WEBVTT - Fake It and You'll Make It: Elmyr de Hory

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<v Speaker 1>Ridiculous Crime is a production of I Heart Radio. Hiz

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<v Speaker 1>what up, Elizabeth? Nothing? Um, I wanted to tell you something,

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<v Speaker 1>but oh my god, thank you. So I'm so glad

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<v Speaker 1>you noticed. Yeah. I made it myself. I plucked them myself.

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<v Speaker 1>It's really I can tell the bloodstains. Yeah, you go

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<v Speaker 1>do something first time. You can't always winning. Uh, do

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<v Speaker 1>you want to know what's ridiculous? Oh? Yeah, girl, I've

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<v Speaker 1>been waiting to tell you this. George Washington's death. That's no. No,

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<v Speaker 1>I know that sounds disrespectful for the nation's first president.

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<v Speaker 1>I'm not saying that. I'm not making fun of his death,

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<v Speaker 1>but rather, I'm kind of making fun of the state

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<v Speaker 1>of medicine at the time, because George Washington went out

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<v Speaker 1>and did this thing that like my mother and millions

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<v Speaker 1>of other mothers have told you, which is, don't wear

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<v Speaker 1>wet clothes or you'll catch your death. We wet clothes. Well,

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<v Speaker 1>that's essentially what happened to Washington. The story goes, he's out,

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<v Speaker 1>he's like riding around on horseback and Mount Vernon. It's raining, cats, dogs,

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<v Speaker 1>and everything else. He rides back to his house for dinner,

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<v Speaker 1>but he's a hard head like me. He refuses to

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<v Speaker 1>change out of his wet clothes, like I want to

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<v Speaker 1>eat my steak wet, right, So he's sitting there, he's

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<v Speaker 1>doing it. He gets sick, he gets a sore throat.

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<v Speaker 1>His doctors like, well, clearly we need to drain him

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<v Speaker 1>of nearly half of his blood, and so they do.

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<v Speaker 1>They drain him of forty percent of dudes blood. Now

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<v Speaker 1>drained out, zombie Washington starts circling the drain. Right, he's

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<v Speaker 1>about to die. Physicians aren't done. They're like, oh, though,

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<v Speaker 1>this is we need him to gargles butter, molasses and

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<v Speaker 1>uh looking around, vinegar butter. He's garland, butter, vinegar and molasses.

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<v Speaker 1>And when that doesn't work, surprise, surprise, doctors are like,

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<v Speaker 1>you know what it is. We need to feed him beetles.

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<v Speaker 1>So they feed him beetles, and then, surprisingly, eating beetles

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<v Speaker 1>does not save the nations for his president. Three days

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<v Speaker 1>after he gets sick, George Washington up and dies. So

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<v Speaker 1>my point is, listen to your mother, don't sit around

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<v Speaker 1>and wet clothes. It's a good, okay, ridiculous, And don't

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<v Speaker 1>eat beetles. That is ridiculous. Do you want to know

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<v Speaker 1>what else is ridiculous. I'm here for dedicating your incredible

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<v Speaker 1>talent to forging, only to be forged. Yes, this is

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<v Speaker 1>a ridiculous crime. A podcast about absurd and outrageous capers, heists,

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<v Speaker 1>cons it's always murder free and ridiculous that you know.

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<v Speaker 1>I love a good art crime because for the most part,

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<v Speaker 1>they're not violent or destructive. And since I'm convinced that

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<v Speaker 1>much of the art world is a cover for money laundering,

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<v Speaker 1>I usually don't feel so bad. I do feel bad.

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<v Speaker 1>It's like a beloved or famous piece of art that

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<v Speaker 1>normally lives in a publicly available space is stolen or away. Yeah,

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<v Speaker 1>but if it's like taken away to a Russian oligarchs mansion, yeah,

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<v Speaker 1>that's terrible. Yeah. I don't like for the public to

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<v Speaker 1>be robb to access to beautiful, important or historical items.

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<v Speaker 1>We've talked about. Yes, let us keep our cara. But

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<v Speaker 1>a private collector getting scammed count me in. Yeah. U.

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<v Speaker 1>One of the great types of art crimes is forgeries. Yeah.

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<v Speaker 1>And did you know that it's estimated that between and

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<v Speaker 1>of paintings in museums around the world are fakes. Yeah?

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<v Speaker 1>I actually did that interview the FBI art guy. That's right,

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<v Speaker 1>you saying that, and that blew my mind when I

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<v Speaker 1>so pretend I just heard that. Holy wow. So what

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<v Speaker 1>fascinates me about forgeries is that the perpetrators, they have

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<v Speaker 1>artistic talent completely, you know, but the artist in their

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<v Speaker 1>own rights, sometimes their own work just doesn't resonate with

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<v Speaker 1>the world, or maybe they don't have the right contacts

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<v Speaker 1>to get recognition sure, or they're still alive. Other times

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<v Speaker 1>they can basically only work from assignment, you know what

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<v Speaker 1>I mean, Like, so they can only copy the art. Yeah,

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<v Speaker 1>so they're not true artists. Um, they take direction. Let

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<v Speaker 1>me tell you about a true artist. He had incredible

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<v Speaker 1>talent on his own, but he was also an incredible mimic.

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<v Speaker 1>And after World War Two, this artist went to Paris.

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<v Speaker 1>One day in Lady Malcolm Campbell was visiting his house

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<v Speaker 1>and saw an ink drawing on the wall. She said

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<v Speaker 1>she was certain it was a Picasso and she wanted

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<v Speaker 1>to buy it, and he didn't tell her that it

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<v Speaker 1>was his own work. He charged her less than the

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<v Speaker 1>equivalent of like a hundred bucks for it. Not a

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<v Speaker 1>bad payday on a drawing for an unknown artist. It

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<v Speaker 1>pays to have rich friends. Is basically that he pretending

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<v Speaker 1>like he also didn't know if it was a Picasso.

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<v Speaker 1>Do we know that he He doesn't say one way,

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<v Speaker 1>Oh yes, you know, just like like kind of he

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<v Speaker 1>passes it off as the real thing. But then he

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<v Speaker 1>realizes that his copycat skills are his real talent. So

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<v Speaker 1>he's broke, he's struggling, and he's able to make some

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<v Speaker 1>cash and make someone happy. So it's a win win. Here,

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<v Speaker 1>she thinks, like I scored, I had this beautiful Picasso drawing.

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<v Speaker 1>Who was this man, sarin Um. This man was Wilfred Brimley. Yes,

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<v Speaker 1>his name was Elmir do Hori. I referred to him

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<v Speaker 1>as I referred to him as elmerd Hori before when

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<v Speaker 1>I told you about Clifford. But I realized that that's

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<v Speaker 1>not how you say his name. Um. So he was

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<v Speaker 1>the artist that Clifford Irving wrote the book about. He

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<v Speaker 1>wrote a book called Fake exclamation Point, The Story of

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<v Speaker 1>Elmir de Hori, the Greatest art forger of our Time. Um,

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<v Speaker 1>I told you oas hoax fake. I told you that

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<v Speaker 1>Tori was a piece of work and deserved his own episodes.

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<v Speaker 1>Here it is so I should add that the best

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<v Speaker 1>information on. This guy comes from Clifford Irving's book. Is

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<v Speaker 1>it reliable though well to con man making two conman

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<v Speaker 1>making one great story. It calls into questions the materials

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<v Speaker 1>presented as fact, but let's just say it is and

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<v Speaker 1>enjoy the ride. So elm Arta Hori was actually born

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<v Speaker 1>Elmer Albert Hoffman in Budapest, Hungary, in n six So

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<v Speaker 1>he liked to tell people that he was from this

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<v Speaker 1>family of aristocrats like bankers, financiers, top government officials, my mother,

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<v Speaker 1>the countess. He was actually from a very lovely, very

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<v Speaker 1>middle class Jewish family, and um, they believed in his talent,

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<v Speaker 1>so they sent him off for formal training at the

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<v Speaker 1>nagy Banya Artist Colony. I'm probably not saying that right

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<v Speaker 1>in Romania when he was only sixteen years old. Ye,

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<v Speaker 1>based on how you said, I thought it was in Japan,

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<v Speaker 1>so probably not. I'm totally saying it wrong. I'm sure

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<v Speaker 1>of it that that's my hidden talent. Um. So then

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<v Speaker 1>he goes on to study at the Academy Hineman in

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<v Speaker 1>Munich and then at Academy Lean in Paris, so he

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<v Speaker 1>gets trained as a classical painter. In these places. There's

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<v Speaker 1>a problem with that though no one's paying for class card. No,

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<v Speaker 1>all these new experimental avant garde movements Cubism, Expressionism are

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<v Speaker 1>all the rage in this kicking it. At that point,

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<v Speaker 1>most of what he learned is outdated, it's useless, and

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<v Speaker 1>the art community is just like, why, we don't even

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<v Speaker 1>care about the focus anymore. So the economy is also

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<v Speaker 1>taking of time um, and it's starting to look like

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<v Speaker 1>being an artist just isn't a way for him to

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<v Speaker 1>make a living. But he's dedicated most of his life

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<v Speaker 1>to it so far. Enter crime, always Door. Committed a

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<v Speaker 1>bunch of minor crimes in Geneva in the late twenties

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<v Speaker 1>and then into the nineteen thirties, just a little petty

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<v Speaker 1>stuff here and there. And then at the beginning of

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<v Speaker 1>World War Two he went back to Hungary. Dicey, right,

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<v Speaker 1>so he picked the other side. Well, he had a

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<v Speaker 1>friendship there with this British journalist that was believed to

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<v Speaker 1>be a spy, and so that raised red flags and

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<v Speaker 1>he gets sent to a prison for political dissidents in Transylvania,

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<v Speaker 1>and I have my suspicions about why they really sent

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<v Speaker 1>him there, but more on that later. So while he's there,

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<v Speaker 1>he paints a portrait of the prison camp officer, and

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<v Speaker 1>they sparked this friend ship. He's just blown away by

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<v Speaker 1>his talent. So they eventually released a Hory. But then

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<v Speaker 1>he gets him prisoned in a concentration camp for being

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<v Speaker 1>gay and Jewish. And I think that's how he wound

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<v Speaker 1>up in the Transylvanian prison in the first place. This

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<v Speaker 1>World War one. He's at the during World War two. Okay, okay,

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<v Speaker 1>So he gets sent to a concentration camp. He's tortured.

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<v Speaker 1>They break his leg and then they transfer him because

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<v Speaker 1>of this like terribly broken leg, they transfer him to

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<v Speaker 1>a Berlin prison hospital. He escaped because he noticed that

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<v Speaker 1>the gate entrance to the hospital was open, so he

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<v Speaker 1>like he's in pain, he grabs some crutches and just

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<v Speaker 1>makes a break for it. Right, He goes out and

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<v Speaker 1>he goes to the homeless some of his friends. They

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<v Speaker 1>take him in and then he makes his way back

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<v Speaker 1>to Hungary and he learns that his family home has

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<v Speaker 1>gone and his parents have been killed. It's horrible. So

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<v Speaker 1>at the end of the of World War two, there's

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<v Speaker 1>Dory selling fake Picasso sketches because who cares, That's what

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<v Speaker 1>I say. But when you survive what hes vibe, I say,

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<v Speaker 1>do whatever you want. He goes to Paris and then

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<v Speaker 1>he's selling like these fakes. Good. Great, you get to

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<v Speaker 1>do whatever you want. If you can count some rich

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<v Speaker 1>person out of a few francs, more power to I

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<v Speaker 1>don't care. So the thing about Doris fake artwork, though,

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<v Speaker 1>is that um he didn't try to reproduce existing works.

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<v Speaker 1>He created new pieces in the style of famous artists.

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<v Speaker 1>So he created works that did not exist but look

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<v Speaker 1>like like they exactly. So he knew he was a

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<v Speaker 1>great mimic. He started selling what he were calling Picasso

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<v Speaker 1>pieces to art galleries all over Paris. He said that

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<v Speaker 1>he was a displaced Hungarian aristocrat and he's just trying

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<v Speaker 1>to survive by selling what was left of his family's estates.

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<v Speaker 1>This is what my family has left. Or he'd say

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<v Speaker 1>that he got the Picasso, gave them to me. He

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<v Speaker 1>was my friend before the war. I just want to

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<v Speaker 1>I want to sell them. We all hung out. He

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<v Speaker 1>sold a bunch of them of fakes in Sweden and

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<v Speaker 1>that gave him enough cash to get a one way

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<v Speaker 1>ticket to Rio de jannarro In. Say yes, cash out,

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<v Speaker 1>my brother, he will survive and I love him for that,

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<v Speaker 1>like he's just he's he cannot hold him down. So

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<v Speaker 1>he still tried to make it as an artist with

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<v Speaker 1>his own work. But in the meantime the fakes were

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<v Speaker 1>like paying the bill for him. So he visits the

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<v Speaker 1>US on a three month visa. He's able to get

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<v Speaker 1>a show there at the Lillanfeld Galleries in New York

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<v Speaker 1>in and that was all his own work. Per Art News,

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<v Speaker 1>this is what they said, Doris pieces struck quote the

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<v Speaker 1>well known chord of the School of Paris, which is

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<v Speaker 1>a way of saying yawn, not into it. He only

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<v Speaker 1>he sold one piece at the show. Um, like these

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<v Speaker 1>would be good in a motel, right, So, despite how

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<v Speaker 1>cruel the New York art world had been to him,

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<v Speaker 1>he decides to make a go of it there. Um.

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<v Speaker 1>He overstayed his visa and he lived in the US

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<v Speaker 1>for the next twelve years, just by a smith. Um.

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<v Speaker 1>He moved from New York to l A to Chicago

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<v Speaker 1>to Miami, selling all his forgeries all good art markets

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<v Speaker 1>and in America, right, he sells to galleries, museums, even

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<v Speaker 1>major A list celebrities. And by that I mean Ja

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<v Speaker 1>jacobor yeah girl, He's moved beyond just Picasso sketches into

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<v Speaker 1>serious works. He created fake originals from Madigliani, Matisse, and Renoir.

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<v Speaker 1>The Madigliani's are fantastic, by the way, Yeah, they're incredible,

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<v Speaker 1>They're beautiful. He created so many Madigliani pieces that Kenneth Wayne,

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<v Speaker 1>the director of the Madigliani Project, had trouble compiling a

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<v Speaker 1>comprehensive catalog of the artist's work. He's just doing there

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<v Speaker 1>are too many fakes distort through. So in seven uh

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<v Speaker 1>Dori he goes to the Pearls Gallery in New York

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<v Speaker 1>and it's open. It was opened by these brothers, Klaus

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<v Speaker 1>and Frank. Pearls were these really well known European art dealers.

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<v Speaker 1>They opened it in nineteen thirty seven and they displayed

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<v Speaker 1>significantly P. E. R. L S. So they had all

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<v Speaker 1>these really significant works of contemporary art they really brought out.

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<v Speaker 1>They kind of helped foster Alexander Calder's work, George brock Brock,

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<v Speaker 1>and they had all of this. So Dori sold to

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<v Speaker 1>quote unquote Picassos to Klaus Pearls, and later on in

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<v Speaker 1>ninety two, he's in l A. Dori is selling his

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<v Speaker 1>forgeries to galleries. There he ends up walking into the

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<v Speaker 1>Frank Pearls gallery. So one of the brothers has a

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<v Speaker 1>gallery in Beverly Hills, and one of the brothers meaning

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<v Speaker 1>they're related, So Frank, so Frank Pearls. He's really interested

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<v Speaker 1>in the pieces that Dori has, but he starts noticing

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<v Speaker 1>that there are similarities between the pieces that it were

0:12:48.679 --> 0:12:51.400
<v Speaker 1>supposed to be created by different artists. Like he's just

0:12:51.440 --> 0:12:54.960
<v Speaker 1>seeing these little threads. This is what Clifford Irving said

0:12:55.000 --> 0:12:58.280
<v Speaker 1>in his book Fake Quote. The longer Pearls looked at

0:12:58.280 --> 0:13:01.520
<v Speaker 1>the pictures, the more concerned he became. It was clear

0:13:01.559 --> 0:13:06.000
<v Speaker 1>that something was wrong, and Pearls, worrisome of expression, discomforted Elmir.

0:13:06.559 --> 0:13:10.840
<v Speaker 1>Pearls questioned Elmir about his address and other detailed personal information,

0:13:10.960 --> 0:13:14.880
<v Speaker 1>causing Elmir's nervousness to grow. Pearls then calmly placed the

0:13:14.880 --> 0:13:17.960
<v Speaker 1>pictures back into the portfolio, tied the strings, and then

0:13:17.960 --> 0:13:20.960
<v Speaker 1>suddenly through the mat at Elmir. Elmir was shocked by

0:13:20.960 --> 0:13:23.680
<v Speaker 1>the unexpected action and was uncertain what to do next,

0:13:23.760 --> 0:13:27.000
<v Speaker 1>until Pearls ordered him to get out. To Pearl's surprise,

0:13:27.280 --> 0:13:30.080
<v Speaker 1>Elmir asked, after being thrown out of the gallery, whether

0:13:30.120 --> 0:13:33.160
<v Speaker 1>he thought the drawings were well done, Pearls replied, they

0:13:33.240 --> 0:13:36.160
<v Speaker 1>certainly fooled me for a few minutes before ordering the

0:13:36.240 --> 0:13:40.719
<v Speaker 1>counterfeiter away again at somehow weirdly heartbreaking that He's like,

0:13:40.760 --> 0:13:43.000
<v Speaker 1>were they at least good? When he gets tossed out

0:13:43.040 --> 0:13:44.440
<v Speaker 1>of the gallery, you have more heart than I do

0:13:44.480 --> 0:13:47.880
<v Speaker 1>in that. To me, that just sounds like, come on, now,

0:13:48.080 --> 0:13:51.560
<v Speaker 1>what are we doing here? More and more galleries are

0:13:51.559 --> 0:13:54.560
<v Speaker 1>becoming suspicious because it's like there's little whispers right. So

0:13:54.600 --> 0:13:56.480
<v Speaker 1>in order to get around this, he comes up with

0:13:56.520 --> 0:13:58.720
<v Speaker 1>a bunch of aliases and starts doing all of his

0:13:58.800 --> 0:14:03.920
<v Speaker 1>deals through the mail bad So what are some of

0:14:03.960 --> 0:14:08.880
<v Speaker 1>his alias's Elmer Hoffman, Lament her Hoffman, Baron de Hory,

0:14:08.880 --> 0:14:13.800
<v Speaker 1>Hory Cury, Harry Hory, Baron rain All Rain or Rain

0:14:13.880 --> 0:14:22.240
<v Speaker 1>all Compe, They herd Sog, Baron de Bougaday, Baron von Bay, Elmer, Laslow, Dorey,

0:14:22.600 --> 0:14:27.560
<v Speaker 1>Dory Bouten, Dory Bouten, Cassue Robert or Cassue, Charles, Louis

0:14:27.640 --> 0:14:35.680
<v Speaker 1>Curiel or Curiel Charles. He's he's just rolling the dice

0:14:35.800 --> 0:14:38.520
<v Speaker 1>on these randoms. The awesome. In the mid fifties, he

0:14:38.600 --> 0:14:41.520
<v Speaker 1>gets busted for the first time, not criminally, but in

0:14:41.880 --> 0:14:46.800
<v Speaker 1>his world. Um, so he doesn't get tossed out of

0:14:46.840 --> 0:14:48.840
<v Speaker 1>a gallery, but he gets marked as a con man

0:14:49.480 --> 0:14:51.800
<v Speaker 1>in the art world. I thought, busted up. No, well,

0:14:52.600 --> 0:14:55.840
<v Speaker 1>he sold a Matisse supposed Matisse drawing to the fog

0:14:56.040 --> 0:15:00.440
<v Speaker 1>Museum at Harvard, and when the sale was finalized, he said, oh,

0:15:00.520 --> 0:15:02.440
<v Speaker 1>you know what, I also if you like those, I've

0:15:02.440 --> 0:15:04.760
<v Speaker 1>got a Madigliani and a Renoir if you're interested in

0:15:05.400 --> 0:15:07.560
<v Speaker 1>And they're like, so the curator is like, all right,

0:15:07.640 --> 0:15:09.640
<v Speaker 1>let me lays him out. He takes She takes a

0:15:09.680 --> 0:15:13.240
<v Speaker 1>closer look, and then just like Frank, pearls too much

0:15:13.280 --> 0:15:16.040
<v Speaker 1>of a stylistic similarity between the Batists that should they

0:15:16.120 --> 0:15:19.120
<v Speaker 1>just purchased and the Madigliani and the ren Walk. So

0:15:19.560 --> 0:15:22.600
<v Speaker 1>she refuses his offer, and not just that. Then she

0:15:22.720 --> 0:15:25.600
<v Speaker 1>gets on the phone. She's starts reaching out to all

0:15:25.640 --> 0:15:28.280
<v Speaker 1>the other museums. Hey, did you recently buy any art

0:15:28.320 --> 0:15:31.120
<v Speaker 1>from like a smooth talk in European fella going by

0:15:31.120 --> 0:15:34.440
<v Speaker 1>the name of e Renal. And then with those calls,

0:15:34.520 --> 0:15:37.240
<v Speaker 1>the word gets out when we come back, I'll tell

0:15:37.280 --> 0:16:01.240
<v Speaker 1>you how Elmire dealt with this development, Zaren We're back. Hey,

0:16:01.320 --> 0:16:05.200
<v Speaker 1>you look at us, good ads right by the way,

0:16:05.200 --> 0:16:07.120
<v Speaker 1>I spent some of your money on this. Yeah, I'm

0:16:07.120 --> 0:16:10.040
<v Speaker 1>gonna put your purse back in cand in my pocketbook.

0:16:11.160 --> 0:16:14.160
<v Speaker 1>All right, well we'll see. Uh where where where was

0:16:14.240 --> 0:16:18.400
<v Speaker 1>I before? We were so rudely interrupted by those phenomenal lots?

0:16:19.720 --> 0:16:22.680
<v Speaker 1>Had just gotten busted down by those right. So he's

0:16:22.720 --> 0:16:26.840
<v Speaker 1>selling Elmir do Hori, selling paintings inspired by famous artists,

0:16:27.320 --> 0:16:30.640
<v Speaker 1>passing them off as designer originals, not designer and fosters.

0:16:32.360 --> 0:16:34.840
<v Speaker 1>So he gets called out by a curator at Harvard,

0:16:35.000 --> 0:16:39.000
<v Speaker 1>and now everyone's wise to him. So a Chicago art

0:16:39.040 --> 0:16:42.160
<v Speaker 1>dealer named James Faulkner, he bought some paintings from door

0:16:42.280 --> 0:16:45.000
<v Speaker 1>in and then he found out they were fake. So

0:16:45.160 --> 0:16:48.280
<v Speaker 1>he pressed charges for mail and telephone fraud because remember

0:16:48.600 --> 0:16:52.960
<v Speaker 1>you said federal lawsuit, right, Um, don't do crime in

0:16:53.000 --> 0:16:57.800
<v Speaker 1>the U S. Mail, Never stop your CMO. I'm not

0:16:57.880 --> 0:17:00.680
<v Speaker 1>sure what became of that lawsuit, but he decided to

0:17:00.720 --> 0:17:03.440
<v Speaker 1>head down Mexico way out of here. He goes to

0:17:03.520 --> 0:17:05.760
<v Speaker 1>Mexico City. He moves there, but he gets caught up

0:17:05.760 --> 0:17:08.520
<v Speaker 1>with the cops there too, only this time it was

0:17:08.600 --> 0:17:11.840
<v Speaker 1>Elmir getting conned because the Mexican police said that they

0:17:11.920 --> 0:17:14.600
<v Speaker 1>thought he was involved in a man's murder, and he's like,

0:17:14.920 --> 0:17:17.160
<v Speaker 1>I have I've never met the guy you're talking about.

0:17:17.160 --> 0:17:19.960
<v Speaker 1>I have no idea that, right, I'm a different kind

0:17:19.960 --> 0:17:22.440
<v Speaker 1>of crimer. So then the police try and extort him

0:17:23.680 --> 0:17:26.760
<v Speaker 1>and his lawyer. Door pays his lawyer with one of

0:17:26.840 --> 0:17:31.040
<v Speaker 1>his paintings, and the Federal him so he's like whatever,

0:17:31.080 --> 0:17:33.480
<v Speaker 1>I'm out of here. He leaves Mexico City comes back

0:17:33.520 --> 0:17:36.080
<v Speaker 1>to the United States. When he gets back, he sees

0:17:36.200 --> 0:17:39.239
<v Speaker 1>that the galleries were selling his forgeries for way more

0:17:39.320 --> 0:17:42.280
<v Speaker 1>than he sold them for. Now. It just goes to

0:17:42.359 --> 0:17:44.040
<v Speaker 1>show that the art dealers are willing to look the

0:17:44.119 --> 0:17:45.840
<v Speaker 1>other way if they can make some money. If everyone

0:17:45.960 --> 0:17:48.440
<v Speaker 1>kind of there's like the open secret of these aren't real. Yeah,

0:17:48.440 --> 0:17:54.080
<v Speaker 1>they don't want other people to know that. But he's

0:17:54.080 --> 0:17:56.480
<v Speaker 1>also so Dori seeing this. But he's also a person

0:17:56.560 --> 0:17:59.480
<v Speaker 1>of interest with the FBI, right, so he tries to

0:17:59.600 --> 0:18:01.879
<v Speaker 1>lay low. He gets this like really meager apartment in

0:18:02.040 --> 0:18:04.080
<v Speaker 1>l A. Tries to make a go of it as

0:18:04.119 --> 0:18:06.960
<v Speaker 1>a legit artist and in order to sell paintings like

0:18:07.160 --> 0:18:09.359
<v Speaker 1>we had to paint what the people wanted. Um and

0:18:09.480 --> 0:18:12.359
<v Speaker 1>that meant, according to Clifford Irving's book, mostly paintings of

0:18:12.440 --> 0:18:15.639
<v Speaker 1>pink poodles for interior decorators. Not what I thought you

0:18:15.680 --> 0:18:17.600
<v Speaker 1>were going to say, Well, like, what a wild time

0:18:17.720 --> 0:18:21.760
<v Speaker 1>for interior decord totals? Was the pink poodle the live

0:18:21.920 --> 0:18:26.040
<v Speaker 1>Laugh love Decalivin's day? Yes, I think so. Yeah. So

0:18:26.240 --> 0:18:28.840
<v Speaker 1>things got bad in l A. It was a dark

0:18:28.920 --> 0:18:30.480
<v Speaker 1>time for him, so he decided to move back to

0:18:30.560 --> 0:18:34.240
<v Speaker 1>New York. According to Clifford Irving to Hoary through a

0:18:34.320 --> 0:18:38.159
<v Speaker 1>party while living in New York, lavish super edgy stars

0:18:38.200 --> 0:18:42.640
<v Speaker 1>like Marilyn Monroe show up, this Arthur Miller Monroe. Yes,

0:18:42.920 --> 0:18:45.080
<v Speaker 1>so she's like she's out there with this kind of

0:18:45.200 --> 0:18:49.800
<v Speaker 1>like um crowd. Uh. And it was there that he

0:18:49.920 --> 0:18:54.240
<v Speaker 1>met his future long term accomplice for non Legro, Yes,

0:18:55.119 --> 0:18:59.240
<v Speaker 1>now legro he Okay, I have to pull up a

0:18:59.280 --> 0:19:03.840
<v Speaker 1>pickle on His name is fern Lgro like grow the fern. Okay,

0:19:04.480 --> 0:19:07.920
<v Speaker 1>So for non Legro right, Uh, this is what he

0:19:08.040 --> 0:19:14.280
<v Speaker 1>looks like, right, He's like, he looks like he's like

0:19:14.359 --> 0:19:17.040
<v Speaker 1>if Shooter Jennings and Rick Rubin had a kid and

0:19:17.400 --> 0:19:19.520
<v Speaker 1>and the kids smells like mildew and they let River

0:19:19.640 --> 0:19:23.399
<v Speaker 1>Phoenix raise him. Yes, it's amazing, So we'll put that

0:19:23.480 --> 0:19:26.160
<v Speaker 1>picture up. So for non Legro, Legro he's a gay

0:19:26.240 --> 0:19:28.479
<v Speaker 1>man who married an American woman in order to get

0:19:28.560 --> 0:19:32.359
<v Speaker 1>US citizenship. He was born in Egypt ninety one, so

0:19:32.640 --> 0:19:36.840
<v Speaker 1>he's like, you know, thirty years younger than uh elmir uh.

0:19:37.080 --> 0:19:40.200
<v Speaker 1>So from that moment on, Dehor and Lagro they're inseparable.

0:19:40.359 --> 0:19:43.200
<v Speaker 1>After they meet at this car, I don't know, I

0:19:43.240 --> 0:19:46.399
<v Speaker 1>don't think they were a couple. Umdhri seems like he

0:19:46.520 --> 0:19:50.440
<v Speaker 1>was just like his older mentor sort of. Um he's

0:19:50.480 --> 0:19:53.959
<v Speaker 1>but anyway, so he's got likedor's got Lagro being all

0:19:54.040 --> 0:19:57.320
<v Speaker 1>super groovy riding around with him. Good cover is like,

0:19:57.400 --> 0:19:59.800
<v Speaker 1>you know what, let's move back to Miami. I like

0:20:00.640 --> 0:20:04.600
<v Speaker 1>you look, screams Miami. So he convinces him to go

0:20:04.720 --> 0:20:07.040
<v Speaker 1>down there with him and act as his quote unquote

0:20:07.080 --> 0:20:10.359
<v Speaker 1>agent art agent. So Lagros was like, yeah, you know what,

0:20:10.640 --> 0:20:13.560
<v Speaker 1>and um, I'll take a cut. That's more than an

0:20:13.600 --> 0:20:19.080
<v Speaker 1>agent a little bit, right. So they moved to Miami.

0:20:19.200 --> 0:20:23.159
<v Speaker 1>They start traveling all over selling these forgeries. Lagro was

0:20:23.240 --> 0:20:25.600
<v Speaker 1>the face of the deals and Dhari just kept turning

0:20:25.640 --> 0:20:29.000
<v Speaker 1>them out. So um. In Miami, Lagro met a French

0:20:29.080 --> 0:20:34.800
<v Speaker 1>Canadian teenager named Real Lissard. Yeah, and Lagro and Lessard

0:20:34.920 --> 0:20:39.160
<v Speaker 1>they hook up and become lovers. Look, Lessard also becomes

0:20:39.160 --> 0:20:42.560
<v Speaker 1>an accomplice in this. So now it's Lagro and Lessard

0:20:42.560 --> 0:20:44.840
<v Speaker 1>who are the faces. They're the ones selling the paintings

0:20:45.680 --> 0:20:50.320
<v Speaker 1>swan around the art world. Door creates these fake masterworks

0:20:50.400 --> 0:20:52.760
<v Speaker 1>Lagro and Lessard. They're selling them all over the world

0:20:52.800 --> 0:20:56.800
<v Speaker 1>for like the next thirteen years. Right. They create fake

0:20:56.880 --> 0:21:01.359
<v Speaker 1>stamps of authenticity. Uh. They acquired old art books and

0:21:01.480 --> 0:21:04.320
<v Speaker 1>swapped out the pictures of actual works with art of

0:21:04.520 --> 0:21:08.440
<v Speaker 1>art with the copies of his forgeries. You know. Um,

0:21:08.920 --> 0:21:12.000
<v Speaker 1>when one time Lagro crosses the US border and his

0:21:12.160 --> 0:21:17.239
<v Speaker 1>luggage gets inspected and um, customs officers they called an

0:21:17.359 --> 0:21:20.640
<v Speaker 1>art experts to verify you know that what these were.

0:21:20.800 --> 0:21:23.879
<v Speaker 1>He's telling customs they're just copies there, that's you know.

0:21:24.800 --> 0:21:27.200
<v Speaker 1>Then the experts look at them and they're like, no,

0:21:27.320 --> 0:21:30.720
<v Speaker 1>these are authentic. So they fool the experts and Lagro

0:21:30.880 --> 0:21:34.879
<v Speaker 1>has to pay attack. So he did. But he wanted

0:21:34.920 --> 0:21:37.800
<v Speaker 1>that to happen because that got him actual US customs

0:21:37.840 --> 0:21:44.040
<v Speaker 1>documentation verifying the optics. Yeah. Yeah, so nineteen nine to

0:21:44.119 --> 0:21:47.680
<v Speaker 1>Hori is tired of like this loud violently relationship between

0:21:47.760 --> 0:21:50.719
<v Speaker 1>Lagro and Lasard, like they're just yeah, it's a very

0:21:50.800 --> 0:21:54.480
<v Speaker 1>fiery thing. He's not. He's like there for very much.

0:21:54.600 --> 0:21:58.160
<v Speaker 1>So uh Dri goes back to Europe. He's like, I'm

0:21:58.160 --> 0:21:59.879
<v Speaker 1>out of here. Who does he run into in Paris?

0:22:01.119 --> 0:22:07.840
<v Speaker 1>Lagadah spills a secret to Lagro. He's like, look, I

0:22:07.920 --> 0:22:10.600
<v Speaker 1>still have a collection of fake painting stored in New York.

0:22:11.240 --> 0:22:13.560
<v Speaker 1>And then Lagro but they're like in this locker you

0:22:13.600 --> 0:22:15.920
<v Speaker 1>can't get into. So Lagro figures out how to steal

0:22:16.000 --> 0:22:19.240
<v Speaker 1>them and sell them, and then convinces Dhry, like, get

0:22:19.280 --> 0:22:21.800
<v Speaker 1>back in the game, start painting, We'll sell them. You

0:22:21.920 --> 0:22:25.080
<v Speaker 1>can't help it. So in nineteen six they get back

0:22:25.119 --> 0:22:27.919
<v Speaker 1>into it. In nineteen sixty two, Lagro and Lasard they

0:22:28.000 --> 0:22:32.840
<v Speaker 1>convinced Hori to move to Ibiza. Right, but see Abisa

0:22:33.000 --> 0:22:38.560
<v Speaker 1>wasn't the party in vacation destination then that it is now? No,

0:22:38.920 --> 0:22:40.880
<v Speaker 1>not Then At that time it was like a really

0:22:40.960 --> 0:22:47.200
<v Speaker 1>poor rural island. Well it was like a haven for

0:22:47.400 --> 0:22:50.760
<v Speaker 1>artistic exile. So the cost of living was really so

0:22:50.960 --> 0:22:53.400
<v Speaker 1>cheap at that point. Yeah, it was like this misfits

0:22:53.560 --> 0:22:57.119
<v Speaker 1>art commune. The landscape totally unspoiled because they don't have

0:22:57.160 --> 0:23:00.919
<v Speaker 1>all this like development, living super cheap. Artists and thinkers

0:23:00.960 --> 0:23:02.840
<v Speaker 1>who felt like they didn't have a place elsewhere in

0:23:02.840 --> 0:23:05.960
<v Speaker 1>the world went there and created a family. Um. It

0:23:06.080 --> 0:23:09.120
<v Speaker 1>was also attractive for criminals and con artists to hang

0:23:09.160 --> 0:23:12.119
<v Speaker 1>out because Franco was still in power then, so it

0:23:12.200 --> 0:23:14.159
<v Speaker 1>was like a hideaway out of the reach of interpal

0:23:15.200 --> 0:23:18.600
<v Speaker 1>So Franco was good for that way. So Lagro and

0:23:18.680 --> 0:23:23.239
<v Speaker 1>Leguard they rent Dhri this gorgeous villa Anybisa, but they

0:23:23.280 --> 0:23:25.280
<v Speaker 1>put him on a small allowance of about like four

0:23:25.960 --> 0:23:29.040
<v Speaker 1>a month to keep him working creating more forged works

0:23:29.080 --> 0:23:32.040
<v Speaker 1>of art. It was enough to let him live comfortably

0:23:32.240 --> 0:23:36.159
<v Speaker 1>and like also be free of risk. Did they live there, No, No,

0:23:36.359 --> 0:23:41.440
<v Speaker 1>they had this like absolutely lavish life in Paris. Oh yeah,

0:23:41.600 --> 0:23:44.440
<v Speaker 1>they they're living off the money that they're breaking in. Yeah.

0:23:44.720 --> 0:23:48.760
<v Speaker 1>And so Dori he never gained financial independence, but he

0:23:48.880 --> 0:23:52.000
<v Speaker 1>enjoyed the company of this like incredible colorful community. Right.

0:23:52.640 --> 0:23:55.080
<v Speaker 1>Lagro tells a different version of this. He said that

0:23:55.240 --> 0:23:57.879
<v Speaker 1>Dare tricked him into believing he was a destitute and

0:23:58.000 --> 0:24:01.080
<v Speaker 1>desperate aristocrat needing mercy, and in fact he was a

0:24:01.200 --> 0:24:04.040
<v Speaker 1>con man who was wanted by interpolse this long list

0:24:04.080 --> 0:24:08.879
<v Speaker 1>of aliases, all these crimes. Um. According to Lagro, Dori

0:24:09.119 --> 0:24:12.920
<v Speaker 1>was compromised by convictions and expulsions from France, Switzerland, Italy,

0:24:13.240 --> 0:24:16.840
<v Speaker 1>Federal Germany, Great Britain, Mexico, US, Canada. I don't believe

0:24:16.880 --> 0:24:20.320
<v Speaker 1>you know, so Dori is like no, actually, um, I

0:24:20.480 --> 0:24:24.480
<v Speaker 1>made a mistake in taking Lagro into my confidence because

0:24:24.520 --> 0:24:28.840
<v Speaker 1>he took advantage of exactly exploited. So nineteen sixty four Door,

0:24:29.000 --> 0:24:31.879
<v Speaker 1>he's fifty eight years old, tired of the forgery business,

0:24:31.960 --> 0:24:35.399
<v Speaker 1>his works getting kind of sloppy, hand line is weakening.

0:24:35.520 --> 0:24:39.159
<v Speaker 1>And apparently he always looked old, like people said like

0:24:39.240 --> 0:24:40.639
<v Speaker 1>there were quotes and people who were just like he

0:24:40.720 --> 0:24:42.320
<v Speaker 1>kind of just always looks like an old man. He

0:24:42.480 --> 0:24:46.520
<v Speaker 1>was the thoms A Gura of the art world. Well,

0:24:46.560 --> 0:24:50.440
<v Speaker 1>in galleries they start alerting inter Poll and Lagro is

0:24:50.520 --> 0:24:53.639
<v Speaker 1>like when Interpo did things, Yes, it's like getting a

0:24:53.680 --> 0:24:56.879
<v Speaker 1>little hot. So Lagros sends Doory to Australia for a

0:24:57.000 --> 0:24:59.439
<v Speaker 1>year to hide out, and then he and Lessard they

0:24:59.480 --> 0:25:03.280
<v Speaker 1>go to zero. Let's just be glamorous about this. You

0:25:03.359 --> 0:25:05.639
<v Speaker 1>need to go to Demming's New Mexico. We're going to

0:25:05.720 --> 0:25:08.719
<v Speaker 1>go to. They always like send him in the opposite direction.

0:25:09.320 --> 0:25:12.119
<v Speaker 1>So by nineteen sixty six, more and more of the

0:25:12.160 --> 0:25:15.119
<v Speaker 1>paintings are proving to be fake. There's an art collector

0:25:15.200 --> 0:25:18.240
<v Speaker 1>who was duped by the trio of them, an oil

0:25:18.280 --> 0:25:22.200
<v Speaker 1>tycoon named Alger Meadows of the General American Oil Company,

0:25:23.359 --> 0:25:26.159
<v Speaker 1>and his wife is the one who convinced him to

0:25:26.160 --> 0:25:29.680
<v Speaker 1>start an art collection. Like they were traveling. Yeah, he's

0:25:29.680 --> 0:25:34.120
<v Speaker 1>wearing a big cowboy hat like mid century movies. That's

0:25:34.200 --> 0:25:36.720
<v Speaker 1>like the mark in Europe is always the Texan with

0:25:36.760 --> 0:25:39.080
<v Speaker 1>oil money and his wife going over there, like they're

0:25:39.119 --> 0:25:42.080
<v Speaker 1>in every movie. They start, they start getting French Impressionists

0:25:42.080 --> 0:25:45.840
<v Speaker 1>and like post Impressionist paintings. News breaks across the country

0:25:46.200 --> 0:25:48.919
<v Speaker 1>within the art community about the discovery of all the fakes,

0:25:49.040 --> 0:25:54.480
<v Speaker 1>and he's like, am I evictim? So Lagro like he's like,

0:25:54.560 --> 0:25:56.399
<v Speaker 1>look when Lagros sold him. He's like, these have been

0:25:56.400 --> 0:26:02.720
<v Speaker 1>authenticated by Ziffinispaires. You see this um the Art Dealers

0:26:02.760 --> 0:26:06.560
<v Speaker 1>Association of America, they put their hat on, they stepped in.

0:26:07.040 --> 0:26:09.520
<v Speaker 1>They looked at fifty eight of the French paintings in

0:26:09.680 --> 0:26:13.119
<v Speaker 1>Meadows home in Dallas, and they determined that thirty eight

0:26:13.160 --> 0:26:17.440
<v Speaker 1>of them were faked and taste and like most of

0:26:17.480 --> 0:26:20.000
<v Speaker 1>the paintings have been purchased from Lagro for about two

0:26:20.119 --> 0:26:26.000
<v Speaker 1>million dollars. Right, don't forgetors living on four months in Abisa.

0:26:29.000 --> 0:26:31.880
<v Speaker 1>I knew you were. And it's that hair that hat.

0:26:33.400 --> 0:26:37.440
<v Speaker 1>Meadows found out that UM pieces that were in s

0:26:37.560 --> 0:26:42.760
<v Speaker 1>m u's Meadows Museum we're also forgeries. Remember Klaus Pearls

0:26:43.560 --> 0:26:46.800
<v Speaker 1>Pearls visited the Meadows Museum and saw the master works

0:26:46.840 --> 0:26:50.320
<v Speaker 1>on display and that they were actually Doris fakes, and

0:26:50.400 --> 0:26:56.679
<v Speaker 1>he proclaimed aloud forgeries altogether forgeries so he could tell Meadows. Um.

0:26:57.000 --> 0:26:59.359
<v Speaker 1>He gave the museum a million dollars to replace the

0:26:59.440 --> 0:27:02.639
<v Speaker 1>fakes and did never tell anyone about like I was,

0:27:02.920 --> 0:27:04.920
<v Speaker 1>I was never here. Um. He then was like, you

0:27:05.000 --> 0:27:10.600
<v Speaker 1>know what, guys, we're gonna go get this. They want there,

0:27:10.640 --> 0:27:15.320
<v Speaker 1>like I'm demanding his arrest and prosecution. So Legro was like,

0:27:15.800 --> 0:27:19.879
<v Speaker 1>so he hides out in the pizza at the villa, right,

0:27:20.400 --> 0:27:21.879
<v Speaker 1>but then he says, you know what, I actually I

0:27:22.000 --> 0:27:23.760
<v Speaker 1>own this place. You gotta get out of here. He

0:27:23.800 --> 0:27:27.840
<v Speaker 1>tries to evict Tory. What in the world is Elmire

0:27:27.920 --> 0:27:30.280
<v Speaker 1>going to do when we get back from this break.

0:27:30.320 --> 0:27:32.640
<v Speaker 1>I'll let you know which fellow con man came into

0:27:32.760 --> 0:27:56.840
<v Speaker 1>his life. He's Aaron. Are you ready to put some

0:27:56.920 --> 0:27:58.760
<v Speaker 1>beef in this? Oh my god, I got my hot

0:27:58.840 --> 0:28:01.879
<v Speaker 1>beef injector right here. Well we're talking Texas oilman. So

0:28:02.000 --> 0:28:06.680
<v Speaker 1>here's the beef. When we laughed off elmir Door, he

0:28:06.800 --> 0:28:10.200
<v Speaker 1>was in the crosshairs of beefy Texas oilman. Alger Meadows.

0:28:11.720 --> 0:28:16.280
<v Speaker 1>He'd been Meadows duped by Dhris fakes. He wants justice. Lagro.

0:28:16.720 --> 0:28:19.960
<v Speaker 1>He's trying to boot do Hori from the lavish villa.

0:28:20.560 --> 0:28:23.800
<v Speaker 1>Right that guy Door is living like this interesting life

0:28:23.800 --> 0:28:26.520
<v Speaker 1>among the wealthy and eccentric in Ibizza. He's friends with

0:28:26.600 --> 0:28:34.440
<v Speaker 1>international movie stars Aristocracy zaren. I want you to picture it.

0:28:38.720 --> 0:28:42.240
<v Speaker 1>It's nineteen sixty six. You're at a swinging party on

0:28:42.320 --> 0:28:45.760
<v Speaker 1>the vast patio of a villa in Ibizza that overlooks

0:28:45.840 --> 0:28:49.520
<v Speaker 1>the blue waters of the Mediterranean. The sun is out.

0:28:49.720 --> 0:28:53.360
<v Speaker 1>People are lounging about in groovy swim costumes and calftans

0:28:53.400 --> 0:28:55.680
<v Speaker 1>that they picked up in Algiers. Just across the water,

0:28:56.200 --> 0:28:59.880
<v Speaker 1>there's a man making fish stew. It's a real party.

0:29:00.160 --> 0:29:03.680
<v Speaker 1>I mean there's fish, so you're just they're visiting a friend,

0:29:03.760 --> 0:29:06.200
<v Speaker 1>a wealthy failed son lay about that you went to

0:29:06.280 --> 0:29:08.760
<v Speaker 1>prep school with. Yeah, I'm double fist and looking for him.

0:29:08.880 --> 0:29:12.680
<v Speaker 1>You're also a wealthy lay about fail son. You've decided

0:29:12.720 --> 0:29:15.280
<v Speaker 1>to surf your way around the globe all on daddy's time,

0:29:15.960 --> 0:29:18.800
<v Speaker 1>So you're cool moondoggye surf buddies. They don't know about

0:29:18.800 --> 0:29:20.920
<v Speaker 1>your rich family, and they don't know that you've skipped

0:29:20.960 --> 0:29:23.680
<v Speaker 1>off to a Beatsa to see your old pal. So

0:29:23.960 --> 0:29:26.480
<v Speaker 1>there you, guys are. You're on this giant patio, sitting

0:29:26.560 --> 0:29:29.840
<v Speaker 1>under an umbrella, drinking red wine. You're staring at a

0:29:29.880 --> 0:29:33.360
<v Speaker 1>bodacious blonde in a tiny bikini. She's surrounded by a

0:29:33.400 --> 0:29:35.880
<v Speaker 1>bunch of men, but she looks terribly bored. You like squint,

0:29:35.960 --> 0:29:39.920
<v Speaker 1>and you realize who she is. Ursula andrews, Oh damn right,

0:29:40.560 --> 0:29:42.520
<v Speaker 1>So you elbow your friend, but he just like nods

0:29:42.600 --> 0:29:45.040
<v Speaker 1>his head slightly. Two of these two other women, one

0:29:45.120 --> 0:29:49.720
<v Speaker 1>you recognize right away. That's Marlena Dietrich. She's an aging

0:29:49.760 --> 0:29:57.280
<v Speaker 1>beauty at this point still before me. I mean, she's

0:29:57.560 --> 0:30:00.840
<v Speaker 1>like a beauty's aging. I thought, you're not beautiful to me.

0:30:01.960 --> 0:30:08.480
<v Speaker 1>She's not an aging beauty to me. She's so, ALRL,

0:30:09.480 --> 0:30:12.440
<v Speaker 1>what what are you doing here? So she's still performing, right,

0:30:12.480 --> 0:30:14.840
<v Speaker 1>but she's plagued by health issues and like the creeping

0:30:14.960 --> 0:30:18.480
<v Speaker 1>threat of time aging. Zeren, just admit it. It's okay.

0:30:18.640 --> 0:30:21.040
<v Speaker 1>We're all aging, you know, we're all born to die.

0:30:21.160 --> 0:30:25.000
<v Speaker 1>Zeron um. So she's reclining on this lounge chair. She's

0:30:25.000 --> 0:30:27.560
<v Speaker 1>wearing like a turban with a matching velvet cap. Tan.

0:30:28.320 --> 0:30:30.560
<v Speaker 1>You watch she reaches in a pocket and pulls out

0:30:30.600 --> 0:30:32.720
<v Speaker 1>a couple of pills and washes him down with champagne.

0:30:32.880 --> 0:30:35.480
<v Speaker 1>Oh my girl, hand roll of smoke and watch her

0:30:35.520 --> 0:30:37.640
<v Speaker 1>do it again. The other woman looks familiar, but you

0:30:37.680 --> 0:30:39.960
<v Speaker 1>can't quite place her. She's blonde, and she's like tan

0:30:40.080 --> 0:30:44.240
<v Speaker 1>and sporty. Her laugh is almost musical. And your friend

0:30:44.320 --> 0:30:47.120
<v Speaker 1>says that her name is Nina van Pollent. She's a

0:30:47.240 --> 0:30:53.560
<v Speaker 1>Danish singer. Okay, okay, okay. So then next next to

0:30:53.720 --> 0:30:56.600
<v Speaker 1>Nina is a man. He's wearing like a loose linen

0:30:56.640 --> 0:30:59.640
<v Speaker 1>top that's all unbuttoned. Um. He's reclining on a lounge

0:30:59.720 --> 0:31:02.160
<v Speaker 1>chair looking out at the sea. You watch as an

0:31:02.200 --> 0:31:05.160
<v Speaker 1>old man approaches him. The old man's a small fellow

0:31:05.240 --> 0:31:07.840
<v Speaker 1>with like a cheerful face, but sad eyes. He's decked

0:31:07.840 --> 0:31:10.920
<v Speaker 1>out in a cravat and a Kashmere sweater. So all

0:31:10.960 --> 0:31:14.000
<v Speaker 1>the fabrics are so luxurious on this patio. So you

0:31:14.120 --> 0:31:16.360
<v Speaker 1>try and listen in, but there's too much chatter from

0:31:16.360 --> 0:31:18.280
<v Speaker 1>the people around you. And like you ask your friend

0:31:18.280 --> 0:31:21.360
<v Speaker 1>who those men are? You're tired of looking at Ursula Andrews.

0:31:21.640 --> 0:31:25.440
<v Speaker 1>Who are those men? He's like the guy laying down

0:31:25.480 --> 0:31:28.480
<v Speaker 1>as Clifford Irving. He's a writer, that old guy. He's

0:31:28.480 --> 0:31:31.520
<v Speaker 1>a painter. Everyone loves him. So you just watched Elmer

0:31:31.600 --> 0:31:35.200
<v Speaker 1>Dohr make his last gasp effort looking for help from

0:31:35.280 --> 0:31:38.480
<v Speaker 1>someone who would later be a fellow con artist, Clifford.

0:31:40.000 --> 0:31:43.640
<v Speaker 1>Here's what Clifford Irving had to say. Quote. At the

0:31:43.760 --> 0:31:46.560
<v Speaker 1>time I wrote the book, Elmir was in trouble a

0:31:46.680 --> 0:31:50.800
<v Speaker 1>Texas oil tycoon Alger Hurtle Meadows had bought more than

0:31:50.920 --> 0:31:54.160
<v Speaker 1>forty paintings from the two villains who were selling Elmir's works.

0:31:54.680 --> 0:31:57.440
<v Speaker 1>Meadows donated them to SMU, but first he showed them

0:31:57.480 --> 0:31:59.880
<v Speaker 1>at a Galla party in Dallas. When you can view

0:32:00.000 --> 0:32:05.120
<v Speaker 1>Elmire's paintings in a group Matisse, Picasso, Madigliani, etcetera, there's

0:32:05.160 --> 0:32:08.280
<v Speaker 1>something more obviously wrong with them than just seeing one

0:32:08.400 --> 0:32:11.360
<v Speaker 1>or two, the discerning I can see that the same

0:32:11.480 --> 0:32:14.880
<v Speaker 1>hand guided the brush. Paintings disappeared from the walls of

0:32:15.000 --> 0:32:17.480
<v Speaker 1>art galleries and museums and were hurried off to back

0:32:17.560 --> 0:32:21.080
<v Speaker 1>rooms and sellers to weather out the storm. Worse, the

0:32:21.160 --> 0:32:24.600
<v Speaker 1>French police launched their own investigation into his work. Elmir

0:32:24.760 --> 0:32:27.800
<v Speaker 1>was frightened. He came to Miani Beazza and said, I'm

0:32:27.840 --> 0:32:29.720
<v Speaker 1>going to tell you who I am and what I've done,

0:32:29.760 --> 0:32:32.720
<v Speaker 1>and you'll be shocked. Well I wasn't shocked. I was

0:32:32.800 --> 0:32:36.360
<v Speaker 1>surprised and amused. He proposed that I write some magazine

0:32:36.480 --> 0:32:38.440
<v Speaker 1>articles in a book that would help him with his

0:32:38.560 --> 0:32:40.800
<v Speaker 1>legal fees and give him a nest egg for the

0:32:40.920 --> 0:32:43.960
<v Speaker 1>dangerous future. I called my publishers in New York, McGraw hill,

0:32:44.000 --> 0:32:46.880
<v Speaker 1>and they snapped it up. So he's gotten McGraw hill

0:32:46.960 --> 0:32:49.440
<v Speaker 1>doing his bidding back then, is this kind of really

0:32:49.480 --> 0:32:54.680
<v Speaker 1>good writer? Yeah, he's a great writer. So August eight

0:32:54.840 --> 0:32:58.200
<v Speaker 1>door he gets convicted by the Spanish court for crimes

0:32:58.240 --> 0:33:02.000
<v Speaker 1>of homosexuality not being able to show means of legitimately

0:33:02.080 --> 0:33:05.120
<v Speaker 1>supporting himself, which like, that's a crime, and so we've

0:33:05.160 --> 0:33:07.880
<v Speaker 1>got to like that that's a crime and consorting with

0:33:08.000 --> 0:33:12.120
<v Speaker 1>known criminals, referring to LaGrow. So he gets sentenced to

0:33:12.200 --> 0:33:15.040
<v Speaker 1>two months and an Abizsa prison. Why was he not

0:33:15.160 --> 0:33:17.959
<v Speaker 1>charged with forgery? Well, there was no proof he ever

0:33:18.080 --> 0:33:20.840
<v Speaker 1>created any of the art in question on Spanish, Soil

0:33:21.280 --> 0:33:22.960
<v Speaker 1>was just about to say they didn't find the man

0:33:23.400 --> 0:33:27.320
<v Speaker 1>or the studio. Well, and also he denied ever signing

0:33:27.360 --> 0:33:29.600
<v Speaker 1>the fakes with the artist's name, which is a key

0:33:29.680 --> 0:33:32.160
<v Speaker 1>legal point because it's not a crime to imitate an

0:33:32.240 --> 0:33:34.600
<v Speaker 1>artist until you put the name on it, right, So

0:33:34.680 --> 0:33:36.800
<v Speaker 1>it's only signing the name that makes it a forgery.

0:33:36.960 --> 0:33:39.440
<v Speaker 1>It wasn't possible to prove if the artist signatures that

0:33:39.520 --> 0:33:42.280
<v Speaker 1>appeared on the paintings were done by Dori who denied it,

0:33:42.640 --> 0:33:46.200
<v Speaker 1>or Lagro. Oh that's an interesting rinkle actually, because you'd

0:33:46.240 --> 0:33:48.080
<v Speaker 1>have a really hard time proving it without like either

0:33:48.120 --> 0:33:50.720
<v Speaker 1>a confession or somebody saying I watched him do it,

0:33:50.760 --> 0:33:55.200
<v Speaker 1>and that exactly so Dori. He gets released from prison

0:33:55.320 --> 0:33:58.480
<v Speaker 1>in October of sixty eight and expelled from Abisa for

0:33:58.600 --> 0:34:00.760
<v Speaker 1>a year. So by the end of that year he

0:34:00.880 --> 0:34:04.200
<v Speaker 1>comes back and he is a celebrity on the island.

0:34:04.400 --> 0:34:07.440
<v Speaker 1>They love him. He's already a beloved local character, but

0:34:07.560 --> 0:34:11.879
<v Speaker 1>the whole mess makes him an absolute star's phenomenal. Oh yeah,

0:34:11.880 --> 0:34:13.799
<v Speaker 1>they're like he got busted. This is great, he's even

0:34:13.920 --> 0:34:18.600
<v Speaker 1>more interesting now, Yes, exactly. So this is what Irving

0:34:18.680 --> 0:34:21.719
<v Speaker 1>had to say. Many of us artists expats were poor

0:34:21.840 --> 0:34:24.680
<v Speaker 1>to varying degrees. And I remember I once asked Elmer

0:34:24.760 --> 0:34:27.000
<v Speaker 1>to lend me a hundred dollars, telling him i'd pay

0:34:27.080 --> 0:34:29.560
<v Speaker 1>him back when a check from my publisher arrived. He'd

0:34:29.600 --> 0:34:32.320
<v Speaker 1>heard that story so many times before from so many others.

0:34:32.640 --> 0:34:35.080
<v Speaker 1>With great reluctance, he loaned the cash to me, and

0:34:35.200 --> 0:34:37.440
<v Speaker 1>he was flabbergasted. When I repaid the loan a few

0:34:37.480 --> 0:34:40.480
<v Speaker 1>weeks later, tears came to his eyes. That's because he

0:34:40.600 --> 0:34:43.640
<v Speaker 1>was always being used. He was gay, and he liked

0:34:43.719 --> 0:34:45.960
<v Speaker 1>young men, so he had to pay one way or

0:34:45.960 --> 0:34:49.480
<v Speaker 1>another all the time for friendship and love. So here

0:34:49.560 --> 0:34:51.680
<v Speaker 1>he's got this great community, but they're always people like

0:34:51.800 --> 0:34:54.400
<v Speaker 1>taking a piece of him, and Clifford Irving like they

0:34:54.440 --> 0:34:56.920
<v Speaker 1>connect because he's just like there, he's seeing him as

0:34:57.000 --> 0:34:59.960
<v Speaker 1>just a person to person um and outside of out

0:35:00.000 --> 0:35:02.160
<v Speaker 1>that I think right. And so here though, so we

0:35:02.239 --> 0:35:05.600
<v Speaker 1>have like this troubled time nineteen sixty nine, though, Doory

0:35:05.760 --> 0:35:08.960
<v Speaker 1>meets Mark Forgy, who was twenty one, twenty years old.

0:35:09.000 --> 0:35:10.800
<v Speaker 1>He meets him on the beach in a bisa, and

0:35:10.880 --> 0:35:14.920
<v Speaker 1>the two became very close. Doory taught Forgy about art

0:35:15.040 --> 0:35:20.080
<v Speaker 1>and graceful living, just because Dory had taste well and

0:35:20.160 --> 0:35:23.680
<v Speaker 1>he had just this incredible, vast knowledge of art history

0:35:24.200 --> 0:35:27.760
<v Speaker 1>just as everything with that, the finer things in life exactly,

0:35:27.920 --> 0:35:30.279
<v Speaker 1>So he just kind of like leads Forgy. In an

0:35:30.320 --> 0:35:32.480
<v Speaker 1>interview with The New York Times, for he was quoted

0:35:32.520 --> 0:35:35.000
<v Speaker 1>as saying he was more of a father than my

0:35:35.120 --> 0:35:38.360
<v Speaker 1>actual father. He was concerned with my future. And so

0:35:39.120 --> 0:35:42.200
<v Speaker 1>finally he's got someone who's like seeing what he gives

0:35:42.280 --> 0:35:47.160
<v Speaker 1>and then giving back. Yeah. So Clifford Irving's book becomes

0:35:47.200 --> 0:35:50.160
<v Speaker 1>an eventual success, and in nineteen seventy four it was

0:35:50.239 --> 0:35:53.839
<v Speaker 1>adapted into an Orson Wells movie, f for Fake. No Way,

0:35:54.200 --> 0:35:59.560
<v Speaker 1>Yes Way for Fake is a docu drama, So that

0:35:59.640 --> 0:36:02.400
<v Speaker 1>means that Dry and Irving actually appear in it. Oh

0:36:02.440 --> 0:36:04.879
<v Speaker 1>my god. The whole thing is like a film essay

0:36:05.239 --> 0:36:09.120
<v Speaker 1>where Wells muses on the value of art. I've never

0:36:09.160 --> 0:36:11.440
<v Speaker 1>seemed I read a bunch of quotes from this we

0:36:11.520 --> 0:36:13.840
<v Speaker 1>need to have our ridiculous crime film Club. Yes, we

0:36:13.920 --> 0:36:17.360
<v Speaker 1>do so. In the movie, Dori asks what makes his

0:36:17.480 --> 0:36:20.080
<v Speaker 1>work inferior to the works by the artists he was

0:36:20.120 --> 0:36:25.440
<v Speaker 1>supposedly inspired by. M His stuff fooled experts worldwide, and

0:36:25.520 --> 0:36:28.160
<v Speaker 1>they brought joy to the owners for a fraction of

0:36:28.200 --> 0:36:31.360
<v Speaker 1>the cost of the real thing. But then that's presuming that,

0:36:31.480 --> 0:36:33.440
<v Speaker 1>like they enjoyed the art itself and not just the

0:36:33.520 --> 0:36:36.000
<v Speaker 1>prestige of owning a name. Yeah, that's that's leaving out

0:36:36.040 --> 0:36:40.080
<v Speaker 1>a big part of it. So Wells said that since

0:36:40.160 --> 0:36:43.280
<v Speaker 1>most of the art world is based on duplicity, illusion

0:36:43.360 --> 0:36:48.720
<v Speaker 1>and trickery, did Dori and his accomplices actually do anything wrong? Well? Wrong,

0:36:48.920 --> 0:36:53.120
<v Speaker 1>and these are great, you know, I mean, I know

0:36:53.160 --> 0:36:54.880
<v Speaker 1>what art was trying to say. I would say that

0:36:55.040 --> 0:36:58.399
<v Speaker 1>if you're intentionally fooling somebody, you know that that is wrong.

0:36:58.520 --> 0:37:00.640
<v Speaker 1>But at the same time, the question of how wrong

0:37:00.840 --> 0:37:03.239
<v Speaker 1>is it. You're not really hurting them, And we are

0:37:03.280 --> 0:37:06.400
<v Speaker 1>all constantly being tricked into capitalist society and exploited and

0:37:06.680 --> 0:37:09.400
<v Speaker 1>misled and so forth. So when you start to consider

0:37:09.480 --> 0:37:11.719
<v Speaker 1>the full context of where this is occurring, this isn't

0:37:11.760 --> 0:37:14.440
<v Speaker 1>like in a kindergarten classroom and one child lie to

0:37:14.520 --> 0:37:17.880
<v Speaker 1>another child said this is food. Another kid ate it. Now,

0:37:17.920 --> 0:37:22.880
<v Speaker 1>like that would be a bad dropping millions of dollars

0:37:22.960 --> 0:37:26.200
<v Speaker 1>on artwork. You're not already kind of dancing with the devil,

0:37:26.320 --> 0:37:30.040
<v Speaker 1>like you know, like that it's questionable exactly, And you're

0:37:30.080 --> 0:37:32.879
<v Speaker 1>trying to get over on them too. Like on both

0:37:32.960 --> 0:37:35.400
<v Speaker 1>sides you have people trying to get over on each other.

0:37:35.480 --> 0:37:37.319
<v Speaker 1>So that's why I don't feel too bad. They're trying

0:37:37.360 --> 0:37:39.200
<v Speaker 1>to get a deal. They're trying to go like when

0:37:39.239 --> 0:37:41.600
<v Speaker 1>they hear like, oh, you've got this Picasso and you've

0:37:41.640 --> 0:37:44.239
<v Speaker 1>fallen on hard times, they're exploiting this person has fallen

0:37:44.280 --> 0:37:46.680
<v Speaker 1>on hard time. So it turns out that person also

0:37:46.719 --> 0:37:50.400
<v Speaker 1>three one's deluding each other. Everyone's tricking each other. Scorpion

0:37:50.480 --> 0:37:54.279
<v Speaker 1>striking a snake. I don't care. So once again, but

0:37:54.400 --> 0:37:57.240
<v Speaker 1>now as a celebrity, Dhry tries his hand at earning

0:37:57.239 --> 0:38:00.320
<v Speaker 1>a living as a legitimate artist, and he's now a

0:38:00.440 --> 0:38:03.319
<v Speaker 1>recognized figure in the art world and kind of well,

0:38:03.360 --> 0:38:08.000
<v Speaker 1>he's like this anti hero in the anti establishing. Yeah,

0:38:08.120 --> 0:38:10.959
<v Speaker 1>he fooled everybody. They're loving this, but he wasn't able

0:38:11.000 --> 0:38:13.520
<v Speaker 1>to make the money that he was on his own

0:38:13.640 --> 0:38:17.160
<v Speaker 1>artwork as he was doing the forgeries. Um. And then

0:38:17.239 --> 0:38:20.120
<v Speaker 1>to make matters worse, France is again trying to extradite

0:38:20.239 --> 0:38:24.400
<v Speaker 1>him from Spain. So he learns this from Mark Forgy,

0:38:24.800 --> 0:38:28.680
<v Speaker 1>and Hori says, I'm gonna overdose on sleeping pills and

0:38:28.800 --> 0:38:32.040
<v Speaker 1>he asks Forgy to respect his decision and not revive him.

0:38:32.719 --> 0:38:35.359
<v Speaker 1>And so Forgy he didn't want him to die, right,

0:38:35.480 --> 0:38:38.560
<v Speaker 1>so um, he takes him to the hospital, but he

0:38:39.160 --> 0:38:43.160
<v Speaker 1>dies in Forgy's arms at the hospital. Um. They've been

0:38:43.400 --> 0:38:47.120
<v Speaker 1>friends for six years, right, So it's December eleventh, ninety six.

0:38:47.560 --> 0:38:55.200
<v Speaker 1>He dies or does he? Wait? What death? His death

0:38:55.320 --> 0:38:58.440
<v Speaker 1>is shrouded in mystery. So here's what Clifford Irving had

0:38:58.480 --> 0:39:01.640
<v Speaker 1>to say. The story I heard from reliable sources was

0:39:01.719 --> 0:39:04.160
<v Speaker 1>that he had concocted a plan with his then boyfriend

0:39:04.200 --> 0:39:07.480
<v Speaker 1>to fake his death. Elmir would take an overdose of

0:39:07.520 --> 0:39:09.880
<v Speaker 1>sleeping pills at five minutes to ten, and the boyfriend

0:39:09.960 --> 0:39:11.759
<v Speaker 1>was supposed to come home at tend sharp to save

0:39:11.800 --> 0:39:14.400
<v Speaker 1>Elmir's life in a timely manner, but he didn't come

0:39:14.400 --> 0:39:16.840
<v Speaker 1>back until midnight, and then it was too late. I

0:39:16.960 --> 0:39:19.680
<v Speaker 1>do know that Elmir was about to be extradited to France,

0:39:19.680 --> 0:39:21.880
<v Speaker 1>and he was fearful that for non Lagrox would have

0:39:22.000 --> 0:39:24.920
<v Speaker 1>him killed in prison. I knew Lagro a man with

0:39:25.000 --> 0:39:27.160
<v Speaker 1>the scruples of a sewer rat, and he was certainly

0:39:27.200 --> 0:39:31.239
<v Speaker 1>capable of murder. Elmir thought that if he nearly committed suicide,

0:39:31.280 --> 0:39:33.640
<v Speaker 1>the Spanish authorities would take pity on him and cancel

0:39:33.719 --> 0:39:36.840
<v Speaker 1>the extradition to the Beast deal. It was a naive concept.

0:39:37.080 --> 0:39:39.560
<v Speaker 1>The Spanish government wanted to get rid of Elmir. They

0:39:39.560 --> 0:39:42.560
<v Speaker 1>were fascist, they don't care. So four, he's denying all this,

0:39:42.719 --> 0:39:45.080
<v Speaker 1>but there is that strong theory that it was basically

0:39:45.160 --> 0:39:47.600
<v Speaker 1>an accidental overdose that he wanted to just use it

0:39:47.640 --> 0:39:50.000
<v Speaker 1>as kind of cry for help. Now you can't extradite me.

0:39:51.280 --> 0:39:54.520
<v Speaker 1>Why did dehy do? Why did he do what he did?

0:39:55.840 --> 0:39:58.080
<v Speaker 1>Why did he get overall, not just with at the

0:39:58.200 --> 0:40:00.480
<v Speaker 1>end of his life, but like overall, I mean, it

0:40:00.600 --> 0:40:03.839
<v Speaker 1>seems to me that he basically he gets a rough

0:40:03.960 --> 0:40:07.000
<v Speaker 1>or unfair start in life in terms of all of

0:40:07.040 --> 0:40:08.560
<v Speaker 1>who he is and all of his identities and all

0:40:08.600 --> 0:40:12.239
<v Speaker 1>of his his family's existence becomes reasons for him to

0:40:12.600 --> 0:40:16.600
<v Speaker 1>be challenged to continue existing. So then he, you know it,

0:40:16.640 --> 0:40:18.200
<v Speaker 1>could become a great artist at that point because he

0:40:18.239 --> 0:40:20.160
<v Speaker 1>has a lot to say, but instead he needs to survive,

0:40:20.280 --> 0:40:22.799
<v Speaker 1>so he learns to become a great imitator rather than

0:40:22.840 --> 0:40:25.040
<v Speaker 1>a great artist at that moment. From the point on,

0:40:25.360 --> 0:40:27.560
<v Speaker 1>he never really able to find his own voice, but

0:40:27.600 --> 0:40:29.880
<v Speaker 1>as as you said, a great mimic, so he becomes

0:40:30.239 --> 0:40:33.839
<v Speaker 1>the booth beautiful choir singer ever. But it's not who

0:40:33.880 --> 0:40:37.080
<v Speaker 1>do you want acquired? Everyone has their notions of why

0:40:37.160 --> 0:40:38.880
<v Speaker 1>he did this, and it's like anyone who hears the

0:40:38.920 --> 0:40:40.439
<v Speaker 1>story is going to come up with theirs. And since

0:40:40.520 --> 0:40:43.480
<v Speaker 1>we can't ask him, and if we could ask him,

0:40:43.520 --> 0:40:45.560
<v Speaker 1>there's no telling if he would tell the truth. Right,

0:40:46.000 --> 0:40:49.880
<v Speaker 1>Here's what Forgy said, that's who I believe Elmir was

0:40:50.000 --> 0:40:53.600
<v Speaker 1>always attempting mightily to champion the intrinsic merit of art,

0:40:53.719 --> 0:40:56.560
<v Speaker 1>as opposed to having a name tag on it. Huh,

0:40:56.719 --> 0:40:58.680
<v Speaker 1>I don't find that that part. I don't believe. This

0:40:58.800 --> 0:41:01.560
<v Speaker 1>is what Clifford Irving said. It's a World War two

0:41:01.680 --> 0:41:04.640
<v Speaker 1>refugee mentality, which is what you were saying. He never

0:41:04.719 --> 0:41:07.160
<v Speaker 1>thought he'd be rich, but he needed money to survive

0:41:07.320 --> 0:41:10.920
<v Speaker 1>and still keep some prideful identity as a painter. Survival

0:41:11.080 --> 0:41:13.359
<v Speaker 1>is the name of the game. He justified by naming

0:41:13.400 --> 0:41:15.840
<v Speaker 1>all the great artists in history who had copied and faked.

0:41:16.080 --> 0:41:18.520
<v Speaker 1>He knew his art history. There were many, and they

0:41:18.600 --> 0:41:21.239
<v Speaker 1>were young and poor. They had to eat. So that's

0:41:21.360 --> 0:41:24.200
<v Speaker 1>you know, I'm but this is also this is what

0:41:24.520 --> 0:41:27.640
<v Speaker 1>something else that Irving said about him. Alas our friendship ended,

0:41:28.120 --> 0:41:31.400
<v Speaker 1>many people thought my portrait of Elmir was sympathetic. I

0:41:31.560 --> 0:41:33.880
<v Speaker 1>certainly meant it to be. But Elmir didn't like that

0:41:33.960 --> 0:41:37.120
<v Speaker 1>I quoted some French dealer calling him quote a charming crook.

0:41:37.640 --> 0:41:40.400
<v Speaker 1>He didn't appreciate that kind of raw truth. The tail

0:41:40.520 --> 0:41:43.319
<v Speaker 1>in cold black and White did not flatter him sufficiently.

0:41:43.719 --> 0:41:46.760
<v Speaker 1>He demanded I make changes. I refused. He stopped speaking

0:41:46.800 --> 0:41:50.320
<v Speaker 1>to me personally. I loved Elmir as a friend, although

0:41:50.360 --> 0:41:54.680
<v Speaker 1>I didn't trust him, and I portrayed him as a sophisticated, elegant, intelligent,

0:41:54.840 --> 0:41:58.160
<v Speaker 1>sad and exploited man. I understood his plate. He was

0:41:58.200 --> 0:42:00.399
<v Speaker 1>one of my first gay friends, and he and talked

0:42:00.400 --> 0:42:02.840
<v Speaker 1>about the problems of being an older gay man that

0:42:03.040 --> 0:42:05.880
<v Speaker 1>was foreign to me before then. So they have this

0:42:06.000 --> 0:42:08.239
<v Speaker 1>really interesting but I can see where he's crafted this

0:42:08.360 --> 0:42:10.360
<v Speaker 1>great illusion of who he is, and to cut to

0:42:10.440 --> 0:42:13.000
<v Speaker 1>the heart of it. He's a charming crook, is painful

0:42:13.560 --> 0:42:17.440
<v Speaker 1>and also it I mean, it seems like dignity is

0:42:17.520 --> 0:42:19.480
<v Speaker 1>the thing that he's been hanging onto it from the

0:42:19.560 --> 0:42:22.360
<v Speaker 1>point of being in the concentration camp on and that

0:42:22.600 --> 0:42:25.080
<v Speaker 1>isn't a direct attack on his dignity. Everything else is

0:42:25.080 --> 0:42:27.160
<v Speaker 1>a is an attack on identity and things that are

0:42:27.560 --> 0:42:31.200
<v Speaker 1>more elusive and more like debatable in terms of someone

0:42:31.239 --> 0:42:33.239
<v Speaker 1>else can have an opinion, but his dignity is his,

0:42:33.480 --> 0:42:35.800
<v Speaker 1>and that challenges his sense of who he is and

0:42:35.920 --> 0:42:37.680
<v Speaker 1>his his dignity, which is the only thing that seems

0:42:37.680 --> 0:42:40.239
<v Speaker 1>to that's the one. Yeah, Because if you craft an

0:42:40.280 --> 0:42:42.600
<v Speaker 1>illusion and someone comes after the illusion, you just wipe

0:42:42.640 --> 0:42:45.759
<v Speaker 1>away into another. It doesn't matter. So Mark Forgy, he

0:42:45.880 --> 0:42:48.439
<v Speaker 1>continues to honor and preserve the memory of his friend

0:42:48.520 --> 0:42:53.000
<v Speaker 1>and companion as caretaker of doris legacy. He created an

0:42:53.040 --> 0:42:56.080
<v Speaker 1>exhibit of DRI's work at the Hillstrom Museum of Art

0:42:56.120 --> 0:42:59.840
<v Speaker 1>in St. Peter, Minnesota, UH. He wrote a memoir for

0:43:00.080 --> 0:43:02.880
<v Speaker 1>he did called The Forger's Apprentice, Life with the World's

0:43:02.920 --> 0:43:05.879
<v Speaker 1>most Notorious Artist, and that was adapted into a play

0:43:05.920 --> 0:43:09.920
<v Speaker 1>and then a musical which is amazing. And then art

0:43:09.960 --> 0:43:16.320
<v Speaker 1>exhibits exist today specifically showcasing forgeries, and Forgy lends Dory

0:43:16.400 --> 0:43:20.000
<v Speaker 1>pieces to those. Um here's an incredible end cap for

0:43:20.080 --> 0:43:22.800
<v Speaker 1>this story. Forgy at one point learned that there was

0:43:22.920 --> 0:43:29.520
<v Speaker 1>a business of forging forgeries, so paintings by Dory listed

0:43:29.640 --> 0:43:32.880
<v Speaker 1>at a New Zealand auction house had to be taken

0:43:32.960 --> 0:43:36.319
<v Speaker 1>down after it was discovered that the pieces were forgeries

0:43:36.440 --> 0:43:43.840
<v Speaker 1>of Doris forgeries. The forgery the Forger. Well, and it

0:43:43.920 --> 0:43:46.640
<v Speaker 1>doesn't help too that his partner's name is Forgy, and

0:43:46.680 --> 0:43:52.239
<v Speaker 1>I'm like stumbling around, so Forgy, the whole situation is

0:43:52.320 --> 0:43:55.759
<v Speaker 1>very Forgy. Forgy said the topic quote came up only

0:43:55.840 --> 0:44:02.160
<v Speaker 1>one time in conversation Forger Studio doing an impress. He said,

0:44:02.280 --> 0:44:04.600
<v Speaker 1>quote we both contemplated that for a moment and then

0:44:04.719 --> 0:44:08.319
<v Speaker 1>laughed at the far fetched notion. Yeah, well, so auctioneer

0:44:08.400 --> 0:44:11.840
<v Speaker 1>Andrew Griggs said, quote, we were astonished to find that

0:44:11.920 --> 0:44:15.239
<v Speaker 1>there was a market in faking Faker's artwork, going on

0:44:15.360 --> 0:44:17.040
<v Speaker 1>to say that he'll be sure to alert others in

0:44:17.080 --> 0:44:19.799
<v Speaker 1>the industry of the Khan. The paintings that were thought

0:44:19.840 --> 0:44:22.960
<v Speaker 1>to be Doris works were actually painted by Ken Talbot,

0:44:23.239 --> 0:44:27.000
<v Speaker 1>a London bookmaker. This is what Clifford had to say

0:44:27.040 --> 0:44:31.360
<v Speaker 1>about Ken Talbot. Quote. Ken Talbot was a London crook

0:44:31.400 --> 0:44:35.960
<v Speaker 1>and a bookmaker who in reproduced and published my nineteen

0:44:36.080 --> 0:44:41.239
<v Speaker 1>sixty eight biography Fake, calling it Enigma. His hardback edition

0:44:41.280 --> 0:44:44.439
<v Speaker 1>includes a quote preface by Clifford Irving, not a word

0:44:44.480 --> 0:44:47.160
<v Speaker 1>of which I wrote, like they're all getting a piece

0:44:47.239 --> 0:44:51.000
<v Speaker 1>of theirs come back to them, Bitter Medicine, an introduction

0:44:51.080 --> 0:44:54.160
<v Speaker 1>by Talbot himself that is mostly half truths and lies,

0:44:54.560 --> 0:44:57.680
<v Speaker 1>and a center color section of supposed Dory paintings that

0:44:57.800 --> 0:45:03.759
<v Speaker 1>Talbot busily tried to sell as genuine Tory fakes of Matisse, Picasso, Madigliani.

0:45:03.880 --> 0:45:07.040
<v Speaker 1>At all. I have no idea who painted them. Talbot

0:45:07.120 --> 0:45:09.520
<v Speaker 1>was a dangerous man, and if he were still alive,

0:45:09.560 --> 0:45:12.920
<v Speaker 1>I wouldn't dare write these comments I gave this. I

0:45:13.120 --> 0:45:15.919
<v Speaker 1>give this eighty dollar book a second star only because

0:45:15.960 --> 0:45:19.120
<v Speaker 1>it included my text that of the original Fake is

0:45:19.560 --> 0:45:23.160
<v Speaker 1>worth reading. Fake is for sale at five on Kindle

0:45:23.239 --> 0:45:26.160
<v Speaker 1>and Nook. It's worth two stars because because my stuff

0:45:26.200 --> 0:45:29.000
<v Speaker 1>sent it, by the way, by mine for five Kindle.

0:45:29.680 --> 0:45:32.719
<v Speaker 1>I love the forgeries of a forgery. I mean this

0:45:32.840 --> 0:45:35.359
<v Speaker 1>is like when I do an impression of your doing

0:45:35.360 --> 0:45:37.960
<v Speaker 1>an impression of your brother doing an impression of Steve Harvey.

0:45:42.560 --> 0:45:45.759
<v Speaker 1>It is it's like, it's this like, it's like it's

0:45:45.840 --> 0:45:49.600
<v Speaker 1>just as wrong. So here's a good take on it.

0:45:49.920 --> 0:45:53.160
<v Speaker 1>This is what reporter David Holzer of the Budapest Business

0:45:53.280 --> 0:45:58.120
<v Speaker 1>Journal had. The same. Hungarians delight in listing the admittedly

0:45:58.280 --> 0:46:01.360
<v Speaker 1>startling number of their countrymen and women who have soared

0:46:01.400 --> 0:46:03.800
<v Speaker 1>the heights of excellence in the world outside the country.

0:46:04.440 --> 0:46:09.560
<v Speaker 1>Quite rightly, Dori exemplifies another kind of Hungarian genius, one

0:46:09.640 --> 0:46:12.680
<v Speaker 1>that makes his skill cunning and the survival instinct to

0:46:12.719 --> 0:46:15.359
<v Speaker 1>make life tap dance to the tune only you here.

0:46:16.000 --> 0:46:18.480
<v Speaker 1>This quality is best summed up in an expression taught

0:46:18.560 --> 0:46:21.279
<v Speaker 1>to me by none other than Robin Marshall, editor of

0:46:21.360 --> 0:46:25.480
<v Speaker 1>this newspaper. Hungarian is the only person who can go

0:46:25.640 --> 0:46:28.400
<v Speaker 1>into a revolving door behind you and come out ahead

0:46:28.440 --> 0:46:32.600
<v Speaker 1>of you, he once told me, though he takes no

0:46:32.800 --> 0:46:35.200
<v Speaker 1>credit for having come up with the idea. For most

0:46:35.239 --> 0:46:38.040
<v Speaker 1>of his life, Elmir dehor came out of that revolving

0:46:38.120 --> 0:46:40.560
<v Speaker 1>door well ahead of those who thought they had got

0:46:40.680 --> 0:46:47.520
<v Speaker 1>one up on him, until well he didn't. Maybe it's

0:46:47.560 --> 0:46:50.600
<v Speaker 1>believed that door still has hundreds of thousands of forgeries

0:46:50.640 --> 0:46:53.440
<v Speaker 1>all over the The grand total of his sales has

0:46:53.480 --> 0:46:59.120
<v Speaker 1>approximated at like fifty million dollars. Damn, what's your ridiculous

0:46:59.160 --> 0:47:04.280
<v Speaker 1>takeaway on the reel? My ridiculous takeaways? I hate Lagro

0:47:04.800 --> 0:47:07.279
<v Speaker 1>but yeah, I mean you saw my instinct on him

0:47:07.440 --> 0:47:11.480
<v Speaker 1>the entire time. But on the reel, I think it's

0:47:11.520 --> 0:47:14.440
<v Speaker 1>a darn shame that that, you know, like icon of

0:47:14.520 --> 0:47:18.000
<v Speaker 1>clastic bone vivant types, can't just hang out with the rich.

0:47:18.080 --> 0:47:20.239
<v Speaker 1>You want to have this interesting stuff and just do it,

0:47:20.320 --> 0:47:22.000
<v Speaker 1>Like why the rich have to get mad? Like, come on,

0:47:22.160 --> 0:47:24.359
<v Speaker 1>you exploited people and you guys always get so mad

0:47:24.640 --> 0:47:27.560
<v Speaker 1>when these people turn out to be Charlatan's you want,

0:47:29.480 --> 0:47:31.879
<v Speaker 1>and doesn't make an even greater story that now you've

0:47:31.880 --> 0:47:34.279
<v Speaker 1>got a door. Look, I got duped and then I

0:47:34.360 --> 0:47:36.480
<v Speaker 1>don't know, I feel like there's some notoriety I do

0:47:36.680 --> 0:47:40.560
<v Speaker 1>like having a like wanting to have the best forger's forgery,

0:47:40.680 --> 0:47:42.800
<v Speaker 1>like having a door. I think that is really I

0:47:42.840 --> 0:47:44.759
<v Speaker 1>would love to have a doughter and see if I

0:47:44.760 --> 0:47:46.680
<v Speaker 1>can get you one, and if I can't get someone

0:47:46.719 --> 0:47:49.240
<v Speaker 1>to paint one, so that you can paint a door,

0:47:49.520 --> 0:47:51.680
<v Speaker 1>you can paint a what was the other guy's name,

0:47:51.760 --> 0:47:56.600
<v Speaker 1>Ken Talbot Talbot Talbot of of Madigliani. Excellent, And that's

0:47:56.600 --> 0:48:01.360
<v Speaker 1>actually a picture of Steve Harvey. That's that's my tale

0:48:01.440 --> 0:48:06.000
<v Speaker 1>of Elmir door. That's it. That's it. Um. What's your

0:48:06.040 --> 0:48:08.839
<v Speaker 1>ridiculous takeaway on Elizabeth? Oh, I think I've exposed all

0:48:08.880 --> 0:48:13.120
<v Speaker 1>of that, and my ridiculous takeaway, thank you, is that

0:48:13.400 --> 0:48:17.440
<v Speaker 1>I do want I want an Elmir Dori what I want? Uh?

0:48:17.680 --> 0:48:19.920
<v Speaker 1>You can find us online at Ridiculous Crime on both

0:48:20.000 --> 0:48:22.279
<v Speaker 1>Twitter for the talk and Instagram for the gawk, and

0:48:22.760 --> 0:48:25.560
<v Speaker 1>email us at ridiculous Crime at gmail dot com if

0:48:25.600 --> 0:48:28.719
<v Speaker 1>you'd like, download the I Heart app if you want

0:48:28.760 --> 0:48:30.840
<v Speaker 1>to leave us something called a talk back. It's like

0:48:30.920 --> 0:48:34.320
<v Speaker 1>a thirty second voicemail that we can't respond to. But

0:48:34.640 --> 0:48:37.120
<v Speaker 1>you know, we may play it on here an active

0:48:37.160 --> 0:48:41.640
<v Speaker 1>revenge or I'll forge one, I'll mimic it. Tune in

0:48:41.760 --> 0:48:50.520
<v Speaker 1>next time. Ridiculous Crime is hosted by Elizabeth Dutton and

0:48:50.600 --> 0:48:54.240
<v Speaker 1>Zaren Burnett, produced and edited by mayor of Beizza, Dave Kusten.

0:48:54.600 --> 0:48:58.560
<v Speaker 1>Research is by Exhausted authenticators Marissa Brown and Andrea Song

0:48:58.640 --> 0:49:02.000
<v Speaker 1>sharpen Tier. The themes song is by Thomas fo Digliani,

0:49:02.280 --> 0:49:07.080
<v Speaker 1>Lee and Travis Picasso. Fake Donte executive producers are co

0:49:07.239 --> 0:49:09.840
<v Speaker 1>directors of the FBI Art Crime Unit, Ben Boland and

0:49:09.960 --> 0:49:20.160
<v Speaker 1>Noel Brown Ride Say It one More Time, We Dequeous.

0:49:21.760 --> 0:49:24.320
<v Speaker 1>Ridiculous Crime is a production of I Heart Radio. For

0:49:24.480 --> 0:49:26.640
<v Speaker 1>more podcasts to my heart Radio, visit the i heeart

0:49:26.680 --> 0:49:29.400
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:49:29.440 --> 0:49:30.160
<v Speaker 1>favorite shows.