1 00:00:04,440 --> 00:00:08,280 Speaker 1: So I roll up, I walk up to the counter 2 00:00:08,360 --> 00:00:17,759 Speaker 1: sort of bow legged, and I say one epic pepperoni 3 00:00:17,800 --> 00:00:22,120 Speaker 1: stuff crust and they say, okay, what do you want 4 00:00:22,120 --> 00:00:27,560 Speaker 1: to drink? And I say, oh, crush crush, cream cream, 5 00:00:27,320 --> 00:00:28,520 Speaker 1: cream crush. 6 00:00:28,560 --> 00:00:31,240 Speaker 2: Normal as can be. Cream crush please, and they're like. 7 00:00:33,080 --> 00:00:35,960 Speaker 1: Hmmm, like okay. I can see them like trying to 8 00:00:36,000 --> 00:00:37,519 Speaker 1: work out like how this is going to work, and 9 00:00:37,520 --> 00:00:41,400 Speaker 1: they're like okay, okay, all right, give me one second 10 00:00:41,440 --> 00:00:42,160 Speaker 1: and then they go back. 11 00:00:42,240 --> 00:00:43,200 Speaker 2: That's the issue. 12 00:00:44,600 --> 00:00:52,240 Speaker 1: So the epic aspect of the epic Pepperoni stuff crust 13 00:00:52,280 --> 00:00:57,240 Speaker 1: is that whatever you want to drink is what it is. 14 00:00:57,680 --> 00:01:01,080 Speaker 1: It's stuffed with the drink. So when they say what 15 00:01:01,080 --> 00:01:03,920 Speaker 1: do you want to drink, that's what. There's the pepperoni 16 00:01:05,040 --> 00:01:08,840 Speaker 1: and the drink, and what you're kind of supposed to say, 17 00:01:09,720 --> 00:01:12,920 Speaker 1: I guess, to be polite, is that you want cheese. 18 00:01:13,240 --> 00:01:14,600 Speaker 2: Cheese, cheese. 19 00:01:14,959 --> 00:01:18,200 Speaker 1: They're supposed to be like, oh, I guess I'll have some. 20 00:01:18,080 --> 00:01:20,959 Speaker 1: So I guess I'll have some cheese to drink. And 21 00:01:21,000 --> 00:01:26,080 Speaker 1: then they're like great, thank you, that's awesome, and. 22 00:01:26,040 --> 00:01:27,319 Speaker 2: Then can you get a drink or you have to 23 00:01:27,319 --> 00:01:28,480 Speaker 2: go next door or something. 24 00:01:28,920 --> 00:01:30,480 Speaker 1: The drinks are on the back end. They don't come 25 00:01:30,520 --> 00:01:33,280 Speaker 1: in bottles. They come in like uh inject like a 26 00:01:35,160 --> 00:01:37,440 Speaker 1: like an injector needle. 27 00:01:39,120 --> 00:01:39,800 Speaker 2: Syringe. 28 00:01:40,440 --> 00:01:42,560 Speaker 3: But it's like one of those fat like foods, like 29 00:01:42,560 --> 00:01:43,640 Speaker 3: a plastic. 30 00:01:43,240 --> 00:01:46,720 Speaker 1: Syringe, not one that you would like use on like 31 00:01:46,760 --> 00:01:52,360 Speaker 1: a a guy. Right, And so they're just trying to 32 00:01:52,360 --> 00:01:53,400 Speaker 1: figure out how to get the. 33 00:01:54,920 --> 00:01:59,280 Speaker 4: Project the cream thrush cream into the into the into 34 00:01:59,280 --> 00:01:59,840 Speaker 4: the crust. 35 00:02:00,320 --> 00:02:02,960 Speaker 1: Yes it's getting in, but then now there's a hole, 36 00:02:03,040 --> 00:02:04,680 Speaker 1: and so it's coming out of the hole. 37 00:02:05,120 --> 00:02:08,400 Speaker 2: Uh huh, baking process apart. 38 00:02:08,600 --> 00:02:12,520 Speaker 3: Yeah, it evaporates in the oven. 39 00:02:12,960 --> 00:02:15,440 Speaker 2: Does anyone explain this to you or any time? Does 40 00:02:15,480 --> 00:02:18,680 Speaker 2: anybody talk to you about it? This is what's so 41 00:02:19,160 --> 00:02:22,120 Speaker 2: fucked about our country right now. If I can just 42 00:02:22,200 --> 00:02:23,160 Speaker 2: say this is like. 43 00:02:25,520 --> 00:02:29,560 Speaker 3: I'm happy this on our own. This is there is 44 00:02:29,680 --> 00:02:32,000 Speaker 3: nobody coming to save us. 45 00:02:32,639 --> 00:02:35,760 Speaker 2: Yes, good luck. Yeah, No, the. 46 00:02:37,320 --> 00:02:41,240 Speaker 4: Marvel movies that you go and see, yes, that's a fantasy. 47 00:02:41,360 --> 00:02:45,400 Speaker 2: Pal once again walking through. 48 00:02:45,360 --> 00:02:48,600 Speaker 1: Once again, I'm supposed to vote my way out of this. 49 00:02:49,280 --> 00:02:53,120 Speaker 1: We'll just go vote one more time. This will be 50 00:02:53,160 --> 00:02:55,760 Speaker 1: the one. This this time it'll fix it. And then 51 00:02:55,960 --> 00:03:00,359 Speaker 1: once again, sorry, sorry, nothing we can do. 52 00:03:00,919 --> 00:03:03,280 Speaker 2: Because we have the White House, we have the Senate, 53 00:03:03,400 --> 00:03:03,600 Speaker 2: you know. 54 00:03:03,840 --> 00:03:06,120 Speaker 5: And so at this point, like, if you're not going 55 00:03:06,200 --> 00:03:11,200 Speaker 5: to come in and fix something as simple as a 56 00:03:11,280 --> 00:03:16,560 Speaker 5: cream crush, epic pepperoni stuff cross pizza, then how can 57 00:03:16,600 --> 00:03:17,480 Speaker 5: I trust. 58 00:03:17,160 --> 00:03:24,760 Speaker 2: You with law? So and it's it's your last time 59 00:03:24,800 --> 00:03:25,720 Speaker 2: going to the pizza. 60 00:03:25,440 --> 00:03:26,800 Speaker 3: And going to see Papa. 61 00:03:27,160 --> 00:03:30,400 Speaker 4: It's probably my last time going to the voting booth 62 00:03:30,400 --> 00:03:30,760 Speaker 4: as well. 63 00:03:32,160 --> 00:03:34,320 Speaker 1: They don't call it Papa. It's just they don't want 64 00:03:34,320 --> 00:03:36,160 Speaker 1: to call it Papa John's anymore because of that. 65 00:03:36,200 --> 00:03:38,720 Speaker 3: It's called Papa. It's called Papa different guys. 66 00:03:38,840 --> 00:03:43,080 Speaker 2: Now, I haven't been since they change it. I'd be 67 00:03:43,120 --> 00:03:43,680 Speaker 2: more comfortable. 68 00:03:44,040 --> 00:03:45,680 Speaker 4: I don't want to have a bag that says Papa 69 00:03:45,720 --> 00:03:47,200 Speaker 4: John says Papa. Different guys. 70 00:03:47,240 --> 00:03:48,920 Speaker 2: They know. Hey, I'm part of the solution. 71 00:03:50,280 --> 00:03:51,920 Speaker 3: Welcome to my show. 72 00:03:52,040 --> 00:03:55,040 Speaker 2: The Show, The Big Show, Hollywood Handbook. 73 00:03:57,320 --> 00:03:59,680 Speaker 3: Tony and Johnny, Tony. 74 00:03:59,400 --> 00:04:06,240 Speaker 4: And Johnny, Tony and Collie, the boys with their little toys. 75 00:04:06,400 --> 00:04:07,800 Speaker 2: They love to do the show. 76 00:04:08,080 --> 00:04:09,240 Speaker 6: Hi are we here? 77 00:04:09,960 --> 00:04:11,839 Speaker 7: Hello? Here were here? 78 00:04:12,480 --> 00:04:15,520 Speaker 3: Johnny Gamberling and Tom John. 79 00:04:17,400 --> 00:04:19,400 Speaker 7: Hi, beautiful, how's it bad? 80 00:04:19,480 --> 00:04:19,840 Speaker 2: Boys? 81 00:04:20,560 --> 00:04:27,320 Speaker 1: See this thing is on a rocket chip to outer space. Said, 82 00:04:27,360 --> 00:04:28,640 Speaker 1: it's a big show. 83 00:04:29,680 --> 00:04:30,279 Speaker 2: It's the show. 84 00:04:30,520 --> 00:04:33,239 Speaker 3: The show is very buzzy. 85 00:04:33,320 --> 00:04:36,760 Speaker 1: They don't come along that often anymore of these buzzy shows. 86 00:04:36,800 --> 00:04:38,560 Speaker 3: Our show, yes. 87 00:04:40,480 --> 00:04:41,240 Speaker 2: Was saturated. 88 00:04:41,320 --> 00:04:44,240 Speaker 4: No room for another podcast. Well, I guess we'll have 89 00:04:44,360 --> 00:04:48,960 Speaker 4: to make room, said Johnny and Tony. Is it carve 90 00:04:49,000 --> 00:04:50,520 Speaker 4: out a little space for ourselves? 91 00:04:50,960 --> 00:04:52,600 Speaker 2: I'm hearing buzz. 92 00:04:52,720 --> 00:04:56,719 Speaker 7: Really, you know, we're just such a mom and pop operation. 93 00:04:57,520 --> 00:05:01,479 Speaker 7: You know, we have our heads down grinding the many 94 00:05:01,720 --> 00:05:03,120 Speaker 7: every week, and. 95 00:05:03,960 --> 00:05:07,360 Speaker 6: We're the mom and pop. We're the Papa different guys. 96 00:05:07,440 --> 00:05:09,719 Speaker 7: Yeah, we're the Papa different. You're looking for Papa different. 97 00:05:09,720 --> 00:05:14,359 Speaker 3: We're right, it's different, guys, it's different. It's casual and 98 00:05:14,400 --> 00:05:19,960 Speaker 3: filtered conversation. You listen, Yeah, does it sound like I listened? 99 00:05:21,480 --> 00:05:27,520 Speaker 2: Yeah? Describe it casual, un filter conversation. Yeah, that's it, 100 00:05:27,800 --> 00:05:29,320 Speaker 2: old friends chopping it up. 101 00:05:29,680 --> 00:05:32,240 Speaker 4: Not afraid to step on each other's toes either, which 102 00:05:32,279 --> 00:05:32,960 Speaker 4: I enjoy. 103 00:05:33,600 --> 00:05:37,040 Speaker 6: We are afraid, actually, but it just sort of happened. 104 00:05:37,960 --> 00:05:40,400 Speaker 3: That fear to get to get pissed at each other. 105 00:05:41,920 --> 00:05:44,840 Speaker 4: But that's but you know, being brave is not the 106 00:05:44,960 --> 00:05:47,560 Speaker 4: absence of fear of stepping on each other's toes. 107 00:05:47,800 --> 00:05:52,920 Speaker 6: You can't be brave afraid yeah, and anyway, you need 108 00:05:53,000 --> 00:05:53,440 Speaker 6: your fear. 109 00:05:53,760 --> 00:05:56,599 Speaker 7: You need your fear, you know, that's what that's what 110 00:05:56,720 --> 00:05:59,840 Speaker 7: makes you whole. I mean, that's what Kirk said this 111 00:06:00,080 --> 00:06:01,479 Speaker 7: Sidebock in Star Trek. 112 00:06:01,360 --> 00:06:05,800 Speaker 6: Five, and that's what ned Stark said brand in the 113 00:06:05,839 --> 00:06:10,640 Speaker 6: first Game of Thrones episode. Yeah, you can't be afraid. 114 00:06:10,839 --> 00:06:12,799 Speaker 6: You can't be brave unless you're afraid. 115 00:06:13,120 --> 00:06:16,080 Speaker 2: No, if you're not afraid, you're not doing jack shit. 116 00:06:17,200 --> 00:06:19,960 Speaker 7: Yeah. Well, we're excited that we didn't realize that there 117 00:06:20,040 --> 00:06:22,560 Speaker 7: was so much buzz you know about. 118 00:06:22,240 --> 00:06:23,880 Speaker 4: Our Oh my god, you never know when you're at 119 00:06:23,920 --> 00:06:28,920 Speaker 4: it experience. We were buzzy seven eight years ago. We 120 00:06:28,920 --> 00:06:29,640 Speaker 4: didn't know what we. 121 00:06:29,640 --> 00:06:33,039 Speaker 2: Had at the time. So cherish this. Now. 122 00:06:33,080 --> 00:06:36,159 Speaker 6: You guys have been doing this podcast for like almost 123 00:06:36,160 --> 00:06:37,400 Speaker 6: ten years, right. 124 00:06:37,880 --> 00:06:41,080 Speaker 3: Yes, we have been. We have been on. 125 00:06:43,040 --> 00:06:48,040 Speaker 1: We started out with this like trajectory of rising very 126 00:06:48,120 --> 00:06:50,800 Speaker 1: quickly in sort of the podcasting world. We have maintained 127 00:06:50,800 --> 00:06:56,760 Speaker 1: it ofcrosse an entire decade. Wo no change in the 128 00:06:56,880 --> 00:07:01,320 Speaker 1: rate of increase of our listenership. The higher time every 129 00:07:01,440 --> 00:07:03,760 Speaker 1: day I wake up and like it's gotta fall off. 130 00:07:03,880 --> 00:07:05,760 Speaker 2: Yeah, we should see a little dip, you know what 131 00:07:05,839 --> 00:07:06,159 Speaker 2: I mean. 132 00:07:06,240 --> 00:07:07,920 Speaker 3: Today has to be the day. 133 00:07:08,600 --> 00:07:11,920 Speaker 7: I'm surprised your listenership isn't affected by the crypto dip, 134 00:07:12,200 --> 00:07:13,760 Speaker 7: that there's no sort of correlation. 135 00:07:14,080 --> 00:07:16,200 Speaker 1: It's it ended up being great for us that people 136 00:07:16,200 --> 00:07:18,160 Speaker 1: are cashing out to subscribe. 137 00:07:19,040 --> 00:07:22,920 Speaker 6: Interesting, you don't accept crypto for subscription fees? 138 00:07:23,920 --> 00:07:26,400 Speaker 2: We know, how do we how do we handle that? 139 00:07:27,320 --> 00:07:28,000 Speaker 3: Not anymore? 140 00:07:28,160 --> 00:07:32,440 Speaker 8: No, we're just cold, hard cash these days. We're analog 141 00:07:32,680 --> 00:07:33,560 Speaker 8: pay in cash. 142 00:07:33,680 --> 00:07:37,080 Speaker 7: Really, they pay in actual cash to subscribe. 143 00:07:37,440 --> 00:07:37,960 Speaker 3: Drive around? 144 00:07:38,840 --> 00:07:41,240 Speaker 7: Is there like a depot or like a. 145 00:07:41,480 --> 00:07:44,160 Speaker 8: I drive around? I got a I got a truck. Oh, 146 00:07:44,200 --> 00:07:46,400 Speaker 8: they just give me their address. I show up twelve 147 00:07:46,440 --> 00:07:49,720 Speaker 8: hours later anywhere in the country. I make it work. 148 00:07:49,840 --> 00:07:54,720 Speaker 7: It's interesting, John Ybertruck. We're more pure. We don't make 149 00:07:54,960 --> 00:07:59,920 Speaker 7: money off of this podcast. In fact, we've lost money. 150 00:08:00,120 --> 00:08:02,240 Speaker 7: And and that's I think when you know you care 151 00:08:02,240 --> 00:08:04,640 Speaker 7: about something when you're. 152 00:08:04,160 --> 00:08:08,600 Speaker 4: Show using money and it comes through on Mike that 153 00:08:08,640 --> 00:08:10,920 Speaker 4: you're losing money. And I think that's part of what's 154 00:08:10,920 --> 00:08:14,119 Speaker 4: made it so buzzy. It's like the passion is so real. 155 00:08:15,880 --> 00:08:18,960 Speaker 4: But yeah, no, I listen and I could just feel 156 00:08:19,040 --> 00:08:22,040 Speaker 4: the money slipping out of your pockets as you guys. 157 00:08:21,760 --> 00:08:25,200 Speaker 6: Are well, how long did it take you when did 158 00:08:25,240 --> 00:08:26,520 Speaker 6: you become profitable? 159 00:08:28,600 --> 00:08:31,440 Speaker 3: Gosh to Thursday? 160 00:08:31,480 --> 00:08:32,920 Speaker 2: This is a Thursday right now? 161 00:08:33,000 --> 00:08:35,559 Speaker 3: Yeah, okay, so I guess it would be. 162 00:08:38,679 --> 00:08:43,440 Speaker 1: Sunday night, Sunday night cloth not quite Miday, but closer 163 00:08:43,440 --> 00:08:44,680 Speaker 1: to Monday than obviously. 164 00:08:45,120 --> 00:08:46,720 Speaker 3: Wow, Saturday. 165 00:08:47,160 --> 00:08:52,000 Speaker 7: And you're in the black. As they say, wow, wow, 166 00:08:52,000 --> 00:08:54,800 Speaker 7: that's pretty impressive. Yeah, I mean, we don't, like I said, 167 00:08:54,800 --> 00:08:58,080 Speaker 7: we do it for the art and you know we 168 00:08:58,080 --> 00:08:58,560 Speaker 7: we don't. 169 00:08:58,640 --> 00:09:00,520 Speaker 2: It's a disrespected art form. 170 00:09:00,840 --> 00:09:03,800 Speaker 7: It is a disrespected you know. And we looked at 171 00:09:03,840 --> 00:09:05,280 Speaker 7: we said, we're two new Bials. 172 00:09:05,320 --> 00:09:06,000 Speaker 6: I mean, we're new. 173 00:09:05,920 --> 00:09:10,199 Speaker 7: Biles when it comes to this New Biles. Smooth, We're 174 00:09:10,280 --> 00:09:15,440 Speaker 7: smooth New Biles. Yeah, yeah, we're smooth New Biles. And 175 00:09:15,640 --> 00:09:18,440 Speaker 7: uh we you know, we didn't know. We were like 176 00:09:18,880 --> 00:09:23,080 Speaker 7: open bear bellied lambs just hoping to come into this 177 00:09:23,320 --> 00:09:30,240 Speaker 7: territory and and uh and. 178 00:09:26,480 --> 00:09:30,280 Speaker 3: Uh around with their bare bellies. 179 00:09:30,080 --> 00:09:33,000 Speaker 7: Not even to say, yeah, everyone knows about lambs and 180 00:09:33,040 --> 00:09:36,600 Speaker 7: their fat bear bellies, just dragging on the ground. 181 00:09:36,360 --> 00:09:40,120 Speaker 2: Just exposing their little bellies, just showing them off. They 182 00:09:40,160 --> 00:09:41,679 Speaker 2: don't know any better, you know. 183 00:09:41,920 --> 00:09:44,200 Speaker 7: That's how they tracked a serial killer who was a shepherd. 184 00:09:44,240 --> 00:09:49,360 Speaker 4: Did you know that, yeah, because you've brought this up 185 00:09:49,360 --> 00:09:50,960 Speaker 4: a few times already today. 186 00:09:51,480 --> 00:09:53,600 Speaker 7: Yeah, well in our pre interview in the pre pri 187 00:09:54,800 --> 00:09:56,480 Speaker 7: in nineteen sixty eight. 188 00:09:56,440 --> 00:09:59,440 Speaker 3: In in uh outside. 189 00:10:00,760 --> 00:10:04,240 Speaker 7: That's right, yes, yes, makes you. 190 00:10:04,559 --> 00:10:13,480 Speaker 5: Harney mad Bone made to wear the flag and red blue. 191 00:10:18,920 --> 00:10:23,400 Speaker 7: But it was it was a torn Ireland, divided Ireland, 192 00:10:23,600 --> 00:10:29,320 Speaker 7: and just just south of Belfast, over fifteen women were 193 00:10:29,600 --> 00:10:33,040 Speaker 7: found uh in different states of decomposition with all their 194 00:10:33,080 --> 00:10:36,040 Speaker 7: hair removed, piled into a bag and set next to 195 00:10:36,080 --> 00:10:38,320 Speaker 7: them and uh. 196 00:10:38,440 --> 00:10:39,360 Speaker 6: South Belfast. 197 00:10:40,400 --> 00:10:45,640 Speaker 7: Yeah, that's what it's called now. They called, yes, yeah, 198 00:10:46,080 --> 00:10:48,840 Speaker 7: the Arts District and and so and they thought for 199 00:10:48,880 --> 00:10:51,640 Speaker 7: a while it was a very noted Northern Ireland artist, 200 00:10:51,760 --> 00:10:57,800 Speaker 7: actually Phineas mcphinney. And uh they they uh actually were 201 00:10:57,840 --> 00:11:04,800 Speaker 7: able to track this to were down using forensic belly 202 00:11:04,880 --> 00:11:09,200 Speaker 7: slide imprints on the grass. That the one thing the 203 00:11:09,280 --> 00:11:11,800 Speaker 7: shepherd couldn't do is leave his flock because he is 204 00:11:11,840 --> 00:11:14,280 Speaker 7: a dedicated He was a dedicated shepherd. You got to 205 00:11:14,280 --> 00:11:18,040 Speaker 7: get the flock was there at every murder. 206 00:11:18,080 --> 00:11:22,520 Speaker 1: And you could see their underdeveloped teats, the mark of 207 00:11:22,559 --> 00:11:25,000 Speaker 1: the teats dragging. 208 00:11:24,600 --> 00:11:32,199 Speaker 4: And the newbile belly tracks through the sobey uh meadows 209 00:11:32,280 --> 00:11:35,400 Speaker 4: and it's a really interesting case. 210 00:11:35,559 --> 00:11:36,959 Speaker 2: Thank you for bringing that up. 211 00:11:37,080 --> 00:11:40,839 Speaker 6: It was sheep's fat teats were dragging in the dirt 212 00:11:42,000 --> 00:11:42,839 Speaker 6: and the hook. 213 00:11:42,840 --> 00:11:48,320 Speaker 1: There there lambs or lambs under they were you know, 214 00:11:48,920 --> 00:11:52,199 Speaker 1: they're underdeveloped but large enough teats. 215 00:11:53,040 --> 00:11:55,560 Speaker 7: Their bells and their teats like their teats are just 216 00:11:55,600 --> 00:11:56,320 Speaker 7: on their bellies the. 217 00:11:57,480 --> 00:11:59,199 Speaker 2: Short legs at that age as well. 218 00:11:59,360 --> 00:12:03,120 Speaker 7: Yeah, think about when you were eight or seven. 219 00:12:04,200 --> 00:12:06,520 Speaker 1: Well, I don't know if this is like a you 220 00:12:06,640 --> 00:12:09,439 Speaker 1: Johnny had a different experience, which is fine. 221 00:12:09,200 --> 00:12:09,840 Speaker 7: Yeah that's true. 222 00:12:09,840 --> 00:12:16,360 Speaker 1: Maybe of having like big round nipples like yeah, big 223 00:12:16,559 --> 00:12:18,760 Speaker 1: fat and gorge nipples is like their. 224 00:12:18,640 --> 00:12:23,240 Speaker 4: Little normal with this, Yes, when I was eight, that's 225 00:12:23,320 --> 00:12:23,839 Speaker 4: so true. 226 00:12:23,960 --> 00:12:27,360 Speaker 6: When I was eight and my fat teats were making 227 00:12:28,679 --> 00:12:33,480 Speaker 6: tracks in the ground, my hind hoofs would would would 228 00:12:33,559 --> 00:12:38,480 Speaker 6: erase those tracks. Who as I walked right, because I'm 229 00:12:38,520 --> 00:12:40,960 Speaker 6: walking on the teet tracks with my hind hoofs. 230 00:12:42,280 --> 00:12:44,240 Speaker 7: Well, I mean they haven't gone to trial yet and 231 00:12:44,280 --> 00:12:45,400 Speaker 7: maybe maybe this. 232 00:12:45,280 --> 00:12:47,360 Speaker 6: Is from nineteen sixty eight. 233 00:12:47,720 --> 00:12:52,200 Speaker 7: Yeah, yeah, it's what you call statue limitations. 234 00:12:53,440 --> 00:12:56,000 Speaker 6: The statue of limitation is you wait for decades. 235 00:12:56,240 --> 00:12:57,680 Speaker 3: Yes, you have to try the case. 236 00:12:57,720 --> 00:12:59,480 Speaker 7: That's how they do it in Ireland, the Statue of 237 00:12:59,520 --> 00:13:02,280 Speaker 7: limitation says, we can only mean so much. 238 00:13:02,600 --> 00:13:04,760 Speaker 4: There is no normal with this stuff in terms of 239 00:13:04,840 --> 00:13:07,200 Speaker 4: like what statute of limitation means. There's no reason to 240 00:13:07,240 --> 00:13:10,560 Speaker 4: limit that here. I mean, how long before you are 241 00:13:10,640 --> 00:13:13,439 Speaker 4: unable to prosecute a crime? Yeah, you know in Ireland 242 00:13:13,440 --> 00:13:15,880 Speaker 4: it's how long you have to wait before you're allowed. 243 00:13:15,679 --> 00:13:17,840 Speaker 7: Yeah, before you do it. So, yeah, he had quite 244 00:13:17,880 --> 00:13:22,000 Speaker 7: a life, you know, family, grandchildren, and he actually was 245 00:13:22,040 --> 00:13:25,000 Speaker 7: a model, model citizen had a. 246 00:13:24,920 --> 00:13:26,640 Speaker 2: Model as well, Yes. 247 00:13:26,440 --> 00:13:27,080 Speaker 7: And he was. 248 00:13:27,200 --> 00:13:27,520 Speaker 2: He was. 249 00:13:28,120 --> 00:13:34,480 Speaker 7: He was actually one of Robert Maplethorpe's first models in 250 00:13:34,880 --> 00:13:37,600 Speaker 7: his first book. And he also had a lot to 251 00:13:37,640 --> 00:13:42,640 Speaker 7: do with the uh, what's the famous clothing store? 252 00:13:45,000 --> 00:13:47,959 Speaker 4: He was. He was always you know, catching a football 253 00:13:48,000 --> 00:13:50,120 Speaker 4: on a picnic table, or he was in a tree 254 00:13:50,320 --> 00:13:50,959 Speaker 4: and look at me. 255 00:13:51,280 --> 00:13:55,880 Speaker 1: And yes, no, that's how I mean. Your documentary is 256 00:13:55,920 --> 00:13:57,240 Speaker 1: about how the models were. 257 00:13:57,120 --> 00:14:02,520 Speaker 3: Not just all white but like Irish native yes, Irish. 258 00:14:02,240 --> 00:14:09,920 Speaker 7: A little too thick, blonde, blonde, very strange. Yeah, the 259 00:14:10,520 --> 00:14:15,360 Speaker 7: Irish shepherd's staff. Yeah. So any I mean, anyway, I 260 00:14:15,400 --> 00:14:17,719 Speaker 7: love true crime. That's just who I am. 261 00:14:17,760 --> 00:14:17,920 Speaker 2: Bro. 262 00:14:18,120 --> 00:14:23,400 Speaker 4: I'm addicted to this stuff and it's funny because you know, 263 00:14:23,600 --> 00:14:25,160 Speaker 4: here you do a podcast. 264 00:14:26,600 --> 00:14:30,880 Speaker 2: It's not expressly a true crime podcast. But I don't 265 00:14:30,880 --> 00:14:32,920 Speaker 2: think it hurts to have that obsession. I think there 266 00:14:32,960 --> 00:14:36,480 Speaker 2: is room to talk about that stuff in podcasting. 267 00:14:35,920 --> 00:14:37,560 Speaker 7: A little bit, a little bit. 268 00:14:37,800 --> 00:14:40,800 Speaker 4: It could be possibly lucrative, you know, down the line, 269 00:14:40,920 --> 00:14:41,480 Speaker 4: down the line. 270 00:14:41,640 --> 00:14:43,520 Speaker 2: Nothing you're interested in that, But it's. 271 00:14:43,480 --> 00:14:46,000 Speaker 7: That seems like a risky proposition. I think we'll stick 272 00:14:46,040 --> 00:14:50,360 Speaker 7: with the podcast we lose money on, Okay, I I 273 00:14:50,680 --> 00:14:53,880 Speaker 7: think I think we know what we're doing. I appreciate it, 274 00:14:53,880 --> 00:14:55,920 Speaker 7: but I agree, But I appreciate you, and I want 275 00:14:55,960 --> 00:14:58,080 Speaker 7: you to I appreciate you. And everyone sees things differently. 276 00:14:58,240 --> 00:15:00,600 Speaker 6: I mean, how would we break into true Like what 277 00:15:00,640 --> 00:15:02,480 Speaker 6: do people what do they do? They listen to like 278 00:15:02,560 --> 00:15:03,680 Speaker 6: the police. 279 00:15:04,080 --> 00:15:04,160 Speaker 2: The. 280 00:15:06,560 --> 00:15:08,800 Speaker 4: Scanner, and then you sort of yeah, you get in 281 00:15:08,840 --> 00:15:10,680 Speaker 4: there and you just say like, hey, so I was 282 00:15:10,680 --> 00:15:12,520 Speaker 4: listening to this guys. 283 00:15:12,880 --> 00:15:14,440 Speaker 2: Yeah there's a guy being weird. 284 00:15:15,040 --> 00:15:17,840 Speaker 4: One guy's voice was kind of nasal, and I heard 285 00:15:17,920 --> 00:15:19,800 Speaker 4: the beginning of what street he was going to. 286 00:15:20,520 --> 00:15:22,520 Speaker 7: Yeah, it's helpful too. If like you live in a 287 00:15:22,720 --> 00:15:26,680 Speaker 7: if you live in like really expensive building on the 288 00:15:26,760 --> 00:15:30,680 Speaker 7: Upper West Side, and you know, maybe you have a 289 00:15:30,680 --> 00:15:34,320 Speaker 7: couple of friends who are you know, really just out 290 00:15:34,360 --> 00:15:37,680 Speaker 7: the door on the ledge of both you know their 291 00:15:37,680 --> 00:15:41,760 Speaker 7: lives and their careers, partner up with them, and you know. 292 00:15:41,960 --> 00:15:45,560 Speaker 4: You have a common interest, right and it is true 293 00:15:45,600 --> 00:15:48,680 Speaker 4: crime and yes, yeah, well you're. 294 00:15:48,760 --> 00:15:50,080 Speaker 2: A beloved media source. 295 00:15:50,160 --> 00:15:54,240 Speaker 4: That sort of becomes your entree, and then that grows 296 00:15:54,280 --> 00:15:57,440 Speaker 4: into you're you know, you're working as a community, you're 297 00:15:57,520 --> 00:16:01,120 Speaker 4: making art together, you're investigating something in real time, and 298 00:16:01,160 --> 00:16:02,480 Speaker 4: it's it's exciting. 299 00:16:02,520 --> 00:16:04,240 Speaker 2: And you know two of you. 300 00:16:05,840 --> 00:16:11,520 Speaker 1: Makes sense, yes on one's normal size, yeah, or tall 301 00:16:11,640 --> 00:16:15,640 Speaker 1: even yeah. And then of course there's your other best 302 00:16:15,640 --> 00:16:18,240 Speaker 1: friend to complete the set, the young latina. 303 00:16:18,840 --> 00:16:22,200 Speaker 7: Yeah, well, yeah, of course everyone. 304 00:16:22,320 --> 00:16:25,880 Speaker 6: I mean, it makes us openly for a while, and 305 00:16:25,920 --> 00:16:28,360 Speaker 6: we really have to work at her to to just 306 00:16:28,480 --> 00:16:30,680 Speaker 6: get any kind of I mean, it's almost. 307 00:16:30,480 --> 00:16:33,080 Speaker 7: A trope at this point, the two old men hanging 308 00:16:33,120 --> 00:16:35,120 Speaker 7: out with the young latina solving crimes. 309 00:16:35,160 --> 00:16:39,080 Speaker 4: I mean, you know, well, and yeah, people may be 310 00:16:39,320 --> 00:16:41,120 Speaker 4: sick of that, but it's it's funny. 311 00:16:41,800 --> 00:16:46,320 Speaker 2: It still works on me. Yeah, here we go again. 312 00:16:46,520 --> 00:16:48,440 Speaker 4: Let me guess these two old guys are going to 313 00:16:48,480 --> 00:16:52,080 Speaker 4: meet a young latina they be befriend and then you know, 314 00:16:52,440 --> 00:16:54,560 Speaker 4: I'm so Florid. I go there, she is, Oh, I 315 00:16:54,600 --> 00:16:56,880 Speaker 4: wonder if they're going to find something in common. But 316 00:16:56,920 --> 00:17:00,320 Speaker 4: then before you know what, I've got my popcorn out 317 00:17:00,360 --> 00:17:03,760 Speaker 4: and I'm you know, it's kippen true and ye the 318 00:17:03,880 --> 00:17:07,560 Speaker 4: next one, because I do love I do love seeing 319 00:17:07,640 --> 00:17:09,119 Speaker 4: that group. 320 00:17:10,560 --> 00:17:17,480 Speaker 1: Speaking of shows, this show, doing it, doing this one. 321 00:17:17,840 --> 00:17:20,360 Speaker 3: We know what we're doing, just like you guys. 322 00:17:22,119 --> 00:17:24,560 Speaker 1: What we want to think about is what we can 323 00:17:24,680 --> 00:17:31,760 Speaker 1: do together. You guys are sort of a rising commodity. 324 00:17:31,840 --> 00:17:38,280 Speaker 1: We are again maintaining the gaps as we move up 325 00:17:38,320 --> 00:17:41,720 Speaker 1: and up and up in our subscribers and our listens. 326 00:17:42,440 --> 00:17:42,560 Speaker 2: Uh. 327 00:17:42,920 --> 00:17:48,880 Speaker 1: But I do think there's still an opportunity for us 328 00:17:48,920 --> 00:17:51,040 Speaker 1: to reach back, you guys, to reach forward and like 329 00:17:51,119 --> 00:17:53,920 Speaker 1: we sort of grab hands and we'd. 330 00:17:53,680 --> 00:17:56,240 Speaker 4: Love to send the elevator back down. You know it's 331 00:17:56,240 --> 00:17:58,800 Speaker 4: gonna be yea quite a few floors. But I you know, 332 00:17:58,840 --> 00:18:00,960 Speaker 4: there's a lot of podcas did. 333 00:18:00,800 --> 00:18:02,840 Speaker 2: Not do that for us. 334 00:18:02,840 --> 00:18:05,840 Speaker 6: Interesting, you pull us up a little, we drag you 335 00:18:05,920 --> 00:18:08,359 Speaker 6: down a little, and we just meet in the middle. 336 00:18:09,440 --> 00:18:11,480 Speaker 1: I think that could be many podcasts. We send the 337 00:18:11,480 --> 00:18:16,920 Speaker 1: elevator back down. Other podcasts will hack the elevator so 338 00:18:17,280 --> 00:18:21,960 Speaker 1: it Kreem's towards the roof of the building and your 339 00:18:22,040 --> 00:18:26,400 Speaker 1: eyes are impaled by the spikes at at the top 340 00:18:26,440 --> 00:18:28,400 Speaker 1: of the elevator shaft. 341 00:18:28,640 --> 00:18:33,280 Speaker 6: Charlie, Oh oh, I was thinking of Charlie. 342 00:18:33,280 --> 00:18:36,560 Speaker 1: You're thinking Charlie sheep. That wasn't Charlie sheed Charlie and 343 00:18:36,600 --> 00:18:40,000 Speaker 1: that that was a red light green light. He's think 344 00:18:40,520 --> 00:18:41,160 Speaker 1: second together. 345 00:18:44,720 --> 00:18:49,760 Speaker 7: But where Willy Wonka gets impaled and Charlie survives because 346 00:18:50,040 --> 00:18:54,880 Speaker 7: the spikes don't reach his head. Charlie small, Charlie small. 347 00:18:54,960 --> 00:18:57,240 Speaker 7: So there's another pairing. All you need is a young Latina. 348 00:18:57,440 --> 00:19:00,320 Speaker 7: If you have Willy Wonka and you've got Charlie, you 349 00:19:00,359 --> 00:19:02,320 Speaker 7: need a young Latina west of himself. 350 00:19:05,320 --> 00:19:07,639 Speaker 4: Yeah, I'd like to see I'd like to see Willy 351 00:19:07,680 --> 00:19:09,359 Speaker 4: Wonka slug Worth. 352 00:19:09,560 --> 00:19:13,439 Speaker 7: And yes, oh yeah, yeah, that's true. That would be 353 00:19:13,480 --> 00:19:15,879 Speaker 7: pretty nice and they are friends in the end. You 354 00:19:15,920 --> 00:19:18,280 Speaker 7: know he works for him. I don't know. 355 00:19:18,359 --> 00:19:19,320 Speaker 6: I know that is a fake. 356 00:19:20,080 --> 00:19:23,840 Speaker 7: Do you know that about slug Worth? Did that he 357 00:19:23,840 --> 00:19:27,719 Speaker 7: he worked for Willy Wonka. Every time I forget I 358 00:19:27,800 --> 00:19:31,359 Speaker 7: watch it every time, I'm scared. Every time I'm like, 359 00:19:31,400 --> 00:19:34,440 Speaker 7: what is this guy doing? He's meeting with these children and. 360 00:19:34,160 --> 00:19:40,280 Speaker 3: He's he's so crazy, and it's like my mind is wiped. 361 00:19:40,320 --> 00:19:46,280 Speaker 7: And then you get to that reveal and you just go, oh, 362 00:19:46,680 --> 00:19:48,840 Speaker 7: slug Worth was good. I should have known by the 363 00:19:49,000 --> 00:19:59,120 Speaker 7: name slug, which obviously is an incredibly fastidious and natal 364 00:19:59,359 --> 00:20:05,359 Speaker 7: creature and worth worth and value. They're in their name. 365 00:20:05,680 --> 00:20:12,480 Speaker 1: They're Nature's gardeners, normal, which like I have no association 366 00:20:12,560 --> 00:20:13,520 Speaker 1: with nature at all. 367 00:20:14,600 --> 00:20:19,840 Speaker 4: Normal yea, because you know, normal gardeners are trying to 368 00:20:19,960 --> 00:20:23,439 Speaker 4: control nature, manipulate it for their own, you know, do 369 00:20:23,520 --> 00:20:24,639 Speaker 4: their bidding or whatever. 370 00:20:25,920 --> 00:20:28,480 Speaker 2: Slugs work within the existing structures. 371 00:20:28,520 --> 00:20:30,240 Speaker 3: They're just trying to nature's gardens. 372 00:20:30,800 --> 00:20:36,840 Speaker 6: But how's that garden they're in the ecosystem? Gardening definition 373 00:20:37,000 --> 00:20:40,359 Speaker 6: is outside of nature. It's part of agriculture. It's it 374 00:20:40,480 --> 00:20:41,320 Speaker 6: is controlling. 375 00:20:42,280 --> 00:20:45,280 Speaker 2: But nature's gardeners. 376 00:20:47,200 --> 00:20:53,240 Speaker 6: That just aren't bees, more like nature's gardeners. Excuse it was. 377 00:20:53,200 --> 00:20:56,000 Speaker 2: Not just one major's garden. I mean, I don't think 378 00:20:56,000 --> 00:20:59,760 Speaker 2: I said Nature's only gardeners that is. 379 00:21:00,280 --> 00:21:03,439 Speaker 7: I would say they're more of like these are like 380 00:21:03,600 --> 00:21:08,040 Speaker 7: nature's horn dogs, you know, because they're like fucking flowers 381 00:21:08,080 --> 00:21:08,520 Speaker 7: all day. 382 00:21:08,560 --> 00:21:10,800 Speaker 2: They're getting all up in the flowers. 383 00:21:10,880 --> 00:21:11,080 Speaker 4: Gun. 384 00:21:11,200 --> 00:21:16,159 Speaker 7: Yes, yeah, they're fucking stinger deep in Flowers. 385 00:21:16,560 --> 00:21:22,919 Speaker 3: They're creating buzz like your show return some of the 386 00:21:22,960 --> 00:21:24,480 Speaker 3: things that we were. 387 00:21:24,320 --> 00:21:27,280 Speaker 1: Discussing dis amitted ago, just keeping it on sort of 388 00:21:27,320 --> 00:21:28,080 Speaker 1: on track. 389 00:21:28,160 --> 00:21:29,640 Speaker 2: Getting us back to where we were going. 390 00:21:29,760 --> 00:21:32,560 Speaker 7: Yeah, what kind of partner, I mean, what kind of project? 391 00:21:32,640 --> 00:21:35,720 Speaker 7: You know? Do you think that something like the Phony 392 00:21:35,760 --> 00:21:38,959 Speaker 7: and Callie Show, which you know, our show has a 393 00:21:39,080 --> 00:21:43,200 Speaker 7: very particular structure. You know, it's about two guys talking 394 00:21:44,280 --> 00:21:46,320 Speaker 7: aimlessly for a. 395 00:21:46,280 --> 00:21:51,639 Speaker 1: While, ours, too, Ours is about a couple of men chatting. 396 00:21:52,880 --> 00:21:55,520 Speaker 2: Without you know, without a particular destination. 397 00:21:55,680 --> 00:21:58,639 Speaker 4: You know, we try not to put too many parameters 398 00:21:58,680 --> 00:21:59,680 Speaker 4: on what we can discuss. 399 00:22:01,680 --> 00:22:03,560 Speaker 2: And it's and it's for a little bit. 400 00:22:05,359 --> 00:22:08,720 Speaker 6: What do you what how long do you typically record for? 401 00:22:09,720 --> 00:22:13,880 Speaker 4: Well, the episodes that we release are approximately an hour, 402 00:22:13,960 --> 00:22:17,040 Speaker 4: you know, with ads, so maybe forty eight minutes of 403 00:22:17,080 --> 00:22:18,000 Speaker 4: content is released. 404 00:22:18,280 --> 00:22:24,400 Speaker 2: That's some record for sixty seven hours a day. Yeah, yeah, wow, 405 00:22:25,440 --> 00:22:27,120 Speaker 2: it's it's your and. 406 00:22:26,880 --> 00:22:29,760 Speaker 4: And we're probably not as long lately because we've been 407 00:22:29,760 --> 00:22:31,320 Speaker 4: doing it for a little while. We kind of can 408 00:22:31,359 --> 00:22:34,720 Speaker 4: feel when something's hot, when something's working, Like I think. 409 00:22:34,600 --> 00:22:38,600 Speaker 2: We'll probably use the slug discussion from this. 410 00:22:39,000 --> 00:22:43,959 Speaker 7: Oh that's fun. Yeah, that's fun, just no context, and 411 00:22:44,000 --> 00:22:48,320 Speaker 7: you have ads that run regularly, not just occasionally. 412 00:22:49,960 --> 00:22:53,560 Speaker 6: In an episode, you'd have to ask Kevin. 413 00:22:53,520 --> 00:22:54,680 Speaker 2: You have to talk to Kevin? 414 00:22:54,720 --> 00:22:54,960 Speaker 4: I don't. 415 00:22:55,160 --> 00:22:56,160 Speaker 6: Can I talk to Kevin? 416 00:22:56,680 --> 00:22:57,200 Speaker 3: Yeah? 417 00:22:57,359 --> 00:23:01,119 Speaker 4: Yeah, I'd prefer it Kevin. 418 00:23:01,600 --> 00:23:02,399 Speaker 8: What's up, guys? 419 00:23:02,880 --> 00:23:03,080 Speaker 3: Yeah? 420 00:23:03,119 --> 00:23:06,919 Speaker 8: The ads are pretty interesting. We really get like every 421 00:23:07,119 --> 00:23:09,960 Speaker 8: last drop out of it for the whole month. So 422 00:23:10,119 --> 00:23:11,400 Speaker 8: before we used to have like. 423 00:23:11,359 --> 00:23:14,240 Speaker 1: Does that make sense? I don't, Just like you know, 424 00:23:14,320 --> 00:23:17,680 Speaker 1: I don't. You don't have We've done ads for a while, 425 00:23:17,720 --> 00:23:21,040 Speaker 1: so we totally understand what that means. But like for you, 426 00:23:21,440 --> 00:23:23,760 Speaker 1: they don't have that experience, like does it not make 427 00:23:23,800 --> 00:23:25,480 Speaker 1: sense that we get every last drop out of this 428 00:23:25,560 --> 00:23:26,240 Speaker 1: for the whole month? 429 00:23:26,840 --> 00:23:29,640 Speaker 7: I canna be honest, I don't understand what that means. 430 00:23:29,720 --> 00:23:35,600 Speaker 4: Yeah, break it down a little more clearly. I obviously 431 00:23:35,640 --> 00:23:37,880 Speaker 4: got it. I said, this is pretty obvious what he's saying. 432 00:23:37,880 --> 00:23:39,840 Speaker 4: We get everything drop out of it for the whole month. 433 00:23:40,840 --> 00:23:44,040 Speaker 4: But smart for Hayes to jump in and say, hey, 434 00:23:44,040 --> 00:23:46,200 Speaker 4: wait a minute, these guys are flying blank. 435 00:23:47,359 --> 00:23:49,679 Speaker 1: And to sound you might be like to sound like 436 00:23:49,760 --> 00:23:52,639 Speaker 1: you're laughing and crying when you talk about this stuff. 437 00:23:52,720 --> 00:23:53,280 Speaker 3: Is that weird? 438 00:23:53,400 --> 00:23:53,440 Speaker 2: No? 439 00:23:53,520 --> 00:23:56,520 Speaker 3: When you're talking about ads, it's actually very normal. 440 00:23:57,000 --> 00:24:02,840 Speaker 8: Okay, okay, So before we would manually edit in a 441 00:24:02,880 --> 00:24:06,520 Speaker 8: new ad every single episode. Now we're doing this thing 442 00:24:07,480 --> 00:24:11,879 Speaker 8: in the industry called dynamic ad insertion where instead of 443 00:24:11,920 --> 00:24:15,200 Speaker 8: having I know about that, hundreds of ads. 444 00:24:16,440 --> 00:24:25,360 Speaker 7: Are doing yeah, yeah, sorry, that's all right. 445 00:24:25,600 --> 00:24:30,200 Speaker 8: That the we typically get like a couple ads and 446 00:24:30,240 --> 00:24:33,920 Speaker 8: then actually, wow. 447 00:24:35,040 --> 00:24:37,560 Speaker 6: The flowers are covering the bees and the bees aren't 448 00:24:37,600 --> 00:24:39,360 Speaker 6: putting anything into the flowers. 449 00:24:40,320 --> 00:24:45,199 Speaker 2: The bees are flowers are inserting something into the bees. 450 00:24:45,480 --> 00:24:46,639 Speaker 6: No, I think the flowers are. 451 00:24:46,720 --> 00:24:49,760 Speaker 4: I guess the bees in big ass in there, man, 452 00:24:50,800 --> 00:24:52,520 Speaker 4: their ads and they get covered. 453 00:24:52,240 --> 00:24:54,120 Speaker 2: In the flower juice. 454 00:24:54,240 --> 00:25:02,879 Speaker 6: Think they're stinging the flowers, I said, ass, I guess 455 00:25:02,880 --> 00:25:05,000 Speaker 6: the pollen's coming off of them. 456 00:25:05,480 --> 00:25:08,280 Speaker 7: Yeah, they move flower to flower and there's pollen on 457 00:25:08,320 --> 00:25:11,400 Speaker 7: their legs and their back hind ass, and then they 458 00:25:11,440 --> 00:25:14,720 Speaker 7: go to another flower that maybe doesn't have a lot 459 00:25:14,960 --> 00:25:17,560 Speaker 7: you know what's going on, and they drop the pollen 460 00:25:17,600 --> 00:25:20,760 Speaker 7: over there, and then the flowers like great, now I 461 00:25:20,760 --> 00:25:21,480 Speaker 7: can grow. 462 00:25:21,320 --> 00:25:25,840 Speaker 4: More Nature's warny gardner flowers inserting another bee? 463 00:25:26,600 --> 00:25:26,959 Speaker 2: Sorry? 464 00:25:28,480 --> 00:25:28,679 Speaker 4: Is that? 465 00:25:28,760 --> 00:25:30,719 Speaker 2: How funist off? 466 00:25:30,840 --> 00:25:31,080 Speaker 4: You know? 467 00:25:32,000 --> 00:25:36,320 Speaker 1: This is a this is anton that you get into 468 00:25:36,359 --> 00:25:40,040 Speaker 1: the ads game. But now I'm now I actually think 469 00:25:40,080 --> 00:25:43,480 Speaker 1: you should not. I think you should stay as far 470 00:25:43,600 --> 00:25:45,119 Speaker 1: away from this as possible. 471 00:25:45,640 --> 00:25:47,520 Speaker 6: This is a little bit of a gang up on me. 472 00:25:48,000 --> 00:25:50,880 Speaker 2: Well, John, when you do the ads, you know you're 473 00:25:50,920 --> 00:25:53,399 Speaker 2: representing a brand, and so if you were to go 474 00:25:53,680 --> 00:25:56,800 Speaker 2: rogue like you just did and abandon the copy and 475 00:25:56,920 --> 00:26:02,240 Speaker 2: start just theorizing on a flower somehow inserting into a bee, 476 00:26:04,160 --> 00:26:07,160 Speaker 2: you'd lose a lot of very important people, a lot 477 00:26:07,240 --> 00:26:07,800 Speaker 2: of money. 478 00:26:08,000 --> 00:26:10,760 Speaker 3: I do have to step in, well, I have to step. 479 00:26:10,480 --> 00:26:14,920 Speaker 7: In and defend my partner and say that even though 480 00:26:15,160 --> 00:26:18,719 Speaker 7: I think what he said clearly was wrong and just 481 00:26:18,760 --> 00:26:20,560 Speaker 7: in basic fundamentals. 482 00:26:20,000 --> 00:26:21,920 Speaker 6: Kevin and I have barely been able to get through 483 00:26:21,920 --> 00:26:24,399 Speaker 6: a set that you guys have been laying in weight 484 00:26:24,960 --> 00:26:27,200 Speaker 6: to jump all over the two of us. 485 00:26:27,240 --> 00:26:30,000 Speaker 7: But I wanted to say that that John has a 486 00:26:30,080 --> 00:26:32,680 Speaker 7: I think a greater purpose here, which is to understand 487 00:26:33,280 --> 00:26:38,960 Speaker 7: maximizing dynamic ad insertion, which I know I'm very interested 488 00:26:39,000 --> 00:26:43,080 Speaker 7: in because John and I both have obviously had very 489 00:26:43,119 --> 00:26:48,320 Speaker 7: storied careers in the industry, and we really feel like 490 00:26:49,160 --> 00:26:53,120 Speaker 7: as industry maven's, as people who have been around are visible, 491 00:26:53,320 --> 00:26:58,119 Speaker 7: are seen, are recognized, are even during COVID, even with 492 00:26:58,160 --> 00:27:01,000 Speaker 7: a mask on, people could tell me through just through 493 00:27:01,000 --> 00:27:05,200 Speaker 7: my eyes and you know, we. 494 00:27:05,440 --> 00:27:07,480 Speaker 6: Know, desperate look in your eyes. 495 00:27:07,680 --> 00:27:11,199 Speaker 7: Yes, you know, I run. I have awful sort of 496 00:27:11,200 --> 00:27:14,679 Speaker 7: disassociative panic attacks that I don't even remember who I 497 00:27:14,720 --> 00:27:16,640 Speaker 7: am and I leave the house. 498 00:27:18,040 --> 00:27:20,040 Speaker 3: Everyone else knows, don't they. 499 00:27:20,200 --> 00:27:23,320 Speaker 2: It's one of the gifts, right, Yeah, recognized them. 500 00:27:23,400 --> 00:27:26,680 Speaker 7: Well. My neighborhood sort of does a story circle every 501 00:27:26,720 --> 00:27:29,600 Speaker 7: week and tells me what I did. So I go 502 00:27:29,680 --> 00:27:32,040 Speaker 7: out in the week and I go, you know, maybe 503 00:27:32,080 --> 00:27:37,720 Speaker 7: I attack somebody or I you know, I you know, 504 00:27:37,760 --> 00:27:41,440 Speaker 7: maybe shipping a little Madonna, you know, like a little 505 00:27:41,480 --> 00:27:43,600 Speaker 7: there's in where I live. There's a lot of Madonna 506 00:27:43,600 --> 00:27:48,080 Speaker 7: and babies. Yeah, where I might use a toilet, you know. 507 00:27:48,880 --> 00:27:50,440 Speaker 3: There's little Madonnas everywhere. 508 00:27:50,800 --> 00:27:53,200 Speaker 7: No, I don't know, I live where I live. 509 00:27:54,280 --> 00:28:00,840 Speaker 2: Where I live, there's huge normally. Yeah, really we don't 510 00:28:00,880 --> 00:28:02,000 Speaker 2: have you know, you would. 511 00:28:05,160 --> 00:28:05,760 Speaker 6: In the corner. 512 00:28:06,359 --> 00:28:10,800 Speaker 7: But anyway, so I would really, you know, uh think 513 00:28:10,840 --> 00:28:14,440 Speaker 7: that our star power should be enough to drive the show. 514 00:28:14,840 --> 00:28:18,120 Speaker 7: But it just feels like ad insertion, especially if it's dynamic, 515 00:28:18,160 --> 00:28:20,040 Speaker 7: would be something interesting to both of us. 516 00:28:20,520 --> 00:28:22,159 Speaker 4: Who it is dynamic and and thank you for the 517 00:28:22,200 --> 00:28:24,600 Speaker 4: reset and and go ahead, Kevin and Johnna. 518 00:28:25,280 --> 00:28:27,360 Speaker 2: You know, I'll save my comments for afterwards. 519 00:28:28,080 --> 00:28:30,360 Speaker 6: After I just want to clarify after what. 520 00:28:31,920 --> 00:28:35,400 Speaker 3: After he start after after you start talking. 521 00:28:35,359 --> 00:28:38,680 Speaker 6: After I start talking, then the comments will flow free. 522 00:28:38,800 --> 00:28:39,160 Speaker 6: All right. 523 00:28:41,200 --> 00:28:44,920 Speaker 8: Let me try it like this, this analogy, because I'm 524 00:28:44,920 --> 00:28:48,320 Speaker 8: a little bit of a music a music head. Your 525 00:28:49,280 --> 00:28:53,160 Speaker 8: band's about to go on yeah, sorry, it's just got emotional. 526 00:28:53,880 --> 00:28:55,720 Speaker 8: Your band's about to go on tour. 527 00:28:56,040 --> 00:28:56,840 Speaker 6: Are you reading this? 528 00:28:56,880 --> 00:28:57,440 Speaker 4: It's okay? 529 00:28:58,200 --> 00:29:01,840 Speaker 7: Yeah, put the paper down and just say it from. 530 00:29:01,640 --> 00:29:03,200 Speaker 2: The heart for the show. 531 00:29:03,520 --> 00:29:05,440 Speaker 7: Put the paper down and just say it. 532 00:29:05,880 --> 00:29:08,360 Speaker 8: I trace my hand when I get nervous. 533 00:29:10,640 --> 00:29:12,560 Speaker 7: Well, you're gonna you know what, you're all set for 534 00:29:12,640 --> 00:29:15,120 Speaker 7: Thanksgiving a turkey turkey? 535 00:29:15,640 --> 00:29:19,000 Speaker 8: Yeah, I feel better. Your band's about to go on tour. 536 00:29:19,480 --> 00:29:23,840 Speaker 3: Okay, you sound you sound worse. Yeah, you don't sound better. 537 00:29:26,120 --> 00:29:28,400 Speaker 6: About to go on stage or on tour? Am I 538 00:29:28,600 --> 00:29:31,120 Speaker 6: packing or am I torning tour? 539 00:29:31,240 --> 00:29:32,200 Speaker 8: You're tuning? 540 00:29:32,960 --> 00:29:34,000 Speaker 3: What? So stage? 541 00:29:34,640 --> 00:29:35,360 Speaker 2: On stage? 542 00:29:35,880 --> 00:29:38,320 Speaker 1: Yeah, you're about to go on stage? You're on I 543 00:29:38,400 --> 00:29:40,600 Speaker 1: guess you're not. I guess you're not really on tour 544 00:29:40,760 --> 00:29:45,760 Speaker 1: until you you know, until the first note is played 545 00:29:46,680 --> 00:29:49,040 Speaker 1: it's so I guess, effectively, you are about to go 546 00:29:49,080 --> 00:29:49,400 Speaker 1: on tour. 547 00:29:49,440 --> 00:29:50,560 Speaker 3: If it's the first show. 548 00:29:51,280 --> 00:29:53,200 Speaker 8: You're about to go on tour, You're you're tuning for 549 00:29:53,240 --> 00:29:55,600 Speaker 8: the first show, and your manager comes up to you 550 00:29:55,680 --> 00:29:59,320 Speaker 8: and says, instead of playing ten songs tonight. 551 00:29:59,720 --> 00:30:02,000 Speaker 3: Why you play three? 552 00:30:02,720 --> 00:30:05,200 Speaker 8: And then you say, well, we can do ten, and 553 00:30:05,240 --> 00:30:07,720 Speaker 8: then they say, no, do three tonight, and then the 554 00:30:07,760 --> 00:30:09,520 Speaker 8: next city, do one. 555 00:30:10,160 --> 00:30:11,600 Speaker 7: Okay, get it? 556 00:30:12,240 --> 00:30:14,880 Speaker 6: I feel like I already have to understand dynamic ad 557 00:30:14,920 --> 00:30:19,360 Speaker 6: placement to understand the analogy that you're yeah, you know making. 558 00:30:19,960 --> 00:30:22,480 Speaker 6: I think the ice was going to be the explanation. 559 00:30:23,120 --> 00:30:25,600 Speaker 8: I think I get it, Thank you, Tony. 560 00:30:26,160 --> 00:30:29,760 Speaker 7: I think I get it, which is that they're saying, hey, 561 00:30:30,280 --> 00:30:36,640 Speaker 7: why not do less and leave early, and let's just 562 00:30:36,720 --> 00:30:39,640 Speaker 7: go to the next town and you get paid less 563 00:30:39,920 --> 00:30:41,920 Speaker 7: and get paid less and do less. 564 00:30:42,720 --> 00:30:45,920 Speaker 8: The songs are the ads, and then yes, and then 565 00:30:45,960 --> 00:30:48,320 Speaker 8: you go to the second city and you play one 566 00:30:48,440 --> 00:30:51,800 Speaker 8: song and then your manager plays a video of the 567 00:30:51,840 --> 00:30:55,120 Speaker 8: other songs to everyone on this in the audience. 568 00:30:55,320 --> 00:30:58,440 Speaker 4: Here's I think of better analogy. Your band's about to 569 00:30:58,480 --> 00:31:01,600 Speaker 4: go on tour. You take the stage, you know, your 570 00:31:01,600 --> 00:31:04,200 Speaker 4: manager comes up and says, hey, in between the songs, 571 00:31:04,520 --> 00:31:06,040 Speaker 4: Why don't you do a couple ads? 572 00:31:08,000 --> 00:31:12,040 Speaker 2: Should I do all the ads? Now? They go no, no, no, no, no, 573 00:31:13,240 --> 00:31:16,920 Speaker 2: We're going to dynamically insert the ads throughout the course 574 00:31:16,960 --> 00:31:18,360 Speaker 2: of the tour. Okay. 575 00:31:19,000 --> 00:31:22,360 Speaker 6: The dynamic quality of the insertion, I think is the 576 00:31:22,400 --> 00:31:26,560 Speaker 6: part that is not getting explained at all. Where does 577 00:31:26,600 --> 00:31:29,720 Speaker 6: the dynamism Somebody decides where to put the ads in 578 00:31:29,800 --> 00:31:33,960 Speaker 6: and they just decide differently every time, and that's dynamism. 579 00:31:33,840 --> 00:31:39,000 Speaker 7: Dynamic dyna based on don't know where to skip to. 580 00:31:39,840 --> 00:31:43,240 Speaker 7: So when they're playing the playing the podcast or let's say, 581 00:31:43,440 --> 00:31:48,040 Speaker 7: to continue our concert for Ice Acts, our band that 582 00:31:49,200 --> 00:31:52,440 Speaker 7: we're and I'm presuming John that that's okay. 583 00:31:52,360 --> 00:31:55,200 Speaker 3: You're saying it. You're saying it Ice Acts, it's it's 584 00:31:55,480 --> 00:31:57,440 Speaker 3: I Sacks. 585 00:31:57,360 --> 00:32:03,160 Speaker 7: Yeah, ice As, Yeah, I com our logo is crudely 586 00:32:04,000 --> 00:32:09,400 Speaker 7: drawn testicles with two dollar bill pyramid eyes on each one. 587 00:32:10,560 --> 00:32:16,040 Speaker 1: Yeah, I mean we wait, Act No, I just want 588 00:32:16,280 --> 00:32:18,160 Speaker 1: I just wanted to be clear. It's more about that 589 00:32:18,240 --> 00:32:20,080 Speaker 1: week that we all play saxophone. 590 00:32:20,240 --> 00:32:23,480 Speaker 7: No, it's an all Sacks band mm hmm. 591 00:32:23,640 --> 00:32:26,840 Speaker 1: But the logo, yes, it does add a different layer 592 00:32:26,880 --> 00:32:27,600 Speaker 1: to it for sure. 593 00:32:27,680 --> 00:32:28,960 Speaker 2: Yeah, just like lets people. 594 00:32:29,080 --> 00:32:30,760 Speaker 3: I'm not complaining about. 595 00:32:30,520 --> 00:32:33,280 Speaker 7: The you know it's a lowercase. 596 00:32:33,800 --> 00:32:37,240 Speaker 4: Voted for a different logo, that's fine, vote for a 597 00:32:37,240 --> 00:32:41,200 Speaker 4: different name. I wanted to call it Isis. 598 00:32:42,280 --> 00:32:43,720 Speaker 7: Oh, I understand. 599 00:32:43,800 --> 00:32:45,360 Speaker 2: We all have sisters. 600 00:32:45,760 --> 00:32:49,760 Speaker 7: Yeah, isis Isis And then you bring your sisters up 601 00:32:49,760 --> 00:32:51,400 Speaker 7: to dance at the end of the show, and then 602 00:32:51,640 --> 00:32:55,480 Speaker 7: people in the audience can buy. 603 00:32:55,840 --> 00:32:56,920 Speaker 8: And and Giant Tony. 604 00:32:57,720 --> 00:32:59,280 Speaker 3: Here's a little trick of the training. 605 00:33:00,680 --> 00:33:04,000 Speaker 8: Have have the ad have a little sax solo so 606 00:33:04,040 --> 00:33:08,680 Speaker 8: people don't want to skip it, yeah, because sometimes it 607 00:33:08,760 --> 00:33:11,480 Speaker 8: can be boring. And then you feel the elevator going down. 608 00:33:11,640 --> 00:33:15,400 Speaker 6: I don't have the elevators going down to help the other. 609 00:33:15,240 --> 00:33:19,520 Speaker 7: People podcast, but sometimes a different elevator we're on. Is 610 00:33:19,560 --> 00:33:21,760 Speaker 7: there an ad elevator and elevator? 611 00:33:21,760 --> 00:33:24,800 Speaker 1: This is the rock and roll elevation case it's songs, Yeah, 612 00:33:24,840 --> 00:33:28,640 Speaker 1: and the elevator goes down and it's got Emelia Westavez's 613 00:33:28,760 --> 00:33:29,840 Speaker 1: corpse on the roof. 614 00:33:30,320 --> 00:33:32,760 Speaker 7: How many dates do we have are we doing like 615 00:33:32,960 --> 00:33:34,960 Speaker 7: major cities? Are we doing Second Market? 616 00:33:35,560 --> 00:33:40,160 Speaker 1: So you you play every week, but sometimes you don't 617 00:33:40,160 --> 00:33:43,200 Speaker 1: have any songs. Okay if that makes sense, and you'll 618 00:33:43,200 --> 00:33:44,960 Speaker 1: go to your manager like, hey, why don't we have 619 00:33:45,000 --> 00:33:49,160 Speaker 1: any songs this week? We're still doing a show. Yeah, 620 00:33:49,200 --> 00:33:52,320 Speaker 1: and the manager doesn't know either. 621 00:33:52,520 --> 00:33:53,840 Speaker 2: They'll say, let me check on that. 622 00:33:54,160 --> 00:33:56,960 Speaker 7: Well, it seems like the manager, I'll say this, it 623 00:33:57,000 --> 00:33:59,920 Speaker 7: seems like the manager truly does not know what's going 624 00:34:00,040 --> 00:34:03,880 Speaker 7: going on, nor really care. Almost as if it's like 625 00:34:04,520 --> 00:34:08,200 Speaker 7: some sort of like like you know, when you have 626 00:34:08,320 --> 00:34:12,000 Speaker 7: like a public service from like a crime that doesn't 627 00:34:12,080 --> 00:34:16,680 Speaker 7: constitute jail time and you must go somewhere and you know, 628 00:34:16,760 --> 00:34:19,719 Speaker 7: do a compelled service for a period of time. That 629 00:34:19,840 --> 00:34:22,840 Speaker 7: sort of feels like the attitude of the manager in 630 00:34:22,920 --> 00:34:25,719 Speaker 7: relationship to whether there's songs in the concert or not, 631 00:34:26,160 --> 00:34:30,120 Speaker 7: whether they care or not, and often only. 632 00:34:30,960 --> 00:34:35,759 Speaker 6: Committed a petty crime and was was a sentenced to 633 00:34:35,880 --> 00:34:39,400 Speaker 6: compulsory service that happens all the time. 634 00:34:40,280 --> 00:34:43,279 Speaker 2: Well, the managers took care sentencing. You know, the jails 635 00:34:43,280 --> 00:34:44,120 Speaker 2: are overcrowded. 636 00:34:44,719 --> 00:34:47,960 Speaker 1: Yeah, the manager cares about some stuff. He was able, 637 00:34:48,719 --> 00:34:53,320 Speaker 1: I guess to purchase a house yesterday and the manager. 638 00:34:53,360 --> 00:34:56,760 Speaker 4: You're not the manager's only client, and that's becoming increasingly clear. 639 00:34:57,719 --> 00:35:00,560 Speaker 7: It's funny. When we went on tour, our manager let 640 00:35:00,640 --> 00:35:03,120 Speaker 7: us know right up front that we were not only 641 00:35:03,160 --> 00:35:06,000 Speaker 7: not their only client, but that they would not be 642 00:35:06,040 --> 00:35:08,520 Speaker 7: paying attention to the tour whatsoever. 643 00:35:09,239 --> 00:35:12,279 Speaker 8: This manager was like fully invested, but then realized the 644 00:35:12,360 --> 00:35:14,960 Speaker 8: band doesn't like playing music and got scared. 645 00:35:18,840 --> 00:35:21,120 Speaker 3: The manager was scared. I just want to clarify, the 646 00:35:21,120 --> 00:35:27,080 Speaker 3: manager was scared. The band was very brave scared. 647 00:35:27,880 --> 00:35:30,239 Speaker 8: Yes, yeah, I guess I was very brave too. 648 00:35:30,360 --> 00:35:34,160 Speaker 7: Yes, thank you, John, You were really imagining over there. 649 00:35:34,280 --> 00:35:34,560 Speaker 4: Just then. 650 00:35:34,600 --> 00:35:37,120 Speaker 7: Remember earlier today when we were taping you talk. I 651 00:35:37,120 --> 00:35:40,600 Speaker 7: love my imaginarium and I just watched you. Imagine. 652 00:35:40,680 --> 00:35:43,960 Speaker 1: I loved seeing John play in his imaginarium and splash 653 00:35:44,000 --> 00:35:44,719 Speaker 1: around like that. 654 00:35:46,239 --> 00:35:49,240 Speaker 6: Tony and I both when we're imagining things, we squeeze 655 00:35:49,280 --> 00:35:52,920 Speaker 6: our eyes shuts and live. We squeeze our eyes shuts 656 00:35:53,480 --> 00:35:57,400 Speaker 6: and we live, Yeah, in separate imaginariums. 657 00:35:57,480 --> 00:36:00,279 Speaker 7: Yeah, we squeezes our eyes shuts and we think about 658 00:36:00,280 --> 00:36:03,879 Speaker 7: the thoughts that we see things. And here's things, you know. 659 00:36:04,719 --> 00:36:08,000 Speaker 4: Imagine beautiful, the child like wonder that both of you 660 00:36:08,120 --> 00:36:09,040 Speaker 4: still bring to this. 661 00:36:09,520 --> 00:36:11,759 Speaker 2: I remember when we started out we had some of that. 662 00:36:17,480 --> 00:36:22,120 Speaker 4: Now we did have an idea for collaboration. Oh good 663 00:36:22,840 --> 00:36:24,200 Speaker 4: comedy casino. 664 00:36:26,400 --> 00:36:28,920 Speaker 2: What do you think when you hear those two words. 665 00:36:31,200 --> 00:36:31,759 Speaker 6: Carpeting. 666 00:36:34,440 --> 00:36:39,000 Speaker 1: You know, I really the direction that I think we 667 00:36:39,000 --> 00:36:42,520 Speaker 1: were if we we don't have a we don't have 668 00:36:42,560 --> 00:36:43,520 Speaker 1: a lot for this. 669 00:36:44,400 --> 00:36:46,280 Speaker 3: We mostly just have comedy casino. 670 00:36:46,760 --> 00:36:52,239 Speaker 2: We brought that, you know, which, Okay, it's pretty cool, but. 671 00:36:52,239 --> 00:36:54,359 Speaker 1: I do know that we were sort of thinking we 672 00:36:54,360 --> 00:36:59,319 Speaker 1: were thinking of going into more Spanish child mm hmm. 673 00:37:00,480 --> 00:37:05,319 Speaker 7: I was thinking, like comedy baked in a broiler with 674 00:37:05,520 --> 00:37:14,279 Speaker 7: garlic and butter, Okay, And that sounds vicious because I 675 00:37:14,360 --> 00:37:17,240 Speaker 7: just I think if comedy can be edible, if comedy 676 00:37:17,239 --> 00:37:20,680 Speaker 7: can taste good, people really that's when they want it. 677 00:37:21,600 --> 00:37:24,439 Speaker 1: I guess again, we don't have a I just want 678 00:37:24,480 --> 00:37:27,279 Speaker 1: to address that one before we move to the next one, 679 00:37:27,760 --> 00:37:29,920 Speaker 1: just just so we know, just that we're on the 680 00:37:29,920 --> 00:37:34,480 Speaker 1: same page. Again, we don't have much. There will be food. 681 00:37:34,600 --> 00:37:37,280 Speaker 1: The food is is all boiled. 682 00:37:38,440 --> 00:37:40,000 Speaker 6: Sorry, which one are you addressing? 683 00:37:40,960 --> 00:37:46,279 Speaker 1: The comedy casino being a comedy that's prepared with like 684 00:37:46,360 --> 00:37:52,200 Speaker 1: garlic butter, and that it's uh, I said that it's broiled. 685 00:37:52,520 --> 00:37:55,520 Speaker 6: But when I said carpeting, that's so that's not that's 686 00:37:55,560 --> 00:37:57,520 Speaker 6: not ever going to get addressed. 687 00:37:59,760 --> 00:38:05,399 Speaker 4: Very like a Spanish Spanish tile, right, Okay, that's it. 688 00:38:06,600 --> 00:38:09,400 Speaker 2: That's I'm sorry, that's definitely it. 689 00:38:09,480 --> 00:38:11,200 Speaker 3: We are done with that for. 690 00:38:11,040 --> 00:38:12,120 Speaker 2: Sure, Noyes. 691 00:38:12,200 --> 00:38:18,040 Speaker 7: Let's this does feel pretty embarrassing, uh for my partner. 692 00:38:18,480 --> 00:38:22,080 Speaker 2: I know. No as a favor to you, John, I 693 00:38:22,239 --> 00:38:26,480 Speaker 2: I want you to feel heard. So you had an idea. 694 00:38:26,840 --> 00:38:28,360 Speaker 6: You just as what I pictured? 695 00:38:29,680 --> 00:38:30,080 Speaker 2: Mm hmm. 696 00:38:31,560 --> 00:38:33,600 Speaker 6: And if we're talking about then Hayes. 697 00:38:33,360 --> 00:38:36,880 Speaker 2: Said he pictured something else, and then Anthony said another idea. 698 00:38:37,200 --> 00:38:39,040 Speaker 7: I'm sorry. You can just take it back all this 699 00:38:40,120 --> 00:38:43,520 Speaker 7: quick time out and I could talk to my partner privately. 700 00:38:43,160 --> 00:38:43,920 Speaker 3: For a moment. 701 00:38:44,000 --> 00:38:45,840 Speaker 2: Let's do that, John. 702 00:38:46,560 --> 00:38:49,880 Speaker 7: This is like an opportunity that we don't have. Okay, 703 00:38:50,200 --> 00:38:52,719 Speaker 7: this is a chance to partner with something that's successful. 704 00:38:53,160 --> 00:38:56,319 Speaker 7: You've already heard about the ads and the music. I 705 00:38:56,320 --> 00:38:58,920 Speaker 7: don't want to go on tour right now, Okay. 706 00:38:58,960 --> 00:39:01,319 Speaker 6: I don't think anybody's we're gonna go on tour. I 707 00:39:01,320 --> 00:39:03,640 Speaker 6: think it's just an analogy that they. 708 00:39:03,560 --> 00:39:07,000 Speaker 7: Talked about a bus and having to tune up and everything. 709 00:39:07,120 --> 00:39:08,160 Speaker 7: I'm not ready to do that. 710 00:39:08,640 --> 00:39:13,080 Speaker 6: These guys are I imaginizers, you know. I think these 711 00:39:13,080 --> 00:39:15,359 Speaker 6: guys are like, I don't know I'm talking. 712 00:39:15,480 --> 00:39:18,760 Speaker 7: You know, I think I can hear us. But listen, 713 00:39:18,960 --> 00:39:22,600 Speaker 7: you're embarrassing me. We're we're supposed to come in and 714 00:39:22,640 --> 00:39:27,120 Speaker 7: be confident, okay, and we could merge. Look at we were. 715 00:39:27,239 --> 00:39:29,759 Speaker 6: These guys want to jump all over everything I say, 716 00:39:29,840 --> 00:39:31,680 Speaker 6: and you're right there with them. 717 00:39:31,840 --> 00:39:35,400 Speaker 7: All right, the game, baby, what do you want? Do 718 00:39:35,440 --> 00:39:36,319 Speaker 7: you want to make money? 719 00:39:36,400 --> 00:39:38,800 Speaker 6: The game is gang up? How am I supposed to 720 00:39:38,840 --> 00:39:42,560 Speaker 6: gang up on the the the giggly guy? 721 00:39:43,600 --> 00:39:48,800 Speaker 7: Yes, yes, gang up on him. Okay, all right, maybe 722 00:39:48,880 --> 00:39:50,000 Speaker 7: get you back in the game. 723 00:39:51,160 --> 00:39:53,480 Speaker 6: But you've got to gang up with me. What what 724 00:39:53,760 --> 00:39:55,080 Speaker 6: you gotta have my back? 725 00:39:55,360 --> 00:39:58,880 Speaker 7: I've got it, I've got it. He's sorry. Guys, he 726 00:39:58,920 --> 00:40:00,200 Speaker 7: doesn't understand any thing. 727 00:40:00,480 --> 00:40:03,040 Speaker 2: Oh, it's so fine, It's so fine. 728 00:40:03,280 --> 00:40:07,240 Speaker 6: Yea, yeah, yeah, yeah, No way does he understand anything? 729 00:40:08,480 --> 00:40:11,080 Speaker 7: Okay, all right, John, he's ignorant. 730 00:40:11,719 --> 00:40:15,160 Speaker 4: But look we I think the food's gonna be boiled. 731 00:40:15,520 --> 00:40:19,799 Speaker 2: You know that's thank you for We have a big pot. 732 00:40:20,320 --> 00:40:24,400 Speaker 6: And you're gonna spend all day sweeping that floor. Anytime 733 00:40:24,440 --> 00:40:26,320 Speaker 6: anything falls on the floor, you're going to be sweeping 734 00:40:26,360 --> 00:40:28,320 Speaker 6: it up carpeting. 735 00:40:27,520 --> 00:40:34,600 Speaker 1: You're gonna be mashing the boiled beans right into your carpet. 736 00:40:34,760 --> 00:40:38,520 Speaker 6: Nobody's gonna see it because the soil beads are going 737 00:40:38,600 --> 00:40:41,839 Speaker 6: to dry it that the car. Nobody will see it. 738 00:40:42,719 --> 00:40:47,560 Speaker 6: Everybody's gonna I'll know it. It's gonna be swooshes and 739 00:40:47,560 --> 00:40:51,880 Speaker 6: and and cubes. It's gonna be all different colors. 740 00:40:51,960 --> 00:40:54,480 Speaker 3: I hope it smells very elaborate too. 741 00:40:55,040 --> 00:40:58,000 Speaker 2: Yeah, because it's going to be rotten boiled beans. 742 00:40:58,239 --> 00:41:01,440 Speaker 7: We're gonna pump that into the you gotta pump that 743 00:41:01,520 --> 00:41:02,160 Speaker 7: oxygen in. 744 00:41:02,760 --> 00:41:05,000 Speaker 3: Okay, that's not really the direction. 745 00:41:05,200 --> 00:41:11,520 Speaker 1: We were sorry that the direction Tony. 746 00:41:11,880 --> 00:41:12,759 Speaker 6: Tony took it in the. 747 00:41:12,719 --> 00:41:14,960 Speaker 2: Wrong direction because it's a comedy. 748 00:41:15,000 --> 00:41:20,239 Speaker 6: He drove it into a ditch, which we don't. 749 00:41:20,040 --> 00:41:21,759 Speaker 4: We don't really know what it is, but we were 750 00:41:21,760 --> 00:41:23,680 Speaker 4: gonna pu heum, and he thought it's. 751 00:41:23,520 --> 00:41:27,440 Speaker 3: Gonna be a helium. I really embarrassed. 752 00:41:27,840 --> 00:41:28,640 Speaker 6: Yeah, that's all right. 753 00:41:29,239 --> 00:41:32,040 Speaker 7: I'm sorry, John. I didn't mean to embarrass you. 754 00:41:32,480 --> 00:41:41,000 Speaker 6: Uh, I'm sorry. Well next time, next time, you know, 755 00:41:41,239 --> 00:41:43,640 Speaker 6: don't be such a fuck schmuck. 756 00:41:44,880 --> 00:41:49,279 Speaker 3: He's sorry. And uh, John's doing. 757 00:41:49,000 --> 00:41:53,600 Speaker 6: It, you know that the be you know. 758 00:41:54,040 --> 00:41:57,000 Speaker 3: He's doing so good about what the flowers do. 759 00:41:58,120 --> 00:41:59,920 Speaker 2: This is such a good part of the podcast. 760 00:42:00,880 --> 00:42:05,400 Speaker 6: Everything you say is just uh and uh, what. 761 00:42:07,560 --> 00:42:08,520 Speaker 2: Do you want for me? 762 00:42:09,120 --> 00:42:12,560 Speaker 6: We want to coach an idea for comedy Casino. 763 00:42:16,440 --> 00:42:19,759 Speaker 7: I'm just gonna bring it back in and saying that 764 00:42:20,160 --> 00:42:24,440 Speaker 7: I like the idea, I want the partnership. And I 765 00:42:24,520 --> 00:42:27,600 Speaker 7: know my partner does is embarrassing and and and and 766 00:42:27,640 --> 00:42:31,560 Speaker 7: sort of infuriating as he can be. And I just 767 00:42:31,640 --> 00:42:35,120 Speaker 7: think that there's a lot of opportunity maybe to start 768 00:42:35,120 --> 00:42:38,600 Speaker 7: in the old strip in Vegas. Uproot everything, Let's cancel 769 00:42:38,640 --> 00:42:41,520 Speaker 7: all our projects Vegas, go to Old Vegas. 770 00:42:42,160 --> 00:42:48,480 Speaker 3: Get alone, bullshit, buy the. 771 00:42:48,520 --> 00:42:53,359 Speaker 7: Ols, Let's buy Minions Casino. I love Binions on. 772 00:42:53,520 --> 00:42:55,359 Speaker 6: Show, my favorite showtime show. 773 00:42:57,200 --> 00:43:03,880 Speaker 2: I love opinions, opinions so good, my buddies. 774 00:43:03,840 --> 00:43:08,600 Speaker 7: Such a tiny yellow round mobsters running Las Vegas, making 775 00:43:08,719 --> 00:43:09,440 Speaker 7: lots of money. 776 00:43:11,640 --> 00:43:12,440 Speaker 2: It's Binions. 777 00:43:12,960 --> 00:43:15,799 Speaker 6: It stars the biggest despicable b. 778 00:43:18,440 --> 00:43:21,480 Speaker 7: Yeah. 779 00:43:21,520 --> 00:43:27,120 Speaker 4: Oh you know, Okay, Tony. 780 00:43:28,280 --> 00:43:30,920 Speaker 7: Well, that's why I talk about is our signature flavor 781 00:43:30,920 --> 00:43:33,200 Speaker 7: of the podcast, which is that we don't shy away 782 00:43:33,360 --> 00:43:38,319 Speaker 7: from decay and being sick and getting older. Uh so, 783 00:43:39,440 --> 00:43:40,640 Speaker 7: uh so you think. 784 00:43:40,440 --> 00:43:43,279 Speaker 1: It's something, dude, it's so played out to like be 785 00:43:43,440 --> 00:43:48,400 Speaker 1: healthy and like yeah and just be talking and not 786 00:43:48,520 --> 00:43:51,240 Speaker 1: making like other noise. You know. 787 00:43:51,320 --> 00:43:55,480 Speaker 4: Yeah, it's no, it's all these young healthy noises, and 788 00:43:55,520 --> 00:43:57,879 Speaker 4: it's like it's like the problem with social media these days, 789 00:43:58,120 --> 00:44:02,319 Speaker 4: where it's like you're presenting this fantasy, yeah, that you're 790 00:44:02,360 --> 00:44:04,040 Speaker 4: not extremely. 791 00:44:03,560 --> 00:44:08,960 Speaker 2: Sick right now, yeah, and that's not like, that's not 792 00:44:09,440 --> 00:44:10,359 Speaker 2: that's not my life. 793 00:44:10,400 --> 00:44:12,760 Speaker 4: So then now I feel like shit because I'm listening 794 00:44:12,800 --> 00:44:16,800 Speaker 4: to like these young studs like Ira Glass or whatever, 795 00:44:17,400 --> 00:44:18,560 Speaker 4: just out there like just. 796 00:44:18,600 --> 00:44:22,040 Speaker 2: Acting all fucking healthy, and I'm going. 797 00:44:21,840 --> 00:44:25,600 Speaker 4: Like, this is not this is not achievable for a 798 00:44:25,840 --> 00:44:27,920 Speaker 4: regular American like myself. 799 00:44:28,160 --> 00:44:31,520 Speaker 1: And I always appreciate when people on Instagram will like 800 00:44:31,600 --> 00:44:35,040 Speaker 1: post a picture where they're like pretending they're like young 801 00:44:35,040 --> 00:44:36,840 Speaker 1: and healthy and stuff, and then later being like, just 802 00:44:36,880 --> 00:44:39,200 Speaker 1: so you know, I was, I was sneezing a lot 803 00:44:39,280 --> 00:44:40,840 Speaker 1: at the time that I posted. 804 00:44:40,440 --> 00:44:42,200 Speaker 3: This, yeah picture, Oh yeah. 805 00:44:43,120 --> 00:44:47,840 Speaker 7: All the time I followed this account beautiful, beautiful young woman, 806 00:44:48,360 --> 00:44:51,040 Speaker 7: incredible beach pictures, I was just fa I was really 807 00:44:51,719 --> 00:44:56,719 Speaker 7: probably obsessively tracking this account. And then finally beautiful beaches 808 00:44:56,880 --> 00:45:01,400 Speaker 7: and she just the beaches, not her, and then but 809 00:45:01,480 --> 00:45:05,120 Speaker 7: you could just tell she was beautiful and fine, healthy 810 00:45:05,520 --> 00:45:09,040 Speaker 7: and healthy and taw and then the description had a 811 00:45:09,080 --> 00:45:13,440 Speaker 7: great day, woke up, rested, had a healthy bowel, movement, 812 00:45:15,040 --> 00:45:16,760 Speaker 7: you know, just reporting no problems. 813 00:45:16,760 --> 00:45:19,400 Speaker 6: I feel free through my nose, breathe. 814 00:45:19,160 --> 00:45:24,560 Speaker 7: Through my nose, my hand, My hands don't crack, you know, 815 00:45:24,719 --> 00:45:27,120 Speaker 7: I don't suddenly have a moment where I feel like 816 00:45:27,160 --> 00:45:29,279 Speaker 7: I lose my breath and maybe a little bit of 817 00:45:29,320 --> 00:45:31,480 Speaker 7: consciousness and I don't know what's going on. It goes away, 818 00:45:31,520 --> 00:45:33,879 Speaker 7: and then I just ignore it because I figure, well, 819 00:45:34,040 --> 00:45:35,720 Speaker 7: what am I gonna do? Go to the doctor about 820 00:45:35,719 --> 00:45:36,919 Speaker 7: everything white? 821 00:45:36,960 --> 00:45:38,080 Speaker 6: So the eyes are clear? 822 00:45:38,640 --> 00:45:40,680 Speaker 7: Yeah, And then you know what made her so relatable 823 00:45:40,719 --> 00:45:44,440 Speaker 7: was when she she finally posted a selfie and she 824 00:45:44,719 --> 00:45:47,200 Speaker 7: was a ninety eight year old actually one of the 825 00:45:47,280 --> 00:45:53,279 Speaker 7: last living Birkenhow survivors, and she and she was very 826 00:45:53,320 --> 00:45:56,359 Speaker 7: sick and had been sick since you know, World War 827 00:45:56,360 --> 00:46:00,080 Speaker 7: Two and both mentally and physically with the trauma, and 828 00:46:00,120 --> 00:46:02,600 Speaker 7: you know what happened to her, and it made me. 829 00:46:02,480 --> 00:46:05,520 Speaker 4: Feel That makes you feel a little Yeah, it makes 830 00:46:05,560 --> 00:46:07,400 Speaker 4: you sort of stop scrolling. 831 00:46:07,520 --> 00:46:09,560 Speaker 2: It's not all white noise now you go, oh good. 832 00:46:09,920 --> 00:46:11,279 Speaker 2: Then I found him being like me. 833 00:46:11,840 --> 00:46:14,279 Speaker 7: Her family posted it because she had died the day 834 00:46:14,320 --> 00:46:15,200 Speaker 7: before at the beach. 835 00:46:15,960 --> 00:46:22,520 Speaker 3: Wow inspired gorgeous. Yeah, it was a brave family though 836 00:46:24,320 --> 00:46:24,839 Speaker 3: about that? 837 00:46:25,640 --> 00:46:29,560 Speaker 4: Uh, you know that your family is telling your story 838 00:46:29,640 --> 00:46:32,880 Speaker 4: for you versus just getting out in front of it 839 00:46:32,960 --> 00:46:35,440 Speaker 4: and saying, hey, I'm sick. 840 00:46:35,680 --> 00:46:37,160 Speaker 7: You know, well that's what I thought. 841 00:46:37,200 --> 00:46:37,479 Speaker 3: I thought. 842 00:46:37,520 --> 00:46:40,120 Speaker 7: I thought coward was the first thing I thought. Yeah, 843 00:46:40,160 --> 00:46:41,600 Speaker 7: I realized fake. 844 00:46:42,960 --> 00:46:45,439 Speaker 3: Fake, fake friend, fake gamer girl as well. 845 00:46:46,360 --> 00:46:47,960 Speaker 7: Yeah, total fake gamer girl. 846 00:46:48,840 --> 00:46:51,960 Speaker 4: That can be one of the most frustrating things where 847 00:46:52,000 --> 00:46:54,719 Speaker 4: you feel like you're really connecting with someone online. 848 00:46:55,120 --> 00:46:56,960 Speaker 2: Uh, a girl, as you. 849 00:46:56,920 --> 00:47:01,320 Speaker 4: Said, an attractive young female who's so into games. 850 00:47:01,400 --> 00:47:01,800 Speaker 2: Gaming. 851 00:47:02,400 --> 00:47:05,239 Speaker 4: You know, these games that I love where I'm shooting 852 00:47:05,480 --> 00:47:09,520 Speaker 4: puzzles and and then to learn. 853 00:47:11,440 --> 00:47:14,520 Speaker 2: That there's no there's no lenses in those classes. 854 00:47:15,200 --> 00:47:19,239 Speaker 4: Yeah, and that the the reflection of the light the 855 00:47:19,320 --> 00:47:22,239 Speaker 4: game and stuff. That she was actually just watching a 856 00:47:22,320 --> 00:47:24,879 Speaker 4: movie about a game. She was watching Pixels and there 857 00:47:24,960 --> 00:47:27,320 Speaker 4: was no game being played. 858 00:47:28,080 --> 00:47:30,400 Speaker 2: Ah, that can be. 859 00:47:31,520 --> 00:47:35,279 Speaker 7: Pixels portray all of them too, by the way, Pixels. 860 00:47:35,560 --> 00:47:37,719 Speaker 3: Yeah, it's got the most games. 861 00:47:38,040 --> 00:47:39,799 Speaker 7: It says the most games in it, and that's how 862 00:47:39,800 --> 00:47:43,759 Speaker 7: I judge it. If you judge it, you judge it 863 00:47:43,800 --> 00:47:45,560 Speaker 7: by the number of games mentioned in it. 864 00:47:46,000 --> 00:47:47,680 Speaker 2: But you go to see one you got to see, 865 00:47:47,719 --> 00:47:50,520 Speaker 2: you know, Assassin's Creed. 866 00:47:50,600 --> 00:47:53,480 Speaker 4: You know, they're only doing the one game you gotta 867 00:47:53,520 --> 00:48:00,359 Speaker 4: see Pixels take your pick goals because you know, Josh. 868 00:48:00,160 --> 00:48:04,000 Speaker 9: Dads getting sucked off by fucking Cuba at the same 869 00:48:04,080 --> 00:48:09,920 Speaker 9: time that pac Man, you know, chomping on Sandler and 870 00:48:10,000 --> 00:48:13,080 Speaker 9: you're like, okay, now we're actually, you know, doing a 871 00:48:13,120 --> 00:48:15,000 Speaker 9: movie because there's more games. 872 00:48:15,440 --> 00:48:16,400 Speaker 6: I like The Wizard. 873 00:48:18,600 --> 00:48:19,400 Speaker 2: Fred Savan. 874 00:48:21,400 --> 00:48:22,440 Speaker 7: Yeah that's great. 875 00:48:22,280 --> 00:48:24,120 Speaker 6: Because Fred, Yeah, Fred Savage. 876 00:48:24,239 --> 00:48:26,799 Speaker 7: Fred Savage just really helped. 877 00:48:27,680 --> 00:48:29,480 Speaker 6: And yeah moves Mark. 878 00:48:29,600 --> 00:48:31,400 Speaker 1: Is that why you're bringing up because he had a 879 00:48:31,440 --> 00:48:36,759 Speaker 1: problem recently and you want to either celebrate what he 880 00:48:36,800 --> 00:48:40,319 Speaker 1: did or just or like dance. 881 00:48:40,040 --> 00:48:45,640 Speaker 4: On the you know, kick someone when they're down. Yeah, 882 00:48:45,680 --> 00:48:47,320 Speaker 4: what what are you doing exactly? 883 00:48:47,400 --> 00:48:47,680 Speaker 2: John? 884 00:48:47,920 --> 00:48:51,239 Speaker 4: Is it that you agree with his behavior or is 885 00:48:51,280 --> 00:48:53,840 Speaker 4: that you think he deserves ridicule. 886 00:48:53,400 --> 00:48:56,760 Speaker 2: At his lowest moment? Go ahead and pick. I'm curious 887 00:48:56,840 --> 00:48:57,120 Speaker 2: to know. 888 00:48:57,680 --> 00:49:00,840 Speaker 6: I just think I wanted to riff. It's the Wizard. 889 00:49:01,120 --> 00:49:04,040 Speaker 7: I mean, you're you're on your own, partner, You're you're 890 00:49:04,160 --> 00:49:05,000 Speaker 7: on your own. 891 00:49:05,120 --> 00:49:08,279 Speaker 6: I mean they're still remaking the Wonder Years, right, Like 892 00:49:08,719 --> 00:49:10,759 Speaker 6: I can't be the I. 893 00:49:10,719 --> 00:49:12,120 Speaker 3: Mean it's up to you at this point. 894 00:49:12,840 --> 00:49:14,200 Speaker 2: Yeah, you have. 895 00:49:14,160 --> 00:49:17,799 Speaker 1: To, yes, so should they. So this is I guess 896 00:49:17,800 --> 00:49:21,440 Speaker 1: what I want to know. Should they move forward with 897 00:49:21,440 --> 00:49:23,120 Speaker 1: with the project 898 00:49:24,040 --> 00:49:28,960 Speaker 6: The Wonder Years, Yes, well, it's a great opportunity.