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Speaker 1: It's the Best Bits of the Week with Morgan. Number two. Hey, y'all,

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Speaker 1: welcome to the Best Bits. This is just the Bits.

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Speaker 1: It's Morgan here. And what we're gonna do is countdown

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Speaker 1: seven segments from the Bobby Bone Show this week that

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Speaker 1: y'all really loved. And we're just gonna kick it off

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Speaker 1: and get started because coming in hot and number seven,

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Speaker 1: Lunchbox was dared to nap in public and if he

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Speaker 1: was able to do it without being interrupted for fifteen

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Speaker 1: minutes from himself or from an employee or anything like that,

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Speaker 1: then he would get a hundred bucks from Bobby. And well,

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Speaker 1: I'm just gonna say he did it and it was

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Speaker 1: nice and awkwards, So here you go. Number seven. I

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Speaker 1: mentioned on the air that I thought it'd be a

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Speaker 1: funny segment off Lunchbox went into a mattress store because

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Speaker 1: we had you know, we went to the whole process

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Speaker 1: of like, Okay, which sleep number do we want? That's

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Speaker 1: our kind of bed, and so I had to go

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Speaker 1: in like they went like laid on him, like, oh god,

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Speaker 1: like this one. And so it was'd be funny if

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Speaker 1: Lunchboxes went to a store and just went to sleep

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Speaker 1: like testing it out, and I guess offered money. I'm

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Speaker 1: gonna lady, I said one hundred bucks. Yes, And you

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Speaker 1: told me I had to sleep for fifteen minutes. I

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Speaker 1: said that's awesome. I didn't know I said that long. Yeah,

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Speaker 1: And you said so you have to have someone witness it.

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Speaker 1: And I was like, well, if I take my wife,

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Speaker 1: he's not. Of course, my wife just said I did it.

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Speaker 1: So I hit up Abby. I was like, hey, I

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Speaker 1: need you to meet me at a mattress store. So

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Speaker 1: with Google mattress stores, I have, you know, don't know

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Speaker 1: what they're gonna look like. We show up. It is

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Speaker 1: a tiny mattress store. Abby. What it looked like in there? Oh? Yeah,

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Speaker 1: it was really small and like one employee and you

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Speaker 1: went in first, but without lunchbox. Yeah, so they didn't

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Speaker 1: know you were together, right, So I'm just looking at

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Speaker 1: beds casually. Well, it seems like for a long time

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Speaker 1: yet like at Beds, Yes, I was waiting for him

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Speaker 1: to get in there. I was like trying to like

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Speaker 1: Google mattresses and act like I was interested in how

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Speaker 1: long were you in the store before he actually walked in?

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Speaker 1: Oh Man, probably five to ten minutes. That would be

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Speaker 1: an eternity. Yeah, so you walk in or you wearing

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Speaker 1: pajamas or anything? Nope, just wearing shorts, T shirt, shoes.

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Speaker 1: And I walk right up to the ladies. She's sitting

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Speaker 1: behind a desk and I was like, yeah, man, wear

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Speaker 1: are your soft mattresses? And she's like trying to tell

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Speaker 1: me something I don't know, and she points at one

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Speaker 1: right by her desk, right next to her desk, and

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Speaker 1: I see it. Nervous at all? Or do you feel

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Speaker 1: I didn't care one bit. I was like, I'm tired.

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Speaker 1: I'm gonna fall asleep. It's gonna be great. Did you

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Speaker 1: feel like you could do it? No problem? Did you

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Speaker 1: need a blanket? I have so many questions. I was like, man,

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Speaker 1: I'm tired. It was three something that afternoon. I had

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Speaker 1: to have a nap yet did you not nap on purpose? Ding? Ding? Ding?

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Speaker 1: So I'd be tired. And so I get next to

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Speaker 1: the bed and I said, I need to take my

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Speaker 1: shoes off? And did you take your shoes off? No?

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Speaker 1: Need to take your shoes off? Man? Why they don't

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Speaker 1: pad on the bottom? No? No they don't. They said,

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Speaker 1: no problem, No, don't need to take them off. Wow, Okay,

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Speaker 1: here's the first clip, this is you asking for a

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Speaker 1: certain type of mattress and then he apparently falls asleep

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Speaker 1: in this clip, Abby, but where are you when he's

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Speaker 1: talking to the person? And is it awkward for me?

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Speaker 1: Are you trying to stay? It's so small When he

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Speaker 1: walked in, I was laying on a bed. She's asleep,

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Speaker 1: just like testing them out, and so I just basically

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Speaker 1: wandered around this. I mean it was literally in a

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Speaker 1: strip center and it was just like the size of

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Speaker 1: like a sandwich shop. It's like, you know, like a

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Speaker 1: subway or a quiz or any of those. It was

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Speaker 1: that small. So again this first clip, as you're talking

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Speaker 1: about it, but then does it cut to you like

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Speaker 1: laying him laying down away? Yeah? Yeah, you go hear

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Speaker 1: me sleep? All right? Here we go. Which ones are

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Speaker 1: your soft ones? I don't know the difference. I'm just soft.

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Speaker 1: I like soft, So I want to go try a

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Speaker 1: soft one. Okay, um, well this one I have fun

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Speaker 1: us considered this one. Should I take my shoes off? No?

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Speaker 1: You don't have to. Okay, are practice sleeping? You're practice there.

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Speaker 1: I'm going to sleep. You are going to sleep with it.

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Speaker 1: So we're hearing him go to sleep. Wow, is there

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Speaker 1: something else here listening? No? Is this We had to

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Speaker 1: play all this clip though with my mom. I have

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Speaker 1: fifteen minutes of it. No, you don't, yeah to do well,

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Speaker 1: We're not playing fifteen minutes of it, but you really

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Speaker 1: literally do just to prove it. Yeah, I lay there.

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Speaker 1: I love my phone running for fifteen minutes. So have

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Speaker 1: you watched him? And again you had to stay there

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Speaker 1: for fifteen more minute minutes? Huh? Was the lady awkward

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Speaker 1: at all? No, she was kind of at her desk,

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Speaker 1: but I did see at one point she got her

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Speaker 1: phone out and I was trying to take pictures of him,

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Speaker 1: like to show because I'm sure she's never seen that.

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Speaker 1: Did First of all, did you really fall asleep? He

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Speaker 1: really did? Like I feel like I was hearing snoring.

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Speaker 1: I didn't want to get too close to him because

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Speaker 1: I just had decle like I didn't know him, so

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Speaker 1: I just stayed over. But I feel like I kind

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Speaker 1: of did hear snoring. Here is lunchbox waking up after

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Speaker 1: fifteen minutes of sleep. Thank you welcome. I'm rejuvenating, ready

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Speaker 1: to go back to work. Good. I just get next time.

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Speaker 1: We got to turn the music down little bit. I

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Speaker 1: mean I need that, and then a blanket. I need

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Speaker 1: a blanket next time, you know. Yeah, you literally don't

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Speaker 1: give a step for that reason. Oh man, well thank you.

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Speaker 1: But I was good now problem, I have a great day.

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Speaker 1: Oh my gosh. She wasn't even like, do you want

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Speaker 1: the bed? No? She was so like what is he doing?

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Speaker 1: Because I set the alarm in my pocket so you

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Speaker 1: could it would vibrate and it would go off and

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Speaker 1: woke you up. That's how I knew to wake up.

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Speaker 1: Would you have slept? All? I have slept all day.

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Speaker 1: So then I walked out of the storebaks that it's

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Speaker 1: dark out. I walked out of the store and I

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Speaker 1: went to the car. And then Abby called me later

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Speaker 1: and she said she talked to the lady afterwards about

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Speaker 1: what happened, and uh, Abby, what'd she say? That was

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Speaker 1: the funniest thing ever. She was like, I have never

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Speaker 1: seen that in ten years that I've been working in

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Speaker 1: a mattress store. That he came in during his break

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Speaker 1: to take a nap. Well, then he also was like

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Speaker 1: all right, that'll do it, And they nothing about buying

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Speaker 1: the bed, like it was so normal, like all right,

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Speaker 1: I appreciate that that's you know what you gotta I'll

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Speaker 1: inpend one hundred bucks right now. Nice job. Wow. What

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Speaker 1: was so funny is her desk was right there and

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Speaker 1: they were kind of facing each other. Oh yeah, it

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Speaker 1: was so awkward. I fall asleep so quickly and so easily,

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Speaker 1: so quick, It's awesome. I'm an airplane. He'll go all right,

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Speaker 1: I'm gonna sit down, and he starts to just drool.

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Speaker 1: He starts coming out. Yeah, droll does come out. It

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Speaker 1: happens any droll in the bed. I know I was

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Speaker 1: because here on the plane is it's I'm straight up,

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Speaker 1: and now when I'm on my back, I don't drowl.

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Speaker 1: If I'm on my side or stomach or sitting up,

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Speaker 1: droll comes out. I gotta say this is excellent work

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Speaker 1: out with the money. It's worth the money. Wow, launchbuck

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Speaker 1: killing it with fifteen minutes of sleep. Next up is fine.

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Speaker 1: Even harder challenges places from to sleep and see if

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Speaker 1: he can do it. I'm gonna go broke. Dang it.

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Speaker 1: I'm gonna enjoy this segment so much. I'm gonna go broke.

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Speaker 1: It's the best bits of the week with Morgan. Number

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Speaker 1: two Mitchell Timpenny was on the show this week, and

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Speaker 1: he's just all around a really great, genuine and he

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Speaker 1: was talking about the valet job that he had when

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Speaker 1: he was just starting out as an artist. He had

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Speaker 1: just signed a publishing deal and needed a side gig

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Speaker 1: and he was valeting cars and he valeted Tim McGraw's car.

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Speaker 1: Martina McBride's just some fun stories that came from him

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Speaker 1: talking about these jobs that he had before he full

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Speaker 1: on was able to pursue the artist thing. So y'all

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Speaker 1: give it up. I mean, Mitchell Timpany, he's just awesome.

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Speaker 1: If you don't listen to his music, make sure you

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Speaker 1: check it out. But this interview is great, And without

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Speaker 1: further ado, here's Mitchell Timpany and Bobby Bones number six.

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Speaker 1: There's a lot of things to say right now. Number

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Speaker 1: one is your voice is what seventy percent? Yeah? If

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Speaker 1: if it's that yeah, And he brought a guitar and

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Speaker 1: he's gonna fight through it. He was going full like

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Speaker 1: torn acl I's still gonna play the game. But I

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Speaker 1: was like, don't don't hurt yourself any worse. So I'm glad. First,

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Speaker 1: congrats on the number one song, Thank You, Thank y'all

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Speaker 1: for that, No need to push a voice. We can

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Speaker 1: play studio versions of what you've done. And thirdly, if

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Speaker 1: you want to come back in and perform any other time,

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Speaker 1: let us know. Thank you dude, as soon as it's

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Speaker 1: back in, Like, don't stress out about it. But I

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Speaker 1: would bet that your voice, even torn up, is better

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Speaker 1: than what sixty percent of country music. Thank you guys. Yeah, yeah,

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Speaker 1: let's talk for Oh you were the last time I'm

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Speaker 1: supposed to come in you got sick. No, my brother

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Speaker 1: was sick then, and so that was during COVID. It

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Speaker 1: wasn't COVID. It was just just a normal flu. But

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Speaker 1: uh yeah, we that we were being very cautious then,

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Speaker 1: so and we appreciate that, of course. Think you so,

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Speaker 1: Mitchell Tinpenny, you got another number one. I don't know

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Speaker 1: what I remember. The first time I heard this, I

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Speaker 1: was like, that's the most cutting song I've ever heard,

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Speaker 1: in a loving way, in a lovely way towards you,

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Speaker 1: because it's like, stop telling lies about me. I won't

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Speaker 1: tell the truth about you. I'm like, dude, I want

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Speaker 1: to yell Jerry, Jerry, let me play a hook at

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Speaker 1: this song that just went number one from Mitchell Tinpenny

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Speaker 1: if you last tell the truth of you, When whomever

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Speaker 1: said that line did go, oh yeah, I mean that's

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Speaker 1: literally how it was. I Matt Alderman, one of the

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Speaker 1: co writers Thomas Artre and Matt Alderman I wrote with,

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Speaker 1: and Matt said something like, man quit lying about me

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Speaker 1: and there's and I promise I won't tell all the

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Speaker 1: truth about you or something like that, and I was like,

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Speaker 1: I know exactly how to write this song, like I've

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Speaker 1: I've been there and I'm not gonna lie. I mean,

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Speaker 1: I've probably you know, done it too, where you where

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Speaker 1: you tell a different story, you want a better story

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Speaker 1: on breakup sometimes, you know when you're growing up and um,

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Speaker 1: I don't know. It just hit me kind of hard

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Speaker 1: that day when I heard it, and when you know,

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Speaker 1: we massage it to the way the melody is now.

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Speaker 1: But that's like back of the bus. Oh, it's like

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Speaker 1: a freestyle when you hit hit the good rhymes. Yeah,

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Speaker 1: that's good man. The album is called This is the

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Speaker 1: Heavy What does that mean? Man? I love rock and

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Speaker 1: roll music too. I kind of come from that. I

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Speaker 1: used to be a drummer in a band and a screamer.

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Speaker 1: So the heavy. The lyrically it's a little heavier, but

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Speaker 1: you know, everything else, the production is a little bit heavier.

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Speaker 1: Country is the lyrics through and through on this. I'm

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Speaker 1: you know, Country's storytelling to me. So we stayed that lane.

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Speaker 1: But turn the guitars up a little bit, gained them

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Speaker 1: up a little bit, you know, put the drums a

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Speaker 1: little bit more forward in the mix. It's just heavier.

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Speaker 1: It's just a little heavier. And you know, I think

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Speaker 1: the lyrics because I'm a little older and life has

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Speaker 1: happened a little bit more, and they're they're a little heavier.

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Speaker 1: So I just thought the title sounded cool and then

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Speaker 1: it kind of mixed and it all kind of blended

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Speaker 1: in together with you know where I was trying to

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Speaker 1: go with this next record. That's also the first song too.

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Speaker 1: This is the heavy right all right. Yeah, it's an

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Speaker 1: intro track. It's an intro track into the song too,

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Speaker 1: so I missed records with intro tracks, and it just

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Speaker 1: kind of sets the tone for the record. And it's

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Speaker 1: a lot of fun. Yeah, it's like the ladies and gentlemen.

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Speaker 1: The music you're about to listen to is gonna take

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Speaker 1: you to an all new place. A place that only

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Speaker 1: few people have ever discovered. Your bones they're gonna eight. Yeah,

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Speaker 1: I feel like we missed out. Your muscles are gonna

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Speaker 1: so you tonight Mitchell. Mitchell's record comes out. This is

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Speaker 1: the Heavy and you know it's twenty songs. Yeah, and

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Speaker 1: be honest, a lot of songs. I know it's the

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Speaker 1: all good or just some of it. I'm a little

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Speaker 1: biased on him, but you can you can be honest

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Speaker 1: with me. I uh, you know, it's been four years

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Speaker 1: since the last record, and we started with eleven. I

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Speaker 1: was like, it's got to have this other song. I

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Speaker 1: can't not put this song on. And I was like, man,

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Speaker 1: can you call him and ask we can do fourteen?

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Speaker 1: And then I was like what about sixteen? And then

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Speaker 1: it got to nineteen and I was like, uh, we

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Speaker 1: gotta make it twenty. You gotta go twenty. It's gotta

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Speaker 1: be two vinyls, you know, And we could have gone

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Speaker 1: to way more. It's just a lot of music was

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Speaker 1: written in the last three years for me personally, and

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Speaker 1: it's hard to pick, and especially in this time. I

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Speaker 1: think people like a lot of music, so and it'll

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Speaker 1: go quicker than you think to those twenty songs will

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Speaker 1: be Yeah, one of them, the one song one. Yeah,

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Speaker 1: now I know all there's one eleven seconds. He doesn't know,

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Speaker 1: but that the label cut them all down. He was like, yeah,

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Speaker 1: I do twenty. Yeah, you were in school to be

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Speaker 1: a songwriter. You went and you studied songwriting. I always

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Speaker 1: think the art's a weird thing to study. Yeah, it wasn't,

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Speaker 1: really it was. It wasn't really songwritings. Like studying songwriting.

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Speaker 1: It was just putting you in a class with other

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Speaker 1: songwriters and meeting them. They didn't teach you how to

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Speaker 1: write songs. They just told you to write songs and

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Speaker 1: then we would share them. Would you ever hear one

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Speaker 1: it was terrible? I mean I don't. I don't think

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Speaker 1: anybody's songs terrible. I've heard of you. If you come

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Speaker 1: out and say it, I don't. I mean, who am

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Speaker 1: I to say a song is terrible? But uh, there's

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Speaker 1: definitely people that you know probably needed to do a

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Speaker 1: different thing. It was did you tell them that? I

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Speaker 1: definitely did not, because I'm probably at that time definitely

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Speaker 1: a sounding like I needed to as well. When you

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Speaker 1: graduated in your working construction, what what did you do daily?

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Speaker 1: Because I works but every job is so different. What

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Speaker 1: did you do? I think mostly you know, up in

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Speaker 1: the rafters doing insulation in drywall, and then and you

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Speaker 1: were wearing mask Yeah, we were wearing masks and just

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Speaker 1: to itchy, you know, all that fiberglass in your arms

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Speaker 1: every day. I was, I was over it, man, it

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Speaker 1: was yeah, so you're doing that. What were you doing

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Speaker 1: when you got there? When you finally were like, Okay,

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Speaker 1: I can actually make money as a songwriter and I

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Speaker 1: don't have to do this anymore. What was the job

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Speaker 1: you quit? Um? I was. I was still valeting cars

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Speaker 1: when I got my publishing deal to supplement because your

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Speaker 1: first publishing deal is not the drawls not very good.

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Speaker 1: I mean it's enough to make you quit a job

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Speaker 1: to you know, kind of work full time there. But

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Speaker 1: I still needed extra extra cash and live so I

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Speaker 1: was valeting cars. So I think I quit that for sure.

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Speaker 1: You ever take the change of the middle. No, I

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Speaker 1: never did. Yeah, okay, yeah, yeah he's valleying cars. I wonder.

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Speaker 1: I honestly, I was so scared. I was. I never

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Speaker 1: wanted someone to accuse me of stealing, so I wouldn't

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Speaker 1: make sure that i'd be left money for them extra money.

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Speaker 1: There was an extra five every time Mitchell parked your car.

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Speaker 1: I did not have an extra five back then. I

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Speaker 1: promise I wish anybody cool ever drop off their car. Yeah,

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Speaker 1: you know. I parked Tim McGraw's um one of his

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Speaker 1: uh shoot when it was a bit leay back then,

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Speaker 1: like I would do it. We drove. I don't care

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Speaker 1: about Tim McGraw. I'm just like you drove a bit. Yeah, well,

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Speaker 1: I know I left it right up front Stony River.

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Speaker 1: Alady moved it like two more feet. And then Martina

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Speaker 1: McBride came out one time and she was with her

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Speaker 1: producer and they both had separate cars, and she was

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Speaker 1: handing me one hundred dollar billing. I could see it

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Speaker 1: in her hand. I was like, that's gonna make my week.

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Speaker 1: And her producer goes, no, no, no no, I'll take care

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Speaker 1: of him when he gets hard. And I was like, no, say,

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Speaker 1: oh man, maybe i'll get double. I get both cars.

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Speaker 1: There was a five dollars villa and I was like,

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Speaker 1: oh man, that's terrible. Martina was coming hard. Did you

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Speaker 1: get nervous driving the big fancy cars? Yeah. I wasn't

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Speaker 1: very good at driving a stick um. I didn't learn

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Speaker 1: on a stick, and there was a I moved to

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Speaker 1: Ferrari one time in front of a steakhouse and I,

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Speaker 1: you know, I stalled it out and the guy was

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Speaker 1: so nice. He just he leans in, he goes racing

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Speaker 1: clutch and he smiled at me, and I was like,

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Speaker 1: Oh cool, anybody else want to help me park smile.

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Speaker 1: I always wonder if some of these cars are really

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Speaker 1: weird on the inside, and like the yeah park driver verse,

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Speaker 1: all that's in different places and stuff. You ever get

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Speaker 1: to want to just get confused? Yeah, there was. There

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Speaker 1: was a couple of cars. It was right when the

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Speaker 1: push button was starting to be a thing, and the

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Speaker 1: nights are like Mercedes and BMW's and stuff, and I'd

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Speaker 1: never add that. So there's a couple of cars where

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Speaker 1: it took me a minute to figure out how to

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Speaker 1: start it once it's that big of an idiot I am.

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Speaker 1: I have a car that you don't put when the

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Speaker 1: keys in it. That's like the keys starting the car.

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Speaker 1: And I left it running, but I kept ky in

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Speaker 1: my pocket, went and had dinner. Then they couldn't move

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Speaker 1: it and they didn't know where I went because we

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Speaker 1: went to a restaurant that wasn't the one. I just

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Speaker 1: wanted to use that valet. They couldn't find me. Oh wow, yeah,

334
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Speaker 1: and the car sitting there and it just stayed there

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Speaker 1: the whole time running. Oh it's stay stayed running. Well,

336
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Speaker 1: I just got my first with the keys like that,

337
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Speaker 1: And I've always been confused. If I've run off with

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Speaker 1: the key, what's gonna have? It'll stay there and they'll

339
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Speaker 1: look for you, and they'll be confused, and you will

340
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Speaker 1: come back and they'll be mad at you. That'll basically

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Speaker 1: be how that goes. I can help you out there.

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Speaker 1: Someone left did that to me once, you know, we

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Speaker 1: had the little box with the keys, and someone decided

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Speaker 1: to leave their car there and go to another restaurant.

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Speaker 1: And at the end of the night, I'm like, I

346
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Speaker 1: have still have this key up. There's no one in

347
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Speaker 1: the restaurant that this key belongs to, and I we

348
00:16:00,200 --> 00:16:02,680
Speaker 1: gotta go. And so I thought, you know, I lost

349
00:16:02,680 --> 00:16:05,920
Speaker 1: somebody's everything, you know, And it was I had to

350
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Speaker 1: call my boss. He had to come down. He was

351
00:16:07,600 --> 00:16:09,160
Speaker 1: so mad at me. And all of a sudden, they

352
00:16:09,160 --> 00:16:10,760
Speaker 1: walk across the street and they get in their car

353
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Speaker 1: and take off, and I was like, well, there it

354
00:16:13,120 --> 00:16:15,600
Speaker 1: was I guess seen Mitchell to him is a big star,

355
00:16:16,080 --> 00:16:18,400
Speaker 1: but he's still he still like us. You know, he

356
00:16:18,480 --> 00:16:20,400
Speaker 1: still remembers what it was like to be the common man.

357
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Speaker 1: And what is it like the transition for me in

358
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Speaker 1: the common man to a big star. I'm still extremely

359
00:16:24,560 --> 00:16:27,000
Speaker 1: common man. Look at this guy. It's crazy. You have

360
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Speaker 1: two number ones this year. So obviously Truth about You,

361
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Speaker 1: which is just went number one, and then at the

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Speaker 1: end of the Bar Yeah, which also was on AM

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Speaker 1: with you and Chris Young. It's crazy, man, Thank you.

364
00:16:36,600 --> 00:16:39,160
Speaker 1: It's it's been a minute since drunk me. So I'm

365
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Speaker 1: just I truly am honored and I'm just grateful to

366
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Speaker 1: be back in country radio. Man. I don't want to

367
00:16:43,640 --> 00:16:46,120
Speaker 1: wear your voice out too much, but I do want

368
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Speaker 1: to bring up one thing. And in the video for

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Speaker 1: Good and Gone, Yeah, you were breaking stuff. Yeah, one

370
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Speaker 1: of those what do you call him, like the chaos room? Yeah,

371
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Speaker 1: the rooms you're going with a hammer and just yeah.

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Speaker 1: Well they brought that up, like what if you did this,

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Speaker 1: and I was like, I've never done that, and I've

374
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Speaker 1: heard about those. Let's let's try it. It It was. It's

375
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Speaker 1: a lot of fun. I can see why people need

376
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Speaker 1: to go do that. You liked it? It was fun.

377
00:17:09,000 --> 00:17:10,879
Speaker 1: I mean you you can definitely get hurt in there

378
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Speaker 1: by accident, like you get carried away. Like like you

379
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Speaker 1: so you walk through a room and you hard. Are

380
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Speaker 1: you going? What are you harboring in there? I mean

381
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Speaker 1: you got a sledgehammer in an old TV. Everyone's gonna

382
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Speaker 1: go the same. You're gonna go hard. But yeah, you

383
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Speaker 1: you walk through a room and you pick out the

384
00:17:24,359 --> 00:17:26,360
Speaker 1: things you want to they have a price on them,

385
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Speaker 1: and you like, I'm gonna break that. I'm gonna break that. Hey,

386
00:17:28,760 --> 00:17:30,840
Speaker 1: as you go, well, the label paid for this one.

387
00:17:30,840 --> 00:17:34,439
Speaker 1: I wouldn't have spend them. Yeah, you pays. You go

388
00:17:34,520 --> 00:17:36,639
Speaker 1: so like like he might break a couple of stuff

389
00:17:36,640 --> 00:17:39,119
Speaker 1: and it takes five minutes. You're like, dang, that's not

390
00:17:39,200 --> 00:17:41,960
Speaker 1: long enough. So they know it's a good business. I mean,

391
00:17:42,400 --> 00:17:44,280
Speaker 1: like we need to start a wrecking room somewhere. It's

392
00:17:44,600 --> 00:17:47,280
Speaker 1: pretty easy. You know what Amy has been and has

393
00:17:47,560 --> 00:17:48,959
Speaker 1: she know she's like I want to break something. She's

394
00:17:49,000 --> 00:17:51,119
Speaker 1: kind of turned. She's like jumping his phone, poll fully clothed.

395
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Speaker 1: You know she's been going through stay yeah yeah, yeah,

396
00:17:53,240 --> 00:17:55,560
Speaker 1: and we know we got her a TV to do that.

397
00:17:55,600 --> 00:17:57,399
Speaker 1: Here though. We brought hern old TV and she went

398
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Speaker 1: down on it. Oh no wait did you Yeah in

399
00:17:59,840 --> 00:18:02,480
Speaker 1: the back alley and I had I guess the sledgehammer

400
00:18:03,000 --> 00:18:06,399
Speaker 1: and I got to just beat up the TV. That

401
00:18:06,640 --> 00:18:09,800
Speaker 1: was it an old box one or like a flash screen. Yeah.

402
00:18:09,800 --> 00:18:11,359
Speaker 1: We literally took him to his office. We were just like,

403
00:18:11,400 --> 00:18:17,240
Speaker 1: let's that's amazing. Here's what I want to Mitchell. First,

404
00:18:17,600 --> 00:18:21,199
Speaker 1: congratulations on the number one song tonight. This is the

405
00:18:21,200 --> 00:18:23,200
Speaker 1: heaviest out and you can go ahead and do that

406
00:18:23,320 --> 00:18:25,159
Speaker 1: whatever it's pre say, and we can pre save Mitchell's

407
00:18:25,240 --> 00:18:27,399
Speaker 1: next ten album. I don't know how to all that's it,

408
00:18:27,680 --> 00:18:30,359
Speaker 1: but it's there. Tonight Mitchell's record is. And when your

409
00:18:30,440 --> 00:18:32,240
Speaker 1: voice is back, if it's next week and you want

410
00:18:32,240 --> 00:18:33,760
Speaker 1: to come up and play next week, you're welcome to.

411
00:18:33,800 --> 00:18:36,040
Speaker 1: If it's two weeks, we can do it again. You

412
00:18:36,040 --> 00:18:41,160
Speaker 1: can perform. We've tried twice and I told whomever I was, like, hey,

413
00:18:41,160 --> 00:18:42,760
Speaker 1: if his voice isn't, gonna worry about it, we'll do

414
00:18:42,760 --> 00:18:44,840
Speaker 1: it next week. Mitchell shows up and he's like playing,

415
00:18:44,840 --> 00:18:47,040
Speaker 1: He's with the guitar back there and he's like, bro,

416
00:18:47,280 --> 00:18:50,159
Speaker 1: there no, there's no need, there's no need. So we

417
00:18:50,200 --> 00:18:52,520
Speaker 1: appreciate the effort for being here, and we know you

418
00:18:52,560 --> 00:18:54,280
Speaker 1: were going to play, but no need. Let us know

419
00:18:54,320 --> 00:18:56,760
Speaker 1: when you're good. Thank you, let's do it again. And

420
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Speaker 1: congratulations on everything. All right. That means world, Thank you.

421
00:19:00,680 --> 00:19:03,800
Speaker 1: There he is Mitchell ten. Tell everybody all right, you

422
00:19:03,840 --> 00:19:06,440
Speaker 1: guys follow him? M the number ten, penny, M ten

423
00:19:06,920 --> 00:19:11,359
Speaker 1: the number penny the end. It's the best bits of

424
00:19:11,400 --> 00:19:18,119
Speaker 1: the week with Morgan number two on the show. This

425
00:19:18,160 --> 00:19:22,040
Speaker 1: week we did a millennial movie review by yours Truly.

426
00:19:22,320 --> 00:19:25,320
Speaker 1: I talked about watching stand by Me for the very

427
00:19:25,359 --> 00:19:28,040
Speaker 1: first time. Now. This is a favorite of Bobby and

428
00:19:28,160 --> 00:19:30,560
Speaker 1: Lunchbox and Eddies, and they kind of hyped it up

429
00:19:30,600 --> 00:19:32,920
Speaker 1: before I watched it, and I did have some good

430
00:19:33,000 --> 00:19:36,080
Speaker 1: things to say about it. Though this movie made me

431
00:19:36,200 --> 00:19:39,120
Speaker 1: very sad, and I don't appreciate that when I watched movies.

432
00:19:39,320 --> 00:19:42,879
Speaker 1: So you can hear my entire review right now. And

433
00:19:43,119 --> 00:19:45,800
Speaker 1: if you know, I think stand by Me actually holds

434
00:19:45,840 --> 00:19:48,800
Speaker 1: up over time number five. I'm not a big movie guy,

435
00:19:48,880 --> 00:19:51,760
Speaker 1: but I love stand by Me. It's from nineteen eighty six.

436
00:19:51,800 --> 00:19:53,439
Speaker 1: I don't think I watched it when I was little older,

437
00:19:54,040 --> 00:19:57,880
Speaker 1: but stand by Me, kids like Jerry O'Connell. That's right.

438
00:19:57,880 --> 00:20:03,199
Speaker 1: It was him back in the day. So good Lee Jays.

439
00:20:04,160 --> 00:20:06,840
Speaker 1: They just yell a lot, huh, they're kids, so yeah,

440
00:20:06,880 --> 00:20:09,200
Speaker 1: but it was awesome and it was based I haven't

441
00:20:09,240 --> 00:20:10,840
Speaker 1: seen it forever, like in the sixties though, right, But

442
00:20:11,000 --> 00:20:12,720
Speaker 1: wasn't it like maybe the eighties but based in like

443
00:20:12,800 --> 00:20:15,800
Speaker 1: the sixties? Yes, you remember, maybe even my fifties. So

444
00:20:15,880 --> 00:20:17,400
Speaker 1: we all talked about how much we loved it. It's

445
00:20:17,400 --> 00:20:20,760
Speaker 1: a ninety one percent positive on Rotten Tomatoes, and so

446
00:20:21,160 --> 00:20:23,879
Speaker 1: we had Morgan watch it is a millennial movie review.

447
00:20:24,000 --> 00:20:25,960
Speaker 1: First time you'd seen it, right, first time I'd seen it,

448
00:20:26,000 --> 00:20:27,760
Speaker 1: even heard of it. It's only an hour and twenty

449
00:20:27,800 --> 00:20:31,160
Speaker 1: nine minutes that those are the good So what did

450
00:20:31,200 --> 00:20:34,160
Speaker 1: you watch it on? I actually watched it on Amazon.

451
00:20:34,200 --> 00:20:36,480
Speaker 1: I had to rent it. It's not anywhere else to watch.

452
00:20:36,560 --> 00:20:40,159
Speaker 1: You can stream it. It's okay about So what did

453
00:20:40,200 --> 00:20:41,840
Speaker 1: you think it was about before you watched it? Like

454
00:20:42,000 --> 00:20:44,040
Speaker 1: going into it? Your thoughts? Well, I saw four boys

455
00:20:44,080 --> 00:20:46,800
Speaker 1: and in the thing it says serious life lessons. I'm like, great,

456
00:20:46,840 --> 00:20:50,280
Speaker 1: this is another Goodies movie. That's my initial first thought

457
00:20:50,320 --> 00:20:52,440
Speaker 1: was I'm about to watch another Goonies. Did you watch

458
00:20:52,480 --> 00:20:55,480
Speaker 1: another gooonies. It felt that way at first because it's

459
00:20:55,560 --> 00:20:58,200
Speaker 1: these four kids and they, you know, come from these

460
00:20:58,320 --> 00:21:01,119
Speaker 1: rough life scenarios and they're coming together and kind of

461
00:21:01,119 --> 00:21:04,639
Speaker 1: go on an adventure. But that adventure is really dark,

462
00:21:04,720 --> 00:21:08,080
Speaker 1: and stand by me, they're they're searching for the dead body. Yes, yeah,

463
00:21:08,080 --> 00:21:10,280
Speaker 1: it spoiler. If you ever even by now you ain't

464
00:21:10,320 --> 00:21:13,200
Speaker 1: watching it searching for the dead body again, you have

465
00:21:13,200 --> 00:21:14,640
Speaker 1: to help me because I haven't seen it a long time.

466
00:21:15,119 --> 00:21:19,120
Speaker 1: It was rumored why somebody saw the dead body, and

467
00:21:19,400 --> 00:21:21,600
Speaker 1: one of the kids overheard people talking about it, got

468
00:21:21,680 --> 00:21:23,440
Speaker 1: it okay, yes, and they're like, you know what, we'll

469
00:21:23,440 --> 00:21:25,600
Speaker 1: go find it will be the heroes. They wanted to

470
00:21:26,240 --> 00:21:28,200
Speaker 1: show the town that they're better than everybody thought that

471
00:21:28,240 --> 00:21:31,360
Speaker 1: they actually were, and so they go on this huge adventure.

472
00:21:31,440 --> 00:21:34,400
Speaker 1: You guys mentioned the train that the whole thing happens,

473
00:21:35,560 --> 00:21:39,080
Speaker 1: and I enjoyed it, but I just felt bad for

474
00:21:39,119 --> 00:21:42,639
Speaker 1: these kids the entire movie. They have really rough lives.

475
00:21:42,640 --> 00:21:45,600
Speaker 1: They go and find another kid's dead body, then they're

476
00:21:45,640 --> 00:21:48,240
Speaker 1: dealing with like older brothers who are really mean to them,

477
00:21:48,280 --> 00:21:51,720
Speaker 1: and then they're crying halfway throughout because they're learning life

478
00:21:51,800 --> 00:21:54,960
Speaker 1: lessons while they're on this adventure and you just feel

479
00:21:55,040 --> 00:21:57,880
Speaker 1: bad for each character throughout. So I was like, this

480
00:21:57,960 --> 00:21:59,600
Speaker 1: is not a funny movie. And I was like, this

481
00:21:59,640 --> 00:22:04,879
Speaker 1: is no. I think you just attached goonies to it.

482
00:22:04,960 --> 00:22:06,919
Speaker 1: I know I did, because I found I saw the

483
00:22:06,920 --> 00:22:08,119
Speaker 1: four Boys and I was like, great, this is a

484
00:22:08,160 --> 00:22:10,680
Speaker 1: goonies are going on an adventure. So it wasn't funny

485
00:22:10,720 --> 00:22:13,280
Speaker 1: at all, and it had a lot more emotions and

486
00:22:13,320 --> 00:22:17,560
Speaker 1: more seriousness attached to it. So I did enjoy it

487
00:22:17,600 --> 00:22:20,399
Speaker 1: from that aspect, but I just really ended up feeling

488
00:22:20,400 --> 00:22:23,040
Speaker 1: sad the entire time. Did you think the leech scene

489
00:22:23,040 --> 00:22:26,760
Speaker 1: was funny? Yeah? It was funny. Also weird to watch

490
00:22:26,800 --> 00:22:29,040
Speaker 1: a little kid like reached down in his hands underwear.

491
00:22:30,320 --> 00:22:32,359
Speaker 1: That felt weird. That was a weird kid. That's a

492
00:22:32,359 --> 00:22:33,840
Speaker 1: weird scene to watch as a kid. It really was.

493
00:22:33,880 --> 00:22:35,879
Speaker 1: And I thought I got leeches on my wiener everywhere

494
00:22:35,920 --> 00:22:37,680
Speaker 1: I went, now everybody of water. I was like looking

495
00:22:37,680 --> 00:22:40,960
Speaker 1: down to see what do you? What do you rate it?

496
00:22:41,320 --> 00:22:44,520
Speaker 1: So I did enjoy it. It wasn't my favorite movie

497
00:22:44,560 --> 00:22:46,280
Speaker 1: I've watched, but I give it three point five out

498
00:22:46,320 --> 00:22:48,679
Speaker 1: of five leeches it's pretty strong. Good. Three point five

499
00:22:48,720 --> 00:22:50,760
Speaker 1: out of five is good. Did it hold up since

500
00:22:50,800 --> 00:22:53,639
Speaker 1: it was eighty six? Do you feel like any of

501
00:22:53,680 --> 00:22:56,720
Speaker 1: you not liking it was because of how grainy it looked,

502
00:22:56,840 --> 00:22:59,320
Speaker 1: or any of how it was shot or looked old

503
00:22:59,600 --> 00:23:02,320
Speaker 1: not rainy. But there's definitely like words and things they

504
00:23:02,320 --> 00:23:04,080
Speaker 1: say in there that do not hold up now. But

505
00:23:04,119 --> 00:23:05,600
Speaker 1: they were in the fifties, I know. But that's what

506
00:23:05,640 --> 00:23:07,560
Speaker 1: I'm saying. That's what it doesn't hold up because there's

507
00:23:07,560 --> 00:23:09,600
Speaker 1: a lot of things you wouldn't say now and you

508
00:23:09,600 --> 00:23:12,639
Speaker 1: wouldn't talk about that way. So for that reason, I

509
00:23:12,640 --> 00:23:15,000
Speaker 1: would say it probably doesn't hold up now. Three out

510
00:23:15,000 --> 00:23:18,960
Speaker 1: of five, three point five out of five leeches like it.

511
00:23:18,960 --> 00:23:21,120
Speaker 1: It's good. Would you recommend it to somebody your age?

512
00:23:21,520 --> 00:23:26,680
Speaker 1: Probably not. Wow, it's quickly. Anyone watched a good movie

513
00:23:26,760 --> 00:23:30,240
Speaker 1: lately at all? We haven't jumped back into Elvis yet

514
00:23:30,640 --> 00:23:34,280
Speaker 1: on HBO to watch That's it's seven hours long, so cold.

515
00:23:34,280 --> 00:23:36,280
Speaker 1: Prepare yourself. It's not that long. I can watch it

516
00:23:36,280 --> 00:23:38,119
Speaker 1: over the need to intermission. Even when you're watching at home,

517
00:23:38,240 --> 00:23:41,040
Speaker 1: I need to stop it and a TV they should

518
00:23:41,080 --> 00:23:42,600
Speaker 1: force you to turn the TV off so you can

519
00:23:42,680 --> 00:23:45,399
Speaker 1: enjoy it. But yeah, yeah, pretty good any movies at all?

520
00:23:45,640 --> 00:23:48,679
Speaker 1: I don't have a movie Woodstock documentary. Amazing, guys, let

521
00:23:48,760 --> 00:23:50,679
Speaker 1: me watch the second one. I'm about to start, the

522
00:23:50,840 --> 00:23:52,679
Speaker 1: one from ninety nine. Yeah, you saw the first one

523
00:23:52,680 --> 00:23:53,840
Speaker 1: I talked about. I know, but I just want to

524
00:23:53,880 --> 00:23:57,520
Speaker 1: reiterate how awesome it was, and ninety nine is going up. Yeah,

525
00:23:57,520 --> 00:24:00,000
Speaker 1: you'll like that. I think you'll like that one personally

526
00:24:00,040 --> 00:24:02,120
Speaker 1: even better because you'll recognize a lot of the people

527
00:24:02,160 --> 00:24:04,520
Speaker 1: on there from when you were in high school. Okay, Eddie,

528
00:24:04,520 --> 00:24:07,160
Speaker 1: anything you've seen any movie late, just Pinocchio saw that

529
00:24:07,280 --> 00:24:10,080
Speaker 1: last week. It's great. I mean, it really is, but

530
00:24:10,119 --> 00:24:12,600
Speaker 1: it's just weird. I mean, it's dark. It's definitely not

531
00:24:12,640 --> 00:24:14,800
Speaker 1: the way I remember the cartoon being. Yeah, I didn't

532
00:24:14,840 --> 00:24:16,920
Speaker 1: bring this sad stuff about the cartoon. Daman's very sad.

533
00:24:17,160 --> 00:24:19,280
Speaker 1: I don't ever seen the cartoon. I just know the story.

534
00:24:19,359 --> 00:24:20,960
Speaker 1: I have another fun fact about it that I learned

535
00:24:21,440 --> 00:24:24,920
Speaker 1: his name is Pinocchio because he's made a pine. Pinocchio

536
00:24:25,440 --> 00:24:27,199
Speaker 1: didn't know that. I don't think they said that in

537
00:24:27,240 --> 00:24:29,560
Speaker 1: the original movie. What's Okio though? I think it's their

538
00:24:29,600 --> 00:24:33,960
Speaker 1: Italian so it's just like Pinocchio. All Right, Morgan, thank you.

539
00:24:33,960 --> 00:24:39,920
Speaker 1: Your next challenge is gonna be to watch Beetle Juice, Yes, Beetlejuice.

540
00:24:40,040 --> 00:24:43,040
Speaker 1: Have you ever seen Beetlejuice? You know, I've seen a

541
00:24:43,119 --> 00:24:45,320
Speaker 1: lot of pop culture things from it, but I don't

542
00:24:45,320 --> 00:24:47,800
Speaker 1: think i've watched it front to end. Michael Keaton his

543
00:24:47,880 --> 00:24:50,040
Speaker 1: Beetle Juice and if you say his name three times

544
00:24:50,040 --> 00:24:57,640
Speaker 1: he shows up. Come mister. I mean it's ball too,

545
00:24:57,720 --> 00:25:00,000
Speaker 1: So now I can get in the spirit of Halloween. Yeah,

546
00:25:00,000 --> 00:25:03,520
Speaker 1: it's perfect timing. Yeah, exactly why I wasn't but that's

547
00:25:03,560 --> 00:25:06,280
Speaker 1: exactly And it's on. It looks like it's going to

548
00:25:06,320 --> 00:25:09,879
Speaker 1: be on. What is it? Mike Peacock. Peacock, I do

549
00:25:09,920 --> 00:25:12,880
Speaker 1: have Peacock. Love it all right? Thank you Morgan. It's

550
00:25:12,920 --> 00:25:16,440
Speaker 1: the best bits of the week with Morgan number two.

551
00:25:17,440 --> 00:25:20,000
Speaker 1: It's always fun getting to hear about Amy's kids, and

552
00:25:20,080 --> 00:25:23,360
Speaker 1: she shared an update this week on her son playing football.

553
00:25:23,640 --> 00:25:26,840
Speaker 1: She had shared on Instagram his official football photo, which

554
00:25:26,920 --> 00:25:28,560
Speaker 1: is really cute and you can see that at Bobby

555
00:25:28,600 --> 00:25:31,000
Speaker 1: Bones dot com. But she also talked about if he's

556
00:25:31,119 --> 00:25:33,720
Speaker 1: liking it, how it's been going, and there is something

557
00:25:33,760 --> 00:25:35,960
Speaker 1: that he's afraid of when he plays this sport, and

558
00:25:36,320 --> 00:25:37,959
Speaker 1: you know you might relate to it. Maybe you were

559
00:25:38,000 --> 00:25:41,040
Speaker 1: like this playing sports growing up, or maybe your kids

560
00:25:41,040 --> 00:25:43,280
Speaker 1: are like this now. So here it is. Amy talks

561
00:25:43,320 --> 00:25:47,120
Speaker 1: about her son and him playing football. Number four. Amy's

562
00:25:47,240 --> 00:25:49,679
Speaker 1: son is playing football for the first time, which is awesome.

563
00:25:49,720 --> 00:25:53,240
Speaker 1: He's he's really small. Yeah, he's one of the smallest

564
00:25:53,280 --> 00:25:56,320
Speaker 1: on the team. Yeah. Might not be. Yeah, but I

565
00:25:56,359 --> 00:25:59,359
Speaker 1: admire that he's out there. But he's got hustle. He does.

566
00:25:59,720 --> 00:26:02,920
Speaker 1: So how's it going. I mean it's going. He loves

567
00:26:02,960 --> 00:26:05,280
Speaker 1: it so much, like and it's not like he's getting

568
00:26:05,320 --> 00:26:07,639
Speaker 1: tons and tons of playing time, but he doesn't have

569
00:26:07,640 --> 00:26:11,959
Speaker 1: any expectations for it. So it's awesome. I love his team,

570
00:26:12,080 --> 00:26:16,280
Speaker 1: I love his coaches. It's Navy, like they're the Navy.

571
00:26:16,400 --> 00:26:19,320
Speaker 1: They have colors. There a color, they have a mascot. Well,

572
00:26:19,440 --> 00:26:21,200
Speaker 1: they're part he's part of a league. In the league

573
00:26:21,200 --> 00:26:23,000
Speaker 1: has a name, and then inside the league you're on

574
00:26:23,040 --> 00:26:25,680
Speaker 1: a color. Each team has a color. Because they can't

575
00:26:25,680 --> 00:26:28,000
Speaker 1: even get like an animals really weird. I haven't seen

576
00:26:28,040 --> 00:26:31,359
Speaker 1: an animal. They could be like the Navy. What's the

577
00:26:31,440 --> 00:26:38,560
Speaker 1: animals end? Then? Maybe never? Never nippers called the color

578
00:26:38,600 --> 00:26:41,280
Speaker 1: than a nipper. There are any animals that start with

579
00:26:41,480 --> 00:26:48,040
Speaker 1: end or anything that starts. Have we found the animal

580
00:26:48,080 --> 00:26:52,080
Speaker 1: that interesting? The Neanderthals? I mean, that's not an animal.

581
00:26:52,119 --> 00:26:55,240
Speaker 1: But I can't believe they don't have a mascot. So

582
00:26:55,600 --> 00:26:59,200
Speaker 1: have they? Yeah? They won last weekend? Uh, we're I

583
00:26:59,280 --> 00:27:02,159
Speaker 1: mean I think that they're on a winning streak. I

584
00:27:02,160 --> 00:27:05,520
Speaker 1: don't have the full total of He hasn't scored anything.

585
00:27:05,600 --> 00:27:09,440
Speaker 1: He's played safety, but also another position that I can't remember. Um.

586
00:27:09,640 --> 00:27:12,120
Speaker 1: I love it. He's always waiting on the sideline the coach.

587
00:27:12,160 --> 00:27:13,879
Speaker 1: Even the last game we were at, the coach had

588
00:27:13,920 --> 00:27:16,080
Speaker 1: to yell at him to step back, step back, because

589
00:27:16,080 --> 00:27:19,560
Speaker 1: coaches get into it, but they're really into it. They're yelling,

590
00:27:20,080 --> 00:27:22,359
Speaker 1: and I just thought, Oh, he just got yelled at

591
00:27:22,400 --> 00:27:24,240
Speaker 1: to step back. But I love that he was eager

592
00:27:24,280 --> 00:27:26,359
Speaker 1: to be on the line watching the game. Has he

593
00:27:26,400 --> 00:27:29,240
Speaker 1: been hit hard? Yeah, and he's very scared of that.

594
00:27:30,440 --> 00:27:32,560
Speaker 1: I don't know that I should publicly say that. Why

595
00:27:32,680 --> 00:27:34,120
Speaker 1: I say it now? I hate to get hit. It's

596
00:27:34,119 --> 00:27:36,080
Speaker 1: not fun. Well, so if he ever hears this, I

597
00:27:36,119 --> 00:27:37,800
Speaker 1: don't want someone to be like, oh, so you're because

598
00:27:37,840 --> 00:27:39,800
Speaker 1: I guess kids at school sometimes listen and they might

599
00:27:39,840 --> 00:27:42,280
Speaker 1: be like, oh heard, you're scared to get hit. I

600
00:27:42,320 --> 00:27:44,200
Speaker 1: would like to say I was scared and still am

601
00:27:44,280 --> 00:27:47,400
Speaker 1: scared as an adult man. Now that's a big fear.

602
00:27:47,480 --> 00:27:49,119
Speaker 1: Like he he gets in the car and he's like,

603
00:27:49,160 --> 00:27:51,000
Speaker 1: oh man, I was really scared to get tackled. He's

604
00:27:51,200 --> 00:27:54,639
Speaker 1: but he's been reminded by everybody that knows football, like

605
00:27:54,760 --> 00:27:57,280
Speaker 1: just go all full force, Like don't You'll get hurt

606
00:27:57,320 --> 00:28:00,520
Speaker 1: if you don't go all in. And are you watching

607
00:28:00,560 --> 00:28:03,480
Speaker 1: any game tape of him? Yeah, they have a website

608
00:28:03,480 --> 00:28:05,760
Speaker 1: you can go to where you can watch the end everything.

609
00:28:05,840 --> 00:28:09,280
Speaker 1: They loaded up Dad Films. It's a little shaky, but

610
00:28:11,320 --> 00:28:14,000
Speaker 1: he could watch it. And he's watching other He's watching

611
00:28:14,040 --> 00:28:19,359
Speaker 1: college and the other NFL. Yeah, you're watching all listen.

612
00:28:19,440 --> 00:28:22,320
Speaker 1: That hadn't started. First college game started first, so he

613
00:28:22,400 --> 00:28:25,679
Speaker 1: started with college and then NFL came and he sits

614
00:28:25,720 --> 00:28:28,640
Speaker 1: down and wants to learn from the pros. I saw

615
00:28:28,680 --> 00:28:31,000
Speaker 1: the picture you posted of him on your Instagram and

616
00:28:31,080 --> 00:28:34,120
Speaker 1: you just wrote dead on it. Yeah. It's a good picture. Yeah,

617
00:28:34,200 --> 00:28:36,840
Speaker 1: except where that was confusing to some older people. I

618
00:28:36,880 --> 00:28:38,920
Speaker 1: guess in our family that followed thought he was dead.

619
00:28:41,280 --> 00:28:44,920
Speaker 1: Oh I got a text message that um and it

620
00:28:45,000 --> 00:28:47,600
Speaker 1: was very serious. It was not a joke. It's just

621
00:28:47,640 --> 00:28:51,160
Speaker 1: from older people that didn't understand quite what dead meant,

622
00:28:51,240 --> 00:28:54,120
Speaker 1: and so they were confused by the post. And I thought,

623
00:28:54,360 --> 00:28:57,520
Speaker 1: could you imagine if that is how I announced our

624
00:28:57,600 --> 00:29:01,520
Speaker 1: child died was dead and it's like a football pictures

625
00:29:01,560 --> 00:29:04,360
Speaker 1: looking tough. Yeah, like this is how we lost our son.

626
00:29:04,680 --> 00:29:07,240
Speaker 1: I mean, there's that picture is pretty legit too. It's

627
00:29:07,240 --> 00:29:11,320
Speaker 1: an awesome picture and all that's photoshop. By the way,

628
00:29:11,600 --> 00:29:13,800
Speaker 1: So will you explain to our listeners what dead means?

629
00:29:13,840 --> 00:29:16,840
Speaker 1: In case? Dead means he looks so stink and cute

630
00:29:16,920 --> 00:29:20,480
Speaker 1: in this picture that I die, Like it's so cute

631
00:29:20,480 --> 00:29:23,800
Speaker 1: and awesome that I'm dead. It's a saying, It's an expression.

632
00:29:24,360 --> 00:29:27,160
Speaker 1: It doesn't mean you've been moved with so much emotion

633
00:29:27,280 --> 00:29:29,880
Speaker 1: or feeling or reaction that it has caused you to

634
00:29:30,040 --> 00:29:32,800
Speaker 1: die in a figurative sense. Yes, there you go. Okay, Well,

635
00:29:32,800 --> 00:29:35,240
Speaker 1: good luck to him. I'm I'm excited for him. Yeah, okay,

636
00:29:35,280 --> 00:29:38,720
Speaker 1: can you catch? Yeah, he can catch, and he can throw.

637
00:29:39,280 --> 00:29:41,160
Speaker 1: I mean, it doesn't have much opportunity to do it.

638
00:29:41,200 --> 00:29:43,160
Speaker 1: But when we throw in the I mean I can

639
00:29:43,200 --> 00:29:48,320
Speaker 1: throw too. Quite Okay, we're gonna get It's the best

640
00:29:48,440 --> 00:29:53,000
Speaker 1: bits of the week with Morgan Number two a bit

641
00:29:53,040 --> 00:29:56,000
Speaker 1: controversial of a segment this week. Scuba Steve talked about

642
00:29:56,040 --> 00:29:59,040
Speaker 1: the conversation him and his wife have had to be

643
00:29:59,120 --> 00:30:01,479
Speaker 1: having lately in the several months ever since she got

644
00:30:01,560 --> 00:30:04,680
Speaker 1: pregnant with their third child, and the show kind of

645
00:30:04,680 --> 00:30:07,400
Speaker 1: went atoms on y'all listeners went atom It was, you know,

646
00:30:07,520 --> 00:30:10,800
Speaker 1: just a lot happening in this segment. But I encourage

647
00:30:10,800 --> 00:30:13,400
Speaker 1: you to listen to it and see some different perspectives

648
00:30:13,400 --> 00:30:16,600
Speaker 1: and also check out the engagement online. If you've got

649
00:30:16,640 --> 00:30:18,800
Speaker 1: a strong opinion, you can share it with us there.

650
00:30:18,880 --> 00:30:21,520
Speaker 1: You can call on the voicemail line and let Scuba

651
00:30:21,560 --> 00:30:23,360
Speaker 1: because he's got to listen to those voicemails. Though, So

652
00:30:23,400 --> 00:30:26,400
Speaker 1: y'all be nice. Everybody needs to be nice out there, Okay,

653
00:30:26,400 --> 00:30:29,520
Speaker 1: But this was a controversial segment on the show this week.

654
00:30:29,960 --> 00:30:33,000
Speaker 1: Number three Scuba Steve is our executive producer, which means

655
00:30:33,000 --> 00:30:35,640
Speaker 1: he's calling the shots from behind the glass. Scuba, what's

656
00:30:35,640 --> 00:30:37,760
Speaker 1: happening in your personal life right now? So we have

657
00:30:37,760 --> 00:30:40,400
Speaker 1: a third child coming and my wife is now looking

658
00:30:40,480 --> 00:30:43,040
Speaker 1: at the situation as do I continue on working or

659
00:30:43,080 --> 00:30:45,080
Speaker 1: do I move forward with being a stay at home mother?

660
00:30:45,160 --> 00:30:46,640
Speaker 1: Has she ever been a stay at home home never

661
00:30:46,720 --> 00:30:49,160
Speaker 1: she's worked since she's fifteen years old, so almost twenty years.

662
00:30:49,440 --> 00:30:51,640
Speaker 1: So on the third kid, Now, you guys have to

663
00:30:51,720 --> 00:30:53,480
Speaker 1: make that decision based on how much it would cost

664
00:30:53,480 --> 00:30:55,560
Speaker 1: for childcare. Yes, it's kind of outweighing that, like how

665
00:30:55,640 --> 00:30:57,280
Speaker 1: much money should bring in versable we pay for that,

666
00:30:57,360 --> 00:30:59,240
Speaker 1: and it almost breaks even, So it's not worth it

667
00:30:59,280 --> 00:31:02,200
Speaker 1: to have Fanny anymore. So if it breaks Steven, well,

668
00:31:02,200 --> 00:31:04,720
Speaker 1: but what about her mental health and what about you?

669
00:31:05,000 --> 00:31:07,080
Speaker 1: Because if she doesn't want to do it, but still,

670
00:31:07,160 --> 00:31:10,240
Speaker 1: let's say it does help a bit financially, I mean

671
00:31:10,320 --> 00:31:12,400
Speaker 1: her how she feels about it's gonna be a big deal, right,

672
00:31:12,480 --> 00:31:14,479
Speaker 1: That's the biggest concern, is that because you've done something

673
00:31:14,520 --> 00:31:16,680
Speaker 1: for so long, Like imagine you leaving radio to become

674
00:31:16,680 --> 00:31:18,440
Speaker 1: a state home father. That'd be cool, but it'd be

675
00:31:18,520 --> 00:31:20,960
Speaker 1: very tough because you're changing up what you've always known

676
00:31:21,040 --> 00:31:23,520
Speaker 1: and her independence and going to work and just all

677
00:31:23,520 --> 00:31:25,040
Speaker 1: those things that you're not going to have anymore because

678
00:31:25,040 --> 00:31:27,880
Speaker 1: you're tied to three kids at home, can't go anywhere.

679
00:31:28,160 --> 00:31:30,040
Speaker 1: These conversations have been had between you. This is the

680
00:31:30,080 --> 00:31:32,320
Speaker 1: first time I'm talking about right here on the show. Yeah, yeah,

681
00:31:32,680 --> 00:31:35,600
Speaker 1: Scoopa would do that crap. I'm really nervous about talking

682
00:31:35,600 --> 00:31:38,920
Speaker 1: to her about it. What's the conversation been like for

683
00:31:38,960 --> 00:31:40,720
Speaker 1: you too? So we've been talking about for the last

684
00:31:40,760 --> 00:31:43,760
Speaker 1: few months, just outweighing the financial side of things, which

685
00:31:43,760 --> 00:31:45,600
Speaker 1: is the most important because we have to pay for

686
00:31:45,600 --> 00:31:47,200
Speaker 1: ourselves and pay for them, but then of course the

687
00:31:47,800 --> 00:31:50,680
Speaker 1: mental side of things. And we've made the decision for

688
00:31:50,720 --> 00:31:52,400
Speaker 1: her to walk away from work, and it's going to

689
00:31:52,440 --> 00:31:54,960
Speaker 1: happen at the end of this month, so she's doing it.

690
00:31:55,400 --> 00:31:59,240
Speaker 1: Who really wanted that to happen? I think, well, I've

691
00:31:59,280 --> 00:32:01,120
Speaker 1: always wanted it. Like when I took this job initially,

692
00:32:01,120 --> 00:32:03,000
Speaker 1: and when I left la and moved here to Nashville

693
00:32:03,000 --> 00:32:06,040
Speaker 1: about two years ago, we had kind of a conversation

694
00:32:06,080 --> 00:32:08,200
Speaker 1: and she promised me she'd be a stay at home mother.

695
00:32:08,480 --> 00:32:10,040
Speaker 1: But then a month or so later, she went right

696
00:32:10,080 --> 00:32:12,320
Speaker 1: back to work. And I have to respect that as

697
00:32:12,320 --> 00:32:14,240
Speaker 1: her husband and her partner, to say that she wants

698
00:32:14,240 --> 00:32:16,280
Speaker 1: to go back to work. I understand that at the

699
00:32:16,320 --> 00:32:19,720
Speaker 1: time we could afford our lifestyle without her going to work,

700
00:32:19,720 --> 00:32:20,959
Speaker 1: but she wanted it, so I gave it to her.

701
00:32:21,000 --> 00:32:22,960
Speaker 1: But now we're at a point with three children she's

702
00:32:22,960 --> 00:32:25,080
Speaker 1: got to stay at home. So you really wanted it.

703
00:32:25,320 --> 00:32:27,720
Speaker 1: I really wanted it from the from the start end. Now, yes,

704
00:32:28,560 --> 00:32:31,640
Speaker 1: I want I want my wife raising my children. Nothing,

705
00:32:31,680 --> 00:32:34,440
Speaker 1: that's nothing wrong with it any everyone else she's great,

706
00:32:34,680 --> 00:32:36,840
Speaker 1: But but I but I My mom was was a

707
00:32:36,840 --> 00:32:38,560
Speaker 1: stay at home mom, and she raised us and gave

708
00:32:38,640 --> 00:32:40,560
Speaker 1: us all our foundations and everything. And I would like

709
00:32:40,600 --> 00:32:43,480
Speaker 1: for my wife to be that as well. So based

710
00:32:43,480 --> 00:32:46,479
Speaker 1: on how you grew up, you want to make your

711
00:32:46,520 --> 00:32:50,240
Speaker 1: wife do that? Yes? Yeah? How does she feel about her? Still?

712
00:32:50,640 --> 00:32:53,360
Speaker 1: She's well, she's very nervous. She's like, she cried at

713
00:32:53,360 --> 00:32:55,280
Speaker 1: her last meeting last week because she has to leave

714
00:32:55,280 --> 00:32:58,960
Speaker 1: this job that she loves. Um, So it's very it's

715
00:32:59,040 --> 00:33:02,080
Speaker 1: very tough with three kids. Could you have afforded for

716
00:33:02,120 --> 00:33:04,480
Speaker 1: her to go to work? Yes, she can go to work,

717
00:33:04,520 --> 00:33:06,040
Speaker 1: but then it's almost like, what's the point of going

718
00:33:06,080 --> 00:33:08,320
Speaker 1: to work. You're paying for the nanny and then there's

719
00:33:08,360 --> 00:33:11,640
Speaker 1: no money left over. I desire to work. Yeah, and

720
00:33:11,680 --> 00:33:13,680
Speaker 1: she's not raising your kids. That's also you got to

721
00:33:13,720 --> 00:33:15,680
Speaker 1: take that into account. Here's the thing that stands out

722
00:33:15,720 --> 00:33:18,480
Speaker 1: to me. Well, first of all, we can't pass down

723
00:33:18,720 --> 00:33:20,920
Speaker 1: how we were raised in things like, we can't bring

724
00:33:20,960 --> 00:33:23,720
Speaker 1: that into our own lives as much as we want to.

725
00:33:23,920 --> 00:33:26,840
Speaker 1: You have to like forge your new way. Then she

726
00:33:27,000 --> 00:33:28,600
Speaker 1: promised you she would do it, and then when she

727
00:33:28,720 --> 00:33:31,239
Speaker 1: got here, she realized, oh shoot, that's not really what

728
00:33:31,280 --> 00:33:33,120
Speaker 1: I wanted to do, so she went back to work.

729
00:33:33,360 --> 00:33:36,320
Speaker 1: That speaks volumes to me here about what she really wants.

730
00:33:36,400 --> 00:33:38,120
Speaker 1: But do you think she promised you that she would

731
00:33:38,160 --> 00:33:42,280
Speaker 1: do it only to satisfy you at that time, that

732
00:33:42,280 --> 00:33:44,160
Speaker 1: she really didn't even want to do it, Then maybe

733
00:33:44,160 --> 00:33:45,560
Speaker 1: that could have been that. Yet she gave it a

734
00:33:45,600 --> 00:33:47,080
Speaker 1: try and then was like, oh god, it was like

735
00:33:47,080 --> 00:33:52,560
Speaker 1: only a month though. Wasn't it much of a try?

736
00:33:52,720 --> 00:33:56,560
Speaker 1: It wasn't wasn't much. Wasn't much of a try? Wow, Okay, Amy,

737
00:33:56,560 --> 00:33:59,080
Speaker 1: go ahead. And so I just know I just feel

738
00:33:59,120 --> 00:34:02,720
Speaker 1: for her because, as you know, I always thought whenever

739
00:34:02,760 --> 00:34:05,360
Speaker 1: I became a mom, I would leave this show. And

740
00:34:05,600 --> 00:34:07,720
Speaker 1: there was actually times where I mean, if I had

741
00:34:07,760 --> 00:34:10,080
Speaker 1: gotten pregnant, I had thought, well, I'm going to be

742
00:34:10,120 --> 00:34:11,560
Speaker 1: a stay at a mom, so I might as well quit.

743
00:34:11,560 --> 00:34:14,600
Speaker 1: I got to raise a baby, and then it worked

744
00:34:14,600 --> 00:34:16,680
Speaker 1: out to where I adopted older children that would go

745
00:34:16,719 --> 00:34:18,839
Speaker 1: into school, So I never had to, But I think

746
00:34:18,840 --> 00:34:21,000
Speaker 1: had it come down to it, I would have tried

747
00:34:21,040 --> 00:34:23,479
Speaker 1: to stay with the show because I love my job.

748
00:34:23,719 --> 00:34:26,400
Speaker 1: I love what I do, And even though I had

749
00:34:26,440 --> 00:34:29,480
Speaker 1: made that promise to my husband and our family and

750
00:34:29,520 --> 00:34:31,080
Speaker 1: that's what I said I was going to do, I

751
00:34:31,120 --> 00:34:33,080
Speaker 1: would have gone back on it and it probably would

752
00:34:33,120 --> 00:34:35,200
Speaker 1: have been a difficult conversation in our home too. So

753
00:34:35,239 --> 00:34:37,759
Speaker 1: I get where Steve is coming from, but you have

754
00:34:37,840 --> 00:34:40,760
Speaker 1: to do what's best for her mentally. She's going to rest,

755
00:34:40,920 --> 00:34:44,160
Speaker 1: you can afford it. Yeah, I feel like she's being

756
00:34:44,200 --> 00:34:46,600
Speaker 1: bullied into this a little bit. Listen, if you want

757
00:34:46,600 --> 00:34:47,920
Speaker 1: to be a stay at home home, that's awesome. I

758
00:34:48,360 --> 00:34:50,880
Speaker 1: think that's amazing. But it's it's you know, it's not

759
00:34:50,920 --> 00:34:55,319
Speaker 1: for everybody, right, it's for some people and those stay

760
00:34:55,320 --> 00:34:57,360
Speaker 1: at home moms or stay at home dads. Yes, that

761
00:34:57,520 --> 00:35:01,640
Speaker 1: you're a bit. You're a fundamental reason. You're the reason

762
00:35:01,760 --> 00:35:05,160
Speaker 1: your child has whatever they have, right, I mean you're

763
00:35:05,200 --> 00:35:06,920
Speaker 1: there with them every day. You're making a difference. But

764
00:35:06,960 --> 00:35:08,520
Speaker 1: if you don't want to do it, if it's I

765
00:35:08,520 --> 00:35:10,160
Speaker 1: don't think you're a good I don't think you can

766
00:35:10,160 --> 00:35:12,000
Speaker 1: be a good one if you don't have the desire

767
00:35:12,040 --> 00:35:13,600
Speaker 1: to actually do it, and it doesn't mean you love

768
00:35:13,640 --> 00:35:15,319
Speaker 1: your kids any less or they're going to be less

769
00:35:15,320 --> 00:35:19,279
Speaker 1: supported in any way. But Scooba, I would encourage you

770
00:35:19,320 --> 00:35:21,680
Speaker 1: to talk to someone about it. He just did. He

771
00:35:21,880 --> 00:35:24,040
Speaker 1: talked to us, no, we're not experts, and talked to

772
00:35:24,120 --> 00:35:26,839
Speaker 1: his wife. She made a promise. I think he made

773
00:35:26,840 --> 00:35:29,560
Speaker 1: her promise. I think he made her make a promise, right,

774
00:35:30,000 --> 00:35:32,800
Speaker 1: and she tried it not really much of a try

775
00:35:32,920 --> 00:35:36,319
Speaker 1: a month. I mean, imagine if you had a kid

776
00:35:36,320 --> 00:35:38,160
Speaker 1: and you said, hey, I want you go try college

777
00:35:38,200 --> 00:35:39,719
Speaker 1: and they go for a month, it's not for me.

778
00:35:40,000 --> 00:35:41,560
Speaker 1: Would you be like, okay, cool, you know you gave

779
00:35:41,600 --> 00:35:43,040
Speaker 1: it a try, or would you be like, no, you

780
00:35:43,080 --> 00:35:45,279
Speaker 1: need pretty good sample size. Would just stick it out

781
00:35:45,280 --> 00:35:48,000
Speaker 1: for a semester? Can you can she do? Okay, make

782
00:35:48,000 --> 00:35:53,080
Speaker 1: a deal, okay, have her do a semester. Okay, semester? Yeah,

783
00:35:53,120 --> 00:35:55,560
Speaker 1: stay at home mom, Okay. No. I'm just using what

784
00:35:55,680 --> 00:35:59,520
Speaker 1: Lunchbox is saying and say, hey, look absolutely I understand

785
00:35:59,520 --> 00:36:01,920
Speaker 1: your desire to not be home all the time with

786
00:36:02,000 --> 00:36:04,759
Speaker 1: the kids. So what if you do it this time

787
00:36:04,920 --> 00:36:08,759
Speaker 1: for four months and after four or five months you

788
00:36:08,800 --> 00:36:10,440
Speaker 1: still are like, I don't think this is for me,

789
00:36:10,680 --> 00:36:13,000
Speaker 1: we can actually readdress that. Yeah, and I think you

790
00:36:13,080 --> 00:36:15,440
Speaker 1: leave the option open for both of you. She doesn't

791
00:36:15,480 --> 00:36:17,520
Speaker 1: feel like she's being painted into a corner or has

792
00:36:17,560 --> 00:36:19,080
Speaker 1: painted herself into a corner by saying this. Now, I

793
00:36:19,120 --> 00:36:20,640
Speaker 1: gotta live up to my promise. I promise that you

794
00:36:20,680 --> 00:36:24,799
Speaker 1: made her give anyway, honestly. Okay, and Amy brings up

795
00:36:24,840 --> 00:36:28,600
Speaker 1: a great point. You are holding her to your standard

796
00:36:28,600 --> 00:36:31,480
Speaker 1: because of your mom. Okay, Now, it would be a

797
00:36:31,520 --> 00:36:34,279
Speaker 1: great compromise if after a few months she still was

798
00:36:34,320 --> 00:36:36,200
Speaker 1: to stay at home mother, but to satisfy the need

799
00:36:36,239 --> 00:36:38,600
Speaker 1: of going to work, she works from home like part time.

800
00:36:38,640 --> 00:36:41,160
Speaker 1: But I think probably people that want to work, it's

801
00:36:41,160 --> 00:36:45,480
Speaker 1: more about getting a social getting out. Yeah, google out

802
00:36:45,480 --> 00:36:47,439
Speaker 1: and do stuff. No, no, no, just you. She sees

803
00:36:47,440 --> 00:36:49,440
Speaker 1: you all the time. Yeah, well no, I'm gonna here

804
00:36:49,440 --> 00:36:50,960
Speaker 1: a lot. But yeah, she'll get to see me more

805
00:36:51,000 --> 00:36:53,600
Speaker 1: maybe maybe. Okay, this is all I'm gonna say. Okay,

806
00:36:54,080 --> 00:36:55,800
Speaker 1: I love it that you guys are having these conversations

807
00:36:55,800 --> 00:36:59,080
Speaker 1: about your kids. That's great. Yeah. I think she promised

808
00:36:59,120 --> 00:37:01,880
Speaker 1: you initially only to go Okay, this will never happen,

809
00:37:02,360 --> 00:37:04,080
Speaker 1: or she gave it a try, and then she gave

810
00:37:04,080 --> 00:37:05,880
Speaker 1: it a shot and didn't like it. Yeah, Jane, I'll

811
00:37:05,920 --> 00:37:08,160
Speaker 1: like it this time either, buddy, Okay, Yeah, Like, I

812
00:37:08,800 --> 00:37:12,719
Speaker 1: just think that this needs more conversation with experts, and

813
00:37:12,760 --> 00:37:14,919
Speaker 1: you should open yourself up to therapy because I'll talked

814
00:37:14,920 --> 00:37:20,120
Speaker 1: about you the same time. Yeah, but instead of saying forever,

815
00:37:20,239 --> 00:37:23,399
Speaker 1: say let's try it for four or five months, making

816
00:37:23,640 --> 00:37:25,400
Speaker 1: a number and say, hey, let's readdress it then and

817
00:37:25,440 --> 00:37:27,680
Speaker 1: if you're just absolutely not happy, let's figure out how

818
00:37:27,719 --> 00:37:32,000
Speaker 1: to make you happy. Okay, Okay, that's good advice. Three.

819
00:37:32,000 --> 00:37:36,120
Speaker 1: I vote three months. I feel like four or five months. No, No,

820
00:37:36,120 --> 00:37:39,839
Speaker 1: a semester too long. She's not a holidays, an adult woman,

821
00:37:40,120 --> 00:37:43,319
Speaker 1: and she's like, I don't can't even believe we're having

822
00:37:43,320 --> 00:37:45,239
Speaker 1: to give her this. Okay, four months go by? I

823
00:37:45,239 --> 00:37:47,319
Speaker 1: said five four months? Okay, four months, that's a good

824
00:37:47,360 --> 00:37:50,120
Speaker 1: cover month sounds like a semester to me. Yes, all right, Scooba,

825
00:37:50,200 --> 00:37:52,239
Speaker 1: good light, buddy, thank you. Do you want to say

826
00:37:52,280 --> 00:37:53,960
Speaker 1: when you're having your next kid? Can you? Yeah? It's

827
00:37:54,040 --> 00:37:57,040
Speaker 1: January January. I think January sixth is the due date.

828
00:37:57,120 --> 00:37:58,920
Speaker 1: And she's already told her job she's leaving. Yeah, she's

829
00:37:59,000 --> 00:38:01,000
Speaker 1: leaving at the end of this month out and she cried,

830
00:38:01,160 --> 00:38:02,759
Speaker 1: she cried her he has a replacement. And then we

831
00:38:02,800 --> 00:38:07,440
Speaker 1: said last meeting. She cried, I didn't know. Yeah, good luck, buddy,

832
00:38:07,520 --> 00:38:11,200
Speaker 1: Thank you appreciate it. It's the best bits of the

833
00:38:11,239 --> 00:38:18,520
Speaker 1: week with Morgan. Number two, the awesome group A Little

834
00:38:18,560 --> 00:38:21,520
Speaker 1: Big Down stopped by the studio. They just dropped a

835
00:38:21,600 --> 00:38:24,640
Speaker 1: new album and talked about the different songs on it. Also,

836
00:38:24,719 --> 00:38:27,960
Speaker 1: one of the songs in particular, took them years to write.

837
00:38:27,960 --> 00:38:30,000
Speaker 1: And I say them, but it's actually just one of

838
00:38:30,000 --> 00:38:32,920
Speaker 1: the band members who has been working and writing the

839
00:38:32,960 --> 00:38:35,920
Speaker 1: song and finally he finished it and was ready to

840
00:38:35,920 --> 00:38:38,040
Speaker 1: put it on a record after everyone heard it. So

841
00:38:38,400 --> 00:38:40,759
Speaker 1: I encourage you to listen to this entire interview if

842
00:38:40,760 --> 00:38:43,000
Speaker 1: you want to watch and see them all laughing and

843
00:38:43,040 --> 00:38:45,400
Speaker 1: smiling sitting in the studio together. That's fun too. You

844
00:38:45,400 --> 00:38:48,240
Speaker 1: can check that out at Bobby Bones dot com. Number

845
00:38:48,239 --> 00:38:53,120
Speaker 1: two morning, everybody good. So do you guys know And

846
00:38:53,160 --> 00:38:55,160
Speaker 1: maybe it's gotten back to you that I can't say

847
00:38:55,160 --> 00:38:57,800
Speaker 1: the name of your song? Oh yeah, you don't cuss?

848
00:38:58,040 --> 00:39:06,120
Speaker 1: I remember this from Our Little Boy? Is that really

849
00:39:06,160 --> 00:39:10,759
Speaker 1: a curse word? Well, in context, if you said, yeah,

850
00:39:11,040 --> 00:39:14,600
Speaker 1: we're going to hell I would say no, because that's

851
00:39:14,600 --> 00:39:18,960
Speaker 1: a place theoretically, but right when it's a feeling. But

852
00:39:19,560 --> 00:39:25,319
Speaker 1: I used to not cuss either, but then life and

853
00:39:25,320 --> 00:39:27,120
Speaker 1: then we came along. But they say it's so forever,

854
00:39:27,120 --> 00:39:28,839
Speaker 1: we're going to do it. I'll say, hey, here's a

855
00:39:28,840 --> 00:39:31,279
Speaker 1: new little bigtown song. Hey, hell yeah, yeah? What if

856
00:39:31,320 --> 00:39:33,399
Speaker 1: you said what if you said what if you said

857
00:39:33,440 --> 00:39:36,040
Speaker 1: hell yeah? I would I would never say that hell yeah,

858
00:39:36,760 --> 00:39:38,680
Speaker 1: hell what have you been? Scottie mccurrey song, which is

859
00:39:38,680 --> 00:39:41,319
Speaker 1: like a ten year number one, I wouldn't say it.

860
00:39:41,400 --> 00:39:43,400
Speaker 1: He cut us a version of dang strait? What do

861
00:39:43,480 --> 00:39:45,640
Speaker 1: you think is going to happen if you say it? Well,

862
00:39:45,840 --> 00:39:48,400
Speaker 1: I really new business. Don't cuss, because then if you

863
00:39:48,400 --> 00:39:50,439
Speaker 1: get in the habit of cussing and then you mess

864
00:39:50,560 --> 00:39:53,040
Speaker 1: up on the radio. I think most people in my

865
00:39:53,040 --> 00:39:57,960
Speaker 1: business cuss a whole lot. But well, yes, yes, if

866
00:39:57,960 --> 00:40:01,759
Speaker 1: I write, because again I do clean comedy and write

867
00:40:01,800 --> 00:40:04,479
Speaker 1: kids books and I love that. Bobby, thank you got kids?

868
00:40:04,520 --> 00:40:06,800
Speaker 1: I say, hell, I know, but I don't want to

869
00:40:06,800 --> 00:40:08,440
Speaker 1: crutch it because I will. I used to curse, but

870
00:40:08,480 --> 00:40:11,640
Speaker 1: it'll always be a crutch for me. My kid says, hell, well,

871
00:40:11,800 --> 00:40:15,319
Speaker 1: I see, that's what Happens because of our songs. So

872
00:40:15,440 --> 00:40:19,840
Speaker 1: does mom. Yeah, the kids love this song. What what happens?

873
00:40:19,880 --> 00:40:22,240
Speaker 1: If you do say it, what's I'll break my streak

874
00:40:22,239 --> 00:40:27,280
Speaker 1: of like four years. Oh say it in songs, Mobby

875
00:40:27,640 --> 00:40:30,480
Speaker 1: and I completely understand. And if I was acting, I

876
00:40:31,040 --> 00:40:32,960
Speaker 1: was like, this is a role and you're going to

877
00:40:33,000 --> 00:40:35,400
Speaker 1: play the role of Fford guy. I'd be like, well, okay,

878
00:40:35,480 --> 00:40:37,880
Speaker 1: I gotta go, and so, what what's the next single?

879
00:40:37,920 --> 00:40:47,359
Speaker 1: F No, Yes, you'd have to say it the song.

880
00:40:47,520 --> 00:40:49,799
Speaker 1: The song is really good. The new album's out today.

881
00:40:49,880 --> 00:40:52,279
Speaker 1: Thank you. I just did. I just won't say the

882
00:40:52,360 --> 00:40:54,480
Speaker 1: name of us. Didn't hurt Scotty McCarry. If anything, it

883
00:40:54,560 --> 00:40:57,200
Speaker 1: helped him because we talked about it a bunch and

884
00:40:57,400 --> 00:41:00,239
Speaker 1: it became a little story. And so I'm protesting years

885
00:41:00,239 --> 00:41:03,920
Speaker 1: so long. It's anything for a story. I'm protesting it, actually,

886
00:41:03,920 --> 00:41:07,640
Speaker 1: and I think everyone should. You would you write it

887
00:41:07,680 --> 00:41:09,480
Speaker 1: on a billboard? Yeah? You know, I don't know what

888
00:41:09,480 --> 00:41:11,919
Speaker 1: you're talking about that, I don't know. I would just saying,

889
00:41:12,120 --> 00:41:15,000
Speaker 1: you know, if you want to advertiger song. So new

890
00:41:15,040 --> 00:41:18,040
Speaker 1: album out today. At this point, you guys have had

891
00:41:18,080 --> 00:41:20,200
Speaker 1: so much success over so many years, Like, how do

892
00:41:20,239 --> 00:41:22,799
Speaker 1: you even pick good songs anymore, Karen, Like, how do

893
00:41:22,840 --> 00:41:24,839
Speaker 1: you How are you picking the songs that you're doing now?

894
00:41:25,920 --> 00:41:29,160
Speaker 1: I mean, we're just writing, writing like crazy. And that's

895
00:41:29,160 --> 00:41:31,720
Speaker 1: why there's sixteen songs on the record, because you couldn't decide.

896
00:41:32,320 --> 00:41:36,080
Speaker 1: Everybody gets more lay there. Yeah, it's really hard to

897
00:41:36,160 --> 00:41:38,880
Speaker 1: narrow it down, you know. But um, I love this

898
00:41:38,920 --> 00:41:43,040
Speaker 1: record and hopefully everyone will love it, including hell Yeah. Yeah,

899
00:41:43,160 --> 00:41:45,840
Speaker 1: I just love the feeling of this record. It's like

900
00:41:45,880 --> 00:41:48,160
Speaker 1: a breath of fresh air. Yeah. I like track four.

901
00:41:48,280 --> 00:41:55,240
Speaker 1: Holy es, Wow, that's all my favorite. It's not true,

902
00:41:55,360 --> 00:41:58,400
Speaker 1: it's not true, it's not true. Just a record of

903
00:41:58,480 --> 00:42:03,280
Speaker 1: cussing titles. I think that's a good track. Seven Fu

904
00:42:04,719 --> 00:42:06,800
Speaker 1: let's do this because I like to know why mostly

905
00:42:06,800 --> 00:42:09,040
Speaker 1: the first in the last song when you do an album, right,

906
00:42:09,040 --> 00:42:11,719
Speaker 1: like why because those two songs are really the two

907
00:42:11,760 --> 00:42:13,080
Speaker 1: that you talk about the most. But we want to

908
00:42:13,080 --> 00:42:15,760
Speaker 1: start with what do we want to end with, Kimberly

909
00:42:15,840 --> 00:42:18,720
Speaker 1: why All Summer as the very first track. All Summer

910
00:42:18,920 --> 00:42:21,279
Speaker 1: was one of the first songs we recorded for the

911
00:42:21,320 --> 00:42:23,680
Speaker 1: record after COVID, when we finally got back together and

912
00:42:23,760 --> 00:42:26,200
Speaker 1: started getting in the studio with Masks one, which was

913
00:42:26,239 --> 00:42:29,000
Speaker 1: so weird. UM. So it's one of the first ones

914
00:42:29,080 --> 00:42:33,360
Speaker 1: we cut and it kind of set the tone for UM.

915
00:42:33,719 --> 00:42:38,799
Speaker 1: It's just fun and hopefulness and getting back together and

916
00:42:38,880 --> 00:42:41,200
Speaker 1: having a good time. So that's why we decided to

917
00:42:41,200 --> 00:42:43,120
Speaker 1: start the record the same way. Ray, can you play

918
00:42:43,120 --> 00:42:44,799
Speaker 1: a little bit of that for me? Here is track one.

919
00:42:44,840 --> 00:42:52,480
Speaker 1: This is awesome, it's easy and it's fun. You want

920
00:42:52,560 --> 00:43:02,440
Speaker 1: to dream between means good, it's fun. Start, it's like,

921
00:43:02,480 --> 00:43:05,160
Speaker 1: here we are, We're here to get Let's go to

922
00:43:05,200 --> 00:43:08,120
Speaker 1: the last track, Jimmy Friends of Mine, that's the last track.

923
00:43:08,200 --> 00:43:11,799
Speaker 1: Why Uh. This is a song that we wrote right

924
00:43:11,840 --> 00:43:14,600
Speaker 1: at the end while of the Nightfall record. We we

925
00:43:14,640 --> 00:43:17,040
Speaker 1: had a week with Foy Evans and I don't know

926
00:43:17,040 --> 00:43:19,440
Speaker 1: if you've ever met that dude, but he's just a

927
00:43:19,520 --> 00:43:23,600
Speaker 1: magical dude and we we've written some really great songs

928
00:43:23,600 --> 00:43:28,800
Speaker 1: with him, and this one UM felt like just even

929
00:43:29,000 --> 00:43:31,879
Speaker 1: you know, coming out of the past few years, there

930
00:43:32,080 --> 00:43:37,399
Speaker 1: there's just this encouragement for people, like, you know, things

931
00:43:37,400 --> 00:43:39,400
Speaker 1: are getting better. It's the same kind of thing we

932
00:43:39,400 --> 00:43:42,120
Speaker 1: were talking about with the beginning at the end, and

933
00:43:42,400 --> 00:43:45,279
Speaker 1: we thought it would be when we wrote it, we

934
00:43:45,360 --> 00:43:47,560
Speaker 1: felt like it was a good closer for a show.

935
00:43:48,440 --> 00:43:51,200
Speaker 1: Um almost like a thank you to the fans and

936
00:43:51,239 --> 00:43:53,920
Speaker 1: an encouragement, and it felt the same for the record,

937
00:43:54,040 --> 00:43:56,080
Speaker 1: so we ended with that. It's one of my favorite

938
00:43:56,080 --> 00:43:58,560
Speaker 1: things we've ever cut. Do We have a little bit

939
00:43:58,600 --> 00:44:03,919
Speaker 1: of Friends of Mine? Ray, every one news and you live.

940
00:44:04,640 --> 00:44:13,280
Speaker 1: Sometimes the wind blows the ray you rise. I see

941
00:44:13,960 --> 00:44:23,680
Speaker 1: cup Field with kinds racial glass, take a rich dres

942
00:44:24,600 --> 00:44:27,839
Speaker 1: of mind and sounds like in the church. Yeah, that's

943
00:44:28,080 --> 00:44:30,200
Speaker 1: kind of yeah. What's got a little gospel? You feel

944
00:44:30,360 --> 00:44:34,120
Speaker 1: in the whole production of it. We had some church

945
00:44:34,200 --> 00:44:38,600
Speaker 1: in the studio too. We wrote so much fun together. Yeah, Jimmy,

946
00:44:38,719 --> 00:44:39,960
Speaker 1: since you got the mic up, I want to talk

947
00:44:39,960 --> 00:44:41,480
Speaker 1: about rich Man for a second, because you wrote this

948
00:44:41,520 --> 00:44:43,680
Speaker 1: one by yourself. I think this is the only song

949
00:44:43,719 --> 00:44:47,120
Speaker 1: that was singularly written, and so why let me play

950
00:44:47,120 --> 00:44:49,480
Speaker 1: a little bit first. It's number nine Ray rich Man. Yeah,

951
00:44:49,760 --> 00:44:58,000
Speaker 1: my southing. I looking for particle that it was stuff

952
00:44:58,160 --> 00:45:04,640
Speaker 1: means to me keep my head up on the ground.

953
00:45:08,880 --> 00:45:16,880
Speaker 1: It's just that Sam Damn, I'm a bitch man. I

954
00:45:17,040 --> 00:45:19,960
Speaker 1: romanticize single, writes Jimmy, Where I imagine you wake up

955
00:45:19,960 --> 00:45:22,000
Speaker 1: at two in the morning and you've got something burden

956
00:45:22,080 --> 00:45:27,480
Speaker 1: in you, and you get a glass of milk. You

957
00:45:27,560 --> 00:45:29,560
Speaker 1: go onto the kitchen table and you you take out

958
00:45:29,600 --> 00:45:34,120
Speaker 1: a pen with a quill, a quill, and you grab

959
00:45:34,160 --> 00:45:36,960
Speaker 1: a notebook and you go and you just can't. It

960
00:45:37,000 --> 00:45:39,279
Speaker 1: all pours out of you. And then you walk into

961
00:45:39,320 --> 00:45:41,719
Speaker 1: your bedroom. Your guest room's got a little studio, and

962
00:45:41,760 --> 00:45:43,080
Speaker 1: you record it and you take it to the guys

963
00:45:43,080 --> 00:45:44,400
Speaker 1: and you never go to sleep that night. And you

964
00:45:44,440 --> 00:45:46,239
Speaker 1: go guys that wrote this song called rich Man, you

965
00:45:46,280 --> 00:45:48,120
Speaker 1: play it for and they all cry, and then they

966
00:45:48,160 --> 00:45:51,120
Speaker 1: all decide to record it. And that, to me is

967
00:45:51,200 --> 00:45:54,000
Speaker 1: how how accurate is that? It's exactly how it happens.

968
00:45:55,280 --> 00:46:01,200
Speaker 1: It's that story spread over ten years many night. I

969
00:46:01,280 --> 00:46:05,600
Speaker 1: actually started writing that song, I think probably around two

970
00:46:05,640 --> 00:46:09,479
Speaker 1: thousand and nine, and it was one of those that

971
00:46:10,400 --> 00:46:13,759
Speaker 1: I don't know, I just couldn't ever settle on that

972
00:46:13,880 --> 00:46:17,640
Speaker 1: it was finished. It wasn't right, And it was It's

973
00:46:17,640 --> 00:46:20,000
Speaker 1: one that whenever I would sit down at home by

974
00:46:20,040 --> 00:46:25,120
Speaker 1: myself and with a glass of milk, that it would

975
00:46:25,120 --> 00:46:28,120
Speaker 1: always come back around. So it's just kind of hung around.

976
00:46:28,160 --> 00:46:31,319
Speaker 1: And I finally finished it about a year ago and

977
00:46:31,360 --> 00:46:33,160
Speaker 1: we were at a Karen and I were at a

978
00:46:33,200 --> 00:46:36,399
Speaker 1: friend's house. There were a couple of friends over and

979
00:46:37,400 --> 00:46:39,080
Speaker 1: one of them was like, hey, play me something I

980
00:46:39,120 --> 00:46:42,480
Speaker 1: haven't heard before. And the record is done, by the

981
00:46:42,480 --> 00:46:45,279
Speaker 1: way at this point, and so I played it for

982
00:46:45,360 --> 00:46:52,000
Speaker 1: him and their reaction was so genuine and emotional that

983
00:46:52,200 --> 00:46:54,399
Speaker 1: Karen and I looked at each other like, well, maybe

984
00:46:54,400 --> 00:46:57,520
Speaker 1: we should cut one more song. So so we went

985
00:46:57,520 --> 00:47:01,520
Speaker 1: in three days later and cut the track and it's

986
00:47:01,520 --> 00:47:04,200
Speaker 1: on the record. It was never really going to be

987
00:47:04,520 --> 00:47:07,120
Speaker 1: until it was pretty much nailed the emotional part though,

988
00:47:07,120 --> 00:47:11,920
Speaker 1: didn't They don't cry? Yes, it was all there, spread

989
00:47:11,960 --> 00:47:14,520
Speaker 1: out a little longer. That's right. When you when we

990
00:47:14,560 --> 00:47:17,319
Speaker 1: sat down and you said you can't say our song,

991
00:47:17,520 --> 00:47:19,680
Speaker 1: I thought it was it's thought of a rich man.

992
00:47:19,760 --> 00:47:22,399
Speaker 1: I was like, you can't call yourself rich? I thought.

993
00:47:22,440 --> 00:47:33,080
Speaker 1: I was thinking that's a secret. Yeah I anyway, So yeah,

994
00:47:33,280 --> 00:47:36,320
Speaker 1: so yes, when Taylor put out better Man from the

995
00:47:36,360 --> 00:47:38,600
Speaker 1: Vault right right, because you know, you guys put out

996
00:47:38,600 --> 00:47:40,760
Speaker 1: the song was massive song and it was like, Wow,

997
00:47:40,840 --> 00:47:42,640
Speaker 1: Taylor wrote it and got it to you guys. But

998
00:47:42,680 --> 00:47:44,440
Speaker 1: then she puts it out herself. Is that cool to

999
00:47:44,520 --> 00:47:49,640
Speaker 1: you guys? You liked it? Yeah? I mean, yeah, of course,

1000
00:47:49,680 --> 00:47:52,440
Speaker 1: I mean her fans. You know, she has an army,

1001
00:47:53,080 --> 00:47:55,640
Speaker 1: as we all know of fans, and you know, there

1002
00:47:55,680 --> 00:47:58,040
Speaker 1: were some that were like, we don't want to hear

1003
00:47:58,160 --> 00:48:04,160
Speaker 1: Karen sing this anymore, know, Yeah, but we don't care.

1004
00:48:04,360 --> 00:48:07,239
Speaker 1: I mean, it's it's incredible. The whole story of that

1005
00:48:07,520 --> 00:48:10,680
Speaker 1: journey of that song and to hear her version is

1006
00:48:11,040 --> 00:48:12,880
Speaker 1: I mean we got to hear it years ago, you know,

1007
00:48:12,960 --> 00:48:15,840
Speaker 1: and um, yeah, I think it was. It was really cool.

1008
00:48:15,960 --> 00:48:19,839
Speaker 1: What's the hardest little big town song to sing? Better Man?

1009
00:48:21,120 --> 00:48:25,320
Speaker 1: Better Man's pretty hard? Yeah, that man's hard. Um where

1010
00:48:25,440 --> 00:48:27,520
Speaker 1: where if you're not feeling just right, you might not

1011
00:48:27,640 --> 00:48:30,880
Speaker 1: sing it that night because somebody like, what's vocally the

1012
00:48:30,960 --> 00:48:33,719
Speaker 1: most challenging for the group to do? We have a

1013
00:48:33,760 --> 00:48:36,520
Speaker 1: few of those for me when someone stops loving he

1014
00:48:36,640 --> 00:48:40,040
Speaker 1: was really hard. Yeah, you got to be really accurate. Yeah, yeah,

1015
00:48:40,280 --> 00:48:42,360
Speaker 1: you're very exposed on that. I mean, we all have

1016
00:48:42,440 --> 00:48:45,640
Speaker 1: a kind of a different one, and so you know,

1017
00:48:46,600 --> 00:48:48,759
Speaker 1: most of the time we just sing him anyway, just

1018
00:48:48,840 --> 00:48:51,680
Speaker 1: let it out. Just do you ever watch back and

1019
00:48:51,719 --> 00:48:55,879
Speaker 1: clip and go two things. One, Wow, we are really good,

1020
00:48:55,920 --> 00:48:58,479
Speaker 1: like on Instagram, so I tags you and then holy crap,

1021
00:48:58,560 --> 00:49:02,919
Speaker 1: that was not good. Like both of those. When someone

1022
00:49:02,960 --> 00:49:08,360
Speaker 1: records from the crowds coming in but still liked you

1023
00:49:08,360 --> 00:49:11,560
Speaker 1: ever hear yourself, ag, we are awesome? Yes, yes, ever

1024
00:49:11,600 --> 00:49:16,239
Speaker 1: do that I have? Yes, I mean but because you

1025
00:49:16,280 --> 00:49:20,319
Speaker 1: are well, thank you, thank you, But we have good nights. Yeah.

1026
00:49:20,360 --> 00:49:22,319
Speaker 1: But then yeah, I just heard something the other day

1027
00:49:22,360 --> 00:49:25,640
Speaker 1: and I was like, crap, yeah, and it was like

1028
00:49:25,680 --> 00:49:28,000
Speaker 1: there was so much low end from the fans phone

1029
00:49:28,800 --> 00:49:31,200
Speaker 1: that you couldn't really hear, like with the center of pitch,

1030
00:49:31,560 --> 00:49:33,319
Speaker 1: you know what I mean. It's like you said, it's

1031
00:49:33,320 --> 00:49:36,200
Speaker 1: like not really your true reading. That's what I say

1032
00:49:36,239 --> 00:49:37,880
Speaker 1: to and I hear me back. I'm like, there's cans

1033
00:49:37,960 --> 00:49:40,919
Speaker 1: none of it. They're not laughing at all. That must

1034
00:49:40,960 --> 00:49:46,000
Speaker 1: be some issue with the recording of the crowd When

1035
00:49:46,080 --> 00:49:48,600
Speaker 1: what's the easiest, most fun song for you guys to

1036
00:49:48,640 --> 00:49:50,839
Speaker 1: sing where it doesn't matter if you're sick or not,

1037
00:49:51,000 --> 00:49:52,360
Speaker 1: Like if you got one that you know you can

1038
00:49:52,480 --> 00:49:55,640
Speaker 1: nail all the time, what is it? Always says yeah,

1039
00:49:55,680 --> 00:49:57,279
Speaker 1: because we really don't have to sing it. We can

1040
00:49:57,320 --> 00:50:04,600
Speaker 1: just go o yeah, yeah, pontoons that way. Yeah. What's

1041
00:50:04,600 --> 00:50:06,880
Speaker 1: the last performance you guys had where you were nervous

1042
00:50:08,280 --> 00:50:10,960
Speaker 1: at the result, meaning all right, we're going to do

1043
00:50:11,000 --> 00:50:14,040
Speaker 1: this either big show or big appearance, and let's hope

1044
00:50:14,040 --> 00:50:16,719
Speaker 1: after we're done people blank like like you or the crowd.

1045
00:50:16,719 --> 00:50:18,120
Speaker 1: I don't know what was the last like big performance.

1046
00:50:18,160 --> 00:50:20,520
Speaker 1: We were nervous. We were in Dublin, Ireland opening for

1047
00:50:20,560 --> 00:50:23,680
Speaker 1: the Eagles and it was rainy in the stage was slick,

1048
00:50:23,760 --> 00:50:25,560
Speaker 1: and I think I was That was the most nervous

1049
00:50:25,640 --> 00:50:28,200
Speaker 1: I had been in a long time. The crowd didn't

1050
00:50:28,200 --> 00:50:32,560
Speaker 1: know us, and we were just like, oh, that's unfamiliar. Huh,

1051
00:50:32,560 --> 00:50:35,600
Speaker 1: it's really hard. It was. It was daylight and you're like, well,

1052
00:50:35,719 --> 00:50:40,360
Speaker 1: there's no tricks, there's no spotlights, there's no smoke. You know,

1053
00:50:40,440 --> 00:50:42,680
Speaker 1: it's like just got to get out there and earn

1054
00:50:42,719 --> 00:50:45,440
Speaker 1: our way. Mind you're the early artist days, everyone on

1055
00:50:45,520 --> 00:50:48,080
Speaker 1: the daytime on the festival. Yeah. Yeah, it was fun, though.

1056
00:50:48,280 --> 00:50:51,279
Speaker 1: I got super nervous at the ACM Honors because he

1057
00:50:51,440 --> 00:50:54,120
Speaker 1: was Yeah, I'll say that too. We were singing house

1058
00:50:54,120 --> 00:50:57,080
Speaker 1: that Built Me for Miranda, you don't want to miss

1059
00:50:57,080 --> 00:50:58,719
Speaker 1: that song? Well no, and she's like one of our

1060
00:50:58,760 --> 00:51:01,040
Speaker 1: best friends and she's sitting on the front row and

1061
00:51:01,320 --> 00:51:05,160
Speaker 1: along with a lot of really famous Yeah, and I

1062
00:51:05,440 --> 00:51:09,000
Speaker 1: don't know, I just got like very okay, me too.

1063
00:51:09,320 --> 00:51:11,520
Speaker 1: I'm singing. I would say that's my last time where

1064
00:51:11,560 --> 00:51:14,400
Speaker 1: I was like, and you think about Alan Chamblin and

1065
00:51:14,520 --> 00:51:17,560
Speaker 1: Tom Douglas hearing their song. Um, but yeah, I got

1066
00:51:17,600 --> 00:51:20,399
Speaker 1: a little a little nervous. The record is out, all

1067
00:51:20,480 --> 00:51:25,440
Speaker 1: sixteen tracks, almost a double album. Have a double album.

1068
00:51:25,520 --> 00:51:26,960
Speaker 1: We had to cut it down. We had a whittled

1069
00:51:26,960 --> 00:51:30,200
Speaker 1: down to sixteen. It is called Mister Sun. It is

1070
00:51:30,239 --> 00:51:35,000
Speaker 1: out now. It I think I've heard probably nine of

1071
00:51:35,040 --> 00:51:38,239
Speaker 1: the sixteen, which I think for me, it's pretty good.

1072
00:51:38,239 --> 00:51:43,200
Speaker 1: I'll be honest with you, I mean long expect yeah,

1073
00:51:43,200 --> 00:51:44,800
Speaker 1: longer the days where I'm listening to anything. I'll be

1074
00:51:44,800 --> 00:51:47,400
Speaker 1: honest with you. But I did try to get to all.

1075
00:51:47,680 --> 00:51:49,040
Speaker 1: I guess I didn't have all the tracks because I

1076
00:51:49,040 --> 00:51:50,720
Speaker 1: got at one of those versions where it's like here's

1077
00:51:50,920 --> 00:51:53,160
Speaker 1: band's early new music, and then I think I had

1078
00:51:53,160 --> 00:51:55,120
Speaker 1: to go to the bathroom or something, and I refused

1079
00:51:55,160 --> 00:51:56,880
Speaker 1: to take you guys into the bathroom with me. I

1080
00:51:56,960 --> 00:52:00,879
Speaker 1: respect that, we really appreciate. Yes, I listened to it all.

1081
00:52:00,880 --> 00:52:02,040
Speaker 1: I was like working and then had to go to

1082
00:52:02,040 --> 00:52:04,399
Speaker 1: the bathroom and how to take a long time, So

1083
00:52:04,600 --> 00:52:07,480
Speaker 1: I didn't finish it more Taco bell for you, Bobby

1084
00:52:07,520 --> 00:52:11,520
Speaker 1: Bones taking the shots, guys, take the shots. I'm not

1085
00:52:11,600 --> 00:52:13,279
Speaker 1: saying a world. One day I'll be like you guys

1086
00:52:13,280 --> 00:52:17,600
Speaker 1: and be cool. So when when I am a little

1087
00:52:17,600 --> 00:52:19,880
Speaker 1: Big Town's new record, it's out now, mister Sun, you

1088
00:52:19,880 --> 00:52:21,680
Speaker 1: guys go get it. It is it is. I can

1089
00:52:21,760 --> 00:52:26,840
Speaker 1: tell you eight of the tracks are wonderful. Come on,

1090
00:52:27,880 --> 00:52:29,719
Speaker 1: all right, you guys, go stream it. It's there now.

1091
00:52:29,840 --> 00:52:31,480
Speaker 1: Thank you guys for coming in. Always good to see

1092
00:52:31,480 --> 00:52:39,040
Speaker 1: you guys. It's the best bits of the week with

1093
00:52:39,080 --> 00:52:43,920
Speaker 1: Morgan number two and coming in at the number one spot.

1094
00:52:44,000 --> 00:52:46,640
Speaker 1: This week, the show found out we were nominated for

1095
00:52:46,760 --> 00:52:50,640
Speaker 1: a CUMA Award for this year's awards ceremony, and we

1096
00:52:50,680 --> 00:52:53,480
Speaker 1: are so excited, y'all. We couldn't do it without you, guys,

1097
00:52:53,719 --> 00:52:56,279
Speaker 1: the listeners who support it, who share the show with

1098
00:52:56,280 --> 00:52:59,520
Speaker 1: their friends and family, who engage with things online, who

1099
00:52:59,560 --> 00:53:02,000
Speaker 1: call in to the show. So it's a team effort

1100
00:53:02,080 --> 00:53:04,319
Speaker 1: over here with you all included, and we couldn't be

1101
00:53:04,400 --> 00:53:06,920
Speaker 1: nominated for that award without you all. But we're super

1102
00:53:06,920 --> 00:53:11,000
Speaker 1: stoked around here. And this is just a big congratulations

1103
00:53:11,000 --> 00:53:13,640
Speaker 1: to my fellows show members, as well as a big

1104
00:53:13,640 --> 00:53:16,160
Speaker 1: shout out to all of you for supporting us and

1105
00:53:16,400 --> 00:53:19,000
Speaker 1: loving what we do. We couldn't do it without you, guys.

1106
00:53:19,040 --> 00:53:20,879
Speaker 1: So yeah, this had to be in the number one

1107
00:53:20,920 --> 00:53:24,759
Speaker 1: spot because we love y'all. Number one CMA Awards, it's

1108
00:53:24,760 --> 00:53:27,200
Speaker 1: the big award show. They had the nominations. Here you go,

1109
00:53:27,239 --> 00:53:29,279
Speaker 1: a Single of the Year. Tell me which of these

1110
00:53:29,280 --> 00:53:31,680
Speaker 1: songs you liked the best and that should win the award.

1111
00:53:32,320 --> 00:53:35,879
Speaker 1: By Dirt from Jordan Davis and Luke Bryan. Final When

1112
00:53:35,920 --> 00:53:38,960
Speaker 1: you Can't Live with the Half of My Hometown from

1113
00:53:39,080 --> 00:53:46,000
Speaker 1: Kelsey Ballerinia and Kenny Chesney. Never wanted to be that girl,

1114
00:53:46,160 --> 00:53:49,680
Speaker 1: Carly Pearce and Ashley McBride. I never wanted to be

1115
00:53:50,000 --> 00:53:58,759
Speaker 1: that Until you Can't. Cody Johnson good, very good, while

1116
00:53:58,800 --> 00:54:02,200
Speaker 1: you got and you should probably leave. Chris Stapleton, you

1117
00:54:02,239 --> 00:54:09,480
Speaker 1: should probably Yeah, well, yeah, they're all good. So write

1118
00:54:09,480 --> 00:54:12,240
Speaker 1: your answer down and you know, if we were picking,

1119
00:54:12,320 --> 00:54:16,600
Speaker 1: just buy our votes alone, all right, I'm in everybody

1120
00:54:16,680 --> 00:54:21,160
Speaker 1: in Yeah, all right, Amy, who do you have? Cody Johnson?

1121
00:54:21,280 --> 00:54:23,959
Speaker 1: He meaning running Roll, that's not the name of the song, Okay,

1122
00:54:25,040 --> 00:54:28,880
Speaker 1: lunchbox Cody Johnson, Till you can't, Eddie, you should probably

1123
00:54:28,920 --> 00:54:31,840
Speaker 1: leave Chris Stapleton's jam I have by Dirt, But that

1124
00:54:31,920 --> 00:54:39,480
Speaker 1: makes Cody Johnson whoa Okay, well he doesn't really get

1125
00:54:39,480 --> 00:54:42,560
Speaker 1: an award for that. But this is a category I

1126
00:54:42,640 --> 00:54:47,720
Speaker 1: made up best songs. You only know the song title

1127
00:54:48,440 --> 00:54:51,759
Speaker 1: in the lyrics. For example, if I were to say,

1128
00:54:52,160 --> 00:54:55,040
Speaker 1: Beer's on me, how much that song can you actually sing?

1129
00:54:55,640 --> 00:55:00,480
Speaker 1: Come on and stay on? Now everybody's got a little

1130
00:55:00,560 --> 00:55:03,520
Speaker 1: something wrong, so none, so none? Actually, Eddie, what can

1131
00:55:03,560 --> 00:55:05,720
Speaker 1: you do? Nothing? Dude? I don't even have the melody

1132
00:55:05,840 --> 00:55:08,640
Speaker 1: that song? I could do? Good beers on me? All right,

1133
00:55:08,680 --> 00:55:18,000
Speaker 1: that's the first out hit. Go hit that small swing back, Eddie?

1134
00:55:18,000 --> 00:55:20,920
Speaker 1: Can you do? Freedom was a highway? Yeah? If Freedom

1135
00:55:21,120 --> 00:55:25,480
Speaker 1: wasn't exactly exactly, that's my point. You only know that, yeah,

1136
00:55:25,680 --> 00:55:33,440
Speaker 1: Jimmy Ellen of Brad Paisley Living for Friday Cream and

1137
00:55:33,480 --> 00:55:37,200
Speaker 1: then the other nominees Gabby Barrett, the Good Ones, Amy,

1138
00:55:37,239 --> 00:55:38,759
Speaker 1: how much of that can you sing? And one of

1139
00:55:38,840 --> 00:55:47,080
Speaker 1: the good one exactly? Yeah, yeah, exactly. And since this

1140
00:55:47,120 --> 00:55:48,600
Speaker 1: is a real I'm just gonna go ahead and pick

1141
00:55:49,640 --> 00:55:52,000
Speaker 1: Jimmy and Brad Paisley the winnerds Freedom was a Highway

1142
00:55:53,719 --> 00:56:00,640
Speaker 1: with somebody young living full of Friday. Yeah, all right,

1143
00:56:00,680 --> 00:56:03,320
Speaker 1: this is a real one Entertainer of the Year. Luke Combs,

1144
00:56:03,360 --> 00:56:06,480
Speaker 1: Miranda Lambert, Chris Stay Bolton, Kerry Underwood and Morgan Wallen.

1145
00:56:06,719 --> 00:56:10,200
Speaker 1: Oh like this. If they're being legitimate, it has to

1146
00:56:10,239 --> 00:56:12,680
Speaker 1: be Luke Combs and Morgan Wallen. It just has to be.

1147
00:56:14,239 --> 00:56:17,080
Speaker 1: And unless there's something going on, who you know they

1148
00:56:17,080 --> 00:56:22,279
Speaker 1: could get? Who knows the Luke and Morgan Wallen the

1149
00:56:22,880 --> 00:56:24,799
Speaker 1: only two that really should have a chance to win

1150
00:56:24,840 --> 00:56:28,200
Speaker 1: this thing. Uh, Okay, go ahead, I go Luke Combs, Amy,

1151
00:56:28,320 --> 00:56:31,759
Speaker 1: Luke Combs, Eddie Man, Morgan Wong. When he came to town,

1152
00:56:31,800 --> 00:56:33,880
Speaker 1: that was the hottest ticket ever. So you got to

1153
00:56:33,880 --> 00:56:37,719
Speaker 1: give that to Morgan w lunchbox Luke Combs. Yeah, just

1154
00:56:37,719 --> 00:56:42,800
Speaker 1: because I Luke played stadiums. I mean he canceled a show,

1155
00:56:43,000 --> 00:56:46,000
Speaker 1: sort of still played, gave his best, but refunded every

1156
00:56:46,120 --> 00:56:49,000
Speaker 1: money because his throat. Yeah he didn't play though, because

1157
00:56:49,000 --> 00:56:52,080
Speaker 1: the entertainer played. He didn't. He did play, I'm saying,

1158
00:56:52,320 --> 00:56:57,040
Speaker 1: but he didn't sink because his throat. That's like, that's

1159
00:56:57,120 --> 00:57:00,400
Speaker 1: that's entertainer. Okay, that's entertaining. Okay, So then let's do

1160
00:57:00,440 --> 00:57:04,279
Speaker 1: a couple of the fake categories. Uh, Best songs that

1161
00:57:04,320 --> 00:57:07,040
Speaker 1: Bobby will not say the title too. Oh, I know

1162
00:57:07,160 --> 00:57:09,520
Speaker 1: one all right, that one from Scottie McCreary that's called

1163
00:57:09,520 --> 00:57:14,919
Speaker 1: what am damn straight? Correct? Damn. There's one from Eric Church.

1164
00:57:15,040 --> 00:57:19,320
Speaker 1: Eddie you know this one? Hell yeah close? What is it?

1165
00:57:19,320 --> 00:57:23,040
Speaker 1: I don't know? It's about a view? Oh hell have you?

1166
00:57:23,200 --> 00:57:28,280
Speaker 1: Hell yeah? And then Little Big Town Eddie, do you

1167
00:57:28,320 --> 00:57:31,120
Speaker 1: know their new one? You just said it for Eric Church?

1168
00:57:31,400 --> 00:57:37,320
Speaker 1: Hell yeah, yeah, really yeah, all right in the winter

1169
00:57:37,440 --> 00:57:42,280
Speaker 1: is Scottie McCarry there you good has all right? The

1170
00:57:42,320 --> 00:57:45,440
Speaker 1: new category, the fake category, most overplayed song on the radio,

1171
00:57:45,760 --> 00:57:51,520
Speaker 1: Oh Man, Walker Hayes, fancy like yeah fancy on this

1172
00:57:51,720 --> 00:57:54,920
Speaker 1: day night, Dustin Lynch and McKenzie Porter thinking about you

1173
00:57:59,360 --> 00:58:01,240
Speaker 1: or Jason? I didn't carry under what if I didn't

1174
00:58:01,240 --> 00:58:06,160
Speaker 1: love you? If I did? So it's a fake category,

1175
00:58:06,160 --> 00:58:08,919
Speaker 1: but we're gonna vote. We made it up ourselves. Most

1176
00:58:09,000 --> 00:58:14,040
Speaker 1: overplayed all right you guys, good got written down lunchbox

1177
00:58:14,200 --> 00:58:17,280
Speaker 1: fancy like Eddie, Yeah I didn't love you, dude. I

1178
00:58:17,320 --> 00:58:19,000
Speaker 1: heard that all the time. Dude me too. When I

1179
00:58:19,040 --> 00:58:21,760
Speaker 1: started again, I was like, oh, like just there and

1180
00:58:21,800 --> 00:58:23,880
Speaker 1: it's a good song. But we heard it so much

1181
00:58:24,080 --> 00:58:27,800
Speaker 1: as soon as Ray played that clip that came on again. Amy, yep,

1182
00:58:27,920 --> 00:58:34,480
Speaker 1: if I didn't love you, dear God save us. There's

1183
00:58:34,520 --> 00:58:37,360
Speaker 1: a good song. The first ten thousand times final category,

1184
00:58:37,400 --> 00:58:39,440
Speaker 1: A number one song you forgot was ever at number one,

1185
00:58:39,920 --> 00:58:42,040
Speaker 1: meaning it just kind of came and went, and if

1186
00:58:42,040 --> 00:58:44,960
Speaker 1: it's played, you go, oh, yeah, I remember that. But uh,

1187
00:58:45,120 --> 00:58:52,480
Speaker 1: Michael Ray Whiskey and Rain. When you hear it again,

1188
00:58:52,520 --> 00:58:54,080
Speaker 1: you're remember and go oh that was good. You also

1189
00:58:54,120 --> 00:58:58,800
Speaker 1: forget it's Michael Ray. Yeah, yeah, that's that's the problem. Yeah, Parmelie,

1190
00:58:58,880 --> 00:59:06,120
Speaker 1: take my names Sagan or Lee Brice. Memory I don't

1191
00:59:06,160 --> 00:59:11,920
Speaker 1: mess with. That's some memory. I don't, girl. Those songs

1192
00:59:11,960 --> 00:59:16,840
Speaker 1: came and went, why your jam? I mean they're all good,

1193
00:59:16,920 --> 00:59:18,680
Speaker 1: But Amy, say what you mean? I mean, which say?

1194
00:59:18,960 --> 00:59:22,200
Speaker 1: Go ahead back too. I like them all, but the

1195
00:59:22,280 --> 00:59:24,640
Speaker 1: first two I really enjoyed. And it's sad they weren't

1196
00:59:24,640 --> 00:59:26,640
Speaker 1: here longer. Okay, So the number one song you forgot

1197
00:59:26,680 --> 00:59:29,480
Speaker 1: was the number one, Amy, yours is gonna be Lee Bryce. No,

1198
00:59:29,920 --> 00:59:32,240
Speaker 1: it's gonna be Whiskey and Rain. I forgot. Don't think

1199
00:59:32,240 --> 00:59:35,320
Speaker 1: you understand the category? Well, I guess I don't, Eddie. Yeah,

1200
00:59:35,400 --> 00:59:37,920
Speaker 1: Michael Ray dude, my boy. I mean, yeah, that's that's

1201
00:59:37,760 --> 00:59:39,960
Speaker 1: that's my dude. And it's happens to me when all

1202
00:59:39,960 --> 00:59:41,720
Speaker 1: of his songs, like that's Michael Reagan. Oh yeah that

1203
00:59:41,800 --> 00:59:43,680
Speaker 1: was good. But I don't think you guys get the count. Yeah,

1204
00:59:43,680 --> 00:59:45,240
Speaker 1: they don't get the category. Let's you can decide the

1205
00:59:45,280 --> 00:59:46,960
Speaker 1: whole winner. Here, go ahead, it's Lee Bryce. You had

1206
00:59:47,000 --> 00:59:53,440
Speaker 1: no idea. Yeah, that's the point there, and Amy said it,

1207
00:59:53,440 --> 00:59:55,560
Speaker 1: and then she goes and I go, Michael Ray, and

1208
00:59:55,560 --> 00:59:58,680
Speaker 1: then Edie goes, my boy, Michael Ray. I think it's

1209
00:59:58,720 --> 01:00:01,280
Speaker 1: just how you look at it, you know, Eddie and

1210
01:00:01,360 --> 01:00:07,840
Speaker 1: I look think differently. Okay, okay, Well, congratulations to everybody

1211
01:00:07,960 --> 01:00:10,480
Speaker 1: who was nominated for CMA and that's it. We were

1212
01:00:10,520 --> 01:00:13,240
Speaker 1: nominated for show, which is cool. And we made sure

1213
01:00:13,240 --> 01:00:18,200
Speaker 1: that everybody's name, including the building cleaners, the people that

1214
01:00:18,240 --> 01:00:20,200
Speaker 1: come and fix our equipment, people we wave out on

1215
01:00:20,200 --> 01:00:22,000
Speaker 1: the street, they were all listed. I mean I saw

1216
01:00:22,040 --> 01:00:24,440
Speaker 1: the names and I was like, what are we doing? Well,

1217
01:00:24,600 --> 01:00:26,960
Speaker 1: we don't want any controversy here and why not? Why not?

1218
01:00:27,560 --> 01:00:31,480
Speaker 1: So it was like Bobby, Amy, Eddie, Lunchbox, Scuba, Steve,

1219
01:00:31,600 --> 01:00:38,800
Speaker 1: Mike d Abbey, you know, Juan Carlos. It was everybody

1220
01:00:39,040 --> 01:00:43,000
Speaker 1: the same effort. Yeah yeah, um, so yeah, we'll see

1221
01:00:43,040 --> 01:00:45,160
Speaker 1: if we win it. If we don't win, like, we're

1222
01:00:45,160 --> 01:00:47,080
Speaker 1: not happy about it, all right? That it. Yeah, I

1223
01:00:47,440 --> 01:00:49,440
Speaker 1: need to go check out the list you were on there.

1224
01:00:49,440 --> 01:00:55,400
Speaker 1: Don't worry. It's the Best Bits of the week with

1225
01:00:55,480 --> 01:00:58,840
Speaker 1: Morgan number two. All right. That's it for me this

1226
01:00:58,880 --> 01:01:01,800
Speaker 1: weekend on the back Best Bits. I hope you enjoyed

1227
01:01:01,840 --> 01:01:03,920
Speaker 1: it listening back to all these segments from the show

1228
01:01:03,960 --> 01:01:05,959
Speaker 1: this week. If you want to see some more, there's

1229
01:01:06,000 --> 01:01:08,320
Speaker 1: a lot of content up at Bobbybones dot com or

1230
01:01:08,360 --> 01:01:11,000
Speaker 1: on our social media at Bobby Bones Show, and of

1231
01:01:11,040 --> 01:01:13,720
Speaker 1: course make sure you check out Best Bits Part one,

1232
01:01:13,760 --> 01:01:16,080
Speaker 1: which is my personal favorite part of this podcast, where

1233
01:01:16,120 --> 01:01:18,120
Speaker 1: I bring on a show member and we kind of

1234
01:01:18,120 --> 01:01:20,160
Speaker 1: talk about these segments, but not really. We talk about

1235
01:01:20,200 --> 01:01:23,280
Speaker 1: life and a lot of things going on and random

1236
01:01:23,320 --> 01:01:26,880
Speaker 1: conversations and questions that I like to have answered. And

1237
01:01:27,120 --> 01:01:29,520
Speaker 1: there was even a question I asked Ray on the

1238
01:01:29,560 --> 01:01:31,959
Speaker 1: Best Bits this weekend that he played the fifth two

1239
01:01:32,080 --> 01:01:33,880
Speaker 1: or played the shot. I don't know how you want

1240
01:01:33,880 --> 01:01:35,640
Speaker 1: to put it, but it was a great interview and

1241
01:01:35,640 --> 01:01:37,440
Speaker 1: it's super fun to talk to Ray and catch up

1242
01:01:37,480 --> 01:01:39,680
Speaker 1: on Live, so be sure to check that out while

1243
01:01:39,680 --> 01:01:42,240
Speaker 1: you have some time this weekend. I love y'all. Thank

1244
01:01:42,240 --> 01:01:45,440
Speaker 1: you guys for always listening and engaging and also like

1245
01:01:45,640 --> 01:01:48,160
Speaker 1: talking to me on social media about the best bits.

1246
01:01:48,200 --> 01:01:51,040
Speaker 1: That's so fun for me. So love you guys. Thank you.

1247
01:01:51,200 --> 01:01:53,640
Speaker 1: Make sure you follow me at web Girl Morgan. I'll

1248
01:01:53,680 --> 01:01:57,680
Speaker 1: see y'all later. Have a good weekend, yes, Bobby Boss.