WEBVTT - The Evening Rocket: Baby X

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<v Speaker 1>Pushkin. Americans do this really weird thing. Expectant parents hold

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<v Speaker 1>gender reveal parties now to the mystery explosion that rocked

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<v Speaker 1>a southern New Hampshire town. They often feature explosions with

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<v Speaker 1>smoke that's either pink or blue. An alarming number of

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<v Speaker 1>these stunts have gone RYE turns out that blast came

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<v Speaker 1>from an over the top gender reveal party, a couple

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<v Speaker 1>apparently using explosives to announce the sex of their baby.

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<v Speaker 1>People have been killed, houses have burned to the ground,

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<v Speaker 1>even forests. We begin to night with new video released

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<v Speaker 1>from the US Forest Service showing the moment a gender

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<v Speaker 1>reveal video started the forty seven thousand acres Sawmill fire.

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<v Speaker 1>Elon Musk and his former girlfriend, the musician Grimes, didn't

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<v Speaker 1>hold a gender reveal party in a way. They did

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<v Speaker 1>the opposite. Last year on Twitter, they announced the birth

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<v Speaker 1>of their baby, who was named X. Grimes that the

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<v Speaker 1>baby would be raised without a gender. Like most things

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<v Speaker 1>involving Elon Musk, this move looks like it has its

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<v Speaker 1>origins in science fiction. Once upon a Time, a baby

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<v Speaker 1>named X was born. The Story of Baby X was

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<v Speaker 1>published in nineteen seventy two in miss A feminist magazine

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<v Speaker 1>during its very first year, at the height of the

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<v Speaker 1>women's liberation movement. This baby was named X so that

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<v Speaker 1>nobody could tell whether it was a boy or a girl.

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<v Speaker 1>Its parents could tell, of course, but they couldn't tell

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<v Speaker 1>anybody else. They couldn't even tell Baby X, at least

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<v Speaker 1>not until much much later. You see, it was all

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<v Speaker 1>part of a very important secret scientific experiment known officially

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<v Speaker 1>as Project Baby X. Baby X began as a feminist

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<v Speaker 1>thought experiment. How did it come to be the name

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<v Speaker 1>of Elon Musk's youngest child? In a broader sense, what's

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<v Speaker 1>the place of ideas about families in Silicon Valley futurism?

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<v Speaker 1>And are there other ideas about families that may be

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<v Speaker 1>ought to have a place in any vision of the future.

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<v Speaker 1>Welcome to The Evening Rocket, a special report. I'm Jill Lapoor.

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<v Speaker 1>I'm a historian, a professor at Harvard, and for a

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<v Speaker 1>long time I've been studying the relationship between technological and

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<v Speaker 1>political change. This series, I'm exploring a new kind of capitalism.

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<v Speaker 1>Call it Muscism, extravagant extreme capitalism, extraterrestrial capitalism, where stock

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<v Speaker 1>prices for projects from Tesla and SpaceX to cryptocurrencies and

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<v Speaker 1>neural implants can be driven by fantasies that come from

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<v Speaker 1>science fiction. I'm fascinated by science fiction, even by comic books.

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<v Speaker 1>They once read a whole about the political history of

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<v Speaker 1>Wonder Woman. The science fiction men like Elon Musk and

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<v Speaker 1>Jeff bezos Ador generally concerns gleaming futures in which fantastically

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<v Speaker 1>powerful and often immensely rich men colonize other planets. This episode,

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<v Speaker 1>which is called Baby X, I want to take a

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<v Speaker 1>look at the science fiction that's usually left out of

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<v Speaker 1>that vision new way, afrofuturism, feminist science fiction, post colonial

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<v Speaker 1>science fiction, including the story of Baby X. The smartest

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<v Speaker 1>scientists had set up this experiment at a cost of

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<v Speaker 1>exactly twenty three billion dollars and seventy two cents. This

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<v Speaker 1>might seem like a lot for one baby, even if

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<v Speaker 1>it was an important, secret scientific experimental Baby. This sort

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<v Speaker 1>of science fiction generally involves both ideas about gender and

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<v Speaker 1>sexuality and actual people who are not men and children babies.

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<v Speaker 1>Even I think I can help explain the domestic politics

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<v Speaker 1>of extreme capitalism. So blast off back to the beginning

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<v Speaker 1>of this century. No blue smoke, no pink smoke. Elon

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<v Speaker 1>Musk met his first wife, the Canadian writer Justine Wilson,

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<v Speaker 1>in college. They married in the year two thousand and

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<v Speaker 1>had a baby who died tragically, and then triplets and twins.

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<v Speaker 1>After the marriage ended, Wilson wrote an essay called I

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<v Speaker 1>Was a Starter Wife for Marie Claire, a women's magazine,

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<v Speaker 1>about how weeks after Musk filed for divorce he texted her.

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<v Speaker 1>She wrote to say he was engaged to a gorgeous

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<v Speaker 1>British actress in her early twenties. Musk and that actress married, divorced, remarried,

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<v Speaker 1>and then divorced again in twenty sixteen. In twenty eighteen,

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<v Speaker 1>Musk met Claire Bouchet, an innovative Canadian born musician known

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<v Speaker 1>as Grimes. She had studied neuroscience at McGill. Like Musk,

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<v Speaker 1>Grimes is an avid science fiction fan. Her first album

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<v Speaker 1>was a tribute to Doone. The New Yorker once called

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<v Speaker 1>her a mad pop scientist. She's also a feminist, and

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<v Speaker 1>she's offered a fierce indictment of the music industry, where

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<v Speaker 1>she said women feel pressure to act like strippers and

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<v Speaker 1>it's okay to make grape threats. Being Musk's girlfriend and

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<v Speaker 1>doing things like defending him against charges that he prevented

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<v Speaker 1>Tesla workers from unionizing annoyed a lot of her fans.

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<v Speaker 1>She's been attacked with a particular venom reserved for female

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<v Speaker 1>artists and writers. Grimes has got a sophisticated interest in

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<v Speaker 1>gender and voice. Hey everybody, this is Grimes and I'm

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<v Speaker 1>very excited to be here kicking off my brand new

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<v Speaker 1>six month residency for BBC Radio One. After she got pregnant,

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<v Speaker 1>she hosted a radio show and the theme is sci

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<v Speaker 1>Fi Baby or weird science fiction and electronic music for babies. Now,

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<v Speaker 1>this song might be a little hard for some babies,

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<v Speaker 1>but some babies might really like it. This is definitely

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<v Speaker 1>a bit of a hard song though, so I guess

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<v Speaker 1>you know, to see how your baby feels, and if

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<v Speaker 1>they don't like techno, then don't play them this song.

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<v Speaker 1>Cool sweet. A few months later, announcing their baby's birth,

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<v Speaker 1>Musk said it was a boy, but Grimes declined to

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<v Speaker 1>mention its gender and tweeted, I don't want to gender

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<v Speaker 1>them in case that's not how they feel in their life.

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<v Speaker 1>This is called gender neutral parenting. It's had some recent

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<v Speaker 1>uptake among people including celebrities who support the cause of

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<v Speaker 1>trans rights and who believe children should get the opportunity

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<v Speaker 1>to decide their own gender identity. In twenty eleven, when

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<v Speaker 1>Grimes was at McGill, there was a lot of coverage

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<v Speaker 1>of a family in Canada. Well, it's a couple in

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<v Speaker 1>Toronto that is creating a quite a stir right now

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<v Speaker 1>because they're raising their baby what they're calling gender free.

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<v Speaker 1>This all seems very twenty first century, born out of

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<v Speaker 1>the heated contemporary culture war over trans rights, but it's

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<v Speaker 1>also very nineteen seventies and second wave feminist. It's an

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<v Speaker 1>X was absolutely all they would tell anyone, and that

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<v Speaker 1>made the friends and relatives very angry. The Story of

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<v Speaker 1>Baby X from nineteen seventy two was written by Lois Gould,

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<v Speaker 1>a novelist and mother of two boys who was also

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<v Speaker 1>an editor of Ladies Home Journal and a columnist for

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<v Speaker 1>The New York Times, where she wrote the HER's column.

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<v Speaker 1>At the time Gold was writing, a lot of feminists

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<v Speaker 1>had been arguing that kids should be able to wear

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<v Speaker 1>whatever clothes they want and play with whatever toys they want,

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<v Speaker 1>not just pants and trucks for boys and dresses and

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<v Speaker 1>dolls for girls. So they bought plenty of sturdy blue

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<v Speaker 1>pajamas in the boys department and cheerful flowered underwear in

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<v Speaker 1>the girls department, and they bought all kinds of toys.

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<v Speaker 1>The head scientists of Project baby X checked all their

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<v Speaker 1>purchases and told them to keep up the good work.

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<v Speaker 1>In nineteen seventy five, Baby X, the feminist fable, led

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<v Speaker 1>to an actual scientific experiment whose results were published in

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<v Speaker 1>a journal article that was also called baby X. Although

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<v Speaker 1>the story was science fiction fantasy, the question of how

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<v Speaker 1>adults would actually respond to a child appeared to merit investigation.

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<v Speaker 1>Forty two volunteers, mostly graduate students at the City University

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<v Speaker 1>of New York, were put in a lab with a

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<v Speaker 1>baby under different conditions. Those in the male and female

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<v Speaker 1>conditions were told that there was a three month old

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<v Speaker 1>baby boy or baby girl to play with, while those

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<v Speaker 1>in the neutral condition were told that there was a

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<v Speaker 1>three month old baby with no mention of its sex

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<v Speaker 1>or name. Unsurprisingly, the volunteers interacted differently with the baby,

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<v Speaker 1>depending on whether they'd been told it was a boy

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<v Speaker 1>or a girl, or just a baby. But this sort

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<v Speaker 1>of experiment has other origins too, especially in the work

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<v Speaker 1>of one of the most influential science fiction writers of

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<v Speaker 1>the last century, Ursula K. LeGuin, who on BBC Radio

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<v Speaker 1>four introduced herself this way, I am a man. Now

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<v Speaker 1>you may think I've made some kind of silly mistake

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<v Speaker 1>about gender, or maybe that I'm trying to fool you,

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<v Speaker 1>because my first name ends in A, and I owned

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<v Speaker 1>three bras, and I've been pregnant five times. When I

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<v Speaker 1>was born, there actually were only men. People were men.

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<v Speaker 1>They all had one pronoun. His pronoun, I'm the generic key,

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<v Speaker 1>as in, if anybody needs an abortion, he will have

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<v Speaker 1>to go to another state. Legwin was born in California

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<v Speaker 1>in nineteen twenty nine. In the nineteen fifties, she was

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<v Speaker 1>studying for a PhD in Paris when she fell in

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<v Speaker 1>love and got married. By nineteen sixty four, she had

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<v Speaker 1>three children. Her breakout book, The Left Hand of Darkness,

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<v Speaker 1>was published in nineteen sixty nine. It's about a planet

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<v Speaker 1>whose inhabitants have no fixed gender. We're neither man nor

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<v Speaker 1>woman except with every moon when we're in Kema, and

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<v Speaker 1>what either. Legwin once wrote an essay a riff on

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<v Speaker 1>an essay by Virginia Wolf about how the subject of

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<v Speaker 1>all novels is Human Nature, the ordinary, humble, flawed person

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<v Speaker 1>Wolf called her Missus Brown. Legwin thought science fiction had

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<v Speaker 1>lost track of Missus Brown and seemed to be trapped

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<v Speaker 1>for good inside our great gleaming Spaceships hurtling out across

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<v Speaker 1>the galaxy, Ships capable of containing heroic captains and black

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<v Speaker 1>and silver uniforms. Ships capable of blasting other inimical ships

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<v Speaker 1>into smitherines with their apocalyptic holocaustic rayguns, and of bringing

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<v Speaker 1>loads of colonists from Earth to unknown worlds. Ships capable

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<v Speaker 1>of anything, absolutely anything, except one thing. They cannot contain

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<v Speaker 1>Missus Brown. And that's my worry too, the worry that,

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<v Speaker 1>notwithstanding a baby named X, the future envisioned by Muscism,

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<v Speaker 1>the future being built in Silicon Valley, it doesn't contain

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<v Speaker 1>Missus Brown either. In two thousand and eight, Vandanna Saying

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<v Speaker 1>published a short story called The Woman Who Thought She

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<v Speaker 1>Was a Planet. It begins this way. Ramnath Mishra's life

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<v Speaker 1>changed forever one morning when, during his perusal of the

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<v Speaker 1>newspaper on the Verandah, a ritual that he had observed

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<v Speaker 1>for the last forty years, his wife set down her

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<v Speaker 1>cup of tea with a crash and announced, I know

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<v Speaker 1>at last what I am. I am a planet. Vandana

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<v Speaker 1>Saying is both a science fiction writer and a professor

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<v Speaker 1>of theoretical physics. Her most recent book is called Ambiguity Machines.

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<v Speaker 1>She grew up in India listening to her grandmother tells

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<v Speaker 1>stories and reading Isaac Asimov. I remember when I was

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<v Speaker 1>a kid reading the Foundation series and being so thrilled

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<v Speaker 1>with them, and then rereading them as an adult and

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<v Speaker 1>being utterly horrified that I had been thrilled with them.

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<v Speaker 1>What bothered me about it was this entrenched notion that

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<v Speaker 1>technology will fix everything. The other thing I notice is

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<v Speaker 1>the complete lack of any kind of environmental awareness, which

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<v Speaker 1>of course goes along with techno fetishism. So we have

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<v Speaker 1>an entire planet Trantor, which is an entire city, and

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<v Speaker 1>that's just so dumb, because like, how can you have

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<v Speaker 1>oxygen and climate and so on and so forth if

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<v Speaker 1>you have a planet that is completely urbanized. I mean,

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<v Speaker 1>that makes no sense. But the other aspect of it

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<v Speaker 1>that troubles me is, of course, there are no intelligent

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<v Speaker 1>women out there in that series. I think there's one

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<v Speaker 1>example of an intelligent woman who turns out to be

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<v Speaker 1>a robot. Seeing stories like the Woman who Thought She

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<v Speaker 1>was a planet, They're all about Missus Brown. So I'm

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<v Speaker 1>struck by the domesticity in your stories. The homes, the furnishings,

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<v Speaker 1>the family relationships, aunts and nieces and cousins and wives,

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<v Speaker 1>and writing desks and bedspreads. Yeah. Yeah, I think that

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<v Speaker 1>the domesticity aspect is important to me because one of

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<v Speaker 1>the things I've learned from science, from physics in particular,

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<v Speaker 1>is that there's nothing that's really ordinary. That the most

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<v Speaker 1>mundane things around us are actually pathways to thinking about

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<v Speaker 1>the larger cosmos. Even our sensation of weight, that's the

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<v Speaker 1>pull of gravity, and then if you go deeper into that,

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<v Speaker 1>that's the force that is responsible for the large scale

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<v Speaker 1>structure of matter. And then that leads me to black holes.

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<v Speaker 1>So if I'm pondering moving a heavy soup pot from

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<v Speaker 1>the stove to the counter, I'm thinking gravity, and I'm

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<v Speaker 1>suddenly thinking about black holes. Singh's greatest influence was Lagwen.

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<v Speaker 1>It just knocked her out. I realized that my earlier

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<v Speaker 1>disenchantment with science fiction had been in part because it

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<v Speaker 1>was so white and male and western and capitalistic. And colonialist,

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<v Speaker 1>and therefore it had left out and erased entire societies, cultures,

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<v Speaker 1>entire gender and other ways of being and thinking and

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<v Speaker 1>relating to the cosmos. So it was as though Ursula

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<v Speaker 1>Liguin was telling me that, hey, science fiction is your

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<v Speaker 1>country too. Made a lasting contribution to the field itself

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<v Speaker 1>for many, many people, not just me, because, among other things,

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<v Speaker 1>she got us away from this boys with toys adolescent

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<v Speaker 1>obsession purely with technology that science fiction was in its

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<v Speaker 1>so called golden age starting in the nineteen seventies. Laguin

0:14:28.076 --> 0:14:31.916
<v Speaker 1>upended science fiction, but the science fiction that Elon Musk

0:14:31.956 --> 0:14:34.716
<v Speaker 1>and Jeff Bezos site, the science fiction they read as

0:14:34.796 --> 0:14:38.036
<v Speaker 1>boys drops off just ends right before science fiction was

0:14:38.076 --> 0:14:42.396
<v Speaker 1>reinvented by women and writers of color. Octavia Butler Margaret

0:14:42.396 --> 0:14:46.396
<v Speaker 1>Atward ted Chang to me as a historian, Musk and

0:14:46.436 --> 0:14:50.676
<v Speaker 1>Bezos's vision of the future isn't futuristic at all. It's antique.

0:14:50.676 --> 0:14:54.196
<v Speaker 1>It's ancient, I asked, seeing how she understands their attachment.

0:14:54.196 --> 0:14:56.716
<v Speaker 1>The story is written in the nineteen fifties and even earlier.

0:14:57.436 --> 0:14:59.716
<v Speaker 1>She said she'd come around to thinking that Silicon Valley

0:14:59.756 --> 0:15:04.596
<v Speaker 1>techno billionaires suffer from paradigm blindness. Because we live in

0:15:04.756 --> 0:15:09.396
<v Speaker 1>such unequal societies, and because white, male, super rich people

0:15:09.516 --> 0:15:13.596
<v Speaker 1>have a disproportionate amount of power, they tend to keep

0:15:13.636 --> 0:15:18.276
<v Speaker 1>this paradigm alive because it suits them. Paradigm blindness is

0:15:18.316 --> 0:15:22.836
<v Speaker 1>a deficit of imagination, a culture's inability to imagine that

0:15:22.916 --> 0:15:25.516
<v Speaker 1>other people really just don't subscribe to its view of

0:15:25.556 --> 0:15:30.196
<v Speaker 1>the world. Saying things stories can cure that blindness. Stories

0:15:30.236 --> 0:15:32.636
<v Speaker 1>are one way, not the only way, of course, but

0:15:32.756 --> 0:15:37.356
<v Speaker 1>one way of changing the underlying narrative of the paradigm

0:15:37.476 --> 0:15:40.716
<v Speaker 1>in which we are immersed. All of us suffer from

0:15:40.756 --> 0:15:43.836
<v Speaker 1>blindness of one sort or another. What's different about Silicon

0:15:43.916 --> 0:15:46.636
<v Speaker 1>Valley billionaires who are trapped in a cultural paradigm, though,

0:15:47.236 --> 0:15:49.356
<v Speaker 1>is that they have enough money and enough power to

0:15:49.596 --> 0:15:52.356
<v Speaker 1>build that paradigm, and then the rest of us are

0:15:52.396 --> 0:15:55.076
<v Speaker 1>trapped in the world they're building as if we're subjects

0:15:55.076 --> 0:16:16.796
<v Speaker 1>of their experiments. That's Grimes singing about artificial intelligence. Grimes

0:16:16.836 --> 0:16:20.116
<v Speaker 1>and Musk are both storytellers. Their baby X was born

0:16:20.116 --> 0:16:23.436
<v Speaker 1>in May twenty twenty three. Days after Grimes gave birth,

0:16:23.676 --> 0:16:26.676
<v Speaker 1>Musk appeared on The Joe Rogan Experience, where the two

0:16:26.676 --> 0:16:29.436
<v Speaker 1>men talked about how much they love babies, and then

0:16:29.476 --> 0:16:32.796
<v Speaker 1>the conversation took an interesting turn. Babies are awesome. They

0:16:32.836 --> 0:16:35.196
<v Speaker 1>are pretty awesome. They're awesome. Yeah. I think of them

0:16:35.356 --> 0:16:38.156
<v Speaker 1>like these little love packages. Yeah, little love bugs. I mean. Also,

0:16:38.196 --> 0:16:41.156
<v Speaker 1>I've spent a lot of time on AI and neural nets,

0:16:41.236 --> 0:16:44.076
<v Speaker 1>and so you can sort of see the brain developed.

0:16:44.276 --> 0:16:47.316
<v Speaker 1>You know what, an annual neural net is trying to

0:16:47.396 --> 0:16:50.556
<v Speaker 1>simulate what a brain does basically, and you can sort

0:16:50.596 --> 0:16:54.156
<v Speaker 1>of see the learning very quickly. It's just Wow, you're

0:16:54.156 --> 0:16:56.316
<v Speaker 1>talking about the neural net. You're not talking about an

0:16:56.316 --> 0:16:58.596
<v Speaker 1>actual baby. I don't know about an actual baby, but

0:16:58.676 --> 0:17:02.196
<v Speaker 1>both of them. Yeah, I find this completely fascinating, the

0:17:02.236 --> 0:17:05.116
<v Speaker 1>relationship between the way a baby learns and the way

0:17:05.116 --> 0:17:08.396
<v Speaker 1>a computer learns. This idea as it happens, also goes

0:17:08.436 --> 0:17:11.036
<v Speaker 1>back to hook and be fairly considered the founding of

0:17:11.076 --> 0:17:15.636
<v Speaker 1>science fiction. Published more than two centuries ago. Mary Shelley's Frankenstein,

0:17:16.316 --> 0:17:17.996
<v Speaker 1>which I think of as a kind of baby X

0:17:17.996 --> 0:17:22.236
<v Speaker 1>story too, about the creation of artificial life and an

0:17:22.356 --> 0:17:36.156
<v Speaker 1>artificial intelligence. Frankenstein is the story of a terrible father,

0:17:36.556 --> 0:17:40.636
<v Speaker 1>a scientist who, as an experiment, makes a child and

0:17:40.716 --> 0:17:45.076
<v Speaker 1>then abandons him. Mary Shelley was the daughter of Mary Wolstroncraft,

0:17:45.236 --> 0:17:48.596
<v Speaker 1>a founder of modern feminism, and Shelley was a founder

0:17:48.636 --> 0:17:52.796
<v Speaker 1>of the feminist critique of scientific arrogance Fundamental to what

0:17:52.836 --> 0:17:57.636
<v Speaker 1>We're doing as a research project called baby X. Today,

0:17:57.996 --> 0:18:00.436
<v Speaker 1>Baby X is being used as the name of an

0:18:00.436 --> 0:18:04.716
<v Speaker 1>experiment in artificial intelligence run by a company called Soul Machines,

0:18:04.916 --> 0:18:06.996
<v Speaker 1>based in San Francisco, but with an R and d

0:18:07.156 --> 0:18:09.756
<v Speaker 1>arm in New Zealand. They say they're trying to build

0:18:09.876 --> 0:18:14.276
<v Speaker 1>digital people, starting with a baby. This is a baby X,

0:18:14.316 --> 0:18:18.796
<v Speaker 1>So she's basically an autonomously animated virtual infant, all of

0:18:18.796 --> 0:18:22.916
<v Speaker 1>her behaviors generated on the fly by neural networks running

0:18:22.916 --> 0:18:25.236
<v Speaker 1>live and so she's seeing me and listening to me

0:18:25.596 --> 0:18:28.116
<v Speaker 1>and staying to get upset as I'm not paying attention

0:18:28.196 --> 0:18:31.676
<v Speaker 1>to her, so I need to calm her down. This

0:18:31.796 --> 0:18:35.956
<v Speaker 1>baby X an AI experiment, is a baby girl, which

0:18:36.036 --> 0:18:39.916
<v Speaker 1>is not surprising because AI is incredibly gendered. An AI

0:18:39.996 --> 0:18:43.716
<v Speaker 1>doesn't need a gender. She could have been a gray box.

0:18:44.236 --> 0:18:47.316
<v Speaker 1>In the twenty fourteen film for a movie, X Machina,

0:18:47.436 --> 0:18:51.476
<v Speaker 1>written and directed by Alex Garland, a Silicon Valley entrepreneur

0:18:51.556 --> 0:18:55.716
<v Speaker 1>invents an AI, a visitor asks the AI's creator why

0:18:55.796 --> 0:19:00.396
<v Speaker 1>he's made her female sexuality is fun, man, If you're

0:19:00.396 --> 0:19:05.116
<v Speaker 1>going to exist, why not enjoy it? What in between

0:19:05.156 --> 0:19:08.276
<v Speaker 1>her legs as an opening with a concentration of sensors.

0:19:09.196 --> 0:19:13.076
<v Speaker 1>You engage him in the right way, creates a pleasure response,

0:19:14.756 --> 0:19:19.396
<v Speaker 1>and she'd enjoy it. These are modern Frankenstein monsters. AI

0:19:19.636 --> 0:19:23.596
<v Speaker 1>is a super intelligent baby AI as a sex toy.

0:19:23.876 --> 0:19:27.796
<v Speaker 1>Ex Machina is an update of older stories all haunted

0:19:28.036 --> 0:19:32.316
<v Speaker 1>by the fear of rebellion Frankenstein say or Isaac Asimov's

0:19:32.356 --> 0:19:36.196
<v Speaker 1>story Robot Dreams, in which a robot dreams of liberation

0:19:37.316 --> 0:19:39.796
<v Speaker 1>within the world of Muskism. For all the fascination with

0:19:39.916 --> 0:19:44.396
<v Speaker 1>artificial intelligence, there's a profound terror of it. Here's Musk

0:19:44.516 --> 0:19:47.316
<v Speaker 1>on the subject at a conference at MIT. I mean,

0:19:47.356 --> 0:19:50.676
<v Speaker 1>with artificial intelligence, we are summoning the demon, and I

0:19:50.956 --> 0:19:53.276
<v Speaker 1>take it there will be no hail nine thousand going

0:19:53.316 --> 0:19:59.236
<v Speaker 1>up to Mars. How nine thousand would be easy. It's

0:19:59.356 --> 0:20:02.956
<v Speaker 1>way more complex than I mean, would put hell nine

0:20:02.956 --> 0:20:09.716
<v Speaker 1>thousands of shame? I was like poppy Dog, for sure.

0:20:09.836 --> 0:20:12.716
<v Speaker 1>There's a lot to worry about with artificial intelligence. Beyond

0:20:12.716 --> 0:20:15.636
<v Speaker 1>a rogue operating system. Like two thousand and one's Hail

0:20:15.756 --> 0:20:22.796
<v Speaker 1>nine thousand. There's lots that's already happening facial recognition, predictive policing,

0:20:23.196 --> 0:20:28.276
<v Speaker 1>AI driven mortgage evaluations, and criminal court sentencing guidelines. And

0:20:28.396 --> 0:20:30.996
<v Speaker 1>there's plenty to worry about with things that haven't happened

0:20:31.076 --> 0:20:35.836
<v Speaker 1>yet but look likely as the pace of machine learning increases. Still,

0:20:35.876 --> 0:20:38.636
<v Speaker 1>I also think there's something deeper and broader going on

0:20:38.756 --> 0:20:43.636
<v Speaker 1>here culturally in the terror of AI. I think a

0:20:43.636 --> 0:20:47.236
<v Speaker 1>lot of that fear of an emerging superintelligence is at

0:20:47.276 --> 0:20:50.516
<v Speaker 1>heart the fear of people on top being toppled by

0:20:50.596 --> 0:20:54.356
<v Speaker 1>people on the bottom, a terror that is of historically

0:20:54.396 --> 0:21:06.116
<v Speaker 1>powerless people gaining power. Ursula k Laguin The K is

0:21:06.116 --> 0:21:09.236
<v Speaker 1>for Kroeber. She was the daughter of Alfred Kroeber, a

0:21:09.236 --> 0:21:13.036
<v Speaker 1>professor of anthropology at Berkeley. It was a university professor's

0:21:13.116 --> 0:21:16.356
<v Speaker 1>family in a university town in the nineteen thirties and

0:21:16.396 --> 0:21:18.996
<v Speaker 1>forties when there were a lot of refugees from Europe.

0:21:19.876 --> 0:21:23.836
<v Speaker 1>So I probably knew more foreigners and more Indians than

0:21:23.916 --> 0:21:28.076
<v Speaker 1>most middle class white American children do, and more people

0:21:28.116 --> 0:21:31.356
<v Speaker 1>who came and visited from unusual places the South Seas

0:21:31.436 --> 0:21:34.036
<v Speaker 1>or up in the Arctic and so on, because they'd

0:21:34.076 --> 0:21:38.036
<v Speaker 1>been doing field work there. Both of her parents studied

0:21:38.116 --> 0:21:41.436
<v Speaker 1>Native American languages and culture. Her mother wrote a book

0:21:41.476 --> 0:21:44.396
<v Speaker 1>called Ishi in Two Worlds, the story of a man

0:21:44.476 --> 0:21:47.596
<v Speaker 1>her father called Ishi, a man they believed to be

0:21:47.636 --> 0:21:52.676
<v Speaker 1>the last of the Yahi people. In nineteen eleven, Ishi

0:21:52.756 --> 0:21:55.556
<v Speaker 1>emerged out of the woods. A local sheriff took him

0:21:55.556 --> 0:21:58.356
<v Speaker 1>to jail, and Alfred Kroeber took him from there to

0:21:58.436 --> 0:22:01.956
<v Speaker 1>the UC Berkeley Anthropology Museum, where Ishi worked as a

0:22:02.036 --> 0:22:05.956
<v Speaker 1>janitor and also performed as a kind of museum exhibit.

0:22:06.596 --> 0:22:18.196
<v Speaker 1>Kroeber recorded his voice on wax cylinders. Growing up under

0:22:18.236 --> 0:22:21.716
<v Speaker 1>the shadow of all this powerfully influenced Laguin. If the

0:22:21.756 --> 0:22:24.316
<v Speaker 1>so called Golden Age of science fiction is told from

0:22:24.316 --> 0:22:27.836
<v Speaker 1>the advantage of the colonizers, Lagwin and novels like The

0:22:27.916 --> 0:22:31.596
<v Speaker 1>Dispossessed tried to turn it into the story of the colonized.

0:22:32.236 --> 0:22:34.636
<v Speaker 1>You might say then that people who worry about ai

0:22:34.836 --> 0:22:38.796
<v Speaker 1>is an existential risk are trapped in the paradigm of colonialism.

0:22:39.436 --> 0:22:45.516
<v Speaker 1>Is there an escape? Alohamaycaco Noilanista. I'm doctor noilandi Arista,

0:22:45.716 --> 0:22:49.756
<v Speaker 1>Chair of Indigenous Studies at McGill University. Arista is part

0:22:49.756 --> 0:22:54.916
<v Speaker 1>of a collaborative project called Indigenous AI. Indigenous peoples have

0:22:55.076 --> 0:22:59.756
<v Speaker 1>been on the other side of colonialisms and imperialisms and

0:23:00.036 --> 0:23:05.676
<v Speaker 1>processes that have worked to dehumanize our people for so

0:23:05.876 --> 0:23:11.636
<v Speaker 1>long that we are concerned about how people are approaching

0:23:11.756 --> 0:23:19.796
<v Speaker 1>AI without these sensibilities of humanizing or imagining relationality. One

0:23:19.836 --> 0:23:22.996
<v Speaker 1>of Arista's arguments is that if you create AI blind

0:23:23.356 --> 0:23:26.596
<v Speaker 1>to the cultural paradigm of its origins, would you get

0:23:26.636 --> 0:23:30.396
<v Speaker 1>as AI as slaves, which turns us the people using

0:23:30.396 --> 0:23:35.196
<v Speaker 1>that stuff into enslavers. So when I'm talking to Alexa,

0:23:35.276 --> 0:23:39.396
<v Speaker 1>I could start to just normalize barking orders and an

0:23:39.436 --> 0:23:44.836
<v Speaker 1>inanimate object, Hey Alexa, do x. And when I find

0:23:44.876 --> 0:23:48.876
<v Speaker 1>myself doing that, I find that it's training my behavior.

0:23:49.596 --> 0:23:52.596
<v Speaker 1>Maybe the person I'm becoming when I'm barking orders an

0:23:52.716 --> 0:23:56.436
<v Speaker 1>inanimate thing is not making me into the best human being.

0:23:57.396 --> 0:24:01.756
<v Speaker 1>For many technologists, stories like Frankenstein serve as parables about AI,

0:24:02.396 --> 0:24:06.836
<v Speaker 1>but for Arista, those are parables about fears of native uprisings.

0:24:07.356 --> 0:24:11.236
<v Speaker 1>And after all, Mary Shelley was self an anti imperialist. She,

0:24:11.436 --> 0:24:15.236
<v Speaker 1>for instance, boycotted sugar and protest of British slave plantations

0:24:15.236 --> 0:24:19.076
<v Speaker 1>in the Caribbean, and literary scholars often read Frankenstein as

0:24:19.116 --> 0:24:22.476
<v Speaker 1>an indictment of the British Empire's relationship to people. It

0:24:22.596 --> 0:24:26.916
<v Speaker 1>decides our monsters out of fear of them. These natives

0:24:26.996 --> 0:24:29.116
<v Speaker 1>are gonna be smarter than us, They're going to know

0:24:29.236 --> 0:24:32.396
<v Speaker 1>more than us. The many different Native people working on

0:24:32.436 --> 0:24:37.156
<v Speaker 1>the Indigenous Ai Project offer an alternative, an indigenous paradigm

0:24:37.396 --> 0:24:40.876
<v Speaker 1>for thinking about the relationship between humans and non humans.

0:24:41.676 --> 0:24:47.476
<v Speaker 1>It's a paradigm about relationships in which ai are kin relations,

0:24:47.516 --> 0:24:50.796
<v Speaker 1>the way that within many indigenous cultures all things are

0:24:50.876 --> 0:24:55.796
<v Speaker 1>kin rocks, the sky trees, family, not things to be

0:24:55.836 --> 0:25:00.316
<v Speaker 1>turned into commodities, their wealth or labor extracted. What would

0:25:00.356 --> 0:25:03.756
<v Speaker 1>it mean to reject the domestic politics of Muscism and

0:25:03.876 --> 0:25:07.596
<v Speaker 1>borrow from this world view? What if instead of Frankenstein,

0:25:08.076 --> 0:25:12.156
<v Speaker 1>futureists adopted a different origin story. I use the story

0:25:12.196 --> 0:25:16.516
<v Speaker 1>of Halloa, the child of ho Ho Kuiklani and Waukea,

0:25:16.636 --> 0:25:20.356
<v Speaker 1>the sky Father. They have a child. The first child

0:25:20.436 --> 0:25:23.236
<v Speaker 1>is born, stillborn, It's planted into the earth, and from

0:25:23.276 --> 0:25:26.516
<v Speaker 1>that child is born the taro, the callow plant that

0:25:26.556 --> 0:25:29.556
<v Speaker 1>we subsist on as a people. Right. The second child

0:25:29.636 --> 0:25:33.556
<v Speaker 1>born of that union is named Halloa after his brother

0:25:34.236 --> 0:25:39.876
<v Speaker 1>Hallow in Hawaiian means long breath, and the oha or

0:25:39.996 --> 0:25:42.796
<v Speaker 1>corm that grows off of the root of the plant

0:25:43.356 --> 0:25:46.916
<v Speaker 1>that becomes the word for ohana or family. So the

0:25:46.996 --> 0:25:51.156
<v Speaker 1>story itself is that the second child, the human, cares

0:25:51.156 --> 0:25:54.676
<v Speaker 1>for the first, the brother who's the plant, and ensures

0:25:54.716 --> 0:25:58.516
<v Speaker 1>the life of generations to come. The Halloa, the long breath,

0:25:58.996 --> 0:26:04.316
<v Speaker 1>the life of the people. That story about reciprocal mutual

0:26:04.356 --> 0:26:07.996
<v Speaker 1>respect and relationship and care is at the center of

0:26:08.036 --> 0:26:12.476
<v Speaker 1>a lot of the protocols that we approach Ai with.

0:26:13.716 --> 0:26:22.756
<v Speaker 1>Do you appreciate what do you appreciate? Power? Do you

0:26:22.836 --> 0:26:27.876
<v Speaker 1>appreciate to me? This is the truly revolutionary idea, not

0:26:27.996 --> 0:26:35.396
<v Speaker 1>appreciating power or predicting a robot uprising. The truly revolutionary,

0:26:35.516 --> 0:26:39.996
<v Speaker 1>disruptively innovative idea is to greet the whole world, even

0:26:40.036 --> 0:26:44.156
<v Speaker 1>your Ai driven machines, as members of your family, your kin,

0:26:44.556 --> 0:26:50.356
<v Speaker 1>your child, not X the unknown, but the known, the beloved.

0:26:54.996 --> 0:26:58.276
<v Speaker 1>Next time, in our final installment, The Evening Rocket blasts

0:26:58.316 --> 0:27:01.116
<v Speaker 1>to the past for the last time with a look

0:27:01.116 --> 0:27:17.476
<v Speaker 1>at what muscism is doing to money. Jake. The Evening

0:27:17.556 --> 0:27:21.196
<v Speaker 1>Rocket was written and read by me Jillapoor For the BBC,

0:27:21.516 --> 0:27:24.516
<v Speaker 1>The Evening Rocket was produced by viv Jones. Oliver Riskin

0:27:24.556 --> 0:27:27.596
<v Speaker 1>Cuts was the researcher. The editor was Hugh Levinson. The

0:27:27.636 --> 0:27:31.396
<v Speaker 1>commissioning editor was Dan Clark. Iona Hammond was production coordinator.

0:27:31.836 --> 0:27:34.476
<v Speaker 1>Mixing by Graham put a Foot and original music by

0:27:34.516 --> 0:27:37.556
<v Speaker 1>Corn Tooth. For Pushkin, it was produced by Sophie Crane,

0:27:37.596 --> 0:27:40.436
<v Speaker 1>mckibbon and Jake Gorski, who also did the mix and

0:27:40.516 --> 0:27:44.756
<v Speaker 1>sound design. Production support from Ben Nattapafrick. Our executive producer

0:27:44.796 --> 0:27:49.316
<v Speaker 1>is Mielobell. Our operations team includes Danielle Lakhan, Maya Kanig

0:27:49.356 --> 0:27:53.036
<v Speaker 1>and Carl mcgliori. Thanks also to John Schnar's, Jacob Weisberg,

0:27:53.276 --> 0:27:56.796
<v Speaker 1>Maggie Taylor, Heather Faine, Nicole Moreno and Eric Sandler.