WEBVTT - Three Witnesses

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<v Speaker 1>For more than forty years. There have been many misconceptions

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<v Speaker 1>about the murders and Easy Street. At the top of

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<v Speaker 1>this list was a widely held view that one of

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<v Speaker 1>the homicide squad's initial suspects was the killer, and journalists

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<v Speaker 1>in Melbourne talked openly about one of their colleagues being

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<v Speaker 1>the murderer. They were wrong. The introduction of DNA quickly

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<v Speaker 1>disproved this so called theory, but it also meant that

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<v Speaker 1>it took twenty years for the crime reporter's name to

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<v Speaker 1>be cleared what must have been an ordeal by any standard.

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<v Speaker 1>There was also another significant misunderstanding about this case seven

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<v Speaker 1>years ago when I started researching it for the book

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<v Speaker 1>Murder on Easy Street. The same year a million dollar

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<v Speaker 1>award was posted for information in the double homicide. It

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<v Speaker 1>was accepted as fact that no one had seen or

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<v Speaker 1>heard anything on the night that two women died, or

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<v Speaker 1>in the days and nights that followed before their bodies

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<v Speaker 1>were finally found by next door neighbor ALONEA Stevens. It

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<v Speaker 1>was always hard to believe. Surely someone had noticed something

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<v Speaker 1>that made them uneasy at the time. Then again, surely

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<v Speaker 1>detectives working the case in the decades that followed would

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<v Speaker 1>have found anyone who'd seen something, but the official narrative

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<v Speaker 1>remained the same. There were no witnesses, end of story.

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<v Speaker 1>Yet it wasn't. In fact, this is a story in

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<v Speaker 1>itself because no less than three people had something to

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<v Speaker 1>share with police, and two are still alive. Back in

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<v Speaker 1>nineteen seventy seven, twenty one year old Peter Sellers was

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<v Speaker 1>living in his family's home at one three nine Easy Street.

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<v Speaker 1>His father had been born in the house, so the

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<v Speaker 1>family were true Collingwood Stalwarts.

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<v Speaker 2>I knew the area really well. Yeah. We used to

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<v Speaker 2>walk the streets of the night and there was no

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<v Speaker 2>no hassles, no nothing. You just did what you had

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<v Speaker 2>to do. There was ay in Greece. Australians all up

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<v Speaker 2>and down the street, and we all grew up with

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<v Speaker 2>each other for ten years or so.

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<v Speaker 1>And you went to school there obviously primary in high school.

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<v Speaker 2>Yes, we went to Victoria Park Primary School and then

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<v Speaker 2>went to Vitual High School. Then pursued a job as

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<v Speaker 2>an apprentice jockey.

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<v Speaker 1>The night the two women were killed, his parents and

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<v Speaker 1>sister were away on holiday, so Peter and his mate Ray,

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<v Speaker 1>who has since passed away, were up late. They stayed

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<v Speaker 1>up till about two thirty that Tuesday morning, January eleventh,

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<v Speaker 1>nineteen seventy seven, and that's when they heard three very

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<v Speaker 1>distinct loud noises.

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<v Speaker 2>And then we're watching movies, having to drink or so,

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<v Speaker 2>and it's about two thirty. Ray slept on the couch.

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<v Speaker 2>I went up to my bedroom was at the front

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<v Speaker 2>of the house and just hop into bed and there

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<v Speaker 2>was a bang, the front door closing, and two car

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<v Speaker 2>doors in rapid succession closing, and the car just sped

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<v Speaker 2>off up towards my street. Yeah, seek back, and at

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<v Speaker 2>the time he go, you know what was that? I

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<v Speaker 2>had to look out the window. Was it going outside

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<v Speaker 2>to find out? But yeah, I just took off. And

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<v Speaker 2>the next morning I got up and I said to Rage,

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<v Speaker 2>hear the noise? He said yeah, he said it was

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<v Speaker 2>that loud you could not hear it. So during that

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<v Speaker 2>day I never gave another thought.

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<v Speaker 1>Two more days and nights would pass before the girl's

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<v Speaker 1>bodies and young Gregory were found. But the next night, Wednesday,

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<v Speaker 1>January twelve, Peter Seller saw three people, two men and

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<v Speaker 1>a woman, standing out front of the two suits house

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<v Speaker 1>us more specifically, in front of the service lane that

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<v Speaker 1>ran alongside it.

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<v Speaker 2>On the Wednesday, Mom and dad and my sister and

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<v Speaker 2>husband Johome from Queensland. I was home waiting about eight

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<v Speaker 2>thirty at night and I heard a car door and

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<v Speaker 2>I thought it was them. Walked out the front and

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<v Speaker 2>the step at the front of the house is high

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<v Speaker 2>so you can see down the street, and there was

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<v Speaker 2>a dark haired guy standing that where the gutter and

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<v Speaker 2>the laneway met with the laneway between the two houses.

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<v Speaker 2>Fair haired guy standing at the entrance to the laneway,

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<v Speaker 2>and he was onto a dark haired girl. It was

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<v Speaker 2>a minute or so then they kissed each other on

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<v Speaker 2>the treek. She turned and walked towards Hoddle straight and

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<v Speaker 2>he turned and walked up the lane way and then

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<v Speaker 2>there the lame way backs onto my house. So I

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<v Speaker 2>walked out into the backyard and my dog, Sindy, she's

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<v Speaker 2>just running around wagon her tail, no care in the world.

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<v Speaker 2>So I thought that's fine, walked back out the front

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<v Speaker 2>and no one was there. They were all gone.

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<v Speaker 1>So when you say you saw one of the guys

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<v Speaker 1>walk up the lane rate not the other guy.

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<v Speaker 2>No, I didn't. As soon as the other guy turned

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<v Speaker 2>to walk up the lame way, I walked inside to

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<v Speaker 2>the backyard. So I don't know where the other guy

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<v Speaker 2>actually went up the lame way. I don't know, and.

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<v Speaker 1>You were just checking the security aspect of it.

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<v Speaker 2>Yes, I didn't know where he was going. I didn't

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<v Speaker 2>know who he was, And because the lame way backed

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<v Speaker 2>onto the house, I just wasn't too sure.

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<v Speaker 1>His family got home in the early hours of the

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<v Speaker 1>next day, so he didn't get a chance to mention

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<v Speaker 1>anything to his parents until he got home from work

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<v Speaker 1>on that Thursday afternoon.

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<v Speaker 2>And I didn't know anything had happened until I finished work.

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<v Speaker 2>And back then the old milk bars had the signs

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<v Speaker 2>out the front with the headlines on it and murder,

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<v Speaker 2>and that's when I read all about it. But I

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<v Speaker 2>went got shires to be honest. So I seen these

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<v Speaker 2>two guys. I didn't know who they were. So I

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<v Speaker 2>walked home and as I got around the corner of

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<v Speaker 2>the people were so I walked on the other side

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<v Speaker 2>of the road and then into the house. Why to

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<v Speaker 2>get away. There was reporters and everybody there, and I

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<v Speaker 2>saw guys who I didn't know who they were, So

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<v Speaker 2>I my lot not happy. So I walked inside and

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<v Speaker 2>I said the mum and my dad. I think I

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<v Speaker 2>may have seen them.

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<v Speaker 1>The next day, while he was at work, Peter says,

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<v Speaker 1>two detectives came to his house looking for information that

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<v Speaker 1>Easy Street residents might be able to give them. Peter

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<v Speaker 1>says his mother, father, sister, and his brother in law

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<v Speaker 1>were virtually interrogated by the homicide team.

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<v Speaker 2>Why because when they come home, they actually drove into

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<v Speaker 2>the laneway and reversed out to park the car, and

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<v Speaker 2>they wanted to know what they saw. And of course

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<v Speaker 2>there were reports there was a light on in the kitchen.

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<v Speaker 2>My sister, who passed away two years ago, will state

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<v Speaker 2>until then that when they pulled into the lame way,

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<v Speaker 2>there's no light on in the kitchen at all. She's

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<v Speaker 2>quite adamant. And yet when the police turned up, there

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<v Speaker 2>was a light on the kitchen, So that's another mystery.

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<v Speaker 2>And then they said that mum was anybody else's home.

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<v Speaker 2>Mum said, my son was home, and they wrote my

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<v Speaker 2>name down, Big Astros, and they said we'll be back

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<v Speaker 2>tonight to interview him. Until this day, I haven't seen them.

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<v Speaker 1>And what does that make you think, Peter? I mean,

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<v Speaker 1>why wouldn't they come back and talk to you?

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<v Speaker 2>The main reason I got they were focused on one

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<v Speaker 2>person and one person only, the boyfriend from what I

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<v Speaker 2>can remember back and everybody else's the police had blinkers on,

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<v Speaker 2>to be honest, that's my thought of it, that they

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<v Speaker 2>were after one person and one person only.

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<v Speaker 1>For more than four decades, Peter Sellers waited for homicide

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<v Speaker 1>to contact him to learn what he heard and saw

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<v Speaker 1>in the street that week of the murders. He's not

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<v Speaker 1>embarrassed to say he was scared. He truly believed he'd

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<v Speaker 1>seen the killers. But in twenty seventeen, at the urging

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<v Speaker 1>of his late sister Robin, he finally reached out to

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<v Speaker 1>police and ran crime stoppers. With the cold case back

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<v Speaker 1>in the news again on its forty year anniversary and

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<v Speaker 1>Robin on his tail, he felt he had no choice.

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<v Speaker 2>So I rang him up and you put on hold,

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<v Speaker 2>and I'm waiting and waiting, and I started sweating, sweating,

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<v Speaker 2>and I thought, you know, I'm not the guilty one here.

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<v Speaker 2>But they come on. So I started explaining everything. They

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<v Speaker 2>were very quiet on the phone, last me if what

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<v Speaker 2>I saw what I heard. Then they waited for me.

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<v Speaker 2>I reckon to give him a name, and I couldn't.

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<v Speaker 2>I don't know who they were or that is there

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<v Speaker 2>anything else? And the version wasn't a lot, so I hung.

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<v Speaker 1>Up to this day, Peter Sellers believes more than one

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<v Speaker 1>person was involved in this case, and he can't forget

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<v Speaker 1>what he heard earlier that morning in Easy Street.

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<v Speaker 2>The front door slam and within seconds two car doors

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<v Speaker 2>bang bang, and then the car sped off. Whit's on

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<v Speaker 2>heading up towards Smith Street. And that will never leave me,

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<v Speaker 2>and till this day, until I die, I'm convinced there

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<v Speaker 2>were two killers, not one totally to me. No one

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<v Speaker 2>said they hurt anything, but I was four doors away

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<v Speaker 2>and that was as loud as anything. Now, other people

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<v Speaker 2>must have heard it.

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<v Speaker 1>Surely a lot of people listening to this are probably thinking, yeah,

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<v Speaker 1>but you know, such a long time ago, it's nearly

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<v Speaker 1>five decades ago. Has it grown bigger in your mind?

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<v Speaker 1>Have I've you know, really exaggerated it?

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<v Speaker 2>No, not one bit. I can close my eyes and

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<v Speaker 2>hear exactly what happened, and the seconds between the door,

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<v Speaker 2>the two car doors and the car taking off. It

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<v Speaker 2>was me, mum, Never forget it.

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<v Speaker 1>A written statement sent to me by the Victoria Police

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<v Speaker 1>Media Office in the run up to this podcast said

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<v Speaker 1>investigators will talk to Peter Sellers in the future. The

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<v Speaker 1>good news is they have, and we'll get to that

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<v Speaker 1>in more detail later. Yet they ignored him for forty

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<v Speaker 1>five years. A man now sixty six, who not only

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<v Speaker 1>heard something unusual on the night of these murders, but

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<v Speaker 1>who saw three people outside the so called murder house

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<v Speaker 1>some thirteen hours before the women's bodies were found. Given that,

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<v Speaker 1>what do we make of another neighbor's claim, A woman

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<v Speaker 1>who lived across the road from the Sellers in Easy

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<v Speaker 1>Street and says she heard a man's voice later that

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<v Speaker 1>same night, saying the teachers had been killed. Christina for

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<v Speaker 1>Tourists came to Easy Street in nineteen seventy and has

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<v Speaker 1>lived there ever since. The knowledge in Arean loves the suburb,

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<v Speaker 1>but is still troubled by that strange snatch of conversation

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<v Speaker 1>she heard that night she was in bed with her

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<v Speaker 1>husband when a man walked past their house, apparently talking

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<v Speaker 1>to someone else.

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<v Speaker 3>I am not sure, drim or someone passed the middle

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<v Speaker 3>of the night and says, somebody kill the two teachers tonight.

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<v Speaker 3>I work up in the morning, I say to my husband,

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<v Speaker 3>to my kids, because I have boy a yell, something happened,

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<v Speaker 3>someone passed or dreamer.

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<v Speaker 4>I'm not sure.

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<v Speaker 2>When I walk well outside, I.

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<v Speaker 5>Saw so many people down there, police people come, and

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<v Speaker 5>so what happened on there?

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<v Speaker 6>Give the two teachers what?

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<v Speaker 1>Yes, Detectives never knocked on Christina's door as they gathered

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<v Speaker 1>information after the murders or in the years since. To

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<v Speaker 1>be fair, she never expected them to, nor has the

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<v Speaker 1>retired machinists try to report what she heard, assuming that

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<v Speaker 1>have just dismissed her as quote, a crazy Greek woman unquote.

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<v Speaker 1>But the more she's thought about it over the decades,

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<v Speaker 1>the more she believes that what she heard wasn't a dream.

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<v Speaker 1>It was a man talking as he walked past her house.

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<v Speaker 2>Not dream.

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<v Speaker 3>Maybe somebody walk in the street and he had that.

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<v Speaker 2>If I did outside still it was dark. I can't nice.

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<v Speaker 3>Yes, I can't tell.

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<v Speaker 6>You one tall susan.

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<v Speaker 5>I think the other one kelly hair beautiful, not to

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<v Speaker 5>fix it, just border with kel hair and have big

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<v Speaker 5>dog like this one dog with long hair playing with

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<v Speaker 5>her Greg always outside.

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<v Speaker 3>But the dog I think very friendly and not why

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<v Speaker 3>or otherwise he tried to do something.

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<v Speaker 1>Did you hear anything on the night I died?

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<v Speaker 3>Which was a couple of only this one the night

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<v Speaker 3>this one.

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<v Speaker 4>Somebody say, kill the two teachers tonight.

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<v Speaker 1>While Christina for Tourist's officially undocumented claim is disconcerting and

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<v Speaker 1>Peter Seller's experienced troubling, what happened to the most important

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<v Speaker 1>witness in this case borders on implausible, indeed intolerable. Gladys

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<v Speaker 1>Coventry lived next door to the two suits with her

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<v Speaker 1>husband Clive, on the other side of the service lane

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<v Speaker 1>in one four five Easy Street, and on that awful

0:13:22.679 --> 0:13:25.560
<v Speaker 1>summer evening in nineteen seventy seven, she was sitting up

0:13:25.559 --> 0:13:28.520
<v Speaker 1>alone in her launde room and late that night she

0:13:28.600 --> 0:13:32.080
<v Speaker 1>saw a man in the house next door. I first

0:13:32.160 --> 0:13:34.600
<v Speaker 1>heard this incredible story when I spoke to the late

0:13:34.640 --> 0:13:38.439
<v Speaker 1>Brian Murphy, one of Australia's more colorful detectives, who died

0:13:38.520 --> 0:13:42.319
<v Speaker 1>just before this podcast was finished. The former Armed Robbery

0:13:42.360 --> 0:13:45.160
<v Speaker 1>Squad veteran mentioned it almost in passing when I rang

0:13:45.200 --> 0:13:48.160
<v Speaker 1>to ask what he knew about the murders. He'd never

0:13:48.200 --> 0:13:50.640
<v Speaker 1>worked in homicide, but I expected him to have a

0:13:50.720 --> 0:13:55.520
<v Speaker 1>unique perspective on the historic investigation. He did, but what

0:13:55.600 --> 0:13:57.160
<v Speaker 1>he told me was confounding.

0:14:09.080 --> 0:14:14.679
<v Speaker 4>Yes, I remember telling her that somebody had information that

0:14:14.720 --> 0:14:19.000
<v Speaker 4>this particular woman had looked across into the house where

0:14:19.000 --> 0:14:22.320
<v Speaker 4>the murders took place and she saw a person washing

0:14:22.520 --> 0:14:28.120
<v Speaker 4>bloodstained clothing out, and that the police heard about it

0:14:29.440 --> 0:14:34.080
<v Speaker 4>and they wanted to send a policeman in. But she

0:14:34.200 --> 0:14:38.040
<v Speaker 4>had a dislike to policeman, not a hatred, but a

0:14:38.080 --> 0:14:41.880
<v Speaker 4>dislike because she'd most probably gone through tough times as

0:14:41.920 --> 0:14:44.680
<v Speaker 4>a lot of people in those working classes areas did,

0:14:45.520 --> 0:14:47.760
<v Speaker 4>and had a certain opinion of the police, and she

0:14:47.800 --> 0:14:49.040
<v Speaker 4>didn't want to trust anybody.

0:14:50.120 --> 0:14:52.119
<v Speaker 1>I think she tried to tell them initially, didn't.

0:14:51.840 --> 0:14:55.120
<v Speaker 4>She apparently so, Yes. But the funny part about it

0:14:55.320 --> 0:14:59.360
<v Speaker 4>was they sent a doctor in. He was bigger than

0:14:59.360 --> 0:15:05.200
<v Speaker 4>the average wishman and had a most authoritative voice, and

0:15:05.440 --> 0:15:07.800
<v Speaker 4>he went in. She sh'd d're a copper, get out.

0:15:07.960 --> 0:15:10.440
<v Speaker 4>I don't want to talk to you, and I think

0:15:10.480 --> 0:15:12.800
<v Speaker 4>basically that's what I told you.

0:15:14.800 --> 0:15:17.400
<v Speaker 1>To be honest, it was pretty hard to process what

0:15:17.520 --> 0:15:20.280
<v Speaker 1>Brian the Skull Murphy told me during our first conversation

0:15:20.360 --> 0:15:23.960
<v Speaker 1>on the phone. Could police really have failed to take

0:15:24.000 --> 0:15:28.840
<v Speaker 1>such a potentially important witness seriously? Peterhiscock, one of the

0:15:28.840 --> 0:15:31.640
<v Speaker 1>first detectives on the scene, didn't work on the case

0:15:31.680 --> 0:15:33.400
<v Speaker 1>long enough to be able to shed light on this

0:15:33.480 --> 0:15:37.880
<v Speaker 1>apparent conundrum. But Murphy, who had two books written about

0:15:37.880 --> 0:15:42.760
<v Speaker 1>his controversial career, had little doubt about what happened. He

0:15:42.880 --> 0:15:46.440
<v Speaker 1>believed that when seventy two year old Gladys Coventry approached police,

0:15:46.960 --> 0:15:52.400
<v Speaker 1>they effectively dismissed her. Then, days later, realizing she was

0:15:52.520 --> 0:15:55.080
<v Speaker 1>probably their best lead in terms of trying to identify

0:15:55.120 --> 0:15:58.360
<v Speaker 1>the killer, they went back to her house and tried

0:15:58.400 --> 0:16:02.120
<v Speaker 1>to talk with her. But by that stage, it seems

0:16:02.160 --> 0:16:03.920
<v Speaker 1>missus Coventry had had enough.

0:16:06.040 --> 0:16:10.120
<v Speaker 4>Some police would have an opinion of themselves and they

0:16:10.720 --> 0:16:15.600
<v Speaker 4>knock to go and crawl to somebody asked them, please

0:16:15.680 --> 0:16:20.600
<v Speaker 4>tell me a million different ways of getting an information

0:16:20.720 --> 0:16:25.360
<v Speaker 4>out of people, and those skills are very few and

0:16:25.440 --> 0:16:29.840
<v Speaker 4>far between. As a policeman, I would have kissed her

0:16:29.920 --> 0:16:35.360
<v Speaker 4>feet if you told me something like that, it's just gold.

0:16:37.200 --> 0:16:41.480
<v Speaker 1>It was truly an astonishing revelation, but could it be verified?

0:16:42.760 --> 0:16:46.400
<v Speaker 1>With Victoria's homicide squad rebuffing all my written and verbal

0:16:46.440 --> 0:16:50.200
<v Speaker 1>requests for an interview about the case, retired Detective Murphy's

0:16:50.280 --> 0:16:53.480
<v Speaker 1>very specific cold case tale spurred me into doing my

0:16:53.600 --> 0:16:56.480
<v Speaker 1>own doorknock in Easy Street to see if there was

0:16:56.520 --> 0:17:00.240
<v Speaker 1>anyone who knew Gladys Coventry and perhaps had even heard her.

0:17:01.760 --> 0:17:06.159
<v Speaker 1>As it happened, there was. When I knocked on the

0:17:06.200 --> 0:17:09.240
<v Speaker 1>door of one three nine Easy Street, ironically Peter Seller's

0:17:09.280 --> 0:17:12.359
<v Speaker 1>family home for so long, I met retired history teacher

0:17:12.440 --> 0:17:16.720
<v Speaker 1>Hugh Parry Jones, and he quickly revealed that not only

0:17:16.760 --> 0:17:20.159
<v Speaker 1>had he known missus Coventry, he'd actually discussed the murders

0:17:20.160 --> 0:17:24.359
<v Speaker 1>with her. The two neighbors started chatting over her rickety

0:17:24.440 --> 0:17:28.000
<v Speaker 1>side fence as Hugh cleared out his new backyard, using

0:17:28.000 --> 0:17:31.679
<v Speaker 1>the lane to position his skip for the rubbish. What

0:17:31.840 --> 0:17:34.040
<v Speaker 1>she disclosed still perplexes him.

0:17:36.359 --> 0:17:38.520
<v Speaker 6>Well, she told me that she was sitting there at

0:17:38.520 --> 0:17:41.040
<v Speaker 6>the window because it was a hot night, and that's

0:17:41.080 --> 0:17:43.400
<v Speaker 6>how she kept cool in her house with the back

0:17:43.440 --> 0:17:48.080
<v Speaker 6>door open. And she said she saw a bloke leaving

0:17:48.160 --> 0:17:53.760
<v Speaker 6>out the back gate, where he turned sharply towards the street.

0:17:54.960 --> 0:17:57.159
<v Speaker 6>My thoughts are that as a possibility, he could have

0:17:57.200 --> 0:18:01.440
<v Speaker 6>seen her from the same position if her lights were on,

0:18:01.560 --> 0:18:04.480
<v Speaker 6>or the moon was shining in her window or whatever.

0:18:04.560 --> 0:18:07.520
<v Speaker 6>So she herself was possibly in some sort of danger,

0:18:07.600 --> 0:18:11.400
<v Speaker 6>but that was it. She saw him turn and leave

0:18:11.920 --> 0:18:13.359
<v Speaker 6>with a knife in his hand.

0:18:13.560 --> 0:18:15.960
<v Speaker 1>Yep, And when she told you, that, what was your

0:18:16.080 --> 0:18:17.000
<v Speaker 1>initial response?

0:18:17.200 --> 0:18:17.400
<v Speaker 5>Ah?

0:18:17.480 --> 0:18:20.640
<v Speaker 6>Yeah, I was very shocked, because I'm sure I said

0:18:20.640 --> 0:18:24.600
<v Speaker 6>to her, well, I'm sure you told the police, and

0:18:25.119 --> 0:18:28.959
<v Speaker 6>she said that they weren't very interested in what she

0:18:29.040 --> 0:18:31.919
<v Speaker 6>had to say. I think she was very disappointed in

0:18:32.000 --> 0:18:35.920
<v Speaker 6>the reaction and behavior of the police, who didn't seem

0:18:36.040 --> 0:18:39.680
<v Speaker 6>to want to give her any credit.

0:18:40.080 --> 0:18:42.320
<v Speaker 1>Did you believe her?

0:18:43.560 --> 0:18:46.159
<v Speaker 6>Absolutely? I didn't see that she had any reason to

0:18:47.000 --> 0:18:51.560
<v Speaker 6>make it up. She seemed pretty genuine and solid in

0:18:51.600 --> 0:18:56.000
<v Speaker 6>her memories of the events and was only too happy

0:18:56.000 --> 0:18:59.040
<v Speaker 6>to tell me when I pressed her. I had no

0:18:59.160 --> 0:19:02.280
<v Speaker 6>idea that when I was talking to her, I was

0:19:02.320 --> 0:19:05.880
<v Speaker 6>finding out stuff that was not in the public domain.

0:19:06.080 --> 0:19:10.399
<v Speaker 6>I just assumed I'd missed that evidence because it seemed

0:19:10.400 --> 0:19:12.680
<v Speaker 6>such a bombshell.

0:19:12.760 --> 0:19:16.080
<v Speaker 1>Of course, it was a bombshell, and the second version

0:19:16.080 --> 0:19:18.520
<v Speaker 1>of what Gladys Coventry saw on the night Susan and

0:19:18.560 --> 0:19:22.800
<v Speaker 1>Suzanne were killed. Clearly, they were two very different accounts,

0:19:23.320 --> 0:19:26.600
<v Speaker 1>but they shared the most crucial point. She'd seen a

0:19:26.640 --> 0:19:28.960
<v Speaker 1>man in the house the night or early morning of

0:19:29.000 --> 0:19:33.639
<v Speaker 1>the double homicide. And now finally we've uncovered missus Coventry's

0:19:33.680 --> 0:19:37.400
<v Speaker 1>own explanation of what she saw in quite precise detail,

0:19:37.880 --> 0:19:40.520
<v Speaker 1>In other words, the actual buried lead of this story

0:19:40.560 --> 0:19:45.280
<v Speaker 1>within a story. But finding it wasn't easy. Just as

0:19:45.320 --> 0:19:47.960
<v Speaker 1>Hugh Parry Jones was astonished by what she told him,

0:19:48.359 --> 0:19:51.320
<v Speaker 1>her immediate family was stunned when what she'd witnessed came

0:19:51.359 --> 0:19:54.159
<v Speaker 1>to light in Murder on Easy Street, my book that

0:19:54.240 --> 0:19:59.720
<v Speaker 1>was published in twenty nineteen. Initially, her granddaughter tried politely

0:19:59.800 --> 0:20:03.000
<v Speaker 1>to convinced me that it just wasn't true that I

0:20:03.040 --> 0:20:07.720
<v Speaker 1>had been misled lied to. Yet after much discussion over

0:20:07.800 --> 0:20:10.919
<v Speaker 1>many months, she and her siblings came to accept that

0:20:11.000 --> 0:20:15.199
<v Speaker 1>it was correct and there was more to this family saga.

0:20:17.720 --> 0:20:20.440
<v Speaker 1>Since reading the book a couple of years ago, Gladys

0:20:20.440 --> 0:20:24.000
<v Speaker 1>Coventry's grandchildren have been searching for a newspaper report they

0:20:24.040 --> 0:20:28.160
<v Speaker 1>suddenly remembered seeing around the time of the killings. They

0:20:28.160 --> 0:20:30.600
<v Speaker 1>were adamant the paper ran a photo of their grandma

0:20:30.680 --> 0:20:34.320
<v Speaker 1>on the front page. They just couldn't find the copy

0:20:34.359 --> 0:20:37.080
<v Speaker 1>their late mother had kept tucked away for so long,

0:20:37.880 --> 0:20:40.960
<v Speaker 1>or remember which paper it was in. Was it the

0:20:41.000 --> 0:20:44.040
<v Speaker 1>Old Herald or Son the Age, or maybe a local

0:20:44.040 --> 0:20:47.120
<v Speaker 1>paper from where they lived in the country, or even

0:20:47.240 --> 0:20:52.000
<v Speaker 1>the bi weekly truth. It was baffling and kind of

0:20:52.080 --> 0:20:55.680
<v Speaker 1>drove them crazy. I couldn't find it either, and none

0:20:55.720 --> 0:20:58.119
<v Speaker 1>of the crime journals and former detectives I spoke to

0:20:58.640 --> 0:21:01.600
<v Speaker 1>who were steeped in this history recall ever having seen it.

0:21:02.720 --> 0:21:06.400
<v Speaker 1>But Gladys Coventry's granddaughter finally uncovered it, or at least

0:21:06.400 --> 0:21:11.159
<v Speaker 1>her husband did. This discovery followed the Victoria Police media

0:21:11.240 --> 0:21:15.560
<v Speaker 1>unit sending me an email unexpectedly really after so many years,

0:21:15.600 --> 0:21:18.920
<v Speaker 1>imploring them to discuss Gladys Coventry's role in this saga,

0:21:19.400 --> 0:21:22.840
<v Speaker 1>revealing the detectives had taken her statement on February eleventh,

0:21:23.440 --> 0:21:28.120
<v Speaker 1>nineteen seventy eight. Not only does this confirm that they

0:21:28.200 --> 0:21:30.679
<v Speaker 1>didn't talk to her formerly until a year after the

0:21:30.680 --> 0:21:34.000
<v Speaker 1>two women were murdered, it also came after a veteran

0:21:34.040 --> 0:21:38.800
<v Speaker 1>crime reporter interviewed her first. Because the newspaper story that

0:21:38.840 --> 0:21:43.320
<v Speaker 1>Missus Coventry's grandchildren remembered seeing was in truth. On January

0:21:43.320 --> 0:21:47.159
<v Speaker 1>twenty eighth, nineteen seventy eight, an old fashioned scoop by

0:21:47.240 --> 0:21:50.439
<v Speaker 1>Joerno Jack, ailing no doubt to coincide with the first

0:21:50.560 --> 0:21:56.240
<v Speaker 1>awful anniversary of the young women's deaths. I saw man

0:21:56.280 --> 0:22:00.480
<v Speaker 1>with girls, screamed the tabloid's misleading from page headline. Watch

0:22:00.560 --> 0:22:05.240
<v Speaker 1>them for fifteen minutes, and yes there was Gladys Coventry's

0:22:05.240 --> 0:22:10.040
<v Speaker 1>photo on two pages in the paper. Now, while she's

0:22:10.119 --> 0:22:13.480
<v Speaker 1>willing to discuss this unexpected chapter in her family history,

0:22:14.080 --> 0:22:17.440
<v Speaker 1>Missus Coventry's granddaughter doesn't want is to use her real name.

0:22:18.600 --> 0:22:22.560
<v Speaker 1>The killer, after all, is still free, so we'll call

0:22:22.600 --> 0:22:26.560
<v Speaker 1>her Melanie, and she believes her Nana's long lost interview

0:22:26.640 --> 0:22:28.879
<v Speaker 1>sheds new light on this cold case.

0:22:31.520 --> 0:22:35.840
<v Speaker 7>I think it's illuminating to the situation for both the

0:22:35.880 --> 0:22:39.359
<v Speaker 7>girls and my grandmother. On that night. We didn't have

0:22:39.359 --> 0:22:43.159
<v Speaker 7>the details of what Nana was doing and saying to

0:22:43.200 --> 0:22:48.119
<v Speaker 7>the police. But indeed, it feels as though, when you know,

0:22:49.000 --> 0:22:53.120
<v Speaker 7>I look at this article, that she may have tried

0:22:53.119 --> 0:22:57.240
<v Speaker 7>to speak to the police and wasn't respected. It is

0:22:57.440 --> 0:23:04.080
<v Speaker 7>hard to know, but maybe this article has eventuated because

0:23:04.119 --> 0:23:08.880
<v Speaker 7>it's around that, you know, one year anniversary, and someone

0:23:08.920 --> 0:23:11.040
<v Speaker 7>has thought to go and talk to my grandmother.

0:23:13.000 --> 0:23:15.679
<v Speaker 1>What does surprise her is that it was a reporter

0:23:15.760 --> 0:23:18.760
<v Speaker 1>from a newspaper, specifically truth.

0:23:19.960 --> 0:23:23.399
<v Speaker 7>I don't know how it eventuated that, you know, she

0:23:23.560 --> 0:23:27.840
<v Speaker 7>spoke to journalists from The Truth. I just feel that

0:23:28.000 --> 0:23:33.200
<v Speaker 7>she may not have been fully aware that she was

0:23:33.240 --> 0:23:35.080
<v Speaker 7>going to be on the front page of The Truth,

0:23:35.920 --> 0:23:41.160
<v Speaker 7>and it wasn't a popular paper in the household at

0:23:41.160 --> 0:23:41.560
<v Speaker 7>the time.

0:23:41.640 --> 0:23:44.080
<v Speaker 1>But the thing that's interesting is when you were growing

0:23:44.160 --> 0:23:47.359
<v Speaker 1>up as kids, you'd obviously seen her in the paper,

0:23:47.440 --> 0:23:51.879
<v Speaker 1>but did you know what it was about.

0:23:52.280 --> 0:23:57.720
<v Speaker 7>I personally think that we were very shielded. I think

0:23:57.760 --> 0:24:01.359
<v Speaker 7>when that article came out, and I know that my

0:24:01.400 --> 0:24:04.800
<v Speaker 7>siblings said that they actually found it. I saw it

0:24:04.840 --> 0:24:07.040
<v Speaker 7>in the newsagents and my mother told them to run

0:24:07.080 --> 0:24:09.919
<v Speaker 7>back and buy it. It was brought home and I

0:24:09.960 --> 0:24:13.879
<v Speaker 7>certainly saw the front page, but I think that paper

0:24:14.000 --> 0:24:18.640
<v Speaker 7>was actually sort of taken away and the details were

0:24:18.680 --> 0:24:23.280
<v Speaker 7>not revealed to us. I think also it reflects that

0:24:23.960 --> 0:24:26.800
<v Speaker 7>there was a worry. There was a worry for my grandmother,

0:24:27.040 --> 0:24:32.360
<v Speaker 7>There was a worry for us that you know, we

0:24:32.400 --> 0:24:36.720
<v Speaker 7>would feel stressed by the situation and be afraid, and

0:24:36.760 --> 0:24:39.600
<v Speaker 7>I think that we were being protected.

0:24:40.400 --> 0:24:43.720
<v Speaker 1>I asked though, because remember when you were you and

0:24:43.760 --> 0:24:46.960
<v Speaker 1>I met for the first time, was when the book

0:24:47.400 --> 0:24:50.760
<v Speaker 1>Murder an Easy Suit was launched, and you came and said,

0:24:51.040 --> 0:24:54.280
<v Speaker 1>where did you get that story about Missus Coventry because

0:24:54.320 --> 0:24:57.560
<v Speaker 1>it's not right. And I said, well, this is you

0:24:57.600 --> 0:25:00.600
<v Speaker 1>know where I got it from. You you said, will

0:25:00.760 --> 0:25:04.639
<v Speaker 1>know she's my grandmother, and that's not right. So in

0:25:04.680 --> 0:25:08.800
<v Speaker 1>a sense, even though you saw the story, because you

0:25:08.880 --> 0:25:10.879
<v Speaker 1>hadn't talked about it as a family, it was a

0:25:11.000 --> 0:25:13.440
<v Speaker 1>story kept secret within your family.

0:25:13.800 --> 0:25:18.439
<v Speaker 7>Absolutely. And you know, I even read this article, and

0:25:18.480 --> 0:25:22.359
<v Speaker 7>there's things in this article that you know, I was

0:25:22.400 --> 0:25:25.240
<v Speaker 7>not aware of. I think it actually had been deliberately

0:25:25.359 --> 0:25:26.520
<v Speaker 7>kept secret from us.

0:25:28.720 --> 0:25:31.399
<v Speaker 1>We'll never know how long reporter Jack Ailing spent with

0:25:31.480 --> 0:25:35.320
<v Speaker 1>Gladys Coventry. Yet, while the interview itself wasn't all that long,

0:25:35.880 --> 0:25:38.560
<v Speaker 1>the detail the older woman gave him about the man

0:25:38.640 --> 0:25:42.240
<v Speaker 1>she saw with Susan Bartlett was vital. He was tall,

0:25:42.720 --> 0:25:45.520
<v Speaker 1>had dark hair, and was wearing a short sleeved shirt,

0:25:46.320 --> 0:25:48.880
<v Speaker 1>not surprising really, given it was such a hot night,

0:25:49.880 --> 0:25:53.200
<v Speaker 1>and he seemed at ease in the house with Sue.

0:25:53.560 --> 0:25:56.160
<v Speaker 1>To some extent. The fact that Missus Coventry was willing

0:25:56.240 --> 0:25:58.639
<v Speaker 1>to finally put this on the record must have been

0:25:58.680 --> 0:26:02.080
<v Speaker 1>due to the journalists putting her it is too. This

0:26:02.160 --> 0:26:05.120
<v Speaker 1>doesn't surprise Elona Stevens, who lived on the other side

0:26:05.119 --> 0:26:07.640
<v Speaker 1>of the two suits house and found their bodies three

0:26:07.680 --> 0:26:11.719
<v Speaker 1>days after they were killed. Working a truth at the time,

0:26:12.280 --> 0:26:14.360
<v Speaker 1>Alona remembers Jack Ailing well.

0:26:15.960 --> 0:26:19.320
<v Speaker 8>Police rounds and crime with his section, and he'd have

0:26:19.359 --> 0:26:22.600
<v Speaker 8>been in his fifties, but typical old school journo.

0:26:22.920 --> 0:26:26.159
<v Speaker 1>And when missus Coventry saw him, I mean, would he

0:26:26.240 --> 0:26:27.840
<v Speaker 1>have just come to the door, knocked on the door

0:26:27.840 --> 0:26:28.840
<v Speaker 1>and asked her talk to her?

0:26:29.520 --> 0:26:33.199
<v Speaker 8>Well, that's really interesting. I imagine he would have. You know,

0:26:33.240 --> 0:26:35.320
<v Speaker 8>he would have had a presence about him, you know,

0:26:35.320 --> 0:26:40.440
<v Speaker 8>a professional style presence that would have probably she would

0:26:40.440 --> 0:26:43.359
<v Speaker 8>have reacted to like any other professional. He had a

0:26:43.440 --> 0:26:47.800
<v Speaker 8>terrific voice, actually he had one of those lower melodious voices.

0:26:48.359 --> 0:26:51.720
<v Speaker 8>And he would have come across as a very as

0:26:51.720 --> 0:26:55.720
<v Speaker 8>an educated, sensible, older person, someone she could trust.

0:26:56.160 --> 0:27:01.880
<v Speaker 1>Her granddaughter Melanie thinks or suspects that that maybe her

0:27:01.960 --> 0:27:04.680
<v Speaker 1>Nan thought she was talking to the police when Jack

0:27:04.760 --> 0:27:07.679
<v Speaker 1>Ailing arrived at the door, that maybe she thought he

0:27:07.760 --> 0:27:09.560
<v Speaker 1>was a detective finally coming back to talk to her,

0:27:09.560 --> 0:27:12.040
<v Speaker 1>because as we remember, she tried to tell them that

0:27:12.080 --> 0:27:14.600
<v Speaker 1>she'd seen this guy in the house, you know, the

0:27:14.720 --> 0:27:18.359
<v Speaker 1>day you found the bodies, but they dismissed her is

0:27:18.359 --> 0:27:21.480
<v Speaker 1>that possible. Could he have been mistaken for a detective look?

0:27:21.520 --> 0:27:24.600
<v Speaker 8>He could have physically, well, he'd have certainly been dressed

0:27:24.640 --> 0:27:27.280
<v Speaker 8>like one, because that was just the classic mode of

0:27:27.359 --> 0:27:30.680
<v Speaker 8>dress in those days, dark suit, white shirt and tie.

0:27:31.000 --> 0:27:34.240
<v Speaker 8>And as I said, he had that older man presence

0:27:34.920 --> 0:27:38.760
<v Speaker 8>that you know, a professional person would have, and so

0:27:38.760 --> 0:27:41.280
<v Speaker 8>it wouldn't be unusual for her to assume that given

0:27:41.280 --> 0:27:43.679
<v Speaker 8>the questions he was asking. But that's what it was.

0:27:44.359 --> 0:27:47.240
<v Speaker 1>You made an interesting observation, I mean, as an old journalist,

0:27:47.280 --> 0:27:49.560
<v Speaker 1>as a former journalist, when you looked at the way

0:27:49.600 --> 0:27:52.080
<v Speaker 1>Missus Coventry was photographed, what does that say to you?

0:27:52.560 --> 0:27:54.840
<v Speaker 8>Yeah, it immediately says to me that she didn't really

0:27:54.920 --> 0:27:57.760
<v Speaker 8>know she was being photographed. She was busy talking, probably

0:27:57.760 --> 0:28:00.840
<v Speaker 8>to Jack, and the photographers just gone, yeah, this is

0:28:00.880 --> 0:28:04.560
<v Speaker 8>a good click, click, click, because not in those old days,

0:28:04.960 --> 0:28:07.320
<v Speaker 8>the cameras were different and he could stand away and

0:28:07.359 --> 0:28:10.040
<v Speaker 8>do that and she probably wouldn't have noticed. But both photos,

0:28:10.080 --> 0:28:13.960
<v Speaker 8>the front page photo and the page two photo both

0:28:14.000 --> 0:28:16.200
<v Speaker 8>looked to me as if she's focusing on something else,

0:28:16.720 --> 0:28:18.119
<v Speaker 8>not on having a photo taken.

0:28:18.280 --> 0:28:21.920
<v Speaker 1>Having said all that, to be fair, this interview actually

0:28:22.400 --> 0:28:26.480
<v Speaker 1>pushes or could have pushed the investigation forward, had they

0:28:26.520 --> 0:28:31.600
<v Speaker 1>spoken to her properly the year before. She describes the

0:28:31.640 --> 0:28:35.320
<v Speaker 1>man in some detail. He was tall, he had dark hair,

0:28:35.400 --> 0:28:38.000
<v Speaker 1>not black hair, but dark brown hair. He was there,

0:28:38.040 --> 0:28:40.720
<v Speaker 1>obviously for a while, and very relaxed. With Susan Bartlett.

0:28:41.320 --> 0:28:42.960
<v Speaker 1>This is not just a fleeting glimpse.

0:28:43.760 --> 0:28:48.640
<v Speaker 8>No, And the description is you'd have to say authentic

0:28:48.720 --> 0:28:52.000
<v Speaker 8>and authorized because she goes into such detail. This is

0:28:52.040 --> 0:28:54.800
<v Speaker 8>not Oh, I think I saw someone who may or

0:28:54.840 --> 0:28:57.160
<v Speaker 8>may not have. I was certain I saw it. This

0:28:57.200 --> 0:29:00.280
<v Speaker 8>is a year later, so I mean, I'm imagining had

0:29:00.280 --> 0:29:03.400
<v Speaker 8>a fair bit of information the day after, which the

0:29:03.440 --> 0:29:05.640
<v Speaker 8>police didn't bother to follow up.

0:29:05.720 --> 0:29:08.600
<v Speaker 1>And the other thing, of course, it's blindingly obvious, is

0:29:08.720 --> 0:29:11.160
<v Speaker 1>if they'd had this description a year earlier, or even

0:29:11.200 --> 0:29:13.440
<v Speaker 1>at this point in nineteen seventy eight, and released it

0:29:14.040 --> 0:29:16.240
<v Speaker 1>and also got her to sit down with a sketch

0:29:16.320 --> 0:29:18.320
<v Speaker 1>artist and draw on a composite, you know, a little

0:29:18.400 --> 0:29:21.280
<v Speaker 1>identicit sketch. I mean, how important would that have been,

0:29:21.320 --> 0:29:21.720
<v Speaker 1>do you think?

0:29:21.840 --> 0:29:22.040
<v Speaker 7>Oh?

0:29:22.160 --> 0:29:25.719
<v Speaker 8>I think incredibly important, because she would appear to be

0:29:25.760 --> 0:29:29.440
<v Speaker 8>the only eyewitness, and even if it's in the dark

0:29:29.520 --> 0:29:33.080
<v Speaker 8>from ten feet away, she's still an eyewitness. And would

0:29:33.120 --> 0:29:36.360
<v Speaker 8>still have remembered something, which is, as you know, Helen,

0:29:36.760 --> 0:29:39.160
<v Speaker 8>it's always sat with me that I should have remembered

0:29:39.200 --> 0:29:42.680
<v Speaker 8>something and I simply can't. But she was there and

0:29:42.720 --> 0:29:45.600
<v Speaker 8>she saw something, So you know, it amazes me that

0:29:45.680 --> 0:29:47.160
<v Speaker 8>the police didn't do anything about it.

0:29:56.760 --> 0:30:00.040
<v Speaker 1>As Elona Stevens describes him, the veteran crime journe, it

0:30:00.160 --> 0:30:05.440
<v Speaker 1>was quite a character, not unlike Melanie's grandmother by all accounts.

0:30:06.320 --> 0:30:10.880
<v Speaker 7>Physically, she was very short person. She lost her hair

0:30:11.000 --> 0:30:13.960
<v Speaker 7>early in life, so she wore a wig. So she

0:30:14.080 --> 0:30:17.680
<v Speaker 7>was fairly distinctive character. And I'm pretty sure that most

0:30:17.680 --> 0:30:22.840
<v Speaker 7>of the people in the street knew her. She tended

0:30:22.880 --> 0:30:28.000
<v Speaker 7>to wear the same sort of trench coat and trudge

0:30:28.000 --> 0:30:32.760
<v Speaker 7>along the street with a little trolley behind. And she,

0:30:33.000 --> 0:30:36.800
<v Speaker 7>as I said, she was deaf, or reasonably deaf if

0:30:36.840 --> 0:30:40.520
<v Speaker 7>she needed to be. She was very deaf. And she

0:30:40.640 --> 0:30:45.520
<v Speaker 7>would very classically ignore anybody she did not want to

0:30:45.560 --> 0:30:49.160
<v Speaker 7>communicate with, and she'd go out of a way to

0:30:50.080 --> 0:30:53.120
<v Speaker 7>communicate with people that she did want to chat with.

0:30:54.600 --> 0:30:57.480
<v Speaker 7>I know that she had friends across the road, Ruby

0:30:57.480 --> 0:30:59.840
<v Speaker 7>and Jim, and I don't know what happened to Ruby,

0:30:59.840 --> 0:31:02.000
<v Speaker 7>and but you know, there might have been people next

0:31:02.080 --> 0:31:06.280
<v Speaker 7>saw that she would never speak to because she chose

0:31:06.360 --> 0:31:11.440
<v Speaker 7>not to. She would be a classic character in a novel.

0:31:12.360 --> 0:31:14.280
<v Speaker 1>A little bit like Via she does.

0:31:14.360 --> 0:31:16.720
<v Speaker 7>Actually, she looked a bit like Vera too.

0:31:19.080 --> 0:31:22.440
<v Speaker 1>And like Vera Stanhope, the fictional British detective. She was

0:31:22.480 --> 0:31:25.880
<v Speaker 1>on the case very early that Tuesday morning, January eleventh,

0:31:25.960 --> 0:31:29.360
<v Speaker 1>nineteen seventy seven. She told the reporter that she'd gone

0:31:29.400 --> 0:31:32.440
<v Speaker 1>to bed the night before at about ten, but awoke

0:31:32.520 --> 0:31:36.200
<v Speaker 1>at two am, probably because it was so hot. She

0:31:36.280 --> 0:31:38.480
<v Speaker 1>got up and walked towards the back of her house,

0:31:38.840 --> 0:31:41.280
<v Speaker 1>and that's when she saw Sue talking to a tall

0:31:41.320 --> 0:31:49.360
<v Speaker 1>man with dark hair. Melanie's happy to read her nana's words.

0:31:51.120 --> 0:31:55.280
<v Speaker 7>They were very nice girls, very quiet and kept themselves.

0:31:56.680 --> 0:31:58.640
<v Speaker 7>I went to bed on the in the front room

0:31:58.680 --> 0:32:02.240
<v Speaker 7>at about ten o'clock that night night. It was a

0:32:02.360 --> 0:32:05.640
<v Speaker 7>very warm evening. I don't know what happened, but I

0:32:05.720 --> 0:32:08.960
<v Speaker 7>woke up at about two o'clock. I got up and

0:32:09.040 --> 0:32:12.640
<v Speaker 7>went down the hallway in the darkness, on the way

0:32:12.680 --> 0:32:15.840
<v Speaker 7>to the kitchen to get a glass of water or something.

0:32:16.640 --> 0:32:18.960
<v Speaker 7>As I passed through my lunge room, I saw light

0:32:19.160 --> 0:32:23.080
<v Speaker 7>was on in the room. In the house opposite. The

0:32:23.160 --> 0:32:27.880
<v Speaker 7>blind was up about eighteen inches. I sat down in

0:32:27.960 --> 0:32:31.400
<v Speaker 7>the lounge chair in the darkness. It was cooler there.

0:32:32.520 --> 0:32:35.480
<v Speaker 7>I looked across and could see Miss Bartlett and a

0:32:35.520 --> 0:32:38.960
<v Speaker 7>man in the room. Miss Bartlett and a man were

0:32:39.000 --> 0:32:42.800
<v Speaker 7>sitting at each end of a small table near the window.

0:32:43.800 --> 0:32:47.960
<v Speaker 7>I could hear music playing. It was very loud. They

0:32:47.960 --> 0:32:51.840
<v Speaker 7>were talking and laughing and drinking out of little glasses.

0:32:53.240 --> 0:32:55.760
<v Speaker 7>They couldn't see me because I was in the dark.

0:32:56.800 --> 0:33:01.400
<v Speaker 7>Miss Bartlett was wearing a long colored kaftan dress. It

0:33:01.440 --> 0:33:05.400
<v Speaker 7>had white sleeves. She often wore these sorts of dresses,

0:33:05.400 --> 0:33:07.920
<v Speaker 7>and they used to see her in the street. The

0:33:08.040 --> 0:33:12.240
<v Speaker 7>man was very tall. He had dark hair, but not black,

0:33:12.280 --> 0:33:16.240
<v Speaker 7>it was sort of brown. She goes on to describe

0:33:16.960 --> 0:33:20.960
<v Speaker 7>what he was wearing. She says, I must have watched

0:33:21.000 --> 0:33:24.400
<v Speaker 7>them for fifteen minutes. They didn't get up to change

0:33:24.440 --> 0:33:27.480
<v Speaker 7>any of the music. I think it was coming from

0:33:27.560 --> 0:33:31.640
<v Speaker 7>one of those high fi things. I saw them both

0:33:31.680 --> 0:33:34.480
<v Speaker 7>stand up. They moved towards each other, and when they

0:33:34.480 --> 0:33:37.360
<v Speaker 7>were close, Miss Butler put her arms around the man's neck.

0:33:37.880 --> 0:33:40.160
<v Speaker 7>I thought they were going to kiss, but the man

0:33:40.520 --> 0:33:44.040
<v Speaker 7>didn't put his arms around her. She kept her arms

0:33:44.080 --> 0:33:46.560
<v Speaker 7>around him for a little while, and then they sat

0:33:46.640 --> 0:33:50.640
<v Speaker 7>down again. They didn't kiss. I then got up and

0:33:50.720 --> 0:33:51.360
<v Speaker 7>went to bed.

0:33:52.840 --> 0:33:57.120
<v Speaker 1>So it's quite a detailed recollection, isn't it. It certainly is

0:33:57.160 --> 0:33:59.400
<v Speaker 1>an eyewitness account.

0:33:59.480 --> 0:34:05.280
<v Speaker 7>Absolutely, and as I said, she could see well. There

0:34:05.320 --> 0:34:07.440
<v Speaker 7>was nothing wrong with her eyesight and there was nothing

0:34:07.680 --> 0:34:13.120
<v Speaker 7>wrong with her interpretation of situations. What does it mean?

0:34:15.600 --> 0:34:18.400
<v Speaker 1>The Lattice Coventry came to Australia when her family migrated

0:34:18.400 --> 0:34:20.800
<v Speaker 1>from England. She was eight or nine at the time.

0:34:22.000 --> 0:34:25.240
<v Speaker 1>She eventually married Melanie's grandfather and they had one child,

0:34:25.600 --> 0:34:30.759
<v Speaker 1>her mother, before he died. She remarried years later, and

0:34:30.800 --> 0:34:33.040
<v Speaker 1>that's when she moved to Easy Street with her new

0:34:33.120 --> 0:34:37.399
<v Speaker 1>husband and longtime Collingwood resident, Clive Coventry.

0:34:37.920 --> 0:34:41.319
<v Speaker 7>He had lived there, I think most of his life,

0:34:41.400 --> 0:34:47.120
<v Speaker 7>I think, except maybe born in Tasmania from memory, and

0:34:47.520 --> 0:34:51.759
<v Speaker 7>he lived there with his mum I think alone, but

0:34:51.840 --> 0:34:56.720
<v Speaker 7>I can't be sure of that. And his mother died

0:34:57.280 --> 0:35:02.239
<v Speaker 7>and then he married my grandmother and she moved in

0:35:02.520 --> 0:35:05.040
<v Speaker 7>and she would have been how old she would have been,

0:35:05.040 --> 0:35:09.000
<v Speaker 7>in the sixties, I guess when she moved in there.

0:35:09.280 --> 0:35:13.560
<v Speaker 7>I think they were quite happy living there doing you know,

0:35:13.640 --> 0:35:18.520
<v Speaker 7>the things that older old people in their sixties to. So, yeah,

0:35:18.760 --> 0:35:24.960
<v Speaker 7>just sort of watching the horse races and you know,

0:35:25.560 --> 0:35:29.000
<v Speaker 7>minding their own business around Collingwood, popping up to the

0:35:30.040 --> 0:35:36.480
<v Speaker 7>hotels on occasions, and she was very good cook, and yeah,

0:35:36.560 --> 0:35:39.200
<v Speaker 7>they were very comfortable.

0:35:38.760 --> 0:35:42.880
<v Speaker 1>With each other, I think, But by the mid seventies

0:35:42.920 --> 0:35:47.040
<v Speaker 1>things had changed dramatically. Missus Coventry continued to work as

0:35:47.040 --> 0:35:50.040
<v Speaker 1>a housekeeper and cue, but she was also caring for

0:35:50.080 --> 0:35:54.200
<v Speaker 1>her husband, who developed a severe form of dementia. His

0:35:54.320 --> 0:35:57.600
<v Speaker 1>condition was so serious that Melanie's father installed locks on

0:35:57.680 --> 0:36:01.080
<v Speaker 1>doors inside their cottage to keep both Clive and his

0:36:01.120 --> 0:36:03.879
<v Speaker 1>wife safe. There was one on the lounge room side

0:36:03.880 --> 0:36:06.680
<v Speaker 1>of the hallway, another on the outside of his bedroom.

0:36:08.000 --> 0:36:15.160
<v Speaker 7>That's correct. He was suffering from a dementia that on

0:36:15.239 --> 0:36:21.279
<v Speaker 7>occasions he had what I guess we would call hallucinations

0:36:21.400 --> 0:36:25.040
<v Speaker 7>or distortions of what was going on. And there were

0:36:26.280 --> 0:36:30.879
<v Speaker 7>incidents in and around that time that where he was

0:36:31.480 --> 0:36:38.000
<v Speaker 7>potentially violent and my grandmother may have felt unsafe. So

0:36:38.160 --> 0:36:41.359
<v Speaker 7>my father did put locks on the doors so that

0:36:41.480 --> 0:36:45.960
<v Speaker 7>she could remain safe within the house and he was

0:36:46.560 --> 0:36:47.840
<v Speaker 7>contained within the house.

0:36:50.040 --> 0:36:52.439
<v Speaker 1>It's important to note that eighty four year old Clive

0:36:52.520 --> 0:36:55.480
<v Speaker 1>Coventry was never considered a person of interest in the

0:36:55.520 --> 0:37:00.960
<v Speaker 1>Easy Street murders, despite his violent episodes. Illness was probably

0:37:01.000 --> 0:37:03.720
<v Speaker 1>another reason Gladys Coventry was sitting up by the window

0:37:03.840 --> 0:37:08.080
<v Speaker 1>early that morning. Now the truth story has been reclaimed

0:37:08.080 --> 0:37:11.279
<v Speaker 1>from the archives, so many aspects of her account of

0:37:11.320 --> 0:37:15.680
<v Speaker 1>what she saw next door seem significant. Certainly, from what

0:37:15.800 --> 0:37:19.040
<v Speaker 1>she recalled, there was nothing troubling about the demeanor of

0:37:19.080 --> 0:37:22.600
<v Speaker 1>either Sue or her male visitor, and there was no

0:37:22.680 --> 0:37:27.319
<v Speaker 1>sign of Suzanne Armstrong. Could she have been asleep in

0:37:27.360 --> 0:37:30.239
<v Speaker 1>the front of the house, was there another man with

0:37:30.320 --> 0:37:32.800
<v Speaker 1>her in her bedroom at the same time, or was

0:37:32.880 --> 0:37:40.000
<v Speaker 1>someone else lurking outside waiting for Sue's visitor to leave. Clearly,

0:37:40.120 --> 0:37:44.080
<v Speaker 1>missus Coventry's observations challenge our perceptions about what could have

0:37:44.200 --> 0:37:48.120
<v Speaker 1>happened that night. As we know, the long held version

0:37:48.160 --> 0:37:52.320
<v Speaker 1>of events, excepted for four decades, has the murderer coming

0:37:52.360 --> 0:37:57.640
<v Speaker 1>in the front door opened by Suzanne. Melanie has another

0:37:57.680 --> 0:37:58.399
<v Speaker 1>take on it too.

0:38:00.120 --> 0:38:05.960
<v Speaker 7>It makes me wonder what have we Has the investigation

0:38:06.160 --> 0:38:11.680
<v Speaker 7>focused on the wrong person? Has it really been about

0:38:11.920 --> 0:38:18.040
<v Speaker 7>Susan Bartlett rather than says Anne Armstrong? That's what I'm

0:38:18.080 --> 0:38:21.959
<v Speaker 7>starting to wonder, you know, how many men were really there?

0:38:22.840 --> 0:38:24.239
<v Speaker 7>Who is this tall man?

0:38:26.000 --> 0:38:29.880
<v Speaker 1>And it also raises and brings into sharper focus what

0:38:29.920 --> 0:38:34.360
<v Speaker 1>Peter Sellers has always maintained. At about two point thirty

0:38:34.840 --> 0:38:37.440
<v Speaker 1>he heard a front door what he thought was a

0:38:37.440 --> 0:38:40.560
<v Speaker 1>front door slam, then two car door slam and a

0:38:40.600 --> 0:38:42.200
<v Speaker 1>car take off towards Smith Street.

0:38:43.480 --> 0:38:49.640
<v Speaker 7>Absolutely, the timeframes seem to fit in. You wonder where

0:38:49.680 --> 0:38:50.160
<v Speaker 7>we ever know?

0:38:51.640 --> 0:38:53.880
<v Speaker 1>And I'm also just remembering on one of the occasions

0:38:53.920 --> 0:38:57.200
<v Speaker 1>we've spoken before about this, that you just wishing you

0:38:57.239 --> 0:38:59.560
<v Speaker 1>could go back and see her again, go back in time,

0:38:59.600 --> 0:39:02.200
<v Speaker 1>and asked that question, why didn't you tell me? You know,

0:39:02.200 --> 0:39:04.280
<v Speaker 1>when I was grown up? Why didn't you say anything?

0:39:04.719 --> 0:39:09.160
<v Speaker 7>Yeah, I think that often. Why didn't I ask?

0:39:09.760 --> 0:39:10.040
<v Speaker 4>You know?

0:39:10.160 --> 0:39:14.719
<v Speaker 7>That's probably too busy at living life, I guess. And

0:39:14.880 --> 0:39:19.120
<v Speaker 7>you know, I do wonder how much mum Mum discussed

0:39:19.120 --> 0:39:22.480
<v Speaker 7>it with An and maybe it was very very conscious

0:39:22.480 --> 0:39:27.399
<v Speaker 7>decision on both their behalfs to you know, just keep

0:39:27.440 --> 0:39:29.439
<v Speaker 7>it quiet because we don't see anybody hurt.

0:39:31.440 --> 0:39:33.880
<v Speaker 1>Now. Police will only confirm that they spoke to her

0:39:33.920 --> 0:39:38.360
<v Speaker 1>grandmother in February nineteen seventy eight, a year after the murders,

0:39:39.040 --> 0:39:43.000
<v Speaker 1>and of course that raises another vexed question. If it

0:39:43.200 --> 0:39:46.080
<v Speaker 1>was the first time they took her statement, did truth

0:39:46.200 --> 0:39:51.480
<v Speaker 1>Scoop actually force their hand to finally interview her. For

0:39:51.560 --> 0:39:55.040
<v Speaker 1>Melanie and her family, it certainly confirms their grandmother could

0:39:55.080 --> 0:39:57.520
<v Speaker 1>have played a significant role in trying to solve the case,

0:39:58.040 --> 0:40:01.480
<v Speaker 1>had she been taken seriously by investing Gators from the start.

0:40:02.760 --> 0:40:06.719
<v Speaker 7>You know, we understand that memory can be distorted, but

0:40:06.840 --> 0:40:11.319
<v Speaker 7>maybe Nana did no more than she led on and

0:40:11.400 --> 0:40:14.920
<v Speaker 7>I think she just she was protecting everybody.

0:40:15.600 --> 0:40:19.120
<v Speaker 1>As well as Gladys Coventry's interview and accompanying photographs, The

0:40:19.200 --> 0:40:21.880
<v Speaker 1>Truth also published a photo of the service lane that

0:40:21.960 --> 0:40:25.239
<v Speaker 1>separated the two houses, with a black arrow added to

0:40:25.320 --> 0:40:27.600
<v Speaker 1>indicate the window from where she'd seen the man with

0:40:27.680 --> 0:40:31.680
<v Speaker 1>sup And whenever Hugh Perry Jones is in that old lane,

0:40:32.320 --> 0:40:55.719
<v Speaker 1>it's never far from his mind. So when you talk

0:40:55.800 --> 0:40:59.080
<v Speaker 1>to missus Coventry, you were out here, your skip was here, ye,

0:41:00.400 --> 0:41:01.640
<v Speaker 1>And what do you remember?

0:41:02.719 --> 0:41:06.960
<v Speaker 6>Okay, Now that I look at the architecture, I believe

0:41:07.120 --> 0:41:14.640
<v Speaker 6>her kitchen lean too started here and it was low

0:41:14.719 --> 0:41:18.160
<v Speaker 6>on that wall. And that's why that window was the

0:41:18.200 --> 0:41:23.239
<v Speaker 6>window that when she comes from the kitchen carrying her

0:41:23.280 --> 0:41:26.360
<v Speaker 6>food or whatever. She can sit there at the little

0:41:26.400 --> 0:41:30.719
<v Speaker 6>table in front of that window, which is as we

0:41:30.800 --> 0:41:40.480
<v Speaker 6>see straight across for this window, which is not their kitchen,

0:41:41.000 --> 0:41:44.640
<v Speaker 6>because the kitchen's back here, so that would have been

0:41:44.960 --> 0:41:52.960
<v Speaker 6>a lounge and there it is, So.

0:41:53.160 --> 0:41:55.640
<v Speaker 1>She would have been sitting there, and as she says

0:41:55.920 --> 0:41:58.440
<v Speaker 1>in the Story and Truth.

0:41:58.680 --> 0:42:02.120
<v Speaker 6>In the wee hours two am or whatever on a

0:42:02.160 --> 0:42:06.560
<v Speaker 6>hot night, her back door would have only been six

0:42:06.600 --> 0:42:09.680
<v Speaker 6>feet from the table, and she'd be getting the breeze

0:42:09.680 --> 0:42:11.759
<v Speaker 6>in from the south yep.

0:42:12.560 --> 0:42:14.360
<v Speaker 1>And because she's in the dark and they've got the

0:42:14.440 --> 0:42:15.799
<v Speaker 1>lights on, she.

0:42:15.800 --> 0:42:19.400
<v Speaker 6>Can see that, that's right, And otherwise the laneway is

0:42:19.440 --> 0:42:20.279
<v Speaker 6>completely dark.

0:42:20.520 --> 0:42:23.359
<v Speaker 1>And looking at this lane now, I mean in those

0:42:23.440 --> 0:42:27.560
<v Speaker 1>days we're talking nearly fifty years ago, those gates weren't there.

0:42:28.440 --> 0:42:30.919
<v Speaker 1>She was still at risk giving that interview that for truth,

0:42:30.960 --> 0:42:32.840
<v Speaker 1>because as you look at this lane way, how easy

0:42:32.840 --> 0:42:34.439
<v Speaker 1>it would have been for that guy to come back

0:42:34.719 --> 0:42:36.239
<v Speaker 1>get over her little rickety fence.

0:42:36.800 --> 0:42:40.520
<v Speaker 6>They're so close that, of course you know, the windows

0:42:40.560 --> 0:42:43.720
<v Speaker 6>probably open too. She's probably because she's getting a breeze

0:42:43.760 --> 0:42:46.120
<v Speaker 6>through and he could reach through and grab her before

0:42:46.160 --> 0:42:49.239
<v Speaker 6>she could move doesn't bear thinking.

0:42:49.000 --> 0:42:58.799
<v Speaker 1>About next time on the Easy Street murders.

0:42:59.640 --> 0:43:03.719
<v Speaker 4>Those first initial thirty six forty eight hours are so important,

0:43:03.840 --> 0:43:06.000
<v Speaker 4>but you've got to put yourself back in the time

0:43:06.360 --> 0:43:09.440
<v Speaker 4>where it was. The tools that you had were a

0:43:09.480 --> 0:43:14.160
<v Speaker 4>good old fashioned shoe leather, knock on doors, ask questions,

0:43:14.440 --> 0:43:18.080
<v Speaker 4>assume nothing, believe no one, and check check checked,