1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff You Missed in History Class, A production 2 00:00:04,400 --> 00:00:14,360 Speaker 1: of iHeartRadio, Hello and Happy Friday. I'm Tracy V. Wilson 3 00:00:14,440 --> 00:00:18,960 Speaker 1: and I'm Holly Fry talked about Joseph Grimaldy, sometimes called 4 00:00:19,000 --> 00:00:23,280 Speaker 1: the first modern clown. This week, I sure did. This 5 00:00:23,400 --> 00:00:28,440 Speaker 1: episode came about I alluded I think in our previous episode. 6 00:00:29,080 --> 00:00:33,559 Speaker 1: I recently had COVID and that it's derailed. I'd had 7 00:00:33,600 --> 00:00:37,560 Speaker 1: to take sick time, and each of us had other 8 00:00:37,720 --> 00:00:42,279 Speaker 1: already previously planned time off, and then also some unexpected 9 00:00:42,360 --> 00:00:45,360 Speaker 1: stuff happened. But there's just a lot going on. And 10 00:00:46,440 --> 00:00:48,080 Speaker 1: so I was in one of those places where I 11 00:00:48,120 --> 00:00:50,239 Speaker 1: was like, I've got to find something that is doable 12 00:00:50,360 --> 00:00:53,040 Speaker 1: in the amount of time that I have to write 13 00:00:53,040 --> 00:00:57,720 Speaker 1: an episode. Yeah, And often something that is doable is 14 00:00:57,800 --> 00:01:02,120 Speaker 1: when somebody has an autobiography or a memoir or something 15 00:01:02,160 --> 00:01:04,959 Speaker 1: similar that is in the public domain. That can be 16 00:01:05,000 --> 00:01:06,800 Speaker 1: a big part of the research, and like we can 17 00:01:06,880 --> 00:01:09,280 Speaker 1: reference their own words directly in that kind of thing. 18 00:01:09,360 --> 00:01:11,520 Speaker 1: Like that is one of the tools when we have 19 00:01:11,600 --> 00:01:14,720 Speaker 1: to fill a gap in this way sometimes. Uh. And 20 00:01:14,800 --> 00:01:16,520 Speaker 1: so I had been like, all right, I'm gonna I'm 21 00:01:16,520 --> 00:01:19,440 Speaker 1: gonna do something like that, and then I used almost 22 00:01:19,760 --> 00:01:25,280 Speaker 1: none of Grimaldy's memoirs because they even though they are 23 00:01:25,319 --> 00:01:27,640 Speaker 1: in the public domain, they do not read like a 24 00:01:27,680 --> 00:01:29,840 Speaker 1: memoir at all. They read like a Dickens's novel, as 25 00:01:29,840 --> 00:01:32,360 Speaker 1: we talked about, and so there's just like only I 26 00:01:32,400 --> 00:01:34,440 Speaker 1: think one or maybe two quotes from it in the 27 00:01:34,560 --> 00:01:38,280 Speaker 1: entire episode. So it's uh. While the episode did get 28 00:01:38,280 --> 00:01:40,880 Speaker 1: written in the amount of time involved, it did not 29 00:01:42,319 --> 00:01:45,080 Speaker 1: have as much reliance on that memoir as I had 30 00:01:45,080 --> 00:01:49,760 Speaker 1: thought it was going to. Also something that I did 31 00:01:49,800 --> 00:01:53,640 Speaker 1: not put in into the episode. Charles Dickens, as we said, 32 00:01:53,680 --> 00:01:56,080 Speaker 1: had seen some of Grimaldy's performances when he was a kid, 33 00:01:56,120 --> 00:01:59,880 Speaker 1: seemed to really like the pantomime. Seems to have made 34 00:02:00,360 --> 00:02:02,800 Speaker 1: not been as much of a fan of Grimaldy later 35 00:02:02,920 --> 00:02:05,640 Speaker 1: on when he was actually working with this memoir and 36 00:02:05,760 --> 00:02:10,200 Speaker 1: writing sketches from bass and stuff like that. He also 37 00:02:10,720 --> 00:02:14,400 Speaker 1: has a couple of creepy clown appearances in some of 38 00:02:14,440 --> 00:02:18,600 Speaker 1: his other writing, including one that some people think is 39 00:02:18,639 --> 00:02:23,680 Speaker 1: a specific reference to Grimaldy's son JS. It can't have 40 00:02:23,840 --> 00:02:28,240 Speaker 1: been a reference to Grimaldy because this book was written 41 00:02:28,320 --> 00:02:31,120 Speaker 1: like before Grimaldi's death, I think, so people think it 42 00:02:31,160 --> 00:02:33,840 Speaker 1: was proudly about JS and that's it's the Pickwick Papers. 43 00:02:34,160 --> 00:02:36,680 Speaker 1: Oh yeah, so I'm going to read this little passage 44 00:02:36,720 --> 00:02:39,520 Speaker 1: from the Pickwick Papers about this time, and when he 45 00:02:39,560 --> 00:02:42,040 Speaker 1: had been existing for upwards of a year. No one 46 00:02:42,120 --> 00:02:44,560 Speaker 1: knew how. I had a short engagement at one of 47 00:02:44,560 --> 00:02:46,960 Speaker 1: the theaters on the Surrey side of the water. And 48 00:02:47,000 --> 00:02:50,480 Speaker 1: here I saw this man whom I had lost sight 49 00:02:50,520 --> 00:02:52,919 Speaker 1: of for some time, for I had been traveling in 50 00:02:52,960 --> 00:02:56,080 Speaker 1: the provinces, and he had been skulking in the lanes 51 00:02:56,120 --> 00:02:58,720 Speaker 1: and alleys of London. I was dressed to leave the 52 00:02:58,760 --> 00:03:01,400 Speaker 1: house and was crossing the stage on my way out 53 00:03:01,840 --> 00:03:05,160 Speaker 1: when he tapped me on the shoulder. Never shall I 54 00:03:05,240 --> 00:03:08,480 Speaker 1: forget the repulsive sight that met my eye when I 55 00:03:08,639 --> 00:03:11,960 Speaker 1: turned round. He was dressed for the pantomimes, and all 56 00:03:12,000 --> 00:03:16,160 Speaker 1: the absurdity of a clown's costume, the spectral figures, and 57 00:03:16,200 --> 00:03:19,240 Speaker 1: the dance of death. The most frightful shapes that the 58 00:03:19,280 --> 00:03:24,760 Speaker 1: ablest painter ever portrayed on canvas never presented an appearance 59 00:03:24,960 --> 00:03:29,520 Speaker 1: half so ghastly. His bloated body and shrunken legs, their 60 00:03:29,560 --> 00:03:34,520 Speaker 1: deformity enhanced a hundredfold by the fantastic dress, the glassy 61 00:03:34,680 --> 00:03:38,280 Speaker 1: eyes contrasting fearfully with the thick white paint with which 62 00:03:38,320 --> 00:03:43,560 Speaker 1: the face was besmeared, and the grotesquely ornamented head trembling 63 00:03:43,600 --> 00:03:47,480 Speaker 1: with paralysis, and the long, skinny hands rubbed with white chalk, 64 00:03:47,640 --> 00:03:51,600 Speaker 1: all gave him a hideous and unnatural appearance of which 65 00:03:51,760 --> 00:03:55,880 Speaker 1: no description could convey an adequate idea, and which to 66 00:03:55,960 --> 00:03:59,280 Speaker 1: this day I shudder to think of. His voice was 67 00:03:59,400 --> 00:04:01,960 Speaker 1: hollow and tremulous as he took me aside, and, in 68 00:04:02,080 --> 00:04:07,120 Speaker 1: broken words, recounted a long catalog of sickness and privations, terminating, 69 00:04:07,160 --> 00:04:10,120 Speaker 1: as usual, with an urgent request for the loan of 70 00:04:10,160 --> 00:04:13,000 Speaker 1: a trifling sum of money. I put a few shillings 71 00:04:13,000 --> 00:04:15,280 Speaker 1: in his hand, and as I turned away, I heard 72 00:04:15,280 --> 00:04:18,719 Speaker 1: the roar of laughter which followed his first tumble on 73 00:04:18,800 --> 00:04:22,520 Speaker 1: the stage. So that maybe could be Grimaldi, Maybe could 74 00:04:22,520 --> 00:04:25,159 Speaker 1: be Jeff JS. Most things that I saw were like, 75 00:04:25,600 --> 00:04:28,720 Speaker 1: it's probably about JS, because it seems, I think, if 76 00:04:28,760 --> 00:04:33,040 Speaker 1: I'm remembering correctly, it was written not long after JS 77 00:04:33,080 --> 00:04:36,599 Speaker 1: died a very young age. I love that clowns have 78 00:04:36,680 --> 00:04:42,120 Speaker 1: always been a delight to some and terrifying to us. Yeah, yeah, 79 00:04:42,160 --> 00:04:46,000 Speaker 1: And I like, I don't think that the dickens edition 80 00:04:46,080 --> 00:04:49,960 Speaker 1: of his memoirs was necessarily like the first time ever 81 00:04:50,080 --> 00:04:52,719 Speaker 1: that there was this dichotomy of like the sad clown 82 00:04:52,760 --> 00:04:55,039 Speaker 1: and the clown with the tragic backstory and like the 83 00:04:55,080 --> 00:04:58,599 Speaker 1: person who's outwardly funny and inwardly depressed and grief stricken 84 00:04:58,600 --> 00:05:02,520 Speaker 1: all the time. But he sure did like cement it 85 00:05:03,560 --> 00:05:07,279 Speaker 1: with that book. Well, and now right now they're they're 86 00:05:07,320 --> 00:05:13,000 Speaker 1: recognized like four different types of clowns, like the white face, 87 00:05:13,080 --> 00:05:17,080 Speaker 1: the Augusta Tramp, and the character and yeah, yeah, yeah, 88 00:05:17,080 --> 00:05:20,719 Speaker 1: this is kind of the modern genesis of that. Yeah. 89 00:05:20,760 --> 00:05:24,000 Speaker 1: I had thought about putting in more about sort of 90 00:05:24,000 --> 00:05:28,320 Speaker 1: the history of clowning and that development of like the 91 00:05:28,360 --> 00:05:32,159 Speaker 1: the white face, Auguste Tramp, and character that you just mentioned, like, 92 00:05:32,440 --> 00:05:37,560 Speaker 1: and part of it was that it just felt like 93 00:05:37,560 --> 00:05:39,440 Speaker 1: like there are so many things in so many cultures 94 00:05:39,480 --> 00:05:42,240 Speaker 1: around the world that can fit into the big umbrella 95 00:05:42,279 --> 00:05:45,279 Speaker 1: of clowning. Yes, for sure, that part just seemed like 96 00:05:45,360 --> 00:05:50,160 Speaker 1: it was like it was getting too big. But then 97 00:05:50,279 --> 00:05:57,560 Speaker 1: also I found the specifics of the like progression of 98 00:05:58,279 --> 00:06:04,479 Speaker 1: clowning sort of being at least here maybe in Europe, 99 00:06:04,520 --> 00:06:09,159 Speaker 1: to like include these four types. I found a lot 100 00:06:09,160 --> 00:06:11,680 Speaker 1: of like the sourcing on that really vague, and I 101 00:06:11,760 --> 00:06:13,400 Speaker 1: was like, Okay, I don't want to I don't want 102 00:06:13,440 --> 00:06:15,640 Speaker 1: to put this in here when it when I think 103 00:06:15,640 --> 00:06:18,400 Speaker 1: it might be a little more nebulous than some of 104 00:06:18,400 --> 00:06:20,840 Speaker 1: these sources make it sound like have I ever told 105 00:06:20,880 --> 00:06:25,880 Speaker 1: you the story of when my clown association terrified my husband? No? So, 106 00:06:26,880 --> 00:06:30,039 Speaker 1: as some folks know, Brian and I got married very quickly, 107 00:06:30,160 --> 00:06:33,040 Speaker 1: so like, there were a lot of times where we 108 00:06:33,040 --> 00:06:36,279 Speaker 1: were many years into our marriage and discovered something completely 109 00:06:36,320 --> 00:06:38,640 Speaker 1: new about one another. And at one point we were 110 00:06:38,680 --> 00:06:42,920 Speaker 1: at a party at our mutual friend Lily's house, and 111 00:06:42,960 --> 00:06:45,720 Speaker 1: one of the things she had out was a dish 112 00:06:46,000 --> 00:06:48,720 Speaker 1: of like those long, thin balloons you used to make 113 00:06:48,760 --> 00:06:51,919 Speaker 1: balloon animals, okay, And I blew one up and I 114 00:06:52,000 --> 00:06:55,920 Speaker 1: made a poodle okay. And Brian said, where'd you learn 115 00:06:55,960 --> 00:06:58,120 Speaker 1: to do that? And I said, the clowns taught me. 116 00:06:58,520 --> 00:07:04,159 Speaker 1: And he said, the clowns taught you. And that was 117 00:07:04,200 --> 00:07:06,440 Speaker 1: when I had to explain, like, if you grow up 118 00:07:07,000 --> 00:07:10,320 Speaker 1: in certain parts of Florida, yeah, and you were in 119 00:07:10,600 --> 00:07:14,800 Speaker 1: you know, theatery circles, you just know clowns because there's 120 00:07:14,880 --> 00:07:19,440 Speaker 1: the big clown school there, and they kind of spread out. Sure, 121 00:07:20,160 --> 00:07:23,000 Speaker 1: so of course I knew clown's growing up, but it 122 00:07:23,120 --> 00:07:26,560 Speaker 1: never occurred to me that other people didn't know clouds. Yeah, 123 00:07:27,000 --> 00:07:30,240 Speaker 1: so I was like the clouds taught me. I think 124 00:07:30,280 --> 00:07:32,160 Speaker 1: we've talked before about how when I was a kid, 125 00:07:32,240 --> 00:07:35,760 Speaker 1: I was in a summer musical theater program and one 126 00:07:35,840 --> 00:07:38,680 Speaker 1: year the show that we did was Barnum, which is 127 00:07:39,760 --> 00:07:43,400 Speaker 1: a musical about the life of P. T. Barnum. That's 128 00:07:43,480 --> 00:07:47,400 Speaker 1: not the same as the movie. That's not that old, right, 129 00:07:48,280 --> 00:07:51,720 Speaker 1: and so all of like what would be the chorus, 130 00:07:52,240 --> 00:07:55,200 Speaker 1: We were all clowns, and so we learned a number 131 00:07:55,240 --> 00:07:58,960 Speaker 1: of like very basic clowning things and different types of 132 00:07:59,040 --> 00:08:05,520 Speaker 1: clown makeup. And I learned to juggle badly, and uh 133 00:08:06,320 --> 00:08:09,760 Speaker 1: there was something else, Oh, balloon animals. I can also 134 00:08:09,840 --> 00:08:13,520 Speaker 1: make a balloon noodle. It's not very it's not Yeah, 135 00:08:13,560 --> 00:08:17,400 Speaker 1: it's not that. It's not that difficult from uh like 136 00:08:17,440 --> 00:08:18,800 Speaker 1: once you knew the base with how to do it. 137 00:08:18,840 --> 00:08:22,760 Speaker 1: So yeah, like that's that's my one very brief brief 138 00:08:22,920 --> 00:08:26,080 Speaker 1: for a into clowning was being part of the chorus 139 00:08:26,160 --> 00:08:31,040 Speaker 1: in uh summer middle and high school production of the 140 00:08:31,040 --> 00:08:44,240 Speaker 1: play Barnum. The Clowns taught me. You had asked me 141 00:08:45,320 --> 00:08:48,160 Speaker 1: before we started this, was he on your list? And 142 00:08:48,200 --> 00:08:55,720 Speaker 1: the answer was no, and the reason was depressing. Oh yeah, 143 00:08:55,840 --> 00:08:57,880 Speaker 1: this is one of those things, right. I was talking 144 00:08:57,920 --> 00:08:59,680 Speaker 1: to a friend of mine about this the other day, 145 00:09:00,600 --> 00:09:04,560 Speaker 1: and again I'm obviously not a psychologist or psychiatrist, but 146 00:09:04,640 --> 00:09:07,680 Speaker 1: it is one of those things where we had just 147 00:09:07,760 --> 00:09:10,720 Speaker 1: discussed and it applies to this, that thing where it's like, 148 00:09:11,720 --> 00:09:15,200 Speaker 1: you can do so many things in your life and 149 00:09:15,240 --> 00:09:17,880 Speaker 1: have so many experiences, but at the end of the day, 150 00:09:18,520 --> 00:09:22,240 Speaker 1: your childhood trauma drives the bus. I think that you 151 00:09:22,360 --> 00:09:26,479 Speaker 1: have to always be working on whatever those formative experiences 152 00:09:26,520 --> 00:09:30,280 Speaker 1: are that otherwise you just end up kind of falling 153 00:09:30,360 --> 00:09:33,320 Speaker 1: into weird habits that kind of perpetuate the same problems. 154 00:09:33,559 --> 00:09:36,640 Speaker 1: And I feel like Grimaldi is such an example of that, right, 155 00:09:36,720 --> 00:09:42,000 Speaker 1: Like he obviously had a very difficult childhood with a 156 00:09:42,120 --> 00:09:46,440 Speaker 1: parent who did not treat him well. And it's like 157 00:09:46,520 --> 00:09:50,360 Speaker 1: you then see him spending his entire life trying to 158 00:09:50,440 --> 00:09:54,520 Speaker 1: make people happy and make people like him. Right, It's 159 00:09:54,559 --> 00:09:56,840 Speaker 1: that thing of like, I only want to make you happy, 160 00:09:56,880 --> 00:09:58,760 Speaker 1: and also you will like me and that will make 161 00:09:58,800 --> 00:10:01,360 Speaker 1: me happy, and like, at the same time, he is 162 00:10:01,679 --> 00:10:05,520 Speaker 1: having breakdowns in his dressing room. It's like and it's like, oh, 163 00:10:05,600 --> 00:10:07,080 Speaker 1: I just want to go back and get him a 164 00:10:07,120 --> 00:10:10,240 Speaker 1: therapist and hug him, make him some nice tea and 165 00:10:10,960 --> 00:10:14,240 Speaker 1: let him just sit quietly. If that's yeah, a therapist, 166 00:10:14,240 --> 00:10:19,319 Speaker 1: then maybe also like a trainer or a competent doctor, right, 167 00:10:20,480 --> 00:10:23,800 Speaker 1: like somebody to talk about some body mechanics and maybe 168 00:10:23,840 --> 00:10:29,080 Speaker 1: if there were some physical, muscular or skeletal issue going on, 169 00:10:29,120 --> 00:10:32,319 Speaker 1: to like maybe address that, because it seems it does 170 00:10:32,360 --> 00:10:37,520 Speaker 1: seem like, uh, he was just constantly pushing himself, yeah, 171 00:10:37,880 --> 00:10:41,320 Speaker 1: in a in a way that was harmful to his body. Yeah. 172 00:10:41,640 --> 00:10:44,560 Speaker 1: So yeah, I will also say, on a funnier note, 173 00:10:44,920 --> 00:10:47,240 Speaker 1: I'm glad that for the most part, we have gotten 174 00:10:47,280 --> 00:10:51,000 Speaker 1: away from titles of things that are the blobbery, bloop 175 00:10:51,320 --> 00:10:57,640 Speaker 1: or or the like. There's a lot of things too many, 176 00:10:58,160 --> 00:11:02,800 Speaker 1: too many words, and clown church service has now gone 177 00:11:02,840 --> 00:11:06,200 Speaker 1: on my bucket list, I think, yeah, yeah, yeah, I don't. 178 00:11:06,800 --> 00:11:09,480 Speaker 1: As a behind the scenes secret, I was supposed to 179 00:11:09,480 --> 00:11:11,640 Speaker 1: read that line and for some time, for some reason, 180 00:11:11,679 --> 00:11:13,800 Speaker 1: the very idea got me so choked up that Tracy 181 00:11:13,840 --> 00:11:16,720 Speaker 1: had to read it. Yeah, the the clown church service, 182 00:11:17,160 --> 00:11:21,760 Speaker 1: I don't know why that hit by heart, So yeah, aggressively. 183 00:11:22,960 --> 00:11:29,280 Speaker 1: There's a biography of Grimaldy called The Pantomime Life of 184 00:11:29,360 --> 00:11:32,640 Speaker 1: Joseph Grimaldy Laughter Madness in the Story of Britain's Greatest 185 00:11:32,679 --> 00:11:37,880 Speaker 1: Comedian by Andrew McConnell Stott, which was one of like 186 00:11:37,920 --> 00:11:40,080 Speaker 1: a bunch of different sources that were part of this episode. 187 00:11:40,920 --> 00:11:44,040 Speaker 1: It's got just it's much longer than this episode, obviously. 188 00:11:44,040 --> 00:11:45,480 Speaker 1: It has just a ton of detail that we did 189 00:11:45,559 --> 00:11:51,679 Speaker 1: not talk about at all, and I if I'm remembering rightly, 190 00:11:51,760 --> 00:11:55,120 Speaker 1: it starts with his effort to get to that church 191 00:11:55,200 --> 00:11:58,960 Speaker 1: service and there was a flight delay and it was like, 192 00:11:59,160 --> 00:12:03,760 Speaker 1: is it gonna happen or not? So yeah, yeah, I 193 00:12:03,840 --> 00:12:06,679 Speaker 1: recommend that book if you want tons more detail than 194 00:12:06,679 --> 00:12:19,440 Speaker 1: what we talked about. So yeah, we talked about apples 195 00:12:19,440 --> 00:12:22,880 Speaker 1: this week, Tracy. We sure did. I love apples. I 196 00:12:22,960 --> 00:12:26,920 Speaker 1: do too. I don't bake with them as often as 197 00:12:26,920 --> 00:12:29,200 Speaker 1: one might think, but I sure do you like to 198 00:12:29,200 --> 00:12:31,720 Speaker 1: eat them. I just love a little chopped apple and 199 00:12:31,920 --> 00:12:36,040 Speaker 1: just about anything. One of the things I wanted to 200 00:12:36,080 --> 00:12:39,280 Speaker 1: call out and mention we mentioned at the end of 201 00:12:39,320 --> 00:12:43,640 Speaker 1: that episode that there has been you know, at various 202 00:12:43,640 --> 00:12:47,240 Speaker 1: times there have been efforts for people to try to 203 00:12:47,280 --> 00:12:51,160 Speaker 1: get the Ontario government or even the bigger Canadian government 204 00:12:51,480 --> 00:12:57,400 Speaker 1: to do something to really recognize the Macintosh and its importance, 205 00:12:57,480 --> 00:13:00,000 Speaker 1: because you know, it obviously not only is a delicious 206 00:13:00,080 --> 00:13:02,080 Speaker 1: thing that many people like, but it has been a 207 00:13:02,080 --> 00:13:06,040 Speaker 1: big part of the economy of Ontario and and really 208 00:13:06,040 --> 00:13:08,040 Speaker 1: around the world for a lot of growers. At this point, 209 00:13:09,080 --> 00:13:13,959 Speaker 1: that hasn't happened. But Sandra Bextad, who we mentioned in 210 00:13:14,040 --> 00:13:17,400 Speaker 1: the course of the thing. She's is the woman who 211 00:13:18,240 --> 00:13:23,760 Speaker 1: owns the orchard where the last of the first generation 212 00:13:23,920 --> 00:13:29,000 Speaker 1: trees recently died. She has her own little mission where she, 213 00:13:29,280 --> 00:13:31,440 Speaker 1: you know, has they have a store at their orchard, 214 00:13:31,440 --> 00:13:34,120 Speaker 1: like many orchards do, and she includes a lot of 215 00:13:34,240 --> 00:13:37,120 Speaker 1: historical information. She invites school groups to come and she 216 00:13:37,280 --> 00:13:40,600 Speaker 1: talks about it. They talk about the Macintosh and its heritage, 217 00:13:40,600 --> 00:13:43,720 Speaker 1: but also like other apples that came from it, and 218 00:13:43,720 --> 00:13:46,360 Speaker 1: and how that all relates to local history. I just 219 00:13:46,400 --> 00:13:47,880 Speaker 1: think that's cool. I want to give her a shout 220 00:13:47,920 --> 00:13:52,880 Speaker 1: out for being like a grassroots educator. There was also 221 00:13:52,920 --> 00:13:56,640 Speaker 1: an interesting thing that came about when the sale of 222 00:13:56,679 --> 00:13:59,920 Speaker 1: the Macintosh farm issue came up recently you know, that's 223 00:14:00,000 --> 00:14:03,240 Speaker 1: only been a few years ago. It got picked up 224 00:14:03,240 --> 00:14:05,480 Speaker 1: by a lot of news outlets like the BBC and 225 00:14:05,520 --> 00:14:10,240 Speaker 1: CBC both ran multiple stories about it, but one particular 226 00:14:10,360 --> 00:14:17,200 Speaker 1: detail kept getting confused and relayed in completely opposite ways. 227 00:14:18,240 --> 00:14:22,600 Speaker 1: One was that the owner, mister Scoff, had put up 228 00:14:22,720 --> 00:14:24,880 Speaker 1: a lot of no trespassing signs because a lot of 229 00:14:24,880 --> 00:14:27,320 Speaker 1: people would kind of try to sneak onto the property 230 00:14:28,200 --> 00:14:31,120 Speaker 1: for pictures or just to see stuff or whatever, and 231 00:14:31,160 --> 00:14:35,080 Speaker 1: he was getting frustrated, understandably. But the other is that 232 00:14:36,160 --> 00:14:38,200 Speaker 1: there were some that were like, he would love to 233 00:14:38,240 --> 00:14:40,360 Speaker 1: give tours if you just asked him, and it's like, 234 00:14:41,120 --> 00:14:45,280 Speaker 1: I know, he's say one of these is potentially correct, 235 00:14:45,280 --> 00:14:47,360 Speaker 1: but both didn't really work because he seems to not 236 00:14:47,400 --> 00:14:49,720 Speaker 1: want anybody to bug him. So I don't know what 237 00:14:49,760 --> 00:14:52,760 Speaker 1: the scoop is there. If you, if you dear listeners 238 00:14:52,760 --> 00:14:54,720 Speaker 1: are looking up anything about it and you're like, wait, 239 00:14:56,160 --> 00:15:03,040 Speaker 1: we don't know either, that's very unclear. I will, once again, 240 00:15:03,080 --> 00:15:05,880 Speaker 1: as I often do in our behind the scenes, will 241 00:15:05,920 --> 00:15:10,480 Speaker 1: confess my own ignorance and a thing that I didn't 242 00:15:10,520 --> 00:15:15,480 Speaker 1: know for a really long time. Okay, that it's often 243 00:15:15,640 --> 00:15:20,360 Speaker 1: better to use, you know, apples that are not sweet 244 00:15:20,720 --> 00:15:25,640 Speaker 1: in your baking. Yeah. I was well into my adulthood 245 00:15:25,840 --> 00:15:28,080 Speaker 1: by the time I learned that, because I kept being like, 246 00:15:28,920 --> 00:15:32,440 Speaker 1: why why is this mushy? And it's because the sugars 247 00:15:32,480 --> 00:15:35,960 Speaker 1: make them break down and get mushier. It's kind of 248 00:15:35,960 --> 00:15:40,440 Speaker 1: like how we said the macintosh breaks down more quickly 249 00:15:40,720 --> 00:15:42,960 Speaker 1: so you don't have to bake it as long. Right, 250 00:15:43,080 --> 00:15:45,560 Speaker 1: But that's also why it is, or it's related to 251 00:15:45,600 --> 00:15:47,960 Speaker 1: the fact that it is sweet when you eat it 252 00:15:48,080 --> 00:15:51,720 Speaker 1: raw versus right, the bramley, which is tart and retains 253 00:15:51,720 --> 00:15:55,040 Speaker 1: its shape better. Yeah, I didn't know these things. No, 254 00:15:55,760 --> 00:16:00,320 Speaker 1: I was honestly surprised at what sounds to me like 255 00:16:00,440 --> 00:16:04,160 Speaker 1: kind of herculean efforts to keep the original brandy tree 256 00:16:04,200 --> 00:16:06,920 Speaker 1: alive in the face of it having a fungus that 257 00:16:07,000 --> 00:16:11,680 Speaker 1: can spread. And this is partly like, I have no 258 00:16:11,840 --> 00:16:17,040 Speaker 1: idea what steps they may be taking to try to 259 00:16:17,120 --> 00:16:22,920 Speaker 1: keep this fungus from spreading to other trees or plant 260 00:16:22,960 --> 00:16:27,040 Speaker 1: life nearby. And I don't think I've told this story 261 00:16:27,040 --> 00:16:29,960 Speaker 1: on the show before. When we bought the house that 262 00:16:30,000 --> 00:16:34,040 Speaker 1: we live in, there were several rose bushes planted. Oh yeah, 263 00:16:34,120 --> 00:16:38,040 Speaker 1: you had witches broom. Yeah, yeah. I went out one 264 00:16:38,080 --> 00:16:40,480 Speaker 1: day to deadhead the roses and I was like, why 265 00:16:40,520 --> 00:16:43,800 Speaker 1: this Wow, this plant looks weird, and I was like, 266 00:16:44,000 --> 00:16:47,240 Speaker 1: obviously this is disease. So I'm gonna do what I 267 00:16:47,480 --> 00:16:50,400 Speaker 1: know is like what a step to take, and like 268 00:16:50,480 --> 00:16:54,240 Speaker 1: cut away all the diseased part. And then later I 269 00:16:54,320 --> 00:16:57,960 Speaker 1: was like, I think I need to look up, Yeah, 270 00:16:58,000 --> 00:17:00,560 Speaker 1: what just happened, And what it was was this thing 271 00:17:00,600 --> 00:17:05,480 Speaker 1: called rose rosette disease, which is spread by mites. And really, 272 00:17:06,640 --> 00:17:09,840 Speaker 1: like there are people who will try to save a 273 00:17:09,920 --> 00:17:12,560 Speaker 1: rose bush that's in like really early stages of it, 274 00:17:13,840 --> 00:17:16,399 Speaker 1: but like by the time it has spread to the 275 00:17:16,520 --> 00:17:19,639 Speaker 1: root area, you can't. It's not something you can really treat, 276 00:17:19,680 --> 00:17:21,840 Speaker 1: and you really need to like dig up the whole 277 00:17:21,840 --> 00:17:25,880 Speaker 1: plant down to the root and destroy it to keep 278 00:17:25,920 --> 00:17:29,520 Speaker 1: it from And it was a huge bummer. Like the 279 00:17:30,600 --> 00:17:32,520 Speaker 1: rose bushes were there when we bought the house. It 280 00:17:32,560 --> 00:17:34,399 Speaker 1: wasn't like I planted them, but one of them was 281 00:17:34,400 --> 00:17:36,879 Speaker 1: this little rose bush that really reminded me of one 282 00:17:37,200 --> 00:17:39,359 Speaker 1: at my parents house that my mom had planted. So 283 00:17:39,400 --> 00:17:41,240 Speaker 1: every time I saw this rose bush blooming, it like 284 00:17:41,280 --> 00:17:43,800 Speaker 1: reminded me of my mom. And I had to dig 285 00:17:43,840 --> 00:17:46,560 Speaker 1: the whole thing up down to the roots. And then 286 00:17:46,600 --> 00:17:49,440 Speaker 1: I realized that it had also infected the one next 287 00:17:49,480 --> 00:17:51,800 Speaker 1: to it, and I went ahead and dug that one 288 00:17:51,920 --> 00:17:56,600 Speaker 1: up also. And so having had that whole experience the 289 00:17:56,760 --> 00:18:02,560 Speaker 1: idea of like keeping a tree with what sounds like 290 00:18:02,680 --> 00:18:05,199 Speaker 1: a fungus that can spread and harm other trees, I 291 00:18:05,240 --> 00:18:09,520 Speaker 1: was like, really, okay, I'm I mean, I don't know 292 00:18:09,560 --> 00:18:11,840 Speaker 1: what what stuff they have in place. I do know 293 00:18:11,960 --> 00:18:14,080 Speaker 1: I'm pretty sure they have like a ground barrier so 294 00:18:14,160 --> 00:18:16,840 Speaker 1: the roots can't infect other things. I will say I 295 00:18:16,880 --> 00:18:19,200 Speaker 1: also have had witch. I call it Witch's Broom because 296 00:18:19,200 --> 00:18:23,399 Speaker 1: that's the that's one of the yeah I have had it. 297 00:18:23,440 --> 00:18:27,240 Speaker 1: And I had a very different reaction to you, which is, oh, 298 00:18:27,320 --> 00:18:30,280 Speaker 1: that looks amazing. It looks like a demon. It looks 299 00:18:30,359 --> 00:18:33,880 Speaker 1: really cool. It makes your rose bush look very halloweeny. 300 00:18:34,600 --> 00:18:38,600 Speaker 1: It does. And I my reaction was, could I just 301 00:18:38,680 --> 00:18:42,919 Speaker 1: let it happen? Oh? Yeah? But I also had to 302 00:18:42,960 --> 00:18:46,320 Speaker 1: dig up an old and very established rose bush in 303 00:18:46,359 --> 00:18:49,840 Speaker 1: my yard, which is just a pain in the toukist mane. 304 00:18:49,840 --> 00:18:52,840 Speaker 1: It is a big pain. I was more concerned about 305 00:18:52,880 --> 00:18:56,159 Speaker 1: like the neighbor's plants than my own plants, Like I 306 00:18:56,280 --> 00:18:58,119 Speaker 1: was just like I don't want to keep a plant 307 00:18:58,160 --> 00:19:01,920 Speaker 1: in my yard that could hurt my neighbors plants. Yeah, 308 00:19:02,080 --> 00:19:04,919 Speaker 1: ours were. I mean, I have roses and I love them. 309 00:19:04,920 --> 00:19:07,320 Speaker 1: We've talked about them on the show before. So I 310 00:19:07,359 --> 00:19:09,960 Speaker 1: also was like, oh, I just planted a really nice 311 00:19:10,040 --> 00:19:12,160 Speaker 1: rose bush. I really don't want that to get this 312 00:19:12,280 --> 00:19:14,960 Speaker 1: because even though it looks cool, I don't want it 313 00:19:15,040 --> 00:19:19,639 Speaker 1: to die, you know, I want my Twilight Zone roses 314 00:19:19,680 --> 00:19:24,720 Speaker 1: to live and flourish forever. The other super annoying thing 315 00:19:24,720 --> 00:19:27,600 Speaker 1: about my whole experience is that whoever had planted these 316 00:19:27,640 --> 00:19:30,160 Speaker 1: two rose bushes in our front yard had planted them 317 00:19:30,240 --> 00:19:34,399 Speaker 1: what is, in my opinion, perilously close to the gas line. 318 00:19:35,800 --> 00:19:38,840 Speaker 1: Oh yeah, we called the dial before you dig number 319 00:19:39,040 --> 00:19:41,080 Speaker 1: to have the gas line marked before I got the 320 00:19:41,080 --> 00:19:43,359 Speaker 1: shovel out to like dig up these rose bushes, and 321 00:19:43,400 --> 00:19:47,800 Speaker 1: I was like, it's literally right there. Yeah. Yeah. We 322 00:19:48,240 --> 00:19:51,080 Speaker 1: inherited a lot of rose bushes with our house and 323 00:19:51,119 --> 00:19:54,879 Speaker 1: I love them. But like, there have been some errors 324 00:19:54,880 --> 00:19:57,000 Speaker 1: in judgment along the way, and I don't know if 325 00:19:57,000 --> 00:20:00,119 Speaker 1: it's just like an inexperienced gardener, I can't say I 326 00:20:00,119 --> 00:20:02,359 Speaker 1: would have done any better. At various points in time. 327 00:20:03,000 --> 00:20:09,240 Speaker 1: But whoever owned our house before us planted these beautiful, 328 00:20:09,720 --> 00:20:14,480 Speaker 1: very prolifically blooming red rose bushes, which I love. But 329 00:20:14,560 --> 00:20:17,760 Speaker 1: they are right in front of the house, on either 330 00:20:17,840 --> 00:20:24,399 Speaker 1: side of the stairs, and they're climbers, so literally in 331 00:20:24,480 --> 00:20:27,240 Speaker 1: the summer. There have been times where they've had a 332 00:20:27,320 --> 00:20:29,480 Speaker 1: very healthy year and I have to clip them every 333 00:20:29,520 --> 00:20:32,639 Speaker 1: single day because they are coming for you, like you 334 00:20:32,720 --> 00:20:35,320 Speaker 1: can't get up and down the stairs without them snagging 335 00:20:35,359 --> 00:20:42,160 Speaker 1: your clothes, right, I love them, Yeah, I do want 336 00:20:42,200 --> 00:20:44,639 Speaker 1: to get rid of I call it a filthy name 337 00:20:44,680 --> 00:20:46,640 Speaker 1: we couldn't say on the show because I don't like it. 338 00:20:46,840 --> 00:20:49,280 Speaker 1: We have a wax leaf privet also that's right by 339 00:20:49,280 --> 00:20:52,080 Speaker 1: the house that I don't like, and I keep saying 340 00:20:52,080 --> 00:20:53,760 Speaker 1: I want to hire a grown up to come and 341 00:20:53,800 --> 00:20:58,040 Speaker 1: take it out and put in rose bushes that are 342 00:20:58,080 --> 00:21:03,000 Speaker 1: meant to be full like privet style bushes. Sure, I 343 00:21:03,080 --> 00:21:04,640 Speaker 1: don't know if we'll get to that at any point 344 00:21:04,640 --> 00:21:08,320 Speaker 1: in the near future. Not. I don't like that privet 345 00:21:08,359 --> 00:21:13,240 Speaker 1: though at all. And also we have my least favorite 346 00:21:13,320 --> 00:21:17,240 Speaker 1: plant on the planet, Virginia creeper. Oh, you're right, because 347 00:21:17,240 --> 00:21:20,040 Speaker 1: you're allergic to it. So I'm one of those random 348 00:21:20,080 --> 00:21:21,600 Speaker 1: people who got the luck of the draw to be 349 00:21:21,680 --> 00:21:24,399 Speaker 1: very allergic to it, and I have had to go 350 00:21:24,440 --> 00:21:28,000 Speaker 1: to the emergency room because of reactions to it. It's 351 00:21:28,119 --> 00:21:32,680 Speaker 1: not cool anyway, plants, Yeah, I am. I will say 352 00:21:32,680 --> 00:21:37,160 Speaker 1: this too. In pictures of the Bramley Tree. You would 353 00:21:37,160 --> 00:21:40,280 Speaker 1: ask during the show, if the clone that they put 354 00:21:40,480 --> 00:21:42,159 Speaker 1: next to it, and I'm air quoting next to it, 355 00:21:42,240 --> 00:21:44,280 Speaker 1: how close it is? It's not because if you see 356 00:21:44,320 --> 00:21:46,159 Speaker 1: pictures of the tree, it's not. You don't see the 357 00:21:46,200 --> 00:21:48,919 Speaker 1: other tree. And I will say, I don't see a 358 00:21:48,920 --> 00:21:52,240 Speaker 1: lot of other plant life around it, Like there's like 359 00:21:52,320 --> 00:21:55,840 Speaker 1: some grassy groundcover, I think, but it's not like there 360 00:21:55,880 --> 00:21:58,680 Speaker 1: aren't any super close by things. And I think they 361 00:21:58,680 --> 00:22:02,680 Speaker 1: are monitoring it so closely that it has kept most 362 00:22:02,720 --> 00:22:07,760 Speaker 1: of the above ground fungus managed in at bay. Like 363 00:22:07,800 --> 00:22:09,920 Speaker 1: when you look at pictures, you can see some of 364 00:22:09,960 --> 00:22:11,719 Speaker 1: the tree is dead, but like you don't see the 365 00:22:11,760 --> 00:22:16,000 Speaker 1: white that white sticky film that I associate with something 366 00:22:16,040 --> 00:22:19,400 Speaker 1: like that. So I think they're probably being pretty arduous 367 00:22:19,440 --> 00:22:24,040 Speaker 1: about keeping it as controlled as possible. And we'll see 368 00:22:24,040 --> 00:22:26,400 Speaker 1: how long the Bramley Tree lasts, But as of right now, 369 00:22:26,520 --> 00:22:29,600 Speaker 1: you could go visit it. They let people visit nice 370 00:22:29,760 --> 00:22:31,600 Speaker 1: that might go on my bucket list for my next 371 00:22:31,640 --> 00:22:39,679 Speaker 1: trip to England. I know that this weekend, for what 372 00:22:39,760 --> 00:22:42,040 Speaker 1: I have of it, which is not much because I'm 373 00:22:42,080 --> 00:22:45,200 Speaker 1: doing some traveling and prep, I need to take care 374 00:22:45,240 --> 00:22:47,560 Speaker 1: of my yard and do some mowing. So this is 375 00:22:47,600 --> 00:22:51,119 Speaker 1: all a very timely discussion. If you have a weekend 376 00:22:51,160 --> 00:22:54,159 Speaker 1: ahead of you, I hope whatever you do it's delightful. 377 00:22:54,320 --> 00:22:56,840 Speaker 1: I personally like mowing, so that doesn't sound bad to 378 00:22:56,840 --> 00:23:00,560 Speaker 1: me at all. Whatever you have, whether you have time 379 00:23:00,600 --> 00:23:02,719 Speaker 1: off or not, I hope that you are able to 380 00:23:02,960 --> 00:23:05,600 Speaker 1: take some time to take care of yourself, not only 381 00:23:05,640 --> 00:23:07,600 Speaker 1: take care of other people, although that is also a 382 00:23:07,640 --> 00:23:09,680 Speaker 1: good and noble thing to do, but you also need 383 00:23:09,720 --> 00:23:12,200 Speaker 1: to be recharged. And we will be right back here 384 00:23:12,240 --> 00:23:14,439 Speaker 1: tomorrow with a classic and then on Monday with a 385 00:23:14,440 --> 00:23:21,879 Speaker 1: brand new episode. Stuff you Missed in History Class is 386 00:23:21,880 --> 00:23:26,240 Speaker 1: a production of iHeartRadio. For more podcasts from iHeartRadio, visit 387 00:23:26,280 --> 00:23:29,720 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 388 00:23:29,760 --> 00:23:32,040 Speaker 1: your favorite shows.