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Speaker 1: So it's a crowded restaurant. So at this point I'm

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Speaker 1: screaming for her to come out of the bathroom, and

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Speaker 1: all of a sudden, I get tapped on the shoulder

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Speaker 1: and I turn around and Philip Roth says I am

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Speaker 1: And I'm like, what does he mean? You know? And

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Speaker 1: then I go, oh, I realize, I said, no, Philip,

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Speaker 1: I'm here, you know, with Biju Phillips. I wasn't saying

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Speaker 1: be a Jew, Philip, because you know, because I would

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Speaker 1: never tell someone what religion they should have or anything

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Speaker 1: like that. I'm that wouldn't mind it very yes. But

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Speaker 1: but and he wasn't, And to his credit, he wasn't

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Speaker 1: riled up. He just said, why I am right? And

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Speaker 1: I said, well, I'm a Buddhist, but I'm not going

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Speaker 1: to go around and tell everyone. You know, I'm a

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Speaker 1: Native American, but I've just recently read about Buddhism and

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Speaker 1: I've decided I kind of am that too, because I

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Speaker 1: hate suffering. You can be both well, and you can,

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Speaker 1: and these days you can because there's so many there's

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Speaker 1: hybrid cars and there's everything is combined.

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Speaker 2: I'm so sorry that that happened to you, that people

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Speaker 2: thought that you were doing something weird when really you

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Speaker 2: were just screaming a woman's full name to get her

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Speaker 2: to leave the bathroom.

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Speaker 1: Be you Phillips yet here right now, and you better

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Speaker 1: not be flossing in there.

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Speaker 3: Hey.

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Speaker 2: Welcome to Hollywood Handbook, An Insider's guide to kicking button,

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Speaker 2: dropping names, and the red Corper line.

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Speaker 1: Back Always of this industry, we call showman guy who's

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Speaker 1: doing the announcement monster trucks.

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Speaker 2: We wanted to follow up on We told you a

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Speaker 2: few weeks ago about our pilot formerly untitled Engineer Cody

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Speaker 2: Boy Project, formerly Whites and Golds, formerly Baby Graham PA,

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Speaker 2: formerly titled bat Kid Dog Project, and now it is

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Speaker 2: currently that it is still.

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Speaker 1: It's back Kid and Dog. Yes, and and I think

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Speaker 1: the last you'd heard, we were making some compromises artistically,

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Speaker 1: which is always part of the game, and a lot

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Speaker 1: of times it is for the best. So we weren't

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Speaker 1: positive about the footage that we got. Some of the

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Speaker 1: footy was you never little rough, You never know, especially

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Speaker 1: with the effects. But the full edited version screened just

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Speaker 1: yesterday for all the studio heads and all the biggest

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Speaker 1: A list stars and people peeded from laughing and they

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Speaker 1: made them doing scared. Yes, them being scared, and that

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Speaker 1: was never our at tension. We don't like to do that.

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Speaker 1: But to see that emotional spots almost made me understand uh,

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Speaker 1: partially why some people want to ghost. Yes, And although

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Speaker 1: that's not for me, uh and I only ever see

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Speaker 1: a ghost if I've been tricked, it is okay for

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Speaker 1: the people who like it, Go ahead and like it

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Speaker 1: because anything, whether you're doing a pee because you're laughing

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Speaker 1: or because you're so scared, it's just nice to do that.

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Speaker 2: The effects turn not amazing, the effects shots, it.

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Speaker 1: Looks fucking insane, I mean absolutely incredible, and at some

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Speaker 1: points felt like I was inside the back kid's car

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Speaker 1: with him.

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Speaker 2: If you use as a trick where if you take

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Speaker 2: a little hot Wheels car and film it with a

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Speaker 2: normal sized camera, it looks like a normal big car.

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Speaker 1: Oh yeah, you can throw it, throw it, bounce it

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Speaker 1: off of a trampoline. I mean you can make it

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Speaker 1: do all kinds of tricks that you can't necessarily do

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Speaker 1: with a big car. H. And you just move the

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Speaker 1: camera in so close.

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Speaker 2: And only gets a little bit of your hands, and you.

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Speaker 1: Just draw, you draw the driver's face on it. And

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Speaker 1: it looks fucking amazing and so we couldn't be more thrilled.

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Speaker 1: And I will admit now I had my doubts at

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Speaker 1: certain points, but we crushed it. We've got a great

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Speaker 1: piece of footy here on our hands, and we have

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Speaker 1: some we have some good news. Yes, so we have

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Speaker 1: some good news. You can go ahead and well, you know,

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Speaker 1: it's the announcement that you expect when someone has a

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Speaker 1: great pilot, and that is that the network likes it

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Speaker 1: so much they have decided a drum roll, please, not

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Speaker 1: to do it this season, but instead to roll this

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Speaker 1: project into perhaps a future year or more likely a

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Speaker 1: series of films.

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Speaker 2: We have eighteen great minutes of footage that they said

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Speaker 2: would work better cut into a bunch of movies rather

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Speaker 2: than just being a pilot, So we don't have to

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Speaker 2: reshoot anything. They can take these eighteen minutes now and

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Speaker 2: make a lot of really good movies out of them.

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Speaker 1: Yes, And what I was so excited about was even

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Speaker 1: just looking at some of the still frames and being like,

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Speaker 1: imagine this as a poster and that is sort of

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Speaker 1: the ultimate achievement because you are always trying to make art.

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Speaker 2: So thank you for taking this journey with us, but

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Speaker 2: you guys are get to now be a part of

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Speaker 2: this as well, and that was sort of our goal

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Speaker 2: from the beginning. We want to say thank you also

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Speaker 2: to Tim Trees and Annia Stasia Vigo who got us

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Speaker 2: some very nice T shirts for our Wolf cool shingle.

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Speaker 1: That we ordered.

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Speaker 2: Those turned out very nice.

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Speaker 1: It's a lot of.

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Speaker 2: Mentioning now for them on the showy and so now

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Speaker 2: I think this is a good time for us to

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Speaker 2: kind of part ways, don't you think, Just like we'll

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Speaker 2: keep doing our show and like you guys can do.

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Speaker 1: They've almost graduated in a way. Yes, and we're very yes,

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Speaker 1: and we're it's bittersweet, but it's mostly sweet and best

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Speaker 1: of luck with everything.

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Speaker 2: And because it's just like between like we got the

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Speaker 2: birthday cards from Ustasia and she called into the Collin

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Speaker 2: Show and now we got the T shirts and.

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Speaker 1: So you's sing the Popcorn Gallery on stage. Yes, it

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Speaker 1: feels like it's so it's like, what's the next thing.

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Speaker 2: And that's when you start to get a little nervous,

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Speaker 2: you know, when it has to be stepped up every time.

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Speaker 2: It feels like that's when you get into teartor where

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Speaker 2: it could be a little bit scary with.

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Speaker 1: And I think America ready for the next tim Trees

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Speaker 1: and an estolised ye of ego, because yeah, it is

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Speaker 1: terrifying to imagine what they want now in exchange for

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Speaker 1: so much of an investment. And I'm imagining some of

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Speaker 1: the stuff now and I'm not willing to do that.

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Speaker 2: We have a great guest today, Mary Holland is here.

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Speaker 2: She has done comedy and she has been on stage,

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Speaker 2: and she's going to come talk to us, me and

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Speaker 2: Sean on the show Hollywood Handbook. So I do the putt,

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Speaker 2: not too hard, not too so, pass the penguins into

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Speaker 2: the poor bear's mouth. I turned to Marcia gay Harden, say,

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Speaker 2: now we're that kissy you promised me. Oh, she says, okay,

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Speaker 2: she excuse me a kiss. Suddenly there are three teeth

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Speaker 2: loose teeth inside my mouth.

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Speaker 1: Oh no, she didn't.

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Speaker 2: And so and I had seen her kind of like

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Speaker 2: working on something I thought was a gumball, uh huh,

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Speaker 2: as we were playing in there, but only one of

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Speaker 2: them was hers. Two of them were. We took them

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Speaker 2: all out and like tried to organize who was whose.

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Speaker 2: Two of them were mine? Okay, and I have been

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Speaker 2: losing them at a furious pace, well the last but

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Speaker 2: they're going back in. Yes, they grow back in almost instantly.

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Speaker 1: So that so that is not as concerning to me

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Speaker 1: as Marcia doing another one of her easy money routines

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Speaker 1: where she wrenches around, loosens the tooth, gets in some

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Speaker 1: bet she knows she's gonna lose, gives you the kissy,

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Speaker 1: and then oh no, guess who gets the dental bill.

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Speaker 1: M h uh huh, And it's you, that's whoever has

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Speaker 1: the tooth, whoever gets the tooth in their mouth. Then

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Speaker 1: all of a sudden, you're paying the dental bill. I'm sorry,

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Speaker 1: Marshall Gay Harden, but I don't play that game, and

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Speaker 1: you should neither, Hayes.

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Speaker 2: From now on, Hey, welcome to Hollywood Handbook, and sorry

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Speaker 2: guys to kicking button dropping names in the red carpet

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Speaker 2: lineback hallways of this industry we call show business.

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Speaker 1: We have.

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Speaker 2: I guess that we're very excited about today. Mary Holland

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Speaker 2: is here. Hi, Thank you so much for coming to

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Speaker 2: be on the show with us.

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Speaker 3: Thank you for having me.

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Speaker 2: The reason we're so excited is try to have you

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Speaker 2: two weeks ago and try to have you last week

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Speaker 2: last week, that's right, and you said you say yes,

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Speaker 2: you say no, you say yes again again.

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Speaker 1: Yeah, now, And it built a lot of anticipation, so

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Speaker 1: that now I've never been so excited for a guest

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Speaker 1: just because I thought it wasn't gonna happen.

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Speaker 3: Right, Well, you know that was all a part of it.

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Speaker 3: That's part of I'll get into this more, but that's

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Speaker 3: part of succeeding in Hollywood is the teas is the teas.

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Speaker 1: But part of the teas is eventually you do have

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Speaker 1: to give it up. And that's what you're.

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Speaker 3: Doing here, and that's what I'm doing here today. I'm

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Speaker 3: giving it up. I'm putting out on the show.

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Speaker 1: Yes, but you but you've got to make them hungry

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Speaker 1: for it. Yeah, absolutely, ifyone wants to be remembered as

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Speaker 1: tasting well, one must leave them hungry for more. And

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Speaker 1: so even when you put out, hold something back.

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Speaker 2: But it was totally fine because we got to do

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Speaker 2: a great listener call in episode last week, Oh, which

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Speaker 2: was I really think just as good as a normal episode.

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Speaker 1: Almost better than having a guest is to have a

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Speaker 1: bunch of people who couldn't be guessed.

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Speaker 2: I mean that to me is the calling in, often

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Speaker 2: with nothing specific to say. Mm hmm, just excited to

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Speaker 2: hear the sound of their own voice, yes.

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Speaker 1: To hear themselves through their phone, and then listen again

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Speaker 1: later to them selves not knowing what to do.

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Speaker 3: Right.

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Speaker 1: So that was a good episode and this one's going

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Speaker 1: almost as well. What was keeping you being so busy?

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Speaker 3: It was a number of things.

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Speaker 2: Do you want to open up your calendar?

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Speaker 3: Yeah, I'll open it up right now.

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Speaker 2: This will actually be really interesting for the scoop troop

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Speaker 2: who like to hear scoops about like the news.

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Speaker 1: Yeah, what does a successful Hollywood starlets calendar look like?

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Speaker 1: You want to know?

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Speaker 3: Absolutely?

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Speaker 1: Do you prefer star because it's not gender specific.

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Speaker 3: I do prefer star.

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Speaker 4: Yes.

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Speaker 1: Well, then let's say star from now on and I'll

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Speaker 1: have you know. We've had a lot of female guests

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Speaker 1: and I think that makes us very brave and front runners.

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Speaker 3: Mm. There was one of the dates that we were

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Speaker 3: scheduled to record. I believe I was in south By Southwest, Okay.

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Speaker 1: And that's what it looks like when a star has

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Speaker 1: a calendar, as you have directions in it, right, we was.

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Speaker 3: I was in the direction of south By Southwest.

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Speaker 1: We were there as well. You may not have seen

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Speaker 1: us because we were so busy in sort of some

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Speaker 1: of the underground rooms. Yeah, there's a lot of.

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Speaker 2: We recorded from there two weeks ago, but we did.

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Speaker 2: We decided not to mention.

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Speaker 1: No, no, no, I hate making people feel like they're

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Speaker 1: somewhere else. It's you know, this podcast to me should

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Speaker 1: be comfort food. It's smashed potatoes. It's not some sort

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Speaker 1: of chilly Uh that's too crazy.

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Speaker 2: So we do our south By Southwest special episode, big audience,

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Speaker 2: big crowd, and we say please be quiet, no one,

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Speaker 2: make a peace. We don't want people. We want people

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Speaker 2: to think that we're here in the normal studio.

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Speaker 1: Sure, we gave people decorative pillows to laugh into and

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Speaker 1: to bite on as they got too excited.

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Speaker 3: Wow, you know, but that seems like I would think

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Speaker 3: if you're recording with a live audience, you would want

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Speaker 3: you want to hear those last But you guys.

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Speaker 2: Don't too scary, right, No, it's because people think there's

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Speaker 2: a bunch of people in their car. Like if they're

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Speaker 2: listening in their car, suddenly they think there's one hundred

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Speaker 2: people laughing in the car.

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Speaker 1: They pull over, they turn around, or they just crash

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Speaker 1: in a telephone pole.

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Speaker 3: Yeah, because there's nothing more nightmariage than people laughing. Extra

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Speaker 3: people and yeah in a car in the car laughing.

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Speaker 1: Well, many of our fans. Cars can't fit that many people,

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Speaker 1: and there already is maybe seven people riding in the car.

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Speaker 1: So if they're hearing new laughs that they don't know,

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Speaker 1: that means there's some real danger too much wait for

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Speaker 1: the tires.

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Speaker 2: A lot of them ride on. Well, I guess what

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Speaker 2: it's known as a gypsy bus. No, that's not the Yeah,

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Speaker 2: we don't say it, but I don't know what else

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Speaker 2: to call it. Is there a new word for that

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Speaker 2: if we figured it out. It's just a guy with

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Speaker 2: a big car who goes up and down the main

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Speaker 2: road back and forth.

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Speaker 1: The Romanian American bus. Yeah, yeah, I know that.

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Speaker 2: Yeah, And you whistle at him and he'll pick you up,

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Speaker 2: and he'll pick you up for just a few rand,

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Speaker 2: just a couple of you.

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Speaker 1: I'm going through these toothpicks fast. One of them I

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Speaker 1: dropped on the ground. This one's all splintered, almost wounded

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Speaker 1: my sensitive little tongue.

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Speaker 2: But it's not because the toothpicks are too spicy for you, right.

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Speaker 1: No, nothing's too spicy for me. I could listen to

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Speaker 1: a podcast from south By Southwest, you know, I could

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Speaker 1: have a spicy chili like that. I'm not straight mashed potatoes,

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Speaker 1: although I do think they're good.

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Speaker 2: You do mashed potatoes with? Do you like hot sauce?

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Speaker 2: We're big hot sauce? Yeah?

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Speaker 1: Sretcha?

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Speaker 3: Excuse me?

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Speaker 1: Have I had blud siretcha?

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Speaker 3: I don't think I have.

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Speaker 1: Oh that's the best. That's the best hot sauce. And

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Speaker 1: if you can eat it, it makes you tough and cool.

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Speaker 3: Oh well, I'll have to go.

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Speaker 2: Try it esper at the restaurant or what's.

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Speaker 1: The what's the restaurant? Yeah, oh yeah. You go to

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Speaker 1: the restaurant and just say, well one saratcha. They'll know

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Speaker 1: what you mean. And then when you put it on

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Speaker 1: then people go, oh, that's a pretty interesting thing to

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Speaker 1: like put on other people's food.

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Speaker 5: I'll do.

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Speaker 3: I'll ask for siratcia.

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Speaker 1: Yeah. Well you're not quite saying it right, but it's okay.

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Speaker 1: It's a foreignword, and so you know, it's a great.

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Speaker 2: There's an almost silent d at the beginning.

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Speaker 1: Yes it should sound hard, the guy it's yes, Yes,

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Speaker 1: it should sound like it hurts to say.

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Speaker 2: Well, we did an exciting experiment this week. You can

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Speaker 2: learn a lot about somebody by looking at their queue

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Speaker 2: talking about Netflix.

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Speaker 3: Que of course obviously.

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Speaker 2: And so this is a segment that we like to

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Speaker 2: do on the show a lot called Q and A

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Speaker 2: The Q like Netflix Q.

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Speaker 1: Do you have the theme for that?

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Speaker 2: Sam?

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Speaker 4: What happened to it? I ever get one or make

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Speaker 4: one or know about it?

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Speaker 1: Do you want to just do it? The Q and

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Speaker 1: A theme song? Yeah?

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Speaker 2: Q and a Q like Netflix Q, Q like Netflix Q.

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Speaker 2: Okay do you know this one? You don't know that

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Speaker 2: our theme for this segment?

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Speaker 1: Well, I shouldn't stop you though. Should we all do

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Speaker 1: it the same? Yeah? Sure we can all do it?

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Speaker 1: Say hmm okay, cute, cute, cute like a Netflix Q

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Speaker 1: and A. So that's a theme for theme song for

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Speaker 1: this one. And uh we all traded Netflix cues. And

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Speaker 1: one of the things I think is so interesting about

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Speaker 1: Netflix is because we love science and math, they do

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Speaker 1: these algorithms and it lets you know what your tastes are.

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Speaker 1: Maybe sometimes your Netflix knows you better than you know yourself.

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Speaker 1: So I could learn more about Mary from her Netflix

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Speaker 1: queue than I could from just saying what do you like?

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Speaker 3: Right?

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Speaker 2: Like, for example, Mary, should we just start with something

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Speaker 2: because we had to watch all the movies we got

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Speaker 2: the watch all the watches. You have a lot. You

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Speaker 2: seem to like movies in the category. Well, it's funny

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Speaker 2: category actually movies about cats that have human wives, right.

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Speaker 3: Yeah, and you would be surprised at how many movies

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Speaker 3: there are about that. Yeah, both documentaries and sci fi

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00:17:39,200 --> 00:17:44,280
Speaker 3: and romance and you know, really it's actually a very

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Speaker 3: classic love story.

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Speaker 2: So what is it about cat? A cat having a

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Speaker 2: human wife?

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Speaker 1: And did you even realize that you had that sort

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Speaker 1: of no?

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Speaker 3: Yeah, I was just I was no, I like just

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Speaker 3: piggy movies night on a Saturday night when I'm sitting

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Speaker 3: at home and I'm on my couch and I put

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Speaker 3: up Netflix and I see a movie that I want

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Speaker 3: to see, I just click it. I don't think, oh,

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Speaker 3: I want to see another movie with that topic. I

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Speaker 3: just click on a movie I want to see. Does

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Speaker 3: that make sense?

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Speaker 1: I'm starting to kime around to it.

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Speaker 2: I'd actually prefer a little more information.

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Speaker 1: Okay, So if you could speak on you could, yeah,

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Speaker 1: actually speak on that.

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Speaker 3: So you're sitting on your couch, okay, and you you've

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Speaker 3: got Netflix open, okay, and you're like, how I don't

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Speaker 3: have a TV? Oh then okay, So first thing you

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Speaker 3: have to do is, even if you don't have a TV,

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Speaker 3: do you have a computer?

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Speaker 2: Mm?

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Speaker 1: Okay, well I share one with my cousin Sam because

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Speaker 1: I don't like to be alone.

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Speaker 3: Okay, then you should call Sam.

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Speaker 2: It's that computer right now?

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Speaker 3: Okay. Then what you would do first is you would

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Speaker 3: ask Sam politely if you could borrow that computer.

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Speaker 6: You say, it's Saturday night, Saturday night studios closed.

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Speaker 3: Okay, So what you need to do is you need

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Speaker 3: to talk to the building manager first, and you need

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Speaker 3: to ask if you can get the keys to the

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Speaker 3: building and so they.

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Speaker 1: Lou's never going to go for that. I'll tell you what.

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Speaker 1: He's a real hard ass.

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Speaker 2: I can imagine what Lou would say.

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Speaker 1: But I mean if I bring him a big box

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Speaker 1: to seize candy, but then it's like, I gotta stop that.

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Speaker 1: I'm supposed to eat a fresher tomato. Yeah, so Lou? Yes?

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Speaker 3: Is that Lou was that? Yeah?

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Speaker 1: On Saturday night? He likes to eat cart post to

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Speaker 1: eat a fresher tomato.

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Speaker 3: Well, then then you can go get a fresh tomato

357
00:19:25,480 --> 00:19:28,080
Speaker 3: is so much easier to get than seize candies. Stop

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Speaker 3: by the girl, since grab yourself a fresh tomato then

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00:19:31,240 --> 00:19:34,960
Speaker 3: you know, then then you got to make an appointment

360
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Speaker 3: with lou and you got to give him the fresh tomato.

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Speaker 3: He'll give you the keys to the building.

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Speaker 2: It's almost like an RPG game trading items.

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Speaker 1: Anyway, go on nerd stuff.

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Speaker 2: I don't know Sevy reputation having been one of the

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Speaker 2: girls at them all in high school.

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Speaker 3: Yeah, that was me. I was one of them. Yeah,

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Speaker 3: but there were more than just one, Like I was

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Speaker 3: just one of many girls at the mall.

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Speaker 1: Yeah, which sort of click were you in?

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Speaker 3: I was in the hobby lobby, like like craft craft click,

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Speaker 3: Like I did a lot of Like I would cast

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Speaker 3: spells and stuff.

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Speaker 1: Okay, like the craft. When you say the craft, I

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Speaker 1: mean like making craft, right, I mean.

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Speaker 3: Like the film Roun. Yeah, but it does Campbell, Yes,

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Speaker 3: we forget.

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Speaker 1: Yes, best friend, Yes, let's start now, But it does.

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Speaker 2: The crafts do require some actual crash sure, pipe cleaners

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Speaker 2: and google eyes.

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Speaker 1: To make like the Devil Boyfriend.

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Speaker 2: Yeah.

382
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Speaker 3: Actually, you don't need googly eyes to make a Devil boyfriend.

383
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Speaker 3: You if you just get some mini pom poms. As

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Speaker 3: long as they're like textured, then they can serve.

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Speaker 1: We'll agree to misagree on this one. Yeah, you could

386
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Speaker 1: use pom bombs, but if you're at the hobby lobby,

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00:21:06,440 --> 00:21:08,399
Speaker 1: already get some googly eyes.

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Speaker 2: Anyway, we traded a fresh tomato for the key to

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Speaker 2: the studio.

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00:21:12,520 --> 00:21:15,320
Speaker 3: You did Yeah, so you did that. Okay, so you're

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Speaker 3: in and but now Sam's not here, so you have

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Speaker 3: to call Sam because you can't just take his property

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Speaker 3: without him knowing about it.

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Speaker 1: It's okay, it's my computer. I mean, I just don't

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Speaker 1: I don't like to be alone with it because I've

396
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Speaker 1: heard they can watch you through it.

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Speaker 3: That's absolutely true. I've had experience with that. Actually, yes, yeah, yeah,

398
00:21:35,119 --> 00:21:37,040
Speaker 3: anybody can watch you from it as long as.

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Speaker 1: You're doing I want to hear this story open. I

400
00:21:40,119 --> 00:21:43,480
Speaker 1: feel like we keep getting sidetracked, but you've had experience.

401
00:21:43,600 --> 00:21:46,240
Speaker 2: I'm keeping track through it. I'm keeping track of the

402
00:21:47,000 --> 00:21:49,400
Speaker 2: diversion tree, so we can go as far.

403
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Speaker 1: As we want.

404
00:21:50,560 --> 00:21:53,800
Speaker 3: Well, honestly, anytime I open it, so I have a computer,

405
00:21:54,160 --> 00:21:58,639
Speaker 3: and I have a computer, and anytime I open it up,

406
00:21:59,400 --> 00:22:02,360
Speaker 3: I know that there is someone on the other end.

407
00:22:02,480 --> 00:22:05,320
Speaker 3: Who's watching me? And how do I know that? And

408
00:22:05,359 --> 00:22:09,639
Speaker 3: how do I know that? I get like, so do

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00:22:09,720 --> 00:22:12,119
Speaker 3: you guys know about G chat?

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00:22:13,920 --> 00:22:14,200
Speaker 6: Oh?

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00:22:15,080 --> 00:22:21,120
Speaker 1: Okay, this is like thug slang, like how g's chat?

412
00:22:21,200 --> 00:22:22,280
Speaker 1: How a real G chat?

413
00:22:22,400 --> 00:22:22,600
Speaker 3: Yeah?

414
00:22:22,640 --> 00:22:23,080
Speaker 1: Another G.

415
00:22:23,359 --> 00:22:25,879
Speaker 3: Honestly, G chat is if you need to talk to

416
00:22:25,920 --> 00:22:26,640
Speaker 3: a real life get.

417
00:22:26,720 --> 00:22:29,600
Speaker 1: That's like what's open? And this is not racist what

418
00:22:29,640 --> 00:22:31,120
Speaker 1: I'm doing, but this is the only way to give

419
00:22:31,160 --> 00:22:33,720
Speaker 1: this example is that you would be like, what's up

420
00:22:33,880 --> 00:22:37,040
Speaker 1: homes and and I hate that you know that has

421
00:22:37,040 --> 00:22:39,560
Speaker 1: any racial inplications, But a white dude could say that too.

422
00:22:39,920 --> 00:22:42,399
Speaker 2: And it used to be our Sherlock Holmes used to

423
00:22:42,400 --> 00:22:43,400
Speaker 2: be our guy.

424
00:22:43,960 --> 00:22:47,000
Speaker 1: And that's how it started. Now it's theirs and good luck.

425
00:22:47,040 --> 00:22:48,919
Speaker 1: Now it mostly belongs to the g's.

426
00:22:49,440 --> 00:22:51,920
Speaker 3: And honestly, G for me stands for grown up and

427
00:22:52,359 --> 00:22:57,439
Speaker 3: not it has no racial at all. It's grown up

428
00:22:57,560 --> 00:22:59,040
Speaker 3: chat is what G chat is.

429
00:22:59,240 --> 00:23:04,280
Speaker 1: And what's more up then bagging and sagging and staying strapped,

430
00:23:04,680 --> 00:23:06,399
Speaker 1: you know, I mean, that's one of the most adult

431
00:23:06,440 --> 00:23:09,280
Speaker 1: activities you can do. So I agree, staying.

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Speaker 3: Strapped live in large as a grown up.

433
00:23:12,800 --> 00:23:14,280
Speaker 2: So you were talking to a G.

434
00:23:14,760 --> 00:23:18,400
Speaker 3: I was talking to a G g chat and.

435
00:23:18,040 --> 00:23:20,879
Speaker 2: For example, to go to jail, you're not Yeah, you

436
00:23:20,880 --> 00:23:23,600
Speaker 2: don't know how to go to jail. You would need

437
00:23:24,520 --> 00:23:26,120
Speaker 2: to get lessons.

438
00:23:26,280 --> 00:23:28,320
Speaker 1: Right, maybe you've gotten in trouble for some sort of

439
00:23:28,359 --> 00:23:32,240
Speaker 1: white collar crime, and you know, we all play around

440
00:23:32,280 --> 00:23:36,840
Speaker 1: sometimes with opportunities, business opportunities that aren't necessarily on the

441
00:23:36,880 --> 00:23:39,400
Speaker 1: up and up, and then when you get arrested, you've

442
00:23:39,400 --> 00:23:41,800
Speaker 1: got to make friends with a g of some kind

443
00:23:42,520 --> 00:23:44,320
Speaker 1: to prepare to go to jail. So what did he

444
00:23:44,400 --> 00:23:49,639
Speaker 1: teach you or she or she? I'm sorry, what did

445
00:23:49,680 --> 00:23:50,159
Speaker 1: they teach me.

446
00:23:50,160 --> 00:23:57,360
Speaker 3: About going to jail? Well, first of all, you have

447
00:23:57,440 --> 00:23:59,280
Speaker 3: to make room for yourself.

448
00:24:00,160 --> 00:24:03,480
Speaker 2: A bad classic mistake of people who go to jail.

449
00:24:05,400 --> 00:24:08,359
Speaker 1: Do much thinking about what they can do for other people.

450
00:24:08,600 --> 00:24:13,359
Speaker 3: Yeah, you have to take time for yourself when you're there, because, honestly, yeah,

451
00:24:13,400 --> 00:24:16,600
Speaker 3: it's so much. There's a lot of demands on you

452
00:24:16,680 --> 00:24:21,560
Speaker 3: to participate and be supportive and like, well, listen to

453
00:24:21,640 --> 00:24:25,920
Speaker 3: your cellmate and get along with the guards and ask

454
00:24:25,960 --> 00:24:28,800
Speaker 3: them about their lives and make them apple pie. And

455
00:24:28,880 --> 00:24:31,600
Speaker 3: when do you do that for yourself? So that was

456
00:24:31,640 --> 00:24:35,280
Speaker 3: a good piece of advice as far as prison goes is, like, hey,

457
00:24:35,520 --> 00:24:37,840
Speaker 3: take care of you, you know, and you.

458
00:24:37,800 --> 00:24:39,440
Speaker 1: Were being watched through this conversation.

459
00:24:39,520 --> 00:24:42,520
Speaker 3: Absolutely, yeah, yeah I was. And he told me he

460
00:24:42,600 --> 00:24:43,280
Speaker 3: was watching me.

461
00:24:43,800 --> 00:24:45,440
Speaker 2: Oh, he was the one watching you.

462
00:24:45,560 --> 00:24:47,720
Speaker 3: He said, I am watching you right now, and I

463
00:24:47,760 --> 00:24:49,960
Speaker 3: can tell you you need to take time for yourself.

464
00:24:49,960 --> 00:24:53,240
Speaker 3: And he was right because while I was talking to him,

465
00:24:53,440 --> 00:24:56,360
Speaker 3: I had my day planner open and you could see

466
00:24:56,359 --> 00:25:00,520
Speaker 3: all the lunch dates I had made. Yeah, and I was,

467
00:25:00,640 --> 00:25:02,719
Speaker 3: you know, talking to my mom on the phone and

468
00:25:02,760 --> 00:25:05,399
Speaker 3: I had I had I do have a cat, and

469
00:25:05,480 --> 00:25:08,720
Speaker 3: my cat was like clawing at me, needing my attention.

470
00:25:09,240 --> 00:25:12,960
Speaker 2: Okay, this is if we could circle back for a second.

471
00:25:13,600 --> 00:25:17,120
Speaker 2: This is a clue actually, because it's a lot it's

472
00:25:17,119 --> 00:25:20,560
Speaker 2: like a happy ending in a lot of these movies

473
00:25:20,560 --> 00:25:25,320
Speaker 2: that you like where the female protagonist gets to marry

474
00:25:26,200 --> 00:25:26,720
Speaker 2: the cat.

475
00:25:26,920 --> 00:25:27,840
Speaker 3: I don't understand.

476
00:25:28,359 --> 00:25:33,080
Speaker 2: Okay, let me see if I I'm trying to. I'm

477
00:25:33,119 --> 00:25:37,400
Speaker 2: starting to make a connection here. You have a cat yourself? No, oh,

478
00:25:37,680 --> 00:25:39,520
Speaker 2: I thought you just said that you did have Oh yeah,

479
00:25:39,520 --> 00:25:44,840
Speaker 2: I did, just moments ago. Yeah, okay, Uh, it's in

480
00:25:44,920 --> 00:25:47,600
Speaker 2: a lot of these movies in your Netflix queue. Yeah,

481
00:25:47,640 --> 00:25:50,080
Speaker 2: there's a woman who owns a cat who has like

482
00:25:50,119 --> 00:25:53,680
Speaker 2: a secret crush on it, but doesn't know how to no. No,

483
00:25:53,840 --> 00:25:55,920
Speaker 2: I mean, don't say no. I've seen the movies. These

484
00:25:55,960 --> 00:25:57,959
Speaker 2: are what the movies. These are what the movies are

485
00:25:58,320 --> 00:25:59,160
Speaker 2: are about.

486
00:25:59,440 --> 00:26:02,600
Speaker 1: That's exactactly what the movie is. But I also don't

487
00:26:02,640 --> 00:26:04,720
Speaker 1: know where you're going with this, Hayes.

488
00:26:05,200 --> 00:26:08,600
Speaker 2: I And if you just bear with me, this is

489
00:26:08,640 --> 00:26:11,080
Speaker 2: a connection that I'm starting to make, and it's just

490
00:26:11,119 --> 00:26:12,159
Speaker 2: the beginning of something.

491
00:26:12,240 --> 00:26:14,320
Speaker 1: I'm going to give you just enough rope to hang yourself.

492
00:26:14,359 --> 00:26:16,359
Speaker 1: Counselor you have your own cat.

493
00:26:17,119 --> 00:26:17,520
Speaker 3: Mm hmm.

494
00:26:18,320 --> 00:26:20,040
Speaker 2: It seems like if you would spend a lot of

495
00:26:20,119 --> 00:26:24,800
Speaker 2: time watching movies about women who get to marry their cats,

496
00:26:25,200 --> 00:26:27,600
Speaker 2: that it might be saying that you might want to

497
00:26:27,680 --> 00:26:29,480
Speaker 2: marry your cat yourself.

498
00:26:29,680 --> 00:26:31,080
Speaker 1: Objection, relevance.

499
00:26:33,440 --> 00:26:34,720
Speaker 3: You don't pain sustained.

500
00:26:34,760 --> 00:26:39,880
Speaker 2: You don't think that's sustained, sustained, sustained, you don't think

501
00:26:39,920 --> 00:26:41,160
Speaker 2: that's relevant.

502
00:26:41,640 --> 00:26:44,879
Speaker 3: I I honestly like Hayes, I feel like you know

503
00:26:44,920 --> 00:26:47,640
Speaker 3: what and and Lisz brings it back to Hollywood. This

504
00:26:47,720 --> 00:26:52,560
Speaker 3: is classic example of a man putting his own agenda

505
00:26:53,240 --> 00:27:02,840
Speaker 3: on a woman. He's trying to anxiety, he's trying to pigeonhole. Yeah, yeah, Papa.

506
00:27:04,800 --> 00:27:06,120
Speaker 1: Yeah, you can't do that.

507
00:27:06,200 --> 00:27:08,720
Speaker 2: But that's okay. That's good. And I love learning about

508
00:27:08,720 --> 00:27:11,040
Speaker 2: this on the show. And I love to get a

509
00:27:11,160 --> 00:27:14,720
Speaker 2: lesson from every woman we have on here, because I

510
00:27:14,760 --> 00:27:17,399
Speaker 2: do think we have a lot to teach each other. Absolutely,

511
00:27:17,480 --> 00:27:19,720
Speaker 2: And now do we trade lessons?

512
00:27:20,560 --> 00:27:20,760
Speaker 3: Yeah?

513
00:27:20,840 --> 00:27:26,360
Speaker 1: Step one is an open dialogue, I would say as

514
00:27:26,400 --> 00:27:31,919
Speaker 1: a man. Step two just whole lot of box. No

515
00:27:32,040 --> 00:27:35,000
Speaker 1: I'm messing around. No, go ahead, Hey, as you were talking,

516
00:27:35,880 --> 00:27:38,639
Speaker 1: that's good to diffuse it a little bit, just to

517
00:27:38,680 --> 00:27:39,639
Speaker 1: bring justice.

518
00:27:39,880 --> 00:27:43,239
Speaker 2: It doesn't have to be intense because the tone is

519
00:27:43,280 --> 00:27:45,959
Speaker 2: my only thing, just speaking as a man. Yeah, I

520
00:27:46,080 --> 00:27:49,760
Speaker 2: watch the tone a little bit, and conversations like this,

521
00:27:49,960 --> 00:27:53,399
Speaker 2: you know, it can just be right, just say it.

522
00:27:53,400 --> 00:27:55,160
Speaker 1: It doesn't have to be in that kind of thing.

523
00:27:55,200 --> 00:27:57,240
Speaker 1: You can accept that can don't make me feel.

524
00:28:00,480 --> 00:28:02,520
Speaker 2: I don't need to feel stupid. I'm not stupid.

525
00:28:02,560 --> 00:28:05,359
Speaker 1: I know. I'm like a smart guy. So it's like

526
00:28:05,400 --> 00:28:07,040
Speaker 1: a tone, you see what I'm saying.

527
00:28:07,119 --> 00:28:09,479
Speaker 3: I think so, Yeah, I think he is smart.

528
00:28:09,480 --> 00:28:13,320
Speaker 1: I've seen him name every Scorsese movie in order.

529
00:28:13,440 --> 00:28:18,880
Speaker 3: Oh my god, do it now? Okay, the Bullies, Oh,

530
00:28:18,920 --> 00:28:19,840
Speaker 3: that's one of my favorites.

531
00:28:20,520 --> 00:28:30,200
Speaker 2: The gun Shooter, the the pasta Shutter Island, and the

532
00:28:30,359 --> 00:28:34,560
Speaker 2: Flying Million Dollars Owners.

533
00:28:34,760 --> 00:28:38,040
Speaker 3: Oh right, the fly Man, Oh because I remember that

534
00:28:38,120 --> 00:28:41,040
Speaker 3: one because it was about an owner of a million

535
00:28:41,080 --> 00:28:44,400
Speaker 3: dollars who made a.

536
00:28:44,400 --> 00:28:47,360
Speaker 2: Big, some sort of flying contraption.

537
00:28:47,680 --> 00:28:50,280
Speaker 3: Yeah, and it was back in the day when there

538
00:28:50,400 --> 00:28:53,480
Speaker 3: wasn't any flying like it was a period piece.

539
00:28:53,960 --> 00:28:58,760
Speaker 2: Yeah. Yeah, So we're in your Wolf Studios. We decided

540
00:28:58,800 --> 00:29:03,120
Speaker 2: that we can take Sam's laptop. This isn't sort of

541
00:29:03,120 --> 00:29:06,280
Speaker 2: the turn by turn RPG we're playing. Yes, I guess

542
00:29:06,360 --> 00:29:08,520
Speaker 2: I assume I'm accompanying you on this and we'll watch

543
00:29:08,520 --> 00:29:08,960
Speaker 2: it together.

544
00:29:09,600 --> 00:29:10,959
Speaker 1: What did she say? It's Saturday night.

545
00:29:11,000 --> 00:29:15,480
Speaker 2: Saturday night, we're hanging I have a two person love sack.

546
00:29:16,320 --> 00:29:19,440
Speaker 2: You're familiar with this product. Absolutely, it's not going to

547
00:29:19,480 --> 00:29:22,800
Speaker 2: get through the door. Okay, you know those things.

548
00:29:22,720 --> 00:29:23,720
Speaker 3: Right, they're really big.

549
00:29:23,840 --> 00:29:27,760
Speaker 2: I could take the beans out, put the beans through

550
00:29:27,800 --> 00:29:30,720
Speaker 2: a few handfuls at a time, uh huh, and then

551
00:29:31,000 --> 00:29:31,920
Speaker 2: fill it back up.

552
00:29:32,600 --> 00:29:35,120
Speaker 1: Yeah, they're gonna get everywhere, though. They get very staticky

553
00:29:35,200 --> 00:29:38,120
Speaker 1: in there from because they're rubbing together in that enclosed space.

554
00:29:38,160 --> 00:29:40,720
Speaker 1: Do we want to transfer them into smaller bags?

555
00:29:42,160 --> 00:29:45,440
Speaker 2: Sure we could do that, but you could kill.

556
00:29:45,320 --> 00:29:47,239
Speaker 3: Two birds with one stone. If you guys are like

557
00:29:47,680 --> 00:29:50,880
Speaker 3: wanting to make it dinner in a movie, you could

558
00:29:50,920 --> 00:29:53,480
Speaker 3: take some of the beans go to the restaurant. You

559
00:29:53,480 --> 00:29:55,040
Speaker 3: can go to the restaurant. You can take some of

560
00:29:55,080 --> 00:29:56,600
Speaker 3: the beans out and go to the restaurant and then

561
00:29:56,600 --> 00:29:58,640
Speaker 3: offer to pay your bill with the beans. Mmmm.

562
00:29:59,520 --> 00:30:03,080
Speaker 1: Okay, yeah, because I've done any closer to watching.

563
00:30:04,640 --> 00:30:08,160
Speaker 3: Well, you're eating so that you'll have the energy to

564
00:30:08,200 --> 00:30:11,600
Speaker 3: sit down in front of Netflix. And then you have

565
00:30:11,640 --> 00:30:14,000
Speaker 3: to register for Netflix. I don't know if you already

566
00:30:14,040 --> 00:30:14,520
Speaker 3: have or not.

567
00:30:14,840 --> 00:30:16,400
Speaker 1: That sells Sam's territory.

568
00:30:16,520 --> 00:30:19,480
Speaker 3: I mean yeah, so you'll have to create your own account.

569
00:30:20,200 --> 00:30:21,240
Speaker 3: Do you have a credit card?

570
00:30:23,200 --> 00:30:26,080
Speaker 1: Okay, well that gets in a sort of a complicated area.

571
00:30:26,160 --> 00:30:27,240
Speaker 3: You have a billion address.

572
00:30:29,040 --> 00:30:32,120
Speaker 1: See that is actually that's the thing that makes the

573
00:30:32,200 --> 00:30:38,920
Speaker 1: credit card question comp Yes, Dad don't want that kind

574
00:30:39,000 --> 00:30:39,520
Speaker 1: of mail.

575
00:30:40,040 --> 00:30:43,040
Speaker 2: If you have a basement on an envelope, Yes, I

576
00:30:43,120 --> 00:30:45,680
Speaker 2: live in a beautiful.

577
00:30:45,200 --> 00:30:53,440
Speaker 1: Basement condominium beneath my father's home and it's very nice.

578
00:30:53,520 --> 00:30:57,280
Speaker 1: But he don't want that kind of mail, and it's

579
00:30:57,320 --> 00:30:59,720
Speaker 1: hard to get them to put it in my basement

580
00:30:59,760 --> 00:31:02,239
Speaker 1: wind or in the hatch in the back, which I

581
00:31:02,280 --> 00:31:04,440
Speaker 1: can get in and out of. But I wish it

582
00:31:04,480 --> 00:31:08,160
Speaker 1: wasn't so noisy because if it wakes him up, then

583
00:31:08,880 --> 00:31:10,280
Speaker 1: where you go and it's a hole?

584
00:31:10,520 --> 00:31:11,760
Speaker 3: Are you close with your father?

585
00:31:12,440 --> 00:31:16,080
Speaker 1: Uh? Floor apart? Yeah, I mean it's so close.

586
00:31:16,800 --> 00:31:21,400
Speaker 3: But like emotionally, uh, it goes.

587
00:31:21,280 --> 00:31:24,040
Speaker 1: Up and down. You know, it changes a lot.

588
00:31:24,240 --> 00:31:24,480
Speaker 4: Yeah.

589
00:31:24,520 --> 00:31:26,680
Speaker 1: I would say that it goes from a hard no

590
00:31:27,040 --> 00:31:29,680
Speaker 1: to a like I could see that being something someday.

591
00:31:30,560 --> 00:31:34,360
Speaker 3: M m yeah, because I feel very close to my cat.

592
00:31:34,840 --> 00:31:40,760
Speaker 1: Mmmm. Okay, yeah, I see that very close. How close?

593
00:31:47,040 --> 00:31:48,200
Speaker 3: Oh?

594
00:31:48,320 --> 00:31:52,120
Speaker 2: I hesitate to break this up because I you know,

595
00:31:52,760 --> 00:31:55,000
Speaker 2: I feel like I should have learned my lesson here.

596
00:31:55,400 --> 00:31:58,280
Speaker 2: What but just as you bring up your cat, Oh no,

597
00:31:58,360 --> 00:32:02,480
Speaker 2: you look well I haven't even said anything yet.

598
00:32:03,200 --> 00:32:04,760
Speaker 1: I've got to agree with Mary.

599
00:32:05,320 --> 00:32:08,280
Speaker 2: Very she made a very horny noise.

600
00:32:08,760 --> 00:32:10,520
Speaker 1: Oh Hayes.

601
00:32:11,160 --> 00:32:12,320
Speaker 2: I don't know how to say it.

602
00:32:12,480 --> 00:32:19,200
Speaker 1: Everyone agenda, Oh Hayes, sugar, are you okay? You can't

603
00:32:19,240 --> 00:32:22,520
Speaker 1: talk to her that way? Man. I mean it's like

604
00:32:22,680 --> 00:32:27,560
Speaker 1: this is an adult woman, self possessed star here in

605
00:32:27,640 --> 00:32:32,880
Speaker 1: the studio and you are hammering her with your misogynistic agenda.

606
00:32:33,600 --> 00:32:37,280
Speaker 2: It's true that a lot of noises that I hear

607
00:32:37,320 --> 00:32:40,440
Speaker 2: women make I do sometimes think are horny horny noises,

608
00:32:40,880 --> 00:32:45,720
Speaker 2: and sometimes sometimes they are sometimes they're not. M How

609
00:32:45,720 --> 00:32:47,640
Speaker 2: do I know? I like, how can I?

610
00:32:47,640 --> 00:32:49,320
Speaker 1: How am I supposed to tell the difference? Sometimes it's

611
00:32:49,320 --> 00:32:50,800
Speaker 1: someone who's hurt, isn't it, Hayes?

612
00:32:51,440 --> 00:32:53,560
Speaker 3: Yeah, when I get hurt, it sounds a lot like

613
00:32:53,640 --> 00:32:55,120
Speaker 3: when I'm horny, of.

614
00:32:55,000 --> 00:32:58,040
Speaker 1: Course, yeah, because they're both intense experiences.

615
00:32:58,040 --> 00:33:04,560
Speaker 3: Oh oh my knee, Like and that was like when

616
00:33:04,600 --> 00:33:05,440
Speaker 3: you skin your knee?

617
00:33:06,120 --> 00:33:07,360
Speaker 1: Yeah, hurt.

618
00:33:09,880 --> 00:33:13,320
Speaker 2: Why did you go to jail that one time? When

619
00:33:13,400 --> 00:33:14,440
Speaker 2: you were going to jail?

620
00:33:14,800 --> 00:33:15,600
Speaker 1: What did you do?

621
00:33:16,400 --> 00:33:21,840
Speaker 3: I stole I stole like crackers from there was a

622
00:33:22,240 --> 00:33:26,240
Speaker 3: there was a lady and like by crackers, I guess

623
00:33:26,240 --> 00:33:31,520
Speaker 3: I mean her money, but I stole her money. There's

624
00:33:31,560 --> 00:33:32,760
Speaker 3: a lady who lived across.

625
00:33:32,480 --> 00:33:35,480
Speaker 2: The crackers, like those white crackers on the bills.

626
00:33:35,960 --> 00:33:38,960
Speaker 1: Yeah, yeah, a bunch of old.

627
00:33:41,280 --> 00:33:46,000
Speaker 3: Logy, yeah, grown up terminology. Yeah I yeah. So she

628
00:33:46,120 --> 00:33:50,640
Speaker 3: like lived across the street from me, and she like

629
00:33:50,800 --> 00:33:53,080
Speaker 3: didn't go outside very much. And my mom was like,

630
00:33:53,120 --> 00:33:56,120
Speaker 3: stay away from missus Jenkins, you know, stay away from

631
00:33:56,160 --> 00:33:58,960
Speaker 3: her because she's real grumpy or whatever. And I was like, oh,

632
00:33:59,080 --> 00:34:01,360
Speaker 3: she's probably got a lot of money. So I one night,

633
00:34:01,400 --> 00:34:05,760
Speaker 3: I like like kicked through the door and I had

634
00:34:06,680 --> 00:34:09,359
Speaker 3: I had a knife with me, and I was like, uh,

635
00:34:09,400 --> 00:34:13,879
Speaker 3: you listen, you bitch, give me all your crackers. And

636
00:34:13,920 --> 00:34:17,600
Speaker 3: she she had a whole bunch of exotic birds in there,

637
00:34:17,760 --> 00:34:26,400
Speaker 3: like she was like taking care of okay, And so

638
00:34:26,600 --> 00:34:28,719
Speaker 3: I was like, you give me all your crackers, and

639
00:34:28,800 --> 00:34:34,839
Speaker 3: she said, Pollie, does Pollie want a cracker? And all

640
00:34:34,880 --> 00:34:38,080
Speaker 3: the birds she thought I was a bird, yeah, and

641
00:34:38,120 --> 00:34:39,640
Speaker 3: all the other birds thought I was too, And so

642
00:34:39,680 --> 00:34:42,080
Speaker 3: they all started singing at me, and they got out

643
00:34:42,120 --> 00:34:45,840
Speaker 3: of their cages and they they alighted on my the

644
00:34:46,000 --> 00:34:52,240
Speaker 3: day they and so like I did finally get the money.

645
00:34:52,280 --> 00:34:54,879
Speaker 3: But when I got out of the house, I got

646
00:34:54,880 --> 00:34:57,000
Speaker 3: carried away a little bit because they all dug their

647
00:34:57,000 --> 00:35:00,000
Speaker 3: claws into my shirt and flew just a little bit,

648
00:35:00,160 --> 00:35:01,879
Speaker 3: just a little bit, and I was like God and

649
00:35:01,920 --> 00:35:05,400
Speaker 3: I and I and I wiggle my arms and.

650
00:35:04,560 --> 00:35:07,560
Speaker 1: They flew off. And that's a distressed noise, Hayes, just

651
00:35:07,560 --> 00:35:08,200
Speaker 1: so you know.

652
00:35:08,280 --> 00:35:11,960
Speaker 2: Okay, because I really got the wrong message from that noise.

653
00:35:12,560 --> 00:35:14,440
Speaker 1: Mm hmm. So it's good to know.

654
00:35:14,719 --> 00:35:15,279
Speaker 3: Yeah, that was.

655
00:35:17,080 --> 00:35:19,840
Speaker 1: It's like a prairie dog popping out of the ground. Hayes,

656
00:35:19,920 --> 00:35:23,240
Speaker 1: just here's that and he just he goes rigid.

657
00:35:23,800 --> 00:35:27,520
Speaker 3: Hey, this is what I sound like when I'm horny.

658
00:35:28,360 --> 00:35:35,600
Speaker 3: Oh no, oh no no no no no no no

659
00:35:35,600 --> 00:35:40,080
Speaker 3: no no no no. So that's how you'll be able

660
00:35:40,120 --> 00:35:40,840
Speaker 3: to tell the difference.

661
00:35:40,840 --> 00:35:43,680
Speaker 6: That's a good scoop, troop, scoop, get out your pens,

662
00:35:43,760 --> 00:35:48,719
Speaker 6: good lesson. So that was Q and A oh yeah

663
00:35:48,840 --> 00:35:51,520
Speaker 6: like Netflix? Q. Yes, And I feel like we did

664
00:35:51,560 --> 00:35:52,040
Speaker 6: a lot.

665
00:35:51,920 --> 00:35:56,439
Speaker 1: Of discussion of Netflix and of the cues and all

666
00:35:56,480 --> 00:35:59,560
Speaker 1: of that, and I think that people probably learned a lot.

667
00:36:00,200 --> 00:36:03,040
Speaker 1: Uh and of course, heyes, you had almost the opposite

668
00:36:03,080 --> 00:36:06,920
Speaker 1: category from Mary's movies you liked was when little dogs

669
00:36:06,960 --> 00:36:08,799
Speaker 1: pretending to be a big dog and the big dog

670
00:36:08,880 --> 00:36:10,000
Speaker 1: is somehow fine with it.

671
00:36:10,800 --> 00:36:16,479
Speaker 2: Yeah, so the big dog doesn't know how big he is. Yes, yes,

672
00:36:16,560 --> 00:36:18,080
Speaker 2: And if you've ever seen he's wanting to let the

673
00:36:18,080 --> 00:36:19,160
Speaker 2: little dog be the boss.

674
00:36:19,880 --> 00:36:22,000
Speaker 1: Do you ever see a movie like that? Yeah?

675
00:36:22,280 --> 00:36:24,120
Speaker 2: I guess you saw the ones on my list.

676
00:36:24,280 --> 00:36:25,719
Speaker 3: Yeah, I saw the ones on your list.

677
00:36:25,760 --> 00:36:26,640
Speaker 1: What was your favorite?

678
00:36:26,960 --> 00:36:33,279
Speaker 3: My favorite was Dog Day Afternoon mm hmmm and uh,

679
00:36:33,320 --> 00:36:36,080
Speaker 3: and of course, but I think my favorite favorite was

680
00:36:36,120 --> 00:36:40,200
Speaker 3: the sequel to that, which was isn't it hot? Get

681
00:36:40,239 --> 00:36:43,160
Speaker 3: a dog? You know? And that's that's when that big

682
00:36:43,880 --> 00:36:46,640
Speaker 3: storyline came up with the big dogs and the doesn't

683
00:36:46,680 --> 00:36:47,400
Speaker 3: know how big he is.

684
00:36:48,200 --> 00:36:52,000
Speaker 2: Untulie sees himself in the puddle, right, and then.

685
00:36:52,080 --> 00:36:58,120
Speaker 3: That little dog is with himself, yes, and he loves how.

686
00:36:57,960 --> 00:36:59,520
Speaker 2: He looks said.

687
00:36:59,800 --> 00:37:03,480
Speaker 3: Becase comes very utatistical and it just changes into cissus.

688
00:37:04,000 --> 00:37:04,800
Speaker 1: Uh yeah.

689
00:37:05,000 --> 00:37:07,319
Speaker 3: The third.

690
00:37:08,800 --> 00:37:11,480
Speaker 1: Yeah, I liked smell a sense of Snow.

691
00:37:13,120 --> 00:37:14,480
Speaker 2: Do you know that was supposed to be.

692
00:37:15,960 --> 00:37:17,440
Speaker 1: Snow? A sense of smell?

693
00:37:18,960 --> 00:37:21,520
Speaker 2: Yes, and then when it came out, they were like

694
00:37:22,560 --> 00:37:24,080
Speaker 2: they pretended it was on purpose.

695
00:37:25,040 --> 00:37:26,200
Speaker 3: What was the name of that one? Again?

696
00:37:27,040 --> 00:37:28,480
Speaker 1: Sense of snow? It was supposed to be snow sense

697
00:37:28,520 --> 00:37:31,520
Speaker 1: of smell? Oh m, did you see that?

698
00:37:31,640 --> 00:37:34,120
Speaker 3: It's like the Edge of Tomorrow. I started watching it,

699
00:37:34,160 --> 00:37:37,880
Speaker 3: but then my cat started looking me.

700
00:37:40,400 --> 00:37:49,239
Speaker 2: And I got distracted, Right, Sam, do you have any

701
00:37:49,320 --> 00:37:50,799
Speaker 2: of our theme song today or what?

702
00:37:50,960 --> 00:37:53,760
Speaker 1: Yeah? You have anything for us? I found that popcorn gallery?

703
00:37:53,880 --> 00:37:56,319
Speaker 2: Okay, well, I guess we have to do that laying

704
00:37:56,360 --> 00:37:58,759
Speaker 2: on its John explain what this is?

705
00:37:59,440 --> 00:38:01,759
Speaker 1: Okay, go on galleries segment that we do on.

706
00:38:01,760 --> 00:38:03,840
Speaker 2: Wait a second, I thought I said lay it on

707
00:38:03,920 --> 00:38:05,839
Speaker 2: and thought someone was supposed to be laying it on.

708
00:38:07,280 --> 00:38:13,680
Speaker 1: Did you mean play? Yes, that means play. Oh this

709
00:38:13,760 --> 00:38:17,719
Speaker 1: is an unusual Oh yeah, and fuck.

710
00:38:17,520 --> 00:38:19,960
Speaker 2: It man, no this will be well, let's let's hear it.

711
00:38:20,040 --> 00:38:21,880
Speaker 1: I guess yeah, I found it online?

712
00:38:21,920 --> 00:38:24,560
Speaker 3: Is that it did?

713
00:38:24,640 --> 00:38:25,600
Speaker 2: We played this one before.

714
00:38:25,920 --> 00:38:34,719
Speaker 1: I don't know, it's just the beginning. I've never heard that.

715
00:38:38,640 --> 00:38:47,640
Speaker 1: Maybe I have, and I have read that, Yes, such

716
00:38:47,640 --> 00:38:52,040
Speaker 1: a thing as being a little too eager. So you

717
00:38:52,080 --> 00:38:54,239
Speaker 1: didn't really get any information from that song, which we

718
00:38:54,400 --> 00:38:56,480
Speaker 1: usually let the song take care of the explanation. But

719
00:38:56,560 --> 00:38:58,680
Speaker 1: I'll just tell you really quickly and make it very simple.

720
00:39:00,760 --> 00:39:03,279
Speaker 1: Popcork Gallery's a segment on Hollywood Handbook that we do

721
00:39:03,360 --> 00:39:05,800
Speaker 1: where we let the viewers ask the questions, and the

722
00:39:05,920 --> 00:39:10,280
Speaker 1: viewers are asking the questions about movies. Yeah, the movies

723
00:39:10,360 --> 00:39:14,520
Speaker 1: is the reason. And we're not doing the Peanut gallery

724
00:39:14,560 --> 00:39:17,680
Speaker 1: because it's the popcorn Gallery and so, uh it's a

725
00:39:17,760 --> 00:39:22,880
Speaker 1: chance to connect with our fans about you. And also,

726
00:39:23,280 --> 00:39:29,480
Speaker 1: uh it's a chance to Hayes, I'm I'm lost right now.

727
00:39:29,600 --> 00:39:33,520
Speaker 1: I wasn't paying the beginning, Hayes, I don't mean neither

728
00:39:33,719 --> 00:39:36,320
Speaker 1: was I. Guys, you've got to Mary.

729
00:39:36,520 --> 00:39:37,239
Speaker 3: Are you okay?

730
00:39:37,480 --> 00:39:39,040
Speaker 1: I need a minute with Hayes.

731
00:39:40,280 --> 00:39:42,720
Speaker 3: Oh my god, tears are pouring down your cheeks.

732
00:39:44,680 --> 00:39:47,160
Speaker 1: Do because I don't really know what the segment is

733
00:39:47,160 --> 00:39:50,239
Speaker 1: and I don't think I ever did. Okay in a

734
00:39:50,280 --> 00:39:53,240
Speaker 1: different song and it's Samzy Sam, Sam.

735
00:39:53,400 --> 00:39:55,600
Speaker 2: We pretend to be Sean for a second, and I'll

736
00:39:55,600 --> 00:40:01,120
Speaker 2: be me and you be Sean doing the explain a

737
00:40:01,160 --> 00:40:08,880
Speaker 2: explanation now, No, okay, Okay, Mary, We're gonna do new segments.

738
00:40:09,280 --> 00:40:11,760
Speaker 1: It's popcorn gallery, Sean, take it away.

739
00:40:12,280 --> 00:40:17,840
Speaker 4: Okay, the popcorn gallery. I'm having a hard time explaining it.

740
00:40:18,160 --> 00:40:19,880
Speaker 1: No, don't do an impression of real Sean.

741
00:40:19,960 --> 00:40:23,080
Speaker 2: Do him like being like doing a good job explaining

742
00:40:23,080 --> 00:40:23,880
Speaker 2: the popcorn gallery.

743
00:40:23,880 --> 00:40:32,720
Speaker 4: Oh okay, the popcorn galleries where we take questions from people

744
00:40:32,719 --> 00:40:33,239
Speaker 4: that listen to.

745
00:40:33,280 --> 00:40:35,080
Speaker 1: The show and then answer them.

746
00:40:37,400 --> 00:40:39,960
Speaker 2: Now, don't get scared of a cough like, just no,

747
00:40:40,239 --> 00:40:43,279
Speaker 2: just keep going all the way through. Okay, that's being scared, now,

748
00:40:44,320 --> 00:40:48,480
Speaker 2: did you hear that? Just go just just say you

749
00:40:48,520 --> 00:40:49,719
Speaker 2: were doing good questions?

750
00:40:50,440 --> 00:40:53,120
Speaker 4: Oh yeah, we take questions from people who listen to

751
00:40:53,200 --> 00:40:57,160
Speaker 4: the show and then answer them.

752
00:40:57,200 --> 00:41:02,920
Speaker 1: Good job, good job, Sean. And what Sam, what do

753
00:41:03,000 --> 00:41:03,480
Speaker 1: you think of that.

754
00:41:05,840 --> 00:41:06,080
Speaker 4: Duh?

755
00:41:08,400 --> 00:41:11,839
Speaker 2: Okay, Sam, You're still stupid. And well, now we'll do.

756
00:41:11,840 --> 00:41:17,360
Speaker 1: The second it. Let's let's take a piece of popcorn

757
00:41:17,400 --> 00:41:17,919
Speaker 1: out of the bag.

758
00:41:18,280 --> 00:41:21,000
Speaker 3: It becomes a question, Oh, and I eat it?

759
00:41:22,920 --> 00:41:23,520
Speaker 1: We have to take it.

760
00:41:23,520 --> 00:41:25,399
Speaker 2: Out first, and then yes, and then we'll feed it.

761
00:41:25,600 --> 00:41:28,359
Speaker 3: If I want a sweeter version of the question, can

762
00:41:28,400 --> 00:41:29,760
Speaker 3: I ask for it kettle cooked?

763
00:41:30,480 --> 00:41:30,719
Speaker 1: Yeah?

764
00:41:30,800 --> 00:41:34,719
Speaker 2: I guess. Well, do we have a kettle corn sound drop?

765
00:41:35,280 --> 00:41:35,400
Speaker 3: Uh?

766
00:41:35,680 --> 00:41:39,280
Speaker 1: Yeah, I'll just dial up the Mark kettle corn soundrop

767
00:41:39,320 --> 00:41:44,720
Speaker 1: and my high school friend Mark records these soundrops.

768
00:41:46,400 --> 00:41:50,640
Speaker 3: Too sweet, great, So I can ask for that anytime.

769
00:41:51,080 --> 00:41:51,920
Speaker 3: The question is too.

770
00:41:51,800 --> 00:41:52,839
Speaker 1: Hard anytime you want?

771
00:41:53,200 --> 00:41:53,560
Speaker 3: Thank you?

772
00:41:53,840 --> 00:41:54,120
Speaker 1: Okay.

773
00:41:54,160 --> 00:41:57,759
Speaker 2: Here's a question from gregy ms Holland do you get

774
00:41:57,800 --> 00:42:00,920
Speaker 2: real sweaty doing improv comedy? It feels like I'm sweaty

775
00:42:00,960 --> 00:42:03,080
Speaker 2: all the time and I don't even do improv comedy.

776
00:42:04,080 --> 00:42:06,960
Speaker 3: The answer, the short answer is yes and the long

777
00:42:07,080 --> 00:42:10,359
Speaker 3: answer is yeah a lot.

778
00:42:10,960 --> 00:42:11,839
Speaker 1: Do you want to speak on.

779
00:42:11,840 --> 00:42:15,640
Speaker 3: That kettle cook?

780
00:42:16,280 --> 00:42:16,680
Speaker 1: Okay?

781
00:42:23,880 --> 00:42:30,439
Speaker 2: Oh my god, like sugar on it or something. Here's

782
00:42:30,480 --> 00:42:33,319
Speaker 2: a question from ran Ran Mary, what do you think

783
00:42:33,360 --> 00:42:34,120
Speaker 2: about movies?

784
00:42:37,480 --> 00:42:41,479
Speaker 3: I here's the thing. I have kind of a tough

785
00:42:41,520 --> 00:42:47,240
Speaker 3: relationship with them. I love them, but I also I

786
00:42:47,280 --> 00:42:52,840
Speaker 3: also am like, I have a hate. I have a

787
00:42:52,880 --> 00:42:57,040
Speaker 3: hate in my heart for anything that is not real life.

788
00:42:58,200 --> 00:43:00,959
Speaker 1: Yeah, you know, because it's ying, right.

789
00:43:02,080 --> 00:43:06,040
Speaker 3: And I hate liars. Yes, I'm very religious and I

790
00:43:06,120 --> 00:43:06,960
Speaker 3: hate liars.

791
00:43:07,760 --> 00:43:10,560
Speaker 1: It's the number one rule on that rock.

792
00:43:11,239 --> 00:43:16,080
Speaker 3: It's like, thou shalt not lie on that rock that

793
00:43:16,160 --> 00:43:20,560
Speaker 3: he found. Mm hmm yeah, so so yeah, I guess.

794
00:43:20,600 --> 00:43:20,680
Speaker 1: Like.

795
00:43:20,840 --> 00:43:22,800
Speaker 3: But the other thing is is that here I am

796
00:43:22,840 --> 00:43:23,799
Speaker 3: trying to pursue.

797
00:43:23,480 --> 00:43:29,080
Speaker 1: A career in movies changes from the inside.

798
00:43:29,920 --> 00:43:32,319
Speaker 3: I guess that's really what I'm going for, is like

799
00:43:32,600 --> 00:43:35,960
Speaker 3: I will infiltrate and destroy.

800
00:43:37,080 --> 00:43:37,160
Speaker 1: This.

801
00:43:37,719 --> 00:43:42,000
Speaker 2: Yeah, fucking so you could get the big You could

802
00:43:42,160 --> 00:43:47,080
Speaker 2: be cast Spider Man's girlfriend or Spider Man or Spider.

803
00:43:46,760 --> 00:43:51,440
Speaker 1: Man Spider That would really be amazing.

804
00:43:51,520 --> 00:43:53,920
Speaker 3: I'd be more likely to be cast a Spider Man anyway,

805
00:43:54,000 --> 00:43:55,919
Speaker 3: because of all the face stuff I.

806
00:43:55,840 --> 00:44:02,280
Speaker 2: Have that would require a full body costume.

807
00:44:02,480 --> 00:44:05,320
Speaker 3: Yeah, because I got a web on my face?

808
00:44:06,280 --> 00:44:09,640
Speaker 1: Yes, yes, and I haven't. I hadn't seen that necessarily

809
00:44:09,640 --> 00:44:12,560
Speaker 1: in photos, but once you got in the studio and

810
00:44:12,800 --> 00:44:15,440
Speaker 1: we did want to have I did want to ask,

811
00:44:15,640 --> 00:44:18,759
Speaker 1: is that a web all over your face? And I'm

812
00:44:18,800 --> 00:44:21,200
Speaker 1: so happy to hear you say it, because this whole

813
00:44:21,239 --> 00:44:25,200
Speaker 1: time I was really struggling to figure it out or

814
00:44:25,239 --> 00:44:26,440
Speaker 1: to look at anything else.

815
00:44:27,000 --> 00:44:29,560
Speaker 3: I got a tattoo when I was twelve of a

816
00:44:29,600 --> 00:44:34,600
Speaker 3: spider web face. Yeah, and then whenever I work, I

817
00:44:34,719 --> 00:44:36,319
Speaker 3: cover it with makeup, obviously, But.

818
00:44:37,000 --> 00:44:39,760
Speaker 1: I imagined in jail that made you some friends.

819
00:44:41,600 --> 00:44:46,640
Speaker 3: Actually it kind of did the opposite. People stayed away

820
00:44:46,680 --> 00:44:48,759
Speaker 3: from me a bit, or they would like ask me

821
00:44:48,840 --> 00:44:52,319
Speaker 3: favors and things. And that's why I say, take time

822
00:44:52,360 --> 00:44:59,080
Speaker 3: for yourself. Stolen crackers aren't going to get you, you know,

823
00:44:59,200 --> 00:45:00,000
Speaker 3: the bottom of a web.

824
00:45:00,120 --> 00:45:02,040
Speaker 2: People in jail would stay away from you because they

825
00:45:02,080 --> 00:45:05,440
Speaker 2: thought maybe you were the one who captured them and

826
00:45:05,760 --> 00:45:06,399
Speaker 2: put them in jail.

827
00:45:06,560 --> 00:45:10,480
Speaker 3: Yeah, yeah, that makes sense anyway. So yeah, I love

828
00:45:10,520 --> 00:45:12,200
Speaker 3: hate relationship. I guess love.

829
00:45:13,080 --> 00:45:15,120
Speaker 2: Let's get a new But what kind of popcorn do

830
00:45:15,120 --> 00:45:16,120
Speaker 2: you want to eat?

831
00:45:16,600 --> 00:45:21,920
Speaker 3: Buttery?

832
00:45:22,440 --> 00:45:25,279
Speaker 1: Okay, now this is more like it, because here's the

833
00:45:25,360 --> 00:45:28,800
Speaker 1: thing with the corn from before. It's not caramel corn,

834
00:45:28,840 --> 00:45:30,640
Speaker 1: you know, like that cought a candy. But it's like

835
00:45:30,760 --> 00:45:33,160
Speaker 1: it's crazy sweet. I don't know if it's sugar or what.

836
00:45:34,200 --> 00:45:38,600
Speaker 1: This is normal to me. Okay, So that's all right.

837
00:45:38,760 --> 00:45:41,120
Speaker 1: So it seems like Mark likes the buttery popcorn better.

838
00:45:41,480 --> 00:45:47,200
Speaker 2: Okay, going through these popcorns, I have questions about hollandais sauce,

839
00:45:47,640 --> 00:45:49,320
Speaker 2: questions about the country Holland.

840
00:45:49,480 --> 00:45:51,759
Speaker 1: Oh yeah, if you love Holland so much, why don't

841
00:45:51,760 --> 00:45:53,960
Speaker 1: you marry it? I guess you did, because that's you

842
00:45:54,080 --> 00:45:54,680
Speaker 1: who you are.

843
00:45:55,520 --> 00:45:57,399
Speaker 3: If I would marry anything, it'd be my cat.

844
00:45:58,000 --> 00:46:03,480
Speaker 2: Questions about Okay, well, I'll from that, Questions from what.

845
00:46:03,239 --> 00:46:03,799
Speaker 1: What do you mean?

846
00:46:04,080 --> 00:46:05,960
Speaker 3: What are you talking about?

847
00:46:07,840 --> 00:46:11,200
Speaker 2: It just seems like she just said the thing I

848
00:46:11,239 --> 00:46:14,360
Speaker 2: was saying all along, was that seeing she wanted to

849
00:46:14,360 --> 00:46:16,640
Speaker 2: marry her cat. And she just said that she would

850
00:46:16,640 --> 00:46:17,440
Speaker 2: marry her cat.

851
00:46:17,600 --> 00:46:19,880
Speaker 1: Okay, easy, easy, here we go.

852
00:46:20,440 --> 00:46:20,799
Speaker 2: Take it.

853
00:46:20,880 --> 00:46:28,040
Speaker 1: Hold on, hang u, I'll handle this cookie now now, hey,

854
00:46:28,640 --> 00:46:33,120
Speaker 1: take care of it, baby now, Hey please, baby, you

855
00:46:33,200 --> 00:46:37,879
Speaker 1: gotta you gotta realize something. And now we're friends. Yeah,

856
00:46:38,080 --> 00:46:40,040
Speaker 1: and we worked. I don't like to come down on

857
00:46:40,080 --> 00:46:42,640
Speaker 1: you this hard, but I can't watch you.

858
00:46:43,080 --> 00:46:43,640
Speaker 2: I'm trying.

859
00:46:44,280 --> 00:46:48,880
Speaker 1: I'm trying to do better a human woman, strictly because

860
00:46:48,920 --> 00:46:50,960
Speaker 1: she's a different gender than you, and you think she

861
00:46:51,000 --> 00:46:54,840
Speaker 1: wants to marry a cat with basically no other evidence.

862
00:46:55,160 --> 00:46:57,560
Speaker 1: I don't know the rules now. I'm trying.

863
00:46:57,800 --> 00:47:00,960
Speaker 2: I am trying to learn, but it just it feels

864
00:47:01,040 --> 00:47:03,719
Speaker 2: like every I'm just on eggshells all the time.

865
00:47:03,719 --> 00:47:07,360
Speaker 1: With these new rules. They keep moving the target. Yes.

866
00:47:07,360 --> 00:47:11,200
Speaker 1: Every time I get situated, Bill Maher has more new rules.

867
00:47:11,480 --> 00:47:13,600
Speaker 3: Every time I get out, they pull me back in.

868
00:47:14,200 --> 00:47:19,640
Speaker 2: Yes from yes, from uh, from the from the yes.

869
00:47:19,680 --> 00:47:23,000
Speaker 2: It's from the Spaghetti boss Pasta, The Spaghetti.

870
00:47:22,520 --> 00:47:24,880
Speaker 3: Bossy Spaghetti Boston Pasta.

871
00:47:26,360 --> 00:47:28,879
Speaker 1: Do we get a question? I thought we did?

872
00:47:29,000 --> 00:47:31,239
Speaker 2: Oh no, we were choosing between all these good ones

873
00:47:31,280 --> 00:47:37,160
Speaker 2: about haul and stuff, questions about wild horses.

874
00:47:37,480 --> 00:47:40,759
Speaker 1: We don't have all wild horses. It's just Marry Uh.

875
00:47:41,480 --> 00:47:42,600
Speaker 3: I can speak for the group.

876
00:47:44,239 --> 00:47:45,600
Speaker 1: They have specifically asked us.

877
00:47:47,520 --> 00:47:52,520
Speaker 3: I mean I could do it, like I know them.

878
00:47:52,719 --> 00:47:55,279
Speaker 2: I know that you feel that way. Yes, I think

879
00:47:55,280 --> 00:47:57,799
Speaker 2: we can just do. Here's a good one. This one's

880
00:47:57,840 --> 00:47:59,440
Speaker 2: from Velvet Revolver and Nico.

881
00:48:00,360 --> 00:48:00,640
Speaker 1: Mary.

882
00:48:00,680 --> 00:48:02,960
Speaker 2: You're a comedian, right, how many jokes do you do

883
00:48:03,000 --> 00:48:03,400
Speaker 2: in today?

884
00:48:07,040 --> 00:48:09,759
Speaker 3: Ah? That's a really let's go through question.

885
00:48:09,800 --> 00:48:11,279
Speaker 2: We could just go through today.

886
00:48:11,239 --> 00:48:13,640
Speaker 3: Okay, And how many, oh god, how many jokes did

887
00:48:13,680 --> 00:48:15,240
Speaker 3: I do today? Well?

888
00:48:15,680 --> 00:48:19,200
Speaker 2: It's two forty five, so up to this point. Oh,

889
00:48:19,280 --> 00:48:21,440
Speaker 2: up to this point, I didn't mean to throw you

890
00:48:21,480 --> 00:48:22,879
Speaker 2: by saying what Yeah.

891
00:48:22,600 --> 00:48:25,000
Speaker 3: I hate hearing about the time because then I just

892
00:48:25,040 --> 00:48:26,400
Speaker 3: think about how my life.

893
00:48:26,200 --> 00:48:29,480
Speaker 2: Has Yeah, I'm sorry.

894
00:48:29,880 --> 00:48:34,880
Speaker 3: Like I'm slowly being tried out in front of me.

895
00:48:35,160 --> 00:48:36,360
Speaker 1: It's okay, pizza box.

896
00:48:39,239 --> 00:48:46,759
Speaker 3: I have made at least fifty jokes today, But now

897
00:48:46,800 --> 00:48:52,920
Speaker 3: I want to clarify. These aren't like set up punchline jokes, right.

898
00:48:53,480 --> 00:48:55,520
Speaker 1: And that's all that's the old model.

899
00:48:55,560 --> 00:49:00,960
Speaker 3: That's the old model. These are truths that are not true,

900
00:49:01,440 --> 00:49:05,399
Speaker 3: that are heightened in some way, right, you know. And

901
00:49:05,440 --> 00:49:07,399
Speaker 3: that's what I would consider a joke. So I've made

902
00:49:07,400 --> 00:49:10,320
Speaker 3: at least fifty. But on a given day, I would

903
00:49:10,320 --> 00:49:15,920
Speaker 3: say that we're looking at thousands, baby, Yeah.

904
00:49:15,880 --> 00:49:19,080
Speaker 1: Slow day for you. Yeah, and you had to stop

905
00:49:19,120 --> 00:49:21,680
Speaker 1: down so much to try to explain how we would

906
00:49:21,680 --> 00:49:23,239
Speaker 1: get into the studio, and.

907
00:49:23,320 --> 00:49:25,480
Speaker 3: Oh yeah, and that none of that was a joke.

908
00:49:25,600 --> 00:49:28,040
Speaker 1: Took away from this sort of joke stuff you were

909
00:49:28,080 --> 00:49:28,919
Speaker 1: planning on doing.

910
00:49:29,080 --> 00:49:31,880
Speaker 3: Well, exactly, I would. I'm actually I'd love to promote

911
00:49:32,520 --> 00:49:33,400
Speaker 3: on my comedy.

912
00:49:34,120 --> 00:49:36,880
Speaker 1: Oh well, please take a moment to be at the tours.

913
00:49:36,960 --> 00:49:38,759
Speaker 1: Yeah you have multiple tours.

914
00:49:38,480 --> 00:49:40,480
Speaker 3: Yeah, multiple tours coming up. I'm going to be at

915
00:49:40,520 --> 00:49:52,480
Speaker 3: the Chuckle Shack down in Lampre, Minnesota on Tuesday. I

916
00:49:52,560 --> 00:49:57,120
Speaker 3: will be at the he He Come on In and

917
00:49:57,239 --> 00:50:04,000
Speaker 3: Laugh Establishment on March ninth.

918
00:50:05,719 --> 00:50:09,760
Speaker 1: Yes, I advanced notice.

919
00:50:12,200 --> 00:50:15,320
Speaker 3: I'm on a round out my tour at the Volvo

920
00:50:15,440 --> 00:50:21,480
Speaker 3: Dealership in Riverside on uh later today.

921
00:50:21,680 --> 00:50:25,359
Speaker 1: So it's Minnesota, a state yet to be named. It's

922
00:50:25,400 --> 00:50:28,080
Speaker 1: Minnesota on Tuesday. It's a state yet to be named

923
00:50:28,160 --> 00:50:30,400
Speaker 1: in eleven months at the he He come on in

924
00:50:30,440 --> 00:50:35,239
Speaker 1: and laugh and then yes Establishment and then and then

925
00:50:35,239 --> 00:50:37,040
Speaker 1: the Volvo Dealership in Riverside.

926
00:50:37,080 --> 00:50:38,920
Speaker 3: Yeah, I have a friend who works there.

927
00:50:41,160 --> 00:50:44,160
Speaker 2: Okay, let's get one more. Do you choose a new

928
00:50:44,719 --> 00:50:45,560
Speaker 2: type of popcorn?

929
00:50:46,520 --> 00:50:47,960
Speaker 3: I choose caramel coded.

930
00:50:52,680 --> 00:50:56,440
Speaker 1: Well, you know how I'm gonna feel about this. I mean,

931
00:50:56,480 --> 00:50:58,840
Speaker 1: I mentioned caramel code popcorn in the last one. At

932
00:50:58,920 --> 00:51:00,879
Speaker 1: least I know what I'm gooding saying. But I mean

933
00:51:00,920 --> 00:51:03,719
Speaker 1: I know that I expect the sweetness, but still it's

934
00:51:03,760 --> 00:51:12,120
Speaker 1: not popcorn to me, do you know what I mean? Wow? Wow,

935
00:51:12,200 --> 00:51:13,000
Speaker 1: those sound drops.

936
00:51:13,080 --> 00:51:15,040
Speaker 3: Huh, he's just not into sweets.

937
00:51:15,040 --> 00:51:17,640
Speaker 1: It sounds like I don't know if that's what it is.

938
00:51:18,040 --> 00:51:25,000
Speaker 2: Yeah, here's a question from Anastasia Vigo. Hi, Mary, Hi,

939
00:51:25,560 --> 00:51:27,600
Speaker 2: what kind of music was playing in your house as

940
00:51:27,600 --> 00:51:28,000
Speaker 2: a kid?

941
00:51:28,120 --> 00:51:33,439
Speaker 1: That was really sweet to say hi back. So many

942
00:51:33,480 --> 00:51:36,520
Speaker 1: of our guests ignore that part of the question, and

943
00:51:36,520 --> 00:51:39,360
Speaker 1: what I say, go away. Regardless of the music that

944
00:51:39,440 --> 00:51:40,799
Speaker 1: was playing in your house as a kid, I think

945
00:51:40,840 --> 00:51:44,239
Speaker 1: you were raised right and that that shows that. Now,

946
00:51:44,560 --> 00:51:46,040
Speaker 1: what kind of music was playing in your house?

947
00:51:46,200 --> 00:51:48,239
Speaker 3: Honestly, this is a kind of and this is a

948
00:51:48,320 --> 00:51:51,720
Speaker 3: true a truth. Oh, I mean, all of this is true,

949
00:51:51,719 --> 00:51:52,959
Speaker 3: but this is extra true.

950
00:51:53,080 --> 00:51:53,760
Speaker 1: You hate lies.

951
00:51:53,920 --> 00:51:57,319
Speaker 3: I hate lies. It was like I listened to the

952
00:51:57,360 --> 00:51:59,960
Speaker 3: CD over and over and over again and it was

953
00:52:00,160 --> 00:52:07,799
Speaker 3: called Sounds of Eagle Mountain, and it was.

954
00:52:09,680 --> 00:52:11,600
Speaker 1: You don't have to say that just because I'm here.

955
00:52:15,640 --> 00:52:17,920
Speaker 1: I mean, it's very very, very.

956
00:52:17,920 --> 00:52:20,680
Speaker 2: Very sweet of you, you know.

957
00:52:20,760 --> 00:52:24,680
Speaker 1: Because obviously I worked very hard for quite a long

958
00:52:24,760 --> 00:52:27,920
Speaker 1: time up there on Eagle Mountain with my tape recorder.

959
00:52:28,120 --> 00:52:32,160
Speaker 3: Uh No, truly, that that CD really changed my life.

960
00:52:32,320 --> 00:52:35,319
Speaker 1: What were what was the best sounds that I I.

961
00:52:35,320 --> 00:52:39,480
Speaker 3: Mean, one of one of them was there was one

962
00:52:39,560 --> 00:52:42,680
Speaker 3: called Fertility Dance.

963
00:52:42,680 --> 00:52:45,560
Speaker 1: M Yes, that's a wood thrush.

964
00:52:46,800 --> 00:52:51,480
Speaker 3: And there was one called Naked that was a grouse.

965
00:52:51,920 --> 00:52:57,680
Speaker 3: And then there was one called uh choices, that was me,

966
00:52:58,200 --> 00:53:02,200
Speaker 3: That was you. God, you sounded just like a red

967
00:53:02,239 --> 00:53:05,720
Speaker 3: breasted robin, yes, which is not native.

968
00:53:06,600 --> 00:53:10,000
Speaker 1: No, no, there's none of them on Ego Mountain. Now

969
00:53:10,320 --> 00:53:15,319
Speaker 1: they're eagle doing a bad job eating all the bird.

970
00:53:17,040 --> 00:53:21,280
Speaker 6: Oh you couldn't see it because I'm in the middle

971
00:53:21,280 --> 00:53:21,520
Speaker 6: of it.

972
00:53:21,600 --> 00:53:25,319
Speaker 3: Yeah, well that makes sense. Yeah, so anyway, that was

973
00:53:25,320 --> 00:53:35,840
Speaker 3: the kind of music I listened to. And oh and Prodigy.

974
00:53:37,160 --> 00:53:41,040
Speaker 2: Let's do one more. What's the popcorn?

975
00:53:41,080 --> 00:53:41,279
Speaker 1: Now?

976
00:53:43,040 --> 00:53:47,880
Speaker 3: The popcorn is almost out of kind white cheddar smart food.

977
00:53:53,040 --> 00:53:57,800
Speaker 1: Well, this bag ain't lying. I'm feeling pretty intelligent because

978
00:53:57,800 --> 00:54:00,640
Speaker 1: I got this snack at a great price and it's tasty.

979
00:54:00,800 --> 00:54:07,040
Speaker 1: Is all get out? See you next week. Is it

980
00:54:07,120 --> 00:54:09,520
Speaker 1: a good move? He's doing really well.

981
00:54:09,640 --> 00:54:12,360
Speaker 3: Yeah. Well I think we've discovered the secret weapon for

982
00:54:12,440 --> 00:54:13,120
Speaker 3: him as cheese.

983
00:54:13,480 --> 00:54:14,200
Speaker 1: Yeah, I guess.

984
00:54:14,280 --> 00:54:21,239
Speaker 2: So here's a question from Marshall Mellow, Mary, Mary quite contrary,

985
00:54:21,400 --> 00:54:26,520
Speaker 2: how does your improv grow? It's not done with Aaron

986
00:54:26,560 --> 00:54:30,240
Speaker 2: and Lauren and Stephanie Allen when we get a TV show?

987
00:54:31,880 --> 00:54:43,080
Speaker 5: Oh oh no, well that's so kind of of Marshall Mellow.

988
00:54:43,200 --> 00:54:46,320
Speaker 3: Is that right? Well, thank you mister Mello.

989
00:54:46,520 --> 00:54:50,080
Speaker 1: Oh boy, it's madam, she makes signs stuff.

990
00:54:51,280 --> 00:54:53,720
Speaker 3: Excuse me, Miss Mellow.

991
00:54:55,520 --> 00:54:58,640
Speaker 1: Girls can be sciences, girls can do science, and yes,

992
00:54:58,680 --> 00:55:00,719
Speaker 1: they can be as you know, and they can be

993
00:55:00,840 --> 00:55:01,200
Speaker 1: named that.

994
00:55:01,360 --> 00:55:04,880
Speaker 3: Of course, I know that. I don't I love that

995
00:55:04,920 --> 00:55:08,239
Speaker 3: little Ryan first of all, and second of all, I

996
00:55:08,280 --> 00:55:12,680
Speaker 3: don't know you know, but I know that I'm gonna

997
00:55:12,680 --> 00:55:15,760
Speaker 3: go ahead and speak for all the wild horses right now,

998
00:55:16,200 --> 00:55:19,200
Speaker 3: and I'm gonna say, I'm just gonna say exactly what

999
00:55:19,320 --> 00:55:24,000
Speaker 3: our goals are as a group of people, and and

1000
00:55:24,080 --> 00:55:27,240
Speaker 3: I'm just gonna, you know what, I'm just gonna say,

1001
00:55:28,239 --> 00:55:30,279
Speaker 3: make a bunch of statements about.

1002
00:55:30,920 --> 00:55:36,400
Speaker 1: Say what you want to say. You guys know that song? Yeah, yeah,

1003
00:55:36,480 --> 00:55:37,960
Speaker 1: oh but go ahead, what were you gonna do?

1004
00:55:39,560 --> 00:55:43,799
Speaker 3: I look, I would obviously we'd all love it if

1005
00:55:43,800 --> 00:55:47,560
Speaker 3: we could be on television together. I don't know if

1006
00:55:47,600 --> 00:55:51,359
Speaker 3: that's going to happen. We have here's the thing as

1007
00:55:51,680 --> 00:55:55,480
Speaker 3: part of our I guess you're right. I guess we

1008
00:55:55,600 --> 00:55:58,480
Speaker 3: just have to go do it. Excuse me, I have

1009
00:55:58,480 --> 00:55:59,160
Speaker 3: to make them all.

1010
00:56:00,640 --> 00:56:03,520
Speaker 1: Very generous of you to call Marciammellow's question a rhyme.

1011
00:56:06,080 --> 00:56:12,120
Speaker 2: A little rides Mary, thank you so much for coming

1012
00:56:12,160 --> 00:56:12,680
Speaker 2: on the show.

1013
00:56:13,200 --> 00:56:16,160
Speaker 3: Thank you for having me. I was really excited to

1014
00:56:16,200 --> 00:56:16,560
Speaker 3: be here.

1015
00:56:18,000 --> 00:56:20,360
Speaker 2: Great have you not born out by your behavior? But

1016
00:56:22,120 --> 00:56:26,480
Speaker 2: I mean you hate lies, so it must be true. Uh,

1017
00:56:27,000 --> 00:56:28,120
Speaker 2: it was a lot of fun.

1018
00:56:29,560 --> 00:56:35,880
Speaker 1: Rate us on iTunes. This is you were talking to Mary.

1019
00:56:36,200 --> 00:56:38,600
Speaker 2: Talk to us on the forums like our Facebook. We

1020
00:56:38,600 --> 00:56:40,319
Speaker 2: don't have anyone who's ever been a guest on the

1021
00:56:40,360 --> 00:56:45,200
Speaker 2: show join the forums and become like a frequent poster.

1022
00:56:46,040 --> 00:56:50,600
Speaker 2: So that would be very nice, very cool. Yes, that's

1023
00:56:50,640 --> 00:56:55,440
Speaker 2: a very nice opportunity for you. And someone's got to

1024
00:56:55,480 --> 00:56:56,280
Speaker 2: get the pro version.

1025
00:56:56,800 --> 00:57:00,680
Speaker 1: Oh right, yes that's right. Okay, hmm, I guess it

1026
00:57:00,680 --> 00:57:04,719
Speaker 1: could be dev Scoots. Yeah it could be. Man, some

1027
00:57:04,760 --> 00:57:06,840
Speaker 1: people are real mad they haven't gotten the pro version.

1028
00:57:06,960 --> 00:57:10,600
Speaker 1: Uh huh yeah, who's mad? Joe mcgirrel. Oh yeah, he's

1029
00:57:10,640 --> 00:57:13,080
Speaker 1: gotta buy the thing. Oh yeah, pony out guys on

1030
00:57:13,200 --> 00:57:17,240
Speaker 1: the Dooseph Joseph. And so what is dev Scoots get?

1031
00:57:18,080 --> 00:57:22,440
Speaker 1: Mm hmm, Well, I guess get that whole paste. I

1032
00:57:22,480 --> 00:57:27,200
Speaker 1: guess he gets I love the sweet taste. No, I

1033
00:57:27,240 --> 00:57:32,040
Speaker 1: guess he gets a movie recommendation and just anything from

1034
00:57:32,120 --> 00:57:33,200
Speaker 1: your cue. Mary.

1035
00:57:33,440 --> 00:57:38,240
Speaker 2: Yeah, well and just personalized movie recommendation using your own

1036
00:57:38,280 --> 00:57:40,360
Speaker 2: out algorithm for dev Scoots.

1037
00:57:41,200 --> 00:57:48,479
Speaker 3: Oh that sounds great.

1038
00:57:49,200 --> 00:57:52,720
Speaker 1: Yeah. So you say the movie now and say dev

1039
00:57:52,760 --> 00:57:59,840
Speaker 1: scoots name too, I say them, Okay, yeah, it's not

1040
00:58:00,080 --> 00:58:02,440
Speaker 1: it's it's not from dev Scoots recommendation.

1041
00:58:04,080 --> 00:58:05,800
Speaker 3: Oh it's four yes.

1042
00:58:05,920 --> 00:58:07,280
Speaker 1: Oh you thought you got a prize.

1043
00:58:07,400 --> 00:58:10,840
Speaker 3: That's what I thought. That's why I was eager to participate.

1044
00:58:10,960 --> 00:58:13,720
Speaker 2: No, this guy bought the pro version of our podcast.

1045
00:58:13,880 --> 00:58:15,080
Speaker 1: That prize that he gets.

1046
00:58:15,200 --> 00:58:16,960
Speaker 3: Okay, so I recommend a movie to him, and I

1047
00:58:16,960 --> 00:58:18,080
Speaker 3: say deaf scoots after.

1048
00:58:20,000 --> 00:58:20,880
Speaker 1: Or anywhere in it.

1049
00:58:21,000 --> 00:58:27,120
Speaker 3: Okay, I recommend to you a film called Tiny dev Scoots.

1050
00:58:27,800 --> 00:58:31,040
Speaker 1: Mmmmm, Tiny dev Scoot. What's that about. That's the name.

1051
00:58:31,200 --> 00:58:33,200
Speaker 3: It's about people who live in small homes.

1052
00:58:34,440 --> 00:58:38,000
Speaker 1: Oh okay, I thought you're gonna recommend the cats turn

1053
00:58:38,040 --> 00:58:38,720
Speaker 1: out to life.

1054
00:58:39,080 --> 00:58:40,200
Speaker 3: Oh no, I don't know.

1055
00:58:47,760 --> 00:58:51,840
Speaker 1: Hollywood hand Book is brought to you by Wolf Cool Productions,

1056
00:58:51,840 --> 00:58:59,240
Speaker 1: a subsidiary of Calvin dabs O Baby