WEBVTT - Communication (with Jojo Wright)

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<v Speaker 1>Portions of This Is Americans Live. The improvised documentary podcast

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<v Speaker 1>For more This Is Americans Live, Listen to more episodes

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<v Speaker 1>of This Is Americans Live. I guess and now your

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<v Speaker 1>first random sentence. The secret code they created made no

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<v Speaker 1>sense even to them. They were a newly minted bank

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<v Speaker 1>grabbing team. They tried to communicate the signals whist those

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<v Speaker 1>voices so that the people that they were robbing didn't

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<v Speaker 1>know what they were saying to each other. All right, listen, Jerry,

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<v Speaker 1>we're gonna go in there. We're gonna go in there.

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<v Speaker 1>Look look scared. She is already look scared. When I

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<v Speaker 1>and when I look at you, yea, when I when

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<v Speaker 1>I look at you, and when I tap my arm

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<v Speaker 1>four times, and when I say jibby, jibby, tibby tibby,

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<v Speaker 1>and then I and then I wink three times. You

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<v Speaker 1>know what to do, right, I give her the yeah,

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<v Speaker 1>and then I and then I get the okay, hold on,

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<v Speaker 1>we'll be right there. Are there, Yeah, I want. I

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<v Speaker 1>tap my arm three times and then I say ji

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<v Speaker 1>jibby jibby tibby timby, and then I wait. They went

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<v Speaker 1>back and forth nearly two hours. Luckily, the people that

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<v Speaker 1>they're arriving put too far away from the emergency button,

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<v Speaker 1>so they had the run way to do it. I

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<v Speaker 1>told you stay over there, thank you hand. Okay, you

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<v Speaker 1>don't what new one? There was a little too too much,

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<v Speaker 1>too much yeah, okay, so new plant. Okay, So so

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<v Speaker 1>she's over there, real scared. They just want to google,

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<v Speaker 1>and you'll go home. When we are all ready to

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<v Speaker 1>go home. Just think the money and go. Nobody cares

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<v Speaker 1>what you guys just saying to each other. Okay, know what,

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<v Speaker 1>think the game. That's a good idea. Okay. So whenever

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<v Speaker 1>I tapped my toe on your toe five times and

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<v Speaker 1>then I spit in your mouth, you go and get

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<v Speaker 1>you get the money. I'll just give you the money

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<v Speaker 1>you don't need. You want to have baseball coat stuff.

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<v Speaker 1>I'll just give me the cash. You're on My clients

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<v Speaker 1>here would just clearly misunderstood. They did not commit any crimes.

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<v Speaker 1>There was no crime committed. They did not commit a crime.

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<v Speaker 1>Make an assessment of that. Did you please call your witness? Please?

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<v Speaker 1>My witness is one of the bank robbers. Please step forward. Hi,

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<v Speaker 1>how are you? I swear to tell the truth all

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<v Speaker 1>that stuff? Oh? I said my witness was one of

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<v Speaker 1>the bank rup Okay, you know what? You know what?

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<v Speaker 1>Since you're up there, so no, since you're up there,

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<v Speaker 1>you since you're up there, get my witness. My first

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<v Speaker 1>witness yearna is the the the what could have been

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<v Speaker 1>the victim but wasn't because no crime took place? Stage

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<v Speaker 1>name please again again, My name is Susan McHenry now

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<v Speaker 1>shows in McHenry. Were you harmed in any way by

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<v Speaker 1>these two gentlemen? What do you want me to say?

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<v Speaker 1>A man? They had gun? Were you hit an open

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<v Speaker 1>carry stage? Were you harmed? I wasn't convenient. You're on

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<v Speaker 1>a hostile witness scared I was here, you're on a

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<v Speaker 1>may I have a moment to confer with the witness. Please,

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<v Speaker 1>thank you? Arna. Should we work this out already? When

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<v Speaker 1>I wink at you four times and I say, were

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<v Speaker 1>you hurt. You're supposed to say, of course, okay, of

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<v Speaker 1>course not, of course not. Do you misunderstanding the code?

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<v Speaker 1>I'm sorry you missing? Thank you all right, your honor.

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<v Speaker 1>I'm ready to proceed with this witness now soon, No,

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<v Speaker 1>your honor, a moment again, you confer with my client?

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<v Speaker 1>Please are you going to jail? Are going to jail?

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<v Speaker 1>Would you please hurry up with the witness? Couldn't have

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<v Speaker 1>been clearer with the signals? Was I what were the signals? Okay?

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<v Speaker 1>The sing I can't remember what they were? This is

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<v Speaker 1>This is Americans Live. I'm your host, Sorry, Producer Andy.

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<v Speaker 1>And then a special guest contributor is radio personality Jojo Right.

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<v Speaker 1>This week's theme communication. Sometimes it's hard to communicate with

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<v Speaker 1>people who are close to you, or maybe people you

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<v Speaker 1>have a close working relationship with. It's a human condition.

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<v Speaker 1>Start off each story, they'll be using our trustee sentence

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<v Speaker 1>generator in the sky as a jumping off point. Improvised

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<v Speaker 1>a show in three acts. This is This is Americans Life,

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<v Speaker 1>Stay with us ectline. The lyrics of the song sounded

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<v Speaker 1>like fingernails on a chalkboard. It seemed appropriate given the

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<v Speaker 1>fact that he was a music producer, and he was

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<v Speaker 1>running out of options, so you just created different kinds

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<v Speaker 1>of sounds to help keep his job. Alright, alright, band meeting,

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<v Speaker 1>everyone getting together, get get together. Look, we all know

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<v Speaker 1>that our last two albums for fucking will you Flopsy

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<v Speaker 1>Flopsick Flopsy, Propsy Populations. The Queen loved it, Queen love

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<v Speaker 1>of Queen, Queen lod The Queen doesn't even know what

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<v Speaker 1>she's even listening to at the time. In it, she

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<v Speaker 1>loved it. Doesn't match it? Does it matters? She fucking

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<v Speaker 1>loved it? And you're the only You're the only critic

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<v Speaker 1>in this group. You can't argue with the facts and

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<v Speaker 1>the statistics for data. Fucking write him in his statistics

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<v Speaker 1>and his fucking facts. You guys, are we doing music

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<v Speaker 1>or you're walking math? You want this to just to

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<v Speaker 1>be whimsy? You are? Feelings are feelings? Do we just

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<v Speaker 1>go away with listen? Man does not run on feelings.

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<v Speaker 1>That runs on chart topping hits. Now, Look, I wrote

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<v Speaker 1>a song, alright, this song. I run it by a producer.

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<v Speaker 1>He loved it, he loved it. What what what is

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<v Speaker 1>so funny? Bring? Oh think you're a fucking joking Rice

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<v Speaker 1>Bryce comming here here with the laughter. It's a serious stuff,

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<v Speaker 1>all right, listen run by a producer. I want you

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<v Speaker 1>to tell me what you honestly think, ovid. Here we go.

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<v Speaker 1>He's lyrics. Oh my girlfriend, Oh my girlfriend is the

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<v Speaker 1>first line. The second line is and it's just the

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<v Speaker 1>sound of nails on a facking chalkboard for three minutes

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<v Speaker 1>and twenty seconds following. Now, look, you may be saying

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<v Speaker 1>to yourself, I don't know if this is such a

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<v Speaker 1>great idea. Bryce, don't look at me like this. I'm

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<v Speaker 1>just fucking trying to take it in me. You're telling

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<v Speaker 1>me that it's a starts off with the lyric is

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<v Speaker 1>what I love my girlf Now it's oh my, oh

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<v Speaker 1>my girlfriend, and the next thing I know, it's a

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<v Speaker 1>bunch of fucking I will say one thing. I think

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<v Speaker 1>the first line is oh my girlfriend. Is the right

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<v Speaker 1>way to stop that. That's the whole problem. That's my

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<v Speaker 1>only issue with it, very much. I love the chokboard.

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<v Speaker 1>What do you love? Suggests? Try and Okay, so we

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<v Speaker 1>start off with yippio. That's that's my whole Yeah, yippio,

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<v Speaker 1>that's my that's my fucking The kids love it. It's

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<v Speaker 1>more fucking it speaks to me. It's a bit reductive,

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<v Speaker 1>but fine, does it speaking to you? It speaks to me.

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<v Speaker 1>I want to do this, I feel that. But we

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<v Speaker 1>can at least all agree that the nails on the

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<v Speaker 1>chokboard thing is the best way to to for the

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<v Speaker 1>rest of the song. Correct. They went ahead and recorded

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<v Speaker 1>the track Chackboard Sounds, and even though the lyrics were

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<v Speaker 1>a bit reductive, as one of them said, it actually

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<v Speaker 1>did really well and it have lunched to your career

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<v Speaker 1>into a new status freight. He was ready for hit track.

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<v Speaker 1>We are, We're doing it now. Okay, we're going to

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<v Speaker 1>sing it. Let's what's that folks? Is embarrassing? Bang? Mean, hey,

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<v Speaker 1>when are we going out there? And I prime the

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<v Speaker 1>crowd and I tell him are you ready to hear

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<v Speaker 1>the song? And they say it happens every fucking time

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<v Speaker 1>we're here to play, and the chuck board is still

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<v Speaker 1>waiting the fucking dressing room. It's like the chuck has

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<v Speaker 1>become a new member of the band, and it's I'm

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<v Speaker 1>getting more play than all of us. He had a

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<v Speaker 1>group meeting with their manager. All right, let's talk about

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<v Speaker 1>the band. I'll be honest with you, guys, me and

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<v Speaker 1>the chuck Board. We're gonna start o thing. He's going

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<v Speaker 1>to do a solo album and I don't think we're

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<v Speaker 1>really going to need your services. And in what this

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<v Speaker 1>be happening, it's our darkboard, the dark board. You don't

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<v Speaker 1>own a chalkboards dark board right now, Let's see what

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<v Speaker 1>the chalkboard has to say. But you've turned on us too, chalkboard.

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<v Speaker 1>Can I believe that? Hey, it's nudges him. It's me too,

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<v Speaker 1>because I see more potential with the chalkboard than they

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<v Speaker 1>do with you. Do You guys are fucking namare. I

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<v Speaker 1>would have never wrote the Chalkboard song if I thought

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<v Speaker 1>the Chalkboard itself would have been ondoing Trin to Chalkboard.

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<v Speaker 1>That was his own tour. He was doing really well.

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<v Speaker 1>Why don't your point for the bud coming up next week?

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<v Speaker 1>Got the new hop track from a Chalkboard. It's called

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<v Speaker 1>Lady Mulady, I Love m Lady. And then it's a

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<v Speaker 1>series of chalkboards scratches happening four. It's a forty seconds

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<v Speaker 1>on the board. The chalkboard was doing the press runs,

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<v Speaker 1>knowing stations station in different cities across the country. We

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<v Speaker 1>are alive with the chalkboard. Chalkboard, tell me, how are

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<v Speaker 1>you doing? Yeah? So you doing? Be candid with us?

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<v Speaker 1>How do you like being famous? Have you met any

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<v Speaker 1>other chuk boards along the way? Any other you know? Hey,

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<v Speaker 1>try and race? No kidding, how did you meet her

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<v Speaker 1>or him? I respect your privacy. So you take your

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<v Speaker 1>chalk and then you just put it in the hole

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<v Speaker 1>inside in the back of the dry race markers that

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<v Speaker 1>we Stanford fish Head get for hell. In my office

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<v Speaker 1>right now, I'm going over these air checks. I want

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<v Speaker 1>to talk to you about these. So let me just say,

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<v Speaker 1>buy a chalkboard, real quick. Chalkboard. My kids love you.

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<v Speaker 1>Can you just call my kids real quick? All right?

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<v Speaker 1>I've got a list a mile long of FCC complaints.

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<v Speaker 1>You guys had a chalkboard on the air. Do you

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<v Speaker 1>have any ideal what that chalkboard was saying? I mean,

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<v Speaker 1>do either of you speak chalkboard? I don't know. I

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<v Speaker 1>just it was time to entertaining. The kids are loving it.

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<v Speaker 1>I thought they love it too. Um well, and I

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<v Speaker 1>don't speak chalkboard, would I don't? I love chalkboard. My

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<v Speaker 1>favorite kind of food I love. I love chalkboard food.

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<v Speaker 1>I mean, what what I don't know. I'm just trying

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<v Speaker 1>to be hey, look like talking. I don't know. Hey,

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<v Speaker 1>the mics are off. You don't have to keep the

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<v Speaker 1>voice gone. Okay, thank you anyway, I'm sorry. Yeah, you

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<v Speaker 1>know what. I'm actually go back to the voice place. Okay,

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<v Speaker 1>thank you, everybody? All right, thank you anyway, all these

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<v Speaker 1>complaints about this chalkboard, can you play some of those

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<v Speaker 1>complaints from the Yes, here we go. God, damn, forgot

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<v Speaker 1>what my code was? I thank you. I don't know

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<v Speaker 1>what's the that's the hotline in the studio six seven

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<v Speaker 1>five three D. That's right? Remember what? Okay? What with

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<v Speaker 1>that one? And then we all laughed together because it

0:11:38.200 --> 0:11:42.880
<v Speaker 1>was because it was yes, Hello, is this the radio station?

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<v Speaker 1>The buzz Hello? Yes, okay, oh the voicemail. Yeah. I

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<v Speaker 1>was taking my kids to school and I was listening

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<v Speaker 1>to one of your interviews with your dear morning cho

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<v Speaker 1>Chuck Chuck Chuck, Chuck Chucks. And I don't think you're

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<v Speaker 1>aware of the dog whistles that were coming out of

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<v Speaker 1>that chalkboard. So that's just one of them, one of several.

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<v Speaker 1>So what do you have to say for yourself? I'd

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<v Speaker 1>like to hear more. I don't usually do this. By

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<v Speaker 1>the way, I'm a long time listener, first time complainer.

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<v Speaker 1>I was listening to the morning show there and you

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<v Speaker 1>guys had a chartboard on there, and my aunt burst

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<v Speaker 1>out crying because there's the cursing from that chartboard on

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<v Speaker 1>a cursive happening. That's the second one, and that's just

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<v Speaker 1>about it. I was just just listen to them back

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<v Speaker 1>to back to back. Damn okay, fine, hold On said,

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<v Speaker 1>let me just do that right, Yes, sir, I was

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<v Speaker 1>listening to your radio morning program and it was a

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<v Speaker 1>chalkboard on right. He said some pretty terrible things that

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<v Speaker 1>I was listening to the morning show morning where you're

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<v Speaker 1>on the buzz and the chuck board. He's told me

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<v Speaker 1>to go fund myself and to and told me commit

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<v Speaker 1>some pretty ainous crimes. And I just hope you're aware

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<v Speaker 1>that he's telling all these lists. Yes, excuse me, so

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<v Speaker 1>I'm driving in my big rig. Okay, I get it.

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<v Speaker 1>I funked up. I didn't even have the red the

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<v Speaker 1>chalkboard on there without a chalkboard translator. I'm sorry, thank you.

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<v Speaker 1>Where do you go about getting chalkboard translator? Anyways? Of

0:13:17.320 --> 0:13:22.400
<v Speaker 1>not understanding what your chalkboard is saying, introducing the chalkboard translator.

0:13:22.559 --> 0:13:25.680
<v Speaker 1>I was at work. It's easy. Your chalkboard says some ship.

0:13:26.080 --> 0:13:27.960
<v Speaker 1>You bring your press the button and it spits out

0:13:28.080 --> 0:13:30.600
<v Speaker 1>what it says. Let's try it out. Hey, chalkboard, come

0:13:30.640 --> 0:13:39.280
<v Speaker 1>over here, all right, say something? You should go kill

0:13:39.720 --> 0:13:49.200
<v Speaker 1>peat ball now kill that's love, dude, kill people. Okay,

0:13:49.320 --> 0:13:51.199
<v Speaker 1>you know what, cut tape, cut tape. You know what

0:13:51.960 --> 0:13:53.839
<v Speaker 1>we gotta we gotta do some more R and D

0:13:53.960 --> 0:13:56.360
<v Speaker 1>on this chocoboard. See what else this chalkboard as the day.

0:13:56.880 --> 0:13:58.800
<v Speaker 1>Please beg I'm begging you. Don't. Don't make the chalkboart.

0:13:58.840 --> 0:14:05.360
<v Speaker 1>Keep talking, please now, pizza, chanesley, button, rab pen. This

0:14:05.640 --> 0:14:09.480
<v Speaker 1>is on my face by face by face blot. Some

0:14:09.720 --> 0:14:12.400
<v Speaker 1>venus is on my face. Rince grit the helle of

0:14:12.480 --> 0:14:16.240
<v Speaker 1>my office right now, yes, bush, which the problem. The

0:14:16.360 --> 0:14:18.360
<v Speaker 1>problem is we've got a chalkboard that's going straight but

0:14:18.480 --> 0:14:21.920
<v Speaker 1>asked crazy. There's nothing worse than going but a crazy

0:14:21.920 --> 0:14:24.520
<v Speaker 1>thank you? Thank you? Should I say in the hallway

0:14:24.600 --> 0:14:27.280
<v Speaker 1>or no? You can stay here? Okay? I kind of

0:14:27.320 --> 0:14:29.320
<v Speaker 1>like that that chalkboard. That the way he talks to me.

0:14:29.680 --> 0:14:31.760
<v Speaker 1>So what do you intend to do about what you

0:14:31.920 --> 0:14:34.400
<v Speaker 1>allowed to be said on the air on his face

0:14:34.480 --> 0:14:36.760
<v Speaker 1>like he told me to do. See what happened, Rob

0:14:36.880 --> 0:14:42.880
<v Speaker 1>Penda is my face by face by face coming up

0:14:43.080 --> 0:14:46.640
<v Speaker 1>at two the first the word from our esteemed sponsors

0:14:47.040 --> 0:14:58.360
<v Speaker 1>stay with us at you the interview This speaks guess

0:14:58.400 --> 0:15:02.480
<v Speaker 1>contributor is radio personality Jojo, Right, Jojo, Thanks for coming.

0:15:02.640 --> 0:15:04.880
<v Speaker 1>It's a pleasure to be here. It's a pleasure to

0:15:04.920 --> 0:15:07.320
<v Speaker 1>have you. Thank you very much. Good to see you. See.

0:15:07.520 --> 0:15:09.280
<v Speaker 1>How long have you have you been a fan of

0:15:09.360 --> 0:15:14.240
<v Speaker 1>the show, Well, this is uh, my first experience with

0:15:14.320 --> 0:15:17.960
<v Speaker 1>the show. I've never le chiant again. I've been a huge,

0:15:18.360 --> 0:15:23.520
<v Speaker 1>huge fan for very good years years. And what was

0:15:23.600 --> 0:15:26.440
<v Speaker 1>the first episode that you The first one that I

0:15:26.800 --> 0:15:29.360
<v Speaker 1>listened to was the thing where you guys had and

0:15:29.840 --> 0:15:31.480
<v Speaker 1>the lady was she was kind of screaming and then

0:15:31.520 --> 0:15:34.240
<v Speaker 1>you guys, you know had she was eating a sandwich.

0:15:35.040 --> 0:15:38.280
<v Speaker 1>Don't we have that in the archives? Uh? Yeah, I

0:15:38.360 --> 0:15:48.600
<v Speaker 1>guess we do. Unfortunately, Allen is a very experimental one

0:15:48.640 --> 0:15:51.560
<v Speaker 1>because nobody knew she was making a sandwich. That's kind

0:15:51.560 --> 0:15:53.880
<v Speaker 1>of where I stopped listening is with the sandwich. But

0:15:54.840 --> 0:15:57.040
<v Speaker 1>it hooked me. It was what was the second favorite

0:15:59.400 --> 0:16:04.320
<v Speaker 1>it's just take one. That was episode was my second

0:16:04.360 --> 0:16:07.200
<v Speaker 1>favorite in that one. Episode sixty four was when the

0:16:07.360 --> 0:16:11.240
<v Speaker 1>UFO blew in and then um, he picked it, went

0:16:11.320 --> 0:16:12.760
<v Speaker 1>to pick up the cow, but it was you know

0:16:12.840 --> 0:16:15.000
<v Speaker 1>it was actually it wasn't a cow. It was like

0:16:15.080 --> 0:16:18.560
<v Speaker 1>the school teacher. We have that though that episode that

0:16:19.760 --> 0:16:30.960
<v Speaker 1>we find it out. I did find it. Me, me, me, me,

0:16:31.200 --> 0:16:37.360
<v Speaker 1>me and me. I have thought at a young cow school.

0:16:37.480 --> 0:16:44.280
<v Speaker 1>Get that cow. It's pretty heavy. I don't know if

0:16:44.360 --> 0:16:48.360
<v Speaker 1>we you trying to take my cowt No, not, of

0:16:48.480 --> 0:16:51.520
<v Speaker 1>course not, but you're just trying to have this guy

0:16:51.520 --> 0:16:55.720
<v Speaker 1>a little tick down more tic takes around my around

0:16:55.760 --> 0:16:59.080
<v Speaker 1>my cows sort of got us all one. NBC News reports,

0:16:59.120 --> 0:17:01.720
<v Speaker 1>are you a FU site over the hillside of Kentucky?

0:17:01.960 --> 0:17:03.800
<v Speaker 1>A cow is being looted off the ground. So he

0:17:03.960 --> 0:17:06.119
<v Speaker 1>ran outside and he said, I think I said, tik

0:17:06.200 --> 0:17:07.680
<v Speaker 1>tak up in the sky and he said, I'm taking

0:17:07.720 --> 0:17:10.159
<v Speaker 1>my shotgun. I said, there ain't no way there is

0:17:10.320 --> 0:17:13.560
<v Speaker 1>a voup in that sky and uh he ran outside.

0:17:14.040 --> 0:17:16.560
<v Speaker 1>Damn near from your damn your name, dude, ding No.

0:17:17.200 --> 0:17:19.720
<v Speaker 1>That was that was a great episode. That was pretty

0:17:19.760 --> 0:17:21.880
<v Speaker 1>pretty wild. I couldn't believe that they have the UFOs

0:17:22.040 --> 0:17:24.240
<v Speaker 1>right now. We had to cut that episode as that

0:17:24.400 --> 0:17:27.160
<v Speaker 1>lady kept going on and because you can finish your sentence,

0:17:27.440 --> 0:17:29.720
<v Speaker 1>I think the name and name name just that on board,

0:17:29.800 --> 0:17:31.760
<v Speaker 1>Sam Hill, Sam Hill up on the end. Still, I

0:17:31.880 --> 0:17:33.440
<v Speaker 1>was decided to play it with where time to see

0:17:33.480 --> 0:17:35.040
<v Speaker 1>if I could find the point where you finished. But

0:17:35.119 --> 0:17:37.480
<v Speaker 1>she never dies. So tell us a little bit about yourself,

0:17:37.480 --> 0:17:39.040
<v Speaker 1>what you've done. Well. I live in l A. I'm

0:17:39.040 --> 0:17:40.879
<v Speaker 1>originally from Texas, but I live in l A for

0:17:40.920 --> 0:17:44.600
<v Speaker 1>the last twenties something years to a radio show on

0:17:45.400 --> 0:17:48.199
<v Speaker 1>FM in Los Angeles. Was at a big dream come

0:17:48.240 --> 0:17:51.560
<v Speaker 1>shooting you. It was when I got the offer come

0:17:51.600 --> 0:17:54.600
<v Speaker 1>to kiss. It was I was in San Francisco. Nice.

0:17:54.720 --> 0:17:56.240
<v Speaker 1>Then they said you want to come to l A.

0:17:56.320 --> 0:17:58.359
<v Speaker 1>And like, absolutely, so I came to l A. And

0:17:58.600 --> 0:18:02.640
<v Speaker 1>that's surely after that's where I heard your vodkas twenty

0:18:02.720 --> 0:18:05.520
<v Speaker 1>years twenty years ago. The first Wow, it's I know

0:18:06.280 --> 0:18:08.800
<v Speaker 1>you're a long time, you're a long hauler. That's a

0:18:08.880 --> 0:18:13.280
<v Speaker 1>that's the first episode of it. I guess, all right,

0:18:13.320 --> 0:18:17.960
<v Speaker 1>this is ARII uh and uh, this is uh my thrower.

0:18:18.160 --> 0:18:23.160
<v Speaker 1>Something's wrong with my throat. That'll be fine. Oh good,

0:18:23.280 --> 0:18:25.399
<v Speaker 1>because there's no way that we can maintain that for

0:18:25.920 --> 0:18:29.360
<v Speaker 1>the entire length of the show. What my voice, eyes

0:18:29.440 --> 0:18:34.520
<v Speaker 1>is so horsed. That's better, Oh good, because nobody wants

0:18:34.560 --> 0:18:37.040
<v Speaker 1>to hear that. Alright, So let's start the first show.

0:18:37.480 --> 0:18:39.639
<v Speaker 1>That was a great It was amazing. But that's when

0:18:39.680 --> 0:18:42.040
<v Speaker 1>I first moved to l A. Yeah, right about that time. Well,

0:18:42.240 --> 0:18:44.240
<v Speaker 1>what was it about l A that made you feel

0:18:44.320 --> 0:18:46.120
<v Speaker 1>like it's just gonna be your new home? I think

0:18:46.240 --> 0:18:49.720
<v Speaker 1>there were more opportunities in l A. Y Uh, in

0:18:50.160 --> 0:18:52.000
<v Speaker 1>Hollywood is here. So you want to do anything in

0:18:52.000 --> 0:18:54.760
<v Speaker 1>the world of entertainment, this is this is where it's at.

0:18:54.880 --> 0:18:57.720
<v Speaker 1>Because you feel like in Houston you are a big vision,

0:18:57.760 --> 0:19:02.360
<v Speaker 1>a little tinny, you know, Houston bond um. In Houston,

0:19:02.560 --> 0:19:04.640
<v Speaker 1>I felt like I was, you know, I was still

0:19:04.680 --> 0:19:07.440
<v Speaker 1>surrounded by my childhood friends. Maybe I needed to branch

0:19:07.880 --> 0:19:10.720
<v Speaker 1>out and meet new people. They just didn't believe in you.

0:19:10.840 --> 0:19:12.480
<v Speaker 1>They didn't believe me. It hurt. I think we have

0:19:12.560 --> 0:19:18.000
<v Speaker 1>that in the archives. Jo, you fucking suck you leave

0:19:18.040 --> 0:19:21.960
<v Speaker 1>me alone. I want to be big, yeah, big, like

0:19:22.080 --> 0:19:28.120
<v Speaker 1>what like, dude, God, j out of your Jojo, You'll

0:19:28.280 --> 0:19:32.359
<v Speaker 1>never leave this Houston pie. And then we cut to

0:19:32.400 --> 0:19:36.159
<v Speaker 1>the high school reunion. Oh hey, Jojo, good, good to

0:19:36.200 --> 0:19:38.560
<v Speaker 1>see you again. Uh, I haven't. I haven't seen you

0:19:38.600 --> 0:19:40.399
<v Speaker 1>in a while. I mean, what do we do? You

0:19:40.440 --> 0:19:43.000
<v Speaker 1>want to meet my five kids? Um? No, I would.

0:19:43.200 --> 0:19:45.080
<v Speaker 1>I'm sure they're fine, but I don't want to meet

0:19:45.119 --> 0:19:46.919
<v Speaker 1>you want to meet my seven kids? I don't think

0:19:46.920 --> 0:19:50.320
<v Speaker 1>he's got seven. I gotta from four different wives. Are

0:19:50.359 --> 0:19:53.480
<v Speaker 1>all four wives here tonight? Um? They're all in prison,

0:19:53.560 --> 0:19:55.200
<v Speaker 1>every single one of them. What do you do? What

0:19:55.480 --> 0:19:57.320
<v Speaker 1>do you do now? Of them? Are you know? Parents

0:19:57.840 --> 0:20:01.880
<v Speaker 1>gave birth to the stuff. The stutter never went away?

0:20:02.000 --> 0:20:05.000
<v Speaker 1>What do you What are you doing now? Man? I

0:20:05.119 --> 0:20:09.560
<v Speaker 1>do a radio show in Los Angeles? Wait, you're Jojo? No, no,

0:20:09.880 --> 0:20:13.360
<v Speaker 1>wait a minute, you're Jojo Wait on the radio from

0:20:13.400 --> 0:20:15.440
<v Speaker 1>kissing him? I know, I know, it's yeah, it's pretty

0:20:15.440 --> 0:20:17.600
<v Speaker 1>crazy to think it is me. It's me. What did

0:20:17.680 --> 0:20:20.080
<v Speaker 1>we do with our lives? Dude? Literally? Nothing? Are you

0:20:20.200 --> 0:20:22.760
<v Speaker 1>in the same Jojo? That hosty I heard radio countdown?

0:20:23.000 --> 0:20:26.080
<v Speaker 1>That that is? That is me? Yes? I love that

0:20:26.359 --> 0:20:28.560
<v Speaker 1>you listen a lot. Yeah, I love it. I love

0:20:28.640 --> 0:20:31.200
<v Speaker 1>the way I love I love the way you you pull.

0:20:31.760 --> 0:20:34.320
<v Speaker 1>You pull a lot out of all the guests and Uh,

0:20:34.400 --> 0:20:37.040
<v Speaker 1>the guy who who says the numbers and the song titles.

0:20:38.280 --> 0:20:40.160
<v Speaker 1>And I guess what you were like in high school? Sure?

0:20:40.440 --> 0:20:43.240
<v Speaker 1>Do you like a heavy metal dude? Would have you

0:20:43.320 --> 0:20:47.639
<v Speaker 1>for like skater artist type? No? I was pretty pretty

0:20:47.720 --> 0:20:51.280
<v Speaker 1>shy as a kid, very shy. And then uh, it

0:20:51.440 --> 0:20:53.280
<v Speaker 1>hit me that I wanted to try something in the

0:20:53.400 --> 0:20:55.119
<v Speaker 1>entertainment world, maybe just so I can break down on

0:20:55.200 --> 0:20:58.080
<v Speaker 1>my shell. And radio became the thing. My dad got

0:20:58.119 --> 0:21:00.160
<v Speaker 1>me a job, but a small little bit. He's all

0:21:00.240 --> 0:21:02.879
<v Speaker 1>radio station and a M radio station. What was it

0:21:02.960 --> 0:21:05.399
<v Speaker 1>called k b U k K buck. That was the

0:21:05.480 --> 0:21:07.879
<v Speaker 1>first place that I had a job. Wait a minute,

0:21:08.080 --> 0:21:09.920
<v Speaker 1>I think I remember you know. Let's play the art, guys.

0:21:11.160 --> 0:21:13.399
<v Speaker 1>I have a name is Arry. What's your name? This

0:21:13.520 --> 0:21:17.600
<v Speaker 1>is my son, my son Jojo. I are you doing?

0:21:17.720 --> 0:21:19.679
<v Speaker 1>Today's this first day? I want you to show him

0:21:19.720 --> 0:21:22.239
<v Speaker 1>around the studio. I could be on the radio today. Yes,

0:21:22.440 --> 0:21:24.159
<v Speaker 1>you get to be on the radio. I promised you.

0:21:24.280 --> 0:21:26.280
<v Speaker 1>I promised you got you would get to be on

0:21:26.320 --> 0:21:27.600
<v Speaker 1>the radio, and then I would take you out for

0:21:27.600 --> 0:21:31.320
<v Speaker 1>ice cream after your airshift a r K k k K.

0:21:32.320 --> 0:21:35.360
<v Speaker 1>Let me just talk to Jojo. Okay, by guys, I'd

0:21:35.520 --> 0:21:39.280
<v Speaker 1>see you later. Just stay close by jo Joe. Let

0:21:39.320 --> 0:21:43.320
<v Speaker 1>me tell you something. Yeah, no funk with me. This

0:21:43.520 --> 0:21:45.720
<v Speaker 1>is my realm. If you try to take my spot,

0:21:46.119 --> 0:21:49.200
<v Speaker 1>I fucking kick your ass. All right now, you guys

0:21:49.240 --> 0:21:55.760
<v Speaker 1>got reacquainted. Isn't always such a nice guy? He's great? Right? What? What?

0:21:55.960 --> 0:21:58.320
<v Speaker 1>Why are you crying? Son a bug? Bat me? Ari

0:21:58.520 --> 0:22:00.800
<v Speaker 1>will will make you feel better. He's a real nice guy.

0:22:00.800 --> 0:22:03.159
<v Speaker 1>I'm gonna step away from it was a second, fu

0:22:03.359 --> 0:22:06.480
<v Speaker 1>with me, do with my radio. I just want to

0:22:06.520 --> 0:22:10.760
<v Speaker 1>be on the radio, all right, guys, mac Hey, hey,

0:22:10.840 --> 0:22:13.879
<v Speaker 1>why you Your face is even redder than before, and

0:22:13.920 --> 0:22:17.360
<v Speaker 1>you're crying even more profusely than you were when I'm back.

0:22:17.800 --> 0:22:23.240
<v Speaker 1>I'm sorry. Yeah, I want to thank you for comforting

0:22:23.400 --> 0:22:26.119
<v Speaker 1>him and his time and need right now. Thank you,

0:22:26.320 --> 0:22:31.440
<v Speaker 1>just preemptively, preemptively okay, you know what, I think y'all

0:22:31.440 --> 0:22:34.200
<v Speaker 1>are going to be best friends for life. And I

0:22:34.400 --> 0:22:38.200
<v Speaker 1>can't wait until thirty years from an hours so when

0:22:38.359 --> 0:22:42.959
<v Speaker 1>he's a guest on your show, all right, by forever.

0:22:43.760 --> 0:22:45.800
<v Speaker 1>I didn't realize it. I was. I was that mean

0:22:45.840 --> 0:22:48.240
<v Speaker 1>to you. I'm so sorry. That was it was uncalled

0:22:48.280 --> 0:22:50.399
<v Speaker 1>for the whole you know, I was. I was very

0:22:50.440 --> 0:22:54.800
<v Speaker 1>aggressive in my early days in radio. You have a podcast, yes,

0:22:54.960 --> 0:22:57.400
<v Speaker 1>you tell us about it. I have a podcast called

0:22:57.640 --> 0:23:02.480
<v Speaker 1>paranormal Ish, which is you know about ghost, UFOs, anything

0:23:02.600 --> 0:23:05.880
<v Speaker 1>under that umbrella of paranormal. If you've had a paranormal experience,

0:23:05.880 --> 0:23:08.399
<v Speaker 1>I'd love to hear it you personally have any experience

0:23:08.560 --> 0:23:12.560
<v Speaker 1>with paranormal I have had doors slam on me with

0:23:12.720 --> 0:23:15.800
<v Speaker 1>no other explanation other than something being paranormal. Did they

0:23:15.840 --> 0:23:19.040
<v Speaker 1>have been spring hinged? I forgot to check for the spring.

0:23:19.119 --> 0:23:20.800
<v Speaker 1>I guess it's possible, but I don't think it was.

0:23:21.040 --> 0:23:23.960
<v Speaker 1>Do you have guests on your show? Can tell me

0:23:24.080 --> 0:23:27.119
<v Speaker 1>the format on the podcast, I'll have guests who have

0:23:27.200 --> 0:23:30.120
<v Speaker 1>had paranormal encounters, and then they'll tell me their story,

0:23:30.240 --> 0:23:33.320
<v Speaker 1>and sometimes I'll do research on a particular location where

0:23:33.359 --> 0:23:36.120
<v Speaker 1>they had this incident happened. Sometimes we just take their story.

0:23:36.200 --> 0:23:39.440
<v Speaker 1>Sometimes I have the UFO investigators jump on and talk about,

0:23:39.640 --> 0:23:43.560
<v Speaker 1>you know, working, you know, researching people's claims of experiencing

0:23:43.600 --> 0:23:45.320
<v Speaker 1>a UFO or an abduction or a lot of a

0:23:45.400 --> 0:23:47.480
<v Speaker 1>lot of crazy things. Sometimes you believe, sometimes you don't.

0:23:47.520 --> 0:23:50.560
<v Speaker 1>You want to hear a paranormal story. Yeah, this girl,

0:23:50.760 --> 0:23:53.520
<v Speaker 1>she lived in Northridge. She was when she told me

0:23:53.560 --> 0:23:55.719
<v Speaker 1>the story. She's probably mid twenties. But this happened when

0:23:55.720 --> 0:23:59.040
<v Speaker 1>they were younger. Three sisters, seven, eight, nine ish years old,

0:23:59.200 --> 0:24:01.920
<v Speaker 1>and they live with mom and dad and grandmother in Northridge.

0:24:02.040 --> 0:24:06.040
<v Speaker 1>Grandmother passed away um, but the family were so torn

0:24:06.160 --> 0:24:09.200
<v Speaker 1>up about it they didn't tell the daughters that grandmother

0:24:09.280 --> 0:24:11.240
<v Speaker 1>had passed. They kept this on for about a year.

0:24:11.359 --> 0:24:13.680
<v Speaker 1>They didn't know grandmother had passed for an entire year.

0:24:13.720 --> 0:24:16.240
<v Speaker 1>They would use excuses like she's with Uncle so, and so,

0:24:16.880 --> 0:24:19.240
<v Speaker 1>she's with Aunt so and so, she's in the hospital

0:24:19.440 --> 0:24:21.000
<v Speaker 1>and back and forth, you know, because I would be

0:24:21.080 --> 0:24:23.280
<v Speaker 1>thinks she would typically do. So. They didn't know once

0:24:23.320 --> 0:24:26.160
<v Speaker 1>again that she had passed away until a year later,

0:24:26.320 --> 0:24:29.120
<v Speaker 1>well about a week after the funeral, Mom calls upstairs

0:24:29.760 --> 0:24:32.159
<v Speaker 1>and says, hey, come down for dinner, and uh one

0:24:32.200 --> 0:24:33.840
<v Speaker 1>of the daughters. Keeping in mind they don't know for

0:24:33.880 --> 0:24:35.920
<v Speaker 1>another year that she's gone, one of the daughters says,

0:24:36.040 --> 0:24:39.280
<v Speaker 1>I can't come down, Mom, I'm braiding grandmother's hair. She

0:24:39.400 --> 0:24:43.800
<v Speaker 1>had a ladies a lady her grandmother in the room.

0:24:44.000 --> 0:24:45.880
<v Speaker 1>She was braiding her hair. She thought it was her,

0:24:46.000 --> 0:24:48.440
<v Speaker 1>and she of course just disappeared. Mom came up running

0:24:48.560 --> 0:24:50.840
<v Speaker 1>and she told Mom, you made you made Grandma leave.

0:24:50.880 --> 0:24:54.840
<v Speaker 1>They never spoke about it until years later. Crazy story, right, Yeah,

0:24:54.960 --> 0:24:58.639
<v Speaker 1>I didn't like that story as well. Where can we

0:24:58.840 --> 0:25:00.760
<v Speaker 1>hear that show? By the way, can hear that show

0:25:00.840 --> 0:25:05.800
<v Speaker 1>on the radio app Spotify, Apple podcast, most podcast platform,

0:25:05.920 --> 0:25:08.320
<v Speaker 1>jog other Right, thank you again for being a guest

0:25:08.440 --> 0:25:11.720
<v Speaker 1>on the show coming up at three, But first the

0:25:11.840 --> 0:25:15.600
<v Speaker 1>word from our sponsors who make this high quality program possible.

0:25:15.960 --> 0:25:28.399
<v Speaker 1>Stay with us at three. Lightning Paradise was the locally

0:25:28.440 --> 0:25:31.440
<v Speaker 1>hangout joint where the group usually ended up spending the

0:25:31.560 --> 0:25:36.760
<v Speaker 1>night after a long night of playing bowling and all

0:25:36.880 --> 0:25:39.000
<v Speaker 1>kinds of card games. It was the only way that

0:25:39.119 --> 0:25:42.159
<v Speaker 1>these guys could get together. They were all dad's and

0:25:42.240 --> 0:25:44.960
<v Speaker 1>didn't have lives of their own other than being a father.

0:25:45.800 --> 0:25:47.960
<v Speaker 1>I'll tell you how, I'm just really glad that finally

0:25:48.040 --> 0:25:51.399
<v Speaker 1>we get a chance to hang out. I'm so busy

0:25:51.520 --> 0:25:54.760
<v Speaker 1>with the kids. I'm so busy with the white I'm

0:25:54.880 --> 0:25:58.600
<v Speaker 1>so busy with work. I'm so busy with my car

0:25:58.760 --> 0:26:02.600
<v Speaker 1>keeps falling apart on me. I'm so busy with burying

0:26:02.920 --> 0:26:07.399
<v Speaker 1>items that I steal from. It meant, why did you

0:26:07.600 --> 0:26:12.160
<v Speaker 1>what I'm busy with my kids. No, no, no, cav

0:26:12.280 --> 0:26:14.880
<v Speaker 1>go back. What were you just saying, get burying things?

0:26:14.960 --> 0:26:19.920
<v Speaker 1>You steal from my state sale? From my state sales?

0:26:20.000 --> 0:26:22.920
<v Speaker 1>I wait until people, you're a detective. I'm just no,

0:26:24.160 --> 0:26:28.560
<v Speaker 1>I'm just kidding guys. I don't do that anyway. So

0:26:28.800 --> 0:26:32.600
<v Speaker 1>my wife the other day, I just wanted to unwind

0:26:32.640 --> 0:26:35.400
<v Speaker 1>and drink a beer, and all discussed the big bear

0:26:35.440 --> 0:26:37.479
<v Speaker 1>in the room of my right, I think we need

0:26:37.600 --> 0:26:41.960
<v Speaker 1>to Yeah, are you stealing? Kid? Not anymore? Not anymore?

0:26:42.440 --> 0:26:45.320
<v Speaker 1>Only three years in the forest and you're stealing. It's

0:26:45.359 --> 0:26:48.919
<v Speaker 1>just the rush? Did I get from it? What? How

0:26:49.000 --> 0:26:51.719
<v Speaker 1>did you never get caught? Yeah? Because I know how

0:26:51.800 --> 0:26:54.800
<v Speaker 1>the system works. I know how to not leave Trey.

0:26:55.359 --> 0:26:57.359
<v Speaker 1>Anytime I go to an estate sale and I steal

0:26:57.440 --> 0:27:00.399
<v Speaker 1>like a vase, or I steal an urn and filled

0:27:00.440 --> 0:27:02.720
<v Speaker 1>with somebody's ashes, Why are they selling that in a

0:27:02.840 --> 0:27:05.080
<v Speaker 1>state sale? Why would they sell the ashes? I don't

0:27:05.080 --> 0:27:07.880
<v Speaker 1>know why, but but I always wear I don't think

0:27:07.920 --> 0:27:09.600
<v Speaker 1>those are state sales. I think you're just going to

0:27:09.680 --> 0:27:12.800
<v Speaker 1>old people's homes and say you no, no, no, that's impossible. No, no.

0:27:12.960 --> 0:27:15.439
<v Speaker 1>Look I go into a house that has a gate

0:27:15.640 --> 0:27:18.119
<v Speaker 1>and it has a guard standing in front, and then

0:27:18.200 --> 0:27:20.399
<v Speaker 1>I hop over the gate because I don't know the

0:27:20.520 --> 0:27:22.639
<v Speaker 1>code to the gate, and I go in while if

0:27:22.680 --> 0:27:25.920
<v Speaker 1>all the people are in there sleeping and U and

0:27:26.400 --> 0:27:29.920
<v Speaker 1>it's called burg that's burglary breaking an entry. No, no, no,

0:27:30.080 --> 0:27:33.200
<v Speaker 1>you guys are misunderstanding what I'm saying. I blow a

0:27:33.359 --> 0:27:36.600
<v Speaker 1>blow dart into the dog so it doesn't bark. When

0:27:36.640 --> 0:27:39.600
<v Speaker 1>I kick in a window, and then I climb in,

0:27:40.680 --> 0:27:43.639
<v Speaker 1>it's a state sale. I climb in through the window.

0:27:43.760 --> 0:27:46.480
<v Speaker 1>Sometimes I cut myself on the glass, but then I

0:27:46.560 --> 0:27:48.560
<v Speaker 1>make sure that I don't get any blood on anything

0:27:48.720 --> 0:27:52.160
<v Speaker 1>from the So there's some DNA evidence and a state sale.

0:27:52.200 --> 0:27:54.520
<v Speaker 1>What aren't you guys getting what's the worst thing that's

0:27:54.520 --> 0:27:58.120
<v Speaker 1>ever happened? Like, did someone wake up? Yes, and it's

0:27:58.680 --> 0:28:02.240
<v Speaker 1>and a state sale. The wife wakes up. I scrambled

0:28:02.280 --> 0:28:05.439
<v Speaker 1>to the garage. I grab a baseball bat, I hit

0:28:05.560 --> 0:28:09.560
<v Speaker 1>make sure the wife doesn't know what the hell care

0:28:10.119 --> 0:28:14.159
<v Speaker 1>state It's clear that he had a definition of a

0:28:14.200 --> 0:28:17.159
<v Speaker 1>state sale that wasn't shared by the rest of the friends.

0:28:17.440 --> 0:28:22.280
<v Speaker 1>He had to have it. Irna. My client was simply,

0:28:23.600 --> 0:28:26.920
<v Speaker 1>you better communicate soon because I'm going to call mis trial.

0:28:27.440 --> 0:28:32.320
<v Speaker 1>I think that's how that works. Yes, anyway, as I

0:28:32.640 --> 0:28:37.280
<v Speaker 1>was saying, yet infermission to approach the bench, your honor,

0:28:37.600 --> 0:28:40.840
<v Speaker 1>your on. Can I please approach the bench to pros No,

0:28:42.520 --> 0:28:46.840
<v Speaker 1>only the defense. One person approaches the bench at a time,

0:28:47.600 --> 0:28:48.960
<v Speaker 1>and I approached the match. I have nothing to do

0:28:49.000 --> 0:28:51.280
<v Speaker 1>with this trial, but I would like nothing. Guy who

0:28:52.080 --> 0:28:54.240
<v Speaker 1>grow three over here, I was told this would not

0:28:55.560 --> 0:28:59.040
<v Speaker 1>took my face ran and no, I would like that

0:28:59.680 --> 0:29:02.720
<v Speaker 1>part in the in the crowd. That was a witness

0:29:02.800 --> 0:29:06.760
<v Speaker 1>you need No, it was not. I would like those

0:29:06.920 --> 0:29:11.760
<v Speaker 1>comments stricken from the record. Back you're on it. Clearly

0:29:12.000 --> 0:29:15.320
<v Speaker 1>I have a witness to the effect of his client

0:29:15.760 --> 0:29:20.000
<v Speaker 1>coming into the house and also stealing very valuable goods.

0:29:22.600 --> 0:29:26.880
<v Speaker 1>Pay your name for the record. Please, what's things stolen

0:29:26.960 --> 0:29:30.640
<v Speaker 1>from your house? Mr Jansen? Yes, many things stolen from

0:29:30.680 --> 0:29:33.120
<v Speaker 1>my house. It was an estate sale, was not in

0:29:33.160 --> 0:29:36.960
<v Speaker 1>a state sale. There was no newspaper at objection you're

0:29:37.040 --> 0:29:40.320
<v Speaker 1>on a defense is talking out a line. First of all,

0:29:40.480 --> 0:29:43.640
<v Speaker 1>that was my client that spoke. I have instruct in

0:29:43.760 --> 0:29:46.720
<v Speaker 1>my client no more outburst. You're on it. It's all

0:29:46.920 --> 0:29:50.000
<v Speaker 1>coming from the defense, whether it's the actual person to

0:29:50.080 --> 0:29:53.200
<v Speaker 1>defend in or the counselor and the defendants a moment

0:29:53.320 --> 0:29:57.719
<v Speaker 1>to confer with my client. Please, oh, here we go. Okay, listen,

0:29:57.920 --> 0:30:01.320
<v Speaker 1>you're gonna let this witness to talk. Now, when I

0:30:01.600 --> 0:30:06.200
<v Speaker 1>stomp on your foot four and a half times, you're

0:30:06.280 --> 0:30:09.720
<v Speaker 1>going to not yell out it was in a state

0:30:10.960 --> 0:30:14.200
<v Speaker 1>you're on. A defense is coaching the defense. You're on.

0:30:14.640 --> 0:30:19.680
<v Speaker 1>A defense attorney's job is to coach their injection. You're

0:30:19.800 --> 0:30:22.320
<v Speaker 1>on it now. If I were coach mocking me by

0:30:22.480 --> 0:30:25.680
<v Speaker 1>doing my voice, if I were coaching the witness, that

0:30:25.880 --> 0:30:29.760
<v Speaker 1>would not be okay when i'm That's why you hire

0:30:29.840 --> 0:30:33.800
<v Speaker 1>an attorney is to have somewhere wanna can I side

0:30:33.840 --> 0:30:38.120
<v Speaker 1>boar with my witness? Please listen, when I say somebody

0:30:38.240 --> 0:30:42.320
<v Speaker 1>stole your goods, you say yes, am I right? Yes?

0:30:42.840 --> 0:30:46.280
<v Speaker 1>And if I say that that you would burglarized? You

0:30:46.480 --> 0:30:49.640
<v Speaker 1>say once, you're right, You're damn right. He's starting about

0:30:49.760 --> 0:30:52.320
<v Speaker 1>my out okay, and then keep it down and trying

0:30:52.360 --> 0:30:56.080
<v Speaker 1>to keep your voice consistent. Are you you're on? I

0:30:56.160 --> 0:30:59.080
<v Speaker 1>would just like to point out that that is a

0:30:59.280 --> 0:31:05.959
<v Speaker 1>good exam apple attorney communicates with their own witness yourna.

0:31:06.200 --> 0:31:09.760
<v Speaker 1>I'm not doing anything different than what the defense is doing.

0:31:10.040 --> 0:31:21.640
<v Speaker 1>Am I sorry? What courterisan session of luck. So, yeah, guys,

0:31:21.880 --> 0:31:24.880
<v Speaker 1>an estate sale. That's what I'm trying to say. I said,

0:31:24.920 --> 0:31:28.120
<v Speaker 1>I feel like I'm not really communicating exactly what it was,

0:31:28.160 --> 0:31:30.720
<v Speaker 1>and I'm talking. I was at the courthouse even though

0:31:30.840 --> 0:31:34.040
<v Speaker 1>that that attorney was brilliant at getting you off. We're

0:31:34.120 --> 0:31:37.680
<v Speaker 1>back here again talking about it. Yeah. Yeah, he got yeah, Yeah,

0:31:37.720 --> 0:31:39.560
<v Speaker 1>he got me off. He got no no, listen, Yeah

0:31:39.560 --> 0:31:41.920
<v Speaker 1>he got me off. I won the case. They put

0:31:41.960 --> 0:31:44.640
<v Speaker 1>me in handcuffs, they said you're guilty. They brought me

0:31:44.760 --> 0:31:47.840
<v Speaker 1>to prison. I saw that I killed. I murdered a guard.

0:31:48.400 --> 0:31:50.640
<v Speaker 1>I got out of the prison. Yeah, I got away

0:31:50.680 --> 0:31:54.480
<v Speaker 1>with it. I got off. Yeah. You told me that

0:31:54.680 --> 0:31:57.680
<v Speaker 1>in a letter that you won the case. You're getting out. Yeah,

0:31:57.760 --> 0:32:00.560
<v Speaker 1>that's yeah, that's what happened. I won the case. They

0:32:00.640 --> 0:32:03.440
<v Speaker 1>put me in jail, I killed a guard. I broke

0:32:03.520 --> 0:32:06.520
<v Speaker 1>out of jail. I'm here with you, guys. I got off.

0:32:07.120 --> 0:32:11.040
<v Speaker 1>That's escaping from jail. You didn't get off. You escaped

0:32:11.160 --> 0:32:16.480
<v Speaker 1>from jail. It's just don't NBC news. Heaven just killed

0:32:16.520 --> 0:32:18.880
<v Speaker 1>a guard and is wanted by the fat If you've

0:32:18.880 --> 0:32:21.200
<v Speaker 1>seen this man, dude, is Heaven? Is that Joe? Joe

0:32:21.320 --> 0:32:24.160
<v Speaker 1>from high school. On the TV, Keaven is wanted for

0:32:24.320 --> 0:32:27.520
<v Speaker 1>killing a guard at the County Present. Joe, I never

0:32:27.680 --> 0:32:30.880
<v Speaker 1>thought it would happen, oh Man, but it did. Ari

0:32:31.160 --> 0:32:37.320
<v Speaker 1>is gonna be pissed this motherfucker. But producer to Andy

0:32:37.560 --> 0:32:41.320
<v Speaker 1>and especially guests contributed. Jo right, I'm your host, sorry,

0:32:41.880 --> 0:32:45.920
<v Speaker 1>and this is this is American's life during US Next time,