball,
Speaker 4: and so I didn't get I don't on say I
Speaker 4: got used to it.
Speaker 2: I just I hate.
Speaker 4: I actually don't like funerals, but I feel it's necessary
Speaker 4: to pay respects. Like I've been to funeral like I mean,
Speaker 4: you name it, man, I've been way too many funerals
Speaker 4: close friends, family members. You know, Yeah, it's really weird.
Speaker 4: It never gets easier, even if you weren't super close
Speaker 4: to that person, never gets any easier because you're you
Speaker 4: absorb all the the pain everybody's going through it. Sure,
Speaker 4: but there's the question, is ever experienced a funeral as
Speaker 4: wacky as the one the Miller's through?
Speaker 2: And the answer is, my own father's funeral was wacky.
Speaker 2: It was weird. Man.
Speaker 4: It wasn't belize and shout out to belize a beautiful place.
Speaker 4: But man, some some of those motherfuckers over there did
Speaker 4: not handle the funeral properly, which annoyed me.
Speaker 2: We were you know, you know, when you leave.
Speaker 4: The church and you're taking the cat, they drive the
Speaker 4: casket to the cemetery and they're lowering it into the ground.
Speaker 2: Et cetera. This was different because of flooding and all
Speaker 2: that type of stuff. You really, you you when you.
Speaker 4: Buy a plot, you bury the family on top of
Speaker 4: each other, so they're stacked on top of each other.
Speaker 4: So my grandfather's grave was right there, and my father's
Speaker 4: was on top of his. Now you're watching him, and
Speaker 4: usually like there's a there's a hole already in the ground,
Speaker 4: there's like a machine that lowers it, and then they
Speaker 4: start putting dirt over it, and then they do the
Speaker 4: rest when you're gone. This one, there's a cement there's
Speaker 4: a casket, but then there's a cement box, and they
Speaker 4: are building the top of the cement box. He's literally
Speaker 4: in a cement block and they are building it in
Speaker 4: front of you. And the dude, the dude who was
Speaker 4: doing it, it's almost like he didn't realize it was
Speaker 4: a funeral. This man breaks out his phone and starts
Speaker 4: playing like like crazy like raunchy Jamaican or like Jamaican
Speaker 4: is music.
Speaker 2: Like just like like loud, like turned up music.
Speaker 4: And everybody's sitting there and their suits like sad like
Speaker 4: sitting watching this happen. And he's got the bucket of
Speaker 4: cement and he's just like buck and then his boys
Speaker 4: aren't helping him, and he's like cursing them out.
Speaker 2: Like because they need to bring over more buckets to cement.
Speaker 2: And I'm just like, what the fuck.
Speaker 3: Is going on?
Speaker 2: And he's like pissed off because nobody's helping him, and
Speaker 2: I'm like, should I help him? I don't understand what this.
Speaker 1: Can somebody give.
Speaker 4: Me the And then finally what one of my dad's
Speaker 4: cousins had to go over and like whisper.
Speaker 2: In the man's ear.
Speaker 4: She like pulled him to the side and was like
Speaker 4: talking to him, and he's just like frustrated and she's
Speaker 4: like talking to him, and then he's like and he
Speaker 4: goes back on his phone and he puts on some
Speaker 4: like soft Bob Marley.
Speaker 1: He's like, I got it, hold up, I can fix it.
Speaker 4: Yeah, really, I don't think that's what he played. Gotta
Speaker 4: be all right, and then it was like all right,
Speaker 4: and then he was.
Speaker 2: Like much more kind with because he was just throwing
Speaker 2: to submit down and like pissed off, and I was like, man,
Speaker 2: if you weren't stronger than me, I would whoop you wild. Yeah,
Speaker 2: So that one was that one was pretty wacky.
Speaker 1: Yeah, that would feel that would stay in my brain too.
Speaker 4: Oh you ever see those funerals where they like prop
Speaker 4: deceized people up in a chair or like they bury
Speaker 4: him in They're like cattle.
Speaker 2: They have like.
Speaker 1: Watching they get only like weekend at Bernie's.
Speaker 3: That's the only time I've ever seen anything like that
Speaker 3: is that movie where I was like, this movie is
Speaker 3: just this is a horror film.
Speaker 2: I haven't seen it in person. Have you ever seen those? Though? Never?
Speaker 1: Like your algorithm is crazy?
Speaker 6: Yeah?
Speaker 4: World Star hip Hop, yeah, they did some crazy thing
Speaker 4: and world Star hip Hop. But I've seen dudes in
Speaker 4: like Cadillacs that are like sitting there like this with
Speaker 4: like a like a blut and and mouth.
Speaker 1: But you know what, why not whatever.
Speaker 2: You want to do. Honestly it feels expensive.
Speaker 3: That's all right, your money, that was your money, Like
Speaker 3: this is what I would like it to look like
Speaker 3: after I'm gone.
Speaker 1: Do you spend your money after you're gone? That's fine,
Speaker 1: make him do it.
Speaker 4: My favorite is the I think it was in Scotland
Speaker 4: or Ireland, I forget where, but there was a guy
Speaker 4: who died and had a speaker in his casket and
Speaker 4: as people were calling up like he was in the
Speaker 4: ground and as they were putting the dirt on him,
Speaker 4: he started going.
Speaker 1: Wait, some deep trauma.
Speaker 2: I'm still alive.
Speaker 1: I don't even like that story.
Speaker 2: He's like, don't do this to me.
Speaker 1: I have jokes to the end.
Speaker 4: God, God, people really do love Elvis. Do you do
Speaker 4: you know anybody like this?
Speaker 3: I feel like I know so many people like my
Speaker 3: mom's friends who are like hard core Elvis fans, and
Speaker 3: they just want to go to Vegas. They want to
Speaker 3: go to like see all the Elvis impersonators. They want
Speaker 3: to get married by Elvis, the whole thing.
Speaker 2: I get it.
Speaker 1: I don't get it either. I don't understand it.
Speaker 2: I mean, it's not that I'm not an Elvis fan.
Speaker 7: You know.
Speaker 4: I love his Unchained Melody, his live version of Unchained Melody,
Speaker 4: my favorite things to watch on YouTube.
Speaker 2: Sure, I'll watch it all the time.
Speaker 1: No you do not. I do you watch it one time?
Speaker 2: I watch it all the time. And that's my go
Speaker 2: to karaoke.
Speaker 1: How does the song start?
Speaker 6: Oh God, my.
Speaker 2: Hunger, hunger, Oh your talks. We can't say that right.
Speaker 1: Well, probably.
Speaker 4: Sweatiness off. You know he's on drugs. You know he's
Speaker 4: got all the crack coming out of his system. Yeah,
Speaker 4: he's like going on and on like, oh that man,
Speaker 4: that man on that Ray Charles, that man that's feeling good.
Speaker 2: He's shaking it. He can see.
Speaker 4: Okay, what an episode. I love this one, uh and
Speaker 4: I hope you all loved it too. Obviously you you did.
Speaker 4: That's why you're watching this podcast, and that's why you're listening.
Speaker 4: Thank you for listening, and be sure to follow us
Speaker 4: on Instagram at the mess Around Pod.
Speaker 1: Yeah some of this cute stuff.
Speaker 2: Wha, look at that? Look at that? Look at that? Yeah,
Speaker 2: you got big teddies like me.
Speaker 6: You can.
Speaker 1: Oh my gosh. We have the reduction surgery for a reason.
Speaker 2: Yeah, okay, popping look at.
Speaker 3: We will be back next week with episode two two one,
Speaker 3: First Date, First day o'clock.
Speaker 2: That was the Mess Around. This has been an iHeartMedia production.
Speaker 2: Our executive producer is Joel Monique. Our engineer and editor
Speaker 2: is Mia Taylor. Additional production from Daniel Goodman, Wendy Heisler,
Speaker 2: and Kyle Shevron. Our theme song was written and composed
Speaker 2: by Ronald Jukebox Jackson. So we're gonna catch you next time. Bye,