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Speaker 1: Hey, everybody, welcome to one another episode of I Saw

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Speaker 1: What You Did. My name is Millie de Jericho.

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Speaker 2: I'm Daniel Henderson, and we are here with.

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Speaker 1: You today for total cinema control.

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Speaker 3: Oh control. I didn't know we were controlling anything. I'm

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Speaker 3: not ready to control. I'm ready to relax.

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Speaker 1: So I drove past this gym today that was called

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Speaker 1: total fitness control.

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Speaker 2: I'm not on board. That sounds way too hard. Right

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Speaker 2: off the bat, I nearly had a heart attack.

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Speaker 1: I was like, what gym is called total fitness control?

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Speaker 3: Also, if I'm in a gym, I don't have total

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Speaker 3: fitness control.

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Speaker 2: That's why I'm in the gym.

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Speaker 1: I just imagine, like you walk into this gym and

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Speaker 1: like a Vernon Wells from like the Mad Max universe

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Speaker 1: is at the door, and he like slaps you across

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Speaker 1: the face with like a studded forearm bracelet like a

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Speaker 1: Judas Priest thing.

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Speaker 2: He's like, can't down now, intimating gym.

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Speaker 3: I can't, way too intimidating, and it's it's it's really

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Speaker 3: giving me some thoughts about how I'd rather let my

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Speaker 3: body atrophy.

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Speaker 2: Than give someone total fitness control.

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Speaker 3: Even myself, I don't want total fitness control over my

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Speaker 3: own body, like eventually someone will have to take over.

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Speaker 3: Like when I wake up my grandma in the morning,

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Speaker 3: she's like, oh, my arm hurts, my leg hurts. Why

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Speaker 3: do I hurt so much? And I'm like, it's cause

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Speaker 3: you're very old. And then I have to like hump

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Speaker 3: her legs like one of those old water well things

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Speaker 3: to like get her out of it. So I have

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Speaker 3: to like pump the knee like yeah, someone eventually will

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Speaker 3: have to have total fitness control over me exactly.

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Speaker 1: You know, I figured you would appreciate this. Here's what

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Speaker 1: I imagine total cinema control being is that you walk into

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Speaker 1: a movie theater and like a guy like Vernon Wells

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Speaker 1: from the Mad Max Universe comes and slapped you across.

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Speaker 2: The face with a stunted fourum bracelet anyway, and he says,

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Speaker 2: no popcorn for you.

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Speaker 1: He's like, get in there and witness the cellia, the

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Speaker 1: cell your broid, the cell your roid.

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Speaker 2: That's a good mash up, hey cell roids.

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Speaker 1: My god, this is going off the rails already. It's

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Speaker 1: been like five minutes.

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Speaker 2: I know, we're not even into it ever, going ham.

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Speaker 1: Well, I think it's because we're both like jacked up

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Speaker 1: with excitement because we have this like kind of cool

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Speaker 1: thing to throw at you guys. This episode so exciting. Yes,

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Speaker 1: So Danielle and I receive you know, we receive emails. Obviously,

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Speaker 1: you know this because a lot of you have written

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Speaker 1: us and we really appreciate hearing from you. And you

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Speaker 1: know you read a lot of these emails that we

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Speaker 1: got from you guys on the bonus episodes. But I

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Speaker 1: don't know, we were going through the inbox and we

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Speaker 1: got just this cool letter and Danielle, like, talk about

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Speaker 1: how you felt when you got this email from one

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Speaker 1: of our listeners.

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Speaker 2: I just I.

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Speaker 3: Really loved the Like, first of all, this listener is

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Speaker 3: also a great writer, and I really just connected to

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Speaker 3: the story she was telling about how her experience of

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Speaker 3: movie watching and listening to us talk about movies really

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Speaker 3: closely mirrored her own. And I think I think it

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Speaker 3: just hit me for so many reasons. But again, fantastic writer.

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Speaker 3: But also that's why we're doing the podcast, and so

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Speaker 3: it really just was very touching to me that we

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Speaker 3: were able to meet a like minded person through by

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Speaker 3: by doing the thing that we wanted to do in

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Speaker 3: the reason we wanted to do it, and that's not

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Speaker 3: always clear to us that we're like reaching people in

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Speaker 3: that way. So it was just really delightful. And again,

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Speaker 3: she's funny and just was just so of our generation.

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Speaker 3: And I just felt like it felt like a real

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Speaker 3: like someone who I had already known and grew up

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Speaker 3: with was writing in even.

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Speaker 2: Though I'd never met her before.

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Speaker 1: So yeah, and so then we decided, hey, what if

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Speaker 1: we like wrote her and asked her if she wanted

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Speaker 1: to be on the podcast.

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Speaker 2: You know, like Sociopaths too.

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Speaker 1: Yeah, Like, we love this person so much, let's force

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Speaker 1: them to hang out with us.

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Speaker 2: Thanks for your letter, Can you come over at nine.

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Speaker 4: Hell?

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Speaker 1: But luckily she said yeah. So we are actually going

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Speaker 1: to talk to one of our listeners this this week.

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Speaker 1: Her name is Leia Pickett and she's here with us

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Speaker 1: right now. Hello.

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Speaker 2: Hello, Hello, you.

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Speaker 4: Guys are telling me I've been laughing, makeup running. Oh

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Speaker 4: my gosh, this is just perfection and I love We

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Speaker 4: do have a little introduction for you that you have written,

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Speaker 4: and I want to talk to you about it.

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Speaker 2: So we're going to read it for.

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Speaker 3: Okay, to introduce you to the rest of your fellow listeners. Now,

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Speaker 3: this is this is from Leida, which I'm also happy

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Speaker 3: that we're have you on the shows, so it gives

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Speaker 3: me a chance to pronounce your name correctly. And Leida says,

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Speaker 3: I am a fiercely loyal truth seeker who loves words

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Speaker 3: and cusses a lot. I'm currently raising the next generation

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Speaker 3: of world changers with the most amazing village of family

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Speaker 3: and friends to guide and support me. And damn it,

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Speaker 3: I will leave this planet better than I found it,

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Speaker 3: despite my idiot dog's best efforts to thwart me. My

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Speaker 3: first public appearance was in nineteen ninety one as the

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Speaker 3: understudy to the backstage singer of the Somewhere Ballet in

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Speaker 3: Southeast High School's production of West Side Story. Nothing ever

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Speaker 3: came of it.

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Speaker 2: Nothing ever came of it.

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Speaker 5: That's true.

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Speaker 2: It's true, Oh my god.

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Speaker 3: And what I really love too is that So in

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Speaker 3: your original email to us, you were writing to us

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Speaker 3: about gas, food, lodging, and the part of your email

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Speaker 3: that we read on our bonus episode. But that just

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Speaker 3: really resonated with me. Is you said when COVID shut

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Speaker 3: the world down. I had recently turned forty three, left

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Speaker 3: my partner of twelve years and father of my two children,

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Speaker 3: bought my first home, planted a garden, and got a

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Speaker 3: damn dog. Go big or go home, that's why. And

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Speaker 3: I was like, you have absolutely transformed your life in

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Speaker 3: the past couple of years. And Millie and I talk

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Speaker 3: about that a lot. So tell us where you are now.

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Speaker 2: We're two years later.

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Speaker 3: You bought a house and your dog is called Charlemagne

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Speaker 3: the dog by the way, absolutely.

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Speaker 2: And I just want to hear about everything. How's it going.

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Speaker 5: I think we're doing okay.

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Speaker 4: I am hungover after twenty four hours of revelry with

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Speaker 4: close family and friends. And we're celebrating Independence Day. Is

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Speaker 4: that what we're doing. We're all independent?

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Speaker 5: Yeah? Whatever?

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Speaker 2: Yeah, or celebrating for dependence.

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Speaker 5: We're independence. Yes, everybody's doing well.

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Speaker 4: I guess the dog's still alive, the kids are still alive.

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Speaker 5: I drink more than is comfortable.

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Speaker 2: But you've looked at the world. Yeah, yeah, look at

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Speaker 2: the world. Of course.

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Speaker 3: Of course, we're all digging into our vices more than ever.

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Speaker 2: Yeah.

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Speaker 5: I think my reproductive rights have been taken away at

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Speaker 5: some point.

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Speaker 2: Yeah. We don't have bodily autonomy. I mean my my

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Speaker 2: my vices is sleep and I go to bed at

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Speaker 2: like six o'clock now and I don't give a fuck.

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Speaker 4: And your skin is luminous, absolutely, so obviously something's going.

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Speaker 2: Well, this works, Oh this is wonderful.

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Speaker 3: But yeah, so tell us also because we really connected

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Speaker 3: with your the way that you write about movies and

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Speaker 3: the way that you talked about movies, and.

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Speaker 2: I want to know, like what excites you about.

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Speaker 3: Movie watching and not to like, you know, tell us

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Speaker 3: why you like us, but how do you connect to

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Speaker 3: our podcast as well?

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Speaker 5: Well, you know, I was thinking about this and I

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Speaker 5: feel like my relationship.

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Speaker 4: With movies has changed even as I've changed, you know,

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Speaker 4: as a person with a fellow person with a chaotic childhood,

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Speaker 4: I spent a lot of time trying to escape the

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Speaker 4: reality that I was in.

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Speaker 5: But we didn't have a whole lot of.

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Speaker 4: Money for that kind of stuff, so and we also

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Speaker 4: got cable late, so everything that I saw, Like, I

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Speaker 4: love those experiences when you guys are talking about movies

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Speaker 4: that you rewatched after seeing him as a kid, and

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Speaker 4: there was whatever subtext where you're like, I did not

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Speaker 4: get that the first.

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Speaker 5: Time that I saw that at all, And.

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Speaker 2: That was totally me.

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Speaker 4: Like I had a very inappropriate amount of television and

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Speaker 4: movie exposure as a kid because my mom was a

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Speaker 4: kid and she was like afraid of watching a nightmare

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Speaker 4: on Elm Street by herself, so she let me stay

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Speaker 4: up past my bedtime when I was nine years old.

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Speaker 3: Yes, yeah, it needs to be a psychological study of

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Speaker 3: moms who are too afraid to watch the horror movie alone,

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Speaker 3: because that's how I ended up seeing ninety percent.

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Speaker 2: Of the shit I saw too.

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Speaker 5: Yes, so you know it was it.

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Speaker 4: Was escapist, and when the opportunities came around, it always

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Speaker 4: felt just like a really exciting way to you know,

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Speaker 4: step into the lives of other people. I am a

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Speaker 4: I'm also a really big reader, so I've got you know,

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Speaker 4: a broad imagination and like seeing whatever I could put

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Speaker 4: together in my head, you know, born out on television.

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Speaker 5: In the movies was always really a lot of fun for.

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Speaker 4: Me, and I uh, you know, I really didn't start

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Speaker 4: listening to podcasts until the shutdown, until I had nothing

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Speaker 4: but time, you know, and so when that's when we

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Speaker 4: started one right right, And I just you guys have

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Speaker 4: such interesting perspectives and I appreciate so much, uh the

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Speaker 4: things that you've exposed me.

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Speaker 5: To about movies.

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Speaker 4: You know, I I also have a whole other chapter

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Speaker 4: and a journey of you know, assimilation into white culture

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Speaker 4: that I dealt with and figuring out the intersectionality between

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Speaker 4: my lived experience and the experience of queer folks that

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Speaker 4: my culture pretended didn't exist for my entire life has

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Speaker 4: been a really big journey. And you guys are just

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Speaker 4: really good at pointing us your listeners, me specifically, and

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Speaker 4: everybody y else.

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Speaker 5: In the world who's listening to you.

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Speaker 4: Toward you know, genres and producers and directors and actors

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Speaker 4: that I've never been exposed to, you know, in my

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Speaker 4: non cable having world with my you know, black single

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Speaker 4: mom in Springfield, Illinois. So it's been really fun for

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Speaker 4: me just to kind of expand my horizons that way.

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Speaker 5: And you guys just crack me up. So I can't

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Speaker 5: get enough. I keep listening all this every week.

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Speaker 2: Oh my goodness, thank you.

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Speaker 3: I know, I feel like it's it's so important because

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Speaker 3: we really, we really do rewatch a lot of things

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Speaker 3: from our childhood and they give us completely different perspectives.

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Speaker 3: And you said that even in your original email where

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Speaker 3: you watched guest Food Lodging again and you're like, I

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Speaker 3: have been all three of versions of this this woman

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Speaker 3: and or these women. And I think that there there

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Speaker 3: is something to be said for like finding a way

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Speaker 3: to connect to a community when your community isn't giving

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Speaker 3: you any options. And I've I came to movies the

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Speaker 3: same way where I thought, I'm not really I want

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Speaker 3: to see the world.

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Speaker 2: I'm eager to.

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Speaker 3: See the world, and I'm not seeing the world in

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Speaker 3: my own life, and I want to know more about it.

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Speaker 3: So I would, you know, kind of force myself to

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Speaker 3: watch movies that I knew nothing about. And I think Millie,

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Speaker 3: you came to it kind of similarly in that like

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Speaker 3: you maybe not in the exact same way, but I

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Speaker 3: know that you know growing up with immigrant parents and

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Speaker 3: you know, movies were not really a big deal, but

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Speaker 3: it was like a language that you developed to kind

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Speaker 3: of express yourself. So I think it's we're all kind

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Speaker 3: of in the same boat there.

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Speaker 2: Yeah.

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Speaker 1: Part of like what I think connected us to your

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Speaker 1: email Leta is the idea that we might all be

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Speaker 1: around the same age.

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Speaker 2: And I can't stress this enough.

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Speaker 1: I feel like you just told us this TV was

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Speaker 1: like a babysitter in a lot of ways for our generation,

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Speaker 1: and so much I think of what I experienced with

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Speaker 1: getting in truce to film just almost like accidental, Like

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Speaker 1: it was that kind of like, well, I'm sitting in

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Speaker 1: front of a TV flipping channels and I'm watching a

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Speaker 1: movie a.

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Speaker 2: Lot of the times, or you know.

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Speaker 1: Watching something because I had just flipped past it, or

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Speaker 1: just I was more of like a passive audience to

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Speaker 1: film when I was a kid. And that's because my

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Speaker 1: parents both worked and there were.

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Speaker 2: No parents around. There was no parents around, the blessing

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Speaker 2: and the curse of it.

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Speaker 5: Right.

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Speaker 4: Yes, my sister and I are four years apart in age,

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Speaker 4: and I was old enough in quotes to stay home

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Speaker 4: with her by myself at eleven. And I remember in

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Speaker 4: the summers we would watch whatever was on, like once

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Speaker 4: we did get cable, we would watch whatever was on Spotlight.

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Speaker 4: Do you guys remember that channel? I was like hers

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Speaker 4: is Showtime? I think spot I even remember the theme

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Speaker 4: song Ladies. And we would watch and they would play

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Speaker 4: like b movies all day long during my mom's work day. Yeah,

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Speaker 4: and we say all kinds of shit, all kinds of

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Speaker 4: ship that she was.

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Speaker 2: This was like seven like watch.

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Speaker 1: Yes, yeah, it was there was also too, like even

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Speaker 1: if you because I'm with you in that we would

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Speaker 1: have cable for a little bit and then it would.

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Speaker 2: Be it would go away.

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Speaker 1: It would be like the kind of thing one my

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Speaker 1: dad would be like too expensive, We're not paying for

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Speaker 1: this ship. And then and then a free a free

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Speaker 1: uh weekend of HBO happened and it's like, well, shit,

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Speaker 1: we're getting cable again. Like they were always like canceling

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Speaker 1: it all the time, So I'm like, do we have

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Speaker 1: it or not? And so in the periods where we

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Speaker 1: didn't have it, I think that we also kind of

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Speaker 1: grew up in this era where like antenna TV was

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Speaker 1: still a thing or like over you know, over the

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Speaker 1: air channels that kind of like you know, the the

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Speaker 1: big broadcast networks would play movies on the weekends, and

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Speaker 1: like U you know, you would have like public access

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Speaker 1: stuff or like PBS would play movies. So there was

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Speaker 1: like always movies on. And I know this because I

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Speaker 1: work in TV programming film and it's just fucking cheaper

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Speaker 1: to play movies that it is to play you know,

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Speaker 1: script to TV a lot of times. So a lot

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Speaker 1: of this era that we grew up in, it was

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Speaker 1: it was just like this situation where all these channels

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Speaker 1: were playing films because it was literally pennies on the

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Speaker 1: dollar and we were just sitting in front of a

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Speaker 1: TV because we were like babysitting our little sister, or

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Speaker 1: like somebody was out, you know, doing something else, and

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Speaker 1: or like we were at the the neighbor's house with

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Speaker 1: the kids whose parents were gone to and so yeah,

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Speaker 1: I think that that's kind of like I think that

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Speaker 1: that situation is sort of like a common thing for

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Speaker 1: people of our age.

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Speaker 3: So yeah, and it's and do you find like I

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Speaker 3: think this is true of me that I think because

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Speaker 3: of that, because that's how we came into the world

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Speaker 3: of watching films. Movies are always comforting for me, so

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Speaker 3: like I can always put a movie on in the background,

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Speaker 3: I can always watch something over and over and over again.

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Speaker 3: They're very comforting for me because it's like reuniting.

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Speaker 2: With your babysitter.

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Speaker 5: Let's be real, yes, like oh you, oh I missed you?

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Speaker 2: So yes. Now do you do this for your own children?

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Speaker 5: You know what, It's weird, but I think they do

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Speaker 5: it on their own. Like kids are.

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Speaker 4: Just like whenever they like something, they want to see

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Speaker 4: that thing over and over and over again. And they

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Speaker 4: have more technology, like they can watch stuff with like

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Speaker 4: close caption or whatever, but what they really want is

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Speaker 4: the certainty of knowing what's going to happen in the

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Speaker 4: next scene.

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Speaker 5: There's something about it.

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Speaker 4: I will I know the soundtrack to everything right now,

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Speaker 4: not because I am actively watching these shows, because I'm

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Speaker 4: passively receiving whatever is my kids are listening to.

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Speaker 3: Oh yeah, it's just osmosis, but it's an anxiety deterrent,

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Speaker 3: you know. I think that's why I watch the same

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Speaker 3: things over and over again sometimes because I'm like, I

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Speaker 3: know how this is going to make me feel, and

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Speaker 3: that's all I want right now is the certainty of

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Speaker 3: this is how I'm going to feel for the next

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Speaker 3: two hours.

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Speaker 5: Yep, yep, well good.

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Speaker 2: You know.

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Speaker 1: It's funny though, when I think about sort of our

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Speaker 1: own sort of individual introduction to film and how it

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Speaker 1: played a role in our lives, but then now having

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Speaker 1: this opportunity to kind of gather with each other in

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Speaker 1: this way, Like I feel like that's the one thing

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Speaker 1: that I really do enjoy about doing the podcast is

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Speaker 1: being able to have an opportunity to talk to somebody

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Speaker 1: like Juliida, Like the idea of like me sitting in

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Speaker 1: front of a TV passively watching some Western when I

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Speaker 1: was a child, to like now being able to like

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Speaker 1: take that Western and discuss it with other people who

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Speaker 1: look like me and have like my like shared experiences

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Speaker 1: along cultural, racial, whatever lines, and then just getting to

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Speaker 1: gather with people, you know, because that was like I

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Speaker 1: think that's what makes it different between just being sort

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Speaker 1: of like a person that just kind of will watch

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Speaker 1: a movie versus somebody who wants to go a little

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Speaker 1: bit deeper and find out like why do I like this? Why,

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Speaker 1: why is this popular? Why did this happen? Why is

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Speaker 1: this person around? How come I don't know about this person?

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Speaker 5: So?

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Speaker 1: And just sort of doing this podcast, I feel like,

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Speaker 1: is a good opportunity for us to chat with each

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Speaker 1: other in that way?

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Speaker 5: You know, Yeah, I get that.

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Speaker 4: I was thinking about, like, you know, before the pandemic,

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Speaker 4: you know, we would go to movies and kind of

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Speaker 4: experience movies together with other people, but it was still

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Speaker 4: you know, your group of one or two or how

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Speaker 4: were many people you were with, and that was going

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Speaker 4: to be just your singularity type experience that you were having.

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Speaker 4: But this is this is a version of that that

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Speaker 4: I think that you know, our resilience kind of sent

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Speaker 4: us to when we weren't able.

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Speaker 5: To get together and go to movies together.

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Speaker 4: So then it became, oh my god, did you see

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Speaker 4: so and so or are you listening to Million Daniel's podcast?

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Speaker 5: Did you hear about the movies they talked about? You

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Speaker 5: know that kind of thing. It's still it's still a

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Speaker 5: way of gathering. Yeah, that we're more talkable with for

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Speaker 5: the moment.

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Speaker 2: Yeah, that's beautiful. Yeah, it is.

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Speaker 3: It's beautiful, and it's it's something like I have not

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Speaker 3: been back to movies to theaters yet and I miss

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Speaker 3: it so terribly because that is it's a big part

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Speaker 3: of my enjoyment of newer films is going with people. So,

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Speaker 3: you know, sitting at home and watching like Wonder Woman

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Speaker 3: eighty four, there's no one for me to turn to

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Speaker 3: and be like, is Pedro Pascal not perfect or what like?

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Speaker 3: I'm just saying that is no one.

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Speaker 2: And it's not the same. It's not the same.

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Speaker 3: Uh So, Yeah, I think that it is something that

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Speaker 3: is filling a gap and helping us kind of stay social.

385
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Speaker 3: And we're just so grateful that you are, that you

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Speaker 3: are the kind of person who listens to our show,

387
00:20:05,720 --> 00:20:07,520
Speaker 3: because you never know what kind of audience you're going

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Speaker 3: to get. And I feel like most of our listeners

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00:20:09,600 --> 00:20:14,560
Speaker 3: are exactly like you, like just very cool, like minded,

390
00:20:14,760 --> 00:20:17,680
Speaker 3: wonderful people who we're really happy to be in a

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Speaker 3: community with.

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Speaker 5: Thank you.

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Speaker 4: Well, you guys get back what you put out there.

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Speaker 4: I mean from day one.

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Speaker 5: I mean.

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Speaker 4: One of the things that I also connected with and

397
00:20:28,720 --> 00:20:32,280
Speaker 4: resonate so much with from you guys is your friendship.

398
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Speaker 4: I also have an amazing group of women who would

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Speaker 4: cut a bitch for me even if I'm wrong, And

400
00:20:41,600 --> 00:20:45,040
Speaker 4: then after they've cut that bitch, they will tell me

401
00:20:45,440 --> 00:20:46,280
Speaker 4: you were fucked.

402
00:20:46,080 --> 00:20:51,040
Speaker 5: Up about that, you know, And I just get that

403
00:20:51,160 --> 00:20:51,880
Speaker 5: vibe from.

404
00:20:51,680 --> 00:20:54,280
Speaker 4: You, you know, I'm just like, oh gosh, I.

405
00:20:55,800 --> 00:20:59,439
Speaker 5: Want to I don't know if it's the stage of life,

406
00:20:59,800 --> 00:21:01,720
Speaker 5: but it is. I think it's luck.

407
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Speaker 4: I don't think that everybody has those kinds of relationships.

408
00:21:05,840 --> 00:21:09,240
Speaker 4: I don't think what you guys have is a common thing.

409
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Speaker 4: And it's really great to witness it and see it.

410
00:21:12,840 --> 00:21:14,840
Speaker 4: You know out there in the world that you guys

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Speaker 4: really care for each other and take care of each

412
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Speaker 4: other even though you're not in the same town like

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Speaker 4: you guys ride and that's awesome, man.

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Speaker 2: Thank you saying so much.

415
00:21:24,160 --> 00:21:27,280
Speaker 3: That makes me so happy that that that it comes

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00:21:27,320 --> 00:21:29,359
Speaker 3: through and that you have that in your own life,

417
00:21:29,480 --> 00:21:33,000
Speaker 3: and that you're right. It's rare, and I think it's

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00:21:33,000 --> 00:21:35,800
Speaker 3: something that that brings me great joy, brings me really

419
00:21:35,840 --> 00:21:39,679
Speaker 3: great joy. And again, just so thrilled to add you

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Speaker 3: to the crew. We're gonna, let's hang out, let's go.

421
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Speaker 2: You know what, we don't talk to people we don't like.

422
00:21:52,160 --> 00:21:56,520
Speaker 3: Yes, I do get that, very selective, very selective. But truly,

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Speaker 3: I cannot thank you enough for being here, for a

424
00:22:00,280 --> 00:22:03,480
Speaker 3: being part of our lives. We don't take it for granted,

425
00:22:03,520 --> 00:22:06,440
Speaker 3: we don't take it lightly. And I sincerely hope that

426
00:22:06,480 --> 00:22:09,000
Speaker 3: we get to do some kind of live event that

427
00:22:09,080 --> 00:22:11,439
Speaker 3: you can, you can attend, so we can go out

428
00:22:11,480 --> 00:22:14,080
Speaker 3: and grab dinner and really really hunker down.

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Speaker 5: That'd be amazing. That'd be so amazing. You guys, I'm

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Speaker 5: totally fangirling.

431
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Speaker 4: I've had only one opportunity to be in contact with

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Speaker 4: you know, like a public figure, and I fucked that

433
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Speaker 4: up royally. This has gone so much better, So much redemption.

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Speaker 2: Redemption another reason why we're here.

435
00:22:34,960 --> 00:22:39,760
Speaker 3: Yes, we'll come back any time, truly, Well, maybe we

436
00:22:39,760 --> 00:22:42,679
Speaker 3: should just check in with you regularly, I know, and

437
00:22:42,760 --> 00:22:44,280
Speaker 3: I'm sure other listeners are going to be like, what

438
00:22:44,359 --> 00:22:44,880
Speaker 3: about us?

439
00:22:44,920 --> 00:22:52,440
Speaker 4: Like, I mean, seriously, I look forward to your emails

440
00:22:52,640 --> 00:22:54,920
Speaker 4: and Millie, I want to see pictures of your dog.

441
00:22:55,280 --> 00:22:59,040
Speaker 5: I need to see pictures of Carrot. I don't like cats,

442
00:22:59,200 --> 00:22:59,680
Speaker 5: but I.

443
00:22:59,640 --> 00:23:02,160
Speaker 2: Love and it is a real charmer.

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00:23:02,560 --> 00:23:06,320
Speaker 4: He Honestly, your stories are hilarious. And if you need

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00:23:06,320 --> 00:23:08,040
Speaker 4: somebody to take him, I will.

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00:23:08,680 --> 00:23:11,120
Speaker 2: I'll put you in the will, like if I die,

447
00:23:11,280 --> 00:23:14,480
Speaker 2: Carrot goes to La buffle Up.

448
00:23:14,480 --> 00:23:16,600
Speaker 1: You're getting that mid century ship box.

449
00:23:18,080 --> 00:23:22,840
Speaker 3: For his toxoplasma ruinging you haul for his too plasma sens.

450
00:23:23,080 --> 00:23:25,399
Speaker 5: I can't get pregnant anymore. I'm not worried about that.

451
00:23:25,760 --> 00:23:26,480
Speaker 5: Everything's gone.

452
00:23:28,440 --> 00:23:32,280
Speaker 3: Oh please go have a wonderful evening, And again, thank

453
00:23:32,359 --> 00:23:34,680
Speaker 3: you so much for joining us and for listening.

454
00:23:34,720 --> 00:23:37,679
Speaker 5: Truly, thank you for having me. You guys are the best.

455
00:23:44,520 --> 00:23:49,280
Speaker 1: Oh my god, what a fun guest we have.

456
00:23:49,880 --> 00:23:52,439
Speaker 3: Is the eye is the best and we should do

457
00:23:52,480 --> 00:23:54,800
Speaker 3: that more often? Or should we only do that with

458
00:23:54,920 --> 00:23:55,399
Speaker 3: the ida.

459
00:23:56,000 --> 00:23:59,399
Speaker 1: I know, it's like I kind of like her, I

460
00:23:59,480 --> 00:24:01,800
Speaker 1: kind of I kind of wish you would come back

461
00:24:02,119 --> 00:24:02,880
Speaker 1: like often.

462
00:24:03,000 --> 00:24:05,720
Speaker 3: Well, also, like I'm sure other people are great, but like,

463
00:24:05,960 --> 00:24:07,480
Speaker 3: are we opening Pandora's Box?

464
00:24:07,560 --> 00:24:09,040
Speaker 2: Essentially true?

465
00:24:09,160 --> 00:24:12,240
Speaker 1: I mean, you know, the in this day and age,

466
00:24:13,560 --> 00:24:15,959
Speaker 1: the experiences that we've had, you never know.

467
00:24:16,080 --> 00:24:18,479
Speaker 3: Well, at least we did that that one and it

468
00:24:18,560 --> 00:24:21,000
Speaker 3: was cool. Yeah, And we love our listeners, and thank

469
00:24:21,000 --> 00:24:23,879
Speaker 3: you so much for being awesomely Ida, And you know

470
00:24:23,920 --> 00:24:24,840
Speaker 3: what else is awesome?

471
00:24:26,160 --> 00:24:28,119
Speaker 2: Our theme this week which you thought of?

472
00:24:29,520 --> 00:24:32,879
Speaker 1: I did? Yes, I guess I did think of another

473
00:24:33,280 --> 00:24:34,680
Speaker 1: theme randomly.

474
00:24:35,520 --> 00:24:36,920
Speaker 2: I wanted to tell them what it is.

475
00:24:37,600 --> 00:24:43,080
Speaker 1: So our theme this week is called nineties Murderous Tiger

476
00:24:43,160 --> 00:24:44,119
Speaker 1: Beat Hotties.

477
00:24:46,520 --> 00:24:47,840
Speaker 2: Now, let me ask you a question.

478
00:24:48,480 --> 00:24:52,080
Speaker 1: Did you read Tiger Beat when you were growing up?

479
00:24:52,640 --> 00:24:56,120
Speaker 2: I did read Tiger Beat, but I also had a hierarchy. Ooh,

480
00:24:56,359 --> 00:24:57,399
Speaker 2: let's let's hear it.

481
00:24:57,960 --> 00:25:02,359
Speaker 3: You know bop above Tiger Beat for me? Okay, simply

482
00:25:02,359 --> 00:25:05,840
Speaker 3: because they had more of the centerfolds that I was

483
00:25:05,880 --> 00:25:12,440
Speaker 3: interested in. Yes, we are talking about magazines for teen girls. Centerfolds,

484
00:25:13,119 --> 00:25:14,720
Speaker 3: like that's where you get your big pictures of Like

485
00:25:14,800 --> 00:25:16,639
Speaker 3: I don't know, Richard Greco or whoever you were into,

486
00:25:20,560 --> 00:25:24,000
Speaker 3: or whoever you're into the Greeks, you know, whoever you're into.

487
00:25:24,800 --> 00:25:27,360
Speaker 2: Can we share a birthday me and the Greeks.

488
00:25:28,040 --> 00:25:28,119
Speaker 3: What.

489
00:25:28,880 --> 00:25:32,480
Speaker 1: Yes, Actually, for years I think that my two birth well,

490
00:25:32,520 --> 00:25:35,960
Speaker 1: I have like three or four birthday twins, but one

491
00:25:35,960 --> 00:25:39,080
Speaker 1: of them is Damon Albarn of Blur and the other

492
00:25:39,200 --> 00:25:42,320
Speaker 1: is Richard Grico. And I thought, let's all three go

493
00:25:42,440 --> 00:25:45,159
Speaker 1: down to the Chuck E Cheese and have us a

494
00:25:45,200 --> 00:25:45,840
Speaker 1: good old time.

495
00:25:46,960 --> 00:25:50,680
Speaker 2: Get look, cash in on those tickets.

496
00:25:50,440 --> 00:25:52,639
Speaker 1: And if we want to bring Shaka Khan, who is

497
00:25:52,680 --> 00:25:54,920
Speaker 1: also a birthday twin, then we can.

498
00:25:55,160 --> 00:25:56,439
Speaker 2: We can have you.

499
00:25:56,760 --> 00:26:00,200
Speaker 3: Of course you would listen if if Tiger Beat a

500
00:26:00,200 --> 00:26:03,000
Speaker 3: Shaka con centerfold, I'd still.

501
00:26:02,840 --> 00:26:03,639
Speaker 2: Be a subscriber.

502
00:26:04,600 --> 00:26:07,640
Speaker 3: Yeah, give me some middle age Anita Baker, Like, give

503
00:26:07,680 --> 00:26:12,119
Speaker 3: me some some Anya. Why isn't that magazine exists instead

504
00:26:12,119 --> 00:26:15,840
Speaker 3: of like Tiger Beat, it's like Tiger Stroll.

505
00:26:17,480 --> 00:26:23,080
Speaker 1: Tiger Bliss. Yeah, listen, And there's probably an entire generation

506
00:26:23,200 --> 00:26:25,760
Speaker 1: of kids who like, have no idea what we're talking about,

507
00:26:25,920 --> 00:26:28,199
Speaker 1: because I'm actually on sure do they still make like

508
00:26:28,280 --> 00:26:30,159
Speaker 1: teeny bopper magazines these days?

509
00:26:31,040 --> 00:26:32,119
Speaker 2: I think they do.

510
00:26:32,600 --> 00:26:34,399
Speaker 3: I only like, I only see that kind of stuff

511
00:26:34,400 --> 00:26:36,040
Speaker 3: when if I'm like, if I'm in an airport, which

512
00:26:36,080 --> 00:26:38,600
Speaker 3: I haven't been lately, but yeah, I think they do,

513
00:26:38,640 --> 00:26:41,920
Speaker 3: but it's usually more like, I don't know, the kids

514
00:26:41,960 --> 00:26:44,240
Speaker 3: are smart now, so it's all like teen Vogue.

515
00:26:44,280 --> 00:26:48,879
Speaker 2: And then the cover isn't like you know, choronemic. The

516
00:26:48,960 --> 00:26:53,240
Speaker 2: cover is like the cover is like how to Overthrow

517
00:26:53,240 --> 00:26:54,800
Speaker 2: your Government, and you're like, all right.

518
00:26:56,520 --> 00:26:59,520
Speaker 1: Yeah, no, they're like, do I care about Jason Bateman

519
00:26:59,560 --> 00:27:00,680
Speaker 1: from Tea Wolf two?

520
00:27:01,119 --> 00:27:01,439
Speaker 2: No?

521
00:27:01,480 --> 00:27:04,960
Speaker 1: Not, that's about mom's that's about mom's interest. I care

522
00:27:04,960 --> 00:27:06,119
Speaker 1: about climate change.

523
00:27:06,520 --> 00:27:10,359
Speaker 3: My mom was wasting time on these chumps, and we

524
00:27:10,400 --> 00:27:12,040
Speaker 3: want the issues, the straight.

525
00:27:11,840 --> 00:27:15,119
Speaker 1: Facts, well like, and that's kind of like what I

526
00:27:15,160 --> 00:27:18,320
Speaker 1: think the theme is ultimately about was that we did

527
00:27:18,320 --> 00:27:20,919
Speaker 1: an episode I think it was episode thirty two. It

528
00:27:21,000 --> 00:27:23,720
Speaker 1: was called I Love You nineteen ninety four, and it

529
00:27:23,760 --> 00:27:28,280
Speaker 1: was essentially about Juliet Lewis sort of being in a

530
00:27:28,359 --> 00:27:31,679
Speaker 1: bunch of different films where she was basically murdering people,

531
00:27:32,160 --> 00:27:34,919
Speaker 1: and you know, we we talked a lot about that

532
00:27:35,119 --> 00:27:37,959
Speaker 1: era and sort of her stardom in that era. And

533
00:27:38,040 --> 00:27:40,720
Speaker 1: so then there was this other theme that we did,

534
00:27:40,800 --> 00:27:43,760
Speaker 1: even I think it was like actually newer than that episode,

535
00:27:43,800 --> 00:27:46,359
Speaker 1: where we did talk about like Katie Holmes and Toby

536
00:27:46,440 --> 00:27:50,800
Speaker 1: Maguire and their fame in this era and we're talking

537
00:27:50,800 --> 00:27:55,160
Speaker 1: about the nineties obviously, So we thought for this episode

538
00:27:55,240 --> 00:27:56,520
Speaker 1: we were going to talk about, like.

539
00:27:56,920 --> 00:27:58,880
Speaker 2: Let's just talk about all the hotties. Let's talk about

540
00:27:58,920 --> 00:28:00,919
Speaker 2: all of the the.

541
00:28:00,640 --> 00:28:05,480
Speaker 1: Hot teens stars. And a lot of them were teens

542
00:28:05,600 --> 00:28:08,720
Speaker 1: maybe I guess like some of them were like nineteen,

543
00:28:09,000 --> 00:28:11,080
Speaker 1: but a lot of people were in their twenties okay,

544
00:28:11,160 --> 00:28:15,280
Speaker 1: playing high school kids, right, And so we were just

545
00:28:15,280 --> 00:28:17,480
Speaker 1: more like, let's talk about like this era. And then

546
00:28:17,880 --> 00:28:20,560
Speaker 1: we kind of landed almost like we landed on two

547
00:28:20,600 --> 00:28:25,360
Speaker 1: movies that were made in or released in the same year. Yeah,

548
00:28:25,400 --> 00:28:28,800
Speaker 1: and they were both horror films, and uh, they feature

549
00:28:29,160 --> 00:28:31,160
Speaker 1: some of the hottest hotties we've ever seen.

550
00:28:32,359 --> 00:28:33,639
Speaker 2: Do they yours?

551
00:28:33,680 --> 00:28:34,520
Speaker 1: Does Yours is like.

552
00:28:34,520 --> 00:28:35,879
Speaker 2: A Robert Altman film?

553
00:28:36,480 --> 00:28:41,600
Speaker 4: Ah Ah, yours is like a Robert Altman horror film

554
00:28:41,600 --> 00:28:42,680
Speaker 4: with like all.

555
00:28:42,520 --> 00:28:46,680
Speaker 1: Of the hotties, the teen haughties of this era mine

556
00:28:46,680 --> 00:28:47,480
Speaker 1: a little less.

557
00:28:47,320 --> 00:28:50,640
Speaker 3: So they were definitely like of the era, the hotties

558
00:28:51,000 --> 00:28:53,360
Speaker 3: of the era, for sure, You're right, well well and.

559
00:28:53,360 --> 00:28:55,480
Speaker 1: Also too, I mean a lot of this is also

560
00:28:55,880 --> 00:28:59,959
Speaker 1: like there's a lot of folks that get presented as

561
00:29:00,600 --> 00:29:04,680
Speaker 1: tiger beat hotties that I was always like what Oh.

562
00:29:04,680 --> 00:29:07,240
Speaker 3: Yeah, Tiger Beat always slipped like that one middle aged

563
00:29:07,240 --> 00:29:11,280
Speaker 3: man in the in the end, You're like, what the fuck,

564
00:29:11,640 --> 00:29:16,480
Speaker 3: what is like fucking Robert Gulay doing in here?

565
00:29:16,680 --> 00:29:21,200
Speaker 2: Like what is Scott Bacula doing in Tiger Hell? Going on?

566
00:29:21,240 --> 00:29:22,000
Speaker 2: They always did it.

567
00:29:22,000 --> 00:29:24,960
Speaker 3: They always snuck that one dude, and you're like, what

568
00:29:25,080 --> 00:29:29,760
Speaker 3: he's like near retirement age, what is Tom Selick doing

569
00:29:29,760 --> 00:29:32,320
Speaker 3: in this fuckingissue of Tiger Beat.

570
00:29:33,000 --> 00:29:36,479
Speaker 1: Yeah, he's the you know, the hall monitor for this

571
00:29:36,600 --> 00:29:39,320
Speaker 1: all these other kids that are hanging out in this magazine.

572
00:29:39,400 --> 00:29:41,000
Speaker 2: He's the cop basically.

573
00:29:41,560 --> 00:29:43,840
Speaker 1: But you know, at the end of the day, there

574
00:29:44,040 --> 00:29:51,280
Speaker 1: was this whole proliferation of horror films featuring teens in

575
00:29:51,320 --> 00:29:55,600
Speaker 1: the nineties that obviously I think got started with Scream Yes,

576
00:29:55,640 --> 00:29:57,840
Speaker 1: and then it just got more and more and more.

577
00:29:58,120 --> 00:30:01,120
Speaker 1: So there's this entire like Turche victory of film where

578
00:30:01,120 --> 00:30:07,440
Speaker 1: there was you know, basically you know, famous WB stars

579
00:30:07,560 --> 00:30:09,520
Speaker 1: or w B adjacent.

580
00:30:09,120 --> 00:30:11,880
Speaker 2: Stars that were all in these horror films.

581
00:30:13,440 --> 00:30:17,960
Speaker 1: And I actually can't wait to talk about these two because, yeah,

582
00:30:18,160 --> 00:30:22,720
Speaker 1: like I said, your movie, I feel is really good.

583
00:30:23,000 --> 00:30:25,000
Speaker 1: I feel like it's a quality issue. When it comes

584
00:30:25,040 --> 00:30:27,560
Speaker 1: down to it, there's a difference equality I feel like

585
00:30:27,640 --> 00:30:30,680
Speaker 1: in these films. But I think it's interesting because they

586
00:30:30,680 --> 00:30:32,640
Speaker 1: were both kind of like of this era, of this

587
00:30:32,800 --> 00:30:34,600
Speaker 1: teen horror nineties era.

588
00:30:35,240 --> 00:30:40,080
Speaker 2: And I can't wait. I cannot wait to talk about your.

589
00:30:39,960 --> 00:30:43,880
Speaker 3: Film, but well I can't wait to talk about your film,

590
00:30:43,920 --> 00:30:45,200
Speaker 3: but for completely different reasons.

591
00:30:45,400 --> 00:30:50,200
Speaker 2: Yes, I have a sneaking suspicion. I know what it is.

592
00:30:50,880 --> 00:30:52,000
Speaker 2: I am excited.

593
00:30:53,040 --> 00:30:55,640
Speaker 3: I will say one of the characters is giving straight

594
00:30:55,720 --> 00:31:02,560
Speaker 3: up Brad Dorith in Graveyard Shift realness.

595
00:31:00,680 --> 00:31:04,000
Speaker 1: A hundred percent, A hundo percent.

596
00:31:04,240 --> 00:31:07,400
Speaker 3: There are some odd nods in here to other films

597
00:31:07,680 --> 00:31:11,440
Speaker 3: that don't necessarily hold up. But you know what, we'll

598
00:31:11,440 --> 00:31:13,320
Speaker 3: talk about it, and you're going first, So why not

599
00:31:13,520 --> 00:31:14,000
Speaker 3: jump in?

600
00:31:14,240 --> 00:31:17,400
Speaker 1: Oh my god, let's fucking jump in. Okay, So my

601
00:31:17,520 --> 00:31:22,080
Speaker 1: movie for the theme nineties, Murderous Tiger Beat Hotties was

602
00:31:22,480 --> 00:31:25,240
Speaker 1: a movie that was made in nineteen ninety eight, written

603
00:31:25,240 --> 00:31:28,600
Speaker 1: by Scott Rosenberg, directed by David Nutter, and it's called

604
00:31:28,760 --> 00:31:31,160
Speaker 1: Disturbing Behavior. I hate it here.

605
00:31:31,480 --> 00:31:37,480
Speaker 2: Oh yeah, it's just different. The kids are strange. Hello. Hey,

606
00:31:38,280 --> 00:31:41,160
Speaker 2: It's like they're always smiling, they're always happy.

607
00:31:41,440 --> 00:31:44,920
Speaker 1: Okay, So this I think may not have ever happened.

608
00:31:45,200 --> 00:31:47,160
Speaker 1: I'm not sure it's possible it has.

609
00:31:47,200 --> 00:31:49,440
Speaker 2: I can't remember. We've done so many episodes.

610
00:31:51,120 --> 00:31:54,760
Speaker 1: I have never seen this movie before, so really, yeah,

611
00:31:54,800 --> 00:31:57,440
Speaker 1: so I'm coming to this episode having not seen a

612
00:31:57,480 --> 00:31:58,160
Speaker 1: movie before.

613
00:31:59,160 --> 00:32:01,400
Speaker 2: They the but that's for.

614
00:32:01,400 --> 00:32:04,840
Speaker 3: A reason, because the movie you originally picked my grandma

615
00:32:04,880 --> 00:32:08,360
Speaker 3: had scrubbed from the internet.

616
00:32:13,920 --> 00:32:19,600
Speaker 1: Okay, full disclosure, I had originally picked Poison ivy okay,

617
00:32:19,720 --> 00:32:24,680
Speaker 1: which stars stars Drew Barrymore, and for whatever reason, it's

618
00:32:24,720 --> 00:32:29,360
Speaker 1: not available online, which you know happens. Please reference our

619
00:32:29,360 --> 00:32:33,760
Speaker 1: episode about physical media with Brian Sower. But you know,

620
00:32:33,960 --> 00:32:36,240
Speaker 1: I was like, there's no way that I'm gonna try

621
00:32:36,280 --> 00:32:39,760
Speaker 1: to present this film that nobody can see, and so

622
00:32:39,960 --> 00:32:41,840
Speaker 1: I went with a different film, and I was like,

623
00:32:42,120 --> 00:32:45,960
Speaker 1: why is this not available? And then I immediately thought

624
00:32:46,040 --> 00:32:50,840
Speaker 1: about Danielle's grandma hating Drew Barrymore so intensely, and I thought,

625
00:32:50,880 --> 00:32:52,440
Speaker 1: and I was like, she's involved.

626
00:32:52,480 --> 00:32:54,160
Speaker 2: There's no way she's not involved.

627
00:32:54,360 --> 00:32:59,360
Speaker 3: She's got nothing but time and an unlimited phone plan. Yeah,

628
00:32:59,640 --> 00:33:00,640
Speaker 3: she was ill.

629
00:33:01,440 --> 00:33:03,680
Speaker 2: I do not want to see Drew Barrymore and a

630
00:33:03,680 --> 00:33:06,280
Speaker 2: short skirt. She's just going down the list. She's like

631
00:33:06,360 --> 00:33:15,320
Speaker 2: firestarter done, next never been kissed, Goodbye, Goodbye, fifty first dates,

632
00:33:15,320 --> 00:33:16,000
Speaker 2: Smell you Later.

633
00:33:18,120 --> 00:33:21,720
Speaker 1: So so I pivoted last minute and picked this film.

634
00:33:21,880 --> 00:33:23,360
Speaker 1: And then it was that moment where I was like, well,

635
00:33:23,400 --> 00:33:27,840
Speaker 1: I've never seen it, and although I wanted to, like,

636
00:33:28,440 --> 00:33:30,400
Speaker 1: I think at the time, I might have skipped it

637
00:33:30,520 --> 00:33:33,560
Speaker 1: for reasons I will reveal in just a second. But

638
00:33:33,600 --> 00:33:35,800
Speaker 1: then later I was like, I should go back, I

639
00:33:35,800 --> 00:33:39,080
Speaker 1: should circle back, circle back and watch that movie. And

640
00:33:39,120 --> 00:33:41,280
Speaker 1: then I was like, well, hell, let's do it now.

641
00:33:41,440 --> 00:33:41,800
Speaker 2: Why not?

642
00:33:43,160 --> 00:33:45,000
Speaker 1: So first time watched for me? This is a thisse

643
00:33:45,040 --> 00:33:51,440
Speaker 1: our fresh feelings, very fresh, and look, when it comes

644
00:33:51,520 --> 00:33:54,280
Speaker 1: right down to it, I could do a one sentence

645
00:33:54,320 --> 00:33:59,480
Speaker 1: synopsis perhaps, but honestly, this movie really just is a

646
00:33:59,520 --> 00:34:06,240
Speaker 1: showcase for Katie Holmes and her midgdriff and James Marsden

647
00:34:06,320 --> 00:34:06,600
Speaker 1: is there.

648
00:34:07,680 --> 00:34:13,320
Speaker 2: James Marsden's cheekbones and jaw are also there, and listen,

649
00:34:13,400 --> 00:34:13,919
Speaker 2: we joke.

650
00:34:14,080 --> 00:34:18,240
Speaker 1: But personally I feel like James Marsden might be the

651
00:34:18,320 --> 00:34:23,640
Speaker 1: only truly likable character in this film. Totally, yeah, okay,

652
00:34:23,960 --> 00:34:25,800
Speaker 1: thank you for seeing I with me on that.

653
00:34:26,320 --> 00:34:29,759
Speaker 3: Totally like the two I know we're gonna get into it,

654
00:34:29,840 --> 00:34:35,320
Speaker 3: but the two Stoners so annoying, like annoying in a

655
00:34:35,360 --> 00:34:38,200
Speaker 3: way that stoners have never been annoying to me before,

656
00:34:38,320 --> 00:34:41,280
Speaker 3: not even funny, annoying, just like why annoying.

657
00:34:42,080 --> 00:34:45,520
Speaker 1: We're gonna talk about this and how like in just

658
00:34:45,600 --> 00:34:50,720
Speaker 1: a minute, because I need, I desperately need your deep,

659
00:34:50,920 --> 00:34:51,879
Speaker 1: deep thoughts.

660
00:34:51,560 --> 00:34:56,520
Speaker 2: On these two fucking knuckleheads. But here's the thing, so don't.

661
00:34:56,400 --> 00:34:58,560
Speaker 1: I didn't know a lot about the film before I

662
00:34:58,600 --> 00:35:02,480
Speaker 1: went into it, other than Katie James Marsden, but I

663
00:35:02,560 --> 00:35:08,720
Speaker 1: did know this. There was a song that came out

664
00:35:09,320 --> 00:35:14,080
Speaker 1: when this movie came out, okay, And the name of

665
00:35:14,080 --> 00:35:16,480
Speaker 1: the song is called Got You Where I Want You

666
00:35:17,440 --> 00:35:23,480
Speaker 1: by a band called The Flies, who are from Hollywood, California.

667
00:35:24,120 --> 00:35:28,400
Speaker 1: And I remember seeing the video on MTV and thinking

668
00:35:28,440 --> 00:35:31,840
Speaker 1: that the song is great, And then I'm like, why

669
00:35:31,920 --> 00:35:34,759
Speaker 1: are Katie Holmes and James Marsden in this video? Why

670
00:35:34,840 --> 00:35:38,280
Speaker 1: is Katie Holmes wearing a really short midgeer of top

671
00:35:38,480 --> 00:35:44,680
Speaker 1: with no shoes on outside, like in fucking Malibu or

672
00:35:44,719 --> 00:35:46,840
Speaker 1: big sir, wherever they're at in this video.

673
00:35:47,520 --> 00:35:50,600
Speaker 2: I'm like, sheha't wearing shoes, Like that's not good.

674
00:35:52,800 --> 00:35:54,920
Speaker 3: And this goes back to in our the episode where

675
00:35:54,920 --> 00:35:59,640
Speaker 3: we discussed film songs that are that remind us directly

676
00:35:59,640 --> 00:36:00,000
Speaker 3: a film.

677
00:36:00,520 --> 00:36:05,600
Speaker 2: The Enya video for the song that goes with uh.

678
00:36:05,480 --> 00:36:09,000
Speaker 1: Yeah far, it's not called Far and Away, It's called

679
00:36:09,000 --> 00:36:12,320
Speaker 1: Book of Days. I have to tell myself that every

680
00:36:12,360 --> 00:36:14,480
Speaker 1: time I think of it.

681
00:36:13,880 --> 00:36:16,800
Speaker 3: And the whole time you're like, why is she slipping

682
00:36:16,800 --> 00:36:20,160
Speaker 3: through some scrolls? And why is Tom Cruise there? Yes,

683
00:36:21,320 --> 00:36:25,640
Speaker 3: why is Katie Holmes on this beach in this weird slows?

684
00:36:25,760 --> 00:36:28,920
Speaker 3: I have never in my goddamn life seen a horror

685
00:36:28,920 --> 00:36:32,799
Speaker 3: movie have a slow eighth grade will You Dance with

686
00:36:32,880 --> 00:36:33,360
Speaker 3: Me song?

687
00:36:33,760 --> 00:36:35,280
Speaker 2: For its like main.

688
00:36:35,320 --> 00:36:38,640
Speaker 1: Song, yes, and it plays an unlike Book of Days,

689
00:36:38,680 --> 00:36:42,279
Speaker 1: which only plays at the end, which you felt very

690
00:36:42,280 --> 00:36:47,359
Speaker 1: strongly about, Like this song got you where I want

691
00:36:47,480 --> 00:36:50,600
Speaker 1: you plays like multiple times in the film. Yeah, it

692
00:36:50,640 --> 00:36:52,560
Speaker 1: plays in the first couple of minutes of the film,

693
00:36:52,560 --> 00:36:53,600
Speaker 1: and I think it plays at the.

694
00:36:53,680 --> 00:36:56,120
Speaker 2: Very end too, and in the middle they played it

695
00:36:56,160 --> 00:36:56,719
Speaker 2: all the time.

696
00:36:56,880 --> 00:36:58,640
Speaker 3: This is why I'm mad the Book of Days was

697
00:36:58,680 --> 00:37:02,720
Speaker 3: not in Far in a way yeah that much because

698
00:37:02,760 --> 00:37:04,839
Speaker 3: I like the song. Yeah, if I like the song,

699
00:37:04,840 --> 00:37:07,440
Speaker 3: you should be playing it non stop doing that fucking movie.

700
00:37:07,640 --> 00:37:09,640
Speaker 3: Then this is the movie that's like, are you sure

701
00:37:09,640 --> 00:37:12,479
Speaker 3: about that, Yeah, exactly, And.

702
00:37:12,400 --> 00:37:16,480
Speaker 1: It's like like this this song, you're gonna have to

703
00:37:16,520 --> 00:37:19,279
Speaker 1: all go to YouTube and watch the video to know

704
00:37:19,280 --> 00:37:23,640
Speaker 1: what the fuck I'm talking about. The band themselves look

705
00:37:25,160 --> 00:37:29,240
Speaker 1: so deeply Hollywood in the late nineties.

706
00:37:29,280 --> 00:37:30,680
Speaker 2: They're all they're all like.

707
00:37:30,680 --> 00:37:35,120
Speaker 1: Dyed black, spiky hair, chain wallets, like I'm sure it's

708
00:37:35,160 --> 00:37:38,400
Speaker 1: probably like really tight white tank tops that come in

709
00:37:38,440 --> 00:37:41,520
Speaker 1: a ten pack with giant pants, like it's that look

710
00:37:41,920 --> 00:37:45,400
Speaker 1: that we all know now. And then there's barefoot Katie

711
00:37:45,440 --> 00:37:50,200
Speaker 1: Holmes and James Marson is there just like the film.

712
00:37:50,440 --> 00:37:53,680
Speaker 1: James Marson is also in the video. But that's the

713
00:37:53,719 --> 00:37:56,520
Speaker 1: whole reason why I knew about this movie. And then

714
00:37:57,160 --> 00:37:59,400
Speaker 1: at a certain point I just like never got around

715
00:37:59,520 --> 00:38:02,200
Speaker 1: seeing the film. But I have to say so, when

716
00:38:02,200 --> 00:38:06,160
Speaker 1: I was doing research about this movie, I started reading

717
00:38:06,200 --> 00:38:11,560
Speaker 1: about the writer of the film, Scott Rosenberg. Okay, I'm

718
00:38:11,560 --> 00:38:16,480
Speaker 1: gonna read you this, this group of sentences that I

719
00:38:16,520 --> 00:38:22,440
Speaker 1: found online about the writer of disturbing behavior. During production

720
00:38:23,040 --> 00:38:27,120
Speaker 1: of the film Domestic Disturbance. In April two thousand and one,

721
00:38:27,960 --> 00:38:32,399
Speaker 1: Rosenberg was arrested along with actor Vince Vaughn after a

722
00:38:32,440 --> 00:38:36,680
Speaker 1: bar brawl in Wilmington, North Carolina. The scuffle broke out

723
00:38:36,719 --> 00:38:39,640
Speaker 1: at the fire Belly Lounge, where actor Steve.

724
00:38:39,360 --> 00:38:41,839
Speaker 2: Buschemi had been stabbed in.

725
00:38:41,920 --> 00:38:44,640
Speaker 1: The face, throat an arm.

726
00:38:45,040 --> 00:38:47,960
Speaker 2: I'm sorry, what do I do not remember this at all?

727
00:38:48,000 --> 00:38:48,839
Speaker 1: Do you remember this?

728
00:38:49,560 --> 00:38:52,680
Speaker 2: I have no recollection of this. What is the source

729
00:38:52,719 --> 00:38:55,839
Speaker 2: on that? Is it? Tumblr? It was? It was?

730
00:38:56,440 --> 00:39:01,080
Speaker 1: It was on the Wikipedia page for the writer Steve Rosenberg.

731
00:39:01,160 --> 00:39:03,400
Speaker 1: And then I looked at the reference and it was

732
00:39:03,400 --> 00:39:06,440
Speaker 1: like an e an E online article.

733
00:39:06,800 --> 00:39:07,360
Speaker 2: I'm sorry.

734
00:39:07,440 --> 00:39:11,640
Speaker 3: If my man, Steve Buscemi was stabbed in the fucking face,

735
00:39:11,840 --> 00:39:13,279
Speaker 3: I feel like I would have remembered that.

736
00:39:14,400 --> 00:39:18,920
Speaker 1: I mean, dude, this must have been the power of

737
00:39:19,000 --> 00:39:21,920
Speaker 1: two thousand and one, because I did not know this

738
00:39:22,040 --> 00:39:24,480
Speaker 1: at all. Like if Steve, you SHEMI got stabbed in

739
00:39:24,520 --> 00:39:27,880
Speaker 1: the face right fucking now, like today, it would be

740
00:39:27,960 --> 00:39:30,920
Speaker 1: all over the news, so it'd be all over Twitter.

741
00:39:31,000 --> 00:39:35,920
Speaker 3: Absolutely absolutely, this is actually a just this this is okay.

742
00:39:36,680 --> 00:39:37,040
Speaker 2: Listen.

743
00:39:37,239 --> 00:39:40,480
Speaker 3: I know we're in a time when Britney Spears is married,

744
00:39:40,760 --> 00:39:43,799
Speaker 3: she's her life's coming back to her. This is the

745
00:39:43,920 --> 00:39:47,759
Speaker 3: shit that prevented us from knowing this information is that

746
00:39:47,800 --> 00:39:51,080
Speaker 3: they were so busy chasing after Britney Spears hanging out

747
00:39:51,120 --> 00:39:55,279
Speaker 3: with Lindsay Lowen and fucking Paris Hilton that nobody thought

748
00:39:55,320 --> 00:39:57,360
Speaker 3: to tell us Steve FUSCEHEMI got stabbed in the fucking

749
00:39:57,360 --> 00:39:59,320
Speaker 3: face and throat and neck.

750
00:40:00,200 --> 00:40:03,200
Speaker 2: An arm the road. Throat might as well be neck.

751
00:40:03,320 --> 00:40:06,759
Speaker 1: Let's get serious and then arm and I have no

752
00:40:06,840 --> 00:40:08,040
Speaker 1: recollection of this event.

753
00:40:08,440 --> 00:40:09,840
Speaker 2: Also why they hanging out together.

754
00:40:10,320 --> 00:40:13,480
Speaker 1: The writer of this film got into a brawl where

755
00:40:13,520 --> 00:40:15,000
Speaker 1: that happened, so he.

756
00:40:15,040 --> 00:40:17,560
Speaker 2: Started it and then my man Steve got stabbed.

757
00:40:18,200 --> 00:40:20,640
Speaker 1: Well, actually, when you go to the E Online article,

758
00:40:20,680 --> 00:40:25,919
Speaker 1: it sounds like these like two local bros got into

759
00:40:25,960 --> 00:40:30,720
Speaker 1: the fight with this crew of people, including Vince want

760
00:40:30,840 --> 00:40:33,400
Speaker 1: maybe Steve Yuscemi and maybe this guy. And so I

761
00:40:33,400 --> 00:40:36,239
Speaker 1: think maybe that was it, Like the famous guys were

762
00:40:36,280 --> 00:40:38,440
Speaker 1: on one side and then the local bros were on

763
00:40:38,480 --> 00:40:41,239
Speaker 1: the other side. If I know anything about North Carolina,

764
00:40:41,360 --> 00:40:45,279
Speaker 1: which I'm just saying I might, but that maybe is

765
00:40:45,320 --> 00:40:45,880
Speaker 1: what happened.

766
00:40:45,920 --> 00:40:51,000
Speaker 2: How was this not turned into a film? And I

767
00:40:51,080 --> 00:40:53,400
Speaker 2: do not. This is this is the New west Side story.

768
00:40:53,440 --> 00:40:57,240
Speaker 3: To me, this is what the New west Side Story

769
00:40:57,400 --> 00:40:58,560
Speaker 3: iteration should have been.

770
00:41:00,400 --> 00:41:01,360
Speaker 2: It's for some.

771
00:41:01,239 --> 00:41:05,080
Speaker 3: Reason, Vince Vaughn is hanging out with Steve Jemmy and

772
00:41:05,160 --> 00:41:08,800
Speaker 3: the guy that wrote Disturbing Behavior, and they're all hanging

773
00:41:08,840 --> 00:41:14,600
Speaker 3: out bare knuckle boxing people in North Carolina. I want

774
00:41:15,160 --> 00:41:17,319
Speaker 3: I need more, I need more, Like we have to

775
00:41:17,360 --> 00:41:18,359
Speaker 3: have one of them on the show.

776
00:41:18,440 --> 00:41:19,799
Speaker 2: That's how many details I need.

777
00:41:19,920 --> 00:41:22,240
Speaker 1: I need a full Hulu four part.

778
00:41:22,080 --> 00:41:24,400
Speaker 2: Doc on this. Thank you too sweet.

779
00:41:24,480 --> 00:41:28,560
Speaker 1: Okay, So there's that factoid that fit I found when

780
00:41:28,560 --> 00:41:29,960
Speaker 1: I was researching this film.

781
00:41:30,280 --> 00:41:32,920
Speaker 2: In other face, in the fucking.

782
00:41:32,920 --> 00:41:37,399
Speaker 1: Face wild, absolutely fucking wild. The other thing is that

783
00:41:37,840 --> 00:41:41,000
Speaker 1: I read that the director of this film, okay, he

784
00:41:41,080 --> 00:41:43,360
Speaker 1: was also a director and producer on The X Files.

785
00:41:43,600 --> 00:41:46,040
Speaker 1: And I feel like that tells the entire tale of

786
00:41:46,040 --> 00:41:50,839
Speaker 1: this movie, because honestly, this movie, Disturbing Behavior feels like an.

787
00:41:50,880 --> 00:41:57,000
Speaker 2: X Files episode and not a movie, right, fair.

788
00:41:56,800 --> 00:42:02,520
Speaker 1: To say, and I'm gonna say maybe not even.

789
00:42:02,280 --> 00:42:04,000
Speaker 2: A good episode of The X Files.

790
00:42:04,120 --> 00:42:10,680
Speaker 3: Unfortunately, truly feels like a very drawn out X Files episode.

791
00:42:11,280 --> 00:42:13,280
Speaker 2: Yes, I truly agree.

792
00:42:13,760 --> 00:42:17,400
Speaker 3: Now, David Nutter also directed a bunch of Game of

793
00:42:17,440 --> 00:42:20,560
Speaker 3: Thrones episodes. Yeah, but he's very good at Game of

794
00:42:20,600 --> 00:42:21,320
Speaker 3: Thrones episodes.

795
00:42:21,440 --> 00:42:24,359
Speaker 1: He's known for directing pilot episodes of TV shows that

796
00:42:24,440 --> 00:42:26,920
Speaker 1: like have gone to series like all of the pilots

797
00:42:26,920 --> 00:42:30,640
Speaker 1: he directed went to series or something for like twenty years.

798
00:42:30,920 --> 00:42:31,320
Speaker 2: Crazy.

799
00:42:31,840 --> 00:42:34,719
Speaker 1: But okay, so before we move on to the base

800
00:42:34,800 --> 00:42:36,720
Speaker 1: of this film, I have to ask you right now,

801
00:42:37,680 --> 00:42:42,320
Speaker 1: where are you or were you with the series Dawson's Creek.

802
00:42:43,239 --> 00:42:45,440
Speaker 3: I have never seen a single minute of Dawson's Creek

803
00:42:45,560 --> 00:42:49,240
Speaker 3: and I never will and you can't make me, okay,

804
00:42:52,480 --> 00:42:56,520
Speaker 3: several people have asked, and I just won't. The coffee

805
00:42:56,520 --> 00:42:59,959
Speaker 3: shop I used to go to in La James Vander

806
00:43:00,320 --> 00:43:00,800
Speaker 3: was there.

807
00:43:00,640 --> 00:43:01,200
Speaker 2: All the time.

808
00:43:01,400 --> 00:43:04,759
Speaker 3: Oh, I remember that, and I constantly talk to him

809
00:43:04,760 --> 00:43:07,560
Speaker 3: because I have no shame, and it was never about

810
00:43:07,600 --> 00:43:09,560
Speaker 3: Dawson's Creek. I was just like, why are you here?

811
00:43:09,600 --> 00:43:12,239
Speaker 3: You have eighteen kids? Yeah, like what is going on?

812
00:43:12,440 --> 00:43:13,640
Speaker 3: And he's like, well, that's why I'm here.

813
00:43:13,719 --> 00:43:16,080
Speaker 1: I would rather talk to him about Varsity Blues than

814
00:43:16,160 --> 00:43:17,799
Speaker 1: Dawson's to be honest, But can t ye.

815
00:43:18,200 --> 00:43:20,040
Speaker 3: I don't like we talked about don't Trust to be

816
00:43:20,160 --> 00:43:23,800
Speaker 3: an Apartment twenty three, like we talked about non Hollywood

817
00:43:23,840 --> 00:43:26,920
Speaker 3: shit all the time. Because I never watch Dawson's Creek.

818
00:43:26,960 --> 00:43:28,880
Speaker 3: I didn't have any weirdness around him at all. He

819
00:43:28,960 --> 00:43:31,680
Speaker 3: was not He was not my teen heart throb. He

820
00:43:31,800 --> 00:43:33,560
Speaker 3: was just like the weird guy who was always in

821
00:43:33,600 --> 00:43:36,600
Speaker 3: the coffee shop when I was Yeah, and we would

822
00:43:36,600 --> 00:43:37,359
Speaker 3: just talk about work.

823
00:43:38,600 --> 00:43:38,920
Speaker 2: Yeah.

824
00:43:38,920 --> 00:43:42,360
Speaker 1: Well look, I will reveal to you that's actually very interesting.

825
00:43:42,560 --> 00:43:47,200
Speaker 1: And I kind of secretly love when somebody is talking

826
00:43:47,280 --> 00:43:50,360
Speaker 1: to a person that is famous for doing something that they.

827
00:43:50,239 --> 00:43:51,760
Speaker 2: Have no idea about.

828
00:43:51,960 --> 00:43:58,239
Speaker 1: Right, it's like talking to you know, Paul McCartney and

829
00:43:58,320 --> 00:44:01,160
Speaker 1: only talking about like the duet that he did with

830
00:44:01,200 --> 00:44:03,880
Speaker 1: Michael Jackson, say say like, I'd be like, oh, you

831
00:44:03,920 --> 00:44:05,480
Speaker 1: were not you were in a band.

832
00:44:05,320 --> 00:44:08,600
Speaker 2: Called the Beatles. I'm sorry, I've never heard of them.

833
00:44:10,640 --> 00:44:14,400
Speaker 3: It's true, and it's I say this because people around

834
00:44:14,480 --> 00:44:16,920
Speaker 3: us would be losing their fucking minds, like women of

835
00:44:16,960 --> 00:44:19,720
Speaker 3: our age or younger who like he was the heart throb,

836
00:44:20,360 --> 00:44:21,640
Speaker 3: would be like, oh my god, oh my god, oh

837
00:44:21,680 --> 00:44:23,400
Speaker 3: my god, oh my god. And I'm like I used

838
00:44:23,440 --> 00:44:25,680
Speaker 3: to call him Jimmy Jam and Terry Lewis like, what's up,

839
00:44:25,719 --> 00:44:27,640
Speaker 3: Jimmy jam And Terry Lewis.

840
00:44:29,440 --> 00:44:33,200
Speaker 1: Well, not for nothing, but Anilius who is producing this

841
00:44:33,320 --> 00:44:36,480
Speaker 1: Epp Huge Dawson's person just saying.

842
00:44:36,280 --> 00:44:38,719
Speaker 2: You can't make me, you can't make me. I'm neither

843
00:44:38,800 --> 00:44:41,279
Speaker 2: one of you. Yeah, I love that. We can't make you.

844
00:44:41,400 --> 00:44:44,280
Speaker 1: But listen, here's the thing I was. I was into,

845
00:44:44,840 --> 00:44:48,840
Speaker 1: like I said, I weirdly. So I was in college

846
00:44:49,000 --> 00:44:51,840
Speaker 1: when all this stuff was happening in the late nineties,

847
00:44:51,960 --> 00:44:56,120
Speaker 1: ninety seven, ninety eight, and for whatever reason, my two

848
00:44:56,200 --> 00:44:59,640
Speaker 1: roommates John and David and I But anyway, so we

849
00:44:59,680 --> 00:45:03,440
Speaker 1: watched a lot of the WB shows, like Dawson's like Roswell,

850
00:45:03,560 --> 00:45:05,440
Speaker 1: I don't I don't know if you remember Roswell. And

851
00:45:05,480 --> 00:45:08,560
Speaker 1: then John tried to get us into Buffy but it

852
00:45:08,680 --> 00:45:09,280
Speaker 1: just never.

853
00:45:09,080 --> 00:45:11,240
Speaker 2: Took for me. I just I never watched Buffy.

854
00:45:11,840 --> 00:45:15,120
Speaker 1: But the era in general, I feel like, was we

855
00:45:15,120 --> 00:45:17,280
Speaker 1: were just all inundated with all this like teen stuff

856
00:45:17,320 --> 00:45:21,399
Speaker 1: between like all that stuff and you know, the boy

857
00:45:21,480 --> 00:45:24,759
Speaker 1: band era and you know that kind of stuff. And

858
00:45:24,800 --> 00:45:26,640
Speaker 1: I was in college, so you know, I was into

859
00:45:26,640 --> 00:45:31,719
Speaker 1: it ironically, right of course, I was like that obnoxious

860
00:45:31,880 --> 00:45:34,760
Speaker 1: college kid was like, I want to watch Dawson's Creek.

861
00:45:34,840 --> 00:45:37,920
Speaker 1: Isn't it weird? Because I'm like in the Gouden stuff.

862
00:45:38,400 --> 00:45:38,919
Speaker 2: Isn't it weird?

863
00:45:38,920 --> 00:45:41,319
Speaker 3: How I turn in tune in every single week at

864
00:45:41,320 --> 00:45:43,760
Speaker 3: the same time, and I'm sad if I miss it

865
00:45:43,800 --> 00:45:44,120
Speaker 3: isn't it.

866
00:45:44,120 --> 00:45:49,080
Speaker 1: Weird that I'm like deeply invested in Pacey and Joey's relationship.

867
00:45:49,400 --> 00:45:52,800
Speaker 1: Like no, I mean, I'm in a britpop.

868
00:45:52,360 --> 00:45:54,440
Speaker 2: Why would I like this stuff? For tailing? It was

869
00:45:54,480 --> 00:45:58,279
Speaker 2: so obnoxious. But here's the thing.

870
00:45:59,120 --> 00:46:06,160
Speaker 1: This movie stars James Marston, Okay, who I actually love. Yeah,

871
00:46:06,200 --> 00:46:09,520
Speaker 1: he's fantastic, He's great, and I don't know, I'm not.

872
00:46:09,640 --> 00:46:12,560
Speaker 1: This is no shade to you, sir, but I don't

873
00:46:12,600 --> 00:46:13,120
Speaker 1: know why.

874
00:46:12,960 --> 00:46:15,600
Speaker 2: I like you so much. And it isn't because you

875
00:46:15,719 --> 00:46:19,600
Speaker 2: have like this diamond cutter fucking beautiful face.

876
00:46:19,719 --> 00:46:22,000
Speaker 1: Right, It says nothing to do with horniness.

877
00:46:22,200 --> 00:46:25,000
Speaker 2: I just like your vibe. I don't know, I like

878
00:46:25,080 --> 00:46:25,640
Speaker 2: your vibe.

879
00:46:25,800 --> 00:46:29,560
Speaker 3: Okay, here's how I would describe James Marsden. I feel

880
00:46:29,600 --> 00:46:33,320
Speaker 3: like he was Chris Pine weird on in the Desert,

881
00:46:33,400 --> 00:46:34,720
Speaker 3: cool before Chris Pine.

882
00:46:35,280 --> 00:46:39,960
Speaker 2: Okay, that that's accurate. I'll go with that, like just chill,

883
00:46:40,120 --> 00:46:42,400
Speaker 2: he's done. Funny. God, what was the movie that he

884
00:46:42,480 --> 00:46:46,600
Speaker 2: was in where he was so funny? Oh my god?

885
00:46:47,320 --> 00:46:49,000
Speaker 1: Yeah, he was on thirty Rock. I mean when he

886
00:46:49,040 --> 00:46:51,680
Speaker 1: was on thirty Rock, he was great. I remember him

887
00:46:51,719 --> 00:46:53,640
Speaker 1: an anchorman. I think it was that he was in

888
00:46:53,680 --> 00:46:56,880
Speaker 1: the second one maybe yes, but he's always been in

889
00:46:56,920 --> 00:47:00,360
Speaker 1: like funny shit. Yeah, and I just I don't know.

890
00:47:00,360 --> 00:47:02,759
Speaker 1: I like his vibe. I don't know how to describe it.

891
00:47:03,239 --> 00:47:05,319
Speaker 1: I don't know why. I love you, right.

892
00:47:05,480 --> 00:47:09,279
Speaker 3: I think that's their I think that he just has

893
00:47:09,320 --> 00:47:13,560
Speaker 3: that vibe and again, like can do serious but is

894
00:47:13,640 --> 00:47:16,759
Speaker 3: also funny in a way that is not like he

895
00:47:16,920 --> 00:47:18,359
Speaker 3: look at me, I'm a hot funny guy.

896
00:47:18,360 --> 00:47:19,840
Speaker 2: He's just genuinely funny.

897
00:47:20,080 --> 00:47:24,160
Speaker 1: Yeah, as of this recording, I love James Marson, Okay, solid.

898
00:47:24,560 --> 00:47:25,680
Speaker 2: So in this.

899
00:47:25,600 --> 00:47:29,520
Speaker 1: Movie he plays this kid named Steve Right, high school kid.

900
00:47:29,680 --> 00:47:32,360
Speaker 1: Even though I'm pretty sure James Marson was, like it

901
00:47:32,400 --> 00:47:34,360
Speaker 1: is mid twenties, playing high school.

902
00:47:34,160 --> 00:47:35,520
Speaker 2: Kid his family.

903
00:47:35,719 --> 00:47:38,480
Speaker 1: He and his family moved from Chicago to this place

904
00:47:38,520 --> 00:47:42,840
Speaker 1: called Cradle Bay, which I'm not entirely sure where it is.

905
00:47:42,880 --> 00:47:45,200
Speaker 1: It seems like it's in New England somewhere based on

906
00:47:46,000 --> 00:47:47,359
Speaker 1: the Graveyard Shift guy.

907
00:47:47,840 --> 00:47:51,160
Speaker 2: I thought Seattle. Oh maybe, I know. I'm like, I

908
00:47:51,160 --> 00:47:52,000
Speaker 2: don't know they moved.

909
00:47:52,000 --> 00:47:53,880
Speaker 3: They just they're like, we're not in Chicago, and I'm like,

910
00:47:53,880 --> 00:47:55,400
Speaker 3: but how close are you to Chicago?

911
00:47:55,480 --> 00:47:56,360
Speaker 2: Are you in Wisconsin?

912
00:47:56,480 --> 00:47:56,560
Speaker 5: Like?

913
00:47:56,600 --> 00:47:58,120
Speaker 2: What the fuck? Dude? Yeah?

914
00:47:58,160 --> 00:48:04,160
Speaker 1: Hard to say where Cradle Bay is, but essentially his

915
00:48:04,400 --> 00:48:09,880
Speaker 1: brother has died. Okay who and they show this footage

916
00:48:09,920 --> 00:48:13,280
Speaker 1: of his brother and his brother is played by Ethan Embry,

917
00:48:13,480 --> 00:48:17,719
Speaker 1: the actor Ethan Embry, who gotta say, looks nothing like

918
00:48:17,840 --> 00:48:20,280
Speaker 1: James Marsden or the rest of their family.

919
00:48:20,360 --> 00:48:23,040
Speaker 2: It was like, Okay, I don't understand this.

920
00:48:25,520 --> 00:48:28,080
Speaker 1: But it's just like the family tragedy. And I'm assuming

921
00:48:28,080 --> 00:48:30,120
Speaker 1: they moved to this place because they're trying to kind

922
00:48:30,120 --> 00:48:31,759
Speaker 1: of get away from the past type of thing. So

923
00:48:32,640 --> 00:48:36,680
Speaker 1: first day of school, Steve sits down at a cafeteria

924
00:48:36,719 --> 00:48:42,120
Speaker 1: and these like two dorks just come cruising up and

925
00:48:42,160 --> 00:48:44,600
Speaker 1: it's these I hate to say it, they're kind of

926
00:48:44,640 --> 00:48:49,600
Speaker 1: in selly, not gonna lie. It's this kid named Gavin,

927
00:48:49,880 --> 00:48:53,919
Speaker 1: who is played by Nick Stall Okay, and he's kind

928
00:48:53,960 --> 00:48:57,399
Speaker 1: of like, like I said, he has this kind of

929
00:48:57,480 --> 00:49:03,680
Speaker 1: like pre reddit guy, I don't know, like slightly in

930
00:49:03,840 --> 00:49:11,000
Speaker 1: cell stoner, but also kind of like into conspiracy theories

931
00:49:11,040 --> 00:49:12,440
Speaker 1: and like you know what I mean, Like it's I

932
00:49:12,480 --> 00:49:15,520
Speaker 1: don't know how to describe this person. In the modern age,

933
00:49:15,680 --> 00:49:17,400
Speaker 1: I think we know what kind of person it would be,

934
00:49:17,440 --> 00:49:19,480
Speaker 1: but in this time he was kind of like generic

935
00:49:19,680 --> 00:49:21,759
Speaker 1: gen x dork, right.

936
00:49:21,880 --> 00:49:23,520
Speaker 3: I feel like back in the day, he was like

937
00:49:24,040 --> 00:49:27,359
Speaker 3: the kid who intentionally shopped at the Army Navy store, Yes,

938
00:49:28,480 --> 00:49:30,280
Speaker 3: only the Army Navy store.

939
00:49:30,840 --> 00:49:33,200
Speaker 1: And he's spoken like I am big Pentameter and shit

940
00:49:33,360 --> 00:49:36,480
Speaker 1: like just annoying as hell. Okay, And then there's this

941
00:49:36,719 --> 00:49:40,319
Speaker 1: his friend is simply a kid that they call UV.

942
00:49:41,560 --> 00:49:44,240
Speaker 1: And the reason why they do this apparently is because

943
00:49:44,280 --> 00:49:45,560
Speaker 1: he has albutism.

944
00:49:45,800 --> 00:49:48,640
Speaker 2: Awful, awful, And these.

945
00:49:48,400 --> 00:49:51,239
Speaker 1: Two guys kind of saddle up to Steve on his

946
00:49:51,280 --> 00:49:53,279
Speaker 1: first day and they're giving him the sort of lay

947
00:49:53,280 --> 00:49:55,319
Speaker 1: of the land in terms of like who are the

948
00:49:55,400 --> 00:49:58,800
Speaker 1: crews in school? And it's I mean, it is probably

949
00:49:58,840 --> 00:50:01,960
Speaker 1: the most one of the most crit scenes in movie history.

950
00:50:02,080 --> 00:50:02,800
Speaker 2: For my money.

951
00:50:03,480 --> 00:50:06,440
Speaker 3: There there is something about this film that I definitely

952
00:50:06,480 --> 00:50:08,200
Speaker 3: want to talk about, and this is part of it

953
00:50:08,680 --> 00:50:14,160
Speaker 3: where I think, in a post Heather's world, every teen

954
00:50:14,400 --> 00:50:18,840
Speaker 3: movie tried to have its own brand of slang or

955
00:50:18,880 --> 00:50:21,279
Speaker 3: its own vibe, like.

956
00:50:21,200 --> 00:50:24,680
Speaker 2: They tried too hard to do that, and this is

957
00:50:24,800 --> 00:50:25,920
Speaker 2: absolutely one of them.

958
00:50:26,000 --> 00:50:28,719
Speaker 3: So this this UV character, who by the way, is

959
00:50:28,920 --> 00:50:36,080
Speaker 3: fraud has fraudulent albinism. They just dyed his eyebrows really blonde. Yeah,

960
00:50:36,239 --> 00:50:42,240
Speaker 3: very cringeys I so cringey, and he is saying nothing,

961
00:50:42,440 --> 00:50:47,520
Speaker 3: like he provides nothing to this film except they're trying

962
00:50:47,520 --> 00:50:51,360
Speaker 3: to use him for like cool kid clout and like

963
00:50:52,000 --> 00:50:56,840
Speaker 3: that vocab that they're trying to they're trying to inject

964
00:50:56,880 --> 00:50:58,160
Speaker 3: into the mainstream.

965
00:50:58,400 --> 00:51:01,080
Speaker 2: Like he doesn't really have a point.

966
00:51:01,200 --> 00:51:03,800
Speaker 3: And he's like, like you know, the Nick Stall character,

967
00:51:04,719 --> 00:51:07,239
Speaker 3: Gavin would say something to describe because you know, you

968
00:51:07,239 --> 00:51:09,719
Speaker 3: have to go around and describe all the groups. And

969
00:51:10,800 --> 00:51:14,520
Speaker 3: when he got to the Blue Ribbons and UV says

970
00:51:15,280 --> 00:51:17,879
Speaker 3: freaks so chic, I wanted to turn the movie off

971
00:51:17,880 --> 00:51:18,799
Speaker 3: that I was ten minutes in.

972
00:51:19,200 --> 00:51:22,200
Speaker 1: I'm gonna tell you right now. At this point in

973
00:51:22,200 --> 00:51:24,839
Speaker 1: my life, I watch a lot of movies with subtitles

974
00:51:25,760 --> 00:51:28,160
Speaker 1: because I just want to know what the conversation is.

975
00:51:28,200 --> 00:51:31,040
Speaker 1: Sometimes there's a lot of muttering characters and films. I'm like,

976
00:51:31,120 --> 00:51:35,080
Speaker 1: let me get those subtitles. I'm I'm slowly losing my hearing.

977
00:51:35,160 --> 00:51:40,399
Speaker 1: I need the subtitles. I had to google the screenplay

978
00:51:40,480 --> 00:51:46,120
Speaker 1: for Disturbing Behavior because I was convinced that the subtitles

979
00:51:46,120 --> 00:51:50,880
Speaker 1: were being translated wrong on my television. And when I

980
00:51:50,920 --> 00:51:52,960
Speaker 1: went and looked at the screenplay, I was like, no, no, no,

981
00:51:53,400 --> 00:51:56,040
Speaker 1: that's what they're actually saying. They're actually saying all this

982
00:51:56,239 --> 00:51:58,759
Speaker 1: fucking stupid bullshit.

983
00:51:59,640 --> 00:52:02,720
Speaker 3: Yeah, it wasn't like it was translated from English to

984
00:52:02,719 --> 00:52:06,160
Speaker 3: to galligging back to English.

985
00:52:06,440 --> 00:52:07,800
Speaker 2: It was just English the whole time.

986
00:52:08,600 --> 00:52:12,000
Speaker 1: I mean, you can tell that a fully formed adult

987
00:52:12,239 --> 00:52:15,920
Speaker 1: wrote this movie because the slang is completely unacceptable.

988
00:52:15,920 --> 00:52:19,000
Speaker 2: It is like the you know, and to your point,

989
00:52:19,120 --> 00:52:19,520
Speaker 2: it's like.

990
00:52:20,480 --> 00:52:22,799
Speaker 1: There's always been that thing of teen movies where it's

991
00:52:22,840 --> 00:52:24,880
Speaker 1: like check out, like the slang of the day. Like

992
00:52:24,920 --> 00:52:28,479
Speaker 1: you said, I don't know why, what's your damage? Heather

993
00:52:29,280 --> 00:52:33,040
Speaker 1: clicked with people. I don't know why Fetch clicked with people.

994
00:52:33,239 --> 00:52:36,719
Speaker 1: But nothing's clicking in this movie. No, no, I don't

995
00:52:36,760 --> 00:52:39,560
Speaker 1: know anybody who's using any of this stuff hadn't used

996
00:52:39,600 --> 00:52:41,160
Speaker 1: it then and won't use it now.

997
00:52:41,600 --> 00:52:41,839
Speaker 2: Likely.

998
00:52:41,920 --> 00:52:45,360
Speaker 3: It also smacks to me of like a round table

999
00:52:45,400 --> 00:52:49,000
Speaker 3: of executives being like, here's our notes. We need it

1000
00:52:49,080 --> 00:52:51,440
Speaker 3: to sound more like teenagers. Why don't you have them

1001
00:52:51,440 --> 00:52:52,800
Speaker 3: say razor all the time?

1002
00:52:53,160 --> 00:52:53,960
Speaker 2: Oh my god.

1003
00:52:55,560 --> 00:52:58,239
Speaker 1: At one point, well, let me introduce this, let me

1004
00:52:58,280 --> 00:53:02,760
Speaker 1: introduce Katie Holmes finally, because essentially what happens is Gavin

1005
00:53:02,880 --> 00:53:07,080
Speaker 1: and UV kind of take Steve under their wings, and

1006
00:53:07,120 --> 00:53:10,680
Speaker 1: then they introduce him to their gaalpal name Rachel, who

1007
00:53:10,760 --> 00:53:13,520
Speaker 1: is played by Kittie Holmes. And it's the thing where

1008
00:53:13,560 --> 00:53:17,799
Speaker 1: it's like the dream Weaver sequence from Wayne's World, where

1009
00:53:17,800 --> 00:53:22,960
Speaker 1: Steve immediately falls for her because she's like a haughty battie.

1010
00:53:23,400 --> 00:53:25,680
Speaker 1: She's got like a tough leather jacket, and she's got

1011
00:53:25,680 --> 00:53:29,840
Speaker 1: like a no effect sticker on her vintage truck. And

1012
00:53:29,880 --> 00:53:33,720
Speaker 1: then of course she has a perfectly flat stomach, which

1013
00:53:33,800 --> 00:53:37,759
Speaker 1: they enhance many times in the film by making her

1014
00:53:37,760 --> 00:53:38,920
Speaker 1: wear like very tight.

1015
00:53:38,719 --> 00:53:40,800
Speaker 2: Crop tops the entire movie.

1016
00:53:42,120 --> 00:53:46,320
Speaker 3: And again they're on an island which is just naturally

1017
00:53:46,440 --> 00:53:51,200
Speaker 3: cooler in temperature than most other places. She's like, let

1018
00:53:51,239 --> 00:53:54,200
Speaker 3: me put on this winter leather jacket, but only wear

1019
00:53:54,200 --> 00:53:56,000
Speaker 3: a crop top because they have to look cool.

1020
00:53:56,640 --> 00:54:00,080
Speaker 1: Yes, And she's like what, writhing around the bed of

1021
00:54:00,120 --> 00:54:03,200
Speaker 1: her old pickup, and it is a like Steve's like,

1022
00:54:03,360 --> 00:54:07,240
Speaker 1: holy shit, who is this chick with a nosering? My god,

1023
00:54:07,840 --> 00:54:11,040
Speaker 1: never seen a hotter alternative girl in my life.

1024
00:54:11,800 --> 00:54:15,200
Speaker 2: So from Chicago, I was like, come on.

1025
00:54:15,160 --> 00:54:19,680
Speaker 1: Chicago, dude, like you've seen a girl like this many times,

1026
00:54:19,680 --> 00:54:24,680
Speaker 1: I'm sure, but look, she's one of them. Because at

1027
00:54:24,680 --> 00:54:32,040
Speaker 1: some point the Katie Holmes character Rachel says the term

1028
00:54:32,440 --> 00:54:36,880
Speaker 1: sounds razor. Sounds razor.

1029
00:54:37,800 --> 00:54:44,040
Speaker 3: Let's razor, that's razor, sounds razor. I thought I was

1030
00:54:44,080 --> 00:54:44,840
Speaker 3: having a stroke.

1031
00:54:45,120 --> 00:54:45,520
Speaker 2: Truly.

1032
00:54:46,920 --> 00:54:50,040
Speaker 1: This was the point that I reached for the Internet

1033
00:54:50,360 --> 00:54:52,200
Speaker 1: to google the screenplay because I was like, there's no

1034
00:54:52,280 --> 00:54:55,360
Speaker 1: fucking way she said sounds razor. Indeed she did, folks,

1035
00:54:55,760 --> 00:54:58,920
Speaker 1: indeed she did. I have no idea what that even means.

1036
00:55:00,520 --> 00:55:04,600
Speaker 1: And then it's at another point quickly after this, Gavin

1037
00:55:05,320 --> 00:55:09,800
Speaker 1: says to Rachel, fail to be a bimy bitch.

1038
00:55:11,000 --> 00:55:12,759
Speaker 2: What does that mean?

1039
00:55:13,160 --> 00:55:16,880
Speaker 3: You're at the wrong fucking person. I'm like, wait, is

1040
00:55:16,920 --> 00:55:18,160
Speaker 3: that like U K slang?

1041
00:55:18,239 --> 00:55:19,839
Speaker 1: No?

1042
00:55:19,840 --> 00:55:22,239
Speaker 3: No, Like I just feel like we dipped into the

1043
00:55:22,320 --> 00:55:25,279
Speaker 3: movie Snatch and that Brad Pitt character and then out

1044
00:55:25,320 --> 00:55:27,000
Speaker 3: again for that one sentence.

1045
00:55:27,640 --> 00:55:32,040
Speaker 1: But it's like like the context of the sentence, fail

1046
00:55:32,239 --> 00:55:35,720
Speaker 1: to be a bimmy bitch, meaning like like, don't don't

1047
00:55:35,760 --> 00:55:37,400
Speaker 1: be a bimmy bitch.

1048
00:55:37,480 --> 00:55:41,000
Speaker 2: I look, I'm telling you, I know I'm old, so

1049
00:55:41,200 --> 00:55:42,000
Speaker 2: of course.

1050
00:55:42,040 --> 00:55:44,279
Speaker 1: I must sound like a lunatic right now, being like

1051
00:55:44,320 --> 00:55:48,000
Speaker 1: what is this slang? But clearly it didn't take on.

1052
00:55:48,120 --> 00:55:51,319
Speaker 2: I've never heard these terms ever, table of executives. I'm

1053
00:55:51,360 --> 00:55:52,200
Speaker 2: telling you, yes.

1054
00:55:53,000 --> 00:55:57,279
Speaker 1: So you got these like alternate teens who are like

1055
00:55:57,400 --> 00:56:01,640
Speaker 1: saying all this weird shit to each other. Steve, by

1056
00:56:01,680 --> 00:56:03,719
Speaker 1: the way, hovers over all of this. He's like, well,

1057
00:56:03,760 --> 00:56:07,840
Speaker 1: I won't be swayed by this like weird, this weird

1058
00:56:07,960 --> 00:56:10,239
Speaker 1: slang by these kids. I'm staying true to who I am,

1059
00:56:10,239 --> 00:56:12,680
Speaker 1: which is like completely neutral, which I love.

1060
00:56:13,600 --> 00:56:15,799
Speaker 3: It sounds like like like a like a like he's

1061
00:56:15,800 --> 00:56:17,520
Speaker 3: speaking in Shakespearean tongue.

1062
00:56:17,520 --> 00:56:20,120
Speaker 2: By comparison, Oh my god, it's insane.

1063
00:56:20,680 --> 00:56:24,760
Speaker 1: So basically, there's like the popular kids of the school.

1064
00:56:25,239 --> 00:56:28,520
Speaker 1: They're called the Blue Ribbons, and they're all very clean teens,

1065
00:56:28,719 --> 00:56:32,719
Speaker 1: like they hang out at a yogurt shop, and they

1066
00:56:32,800 --> 00:56:35,400
Speaker 1: all kind of have this like, I don't know, like

1067
00:56:35,520 --> 00:56:40,239
Speaker 1: Wally Beaver vibe to them. And as you come to

1068
00:56:40,320 --> 00:56:45,000
Speaker 1: find out, all the popular kids have been patients in

1069
00:56:45,840 --> 00:56:51,440
Speaker 1: secret experiments involving mind control, which is being led by

1070
00:56:51,480 --> 00:56:52,840
Speaker 1: this faculty member.

1071
00:56:52,680 --> 00:56:56,080
Speaker 2: Named doctor Caldecott.

1072
00:56:57,120 --> 00:57:01,400
Speaker 1: Good. So that's the horror of the film. It's basically like,

1073
00:57:02,000 --> 00:57:04,839
Speaker 1: what if all of the popular kids at school were

1074
00:57:04,880 --> 00:57:07,600
Speaker 1: actually fucking like killing machines?

1075
00:57:08,480 --> 00:57:11,000
Speaker 3: What if we gave every popular kid at school a

1076
00:57:11,040 --> 00:57:12,640
Speaker 3: single terminator.

1077
00:57:12,160 --> 00:57:21,600
Speaker 1: I And you know, here's the thing about this Caldecott guy.

1078
00:57:21,640 --> 00:57:24,919
Speaker 1: You know he's basically going to the parents and he's

1079
00:57:24,920 --> 00:57:27,720
Speaker 1: telling the parents of all these kids like, Hey, I'm

1080
00:57:27,760 --> 00:57:31,840
Speaker 1: offering this therapy. I'm offering this tutoring or whatever to

1081
00:57:31,920 --> 00:57:36,320
Speaker 1: make your kids great students and great athletes. And this

1082
00:57:36,520 --> 00:57:39,000
Speaker 1: was a huge thing I think in the nineties too,

1083
00:57:39,480 --> 00:57:45,280
Speaker 1: which was like a lot of like fucking alternatives running

1084
00:57:45,320 --> 00:57:48,120
Speaker 1: around with no direction, and then the parents like trying

1085
00:57:48,120 --> 00:57:51,680
Speaker 1: to put them into like programs that would make them

1086
00:57:51,760 --> 00:57:56,640
Speaker 1: less alternative, don't. I don't know if you ever had

1087
00:57:56,680 --> 00:57:59,360
Speaker 1: a situation where like a teacher or like a family

1088
00:57:59,360 --> 00:58:02,360
Speaker 1: member came up to you and was like, why are

1089
00:58:02,400 --> 00:58:07,000
Speaker 1: you alternative? That happened to me, though at one point,

1090
00:58:07,040 --> 00:58:10,240
Speaker 1: what yes, who came up to you and said that?

1091
00:58:10,640 --> 00:58:12,080
Speaker 2: So one of my.

1092
00:58:13,560 --> 00:58:19,760
Speaker 1: Parents' friends once said to me, Oh, God, don't tell

1093
00:58:19,760 --> 00:58:24,840
Speaker 1: me you're turning grunge? Are you grunge? And I was like,

1094
00:58:25,680 --> 00:58:32,880
Speaker 1: I am fucking mortified. Ah, I am going straight to

1095
00:58:32,960 --> 00:58:38,160
Speaker 1: my car and I'm listening to the Toadies and screaming

1096
00:58:38,200 --> 00:58:41,120
Speaker 1: about this, Like I was like horrified. And so I

1097
00:58:41,200 --> 00:58:43,680
Speaker 1: was like in this moment when you're kind of watching

1098
00:58:43,720 --> 00:58:45,800
Speaker 1: this film and you're like, oh, yeah, here's here's like

1099
00:58:45,840 --> 00:58:47,080
Speaker 1: all the parents who are trying.

1100
00:58:46,880 --> 00:58:48,640
Speaker 2: To clean up their alternative children.

1101
00:58:48,680 --> 00:58:52,520
Speaker 1: I was like, been there, Oh god, there was.

1102
00:58:52,760 --> 00:58:55,680
Speaker 3: There was definitely a moment, as I think there's a

1103
00:58:55,720 --> 00:58:59,640
Speaker 3: moment in most generations where there's a panic of oh no,

1104
00:58:59,760 --> 00:59:01,959
Speaker 3: that children are expressing themselves.

1105
00:59:02,320 --> 00:59:06,600
Speaker 2: Yes, and thankfully most of them.

1106
00:59:06,600 --> 00:59:08,280
Speaker 3: I mean, I think it's because I was raised with

1107
00:59:08,320 --> 00:59:10,720
Speaker 3: my grandparents, so most of their friends were much older,

1108
00:59:10,760 --> 00:59:13,080
Speaker 3: and they're like, we don't understand you anyway, so we

1109
00:59:13,160 --> 00:59:17,280
Speaker 3: don't we can't comment because you are genuinely thirty years

1110
00:59:17,600 --> 00:59:20,960
Speaker 3: beneath yeah what we have paid attention to.

1111
00:59:21,120 --> 00:59:23,760
Speaker 2: So they just weren't even looking at me. They're like, oh, yeah,

1112
00:59:23,760 --> 00:59:25,760
Speaker 2: you've always you're freak. You've always been a freak. What's up.

1113
00:59:25,800 --> 00:59:27,840
Speaker 2: I'm hanging out with your grandma. We're gonna go play bingo.

1114
00:59:28,320 --> 00:59:31,040
Speaker 3: But yeah, there was definitely a panic of like, oh

1115
00:59:31,040 --> 00:59:35,400
Speaker 3: my god, the kids are piercing everything, They're tattooing everything.

1116
00:59:36,320 --> 00:59:38,919
Speaker 2: Yeah, they're wearing crop tops.

1117
00:59:38,600 --> 00:59:41,880
Speaker 1: With big ass pants, and like that's the thing is

1118
00:59:41,880 --> 00:59:43,760
Speaker 1: that my own parents didn't give a shit. But like

1119
00:59:43,840 --> 00:59:47,400
Speaker 1: all their friends who were the goddamn bane They were

1120
00:59:47,440 --> 00:59:52,440
Speaker 1: always real concerned about the alternative lifestyle taking over their

1121
00:59:52,520 --> 00:59:54,000
Speaker 1: children of the community.

1122
00:59:54,480 --> 00:59:55,040
Speaker 2: So dumb.

1123
00:59:55,480 --> 01:00:00,800
Speaker 1: So so you got these these blue Ribbons who are

1124
01:00:00,960 --> 01:00:04,920
Speaker 1: on some like clockwork orange meet Stepford Wives stuff. Okay,

1125
01:00:05,960 --> 01:00:09,960
Speaker 1: but the funniest part about this is that turns out

1126
01:00:10,040 --> 01:00:15,240
Speaker 1: these Blue Ribbon kids really go into beast mode and

1127
01:00:15,280 --> 01:00:18,640
Speaker 1: start murdering people when they get horny.

1128
01:00:20,640 --> 01:00:21,080
Speaker 2: Okay.

1129
01:00:21,280 --> 01:00:24,920
Speaker 1: So basically you got these football players poppin' boners and

1130
01:00:24,920 --> 01:00:31,400
Speaker 1: then immediately killing people, which sounds insane, but it's actually true.

1131
01:00:31,480 --> 01:00:32,600
Speaker 2: That's what's in the movie.

1132
01:00:32,760 --> 01:00:35,600
Speaker 3: Basically, that's the plot of the that's a subplot of

1133
01:00:35,640 --> 01:00:41,880
Speaker 3: the movie is a guy named fucking Chug Chug going

1134
01:00:41,960 --> 01:00:46,520
Speaker 3: ape shit in a store because he saw Katie Holmes's stomach. Yeah,

1135
01:00:46,520 --> 01:00:50,080
Speaker 3: and he just he genuinely bench press lifts someone over

1136
01:00:50,160 --> 01:00:52,360
Speaker 3: an aisle because he saw her stomach.

1137
01:00:53,400 --> 01:00:54,440
Speaker 2: Yeah. There's a part.

1138
01:00:54,280 --> 01:00:57,360
Speaker 1: Where one of the girls, one of the Blue Ribbon girls,

1139
01:00:57,840 --> 01:00:59,960
Speaker 1: who is kind of like the hottest of the high

1140
01:01:00,960 --> 01:01:07,040
Speaker 1: she's like inside Steve's house tutoring his little sister, and

1141
01:01:07,120 --> 01:01:09,400
Speaker 1: apparently she gets so turned on by Steve that she

1142
01:01:09,600 --> 01:01:14,600
Speaker 1: smashes her fucking head into a mirror, like Special Agent

1143
01:01:14,720 --> 01:01:17,480
Speaker 1: Dale Cooper at the end of the original Twin Peaks,

1144
01:01:18,080 --> 01:01:21,760
Speaker 1: And I'm like, damn, these kids are so horny that

1145
01:01:21,800 --> 01:01:24,720
Speaker 1: they're like destroying things.

1146
01:01:25,480 --> 01:01:27,480
Speaker 3: Also, I feel like this is a flaw that could

1147
01:01:27,480 --> 01:01:31,240
Speaker 3: have been worked out or toned down at least, like

1148
01:01:31,280 --> 01:01:34,200
Speaker 3: maybe instead of making them slam their faces into mirrors,

1149
01:01:34,480 --> 01:01:37,160
Speaker 3: maybe the doctor could have been like, oh, well, I'll

1150
01:01:37,200 --> 01:01:41,440
Speaker 3: just have it so that they like go home from

1151
01:01:41,480 --> 01:01:44,480
Speaker 3: wherever they are, Like, they'll just leave. He's like, no,

1152
01:01:44,520 --> 01:01:47,360
Speaker 3: they're gonna fucking smash their face and destroy grocery stores

1153
01:01:47,400 --> 01:01:49,480
Speaker 3: and it serves them right, and maybe they'll commit murder.

1154
01:01:49,760 --> 01:01:53,440
Speaker 2: And I can't. I can't work around this bug. Yeah,

1155
01:01:53,480 --> 01:01:54,360
Speaker 2: we can't fix this.

1156
01:01:55,240 --> 01:01:55,360
Speaker 3: Uh.

1157
01:01:55,720 --> 01:01:59,760
Speaker 1: We just hope that they don't get horny. We hope

1158
01:01:59,800 --> 01:02:02,640
Speaker 1: these high school kids don't ever pop boners. It's like

1159
01:02:02,720 --> 01:02:08,480
Speaker 1: so crazy. So the Great Steve Railsback plays like this

1160
01:02:08,680 --> 01:02:11,320
Speaker 1: dick cop in the town who is sort of the

1161
01:02:11,320 --> 01:02:15,520
Speaker 1: bouncer of this guy, like he's basically like policing all

1162
01:02:15,560 --> 01:02:18,200
Speaker 1: of these blue ribbon kids and you know, all the

1163
01:02:18,520 --> 01:02:19,800
Speaker 1: all the non blue ribbon kids.

1164
01:02:19,840 --> 01:02:20,600
Speaker 2: He's kind of like.

1165
01:02:20,520 --> 01:02:23,440
Speaker 1: Fucking with them, and the only person that's kind of

1166
01:02:23,440 --> 01:02:26,600
Speaker 1: like not in on it is this janitor or kind

1167
01:02:26,600 --> 01:02:28,440
Speaker 1: of like he's not even really a janitor. He's kind

1168
01:02:28,480 --> 01:02:32,080
Speaker 1: of like a maintenance guy at the high school. And

1169
01:02:32,120 --> 01:02:36,120
Speaker 1: his name is mister Newberry. And like Danielle said, he's

1170
01:02:36,360 --> 01:02:43,480
Speaker 1: incredibly graveyard shift. He's like Brad Drief in graveyard shifts,

1171
01:02:43,520 --> 01:02:47,000
Speaker 1: almost like looks wise everything.

1172
01:02:47,240 --> 01:02:48,880
Speaker 3: And this is this is this is the part played

1173
01:02:48,880 --> 01:02:52,000
Speaker 3: by the great William William Sadler, who has been in

1174
01:02:52,040 --> 01:02:54,600
Speaker 3: so many amazing films. You would know his face if

1175
01:02:54,600 --> 01:02:55,960
Speaker 3: he saw him if you don't know him by name.

1176
01:02:56,640 --> 01:02:59,360
Speaker 3: And he's so over the top. I mean, he's got

1177
01:02:59,360 --> 01:03:01,680
Speaker 3: like the coke bottle glasses, he's got the dirty oil

1178
01:03:01,720 --> 01:03:03,040
Speaker 3: stained face, he's got.

1179
01:03:02,840 --> 01:03:06,960
Speaker 2: The like he just looks so weird. Yes, and he

1180
01:03:07,040 --> 01:03:11,560
Speaker 2: says weird, weird shit. Yeah.

1181
01:03:11,600 --> 01:03:16,000
Speaker 1: There's like this whole thing that they basically kind of

1182
01:03:16,720 --> 01:03:20,760
Speaker 1: introduce that he pretends to act like an idiot so

1183
01:03:20,800 --> 01:03:25,360
Speaker 1: that nobody will pay attention to him doing things to

1184
01:03:25,600 --> 01:03:29,760
Speaker 1: save the town, which is that he has created this

1185
01:03:29,840 --> 01:03:34,840
Speaker 1: like little device that makes this like high pitch sound right,

1186
01:03:35,280 --> 01:03:37,919
Speaker 1: and he's and he initially is telling people that this

1187
01:03:37,960 --> 01:03:41,440
Speaker 1: is to keep the rats away. Another connection to Graveyard

1188
01:03:41,440 --> 01:03:44,840
Speaker 1: Shift is that he kills rats okay, and he has

1189
01:03:44,880 --> 01:03:48,400
Speaker 1: this like little device that plays a high pitched noise

1190
01:03:48,440 --> 01:03:53,520
Speaker 1: in the rats die, but apparently this thing also makes

1191
01:03:53,520 --> 01:03:56,480
Speaker 1: the Blue Ribbons fucking go ape shit, and not in

1192
01:03:56,520 --> 01:03:58,760
Speaker 1: the horny ape shit way, but like in another way,

1193
01:03:59,320 --> 01:04:02,960
Speaker 1: in a way that's like they might explode. They're they're

1194
01:04:03,000 --> 01:04:07,280
Speaker 1: like mind controlled brains can't handle the frequency, and so

1195
01:04:07,320 --> 01:04:11,240
Speaker 1: he's a secret genius toiling away in the bowels of

1196
01:04:11,280 --> 01:04:17,520
Speaker 1: the high school. And essentially what happens is is that

1197
01:04:17,800 --> 01:04:23,720
Speaker 1: Katie Holmes and James Marsden essentially figure out that there's

1198
01:04:23,840 --> 01:04:28,760
Speaker 1: this experimentation going on. Gavin, who initially was a part

1199
01:04:28,800 --> 01:04:31,040
Speaker 1: of their crew and he was actually the first person

1200
01:04:31,040 --> 01:04:33,640
Speaker 1: to really like lay eyes on this whole shit. He

1201
01:04:33,760 --> 01:04:37,800
Speaker 1: ends up getting taken by the Blue Ribbons and he

1202
01:04:37,880 --> 01:04:41,400
Speaker 1: turns into like one of them at some point. So

1203
01:04:41,560 --> 01:04:47,480
Speaker 1: essentially you got you know, Uv, Steve and Rachel trying

1204
01:04:47,520 --> 01:04:51,960
Speaker 1: to save the entire town from this scenario and in

1205
01:04:52,080 --> 01:04:57,000
Speaker 1: tandem with the kooky rat killing genius at the bottom

1206
01:04:57,000 --> 01:05:02,720
Speaker 1: of the school, and that's essentially the film.

1207
01:05:03,560 --> 01:05:07,760
Speaker 3: It has an ending that I will not discuss, but

1208
01:05:07,800 --> 01:05:11,960
Speaker 3: I will say it's so poorly thought out, and it's

1209
01:05:11,960 --> 01:05:14,640
Speaker 3: a two part and a two beat ending, and it

1210
01:05:14,720 --> 01:05:19,479
Speaker 3: is infuriating how they decided to end this movie after

1211
01:05:19,520 --> 01:05:21,280
Speaker 3: all the shit they put us through in this film.

1212
01:05:21,680 --> 01:05:24,040
Speaker 2: Yes, that that is how they decided to end it.

1213
01:05:24,640 --> 01:05:28,800
Speaker 1: Now, I will say that I have read in places

1214
01:05:28,880 --> 01:05:33,640
Speaker 1: that there was some kind of director's cut or like

1215
01:05:33,680 --> 01:05:37,240
Speaker 1: there's a lot of like missing scenes or extra footage

1216
01:05:37,480 --> 01:05:42,880
Speaker 1: that apparently makes the ending different. So it could have

1217
01:05:42,960 --> 01:05:46,320
Speaker 1: been that this was a hack job. And now the

1218
01:05:46,440 --> 01:05:48,880
Speaker 1: ending doesn't make any damn sense, and it's only going

1219
01:05:48,960 --> 01:05:52,560
Speaker 1: to be until they like re you know, re establish

1220
01:05:52,880 --> 01:05:54,680
Speaker 1: the director's cut, which I hear that there's a Blu

1221
01:05:54,800 --> 01:05:57,080
Speaker 1: ray coming out later this year, so maybe that'll happen.

1222
01:05:57,520 --> 01:06:00,000
Speaker 1: But sounds to me like that might be the reason

1223
01:06:00,120 --> 01:06:02,640
Speaker 1: why the ending sucks so bad, because you're just like, oh,

1224
01:06:02,680 --> 01:06:05,400
Speaker 1: maybe it wasn't actually supposed to be like that.

1225
01:06:05,600 --> 01:06:08,880
Speaker 3: Who knows, Yeah, because it was designed by committee instead

1226
01:06:08,920 --> 01:06:12,160
Speaker 3: of being written by one dude. Yes, well, it makes

1227
01:06:12,200 --> 01:06:14,160
Speaker 3: sense to me now why you chose this film, and

1228
01:06:14,200 --> 01:06:15,560
Speaker 3: it's because you never saw it before.

1229
01:06:15,920 --> 01:06:19,560
Speaker 2: Yes, and it's bad.

1230
01:06:22,040 --> 01:06:24,440
Speaker 3: I mean, I love James Marsden. But this is a

1231
01:06:24,480 --> 01:06:27,000
Speaker 3: badass movie. It's a bad movie.

1232
01:06:27,280 --> 01:06:31,440
Speaker 1: Yeah, it's your movie is definitely Citizen Kane compared to

1233
01:06:31,480 --> 01:06:34,440
Speaker 1: my fucking movie. But you know, as an artifact of

1234
01:06:34,480 --> 01:06:39,200
Speaker 1: the era of this, like nineties tiger beat, haughty era. Sure,

1235
01:06:39,360 --> 01:06:43,440
Speaker 1: you definitely have Katie Holmes in her high era, James Marsden,

1236
01:06:44,000 --> 01:06:48,360
Speaker 1: another young hottie. You know, you have the Fly song.

1237
01:06:48,640 --> 01:06:52,000
Speaker 1: There's that fucking Harvey Danger song that plays like, oh,

1238
01:06:52,000 --> 01:06:55,280
Speaker 1: like the soundtrack like is I looked at the soundtrack

1239
01:06:55,280 --> 01:06:58,160
Speaker 1: and I hadn't heard any band except for the Flies

1240
01:06:58,200 --> 01:07:00,240
Speaker 1: and Harvey Danger, and I was like, Okay, well, at

1241
01:07:00,320 --> 01:07:00,920
Speaker 1: least they played the.

1242
01:07:00,880 --> 01:07:02,600
Speaker 2: Shit out of those two.

1243
01:07:03,560 --> 01:07:10,600
Speaker 1: But I mean, as an artifact, it's just fine. As

1244
01:07:10,680 --> 01:07:13,800
Speaker 1: like a movie that I would watch again. I don't know,

1245
01:07:14,280 --> 01:07:16,160
Speaker 1: I don't know. I might have to have my own

1246
01:07:16,600 --> 01:07:20,160
Speaker 1: mind control experiment job in order to maybe like really

1247
01:07:20,160 --> 01:07:22,520
Speaker 1: sink my teeth into this one again. But just know

1248
01:07:22,600 --> 01:07:24,360
Speaker 1: that this was the first time that I googled the

1249
01:07:24,400 --> 01:07:27,760
Speaker 1: screenplay of a film for the podcast to make sure

1250
01:07:27,800 --> 01:07:31,320
Speaker 1: that what they were saying, the slang, the teen slang

1251
01:07:31,360 --> 01:07:34,440
Speaker 1: that they were saying, was actually accurate.

1252
01:07:34,600 --> 01:07:38,280
Speaker 3: So that is a memorable moment and it will go

1253
01:07:38,360 --> 01:07:41,080
Speaker 3: down in history for that at least.

1254
01:07:42,360 --> 01:07:44,080
Speaker 1: Well, and then there's your film.

1255
01:07:44,880 --> 01:07:48,200
Speaker 3: Yeah, And my film was also released in nineteen ninety eight.

1256
01:07:49,320 --> 01:07:53,160
Speaker 3: It was written, the screenplay is by Kevin Williamson. It

1257
01:07:53,200 --> 01:07:57,040
Speaker 3: was directed by Robert Rodriguez. And my movie is the Faculty.

1258
01:07:57,400 --> 01:08:02,280
Speaker 2: The students at Harrington High have suspected their teachers were

1259
01:08:02,280 --> 01:08:03,440
Speaker 2: from another planet.

1260
01:08:04,320 --> 01:08:05,520
Speaker 5: Is this is going to be on the test?

1261
01:08:05,720 --> 01:08:07,160
Speaker 2: This is the test this.

1262
01:08:07,080 --> 01:08:09,160
Speaker 3: Time they're right now.

1263
01:08:09,320 --> 01:08:13,560
Speaker 1: See already you got the hitter the heavy hitters. You

1264
01:08:13,640 --> 01:08:16,400
Speaker 1: got Robert Rodriguez and Kevin Williams and.

1265
01:08:16,320 --> 01:08:17,600
Speaker 2: Shit, yeah.

1266
01:08:17,640 --> 01:08:21,280
Speaker 3: And Robert Rodriguez is a very well known director. I

1267
01:08:21,320 --> 01:08:26,200
Speaker 3: mean we're talking El Mariachi, Desperado, Shark Boy, A Lava Girl,

1268
01:08:26,320 --> 01:08:29,080
Speaker 3: in which he gave his seven year old writing credit,

1269
01:08:29,720 --> 01:08:33,760
Speaker 3: which is so cute, Spy Kids, Sin City like the

1270
01:08:33,800 --> 01:08:37,960
Speaker 3: list goes on and on and on, But Robert Rodriguez

1271
01:08:38,000 --> 01:08:41,960
Speaker 3: is a very well known director. And Kevin Williamson as

1272
01:08:42,000 --> 01:08:45,280
Speaker 3: well is very well known screenwriter and has gone on

1273
01:08:45,360 --> 01:08:48,559
Speaker 3: to do big old movies, big big, big, big, big

1274
01:08:48,560 --> 01:08:51,479
Speaker 3: old movies. And what's cool what's funny about this movie

1275
01:08:52,200 --> 01:08:56,599
Speaker 3: is I remember so nineteen ninety eight I was living

1276
01:08:56,640 --> 01:09:00,240
Speaker 3: in California, I was not in college, and I had

1277
01:09:00,280 --> 01:09:02,120
Speaker 3: like three jobs, so I wasn't watching a lot of

1278
01:09:02,120 --> 01:09:04,320
Speaker 3: TV or going to a lot of movie I go

1279
01:09:04,360 --> 01:09:06,000
Speaker 3: to the movies when I could, but like, I wasn't

1280
01:09:06,040 --> 01:09:10,040
Speaker 3: watching a lot of TV. But I have distinct memories

1281
01:09:11,120 --> 01:09:15,479
Speaker 3: of this entire cast being in Tommy Hill.

1282
01:09:15,400 --> 01:09:22,400
Speaker 2: Figure commercials as a way to promote this movie. Do

1283
01:09:22,439 --> 01:09:23,160
Speaker 2: you remember that?

1284
01:09:23,920 --> 01:09:27,000
Speaker 1: Fuck? Yeah, because there was a moment where I saw

1285
01:09:27,560 --> 01:09:31,160
Speaker 1: Jordana Brewster in the film wearing that Tommy Hill figure

1286
01:09:31,200 --> 01:09:32,840
Speaker 1: short and I was like, oh my god.

1287
01:09:33,160 --> 01:09:34,439
Speaker 2: Yeah.

1288
01:09:34,840 --> 01:09:37,960
Speaker 3: Yeah, they heavily sponsored it, I guess, because they did

1289
01:09:38,040 --> 01:09:40,559
Speaker 3: an entire series of commercials, which you could look up

1290
01:09:40,600 --> 01:09:43,920
Speaker 3: look it up on YouTube. But they are and they're

1291
01:09:44,000 --> 01:09:47,200
Speaker 3: kind of like done in the style of like gonzo

1292
01:09:48,600 --> 01:09:54,120
Speaker 3: like indie film commercials. It's the weirdest memory that I

1293
01:09:54,160 --> 01:09:56,719
Speaker 3: have of this film, because again I when this film

1294
01:09:56,760 --> 01:10:00,639
Speaker 3: came out, I was a very surly twenty year old, yeah,

1295
01:10:01,120 --> 01:10:03,320
Speaker 3: or twenty almost twenty one year old who was just like,

1296
01:10:03,840 --> 01:10:05,959
Speaker 3: I don't have time for children anymore.

1297
01:10:06,080 --> 01:10:08,559
Speaker 2: I've got bills. Yeah.

1298
01:10:08,600 --> 01:10:13,559
Speaker 1: You weren't even ironically appreciating it in college kid style.

1299
01:10:13,680 --> 01:10:16,040
Speaker 1: You were like no, I got a fucking real job.

1300
01:10:16,080 --> 01:10:18,439
Speaker 1: I've got three real jobs. I don't even want to

1301
01:10:18,479 --> 01:10:21,080
Speaker 1: do ironic appreciation for this shit.

1302
01:10:21,360 --> 01:10:23,560
Speaker 3: When you work from five am to nine pm, you

1303
01:10:23,600 --> 01:10:26,080
Speaker 3: don't have time for ironic appreciation every day.

1304
01:10:26,200 --> 01:10:28,640
Speaker 2: Is very intentional, very intentional.

1305
01:10:29,200 --> 01:10:34,120
Speaker 3: But I remember eventually seeing this movie and thinking because

1306
01:10:34,240 --> 01:10:39,080
Speaker 3: primarily because Robert Rodriguez was the director, and I gotta say,

1307
01:10:39,400 --> 01:10:41,519
Speaker 3: I think it holds up. And I'll get into the

1308
01:10:41,520 --> 01:10:45,759
Speaker 3: reasons why. But first and foremost, let me just read

1309
01:10:45,800 --> 01:10:49,160
Speaker 3: you this cast. Let's just read down the list of

1310
01:10:49,200 --> 01:10:52,360
Speaker 3: this cast before I get to the one sentence, before

1311
01:10:52,360 --> 01:10:57,439
Speaker 3: I get to the movie. Jordanna Brewster, Claya Duval, Laura Harris,

1312
01:10:58,120 --> 01:11:03,559
Speaker 3: Josh Hartnett, Sean Hatter, See, Salma Hayek, fm Ka Johnson,

1313
01:11:04,120 --> 01:11:11,960
Speaker 3: Piper Laurie, Christopher MacDonald, Bab Neworth, Robert Patrick, Usher, Raymond Usher,

1314
01:11:13,560 --> 01:11:23,240
Speaker 3: John Stewart, Elijah Wood, and Summer Phoenix. I mean, this

1315
01:11:23,320 --> 01:11:25,000
Speaker 3: movie had everyone.

1316
01:11:25,160 --> 01:11:26,040
Speaker 2: This was the.

1317
01:11:26,280 --> 01:11:32,719
Speaker 3: Quintessential nineteen nineties WB teen Hotties tiger beat movie.

1318
01:11:33,280 --> 01:11:34,320
Speaker 2: Oh my god, everyone.

1319
01:11:35,120 --> 01:11:37,880
Speaker 1: I mean, the roster is so deep. And that's why

1320
01:11:37,880 --> 01:11:40,800
Speaker 1: I joked about it being like a Robert Altman movie,

1321
01:11:40,800 --> 01:11:48,040
Speaker 1: because I was dad, Like, like, Piper Laurie is in

1322
01:11:48,040 --> 01:11:51,200
Speaker 1: the fucking movie and she's not even in it the

1323
01:11:51,360 --> 01:11:54,599
Speaker 1: entire time. Like, I mean, it's crazy, like how many

1324
01:11:54,680 --> 01:11:55,960
Speaker 1: people are in this film.

1325
01:11:56,200 --> 01:11:59,560
Speaker 2: It is a murderer's row of actors.

1326
01:12:00,200 --> 01:12:05,040
Speaker 3: And I'll give you a one sentence, which is in

1327
01:12:05,160 --> 01:12:09,160
Speaker 3: Ohio High School is invaded by water based aliens in

1328
01:12:09,200 --> 01:12:11,960
Speaker 3: an effort to prove that your teachers and parents are

1329
01:12:12,080 --> 01:12:13,400
Speaker 3: just as weird as you think they are.

1330
01:12:15,320 --> 01:12:15,880
Speaker 1: Perfection.

1331
01:12:17,120 --> 01:12:21,240
Speaker 2: So this movie has a really nice opening because, like

1332
01:12:21,280 --> 01:12:24,200
Speaker 2: before the credits roll, before the title roles, you see

1333
01:12:25,360 --> 01:12:29,360
Speaker 2: this coach played by Robert Patrick, who's super emotional, super agro.

1334
01:12:30,439 --> 01:12:32,919
Speaker 2: He gets approached by a shadowy figure on the football

1335
01:12:32,960 --> 01:12:35,200
Speaker 2: field and the next thing you know, he's kind of

1336
01:12:35,240 --> 01:12:39,759
Speaker 2: docile and he's chasing the principal, BB Newarth through the school.

1337
01:12:40,040 --> 01:12:44,080
Speaker 2: He jams a fucking pencil through her hand. Piper Laurie's

1338
01:12:44,120 --> 01:12:47,320
Speaker 2: trying to help her get out. She gets out, and

1339
01:12:47,360 --> 01:12:51,280
Speaker 2: then Piper Laurie stabs her with scissors. So the teachers

1340
01:12:51,320 --> 01:12:54,600
Speaker 2: are all fucking fuck the fuck up already. And the

1341
01:12:55,439 --> 01:12:56,200
Speaker 2: thing that I love.

1342
01:12:56,080 --> 01:12:58,519
Speaker 3: About this movie is that they set up all the

1343
01:12:58,560 --> 01:13:04,000
Speaker 3: tropes in such a basic but interesting way. So as

1344
01:13:04,040 --> 01:13:06,080
Speaker 3: the kids are all coming to school the next day,

1345
01:13:06,600 --> 01:13:10,240
Speaker 3: you're you're seeing their names, but they don't. You know,

1346
01:13:10,280 --> 01:13:12,519
Speaker 3: there's no one person going around the lunchroom and like

1347
01:13:12,560 --> 01:13:15,400
Speaker 3: describing them. You see who they are in action.

1348
01:13:16,040 --> 01:13:20,240
Speaker 2: So Elijah Wood, who plays Casey, is a total nerd

1349
01:13:20,360 --> 01:13:20,799
Speaker 2: and everything.

1350
01:13:20,960 --> 01:13:22,960
Speaker 3: They to the point where people are like picking him

1351
01:13:23,040 --> 01:13:26,280
Speaker 3: up and slamming his nuts into the flagpole like they're

1352
01:13:26,280 --> 01:13:31,960
Speaker 3: spreading his slamming his nuts into the flagpole, Like good lord,

1353
01:13:32,640 --> 01:13:34,520
Speaker 3: they hate this kid.

1354
01:13:35,040 --> 01:13:40,960
Speaker 1: This whole opening sequence, with that complete act of terrorism

1355
01:13:42,479 --> 01:13:46,680
Speaker 1: with the summer Phoenix and this the boyfriend's screaming at

1356
01:13:46,680 --> 01:13:49,800
Speaker 1: each other like in the whole way in this way

1357
01:13:49,840 --> 01:13:53,479
Speaker 1: that is very disturbing, and I'm like, what the fuck

1358
01:13:53,600 --> 01:13:56,480
Speaker 1: is this high school? These these kids are fucking insane.

1359
01:13:56,920 --> 01:13:59,320
Speaker 2: It's already a weird, weird place.

1360
01:13:59,520 --> 01:14:02,120
Speaker 3: And then you have, you know, like the the Jordana

1361
01:14:02,200 --> 01:14:05,519
Speaker 3: Brewster character, who is the editor of the newspaper and

1362
01:14:05,680 --> 01:14:09,919
Speaker 3: very popular, and she says something so weird when Sean Hattisy,

1363
01:14:10,080 --> 01:14:12,880
Speaker 3: who is captain of the football team, and her boyfriend

1364
01:14:13,439 --> 01:14:16,679
Speaker 3: tries to kiss her, and she says, these are este

1365
01:14:16,840 --> 01:14:17,960
Speaker 3: Launter lips.

1366
01:14:17,680 --> 01:14:19,599
Speaker 2: That took seventy two minutes to apply.

1367
01:14:21,160 --> 01:14:24,640
Speaker 3: Now I don't wear makeup, but that seems extraordinary to me.

1368
01:14:25,920 --> 01:14:30,040
Speaker 2: Yeah, that seventy two minutes. But on lipstick, to me.

1369
01:14:30,080 --> 01:14:33,080
Speaker 1: That was like did you get a tattoo? Like? Was

1370
01:14:33,080 --> 01:14:34,519
Speaker 1: it like tattooed lipstick?

1371
01:14:34,560 --> 01:14:35,080
Speaker 2: Why is that?

1372
01:14:35,760 --> 01:14:40,679
Speaker 3: Did stay Lauder herself rise from the grave to give

1373
01:14:40,720 --> 01:14:45,519
Speaker 3: you a tattoo with her little gnarled skeleton hand. So

1374
01:14:45,560 --> 01:14:49,760
Speaker 3: she's like, she's very like prim and proper. And then

1375
01:14:49,800 --> 01:14:54,479
Speaker 3: you have Clay Duval who plays Stokes Stokely Mitchell, and

1376
01:14:54,560 --> 01:14:58,919
Speaker 3: she is like fucking black eyeliner, blackfish and at tubs,

1377
01:14:59,320 --> 01:15:03,160
Speaker 3: doesn't give a bug about anyone soomping through the hallways

1378
01:15:03,200 --> 01:15:10,080
Speaker 3: bumping into people. My favorite is probably Josh Hartnett, who, Okay,

1379
01:15:10,080 --> 01:15:14,720
Speaker 3: there's so much going on here, yes, Josh Hartnett. This

1380
01:15:14,800 --> 01:15:21,080
Speaker 3: haircut in this film is distractingly bad. It looks like

1381
01:15:21,120 --> 01:15:23,599
Speaker 3: someone put a bowl on his head, cut around it,

1382
01:15:23,640 --> 01:15:25,679
Speaker 3: took the bowl off, and then just made it extra

1383
01:15:25,760 --> 01:15:28,640
Speaker 3: fucked up on the sides and in the back, like

1384
01:15:28,720 --> 01:15:30,960
Speaker 3: someone tried to make the Jim Carrey Dumb and Dumber

1385
01:15:30,960 --> 01:15:36,519
Speaker 3: haircut cool and did not achieve it. It's a gelled

1386
01:15:36,600 --> 01:15:39,960
Speaker 3: up dumb and dumber haircut. It is just not serving

1387
01:15:40,040 --> 01:15:44,639
Speaker 3: him at all, because he's a very very handsome man. Now, yeah,

1388
01:15:44,840 --> 01:15:47,560
Speaker 3: it was not serving him at all. And he is introduced,

1389
01:15:48,880 --> 01:15:52,400
Speaker 3: he's his character is Zeke, and he's introduced and is

1390
01:15:52,479 --> 01:15:56,080
Speaker 3: like hot rod car that he's refurbished, holding these big

1391
01:15:56,120 --> 01:16:00,840
Speaker 3: pens full of powder that he calls skeat. So he's

1392
01:16:00,920 --> 01:16:04,280
Speaker 3: essentially selling drugs for five dollars a pop to his

1393
01:16:05,000 --> 01:16:06,120
Speaker 3: fellow students.

1394
01:16:07,280 --> 01:16:10,599
Speaker 1: Yeah, I mean, not gonna lie. There was a moment

1395
01:16:10,600 --> 01:16:14,400
Speaker 1: where I thought, that is actually a pretty tight fucking

1396
01:16:15,360 --> 01:16:18,639
Speaker 1: way to sell drugs, To put it in a pen, Like.

1397
01:16:18,680 --> 01:16:20,440
Speaker 2: No one's searching those pens.

1398
01:16:20,840 --> 01:16:24,200
Speaker 1: No, no one's looking at pens intricately and being like, oh,

1399
01:16:24,200 --> 01:16:27,920
Speaker 1: there's like drugs in this pen and then easy to snort,

1400
01:16:28,000 --> 01:16:30,559
Speaker 1: like right up the doos. And I'm like, all right,

1401
01:16:30,640 --> 01:16:33,240
Speaker 1: I don't know this is this was a creation of

1402
01:16:33,240 --> 01:16:35,840
Speaker 1: Hollywood or if this was actually happening, but like, it's

1403
01:16:35,880 --> 01:16:36,679
Speaker 1: pretty inventive.

1404
01:16:37,200 --> 01:16:39,719
Speaker 3: Never let it be said that drug dealers and users

1405
01:16:39,760 --> 01:16:44,200
Speaker 3: are not inventive. Exactly, that cannot be said. And so

1406
01:16:44,439 --> 01:16:47,960
Speaker 3: you get you get to meet everybody, and then you

1407
01:16:48,040 --> 01:16:50,400
Speaker 3: kind of go into the school and the teachers are

1408
01:16:50,720 --> 01:16:54,679
Speaker 3: shrugs to Hunk, like they have the old dirty air

1409
01:16:54,720 --> 01:16:58,320
Speaker 3: conditioner that they're not allowed to turn on. And the

1410
01:16:58,439 --> 01:17:01,880
Speaker 3: principles going around being like everyone everything's cut except for

1411
01:17:01,920 --> 01:17:03,960
Speaker 3: football because they're the.

1412
01:17:03,880 --> 01:17:05,719
Speaker 2: Only one that are bringing in money to this school.

1413
01:17:06,040 --> 01:17:07,599
Speaker 2: Like the teachers are strugs to Funk.

1414
01:17:07,800 --> 01:17:10,360
Speaker 3: One of the teachers pours like half of a flask

1415
01:17:10,400 --> 01:17:11,760
Speaker 3: into his morning coffee cup.

1416
01:17:12,640 --> 01:17:15,960
Speaker 2: It's just so bleak. It's so bleak.

1417
01:17:16,600 --> 01:17:19,680
Speaker 3: And amidst all this, we have a new student starting

1418
01:17:19,760 --> 01:17:25,240
Speaker 3: and her name is Mary Beth. And listen, Mary Beth

1419
01:17:25,320 --> 01:17:29,120
Speaker 3: is from Atlanta, and she introduces herself with her full

1420
01:17:29,200 --> 01:17:31,040
Speaker 3: name and place of residence. My name is Mary Beth

1421
01:17:31,120 --> 01:17:32,759
Speaker 3: Louis Hutchinson and I'm from Atlanta, Georgia.

1422
01:17:33,160 --> 01:17:35,479
Speaker 1: Yes, ma'am. That's how they do it out here.

1423
01:17:36,080 --> 01:17:39,080
Speaker 2: She means fucking business. So she's kind of oh did

1424
01:17:39,080 --> 01:17:39,880
Speaker 2: you remember her?

1425
01:17:40,840 --> 01:17:44,920
Speaker 1: Like I was trying to place where she's from. I

1426
01:17:44,960 --> 01:17:47,240
Speaker 1: was like, who is this actress?

1427
01:17:47,600 --> 01:17:48,639
Speaker 2: Did you remember that.

1428
01:17:48,760 --> 01:17:53,080
Speaker 1: Show on Nickelodeon called fifteen yep? And it was that

1429
01:17:53,160 --> 01:17:56,280
Speaker 1: like dramatic teen soap opera that was also like where

1430
01:17:56,320 --> 01:18:00,960
Speaker 1: America got discover or where America was introduced to Ryan Reynolds,

1431
01:18:01,720 --> 01:18:04,320
Speaker 1: but she was on fifteen and that was like the

1432
01:18:04,360 --> 01:18:06,280
Speaker 1: first thing I felt like when I finally made the

1433
01:18:06,320 --> 01:18:08,439
Speaker 1: connection in my head, I was like, oh my god,

1434
01:18:09,720 --> 01:18:14,240
Speaker 1: she's from the Canadian teen soap opera on Nickelodeon.

1435
01:18:14,160 --> 01:18:17,000
Speaker 2: And it's not you can't do that on television.

1436
01:18:16,680 --> 01:18:21,040
Speaker 1: Yeah, where they were like, let's be serious on Nickelodeon,

1437
01:18:21,280 --> 01:18:23,639
Speaker 1: and we're like, okay, we'll try and take it.

1438
01:18:24,479 --> 01:18:27,120
Speaker 3: We'll transition from stick Stick Lee into some fifteen why not?

1439
01:18:29,760 --> 01:18:33,200
Speaker 3: So Mary Beth meets Stokely and the first thing she

1440
01:18:33,240 --> 01:18:35,960
Speaker 3: says to her is are you one of those science

1441
01:18:36,000 --> 01:18:36,679
Speaker 3: fiction people?

1442
01:18:37,880 --> 01:18:38,720
Speaker 2: She's reading a.

1443
01:18:38,640 --> 01:18:42,680
Speaker 3: Book by like Robert Hyland or something, so she's like,

1444
01:18:42,720 --> 01:18:45,840
Speaker 3: are you one of those science fiction people? And this

1445
01:18:45,960 --> 01:18:49,240
Speaker 3: is the story itself kicks off after we meet everybody,

1446
01:18:49,360 --> 01:18:54,720
Speaker 3: when Casey finds a type of pod, let's call it,

1447
01:18:54,840 --> 01:18:58,000
Speaker 3: on the football field. He's eating lunch alone. He finds

1448
01:18:58,040 --> 01:19:01,760
Speaker 3: this little pod and he, like a diligent, good little nerd,

1449
01:19:01,840 --> 01:19:05,240
Speaker 3: brings it directly to his science teacher, who is played

1450
01:19:05,240 --> 01:19:10,320
Speaker 3: by John Stewart, and the character's name is Professor Edward Furlong,

1451
01:19:12,240 --> 01:19:16,559
Speaker 3: which I never knew.

1452
01:19:16,800 --> 01:19:19,679
Speaker 2: Are they shady? Edward Furlong, what this shit.

1453
01:19:20,120 --> 01:19:23,679
Speaker 1: So there's a lot of jokes tucked into this movie,

1454
01:19:23,720 --> 01:19:24,360
Speaker 1: by the way.

1455
01:19:24,960 --> 01:19:27,920
Speaker 3: So many jokes in this like just so many. And

1456
01:19:27,960 --> 01:19:31,800
Speaker 3: so John Stewart takes this little pod and somebody accidentally

1457
01:19:32,080 --> 01:19:34,760
Speaker 3: bumps into stokely and there's some water falls on it,

1458
01:19:34,800 --> 01:19:37,080
Speaker 3: and then it starts moving and he's like, let's put

1459
01:19:37,080 --> 01:19:39,640
Speaker 3: this shit in a fish tank. So they do, and

1460
01:19:39,680 --> 01:19:43,360
Speaker 3: then it multiplies, like it divides itself and grows fucking tentacles,

1461
01:19:43,600 --> 01:19:44,760
Speaker 3: and nobody.

1462
01:19:44,360 --> 01:19:46,520
Speaker 2: Is alarmed exactly.

1463
01:19:47,080 --> 01:19:49,720
Speaker 3: It's like, cool, casey, I think he found a new species.

1464
01:19:50,040 --> 01:19:53,760
Speaker 3: Then it bites doctor Professor Edward Furlong's finger.

1465
01:19:56,040 --> 01:19:57,040
Speaker 2: And he's like, oh fuck.

1466
01:19:58,320 --> 01:20:02,920
Speaker 3: But nobody is alarmed by this multiplying self, multiplying species

1467
01:20:03,040 --> 01:20:03,439
Speaker 3: at all.

1468
01:20:03,760 --> 01:20:06,360
Speaker 2: Oh my god, oh god.

1469
01:20:06,479 --> 01:20:09,479
Speaker 3: So we've got we go cut back to Stan and

1470
01:20:09,560 --> 01:20:15,000
Speaker 3: Stan is considering quitting the football team. He wants to

1471
01:20:15,040 --> 01:20:18,200
Speaker 3: be the d student he always knew he could be

1472
01:20:18,320 --> 01:20:23,000
Speaker 3: on his own terms. And he's in the showers in

1473
01:20:23,120 --> 01:20:26,960
Speaker 3: the locker room and he kind of sees this figure

1474
01:20:28,040 --> 01:20:32,760
Speaker 3: and then this there's two creepy stumbling scenes in this movie.

1475
01:20:32,800 --> 01:20:35,559
Speaker 3: The first one is when in the beginning, when Robert

1476
01:20:35,560 --> 01:20:37,360
Speaker 3: Patrick attacks bb Neworth.

1477
01:20:37,640 --> 01:20:38,439
Speaker 2: There's a scene.

1478
01:20:38,200 --> 01:20:40,679
Speaker 3: Where he comes out of the hallway in the dark

1479
01:20:40,760 --> 01:20:43,280
Speaker 3: and he's running at her blowing a whistle and it

1480
01:20:43,400 --> 01:20:48,840
Speaker 3: is so creepy. And the second one is this scene

1481
01:20:49,360 --> 01:20:54,000
Speaker 3: where Missus Brummel, one of the older teachers, nakedly stumbles

1482
01:20:54,000 --> 01:20:57,600
Speaker 3: towards Stan in the showers and he's like, uh, I

1483
01:20:57,600 --> 01:20:59,640
Speaker 3: guess it'll be okay, and he's trying to comfort her,

1484
01:20:59,720 --> 01:21:02,240
Speaker 3: and then a whole chunk of her scalp comes off

1485
01:21:04,479 --> 01:21:08,920
Speaker 3: and her skin starts melting, And of course there's a

1486
01:21:09,040 --> 01:21:14,040
Speaker 3: perfect explanation for it, because, in true pod person style,

1487
01:21:14,600 --> 01:21:18,639
Speaker 3: what is actually happening is the town has been invaded

1488
01:21:18,680 --> 01:21:22,280
Speaker 3: by aliens. The aliens get new victims by puking a

1489
01:21:22,320 --> 01:21:26,280
Speaker 3: slug into their ear. They become super docile. They chug

1490
01:21:26,400 --> 01:21:29,840
Speaker 3: water like there's no tomorrow, and they turn. They're gonna

1491
01:21:29,880 --> 01:21:30,639
Speaker 3: keep going till they turn.

1492
01:21:30,720 --> 01:21:33,799
Speaker 2: Everybody. Yeah, So they.

1493
01:21:33,720 --> 01:21:37,000
Speaker 3: Explain it as Missus Brummel is like sick with cancer

1494
01:21:37,760 --> 01:21:40,160
Speaker 3: and doesn't I'm like, that's not how that works, but

1495
01:21:40,320 --> 01:21:42,759
Speaker 3: that's how they explain it away. But now stands onto

1496
01:21:42,800 --> 01:21:44,679
Speaker 3: something and now some of the kids and the students

1497
01:21:44,720 --> 01:21:47,840
Speaker 3: are starting to be onto something. And what I love

1498
01:21:47,880 --> 01:21:50,000
Speaker 3: about this movie is that there are so many nods

1499
01:21:50,040 --> 01:21:54,800
Speaker 3: to sci fi without it being overwrought, and so it's

1500
01:21:54,840 --> 01:21:58,599
Speaker 3: like a traditional like body swap sort of sci fi movie,

1501
01:21:59,360 --> 01:22:02,880
Speaker 3: but it's funny and it's weird, and it's like more

1502
01:22:02,960 --> 01:22:05,880
Speaker 3: updated and they don't shy away from how weird it

1503
01:22:05,920 --> 01:22:08,040
Speaker 3: is to have like the body swap thing going on.

1504
01:22:08,720 --> 01:22:10,880
Speaker 3: So more and more kids are kind of getting onto it.

1505
01:22:12,360 --> 01:22:15,879
Speaker 3: Salma Hayek is turned. They're calling kids into the office

1506
01:22:16,040 --> 01:22:19,479
Speaker 3: like three at a time, and Casey and Delilah end

1507
01:22:19,520 --> 01:22:22,640
Speaker 3: up investigating together. They go into a closet. They get

1508
01:22:22,720 --> 01:22:26,519
Speaker 3: pushed into a closet when the coach comes into one

1509
01:22:26,520 --> 01:22:30,479
Speaker 3: of the classrooms and missus Rummle's body is in the closet.

1510
01:22:30,560 --> 01:22:32,760
Speaker 3: So when they're able to leave, they immediately go to

1511
01:22:32,800 --> 01:22:36,479
Speaker 3: the cops, and the whole school is like, are the

1512
01:22:36,600 --> 01:22:38,320
Speaker 3: All of the teachers in the school are like, Oh, no,

1513
01:22:38,360 --> 01:22:42,639
Speaker 3: it's just for Sessa Annie, you know her. Yeah, it's

1514
01:22:42,680 --> 01:22:45,240
Speaker 3: just this, just this model we use to teach CPR.

1515
01:22:46,200 --> 01:22:50,639
Speaker 3: But Delilah and Casey cannot be stopped. So they eventually

1516
01:22:50,800 --> 01:22:55,519
Speaker 3: joined forces with everyone. They joined store for forces with

1517
01:22:55,920 --> 01:23:00,759
Speaker 3: Stan and Mary Beth and Zeke and Deliah and Stokely

1518
01:23:01,160 --> 01:23:01,799
Speaker 3: and they're all.

1519
01:23:01,640 --> 01:23:07,200
Speaker 2: Gonna figure this shit the fuck out. Yeah. Now, Casey

1520
01:23:07,320 --> 01:23:08,760
Speaker 2: is the one who says.

1521
01:23:09,240 --> 01:23:11,000
Speaker 3: And this is kind of funny to me because I

1522
01:23:11,000 --> 01:23:14,439
Speaker 3: really like this again these nods, because Casey says, like

1523
01:23:14,520 --> 01:23:17,920
Speaker 3: all body snatcher stories are set up to prepare us

1524
01:23:17,960 --> 01:23:23,759
Speaker 3: for when real aliens rive, and Stokely's like, what the fuck?

1525
01:23:24,800 --> 01:23:28,599
Speaker 3: But then Stokely starts talking about puppet masters and how

1526
01:23:28,600 --> 01:23:32,000
Speaker 3: they were parasites in the puppet Master's book by Heinlen,

1527
01:23:32,360 --> 01:23:34,200
Speaker 3: and it just again like has all these nods in

1528
01:23:34,280 --> 01:23:37,880
Speaker 3: cool cool nonsa sci fi. So they're all deciding something's up.

1529
01:23:37,920 --> 01:23:39,920
Speaker 3: We got to figure out exactly what. They go back

1530
01:23:39,960 --> 01:23:42,519
Speaker 3: to the science classroom to try to look at this

1531
01:23:43,040 --> 01:23:44,880
Speaker 3: pod and it's gone.

1532
01:23:45,880 --> 01:23:49,519
Speaker 2: But guess who's there, Doctor Edward Furlong. And what do

1533
01:23:49,640 --> 01:23:49,960
Speaker 2: they do.

1534
01:23:50,439 --> 01:23:53,920
Speaker 3: They cut off his fingers, which slither away like slugs,

1535
01:23:54,280 --> 01:23:56,200
Speaker 3: and then they stab him in the eye with a

1536
01:23:56,240 --> 01:23:58,559
Speaker 3: scatpin and he fucking crows.

1537
01:24:01,120 --> 01:24:07,120
Speaker 1: Those little fingernubs walking around was actually hilarious, Like I

1538
01:24:07,160 --> 01:24:09,080
Speaker 1: was like, oh, this is like a funny horror movie

1539
01:24:09,080 --> 01:24:10,040
Speaker 1: thing that happened.

1540
01:24:10,400 --> 01:24:13,920
Speaker 2: It's like it's very balal and back, very balall.

1541
01:24:14,600 --> 01:24:16,559
Speaker 1: But it also is that thing where they're like, well,

1542
01:24:16,600 --> 01:24:21,600
Speaker 1: apparently the scat kills these.

1543
01:24:21,320 --> 01:24:24,599
Speaker 3: Things, and this is the cool part, Like they just

1544
01:24:24,720 --> 01:24:27,920
Speaker 3: they all so now they're like, shit, we got proof.

1545
01:24:28,240 --> 01:24:29,880
Speaker 3: We took one of the things. We took one of

1546
01:24:29,920 --> 01:24:32,439
Speaker 3: the thingies, and now we got proof. So they go

1547
01:24:32,520 --> 01:24:35,280
Speaker 3: back to Zeke's house, who has a lab, of course,

1548
01:24:35,560 --> 01:24:36,920
Speaker 3: because he makes scat.

1549
01:24:37,080 --> 01:24:39,040
Speaker 1: And yeah, I was like a full meth lab with

1550
01:24:39,160 --> 01:24:42,920
Speaker 1: like all of these like bunsen burners and fucking like

1551
01:24:42,920 --> 01:24:46,200
Speaker 1: like intricate glassware. I was like, damn, this drug dealer

1552
01:24:46,280 --> 01:24:47,160
Speaker 1: is real serious.

1553
01:24:48,080 --> 01:24:51,519
Speaker 3: He is so serious that he's stealing equipment from school.

1554
01:24:52,360 --> 01:24:54,920
Speaker 3: And we're starting to see some little love connections starting

1555
01:24:54,920 --> 01:24:58,519
Speaker 3: to happen with like all the misfits are are hooking

1556
01:24:58,600 --> 01:25:00,920
Speaker 3: up with all the popular people all of a sudden, right,

1557
01:25:01,400 --> 01:25:03,280
Speaker 3: but these kids are figuring shit out. So they're like,

1558
01:25:03,320 --> 01:25:06,160
Speaker 3: all right, the scat is a desiccated These are water

1559
01:25:06,200 --> 01:25:10,000
Speaker 3: based aliens. This dries them up, so we need to

1560
01:25:10,040 --> 01:25:13,240
Speaker 3: make as much scat as possible. Oh and ps, so

1561
01:25:13,360 --> 01:25:16,200
Speaker 3: this is a parasite and according to all the rules

1562
01:25:16,200 --> 01:25:19,280
Speaker 3: of sci Fi, if we kill the master it will

1563
01:25:19,320 --> 01:25:24,120
Speaker 3: make everyone human again. So let's find the master. All

1564
01:25:24,160 --> 01:25:26,439
Speaker 3: we have to do before that is proved that none

1565
01:25:26,520 --> 01:25:29,759
Speaker 3: of us are aliens. And we got to snort some scat.

1566
01:25:30,560 --> 01:25:33,599
Speaker 3: And this scene is so goddamn.

1567
01:25:32,960 --> 01:25:35,559
Speaker 2: Funny and weird, and it still holds up.

1568
01:25:36,080 --> 01:25:38,200
Speaker 3: Like I said, I think this movie holds up now.

1569
01:25:38,560 --> 01:25:40,600
Speaker 3: I don't know if it will still hold up in

1570
01:25:40,640 --> 01:25:42,000
Speaker 3: ten years, but it holds up now.

1571
01:25:42,280 --> 01:25:45,120
Speaker 2: Yeah. And so they are all snort and scat.

1572
01:25:44,800 --> 01:25:48,680
Speaker 3: And wouldn't you know it, Delilah snorts some scat and

1573
01:25:48,800 --> 01:25:52,200
Speaker 3: her face is filled with slugs underneath the skin because

1574
01:25:52,240 --> 01:25:56,960
Speaker 3: she's actually been turned. And she destroys the lab so

1575
01:25:57,000 --> 01:26:00,200
Speaker 3: they can't make any more scat, and then all l.

1576
01:26:00,240 --> 01:26:02,599
Speaker 2: Breaks loose, Sure damn does.

1577
01:26:03,320 --> 01:26:05,120
Speaker 3: And I don't want to ruin the end of this movie,

1578
01:26:05,320 --> 01:26:08,519
Speaker 3: but I will say there is a turn where Famka

1579
01:26:08,600 --> 01:26:12,600
Speaker 3: Johnson plays a super nerdy teacher who has been like

1580
01:26:12,800 --> 01:26:17,040
Speaker 3: taking Zeke's shit all throughout the movie, and when you

1581
01:26:17,120 --> 01:26:20,719
Speaker 3: find out she has turned, she comes back like Olivia

1582
01:26:20,800 --> 01:26:23,519
Speaker 3: Newton john at the end of Grease, and it's like,

1583
01:26:23,560 --> 01:26:28,120
Speaker 3: I ain't taking your shit. Tell me about it, stud,

1584
01:26:28,720 --> 01:26:32,080
Speaker 3: tell me about it, skit, And then she's looking.

1585
01:26:35,720 --> 01:26:37,760
Speaker 2: Like Curson out a teen.

1586
01:26:39,000 --> 01:26:41,559
Speaker 3: And it is just the movie gets wild from here,

1587
01:26:41,640 --> 01:26:43,120
Speaker 3: and I don't want to ruin the ending, and I

1588
01:26:43,160 --> 01:26:46,160
Speaker 3: don't want to ruin who the Master is or anything.

1589
01:26:46,880 --> 01:26:50,479
Speaker 3: But Piper Laurie is incredible in this movie. Everyone is

1590
01:26:50,479 --> 01:26:52,200
Speaker 3: incredible in this movie. I feel like there are a

1591
01:26:52,240 --> 01:26:54,920
Speaker 3: lot of like Rodriguez in a lot of shots with

1592
01:26:55,040 --> 01:26:58,720
Speaker 3: Piper Laurie throughout the film that were very carry like

1593
01:26:58,800 --> 01:27:00,640
Speaker 3: so you know I've been the camera kind stuttered and

1594
01:27:00,640 --> 01:27:02,920
Speaker 3: went like, there's just again like cool nods. If you

1595
01:27:03,040 --> 01:27:05,560
Speaker 3: like horror, if you like sci fi, you'll notice a

1596
01:27:05,600 --> 01:27:10,040
Speaker 3: lot about this movie that are nods to that. Robert

1597
01:27:10,080 --> 01:27:13,720
Speaker 3: Patrick has never been creepier. Ussure has never been a

1598
01:27:13,760 --> 01:27:17,439
Speaker 3: worse actor. I don't know who told him he could

1599
01:27:17,439 --> 01:27:18,599
Speaker 3: get on the screen and act.

1600
01:27:19,240 --> 01:27:26,640
Speaker 6: Okay, First of all, I was convinced that this was

1601
01:27:26,640 --> 01:27:29,400
Speaker 6: the film where Usher was a DJ and then I

1602
01:27:29,479 --> 01:27:31,920
Speaker 6: quickly realized it was like, no, that's she's all that.

1603
01:27:32,600 --> 01:27:35,760
Speaker 1: Like. I was like, so I thought Usher DJ'ed in

1604
01:27:35,840 --> 01:27:37,640
Speaker 1: this movie, and I'm like, no, I think it's just

1605
01:27:37,680 --> 01:27:41,080
Speaker 1: a football player, like and he wasn't even in it

1606
01:27:41,160 --> 01:27:42,840
Speaker 1: as much as I thought he was gonna be, like

1607
01:27:42,880 --> 01:27:46,760
Speaker 1: I was expecting Usher to play a prominent, like starring

1608
01:27:46,960 --> 01:27:51,000
Speaker 1: role as the DJ, but clearly it did not happen.

1609
01:27:51,080 --> 01:27:53,680
Speaker 2: Instead, he was like he was just a.

1610
01:27:53,720 --> 01:27:57,960
Speaker 1: Jock, Like, yeah, a jock that sort of at some

1611
01:27:58,120 --> 01:28:03,320
Speaker 1: point kind of replaces the stand character as the head

1612
01:28:03,320 --> 01:28:05,519
Speaker 1: of the football team after Stan decides that he doesn't

1613
01:28:05,520 --> 01:28:08,360
Speaker 1: want to be a football player anymore. But yes, not

1614
01:28:08,600 --> 01:28:12,439
Speaker 1: not a movie where Usher DJs or dances, unfortunately.

1615
01:28:11,880 --> 01:28:13,920
Speaker 3: So I wish you would have DJ'ed her danced. And

1616
01:28:13,960 --> 01:28:15,759
Speaker 3: here's how you know he was trying to be serious

1617
01:28:15,800 --> 01:28:17,720
Speaker 3: because he included his last name. He's like, I'm not

1618
01:28:17,800 --> 01:28:21,880
Speaker 3: just Usher, I'm Usher Raymond. Let's use my acted name,

1619
01:28:22,760 --> 01:28:24,960
Speaker 3: so you don't expect me to DJ or dance.

1620
01:28:25,400 --> 01:28:29,320
Speaker 1: He's not in the camera going. This is the hardest

1621
01:28:29,360 --> 01:28:31,720
Speaker 1: thing that I think I've ever had to do, is

1622
01:28:31,760 --> 01:28:35,800
Speaker 1: to tell you the woman that I love, that I'm

1623
01:28:36,080 --> 01:28:43,120
Speaker 1: having an alien let loose in my fucking face. Like,

1624
01:28:44,400 --> 01:28:48,000
Speaker 1: nothing that you know of Usher in this moment is

1625
01:28:48,560 --> 01:28:50,000
Speaker 1: represented in this film.

1626
01:28:50,240 --> 01:28:52,320
Speaker 3: So let me let me tell you that there's some

1627
01:28:52,320 --> 01:28:55,559
Speaker 3: some slug nubs crawling their way through my body right now.

1628
01:28:56,640 --> 01:28:58,120
Speaker 2: These are my confessions.

1629
01:29:01,880 --> 01:29:05,560
Speaker 3: Also underrated Christopher McDonald We've talked about him in the

1630
01:29:06,840 --> 01:29:11,200
Speaker 3: film On Louise episode he plays Casey's dead and it's

1631
01:29:11,320 --> 01:29:16,439
Speaker 3: just like one scene hilarious, Like he is just so funny.

1632
01:29:17,920 --> 01:29:19,200
Speaker 2: Oh yeah, I love him.

1633
01:29:19,400 --> 01:29:21,120
Speaker 1: It's a great moment for sure.

1634
01:29:21,439 --> 01:29:22,760
Speaker 2: I want to ask you this real quick.

1635
01:29:23,600 --> 01:29:27,200
Speaker 1: Were you a person that ever thought that Josh Hartnett

1636
01:29:27,400 --> 01:29:29,599
Speaker 1: and Clia Duval were brother and sister?

1637
01:29:31,120 --> 01:29:32,200
Speaker 2: No? I do.

1638
01:29:32,320 --> 01:29:38,639
Speaker 1: Now, there is this whole conspiracy theoryts out there.

1639
01:29:39,000 --> 01:29:42,000
Speaker 2: Now listen when I say conspiracy theory, this is light.

1640
01:29:42,360 --> 01:29:43,400
Speaker 2: This is a light.

1641
01:29:43,600 --> 01:29:48,200
Speaker 1: Conspiracy theory, I think. But a lot of people thought

1642
01:29:48,240 --> 01:29:53,360
Speaker 1: that Josh and Claoa Duval were related. I don't see

1643
01:29:53,400 --> 01:29:56,240
Speaker 1: it well, and then I thought I was tripping until

1644
01:29:56,320 --> 01:30:00,360
Speaker 1: I actually googled it. People have done deep dives into

1645
01:30:00,400 --> 01:30:03,920
Speaker 1: this Claiadeival Josh Harden thing, just saying this.

1646
01:30:03,880 --> 01:30:06,480
Speaker 2: Is an underbelly, this is a revealed underbelly.

1647
01:30:06,560 --> 01:30:08,880
Speaker 3: I'm gonna I will read it, but I do not

1648
01:30:09,040 --> 01:30:12,000
Speaker 3: see it at all, and I think that is hilarious.

1649
01:30:12,840 --> 01:30:15,559
Speaker 3: A true conspiracy would have been are they the same person?

1650
01:30:15,760 --> 01:30:17,679
Speaker 3: But then they're in the same movie and they can't

1651
01:30:17,720 --> 01:30:21,360
Speaker 3: be the same person exactly exactly. Also, my last point

1652
01:30:21,400 --> 01:30:24,520
Speaker 3: about the faculty. I absolutely love that the fighting teenage

1653
01:30:24,680 --> 01:30:31,920
Speaker 3: couple is credited as fuck you boy and fuck you Girl. Yeah,

1654
01:30:32,040 --> 01:30:34,360
Speaker 3: oh shit, it's so good.

1655
01:30:34,400 --> 01:30:34,880
Speaker 2: It holds up.

1656
01:30:34,920 --> 01:30:40,040
Speaker 3: I think it's for its genre, for nineties murderous tiger

1657
01:30:40,080 --> 01:30:40,839
Speaker 3: beat hotties.

1658
01:30:42,520 --> 01:30:47,000
Speaker 2: It holds up absolutely. I absolutely think so too.

1659
01:30:47,120 --> 01:30:50,680
Speaker 1: And I mean, obviously I was joking around about it

1660
01:30:50,760 --> 01:30:53,479
Speaker 1: being like just a better quality film than my movie,

1661
01:30:53,600 --> 01:30:57,000
Speaker 1: but it's also like it has like I mean, there's

1662
01:30:57,080 --> 01:30:59,960
Speaker 1: a lot of famous people in this film, and like

1663
01:31:00,240 --> 01:31:02,720
Speaker 1: you know, all these like actors, these young actors like

1664
01:31:02,880 --> 01:31:05,920
Speaker 1: Elijah Wood, like Josh Harden, like Clay Duvault, like I mean,

1665
01:31:05,960 --> 01:31:09,120
Speaker 1: these were they were all like superstars essentially in this era.

1666
01:31:09,280 --> 01:31:10,600
Speaker 1: So it's that thing where I'm like, Okay, well we

1667
01:31:10,720 --> 01:31:12,479
Speaker 1: have a lot of like good actors. You have a

1668
01:31:12,520 --> 01:31:15,200
Speaker 1: lot of good adult actors, and then you have like

1669
01:31:15,560 --> 01:31:19,439
Speaker 1: Kevin Williamson, uh, you know, Robert Rodriguez. So for me,

1670
01:31:19,520 --> 01:31:21,640
Speaker 1: I feel like it just has staying power because it was,

1671
01:31:22,400 --> 01:31:26,040
Speaker 1: you know, made by all these people. But also it's

1672
01:31:26,080 --> 01:31:28,760
Speaker 1: a good movie. Like I think it's suspenseful, and it's

1673
01:31:28,840 --> 01:31:32,840
Speaker 1: made well, and the special effects are like pretty badass,

1674
01:31:33,120 --> 01:31:35,920
Speaker 1: so you know, it's I loved it.

1675
01:31:36,200 --> 01:31:39,280
Speaker 2: Yeah, watch them both. Just have a weekend. Watch them both.

1676
01:31:39,280 --> 01:31:41,360
Speaker 2: You won't be upset clean your house, do you.

1677
01:31:41,400 --> 01:31:42,840
Speaker 3: I mean a lot so many people write to us

1678
01:31:42,840 --> 01:31:44,160
Speaker 3: and they're like, oh, I was listening she while I

1679
01:31:44,200 --> 01:31:45,840
Speaker 3: was cleaning my house, and like put the movies on.

1680
01:31:46,520 --> 01:31:49,639
Speaker 2: Yeah, why not chop them on? Yeah?

1681
01:31:49,800 --> 01:31:53,080
Speaker 1: Just you know, have a like an easy, breezy uh

1682
01:31:53,200 --> 01:31:55,519
Speaker 1: movie watching weekend. I mean mine will be very easy

1683
01:31:55,560 --> 01:31:58,800
Speaker 1: to watch. I think the fact that she takes a

1684
01:31:58,800 --> 01:32:00,880
Speaker 1: little bit more brain power. But you know what, like

1685
01:32:01,360 --> 01:32:02,160
Speaker 1: both enjoyable.

1686
01:32:02,600 --> 01:32:05,200
Speaker 3: I also love that your movie is like one hundred

1687
01:32:05,280 --> 01:32:11,559
Speaker 3: and nineteen minutes. It's like just under all, like it

1688
01:32:11,680 --> 01:32:13,519
Speaker 3: just happens. It happens so fast.

1689
01:32:13,560 --> 01:32:15,880
Speaker 2: I'll never get over that ending. I could talk about

1690
01:32:15,880 --> 01:32:18,720
Speaker 2: it all day long, but it just ain't right. It

1691
01:32:18,800 --> 01:32:19,400
Speaker 2: just ain't right.

1692
01:32:19,520 --> 01:32:21,760
Speaker 3: But this episode was right, and I'm so glad we

1693
01:32:21,800 --> 01:32:25,080
Speaker 3: got to do this. I love a nineties movie moment,

1694
01:32:26,479 --> 01:32:28,600
Speaker 3: and I can't wait for next week either. Do you

1695
01:32:28,640 --> 01:32:30,320
Speaker 3: want to tell them what the movies are?

1696
01:32:30,560 --> 01:32:36,200
Speaker 1: Oh my god, dudes, you're not even ready. I'm just

1697
01:32:36,240 --> 01:32:41,520
Speaker 1: gonna throw that out there, like y'all ate ready, period.

1698
01:32:43,320 --> 01:32:48,559
Speaker 1: The movies for next episode are Flowers in the Attic

1699
01:32:48,840 --> 01:32:52,760
Speaker 1: from nineteen eighty seven. An interview with a Vampire from

1700
01:32:52,840 --> 01:33:00,439
Speaker 1: nineteen ninety four. I mean, truly, I cannot believe these

1701
01:33:00,479 --> 01:33:04,599
Speaker 1: two together for the first time in history.

1702
01:33:04,760 --> 01:33:06,200
Speaker 2: No, I don't know who knows.

1703
01:33:07,560 --> 01:33:10,080
Speaker 1: I'm extremely excited for.

1704
01:33:10,080 --> 01:33:13,400
Speaker 3: This same same I'm excited about them all, but I'm

1705
01:33:13,479 --> 01:33:15,240
Speaker 3: very excited about this one.

1706
01:33:15,479 --> 01:33:20,559
Speaker 1: Well. Look, if you guys have your own nineties Tiger

1707
01:33:20,600 --> 01:33:23,280
Speaker 1: Beat haughty roster that you want to share with us,

1708
01:33:24,200 --> 01:33:29,839
Speaker 1: who were your centerfolds? Who's body where you're removing the

1709
01:33:29,880 --> 01:33:31,160
Speaker 1: staples from?

1710
01:33:31,520 --> 01:33:39,160
Speaker 2: Do you remember Steve Burton from Out of This World?

1711
01:33:40,120 --> 01:33:40,200
Speaker 3: Like?

1712
01:33:40,680 --> 01:33:46,479
Speaker 1: If you have anything? Apparently, according to Anali's Tiger Beats

1713
01:33:46,600 --> 01:33:50,479
Speaker 1: last issue was in twenty nineteen, so it's been around

1714
01:33:50,479 --> 01:33:53,600
Speaker 1: a lot, so there might be shit. There could be

1715
01:33:53,720 --> 01:33:57,400
Speaker 1: Usher then and Usher now in a Tiger Beat Who.

1716
01:33:57,200 --> 01:34:00,879
Speaker 2: Knows Usher teen and Usher Dad? Yeah exactly.

1717
01:34:01,000 --> 01:34:03,280
Speaker 1: Maybe he is the new Tom Selleck in the new

1718
01:34:03,320 --> 01:34:03,840
Speaker 1: Tiger Beat.

1719
01:34:03,880 --> 01:34:04,400
Speaker 2: Who knows?

1720
01:34:04,960 --> 01:34:06,560
Speaker 1: But if you have if you want to write to

1721
01:34:06,640 --> 01:34:08,760
Speaker 1: us about that or anything else, We're at I Saw

1722
01:34:08,760 --> 01:34:10,080
Speaker 1: what you did podtgmail dot.

1723
01:34:09,920 --> 01:34:12,920
Speaker 3: Com and you can also find us on our social media.

1724
01:34:13,040 --> 01:34:16,040
Speaker 3: We are at I saw pod on Instagram and Twitter,

1725
01:34:16,120 --> 01:34:18,560
Speaker 3: and don't forget that it always helps us when you

1726
01:34:18,640 --> 01:34:20,599
Speaker 3: leave us a nice little five star review.

1727
01:34:21,560 --> 01:34:25,400
Speaker 2: It helps people find us. And it's very very nice

1728
01:34:25,400 --> 01:34:26,880
Speaker 2: for you to do if you have the time.

1729
01:34:27,320 --> 01:34:31,280
Speaker 1: Yes, thank you so much in advance, Danielle. Always a

1730
01:34:31,320 --> 01:34:32,440
Speaker 1: fucking pleasure.

1731
01:34:32,040 --> 01:34:36,040
Speaker 2: To be here with you, the dopest. All right, see

1732
01:34:36,200 --> 01:34:43,920
Speaker 2: everybody next week. Freaks so sheep, love vomiting, Sorry, help

1733
01:34:44,040 --> 01:34:44,439
Speaker 2: us go fom.

1734
01:34:51,040 --> 01:34:53,800
Speaker 3: This has been an exactly right production, produced and mixed

1735
01:34:53,800 --> 01:34:56,880
Speaker 3: by Casey O'Brien. Our theme song is by Tom Bryfogel,

1736
01:34:57,200 --> 01:35:00,479
Speaker 3: artwork by Garrett Ross. Our executive producers a Our, Georgia

1737
01:35:00,479 --> 01:35:03,600
Speaker 3: hart Start, Karenkilegareff, and Daniel Kramer. You can follow us

1738
01:35:03,640 --> 01:35:06,600
Speaker 3: on Instagram and Twitter at I Saw pod, and you

1739
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Speaker 3: can email us at I Saw what you Did Pod

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Speaker 3: at gmail