WEBVTT - Adam Kenneth Wilson

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<v Speaker 1>Hey, Oh, I am well, I'm well. How are you

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<v Speaker 1>guys doing well? Good? Welcome, Thank you so much for

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<v Speaker 1>having me on Adam. How are you? How's things? Where

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<v Speaker 1>are you in the world. I am in Toronto, Ontario,

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<v Speaker 1>Canada at this time, which I'm sure brings a flood

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<v Speaker 1>of beautiful memories and triggering flashbacks to above most beautiful happy.

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<v Speaker 1>What's the weather like right now? It's actually well, it's

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<v Speaker 1>pleasant enough that I'm doing sweater not uh you know.

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<v Speaker 1>On the other hand, I'm not gonna lie. I'm not

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<v Speaker 1>being as environmentally responsible as I should be right now.

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<v Speaker 1>And the central air it's happening. So I get it.

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<v Speaker 1>I get it, and sometimes you just got to lean in.

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<v Speaker 1>I get it. I climate control when I was there

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<v Speaker 1>was was so key and getting it so exactly right,

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<v Speaker 1>because especially when it was cold, when it was really

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<v Speaker 1>cold and you come back into your apartment, your apartment

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<v Speaker 1>was really hot. Yeah, messed with my That just messed

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<v Speaker 1>with my whole body and would make me sick pretty

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<v Speaker 1>quickly because my body would jump from one to the other.

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<v Speaker 1>So I would have to keep it cool but not

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<v Speaker 1>too cold, because I didn't want to sleep in the cold.

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<v Speaker 1>I wondered about that when you when you guys were

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<v Speaker 1>doing like exterior stuff, especially like as you mentioned on

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<v Speaker 1>the previous cast with the rain towers or whatever, and

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<v Speaker 1>then you go into like the hot lights, the heated

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<v Speaker 1>are it like did the contrast make you want to

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<v Speaker 1>drop to your knees or like? It was a lot.

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<v Speaker 1>I mean, but they obviously took really great care of

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<v Speaker 1>us with you know, as many ferny blankets and wetsuits

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<v Speaker 1>and things that they could. But yeah, it is, it is.

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<v Speaker 1>You know, it's a shock to the system for sure. Yeah, yeah, yeah,

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<v Speaker 1>I've I've done a couple of things that are extreme,

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<v Speaker 1>Like I want for this friend of mine who does

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<v Speaker 1>these weird love crafty and things. I did it a

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<v Speaker 1>short for him, and we were scheduled to be in

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<v Speaker 1>the winter in northern Ontario. The weather side it was

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<v Speaker 1>going to be fine, and it ended up being like

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<v Speaker 1>minus forty with sleet and and uh, the good news

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<v Speaker 1>is there was no contrast. And later I realized that

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<v Speaker 1>it's better to have had the comfort and never had

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<v Speaker 1>that and just be like plowing through this until I

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<v Speaker 1>can just find someplace to heal and survive. Yeah, I

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<v Speaker 1>agree with you, don't let your body, like, let yourself

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<v Speaker 1>acclimatize to it as much as you can, Like, we're

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<v Speaker 1>going to be in this for a minute. Let's just

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<v Speaker 1>live in this world. This is going to be our day.

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<v Speaker 1>And then when I can get warm, I'm going to

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<v Speaker 1>get warm for goods. But I don't want to go

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<v Speaker 1>warm cold warm, cold, because my bodiesn't know what to

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<v Speaker 1>do with that. And it's like, dear, dear PMS coordinators,

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<v Speaker 1>let's make sure, yeah, kar in mind, we're not freezing

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<v Speaker 1>and thawing the talent to a degree that they might

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<v Speaker 1>be a new something. Now Dom, and I learned that

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<v Speaker 1>pretty quickly on Shadow Hunters actually, and now Dom, I

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<v Speaker 1>don't know if you've had this experience when you're on

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<v Speaker 1>another set and you're not constantly throwing your warming jacket

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<v Speaker 1>on between ticks, people get so concerned that are you

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<v Speaker 1>sure we can bring you your jacket if you're cold,

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<v Speaker 1>And it's it's that thing of notes. I need to

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<v Speaker 1>have stasis so I'm not jarred every time they call action.

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<v Speaker 1>Oh for sure, for sure. And then also to you ever,

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<v Speaker 1>have you ever either ever had that situation where someone

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<v Speaker 1>makes you so comfortable that you're not that you can't

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<v Speaker 1>be as uncomfortable as the character is. And you're like, now, yeah,

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<v Speaker 1>act the discomfort that I could have just walked three

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<v Speaker 1>has been uncomfortable. Yeah, Adam, will listen, mate, Welcome to

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<v Speaker 1>the show. Thank you so much for being a part

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<v Speaker 1>of this with us. Um, you had such a pivotal

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<v Speaker 1>role in in season one, and I think a role

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<v Speaker 1>that very quickly and in large thanks to you became

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<v Speaker 1>sort of a fan favorite, was one of my personal

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<v Speaker 1>favorites as well. Um, so why don't we start by

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<v Speaker 1>by introducing yourself to the listeners and and tell us

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<v Speaker 1>how you can involved in Shadow ins is what the

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<v Speaker 1>processors like through that? Sure? Okay, So my name is

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<v Speaker 1>Adam Kenneth Wilson. Hello, Shadow Fam, and thank you for

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<v Speaker 1>the love, the so much love that you've given to

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<v Speaker 1>ragnar Fell. And well we'll get onto Shadow Fam and

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<v Speaker 1>we'll talk about what that is and what that means

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<v Speaker 1>and how startlingly beautiful the gift of the Shadow FAM's

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<v Speaker 1>love and community is. But but for me when I

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<v Speaker 1>when I got involved in it, um, I had been

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<v Speaker 1>aware of the existence of the film The Mortal Instuments, which,

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<v Speaker 1>as we know, the lovers of the original work did

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<v Speaker 1>not connect with in the way. I think someone said

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<v Speaker 1>to me that they someone who was being kind once

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<v Speaker 1>about my little visit into the show, had said that, Um,

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<v Speaker 1>as much as they thought it was an interesting representation

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<v Speaker 1>the original Shadow Hunters, they did not necessarily feel represented

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<v Speaker 1>by it. The film did not feel like it was

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<v Speaker 1>a representation of the community. They didn't manifest themselves into

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<v Speaker 1>those characters in the way that you later would allow

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<v Speaker 1>them to. And I thought that really interesting that there.

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<v Speaker 1>I don't know, I don't know what the what the

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<v Speaker 1>man check sauces or or what it is, but when

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<v Speaker 1>people can view you as a portal into that experience

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<v Speaker 1>in a way that they just were seeing manifested externally,

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<v Speaker 1>that's that's a beautiful thing. Um. So obviously you brought

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<v Speaker 1>some some kinds of universal humanity or some kinds of

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<v Speaker 1>I don't know, I guess truth in what could have

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<v Speaker 1>just otherwise been more of a flat or hollow genre

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<v Speaker 1>project that people got really emotionally invested into it. But

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<v Speaker 1>so for me, I knew the film existed, I and

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<v Speaker 1>I via that knew that the books existed, but I

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<v Speaker 1>hadn't really taken much of an interest in them. I

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<v Speaker 1>read uh, the moral instruments. As soon as I found

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<v Speaker 1>out that these auditions were happening, Um, I read it

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<v Speaker 1>and Stephanie Goren was the Canadian casting and she and

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<v Speaker 1>I already have a relationship. She's I've done some odd

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<v Speaker 1>and genre things with her in the past. Although this

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<v Speaker 1>is interesting because I wanted to kiss her because I

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<v Speaker 1>and I don't want to say that film and television

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<v Speaker 1>media has a type, but when you have a triangular

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<v Speaker 1>chin and deep set beat eyes and you're a bit

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<v Speaker 1>on the pale end, you tend to take on characters

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<v Speaker 1>who are exclusively villainous, and so it was beautiful for

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<v Speaker 1>me to I At one point I thought about having

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<v Speaker 1>a business cards printed that said I'm not telling you

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<v Speaker 1>cops curse word. And because I was playing so much

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<v Speaker 1>of that and to Tom be offered this character who

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<v Speaker 1>comes off as this could be a menacing character, this

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<v Speaker 1>could be someone who's a threat to Clarifray. When she

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<v Speaker 1>discovers him, and then there is a love and a

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<v Speaker 1>beauty and a support offered, I was like, h m hmmm. Um.

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<v Speaker 1>I've always always, always been fascinated by anything that is genre,

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<v Speaker 1>particularly in mystical stuff. I was one of those Lord

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<v Speaker 1>of the Rings kids. I was raised with Catholic mythology

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<v Speaker 1>and Christian mythology, and so interesting that lists you with

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<v Speaker 1>a sense of longing for those supernatural elements in your life,

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<v Speaker 1>the fascination with angels, demons of war and the and

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<v Speaker 1>all of that stuff. And once, once I had kind

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<v Speaker 1>of excluded that from my actual practical day to day life,

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<v Speaker 1>I was like, you need you search. We're searchers, were

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<v Speaker 1>pattern creatures, and we're always looking for the mystic and

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<v Speaker 1>we're always looking for the poetry in the universe, and

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<v Speaker 1>like this, this realm, it's there's so much poetry and

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<v Speaker 1>so much magic and all of those things that you know,

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<v Speaker 1>a lot of people long for. I'm one of those.

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<v Speaker 1>So I'm like, well, you guys, you've manifested these characters

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<v Speaker 1>so well, and you I know you you you had

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<v Speaker 1>some vampiric experience, and I know you can't have it.

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<v Speaker 1>You can't have been superheroes as well as you know,

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<v Speaker 1>mystical superhero superhero superheroes in the sense of you know,

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<v Speaker 1>Miss Smoke and the like. You must sometimes look at

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<v Speaker 1>yourself as like we are the modern myth tellers. We

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<v Speaker 1>are the we're telling the heracles of our day. We're

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<v Speaker 1>telling the whichever those things are. And I think that this,

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<v Speaker 1>this realm, in the shadow realm is is just a

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<v Speaker 1>beautiful like welcome to the New dance, Welcome to the

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<v Speaker 1>new You know, I don't want to much, but the

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<v Speaker 1>other stiff too. Anything you want on this podcast. But

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<v Speaker 1>it's something that I've always loved about the shadow world

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<v Speaker 1>as well. And I think you hit the nail on

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<v Speaker 1>the head, is that, Yes, it's all of these mystical,

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<v Speaker 1>fantastical creatures that we grew up reading about and we

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<v Speaker 1>love reading about, and it's it's rooted in mythology of

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<v Speaker 1>every culture, but it's it's also very rooted in the

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<v Speaker 1>reality of our world today, and it's woven into the

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<v Speaker 1>world that we all experience. And so there's it sort

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<v Speaker 1>of fulfills that longing that you're talking about, which is

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<v Speaker 1>why I think so many people connect to this particular mythology.

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<v Speaker 1>For sure, speaking of you doing a fantastic job in

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<v Speaker 1>this role, I was convinced you were British, absolutely convinced.

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<v Speaker 1>I think I asked you, didn't I ask you where

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<v Speaker 1>in England you're from, because you and I had that

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<v Speaker 1>conversation where you're like, are you Are you an educated

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<v Speaker 1>Londoner who's muting down your accent to sound like you're

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<v Speaker 1>from a more read, generalized place or a regional guy

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<v Speaker 1>who was trained to sound more English and um, And

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<v Speaker 1>that was such a gift to me because I really

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<v Speaker 1>really appreciate I have spent a lot of time playing

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<v Speaker 1>with my voice, a lot of time as a very

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<v Speaker 1>hush hush side gig. I have done some dialect coaching

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<v Speaker 1>in the past. Cool, but I might be one of

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<v Speaker 1>those people. Um, no offense to any of the other

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<v Speaker 1>you know American folks, very talented and lovely American folks

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<v Speaker 1>who are around. But I was raised with better television,

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<v Speaker 1>dum um. I was raised with with UK television. And

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<v Speaker 1>so whether it was something as simple as my nan

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<v Speaker 1>watching Corey, or whether it was you know, um, any

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<v Speaker 1>of the good lord the crime procedurals that so would

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<v Speaker 1>harold a new age of lesser American crime procedurals and

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<v Speaker 1>ending yeah, I would say probably by the time I

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<v Speaker 1>was let's say ten, um, I would have known the

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<v Speaker 1>difference between something that approximates some more educated London or

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<v Speaker 1>someone who's who's um, who's from the North who's not

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<v Speaker 1>afraid to be from the of or someone who's from

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<v Speaker 1>the North but is trying to sound like they're actually

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<v Speaker 1>more London than they are. That's very impressive, amazing, thanks

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<v Speaker 1>to me God. Like a voices of fingerprint, right, it's

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<v Speaker 1>this beautiful. It belongs to someone and and it identifies

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<v Speaker 1>them in this way, so the way some people will

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<v Speaker 1>smell someone's perfume or catch uh light, the glint of

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<v Speaker 1>a light in their eye that goes, oh, that's the

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<v Speaker 1>color your eyes are when the weather is like this.

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<v Speaker 1>To me, the sound of someone's voice is what evokes

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<v Speaker 1>all of that poetry and all that Like it's a

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<v Speaker 1>gift to me to get to hear your voices again

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<v Speaker 1>now because I hear them and I go, oh, I

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<v Speaker 1>remember as soon as you said that to me when

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<v Speaker 1>I were standing outside of Ragner's house facing it from

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<v Speaker 1>this angle. And uh, that's that's the magic. That's memory,

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<v Speaker 1>trigger the ability and is the set you right. It's

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<v Speaker 1>the same with so many of the senses that like

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<v Speaker 1>touch and smell and tay. You can taste something and

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<v Speaker 1>it will take you back to the restaurant you first

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<v Speaker 1>had it out, or whoever first cooked it for you

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<v Speaker 1>and you remember it so implicitly. Um, it was really

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<v Speaker 1>cool and it's a gift for us to be honest,

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<v Speaker 1>to be able to to actually give that compliment to

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<v Speaker 1>to a non British person, because you're right, it's it's

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<v Speaker 1>a difficult accent to to get ahold of, and because

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<v Speaker 1>there are so many regions in such a small area,

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<v Speaker 1>getting the specificity of whatever that accent is is really difficult.

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<v Speaker 1>It's difficult for me to do regional British accents, so

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<v Speaker 1>to hear someone not from the UK be able to

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<v Speaker 1>do it to the extent that I thought you were

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<v Speaker 1>from England is not only mind blowing, but a real

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<v Speaker 1>asset to you and then obviously to us in the show.

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<v Speaker 1>That's and and the Shadow fam were like extremely kind

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<v Speaker 1>about it out there, you know when when that episode

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<v Speaker 1>aired and people were like, thank god they got a

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<v Speaker 1>brit to do that. I was like, yeah, thank you,

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<v Speaker 1>thank you so much. Funny. That's great. Speaking of the

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<v Speaker 1>specificity of the creation of this character, there's so many

0:12:00.000 --> 0:12:03.280
<v Speaker 1>elements of Wragner that became iconic, be it your voice

0:12:03.440 --> 0:12:06.200
<v Speaker 1>or his look, or his house or the horns and

0:12:06.240 --> 0:12:09.480
<v Speaker 1>the the slight reference to the green skin so tell

0:12:09.559 --> 0:12:11.960
<v Speaker 1>us a little bit about what that process was like

0:12:12.040 --> 0:12:14.600
<v Speaker 1>for you once you kind of got on set. Were

0:12:14.679 --> 0:12:17.199
<v Speaker 1>you involved or did they have it all set or

0:12:17.240 --> 0:12:20.440
<v Speaker 1>kind of what what was your experience through the creation

0:12:20.480 --> 0:12:24.240
<v Speaker 1>of Wagner. Now, I'm not gonna lie to you. I

0:12:24.320 --> 0:12:28.120
<v Speaker 1>tried to be a little pushier during our exchanges about

0:12:28.120 --> 0:12:34.400
<v Speaker 1>Wragner than was popular, because normally, when you're in the

0:12:34.440 --> 0:12:36.600
<v Speaker 1>position that I am, and you're guessing in and you're

0:12:36.600 --> 0:12:39.920
<v Speaker 1>coming to this family that already exists, and you're I mean,

0:12:39.960 --> 0:12:42.240
<v Speaker 1>you've guessed it on something. I know you're not doing

0:12:42.240 --> 0:12:44.440
<v Speaker 1>a lot of guessing right now on the big stuff,

0:12:44.440 --> 0:12:46.679
<v Speaker 1>but you've guessed. You've guessed it on stuff, and when

0:12:46.720 --> 0:12:49.199
<v Speaker 1>you do, you tend to come in, look around, go oh,

0:12:49.240 --> 0:12:51.160
<v Speaker 1>that's how we're doing this, and you don't rock the boat.

0:12:51.640 --> 0:12:54.680
<v Speaker 1>I didn't get into a fight, but I did get

0:12:54.720 --> 0:12:57.680
<v Speaker 1>pretty heated about my insistence that he should be green,

0:12:58.080 --> 0:13:02.040
<v Speaker 1>because once I started searching everything, once I'd read the books,

0:13:02.120 --> 0:13:04.440
<v Speaker 1>then I saw what fans out there were doing. You know,

0:13:04.440 --> 0:13:05.720
<v Speaker 1>you look at what they're doing, you look at their

0:13:05.720 --> 0:13:08.079
<v Speaker 1>fan art, and it meant a lot to them that

0:13:08.480 --> 0:13:09.760
<v Speaker 1>was green. It meant a lot to them that he

0:13:09.760 --> 0:13:12.880
<v Speaker 1>had the smaller horns placed you here rather than larger,

0:13:12.920 --> 0:13:17.199
<v Speaker 1>broader horns here. And um, I saw this consistent representation

0:13:17.240 --> 0:13:18.800
<v Speaker 1>and what they wanted and what they were expecting, and

0:13:18.840 --> 0:13:20.600
<v Speaker 1>I did. I thought for it, and I tried to

0:13:20.640 --> 0:13:23.840
<v Speaker 1>get it. But as I'm sure there were many a

0:13:23.880 --> 0:13:29.120
<v Speaker 1>conversation with you where you had invested h certain research

0:13:29.200 --> 0:13:32.240
<v Speaker 1>or certain decision making sets into your characters. And then

0:13:32.760 --> 0:13:35.800
<v Speaker 1>network is going to have their views, and production is

0:13:35.800 --> 0:13:38.880
<v Speaker 1>going to have their views. And don't get me wrong,

0:13:38.920 --> 0:13:41.600
<v Speaker 1>I think what Paul Jones did was beautiful. I think

0:13:41.760 --> 0:13:44.840
<v Speaker 1>the horns that he gave me were magnificent, and he

0:13:44.960 --> 0:13:48.240
<v Speaker 1>and his assistants did some great, great work. But then see,

0:13:48.240 --> 0:13:50.120
<v Speaker 1>here's the here's the kicker. I could have talked myself

0:13:50.120 --> 0:13:52.400
<v Speaker 1>out of a gig because if they had really followed

0:13:52.400 --> 0:13:54.080
<v Speaker 1>me and given me the horns I wanted and the

0:13:54.080 --> 0:13:56.240
<v Speaker 1>green skin I wanted, they would have insisted on an

0:13:56.280 --> 0:13:58.680
<v Speaker 1>actor who more accurately represented the visual age of the

0:13:58.760 --> 0:14:03.080
<v Speaker 1>character the way the fans had been. Right, So, so

0:14:03.160 --> 0:14:05.200
<v Speaker 1>do you want it to be booked perfect? No? I don't.

0:14:05.240 --> 0:14:07.760
<v Speaker 1>I think this guy, this is the right guy. But

0:14:07.920 --> 0:14:11.679
<v Speaker 1>let's get the details, you know, So so we met

0:14:11.679 --> 0:14:15.080
<v Speaker 1>in the middle and we did exactly what they wanted. Yeah,

0:14:15.360 --> 0:14:18.240
<v Speaker 1>which is how it very often goes in my experience. Yeah,

0:14:18.280 --> 0:14:21.280
<v Speaker 1>it's a lot like a relationship. You know, I wanted

0:14:21.600 --> 0:14:24.320
<v Speaker 1>I wanted a cat, my girlfriend wanted a dog, so

0:14:24.360 --> 0:14:25.760
<v Speaker 1>we met in the middle when we got a dog.

0:14:26.120 --> 0:14:29.560
<v Speaker 1>You know that whole thing. Cats and dogs, man, I

0:14:29.600 --> 0:14:33.479
<v Speaker 1>love them so so much. I have an unhealthy relationship

0:14:33.520 --> 0:14:35.480
<v Speaker 1>with my cat Nigel, who may turn up at some point.

0:14:35.520 --> 0:14:38.880
<v Speaker 1>I don't know. He's a massive himily and fluffy boy.

0:14:39.480 --> 0:14:41.760
<v Speaker 1>I would wear him in one of those Baby, you

0:14:41.760 --> 0:14:44.800
<v Speaker 1>have a main can. What is your address? I'm just asking,

0:14:46.800 --> 0:14:50.680
<v Speaker 1>of course, ocean. Trust me, I've wanted to struggle. You

0:14:50.720 --> 0:14:52.200
<v Speaker 1>have no idea how far I'll go to steal a

0:14:52.200 --> 0:14:55.440
<v Speaker 1>beautiful cat. Yeah, she's honestly, she's a bit of a nightmare.

0:14:55.480 --> 0:14:58.320
<v Speaker 1>She's just discovered the entrance to the like the ottoman

0:14:58.400 --> 0:15:01.280
<v Speaker 1>storage in my bed, but cannot get out of it.

0:15:01.840 --> 0:15:03.880
<v Speaker 1>So the last three mornings in a row she's been

0:15:03.880 --> 0:15:06.400
<v Speaker 1>scratching at the mattress from underneath at like four in

0:15:06.440 --> 0:15:07.840
<v Speaker 1>the morning, and I'm like, I don't know, why are

0:15:07.840 --> 0:15:13.840
<v Speaker 1>you going there? Like you know you can't get out Yeah, Tom,

0:15:13.840 --> 0:15:15.760
<v Speaker 1>it's a cat cave. It's fun in there and then

0:15:15.800 --> 0:15:38.800
<v Speaker 1>you just you know, get stuck. Yeah, that's the whole thing. Yeah,

0:15:39.240 --> 0:15:42.040
<v Speaker 1>can we please talk about Magnus and Wagner a little

0:15:42.080 --> 0:15:45.240
<v Speaker 1>bit and that friendship and the dynamic that you and

0:15:45.280 --> 0:15:47.960
<v Speaker 1>Harry had. I mean, it's you know, we know you're

0:15:48.000 --> 0:15:50.760
<v Speaker 1>incredible and we know Harry is incredible, but still for

0:15:50.920 --> 0:15:55.040
<v Speaker 1>two folks to come together having just met and create

0:15:55.160 --> 0:15:58.720
<v Speaker 1>this banter and this friendship and this sort of way

0:15:58.760 --> 0:16:02.320
<v Speaker 1>of communicating that is so seamless and inherit it. I

0:16:02.520 --> 0:16:05.160
<v Speaker 1>loved watching it. So tell us a little bit about

0:16:05.240 --> 0:16:09.480
<v Speaker 1>that process and kind of how you made that magic. Well,

0:16:09.520 --> 0:16:12.200
<v Speaker 1>you know, you know far better than I do, how

0:16:12.400 --> 0:16:15.920
<v Speaker 1>expressive a creature Harry is, and how I knew he

0:16:16.040 --> 0:16:18.800
<v Speaker 1>was a dancer, and I knew that he could say

0:16:18.880 --> 0:16:20.760
<v Speaker 1>things with a flick of his hand or a turn

0:16:20.760 --> 0:16:22.840
<v Speaker 1>of his head that I could I would have to

0:16:22.920 --> 0:16:24.520
<v Speaker 1>go write me some lines because there's no way I'm

0:16:24.520 --> 0:16:28.640
<v Speaker 1>going to more his his The nature of his expressiveness

0:16:28.800 --> 0:16:31.200
<v Speaker 1>is such that you can get so much from him

0:16:31.200 --> 0:16:35.560
<v Speaker 1>in little things. Um. I what I didn't expect is

0:16:35.600 --> 0:16:38.000
<v Speaker 1>how good a dancer he is with his eyes and

0:16:38.040 --> 0:16:41.600
<v Speaker 1>what I mean by that is when I met him

0:16:41.680 --> 0:16:43.720
<v Speaker 1>and he was just so gracious and wonderful to meet,

0:16:43.880 --> 0:16:46.840
<v Speaker 1>and there was a beat and a breath, and he

0:16:46.880 --> 0:16:48.920
<v Speaker 1>gave me a look, and in that look he was like,

0:16:49.240 --> 0:16:52.680
<v Speaker 1>I love you, you love me. We're good. Does that

0:16:52.760 --> 0:17:00.280
<v Speaker 1>make sense? And with that like, I couldn't. I'm not

0:17:00.520 --> 0:17:03.920
<v Speaker 1>psychic enough for whatever to translate it directly. I can't say.

0:17:03.920 --> 0:17:06.640
<v Speaker 1>He was beaming. We've loved each other for a long

0:17:06.680 --> 0:17:08.600
<v Speaker 1>time and this we're carrying this history with us into that.

0:17:08.640 --> 0:17:12.080
<v Speaker 1>I don't not the specifics of it, but the broad

0:17:13.160 --> 0:17:15.200
<v Speaker 1>I have always loved you, You have always loved me.

0:17:15.320 --> 0:17:17.200
<v Speaker 1>You are safe. You were loved with just a little

0:17:17.200 --> 0:17:20.000
<v Speaker 1>look and a little blink, and I went, okay, all right,

0:17:20.240 --> 0:17:24.360
<v Speaker 1>And I asked, as in the my difference, I will

0:17:24.400 --> 0:17:27.560
<v Speaker 1>always behit for you. In that little that beat, I said,

0:17:27.600 --> 0:17:29.239
<v Speaker 1>is it all right if I if I touch her?

0:17:29.240 --> 0:17:31.080
<v Speaker 1>And he was like, he was like, what do you

0:17:31.320 --> 0:17:35.000
<v Speaker 1>have to like you? Of course you? It was a yes,

0:17:35.200 --> 0:17:38.680
<v Speaker 1>like a like why would you even ask me that?

0:17:38.760 --> 0:17:43.879
<v Speaker 1>Because this love is so The reality that he offered

0:17:43.880 --> 0:17:46.640
<v Speaker 1>into that was such that I just okay, I need

0:17:46.680 --> 0:17:49.440
<v Speaker 1>do nothing except trust you in the love that you're

0:17:49.440 --> 0:17:51.960
<v Speaker 1>generating and that means that we have been friends forever.

0:17:52.240 --> 0:17:55.639
<v Speaker 1>And yeah, it was. It was really that was the

0:17:55.680 --> 0:17:59.520
<v Speaker 1>easiest little moment that could have been. Could have been

0:18:00.080 --> 0:18:03.680
<v Speaker 1>some could have been. It's really cool. And I still

0:18:03.680 --> 0:18:05.960
<v Speaker 1>want to know what happened between those characters in Peru.

0:18:06.080 --> 0:18:08.639
<v Speaker 1>I do. I want to know. That would be a

0:18:08.680 --> 0:18:12.679
<v Speaker 1>crazy spin. Was just the immortals and all of the

0:18:12.760 --> 0:18:17.200
<v Speaker 1>ship they did for centuries previous, like pre Js, pre Clary,

0:18:17.280 --> 0:18:21.719
<v Speaker 1>pre Alec, like just the Shenanigans that like Ragna and

0:18:21.840 --> 0:18:26.000
<v Speaker 1>Camille and Magnus got up to How Raphael got lugged

0:18:26.040 --> 0:18:27.959
<v Speaker 1>in the mix, like all of those, How they just

0:18:28.560 --> 0:18:31.720
<v Speaker 1>navigated their way through the centuries. Oh my god, I'd

0:18:31.760 --> 0:18:36.199
<v Speaker 1>watch that, My goodness. I would love to watch some

0:18:36.320 --> 0:18:40.080
<v Speaker 1>youngsters do that. I would love to see someone do it. Yeah, yeah,

0:18:40.280 --> 0:18:41.680
<v Speaker 1>I don't want to really be a part of it. No,

0:18:41.800 --> 0:18:43.520
<v Speaker 1>I want to just watch it as an audience member,

0:18:43.560 --> 0:18:47.280
<v Speaker 1>I think. But you know, that's another thing with this Lord,

0:18:47.320 --> 0:18:49.320
<v Speaker 1>as we were still so early on in the series

0:18:49.400 --> 0:18:52.439
<v Speaker 1>that you and Harry established so much in that moment

0:18:52.560 --> 0:18:57.240
<v Speaker 1>of what these immortal friendships can represent and what warlocks

0:18:57.320 --> 0:19:00.280
<v Speaker 1>are and how they exist and it. At know, we've

0:19:00.320 --> 0:19:03.520
<v Speaker 1>had so many conversations about immortality on this show and

0:19:03.520 --> 0:19:05.840
<v Speaker 1>and sort of what that means and how that can

0:19:06.040 --> 0:19:10.040
<v Speaker 1>manifest itself, but it became so apparent and inherent with

0:19:10.080 --> 0:19:14.080
<v Speaker 1>you two, the sort of weight of the ages. That's

0:19:14.080 --> 0:19:15.960
<v Speaker 1>that's such a kind thing to say that, so that

0:19:16.040 --> 0:19:17.960
<v Speaker 1>it's felt that way, and I certainly I've heard that

0:19:18.000 --> 0:19:19.880
<v Speaker 1>from some very kind members of the shadow Man as well,

0:19:19.920 --> 0:19:22.800
<v Speaker 1>that they're like, clearly these dudes of go warlocks forever

0:19:22.960 --> 0:19:28.760
<v Speaker 1>together and have this um. But I wondered, like not

0:19:29.160 --> 0:19:32.240
<v Speaker 1>that coming in as I did, being invited in for

0:19:32.560 --> 0:19:36.640
<v Speaker 1>that moment of the piece, not knowing what your eternities

0:19:36.720 --> 0:19:39.639
<v Speaker 1>looked like before. It was a strange feeling, not knowing

0:19:39.640 --> 0:19:42.640
<v Speaker 1>what that again, because you you had the task upon

0:19:42.680 --> 0:19:46.080
<v Speaker 1>you of navigating these waters. What does this power mean?

0:19:46.720 --> 0:19:49.720
<v Speaker 1>What what does this history mean? How powerful is the blood?

0:19:49.800 --> 0:19:51.879
<v Speaker 1>What is the all of those things that you had

0:19:51.920 --> 0:19:53.639
<v Speaker 1>to generate? And I came in and I was like,

0:19:53.680 --> 0:19:55.560
<v Speaker 1>I have to make it as specific as I can

0:19:55.680 --> 0:19:57.439
<v Speaker 1>in my choices, but I have to keep it as

0:19:57.520 --> 0:20:01.440
<v Speaker 1>vague as I can in my knowledge what that is

0:20:01.520 --> 0:20:05.040
<v Speaker 1>because I don't know the shorthand you have for what

0:20:05.080 --> 0:20:07.359
<v Speaker 1>all those things? And that's what Cat's saying, Like we didn't,

0:20:07.560 --> 0:20:10.360
<v Speaker 1>we didn't, like none of this backstory was written for

0:20:10.880 --> 0:20:13.200
<v Speaker 1>like any of these characters. So like, if that question

0:20:13.200 --> 0:20:16.359
<v Speaker 1>had never been like asked or read its head, the

0:20:16.400 --> 0:20:20.480
<v Speaker 1>adds would have been, I don't know, what did you

0:20:20.520 --> 0:20:22.359
<v Speaker 1>do in the eight hundreds? Like I don't know, I

0:20:22.400 --> 0:20:26.560
<v Speaker 1>don't know. Someone says to you, at a scale of

0:20:26.640 --> 0:20:28.560
<v Speaker 1>one to tend, how powerful is this power that you're

0:20:28.640 --> 0:20:31.199
<v Speaker 1>using right now this room that you're how powerful you'd be, Like,

0:20:31.320 --> 0:20:32.680
<v Speaker 1>I don't know when they would say to you while

0:20:32.680 --> 0:20:35.600
<v Speaker 1>you're deciding right now. So yeah, well, these were so

0:20:35.640 --> 0:20:37.960
<v Speaker 1>many of the conversations that we had throughout and then

0:20:37.960 --> 0:20:41.760
<v Speaker 1>particularly too as our powers kept changing. You know, Don

0:20:41.840 --> 0:20:44.119
<v Speaker 1>got the Goldenknife thing, and I got the portals, and

0:20:44.400 --> 0:20:47.320
<v Speaker 1>we had to learn and half the time it was

0:20:47.600 --> 0:20:50.800
<v Speaker 1>in situation you figure it out and make it up

0:20:50.880 --> 0:20:52.760
<v Speaker 1>and make some sort of logic that then you have

0:20:52.880 --> 0:20:55.960
<v Speaker 1>to remember for the rest of the series too. Yeah.

0:20:56.000 --> 0:20:59.000
<v Speaker 1>I remember having a conversation with Matt once when Matt

0:20:59.480 --> 0:21:03.000
<v Speaker 1>jumped off a building landed on his feet, and he

0:21:03.119 --> 0:21:05.400
<v Speaker 1>was like, so falling off a building is no longer

0:21:05.440 --> 0:21:07.320
<v Speaker 1>a threat for us, like, we can't use that anymore

0:21:07.359 --> 0:21:09.959
<v Speaker 1>because we've just proved that we can survive that. So

0:21:10.040 --> 0:21:13.320
<v Speaker 1>that's like I'm dangled at anytime, Like at that point, now,

0:21:13.359 --> 0:21:16.159
<v Speaker 1>can you just be like what that's okay, Like you

0:21:16.200 --> 0:21:17.719
<v Speaker 1>can push me off this, I'll be good. So it's

0:21:17.760 --> 0:21:23.080
<v Speaker 1>not a big deal. Let's go. Yeah. I was a

0:21:23.080 --> 0:21:25.520
<v Speaker 1>little jealous of speaking of falls of the stunt man.

0:21:25.520 --> 0:21:27.480
<v Speaker 1>I know it was one of Steve Luchsk's guys, but

0:21:27.520 --> 0:21:29.080
<v Speaker 1>I don't know who the stuntman was who did the

0:21:29.080 --> 0:21:33.720
<v Speaker 1>regular fall. I'm getting old and forgetting names, so please

0:21:33.800 --> 0:21:39.040
<v Speaker 1>forgive me seven gotten so much, give me a little

0:21:39.080 --> 0:21:42.080
<v Speaker 1>pass on that one. I think it's that stunt is hard, though.

0:21:42.119 --> 0:21:45.800
<v Speaker 1>I think on Vampire Academy someone did basically that exact stunt,

0:21:46.200 --> 0:21:49.119
<v Speaker 1>And the issue with it is you have you have

0:21:49.280 --> 0:21:51.560
<v Speaker 1>the railing that you if this is your body, you

0:21:51.560 --> 0:21:53.560
<v Speaker 1>have the railing that you hit sort of midway through.

0:21:54.160 --> 0:21:55.800
<v Speaker 1>But you can't just hit that and go over it

0:21:55.840 --> 0:21:58.760
<v Speaker 1>because the railing isn't flat, it goes down. There's this

0:21:58.880 --> 0:22:00.560
<v Speaker 1>area down here at the bottom that you can hit

0:22:00.600 --> 0:22:02.960
<v Speaker 1>yourself on a second time and still have to continue

0:22:03.000 --> 0:22:05.359
<v Speaker 1>to fall. So you have to make it look like

0:22:05.400 --> 0:22:08.199
<v Speaker 1>you've hit this thing, and then go over it. But

0:22:08.320 --> 0:22:10.920
<v Speaker 1>also make sure you've cleared this so you don't hit

0:22:10.960 --> 0:22:14.080
<v Speaker 1>your head, because I've seen it happen when hit their

0:22:14.119 --> 0:22:16.679
<v Speaker 1>head on the way down and then you're unconscious falling,

0:22:16.720 --> 0:22:19.480
<v Speaker 1>and that's really dangerous because you can't control Hey, land,

0:22:19.920 --> 0:22:22.920
<v Speaker 1>I'm pretty sure, correct me if I'm wrong, But you

0:22:23.320 --> 0:22:26.120
<v Speaker 1>the character does it backwards, doesn't he go back first

0:22:26.160 --> 0:22:30.080
<v Speaker 1>over the thing? Absolutely? And then the spiral where where

0:22:30.400 --> 0:22:32.399
<v Speaker 1>the football lands in the hand of the ground in

0:22:32.400 --> 0:22:34.640
<v Speaker 1>this case, Yeah, they gave you a football to her,

0:22:35.520 --> 0:22:37.960
<v Speaker 1>you know that, just like on a ballistics level, he

0:22:38.040 --> 0:22:41.840
<v Speaker 1>is at that. Yeah. Sorry, Sometimes for the Shacks demons,

0:22:41.840 --> 0:22:44.040
<v Speaker 1>they would toss us a nerve football and we have

0:22:44.200 --> 0:22:47.000
<v Speaker 1>to wrestle the football and throw it away. I wish

0:22:47.040 --> 0:22:48.840
<v Speaker 1>I had a demon. I've got to be an expert

0:22:48.840 --> 0:22:51.680
<v Speaker 1>in that. Yeah. Yeah, yeah, that's a that's a strang.

0:22:51.720 --> 0:22:53.280
<v Speaker 1>Have you guys talked to your fans a lot about

0:22:53.359 --> 0:22:56.119
<v Speaker 1>the perils of acting against stuff that's not there and

0:22:56.240 --> 0:22:58.720
<v Speaker 1>it's not there of course the years, Yeah, we've had

0:22:58.720 --> 0:23:03.120
<v Speaker 1>the conversations of because they it's interesting, like what we did,

0:23:03.840 --> 0:23:06.960
<v Speaker 1>I guess because there was such a huge diversity of

0:23:07.000 --> 0:23:12.240
<v Speaker 1>different creatures from you know, different elements of this world. Um,

0:23:12.280 --> 0:23:15.080
<v Speaker 1>there was no real like uniformity of how they were

0:23:15.119 --> 0:23:17.239
<v Speaker 1>presented to us. So like where wolves were kind of

0:23:17.280 --> 0:23:19.760
<v Speaker 1>always where there was alway we always had a similar

0:23:19.800 --> 0:23:22.359
<v Speaker 1>thing to track. But every time we experienced a new demon,

0:23:22.400 --> 0:23:24.639
<v Speaker 1>it was like shacks demon was a football and they

0:23:24.640 --> 0:23:25.840
<v Speaker 1>throw it at you and you'd have to have this

0:23:25.840 --> 0:23:29.600
<v Speaker 1>thing in your face, or like the were the what

0:23:29.680 --> 0:23:34.840
<v Speaker 1>were the like slug demons things, and that was a

0:23:34.920 --> 0:23:37.879
<v Speaker 1>guy in bandex with the thing on his thing on

0:23:37.920 --> 0:23:39.879
<v Speaker 1>his head and then two long sticks because this thing

0:23:39.920 --> 0:23:41.280
<v Speaker 1>had like long arms, and he would run up and

0:23:41.320 --> 0:23:46.000
<v Speaker 1>just go We're like, okay, alright, cool, Well, I'm gonna

0:23:46.040 --> 0:23:47.800
<v Speaker 1>have to sort of erase that in my mind and

0:23:47.800 --> 0:23:49.680
<v Speaker 1>then put in. But they got they did get quite

0:23:49.680 --> 0:23:51.760
<v Speaker 1>good at showing us like concept art and stuff, so

0:23:51.760 --> 0:23:53.760
<v Speaker 1>they're like, this is vaguely what they are going to

0:23:53.880 --> 0:23:56.399
<v Speaker 1>look like. In the one, I didn't know if you

0:23:56.480 --> 0:23:58.879
<v Speaker 1>had kind of storyboard that had stuff with your demons

0:23:58.920 --> 0:24:03.120
<v Speaker 1>as much or whether was like okay, how tall. Yeah.

0:24:03.200 --> 0:24:06.040
<v Speaker 1>Come season two, they were pretty ahead of everything, Like

0:24:06.080 --> 0:24:07.520
<v Speaker 1>they were up in the office a lot of the

0:24:07.640 --> 0:24:10.200
<v Speaker 1>a lot of these like new sets, new creatures and whatever,

0:24:10.240 --> 0:24:13.040
<v Speaker 1>and we could just swing by the office and be like, Okay,

0:24:13.119 --> 0:24:14.359
<v Speaker 1>I sort of got it in my head now and

0:24:14.359 --> 0:24:17.919
<v Speaker 1>I can prep around that knowing vaguely what it was,

0:24:18.040 --> 0:24:21.600
<v Speaker 1>you know. And also I loved it. Philip our VFX

0:24:21.600 --> 0:24:25.240
<v Speaker 1>coordinator season two on. He was so excited about building

0:24:25.280 --> 0:24:27.359
<v Speaker 1>all of this that he would constantly come up with

0:24:27.400 --> 0:24:29.120
<v Speaker 1>us with this computer and go, I made a new

0:24:29.119 --> 0:24:31.720
<v Speaker 1>demon I have to show you. Or he would always

0:24:31.760 --> 0:24:33.520
<v Speaker 1>come up to me and go, I made your portals better,

0:24:33.600 --> 0:24:36.000
<v Speaker 1>and I'm going, Philip, my portals look amazing. What are

0:24:36.000 --> 0:24:37.560
<v Speaker 1>you talking about? He was like, no, no no, no, those

0:24:37.560 --> 0:24:39.879
<v Speaker 1>were horrible. It may have been better. I'm like, okay, sure,

0:24:40.359 --> 0:24:43.240
<v Speaker 1>you're you're awesome. Keep keep building. This is great. It's

0:24:43.280 --> 0:24:45.159
<v Speaker 1>so strange when it's an art that's outside of your

0:24:45.200 --> 0:24:47.600
<v Speaker 1>own understanding and you're like you have done the impossible

0:24:47.640 --> 0:24:49.639
<v Speaker 1>perfectly and they're like oh no, no, this is no

0:24:49.760 --> 0:24:52.000
<v Speaker 1>no no, and you're like, no, no, it can be better.

0:24:53.640 --> 0:24:56.400
<v Speaker 1>Which also that's that's the thing performers do as well,

0:24:56.480 --> 0:25:00.600
<v Speaker 1>right where where someone goes that scene was perfect and

0:25:00.640 --> 0:25:03.320
<v Speaker 1>you're like no, no, no, that's was lost to a

0:25:03.440 --> 0:25:07.000
<v Speaker 1>sound issue where you know, one of the lights had

0:25:07.000 --> 0:25:09.080
<v Speaker 1>to be adjusted well, because so much of it, I

0:25:09.119 --> 0:25:11.000
<v Speaker 1>think is up in the gray, isn't it, Like so

0:25:11.119 --> 0:25:13.520
<v Speaker 1>much of it for us is up here that like,

0:25:13.720 --> 0:25:16.399
<v Speaker 1>even if it looked fantastic, I know what I was thinking,

0:25:16.400 --> 0:25:18.159
<v Speaker 1>and it wasn't what I was supposed to be thinking.

0:25:18.720 --> 0:25:21.119
<v Speaker 1>So and that that's the most frustrating one for me,

0:25:21.240 --> 0:25:23.439
<v Speaker 1>is like we they got much better at it, but

0:25:23.480 --> 0:25:26.960
<v Speaker 1>in the studio we had the workshop directly behind us,

0:25:27.359 --> 0:25:29.560
<v Speaker 1>so it was a fairly common thing that like the

0:25:30.240 --> 0:25:33.440
<v Speaker 1>rolling Q didn't get to the workshop office, that would

0:25:33.480 --> 0:25:36.280
<v Speaker 1>still that would continue going whilst we're filming, And like,

0:25:36.320 --> 0:25:38.760
<v Speaker 1>that's great, we got it. And I'm like, all I'm

0:25:38.800 --> 0:25:41.520
<v Speaker 1>thinking about is they're making a new set next door.

0:25:41.640 --> 0:25:44.639
<v Speaker 1>That's me Dom, not Jason. Me. Dom is thinking what

0:25:44.760 --> 0:25:47.440
<v Speaker 1>set are they making? And no matter how it looked,

0:25:47.680 --> 0:25:49.879
<v Speaker 1>no matter whether it looked good or bad, I know

0:25:49.920 --> 0:25:51.880
<v Speaker 1>what I was thinking, and I know that I wasn't

0:25:51.880 --> 0:25:53.639
<v Speaker 1>connected to what I should have been doing. You know

0:25:53.680 --> 0:25:54.879
<v Speaker 1>what I mean. If we love it, you're like I

0:25:54.960 --> 0:25:58.560
<v Speaker 1>cheated you out of it. Yeah, I mean, but those

0:25:58.600 --> 0:26:00.920
<v Speaker 1>are the perils of working on a set on a

0:26:01.000 --> 0:26:03.600
<v Speaker 1>sound stage. That's constantly rolling. I had a similar thing

0:26:03.640 --> 0:26:06.200
<v Speaker 1>dom in Clary's bedroom. I don't know if you remember,

0:26:06.240 --> 0:26:09.000
<v Speaker 1>there was one roof tile that was, you know, stories

0:26:09.040 --> 0:26:11.399
<v Speaker 1>above in this warehouse we were in, but when the

0:26:11.440 --> 0:26:14.040
<v Speaker 1>wind would hit it just right from the outside, it

0:26:14.160 --> 0:26:18.160
<v Speaker 1>sounded like a clown's car horn. Oh, I do remember that. Yeah.

0:26:18.480 --> 0:26:20.480
<v Speaker 1>And so you know, all of the scenes in Clary's

0:26:20.520 --> 0:26:24.080
<v Speaker 1>bedroom are all of the really heavy emotional kind of

0:26:24.200 --> 0:26:27.119
<v Speaker 1>I'm dealing with my feelings, not fighting things scenes, and

0:26:27.119 --> 0:26:29.520
<v Speaker 1>they're very quiet. And so I'm sitting there talking to

0:26:29.560 --> 0:26:31.960
<v Speaker 1>Emerald or Dom or Alberto about something and then I

0:26:32.040 --> 0:26:38.920
<v Speaker 1>hear bur Burpenner. Yeah, you just go, oh, well, can

0:26:38.960 --> 0:26:42.320
<v Speaker 1>we all right can use that one? Yeah, we had

0:26:42.320 --> 0:26:45.480
<v Speaker 1>one that became it actually got released in the Bloopers

0:26:45.560 --> 0:26:48.760
<v Speaker 1>that became fairly famous within our you know, our little

0:26:48.800 --> 0:26:54.359
<v Speaker 1>community doing a very heavy scene. Um Kine as in

0:26:54.440 --> 0:26:57.639
<v Speaker 1>Caine and Able Cane, the first vampire he's in our story.

0:26:57.840 --> 0:27:00.680
<v Speaker 1>And then Lilith, the mother of all Eamons. We've got

0:27:00.680 --> 0:27:04.280
<v Speaker 1>her like trapped and it's it's Jason Clari and Simon

0:27:04.480 --> 0:27:07.240
<v Speaker 1>also and Emeralds and we're all sort of ready for

0:27:07.280 --> 0:27:09.600
<v Speaker 1>battle sort of thing, and there was a crow or

0:27:09.640 --> 0:27:11.879
<v Speaker 1>a raven one or the other that just wanted to

0:27:11.920 --> 0:27:13.920
<v Speaker 1>be just wanted to be part of it that day.

0:27:14.240 --> 0:27:15.840
<v Speaker 1>So we'd be in the middle of like, this is

0:27:15.880 --> 0:27:17.719
<v Speaker 1>what we're going to do, this is the plan, this

0:27:17.800 --> 0:27:19.280
<v Speaker 1>is what's going to happen, and you hear this like

0:27:20.119 --> 0:27:23.679
<v Speaker 1>in the back and were like, wow, I don't know

0:27:23.720 --> 0:27:27.960
<v Speaker 1>how we get back from that point where someone would

0:27:28.000 --> 0:27:30.200
<v Speaker 1>get three words out and we just we had to

0:27:30.240 --> 0:27:32.840
<v Speaker 1>take the entire scene half lines of dialogue at a

0:27:32.880 --> 0:27:35.320
<v Speaker 1>time because these ravens just so wanted to be a

0:27:35.359 --> 0:27:38.600
<v Speaker 1>part of it. Yeah, that day, but we were so

0:27:38.680 --> 0:27:41.520
<v Speaker 1>lucky to have guest stars like yourself who came in

0:27:41.600 --> 0:27:44.920
<v Speaker 1>and really committed to the character and to the story

0:27:44.960 --> 0:27:48.080
<v Speaker 1>and to the lore of the world. And clearly that's

0:27:48.080 --> 0:27:51.320
<v Speaker 1>something near and dear to your heart. So it's when

0:27:51.400 --> 0:27:53.320
<v Speaker 1>when you did dive it on set, it was still

0:27:53.320 --> 0:27:55.840
<v Speaker 1>season one and we were still kind of figuring everything out,

0:27:55.880 --> 0:27:59.800
<v Speaker 1>but we were really in literally your house. So did

0:27:59.880 --> 0:28:02.520
<v Speaker 1>you you how was that walking into this kind of

0:28:02.880 --> 0:28:05.480
<v Speaker 1>environment that was yours in this set that was kind

0:28:05.480 --> 0:28:09.200
<v Speaker 1>of brand new as well? Well. I you know, normally,

0:28:09.760 --> 0:28:11.359
<v Speaker 1>when when you're given an environment, as you know, with

0:28:11.400 --> 0:28:13.320
<v Speaker 1>one of you, Like you say, you you're giving the

0:28:13.320 --> 0:28:15.760
<v Speaker 1>the institute and you're familiar with it, and you you

0:28:15.800 --> 0:28:19.280
<v Speaker 1>want to pace every boards until you know the environment

0:28:19.280 --> 0:28:21.320
<v Speaker 1>like the back of your hand. And I didn't want

0:28:21.400 --> 0:28:24.600
<v Speaker 1>to do that in Ragnar's home for the specific reason

0:28:25.040 --> 0:28:29.040
<v Speaker 1>that the audience is with you and this is your journey,

0:28:29.160 --> 0:28:32.000
<v Speaker 1>and when you come to this place, when Clari arrives there,

0:28:32.520 --> 0:28:36.800
<v Speaker 1>it's all weird. What if it's all it all feels

0:28:37.240 --> 0:28:40.480
<v Speaker 1>unsettled and unsettling, and I think for the tension of

0:28:40.520 --> 0:28:45.000
<v Speaker 1>the scene, I didn't want to be the lounging me

0:28:45.120 --> 0:28:47.240
<v Speaker 1>in my home in the way. I wanted it to

0:28:47.280 --> 0:28:50.360
<v Speaker 1>be an environment of uncomfort and uncertainty. So it's it's

0:28:50.400 --> 0:28:52.920
<v Speaker 1>the it's that weird. Is this a liminal or a

0:28:52.920 --> 0:28:56.880
<v Speaker 1>subliminal space? Is this? Uh? I mean I hoped that

0:28:56.920 --> 0:29:02.560
<v Speaker 1>people would neither be surprised or unsurprised when you yanked

0:29:02.560 --> 0:29:11.800
<v Speaker 1>me this no way wow? And uh I don't. By

0:29:11.800 --> 0:29:13.840
<v Speaker 1>the way, I'm not like it's not like that. I'm

0:29:13.840 --> 0:29:15.800
<v Speaker 1>not stocking you guys and keeping this with me at

0:29:15.840 --> 0:29:19.000
<v Speaker 1>all times. In the honest reach, it's not for those

0:29:19.040 --> 0:29:20.960
<v Speaker 1>who are only hearing the audio. I did just produce

0:29:21.040 --> 0:29:25.520
<v Speaker 1>the portrait from which I emerged. Um the art department,

0:29:25.680 --> 0:29:27.600
<v Speaker 1>trust me, Adam, we all we all have our own

0:29:27.600 --> 0:29:31.240
<v Speaker 1>memorabili Yes, it doesn't seem strange enough. Yes, well I

0:29:31.600 --> 0:29:35.640
<v Speaker 1>think if I'm not mistaken, you're not allowed Stella's because

0:29:35.640 --> 0:29:39.360
<v Speaker 1>you broke so many that I wasn't And yeah I wasn't.

0:29:39.400 --> 0:29:42.480
<v Speaker 1>They season two they took them off me um, which

0:29:42.680 --> 0:29:45.200
<v Speaker 1>they like wrote it into the story, which is really depressing.

0:29:45.240 --> 0:29:46.960
<v Speaker 1>They were just like Jay doesn't need one this season.

0:29:47.120 --> 0:29:48.760
<v Speaker 1>He doesn't need it, he doesn't need one. And I

0:29:48.800 --> 0:29:50.840
<v Speaker 1>was like, come on, I have like a place for

0:29:50.960 --> 0:29:53.560
<v Speaker 1>it now, like you've given me new hostess that's like

0:29:53.600 --> 0:29:56.920
<v Speaker 1>a whole thing that it's gonna be better. They're like, nope, nope,

0:29:57.040 --> 0:30:19.040
<v Speaker 1>not for you. And it's fair, completely fair. I'm sorry

0:30:19.040 --> 0:30:20.840
<v Speaker 1>if I've missed it because I haven't heard all of

0:30:20.880 --> 0:30:23.959
<v Speaker 1>your behind the scenes. Okay, but I are. Do you

0:30:24.000 --> 0:30:26.480
<v Speaker 1>each have a favorite of your collection of your here's

0:30:26.520 --> 0:30:31.240
<v Speaker 1>my beloved? I yeah I had that, you can say

0:30:31.280 --> 0:30:35.200
<v Speaker 1>without being soon arrested. Yeah, yeah, right exactly, so I

0:30:35.080 --> 0:30:38.080
<v Speaker 1>I the two big things I left set with season two.

0:30:38.120 --> 0:30:40.720
<v Speaker 1>We had a big change of the swords and how

0:30:40.720 --> 0:30:43.080
<v Speaker 1>the seraph blades worked and how they looked physically and whatever.

0:30:43.520 --> 0:30:46.320
<v Speaker 1>So I left with one of those um and then

0:30:46.360 --> 0:30:49.400
<v Speaker 1>I had in season one we talked about the story

0:30:49.400 --> 0:30:52.520
<v Speaker 1>of the Falcon and how Jason was told to train

0:30:52.600 --> 0:30:55.960
<v Speaker 1>this falcon um, this statue of the falcon that obviously

0:30:56.000 --> 0:31:00.560
<v Speaker 1>had this profound impact on Jason's sort of becoming who

0:31:00.640 --> 0:31:05.440
<v Speaker 1>he was, who he is. I have that. That's super cool, Tom,

0:31:05.440 --> 0:31:08.840
<v Speaker 1>It's so interesting that you say that, because my parallel

0:31:08.880 --> 0:31:12.080
<v Speaker 1>that exactly. I have a set of Clary's daggers that

0:31:12.320 --> 0:31:14.680
<v Speaker 1>eventually we found out one was Jocelyn's and one was

0:31:14.760 --> 0:31:18.720
<v Speaker 1>Valentine's that I fought with for two and a half seasons.

0:31:18.880 --> 0:31:21.840
<v Speaker 1>And in Clary's room they had one of those wooden

0:31:22.040 --> 0:31:25.480
<v Speaker 1>artist figures that you know, artists will bend to mimic

0:31:25.480 --> 0:31:29.440
<v Speaker 1>whatever human shape. But the camera crew signed to the

0:31:29.480 --> 0:31:31.240
<v Speaker 1>back of it on the last day that we shot

0:31:31.240 --> 0:31:34.120
<v Speaker 1>in Clary's bedroom in the Institute and handed it to

0:31:34.160 --> 0:31:36.760
<v Speaker 1>me as like a little piece of her space. And

0:31:36.800 --> 0:31:39.320
<v Speaker 1>it sits on my dresser in my room in the

0:31:39.360 --> 0:31:41.400
<v Speaker 1>same place that it's at in Clarie's room, and it's

0:31:41.440 --> 0:31:43.920
<v Speaker 1>just it's always there. That is super cool and and

0:31:44.000 --> 0:31:46.960
<v Speaker 1>here is a device for making art while you're making

0:31:47.040 --> 0:31:48.959
<v Speaker 1>art about the person who's piece of art. It is

0:31:49.000 --> 0:31:51.840
<v Speaker 1>that like the levels of that play within a play

0:31:51.960 --> 0:31:54.040
<v Speaker 1>kind of deal. Yeah, we also cat and I got

0:31:54.080 --> 0:31:57.479
<v Speaker 1>away with I think Drew gave you yours and Glenn

0:31:57.480 --> 0:32:00.400
<v Speaker 1>gave me mine. The we have the slate, the last

0:32:00.400 --> 0:32:03.680
<v Speaker 1>ever slates we did on the show. Um just obviously

0:32:03.680 --> 0:32:05.920
<v Speaker 1>not the whole clap of board, just the actual slates

0:32:06.000 --> 0:32:10.240
<v Speaker 1>as shadow Hunter's shot whatever it is, episode two, season three.

0:32:10.600 --> 0:32:13.080
<v Speaker 1>I've imagined those those final slates that we can't have

0:32:13.080 --> 0:32:16.040
<v Speaker 1>an easy three guys. Yeah, it was. It was weird,

0:32:16.240 --> 0:32:19.080
<v Speaker 1>it was you know, they were they were sort of

0:32:19.160 --> 0:32:21.520
<v Speaker 1>nice enough to give us the closing episodes. Do you

0:32:21.720 --> 0:32:23.200
<v Speaker 1>do you know anything about how this sort of came

0:32:23.200 --> 0:32:26.160
<v Speaker 1>about towards the end? You've spoken to anyone about it,

0:32:26.360 --> 0:32:28.200
<v Speaker 1>you mean, with the with the like we're giving you

0:32:28.240 --> 0:32:32.360
<v Speaker 1>the closure like that. Yeah, yeah, I I am somewhat

0:32:32.400 --> 0:32:35.040
<v Speaker 1>familiar with what happened. Got it then, very briefly for

0:32:35.160 --> 0:32:37.680
<v Speaker 1>yourself and anyone else who doesn't know. Normally, when they

0:32:37.800 --> 0:32:40.200
<v Speaker 1>end a show, that's just it. You don't come back.

0:32:40.240 --> 0:32:43.360
<v Speaker 1>Whatever stories are unfinished, that's it. You you finished at

0:32:43.360 --> 0:32:45.040
<v Speaker 1>the end of that season, we're not giving you anymore.

0:32:45.440 --> 0:32:47.280
<v Speaker 1>The show is done. And that wasn't the case with us.

0:32:47.960 --> 0:32:50.400
<v Speaker 1>We were told that it was coming to an end,

0:32:50.760 --> 0:32:52.720
<v Speaker 1>but we were told we had two hour long episodes

0:32:52.760 --> 0:32:55.240
<v Speaker 1>of sort of a two hour long event to round

0:32:55.240 --> 0:32:59.600
<v Speaker 1>out everyone's stories, which honestly is a really lovely gift

0:32:59.760 --> 0:33:02.479
<v Speaker 1>to guess. There's so many stories, and there were so

0:33:02.520 --> 0:33:05.520
<v Speaker 1>many things that people were so passionate about, so many relationships,

0:33:05.560 --> 0:33:08.320
<v Speaker 1>and so it was a really lovely thing to be

0:33:08.360 --> 0:33:10.920
<v Speaker 1>able to come and finish that off together. So it's

0:33:11.000 --> 0:33:13.240
<v Speaker 1>very sort of bit sweet towards the end because it's

0:33:13.440 --> 0:33:16.240
<v Speaker 1>it was hard to say goodbye to it, but also

0:33:16.280 --> 0:33:18.200
<v Speaker 1>it was a nice way to say goodbye to it.

0:33:18.160 --> 0:33:21.160
<v Speaker 1>It was much better than the ending that I think

0:33:21.200 --> 0:33:25.479
<v Speaker 1>anyone would have anticipated. So it's not that there's it's

0:33:25.520 --> 0:33:28.160
<v Speaker 1>not a shocked grief, it's a you've had a chance

0:33:28.200 --> 0:33:29.920
<v Speaker 1>to process and to work your way through it as

0:33:29.920 --> 0:33:33.640
<v Speaker 1>you are manifesting into the world. Yeah, exactly right, exactly right.

0:33:33.640 --> 0:33:37.200
<v Speaker 1>We also that last day, fortunately we actually spoke to

0:33:37.240 --> 0:33:39.760
<v Speaker 1>the A d S about it because we assumed they've

0:33:39.760 --> 0:33:43.240
<v Speaker 1>done it intentionally. It was like everyone all of the

0:33:43.280 --> 0:33:45.760
<v Speaker 1>series regulars throughout the entire show, and then most of

0:33:45.760 --> 0:33:48.160
<v Speaker 1>the recurring guest stars were there and a lot of

0:33:48.160 --> 0:33:50.000
<v Speaker 1>the crew that were there, and then we had the

0:33:50.080 --> 0:33:53.360
<v Speaker 1>rat party in the Institute in the in the big

0:33:53.480 --> 0:33:56.320
<v Speaker 1>main set. It's just it just doesn't happen that way usually,

0:33:56.440 --> 0:33:59.520
<v Speaker 1>and not because that's anyone's fault necessarily, that's just not

0:33:59.640 --> 0:34:03.360
<v Speaker 1>completely We're already striking it as you right. Yeah, yeah,

0:34:03.480 --> 0:34:05.920
<v Speaker 1>we did have that. We did have sets being like

0:34:06.040 --> 0:34:08.160
<v Speaker 1>drilled into the floor so nobody could go with their

0:34:08.200 --> 0:34:11.520
<v Speaker 1>sticky fingers and start taking expensive things that dotted about.

0:34:11.960 --> 0:34:13.200
<v Speaker 1>But it was sort of the best way to say

0:34:13.200 --> 0:34:15.480
<v Speaker 1>goodbye to the show because even you know, even the

0:34:15.560 --> 0:34:19.080
<v Speaker 1>last shot that Dom and I did was me walking

0:34:19.120 --> 0:34:22.919
<v Speaker 1>away from it was walking away from like our final conversation,

0:34:23.560 --> 0:34:25.719
<v Speaker 1>and it was and that's the last shot anyone did.

0:34:25.960 --> 0:34:29.480
<v Speaker 1>That was anyone did on Shadow Yeah, I have this

0:34:29.520 --> 0:34:33.160
<v Speaker 1>distinct memory though, that always solidified what Shadow Hunters was

0:34:33.280 --> 0:34:36.440
<v Speaker 1>as a community. On set, I you know, bawling my

0:34:36.480 --> 0:34:38.840
<v Speaker 1>eyes out because Clary is saying goodbye forever and everyone

0:34:38.880 --> 0:34:41.319
<v Speaker 1>she loves and I turned the corner from the very

0:34:41.400 --> 0:34:44.680
<v Speaker 1>last shot and our second e d s well are

0:34:44.760 --> 0:34:46.440
<v Speaker 1>one of our first eighties and our second a d

0:34:47.080 --> 0:34:49.959
<v Speaker 1>see like in Helga, we're standing around the corner with

0:34:50.560 --> 0:34:53.480
<v Speaker 1>a cart full of champagne flutes just at the ready

0:34:54.440 --> 0:34:57.600
<v Speaker 1>for when we prepped. Anyway, this is this is our family.

0:34:57.760 --> 0:34:59.839
<v Speaker 1>You know. We laughed together, we cried together, we sell

0:35:00.040 --> 0:35:03.480
<v Speaker 1>it together, and we make a story that hopefully helps

0:35:03.520 --> 0:35:06.800
<v Speaker 1>people feel all the things that we felt while making it. Yeah,

0:35:07.360 --> 0:35:10.120
<v Speaker 1>I don't know. I wonder so much for you guys.

0:35:10.200 --> 0:35:14.200
<v Speaker 1>At what time in this process the feedback loop began?

0:35:14.920 --> 0:35:17.840
<v Speaker 1>You know, because you're creating all of this emotional energy

0:35:17.880 --> 0:35:21.200
<v Speaker 1>and you're offering the insides of yourselves into these characters

0:35:21.800 --> 0:35:24.120
<v Speaker 1>for whom people already have expectations, which is already a

0:35:24.120 --> 0:35:28.720
<v Speaker 1>scary thing to do. And then as those people start

0:35:29.200 --> 0:35:31.640
<v Speaker 1>taking that energy from me and they're placing it into themselves,

0:35:31.640 --> 0:35:34.799
<v Speaker 1>like this is my Clary, this is my Jase, this

0:35:34.880 --> 0:35:38.440
<v Speaker 1>is my and and that energy is now feeding back

0:35:38.440 --> 0:35:41.480
<v Speaker 1>into you and threw you into the performance, back into

0:35:41.560 --> 0:35:44.480
<v Speaker 1>the community. Like was there a time at which you

0:35:44.560 --> 0:35:47.799
<v Speaker 1>became not like a snap of awareness, but at what

0:35:47.920 --> 0:35:52.560
<v Speaker 1>time did you go, oh, I am me in this role.

0:35:52.680 --> 0:35:54.960
<v Speaker 1>I am also a member of this shadow family out

0:35:54.960 --> 0:35:56.840
<v Speaker 1>there who's watching it from the outside. And you know

0:35:56.840 --> 0:36:00.839
<v Speaker 1>what I mean that that because we have that happened right,

0:36:01.520 --> 0:36:04.759
<v Speaker 1>I know mine. We were invited to New York Comic

0:36:04.800 --> 0:36:07.279
<v Speaker 1>Con right as the show was about to air. We

0:36:07.320 --> 0:36:09.320
<v Speaker 1>had like the teaser trailer, which is sort of the

0:36:09.360 --> 0:36:12.640
<v Speaker 1>first couple of minutes of the episode um and introduced

0:36:12.640 --> 0:36:15.880
<v Speaker 1>sort of all of the individual characters, and we before

0:36:15.920 --> 0:36:18.360
<v Speaker 1>we went out on stage, it was standing room only,

0:36:18.920 --> 0:36:21.279
<v Speaker 1>absolutely for there were people waiting outside they couldn't get in,

0:36:21.560 --> 0:36:24.040
<v Speaker 1>and we had to stand behind the big projector screen.

0:36:24.239 --> 0:36:25.920
<v Speaker 1>So we watched the whole thing in reverse, which is

0:36:25.960 --> 0:36:28.359
<v Speaker 1>a bit weird because you obviously we're behind where it's

0:36:28.360 --> 0:36:30.480
<v Speaker 1>being projected, which is a bit strange. But we got

0:36:30.480 --> 0:36:34.360
<v Speaker 1>to hear like I'm blowing my access, I'm not yeah, yeah,

0:36:34.400 --> 0:36:36.319
<v Speaker 1>And we had never seen it before as well, we

0:36:36.360 --> 0:36:39.520
<v Speaker 1>hadn't yet seen any of the show, but we got

0:36:39.560 --> 0:36:41.680
<v Speaker 1>to hear We couldn't see anyone's face, but we could

0:36:41.760 --> 0:36:44.480
<v Speaker 1>hear the reactions, and it came in these like waves,

0:36:44.560 --> 0:36:47.680
<v Speaker 1>sort of cascading waves, and we've got to hear people

0:36:47.800 --> 0:36:51.239
<v Speaker 1>like cheer for their characters that they've been dying to see,

0:36:51.560 --> 0:36:53.680
<v Speaker 1>you know, since they started reading the books, and then

0:36:53.719 --> 0:36:56.239
<v Speaker 1>it sort of occurred to me that like, oh wow, like,

0:36:56.560 --> 0:36:59.160
<v Speaker 1>not only do these people care about what we do,

0:36:59.520 --> 0:37:02.239
<v Speaker 1>we care about what we do, and we're gonna we're

0:37:02.239 --> 0:37:04.200
<v Speaker 1>going to sort of be enveloped in this like as

0:37:04.239 --> 0:37:07.520
<v Speaker 1>you mentioned, this sort of loop of energy where we're

0:37:07.560 --> 0:37:09.480
<v Speaker 1>giving out and it's and sort of coming back at

0:37:09.520 --> 0:37:12.440
<v Speaker 1>the same time. It was magical. There's a really magical

0:37:12.480 --> 0:37:15.440
<v Speaker 1>thing to happen that doesn't happen very often that people

0:37:16.400 --> 0:37:19.279
<v Speaker 1>really did connect. Um. So yeah, that was the first

0:37:19.280 --> 0:37:22.440
<v Speaker 1>time where I went. And it's interesting that you mentioned

0:37:22.440 --> 0:37:24.640
<v Speaker 1>like there was some trepidation with it, because then as

0:37:24.719 --> 0:37:27.280
<v Speaker 1>I'm about to walk on stage, I was like, oh God,

0:37:27.560 --> 0:37:29.600
<v Speaker 1>like that way hit me just for a second, you know.

0:37:30.040 --> 0:37:32.719
<v Speaker 1>I was like, well, it's true. Because we had made

0:37:32.760 --> 0:37:34.680
<v Speaker 1>the first season in a bubble. We went straight to

0:37:34.800 --> 0:37:39.239
<v Speaker 1>series and so we've shot thirteen episodes, and Alberto and

0:37:39.280 --> 0:37:41.799
<v Speaker 1>I had just wrapped the previous evening and we all

0:37:41.840 --> 0:37:44.640
<v Speaker 1>flew to New York late the night before, got up

0:37:44.680 --> 0:37:48.560
<v Speaker 1>super early, and so we had just finished and no

0:37:48.600 --> 0:37:51.359
<v Speaker 1>one had seen anything. We hadn't seen anything, and we

0:37:51.360 --> 0:37:53.560
<v Speaker 1>were unleashing it on the world in that moment, and

0:37:53.640 --> 0:37:56.880
<v Speaker 1>I remember standing behind that screen with the creators and

0:37:56.920 --> 0:37:59.160
<v Speaker 1>our cast, and in this I had never been to

0:37:59.200 --> 0:38:01.400
<v Speaker 1>a comic con, but for I didn't even know what

0:38:01.560 --> 0:38:04.040
<v Speaker 1>I was walking into. And then, you know, you walk

0:38:04.080 --> 0:38:07.280
<v Speaker 1>into the huge Jabbt Center in New York and there's

0:38:07.480 --> 0:38:09.879
<v Speaker 1>posters of us everywhere, and you just kind of get

0:38:09.920 --> 0:38:13.560
<v Speaker 1>to see, oh, wait, we've made this in a vacuum,

0:38:13.600 --> 0:38:16.240
<v Speaker 1>and now we get to give it to the world.

0:38:16.480 --> 0:38:20.400
<v Speaker 1>And to have the reaction be so enthusiastic from what

0:38:20.560 --> 0:38:25.080
<v Speaker 1>one was was just that it was simultaneously terrifying and

0:38:25.280 --> 0:38:28.840
<v Speaker 1>exciting because you get that that moment of going, Okay,

0:38:28.840 --> 0:38:31.239
<v Speaker 1>we've we've made this, and we're proud of it, and

0:38:31.280 --> 0:38:35.640
<v Speaker 1>there's an expectation for it. Let's hope that this enthusiasm continues.

0:38:35.719 --> 0:38:37.560
<v Speaker 1>And you know, that's something that I'll give the Shadow

0:38:37.560 --> 0:38:40.960
<v Speaker 1>fam massive credit for, is that throughout this entire process,

0:38:41.040 --> 0:38:44.560
<v Speaker 1>they have been so open to coming on this journey

0:38:44.600 --> 0:38:48.799
<v Speaker 1>and so open to everyone involved, from folks I guess

0:38:48.840 --> 0:38:50.759
<v Speaker 1>that they see every week to folks like you. They

0:38:50.760 --> 0:38:53.360
<v Speaker 1>get to come in and make such a splash, and

0:38:53.360 --> 0:38:58.160
<v Speaker 1>and they just become so rabid for because I think

0:38:58.200 --> 0:39:00.799
<v Speaker 1>they feel the commitment to the story that each of

0:39:00.880 --> 0:39:04.440
<v Speaker 1>us have and it becomes this beautiful community. Well I

0:39:04.480 --> 0:39:07.400
<v Speaker 1>just couldn't help but wonder with that that sense of

0:39:07.400 --> 0:39:09.160
<v Speaker 1>magic that I feel that you were infused with, like

0:39:09.239 --> 0:39:13.080
<v Speaker 1>upon my arrival. You know, I again you're guessing into something.

0:39:13.239 --> 0:39:16.240
<v Speaker 1>There are different kinds of set, right. There are sets

0:39:16.320 --> 0:39:19.680
<v Speaker 1>where there's a concrete wall between the key leads and

0:39:20.040 --> 0:39:23.160
<v Speaker 1>the guests and whatever there are I don't remember, and

0:39:23.200 --> 0:39:25.879
<v Speaker 1>I've never been on one. Yeah, I couldn't remember seeing

0:39:25.880 --> 0:39:29.600
<v Speaker 1>your name for sure. You've heard legend of these sets.

0:39:29.640 --> 0:39:32.160
<v Speaker 1>I've heard that's it. Yeah, I read about them in myths, um.

0:39:32.320 --> 0:39:35.680
<v Speaker 1>And but then there are sets where there's like a

0:39:35.840 --> 0:39:37.960
<v Speaker 1>chain link fence between the gay cast and you touch

0:39:38.040 --> 0:39:40.600
<v Speaker 1>fingertips through the chain link fence. And then there are

0:39:40.640 --> 0:39:44.400
<v Speaker 1>sets like yours, where by the time I arrived, your family,

0:39:44.480 --> 0:39:46.920
<v Speaker 1>I would say, was firmly entrenched. I got there and

0:39:46.920 --> 0:39:50.799
<v Speaker 1>I went, oh, ship, these people love each other and

0:39:50.960 --> 0:39:53.760
<v Speaker 1>they love what they're doing, and they love the act

0:39:53.960 --> 0:39:57.200
<v Speaker 1>of doing it. And everyone just went, are you here

0:39:57.239 --> 0:40:00.880
<v Speaker 1>to play and make magic? Arms outstretched, Come and play

0:40:00.920 --> 0:40:03.359
<v Speaker 1>and make magic. And that was a gift from you

0:40:03.560 --> 0:40:06.400
<v Speaker 1>that when I ride was like, oh wow, all I

0:40:06.440 --> 0:40:08.319
<v Speaker 1>have to do is do my best to bring the magic,

0:40:08.320 --> 0:40:11.200
<v Speaker 1>which sounds like a silly thing to say. It doesn't.

0:40:11.800 --> 0:40:15.120
<v Speaker 1>It is normally difficult to come in too, as you say,

0:40:15.120 --> 0:40:18.839
<v Speaker 1>this sort of entrenched community and be sort of the outsider, like, hey,

0:40:18.880 --> 0:40:20.200
<v Speaker 1>I'm gonna be part of this for a little bit.

0:40:20.200 --> 0:40:22.359
<v Speaker 1>I hope that's school and but everyone else is sort

0:40:22.360 --> 0:40:25.200
<v Speaker 1>of already. It's very like teenagerad clicky, like a high

0:40:25.239 --> 0:40:27.880
<v Speaker 1>school kind of thing. Um. And I think something that

0:40:27.960 --> 0:40:30.759
<v Speaker 1>we wanted to do and something that we kind of

0:40:30.800 --> 0:40:32.880
<v Speaker 1>pride ourselves on the fact that, like Shadow Answers, was

0:40:32.880 --> 0:40:34.800
<v Speaker 1>a set that people could come to and feel comfortable.

0:40:35.160 --> 0:40:37.120
<v Speaker 1>We wanted you to come to set and do the

0:40:37.120 --> 0:40:39.719
<v Speaker 1>work because all it does the other side of it,

0:40:39.760 --> 0:40:42.319
<v Speaker 1>working with the people who don't really welcome you, is

0:40:42.360 --> 0:40:44.319
<v Speaker 1>it sets you back. Just sets you back. Time, It

0:40:44.360 --> 0:40:47.000
<v Speaker 1>sets you back, emotion, it sets you but it makes

0:40:47.000 --> 0:40:52.799
<v Speaker 1>you exhausted everyone. Um, and that is unacceptable for for

0:40:52.800 --> 0:40:55.239
<v Speaker 1>everyone's point of view, like even you know so far

0:40:55.320 --> 0:40:59.239
<v Speaker 1>as like if that attitude isn't there, then every shot

0:40:59.360 --> 0:41:02.200
<v Speaker 1>takes longer, which then pushes the cruise time later, you know,

0:41:02.280 --> 0:41:04.280
<v Speaker 1>so then the cruise an hour later than they should

0:41:04.280 --> 0:41:07.160
<v Speaker 1>have been and it has such a negative impact. So

0:41:07.600 --> 0:41:10.359
<v Speaker 1>I think and I'm very glad you felt that way,

0:41:10.360 --> 0:41:14.880
<v Speaker 1>because we do we do best, oh absolutely for people

0:41:14.920 --> 0:41:16.839
<v Speaker 1>who have never experience, who have never dipped a toe

0:41:16.880 --> 0:41:20.480
<v Speaker 1>in the set life, and they don't they for shadow

0:41:20.480 --> 0:41:22.279
<v Speaker 1>fam and shadow fans who look at the work that

0:41:22.320 --> 0:41:23.719
<v Speaker 1>you did and they love it and they value it

0:41:23.760 --> 0:41:25.919
<v Speaker 1>and they treasure it, which they should because it's beautiful work.

0:41:26.719 --> 0:41:29.640
<v Speaker 1>They don't know about that other job necessarily that you

0:41:29.680 --> 0:41:32.600
<v Speaker 1>were doing at all times, which was to host, which

0:41:32.640 --> 0:41:35.480
<v Speaker 1>was to welcome, which was to introduce people to the party,

0:41:35.520 --> 0:41:39.439
<v Speaker 1>and to to give them this I don't know, a loving,

0:41:39.480 --> 0:41:43.040
<v Speaker 1>respectful place to to play with you. And so you know,

0:41:43.120 --> 0:41:45.160
<v Speaker 1>when they're out there thanking you for what you did

0:41:45.160 --> 0:41:47.239
<v Speaker 1>for them on the screen, they should also know all

0:41:47.239 --> 0:41:48.839
<v Speaker 1>of that stuff that you gave to all of your

0:41:48.880 --> 0:41:53.160
<v Speaker 1>guests off. So thank you very and shadow Fam. That's

0:41:53.200 --> 0:41:56.719
<v Speaker 1>that second round of applausia them guys. Yeah, I owe

0:41:56.719 --> 0:42:00.200
<v Speaker 1>a them money. Um, this really only works when only

0:42:00.239 --> 0:42:02.719
<v Speaker 1>a cat a main coon. But this go ahead, Yeah, yeah,

0:42:02.920 --> 0:42:06.759
<v Speaker 1>right exactly, she's brown, about six years old. Um, but

0:42:06.880 --> 0:42:09.399
<v Speaker 1>this this attitude really only works. And again we've said

0:42:09.440 --> 0:42:11.800
<v Speaker 1>this before, but I think it's important to reiterate with

0:42:11.800 --> 0:42:14.960
<v Speaker 1>with everyone who made us feel this way. Um. You know,

0:42:15.000 --> 0:42:18.920
<v Speaker 1>we get these these guest stars coming in who not

0:42:19.160 --> 0:42:21.600
<v Speaker 1>they're so wildly prepared, they've got such a grasp on

0:42:21.600 --> 0:42:25.080
<v Speaker 1>who these characters are. They consistently blow us away with performances,

0:42:25.360 --> 0:42:27.680
<v Speaker 1>which then pushes us to work a little harder as well.

0:42:27.840 --> 0:42:30.759
<v Speaker 1>But it's also important that attitude is reflected back to us.

0:42:31.280 --> 0:42:35.640
<v Speaker 1>You know. Sometimes being self conscious or whatever it's it's

0:42:35.680 --> 0:42:39.520
<v Speaker 1>it's it's a subconscious reaction. It's not something that you

0:42:39.560 --> 0:42:44.880
<v Speaker 1>can do, um necessarily anything about, but to not to

0:42:45.080 --> 0:42:48.000
<v Speaker 1>not try and push through it at times can be selfish.

0:42:48.080 --> 0:42:50.600
<v Speaker 1>Because we want you to be a part of this,

0:42:50.800 --> 0:42:52.360
<v Speaker 1>you know, we want you to come and come and

0:42:52.400 --> 0:42:54.520
<v Speaker 1>play like you've worked hard to get here, You've earned

0:42:54.520 --> 0:42:58.000
<v Speaker 1>your place here, um as everyone has come and come

0:42:58.040 --> 0:42:59.800
<v Speaker 1>and enjoy it with us, you know, come and be

0:42:59.840 --> 0:43:02.200
<v Speaker 1>a part of this. And anything less than that can

0:43:02.200 --> 0:43:05.359
<v Speaker 1>be can be sad sometimes. So I'm glad you felt

0:43:05.360 --> 0:43:07.040
<v Speaker 1>that way. I'm really glad you felt that way because

0:43:07.080 --> 0:43:09.719
<v Speaker 1>we felt that way as well. Absolutely, I'm not being

0:43:09.800 --> 0:43:12.200
<v Speaker 1>hyperbolic at all. I mean I've been on no set

0:43:12.600 --> 0:43:14.479
<v Speaker 1>more of that I have not been on a set,

0:43:14.520 --> 0:43:18.080
<v Speaker 1>I will say that is a safer, more um fostering

0:43:18.120 --> 0:43:21.040
<v Speaker 1>place to play. It is just a playful, beautiful thing

0:43:21.080 --> 0:43:24.440
<v Speaker 1>that you made for people. And so that's I think

0:43:24.480 --> 0:43:29.080
<v Speaker 1>that's it. But it also something extra happens when all

0:43:29.080 --> 0:43:31.200
<v Speaker 1>of that love and all that positive energy has taken

0:43:31.200 --> 0:43:34.360
<v Speaker 1>place behind the scenes. And you know, I don't know

0:43:34.400 --> 0:43:36.920
<v Speaker 1>what that genes sicqualise. I don't know if there's a

0:43:36.960 --> 0:43:41.120
<v Speaker 1>way to quantify it, but I do think that out there,

0:43:41.120 --> 0:43:42.880
<v Speaker 1>the people who didn't know a thing about what was

0:43:42.880 --> 0:43:45.080
<v Speaker 1>happening on that side of it, seeing that screen, they

0:43:45.160 --> 0:43:48.000
<v Speaker 1>just go, oh, something's hitting me. There's a there's an energy,

0:43:48.080 --> 0:43:50.279
<v Speaker 1>there's a love, there's a you know, he says the

0:43:50.280 --> 0:43:53.680
<v Speaker 1>guy who abandons all myths. But whatever, there's you know what,

0:43:53.840 --> 0:43:56.680
<v Speaker 1>it's that shadow fan magic. That's no there's no better

0:43:56.719 --> 0:43:58.759
<v Speaker 1>way to put it. It really is. So do you

0:43:58.840 --> 0:44:00.840
<v Speaker 1>do you have any stories to give us? Give us

0:44:00.880 --> 0:44:03.600
<v Speaker 1>your favorite on set doesn't have to be give us

0:44:03.640 --> 0:44:07.520
<v Speaker 1>your favorite wow favorite on set moment. I mean, like

0:44:08.320 --> 0:44:11.719
<v Speaker 1>I I tend to think as in my in my

0:44:11.840 --> 0:44:14.520
<v Speaker 1>declining years, as I as I think back to my youth,

0:44:14.880 --> 0:44:17.279
<v Speaker 1>I know I I tend to to look at the

0:44:17.320 --> 0:44:21.080
<v Speaker 1>experiences more now as individual, like what was the vibe

0:44:21.080 --> 0:44:25.200
<v Speaker 1>from that set, what was the so so in total,

0:44:25.320 --> 0:44:27.640
<v Speaker 1>to me, shadow Hunters was a brilliant and a beautiful

0:44:28.200 --> 0:44:32.480
<v Speaker 1>uh place to visit because it was everything that you

0:44:32.520 --> 0:44:34.319
<v Speaker 1>wanted to be in the sense of being playful, in

0:44:34.320 --> 0:44:36.480
<v Speaker 1>the sense of being kind. I don't know if everyone

0:44:36.880 --> 0:44:39.359
<v Speaker 1>knows that. Actually they probably do, because the Shadow fam

0:44:39.440 --> 0:44:43.200
<v Speaker 1>is as inquisitive as anyone any but all of that

0:44:43.280 --> 0:44:45.200
<v Speaker 1>kindness and openness I'm willing to play was at the

0:44:45.280 --> 0:44:48.240
<v Speaker 1>end of these folks doing like seventeen hour days, doing

0:44:48.400 --> 0:44:52.920
<v Speaker 1>like a crazy long shoots. So to be like at

0:44:52.960 --> 0:44:55.840
<v Speaker 1>the limits of your endurance and your exhaustion and be

0:44:55.960 --> 0:44:58.799
<v Speaker 1>kindly welcoming your guests while you're encouraging to play with

0:44:58.840 --> 0:45:01.959
<v Speaker 1>you and doing the ennis matchup, like here's my performance energy,

0:45:02.000 --> 0:45:05.120
<v Speaker 1>here's your performance energy. Like it just there's something I

0:45:05.120 --> 0:45:07.800
<v Speaker 1>don't know, like emotionally athletic about it. In addition to

0:45:07.840 --> 0:45:10.120
<v Speaker 1>be physically athletic about it, there's something emotionally a black

0:45:10.160 --> 0:45:12.440
<v Speaker 1>about it. So so I always think of that it's

0:45:12.480 --> 0:45:15.040
<v Speaker 1>just like a really really unique environment. I've had some

0:45:15.040 --> 0:45:17.719
<v Speaker 1>some cool things that I've liked doing. But that's like,

0:45:17.960 --> 0:45:20.920
<v Speaker 1>certainly I would say, like I'm among the characters that

0:45:21.000 --> 0:45:24.120
<v Speaker 1>I've played, Ragnar is probably right up there at the

0:45:24.160 --> 0:45:27.160
<v Speaker 1>top of my fans um, despite the fact that that's

0:45:27.200 --> 0:45:30.160
<v Speaker 1>a little, you know, supporting guest, the part, you know,

0:45:30.280 --> 0:45:33.160
<v Speaker 1>like I played, um Charles Manson in a TV movie

0:45:33.160 --> 0:45:37.920
<v Speaker 1>a number of years. It was the only time on

0:45:38.080 --> 0:45:40.120
<v Speaker 1>a full production that I've been like one on the

0:45:40.120 --> 0:45:43.680
<v Speaker 1>sheet kind of kind of situation and UM, and that

0:45:43.760 --> 0:45:46.239
<v Speaker 1>was really wild and it was really cool. I don't

0:45:46.280 --> 0:45:49.400
<v Speaker 1>feel like the researchiness of it was vastly different to

0:45:49.480 --> 0:45:52.440
<v Speaker 1>my researching us for Ragnar, Like the process of finding

0:45:52.440 --> 0:45:54.520
<v Speaker 1>out what exists and learning how to process it was

0:45:54.600 --> 0:45:57.320
<v Speaker 1>very much the same. Obviously a bit of a darker

0:45:57.440 --> 0:46:01.360
<v Speaker 1>vibe on that. UM just saying that was a really

0:46:01.400 --> 0:46:05.080
<v Speaker 1>wild experience. And you get to have sometimes a lucky

0:46:05.160 --> 0:46:09.160
<v Speaker 1>moment where you say to yourself they go cut and

0:46:09.200 --> 0:46:11.440
<v Speaker 1>you go, oh man, in that take, I got that

0:46:11.440 --> 0:46:14.759
<v Speaker 1>beautiful gift of that moment where I wasn't here, where

0:46:14.880 --> 0:46:17.919
<v Speaker 1>I me, the guy who's doing your work was not here.

0:46:18.280 --> 0:46:22.080
<v Speaker 1>I surrendered. It's just true and it's its own thing.

0:46:22.480 --> 0:46:24.880
<v Speaker 1>And like lucky me, I was the vessel to it

0:46:24.960 --> 0:46:27.640
<v Speaker 1>for a second. But beautiful, you know, I find I

0:46:27.680 --> 0:46:30.319
<v Speaker 1>find this when I have those moments and then I

0:46:30.360 --> 0:46:33.400
<v Speaker 1>try and look back and like remember what it was?

0:46:33.440 --> 0:46:35.680
<v Speaker 1>However I got there and I have almost zero memory

0:46:35.719 --> 0:46:38.400
<v Speaker 1>of being in that Like there's no it's just empty,

0:46:38.440 --> 0:46:42.560
<v Speaker 1>it's just black space, like right right, Yeah, it's a weird.

0:46:42.880 --> 0:46:46.279
<v Speaker 1>It's a really odd thing that happens. Because that's what

0:46:46.360 --> 0:46:48.120
<v Speaker 1>you want, right is to remember how to do that

0:46:48.160 --> 0:46:53.080
<v Speaker 1>and replicate it every time, Like no idea, I did it. Yeah,

0:46:53.160 --> 0:46:58.080
<v Speaker 1>you're like without a direct line to Dionysius or whatever. Right, Well,

0:46:58.200 --> 0:47:00.640
<v Speaker 1>for lack of a better word, that's the magic of

0:47:00.680 --> 0:47:02.920
<v Speaker 1>what we do. And that's that's why we're always chasing

0:47:02.960 --> 0:47:06.440
<v Speaker 1>these things and seeking these things and trying to find

0:47:06.520 --> 0:47:10.240
<v Speaker 1>that moment again, um, you know, and as as creative

0:47:10.239 --> 0:47:13.040
<v Speaker 1>as we have the luxury of doing that with other

0:47:13.120 --> 0:47:15.759
<v Speaker 1>people who are doing the same. Well that but that's

0:47:15.800 --> 0:47:19.040
<v Speaker 1>my my question to you, is like that that magic,

0:47:19.160 --> 0:47:21.960
<v Speaker 1>Like I wonder how much of your personal magic batteries

0:47:22.000 --> 0:47:25.360
<v Speaker 1>beyond a certain point are being fueled by that shadow

0:47:25.360 --> 0:47:30.240
<v Speaker 1>of him and their supporting and huge amount amount honestly

0:47:30.320 --> 0:47:34.000
<v Speaker 1>knowing that, like I never got into this business for

0:47:34.320 --> 0:47:37.560
<v Speaker 1>the accolades or the magazine covers of the awards necessarily,

0:47:37.600 --> 0:47:39.239
<v Speaker 1>although an Oscar would be nice at some point in

0:47:39.239 --> 0:47:40.960
<v Speaker 1>my career, but that's not why I got into And

0:47:41.000 --> 0:47:43.240
<v Speaker 1>I've always said to myself, you know, if I died

0:47:43.280 --> 0:47:46.720
<v Speaker 1>playing at theater and something that I really cared about,

0:47:46.800 --> 0:47:49.120
<v Speaker 1>doing a role that I really cared about, I'm doing

0:47:49.160 --> 0:47:51.399
<v Speaker 1>what I love doing for a living. That's That's what

0:47:51.440 --> 0:47:54.120
<v Speaker 1>I have always wanted to achieve, right, that's the dream.

0:47:54.280 --> 0:47:57.399
<v Speaker 1>Until I realized that actually quite a lot of what

0:47:57.480 --> 0:48:01.440
<v Speaker 1>we do is funded emotionally, like you said, by people

0:48:01.480 --> 0:48:04.279
<v Speaker 1>saying that we like this, You're doing a good job,

0:48:04.400 --> 0:48:08.000
<v Speaker 1>like we appreciate this, And it does sper me on

0:48:08.640 --> 0:48:10.960
<v Speaker 1>for sure. But it's true, don that you say that,

0:48:11.000 --> 0:48:13.839
<v Speaker 1>you know, we we so desperately want to. We pour

0:48:13.880 --> 0:48:16.520
<v Speaker 1>our blood, sweat and tears into these characters and into

0:48:16.560 --> 0:48:19.040
<v Speaker 1>telling these stories. But the fact that there are people

0:48:19.080 --> 0:48:21.760
<v Speaker 1>out there that connect and are moved by it and

0:48:21.760 --> 0:48:26.120
<v Speaker 1>and gain something from it emotionally is the most beautiful thing.

0:48:26.239 --> 0:48:28.640
<v Speaker 1>It makes It means so much more. You know, we

0:48:28.680 --> 0:48:32.480
<v Speaker 1>play make believe for a living, but it actually has

0:48:32.920 --> 0:48:35.359
<v Speaker 1>a benefit, a greater benefit to the world we hope

0:48:35.360 --> 0:48:38.640
<v Speaker 1>if we do it right. For sure, for sure, there's

0:48:38.640 --> 0:48:41.840
<v Speaker 1>those times where you're like, am I just like indulging

0:48:41.920 --> 0:48:45.120
<v Speaker 1>my ego? And you know, like any propemative things like

0:48:45.600 --> 0:48:47.920
<v Speaker 1>let me examine my own motivations here and sure some

0:48:47.960 --> 0:48:49.480
<v Speaker 1>of it is like I want to demonstrate that I

0:48:49.480 --> 0:48:51.520
<v Speaker 1>have these capacities because I found out I have these capacity?

0:48:51.560 --> 0:48:52.839
<v Speaker 1>Isn't there neat? And I want you to see them?

0:48:53.480 --> 0:48:58.760
<v Speaker 1>And then some kids somewhere goes. You made me feel

0:48:59.480 --> 0:49:04.200
<v Speaker 1>more free to love who I love this. You've given

0:49:04.239 --> 0:49:08.279
<v Speaker 1>me that like wow, the profundity that can come from

0:49:08.640 --> 0:49:12.080
<v Speaker 1>make believe in play that just you know, and and

0:49:12.080 --> 0:49:14.520
<v Speaker 1>and the way that you know l G B t

0:49:14.640 --> 0:49:17.279
<v Speaker 1>Q I, a particularly youth have embraced the show. It's

0:49:17.480 --> 0:49:21.200
<v Speaker 1>just like and and and it makes sense to see

0:49:21.239 --> 0:49:23.719
<v Speaker 1>that you can be different and be powerful in your

0:49:23.760 --> 0:49:27.240
<v Speaker 1>difference and you can you know, I mean, that's like wow.

0:49:27.280 --> 0:49:29.600
<v Speaker 1>To be a part of anyone's journey now, it's just

0:49:29.719 --> 0:49:33.560
<v Speaker 1>like and and to to hear and hear and hear

0:49:33.560 --> 0:49:35.600
<v Speaker 1>and hear how many people that your work has affected

0:49:35.640 --> 0:49:38.200
<v Speaker 1>that way and and to some slight degree mind has

0:49:38.400 --> 0:49:42.480
<v Speaker 1>I just like, Okay, well if that was it, like

0:49:42.560 --> 0:49:45.600
<v Speaker 1>if that was If that was why, I was like, oh,

0:49:45.640 --> 0:49:50.439
<v Speaker 1>maybe I'll learn to pretend things. That's a pretty good reason, man.

0:49:51.120 --> 0:50:15.160
<v Speaker 1>You know, Raja, Raja, look at her. She's not allowed

0:50:15.200 --> 0:50:18.920
<v Speaker 1>in that cupboard. What is she doing? I love you,

0:50:19.239 --> 0:50:24.279
<v Speaker 1>I love you, Rosa well, I don't know what's in there,

0:50:24.320 --> 0:50:27.799
<v Speaker 1>but she wants it desperately. She came to say hi,

0:50:28.160 --> 0:50:31.640
<v Speaker 1>Oh my goodness looking and little Meal, look at you.

0:50:33.800 --> 0:50:37.800
<v Speaker 1>Rager's beautiful. You're gonna be a good guy. I think

0:50:38.400 --> 0:50:40.200
<v Speaker 1>we're gonna we have to do the exchange. I'm just

0:50:40.760 --> 0:50:43.360
<v Speaker 1>I want to see my dearest love is about to

0:50:43.400 --> 0:50:54.120
<v Speaker 1>bring me Nigel Nigel excited, Oh Nigel, boody goodness, Oh Nigel, Hi,

0:50:54.280 --> 0:51:01.400
<v Speaker 1>say hello, my friend, this is Dominic. Wow do Adam.

0:51:01.440 --> 0:51:04.680
<v Speaker 1>If your cat ever goes missing, don't don't ask me,

0:51:05.000 --> 0:51:08.080
<v Speaker 1>don't ask me. But I know it wasn't his idea.

0:51:08.200 --> 0:51:10.840
<v Speaker 1>So he's gone now. But thank you as an incredible

0:51:10.880 --> 0:51:15.880
<v Speaker 1>looking cat. Wow you much. And and you know he

0:51:15.920 --> 0:51:18.439
<v Speaker 1>connects to what I was just saying to about how

0:51:18.760 --> 0:51:20.880
<v Speaker 1>like we got him. His life before us had not

0:51:20.960 --> 0:51:23.480
<v Speaker 1>been great, you know, so when we got him, he

0:51:23.640 --> 0:51:29.160
<v Speaker 1>was don't yeah, just be gentle with me. And now

0:51:29.280 --> 0:51:32.120
<v Speaker 1>this little beastie. I show up. The second I hit

0:51:32.120 --> 0:51:33.880
<v Speaker 1>the door, he's at my feet going rubbed this belly

0:51:34.080 --> 0:51:40.319
<v Speaker 1>right now. It is like and any time that that

0:51:40.400 --> 0:51:42.560
<v Speaker 1>you can make anyone or anything feel safe, for any

0:51:42.560 --> 0:51:44.680
<v Speaker 1>time you can make anyone or anything feel more love

0:51:44.800 --> 0:51:48.080
<v Speaker 1>or more valuable, Like it's just it's just it's so

0:51:48.160 --> 0:51:51.719
<v Speaker 1>interesting because that actually is a perfect similarly for sort

0:51:51.719 --> 0:51:53.319
<v Speaker 1>of what I was saying as well, what we've all

0:51:53.360 --> 0:51:56.600
<v Speaker 1>been saying in the circle is like the reverse as well, right,

0:51:56.640 --> 0:51:59.640
<v Speaker 1>because I can see it with you fairly obvious that

0:51:59.719 --> 0:52:02.120
<v Speaker 1>Nige all makes you feel safe, and Raja makes me

0:52:02.160 --> 0:52:04.560
<v Speaker 1>feel safe. Dan, my dog, makes me feel safe. Like

0:52:04.920 --> 0:52:08.239
<v Speaker 1>it's like during the pandemic, which is horrendous. Really, the

0:52:08.280 --> 0:52:10.839
<v Speaker 1>only two that I had was Raja and Dan day

0:52:10.880 --> 0:52:13.080
<v Speaker 1>to day like, and those are the guys that kept

0:52:13.120 --> 0:52:14.839
<v Speaker 1>me going, like there's you know what I mean. So

0:52:15.480 --> 0:52:17.839
<v Speaker 1>as much as like I try and give them their

0:52:17.840 --> 0:52:19.960
<v Speaker 1>safety and their security and like I'll make sure that

0:52:20.040 --> 0:52:22.680
<v Speaker 1>nothing bad ever happens to you, they do that with me,

0:52:22.760 --> 0:52:24.960
<v Speaker 1>and they I think they know that they do that

0:52:25.000 --> 0:52:27.640
<v Speaker 1>with me. Dan, especially Dan's very in tune with my emotions.

0:52:27.640 --> 0:52:30.200
<v Speaker 1>If I'm upset, he'll come and he'll come and help

0:52:30.520 --> 0:52:33.799
<v Speaker 1>you had a day as soon as Okay, all right,

0:52:33.880 --> 0:52:37.960
<v Speaker 1>let's talk about yeah, yeah, yeah, Bob doesn't do that.

0:52:38.320 --> 0:52:40.840
<v Speaker 1>Bob is my my boxing dummy who was my quarantine

0:52:40.880 --> 0:52:43.399
<v Speaker 1>companion for the most part. Yeah, he doesn't. He doesn't

0:52:43.400 --> 0:52:46.160
<v Speaker 1>really do that. He's just he's solid and he's always there.

0:52:46.239 --> 0:52:49.000
<v Speaker 1>But it's not really in tune with emotions, if you

0:52:49.040 --> 0:52:51.440
<v Speaker 1>know what I mean. That sounds a bit of a

0:52:51.520 --> 0:52:55.440
<v Speaker 1>shell of a man. You might say, there's there's a value.

0:52:55.480 --> 0:52:57.759
<v Speaker 1>There's a value to having a bomber as well as

0:52:57.600 --> 0:53:01.640
<v Speaker 1>a value to having a Bob. Definitely, um adam before

0:53:01.760 --> 0:53:06.759
<v Speaker 1>we go, what was working on Assassin's Create? Like? I

0:53:06.800 --> 0:53:09.640
<v Speaker 1>love it. I love I love acting with stuff that

0:53:09.680 --> 0:53:13.120
<v Speaker 1>isn't there. I love allowing a monster or a battle

0:53:13.200 --> 0:53:15.880
<v Speaker 1>to just present itself and all its glory, you know,

0:53:16.520 --> 0:53:19.560
<v Speaker 1>blink it in and go okay, I'm willing to believe.

0:53:19.600 --> 0:53:21.319
<v Speaker 1>I mean, it's that when you get to suspend your

0:53:21.320 --> 0:53:23.120
<v Speaker 1>own disbelief in that way, it's great. I love mo

0:53:23.239 --> 0:53:26.560
<v Speaker 1>Cap and I love voice work, and I just um

0:53:26.640 --> 0:53:30.920
<v Speaker 1>and and um again, like like Shadow Hunters, like for Odyssey,

0:53:30.960 --> 0:53:33.319
<v Speaker 1>for Assassin's Creede Odyssey. When I was in that one. Um,

0:53:33.360 --> 0:53:35.640
<v Speaker 1>Sophie and Ronny was our director, and she's another one

0:53:35.640 --> 0:53:38.480
<v Speaker 1>of those people who is just like, let's just play,

0:53:38.680 --> 0:53:41.920
<v Speaker 1>let's just have fun, let's find it, let's and and

0:53:42.040 --> 0:53:44.160
<v Speaker 1>I know I sound so baffled when that happens, but

0:53:44.200 --> 0:53:46.400
<v Speaker 1>I do feel like the ratio is a little skewed,

0:53:46.440 --> 0:53:51.480
<v Speaker 1>perhaps towards the other way, do you know. And and

0:53:51.520 --> 0:53:53.279
<v Speaker 1>so it is just such a gift when you get that.

0:53:53.400 --> 0:53:56.920
<v Speaker 1>And so um My, in addition to the characters that

0:53:56.960 --> 0:54:00.600
<v Speaker 1>I visually played in Assassin's Creed Odyssey, I also and

0:54:00.880 --> 0:54:04.400
<v Speaker 1>many many of the mercenaries and soldiers and villain characters different.

0:54:04.640 --> 0:54:06.640
<v Speaker 1>So I would show up when we when we got

0:54:06.680 --> 0:54:08.960
<v Speaker 1>to just the vocal stuff at postmode cap So if

0:54:09.000 --> 0:54:11.640
<v Speaker 1>you'll be like, Okay, today, I'm gonna need about five

0:54:11.680 --> 0:54:14.320
<v Speaker 1>different soldier voices from you, and I'd be like, okay,

0:54:14.480 --> 0:54:18.359
<v Speaker 1>let's do it. And and um and so when my

0:54:18.480 --> 0:54:21.279
<v Speaker 1>best friend, um, the guy who I usually play games

0:54:21.280 --> 0:54:23.600
<v Speaker 1>with if we are online, I'm not a huge online camera.

0:54:23.719 --> 0:54:25.480
<v Speaker 1>When I play online games, it's usually with this dear

0:54:25.520 --> 0:54:27.560
<v Speaker 1>friend of mine. I've known him for twenty years. We're

0:54:27.560 --> 0:54:29.920
<v Speaker 1>doing some writing projects together. He uh, he was like

0:54:29.920 --> 0:54:32.960
<v Speaker 1>I bought the game. Yeah, I haven't killing you all day. Man.

0:54:35.080 --> 0:54:37.239
<v Speaker 1>My best friend took a day to just stab me

0:54:37.360 --> 0:54:39.680
<v Speaker 1>everywhere he could find me. And yeah, you're the best

0:54:39.719 --> 0:54:41.959
<v Speaker 1>listening to the voices, like hearing it in the crowd,

0:54:42.040 --> 0:54:43.839
<v Speaker 1>that's him. I'm gonna go for that guy for sure.

0:54:44.000 --> 0:54:48.319
<v Speaker 1>This is this is you're getting spear. I was like, thanks, man,

0:54:49.560 --> 0:54:52.000
<v Speaker 1>he made your work. You know, he really utilized all

0:54:52.040 --> 0:54:54.439
<v Speaker 1>the effort that you put into it. So yeah, it's

0:54:54.520 --> 0:54:57.000
<v Speaker 1>it's nice to feel it's nice to feel appreciated. But

0:54:57.000 --> 0:55:00.520
<v Speaker 1>I do sometimes get involved in project and I'm not

0:55:00.520 --> 0:55:03.040
<v Speaker 1>going to say it's this handsome, but I do sometimes

0:55:03.040 --> 0:55:05.319
<v Speaker 1>get involved in projects that where I'm not so much

0:55:05.360 --> 0:55:09.000
<v Speaker 1>seen as heard, like um, like in the Expanse. I

0:55:09.040 --> 0:55:10.879
<v Speaker 1>was in the pilot for the Expanse as a as

0:55:10.880 --> 0:55:15.279
<v Speaker 1>a belter who who confronts Miller. But then as a

0:55:15.320 --> 0:55:17.600
<v Speaker 1>result of going in, I had to go in to

0:55:17.680 --> 0:55:19.200
<v Speaker 1>do a little piece of a d R on it.

0:55:19.280 --> 0:55:23.439
<v Speaker 1>And then the director sound Wrector Nelson for Awesome Dude,

0:55:23.719 --> 0:55:25.680
<v Speaker 1>was like, you're really good at doing these belter voices.

0:55:25.719 --> 0:55:28.040
<v Speaker 1>I was like, so if you want melter voices, And

0:55:28.080 --> 0:55:30.600
<v Speaker 1>so while I was only in the pilot. My voice

0:55:30.600 --> 0:55:33.200
<v Speaker 1>has heard a lot in every episode of the Expanse

0:55:33.239 --> 0:55:35.520
<v Speaker 1>because at one time there's so it's that loop thing,

0:55:35.520 --> 0:55:38.600
<v Speaker 1>which not everyone outside the business knows about, but you

0:55:38.640 --> 0:55:40.040
<v Speaker 1>know loop groups where you go in and you do

0:55:40.120 --> 0:55:44.040
<v Speaker 1>background voices for shows. So, um, I've been in more

0:55:44.280 --> 0:55:46.680
<v Speaker 1>if you counted up, like more battles and more spaceships,

0:55:46.680 --> 0:55:50.359
<v Speaker 1>et cetera in the Expanse than anyone on the right.

0:55:50.920 --> 0:55:53.440
<v Speaker 1>It's like, so I love I love stuff like that

0:55:53.520 --> 0:55:57.040
<v Speaker 1>because I know when I started to perform, I definitely

0:55:57.160 --> 0:55:59.720
<v Speaker 1>was looking for some kind of ego validation or whatever

0:55:59.840 --> 0:56:04.040
<v Speaker 1>in my earliest years. And I just love doing the work.

0:56:04.080 --> 0:56:08.479
<v Speaker 1>Now I'm not right, don't care, Like it is really

0:56:08.560 --> 0:56:12.440
<v Speaker 1>nice when you're doing live stuff to get that electricity

0:56:12.480 --> 0:56:16.720
<v Speaker 1>and that applause which side sidebars something about the shadow

0:56:16.760 --> 0:56:19.799
<v Speaker 1>fan relationship feels very much like a theater relationship in

0:56:19.840 --> 0:56:23.359
<v Speaker 1>a way that TV and phone usually doesn't. But yeah,

0:56:23.400 --> 0:56:25.920
<v Speaker 1>I just I just well, like you were saying, you know,

0:56:25.960 --> 0:56:28.600
<v Speaker 1>when you went to hall Age and you displayed it,

0:56:28.640 --> 0:56:31.480
<v Speaker 1>and like you did the you did the season one

0:56:31.560 --> 0:56:33.880
<v Speaker 1>play and the curtain dropped it and came out to

0:56:33.960 --> 0:56:36.520
<v Speaker 1>the audience lost their minds and you know, like the

0:56:36.520 --> 0:56:40.920
<v Speaker 1>trailer is is this theatrical? Yeah, it is production. So

0:56:40.960 --> 0:56:43.240
<v Speaker 1>it's just it's a it's a neat. I don't know anyway.

0:56:43.239 --> 0:56:45.239
<v Speaker 1>I just I love. I got way out of out

0:56:45.239 --> 0:56:47.960
<v Speaker 1>of my thought pattern there, But I love. I love

0:56:48.040 --> 0:56:50.879
<v Speaker 1>doing the work. I love performing, I love I love transforming.

0:56:50.960 --> 0:56:53.000
<v Speaker 1>It's what I really like. I will play characters who

0:56:53.080 --> 0:56:54.719
<v Speaker 1>have a lot in common with me, but it will

0:56:54.760 --> 0:56:58.600
<v Speaker 1>never be as much fun as becoming and I think,

0:56:57.160 --> 0:57:03.120
<v Speaker 1>I think, I see main actors would come. And there's

0:57:03.160 --> 0:57:05.560
<v Speaker 1>nothing worse to me than when someone says, like you're

0:57:05.560 --> 0:57:07.520
<v Speaker 1>a lot like this character. I'm like, I'm fucking not.

0:57:09.360 --> 0:57:11.239
<v Speaker 1>But that can also be a thank you because you're

0:57:11.280 --> 0:57:14.680
<v Speaker 1>like you took that earnestly enough that you believed the performance.

0:57:14.719 --> 0:57:17.360
<v Speaker 1>When that person has nothing to do with me, but

0:57:17.480 --> 0:57:19.760
<v Speaker 1>it is. It's really neat when you watch people who

0:57:19.800 --> 0:57:21.640
<v Speaker 1>are really committed, and I can I can say it

0:57:21.760 --> 0:57:23.880
<v Speaker 1>on both of your accounts when I when I watched

0:57:23.880 --> 0:57:27.480
<v Speaker 1>you in the performance, that like in the in the program,

0:57:27.560 --> 0:57:31.040
<v Speaker 1>versus being yourself yourself and watching like, oh I see

0:57:31.320 --> 0:57:33.560
<v Speaker 1>I see now how his jaw is held more tightly

0:57:33.560 --> 0:57:36.120
<v Speaker 1>than yours. I see now how your shoulder positioning broadens

0:57:36.160 --> 0:57:39.520
<v Speaker 1>out and your and watching those mechanisms that you are

0:57:39.600 --> 0:57:42.439
<v Speaker 1>shaping this person with and you're like, yes, it's still

0:57:42.480 --> 0:57:45.000
<v Speaker 1>my equipment, it's still my body, it's still my voice,

0:57:45.000 --> 0:57:48.320
<v Speaker 1>but it's I that subtle mechanism of like I'm just

0:57:48.360 --> 0:57:50.440
<v Speaker 1>gonna plink of this piano string a little and I'm

0:57:50.480 --> 0:57:54.479
<v Speaker 1>just gonna yes, tighten into and I just I love.

0:57:54.840 --> 0:57:57.720
<v Speaker 1>I think the transformative elopment is the most beautiful part

0:57:57.720 --> 0:58:01.880
<v Speaker 1>of what we do. Um despite growing up watching all

0:58:01.920 --> 0:58:06.240
<v Speaker 1>those like Deniros and that she knows and they're wonderful,

0:58:06.280 --> 0:58:08.600
<v Speaker 1>I'm not. I'm not saying that, But what I am

0:58:08.640 --> 0:58:11.240
<v Speaker 1>saying is, are they wonderful the same way that a

0:58:11.320 --> 0:58:15.240
<v Speaker 1>streeper and the old man? Or no they're not. There

0:58:15.280 --> 0:58:19.200
<v Speaker 1>are surgeons in a very very specific field. And I

0:58:19.240 --> 0:58:21.080
<v Speaker 1>love when you step back and you go, Okay, I'm

0:58:21.080 --> 0:58:22.920
<v Speaker 1>looking at the whole picture and I'm making all these

0:58:22.960 --> 0:58:27.080
<v Speaker 1>modifications and I'm I mean, that's my favorite thing about

0:58:27.120 --> 0:58:29.680
<v Speaker 1>creating a character is getting to go, Okay, how do

0:58:29.760 --> 0:58:32.200
<v Speaker 1>they move? What does it feel like to be in

0:58:32.240 --> 0:58:36.320
<v Speaker 1>their skin? And then suddenly you know, you it's interesting

0:58:36.320 --> 0:58:38.800
<v Speaker 1>stepping away from it and coming back. I when I

0:58:38.840 --> 0:58:41.080
<v Speaker 1>did Arrow, I had stepped away from it, you know,

0:58:41.120 --> 0:58:42.760
<v Speaker 1>when the show ended, and then they had me back

0:58:42.800 --> 0:58:45.480
<v Speaker 1>on the Flash almost two years later after the pandemic,

0:58:46.000 --> 0:58:49.160
<v Speaker 1>and I remember getting to set and going, wait, hold on,

0:58:49.200 --> 0:58:52.920
<v Speaker 1>I gotta figure out her stuff again, because you live

0:58:52.960 --> 0:58:54.720
<v Speaker 1>in it for so long and it becomes inherent and

0:58:54.720 --> 0:58:56.320
<v Speaker 1>then you go, wait a minute, what was that? Let

0:58:56.360 --> 0:58:59.000
<v Speaker 1>me I have to find her again. She's somewhere because

0:58:59.000 --> 0:59:02.000
<v Speaker 1>it's still you. It's just a different way of as

0:59:02.000 --> 0:59:05.600
<v Speaker 1>you said, pulling the strings. It's it's really fascinating. Yeah,

0:59:05.720 --> 0:59:08.240
<v Speaker 1>I just it's so great. It's just like and we

0:59:08.320 --> 0:59:11.720
<v Speaker 1>all do it. And people who don't perform, I don't

0:59:11.920 --> 0:59:15.800
<v Speaker 1>know that they do perform. Yeah, Like people who don't

0:59:15.800 --> 0:59:18.160
<v Speaker 1>perform often don't know that. And you're like, man, do

0:59:18.200 --> 0:59:19.960
<v Speaker 1>you honestly think that you're the same person in the

0:59:20.000 --> 0:59:21.840
<v Speaker 1>meeting with the CEO as you are when you're sitting

0:59:21.840 --> 0:59:24.200
<v Speaker 1>on the couch with your course. Yeah. The big one

0:59:24.240 --> 0:59:27.200
<v Speaker 1>for me is meeting the parents for the first time,

0:59:27.320 --> 0:59:29.680
<v Speaker 1>you know what I mean, I'm not the same person then,

0:59:29.840 --> 0:59:31.520
<v Speaker 1>I'm still not a Decker And I have been my

0:59:31.520 --> 0:59:33.120
<v Speaker 1>girlfriend and I've been dating for a year I've met

0:59:33.160 --> 0:59:36.720
<v Speaker 1>her parents a bunch of times. Now, I'm still very like,

0:59:37.640 --> 0:59:39.320
<v Speaker 1>how you doing it? Very nice? You know, I'm just

0:59:39.400 --> 0:59:42.040
<v Speaker 1>like I'm that was for anyway I think, But now

0:59:42.240 --> 0:59:44.560
<v Speaker 1>there's just like another level of like it's just tuned

0:59:44.640 --> 0:59:46.200
<v Speaker 1>up to eleven, you know what I mean, It's just

0:59:46.240 --> 0:59:49.000
<v Speaker 1>a little more where it's like, yeah, it's just there's

0:59:49.000 --> 0:59:52.280
<v Speaker 1>just that needs to be more than a modicum of

0:59:52.320 --> 0:59:56.600
<v Speaker 1>respect here that for you know, these people. Anyway, Um, Adam,

0:59:56.680 --> 0:59:58.520
<v Speaker 1>it's been amazing having you on. Thank you so much

0:59:58.520 --> 1:00:00.560
<v Speaker 1>for having me. It's been so wonderful hear about your

1:00:00.560 --> 1:00:03.440
<v Speaker 1>process and to hear about Ragna of course, but to

1:00:03.520 --> 1:00:07.080
<v Speaker 1>hear it just your beautiful voice again. And literally right

1:00:07.120 --> 1:00:09.720
<v Speaker 1>after this, I'm gonna download Which one? Should I download?

1:00:09.720 --> 1:00:14.480
<v Speaker 1>Odyssey or what was the other one? Okay? So there's

1:00:14.560 --> 1:00:17.840
<v Speaker 1>lots of great performance in both, but from a play

1:00:17.880 --> 1:00:20.920
<v Speaker 1>style from from gamers preferring to play them. More people

1:00:21.000 --> 1:00:23.200
<v Speaker 1>enjoy the play mechanics of Odyssey than they do those

1:00:23.200 --> 1:00:28.440
<v Speaker 1>of Valhalla. Okay, great, So well, Adam, where can we

1:00:28.480 --> 1:00:30.880
<v Speaker 1>see you next? What's coming up for you? We need

1:00:31.000 --> 1:00:34.439
<v Speaker 1>more Adam in our lives. Oh that is very kind

1:00:34.480 --> 1:00:37.040
<v Speaker 1>of you. As soon I will indicate so I will

1:00:37.080 --> 1:00:38.600
<v Speaker 1>soon be seen on one of what I think is

1:00:38.640 --> 1:00:40.720
<v Speaker 1>the best shows in television in a very small role.

1:00:40.760 --> 1:00:42.440
<v Speaker 1>But my favorite thing that I had coming up right

1:00:42.480 --> 1:00:45.400
<v Speaker 1>at the moment would be I have a wonderful supporting role,

1:00:45.440 --> 1:00:47.640
<v Speaker 1>a weird supporting role in a film called The Breach

1:00:47.800 --> 1:00:54.440
<v Speaker 1>by Rodrigo Gadino and particularly um for Canadian listeners, Alan

1:00:54.520 --> 1:00:57.400
<v Speaker 1>Hawko from Republic of Doyle and Natalie Brown, who you

1:00:57.440 --> 1:01:00.400
<v Speaker 1>would know from The Strain and from several other wonderful,

1:01:00.440 --> 1:01:03.080
<v Speaker 1>wonderful programs, her own show Sophie when that was on

1:01:03.520 --> 1:01:07.040
<v Speaker 1>therein at Emily all Latalo and Wesley French and it's

1:01:07.040 --> 1:01:11.960
<v Speaker 1>a really strange, surreal I will say a little about it,

1:01:12.000 --> 1:01:14.919
<v Speaker 1>but that it falls into the horror genre. Amazing. That's

1:01:14.960 --> 1:01:17.920
<v Speaker 1>so exciting. Great news. Well, we can't wait to see it.

1:01:18.280 --> 1:01:19.920
<v Speaker 1>I know you never believe I have a weird role

1:01:19.920 --> 1:01:21.360
<v Speaker 1>in a weird film, but I know, what are the

1:01:21.400 --> 1:01:24.880
<v Speaker 1>chances weird? Well, thank you so so much for having

1:01:24.880 --> 1:01:29.920
<v Speaker 1>me on. Yes again, thank you for all the kindness

1:01:30.200 --> 1:01:32.120
<v Speaker 1>as a as a colleague and as a fan. Thanks

1:01:32.120 --> 1:01:42.880
<v Speaker 1>so much, See you guys always. Return to the Shadows

1:01:42.960 --> 1:01:45.880
<v Speaker 1>is hosted an executive produced by me Dominic, Sherwood and

1:01:45.960 --> 1:01:50.520
<v Speaker 1>Katherine McNamara. Our executive producer is Lingley. Our senior producers

1:01:50.560 --> 1:01:53.640
<v Speaker 1>are Liz Hayes and Diego Tapia, and our producers are

1:01:53.840 --> 1:01:58.040
<v Speaker 1>Hannah Harris and Kristin Vermilion. Original music by Alex Kinzy,

1:01:58.080 --> 1:02:12.280
<v Speaker 1>performed by Alex Kinzy and Katherine magnamara. M