WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two. Hey, y'all,

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<v Speaker 1>welcome to the Best Bits. This is just the Bits.

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<v Speaker 1>It's Morgan here. And what we're gonna do is countdown

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<v Speaker 1>seven segments from the Bobby Bone Show this week that

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<v Speaker 1>y'all really loved. And we're just gonna kick it off

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<v Speaker 1>and get started because coming in hot and number seven,

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<v Speaker 1>Lunchbox was dared to nap in public and if he

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<v Speaker 1>was able to do it without being interrupted for fifteen

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<v Speaker 1>minutes from himself or from an employee or anything like that,

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<v Speaker 1>then he would get a hundred bucks from Bobby. And well,

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<v Speaker 1>I'm just gonna say he did it and it was

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<v Speaker 1>nice and awkwards, So here you go. Number seven. I

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<v Speaker 1>mentioned on the air that I thought it'd be a

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<v Speaker 1>funny segment off Lunchbox went into a mattress store because

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<v Speaker 1>we had you know, we went to the whole process

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<v Speaker 1>of like, Okay, which sleep number do we want? That's

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<v Speaker 1>our kind of bed, and so I had to go

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<v Speaker 1>in like they went like laid on him, like, oh god,

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<v Speaker 1>like this one. And so it was'd be funny if

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<v Speaker 1>Lunchboxes went to a store and just went to sleep

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<v Speaker 1>like testing it out, and I guess offered money. I'm

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<v Speaker 1>gonna lady, I said one hundred bucks. Yes, And you

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<v Speaker 1>told me I had to sleep for fifteen minutes. I

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<v Speaker 1>said that's awesome. I didn't know I said that long. Yeah,

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<v Speaker 1>And you said so you have to have someone witness it.

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<v Speaker 1>And I was like, well, if I take my wife,

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<v Speaker 1>he's not. Of course, my wife just said I did it.

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<v Speaker 1>So I hit up Abby. I was like, hey, I

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<v Speaker 1>need you to meet me at a mattress store. So

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<v Speaker 1>with Google mattress stores, I have, you know, don't know

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<v Speaker 1>what they're gonna look like. We show up. It is

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<v Speaker 1>a tiny mattress store. Abby. What it looked like in there? Oh? Yeah,

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<v Speaker 1>it was really small and like one employee and you

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<v Speaker 1>went in first, but without lunchbox. Yeah, so they didn't

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<v Speaker 1>know you were together, right, So I'm just looking at

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<v Speaker 1>beds casually. Well, it seems like for a long time

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<v Speaker 1>yet like at Beds, Yes, I was waiting for him

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<v Speaker 1>to get in there. I was like trying to like

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<v Speaker 1>Google mattresses and act like I was interested in how

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<v Speaker 1>long were you in the store before he actually walked in?

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<v Speaker 1>Oh Man, probably five to ten minutes. That would be

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<v Speaker 1>an eternity. Yeah, so you walk in or you wearing

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<v Speaker 1>pajamas or anything? Nope, just wearing shorts, T shirt, shoes.

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<v Speaker 1>And I walk right up to the ladies. She's sitting

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<v Speaker 1>behind a desk and I was like, yeah, man, wear

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<v Speaker 1>are your soft mattresses? And she's like trying to tell

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<v Speaker 1>me something I don't know, and she points at one

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<v Speaker 1>right by her desk, right next to her desk, and

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<v Speaker 1>I see it. Nervous at all? Or do you feel

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<v Speaker 1>I didn't care one bit. I was like, I'm tired.

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<v Speaker 1>I'm gonna fall asleep. It's gonna be great. Did you

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<v Speaker 1>feel like you could do it? No problem? Did you

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<v Speaker 1>need a blanket? I have so many questions. I was like, man,

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<v Speaker 1>I'm tired. It was three something that afternoon. I had

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<v Speaker 1>to have a nap yet did you not nap on purpose? Ding? Ding? Ding?

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<v Speaker 1>So I'd be tired. And so I get next to

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<v Speaker 1>the bed and I said, I need to take my

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<v Speaker 1>shoes off? And did you take your shoes off? No?

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<v Speaker 1>Need to take your shoes off? Man? Why they don't

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<v Speaker 1>pad on the bottom? No? No they don't. They said,

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<v Speaker 1>no problem, No, don't need to take them off. Wow, Okay,

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<v Speaker 1>here's the first clip, this is you asking for a

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<v Speaker 1>certain type of mattress and then he apparently falls asleep

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<v Speaker 1>in this clip, Abby, but where are you when he's

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<v Speaker 1>talking to the person? And is it awkward for me?

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<v Speaker 1>Are you trying to stay? It's so small When he

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<v Speaker 1>walked in, I was laying on a bed. She's asleep,

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<v Speaker 1>just like testing them out, and so I just basically

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<v Speaker 1>wandered around this. I mean it was literally in a

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<v Speaker 1>strip center and it was just like the size of

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<v Speaker 1>like a sandwich shop. It's like, you know, like a

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<v Speaker 1>subway or a quiz or any of those. It was

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<v Speaker 1>that small. So again this first clip, as you're talking

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<v Speaker 1>about it, but then does it cut to you like

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<v Speaker 1>laying him laying down away? Yeah? Yeah, you go hear

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<v Speaker 1>me sleep? All right? Here we go. Which ones are

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<v Speaker 1>your soft ones? I don't know the difference. I'm just soft.

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<v Speaker 1>I like soft, So I want to go try a

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<v Speaker 1>soft one. Okay, um, well this one I have fun

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<v Speaker 1>us considered this one. Should I take my shoes off? No?

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<v Speaker 1>You don't have to. Okay, are practice sleeping? You're practice there.

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<v Speaker 1>I'm going to sleep. You are going to sleep with it.

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<v Speaker 1>So we're hearing him go to sleep. Wow, is there

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<v Speaker 1>something else here listening? No? Is this We had to

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<v Speaker 1>play all this clip though with my mom. I have

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<v Speaker 1>fifteen minutes of it. No, you don't, yeah to do well,

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<v Speaker 1>We're not playing fifteen minutes of it, but you really

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<v Speaker 1>literally do just to prove it. Yeah, I lay there.

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<v Speaker 1>I love my phone running for fifteen minutes. So have

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<v Speaker 1>you watched him? And again you had to stay there

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<v Speaker 1>for fifteen more minute minutes? Huh? Was the lady awkward

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<v Speaker 1>at all? No, she was kind of at her desk,

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<v Speaker 1>but I did see at one point she got her

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<v Speaker 1>phone out and I was trying to take pictures of him,

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<v Speaker 1>like to show because I'm sure she's never seen that.

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<v Speaker 1>Did First of all, did you really fall asleep? He

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<v Speaker 1>really did? Like I feel like I was hearing snoring.

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<v Speaker 1>I didn't want to get too close to him because

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<v Speaker 1>I just had decle like I didn't know him, so

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<v Speaker 1>I just stayed over. But I feel like I kind

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<v Speaker 1>of did hear snoring. Here is lunchbox waking up after

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<v Speaker 1>fifteen minutes of sleep. Thank you welcome. I'm rejuvenating, ready

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<v Speaker 1>to go back to work. Good. I just get next time.

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<v Speaker 1>We got to turn the music down little bit. I

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<v Speaker 1>mean I need that, and then a blanket. I need

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<v Speaker 1>a blanket next time, you know. Yeah, you literally don't

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<v Speaker 1>give a step for that reason. Oh man, well thank you.

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<v Speaker 1>But I was good now problem, I have a great day.

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<v Speaker 1>Oh my gosh. She wasn't even like, do you want

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<v Speaker 1>the bed? No? She was so like what is he doing?

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<v Speaker 1>Because I set the alarm in my pocket so you

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<v Speaker 1>could it would vibrate and it would go off and

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<v Speaker 1>woke you up. That's how I knew to wake up.

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<v Speaker 1>Would you have slept? All? I have slept all day.

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<v Speaker 1>So then I walked out of the storebaks that it's

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<v Speaker 1>dark out. I walked out of the store and I

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<v Speaker 1>went to the car. And then Abby called me later

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<v Speaker 1>and she said she talked to the lady afterwards about

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<v Speaker 1>what happened, and uh, Abby, what'd she say? That was

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<v Speaker 1>the funniest thing ever. She was like, I have never

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<v Speaker 1>seen that in ten years that I've been working in

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<v Speaker 1>a mattress store. That he came in during his break

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<v Speaker 1>to take a nap. Well, then he also was like

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<v Speaker 1>all right, that'll do it, And they nothing about buying

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<v Speaker 1>the bed, like it was so normal, like all right,

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<v Speaker 1>I appreciate that that's you know what you gotta I'll

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<v Speaker 1>inpend one hundred bucks right now. Nice job. Wow. What

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<v Speaker 1>was so funny is her desk was right there and

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<v Speaker 1>they were kind of facing each other. Oh yeah, it

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<v Speaker 1>was so awkward. I fall asleep so quickly and so easily,

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<v Speaker 1>so quick, It's awesome. I'm an airplane. He'll go all right,

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<v Speaker 1>I'm gonna sit down, and he starts to just drool.

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<v Speaker 1>He starts coming out. Yeah, droll does come out. It

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<v Speaker 1>happens any droll in the bed. I know I was

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<v Speaker 1>because here on the plane is it's I'm straight up,

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<v Speaker 1>and now when I'm on my back, I don't drowl.

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<v Speaker 1>If I'm on my side or stomach or sitting up,

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<v Speaker 1>droll comes out. I gotta say this is excellent work

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<v Speaker 1>out with the money. It's worth the money. Wow, launchbuck

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<v Speaker 1>killing it with fifteen minutes of sleep. Next up is fine.

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<v Speaker 1>Even harder challenges places from to sleep and see if

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<v Speaker 1>he can do it. I'm gonna go broke. Dang it.

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<v Speaker 1>I'm gonna enjoy this segment so much. I'm gonna go broke.

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<v Speaker 1>It's the best bits of the week with Morgan. Number

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<v Speaker 1>two Mitchell Timpenny was on the show this week, and

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<v Speaker 1>he's just all around a really great, genuine and he

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<v Speaker 1>was talking about the valet job that he had when

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<v Speaker 1>he was just starting out as an artist. He had

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<v Speaker 1>just signed a publishing deal and needed a side gig

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<v Speaker 1>and he was valeting cars and he valeted Tim McGraw's car.

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<v Speaker 1>Martina McBride's just some fun stories that came from him

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<v Speaker 1>talking about these jobs that he had before he full

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<v Speaker 1>on was able to pursue the artist thing. So y'all

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<v Speaker 1>give it up. I mean, Mitchell Timpany, he's just awesome.

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<v Speaker 1>If you don't listen to his music, make sure you

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<v Speaker 1>check it out. But this interview is great, And without

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<v Speaker 1>further ado, here's Mitchell Timpany and Bobby Bones number six.

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<v Speaker 1>There's a lot of things to say right now. Number

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<v Speaker 1>one is your voice is what seventy percent? Yeah? If

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<v Speaker 1>if it's that yeah, And he brought a guitar and

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<v Speaker 1>he's gonna fight through it. He was going full like

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<v Speaker 1>torn acl I's still gonna play the game. But I

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<v Speaker 1>was like, don't don't hurt yourself any worse. So I'm glad. First,

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<v Speaker 1>congrats on the number one song, Thank You, Thank y'all

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<v Speaker 1>for that, No need to push a voice. We can

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<v Speaker 1>play studio versions of what you've done. And thirdly, if

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<v Speaker 1>you want to come back in and perform any other time,

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<v Speaker 1>let us know. Thank you dude, as soon as it's

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<v Speaker 1>back in, Like, don't stress out about it. But I

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<v Speaker 1>would bet that your voice, even torn up, is better

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<v Speaker 1>than what sixty percent of country music. Thank you guys. Yeah, yeah,

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<v Speaker 1>let's talk for Oh you were the last time I'm

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<v Speaker 1>supposed to come in you got sick. No, my brother

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<v Speaker 1>was sick then, and so that was during COVID. It

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<v Speaker 1>wasn't COVID. It was just just a normal flu. But

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<v Speaker 1>uh yeah, we that we were being very cautious then,

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<v Speaker 1>so and we appreciate that, of course. Think you so,

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<v Speaker 1>Mitchell Tinpenny, you got another number one. I don't know

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<v Speaker 1>what I remember. The first time I heard this, I

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<v Speaker 1>was like, that's the most cutting song I've ever heard,

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<v Speaker 1>in a loving way, in a lovely way towards you,

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<v Speaker 1>because it's like, stop telling lies about me. I won't

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<v Speaker 1>tell the truth about you. I'm like, dude, I want

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<v Speaker 1>to yell Jerry, Jerry, let me play a hook at

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<v Speaker 1>this song that just went number one from Mitchell Tinpenny

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<v Speaker 1>if you last tell the truth of you, When whomever

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<v Speaker 1>said that line did go, oh yeah, I mean that's

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<v Speaker 1>literally how it was. I Matt Alderman, one of the

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<v Speaker 1>co writers Thomas Artre and Matt Alderman I wrote with,

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<v Speaker 1>and Matt said something like, man quit lying about me

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<v Speaker 1>and there's and I promise I won't tell all the

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<v Speaker 1>truth about you or something like that, and I was like,

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<v Speaker 1>I know exactly how to write this song, like I've

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<v Speaker 1>I've been there and I'm not gonna lie. I mean,

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<v Speaker 1>I've probably you know, done it too, where you where

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<v Speaker 1>you tell a different story, you want a better story

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<v Speaker 1>on breakup sometimes, you know when you're growing up and um,

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<v Speaker 1>I don't know. It just hit me kind of hard

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<v Speaker 1>that day when I heard it, and when you know,

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<v Speaker 1>we massage it to the way the melody is now.

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<v Speaker 1>But that's like back of the bus. Oh, it's like

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<v Speaker 1>a freestyle when you hit hit the good rhymes. Yeah,

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<v Speaker 1>that's good man. The album is called This is the

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<v Speaker 1>Heavy What does that mean? Man? I love rock and

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<v Speaker 1>roll music too. I kind of come from that. I

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<v Speaker 1>used to be a drummer in a band and a screamer.

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<v Speaker 1>So the heavy. The lyrically it's a little heavier, but

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<v Speaker 1>you know, everything else, the production is a little bit heavier.

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<v Speaker 1>Country is the lyrics through and through on this. I'm

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<v Speaker 1>you know, Country's storytelling to me. So we stayed that lane.

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<v Speaker 1>But turn the guitars up a little bit, gained them

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<v Speaker 1>up a little bit, you know, put the drums a

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<v Speaker 1>little bit more forward in the mix. It's just heavier.

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<v Speaker 1>It's just a little heavier. And you know, I think

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<v Speaker 1>the lyrics because I'm a little older and life has

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<v Speaker 1>happened a little bit more, and they're they're a little heavier.

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<v Speaker 1>So I just thought the title sounded cool and then

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<v Speaker 1>it kind of mixed and it all kind of blended

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<v Speaker 1>in together with you know where I was trying to

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<v Speaker 1>go with this next record. That's also the first song too.

0:10:23.520 --> 0:10:25.000
<v Speaker 1>This is the heavy right all right. Yeah, it's an

0:10:25.000 --> 0:10:28.040
<v Speaker 1>intro track. It's an intro track into the song too,

0:10:28.120 --> 0:10:31.360
<v Speaker 1>so I missed records with intro tracks, and it just

0:10:31.400 --> 0:10:33.120
<v Speaker 1>kind of sets the tone for the record. And it's

0:10:33.160 --> 0:10:36.720
<v Speaker 1>a lot of fun. Yeah, it's like the ladies and gentlemen.

0:10:36.800 --> 0:10:38.640
<v Speaker 1>The music you're about to listen to is gonna take

0:10:38.640 --> 0:10:41.679
<v Speaker 1>you to an all new place. A place that only

0:10:41.760 --> 0:10:46.280
<v Speaker 1>few people have ever discovered. Your bones they're gonna eight. Yeah,

0:10:46.280 --> 0:10:48.520
<v Speaker 1>I feel like we missed out. Your muscles are gonna

0:10:51.120 --> 0:10:54.599
<v Speaker 1>so you tonight Mitchell. Mitchell's record comes out. This is

0:10:54.600 --> 0:10:58.319
<v Speaker 1>the Heavy and you know it's twenty songs. Yeah, and

0:10:58.400 --> 0:11:00.480
<v Speaker 1>be honest, a lot of songs. I know it's the

0:11:00.559 --> 0:11:03.280
<v Speaker 1>all good or just some of it. I'm a little

0:11:03.320 --> 0:11:05.400
<v Speaker 1>biased on him, but you can you can be honest

0:11:05.400 --> 0:11:07.880
<v Speaker 1>with me. I uh, you know, it's been four years

0:11:07.920 --> 0:11:10.920
<v Speaker 1>since the last record, and we started with eleven. I

0:11:11.040 --> 0:11:12.560
<v Speaker 1>was like, it's got to have this other song. I

0:11:12.559 --> 0:11:14.760
<v Speaker 1>can't not put this song on. And I was like, man,

0:11:14.880 --> 0:11:16.520
<v Speaker 1>can you call him and ask we can do fourteen?

0:11:17.000 --> 0:11:18.760
<v Speaker 1>And then I was like what about sixteen? And then

0:11:18.800 --> 0:11:21.080
<v Speaker 1>it got to nineteen and I was like, uh, we

0:11:21.120 --> 0:11:24.720
<v Speaker 1>gotta make it twenty. You gotta go twenty. It's gotta

0:11:24.720 --> 0:11:26.880
<v Speaker 1>be two vinyls, you know, And we could have gone

0:11:26.880 --> 0:11:28.880
<v Speaker 1>to way more. It's just a lot of music was

0:11:28.920 --> 0:11:31.880
<v Speaker 1>written in the last three years for me personally, and

0:11:32.440 --> 0:11:34.520
<v Speaker 1>it's hard to pick, and especially in this time. I

0:11:34.640 --> 0:11:37.720
<v Speaker 1>think people like a lot of music, so and it'll

0:11:37.760 --> 0:11:39.839
<v Speaker 1>go quicker than you think to those twenty songs will

0:11:39.880 --> 0:11:44.360
<v Speaker 1>be Yeah, one of them, the one song one. Yeah,

0:11:44.360 --> 0:11:46.560
<v Speaker 1>now I know all there's one eleven seconds. He doesn't know,

0:11:46.600 --> 0:11:49.000
<v Speaker 1>but that the label cut them all down. He was like, yeah,

0:11:49.000 --> 0:11:52.960
<v Speaker 1>I do twenty. Yeah, you were in school to be

0:11:53.000 --> 0:11:56.000
<v Speaker 1>a songwriter. You went and you studied songwriting. I always

0:11:56.040 --> 0:11:58.520
<v Speaker 1>think the art's a weird thing to study. Yeah, it wasn't,

0:11:58.559 --> 0:12:02.760
<v Speaker 1>really it was. It wasn't really songwritings. Like studying songwriting.

0:12:02.760 --> 0:12:04.160
<v Speaker 1>It was just putting you in a class with other

0:12:04.160 --> 0:12:06.640
<v Speaker 1>songwriters and meeting them. They didn't teach you how to

0:12:06.679 --> 0:12:08.520
<v Speaker 1>write songs. They just told you to write songs and

0:12:08.520 --> 0:12:10.640
<v Speaker 1>then we would share them. Would you ever hear one

0:12:10.640 --> 0:12:13.040
<v Speaker 1>it was terrible? I mean I don't. I don't think

0:12:13.080 --> 0:12:16.520
<v Speaker 1>anybody's songs terrible. I've heard of you. If you come

0:12:16.520 --> 0:12:17.959
<v Speaker 1>out and say it, I don't. I mean, who am

0:12:17.960 --> 0:12:20.120
<v Speaker 1>I to say a song is terrible? But uh, there's

0:12:20.120 --> 0:12:23.160
<v Speaker 1>definitely people that you know probably needed to do a

0:12:23.200 --> 0:12:25.880
<v Speaker 1>different thing. It was did you tell them that? I

0:12:25.960 --> 0:12:28.680
<v Speaker 1>definitely did not, because I'm probably at that time definitely

0:12:28.679 --> 0:12:30.320
<v Speaker 1>a sounding like I needed to as well. When you

0:12:30.360 --> 0:12:33.880
<v Speaker 1>graduated in your working construction, what what did you do daily?

0:12:34.080 --> 0:12:38.200
<v Speaker 1>Because I works but every job is so different. What

0:12:38.200 --> 0:12:40.240
<v Speaker 1>did you do? I think mostly you know, up in

0:12:40.280 --> 0:12:43.880
<v Speaker 1>the rafters doing insulation in drywall, and then and you

0:12:43.920 --> 0:12:48.000
<v Speaker 1>were wearing mask Yeah, we were wearing masks and just

0:12:48.000 --> 0:12:51.160
<v Speaker 1>to itchy, you know, all that fiberglass in your arms

0:12:51.200 --> 0:12:53.400
<v Speaker 1>every day. I was, I was over it, man, it

0:12:53.440 --> 0:12:56.160
<v Speaker 1>was yeah, so you're doing that. What were you doing

0:12:56.160 --> 0:12:58.400
<v Speaker 1>when you got there? When you finally were like, Okay,

0:12:58.400 --> 0:13:00.319
<v Speaker 1>I can actually make money as a songwriter and I

0:13:00.320 --> 0:13:01.920
<v Speaker 1>don't have to do this anymore. What was the job

0:13:01.960 --> 0:13:05.600
<v Speaker 1>you quit? Um? I was. I was still valeting cars

0:13:05.640 --> 0:13:08.440
<v Speaker 1>when I got my publishing deal to supplement because your

0:13:08.440 --> 0:13:11.000
<v Speaker 1>first publishing deal is not the drawls not very good.

0:13:11.400 --> 0:13:15.120
<v Speaker 1>I mean it's enough to make you quit a job

0:13:15.200 --> 0:13:17.360
<v Speaker 1>to you know, kind of work full time there. But

0:13:17.400 --> 0:13:20.200
<v Speaker 1>I still needed extra extra cash and live so I

0:13:20.280 --> 0:13:22.640
<v Speaker 1>was valeting cars. So I think I quit that for sure.

0:13:22.800 --> 0:13:25.600
<v Speaker 1>You ever take the change of the middle. No, I

0:13:25.679 --> 0:13:28.959
<v Speaker 1>never did. Yeah, okay, yeah, yeah he's valleying cars. I wonder.

0:13:29.000 --> 0:13:32.040
<v Speaker 1>I honestly, I was so scared. I was. I never

0:13:32.120 --> 0:13:34.320
<v Speaker 1>wanted someone to accuse me of stealing, so I wouldn't

0:13:34.320 --> 0:13:37.040
<v Speaker 1>make sure that i'd be left money for them extra money.

0:13:37.200 --> 0:13:39.439
<v Speaker 1>There was an extra five every time Mitchell parked your car.

0:13:39.520 --> 0:13:41.480
<v Speaker 1>I did not have an extra five back then. I

0:13:41.600 --> 0:13:44.600
<v Speaker 1>promise I wish anybody cool ever drop off their car. Yeah,

0:13:45.280 --> 0:13:49.600
<v Speaker 1>you know. I parked Tim McGraw's um one of his

0:13:49.800 --> 0:13:51.880
<v Speaker 1>uh shoot when it was a bit leay back then,

0:13:52.040 --> 0:13:54.480
<v Speaker 1>like I would do it. We drove. I don't care

0:13:54.520 --> 0:13:56.920
<v Speaker 1>about Tim McGraw. I'm just like you drove a bit. Yeah, well,

0:13:56.960 --> 0:13:59.160
<v Speaker 1>I know I left it right up front Stony River.

0:13:59.200 --> 0:14:02.160
<v Speaker 1>Alady moved it like two more feet. And then Martina

0:14:02.240 --> 0:14:04.360
<v Speaker 1>McBride came out one time and she was with her

0:14:04.679 --> 0:14:07.440
<v Speaker 1>producer and they both had separate cars, and she was

0:14:07.480 --> 0:14:09.120
<v Speaker 1>handing me one hundred dollar billing. I could see it

0:14:09.160 --> 0:14:11.240
<v Speaker 1>in her hand. I was like, that's gonna make my week.

0:14:11.559 --> 0:14:13.360
<v Speaker 1>And her producer goes, no, no, no no, I'll take care

0:14:13.400 --> 0:14:15.160
<v Speaker 1>of him when he gets hard. And I was like, no, say,

0:14:15.160 --> 0:14:17.520
<v Speaker 1>oh man, maybe i'll get double. I get both cars.

0:14:17.520 --> 0:14:18.960
<v Speaker 1>There was a five dollars villa and I was like,

0:14:18.960 --> 0:14:27.680
<v Speaker 1>oh man, that's terrible. Martina was coming hard. Did you

0:14:27.680 --> 0:14:31.160
<v Speaker 1>get nervous driving the big fancy cars? Yeah. I wasn't

0:14:31.240 --> 0:14:33.320
<v Speaker 1>very good at driving a stick um. I didn't learn

0:14:33.360 --> 0:14:35.520
<v Speaker 1>on a stick, and there was a I moved to

0:14:35.600 --> 0:14:38.760
<v Speaker 1>Ferrari one time in front of a steakhouse and I,

0:14:39.120 --> 0:14:41.680
<v Speaker 1>you know, I stalled it out and the guy was

0:14:41.720 --> 0:14:44.360
<v Speaker 1>so nice. He just he leans in, he goes racing

0:14:44.440 --> 0:14:46.280
<v Speaker 1>clutch and he smiled at me, and I was like,

0:14:46.280 --> 0:14:49.920
<v Speaker 1>Oh cool, anybody else want to help me park smile.

0:14:50.400 --> 0:14:52.320
<v Speaker 1>I always wonder if some of these cars are really

0:14:52.320 --> 0:14:56.200
<v Speaker 1>weird on the inside, and like the yeah park driver verse,

0:14:56.200 --> 0:14:57.640
<v Speaker 1>all that's in different places and stuff. You ever get

0:14:57.680 --> 0:14:59.280
<v Speaker 1>to want to just get confused? Yeah, there was. There

0:14:59.280 --> 0:15:00.800
<v Speaker 1>was a couple of cars. It was right when the

0:15:00.960 --> 0:15:03.720
<v Speaker 1>push button was starting to be a thing, and the

0:15:03.840 --> 0:15:07.120
<v Speaker 1>nights are like Mercedes and BMW's and stuff, and I'd

0:15:07.160 --> 0:15:09.360
<v Speaker 1>never add that. So there's a couple of cars where

0:15:09.400 --> 0:15:10.600
<v Speaker 1>it took me a minute to figure out how to

0:15:10.680 --> 0:15:12.640
<v Speaker 1>start it once it's that big of an idiot I am.

0:15:13.160 --> 0:15:16.640
<v Speaker 1>I have a car that you don't put when the

0:15:16.720 --> 0:15:18.800
<v Speaker 1>keys in it. That's like the keys starting the car.

0:15:19.080 --> 0:15:21.440
<v Speaker 1>And I left it running, but I kept ky in

0:15:21.440 --> 0:15:24.240
<v Speaker 1>my pocket, went and had dinner. Then they couldn't move

0:15:24.280 --> 0:15:25.600
<v Speaker 1>it and they didn't know where I went because we

0:15:25.600 --> 0:15:26.760
<v Speaker 1>went to a restaurant that wasn't the one. I just

0:15:26.800 --> 0:15:30.520
<v Speaker 1>wanted to use that valet. They couldn't find me. Oh wow, yeah,

0:15:30.600 --> 0:15:33.400
<v Speaker 1>and the car sitting there and it just stayed there

0:15:33.480 --> 0:15:35.880
<v Speaker 1>the whole time running. Oh it's stay stayed running. Well,

0:15:35.920 --> 0:15:38.840
<v Speaker 1>I just got my first with the keys like that,

0:15:38.920 --> 0:15:41.320
<v Speaker 1>And I've always been confused. If I've run off with

0:15:41.360 --> 0:15:43.040
<v Speaker 1>the key, what's gonna have? It'll stay there and they'll

0:15:43.080 --> 0:15:44.520
<v Speaker 1>look for you, and they'll be confused, and you will

0:15:44.560 --> 0:15:46.160
<v Speaker 1>come back and they'll be mad at you. That'll basically

0:15:46.200 --> 0:15:47.640
<v Speaker 1>be how that goes. I can help you out there.

0:15:47.840 --> 0:15:49.480
<v Speaker 1>Someone left did that to me once, you know, we

0:15:49.520 --> 0:15:51.640
<v Speaker 1>had the little box with the keys, and someone decided

0:15:51.680 --> 0:15:53.560
<v Speaker 1>to leave their car there and go to another restaurant.

0:15:53.800 --> 0:15:55.960
<v Speaker 1>And at the end of the night, I'm like, I

0:15:56.080 --> 0:15:57.720
<v Speaker 1>have still have this key up. There's no one in

0:15:57.760 --> 0:16:00.120
<v Speaker 1>the restaurant that this key belongs to, and I we

0:16:00.200 --> 0:16:02.680
<v Speaker 1>gotta go. And so I thought, you know, I lost

0:16:02.680 --> 0:16:05.920
<v Speaker 1>somebody's everything, you know, And it was I had to

0:16:05.960 --> 0:16:07.560
<v Speaker 1>call my boss. He had to come down. He was

0:16:07.600 --> 0:16:09.160
<v Speaker 1>so mad at me. And all of a sudden, they

0:16:09.160 --> 0:16:10.760
<v Speaker 1>walk across the street and they get in their car

0:16:10.760 --> 0:16:12.960
<v Speaker 1>and take off, and I was like, well, there it

0:16:13.120 --> 0:16:15.600
<v Speaker 1>was I guess seen Mitchell to him is a big star,

0:16:16.080 --> 0:16:18.400
<v Speaker 1>but he's still he still like us. You know, he

0:16:18.480 --> 0:16:20.400
<v Speaker 1>still remembers what it was like to be the common man.

0:16:20.760 --> 0:16:22.280
<v Speaker 1>And what is it like the transition for me in

0:16:22.280 --> 0:16:24.520
<v Speaker 1>the common man to a big star. I'm still extremely

0:16:24.560 --> 0:16:27.000
<v Speaker 1>common man. Look at this guy. It's crazy. You have

0:16:27.080 --> 0:16:29.880
<v Speaker 1>two number ones this year. So obviously Truth about You,

0:16:29.880 --> 0:16:31.920
<v Speaker 1>which is just went number one, and then at the

0:16:32.000 --> 0:16:34.040
<v Speaker 1>end of the Bar Yeah, which also was on AM

0:16:34.040 --> 0:16:36.560
<v Speaker 1>with you and Chris Young. It's crazy, man, Thank you.

0:16:36.600 --> 0:16:39.160
<v Speaker 1>It's it's been a minute since drunk me. So I'm

0:16:39.200 --> 0:16:41.520
<v Speaker 1>just I truly am honored and I'm just grateful to

0:16:41.560 --> 0:16:43.640
<v Speaker 1>be back in country radio. Man. I don't want to

0:16:43.640 --> 0:16:46.120
<v Speaker 1>wear your voice out too much, but I do want

0:16:46.160 --> 0:16:49.840
<v Speaker 1>to bring up one thing. And in the video for

0:16:50.160 --> 0:16:53.720
<v Speaker 1>Good and Gone, Yeah, you were breaking stuff. Yeah, one

0:16:53.760 --> 0:16:56.640
<v Speaker 1>of those what do you call him, like the chaos room? Yeah,

0:16:56.640 --> 0:16:59.480
<v Speaker 1>the rooms you're going with a hammer and just yeah.

0:16:59.600 --> 0:17:01.520
<v Speaker 1>Well they brought that up, like what if you did this,

0:17:01.640 --> 0:17:03.120
<v Speaker 1>and I was like, I've never done that, and I've

0:17:03.120 --> 0:17:05.120
<v Speaker 1>heard about those. Let's let's try it. It It was. It's

0:17:05.160 --> 0:17:07.000
<v Speaker 1>a lot of fun. I can see why people need

0:17:07.000 --> 0:17:08.960
<v Speaker 1>to go do that. You liked it? It was fun.

0:17:09.000 --> 0:17:10.879
<v Speaker 1>I mean you you can definitely get hurt in there

0:17:10.920 --> 0:17:13.439
<v Speaker 1>by accident, like you get carried away. Like like you

0:17:13.640 --> 0:17:15.159
<v Speaker 1>so you walk through a room and you hard. Are

0:17:15.200 --> 0:17:17.199
<v Speaker 1>you going? What are you harboring in there? I mean

0:17:17.240 --> 0:17:20.000
<v Speaker 1>you got a sledgehammer in an old TV. Everyone's gonna

0:17:20.000 --> 0:17:22.920
<v Speaker 1>go the same. You're gonna go hard. But yeah, you

0:17:22.920 --> 0:17:24.320
<v Speaker 1>you walk through a room and you pick out the

0:17:24.359 --> 0:17:26.360
<v Speaker 1>things you want to they have a price on them,

0:17:26.359 --> 0:17:28.760
<v Speaker 1>and you like, I'm gonna break that. I'm gonna break that. Hey,

0:17:28.760 --> 0:17:30.840
<v Speaker 1>as you go, well, the label paid for this one.

0:17:30.840 --> 0:17:34.439
<v Speaker 1>I wouldn't have spend them. Yeah, you pays. You go

0:17:34.520 --> 0:17:36.639
<v Speaker 1>so like like he might break a couple of stuff

0:17:36.640 --> 0:17:39.119
<v Speaker 1>and it takes five minutes. You're like, dang, that's not

0:17:39.200 --> 0:17:41.960
<v Speaker 1>long enough. So they know it's a good business. I mean,

0:17:42.400 --> 0:17:44.280
<v Speaker 1>like we need to start a wrecking room somewhere. It's

0:17:44.600 --> 0:17:47.280
<v Speaker 1>pretty easy. You know what Amy has been and has

0:17:47.560 --> 0:17:48.959
<v Speaker 1>she know she's like I want to break something. She's

0:17:49.000 --> 0:17:51.119
<v Speaker 1>kind of turned. She's like jumping his phone, poll fully clothed.

0:17:51.119 --> 0:17:53.200
<v Speaker 1>You know she's been going through stay yeah yeah, yeah,

0:17:53.240 --> 0:17:55.560
<v Speaker 1>and we know we got her a TV to do that.

0:17:55.600 --> 0:17:57.399
<v Speaker 1>Here though. We brought hern old TV and she went

0:17:57.560 --> 0:17:59.840
<v Speaker 1>down on it. Oh no wait did you Yeah in

0:17:59.840 --> 0:18:02.480
<v Speaker 1>the back alley and I had I guess the sledgehammer

0:18:03.000 --> 0:18:06.399
<v Speaker 1>and I got to just beat up the TV. That

0:18:06.640 --> 0:18:09.800
<v Speaker 1>was it an old box one or like a flash screen. Yeah.

0:18:09.800 --> 0:18:11.359
<v Speaker 1>We literally took him to his office. We were just like,

0:18:11.400 --> 0:18:17.240
<v Speaker 1>let's that's amazing. Here's what I want to Mitchell. First,

0:18:17.600 --> 0:18:21.199
<v Speaker 1>congratulations on the number one song tonight. This is the

0:18:21.200 --> 0:18:23.200
<v Speaker 1>heaviest out and you can go ahead and do that

0:18:23.320 --> 0:18:25.159
<v Speaker 1>whatever it's pre say, and we can pre save Mitchell's

0:18:25.240 --> 0:18:27.399
<v Speaker 1>next ten album. I don't know how to all that's it,

0:18:27.680 --> 0:18:30.359
<v Speaker 1>but it's there. Tonight Mitchell's record is. And when your

0:18:30.440 --> 0:18:32.240
<v Speaker 1>voice is back, if it's next week and you want

0:18:32.240 --> 0:18:33.760
<v Speaker 1>to come up and play next week, you're welcome to.

0:18:33.800 --> 0:18:36.040
<v Speaker 1>If it's two weeks, we can do it again. You

0:18:36.040 --> 0:18:41.160
<v Speaker 1>can perform. We've tried twice and I told whomever I was, like, hey,

0:18:41.160 --> 0:18:42.760
<v Speaker 1>if his voice isn't, gonna worry about it, we'll do

0:18:42.760 --> 0:18:44.840
<v Speaker 1>it next week. Mitchell shows up and he's like playing,

0:18:44.840 --> 0:18:47.040
<v Speaker 1>He's with the guitar back there and he's like, bro,

0:18:47.280 --> 0:18:50.159
<v Speaker 1>there no, there's no need, there's no need. So we

0:18:50.200 --> 0:18:52.520
<v Speaker 1>appreciate the effort for being here, and we know you

0:18:52.560 --> 0:18:54.280
<v Speaker 1>were going to play, but no need. Let us know

0:18:54.320 --> 0:18:56.760
<v Speaker 1>when you're good. Thank you, let's do it again. And

0:18:56.840 --> 0:19:00.560
<v Speaker 1>congratulations on everything. All right. That means world, Thank you.

0:19:00.680 --> 0:19:03.800
<v Speaker 1>There he is Mitchell ten. Tell everybody all right, you

0:19:03.840 --> 0:19:06.440
<v Speaker 1>guys follow him? M the number ten, penny, M ten

0:19:06.920 --> 0:19:11.359
<v Speaker 1>the number penny the end. It's the best bits of

0:19:11.400 --> 0:19:18.119
<v Speaker 1>the week with Morgan number two on the show. This

0:19:18.160 --> 0:19:22.040
<v Speaker 1>week we did a millennial movie review by yours Truly.

0:19:22.320 --> 0:19:25.320
<v Speaker 1>I talked about watching stand by Me for the very

0:19:25.359 --> 0:19:28.040
<v Speaker 1>first time. Now. This is a favorite of Bobby and

0:19:28.160 --> 0:19:30.560
<v Speaker 1>Lunchbox and Eddies, and they kind of hyped it up

0:19:30.600 --> 0:19:32.920
<v Speaker 1>before I watched it, and I did have some good

0:19:33.000 --> 0:19:36.080
<v Speaker 1>things to say about it. Though this movie made me

0:19:36.200 --> 0:19:39.120
<v Speaker 1>very sad, and I don't appreciate that when I watched movies.

0:19:39.320 --> 0:19:42.879
<v Speaker 1>So you can hear my entire review right now. And

0:19:43.119 --> 0:19:45.800
<v Speaker 1>if you know, I think stand by Me actually holds

0:19:45.840 --> 0:19:48.800
<v Speaker 1>up over time number five. I'm not a big movie guy,

0:19:48.880 --> 0:19:51.760
<v Speaker 1>but I love stand by Me. It's from nineteen eighty six.

0:19:51.800 --> 0:19:53.439
<v Speaker 1>I don't think I watched it when I was little older,

0:19:54.040 --> 0:19:57.880
<v Speaker 1>but stand by Me, kids like Jerry O'Connell. That's right.

0:19:57.880 --> 0:20:03.199
<v Speaker 1>It was him back in the day. So good Lee Jays.

0:20:04.160 --> 0:20:06.840
<v Speaker 1>They just yell a lot, huh, they're kids, so yeah,

0:20:06.880 --> 0:20:09.200
<v Speaker 1>but it was awesome and it was based I haven't

0:20:09.240 --> 0:20:10.840
<v Speaker 1>seen it forever, like in the sixties though, right, But

0:20:11.000 --> 0:20:12.720
<v Speaker 1>wasn't it like maybe the eighties but based in like

0:20:12.800 --> 0:20:15.800
<v Speaker 1>the sixties? Yes, you remember, maybe even my fifties. So

0:20:15.880 --> 0:20:17.400
<v Speaker 1>we all talked about how much we loved it. It's

0:20:17.400 --> 0:20:20.760
<v Speaker 1>a ninety one percent positive on Rotten Tomatoes, and so

0:20:21.160 --> 0:20:23.879
<v Speaker 1>we had Morgan watch it is a millennial movie review.

0:20:24.000 --> 0:20:25.960
<v Speaker 1>First time you'd seen it, right, first time I'd seen it,

0:20:26.000 --> 0:20:27.760
<v Speaker 1>even heard of it. It's only an hour and twenty

0:20:27.800 --> 0:20:31.160
<v Speaker 1>nine minutes that those are the good So what did

0:20:31.200 --> 0:20:34.160
<v Speaker 1>you watch it on? I actually watched it on Amazon.

0:20:34.200 --> 0:20:36.480
<v Speaker 1>I had to rent it. It's not anywhere else to watch.

0:20:36.560 --> 0:20:40.159
<v Speaker 1>You can stream it. It's okay about So what did

0:20:40.200 --> 0:20:41.840
<v Speaker 1>you think it was about before you watched it? Like

0:20:42.000 --> 0:20:44.040
<v Speaker 1>going into it? Your thoughts? Well, I saw four boys

0:20:44.080 --> 0:20:46.800
<v Speaker 1>and in the thing it says serious life lessons. I'm like, great,

0:20:46.840 --> 0:20:50.280
<v Speaker 1>this is another Goodies movie. That's my initial first thought

0:20:50.320 --> 0:20:52.440
<v Speaker 1>was I'm about to watch another Goonies. Did you watch

0:20:52.480 --> 0:20:55.480
<v Speaker 1>another gooonies. It felt that way at first because it's

0:20:55.560 --> 0:20:58.200
<v Speaker 1>these four kids and they, you know, come from these

0:20:58.320 --> 0:21:01.119
<v Speaker 1>rough life scenarios and they're coming together and kind of

0:21:01.119 --> 0:21:04.639
<v Speaker 1>go on an adventure. But that adventure is really dark,

0:21:04.720 --> 0:21:08.080
<v Speaker 1>and stand by me, they're they're searching for the dead body. Yes, yeah,

0:21:08.080 --> 0:21:10.280
<v Speaker 1>it spoiler. If you ever even by now you ain't

0:21:10.320 --> 0:21:13.200
<v Speaker 1>watching it searching for the dead body again, you have

0:21:13.200 --> 0:21:14.640
<v Speaker 1>to help me because I haven't seen it a long time.

0:21:15.119 --> 0:21:19.120
<v Speaker 1>It was rumored why somebody saw the dead body, and

0:21:19.400 --> 0:21:21.600
<v Speaker 1>one of the kids overheard people talking about it, got

0:21:21.680 --> 0:21:23.440
<v Speaker 1>it okay, yes, and they're like, you know what, we'll

0:21:23.440 --> 0:21:25.600
<v Speaker 1>go find it will be the heroes. They wanted to

0:21:26.240 --> 0:21:28.200
<v Speaker 1>show the town that they're better than everybody thought that

0:21:28.240 --> 0:21:31.360
<v Speaker 1>they actually were, and so they go on this huge adventure.

0:21:31.440 --> 0:21:34.400
<v Speaker 1>You guys mentioned the train that the whole thing happens,

0:21:35.560 --> 0:21:39.080
<v Speaker 1>and I enjoyed it, but I just felt bad for

0:21:39.119 --> 0:21:42.639
<v Speaker 1>these kids the entire movie. They have really rough lives.

0:21:42.640 --> 0:21:45.600
<v Speaker 1>They go and find another kid's dead body, then they're

0:21:45.640 --> 0:21:48.240
<v Speaker 1>dealing with like older brothers who are really mean to them,

0:21:48.280 --> 0:21:51.720
<v Speaker 1>and then they're crying halfway throughout because they're learning life

0:21:51.800 --> 0:21:54.960
<v Speaker 1>lessons while they're on this adventure and you just feel

0:21:55.040 --> 0:21:57.880
<v Speaker 1>bad for each character throughout. So I was like, this

0:21:57.960 --> 0:21:59.600
<v Speaker 1>is not a funny movie. And I was like, this

0:21:59.640 --> 0:22:04.879
<v Speaker 1>is no. I think you just attached goonies to it.

0:22:04.960 --> 0:22:06.919
<v Speaker 1>I know I did, because I found I saw the

0:22:06.920 --> 0:22:08.119
<v Speaker 1>four Boys and I was like, great, this is a

0:22:08.160 --> 0:22:10.680
<v Speaker 1>goonies are going on an adventure. So it wasn't funny

0:22:10.720 --> 0:22:13.280
<v Speaker 1>at all, and it had a lot more emotions and

0:22:13.320 --> 0:22:17.560
<v Speaker 1>more seriousness attached to it. So I did enjoy it

0:22:17.600 --> 0:22:20.399
<v Speaker 1>from that aspect, but I just really ended up feeling

0:22:20.400 --> 0:22:23.040
<v Speaker 1>sad the entire time. Did you think the leech scene

0:22:23.040 --> 0:22:26.760
<v Speaker 1>was funny? Yeah? It was funny. Also weird to watch

0:22:26.800 --> 0:22:29.040
<v Speaker 1>a little kid like reached down in his hands underwear.

0:22:30.320 --> 0:22:32.359
<v Speaker 1>That felt weird. That was a weird kid. That's a

0:22:32.359 --> 0:22:33.840
<v Speaker 1>weird scene to watch as a kid. It really was.

0:22:33.880 --> 0:22:35.879
<v Speaker 1>And I thought I got leeches on my wiener everywhere

0:22:35.920 --> 0:22:37.680
<v Speaker 1>I went, now everybody of water. I was like looking

0:22:37.680 --> 0:22:40.960
<v Speaker 1>down to see what do you? What do you rate it?

0:22:41.320 --> 0:22:44.520
<v Speaker 1>So I did enjoy it. It wasn't my favorite movie

0:22:44.560 --> 0:22:46.280
<v Speaker 1>I've watched, but I give it three point five out

0:22:46.320 --> 0:22:48.679
<v Speaker 1>of five leeches it's pretty strong. Good. Three point five

0:22:48.720 --> 0:22:50.760
<v Speaker 1>out of five is good. Did it hold up since

0:22:50.800 --> 0:22:53.639
<v Speaker 1>it was eighty six? Do you feel like any of

0:22:53.680 --> 0:22:56.720
<v Speaker 1>you not liking it was because of how grainy it looked,

0:22:56.840 --> 0:22:59.320
<v Speaker 1>or any of how it was shot or looked old

0:22:59.600 --> 0:23:02.320
<v Speaker 1>not rainy. But there's definitely like words and things they

0:23:02.320 --> 0:23:04.080
<v Speaker 1>say in there that do not hold up now. But

0:23:04.119 --> 0:23:05.600
<v Speaker 1>they were in the fifties, I know. But that's what

0:23:05.640 --> 0:23:07.560
<v Speaker 1>I'm saying. That's what it doesn't hold up because there's

0:23:07.560 --> 0:23:09.600
<v Speaker 1>a lot of things you wouldn't say now and you

0:23:09.600 --> 0:23:12.639
<v Speaker 1>wouldn't talk about that way. So for that reason, I

0:23:12.640 --> 0:23:15.000
<v Speaker 1>would say it probably doesn't hold up now. Three out

0:23:15.000 --> 0:23:18.960
<v Speaker 1>of five, three point five out of five leeches like it.

0:23:18.960 --> 0:23:21.120
<v Speaker 1>It's good. Would you recommend it to somebody your age?

0:23:21.520 --> 0:23:26.680
<v Speaker 1>Probably not. Wow, it's quickly. Anyone watched a good movie

0:23:26.760 --> 0:23:30.240
<v Speaker 1>lately at all? We haven't jumped back into Elvis yet

0:23:30.640 --> 0:23:34.280
<v Speaker 1>on HBO to watch That's it's seven hours long, so cold.

0:23:34.280 --> 0:23:36.280
<v Speaker 1>Prepare yourself. It's not that long. I can watch it

0:23:36.280 --> 0:23:38.119
<v Speaker 1>over the need to intermission. Even when you're watching at home,

0:23:38.240 --> 0:23:41.040
<v Speaker 1>I need to stop it and a TV they should

0:23:41.080 --> 0:23:42.600
<v Speaker 1>force you to turn the TV off so you can

0:23:42.680 --> 0:23:45.399
<v Speaker 1>enjoy it. But yeah, yeah, pretty good any movies at all?

0:23:45.640 --> 0:23:48.679
<v Speaker 1>I don't have a movie Woodstock documentary. Amazing, guys, let

0:23:48.760 --> 0:23:50.679
<v Speaker 1>me watch the second one. I'm about to start, the

0:23:50.840 --> 0:23:52.679
<v Speaker 1>one from ninety nine. Yeah, you saw the first one

0:23:52.680 --> 0:23:53.840
<v Speaker 1>I talked about. I know, but I just want to

0:23:53.880 --> 0:23:57.520
<v Speaker 1>reiterate how awesome it was, and ninety nine is going up. Yeah,

0:23:57.520 --> 0:24:00.000
<v Speaker 1>you'll like that. I think you'll like that one personally

0:24:00.040 --> 0:24:02.120
<v Speaker 1>even better because you'll recognize a lot of the people

0:24:02.160 --> 0:24:04.520
<v Speaker 1>on there from when you were in high school. Okay, Eddie,

0:24:04.520 --> 0:24:07.160
<v Speaker 1>anything you've seen any movie late, just Pinocchio saw that

0:24:07.280 --> 0:24:10.080
<v Speaker 1>last week. It's great. I mean, it really is, but

0:24:10.119 --> 0:24:12.600
<v Speaker 1>it's just weird. I mean, it's dark. It's definitely not

0:24:12.640 --> 0:24:14.800
<v Speaker 1>the way I remember the cartoon being. Yeah, I didn't

0:24:14.840 --> 0:24:16.920
<v Speaker 1>bring this sad stuff about the cartoon. Daman's very sad.

0:24:17.160 --> 0:24:19.280
<v Speaker 1>I don't ever seen the cartoon. I just know the story.

0:24:19.359 --> 0:24:20.960
<v Speaker 1>I have another fun fact about it that I learned

0:24:21.440 --> 0:24:24.920
<v Speaker 1>his name is Pinocchio because he's made a pine. Pinocchio

0:24:25.440 --> 0:24:27.199
<v Speaker 1>didn't know that. I don't think they said that in

0:24:27.240 --> 0:24:29.560
<v Speaker 1>the original movie. What's Okio though? I think it's their

0:24:29.600 --> 0:24:33.960
<v Speaker 1>Italian so it's just like Pinocchio. All Right, Morgan, thank you.

0:24:33.960 --> 0:24:39.920
<v Speaker 1>Your next challenge is gonna be to watch Beetle Juice, Yes, Beetlejuice.

0:24:40.040 --> 0:24:43.040
<v Speaker 1>Have you ever seen Beetlejuice? You know, I've seen a

0:24:43.119 --> 0:24:45.320
<v Speaker 1>lot of pop culture things from it, but I don't

0:24:45.320 --> 0:24:47.800
<v Speaker 1>think i've watched it front to end. Michael Keaton his

0:24:47.880 --> 0:24:50.040
<v Speaker 1>Beetle Juice and if you say his name three times

0:24:50.040 --> 0:24:57.640
<v Speaker 1>he shows up. Come mister. I mean it's ball too,

0:24:57.720 --> 0:25:00.000
<v Speaker 1>So now I can get in the spirit of Halloween. Yeah,

0:25:00.000 --> 0:25:03.520
<v Speaker 1>it's perfect timing. Yeah, exactly why I wasn't but that's

0:25:03.560 --> 0:25:06.280
<v Speaker 1>exactly And it's on. It looks like it's going to

0:25:06.320 --> 0:25:09.879
<v Speaker 1>be on. What is it? Mike Peacock. Peacock, I do

0:25:09.920 --> 0:25:12.880
<v Speaker 1>have Peacock. Love it all right? Thank you Morgan. It's

0:25:12.920 --> 0:25:16.440
<v Speaker 1>the best bits of the week with Morgan number two.

0:25:17.440 --> 0:25:20.000
<v Speaker 1>It's always fun getting to hear about Amy's kids, and

0:25:20.080 --> 0:25:23.360
<v Speaker 1>she shared an update this week on her son playing football.

0:25:23.640 --> 0:25:26.840
<v Speaker 1>She had shared on Instagram his official football photo, which

0:25:26.920 --> 0:25:28.560
<v Speaker 1>is really cute and you can see that at Bobby

0:25:28.600 --> 0:25:31.000
<v Speaker 1>Bones dot com. But she also talked about if he's

0:25:31.119 --> 0:25:33.720
<v Speaker 1>liking it, how it's been going, and there is something

0:25:33.760 --> 0:25:35.960
<v Speaker 1>that he's afraid of when he plays this sport, and

0:25:36.320 --> 0:25:37.959
<v Speaker 1>you know you might relate to it. Maybe you were

0:25:38.000 --> 0:25:41.040
<v Speaker 1>like this playing sports growing up, or maybe your kids

0:25:41.040 --> 0:25:43.280
<v Speaker 1>are like this now. So here it is. Amy talks

0:25:43.320 --> 0:25:47.120
<v Speaker 1>about her son and him playing football. Number four. Amy's

0:25:47.240 --> 0:25:49.679
<v Speaker 1>son is playing football for the first time, which is awesome.

0:25:49.720 --> 0:25:53.240
<v Speaker 1>He's he's really small. Yeah, he's one of the smallest

0:25:53.280 --> 0:25:56.320
<v Speaker 1>on the team. Yeah. Might not be. Yeah, but I

0:25:56.359 --> 0:25:59.359
<v Speaker 1>admire that he's out there. But he's got hustle. He does.

0:25:59.720 --> 0:26:02.920
<v Speaker 1>So how's it going. I mean it's going. He loves

0:26:02.960 --> 0:26:05.280
<v Speaker 1>it so much, like and it's not like he's getting

0:26:05.320 --> 0:26:07.639
<v Speaker 1>tons and tons of playing time, but he doesn't have

0:26:07.640 --> 0:26:11.959
<v Speaker 1>any expectations for it. So it's awesome. I love his team,

0:26:12.080 --> 0:26:16.280
<v Speaker 1>I love his coaches. It's Navy, like they're the Navy.

0:26:16.400 --> 0:26:19.320
<v Speaker 1>They have colors. There a color, they have a mascot. Well,

0:26:19.440 --> 0:26:21.200
<v Speaker 1>they're part he's part of a league. In the league

0:26:21.200 --> 0:26:23.000
<v Speaker 1>has a name, and then inside the league you're on

0:26:23.040 --> 0:26:25.680
<v Speaker 1>a color. Each team has a color. Because they can't

0:26:25.680 --> 0:26:28.000
<v Speaker 1>even get like an animals really weird. I haven't seen

0:26:28.040 --> 0:26:31.359
<v Speaker 1>an animal. They could be like the Navy. What's the

0:26:31.440 --> 0:26:38.560
<v Speaker 1>animals end? Then? Maybe never? Never nippers called the color

0:26:38.600 --> 0:26:41.280
<v Speaker 1>than a nipper. There are any animals that start with

0:26:41.480 --> 0:26:48.040
<v Speaker 1>end or anything that starts. Have we found the animal

0:26:48.080 --> 0:26:52.080
<v Speaker 1>that interesting? The Neanderthals? I mean, that's not an animal.

0:26:52.119 --> 0:26:55.240
<v Speaker 1>But I can't believe they don't have a mascot. So

0:26:55.600 --> 0:26:59.200
<v Speaker 1>have they? Yeah? They won last weekend? Uh, we're I

0:26:59.280 --> 0:27:02.159
<v Speaker 1>mean I think that they're on a winning streak. I

0:27:02.160 --> 0:27:05.520
<v Speaker 1>don't have the full total of He hasn't scored anything.

0:27:05.600 --> 0:27:09.440
<v Speaker 1>He's played safety, but also another position that I can't remember. Um.

0:27:09.640 --> 0:27:12.120
<v Speaker 1>I love it. He's always waiting on the sideline the coach.

0:27:12.160 --> 0:27:13.879
<v Speaker 1>Even the last game we were at, the coach had

0:27:13.920 --> 0:27:16.080
<v Speaker 1>to yell at him to step back, step back, because

0:27:16.080 --> 0:27:19.560
<v Speaker 1>coaches get into it, but they're really into it. They're yelling,

0:27:20.080 --> 0:27:22.359
<v Speaker 1>and I just thought, Oh, he just got yelled at

0:27:22.400 --> 0:27:24.240
<v Speaker 1>to step back. But I love that he was eager

0:27:24.280 --> 0:27:26.359
<v Speaker 1>to be on the line watching the game. Has he

0:27:26.400 --> 0:27:29.240
<v Speaker 1>been hit hard? Yeah, and he's very scared of that.

0:27:30.440 --> 0:27:32.560
<v Speaker 1>I don't know that I should publicly say that. Why

0:27:32.680 --> 0:27:34.120
<v Speaker 1>I say it now? I hate to get hit. It's

0:27:34.119 --> 0:27:36.080
<v Speaker 1>not fun. Well, so if he ever hears this, I

0:27:36.119 --> 0:27:37.800
<v Speaker 1>don't want someone to be like, oh, so you're because

0:27:37.840 --> 0:27:39.800
<v Speaker 1>I guess kids at school sometimes listen and they might

0:27:39.840 --> 0:27:42.280
<v Speaker 1>be like, oh heard, you're scared to get hit. I

0:27:42.320 --> 0:27:44.200
<v Speaker 1>would like to say I was scared and still am

0:27:44.280 --> 0:27:47.400
<v Speaker 1>scared as an adult man. Now that's a big fear.

0:27:47.480 --> 0:27:49.119
<v Speaker 1>Like he he gets in the car and he's like,

0:27:49.160 --> 0:27:51.000
<v Speaker 1>oh man, I was really scared to get tackled. He's

0:27:51.200 --> 0:27:54.639
<v Speaker 1>but he's been reminded by everybody that knows football, like

0:27:54.760 --> 0:27:57.280
<v Speaker 1>just go all full force, Like don't You'll get hurt

0:27:57.320 --> 0:28:00.520
<v Speaker 1>if you don't go all in. And are you watching

0:28:00.560 --> 0:28:03.480
<v Speaker 1>any game tape of him? Yeah, they have a website

0:28:03.480 --> 0:28:05.760
<v Speaker 1>you can go to where you can watch the end everything.

0:28:05.840 --> 0:28:09.280
<v Speaker 1>They loaded up Dad Films. It's a little shaky, but

0:28:11.320 --> 0:28:14.000
<v Speaker 1>he could watch it. And he's watching other He's watching

0:28:14.040 --> 0:28:19.359
<v Speaker 1>college and the other NFL. Yeah, you're watching all listen.

0:28:19.440 --> 0:28:22.320
<v Speaker 1>That hadn't started. First college game started first, so he

0:28:22.400 --> 0:28:25.679
<v Speaker 1>started with college and then NFL came and he sits

0:28:25.720 --> 0:28:28.640
<v Speaker 1>down and wants to learn from the pros. I saw

0:28:28.680 --> 0:28:31.000
<v Speaker 1>the picture you posted of him on your Instagram and

0:28:31.080 --> 0:28:34.120
<v Speaker 1>you just wrote dead on it. Yeah. It's a good picture. Yeah,

0:28:34.200 --> 0:28:36.840
<v Speaker 1>except where that was confusing to some older people. I

0:28:36.880 --> 0:28:38.920
<v Speaker 1>guess in our family that followed thought he was dead.

0:28:41.280 --> 0:28:44.920
<v Speaker 1>Oh I got a text message that um and it

0:28:45.000 --> 0:28:47.600
<v Speaker 1>was very serious. It was not a joke. It's just

0:28:47.640 --> 0:28:51.160
<v Speaker 1>from older people that didn't understand quite what dead meant,

0:28:51.240 --> 0:28:54.120
<v Speaker 1>and so they were confused by the post. And I thought,

0:28:54.360 --> 0:28:57.520
<v Speaker 1>could you imagine if that is how I announced our

0:28:57.600 --> 0:29:01.520
<v Speaker 1>child died was dead and it's like a football pictures

0:29:01.560 --> 0:29:04.360
<v Speaker 1>looking tough. Yeah, like this is how we lost our son.

0:29:04.680 --> 0:29:07.240
<v Speaker 1>I mean, there's that picture is pretty legit too. It's

0:29:07.240 --> 0:29:11.320
<v Speaker 1>an awesome picture and all that's photoshop. By the way,

0:29:11.600 --> 0:29:13.800
<v Speaker 1>So will you explain to our listeners what dead means?

0:29:13.840 --> 0:29:16.840
<v Speaker 1>In case? Dead means he looks so stink and cute

0:29:16.920 --> 0:29:20.480
<v Speaker 1>in this picture that I die, Like it's so cute

0:29:20.480 --> 0:29:23.800
<v Speaker 1>and awesome that I'm dead. It's a saying, It's an expression.

0:29:24.360 --> 0:29:27.160
<v Speaker 1>It doesn't mean you've been moved with so much emotion

0:29:27.280 --> 0:29:29.880
<v Speaker 1>or feeling or reaction that it has caused you to

0:29:30.040 --> 0:29:32.800
<v Speaker 1>die in a figurative sense. Yes, there you go. Okay, Well,

0:29:32.800 --> 0:29:35.240
<v Speaker 1>good luck to him. I'm I'm excited for him. Yeah, okay,

0:29:35.280 --> 0:29:38.720
<v Speaker 1>can you catch? Yeah, he can catch, and he can throw.

0:29:39.280 --> 0:29:41.160
<v Speaker 1>I mean, it doesn't have much opportunity to do it.

0:29:41.200 --> 0:29:43.160
<v Speaker 1>But when we throw in the I mean I can

0:29:43.200 --> 0:29:48.320
<v Speaker 1>throw too. Quite Okay, we're gonna get It's the best

0:29:48.440 --> 0:29:53.000
<v Speaker 1>bits of the week with Morgan Number two a bit

0:29:53.040 --> 0:29:56.000
<v Speaker 1>controversial of a segment this week. Scuba Steve talked about

0:29:56.040 --> 0:29:59.040
<v Speaker 1>the conversation him and his wife have had to be

0:29:59.120 --> 0:30:01.479
<v Speaker 1>having lately in the several months ever since she got

0:30:01.560 --> 0:30:04.680
<v Speaker 1>pregnant with their third child, and the show kind of

0:30:04.680 --> 0:30:07.400
<v Speaker 1>went atoms on y'all listeners went atom It was, you know,

0:30:07.520 --> 0:30:10.800
<v Speaker 1>just a lot happening in this segment. But I encourage

0:30:10.800 --> 0:30:13.400
<v Speaker 1>you to listen to it and see some different perspectives

0:30:13.400 --> 0:30:16.600
<v Speaker 1>and also check out the engagement online. If you've got

0:30:16.640 --> 0:30:18.800
<v Speaker 1>a strong opinion, you can share it with us there.

0:30:18.880 --> 0:30:21.520
<v Speaker 1>You can call on the voicemail line and let Scuba

0:30:21.560 --> 0:30:23.360
<v Speaker 1>because he's got to listen to those voicemails. Though, So

0:30:23.400 --> 0:30:26.400
<v Speaker 1>y'all be nice. Everybody needs to be nice out there, Okay,

0:30:26.400 --> 0:30:29.520
<v Speaker 1>But this was a controversial segment on the show this week.

0:30:29.960 --> 0:30:33.000
<v Speaker 1>Number three Scuba Steve is our executive producer, which means

0:30:33.000 --> 0:30:35.640
<v Speaker 1>he's calling the shots from behind the glass. Scuba, what's

0:30:35.640 --> 0:30:37.760
<v Speaker 1>happening in your personal life right now? So we have

0:30:37.760 --> 0:30:40.400
<v Speaker 1>a third child coming and my wife is now looking

0:30:40.480 --> 0:30:43.040
<v Speaker 1>at the situation as do I continue on working or

0:30:43.080 --> 0:30:45.080
<v Speaker 1>do I move forward with being a stay at home mother?

0:30:45.160 --> 0:30:46.640
<v Speaker 1>Has she ever been a stay at home home never

0:30:46.720 --> 0:30:49.160
<v Speaker 1>she's worked since she's fifteen years old, so almost twenty years.

0:30:49.440 --> 0:30:51.640
<v Speaker 1>So on the third kid, Now, you guys have to

0:30:51.720 --> 0:30:53.480
<v Speaker 1>make that decision based on how much it would cost

0:30:53.480 --> 0:30:55.560
<v Speaker 1>for childcare. Yes, it's kind of outweighing that, like how

0:30:55.640 --> 0:30:57.280
<v Speaker 1>much money should bring in versable we pay for that,

0:30:57.360 --> 0:30:59.240
<v Speaker 1>and it almost breaks even, So it's not worth it

0:30:59.280 --> 0:31:02.200
<v Speaker 1>to have Fanny anymore. So if it breaks Steven, well,

0:31:02.200 --> 0:31:04.720
<v Speaker 1>but what about her mental health and what about you?

0:31:05.000 --> 0:31:07.080
<v Speaker 1>Because if she doesn't want to do it, but still,

0:31:07.160 --> 0:31:10.240
<v Speaker 1>let's say it does help a bit financially, I mean

0:31:10.320 --> 0:31:12.400
<v Speaker 1>her how she feels about it's gonna be a big deal, right,

0:31:12.480 --> 0:31:14.479
<v Speaker 1>That's the biggest concern, is that because you've done something

0:31:14.520 --> 0:31:16.680
<v Speaker 1>for so long, Like imagine you leaving radio to become

0:31:16.680 --> 0:31:18.440
<v Speaker 1>a state home father. That'd be cool, but it'd be

0:31:18.520 --> 0:31:20.960
<v Speaker 1>very tough because you're changing up what you've always known

0:31:21.040 --> 0:31:23.520
<v Speaker 1>and her independence and going to work and just all

0:31:23.520 --> 0:31:25.040
<v Speaker 1>those things that you're not going to have anymore because

0:31:25.040 --> 0:31:27.880
<v Speaker 1>you're tied to three kids at home, can't go anywhere.

0:31:28.160 --> 0:31:30.040
<v Speaker 1>These conversations have been had between you. This is the

0:31:30.080 --> 0:31:32.320
<v Speaker 1>first time I'm talking about right here on the show. Yeah, yeah,

0:31:32.680 --> 0:31:35.600
<v Speaker 1>Scoopa would do that crap. I'm really nervous about talking

0:31:35.600 --> 0:31:38.920
<v Speaker 1>to her about it. What's the conversation been like for

0:31:38.960 --> 0:31:40.720
<v Speaker 1>you too? So we've been talking about for the last

0:31:40.760 --> 0:31:43.760
<v Speaker 1>few months, just outweighing the financial side of things, which

0:31:43.760 --> 0:31:45.600
<v Speaker 1>is the most important because we have to pay for

0:31:45.600 --> 0:31:47.200
<v Speaker 1>ourselves and pay for them, but then of course the

0:31:47.800 --> 0:31:50.680
<v Speaker 1>mental side of things. And we've made the decision for

0:31:50.720 --> 0:31:52.400
<v Speaker 1>her to walk away from work, and it's going to

0:31:52.440 --> 0:31:54.960
<v Speaker 1>happen at the end of this month, so she's doing it.

0:31:55.400 --> 0:31:59.240
<v Speaker 1>Who really wanted that to happen? I think, well, I've

0:31:59.280 --> 0:32:01.120
<v Speaker 1>always wanted it. Like when I took this job initially,

0:32:01.120 --> 0:32:03.000
<v Speaker 1>and when I left la and moved here to Nashville

0:32:03.000 --> 0:32:06.040
<v Speaker 1>about two years ago, we had kind of a conversation

0:32:06.080 --> 0:32:08.200
<v Speaker 1>and she promised me she'd be a stay at home mother.

0:32:08.480 --> 0:32:10.040
<v Speaker 1>But then a month or so later, she went right

0:32:10.080 --> 0:32:12.320
<v Speaker 1>back to work. And I have to respect that as

0:32:12.320 --> 0:32:14.240
<v Speaker 1>her husband and her partner, to say that she wants

0:32:14.240 --> 0:32:16.280
<v Speaker 1>to go back to work. I understand that at the

0:32:16.320 --> 0:32:19.720
<v Speaker 1>time we could afford our lifestyle without her going to work,

0:32:19.720 --> 0:32:20.959
<v Speaker 1>but she wanted it, so I gave it to her.

0:32:21.000 --> 0:32:22.960
<v Speaker 1>But now we're at a point with three children she's

0:32:22.960 --> 0:32:25.080
<v Speaker 1>got to stay at home. So you really wanted it.

0:32:25.320 --> 0:32:27.720
<v Speaker 1>I really wanted it from the from the start end. Now, yes,

0:32:28.560 --> 0:32:31.640
<v Speaker 1>I want I want my wife raising my children. Nothing,

0:32:31.680 --> 0:32:34.440
<v Speaker 1>that's nothing wrong with it any everyone else she's great,

0:32:34.680 --> 0:32:36.840
<v Speaker 1>But but I but I My mom was was a

0:32:36.840 --> 0:32:38.560
<v Speaker 1>stay at home mom, and she raised us and gave

0:32:38.640 --> 0:32:40.560
<v Speaker 1>us all our foundations and everything. And I would like

0:32:40.600 --> 0:32:43.480
<v Speaker 1>for my wife to be that as well. So based

0:32:43.480 --> 0:32:46.479
<v Speaker 1>on how you grew up, you want to make your

0:32:46.520 --> 0:32:50.240
<v Speaker 1>wife do that? Yes? Yeah? How does she feel about her? Still?

0:32:50.640 --> 0:32:53.360
<v Speaker 1>She's well, she's very nervous. She's like, she cried at

0:32:53.360 --> 0:32:55.280
<v Speaker 1>her last meeting last week because she has to leave

0:32:55.280 --> 0:32:58.960
<v Speaker 1>this job that she loves. Um, So it's very it's

0:32:59.040 --> 0:33:02.080
<v Speaker 1>very tough with three kids. Could you have afforded for

0:33:02.120 --> 0:33:04.480
<v Speaker 1>her to go to work? Yes, she can go to work,

0:33:04.520 --> 0:33:06.040
<v Speaker 1>but then it's almost like, what's the point of going

0:33:06.080 --> 0:33:08.320
<v Speaker 1>to work. You're paying for the nanny and then there's

0:33:08.360 --> 0:33:11.640
<v Speaker 1>no money left over. I desire to work. Yeah, and

0:33:11.680 --> 0:33:13.680
<v Speaker 1>she's not raising your kids. That's also you got to

0:33:13.720 --> 0:33:15.680
<v Speaker 1>take that into account. Here's the thing that stands out

0:33:15.720 --> 0:33:18.480
<v Speaker 1>to me. Well, first of all, we can't pass down

0:33:18.720 --> 0:33:20.920
<v Speaker 1>how we were raised in things like, we can't bring

0:33:20.960 --> 0:33:23.720
<v Speaker 1>that into our own lives as much as we want to.

0:33:23.920 --> 0:33:26.840
<v Speaker 1>You have to like forge your new way. Then she

0:33:27.000 --> 0:33:28.600
<v Speaker 1>promised you she would do it, and then when she

0:33:28.720 --> 0:33:31.239
<v Speaker 1>got here, she realized, oh shoot, that's not really what

0:33:31.280 --> 0:33:33.120
<v Speaker 1>I wanted to do, so she went back to work.

0:33:33.360 --> 0:33:36.320
<v Speaker 1>That speaks volumes to me here about what she really wants.

0:33:36.400 --> 0:33:38.120
<v Speaker 1>But do you think she promised you that she would

0:33:38.160 --> 0:33:42.280
<v Speaker 1>do it only to satisfy you at that time, that

0:33:42.280 --> 0:33:44.160
<v Speaker 1>she really didn't even want to do it, Then maybe

0:33:44.160 --> 0:33:45.560
<v Speaker 1>that could have been that. Yet she gave it a

0:33:45.600 --> 0:33:47.080
<v Speaker 1>try and then was like, oh god, it was like

0:33:47.080 --> 0:33:52.560
<v Speaker 1>only a month though. Wasn't it much of a try?

0:33:52.720 --> 0:33:56.560
<v Speaker 1>It wasn't wasn't much. Wasn't much of a try? Wow, Okay, Amy,

0:33:56.560 --> 0:33:59.080
<v Speaker 1>go ahead. And so I just know I just feel

0:33:59.120 --> 0:34:02.720
<v Speaker 1>for her because, as you know, I always thought whenever

0:34:02.760 --> 0:34:05.360
<v Speaker 1>I became a mom, I would leave this show. And

0:34:05.600 --> 0:34:07.720
<v Speaker 1>there was actually times where I mean, if I had

0:34:07.760 --> 0:34:10.080
<v Speaker 1>gotten pregnant, I had thought, well, I'm going to be

0:34:10.120 --> 0:34:11.560
<v Speaker 1>a stay at a mom, so I might as well quit.

0:34:11.560 --> 0:34:14.600
<v Speaker 1>I got to raise a baby, and then it worked

0:34:14.600 --> 0:34:16.680
<v Speaker 1>out to where I adopted older children that would go

0:34:16.719 --> 0:34:18.839
<v Speaker 1>into school, So I never had to, But I think

0:34:18.840 --> 0:34:21.000
<v Speaker 1>had it come down to it, I would have tried

0:34:21.040 --> 0:34:23.479
<v Speaker 1>to stay with the show because I love my job.

0:34:23.719 --> 0:34:26.400
<v Speaker 1>I love what I do, And even though I had

0:34:26.440 --> 0:34:29.480
<v Speaker 1>made that promise to my husband and our family and

0:34:29.520 --> 0:34:31.080
<v Speaker 1>that's what I said I was going to do, I

0:34:31.120 --> 0:34:33.080
<v Speaker 1>would have gone back on it and it probably would

0:34:33.120 --> 0:34:35.200
<v Speaker 1>have been a difficult conversation in our home too. So

0:34:35.239 --> 0:34:37.759
<v Speaker 1>I get where Steve is coming from, but you have

0:34:37.840 --> 0:34:40.760
<v Speaker 1>to do what's best for her mentally. She's going to rest,

0:34:40.920 --> 0:34:44.160
<v Speaker 1>you can afford it. Yeah, I feel like she's being

0:34:44.200 --> 0:34:46.600
<v Speaker 1>bullied into this a little bit. Listen, if you want

0:34:46.600 --> 0:34:47.920
<v Speaker 1>to be a stay at home home, that's awesome. I

0:34:48.360 --> 0:34:50.880
<v Speaker 1>think that's amazing. But it's it's you know, it's not

0:34:50.920 --> 0:34:55.319
<v Speaker 1>for everybody, right, it's for some people and those stay

0:34:55.320 --> 0:34:57.360
<v Speaker 1>at home moms or stay at home dads. Yes, that

0:34:57.520 --> 0:35:01.640
<v Speaker 1>you're a bit. You're a fundamental reason. You're the reason

0:35:01.760 --> 0:35:05.160
<v Speaker 1>your child has whatever they have, right, I mean you're

0:35:05.200 --> 0:35:06.920
<v Speaker 1>there with them every day. You're making a difference. But

0:35:06.960 --> 0:35:08.520
<v Speaker 1>if you don't want to do it, if it's I

0:35:08.520 --> 0:35:10.160
<v Speaker 1>don't think you're a good I don't think you can

0:35:10.160 --> 0:35:12.000
<v Speaker 1>be a good one if you don't have the desire

0:35:12.040 --> 0:35:13.600
<v Speaker 1>to actually do it, and it doesn't mean you love

0:35:13.640 --> 0:35:15.319
<v Speaker 1>your kids any less or they're going to be less

0:35:15.320 --> 0:35:19.279
<v Speaker 1>supported in any way. But Scooba, I would encourage you

0:35:19.320 --> 0:35:21.680
<v Speaker 1>to talk to someone about it. He just did. He

0:35:21.880 --> 0:35:24.040
<v Speaker 1>talked to us, no, we're not experts, and talked to

0:35:24.120 --> 0:35:26.839
<v Speaker 1>his wife. She made a promise. I think he made

0:35:26.840 --> 0:35:29.560
<v Speaker 1>her promise. I think he made her make a promise, right,

0:35:30.000 --> 0:35:32.800
<v Speaker 1>and she tried it not really much of a try

0:35:32.920 --> 0:35:36.319
<v Speaker 1>a month. I mean, imagine if you had a kid

0:35:36.320 --> 0:35:38.160
<v Speaker 1>and you said, hey, I want you go try college

0:35:38.200 --> 0:35:39.719
<v Speaker 1>and they go for a month, it's not for me.

0:35:40.000 --> 0:35:41.560
<v Speaker 1>Would you be like, okay, cool, you know you gave

0:35:41.600 --> 0:35:43.040
<v Speaker 1>it a try, or would you be like, no, you

0:35:43.080 --> 0:35:45.279
<v Speaker 1>need pretty good sample size. Would just stick it out

0:35:45.280 --> 0:35:48.000
<v Speaker 1>for a semester? Can you can she do? Okay, make

0:35:48.000 --> 0:35:53.080
<v Speaker 1>a deal, okay, have her do a semester. Okay, semester? Yeah,

0:35:53.120 --> 0:35:55.560
<v Speaker 1>stay at home mom, Okay. No. I'm just using what

0:35:55.680 --> 0:35:59.520
<v Speaker 1>Lunchbox is saying and say, hey, look absolutely I understand

0:35:59.520 --> 0:36:01.920
<v Speaker 1>your desire to not be home all the time with

0:36:02.000 --> 0:36:04.759
<v Speaker 1>the kids. So what if you do it this time

0:36:04.920 --> 0:36:08.759
<v Speaker 1>for four months and after four or five months you

0:36:08.800 --> 0:36:10.440
<v Speaker 1>still are like, I don't think this is for me,

0:36:10.680 --> 0:36:13.000
<v Speaker 1>we can actually readdress that. Yeah, and I think you

0:36:13.080 --> 0:36:15.440
<v Speaker 1>leave the option open for both of you. She doesn't

0:36:15.480 --> 0:36:17.520
<v Speaker 1>feel like she's being painted into a corner or has

0:36:17.560 --> 0:36:19.080
<v Speaker 1>painted herself into a corner by saying this. Now, I

0:36:19.120 --> 0:36:20.640
<v Speaker 1>gotta live up to my promise. I promise that you

0:36:20.680 --> 0:36:24.799
<v Speaker 1>made her give anyway, honestly. Okay, and Amy brings up

0:36:24.840 --> 0:36:28.600
<v Speaker 1>a great point. You are holding her to your standard

0:36:28.600 --> 0:36:31.480
<v Speaker 1>because of your mom. Okay, Now, it would be a

0:36:31.520 --> 0:36:34.279
<v Speaker 1>great compromise if after a few months she still was

0:36:34.320 --> 0:36:36.200
<v Speaker 1>to stay at home mother, but to satisfy the need

0:36:36.239 --> 0:36:38.600
<v Speaker 1>of going to work, she works from home like part time.

0:36:38.640 --> 0:36:41.160
<v Speaker 1>But I think probably people that want to work, it's

0:36:41.160 --> 0:36:45.480
<v Speaker 1>more about getting a social getting out. Yeah, google out

0:36:45.480 --> 0:36:47.439
<v Speaker 1>and do stuff. No, no, no, just you. She sees

0:36:47.440 --> 0:36:49.440
<v Speaker 1>you all the time. Yeah, well no, I'm gonna here

0:36:49.440 --> 0:36:50.960
<v Speaker 1>a lot. But yeah, she'll get to see me more

0:36:51.000 --> 0:36:53.600
<v Speaker 1>maybe maybe. Okay, this is all I'm gonna say. Okay,

0:36:54.080 --> 0:36:55.800
<v Speaker 1>I love it that you guys are having these conversations

0:36:55.800 --> 0:36:59.080
<v Speaker 1>about your kids. That's great. Yeah. I think she promised

0:36:59.120 --> 0:37:01.880
<v Speaker 1>you initially only to go Okay, this will never happen,

0:37:02.360 --> 0:37:04.080
<v Speaker 1>or she gave it a try, and then she gave

0:37:04.080 --> 0:37:05.880
<v Speaker 1>it a shot and didn't like it. Yeah, Jane, I'll

0:37:05.920 --> 0:37:08.160
<v Speaker 1>like it this time either, buddy, Okay, Yeah, Like, I

0:37:08.800 --> 0:37:12.719
<v Speaker 1>just think that this needs more conversation with experts, and

0:37:12.760 --> 0:37:14.919
<v Speaker 1>you should open yourself up to therapy because I'll talked

0:37:14.920 --> 0:37:20.120
<v Speaker 1>about you the same time. Yeah, but instead of saying forever,

0:37:20.239 --> 0:37:23.399
<v Speaker 1>say let's try it for four or five months, making

0:37:23.640 --> 0:37:25.400
<v Speaker 1>a number and say, hey, let's readdress it then and

0:37:25.440 --> 0:37:27.680
<v Speaker 1>if you're just absolutely not happy, let's figure out how

0:37:27.719 --> 0:37:32.000
<v Speaker 1>to make you happy. Okay, Okay, that's good advice. Three.

0:37:32.000 --> 0:37:36.120
<v Speaker 1>I vote three months. I feel like four or five months. No, No,

0:37:36.120 --> 0:37:39.839
<v Speaker 1>a semester too long. She's not a holidays, an adult woman,

0:37:40.120 --> 0:37:43.319
<v Speaker 1>and she's like, I don't can't even believe we're having

0:37:43.320 --> 0:37:45.239
<v Speaker 1>to give her this. Okay, four months go by? I

0:37:45.239 --> 0:37:47.319
<v Speaker 1>said five four months? Okay, four months, that's a good

0:37:47.360 --> 0:37:50.120
<v Speaker 1>cover month sounds like a semester to me. Yes, all right, Scooba,

0:37:50.200 --> 0:37:52.239
<v Speaker 1>good light, buddy, thank you. Do you want to say

0:37:52.280 --> 0:37:53.960
<v Speaker 1>when you're having your next kid? Can you? Yeah? It's

0:37:54.040 --> 0:37:57.040
<v Speaker 1>January January. I think January sixth is the due date.

0:37:57.120 --> 0:37:58.920
<v Speaker 1>And she's already told her job she's leaving. Yeah, she's

0:37:59.000 --> 0:38:01.000
<v Speaker 1>leaving at the end of this month out and she cried,

0:38:01.160 --> 0:38:02.759
<v Speaker 1>she cried her he has a replacement. And then we

0:38:02.800 --> 0:38:07.440
<v Speaker 1>said last meeting. She cried, I didn't know. Yeah, good luck, buddy,

0:38:07.520 --> 0:38:11.200
<v Speaker 1>Thank you appreciate it. It's the best bits of the

0:38:11.239 --> 0:38:18.520
<v Speaker 1>week with Morgan. Number two, the awesome group A Little

0:38:18.560 --> 0:38:21.520
<v Speaker 1>Big Down stopped by the studio. They just dropped a

0:38:21.600 --> 0:38:24.640
<v Speaker 1>new album and talked about the different songs on it. Also,

0:38:24.719 --> 0:38:27.960
<v Speaker 1>one of the songs in particular, took them years to write.

0:38:27.960 --> 0:38:30.000
<v Speaker 1>And I say them, but it's actually just one of

0:38:30.000 --> 0:38:32.920
<v Speaker 1>the band members who has been working and writing the

0:38:32.960 --> 0:38:35.920
<v Speaker 1>song and finally he finished it and was ready to

0:38:35.920 --> 0:38:38.040
<v Speaker 1>put it on a record after everyone heard it. So

0:38:38.400 --> 0:38:40.759
<v Speaker 1>I encourage you to listen to this entire interview if

0:38:40.760 --> 0:38:43.000
<v Speaker 1>you want to watch and see them all laughing and

0:38:43.040 --> 0:38:45.400
<v Speaker 1>smiling sitting in the studio together. That's fun too. You

0:38:45.400 --> 0:38:48.240
<v Speaker 1>can check that out at Bobby Bones dot com. Number

0:38:48.239 --> 0:38:53.120
<v Speaker 1>two morning, everybody good. So do you guys know And

0:38:53.160 --> 0:38:55.160
<v Speaker 1>maybe it's gotten back to you that I can't say

0:38:55.160 --> 0:38:57.800
<v Speaker 1>the name of your song? Oh yeah, you don't cuss?

0:38:58.040 --> 0:39:06.120
<v Speaker 1>I remember this from Our Little Boy? Is that really

0:39:06.160 --> 0:39:10.759
<v Speaker 1>a curse word? Well, in context, if you said, yeah,

0:39:11.040 --> 0:39:14.600
<v Speaker 1>we're going to hell I would say no, because that's

0:39:14.600 --> 0:39:18.960
<v Speaker 1>a place theoretically, but right when it's a feeling. But

0:39:19.560 --> 0:39:25.319
<v Speaker 1>I used to not cuss either, but then life and

0:39:25.320 --> 0:39:27.120
<v Speaker 1>then we came along. But they say it's so forever,

0:39:27.120 --> 0:39:28.839
<v Speaker 1>we're going to do it. I'll say, hey, here's a

0:39:28.840 --> 0:39:31.279
<v Speaker 1>new little bigtown song. Hey, hell yeah, yeah? What if

0:39:31.320 --> 0:39:33.399
<v Speaker 1>you said what if you said what if you said

0:39:33.440 --> 0:39:36.040
<v Speaker 1>hell yeah? I would I would never say that hell yeah,

0:39:36.760 --> 0:39:38.680
<v Speaker 1>hell what have you been? Scottie mccurrey song, which is

0:39:38.680 --> 0:39:41.319
<v Speaker 1>like a ten year number one, I wouldn't say it.

0:39:41.400 --> 0:39:43.400
<v Speaker 1>He cut us a version of dang strait? What do

0:39:43.480 --> 0:39:45.640
<v Speaker 1>you think is going to happen if you say it? Well,

0:39:45.840 --> 0:39:48.400
<v Speaker 1>I really new business. Don't cuss, because then if you

0:39:48.400 --> 0:39:50.439
<v Speaker 1>get in the habit of cussing and then you mess

0:39:50.560 --> 0:39:53.040
<v Speaker 1>up on the radio. I think most people in my

0:39:53.040 --> 0:39:57.960
<v Speaker 1>business cuss a whole lot. But well, yes, yes, if

0:39:57.960 --> 0:40:01.759
<v Speaker 1>I write, because again I do clean comedy and write

0:40:01.800 --> 0:40:04.479
<v Speaker 1>kids books and I love that. Bobby, thank you got kids?

0:40:04.520 --> 0:40:06.800
<v Speaker 1>I say, hell, I know, but I don't want to

0:40:06.800 --> 0:40:08.440
<v Speaker 1>crutch it because I will. I used to curse, but

0:40:08.480 --> 0:40:11.640
<v Speaker 1>it'll always be a crutch for me. My kid says, hell, well,

0:40:11.800 --> 0:40:15.319
<v Speaker 1>I see, that's what Happens because of our songs. So

0:40:15.440 --> 0:40:19.840
<v Speaker 1>does mom. Yeah, the kids love this song. What what happens?

0:40:19.880 --> 0:40:22.240
<v Speaker 1>If you do say it, what's I'll break my streak

0:40:22.239 --> 0:40:27.280
<v Speaker 1>of like four years. Oh say it in songs, Mobby

0:40:27.640 --> 0:40:30.480
<v Speaker 1>and I completely understand. And if I was acting, I

0:40:31.040 --> 0:40:32.960
<v Speaker 1>was like, this is a role and you're going to

0:40:33.000 --> 0:40:35.400
<v Speaker 1>play the role of Fford guy. I'd be like, well, okay,

0:40:35.480 --> 0:40:37.880
<v Speaker 1>I gotta go, and so, what what's the next single?

0:40:37.920 --> 0:40:47.359
<v Speaker 1>F No, Yes, you'd have to say it the song.

0:40:47.520 --> 0:40:49.799
<v Speaker 1>The song is really good. The new album's out today.

0:40:49.880 --> 0:40:52.279
<v Speaker 1>Thank you. I just did. I just won't say the

0:40:52.360 --> 0:40:54.480
<v Speaker 1>name of us. Didn't hurt Scotty McCarry. If anything, it

0:40:54.560 --> 0:40:57.200
<v Speaker 1>helped him because we talked about it a bunch and

0:40:57.400 --> 0:41:00.239
<v Speaker 1>it became a little story. And so I'm protesting years

0:41:00.239 --> 0:41:03.920
<v Speaker 1>so long. It's anything for a story. I'm protesting it, actually,

0:41:03.920 --> 0:41:07.640
<v Speaker 1>and I think everyone should. You would you write it

0:41:07.680 --> 0:41:09.480
<v Speaker 1>on a billboard? Yeah? You know, I don't know what

0:41:09.480 --> 0:41:11.919
<v Speaker 1>you're talking about that, I don't know. I would just saying,

0:41:12.120 --> 0:41:15.000
<v Speaker 1>you know, if you want to advertiger song. So new

0:41:15.040 --> 0:41:18.040
<v Speaker 1>album out today. At this point, you guys have had

0:41:18.080 --> 0:41:20.200
<v Speaker 1>so much success over so many years, Like, how do

0:41:20.239 --> 0:41:22.799
<v Speaker 1>you even pick good songs anymore, Karen, Like, how do

0:41:22.840 --> 0:41:24.839
<v Speaker 1>you How are you picking the songs that you're doing now?

0:41:25.920 --> 0:41:29.160
<v Speaker 1>I mean, we're just writing, writing like crazy. And that's

0:41:29.160 --> 0:41:31.720
<v Speaker 1>why there's sixteen songs on the record, because you couldn't decide.

0:41:32.320 --> 0:41:36.080
<v Speaker 1>Everybody gets more lay there. Yeah, it's really hard to

0:41:36.160 --> 0:41:38.880
<v Speaker 1>narrow it down, you know. But um, I love this

0:41:38.920 --> 0:41:43.040
<v Speaker 1>record and hopefully everyone will love it, including hell Yeah. Yeah,

0:41:43.160 --> 0:41:45.840
<v Speaker 1>I just love the feeling of this record. It's like

0:41:45.880 --> 0:41:48.160
<v Speaker 1>a breath of fresh air. Yeah. I like track four.

0:41:48.280 --> 0:41:55.240
<v Speaker 1>Holy es, Wow, that's all my favorite. It's not true,

0:41:55.360 --> 0:41:58.400
<v Speaker 1>it's not true, it's not true. Just a record of

0:41:58.480 --> 0:42:03.280
<v Speaker 1>cussing titles. I think that's a good track. Seven Fu

0:42:04.719 --> 0:42:06.800
<v Speaker 1>let's do this because I like to know why mostly

0:42:06.800 --> 0:42:09.040
<v Speaker 1>the first in the last song when you do an album, right,

0:42:09.040 --> 0:42:11.719
<v Speaker 1>like why because those two songs are really the two

0:42:11.760 --> 0:42:13.080
<v Speaker 1>that you talk about the most. But we want to

0:42:13.080 --> 0:42:15.760
<v Speaker 1>start with what do we want to end with, Kimberly

0:42:15.840 --> 0:42:18.720
<v Speaker 1>why All Summer as the very first track. All Summer

0:42:18.920 --> 0:42:21.279
<v Speaker 1>was one of the first songs we recorded for the

0:42:21.320 --> 0:42:23.680
<v Speaker 1>record after COVID, when we finally got back together and

0:42:23.760 --> 0:42:26.200
<v Speaker 1>started getting in the studio with Masks one, which was

0:42:26.239 --> 0:42:29.000
<v Speaker 1>so weird. UM. So it's one of the first ones

0:42:29.080 --> 0:42:33.360
<v Speaker 1>we cut and it kind of set the tone for UM.

0:42:33.719 --> 0:42:38.799
<v Speaker 1>It's just fun and hopefulness and getting back together and

0:42:38.880 --> 0:42:41.200
<v Speaker 1>having a good time. So that's why we decided to

0:42:41.200 --> 0:42:43.120
<v Speaker 1>start the record the same way. Ray, can you play

0:42:43.120 --> 0:42:44.799
<v Speaker 1>a little bit of that for me? Here is track one.

0:42:44.840 --> 0:42:52.480
<v Speaker 1>This is awesome, it's easy and it's fun. You want

0:42:52.560 --> 0:43:02.440
<v Speaker 1>to dream between means good, it's fun. Start, it's like,

0:43:02.480 --> 0:43:05.160
<v Speaker 1>here we are, We're here to get Let's go to

0:43:05.200 --> 0:43:08.120
<v Speaker 1>the last track, Jimmy Friends of Mine, that's the last track.

0:43:08.200 --> 0:43:11.799
<v Speaker 1>Why Uh. This is a song that we wrote right

0:43:11.840 --> 0:43:14.600
<v Speaker 1>at the end while of the Nightfall record. We we

0:43:14.640 --> 0:43:17.040
<v Speaker 1>had a week with Foy Evans and I don't know

0:43:17.040 --> 0:43:19.440
<v Speaker 1>if you've ever met that dude, but he's just a

0:43:19.520 --> 0:43:23.600
<v Speaker 1>magical dude and we we've written some really great songs

0:43:23.600 --> 0:43:28.800
<v Speaker 1>with him, and this one UM felt like just even

0:43:29.000 --> 0:43:31.879
<v Speaker 1>you know, coming out of the past few years, there

0:43:32.080 --> 0:43:37.399
<v Speaker 1>there's just this encouragement for people, like, you know, things

0:43:37.400 --> 0:43:39.400
<v Speaker 1>are getting better. It's the same kind of thing we

0:43:39.400 --> 0:43:42.120
<v Speaker 1>were talking about with the beginning at the end, and

0:43:42.400 --> 0:43:45.279
<v Speaker 1>we thought it would be when we wrote it, we

0:43:45.360 --> 0:43:47.560
<v Speaker 1>felt like it was a good closer for a show.

0:43:48.440 --> 0:43:51.200
<v Speaker 1>Um almost like a thank you to the fans and

0:43:51.239 --> 0:43:53.920
<v Speaker 1>an encouragement, and it felt the same for the record,

0:43:54.040 --> 0:43:56.080
<v Speaker 1>so we ended with that. It's one of my favorite

0:43:56.080 --> 0:43:58.560
<v Speaker 1>things we've ever cut. Do We have a little bit

0:43:58.600 --> 0:44:03.919
<v Speaker 1>of Friends of Mine? Ray, every one news and you live.

0:44:04.640 --> 0:44:13.280
<v Speaker 1>Sometimes the wind blows the ray you rise. I see

0:44:13.960 --> 0:44:23.680
<v Speaker 1>cup Field with kinds racial glass, take a rich dres

0:44:24.600 --> 0:44:27.839
<v Speaker 1>of mind and sounds like in the church. Yeah, that's

0:44:28.080 --> 0:44:30.200
<v Speaker 1>kind of yeah. What's got a little gospel? You feel

0:44:30.360 --> 0:44:34.120
<v Speaker 1>in the whole production of it. We had some church

0:44:34.200 --> 0:44:38.600
<v Speaker 1>in the studio too. We wrote so much fun together. Yeah, Jimmy,

0:44:38.719 --> 0:44:39.960
<v Speaker 1>since you got the mic up, I want to talk

0:44:39.960 --> 0:44:41.480
<v Speaker 1>about rich Man for a second, because you wrote this

0:44:41.520 --> 0:44:43.680
<v Speaker 1>one by yourself. I think this is the only song

0:44:43.719 --> 0:44:47.120
<v Speaker 1>that was singularly written, and so why let me play

0:44:47.120 --> 0:44:49.480
<v Speaker 1>a little bit first. It's number nine Ray rich Man. Yeah,

0:44:49.760 --> 0:44:58.000
<v Speaker 1>my southing. I looking for particle that it was stuff

0:44:58.160 --> 0:45:04.640
<v Speaker 1>means to me keep my head up on the ground.

0:45:08.880 --> 0:45:16.880
<v Speaker 1>It's just that Sam Damn, I'm a bitch man. I

0:45:17.040 --> 0:45:19.960
<v Speaker 1>romanticize single, writes Jimmy, Where I imagine you wake up

0:45:19.960 --> 0:45:22.000
<v Speaker 1>at two in the morning and you've got something burden

0:45:22.080 --> 0:45:27.480
<v Speaker 1>in you, and you get a glass of milk. You

0:45:27.560 --> 0:45:29.560
<v Speaker 1>go onto the kitchen table and you you take out

0:45:29.600 --> 0:45:34.120
<v Speaker 1>a pen with a quill, a quill, and you grab

0:45:34.160 --> 0:45:36.960
<v Speaker 1>a notebook and you go and you just can't. It

0:45:37.000 --> 0:45:39.279
<v Speaker 1>all pours out of you. And then you walk into

0:45:39.320 --> 0:45:41.719
<v Speaker 1>your bedroom. Your guest room's got a little studio, and

0:45:41.760 --> 0:45:43.080
<v Speaker 1>you record it and you take it to the guys

0:45:43.080 --> 0:45:44.400
<v Speaker 1>and you never go to sleep that night. And you

0:45:44.440 --> 0:45:46.239
<v Speaker 1>go guys that wrote this song called rich Man, you

0:45:46.280 --> 0:45:48.120
<v Speaker 1>play it for and they all cry, and then they

0:45:48.160 --> 0:45:51.120
<v Speaker 1>all decide to record it. And that, to me is

0:45:51.200 --> 0:45:54.000
<v Speaker 1>how how accurate is that? It's exactly how it happens.

0:45:55.280 --> 0:46:01.200
<v Speaker 1>It's that story spread over ten years many night. I

0:46:01.280 --> 0:46:05.600
<v Speaker 1>actually started writing that song, I think probably around two

0:46:05.640 --> 0:46:09.479
<v Speaker 1>thousand and nine, and it was one of those that

0:46:10.400 --> 0:46:13.759
<v Speaker 1>I don't know, I just couldn't ever settle on that

0:46:13.880 --> 0:46:17.640
<v Speaker 1>it was finished. It wasn't right, And it was It's

0:46:17.640 --> 0:46:20.000
<v Speaker 1>one that whenever I would sit down at home by

0:46:20.040 --> 0:46:25.120
<v Speaker 1>myself and with a glass of milk, that it would

0:46:25.120 --> 0:46:28.120
<v Speaker 1>always come back around. So it's just kind of hung around.

0:46:28.160 --> 0:46:31.319
<v Speaker 1>And I finally finished it about a year ago and

0:46:31.360 --> 0:46:33.160
<v Speaker 1>we were at a Karen and I were at a

0:46:33.200 --> 0:46:36.399
<v Speaker 1>friend's house. There were a couple of friends over and

0:46:37.400 --> 0:46:39.080
<v Speaker 1>one of them was like, hey, play me something I

0:46:39.120 --> 0:46:42.480
<v Speaker 1>haven't heard before. And the record is done, by the

0:46:42.480 --> 0:46:45.279
<v Speaker 1>way at this point, and so I played it for

0:46:45.360 --> 0:46:52.000
<v Speaker 1>him and their reaction was so genuine and emotional that

0:46:52.200 --> 0:46:54.399
<v Speaker 1>Karen and I looked at each other like, well, maybe

0:46:54.400 --> 0:46:57.520
<v Speaker 1>we should cut one more song. So so we went

0:46:57.520 --> 0:47:01.520
<v Speaker 1>in three days later and cut the track and it's

0:47:01.520 --> 0:47:04.200
<v Speaker 1>on the record. It was never really going to be

0:47:04.520 --> 0:47:07.120
<v Speaker 1>until it was pretty much nailed the emotional part though,

0:47:07.120 --> 0:47:11.920
<v Speaker 1>didn't They don't cry? Yes, it was all there, spread

0:47:11.960 --> 0:47:14.520
<v Speaker 1>out a little longer. That's right. When you when we

0:47:14.560 --> 0:47:17.319
<v Speaker 1>sat down and you said you can't say our song,

0:47:17.520 --> 0:47:19.680
<v Speaker 1>I thought it was it's thought of a rich man.

0:47:19.760 --> 0:47:22.399
<v Speaker 1>I was like, you can't call yourself rich? I thought.

0:47:22.440 --> 0:47:33.080
<v Speaker 1>I was thinking that's a secret. Yeah I anyway, So yeah,

0:47:33.280 --> 0:47:36.320
<v Speaker 1>so yes, when Taylor put out better Man from the

0:47:36.360 --> 0:47:38.600
<v Speaker 1>Vault right right, because you know, you guys put out

0:47:38.600 --> 0:47:40.760
<v Speaker 1>the song was massive song and it was like, Wow,

0:47:40.840 --> 0:47:42.640
<v Speaker 1>Taylor wrote it and got it to you guys. But

0:47:42.680 --> 0:47:44.440
<v Speaker 1>then she puts it out herself. Is that cool to

0:47:44.520 --> 0:47:49.640
<v Speaker 1>you guys? You liked it? Yeah? I mean, yeah, of course,

0:47:49.680 --> 0:47:52.440
<v Speaker 1>I mean her fans. You know, she has an army,

0:47:53.080 --> 0:47:55.640
<v Speaker 1>as we all know of fans, and you know, there

0:47:55.680 --> 0:47:58.040
<v Speaker 1>were some that were like, we don't want to hear

0:47:58.160 --> 0:48:04.160
<v Speaker 1>Karen sing this anymore, know, Yeah, but we don't care.

0:48:04.360 --> 0:48:07.239
<v Speaker 1>I mean, it's it's incredible. The whole story of that

0:48:07.520 --> 0:48:10.680
<v Speaker 1>journey of that song and to hear her version is

0:48:11.040 --> 0:48:12.880
<v Speaker 1>I mean we got to hear it years ago, you know,

0:48:12.960 --> 0:48:15.840
<v Speaker 1>and um, yeah, I think it was. It was really cool.

0:48:15.960 --> 0:48:19.839
<v Speaker 1>What's the hardest little big town song to sing? Better Man?

0:48:21.120 --> 0:48:25.320
<v Speaker 1>Better Man's pretty hard? Yeah, that man's hard. Um where

0:48:25.440 --> 0:48:27.520
<v Speaker 1>where if you're not feeling just right, you might not

0:48:27.640 --> 0:48:30.880
<v Speaker 1>sing it that night because somebody like, what's vocally the

0:48:30.960 --> 0:48:33.719
<v Speaker 1>most challenging for the group to do? We have a

0:48:33.760 --> 0:48:36.520
<v Speaker 1>few of those for me when someone stops loving he

0:48:36.640 --> 0:48:40.040
<v Speaker 1>was really hard. Yeah, you got to be really accurate. Yeah, yeah,

0:48:40.280 --> 0:48:42.360
<v Speaker 1>you're very exposed on that. I mean, we all have

0:48:42.440 --> 0:48:45.640
<v Speaker 1>a kind of a different one, and so you know,

0:48:46.600 --> 0:48:48.759
<v Speaker 1>most of the time we just sing him anyway, just

0:48:48.840 --> 0:48:51.680
<v Speaker 1>let it out. Just do you ever watch back and

0:48:51.719 --> 0:48:55.879
<v Speaker 1>clip and go two things. One, Wow, we are really good,

0:48:55.920 --> 0:48:58.479
<v Speaker 1>like on Instagram, so I tags you and then holy crap,

0:48:58.560 --> 0:49:02.919
<v Speaker 1>that was not good. Like both of those. When someone

0:49:02.960 --> 0:49:08.360
<v Speaker 1>records from the crowds coming in but still liked you

0:49:08.360 --> 0:49:11.560
<v Speaker 1>ever hear yourself, ag, we are awesome? Yes, yes, ever

0:49:11.600 --> 0:49:16.239
<v Speaker 1>do that I have? Yes, I mean but because you

0:49:16.280 --> 0:49:20.319
<v Speaker 1>are well, thank you, thank you, But we have good nights. Yeah.

0:49:20.360 --> 0:49:22.319
<v Speaker 1>But then yeah, I just heard something the other day

0:49:22.360 --> 0:49:25.640
<v Speaker 1>and I was like, crap, yeah, and it was like

0:49:25.680 --> 0:49:28.000
<v Speaker 1>there was so much low end from the fans phone

0:49:28.800 --> 0:49:31.200
<v Speaker 1>that you couldn't really hear, like with the center of pitch,

0:49:31.560 --> 0:49:33.319
<v Speaker 1>you know what I mean. It's like you said, it's

0:49:33.320 --> 0:49:36.200
<v Speaker 1>like not really your true reading. That's what I say

0:49:36.239 --> 0:49:37.880
<v Speaker 1>to and I hear me back. I'm like, there's cans

0:49:37.960 --> 0:49:40.919
<v Speaker 1>none of it. They're not laughing at all. That must

0:49:40.960 --> 0:49:46.000
<v Speaker 1>be some issue with the recording of the crowd When

0:49:46.080 --> 0:49:48.600
<v Speaker 1>what's the easiest, most fun song for you guys to

0:49:48.640 --> 0:49:50.839
<v Speaker 1>sing where it doesn't matter if you're sick or not,

0:49:51.000 --> 0:49:52.360
<v Speaker 1>Like if you got one that you know you can

0:49:52.480 --> 0:49:55.640
<v Speaker 1>nail all the time, what is it? Always says yeah,

0:49:55.680 --> 0:49:57.279
<v Speaker 1>because we really don't have to sing it. We can

0:49:57.320 --> 0:50:04.600
<v Speaker 1>just go o yeah, yeah, pontoons that way. Yeah. What's

0:50:04.600 --> 0:50:06.880
<v Speaker 1>the last performance you guys had where you were nervous

0:50:08.280 --> 0:50:10.960
<v Speaker 1>at the result, meaning all right, we're going to do

0:50:11.000 --> 0:50:14.040
<v Speaker 1>this either big show or big appearance, and let's hope

0:50:14.040 --> 0:50:16.719
<v Speaker 1>after we're done people blank like like you or the crowd.

0:50:16.719 --> 0:50:18.120
<v Speaker 1>I don't know what was the last like big performance.

0:50:18.160 --> 0:50:20.520
<v Speaker 1>We were nervous. We were in Dublin, Ireland opening for

0:50:20.560 --> 0:50:23.680
<v Speaker 1>the Eagles and it was rainy in the stage was slick,

0:50:23.760 --> 0:50:25.560
<v Speaker 1>and I think I was That was the most nervous

0:50:25.640 --> 0:50:28.200
<v Speaker 1>I had been in a long time. The crowd didn't

0:50:28.200 --> 0:50:32.560
<v Speaker 1>know us, and we were just like, oh, that's unfamiliar. Huh,

0:50:32.560 --> 0:50:35.600
<v Speaker 1>it's really hard. It was. It was daylight and you're like, well,

0:50:35.719 --> 0:50:40.360
<v Speaker 1>there's no tricks, there's no spotlights, there's no smoke. You know,

0:50:40.440 --> 0:50:42.680
<v Speaker 1>it's like just got to get out there and earn

0:50:42.719 --> 0:50:45.440
<v Speaker 1>our way. Mind you're the early artist days, everyone on

0:50:45.520 --> 0:50:48.080
<v Speaker 1>the daytime on the festival. Yeah. Yeah, it was fun, though.

0:50:48.280 --> 0:50:51.279
<v Speaker 1>I got super nervous at the ACM Honors because he

0:50:51.440 --> 0:50:54.120
<v Speaker 1>was Yeah, I'll say that too. We were singing house

0:50:54.120 --> 0:50:57.080
<v Speaker 1>that Built Me for Miranda, you don't want to miss

0:50:57.080 --> 0:50:58.719
<v Speaker 1>that song? Well no, and she's like one of our

0:50:58.760 --> 0:51:01.040
<v Speaker 1>best friends and she's sitting on the front row and

0:51:01.320 --> 0:51:05.160
<v Speaker 1>along with a lot of really famous Yeah, and I

0:51:05.440 --> 0:51:09.000
<v Speaker 1>don't know, I just got like very okay, me too.

0:51:09.320 --> 0:51:11.520
<v Speaker 1>I'm singing. I would say that's my last time where

0:51:11.560 --> 0:51:14.400
<v Speaker 1>I was like, and you think about Alan Chamblin and

0:51:14.520 --> 0:51:17.560
<v Speaker 1>Tom Douglas hearing their song. Um, but yeah, I got

0:51:17.600 --> 0:51:20.399
<v Speaker 1>a little a little nervous. The record is out, all

0:51:20.480 --> 0:51:25.440
<v Speaker 1>sixteen tracks, almost a double album. Have a double album.

0:51:25.520 --> 0:51:26.960
<v Speaker 1>We had to cut it down. We had a whittled

0:51:26.960 --> 0:51:30.200
<v Speaker 1>down to sixteen. It is called Mister Sun. It is

0:51:30.239 --> 0:51:35.000
<v Speaker 1>out now. It I think I've heard probably nine of

0:51:35.040 --> 0:51:38.239
<v Speaker 1>the sixteen, which I think for me, it's pretty good.

0:51:38.239 --> 0:51:43.200
<v Speaker 1>I'll be honest with you, I mean long expect yeah,

0:51:43.200 --> 0:51:44.800
<v Speaker 1>longer the days where I'm listening to anything. I'll be

0:51:44.800 --> 0:51:47.400
<v Speaker 1>honest with you. But I did try to get to all.

0:51:47.680 --> 0:51:49.040
<v Speaker 1>I guess I didn't have all the tracks because I

0:51:49.040 --> 0:51:50.720
<v Speaker 1>got at one of those versions where it's like here's

0:51:50.920 --> 0:51:53.160
<v Speaker 1>band's early new music, and then I think I had

0:51:53.160 --> 0:51:55.120
<v Speaker 1>to go to the bathroom or something, and I refused

0:51:55.160 --> 0:51:56.880
<v Speaker 1>to take you guys into the bathroom with me. I

0:51:56.960 --> 0:52:00.879
<v Speaker 1>respect that, we really appreciate. Yes, I listened to it all.

0:52:00.880 --> 0:52:02.040
<v Speaker 1>I was like working and then had to go to

0:52:02.040 --> 0:52:04.399
<v Speaker 1>the bathroom and how to take a long time, So

0:52:04.600 --> 0:52:07.480
<v Speaker 1>I didn't finish it more Taco bell for you, Bobby

0:52:07.520 --> 0:52:11.520
<v Speaker 1>Bones taking the shots, guys, take the shots. I'm not

0:52:11.600 --> 0:52:13.279
<v Speaker 1>saying a world. One day I'll be like you guys

0:52:13.280 --> 0:52:17.600
<v Speaker 1>and be cool. So when when I am a little

0:52:17.600 --> 0:52:19.880
<v Speaker 1>Big Town's new record, it's out now, mister Sun, you

0:52:19.880 --> 0:52:21.680
<v Speaker 1>guys go get it. It is it is. I can

0:52:21.760 --> 0:52:26.840
<v Speaker 1>tell you eight of the tracks are wonderful. Come on,

0:52:27.880 --> 0:52:29.719
<v Speaker 1>all right, you guys, go stream it. It's there now.

0:52:29.840 --> 0:52:31.480
<v Speaker 1>Thank you guys for coming in. Always good to see

0:52:31.480 --> 0:52:39.040
<v Speaker 1>you guys. It's the best bits of the week with

0:52:39.080 --> 0:52:43.920
<v Speaker 1>Morgan number two and coming in at the number one spot.

0:52:44.000 --> 0:52:46.640
<v Speaker 1>This week, the show found out we were nominated for

0:52:46.760 --> 0:52:50.640
<v Speaker 1>a CUMA Award for this year's awards ceremony, and we

0:52:50.680 --> 0:52:53.480
<v Speaker 1>are so excited, y'all. We couldn't do it without you, guys,

0:52:53.719 --> 0:52:56.279
<v Speaker 1>the listeners who support it, who share the show with

0:52:56.280 --> 0:52:59.520
<v Speaker 1>their friends and family, who engage with things online, who

0:52:59.560 --> 0:53:02.000
<v Speaker 1>call in to the show. So it's a team effort

0:53:02.080 --> 0:53:04.319
<v Speaker 1>over here with you all included, and we couldn't be

0:53:04.400 --> 0:53:06.920
<v Speaker 1>nominated for that award without you all. But we're super

0:53:06.920 --> 0:53:11.000
<v Speaker 1>stoked around here. And this is just a big congratulations

0:53:11.000 --> 0:53:13.640
<v Speaker 1>to my fellows show members, as well as a big

0:53:13.640 --> 0:53:16.160
<v Speaker 1>shout out to all of you for supporting us and

0:53:16.400 --> 0:53:19.000
<v Speaker 1>loving what we do. We couldn't do it without you, guys.

0:53:19.040 --> 0:53:20.879
<v Speaker 1>So yeah, this had to be in the number one

0:53:20.920 --> 0:53:24.759
<v Speaker 1>spot because we love y'all. Number one CMA Awards, it's

0:53:24.760 --> 0:53:27.200
<v Speaker 1>the big award show. They had the nominations. Here you go,

0:53:27.239 --> 0:53:29.279
<v Speaker 1>a Single of the Year. Tell me which of these

0:53:29.280 --> 0:53:31.680
<v Speaker 1>songs you liked the best and that should win the award.

0:53:32.320 --> 0:53:35.879
<v Speaker 1>By Dirt from Jordan Davis and Luke Bryan. Final When

0:53:35.920 --> 0:53:38.960
<v Speaker 1>you Can't Live with the Half of My Hometown from

0:53:39.080 --> 0:53:46.000
<v Speaker 1>Kelsey Ballerinia and Kenny Chesney. Never wanted to be that girl,

0:53:46.160 --> 0:53:49.680
<v Speaker 1>Carly Pearce and Ashley McBride. I never wanted to be

0:53:50.000 --> 0:53:58.759
<v Speaker 1>that Until you Can't. Cody Johnson good, very good, while

0:53:58.800 --> 0:54:02.200
<v Speaker 1>you got and you should probably leave. Chris Stapleton, you

0:54:02.239 --> 0:54:09.480
<v Speaker 1>should probably Yeah, well, yeah, they're all good. So write

0:54:09.480 --> 0:54:12.240
<v Speaker 1>your answer down and you know, if we were picking,

0:54:12.320 --> 0:54:16.600
<v Speaker 1>just buy our votes alone, all right, I'm in everybody

0:54:16.680 --> 0:54:21.160
<v Speaker 1>in Yeah, all right, Amy, who do you have? Cody Johnson?

0:54:21.280 --> 0:54:23.959
<v Speaker 1>He meaning running Roll, that's not the name of the song, Okay,

0:54:25.040 --> 0:54:28.880
<v Speaker 1>lunchbox Cody Johnson, Till you can't, Eddie, you should probably

0:54:28.920 --> 0:54:31.840
<v Speaker 1>leave Chris Stapleton's jam I have by Dirt, But that

0:54:31.920 --> 0:54:39.480
<v Speaker 1>makes Cody Johnson whoa Okay, well he doesn't really get

0:54:39.480 --> 0:54:42.560
<v Speaker 1>an award for that. But this is a category I

0:54:42.640 --> 0:54:47.720
<v Speaker 1>made up best songs. You only know the song title

0:54:48.440 --> 0:54:51.759
<v Speaker 1>in the lyrics. For example, if I were to say,

0:54:52.160 --> 0:54:55.040
<v Speaker 1>Beer's on me, how much that song can you actually sing?

0:54:55.640 --> 0:55:00.480
<v Speaker 1>Come on and stay on? Now everybody's got a little

0:55:00.560 --> 0:55:03.520
<v Speaker 1>something wrong, so none, so none? Actually, Eddie, what can

0:55:03.560 --> 0:55:05.720
<v Speaker 1>you do? Nothing? Dude? I don't even have the melody

0:55:05.840 --> 0:55:08.640
<v Speaker 1>that song? I could do? Good beers on me? All right,

0:55:08.680 --> 0:55:18.000
<v Speaker 1>that's the first out hit. Go hit that small swing back, Eddie?

0:55:18.000 --> 0:55:20.920
<v Speaker 1>Can you do? Freedom was a highway? Yeah? If Freedom

0:55:21.120 --> 0:55:25.480
<v Speaker 1>wasn't exactly exactly, that's my point. You only know that, yeah,

0:55:25.680 --> 0:55:33.440
<v Speaker 1>Jimmy Ellen of Brad Paisley Living for Friday Cream and

0:55:33.480 --> 0:55:37.200
<v Speaker 1>then the other nominees Gabby Barrett, the Good Ones, Amy,

0:55:37.239 --> 0:55:38.759
<v Speaker 1>how much of that can you sing? And one of

0:55:38.840 --> 0:55:47.080
<v Speaker 1>the good one exactly? Yeah, yeah, exactly. And since this

0:55:47.120 --> 0:55:48.600
<v Speaker 1>is a real I'm just gonna go ahead and pick

0:55:49.640 --> 0:55:52.000
<v Speaker 1>Jimmy and Brad Paisley the winnerds Freedom was a Highway

0:55:53.719 --> 0:56:00.640
<v Speaker 1>with somebody young living full of Friday. Yeah, all right,

0:56:00.680 --> 0:56:03.320
<v Speaker 1>this is a real one Entertainer of the Year. Luke Combs,

0:56:03.360 --> 0:56:06.480
<v Speaker 1>Miranda Lambert, Chris Stay Bolton, Kerry Underwood and Morgan Wallen.

0:56:06.719 --> 0:56:10.200
<v Speaker 1>Oh like this. If they're being legitimate, it has to

0:56:10.239 --> 0:56:12.680
<v Speaker 1>be Luke Combs and Morgan Wallen. It just has to be.

0:56:14.239 --> 0:56:17.080
<v Speaker 1>And unless there's something going on, who you know they

0:56:17.080 --> 0:56:22.279
<v Speaker 1>could get? Who knows the Luke and Morgan Wallen the

0:56:22.880 --> 0:56:24.799
<v Speaker 1>only two that really should have a chance to win

0:56:24.840 --> 0:56:28.200
<v Speaker 1>this thing. Uh, Okay, go ahead, I go Luke Combs, Amy,

0:56:28.320 --> 0:56:31.759
<v Speaker 1>Luke Combs, Eddie Man, Morgan Wong. When he came to town,

0:56:31.800 --> 0:56:33.880
<v Speaker 1>that was the hottest ticket ever. So you got to

0:56:33.880 --> 0:56:37.719
<v Speaker 1>give that to Morgan w lunchbox Luke Combs. Yeah, just

0:56:37.719 --> 0:56:42.800
<v Speaker 1>because I Luke played stadiums. I mean he canceled a show,

0:56:43.000 --> 0:56:46.000
<v Speaker 1>sort of still played, gave his best, but refunded every

0:56:46.120 --> 0:56:49.000
<v Speaker 1>money because his throat. Yeah he didn't play though, because

0:56:49.000 --> 0:56:52.080
<v Speaker 1>the entertainer played. He didn't. He did play, I'm saying,

0:56:52.320 --> 0:56:57.040
<v Speaker 1>but he didn't sink because his throat. That's like, that's

0:56:57.120 --> 0:57:00.400
<v Speaker 1>that's entertainer. Okay, that's entertaining. Okay, So then let's do

0:57:00.440 --> 0:57:04.279
<v Speaker 1>a couple of the fake categories. Uh, Best songs that

0:57:04.320 --> 0:57:07.040
<v Speaker 1>Bobby will not say the title too. Oh, I know

0:57:07.160 --> 0:57:09.520
<v Speaker 1>one all right, that one from Scottie McCreary that's called

0:57:09.520 --> 0:57:14.919
<v Speaker 1>what am damn straight? Correct? Damn. There's one from Eric Church.

0:57:15.040 --> 0:57:19.320
<v Speaker 1>Eddie you know this one? Hell yeah close? What is it?

0:57:19.320 --> 0:57:23.040
<v Speaker 1>I don't know? It's about a view? Oh hell have you?

0:57:23.200 --> 0:57:28.280
<v Speaker 1>Hell yeah? And then Little Big Town Eddie, do you

0:57:28.320 --> 0:57:31.120
<v Speaker 1>know their new one? You just said it for Eric Church?

0:57:31.400 --> 0:57:37.320
<v Speaker 1>Hell yeah, yeah, really yeah, all right in the winter

0:57:37.440 --> 0:57:42.280
<v Speaker 1>is Scottie McCarry there you good has all right? The

0:57:42.320 --> 0:57:45.440
<v Speaker 1>new category, the fake category, most overplayed song on the radio,

0:57:45.760 --> 0:57:51.520
<v Speaker 1>Oh Man, Walker Hayes, fancy like yeah fancy on this

0:57:51.720 --> 0:57:54.920
<v Speaker 1>day night, Dustin Lynch and McKenzie Porter thinking about you

0:57:59.360 --> 0:58:01.240
<v Speaker 1>or Jason? I didn't carry under what if I didn't

0:58:01.240 --> 0:58:06.160
<v Speaker 1>love you? If I did? So it's a fake category,

0:58:06.160 --> 0:58:08.919
<v Speaker 1>but we're gonna vote. We made it up ourselves. Most

0:58:09.000 --> 0:58:14.040
<v Speaker 1>overplayed all right you guys, good got written down lunchbox

0:58:14.200 --> 0:58:17.280
<v Speaker 1>fancy like Eddie, Yeah I didn't love you, dude. I

0:58:17.320 --> 0:58:19.000
<v Speaker 1>heard that all the time. Dude me too. When I

0:58:19.040 --> 0:58:21.760
<v Speaker 1>started again, I was like, oh, like just there and

0:58:21.800 --> 0:58:23.880
<v Speaker 1>it's a good song. But we heard it so much

0:58:24.080 --> 0:58:27.800
<v Speaker 1>as soon as Ray played that clip that came on again. Amy, yep,

0:58:27.920 --> 0:58:34.480
<v Speaker 1>if I didn't love you, dear God save us. There's

0:58:34.520 --> 0:58:37.360
<v Speaker 1>a good song. The first ten thousand times final category,

0:58:37.400 --> 0:58:39.440
<v Speaker 1>A number one song you forgot was ever at number one,

0:58:39.920 --> 0:58:42.040
<v Speaker 1>meaning it just kind of came and went, and if

0:58:42.040 --> 0:58:44.960
<v Speaker 1>it's played, you go, oh, yeah, I remember that. But uh,

0:58:45.120 --> 0:58:52.480
<v Speaker 1>Michael Ray Whiskey and Rain. When you hear it again,

0:58:52.520 --> 0:58:54.080
<v Speaker 1>you're remember and go oh that was good. You also

0:58:54.120 --> 0:58:58.800
<v Speaker 1>forget it's Michael Ray. Yeah, yeah, that's that's the problem. Yeah, Parmelie,

0:58:58.880 --> 0:59:06.120
<v Speaker 1>take my names Sagan or Lee Brice. Memory I don't

0:59:06.160 --> 0:59:11.920
<v Speaker 1>mess with. That's some memory. I don't, girl. Those songs

0:59:11.960 --> 0:59:16.840
<v Speaker 1>came and went, why your jam? I mean they're all good,

0:59:16.920 --> 0:59:18.680
<v Speaker 1>But Amy, say what you mean? I mean, which say?

0:59:18.960 --> 0:59:22.200
<v Speaker 1>Go ahead back too. I like them all, but the

0:59:22.280 --> 0:59:24.640
<v Speaker 1>first two I really enjoyed. And it's sad they weren't

0:59:24.640 --> 0:59:26.640
<v Speaker 1>here longer. Okay, So the number one song you forgot

0:59:26.680 --> 0:59:29.480
<v Speaker 1>was the number one, Amy, yours is gonna be Lee Bryce. No,

0:59:29.920 --> 0:59:32.240
<v Speaker 1>it's gonna be Whiskey and Rain. I forgot. Don't think

0:59:32.240 --> 0:59:35.320
<v Speaker 1>you understand the category? Well, I guess I don't, Eddie. Yeah,

0:59:35.400 --> 0:59:37.920
<v Speaker 1>Michael Ray dude, my boy. I mean, yeah, that's that's

0:59:37.760 --> 0:59:39.960
<v Speaker 1>that's my dude. And it's happens to me when all

0:59:39.960 --> 0:59:41.720
<v Speaker 1>of his songs, like that's Michael Reagan. Oh yeah that

0:59:41.800 --> 0:59:43.680
<v Speaker 1>was good. But I don't think you guys get the count. Yeah,

0:59:43.680 --> 0:59:45.240
<v Speaker 1>they don't get the category. Let's you can decide the

0:59:45.280 --> 0:59:46.960
<v Speaker 1>whole winner. Here, go ahead, it's Lee Bryce. You had

0:59:47.000 --> 0:59:53.440
<v Speaker 1>no idea. Yeah, that's the point there, and Amy said it,

0:59:53.440 --> 0:59:55.560
<v Speaker 1>and then she goes and I go, Michael Ray, and

0:59:55.560 --> 0:59:58.680
<v Speaker 1>then Edie goes, my boy, Michael Ray. I think it's

0:59:58.720 --> 1:00:01.280
<v Speaker 1>just how you look at it, you know, Eddie and

1:00:01.360 --> 1:00:07.840
<v Speaker 1>I look think differently. Okay, okay, Well, congratulations to everybody

1:00:07.960 --> 1:00:10.480
<v Speaker 1>who was nominated for CMA and that's it. We were

1:00:10.520 --> 1:00:13.240
<v Speaker 1>nominated for show, which is cool. And we made sure

1:00:13.240 --> 1:00:18.200
<v Speaker 1>that everybody's name, including the building cleaners, the people that

1:00:18.240 --> 1:00:20.200
<v Speaker 1>come and fix our equipment, people we wave out on

1:00:20.200 --> 1:00:22.000
<v Speaker 1>the street, they were all listed. I mean I saw

1:00:22.040 --> 1:00:24.440
<v Speaker 1>the names and I was like, what are we doing? Well,

1:00:24.600 --> 1:00:26.960
<v Speaker 1>we don't want any controversy here and why not? Why not?

1:00:27.560 --> 1:00:31.480
<v Speaker 1>So it was like Bobby, Amy, Eddie, Lunchbox, Scuba, Steve,

1:00:31.600 --> 1:00:38.800
<v Speaker 1>Mike d Abbey, you know, Juan Carlos. It was everybody

1:00:39.040 --> 1:00:43.000
<v Speaker 1>the same effort. Yeah yeah, um, so yeah, we'll see

1:00:43.040 --> 1:00:45.160
<v Speaker 1>if we win it. If we don't win, like, we're

1:00:45.160 --> 1:00:47.080
<v Speaker 1>not happy about it, all right? That it. Yeah, I

1:00:47.440 --> 1:00:49.440
<v Speaker 1>need to go check out the list you were on there.

1:00:49.440 --> 1:00:55.400
<v Speaker 1>Don't worry. It's the Best Bits of the week with

1:00:55.480 --> 1:00:58.840
<v Speaker 1>Morgan number two. All right. That's it for me this

1:00:58.880 --> 1:01:01.800
<v Speaker 1>weekend on the back Best Bits. I hope you enjoyed

1:01:01.840 --> 1:01:03.920
<v Speaker 1>it listening back to all these segments from the show

1:01:03.960 --> 1:01:05.959
<v Speaker 1>this week. If you want to see some more, there's

1:01:06.000 --> 1:01:08.320
<v Speaker 1>a lot of content up at Bobbybones dot com or

1:01:08.360 --> 1:01:11.000
<v Speaker 1>on our social media at Bobby Bones Show, and of

1:01:11.040 --> 1:01:13.720
<v Speaker 1>course make sure you check out Best Bits Part one,

1:01:13.760 --> 1:01:16.080
<v Speaker 1>which is my personal favorite part of this podcast, where

1:01:16.120 --> 1:01:18.120
<v Speaker 1>I bring on a show member and we kind of

1:01:18.120 --> 1:01:20.160
<v Speaker 1>talk about these segments, but not really. We talk about

1:01:20.200 --> 1:01:23.280
<v Speaker 1>life and a lot of things going on and random

1:01:23.320 --> 1:01:26.880
<v Speaker 1>conversations and questions that I like to have answered. And

1:01:27.120 --> 1:01:29.520
<v Speaker 1>there was even a question I asked Ray on the

1:01:29.560 --> 1:01:31.959
<v Speaker 1>Best Bits this weekend that he played the fifth two

1:01:32.080 --> 1:01:33.880
<v Speaker 1>or played the shot. I don't know how you want

1:01:33.880 --> 1:01:35.640
<v Speaker 1>to put it, but it was a great interview and

1:01:35.640 --> 1:01:37.440
<v Speaker 1>it's super fun to talk to Ray and catch up

1:01:37.480 --> 1:01:39.680
<v Speaker 1>on Live, so be sure to check that out while

1:01:39.680 --> 1:01:42.240
<v Speaker 1>you have some time this weekend. I love y'all. Thank

1:01:42.240 --> 1:01:45.440
<v Speaker 1>you guys for always listening and engaging and also like

1:01:45.640 --> 1:01:48.160
<v Speaker 1>talking to me on social media about the best bits.

1:01:48.200 --> 1:01:51.040
<v Speaker 1>That's so fun for me. So love you guys. Thank you.

1:01:51.200 --> 1:01:53.640
<v Speaker 1>Make sure you follow me at web Girl Morgan. I'll

1:01:53.680 --> 1:01:57.680
<v Speaker 1>see y'all later. Have a good weekend, yes, Bobby Boss.