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Speaker 1: Good morning, sewing you anywhere else? So you're friendly? Old

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Speaker 1: right now the top back for anything? The world's most

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Speaker 1: dangerous want to show? Came agree? Show? Is this list

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Speaker 1: the city South? DJ Harry the captain of this we

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Speaker 1: usually eat. The only one who can keep these guys

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Speaker 1: in chest? God is the breakfast competition? Good morning usday?

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Speaker 1: Apparently I'm here alone? Where's my co workers? It is

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Speaker 1: a tuesday. It is a workday, right, it's not Saturday.

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Speaker 1: Oh hey, good morning, good morning Djamn, you look you

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Speaker 1: just rolled out of the bed in the back. I did,

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Speaker 1: just rolled out of the bed in the back. Well

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Speaker 1: you look like it? Thank you? So do you? Good morning?

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Speaker 1: Good morning? So I showered? I did too, freshly washed hair? Yours?

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Speaker 1: I don't have much hill. I showered a couple of

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Speaker 1: hours ago before I went to the club last night.

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Speaker 1: I was at the club, shout to everybody that came

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Speaker 1: out to aces last night. What kind of haircut is

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Speaker 1: that that you have? What is it called? Okay, what

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Speaker 1: about you? I'm just wondering what kind of you? I

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Speaker 1: don't know what guys here cuts are called. There's a fade,

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Speaker 1: there's a caesar, there's what else? Do you guys. Dose

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Speaker 1: is a low cut fade. There's a ball fade. This

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Speaker 1: could be a fade, it could be low A little

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Speaker 1: bit of everything. It's a hodgepodge of things, of things.

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Speaker 1: It's a little bit of everything. See you in a

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Speaker 1: club last night? What about you yesterday? Let me see

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Speaker 1: what I do. I went and worked out a terminal

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Speaker 1: twenty three here in New York. Shout out to my

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Speaker 1: train of Kurt. He is ridiculous. I keep trying to

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Speaker 1: get you to come with me. It's actually really fun.

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Speaker 1: It's like a basketball court. But then they have trainers

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Speaker 1: and they have you do all kinds of stuff. My

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Speaker 1: whole body is sore today. Sounds like fun. It is, okay.

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Speaker 1: I think some times when you work out, you have

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Speaker 1: to really vary things, like sometimes I do soul cycle,

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Speaker 1: sometimes I go there, sometimes I do hot yoga. Well

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Speaker 1: to keep things interesting because I used to when like

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Speaker 1: I said, I used to box more often, and I

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Speaker 1: used to and I just kind of get tired of

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Speaker 1: a little bit. Then I switched to something else. And

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Speaker 1: I don't want to do what you're doing though you

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Speaker 1: and I know a lot of people say I was

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Speaker 1: talking to this woman yesterday, I had a meeting yesterday

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Speaker 1: and we were talking about working out, and she said

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Speaker 1: she's a little intimidated to go work out because she's

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Speaker 1: never worked out before. But I said, listen, nobody's paying

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Speaker 1: attention to you. Nobody's judging you. Because some people feel

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Speaker 1: like they have to work out to go work out,

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Speaker 1: like they have to practice working out and get good. Well,

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Speaker 1: if you go into a gym where there's a lot

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Speaker 1: of people you don't want to look like you, or

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Speaker 1: this is your first time working out, well you just

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Speaker 1: go to somebody that works at the gym and let

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Speaker 1: them come up with some type of program for you.

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Speaker 1: But it's not that big a deal. If you have

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Speaker 1: to go onto treadmill and just walk and then walk

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Speaker 1: on an incline and then do a light job, it's

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Speaker 1: not that serious. And that first workout is always bad

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Speaker 1: because body's extra soul, you're extra and pain because there's

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Speaker 1: always people in the gym who are just getting started.

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Speaker 1: You're not the only one, So it is important to

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Speaker 1: just go ahead and do it. Like I went. There's

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Speaker 1: a lot of things that I tried for the first time,

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Speaker 1: Like when I first tried hot yoga, clearly I was

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Speaker 1: brand new never did it before. It's not that easy.

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Speaker 1: But they asked you in the class, are there anybody

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Speaker 1: who this is their first time? You said, hot, yoga stinks, right,

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Speaker 1: it depends on where. If the people in their stink,

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Speaker 1: then it stings. Okay, but m you know, and then

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Speaker 1: you raise your hand and said, yes, it's my first

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Speaker 1: time doing it, and then they take that into consideration.

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Speaker 1: Everybody's like, yay, proud of you. Let's get the day crack.

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Speaker 1: Let's do ten puships right now, come on me and

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Speaker 1: you right now, let's go all right, well, let's talk

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Speaker 1: about front page News first. Okay. Right after front page

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Speaker 1: News and we're talking about front page News, we're gonna

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Speaker 1: talk about a mom who killed her daughter days before

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Speaker 1: her wedding and this happens in Texas. Sorry, just gonna

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Speaker 1: start like that. All right. Well, we'll get into that

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Speaker 1: next andres Dmax will be joining us. That'd be interesting. Oh,

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Speaker 1: DMX will be in the building, so we'll kick it

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Speaker 1: with DMX. Don't go anywhere fromt Page News is next.

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Speaker 1: It's the Breakfast Sloke Morning Morning. Everybody is dj M

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Speaker 1: v Angela, Ye, Charlomagne and the God. We are the

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Speaker 1: Breakfast yes we are. And it's a day telling my

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Speaker 1: born day. Drop one of the clues bombs for me.

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Speaker 1: Damn it. I want all the fake loove tomorrow. Don't

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Speaker 1: want to day. You don't drop the bomb the day

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Speaker 1: before his birthday. I'm just drop one. I'm getting everybody focused. Okay,

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Speaker 1: this is this is Charlomagne the God's born day. Okay,

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Speaker 1: I can't remember the last. God has other plans for you, bro,

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Speaker 1: God don't have other plans for me. Broak for yourself.

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Speaker 1: I know I'm gonna be here. I'm one of them, dude,

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Speaker 1: that's gonna live for a long time, way after all

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Speaker 1: my enemies is dead and I'm going and I'm going

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Speaker 1: there Facebook and like the status is when they pass

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Speaker 1: like that good morning, goodness, Gracie. This guy's an ass.

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Speaker 1: All right, let's get some front page news. A mans

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Speaker 1: her two daughters. Yes, text now, So, a young Texas

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Speaker 1: woman was about to get married on Monday, and Tarley

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Speaker 1: Sheets was fairly shot. She also was shot alongside her

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Speaker 1: younger sister, Madison. This all happened on Friday. Is that crazy? Sad? Now?

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Speaker 1: They said the mom has some type of mental illness obviously,

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Speaker 1: and she was a gun rights advocate. They said she

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Speaker 1: was adamant about wanting to kill her two daughters. The

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Speaker 1: father and the daughters made it outside, but the mother

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Speaker 1: kept shooting, eventually striking and killing both of the daughters.

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Speaker 1: The father was heard asking him asking her, please, don't

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Speaker 1: do this. There are kids. At one point during this

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Speaker 1: father didn't have a gun. No mom at called for

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Speaker 1: a family meeting inside the house. I've seen this. I

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Speaker 1: didn't read the story. I was like, I'm not reading

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Speaker 1: the story. And she started firing her gun inside and

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Speaker 1: then they ran outside, and she chased after them and

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Speaker 1: kept firing and ended up killing the two young women.

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Speaker 1: I go from talking about my born day the two

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Speaker 1: young girls getting killed. Lord have birthy. That's so sad.

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Speaker 1: Let's talk about Volkswagen. Volkswagen is given away fourteen billion

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Speaker 1: dollars for what we had to pay fourteen point seven

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Speaker 1: billion dollars. That's their settlement because their diesel cars with

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Speaker 1: two Leader diesel engines including they have to buy those

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Speaker 1: back and pay up to ten thousand dollars for each

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Speaker 1: vehicle to owners. So all of diesels are just two

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Speaker 1: previous ones, two Leader diesel engines. All of those yes,

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Speaker 1: and there's four hundred and seventy five thousand cars that

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Speaker 1: are equipped with that diesel engine. They said they rigged

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Speaker 1: it two past emissions tests, so that's really what the

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Speaker 1: situation is. They did admit to that, and in addition

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Speaker 1: they have to pay two point seven billion dollars in

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Speaker 1: fines and another two billion dollars on clean emissions technology.

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Speaker 1: So owners of those cars get between fifty one hundred

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Speaker 1: and ten thousand in compensation and they can either get

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Speaker 1: their cars fixed or they can have Volkswag and buy

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Speaker 1: it back, and they would have to buy it back

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Speaker 1: at the costs that it would have been last September

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Speaker 1: when the scandal broke, because that's when all the prices

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Speaker 1: the values of those cars went down. So basically, if

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Speaker 1: you know somebody who got a Volkswagon dis a, they

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Speaker 1: about to get a big chunk of money. They can

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Speaker 1: come up right, And they still have to figure out

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Speaker 1: what to do with their three Leader diesel engines because

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Speaker 1: they said those were also cited as being in violation

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Speaker 1: of pollution limits, So we don't know that yet. But

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Speaker 1: who got the money though? Who getting some of them beds?

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Speaker 1: You're talking about the billion people they gotta buy it

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Speaker 1: from the people. They gotta buy the cars back from

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Speaker 1: people so that they're buying them back at the price

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Speaker 1: they're paid for them. Oh, still money if they if

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Speaker 1: you you need that. I just never seen Volkswagen make

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Speaker 1: a diesel car. I haven't really seen that. I know

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Speaker 1: they make the diesel trucks, but not a diesel car.

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Speaker 1: To maybe and paid ten thousand dollars. Oh wow, But

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Speaker 1: that doesn't matter if you've got like the little jetto

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Speaker 1: or the little GTI those regular though, right, the diesels

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Speaker 1: for those? Okay, all I know is my boy day tomorrow.

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Speaker 1: I just want to keep throwing that out there, all right,

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Speaker 1: all right, well, last front page news. They tell them

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Speaker 1: why you're man? Eight hundred five eight five one oh

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Speaker 1: five one. If you're upset, you need to vent call

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Speaker 1: us right now. Maybe your upset. Maybe you had a

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Speaker 1: bad morning or a bad night last night. Eight hundred

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Speaker 1: five eight five one o five one. Call us up

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Speaker 1: right now. Tell them why you're man. And do we

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Speaker 1: tell them the dog gonna be here next hour. I

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Speaker 1: told him DMX will be here. To'll be here next

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Speaker 1: hour with the dog. All right, keep the locks. It's

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Speaker 1: the breakfast club. The Morner the Breakfast Club. Hey, hey, y'o,

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Speaker 1: Hey y'all, good morning y'all. This is the mad rap

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Speaker 1: or something real. I'm mad and I stay mad. I

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Speaker 1: stay angry, I stay heated, I stay feeling. Why you mad,

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Speaker 1: Breakfast Club, Let's go. I'm mad because there's just so

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Speaker 1: much negativity that's publicized, Like you really see anything good

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Speaker 1: on the news on a TV. That's why I don't

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Speaker 1: even watch the news, because good news don't get people ratings.

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Speaker 1: Why I do not know. I mean, that's just horrible.

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Speaker 1: Like I'm in the military, I don't even want to

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Speaker 1: watch TV. I'll just be like, let me read a book. Yeah,

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Speaker 1: I mean, I love reading. But that's true because you

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Speaker 1: never hear like such and such had two twins this morning,

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Speaker 1: but you will hear two twins were killed this morning

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Speaker 1: when their mother cut their throats. It's interesting because the news,

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Speaker 1: when I watch the news, they always have a segment

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Speaker 1: that it's for like good things that are happening. I

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Speaker 1: never my life. Hello, who says good morning? Good morning? Burn?

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Speaker 1: This is what Charlie kind? Could you pronounce? Could you

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Speaker 1: pronounce our name correctly, sir? Breakfast Club? Yeah said you said?

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Speaker 1: Breath my bad star. Man. I'm calling because I'm in

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Speaker 1: Sway and the doing in front of me got a

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Speaker 1: list of sound just about twenty sounds. Man, I'm about late,

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Speaker 1: go to friend Freedom at the marketing around the world.

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Speaker 1: I'm about be late, man. I love I love Subway,

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Speaker 1: but I don't trust anybody who eats subway from breakfast. Bro.

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Speaker 1: Not somebody get the turkey on turkey egg and turkey.

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Speaker 1: They got turkey eggs, absolutely damn. I don't know that

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Speaker 1: people serve turkey eggs. Y'all better get on the right. Yes,

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Speaker 1: I'm gonna give me turkey. Hopefully they make those sandwiches quick.

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Speaker 1: They better flip it for you turkey before. No, not turkey.

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Speaker 1: He meant that. Mind. You know what's going on. It's

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Speaker 1: your boy, Hey tell him you man, Bro, why not

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Speaker 1: just washing like Saint Clair? Hey, real quick, people. I

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Speaker 1: even do that one to say, y'all thank you for

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Speaker 1: what y'all do. Y'all get me through the morning. I

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Speaker 1: gotta wake up atop just like it and y'all getting

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Speaker 1: through the morning. I'm mad because I don't feel like

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Speaker 1: the Cleveland kind of lives a getting enough recognition, Like

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Speaker 1: straight up BT didn't even say nothing that probably at

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Speaker 1: the awards, the Bab's winning. They gave Steph Curry the award.

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Speaker 1: Now that I agree with, but I mean, you know,

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Speaker 1: we're in America. We don't really acknowledge third world countries

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Speaker 1: like that. Cleveland, people from Cleveland was upset. Everybody shout

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Speaker 1: out to everybody from the land. I told you, it's

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Speaker 1: a beautiful place. You've never been there. It's a lot

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Speaker 1: of beautiful third world countries. They have a great mall.

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Speaker 1: They got great restaurants, great clue, several apple beats, several

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Speaker 1: apple beats from whatever they got, Like Meem and Marcus,

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Speaker 1: big mall. I go there every year. My son has

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Speaker 1: a basketball tournament out there. Every year we go out there.

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Speaker 1: I'm trying to figure out what major city doesn't have

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Speaker 1: a ball at the attraction. You have a big mall.

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Speaker 1: Actually went to out to the Halloween party there last

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Speaker 1: year for DJ Steph Floss and the Hole. The hotel

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Speaker 1: they had us in was how shout out Loki, all

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Speaker 1: of them, that DJ, everybody else there. They got new hotels.

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Speaker 1: It's beautiful. Hey, my guy Racconia from Cleveland got a

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Speaker 1: McDonald's commercial too. Stop it. He does it's called it's

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Speaker 1: a commercial for his company, Rake. It's not his company,

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Speaker 1: but it's this thing he was doing online called rick,

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Speaker 1: which is random act of kindness everywhere he played at

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Speaker 1: a bunch of times during the BT Awards. I was like,

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Speaker 1: damn Cleveland, really on the come up, got commercials, they

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Speaker 1: got a championship. Tell them why you man? Eight hundred

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Speaker 1: five eight five one o five one of your upset.

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Speaker 1: You need event, you could call us at any time.

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Speaker 1: It's the Breakfast Club the Morning, the Breakfast Club that

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Speaker 1: was Rihanna with work Morning. Everybody is DJ m vy

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Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club. Hey,

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Speaker 1: what's happening? Shout the DMX is gonna be joining us

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Speaker 1: the next hour. And DMX is always always a great

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Speaker 1: interview when he comes up here. First of all, this

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Speaker 1: is the third time that the Breakfast Club has ever

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Speaker 1: interviewed DMX. DMX came here in like I think two

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Speaker 1: thy twelve, maybe then again in maybe two fourteen and thirteen.

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Speaker 1: I don't remember. All I know is, like you said,

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Speaker 1: he is one of the most entertaining people you will

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Speaker 1: ever meet in your life. I've never met an individual

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Speaker 1: like DMX. The only other person I've ever met remolely

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Speaker 1: close to DMX is my man Shane Gandy. God blessed

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Speaker 1: the dad. He was only twenty twenty one years. They're

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Speaker 1: just free spirits, yeah, he they just free spirits. X

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Speaker 1: called me and he was like, yeah, I want to

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Speaker 1: come on the show. I was like, all right, why,

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Speaker 1: what's up? What you want to talk about? He just

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Speaker 1: like the dog has to speaks, like okay, that's good

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Speaker 1: enough for me. VMX had a podcast, that would be crazy.

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Speaker 1: I mean, it'll never happen, but just imagine if he

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Speaker 1: had one, it would be it'd be like Nori Norri's

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Speaker 1: podcast is pretty good. Yeah, he had a million on

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Speaker 1: his last podcast. Congratulations to Nori and Nori and DMX

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Speaker 1: are actually going on tour with Eadcast Platinum. Really yeah,

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Speaker 1: I told and I told X, I'll spend I'll spending

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Speaker 1: some of those dates. I'd love to. Let's be clear,

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Speaker 1: hip hop is older than now, you know what I mean,

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Speaker 1: and like we need like our legendary artists to be

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Speaker 1: able to still go out there and perform. Like I'll

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Speaker 1: be listening to some of these urban adult contemporary stations

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Speaker 1: and they still be playing Earth Wind and Fire and

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Speaker 1: the old j Your mama still listening to radio. Yeah,

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Speaker 1: but like that twenty five to fifty four demo is

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Speaker 1: different now, like we grew up on hip hop. Like

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Speaker 1: think about most of our icons of Damned fifty anyway. Yeah,

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Speaker 1: so it's like it's like the third It's like thirty

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Speaker 1: forty years of music that's not being played, like the

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Speaker 1: Joe the Season, the old ll cool J, Big Daddy King,

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Speaker 1: Mary J, that whole New Jack Swing era and whole

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Speaker 1: nineties hip hop era. Do nobody played that? Even rock him.

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Speaker 1: I was so happy to see rock him in the commercial.

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Speaker 1: Oh my god, Oh, come on and see that. We

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Speaker 1: don't even do They don't even do throwback at new mixes,

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Speaker 1: no more radio things. Like it's like we don't even

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Speaker 1: care about our music. We just discarding it. I'll try

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Speaker 1: to do it every Friday. I try to do a

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Speaker 1: throwback mix and bring it back a little bit every Friday. Yeah.

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Speaker 1: But DMX will be joining us this morning. Now. We

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Speaker 1: got rumors when we come back. Yes, you're gotta talk

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Speaker 1: about Chris Brown. It seems like everybody's coming at him now.

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Speaker 1: We have sug Knight suing him from behind bars. We'll

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Speaker 1: tell you why, and we'll tell you what Chris Brown's

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Speaker 1: reaction was to that. And now we have a publicist

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Speaker 1: who has released some text messages between them. Okay, we'll

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Speaker 1: get into that when we come back. Keep it locked.

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Speaker 1: This the breakfast club, come morning, the breakfast clubs. This

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Speaker 1: just oh my gosh, got a report. Go well, Chris Brown.

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Speaker 1: Everybody is coming swinging against Chris Brown. Now. First of all,

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Speaker 1: a publicist, Nicole Purna, that he worked with, actually released

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Speaker 1: some text messages between them that I started with her

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Speaker 1: texting him love all the black Pyramid pieces, awesome collection. Well,

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Speaker 1: his response was not what you would think you would be.

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Speaker 1: He said, I don't want you texting me compliments with

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Speaker 1: no results. He also said that she's done nothing to

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Speaker 1: secure a Vogue, GQ, or any other publications He told her,

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Speaker 1: Getting the game, She said, Anna Wintour doesn't want to

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Speaker 1: f with you. These editors don't want to ff with you.

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Speaker 1: The majority of my time it's been on damage control.

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Speaker 1: I am constantly cleaning ish up and having your back.

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Speaker 1: Then he asked, He wrote back, Nicole, you texting me

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Speaker 1: as if I would give an f if you don't

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Speaker 1: work for me or not do whatever makes you feel

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Speaker 1: better me personally, I don't give an f. Well, this

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Speaker 1: conversation matter now, this is over text messages. She must

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Speaker 1: have Nicole Purner, she's a publicists, all right. Then she

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Speaker 1: said oh then he texted, well, she said, you're in

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Speaker 1: my prayers and he said, bit you in my nightmare.

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Speaker 1: That's terrible. I would never hire her as a publicist

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Speaker 1: simply because she released those text messages, like who's gonna

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Speaker 1: trust her? Now? I don't even get it. He said, hey,

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Speaker 1: good collection. He said, all right, get it in all

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Speaker 1: these magazines. And she said, well, I can't. Well, why

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Speaker 1: am I hiring you? There's not a job. I don't know. Well,

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Speaker 1: I'm a little defensive. I mean, I understand what she's

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Speaker 1: saying too. And she said that Chris Brown is you know,

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Speaker 1: he would be a hard person to represents the po

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Speaker 1: That's what I'm trying. I'm hiring you to do this.

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Speaker 1: That's your job. I know it's gonna be hard. I

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Speaker 1: know it. Yeah, but you beat a woman and nobody's

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Speaker 1: gotten over that. For whatever you to fix it, didn't

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Speaker 1: fix it. The speed knots on Rihanna for it's still

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Speaker 1: having healed in some people's mind, But I think it

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Speaker 1: is important to be realistic. Like if it's a difficult

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Speaker 1: road to travel, she might want to do a little

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Speaker 1: extra stuff like who would be Bill Coby's py'all in

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Speaker 1: twoy sixteen. Might got time for that. But she did

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Speaker 1: get a little too defences too quickly. She could have

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Speaker 1: offered some solutions like listen, you know it's been difficult.

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Speaker 1: It would help if dada, dada da Right, I got

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Speaker 1: a salute, Let's go find doc Brown was getting too

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Speaker 1: delian go back in time and that nature beat up, Rihanna,

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Speaker 1: you didn't do it all right. Well, another person that's

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Speaker 1: coming for Chris Brown right now is Shook Knight. He

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Speaker 1: is suing Chris Brown from jail now. He was saying, hey,

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Speaker 1: that against some type of blood cold bloods in two

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Speaker 1: other bloods I don't know. According to Shake Knight, he

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Speaker 1: says that one Oak night club and Chris Brown should

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Speaker 1: have had better security when she got shot in the

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Speaker 1: club multiple times. And he also is suing the singer

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Speaker 1: Pama who was co hosting the party as well. Chris

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Speaker 1: Brown responded like l ol, with crying, laughing faces. I

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Speaker 1: mean it is a little ridiculous. I don't like this

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Speaker 1: blood on blood lawsuits all right, now, this is nice.

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Speaker 1: Memphis has apologized to Toya. Right remember we played this

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Speaker 1: for you yesterday for Marriage boot Camp Reality Stars. Why

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Speaker 1: is the whole state of Memphis apologizing the Toya? I

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Speaker 1: have my idea of what living my life is and

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Speaker 1: nobody gets in the way of that. So why you

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Speaker 1: got married? Then? I've been supporting her everything she does

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Speaker 1: for the last couple of years, so I'm putting all

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Speaker 1: my attention into her, and I'm losing who I am.

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Speaker 1: Say in your land answers, stop talking to guy, I

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Speaker 1: don't I want to do Oh we got a little crazy.

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Speaker 1: That escalated quickly. Well. He has since apologize to Toya.

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Speaker 1: He said, I want to express my deepest humility and

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Speaker 1: publicly apologize to Toya right right now for my actions

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Speaker 1: seeing our marriage boot Camp, even though it was a

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Speaker 1: year ago and we were going through it. I can't

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Speaker 1: help but hurt for her because she does not deserve that.

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Speaker 1: It's hard to watch. Actually, it's super hard to watch

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Speaker 1: the demise of me and my best friend for all

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Speaker 1: to see. Hopefully, through our pain, someone'll be able to

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Speaker 1: save their relationships. We're finally given what they always wanted

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Speaker 1: our breakup. Yeah you don't. You don't get involved, and

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Speaker 1: you see a husband and wife going through it. But

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Speaker 1: I don't like to hear that. You don't want to

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Speaker 1: see that at all. She ain't got a scream water

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Speaker 1: like that. Plus the fact that you know, I've always

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Speaker 1: wanted to mid you. That looks just like Toya right.

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Speaker 1: Why a little person? Why not a regular person? I

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Speaker 1: don't know. Toy right is amazing to me. But just

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Speaker 1: imagine like a little person being politically correct. Here a

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Speaker 1: little person with little face. That's a gent. He also

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Speaker 1: posted a picture of the two of them together and

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Speaker 1: he said, I will never love like this again. All right,

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Speaker 1: stop screaming at her. You can continue to love. He

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Speaker 1: tell her to clean this up after he knocked over

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Speaker 1: the bear. She she felt crazy, all right, and that

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Speaker 1: is your rumor report. I'm angela yee okay, thank you, missy.

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Speaker 1: And toy is nice because I think any other woman

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Speaker 1: probably would have backslapped him or would it get definitely

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Speaker 1: with a two pieces think from New Orleans, bro, Let's

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Speaker 1: not get it twisted. Toya put a knife in the

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Speaker 1: ak buck? That all right? Well, when we come back,

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Speaker 1: the dog DMX will be in the building, my guy,

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Speaker 1: one of my favorite guys, one of my favorite people

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Speaker 1: on this planet as well. There's nobody on this earth

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Speaker 1: like DMX. You hit mean, and not too many people

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Speaker 1: I check on. I check on DMX when he had

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Speaker 1: that scare where he uh died almost like what they said,

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Speaker 1: he died for a second and they brought him back

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Speaker 1: to life. I actually called to make sure he was

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Speaker 1: doing okay. Yep, I don't. I don't. I'm just one

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Speaker 1: of those guys. I don't appreciate people who don't appreciate DMX,

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Speaker 1: because that just means that you don't understand what it

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Speaker 1: means to live free. I only know two people in

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Speaker 1: this on the on this planet, and one is actually

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Speaker 1: dead who lived his free. There's only one person one, yeah, DMX,

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Speaker 1: and then my other dude, Shane M. Gandy resting Pete

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Speaker 1: Shane Gandy all right, he was twenty years old. He

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Speaker 1: was just as free as DMX. Direct Well, DMX, when

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Speaker 1: we come back, keep it locked us to Breakfast Club

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Speaker 1: the morning that was designed a Pandem morning. Everybody is

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Speaker 1: CJ M. V Angela Yee, Charlomagne, the guy we are

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Speaker 1: the breakfast club. We got a special guest in the building.

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Speaker 1: The dog is returned. Yeah yeah, yeah, yeah, yeah right, yes,

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Speaker 1: And we know you're not a morning person at all

413
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Speaker 1: at all, but um, starting my day off with UM

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Speaker 1: a little bit with words of thanks and praise and

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Speaker 1: then the God. So however, it's gonna be better than

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Speaker 1: it would have been if I didn't start my day

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Speaker 1: off talking to God first. So yeah, I'm just grateful that, um,

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Speaker 1: I'm alive this morning, because not everybody that wanted to

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Speaker 1: sleep woke up this morning. I'm surprised you have not

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Speaker 1: turned the full fledged past it yet. He kind of

421
00:19:56,320 --> 00:19:59,600
Speaker 1: is what right, you know, But I get what you're saying,

422
00:19:59,640 --> 00:20:01,840
Speaker 1: like like, but maybe I am already. I don't know.

423
00:20:01,920 --> 00:20:07,119
Speaker 1: But that's definitely the final destination or a destination you

424
00:20:07,240 --> 00:20:10,040
Speaker 1: never know where how far God is gonna, you know,

425
00:20:10,119 --> 00:20:11,600
Speaker 1: allow me to get out, how much it's gonna let

426
00:20:11,600 --> 00:20:12,879
Speaker 1: me do, how many people are gonna allow me to

427
00:20:12,920 --> 00:20:15,320
Speaker 1: reach before afore I go on stage, I mean, I

428
00:20:15,400 --> 00:20:17,720
Speaker 1: pray that I'm able to just touch one person. Does

429
00:20:17,760 --> 00:20:19,840
Speaker 1: that ball you that people don't see that side of X,

430
00:20:20,000 --> 00:20:22,560
Speaker 1: that the spiritual side is much You'll talk about everything else,

431
00:20:22,600 --> 00:20:25,560
Speaker 1: all right, but that spiritual side does it bother me? Um?

432
00:20:25,760 --> 00:20:29,280
Speaker 1: Not really, not really, not really, because I really don't

433
00:20:29,320 --> 00:20:32,080
Speaker 1: focus on what people think about me or what people

434
00:20:32,080 --> 00:20:33,920
Speaker 1: say about me. We realized that a long time ago,

435
00:20:36,200 --> 00:20:38,840
Speaker 1: and the reason why is if you accept the praises,

436
00:20:39,640 --> 00:20:41,760
Speaker 1: you mean, then you got to accept the bull too.

437
00:20:42,520 --> 00:20:46,359
Speaker 1: So you know, I appreciate the compliments, but um, I

438
00:20:46,520 --> 00:20:48,720
Speaker 1: stand on what I believe about myself, know what I'm saying,

439
00:20:48,880 --> 00:20:50,679
Speaker 1: And at the end of the day, that's what's going

440
00:20:50,720 --> 00:20:53,080
Speaker 1: to determine the next move I make. All right. We

441
00:20:53,160 --> 00:20:56,080
Speaker 1: also saw a Switch just recently posted that album's almost

442
00:20:56,160 --> 00:20:59,480
Speaker 1: done and they just went in on Andre and Kanye

443
00:21:00,480 --> 00:21:03,520
Speaker 1: if Swiss waiting on dra Kan. Yeah, I'm banging the

444
00:21:03,600 --> 00:21:04,800
Speaker 1: music out, you know what I'm saying. I'm not really

445
00:21:04,840 --> 00:21:06,320
Speaker 1: not waiting on anybody. You know what I'm saying, like

446
00:21:06,440 --> 00:21:09,480
Speaker 1: like like, but I still get inspired bye bye, you

447
00:21:09,520 --> 00:21:11,920
Speaker 1: know what I'm saying by music, So um, you know

448
00:21:12,160 --> 00:21:14,080
Speaker 1: when the songs comes like yoo, it don't really matter

449
00:21:14,119 --> 00:21:16,080
Speaker 1: who did the beat, And I'm saying, um, it's a

450
00:21:16,160 --> 00:21:18,120
Speaker 1: dope beat. I'm gonna write to the dr and Kanye

451
00:21:18,160 --> 00:21:21,000
Speaker 1: have even sin beat, so you know, That's that's what

452
00:21:21,240 --> 00:21:23,480
Speaker 1: I don't get into talking. And this person said this

453
00:21:23,520 --> 00:21:25,639
Speaker 1: Burdon saying like if the person didn't say it to me,

454
00:21:25,720 --> 00:21:27,479
Speaker 1: and you know, we all know how there's an industry.

455
00:21:27,680 --> 00:21:31,920
Speaker 1: Anybody can get in touch with anybody. I haven't heard.

456
00:21:32,240 --> 00:21:34,560
Speaker 1: He's being like, yo, I got something for you, YadA

457
00:21:34,600 --> 00:21:37,240
Speaker 1: da or whatever. So actually a great idea. I would

458
00:21:37,240 --> 00:21:39,199
Speaker 1: love to have a dra beat. I mean I've never

459
00:21:39,240 --> 00:21:40,840
Speaker 1: had a drab. I would love to have a dra bat.

460
00:21:40,880 --> 00:21:43,000
Speaker 1: I'm saying, um um. I had a couple of jobs

461
00:21:43,040 --> 00:21:44,919
Speaker 1: with Kanye on the fifth album. You know what I'm saying. Um,

462
00:21:45,160 --> 00:21:46,440
Speaker 1: I would love to know what I'm saying. You know

463
00:21:46,440 --> 00:21:49,719
Speaker 1: who gets more music from him? But um, your process right,

464
00:21:49,960 --> 00:21:51,200
Speaker 1: whatever I got in front of me, That's that's what

465
00:21:51,280 --> 00:21:53,040
Speaker 1: I'm banging on. Are you talking about inspiration? You said

466
00:21:53,119 --> 00:21:58,440
Speaker 1: music still inspires you? What inspires you? Now? Beats? Oh beat? You? Yeah? Yeah?

467
00:21:58,600 --> 00:22:01,120
Speaker 1: Nothing out now? Just when you that no artists out

468
00:22:01,160 --> 00:22:04,240
Speaker 1: now is but they are artists. Um Um. I like

469
00:22:04,520 --> 00:22:07,399
Speaker 1: songs from I mean, I'm not gonna act like you know,

470
00:22:07,560 --> 00:22:10,000
Speaker 1: like like like people stop being talented. What I'm saying,

471
00:22:10,080 --> 00:22:12,879
Speaker 1: you know, once once I came or whatever. But I'm no, no,

472
00:22:13,000 --> 00:22:14,720
Speaker 1: no offense. I don't listen to the radio that much,

473
00:22:16,880 --> 00:22:21,320
Speaker 1: but there's a lot. Did you gus to be a

474
00:22:21,359 --> 00:22:23,639
Speaker 1: t Awards? No? I stopped going to war shows a

475
00:22:23,640 --> 00:22:25,280
Speaker 1: long time ago. It's like, you know, you just sit

476
00:22:25,400 --> 00:22:28,879
Speaker 1: there and just sit there and sit there, like and

477
00:22:28,960 --> 00:22:31,240
Speaker 1: what it turns into. It is just I'm just saying

478
00:22:31,240 --> 00:22:33,240
Speaker 1: what it what it turns into. It's like like like

479
00:22:33,359 --> 00:22:38,240
Speaker 1: like like a sucking context is like that's all, oh y'all,

480
00:22:38,280 --> 00:22:40,200
Speaker 1: what up? Y'all? What up? Like money? If you really

481
00:22:40,240 --> 00:22:41,960
Speaker 1: wanted to get in touch with me, you're how to

482
00:22:42,000 --> 00:22:43,879
Speaker 1: get in touch. Everybody can get in touch with anybody

483
00:22:43,920 --> 00:22:46,680
Speaker 1: what I'm saying. And you know that that one situation

484
00:22:47,160 --> 00:22:49,160
Speaker 1: I might have spoken I took at the war show

485
00:22:49,160 --> 00:22:51,720
Speaker 1: where somebody you know Where's like, yeah, let's doen some music.

486
00:22:51,760 --> 00:22:53,240
Speaker 1: And I'm like, you know what I mean. You only

487
00:22:53,280 --> 00:22:55,040
Speaker 1: saying that because you just happened to pass me in

488
00:22:55,080 --> 00:22:58,240
Speaker 1: all ways, right you know? And I said, you know, yeah, yeah, cool,

489
00:22:58,240 --> 00:23:02,440
Speaker 1: cool gol, Like no, I mean, so stop willing, what

490
00:23:02,520 --> 00:23:03,560
Speaker 1: did you what do you mean? Like like like I

491
00:23:03,720 --> 00:23:06,119
Speaker 1: never be know how but you know, the lights almost

492
00:23:06,160 --> 00:23:09,280
Speaker 1: went out, so I tend to stay away from those

493
00:23:09,600 --> 00:23:12,280
Speaker 1: because for me, you know, we're all artists here. We

494
00:23:12,359 --> 00:23:14,800
Speaker 1: can give each other awards all day, but what does

495
00:23:14,840 --> 00:23:17,000
Speaker 1: it really mean? What does it really mean? I mean

496
00:23:17,119 --> 00:23:20,440
Speaker 1: to me, the real award is when you're able to

497
00:23:20,480 --> 00:23:23,159
Speaker 1: walk wherever or just just just come in contact with

498
00:23:23,280 --> 00:23:26,000
Speaker 1: with with with real fans. I mean, not at an event,

499
00:23:26,240 --> 00:23:28,560
Speaker 1: but just and you know, doing that every day living

500
00:23:28,640 --> 00:23:31,200
Speaker 1: type thing. And they tell you, yo, this song you

501
00:23:31,280 --> 00:23:34,920
Speaker 1: did save my life. This song you did motivates me

502
00:23:35,000 --> 00:23:36,879
Speaker 1: to work out or you know, inspired me to get

503
00:23:36,920 --> 00:23:38,280
Speaker 1: out of bed in the morning. You know what I'm saying.

504
00:23:38,560 --> 00:23:40,640
Speaker 1: I was doing my TV show Solover Man long time ago,

505
00:23:41,359 --> 00:23:43,040
Speaker 1: and this lady read a ball me and she was like,

506
00:23:43,280 --> 00:23:44,880
Speaker 1: you know, she was crying. I had I don't seen

507
00:23:44,920 --> 00:23:47,000
Speaker 1: in Jack's cry before. He was saying, but this is

508
00:23:47,040 --> 00:23:49,840
Speaker 1: a different type of cry. It's like the snot bubble.

509
00:23:55,000 --> 00:23:58,479
Speaker 1: So I held her, I mean like like it wasn't like, oh,

510
00:23:58,520 --> 00:24:02,520
Speaker 1: I'm talking a type of hog and it calmed down.

511
00:24:03,200 --> 00:24:05,760
Speaker 1: Let me see what's going on here. And when she

512
00:24:05,920 --> 00:24:07,679
Speaker 1: was able to talk, she was like, since she had

513
00:24:07,760 --> 00:24:11,600
Speaker 1: five children, since she lost three, and one of my

514
00:24:11,720 --> 00:24:15,320
Speaker 1: songs was the only thing that motive evade, already got

515
00:24:15,400 --> 00:24:19,480
Speaker 1: a bed more. I didn't even ask if somebody puts

516
00:24:19,520 --> 00:24:23,159
Speaker 1: someone you that heavy, It's like WHOA. And I'm not

517
00:24:23,280 --> 00:24:26,119
Speaker 1: one to question God, but I have a question for

518
00:24:26,240 --> 00:24:30,680
Speaker 1: God at that moment, it was the question, how do

519
00:24:30,760 --> 00:24:33,440
Speaker 1: you expect me to deal with this? That's a huge responsibility.

520
00:24:34,000 --> 00:24:37,520
Speaker 1: That's a huge responsibility to mean you would think that

521
00:24:38,600 --> 00:24:41,920
Speaker 1: remaining children would be motivation enough. I mean because the

522
00:24:41,920 --> 00:24:44,119
Speaker 1: worst says the shepherd will leave a flock of ninety

523
00:24:44,160 --> 00:24:46,840
Speaker 1: nine to find the one. If you got one hundred

524
00:24:47,160 --> 00:24:50,760
Speaker 1: one dollar bills and you lose one, you got ninety

525
00:24:50,840 --> 00:24:53,080
Speaker 1: nine sitting right heather, But you're gonna tear that room

526
00:24:53,200 --> 00:24:55,920
Speaker 1: up looking for that one. And when you find that one,

527
00:24:56,600 --> 00:24:58,680
Speaker 1: it will mean more to you than the ninety nine

528
00:24:58,680 --> 00:25:01,920
Speaker 1: because the ninety nine was never lost. Mmmm. It was

529
00:25:01,960 --> 00:25:04,280
Speaker 1: like like it's almost like like the particle south like

530
00:25:04,359 --> 00:25:06,720
Speaker 1: he who his dad is now alive? He was lost?

531
00:25:06,800 --> 00:25:09,159
Speaker 1: What was lost now founds like when you find what

532
00:25:09,320 --> 00:25:13,000
Speaker 1: you lost, like yes, yes, and you'll have a party

533
00:25:13,080 --> 00:25:15,760
Speaker 1: for that one dollar bill that was lost, but now

534
00:25:15,840 --> 00:25:18,199
Speaker 1: it's found because it completes everything that you had. Now,

535
00:25:18,240 --> 00:25:20,800
Speaker 1: when you're motivating so many people and inspiring so many people.

536
00:25:20,880 --> 00:25:23,720
Speaker 1: Why so long to make music because people like you said,

537
00:25:23,960 --> 00:25:26,119
Speaker 1: live for that, But it don't take me long to

538
00:25:26,160 --> 00:25:29,600
Speaker 1: make music. People don't know to look for it. And

539
00:25:29,720 --> 00:25:32,520
Speaker 1: then it's like like this this songs that that that

540
00:25:32,640 --> 00:25:35,399
Speaker 1: that that that's on YouTube and things that stone thing

541
00:25:35,480 --> 00:25:38,280
Speaker 1: that leaked, you know, stolen music and all that that's

542
00:25:38,320 --> 00:25:40,640
Speaker 1: out there that but if people don't know that they're there,

543
00:25:41,119 --> 00:25:43,879
Speaker 1: I didn't hear about it. So so a lot of

544
00:25:43,920 --> 00:25:46,199
Speaker 1: it is it's not being her because it was supposed

545
00:25:46,240 --> 00:25:47,960
Speaker 1: to be put out, but a lot of people don't

546
00:25:47,960 --> 00:25:51,080
Speaker 1: know it's then because like well new DMX music, and

547
00:25:51,160 --> 00:25:53,520
Speaker 1: even if it's even if they typed out, this song

548
00:25:53,600 --> 00:25:56,399
Speaker 1: still wouldn't pop up. I'm kind of stuck in my

549
00:25:56,520 --> 00:26:00,199
Speaker 1: way speak like like like it's l like like they

550
00:26:00,200 --> 00:26:01,920
Speaker 1: ain't broke, don't fix it, teche. They probably want you

551
00:26:01,960 --> 00:26:05,880
Speaker 1: to tweet and instagram. I got a problem with saying

552
00:26:06,000 --> 00:26:10,040
Speaker 1: the word tweets like Sonna tweet you later. I mean

553
00:26:10,200 --> 00:26:12,480
Speaker 1: like you can't really say that with a with a

554
00:26:12,560 --> 00:26:16,840
Speaker 1: hard voice like yo yo yo, tweet me later. So

555
00:26:17,000 --> 00:26:18,600
Speaker 1: when somebody tried to do the face swap with you,

556
00:26:18,720 --> 00:26:25,800
Speaker 1: you was like oh oh yo, as my daughter. That

557
00:26:25,960 --> 00:26:27,840
Speaker 1: was that was funny because then you see something like

558
00:26:29,840 --> 00:26:32,600
Speaker 1: that was a little weird. It's just it's just different

559
00:26:32,680 --> 00:26:35,399
Speaker 1: forms of communication. Man. It's like it's like you know,

560
00:26:35,680 --> 00:26:38,359
Speaker 1: with my phonees on, if the name comes up and

561
00:26:38,520 --> 00:26:41,240
Speaker 1: I feel like being bothered, than I'll answer just say,

562
00:26:41,320 --> 00:26:43,680
Speaker 1: you know, like like I'm so glad you don't gotta

563
00:26:43,680 --> 00:26:47,760
Speaker 1: flip phone my brother. No. They's because I got I

564
00:26:47,840 --> 00:26:49,680
Speaker 1: got my first iPhone, like like I just got on

565
00:26:49,720 --> 00:26:51,520
Speaker 1: a touchscreen. She's on my blackberries. You know. A couple

566
00:26:51,560 --> 00:26:53,440
Speaker 1: of times like I got arrested and I was able

567
00:26:53,480 --> 00:26:55,320
Speaker 1: to text because they left my phone on my head,

568
00:26:55,359 --> 00:26:57,480
Speaker 1: like because I could feel the buttons right, like it's

569
00:26:57,520 --> 00:27:02,040
Speaker 1: a rap with this this this flat you been home,

570
00:27:02,119 --> 00:27:05,680
Speaker 1: somebody saw it. I mean, because you're doing the jail.

571
00:27:06,240 --> 00:27:08,760
Speaker 1: Just to show you, like two thousand, two hundred and

572
00:27:08,800 --> 00:27:15,080
Speaker 1: eighty six unread emails, UNA, those those textas, those texas, Okay,

573
00:27:15,280 --> 00:27:18,560
Speaker 1: get the email. That's a whole other text if you text,

574
00:27:19,840 --> 00:27:21,520
Speaker 1: because earlier you said people can get in touch with

575
00:27:21,560 --> 00:27:23,440
Speaker 1: you what they want to, but you don't even have

576
00:27:23,600 --> 00:27:32,320
Speaker 1: the text messages. I try. I am. I've gotten better, better, better,

577
00:27:32,640 --> 00:27:34,120
Speaker 1: we got more with DM mex when we come back,

578
00:27:34,200 --> 00:27:37,360
Speaker 1: keeping locked this to breakfast club Good Morning, the breakfast

579
00:27:37,440 --> 00:27:43,320
Speaker 1: club that was Tory Lane's with saying morning, everybody is

580
00:27:43,400 --> 00:27:46,199
Speaker 1: DJ M v Angela Ye, Charlomagne the guy we are

581
00:27:46,240 --> 00:27:49,760
Speaker 1: the breakfast club DAMEX is in the building now. Charlemagne

582
00:27:49,800 --> 00:27:51,440
Speaker 1: Swiss also said, you want you want to make sure

583
00:27:51,520 --> 00:27:53,640
Speaker 1: you was good before y'all like really got deep into

584
00:27:53,680 --> 00:27:55,960
Speaker 1: the music. Yeah, you had like a health scare earlier

585
00:27:56,000 --> 00:27:59,520
Speaker 1: this year. They found you unconscious. You're good nut art

586
00:27:59,560 --> 00:28:03,359
Speaker 1: stop damn right, And I have asthma. And you know

587
00:28:03,440 --> 00:28:05,440
Speaker 1: I'm playing this week because you know what, you different

588
00:28:05,480 --> 00:28:07,359
Speaker 1: climates all over the place and I'm coming outside with

589
00:28:07,400 --> 00:28:09,880
Speaker 1: the T shirt on, and but I don't remember happening.

590
00:28:09,880 --> 00:28:12,800
Speaker 1: I know I walked out the card, he said, I

591
00:28:12,840 --> 00:28:16,080
Speaker 1: just like sing stuff and just dropped right flew to

592
00:28:16,200 --> 00:28:18,159
Speaker 1: my lung. As you're saying that, I'm no joke. You

593
00:28:18,280 --> 00:28:21,359
Speaker 1: can die from asthma. You know it's not something players.

594
00:28:21,359 --> 00:28:22,680
Speaker 1: I've had it so long that you know, I put

595
00:28:22,720 --> 00:28:24,920
Speaker 1: you bunch pluck it out most of time about I'm good,

596
00:28:25,640 --> 00:28:27,440
Speaker 1: you know, like you know, like we's a little bit better.

597
00:28:29,320 --> 00:28:32,240
Speaker 1: My grandmother died from asthma. Attack. I'm so sorry. That

598
00:28:32,840 --> 00:28:35,040
Speaker 1: bothered me a lot because I called when I heard

599
00:28:35,119 --> 00:28:36,640
Speaker 1: and he and he told me your you know ex

600
00:28:36,720 --> 00:28:39,280
Speaker 1: had an asthma attack and he's doing fun. And then

601
00:28:39,400 --> 00:28:43,480
Speaker 1: the media was like, oh he old. Is that that

602
00:28:43,600 --> 00:28:45,680
Speaker 1: bothered the issh out of me? I mean, like I said,

603
00:28:45,880 --> 00:28:48,320
Speaker 1: people dona say that they're gonna saying I'm not worried

604
00:28:48,320 --> 00:28:51,480
Speaker 1: about that, but um, the blessing and that is that

605
00:28:51,560 --> 00:28:54,000
Speaker 1: a lot of things did change it. Right at that point,

606
00:28:54,600 --> 00:28:57,840
Speaker 1: it made me realize, No, in movies, you know, death

607
00:28:57,960 --> 00:29:01,080
Speaker 1: is sexy, and the more you know you get, just

608
00:29:01,240 --> 00:29:06,760
Speaker 1: make sure you take out the garbage. Always get that

609
00:29:06,880 --> 00:29:14,840
Speaker 1: that one least fast. Whatever you do, you always get

610
00:29:14,880 --> 00:29:18,280
Speaker 1: that one less. But just show me that you know

611
00:29:18,440 --> 00:29:21,720
Speaker 1: what potentially that by the time you realize that you

612
00:29:21,800 --> 00:29:24,720
Speaker 1: were in the situation, it's too late to come back

613
00:29:24,800 --> 00:29:27,640
Speaker 1: from him. It's too late to come back from him.

614
00:29:28,160 --> 00:29:31,680
Speaker 1: Not that I didn't appreciate life or the or the

615
00:29:31,720 --> 00:29:34,240
Speaker 1: blessing that I gave me, but I didn't always do

616
00:29:34,840 --> 00:29:37,080
Speaker 1: what I was supposed to do with it. Have you

617
00:29:37,120 --> 00:29:39,680
Speaker 1: ever spoke to God in those moments? That's that's what

618
00:29:39,760 --> 00:29:42,880
Speaker 1: I talk from the most. That's what people understand that,

619
00:29:43,040 --> 00:29:45,440
Speaker 1: so you need them more. You know, some people look

620
00:29:45,440 --> 00:29:49,440
Speaker 1: at its being a hypocritical or a contradiction. No, under

621
00:29:49,480 --> 00:29:52,880
Speaker 1: the influence or whatever. I mean, like, that's when you

622
00:29:53,120 --> 00:29:56,720
Speaker 1: need God more than ever, So why not talks on

623
00:29:56,760 --> 00:29:59,960
Speaker 1: him it. God knows my heart. He knows my heart,

624
00:30:00,200 --> 00:30:02,240
Speaker 1: so he knows that. You know, a certain times that's

625
00:30:02,280 --> 00:30:05,640
Speaker 1: when I need him, And he was there. He's always

626
00:30:05,680 --> 00:30:10,160
Speaker 1: been there. He's always been there. I didn't know it's

627
00:30:10,240 --> 00:30:15,600
Speaker 1: no when I need him. We all know what God

628
00:30:15,760 --> 00:30:18,840
Speaker 1: is capable of doing. We know what God is able

629
00:30:18,920 --> 00:30:21,280
Speaker 1: to do, or we don't know what we what he's

630
00:30:21,400 --> 00:30:23,840
Speaker 1: willing to do until we're in the situation where we

631
00:30:23,920 --> 00:30:25,920
Speaker 1: need him to do it. Now, you think your your

632
00:30:25,960 --> 00:30:27,360
Speaker 1: your career would have been different for you to sign

633
00:30:27,400 --> 00:30:29,520
Speaker 1: with Diddy because I heard that you supposed to sign

634
00:30:29,560 --> 00:30:32,640
Speaker 1: with Diddy or not? He um after the entrance was

635
00:30:32,640 --> 00:30:35,000
Speaker 1: because then he came back and he bought me for

636
00:30:35,160 --> 00:30:37,240
Speaker 1: him first, because you know he was you know, like

637
00:30:37,360 --> 00:30:39,560
Speaker 1: I bought the lots to the arm. He brought the

638
00:30:39,640 --> 00:30:41,160
Speaker 1: lots the bad boy, you know what I'm saying. Thing

639
00:30:41,320 --> 00:30:43,520
Speaker 1: was like, so he was like, Yo, if you liked

640
00:30:43,560 --> 00:30:46,200
Speaker 1: the locks, you gonna love X. The one thing I

641
00:30:46,280 --> 00:30:48,640
Speaker 1: respected about Diddy understand the need to see athing whopping.

642
00:30:48,880 --> 00:30:51,280
Speaker 1: I got a good relationship with him, man, and I

643
00:30:51,440 --> 00:30:53,640
Speaker 1: respect him here. I respect him a lot more than

644
00:30:53,680 --> 00:30:55,720
Speaker 1: I respect a lot of these so called hard core

645
00:30:55,760 --> 00:30:58,200
Speaker 1: ass rappage. You know, I'm saying he's like Frosting. He's saying,

646
00:30:58,240 --> 00:31:00,160
Speaker 1: but one thing I respect him honors. He told me

647
00:31:00,240 --> 00:31:03,680
Speaker 1: right to my face, and well, um, their voices too rough.

648
00:31:03,800 --> 00:31:07,200
Speaker 1: And I don't think you're margatable, damn. I mean, but

649
00:31:07,440 --> 00:31:11,840
Speaker 1: a day that's your opinion, right, I mean, I'm be

650
00:31:11,880 --> 00:31:13,880
Speaker 1: mac is you because you you know you don't like me, Like,

651
00:31:14,360 --> 00:31:20,200
Speaker 1: what do you mean? Cool? But it had to feel

652
00:31:20,200 --> 00:31:21,600
Speaker 1: good to sell a few million and then come back

653
00:31:21,600 --> 00:31:24,160
Speaker 1: to me like he was wrong. Oh yeah, well before

654
00:31:24,160 --> 00:31:27,120
Speaker 1: I sold a record, He's like, yo, I'll double what

655
00:31:27,200 --> 00:31:30,840
Speaker 1: they gave you at all. As I'm like, respectfully, thank you.

656
00:31:31,120 --> 00:31:33,120
Speaker 1: It feel good to just know that I mean this

657
00:31:33,280 --> 00:31:35,560
Speaker 1: opinion to change, right. That was good enough for me.

658
00:31:35,600 --> 00:31:37,960
Speaker 1: You know I'm saying no, But just if if you

659
00:31:38,040 --> 00:31:41,640
Speaker 1: didn't see it, then what changed we Speaking of opinions changing,

660
00:31:41,680 --> 00:31:44,200
Speaker 1: I wanted to ask you, Drake sampled you on this album.

661
00:31:44,520 --> 00:31:49,560
Speaker 1: Did y'all have a conversation. So what happened that? Right? Yeah,

662
00:31:51,240 --> 00:31:53,480
Speaker 1: so what happened? Well, the other white guy in the

663
00:31:53,560 --> 00:31:58,400
Speaker 1: room is saying, yeah, it's better. Well, the only white

664
00:31:58,440 --> 00:32:02,600
Speaker 1: guy to room saying, yes, you were. You were a

665
00:32:02,640 --> 00:32:06,200
Speaker 1: fan of drink at first? You like Drake. No, I

666
00:32:06,240 --> 00:32:08,720
Speaker 1: don't like anything about Drake. I don't like his voice.

667
00:32:08,760 --> 00:32:10,960
Speaker 1: I don't like he talks about I don't I don't know.

668
00:32:10,960 --> 00:32:14,320
Speaker 1: Tell you don't be trying to. I don't like any

669
00:32:14,400 --> 00:32:18,800
Speaker 1: walks like nothing. I might just let me shut out.

670
00:32:19,040 --> 00:32:22,200
Speaker 1: I'm gonna start right there. Yeah he was. Um I

671
00:32:22,280 --> 00:32:24,040
Speaker 1: did always say that he was a challenge of lyrics,

672
00:32:24,080 --> 00:32:25,600
Speaker 1: but I was not a fan, right, I was not?

673
00:32:26,000 --> 00:32:31,680
Speaker 1: And um man another homely experience because we were like, yo,

674
00:32:32,240 --> 00:32:35,200
Speaker 1: like you didn't like the dude for all the wrong reasons,

675
00:32:35,560 --> 00:32:38,000
Speaker 1: and they were the kind of lyrics I'll tell, yeah, yeah,

676
00:32:38,040 --> 00:32:41,560
Speaker 1: money to lyrics. But for him to take the effort

677
00:32:41,640 --> 00:32:43,960
Speaker 1: first to want to use the song of mine I'm saying,

678
00:32:44,280 --> 00:32:47,320
Speaker 1: and then to be man enough to reach out and

679
00:32:47,360 --> 00:32:50,360
Speaker 1: make the calls like I don't mean that soft man,

680
00:32:50,680 --> 00:32:53,120
Speaker 1: and then that was a real that was a real move.

681
00:32:53,640 --> 00:32:56,280
Speaker 1: Real is real? Right is right on on the rowing dude,

682
00:32:56,360 --> 00:32:59,000
Speaker 1: that was a real move. What I'm saying, I saluted

683
00:32:59,120 --> 00:33:03,360
Speaker 1: for that discuss. It was like, um, yo mean uh

684
00:33:05,160 --> 00:33:09,040
Speaker 1: He's like, yo, man, you raise this man. I'm like, wow,

685
00:33:09,840 --> 00:33:13,320
Speaker 1: you are feeling this way knowing that that that that

686
00:33:13,720 --> 00:33:17,440
Speaker 1: I love you sound like like like too big And

687
00:33:18,000 --> 00:33:19,960
Speaker 1: I was like, damn, Y know, I appreciate it, but

688
00:33:20,200 --> 00:33:24,520
Speaker 1: it's crazy. Before I went to prison, m my manager

689
00:33:24,520 --> 00:33:26,720
Speaker 1: at the time, she hit me with your last hope, Pete.

690
00:33:26,720 --> 00:33:28,440
Speaker 1: You know what I'm saying. For the final out, it

691
00:33:28,520 --> 00:33:31,120
Speaker 1: was his beat. So it was like, you know what,

692
00:33:31,280 --> 00:33:34,280
Speaker 1: everything coming full circle? I said, Yo, I happen to

693
00:33:34,400 --> 00:33:36,120
Speaker 1: use one of your choice that you mean you put

694
00:33:36,160 --> 00:33:37,560
Speaker 1: out a long time ago too, So you know what

695
00:33:37,600 --> 00:33:39,840
Speaker 1: I'm saying. I'm glad to be able to return to

696
00:33:39,880 --> 00:33:46,040
Speaker 1: favor and I'm glad to be so yeah, you know,

697
00:33:46,440 --> 00:33:48,000
Speaker 1: and it must be great. You got your crew with

698
00:33:48,120 --> 00:33:49,800
Speaker 1: you from back in the rough ride the day I

699
00:33:49,840 --> 00:33:52,720
Speaker 1: saw with hanging out. Yeah we had to show together.

700
00:33:52,840 --> 00:33:56,000
Speaker 1: Yeah that, Um that was good. I didn't watch a

701
00:33:56,080 --> 00:33:58,760
Speaker 1: perfor him, no personal reason. I just I don't watch

702
00:33:58,960 --> 00:34:01,040
Speaker 1: other people for him. I don't want to see it

703
00:34:01,520 --> 00:34:03,760
Speaker 1: that way. I know that whatever I do on stage

704
00:34:04,080 --> 00:34:06,360
Speaker 1: I came up with I just I just stick to

705
00:34:06,400 --> 00:34:08,200
Speaker 1: my I'll stay in my lane. You talk, you talk

706
00:34:08,239 --> 00:34:10,239
Speaker 1: about asthma so much and how it affects you, But

707
00:34:10,760 --> 00:34:13,600
Speaker 1: watching you perform, you perform over hours, put more with

708
00:34:13,760 --> 00:34:18,520
Speaker 1: no problem. Race of god, man, it's like it's almost

709
00:34:18,520 --> 00:34:21,040
Speaker 1: like magic. It's like when I touched that stage, like

710
00:34:21,200 --> 00:34:23,719
Speaker 1: I still get nervous butterflies of my stuffing before I

711
00:34:23,800 --> 00:34:26,279
Speaker 1: go on stage. Dude, like Nausius a little bit. You know,

712
00:34:26,280 --> 00:34:28,719
Speaker 1: I'm saying I took like two pups a singlette, but

713
00:34:28,840 --> 00:34:31,319
Speaker 1: that didn't go time. But but it's ill because even

714
00:34:31,360 --> 00:34:34,080
Speaker 1: before you perform, right, X will make if you backstage,

715
00:34:34,120 --> 00:34:35,800
Speaker 1: everybody holds hand, we're gonna pray before he goes. He

716
00:34:35,840 --> 00:34:38,839
Speaker 1: don't care if you the security, if you the grounds keeping,

717
00:34:38,880 --> 00:34:42,239
Speaker 1: the maintenance man, whoever you backstage, everybody whole hand, turn

718
00:34:42,280 --> 00:34:45,400
Speaker 1: the cameras off. We're gonna pray exactly exactly. That's I

719
00:34:45,800 --> 00:34:48,279
Speaker 1: asked for, you know about just touch one person saying

720
00:34:48,280 --> 00:34:50,280
Speaker 1: that's why I you know, I take him on a journey.

721
00:34:50,880 --> 00:34:53,000
Speaker 1: You know I started for the young woman. Yeah, I

722
00:34:53,040 --> 00:34:56,560
Speaker 1: want to blow all that with the note you end

723
00:34:56,600 --> 00:34:58,800
Speaker 1: them on. Yeah, that's that's what they want away with.

724
00:34:59,360 --> 00:35:02,480
Speaker 1: I'm saying they a party and drunk, and they don't

725
00:35:02,560 --> 00:35:04,160
Speaker 1: that at the end of the day week, I ain't

726
00:35:04,160 --> 00:35:06,320
Speaker 1: them with a prayer and with the press. So I

727
00:35:06,480 --> 00:35:09,840
Speaker 1: start with a prayer backstage. I mean, I give you

728
00:35:09,880 --> 00:35:12,200
Speaker 1: the strength to do this. You ain't prayer. There no

729
00:35:12,280 --> 00:35:15,320
Speaker 1: fighting staving. What I'm saying, I remind people what's important.

730
00:35:15,400 --> 00:35:17,640
Speaker 1: It's like in praying, you don't always have to ask

731
00:35:17,719 --> 00:35:21,040
Speaker 1: for something. I mean, like like like sometimes pressure, we

732
00:35:21,080 --> 00:35:23,279
Speaker 1: just show thanks guy, but what you already gave me?

733
00:35:23,760 --> 00:35:25,800
Speaker 1: You mean, and I'm not not holding nobody to do it.

734
00:35:25,920 --> 00:35:28,200
Speaker 1: But but I know, guy, I'll be like, yo, really

735
00:35:28,320 --> 00:35:31,680
Speaker 1: you again? You shall ask you for this like that.

736
00:35:31,800 --> 00:35:34,719
Speaker 1: That's all right, And people take things for granted. I

737
00:35:35,000 --> 00:35:36,840
Speaker 1: try not to take anything for granted. All right, we

738
00:35:36,880 --> 00:35:39,000
Speaker 1: got more with DMX when we come back. Matter fact,

739
00:35:39,040 --> 00:35:40,920
Speaker 1: let's get into a DMX mini mix. Let me know

740
00:35:41,000 --> 00:35:43,440
Speaker 1: your favorite DMAX joints. I get it on right now.

741
00:35:43,480 --> 00:35:46,920
Speaker 1: It's the Breakfast Club. Good Morning. That was a DMX

742
00:35:47,000 --> 00:35:50,200
Speaker 1: Mini mix. Morning Everybody, the dog is here, d m X,

743
00:35:51,080 --> 00:35:54,320
Speaker 1: dj M v Angela. Ye, Charlomagne the God. Now, Charlomagne,

744
00:35:54,360 --> 00:36:01,399
Speaker 1: you're expecting your thirteenth child, right, say no games. How

745
00:36:01,440 --> 00:36:02,759
Speaker 1: do you think when you want to breathe you will

746
00:36:02,880 --> 00:36:04,840
Speaker 1: remember my name? How do you people you want to

747
00:36:04,840 --> 00:36:08,080
Speaker 1: breathe with um? Just like you know do I sniffed

748
00:36:08,080 --> 00:36:11,359
Speaker 1: the ass, you know what I'm saying. I whacked my tail,

749
00:36:11,719 --> 00:36:19,359
Speaker 1: saying walk up, hi yah. A couple of circles get

750
00:36:19,440 --> 00:36:24,239
Speaker 1: up in the um. You ever let you do get

751
00:36:24,280 --> 00:36:27,640
Speaker 1: a license? You yo? I went to get it and

752
00:36:27,960 --> 00:36:29,600
Speaker 1: they hit people a piece of pep looking like this

753
00:36:29,800 --> 00:36:32,880
Speaker 1: like these are all the things. I'm like, duh. But

754
00:36:33,560 --> 00:36:37,040
Speaker 1: by the time we left them, it's shorter. There was

755
00:36:37,080 --> 00:36:40,279
Speaker 1: only two. Yeah, you got to handle business. That's about

756
00:36:40,320 --> 00:36:42,320
Speaker 1: you go take care of And I'm a remind with

757
00:36:42,560 --> 00:36:44,200
Speaker 1: he Um made me a promise. I think it's a

758
00:36:44,280 --> 00:36:47,640
Speaker 1: sixties sixty six bust thing and go to Shelby Joint

759
00:36:47,680 --> 00:36:50,759
Speaker 1: at the Eleanois everybody got yeah, alright, alright, he said,

760
00:36:51,000 --> 00:36:53,759
Speaker 1: when you get your license, that's short. Don't think you

761
00:36:53,880 --> 00:36:59,800
Speaker 1: never gonna get it. That's gonna record that I reminded

762
00:37:00,320 --> 00:37:02,719
Speaker 1: about the mothers. I'm like, y'all remember you know, I

763
00:37:02,840 --> 00:37:04,840
Speaker 1: know I'm behind the scenes, Like, yo, what do I do?

764
00:37:05,120 --> 00:37:07,640
Speaker 1: We mentioned you saw y'all rue. This weekend, we got

765
00:37:07,680 --> 00:37:10,080
Speaker 1: the first time you'll talk this y'all had the issues. No, okay,

766
00:37:10,680 --> 00:37:13,759
Speaker 1: first silence that on the Hip Hop Honors, and I

767
00:37:13,840 --> 00:37:16,359
Speaker 1: didn't realize he was sitting right behind me. You only

768
00:37:16,480 --> 00:37:18,879
Speaker 1: leave during the intermissions when they when they stop feeling

769
00:37:18,880 --> 00:37:21,520
Speaker 1: all right. You know, people around the movie up the

770
00:37:21,640 --> 00:37:23,920
Speaker 1: cheat fillers. I'm like, oh, that's my cue, and I

771
00:37:24,040 --> 00:37:27,719
Speaker 1: get up. I already seen his wife, and you know,

772
00:37:27,880 --> 00:37:29,200
Speaker 1: me being type person, I was like, if I got

773
00:37:29,280 --> 00:37:32,279
Speaker 1: a problem with you, it's not gonna spill over into

774
00:37:32,520 --> 00:37:34,200
Speaker 1: I mean, I'm not gonna have different tortures. I mean

775
00:37:34,200 --> 00:37:37,640
Speaker 1: because drawing the lines and keep the lines, respect the lines,

776
00:37:38,840 --> 00:37:41,960
Speaker 1: through the lines, keep the lines, respect the lines. Some balls, right,

777
00:37:42,640 --> 00:37:45,120
Speaker 1: I get it, go the lines, keep the lines expecting

778
00:37:45,200 --> 00:37:47,480
Speaker 1: that bam. So you know I already spoke to how

779
00:37:47,560 --> 00:37:49,479
Speaker 1: you doing lives from there like wow, he got pass

780
00:37:50,000 --> 00:37:52,080
Speaker 1: and so then when the admission came, I got up

781
00:37:52,080 --> 00:37:57,560
Speaker 1: to leave or turn around. It was like and silence

782
00:37:57,760 --> 00:38:00,279
Speaker 1: like like I've never once I heard that many people white.

783
00:38:00,480 --> 00:38:02,759
Speaker 1: But that's a different story. But I'm it was like

784
00:38:02,840 --> 00:38:05,840
Speaker 1: all quiet. I was like, whatever, man, I don't know

785
00:38:05,880 --> 00:38:11,680
Speaker 1: who extending their head first. But it was mutual. I mean, man, actually,

786
00:38:11,840 --> 00:38:15,920
Speaker 1: like it's easy to be ignorant stupid, you know, be

787
00:38:16,040 --> 00:38:18,840
Speaker 1: ignorant and get ignorant and do some tums. But you

788
00:38:18,920 --> 00:38:22,160
Speaker 1: know it tasted the person of character substance to like,

789
00:38:22,239 --> 00:38:24,239
Speaker 1: you know what, even though it's easy to do this,

790
00:38:25,440 --> 00:38:29,040
Speaker 1: do this, I mean, and we shook hash man and

791
00:38:29,239 --> 00:38:31,600
Speaker 1: huh and like everybody must have been watching, like yo,

792
00:38:31,680 --> 00:38:33,120
Speaker 1: he don't know he behind them. You're like, yo, it

793
00:38:33,200 --> 00:38:35,800
Speaker 1: was about to be something like shook hash man what

794
00:38:35,840 --> 00:38:38,840
Speaker 1: I'm saying, and the old crowd like clapping everything. You know,

795
00:38:39,040 --> 00:38:41,799
Speaker 1: y'all got so much history with Earth John the story

796
00:38:41,800 --> 00:38:44,640
Speaker 1: about y'all hitch hiking one time together. Yeah, yeah, yeah,

797
00:38:46,680 --> 00:38:48,560
Speaker 1: we were films using on tours. Um. I think it

798
00:38:48,680 --> 00:38:52,320
Speaker 1: was a hard life talk. And Mike Ka gave me

799
00:38:52,400 --> 00:38:53,880
Speaker 1: the rental car you know for the non tell like yo,

800
00:38:54,000 --> 00:38:58,879
Speaker 1: soo me yah, I think MILF, I think metal. Yeah yeah,

801
00:38:58,960 --> 00:39:01,399
Speaker 1: and the lance can do that people with them trying

802
00:39:01,440 --> 00:39:03,880
Speaker 1: getting the police put us over. I'm saying you know

803
00:39:03,960 --> 00:39:05,480
Speaker 1: what I would I say, but your name in on

804
00:39:05,520 --> 00:39:07,440
Speaker 1: the call back, so what like like I got a

805
00:39:07,520 --> 00:39:11,640
Speaker 1: license on the highway. Hell, so we're walking up the rim.

806
00:39:12,200 --> 00:39:16,480
Speaker 1: I said I got this ship forward and she gave us,

807
00:39:17,239 --> 00:39:18,799
Speaker 1: Oh my god, I did. I love you. I'm coming

808
00:39:18,800 --> 00:39:20,880
Speaker 1: to your showers. Thank you. And she was like, yo,

809
00:39:20,920 --> 00:39:34,480
Speaker 1: what's up with that sound too? But it gave validity

810
00:39:34,600 --> 00:39:37,320
Speaker 1: to for me because because Irvin set us down and

811
00:39:37,440 --> 00:39:40,239
Speaker 1: we we had had a couple of conversations about um,

812
00:39:40,360 --> 00:39:42,960
Speaker 1: you know, similar sounds and things that I don't sound like.

813
00:39:44,200 --> 00:39:46,560
Speaker 1: It's like like, well, I mean, you know, I walked

814
00:39:46,600 --> 00:39:49,560
Speaker 1: amongst the fans. I'm hands on with my fans. What

815
00:39:49,600 --> 00:39:55,040
Speaker 1: I'm saying. That was like see like see like I'm

816
00:39:55,080 --> 00:39:56,680
Speaker 1: not just freest out of here on me. What I'm saying,

817
00:39:57,480 --> 00:40:00,600
Speaker 1: you know, World of the Street is no that one

818
00:40:00,680 --> 00:40:02,759
Speaker 1: God in a way though, because because y'all say that's

819
00:40:02,760 --> 00:40:05,200
Speaker 1: why he developed a singing style so he wouldn't have similarities.

820
00:40:05,480 --> 00:40:07,200
Speaker 1: Maybe that might have been the moment, right It was

821
00:40:07,200 --> 00:40:10,280
Speaker 1: like like like you never know how God he's gonna

822
00:40:10,320 --> 00:40:13,360
Speaker 1: do what he's gonna do. You and Jay do shots

823
00:40:13,360 --> 00:40:14,880
Speaker 1: to each other before, have y'all seen each other and

824
00:40:15,400 --> 00:40:19,239
Speaker 1: adapted out and spoke you buried a lot of hatches

825
00:40:19,320 --> 00:40:21,880
Speaker 1: though it could happen, of course, of course, got it?

826
00:40:22,000 --> 00:40:25,799
Speaker 1: I mean, uh as strong as I am to walk

827
00:40:25,880 --> 00:40:32,399
Speaker 1: around holding anger? Where's you down? I don't got time

828
00:40:32,400 --> 00:40:34,640
Speaker 1: to be mad at nobody, man, I mean less and less.

829
00:40:34,640 --> 00:40:38,319
Speaker 1: There's a situation right here, right now, and then you know, hey,

830
00:40:39,560 --> 00:40:41,279
Speaker 1: even if it's they ain't know what you're talking about it,

831
00:40:41,320 --> 00:40:43,080
Speaker 1: whatever we're gonna do, let's get to it, get to

832
00:40:43,200 --> 00:40:45,520
Speaker 1: it and get past it. But but what you hold

833
00:40:45,560 --> 00:40:49,800
Speaker 1: on automatic? Where it's on you? Man? I mean and

834
00:40:50,760 --> 00:40:54,600
Speaker 1: fourteen kids, Man, that same energy I could put into

835
00:40:54,840 --> 00:40:57,600
Speaker 1: you know, trying to find time to do something and

836
00:40:57,880 --> 00:41:00,759
Speaker 1: comble things to do, and I board the mothers at

837
00:41:00,800 --> 00:41:07,640
Speaker 1: the same time. Do your kids hang out with each other?

838
00:41:07,800 --> 00:41:10,879
Speaker 1: They don't know each other or some of them have met,

839
00:41:11,320 --> 00:41:14,399
Speaker 1: they don't hang out because they're the like, I ain't

840
00:41:14,440 --> 00:41:17,720
Speaker 1: a total piece. I ain't have kids in the same county.

841
00:41:21,560 --> 00:41:23,200
Speaker 1: I slipped up. I got a few in New York,

842
00:41:23,239 --> 00:41:25,120
Speaker 1: I got a few in Cali then, and they're not

843
00:41:25,239 --> 00:41:35,800
Speaker 1: in the same county. How many moms nine do you

844
00:41:35,880 --> 00:41:39,960
Speaker 1: ever win coundles? Yeah? Yeah, what it is? Um uh?

845
00:41:40,120 --> 00:41:44,200
Speaker 1: They break right? Yeah, put their out of the tree.

846
00:41:45,239 --> 00:41:49,439
Speaker 1: See and wow, I'll put it on like tight because

847
00:41:51,120 --> 00:41:54,759
Speaker 1: especially when you see like a super Yeah, I'm I'm

848
00:41:55,280 --> 00:41:59,200
Speaker 1: I know the stroke. There's a certain stroke that don't

849
00:41:59,200 --> 00:42:06,480
Speaker 1: mean go fuck things to go pop. Yeah. Yeah, well

850
00:42:06,560 --> 00:42:10,839
Speaker 1: we don't protect the sex. Dat saves. But right now

851
00:42:10,960 --> 00:42:13,400
Speaker 1: let me yeah, I don't you know, I'm you know,

852
00:42:13,520 --> 00:42:15,960
Speaker 1: I'm just I'm just focused on music. Now I talk

853
00:42:16,000 --> 00:42:23,759
Speaker 1: about music. Yeah, I trying to save you that you.

854
00:42:23,920 --> 00:42:29,000
Speaker 1: Let's talk about this music, right man, just you, nobody

855
00:42:29,000 --> 00:42:35,640
Speaker 1: else wanted just me, just me? Yep, Vin bars jars. Yes,

856
00:42:35,719 --> 00:42:38,480
Speaker 1: we're sequus in here right. No, really, one thing you

857
00:42:38,520 --> 00:42:44,520
Speaker 1: can't tell. We appreciate you joining us. Wenna gave you

858
00:42:44,560 --> 00:42:48,640
Speaker 1: to do something. We gotta leave on the prayer. Okay,

859
00:42:50,440 --> 00:42:54,040
Speaker 1: well I'm gonna need to add off on me. Well,

860
00:42:54,120 --> 00:42:55,640
Speaker 1: I mean we're gonna do Let's do it right, Touch

861
00:42:55,640 --> 00:42:59,839
Speaker 1: a touch of degree, man, touch a degree. Brother God,

862
00:42:59,840 --> 00:43:02,520
Speaker 1: we thank you for this gathering the souls. See that

863
00:43:02,560 --> 00:43:04,400
Speaker 1: when two and will gather your name, that your presidents

864
00:43:04,440 --> 00:43:06,480
Speaker 1: will be thank you for your presence. We has to

865
00:43:06,600 --> 00:43:09,520
Speaker 1: grace some blessings or upon us this day. We pray

866
00:43:09,560 --> 00:43:11,480
Speaker 1: that any obstacle to devil plans the place in our

867
00:43:11,520 --> 00:43:14,000
Speaker 1: path were removed. In the name of Jesus. We pray

868
00:43:14,080 --> 00:43:16,680
Speaker 1: that you have your will, have your way in our lives, Father,

869
00:43:16,800 --> 00:43:18,759
Speaker 1: but we didn't make us, so we couldn't possibly know

870
00:43:18,840 --> 00:43:20,680
Speaker 1: what to do with us. We thank you for the

871
00:43:20,760 --> 00:43:22,879
Speaker 1: things that most people take for granted. Father, the air

872
00:43:23,000 --> 00:43:25,440
Speaker 1: we have to breathe, the food we have to eat,

873
00:43:25,520 --> 00:43:27,560
Speaker 1: the clothes we have, the war, the cause we have

874
00:43:27,680 --> 00:43:29,680
Speaker 1: to drive, the money we spend, the lives we touched,

875
00:43:29,800 --> 00:43:32,000
Speaker 1: and the lives that have touched our own. We as

876
00:43:32,080 --> 00:43:33,759
Speaker 1: to be able to be a blessing to others as

877
00:43:33,840 --> 00:43:37,080
Speaker 1: well as ourselves. We have to be reminded of the

878
00:43:37,120 --> 00:43:39,800
Speaker 1: power in the spoken word, Father, because we can't defeat

879
00:43:39,840 --> 00:43:42,040
Speaker 1: the enemy with the spoken word. All we have to

880
00:43:42,080 --> 00:43:44,080
Speaker 1: do is remember to say it, remember to use it.

881
00:43:45,320 --> 00:43:47,600
Speaker 1: The worst says no webin form that gives me so possible.

882
00:43:48,120 --> 00:43:50,080
Speaker 1: The word doesn't say that the weabin won't be formed.

883
00:43:50,680 --> 00:43:52,439
Speaker 1: The word doesn't say that the intention of the webin

884
00:43:52,480 --> 00:43:54,680
Speaker 1: maker won't be to harm you. The words will say

885
00:43:54,680 --> 00:43:57,080
Speaker 1: that they won't attempt to use it. The word says,

886
00:43:57,239 --> 00:43:58,880
Speaker 1: no webin form that gives me so possible. So, no

887
00:43:59,040 --> 00:44:00,840
Speaker 1: matter what they think, the matter what they make, no

888
00:44:00,920 --> 00:44:03,959
Speaker 1: matter what they tried, by the power of the world,

889
00:44:04,040 --> 00:44:06,880
Speaker 1: we are covering we humble lot. Since before you we

890
00:44:07,000 --> 00:44:09,279
Speaker 1: praise your name and give you the glory. We praise

891
00:44:09,360 --> 00:44:11,440
Speaker 1: your name and give you the glory. We praise your

892
00:44:11,520 --> 00:44:13,800
Speaker 1: name and give you the glory. And Jesus, might he

893
00:44:13,920 --> 00:44:19,759
Speaker 1: name me a praying Amen? Amen. Max's the Breakfast Club.

894
00:44:19,800 --> 00:44:28,920
Speaker 1: Good morning, Jim, the Breakfast Club. Listen this just oh gosh,

895
00:44:29,680 --> 00:44:33,120
Speaker 1: the rumor report. God guys with Angel Angel League, It's

896
00:44:33,120 --> 00:44:37,600
Speaker 1: the Breakfast Club. Well. Ray Jay has responded to how

897
00:44:37,680 --> 00:44:42,200
Speaker 1: he feels about Kanye's famous video, which features him, you know,

898
00:44:42,320 --> 00:44:45,160
Speaker 1: laying in the bed by Kim kardash and everybody's naked

899
00:44:45,200 --> 00:44:48,120
Speaker 1: in the bed. Here's what he had to say. I'm

900
00:44:48,239 --> 00:44:51,520
Speaker 1: just trying to stay positive. I'm engaged. My marriage is

901
00:44:51,560 --> 00:44:53,920
Speaker 1: all messed up because of craziness because I'm not I'm

902
00:44:53,960 --> 00:44:56,200
Speaker 1: not a part of nothing crazy. I'm trying to walk

903
00:44:56,239 --> 00:44:59,439
Speaker 1: down a good path. My fiance Trickling, is all bad

904
00:44:59,760 --> 00:45:01,799
Speaker 1: and my world and that ain't cool. I don't put

905
00:45:01,840 --> 00:45:04,839
Speaker 1: me apart of nothing that's weird, that that don't make

906
00:45:04,920 --> 00:45:06,840
Speaker 1: no sense, you know what I'm saying, Like, can I

907
00:45:06,960 --> 00:45:10,200
Speaker 1: grow up now? I asked y'all yesterday was ray Ja

908
00:45:10,280 --> 00:45:12,040
Speaker 1: in that video? Because I didn't watch, and y'all told

909
00:45:12,080 --> 00:45:15,200
Speaker 1: me no, she said yes. She said yes and everybody

910
00:45:15,239 --> 00:45:16,920
Speaker 1: that was in it. And I said, I asked if

911
00:45:16,960 --> 00:45:19,200
Speaker 1: he was naked in the bed? Ya, yes, yes, I

912
00:45:19,320 --> 00:45:21,719
Speaker 1: told you every other all the people that were in

913
00:45:21,760 --> 00:45:25,040
Speaker 1: the bed. Well, I had no reason to watch the

914
00:45:25,120 --> 00:45:27,160
Speaker 1: video once I saw Donald Trump's bad ass laying in

915
00:45:27,239 --> 00:45:28,800
Speaker 1: the bed, I was like, there's no need for me

916
00:45:28,880 --> 00:45:31,600
Speaker 1: to watch this video. Well, some people were a little

917
00:45:31,600 --> 00:45:36,200
Speaker 1: bit more direct. Ray J's manager said that Kanye needs

918
00:45:36,280 --> 00:45:39,120
Speaker 1: to watch his mouth. Check it out. Hey, did they

919
00:45:39,160 --> 00:45:41,960
Speaker 1: show him with his white bout? Who show the whack one?

920
00:45:42,960 --> 00:45:46,040
Speaker 1: If they they showed ray J? Kim Karde's your mouth,

921
00:45:46,360 --> 00:45:49,600
Speaker 1: Tell Kanye to go back and we shoot that like

922
00:45:50,000 --> 00:45:53,200
Speaker 1: a long way from Chicago. Better watch his mother come out.

923
00:45:53,400 --> 00:45:54,920
Speaker 1: First of all, dropped on a clues bomb for Whack

924
00:45:54,960 --> 00:45:57,560
Speaker 1: one hundred because I laughed so hard at that video yesterday.

925
00:45:57,560 --> 00:46:00,360
Speaker 1: I watched that video like eight nine times. Say the

926
00:46:00,440 --> 00:46:02,920
Speaker 1: reason I thought it was so funny because it's factual,

927
00:46:03,560 --> 00:46:06,480
Speaker 1: it's true. It's not like he's making this up. And

928
00:46:06,560 --> 00:46:10,120
Speaker 1: he said it in such a caring way like he

929
00:46:10,239 --> 00:46:12,719
Speaker 1: was really concerned. Did they show him? Did they showed them?

930
00:46:13,120 --> 00:46:15,440
Speaker 1: Showed Kim with ray J? Peenis in the mouth. Did

931
00:46:15,560 --> 00:46:17,000
Speaker 1: they shout the way I seen him when I was

932
00:46:17,040 --> 00:46:19,439
Speaker 1: in La too? Shout the wag one on it? Well,

933
00:46:19,560 --> 00:46:21,920
Speaker 1: Lena Dune him the Creative Girls and the start of

934
00:46:22,000 --> 00:46:24,960
Speaker 1: the Show Girls on HBO put up a post on Facebook.

935
00:46:25,000 --> 00:46:27,160
Speaker 1: She said it was one of the most disturbing artistic

936
00:46:27,239 --> 00:46:30,440
Speaker 1: efforts in recent memory, and she said that it uh

937
00:46:30,920 --> 00:46:36,080
Speaker 1: basically is emblematic of rape culture. So you should read

938
00:46:36,160 --> 00:46:38,360
Speaker 1: this post. And people were upset about it. Now. I

939
00:46:38,440 --> 00:46:41,200
Speaker 1: don't know, I don't know, but it is weird. I

940
00:46:41,200 --> 00:46:43,320
Speaker 1: don't know, but I don't know if rain coach is

941
00:46:43,400 --> 00:46:46,040
Speaker 1: the right term. But it's weird to undress a bunch

942
00:46:46,040 --> 00:46:48,560
Speaker 1: of people without them knowing, and to have Bill Cosby

943
00:46:48,680 --> 00:46:52,440
Speaker 1: laying in the bed next that made it for you?

944
00:46:52,640 --> 00:46:54,400
Speaker 1: That didn't I mean a lot of us that doesn't.

945
00:46:54,760 --> 00:46:57,440
Speaker 1: But that Bill Cosby just randomly laying that made it weird.

946
00:46:57,560 --> 00:46:59,920
Speaker 1: She said about Bill Cosby's crimes are still being uncover

947
00:47:00,040 --> 00:47:02,680
Speaker 1: bird and understood as traumas for the women he assaulted,

948
00:47:03,000 --> 00:47:06,200
Speaker 1: but also massive bruises to our national consciousness. Now I

949
00:47:06,280 --> 00:47:09,120
Speaker 1: have to see the prone, unconscious, waxy bodies of famous

950
00:47:09,200 --> 00:47:12,520
Speaker 1: women twisted like they've been drugged and chucked aside at

951
00:47:12,560 --> 00:47:15,879
Speaker 1: a rager. It gives me such a sickening sense of disease. Yeah,

952
00:47:15,880 --> 00:47:17,759
Speaker 1: you can't have an a legged rapist laying in the

953
00:47:17,800 --> 00:47:19,680
Speaker 1: bed with a bunch of naked women. Because the first

954
00:47:19,719 --> 00:47:21,320
Speaker 1: thing I'm thinking, why all y'all sleep? And then you

955
00:47:21,360 --> 00:47:23,520
Speaker 1: see Bill Cosmy, You're like, go, okay, I get it now.

956
00:47:23,800 --> 00:47:26,800
Speaker 1: He put everybody to sleep and Little Wayne he's in.

957
00:47:27,440 --> 00:47:29,920
Speaker 1: There's a battery report that's been filed against him. This

958
00:47:30,160 --> 00:47:32,279
Speaker 1: was after the bat Awards, they said. The bouncer who

959
00:47:32,360 --> 00:47:35,000
Speaker 1: was working the door at Hide Nightclub on Sunset says

960
00:47:35,040 --> 00:47:37,319
Speaker 1: that Little Wayne and two Chains were hosting an after

961
00:47:37,440 --> 00:47:40,759
Speaker 1: party and some of Little Wayne's entourage couldn't get in.

962
00:47:40,840 --> 00:47:43,000
Speaker 1: They got turned away at the door. That's when Little

963
00:47:43,040 --> 00:47:45,680
Speaker 1: Wayne and the bouncer started arguing, and the bouncer says

964
00:47:45,760 --> 00:47:49,239
Speaker 1: that's when Little Wayne punched him. Now other people are

965
00:47:49,280 --> 00:47:52,200
Speaker 1: saying it was a brief altercation. It was only because

966
00:47:52,239 --> 00:47:54,799
Speaker 1: the bouncer and mistakenly grabbed Little Wayne by the arm,

967
00:47:55,120 --> 00:47:57,640
Speaker 1: not realizing who he was, and he later apologized. But

968
00:47:58,200 --> 00:48:01,280
Speaker 1: we don't know. Basically, the doorman he has already filed

969
00:48:01,360 --> 00:48:03,399
Speaker 1: a bad every report with the lapd so it could

970
00:48:03,400 --> 00:48:05,560
Speaker 1: be just him trying to get a little money from

971
00:48:05,560 --> 00:48:08,360
Speaker 1: little Wayne. And that is your rumor report. I'm ansually

972
00:48:08,440 --> 00:48:10,880
Speaker 1: ye all right, thank you miss ye now Charlemaine, yes,

973
00:48:10,920 --> 00:48:13,040
Speaker 1: so you giving that down to listen man, The self

974
00:48:13,120 --> 00:48:16,399
Speaker 1: snitching on social media will never stop. I need two

975
00:48:16,520 --> 00:48:20,000
Speaker 1: young individuals named Marcus and Radarius. I think that's how

976
00:48:20,040 --> 00:48:23,160
Speaker 1: you pronounced his name. Inmate number seven seven six five

977
00:48:23,239 --> 00:48:24,920
Speaker 1: four three two seven eighty nine need to come to

978
00:48:24,960 --> 00:48:26,360
Speaker 1: the front of the congregation. We'd like to have a

979
00:48:26,400 --> 00:48:28,160
Speaker 1: world within place. All right, we'll get into that next.

980
00:48:28,239 --> 00:48:32,040
Speaker 1: Keep it locked. Just to Breakfast Club, Comona, Charlemaine, say

981
00:48:32,120 --> 00:48:36,400
Speaker 1: the gang don't get the shape man you are, don't you?

982
00:48:38,360 --> 00:48:42,600
Speaker 1: Donkey today does not discriminate. I might not have the

983
00:48:42,640 --> 00:48:44,440
Speaker 1: song of today, but I got to donkey that day.

984
00:48:44,680 --> 00:48:46,040
Speaker 1: So if you ever feel I need to be a

985
00:48:46,120 --> 00:48:50,600
Speaker 1: donkey man, give it with the Breakfast Club bitch. They

986
00:48:50,640 --> 00:48:55,600
Speaker 1: just don't keive today today. Yeah, dunkey today for Tunesday

987
00:48:55,719 --> 00:48:58,200
Speaker 1: June twenty eight, one day before my born day. I

988
00:48:58,239 --> 00:49:00,399
Speaker 1: just want to throw that out there today that morning

989
00:49:00,440 --> 00:49:01,840
Speaker 1: your birthdays to much. I just want to throw that

990
00:49:01,880 --> 00:49:03,719
Speaker 1: out there one more time. I got a surprise. I

991
00:49:03,920 --> 00:49:07,320
Speaker 1: mentioned that this morning like seven times. All right, Okay,

992
00:49:07,600 --> 00:49:10,239
Speaker 1: well it's going to three young men. Two of them

993
00:49:10,280 --> 00:49:13,000
Speaker 1: are in jail right now. Their names are Marcus Terrell Parker,

994
00:49:13,080 --> 00:49:16,960
Speaker 1: twenty seven and Rdarius Glenn Collins, eighteen. They were arrested

995
00:49:17,040 --> 00:49:22,200
Speaker 1: in connection to several home burglaries in Miami, oh when

996
00:49:22,239 --> 00:49:24,799
Speaker 1: they got big scolls. There wasn't no petty crimes they

997
00:49:24,840 --> 00:49:27,960
Speaker 1: were involved in. Okay, we call these heist, all right,

998
00:49:28,080 --> 00:49:30,320
Speaker 1: heist where there was over a half a million dollars

999
00:49:30,360 --> 00:49:33,400
Speaker 1: worth for jury and valuable stolen from two different houses

1000
00:49:33,600 --> 00:49:36,160
Speaker 1: within two weeks in Pine Crest. Let's go to CBS

1001
00:49:36,200 --> 00:49:39,160
Speaker 1: Miami for the report, Rick Laurin. These guys aren't the

1002
00:49:39,320 --> 00:49:42,080
Speaker 1: sharpest tools in the shed, and officials tell me they

1003
00:49:42,080 --> 00:49:45,600
Speaker 1: were especially upset after finding out they each got thirteen

1004
00:49:45,719 --> 00:49:48,840
Speaker 1: hundred dollars after selling off the five hundred thousand dollars

1005
00:49:48,880 --> 00:49:52,040
Speaker 1: worth of jewelry to a shop down south. Three men's

1006
00:49:52,120 --> 00:49:54,839
Speaker 1: brag about having as safe as a flash hands full

1007
00:49:54,880 --> 00:49:57,520
Speaker 1: of cash. Pinecrest police have arrested two of the men

1008
00:49:57,640 --> 00:50:00,959
Speaker 1: seen in the video, eighteen year old Rodarius Collins, the driver,

1009
00:50:01,360 --> 00:50:04,520
Speaker 1: and twenty seven year old Marcus Parker the back seat passenger,

1010
00:50:04,800 --> 00:50:07,200
Speaker 1: but they're looking for the third man, the front seat

1011
00:50:07,239 --> 00:50:10,360
Speaker 1: passenger scene in the video. According to police, the trio

1012
00:50:10,560 --> 00:50:13,920
Speaker 1: broke into a Pinecrest home on May twenty seventh, stealing

1013
00:50:13,960 --> 00:50:17,040
Speaker 1: a safe with jewelry valued at five hundred thousand dollars.

1014
00:50:17,560 --> 00:50:20,400
Speaker 1: They struck again on June ninth, breaking it into another

1015
00:50:20,520 --> 00:50:23,279
Speaker 1: Pine Crest home, where they stole ten thousand dollars worth

1016
00:50:23,320 --> 00:50:25,480
Speaker 1: of jewelry. Police say one of the men told them

1017
00:50:25,560 --> 00:50:27,960
Speaker 1: they took the jewelry to a shop where most of

1018
00:50:28,040 --> 00:50:31,239
Speaker 1: the valuables were melted down. I don't think y'all. I

1019
00:50:31,280 --> 00:50:34,200
Speaker 1: don't think y'all fully understood what she just said. Marcus

1020
00:50:34,280 --> 00:50:37,959
Speaker 1: and Rydarius are now facing stolen property and grand theft

1021
00:50:38,000 --> 00:50:40,560
Speaker 1: charges after stealing over a half a million dollars in

1022
00:50:40,719 --> 00:50:43,799
Speaker 1: jury and selling it for thirty nine hundred dollars. Oh

1023
00:50:43,880 --> 00:50:47,040
Speaker 1: my guys, Now, that's not the reason they are getting

1024
00:50:47,080 --> 00:50:49,680
Speaker 1: donkey at a day. Really, they are getting donkey by

1025
00:50:49,760 --> 00:50:52,280
Speaker 1: how they got caught. I think y'all missed that part. Okay,

1026
00:50:52,719 --> 00:50:55,239
Speaker 1: they got caught because they were snitched on. You know

1027
00:50:55,320 --> 00:50:58,839
Speaker 1: who snitched on them? They did? Oh? Yes, they took

1028
00:50:58,880 --> 00:51:03,120
Speaker 1: the felonies to face book. They online flashing that thirty

1029
00:51:03,239 --> 00:51:06,040
Speaker 1: nine hundred dollars, that thirteen hundred dollars a piece, saying

1030
00:51:06,120 --> 00:51:10,560
Speaker 1: things like we got safe check please. Oh they're showing

1031
00:51:10,640 --> 00:51:13,640
Speaker 1: off writing on themselves. Let's hear it. Somebody say, check man,

1032
00:51:13,920 --> 00:51:16,520
Speaker 1: we got ran it up. We ran it up man,

1033
00:51:17,239 --> 00:51:19,560
Speaker 1: we got bands in the bat bands in the buffel

1034
00:51:19,600 --> 00:51:22,440
Speaker 1: bat man funny go to a boss table, real equipment man.

1035
00:51:22,840 --> 00:51:28,200
Speaker 1: Somebody say, chat pleading this gracious. So that's their definition

1036
00:51:28,320 --> 00:51:32,360
Speaker 1: of bowling, you know how. Justin Timberlake said, in reference

1037
00:51:32,400 --> 00:51:34,839
Speaker 1: to the Jesse Williams speech, that we are all the same.

1038
00:51:36,080 --> 00:51:38,680
Speaker 1: He's correct in theory, But when I hear these kinds

1039
00:51:38,719 --> 00:51:41,120
Speaker 1: of stories, I am proud to be nothing like these

1040
00:51:41,200 --> 00:51:42,960
Speaker 1: type of idiots. Okay, I don't know if it's a

1041
00:51:43,040 --> 00:51:46,040
Speaker 1: chemical imbalance. I don't know if it's drugs. I don't

1042
00:51:46,040 --> 00:51:48,040
Speaker 1: know if it's the allure of social media. But what

1043
00:51:48,239 --> 00:51:53,839
Speaker 1: possesses people to commit crimes and then broadcasting crime via

1044
00:51:54,000 --> 00:51:56,359
Speaker 1: social media? First of all, you shouldn't be committing crimes

1045
00:51:56,400 --> 00:51:58,000
Speaker 1: to begin with. But what part of the game is

1046
00:51:58,080 --> 00:52:00,800
Speaker 1: the self snitching? It's almost like having a contest with

1047
00:52:00,880 --> 00:52:02,879
Speaker 1: each other to see who can end up in prison. First,

1048
00:52:02,920 --> 00:52:06,920
Speaker 1: you're taking printitentiary chances for thirty nine hundred dollars? Can

1049
00:52:06,960 --> 00:52:08,560
Speaker 1: I let me hear him on Facebook on more time?

1050
00:52:09,080 --> 00:52:11,800
Speaker 1: It's a thirty nine hundred dollars day got after stealing

1051
00:52:11,920 --> 00:52:14,880
Speaker 1: over a half a million dollars in jury, but selling

1052
00:52:14,960 --> 00:52:17,680
Speaker 1: that jury to a store in the mall for thirty

1053
00:52:17,920 --> 00:52:20,480
Speaker 1: thirty nine hundred dollars thirteen hundred pries. Let's hit him again, please,

1054
00:52:20,719 --> 00:52:23,840
Speaker 1: somebody say check, man, we got ran it up. We

1055
00:52:24,000 --> 00:52:26,759
Speaker 1: ran it up man, we got bands in the bad

1056
00:52:27,000 --> 00:52:29,200
Speaker 1: bands in the deffel bat man fun. I go to

1057
00:52:29,280 --> 00:52:32,640
Speaker 1: a boss table, real quip man, somebody say check please,

1058
00:52:34,080 --> 00:52:37,840
Speaker 1: Oh goodness great, give Marcus Parking r. Darius Callings the

1059
00:52:37,880 --> 00:52:43,239
Speaker 1: biggest heea hall police the store in the mall have

1060
00:52:43,360 --> 00:52:46,719
Speaker 1: to return those items. Yeah, the police had to search

1061
00:52:46,800 --> 00:52:48,759
Speaker 1: one police searched the store and got the jury. Of course,

1062
00:52:49,200 --> 00:52:51,640
Speaker 1: and whoever the third guy is, you know, that was

1063
00:52:51,680 --> 00:52:53,520
Speaker 1: what y'all? He might as well turn himself in. Yeah,

1064
00:52:53,560 --> 00:52:56,560
Speaker 1: he's definitely tell he's in the video. Clearly he wanted

1065
00:52:56,600 --> 00:52:58,439
Speaker 1: to get called. Y'all might as well keep the trend

1066
00:52:58,520 --> 00:53:01,120
Speaker 1: to snitching going and tell on yourselves to the police

1067
00:53:01,120 --> 00:53:03,359
Speaker 1: because you already told on yourself to everybody be via

1068
00:53:03,440 --> 00:53:06,360
Speaker 1: Facebook and why not? All right, well, thank you for that.

1069
00:53:06,440 --> 00:53:10,680
Speaker 1: Donky today sir. Now let's talk right right, No talking right? No.

1070
00:53:11,080 --> 00:53:12,960
Speaker 1: I thought he's gonna talk. Great. Now we're talking something

1071
00:53:13,000 --> 00:53:14,920
Speaker 1: that actually happened in the room and report earlier you

1072
00:53:14,960 --> 00:53:17,600
Speaker 1: were talking about memphits and he got into a situation

1073
00:53:17,680 --> 00:53:21,800
Speaker 1: with his wife, right with Toya, and apparently he screamed

1074
00:53:21,840 --> 00:53:23,399
Speaker 1: on her pretty bad. He yelled at her to clean

1075
00:53:23,480 --> 00:53:26,360
Speaker 1: this ish up. We had the audio. Play the audio

1076
00:53:26,440 --> 00:53:28,719
Speaker 1: right fast. I have my idea of what living my

1077
00:53:28,840 --> 00:53:30,880
Speaker 1: life is and nobody gets in the way of that.

1078
00:53:31,160 --> 00:53:33,360
Speaker 1: So why you got married? Right then? I've been supporting

1079
00:53:33,440 --> 00:53:35,480
Speaker 1: her everything she does for the last couple of years.

1080
00:53:35,640 --> 00:53:38,320
Speaker 1: I'm putting all my attention into her, and I'm losing

1081
00:53:38,560 --> 00:53:43,279
Speaker 1: who I am. Stay in your lane, okay, So stop talking,

1082
00:53:43,360 --> 00:53:47,600
Speaker 1: you guys talking to me. I don't find nothing I

1083
00:53:48,880 --> 00:53:52,960
Speaker 1: want to do. He don't tell me now. So the

1084
00:53:53,080 --> 00:53:56,640
Speaker 1: question is, of course that's little Wayne's baby mama. Should

1085
00:53:56,719 --> 00:54:01,480
Speaker 1: little Wayne step to Memphis for that action for this business? Well,

1086
00:54:01,520 --> 00:54:04,280
Speaker 1: because they have a daughter together, maybe he's concerned about

1087
00:54:04,480 --> 00:54:06,480
Speaker 1: that's not his waddy acting like that in front of

1088
00:54:06,520 --> 00:54:08,359
Speaker 1: his child, or do you mind your business? They still

1089
00:54:08,400 --> 00:54:10,719
Speaker 1: considered themselves friends and almost best friends. Do you step

1090
00:54:10,800 --> 00:54:12,080
Speaker 1: to him and be like, bro, you went a little

1091
00:54:12,080 --> 00:54:14,120
Speaker 1: too far, or do you just mind your business and say, Hey,

1092
00:54:14,160 --> 00:54:15,799
Speaker 1: this is not my place, this is not my wife.

1093
00:54:15,840 --> 00:54:17,480
Speaker 1: I should just mind my business. You say, I need

1094
00:54:17,520 --> 00:54:19,880
Speaker 1: you to respect my daughter's mother, because I don't need

1095
00:54:19,920 --> 00:54:22,759
Speaker 1: anybody screaming like that in front of my child or

1096
00:54:23,080 --> 00:54:25,600
Speaker 1: my daughters seeing her mother spoken to in that manner.

1097
00:54:25,719 --> 00:54:27,680
Speaker 1: So that is the question eight hundred five eight five,

1098
00:54:27,760 --> 00:54:30,600
Speaker 1: one oh five one. If you were the baby daddy, fellas,

1099
00:54:30,640 --> 00:54:33,200
Speaker 1: would you step to him? Ladies, would you want your

1100
00:54:33,239 --> 00:54:34,960
Speaker 1: baby daddy to step to him if he talked to

1101
00:54:35,000 --> 00:54:37,360
Speaker 1: you like that and got disrespectful to you? That is

1102
00:54:37,400 --> 00:54:39,759
Speaker 1: the question eight ondred five eighty five one oh five one.

1103
00:54:39,800 --> 00:54:41,480
Speaker 1: Do you think little Wayne she stepped to him? Call

1104
00:54:41,560 --> 00:54:44,720
Speaker 1: us up right now, there's no role models. It's Jaycoles

1105
00:54:44,760 --> 00:54:48,600
Speaker 1: Breakfast the morning that was too part. Keep your head

1106
00:54:48,680 --> 00:54:52,279
Speaker 1: up morning, everybody. It's DJ Envy, Angela Yee, Charlomagne, the guy.

1107
00:54:52,360 --> 00:54:55,080
Speaker 1: We are the Breakfast club. Now earlier in the room

1108
00:54:55,239 --> 00:54:58,680
Speaker 1: is Angela Yee. She talked about a story about men. Hints, Yeah,

1109
00:54:58,719 --> 00:55:01,320
Speaker 1: that's d He was talking crazy to his wife. Toya.

1110
00:55:01,600 --> 00:55:03,960
Speaker 1: Now Toy years also a Little Wayne's ex, and they

1111
00:55:04,040 --> 00:55:06,440
Speaker 1: still hang out there, still friends, they have a daughter together.

1112
00:55:07,040 --> 00:55:09,520
Speaker 1: And do you feel like Little Wayne needs to step

1113
00:55:09,600 --> 00:55:12,520
Speaker 1: to men fits for speaking to Toya so crazy? Let's

1114
00:55:12,520 --> 00:55:14,759
Speaker 1: play the audio first. I have my idea of what

1115
00:55:15,000 --> 00:55:17,359
Speaker 1: living my life is and nobody gets in the way

1116
00:55:17,400 --> 00:55:19,560
Speaker 1: of that. So why you got married? Then? I've been

1117
00:55:19,600 --> 00:55:22,160
Speaker 1: supporting her everything she does for the last couple of years.

1118
00:55:22,200 --> 00:55:24,319
Speaker 1: So I'm putting all my attention into her and I'm

1119
00:55:24,600 --> 00:55:29,279
Speaker 1: losing who I am. Stay in your lane, okay, so

1120
00:55:29,400 --> 00:55:33,880
Speaker 1: stop talking to talk to me. I don't find nothing

1121
00:55:34,239 --> 00:55:38,600
Speaker 1: I want to do. He don't tell me. Oh, so

1122
00:55:38,719 --> 00:55:42,399
Speaker 1: the question is shit, Little Wayne stepped to myth that's

1123
00:55:42,400 --> 00:55:45,439
Speaker 1: the way I mean for him spouse. He cares about

1124
00:55:45,480 --> 00:55:47,640
Speaker 1: her still. You know they were her sweethearts. That's his

1125
00:55:47,719 --> 00:55:49,279
Speaker 1: ex wife and they have a daughter together. You don't

1126
00:55:49,320 --> 00:55:51,680
Speaker 1: get involved in married couple's business. Toy is a married

1127
00:55:51,760 --> 00:55:53,920
Speaker 1: woman having an issue with her husband. He didn't hit her,

1128
00:55:53,960 --> 00:55:56,200
Speaker 1: and it's on reality TV. Wayne is an entertainer. He

1129
00:55:56,280 --> 00:55:58,840
Speaker 1: understands the game, not saying the situation wasn't real, but

1130
00:55:58,960 --> 00:56:01,480
Speaker 1: they are on reality TV. Let's keep it in context.

1131
00:56:01,520 --> 00:56:04,000
Speaker 1: On a show called marriage boot Camp, there's gonna be

1132
00:56:04,040 --> 00:56:07,080
Speaker 1: some yelling and screaming amongst couples on that show. I disagree.

1133
00:56:07,120 --> 00:56:09,879
Speaker 1: I mean, you talk to my baby mother crazy. It's

1134
00:56:09,920 --> 00:56:13,600
Speaker 1: my wife, but it's still my baby mother. That's my

1135
00:56:13,760 --> 00:56:16,239
Speaker 1: first love, my wife. She was sixteen years old. I

1136
00:56:16,280 --> 00:56:19,120
Speaker 1: have a special bond you're on TV balking out of

1137
00:56:20,840 --> 00:56:23,960
Speaker 1: and he should be concerned about my baby, my child's

1138
00:56:24,000 --> 00:56:25,759
Speaker 1: mother like that. He should be concerned about his daughter

1139
00:56:25,880 --> 00:56:29,080
Speaker 1: being in the house too. Absolutely should be like, I

1140
00:56:29,239 --> 00:56:33,360
Speaker 1: just need to know what's going on. She had a

1141
00:56:33,400 --> 00:56:35,600
Speaker 1: sweet sixteen last year. But if she still lives in

1142
00:56:35,640 --> 00:56:37,960
Speaker 1: the house with them, I would want to say, listen,

1143
00:56:38,360 --> 00:56:40,560
Speaker 1: I know you're married, that's your business, but my daughter

1144
00:56:40,719 --> 00:56:43,600
Speaker 1: lives there. At the boot camp, they were at the

1145
00:56:43,640 --> 00:56:48,040
Speaker 1: boot camp, but he lives with the daughter, right, I mean,

1146
00:56:48,080 --> 00:56:49,960
Speaker 1: I think you should care. We're gonna talk, We're gonna

1147
00:56:49,960 --> 00:56:51,800
Speaker 1: have a conversation. I think you should care about who's

1148
00:56:51,880 --> 00:56:53,879
Speaker 1: interacting with your child if they live in another home.

1149
00:56:53,920 --> 00:56:56,160
Speaker 1: You should know who the who the husband is, and

1150
00:56:56,200 --> 00:56:57,480
Speaker 1: you should be able to speak to him. That is

1151
00:56:57,520 --> 00:57:00,520
Speaker 1: not Wayne's business anymore. Wayne's business as the kid toy,

1152
00:57:00,680 --> 00:57:02,400
Speaker 1: not in any harm. Don't come to me telling me

1153
00:57:02,440 --> 00:57:04,319
Speaker 1: how to deal with my wife. She's your baby mama,

1154
00:57:04,360 --> 00:57:06,560
Speaker 1: but she's my wife. It's a difference. Not on television. Hello,

1155
00:57:06,600 --> 00:57:09,680
Speaker 1: who's this Nicole? Nicole? What do you think Little Wayne

1156
00:57:09,680 --> 00:57:11,200
Speaker 1: should do? What do you think a baby daddy should

1157
00:57:11,200 --> 00:57:14,360
Speaker 1: do in that situation? I still little Wayne should in

1158
00:57:14,480 --> 00:57:17,040
Speaker 1: the bene tempted because they have a teenage daughter to

1159
00:57:17,120 --> 00:57:20,040
Speaker 1: get us. She's impressionable, and if they don't want their

1160
00:57:20,160 --> 00:57:22,440
Speaker 1: daughters to end up, you know, choosing the wrong man

1161
00:57:22,640 --> 00:57:25,480
Speaker 1: to date, or whatever the case may be, he shouldn't intervene.

1162
00:57:25,480 --> 00:57:27,840
Speaker 1: He should say something. You're talking about Little Wayne, who

1163
00:57:27,880 --> 00:57:30,280
Speaker 1: got all these different baby mamas? Who doesn't lean you

1164
00:57:30,360 --> 00:57:35,320
Speaker 1: talking about impressionable weather his kids? Though, mister put the

1165
00:57:35,400 --> 00:57:37,840
Speaker 1: knife into ak and buck that guy. It's a little

1166
00:57:37,840 --> 00:57:41,200
Speaker 1: different from lapping and being a real for really, yes,

1167
00:57:41,600 --> 00:57:43,480
Speaker 1: stop it in? Yes, do you really think Little Wayne

1168
00:57:43,480 --> 00:57:44,880
Speaker 1: would put a knife in the ak and so she'd

1169
00:57:44,920 --> 00:57:48,400
Speaker 1: be I don't know what these new girls would do. Hello, Hello,

1170
00:57:50,320 --> 00:57:52,800
Speaker 1: Now we're talking about Little Wayne and Memphis. Now, if

1171
00:57:52,800 --> 00:57:55,360
Speaker 1: you were little Way would you intervene, I wouldn't have.

1172
00:57:55,520 --> 00:57:58,080
Speaker 1: The reason why I say that is because said on

1173
00:57:58,240 --> 00:58:00,600
Speaker 1: the point, he said, you know she's in the lane.

1174
00:58:00,600 --> 00:58:03,160
Speaker 1: And if that's my baby mom, I don't want her

1175
00:58:03,160 --> 00:58:06,560
Speaker 1: to stay in her lane too. Okay, you would want

1176
00:58:06,960 --> 00:58:09,560
Speaker 1: she wouldn't want nobody in office. And so even though

1177
00:58:09,640 --> 00:58:12,400
Speaker 1: I should branding, yeah yeah you got you know, the

1178
00:58:12,520 --> 00:58:16,320
Speaker 1: best entrance school or whatever, just you know, say, okay,

1179
00:58:16,560 --> 00:58:20,080
Speaker 1: let's slip it got Toya intervene with all these other

1180
00:58:20,160 --> 00:58:22,880
Speaker 1: girls that way ain't be messing with. If Toya's child

1181
00:58:23,000 --> 00:58:25,960
Speaker 1: was living in a Little Wayne's house, absolutely positive. If

1182
00:58:26,000 --> 00:58:28,920
Speaker 1: he is living in a Little Wayne's house, this his daughters.

1183
00:58:28,920 --> 00:58:31,080
Speaker 1: I'm sure she lived there at certain points. Now if

1184
00:58:31,160 --> 00:58:33,440
Speaker 1: she heard, if she heard that the woman was talking

1185
00:58:33,520 --> 00:58:36,200
Speaker 1: crazy to Little Wayne and the daughter was living there,

1186
00:58:36,240 --> 00:58:38,120
Speaker 1: she should definitely. I think people should be able to

1187
00:58:38,160 --> 00:58:39,920
Speaker 1: communicate with each other. And if I have an issue

1188
00:58:39,920 --> 00:58:42,440
Speaker 1: with anything, as a parent, you should be able to

1189
00:58:42,520 --> 00:58:46,080
Speaker 1: call your business. I'm not saying beat the person, but

1190
00:58:46,120 --> 00:58:48,760
Speaker 1: we just have a conversation. Just say listen, I'm concerned.

1191
00:58:48,920 --> 00:58:50,960
Speaker 1: I say, this is my wife that we find you're

1192
00:58:51,000 --> 00:58:53,080
Speaker 1: still sleeping with us. Now, why are you so concerned

1193
00:58:53,080 --> 00:58:56,200
Speaker 1: about how talking to my daughter lives dead. I don't care.

1194
00:58:56,200 --> 00:58:57,760
Speaker 1: I'm not messing with your daughter. I'm talking to my wife.

1195
00:58:58,000 --> 00:59:00,360
Speaker 1: Don't talk to my baby mama. Way, that's my wive.

1196
00:59:00,480 --> 00:59:03,120
Speaker 1: But don't talk to specially that. Don't televion baby mama.

1197
00:59:03,160 --> 00:59:06,640
Speaker 1: You're gonna embarrass my daughter's mother. But TVV it's TV

1198
00:59:06,760 --> 00:59:11,000
Speaker 1: that Wayne. Wayne smart enough to understand context, like it's

1199
00:59:11,040 --> 00:59:14,760
Speaker 1: TV's marriage. But think kids come first. Eight five eight five,

1200
00:59:14,840 --> 00:59:17,160
Speaker 1: one oh five one. Little Wayne stepped to Memphis hits

1201
00:59:17,200 --> 00:59:19,160
Speaker 1: for the way he spoke to Toya. If you missed it,

1202
00:59:19,240 --> 00:59:21,320
Speaker 1: let's play it right fast. I have my idea of

1203
00:59:21,400 --> 00:59:24,080
Speaker 1: what living my life is and nobody gets in the well.

1204
00:59:24,520 --> 00:59:26,880
Speaker 1: So why you got married? Man? I've been supporting her

1205
00:59:26,960 --> 00:59:29,120
Speaker 1: everything she does for the last couple of years. I'm

1206
00:59:29,160 --> 00:59:32,040
Speaker 1: putting all my attention into her and I'm losing who

1207
00:59:32,120 --> 00:59:36,760
Speaker 1: I am. Stay in your landakay, So stop talking? You

1208
00:59:37,480 --> 00:59:42,439
Speaker 1: talking me. I don't I do it though I want

1209
00:59:42,480 --> 00:59:45,640
Speaker 1: to do. He don't tell me call us up right now.

1210
00:59:45,680 --> 00:59:49,560
Speaker 1: It's the Breakfast Club. The Morning that was Bryson Tilla

1211
00:59:49,600 --> 00:59:53,720
Speaker 1: with don't Morning. Everybody is DJ mvy Angela Yee Charlomagne

1212
00:59:53,760 --> 00:59:55,480
Speaker 1: the God. We are the Breakfast Club. If you just

1213
00:59:55,560 --> 00:59:57,640
Speaker 1: joined us with taking your phone calls eight hundred five

1214
00:59:57,720 --> 00:59:59,959
Speaker 1: eighty five, one oh five one. She a little Wayne

1215
01:00:00,080 --> 01:00:02,600
Speaker 1: step to Memphis. Meph hits for the way he spoke

1216
01:00:02,640 --> 01:00:04,720
Speaker 1: to Toya. If you miss what he said, this is

1217
01:00:04,760 --> 01:00:07,640
Speaker 1: what the conversation with between Memphis and Toya. I have

1218
01:00:07,800 --> 01:00:10,480
Speaker 1: my idea of what living my life is and nobody

1219
01:00:10,520 --> 01:00:12,800
Speaker 1: gets in the web. So why you got married? Then?

1220
01:00:13,000 --> 01:00:15,360
Speaker 1: I've been supporting her everything she does for the last

1221
01:00:15,400 --> 01:00:17,440
Speaker 1: couple of years. I'm putting all my attention into her,

1222
01:00:17,720 --> 01:00:20,479
Speaker 1: and I'm losing who I am. Stay in your land,

1223
01:00:20,520 --> 01:00:24,920
Speaker 1: say okay, so stop talking to you guys talking to me.

1224
01:00:26,120 --> 01:00:29,600
Speaker 1: I don't stop. Nothing I do though I want to do.

1225
01:00:29,920 --> 01:00:33,600
Speaker 1: He don't tell me. Let's go to the phone lines. Hello,

1226
01:00:33,680 --> 01:00:36,600
Speaker 1: who's this all right? This is Kim? Hey Kim. Do

1227
01:00:36,640 --> 01:00:39,520
Speaker 1: you think little words to step to Memphis? Absolutely not.

1228
01:00:39,880 --> 01:00:45,480
Speaker 1: That's how wait frame, that's how husband his business. I agree. Okay,

1229
01:00:45,600 --> 01:00:48,240
Speaker 1: thank you, Mama, thank you and shoving me. Happy birthday today,

1230
01:00:48,240 --> 01:00:52,400
Speaker 1: it's my birthday. Can't to see the turnouts tomorrow. Just

1231
01:00:52,520 --> 01:00:58,560
Speaker 1: be cool, but oh, happy born day. Boo boo, happy birthday, mama. Hello,

1232
01:00:58,600 --> 01:01:01,960
Speaker 1: who's this? This is Reggie. Reggie, Good morning, Good morning, sir,

1233
01:01:02,080 --> 01:01:06,000
Speaker 1: Good morning everybody. You think, Well, my thing is I

1234
01:01:06,120 --> 01:01:08,680
Speaker 1: believe that you need to have that conversation with your daughter,

1235
01:01:08,880 --> 01:01:11,480
Speaker 1: being that she's of age, and find out there any

1236
01:01:11,600 --> 01:01:14,760
Speaker 1: concerns that she has, and then address her mom to

1237
01:01:14,960 --> 01:01:18,560
Speaker 1: find out if it's necessary to address him. Okay, is

1238
01:01:18,600 --> 01:01:20,680
Speaker 1: your daughter? Check in with them and say, listen, do

1239
01:01:20,760 --> 01:01:23,040
Speaker 1: you need me to say something or not even that,

1240
01:01:23,160 --> 01:01:25,320
Speaker 1: but is everything okay? What's going on in the house,

1241
01:01:25,600 --> 01:01:29,480
Speaker 1: especially exactly that's the most important part, because I would

1242
01:01:29,480 --> 01:01:33,640
Speaker 1: think it would raise some concern exactly. All right, thank you, bro. Hello,

1243
01:01:33,720 --> 01:01:36,440
Speaker 1: who's this? Yeah, this is Curtis. Do you think little way?

1244
01:01:37,800 --> 01:01:40,560
Speaker 1: I feel like you should come at him respectfully. You

1245
01:01:40,640 --> 01:01:43,280
Speaker 1: know it's not his marriage, but I have a son

1246
01:01:43,520 --> 01:01:45,160
Speaker 1: and I you know, I don't raise my son to

1247
01:01:45,240 --> 01:01:48,000
Speaker 1: talk to women like that, So I couldn't have the

1248
01:01:48,120 --> 01:01:50,480
Speaker 1: mixed reviews going on in my child life. I'd have

1249
01:01:50,560 --> 01:01:52,560
Speaker 1: to let him know. You gotta, you know, talk to

1250
01:01:52,640 --> 01:01:54,880
Speaker 1: her respectfully because I don't want my son to talk

1251
01:01:54,880 --> 01:01:56,600
Speaker 1: to one thing like that. And I feel you're not

1252
01:01:56,680 --> 01:01:59,160
Speaker 1: stepped to him like in a confrontation away, but just say, listen,

1253
01:01:59,200 --> 01:02:01,600
Speaker 1: I'm just concerned my daughter's in the house and I

1254
01:02:01,680 --> 01:02:03,320
Speaker 1: just want to mask you all that nothing crazy is

1255
01:02:03,360 --> 01:02:04,880
Speaker 1: going on in front of her. That's all. Well. We

1256
01:02:04,960 --> 01:02:06,600
Speaker 1: do gott to keep in mind they are on TV,

1257
01:02:06,760 --> 01:02:10,120
Speaker 1: on marriage boot camp, on reality television. Like it's context too,

1258
01:02:10,640 --> 01:02:12,640
Speaker 1: because if I'm Wayne, I'm calling Toy and be like

1259
01:02:13,000 --> 01:02:15,080
Speaker 1: this was that real? Right? You know what I'm saying, Like,

1260
01:02:15,280 --> 01:02:16,919
Speaker 1: it's got to be context too. And that's what said.

1261
01:02:16,920 --> 01:02:18,600
Speaker 1: Nobody said when I say step tell me he stepped

1262
01:02:18,600 --> 01:02:20,280
Speaker 1: on us, some beef, or just have a conversation. They're

1263
01:02:20,280 --> 01:02:23,040
Speaker 1: all all cool because you know it's it's a situation.

1264
01:02:23,440 --> 01:02:25,160
Speaker 1: So it's the moral little story, guys. The moral of

1265
01:02:25,200 --> 01:02:26,760
Speaker 1: the story is mind your business when it comes to

1266
01:02:26,800 --> 01:02:29,000
Speaker 1: the affairs and married people, Toy and not getting beat on.

1267
01:02:29,160 --> 01:02:32,240
Speaker 1: She's not in no harm. And most importantly, women in

1268
01:02:32,360 --> 01:02:35,240
Speaker 1: that situation, you have to stand up for yourself, put

1269
01:02:35,320 --> 01:02:37,360
Speaker 1: the fear of God and your husband. Because my HiT's

1270
01:02:37,400 --> 01:02:39,760
Speaker 1: tripping screaming on his wife like that. I don't have

1271
01:02:39,960 --> 01:02:42,320
Speaker 1: that kind of heart to scream on my wife. I

1272
01:02:42,400 --> 01:02:44,200
Speaker 1: wish I would knock something on the floor and tell

1273
01:02:44,200 --> 01:02:46,560
Speaker 1: you clean it up. My wife gonna knock me on

1274
01:02:46,680 --> 01:02:48,760
Speaker 1: the floor and tell me clean my own damn up.

1275
01:02:48,840 --> 01:02:50,240
Speaker 1: I'm telling about that time my wife put me the

1276
01:02:50,280 --> 01:02:52,080
Speaker 1: headlock and let me go and I cried. You told

1277
01:02:52,120 --> 01:02:54,760
Speaker 1: me you deserved it. But that's your moral of the story.

1278
01:02:54,800 --> 01:02:57,200
Speaker 1: But I think that if anything makes you uncomfortable, you

1279
01:02:57,200 --> 01:02:59,560
Speaker 1: should be able to address it as an adult. And

1280
01:02:59,680 --> 01:03:01,520
Speaker 1: if you feel like you need to say something, you

1281
01:03:01,600 --> 01:03:03,200
Speaker 1: have the right to do that. If you have a

1282
01:03:03,280 --> 01:03:06,560
Speaker 1: child involved. Now, if there's no kids involved, then who cares.

1283
01:03:06,600 --> 01:03:08,000
Speaker 1: It has nothing to do with you. But if you

1284
01:03:08,080 --> 01:03:10,360
Speaker 1: feel like I just want to make sure, we'll see.

1285
01:03:10,400 --> 01:03:13,000
Speaker 1: I don't understand that because this is a husband talking

1286
01:03:13,080 --> 01:03:15,200
Speaker 1: to his wife. The kid had nothing to do with it.

1287
01:03:15,240 --> 01:03:17,160
Speaker 1: They weren't at the house, they're at the boot camp.

1288
01:03:17,480 --> 01:03:19,240
Speaker 1: The child had nothing to do with it in this case,

1289
01:03:19,400 --> 01:03:20,720
Speaker 1: So I don't get that. It's not the role to

1290
01:03:20,800 --> 01:03:22,560
Speaker 1: check in and make sure everything is good. All right, Well,

1291
01:03:22,600 --> 01:03:24,840
Speaker 1: we got rumors coming up. Yes, let's talk about a

1292
01:03:25,000 --> 01:03:27,360
Speaker 1: new project that Risen from Mutang is doing and this

1293
01:03:27,520 --> 01:03:30,480
Speaker 1: is with an iconic video game brand. I'll tell you

1294
01:03:30,560 --> 01:03:33,440
Speaker 1: all about it. Also, we'll discuss Chris Brown. Find out

1295
01:03:33,440 --> 01:03:36,000
Speaker 1: who's doing him now, all right, all we'll keep it locked.

1296
01:03:36,040 --> 01:03:40,520
Speaker 1: It to Breakfast Club. Good morning, listen, it's just oh

1297
01:03:40,760 --> 01:03:48,000
Speaker 1: gosh reports, it's the report Breakfast Club. But we're all

1298
01:03:48,080 --> 01:03:50,840
Speaker 1: trying to figure out who is trick Daddy mad at.

1299
01:03:51,200 --> 01:03:54,000
Speaker 1: Trick Daddy Dollars posted this on Instagram and I saw

1300
01:03:54,080 --> 01:03:56,560
Speaker 1: it on baller Alert also and here it is. But

1301
01:03:57,440 --> 01:04:07,480
Speaker 1: I talk about me, I don't play with me. Come up,

1302
01:04:07,520 --> 01:04:10,440
Speaker 1: you're gonna throw up my mother the name because of

1303
01:04:10,840 --> 01:04:14,400
Speaker 1: comment on my post shut from the back to when

1304
01:04:14,400 --> 01:04:17,000
Speaker 1: your jaws get tired, you can kiss my ass. Man

1305
01:04:17,520 --> 01:04:20,520
Speaker 1: spit in your face that I see you spit it.

1306
01:04:22,560 --> 01:04:25,360
Speaker 1: Let's not gloss over that ball that trick Daddy said. Okay,

1307
01:04:25,720 --> 01:04:29,640
Speaker 1: kiss sucked my d from the back, So when your

1308
01:04:29,720 --> 01:04:32,040
Speaker 1: jaws get tired, you can kiss my ass. Drop want

1309
01:04:32,040 --> 01:04:34,520
Speaker 1: to clue bomb for that bar? Damn it, that's class bar.

1310
01:04:34,680 --> 01:04:38,440
Speaker 1: That's classic, that's classic material. Well I don't know who

1311
01:04:38,480 --> 01:04:42,800
Speaker 1: he's mad at, but yeah, he went off. All right,

1312
01:04:42,960 --> 01:04:46,240
Speaker 1: So yesterday y'all always making fun of Beyonce's mom for

1313
01:04:46,360 --> 01:04:48,680
Speaker 1: saying at the awards show that Beyonce couldn't be there

1314
01:04:48,720 --> 01:04:50,600
Speaker 1: to accept the awards because you had to leave who

1315
01:04:50,760 --> 01:04:52,520
Speaker 1: was making fun of beyonce mama. You know I'm a

1316
01:04:52,560 --> 01:04:55,520
Speaker 1: pinket smith. You know he's saying, okay, well, you know

1317
01:04:55,640 --> 01:04:57,800
Speaker 1: the show wasn't for two days, so she didn't really

1318
01:04:57,920 --> 01:05:01,600
Speaker 1: have to leave. Beyonce's mama lied. Well. She went on

1319
01:05:01,800 --> 01:05:06,520
Speaker 1: Instagram and she responded about these false rumors about our entertainers.

1320
01:05:06,560 --> 01:05:08,680
Speaker 1: We celebrate when they stumbled, we hope that they fall.

1321
01:05:08,960 --> 01:05:11,439
Speaker 1: We put them against each other. She said she got

1322
01:05:11,560 --> 01:05:14,000
Speaker 1: wind of the mess that has festered since last night,

1323
01:05:14,040 --> 01:05:17,280
Speaker 1: the fact that I supposedly lied about my daughter's concert.

1324
01:05:17,360 --> 01:05:18,840
Speaker 1: First of all, I did make a mistake on the

1325
01:05:18,880 --> 01:05:20,920
Speaker 1: city in the day. I asked why did she have

1326
01:05:20,960 --> 01:05:22,640
Speaker 1: to leave early, and was told by a member her

1327
01:05:22,680 --> 01:05:24,640
Speaker 1: staff she had to get back in time for her

1328
01:05:24,680 --> 01:05:26,680
Speaker 1: concert and that she actually should have been there two

1329
01:05:26,720 --> 01:05:29,720
Speaker 1: days before as the tour has been down for a month.

1330
01:05:30,000 --> 01:05:32,120
Speaker 1: I assumed the date was Monday and the city was London,

1331
01:05:32,160 --> 01:05:33,560
Speaker 1: while it turned out to be in the UK, but

1332
01:05:33,680 --> 01:05:36,520
Speaker 1: wrong city, and on Tuesday, she said, there's a nine

1333
01:05:36,560 --> 01:05:38,800
Speaker 1: hour time difference, and it's an eleven to twelve hour

1334
01:05:38,960 --> 01:05:43,840
Speaker 1: flight that equates to nineteen to twenty hours. It's a

1335
01:05:43,920 --> 01:05:45,800
Speaker 1: lot longer than this, but just so you know, she

1336
01:05:45,960 --> 01:05:49,240
Speaker 1: is just trying to say she is not lying. All

1337
01:05:49,280 --> 01:05:51,200
Speaker 1: she had Let's say you got the schedule a room

1338
01:05:51,320 --> 01:05:53,240
Speaker 1: like you don't know, oh nobody, no explanation. I don't

1339
01:05:53,240 --> 01:05:55,400
Speaker 1: know if you read this whole entire post, No, I'm

1340
01:05:55,440 --> 01:05:57,800
Speaker 1: not reading for what she was like. You would be

1341
01:05:57,880 --> 01:06:00,160
Speaker 1: exhausted because you get to the States on Thursday, hars

1342
01:06:00,200 --> 01:06:02,000
Speaker 1: would be flat in Mexico to be with your sister

1343
01:06:02,120 --> 01:06:04,760
Speaker 1: for a birthday on Friday, heavy thirtieth, sat by the way,

1344
01:06:06,840 --> 01:06:09,320
Speaker 1: rehearses at BT at seven am. Who else would get

1345
01:06:09,360 --> 01:06:11,760
Speaker 1: three hours to sleep like that book a huge private plane. Mom.

1346
01:06:13,120 --> 01:06:15,960
Speaker 1: But that's just so you know. I know, Grandma take

1347
01:06:16,040 --> 01:06:20,360
Speaker 1: take grandma phone away. Please stop it. She's not that serious.

1348
01:06:21,160 --> 01:06:24,280
Speaker 1: Didn't know the schedule, so she's not playing with y'all.

1349
01:06:24,400 --> 01:06:28,360
Speaker 1: That was at least eight hundred and eighty characters, all right.

1350
01:06:28,480 --> 01:06:30,560
Speaker 1: Riza has announced the new album and he's doing it

1351
01:06:30,680 --> 01:06:35,080
Speaker 1: in collaboration with Atari. Now that they no, I don't

1352
01:06:35,120 --> 01:06:37,600
Speaker 1: think so. The album's gonna feature tracks that's inspired by

1353
01:06:37,680 --> 01:06:45,760
Speaker 1: the sounds of Atari game music. So that's that's Nintendo.

1354
01:06:45,920 --> 01:06:49,720
Speaker 1: They wasn't doing all of that on the door. It's

1355
01:06:49,720 --> 01:06:56,439
Speaker 1: gonna be so analog exactly. So he said, I'm gonna

1356
01:06:56,480 --> 01:06:58,000
Speaker 1: invite some of my friends to join me and it

1357
01:06:58,040 --> 01:07:00,320
Speaker 1: will be game on with the first beat, he said

1358
01:07:00,440 --> 01:07:02,080
Speaker 1: he thinks it's going to be iconic and one of

1359
01:07:02,160 --> 01:07:04,800
Speaker 1: his best albums. I'm interested to see how he does this.

1360
01:07:05,040 --> 01:07:07,439
Speaker 1: Does he mean like pac Man Donkey, that's our cage though?

1361
01:07:08,280 --> 01:07:15,600
Speaker 1: I remember what about Centipede? Was that atari? Yes? No,

1362
01:07:15,720 --> 01:07:19,560
Speaker 1: those are our ka game my first visage, I had

1363
01:07:19,600 --> 01:07:23,080
Speaker 1: no atari. Okay for my time. I'm a Nintendo Entertainment person,

1364
01:07:25,080 --> 01:07:27,960
Speaker 1: Super Mario Brothers, Duck Hunt, That's what I was on.

1365
01:07:28,200 --> 01:07:30,560
Speaker 1: I'm not gonna lie where we had an appearance and

1366
01:07:30,600 --> 01:07:34,320
Speaker 1: they had the atari set up double Dribble inside bold Ball.

1367
01:07:34,760 --> 01:07:38,280
Speaker 1: Yeah that was pretty exciting, but they couldn't say it

1368
01:07:38,280 --> 01:07:40,440
Speaker 1: in the game anyway. And suk Knight is now suing

1369
01:07:40,560 --> 01:07:44,960
Speaker 1: Chris Brown from behind bars. Come on, suk Knight says

1370
01:07:44,960 --> 01:07:47,000
Speaker 1: that Chris Brown and One night club should have had

1371
01:07:47,040 --> 01:07:49,320
Speaker 1: better security that night when he got shot multiple times

1372
01:07:49,360 --> 01:07:51,400
Speaker 1: in the club. And he's also suing the singer who

1373
01:07:51,440 --> 01:07:53,600
Speaker 1: was co hosting the party that night. Blood's allowed to

1374
01:07:53,640 --> 01:07:56,840
Speaker 1: sue other Bloods don't know if on this and blood

1375
01:07:56,880 --> 01:08:00,240
Speaker 1: involved and that is your rumor report. I'm asually and

1376
01:08:00,360 --> 01:08:03,840
Speaker 1: rest in peace to Pat Some, a legendary Tennessee basketball coach.

1377
01:08:03,920 --> 01:08:06,000
Speaker 1: She died at the age of sixty four. I think

1378
01:08:06,040 --> 01:08:12,120
Speaker 1: she was the winningest coach and I think yeah close, yeah,

1379
01:08:12,240 --> 01:08:15,080
Speaker 1: drop on a clum patch. I'm a restue peace to

1380
01:08:15,360 --> 01:08:18,280
Speaker 1: thirdybody in Tennessee. She needs to statue. She don't already

1381
01:08:18,280 --> 01:08:19,800
Speaker 1: got one, She already probably already got one. I'm sure

1382
01:08:19,840 --> 01:08:22,519
Speaker 1: she asked one. All right, I up next to the

1383
01:08:22,560 --> 01:08:24,960
Speaker 1: People's Choice Mix. You want to hear something at dj

1384
01:08:25,280 --> 01:08:27,719
Speaker 1: MV on a Instagram or Twitter and shout to our

1385
01:08:27,800 --> 01:08:30,600
Speaker 1: revoke family. Will see you guys tomorrow. Everybody else hit

1386
01:08:30,640 --> 01:08:31,640
Speaker 1: me up. Let me know what you want to have

1387
01:08:31,800 --> 01:08:34,439
Speaker 1: a quick question. My screen on my phone doesn't work

1388
01:08:34,520 --> 01:08:36,840
Speaker 1: like it's shattered broken. I can't use my phone. Where

1389
01:08:36,920 --> 01:08:38,200
Speaker 1: what do I do? Should I take it to the

1390
01:08:38,240 --> 01:08:40,240
Speaker 1: Apple store? It in the bag of rice? No, No,

1391
01:08:40,600 --> 01:08:47,360
Speaker 1: you don't take it to the Apple store. Apple store

1392
01:08:47,400 --> 01:08:51,040
Speaker 1: fixing does it for you? No? You got to take

1393
01:08:51,080 --> 01:08:52,519
Speaker 1: it to the Apple store. Walk you ask to the

1394
01:08:52,560 --> 01:08:54,240
Speaker 1: Apple store. I hope you have an appointment. If you don't,

1395
01:08:54,240 --> 01:08:56,200
Speaker 1: you're gonna wait to I keep cutting my finger trying

1396
01:08:56,200 --> 01:08:58,200
Speaker 1: to touch the screen. Yeah, take it to the Apple Store.

1397
01:08:58,240 --> 01:08:59,800
Speaker 1: If you take it anywhere else, they won't give you

1398
01:08:59,840 --> 01:09:01,400
Speaker 1: the one. Whoever you're having sex with, you buy you

1399
01:09:01,439 --> 01:09:03,360
Speaker 1: a new iPhone? Whoever you having sex? What should have

1400
01:09:03,439 --> 01:09:06,080
Speaker 1: heard this right now on the radio. First of all,

1401
01:09:06,400 --> 01:09:08,920
Speaker 1: that screen been cracked for a long time. I just

1402
01:09:09,000 --> 01:09:12,160
Speaker 1: did it, all right, Who's ever having sex with Angelie?

1403
01:09:12,320 --> 01:09:13,880
Speaker 1: Go buy her a new iPhone right now. I don't

1404
01:09:13,920 --> 01:09:15,080
Speaker 1: need a new iPhone. I just need to get the

1405
01:09:15,120 --> 01:09:16,840
Speaker 1: screen fix. But get her screen fax and I have

1406
01:09:16,920 --> 01:09:18,680
Speaker 1: insurance so I could trade it out if I wanted to.

1407
01:09:18,760 --> 01:09:20,920
Speaker 1: In that pay anything. There you go, you tell them girl.

1408
01:09:21,200 --> 01:09:24,280
Speaker 1: I handle business, Charlotte Man, Okay, you get a little

1409
01:09:24,320 --> 01:09:26,800
Speaker 1: bird over there. I handle this, Birdie. I'm a bird

1410
01:09:26,920 --> 01:09:29,840
Speaker 1: because I'm a bird because somebody bought me a phone.

1411
01:09:29,880 --> 01:09:32,120
Speaker 1: I'm not supposed to accept. You gotta use what you

1412
01:09:32,240 --> 01:09:34,160
Speaker 1: got to get what you want. So I'm a bird

1413
01:09:34,160 --> 01:09:35,840
Speaker 1: because I want me a new phone. And if somebody

1414
01:09:35,920 --> 01:09:37,720
Speaker 1: buy me one, I can't take it. You should get

1415
01:09:37,760 --> 01:09:40,240
Speaker 1: insurance and you get AppleCare. I'm all for the free.

1416
01:09:40,520 --> 01:09:42,479
Speaker 1: Oh my good, this is the breakfast clogmon And to mix,

1417
01:09:42,560 --> 01:09:42,840
Speaker 1: His next