WEBVTT - Eric Benét

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<v Speaker 1>R and BE Money. Well, we are the authorities R

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<v Speaker 1>and B. What's going on? People who have just tuned

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<v Speaker 1>into the R and B Money podcast. I'm Tank, This

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<v Speaker 1>is Jay Valentine. We are the authorities on R and

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<v Speaker 1>B music and in the building all the way from Milwaukee,

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<v Speaker 1>mill Town. Huh anything with meal lit it mil do

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<v Speaker 1>My brother from another mother, Eric, thanks for the invite,

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<v Speaker 1>man waiting to come up and listen. We wanted this.

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<v Speaker 1>We want to kick this thing off the right way. Okay.

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<v Speaker 1>We want to kick this off the right in honor Okay,

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<v Speaker 1>in honor of Eric Baname. Okay, let me tell you something.

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<v Speaker 1>Let me tell you something. First of all, all you

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<v Speaker 1>all of a sudden organic, Yeah, all of the sudden,

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<v Speaker 1>all you in touch with the earth, people, hopeful, all

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<v Speaker 1>of a sudden you wait, listen, I'm gonna tell you

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<v Speaker 1>started this ship. There was a man, yeah, walking barefoot,

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<v Speaker 1>barefoot huh. He had already had c shells attached the

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<v Speaker 1>strings and ship, and we was trying to figure out

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<v Speaker 1>how is he doing this? Is he listen? I'm trying

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<v Speaker 1>to tell you every girl I knew, everyone's like, oh

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<v Speaker 1>my god, Eric, I was like thinking on shoes up.

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<v Speaker 1>I love Eric and I'm looking at my temple and

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<v Speaker 1>was like stent in all the name we are not

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<v Speaker 1>we with no shoes. I'm gonna get rid of my air.

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<v Speaker 1>Jesus here man man, Jesus everything. It was every Dame,

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<v Speaker 1>Lenny Kravis, Maxwell, a very small group of elite organic men.

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<v Speaker 1>We all smell like that. You back then something ladies life.

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<v Speaker 1>He will be on Venice Beach and then I got

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<v Speaker 1>some opportunity for you. See this, He's been doing this

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<v Speaker 1>so freak, you said some money Eventually eventually, now y'all

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<v Speaker 1>coming to terms. Now you've got your feet now you

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<v Speaker 1>now you now you're not now you hold He's been

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<v Speaker 1>doing it and the women have been going. So let

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<v Speaker 1>me ask you a question. Yes, as your question, please do.

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<v Speaker 1>Was that because I want to talk about the bear

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<v Speaker 1>feet thing? Was that on? Was that on purpose? Like?

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<v Speaker 1>Did you know going into this like I'm gonna give

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<v Speaker 1>them something something different, I'm going to give them something vulnerable,

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<v Speaker 1>something you know what I'm saying a different kind of

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<v Speaker 1>very vulnerable with with my feet out. But I'm comfortable.

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<v Speaker 1>I'm gonna tell you about that. I'm gonna, I'm gonna,

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<v Speaker 1>I'm gonna go a little surface with it and then

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<v Speaker 1>I'm gonna go deep. Okay. So when I was first

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<v Speaker 1>signed back in room, it was me and my sister.

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<v Speaker 1>We were called Bene. We were first. My first record

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<v Speaker 1>deal was with E and My Records, and so you know,

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<v Speaker 1>we came up in Milwaukee. We did like the clubs

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<v Speaker 1>we would do, like the obscure uh cities in Michigan

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<v Speaker 1>and Illinois. And then we got our record deal. And

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<v Speaker 1>I was always used to look into my left and

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<v Speaker 1>seeing my sister right there. Okay, first record deal didn't

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<v Speaker 1>work out so good. My sister was like, baby brother,

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<v Speaker 1>you go ahead, it's music business ship crazy, I'm gonna

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<v Speaker 1>get me a job. So my dumbass hung in there

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<v Speaker 1>a little bit longer and I got my solo deal.

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<v Speaker 1>Once I got my solo deal, I started to have

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<v Speaker 1>to perform by myself. I was not used to that.

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<v Speaker 1>The stage right, when you are used to looking over

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<v Speaker 1>and see your family member and all of a sudden,

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<v Speaker 1>it's me out there. It was. It was like I'd

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<v Speaker 1>be backstage a little debilitated, just like stage fright would

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<v Speaker 1>will come on me like that. So I discovered one

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<v Speaker 1>day that if I just took my shoes off and

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<v Speaker 1>went out on the stage. I relaxed almost I felt

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<v Speaker 1>at home. And a byproduct was of that was women.

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<v Speaker 1>Apparently I must have had a good foot day or

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<v Speaker 1>something and they'd be like, oh, look at this feat.

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<v Speaker 1>I was like, oh, y'all like this ship. Okay, I'll

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<v Speaker 1>keep doing it because it makes me feel great. So

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<v Speaker 1>let me flash forward. I'm a flash forward to something

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<v Speaker 1>that I've reached. I told you I was going to

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<v Speaker 1>go deep, something that I've just scovered, which you're probably

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<v Speaker 1>hip to. You're so health conscious and YouTube. But um,

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<v Speaker 1>there's such a thing. It's called grounding and earthing. Have

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<v Speaker 1>you heard of this? Yeah, So, basically, grounding is the

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<v Speaker 1>science based upon the fact that the Earth is just

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<v Speaker 1>one big battery full of negative electrons. We as human beings,

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<v Speaker 1>are basically electric beings were full of positive electrons. But

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<v Speaker 1>when we walk around with shoes on all the time,

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<v Speaker 1>especially rubber soul shoes, we are insulating ourselves from those

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<v Speaker 1>a negative negative electrons, which balances our body and reduces inflammation,

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<v Speaker 1>makes us healthy, makes us sleep better, makes sex more boy. So,

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<v Speaker 1>So basically I've since discovered, which I didn't know back then,

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<v Speaker 1>that ship just keeps me healthy. It keeps me young,

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<v Speaker 1>It makes me feel makes me feel like I'm twenty

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<v Speaker 1>years younger than I am. At least an hour day,

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<v Speaker 1>I will walk around outside barefoot in the dirt, in

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<v Speaker 1>the sand, in the grass. Wow. Yeah, it's real ship,

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<v Speaker 1>you know what. And and thinking about that, I just

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<v Speaker 1>always I wonder why my country cousin's healthiest ship was

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<v Speaker 1>so far ahead, hairy party elements. They were faster than you,

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<v Speaker 1>like they was driving. I was like, you're not driving.

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<v Speaker 1>Dropping the car brough you and me both because where's

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<v Speaker 1>your family from my mobile? Alabama? I got Alabama, I got,

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<v Speaker 1>I got all over Alabama, Birmingham specifically, I got Arkansas,

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<v Speaker 1>little Rock all through there. And then they all migrated.

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<v Speaker 1>They Migrat's how they got the mill walk into Detroit.

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<v Speaker 1>But you are, you are speaking the truth. Like we

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<v Speaker 1>would go down to Alabama and then my other I'd

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<v Speaker 1>be ten years old and my other ten year old

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<v Speaker 1>cousins be like driving, got girlfriends and got everything everything.

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<v Speaker 1>We're going to see these goods around the corner. You

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<v Speaker 1>want to go out, like, I ain't him up, can go?

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<v Speaker 1>I don't know we're gonna do get exactly the joke

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<v Speaker 1>but that was ready to get to it. It was

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<v Speaker 1>like and then I had two goods. Like you know

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<v Speaker 1>what she's saying with it with the whole barefoot thing

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<v Speaker 1>is that we shouldn't make jokes about the little drunk

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<v Speaker 1>white girls after the club because we can stun. Let's

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<v Speaker 1>let's keep that funny. I'm just wondering, man, how that

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<v Speaker 1>all works. All right, let's tap into the music man. Yeah, um,

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<v Speaker 1>let's go to Let's go to the beginning, right, we

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<v Speaker 1>like we like to go to like the introduction of

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<v Speaker 1>of YouTube music and music to you. You know what

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<v Speaker 1>I'm saying, like the complete where your whole story. No,

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<v Speaker 1>I mean you can break it down to the pieces,

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<v Speaker 1>but the part where it's where you said, you know

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<v Speaker 1>where it claimed you because normally claims you first. Right,

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<v Speaker 1>you don't know what the gift is. You don't have

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<v Speaker 1>a gift. Um, you know you're able to do things

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<v Speaker 1>that you just think you're able to do. And then

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<v Speaker 1>there's a moment where you recognize, oh yeah, you really

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<v Speaker 1>hit up. You really hit on something right there, because

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<v Speaker 1>I remember far because I can remember, Um, you know

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<v Speaker 1>Milwaukee in grade school, sixty street school and Capital Drive. Um,

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<v Speaker 1>you know something as simple as music class. I just

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<v Speaker 1>remember having an ability to sing and understand music on

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<v Speaker 1>a level that was way above like the rest of

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<v Speaker 1>the kids. And what I would do. I don't know

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<v Speaker 1>if you did this, but because I didn't want to

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<v Speaker 1>stick out and be weird, I acted like I was

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<v Speaker 1>on their level, you know what I mean. It's like

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<v Speaker 1>I don't I don't want too much attention to me

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<v Speaker 1>right now. It's like, you know, the music teacher would

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<v Speaker 1>tell us, okay, class, it's like here's the scale or

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<v Speaker 1>here's the song, and it's like I'd already be like

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<v Speaker 1>five steps ahead of them, and look, hit me over here,

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<v Speaker 1>and don drelle over here is like completely clueless, and

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<v Speaker 1>I'm just like, okay, i'mna act like I'm struggling too,

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<v Speaker 1>Isn't that weird? No? That was me in six and

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<v Speaker 1>seventh grade, and so I was just kind of like

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<v Speaker 1>staying here and then really saying right right, right right.

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<v Speaker 1>It was it was almost like this played football, you

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<v Speaker 1>s were you saying, I'm like, right right right. I

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<v Speaker 1>don't know if I want to you know what I'm saying.

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<v Speaker 1>Because my cousin was the lead singer. My cousin, Keisha

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<v Speaker 1>was the one who was doing all the solos. And

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<v Speaker 1>then when I finally tried a solo, I tricked it

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<v Speaker 1>off really bad, saying I was like, I see how

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<v Speaker 1>did I do? She was like, you was off? You

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<v Speaker 1>know what I'm saying, So shock, I went back into training.

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<v Speaker 1>You know what I'm saying. Okay, So so you're starting

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<v Speaker 1>there and you're and what about what time is it?

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<v Speaker 1>So this is I mean, this is grade school. And

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<v Speaker 1>then when I go home, like I'm I'm the youngest

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<v Speaker 1>of a group of five siblings. We're all musical, we

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<v Speaker 1>all sing. So that was the place, the whole house

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<v Speaker 1>from me, from my mom playing the piano. My dad

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<v Speaker 1>didn't really sing, but he had this extensive classical music collection.

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<v Speaker 1>So I would be in my dad's music collection listen

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<v Speaker 1>to Tchaikovsky and Brahms and Mozart, and then with my

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<v Speaker 1>sisters and my brother, we would sing. We would listen

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<v Speaker 1>to like the Silvers or the Carpenters, and we would

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<v Speaker 1>deconstruct the harmonies and like, you know, sing them, and I,

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<v Speaker 1>you know, before my voice changed, i'd have the soprano.

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<v Speaker 1>So Michael Jackson, Yeah, I was Michael. I was a

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<v Speaker 1>little Michael Jacks. So that's where music that's really People

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<v Speaker 1>ask me who is my biggest influence, My biggest influence

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<v Speaker 1>on my oldest siblings, because I've always equated music to

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<v Speaker 1>love because that's how we that's how we would have

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<v Speaker 1>fun together, that's how we would show each other. I

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<v Speaker 1>love like like making music. So but outside the house,

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<v Speaker 1>it was almost like, Okay, I'm gonna I'm gonna keep

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<v Speaker 1>that talent close to my vest because it comes off

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<v Speaker 1>a little too um, overpowering for people outside the family circle. Now,

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<v Speaker 1>then puberty happened. So I've always been like the nerdy

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<v Speaker 1>and you know, I kind of still am. I've always

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<v Speaker 1>been like the nerdy science fiction book reading, um, you know,

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<v Speaker 1>into writing my own little weird stories and making up

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<v Speaker 1>my own songs. And so I've always been that little kid,

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<v Speaker 1>even in like thirteen and fourteen, where I would stick

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<v Speaker 1>to myself. Um and like I said, I still wasn't

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<v Speaker 1>singing publicly in school. But I remember when puberty hit,

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<v Speaker 1>there was a singing competition and nobody really know I sung.

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<v Speaker 1>There was a singing competition in junior high school, and

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<v Speaker 1>my sisters told me go into the contest and keep

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<v Speaker 1>in mind I'm thirteen now, and my all my siblings

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<v Speaker 1>are beasts, and that's when I come home seventh grade

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<v Speaker 1>middle school. So I just grew up with older siblings

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<v Speaker 1>who literally could deconstruct the song and we would put

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<v Speaker 1>it back together. So I was at thirteen, I was dope.

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<v Speaker 1>So I entered the contest. Nobody really knew I could sing. Bro.

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<v Speaker 1>I sing Lionel Richie's truly I kill that ship. I

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<v Speaker 1>kill that ship. That's still a no no offense, Linel,

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<v Speaker 1>but I probably sang that. But you you you respected, bro?

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<v Speaker 1>Can I tell you? The next day at school there

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<v Speaker 1>were two girls I had crushes on that did not

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<v Speaker 1>know I existed. They were waiting at my locker the

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<v Speaker 1>next morning. I was like, there's something to this ship.

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<v Speaker 1>Both both up, both Vicky Stanton, Vicky Stanton was Vicky

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<v Speaker 1>Vicky Vicky stand Laura Oldenberg Olden Oldenberg, Yeah, I was.

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<v Speaker 1>You were early there too. You were early there too.

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<v Speaker 1>I didn't learn about equal offers a way later in

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<v Speaker 1>my trip. I don't even know if I know right now,

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<v Speaker 1>where are you? But yeah, and from there, you know,

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<v Speaker 1>from there it was just like my cousin George, who

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<v Speaker 1>was always like the musician, the musician of the family.

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<v Speaker 1>My George, cousin George played you know, he was like

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<v Speaker 1>he's like played piano and he played the guitar, and

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<v Speaker 1>it was just dope and my cousin George and my

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<v Speaker 1>sister Lisa, and we started writing songs. Then I dropped

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<v Speaker 1>out of college u W Milwaukee, joined this band and

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<v Speaker 1>uh then we got our first record dealer one I

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<v Speaker 1>told you about Bannet Me and my sister Let's go

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<v Speaker 1>there too. Yeah, So between time wise, when you guys

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<v Speaker 1>get your first deal, so when you get your deal

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<v Speaker 1>and get your first hit wreck, a lot of ship

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<v Speaker 1>happened between that and me having a solo deal. So

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<v Speaker 1>what's what's the what's the time frame? So we're talking

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<v Speaker 1>about we signed the Banet here with E M I

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<v Speaker 1>Capital in ninety two pluck from Milwaukee in Los Angeles,

0:14:06.760 --> 0:14:12.360
<v Speaker 1>and that was just culture shock, man. That was just yeah, yeah, yeah, yeah,

0:14:12.679 --> 0:14:15.440
<v Speaker 1>it was I mean, I love Milwaukee, but it's like

0:14:15.520 --> 0:14:18.160
<v Speaker 1>you come out to l A in the early nineties.

0:14:18.320 --> 0:14:24.440
<v Speaker 1>It was a whole another expansive universe of from musical

0:14:24.640 --> 0:14:28.160
<v Speaker 1>like the community of badass music dudes to like the

0:14:28.200 --> 0:14:30.960
<v Speaker 1>most beautiful women you've ever seen in your life to

0:14:31.240 --> 0:14:37.760
<v Speaker 1>like people who are the but but a lot of

0:14:37.800 --> 0:14:40.800
<v Speaker 1>people who are on a higher level of consciousness, like

0:14:40.840 --> 0:14:43.080
<v Speaker 1>talking about eating right, and you know, you go back

0:14:43.080 --> 0:14:45.360
<v Speaker 1>home to Milwaukee and you just eat a vat of pork.

0:14:46.320 --> 0:14:48.960
<v Speaker 1>You know, it's like salt pork, you eat it. But

0:14:48.960 --> 0:14:50.880
<v Speaker 1>but come out here and it's like no, you know,

0:14:50.960 --> 0:14:53.560
<v Speaker 1>it's like higher level of taking care of your your

0:14:53.560 --> 0:14:55.880
<v Speaker 1>mind and your body. So it was just like culture

0:14:55.880 --> 0:14:59.320
<v Speaker 1>shock all the way around. And that's that's ninety two.

0:15:00.280 --> 0:15:03.760
<v Speaker 1>That record did not work out. Um, as everybody in

0:15:03.920 --> 0:15:06.600
<v Speaker 1>his industry has these stories where your first management deal,

0:15:06.680 --> 0:15:08.720
<v Speaker 1>your first record deal, it's like, well they kind of

0:15:08.720 --> 0:15:11.040
<v Speaker 1>sort of put a single out, but I didn't really

0:15:11.040 --> 0:15:15.480
<v Speaker 1>put any money behind it, so we got dropped, right.

0:15:15.680 --> 0:15:17.400
<v Speaker 1>It was this was one of the hardest times in

0:15:17.440 --> 0:15:21.080
<v Speaker 1>my life because a few years prior, my my father died.

0:15:21.760 --> 0:15:24.240
<v Speaker 1>My father was a detective for the city of Milwaukee.

0:15:25.840 --> 0:15:33.600
<v Speaker 1>So Dad died. Um, my my girlfriend, UM, Tammy Stouth.

0:15:34.280 --> 0:15:40.200
<v Speaker 1>We became parents, right, we became parents India, UM short,

0:15:40.640 --> 0:15:44.560
<v Speaker 1>my daughter India. Shortly after I got dropped, Tammy died

0:15:44.560 --> 0:15:49.120
<v Speaker 1>in a car accident. So now I lost my record deal.

0:15:49.480 --> 0:15:53.920
<v Speaker 1>Dad's gone. Um, all of a sudden, single dad, and

0:15:54.120 --> 0:15:56.440
<v Speaker 1>I'm just trying to figure out, Wow, how am I

0:15:56.480 --> 0:15:58.400
<v Speaker 1>going to do this? Thank God I have the family

0:15:58.440 --> 0:16:02.160
<v Speaker 1>I have because between my mom and my sisters and

0:16:02.240 --> 0:16:05.600
<v Speaker 1>my brother, they would let me like I could take India.

0:16:05.640 --> 0:16:10.000
<v Speaker 1>India was only fifteen months old mother. So I have

0:16:10.040 --> 0:16:12.920
<v Speaker 1>the most amazing family in the world because I could,

0:16:13.600 --> 0:16:15.120
<v Speaker 1>you know, if I had to fly out to l

0:16:15.160 --> 0:16:17.240
<v Speaker 1>A to talk to some people who were thinking about

0:16:17.280 --> 0:16:19.640
<v Speaker 1>signing me. You know, as a parent, especially as a

0:16:19.640 --> 0:16:22.960
<v Speaker 1>single parent, you need to know that your children or

0:16:23.000 --> 0:16:25.840
<v Speaker 1>your child is safe and taking care of and loved.

0:16:25.840 --> 0:16:27.560
<v Speaker 1>And I never had to worry about that when I

0:16:27.600 --> 0:16:31.600
<v Speaker 1>was out there trying to make the dream happened. Um.

0:16:31.640 --> 0:16:36.480
<v Speaker 1>I basically got a gig in Milwaukee as an assistant

0:16:36.520 --> 0:16:43.840
<v Speaker 1>engineer at a recording studio on Fondla and I between

0:16:43.880 --> 0:16:48.360
<v Speaker 1>George and this crazy ass dude who is one of

0:16:48.400 --> 0:16:51.600
<v Speaker 1>the baddest keyboards ever, Demante. You know Demante? Do you

0:16:51.600 --> 0:16:56.120
<v Speaker 1>know Demante Posy Nigga's bad Anyway, He's from Milwaukee. Also

0:16:56.720 --> 0:17:00.560
<v Speaker 1>met Demonte and my cousin George during the off hours

0:17:00.600 --> 0:17:02.600
<v Speaker 1>at the at the recording studio that I was working

0:17:02.640 --> 0:17:04.880
<v Speaker 1>they would let me use the studio to record demos.

0:17:06.119 --> 0:17:08.800
<v Speaker 1>So between me and George and Damante, we just started

0:17:08.800 --> 0:17:12.879
<v Speaker 1>writing all these songs, writing all these demos. That demo,

0:17:13.160 --> 0:17:15.560
<v Speaker 1>all those demos turned out to be my first album,

0:17:15.600 --> 0:17:18.960
<v Speaker 1>the first solo Eric Banat True to Myself album, which

0:17:19.040 --> 0:17:23.480
<v Speaker 1>is amazing. Thank you, sir, Thank you sir. Yes, it's

0:17:23.520 --> 0:17:26.440
<v Speaker 1>an incredible story. I'm riding with a girl through d C.

0:17:27.480 --> 0:17:31.240
<v Speaker 1>Was this side? It might have been that's another beat

0:17:32.080 --> 0:17:34.960
<v Speaker 1>was outside, It might have been signed, Yeah, it might

0:17:35.000 --> 0:17:37.520
<v Speaker 1>have been sided. She did you gotta hit his I'm

0:17:37.520 --> 0:17:41.320
<v Speaker 1>like it really she played that, She played that femininity.

0:17:41.480 --> 0:17:49.399
<v Speaker 1>Oh ship, And at that time, that's all I like.

0:17:52.119 --> 0:17:56.359
<v Speaker 1>I was like everything for me was John p. Keiray

0:17:56.400 --> 0:18:00.760
<v Speaker 1>and Hammond and and then it was it was it

0:18:00.800 --> 0:18:03.560
<v Speaker 1>was all that I'm saying. So when you tell me

0:18:03.600 --> 0:18:06.240
<v Speaker 1>to listen to something like, at this point, I had

0:18:06.359 --> 0:18:09.200
<v Speaker 1>every run in the book downloaded. That's how I lift

0:18:09.240 --> 0:18:14.360
<v Speaker 1>my life. I run. I don't want to go first verse,

0:18:14.400 --> 0:18:17.480
<v Speaker 1>that's not glits over that that. You don't just run,

0:18:17.640 --> 0:18:23.159
<v Speaker 1>you just you kill. At that time ran, yeah, have

0:18:23.320 --> 0:18:27.080
<v Speaker 1>no verse melody at all. I'm gonna run this whole

0:18:27.720 --> 0:18:31.400
<v Speaker 1>five So so if you ain't doing that, I don't

0:18:31.440 --> 0:18:35.959
<v Speaker 1>want it. You got running through the whole song and

0:18:36.000 --> 0:18:38.200
<v Speaker 1>she started playing this song and I'm missing to the thing.

0:18:40.720 --> 0:18:43.440
<v Speaker 1>He was not making the faces and ship right interesting right,

0:18:44.720 --> 0:18:49.520
<v Speaker 1>and the vocal was so clean and straight ahead, and

0:18:49.560 --> 0:18:53.479
<v Speaker 1>I was like, who's this again? After she didn't already tell?

0:18:55.040 --> 0:18:57.960
<v Speaker 1>And then and then, and then you did something that

0:18:58.000 --> 0:19:01.680
<v Speaker 1>we're doing church. What was about the three and a

0:19:01.800 --> 0:19:05.600
<v Speaker 1>half close to four minute mark, you did a van Okay,

0:19:06.520 --> 0:19:09.560
<v Speaker 1>you left the band played for a minute, and then

0:19:09.600 --> 0:19:12.840
<v Speaker 1>you went into a van. Yeah, that's this nineteen seventies.

0:19:14.560 --> 0:19:25.360
<v Speaker 1>Oh yeah, Chris Nick. I was so at that point, man,

0:19:25.440 --> 0:19:28.680
<v Speaker 1>thank you to I was coming from you. I said,

0:19:28.720 --> 0:19:31.119
<v Speaker 1>you're a problem coming from and then even I know

0:19:31.200 --> 0:19:33.600
<v Speaker 1>we'll we'll get to we'll get to the later in

0:19:33.640 --> 0:19:36.560
<v Speaker 1>the two thousand's. But then you started going digging into

0:19:36.600 --> 0:19:41.439
<v Speaker 1>your false settle with the uh I cry sometimes sometimes

0:19:41.440 --> 0:19:47.520
<v Speaker 1>like that bothered me. I took issue with that. I took,

0:19:48.960 --> 0:19:53.880
<v Speaker 1>I took I felt a personal time. Okay, okay, because

0:19:55.240 --> 0:20:01.240
<v Speaker 1>I took that because I'm on thromback. Let this nigga,

0:20:02.200 --> 0:20:09.000
<v Speaker 1>this falsettle so clear. He's older than me. It's the

0:20:09.040 --> 0:20:15.239
<v Speaker 1>only reason been connected with mending. And I hear you

0:20:15.280 --> 0:20:19.280
<v Speaker 1>sing that on stage and you didn't miss a note.

0:20:20.640 --> 0:20:23.560
<v Speaker 1>A no, and I'm a false settle, that's what I

0:20:23.680 --> 0:20:26.800
<v Speaker 1>do you known for that? No? No, no, literally not

0:20:26.920 --> 0:20:31.760
<v Speaker 1>just a falsettle, right, You're known for not missing, which

0:20:31.920 --> 0:20:35.000
<v Speaker 1>is as as guys we all sing, right, we've we've

0:20:35.040 --> 0:20:39.520
<v Speaker 1>been around a thousands, but not missing it is a

0:20:39.560 --> 0:20:43.000
<v Speaker 1>different type of gift, right, That's just that's that's that's

0:20:43.040 --> 0:20:45.439
<v Speaker 1>your special. Like you're talking to somebody, especially me being

0:20:45.480 --> 0:20:47.280
<v Speaker 1>from the baby and my brother was talking about it,

0:20:47.560 --> 0:20:49.600
<v Speaker 1>and he's like, man, because he's the first person to

0:20:49.600 --> 0:20:52.399
<v Speaker 1>put me onto you, right, and he went to go

0:20:52.440 --> 0:20:58.200
<v Speaker 1>see your yochi and he was like, Nick, he didn't miss.

0:20:59.600 --> 0:21:02.480
<v Speaker 1>And you know, as singers, we all know what that means.

0:21:02.520 --> 0:21:04.119
<v Speaker 1>But I had to ask again. I'm like, what do

0:21:04.160 --> 0:21:08.119
<v Speaker 1>you mean miss? That's a huge conference, like he didn't

0:21:08.600 --> 0:21:11.600
<v Speaker 1>And you know about this that comes from that comes

0:21:11.640 --> 0:21:15.600
<v Speaker 1>from going through the ranks, like like, okay, so I

0:21:15.680 --> 0:21:19.119
<v Speaker 1>dropped out of college, but my college was being in

0:21:19.160 --> 0:21:24.440
<v Speaker 1>those shitty clubs all over the Midwest, right, having to

0:21:24.800 --> 0:21:27.840
<v Speaker 1>it's a drunk crowd. This nigga over here is about

0:21:27.880 --> 0:21:30.560
<v Speaker 1>to start a fight with this nigga. There's some something

0:21:30.600 --> 0:21:33.360
<v Speaker 1>going over here. I'm gonna have to like take commands

0:21:33.400 --> 0:21:36.239
<v Speaker 1>of this whole room, and I'm gonna have to do

0:21:36.280 --> 0:21:38.959
<v Speaker 1>it consistently, And maybe I wasn't able to do it

0:21:39.040 --> 0:21:40.879
<v Speaker 1>for the first six months I was in the band.

0:21:40.920 --> 0:21:44.080
<v Speaker 1>But it was a honing process where a lot of

0:21:44.200 --> 0:21:47.400
<v Speaker 1>artists today they don't have that honing process. They might

0:21:47.640 --> 0:21:51.400
<v Speaker 1>they might be in their lab, in their base and yeah,

0:21:51.560 --> 0:21:54.399
<v Speaker 1>doing some beats, put a couple of loops on it,

0:21:54.760 --> 0:21:57.200
<v Speaker 1>you know, and they got all kinds of technologies that

0:21:58.440 --> 0:22:00.439
<v Speaker 1>catch catch a record and then you put them on

0:22:00.520 --> 0:22:02.719
<v Speaker 1>stage and it's like, no, you didn't go through the process, bro.

0:22:02.760 --> 0:22:05.959
<v Speaker 1>I can tell you, well, I mean they're not investing.

0:22:05.960 --> 0:22:08.480
<v Speaker 1>They're not investing in the process, right. I don't even

0:22:08.480 --> 0:22:10.720
<v Speaker 1>know what the is the process. Is there any reverence

0:22:10.760 --> 0:22:13.800
<v Speaker 1>for it anymore? There should be, There should be, But

0:22:14.000 --> 0:22:18.000
<v Speaker 1>I don't really think that we're like probably the lasts

0:22:18.320 --> 0:22:21.919
<v Speaker 1>who are who are looking for people who are actually

0:22:22.000 --> 0:22:25.720
<v Speaker 1>just just season in, seasoned in some type of growth,

0:22:26.160 --> 0:22:31.439
<v Speaker 1>some type of development. It's taken us years to find

0:22:31.480 --> 0:22:35.480
<v Speaker 1>an artist, right because we're like, ah, but they're hot

0:22:35.480 --> 0:22:37.800
<v Speaker 1>in their all time. They got this record government, but

0:22:37.840 --> 0:22:43.919
<v Speaker 1>you like, that's so fleeting. I remember, like one of

0:22:44.000 --> 0:22:47.080
<v Speaker 1>one of the things that I so appreciate y'all telling

0:22:47.119 --> 0:22:50.159
<v Speaker 1>me that that means a lot to me. Um. I

0:22:50.280 --> 0:22:54.439
<v Speaker 1>remember a couple of times in my career, and as artists,

0:22:54.480 --> 0:22:56.320
<v Speaker 1>I guess there's always some level at least for me,

0:22:56.359 --> 0:23:00.560
<v Speaker 1>there's always some level of insecurity. Um. But I remember

0:23:00.560 --> 0:23:03.040
<v Speaker 1>when I first got something, I first started doing my

0:23:03.119 --> 0:23:05.359
<v Speaker 1>solo deal, and you're doing the rounds at the radio

0:23:05.440 --> 0:23:13.680
<v Speaker 1>stations and Luther Vandross was just leaving an interview and

0:23:13.680 --> 0:23:17.600
<v Speaker 1>and Luther was like, I'm the type of dude where

0:23:17.600 --> 0:23:20.199
<v Speaker 1>it's like, if I know Luther is there, I at

0:23:20.280 --> 0:23:23.040
<v Speaker 1>least want to just say thank you. I don't I

0:23:23.040 --> 0:23:24.840
<v Speaker 1>don't want to crowd you. I just want to say

0:23:24.880 --> 0:23:27.359
<v Speaker 1>thank you. But Luther found out I was there, He's like,

0:23:27.440 --> 0:23:28.879
<v Speaker 1>oh no, no, no, no, no, no, you tell him

0:23:28.920 --> 0:23:32.080
<v Speaker 1>to come here. When somebody like Luther looks at you

0:23:32.119 --> 0:23:35.720
<v Speaker 1>and say, you know what you're doing it right, you know,

0:23:36.280 --> 0:23:41.679
<v Speaker 1>And that's all I needed. Luther looks at me. That's it.

0:23:41.920 --> 0:23:44.200
<v Speaker 1>So it's like if you thought I was dope before,

0:23:44.640 --> 0:23:46.480
<v Speaker 1>that's probably when you heard me go in the studio

0:23:46.640 --> 0:23:50.000
<v Speaker 1>do that. Let me show these niggs was you know?

0:23:50.240 --> 0:23:54.159
<v Speaker 1>So it's like when you get when somebody like that,

0:23:54.840 --> 0:23:58.040
<v Speaker 1>like a Maurice White or Luther Vandross or David Foster,

0:23:58.680 --> 0:24:02.719
<v Speaker 1>that just makes me want to, oh ship if I

0:24:02.760 --> 0:24:05.480
<v Speaker 1>thought I was honing my craft before, I'm gonna have

0:24:05.920 --> 0:24:09.800
<v Speaker 1>I'm really happy. I'm really going in deep now. So

0:24:10.080 --> 0:24:15.240
<v Speaker 1>it's those kinds of things that make me continue to

0:24:15.240 --> 0:24:18.520
<v Speaker 1>to to to strive to be better to this day. Yeah. Yeah,

0:24:18.600 --> 0:24:22.119
<v Speaker 1>the hunger doesn't go away, you know, the grind, the

0:24:22.200 --> 0:24:33.800
<v Speaker 1>hustle never never goes away. So when you get that

0:24:33.880 --> 0:24:36.480
<v Speaker 1>first hit record, right because Thank spoke about it a

0:24:36.520 --> 0:24:38.840
<v Speaker 1>little bit, right, are you know you pulled up on

0:24:38.880 --> 0:24:41.680
<v Speaker 1>them with shoes off, showing you know what I mean,

0:24:41.760 --> 0:24:44.239
<v Speaker 1>showing them showing something on out, showing them something and

0:24:44.200 --> 0:24:48.520
<v Speaker 1>the definitely showing out. What is the influx? Like? Yeah,

0:24:51.960 --> 0:24:58.280
<v Speaker 1>you mean when you care you fresh from Milwaukee, Yes,

0:24:58.760 --> 0:25:03.680
<v Speaker 1>you fresh from mill Walk, you get a major hit record,

0:25:04.160 --> 0:25:06.840
<v Speaker 1>and but you don't but you also don't get the

0:25:06.960 --> 0:25:10.600
<v Speaker 1>run of the mill hit record. You get a record

0:25:11.359 --> 0:25:15.960
<v Speaker 1>that nobody's heard before, you don't get the some producer

0:25:16.560 --> 0:25:19.760
<v Speaker 1>was did that record? And then your producer heard it

0:25:20.080 --> 0:25:22.640
<v Speaker 1>and y'all recreated and now you get that little cheek

0:25:22.680 --> 0:25:27.040
<v Speaker 1>colde hit. You had a record that set you apart

0:25:27.040 --> 0:25:32.919
<v Speaker 1>from the gate, right, So it's a different it's a

0:25:32.920 --> 0:25:36.040
<v Speaker 1>different level that it's a it's a different kind of

0:25:36.119 --> 0:25:43.840
<v Speaker 1>vibe because back then, um, there were like you said,

0:25:43.920 --> 0:25:46.760
<v Speaker 1>I mean, when you think about what I was doing

0:25:46.800 --> 0:25:49.920
<v Speaker 1>back then and what kinds like de'angelo were doing back then,

0:25:50.080 --> 0:25:52.600
<v Speaker 1>and like maxwell we're doing back then, that was outside

0:25:52.600 --> 0:25:55.800
<v Speaker 1>of the norm for sure. It was like was brushing

0:25:55.800 --> 0:25:59.600
<v Speaker 1>his teeth right video Like it's like, right, just brushing

0:25:59.600 --> 0:26:02.120
<v Speaker 1>his teeth. You don't care at all, and they love

0:26:02.200 --> 0:26:08.560
<v Speaker 1>it so so we Um it was just kind of

0:26:08.600 --> 0:26:14.240
<v Speaker 1>like this feeling of I don't know, being that kind

0:26:14.240 --> 0:26:18.520
<v Speaker 1>of a creative person. The people who I work with

0:26:18.560 --> 0:26:20.879
<v Speaker 1>when I'm in the lab and i've been I've I

0:26:21.000 --> 0:26:23.159
<v Speaker 1>like to go check in on like how see how

0:26:23.280 --> 0:26:26.040
<v Speaker 1>lots of people work. A lot of people like to

0:26:26.080 --> 0:26:28.400
<v Speaker 1>work like they like to check out what's hot right now,

0:26:29.160 --> 0:26:31.840
<v Speaker 1>like what what what kick sounds are hot right now?

0:26:32.520 --> 0:26:35.480
<v Speaker 1>You know what's happening in the top ten. And I'm

0:26:35.480 --> 0:26:38.040
<v Speaker 1>gonna try to put my own spin on that. But

0:26:38.119 --> 0:26:40.560
<v Speaker 1>I've never really worked. I've never really worked that way,

0:26:40.640 --> 0:26:45.440
<v Speaker 1>even back then. I always dig from a more um

0:26:45.560 --> 0:26:49.679
<v Speaker 1>intimate place, like even musically, like I don't I've never

0:26:50.000 --> 0:26:53.800
<v Speaker 1>wanted to try to emulate the other things that are

0:26:53.840 --> 0:26:56.280
<v Speaker 1>happening out there. And when you work like that, you're

0:26:56.320 --> 0:26:58.639
<v Speaker 1>working in a bubble. At least I am. You're working

0:26:58.640 --> 0:27:01.720
<v Speaker 1>on this note. I want to be cut off from

0:27:01.760 --> 0:27:04.040
<v Speaker 1>everything that's like top ten, top twenty on the radio

0:27:04.160 --> 0:27:06.240
<v Speaker 1>right now. I just want to be in like this

0:27:06.320 --> 0:27:10.560
<v Speaker 1>little fortress of musical solitude with myself and whoever I

0:27:10.600 --> 0:27:13.560
<v Speaker 1>invite to come in there and create with me. All

0:27:13.600 --> 0:27:16.080
<v Speaker 1>I have to say as we're doing that, we don't

0:27:16.400 --> 0:27:20.080
<v Speaker 1>I don't really know how this is working, Like motherfucking here,

0:27:21.080 --> 0:27:23.560
<v Speaker 1>but I don't know how that's gonna play out there

0:27:23.600 --> 0:27:26.040
<v Speaker 1>because it's like so intimate to us, and we're like

0:27:26.240 --> 0:27:30.040
<v Speaker 1>nerdy music heads. So that's kind of it was like

0:27:30.160 --> 0:27:31.919
<v Speaker 1>I was surprised. I was in a way. I was

0:27:31.960 --> 0:27:37.040
<v Speaker 1>surprised because, um, we were signed to what I was

0:27:37.080 --> 0:27:40.040
<v Speaker 1>signed to Warner Brothers as a solo artist, and they

0:27:40.160 --> 0:27:42.840
<v Speaker 1>really did just leave me alone. They let me just

0:27:43.560 --> 0:27:45.639
<v Speaker 1>do my thing. And then when I turned the record in,

0:27:46.000 --> 0:27:50.040
<v Speaker 1>there was a reaction like somebody just reinvented the wheel,

0:27:50.080 --> 0:27:52.159
<v Speaker 1>and I was like, really it was. It was just

0:27:52.280 --> 0:27:58.440
<v Speaker 1>incredibly surprising because like I said, um, I was grateful um,

0:27:58.480 --> 0:28:01.760
<v Speaker 1>and that it was at least it was affirming that

0:28:01.800 --> 0:28:04.600
<v Speaker 1>I felt like, Okay, you have seen the bottom. I'd

0:28:04.640 --> 0:28:08.760
<v Speaker 1>already had huge loss, personal loss in my life, the

0:28:08.840 --> 0:28:11.680
<v Speaker 1>mother of my daughter dying all of a sudden. I'm

0:28:11.680 --> 0:28:15.639
<v Speaker 1>a solo that single father, trying to figure out the

0:28:15.680 --> 0:28:18.360
<v Speaker 1>next move. I was working at UPS when I told

0:28:18.359 --> 0:28:19.720
<v Speaker 1>you I was working at the studio. I was also

0:28:19.800 --> 0:28:23.560
<v Speaker 1>working at UPS uh and working at the studio to

0:28:23.640 --> 0:28:25.840
<v Speaker 1>make you know, to make a little bread. So it's

0:28:25.920 --> 0:28:31.320
<v Speaker 1>like I saw the bottom. And once I knew that, oh,

0:28:31.440 --> 0:28:35.240
<v Speaker 1>you mean, I can win by just being completely authentic

0:28:35.320 --> 0:28:40.160
<v Speaker 1>and in my appreciation for music, not the music industry,

0:28:40.240 --> 0:28:44.040
<v Speaker 1>but music, I was like, Okay, I'm not I'm not

0:28:44.080 --> 0:28:47.280
<v Speaker 1>gonna switch it up. And that's and that's a very

0:28:47.360 --> 0:28:50.440
<v Speaker 1>unique situation as all of us have been in this

0:28:50.600 --> 0:28:56.200
<v Speaker 1>music business for so long. Two Actually it's like getting

0:28:56.280 --> 0:29:00.719
<v Speaker 1>drafted to the right team because more or worked for you,

0:29:00.800 --> 0:29:03.800
<v Speaker 1>but universal may have not. You know, I mean, e M,

0:29:03.880 --> 0:29:05.560
<v Speaker 1>I didn't you know what I mean? So it's like

0:29:06.240 --> 0:29:09.280
<v Speaker 1>in that space man, that that in itself, and you know,

0:29:09.320 --> 0:29:12.000
<v Speaker 1>we try to give that type of information when we

0:29:12.040 --> 0:29:15.720
<v Speaker 1>when we do these interviews for people that are trying

0:29:15.760 --> 0:29:18.160
<v Speaker 1>to get in the music business, people in the in

0:29:18.200 --> 0:29:22.960
<v Speaker 1>the business to understand, like this ship just don't happen

0:29:23.800 --> 0:29:26.280
<v Speaker 1>the way you wanted at that time, and you gotta

0:29:26.480 --> 0:29:29.480
<v Speaker 1>keep pushing. You gotta keep pushing and until you find

0:29:29.560 --> 0:29:32.400
<v Speaker 1>that situation that makes the most sense for you. Eatly.

0:29:32.440 --> 0:29:35.440
<v Speaker 1>But we got off of the influx that came with

0:29:35.480 --> 0:29:47.360
<v Speaker 1>this here you're talking, you're talking. I'm gonna let you

0:29:47.680 --> 0:29:52.080
<v Speaker 1>surrounded by the baptized I tell you, I tell you

0:29:52.280 --> 0:29:56.000
<v Speaker 1>just here. A lot of people don't believe it is.

0:29:56.960 --> 0:29:59.520
<v Speaker 1>But actually now that you now that you know me,

0:29:59.680 --> 0:30:01.480
<v Speaker 1>you can to leave it. Like I've always been the

0:30:01.560 --> 0:30:04.480
<v Speaker 1>nerdy dude, like I've always been the if it wasn't

0:30:04.520 --> 0:30:07.240
<v Speaker 1>for music, if it wasn't for me being on the

0:30:07.360 --> 0:30:10.760
<v Speaker 1>stage and singing, like my game, like my just step

0:30:10.840 --> 0:30:14.800
<v Speaker 1>up to a girl game was was garbage, Like I

0:30:15.280 --> 0:30:18.200
<v Speaker 1>had no idea I need it, but I didn't know

0:30:18.320 --> 0:30:20.440
<v Speaker 1>I didn't need it because you know what I'm saying.

0:30:20.520 --> 0:30:27.440
<v Speaker 1>So okay, So then you got this guy who's basically uh,

0:30:28.000 --> 0:30:33.000
<v Speaker 1>looking at women feeling like I don't really have that

0:30:33.160 --> 0:30:37.240
<v Speaker 1>much of a shot. Two being on stage having a

0:30:37.360 --> 0:30:41.480
<v Speaker 1>hit song and having them literally come to me. It

0:30:41.640 --> 0:30:45.920
<v Speaker 1>was overwhelming. And I'm gonna say this, that's one of

0:30:46.000 --> 0:30:48.560
<v Speaker 1>the most like if you're not ready for that kind

0:30:48.600 --> 0:30:52.120
<v Speaker 1>of attention, may speak on it. Speak you will die,

0:30:55.880 --> 0:31:00.320
<v Speaker 1>yes or things around you well, because it isn't awesome.

0:31:01.080 --> 0:31:03.800
<v Speaker 1>Um and I don't use the word awesome like well,

0:31:03.960 --> 0:31:06.120
<v Speaker 1>it can't be great, but it is. It is an

0:31:06.400 --> 0:31:14.240
<v Speaker 1>overwhelming uh power. And if you are an insecure person

0:31:14.960 --> 0:31:19.560
<v Speaker 1>who always idolized women but didn't know how to talk

0:31:19.680 --> 0:31:21.720
<v Speaker 1>to them, and all of a sudden you're the guy

0:31:21.840 --> 0:31:24.560
<v Speaker 1>that they're coming at to talk to you, that could

0:31:24.560 --> 0:31:29.960
<v Speaker 1>be a very dangerous thing. And there is a process where,

0:31:30.360 --> 0:31:32.640
<v Speaker 1>you know, for some of us, it takes a year

0:31:32.800 --> 0:31:37.840
<v Speaker 1>or two or ten where you feel me where it's

0:31:37.920 --> 0:31:45.680
<v Speaker 1>like I'm in that ten yeah you up, you know,

0:31:46.320 --> 0:31:50.800
<v Speaker 1>I mean a little bit more time. It's a real

0:31:50.920 --> 0:31:53.760
<v Speaker 1>list thing. And because it's like all of a sudden,

0:31:53.840 --> 0:31:56.640
<v Speaker 1>I can have all of it. Are you fucking kidding me?

0:31:57.360 --> 0:32:00.960
<v Speaker 1>It was like like, speak on, man, come on, you

0:32:01.040 --> 0:32:10.640
<v Speaker 1>start Milwaukee, Milwaukee Maryland. Yeah, right, l A, Now, now

0:32:10.800 --> 0:32:14.080
<v Speaker 1>I gotta I gotta taste. When I went on tour

0:32:14.160 --> 0:32:18.040
<v Speaker 1>with Ginuine, it was it was like it was a

0:32:18.120 --> 0:32:21.400
<v Speaker 1>heavy taste. It was it was the taste that changed

0:32:21.480 --> 0:32:32.360
<v Speaker 1>my life. No, no, listen, I definitely from yes, you

0:32:32.480 --> 0:32:36.800
<v Speaker 1>are correcting that man. I know, and and Ginuine would

0:32:36.840 --> 0:32:40.360
<v Speaker 1>say to me, this is cool. I know you having

0:32:40.400 --> 0:32:43.000
<v Speaker 1>the time of your life. But it ain't nothing like

0:32:43.200 --> 0:32:46.520
<v Speaker 1>when it's you. And I didn't believe. I kept saying,

0:32:46.880 --> 0:32:53.000
<v Speaker 1>I'm never leaving you to sing back, and you still do.

0:32:53.600 --> 0:32:57.640
<v Speaker 1>You still do on stage and we got to show

0:32:57.680 --> 0:33:00.239
<v Speaker 1>that he finds a way to sing back to get

0:33:00.600 --> 0:33:05.480
<v Speaker 1>up up. So it's like and when you but then

0:33:05.520 --> 0:33:09.360
<v Speaker 1>when it when listen, when I watched, when I watched

0:33:10.160 --> 0:33:16.920
<v Speaker 1>maybe I deserve um start charting and me going from

0:33:17.960 --> 0:33:22.440
<v Speaker 1>clubs like you know what was that like a hundred people,

0:33:23.360 --> 0:33:26.920
<v Speaker 1>thousand people to seven hundred people to a thousand people,

0:33:28.240 --> 0:33:34.480
<v Speaker 1>and then too co headlining radio shows and Rena's and

0:33:34.560 --> 0:33:39.000
<v Speaker 1>in London Chris and and and Narly you know and

0:33:39.280 --> 0:33:44.600
<v Speaker 1>and jar Rule. Jesus Christ, you have to be in

0:33:44.640 --> 0:33:48.920
<v Speaker 1>a all the RV shows all because my name was

0:33:48.960 --> 0:33:52.160
<v Speaker 1>Tank and so sometimes they wouldn't even listen to my music.

0:33:52.280 --> 0:33:58.760
<v Speaker 1>Just saw my picture. Yes, so so so like you

0:33:58.960 --> 0:34:02.480
<v Speaker 1>take you, I just I was dropped in a church. Kid.

0:34:02.600 --> 0:34:07.000
<v Speaker 1>Still I'm still trying, you know. I still it's still

0:34:07.080 --> 0:34:09.520
<v Speaker 1>biblical for me. It's their spiritual Lord. If you just

0:34:09.640 --> 0:34:12.759
<v Speaker 1>guide me tonight, out let me. Just if you just

0:34:13.000 --> 0:34:15.640
<v Speaker 1>let me get this tonight, I'm not gonna do it

0:34:15.880 --> 0:34:20.160
<v Speaker 1>no more. Like, Lord, please give me tonight? Did Lord?

0:34:20.239 --> 0:34:24.439
<v Speaker 1>Why did why did her ask? After? Look like that? Lord? You? Lord?

0:34:25.120 --> 0:34:35.360
<v Speaker 1>You did that? You did this? And I honestly was not. No,

0:34:35.680 --> 0:34:38.480
<v Speaker 1>you were not. I was not. There is no man

0:34:39.239 --> 0:34:43.160
<v Speaker 1>and people people don't understand this, bro, like you get it.

0:34:43.920 --> 0:34:45.960
<v Speaker 1>There is no man on this planet who works at

0:34:46.000 --> 0:34:48.319
<v Speaker 1>home depot or who was working at Wells far ago

0:34:48.520 --> 0:34:53.200
<v Speaker 1>right now. If you throw him in this situation, if

0:34:53.239 --> 0:34:58.040
<v Speaker 1>you just throw him in the whatever you want situation,

0:34:58.360 --> 0:35:01.359
<v Speaker 1>it will kill him, will suck the life out of them.

0:35:01.440 --> 0:35:02.920
<v Speaker 1>And so it's like you have to be in a

0:35:03.040 --> 0:35:11.800
<v Speaker 1>certain mental emotional preparedness, which I was not. But like

0:35:11.960 --> 0:35:14.440
<v Speaker 1>I said, it will take some years and you have

0:35:14.520 --> 0:35:20.719
<v Speaker 1>to live with some consequences to consequences, some losses, lossesces,

0:35:20.880 --> 0:35:24.239
<v Speaker 1>and it's like wow, I need to reevaluate a lot

0:35:24.320 --> 0:35:28.480
<v Speaker 1>of ship. So but there's you can't be ready for that.

0:35:29.000 --> 0:35:32.040
<v Speaker 1>And and I think on the other side of that,

0:35:33.280 --> 0:35:37.080
<v Speaker 1>the the upbringing and all of these things, and having

0:35:37.160 --> 0:35:41.200
<v Speaker 1>the family structure that we've had prepared us in a

0:35:41.480 --> 0:35:46.040
<v Speaker 1>different way to where we would be able to survive.

0:35:47.000 --> 0:35:48.800
<v Speaker 1>You know what I'm saying, Because a lot of people know,

0:35:48.880 --> 0:35:50.960
<v Speaker 1>a lot of people just don't know. And and and

0:35:51.680 --> 0:35:54.400
<v Speaker 1>for you, you did it on a very public stage,

0:35:55.000 --> 0:35:58.480
<v Speaker 1>right because you know what you were involved in. So

0:35:58.640 --> 0:36:02.439
<v Speaker 1>it's like anytime it's on the public stage, it's a meal.

0:36:02.880 --> 0:36:06.520
<v Speaker 1>It's not only magnified a million times, but there is

0:36:06.560 --> 0:36:10.880
<v Speaker 1>a certain uh, there's a narrative that they want to

0:36:11.000 --> 0:36:14.239
<v Speaker 1>tell to you know. Now it's click fait, but it's

0:36:14.280 --> 0:36:18.640
<v Speaker 1>like to sell magazines to do this. Um, So things

0:36:18.719 --> 0:36:22.520
<v Speaker 1>respawn a certain way, and then on the very tiny

0:36:22.640 --> 0:36:26.560
<v Speaker 1>nucleus of what's happening on the inside, there are details

0:36:26.640 --> 0:36:29.320
<v Speaker 1>that no one else knows and maybe I'll never share,

0:36:29.880 --> 0:36:35.319
<v Speaker 1>but it's like it ain't mistakes were made. I've taken accountability.

0:36:35.480 --> 0:36:39.120
<v Speaker 1>That's what I've done. I've grown from from but from

0:36:39.560 --> 0:36:43.040
<v Speaker 1>the celebrity, any celebrity out there who's dealing with that

0:36:43.160 --> 0:36:46.160
<v Speaker 1>relationship and the fresh ship. That's that's that's a that's

0:36:46.200 --> 0:36:50.680
<v Speaker 1>a hard thing. It's even it's even harder now with

0:36:50.840 --> 0:36:54.600
<v Speaker 1>social media. Oh my god, it's even harder now, right

0:36:54.760 --> 0:36:57.520
<v Speaker 1>because back then you just have to try to see

0:36:57.560 --> 0:36:59.120
<v Speaker 1>you and take a picture of you and then write

0:36:59.120 --> 0:37:02.440
<v Speaker 1>whatever they wanted. Pig. You get tired of it or

0:37:02.520 --> 0:37:04.680
<v Speaker 1>they get tired of it, and now you make your

0:37:04.719 --> 0:37:08.239
<v Speaker 1>own and you started typing ship and now you're like,

0:37:08.520 --> 0:37:10.279
<v Speaker 1>maybe I shouldn't, Yeah, maybe I should have. Just I'm

0:37:10.280 --> 0:37:16.640
<v Speaker 1>gonna delete that. Right. They've already called me the morning.

0:37:16.960 --> 0:37:19.360
<v Speaker 1>You'll call me about seven in the morning. What the

0:37:19.680 --> 0:37:26.000
<v Speaker 1>fuck did? What do you want to do? What's her name? Saying?

0:37:26.920 --> 0:37:39.120
<v Speaker 1>Can you stop this? No, I said, I said, but

0:37:39.239 --> 0:37:41.040
<v Speaker 1>I get that, I said, Tank. What you gotta realize

0:37:41.080 --> 0:37:46.560
<v Speaker 1>to a lot of times you're talking to ghosts literally talking. Yes,

0:37:46.680 --> 0:37:48.759
<v Speaker 1>are there some people that are real people that are

0:37:48.800 --> 0:37:52.239
<v Speaker 1>going at you, but sometimes it's just accounts that are

0:37:52.400 --> 0:37:58.480
<v Speaker 1>made to literally absolutely get a rise out of you. Well, now,

0:37:58.680 --> 0:38:05.520
<v Speaker 1>what come on down, come on out, dount Can you

0:38:05.680 --> 0:38:08.840
<v Speaker 1>just stop arguing on Instagram? Can you do it for me?

0:38:08.960 --> 0:38:12.840
<v Speaker 1>For two weeks? Believe no, they have to hear from me.

0:38:16.400 --> 0:38:21.799
<v Speaker 1>That's just not easy. I have this outlook on life

0:38:21.920 --> 0:38:27.640
<v Speaker 1>mistakes that might be a little different because granted, in

0:38:27.719 --> 0:38:32.359
<v Speaker 1>the moment they feel like the exact wrong thing you've

0:38:32.400 --> 0:38:36.200
<v Speaker 1>allowed to happen, or you participated in happening, or that

0:38:36.280 --> 0:38:40.560
<v Speaker 1>has happened to you. Um, but in my fifty four

0:38:40.680 --> 0:38:47.320
<v Speaker 1>years on this earth, you come on not know that.

0:38:48.320 --> 0:38:57.400
<v Speaker 1>I think I'm buying no more shop. Yeah. Man, what

0:38:57.560 --> 0:39:03.640
<v Speaker 1>I've learned is mistakes, all of them. And this is

0:39:03.640 --> 0:39:06.759
<v Speaker 1>gonna sound like some cliche you see on the Instagram

0:39:06.880 --> 0:39:11.239
<v Speaker 1>with a lion in the background of such but from

0:39:11.280 --> 0:39:20.440
<v Speaker 1>something that's just a terrible human. He's probably horrible for

0:39:20.560 --> 0:39:23.959
<v Speaker 1>the girls. I'm talking about some certain people whatever, it's

0:39:24.000 --> 0:39:27.320
<v Speaker 1>a terrible humans, right or the Instagram models with the

0:39:27.440 --> 0:39:34.399
<v Speaker 1>ass and it'd be like, you know, it's like, yeah,

0:39:35.120 --> 0:39:37.800
<v Speaker 1>you know, I've got some growth, Like could be like

0:39:38.400 --> 0:39:46.200
<v Speaker 1>only God? You know anyway, so what what was those things? Mistakes?

0:39:46.280 --> 0:39:53.799
<v Speaker 1>Only God? Mistakes for me have all been an opportunity

0:39:53.840 --> 0:39:59.000
<v Speaker 1>to grow. So yes, I have made mistakes in my life. Um,

0:39:59.280 --> 0:40:01.400
<v Speaker 1>And I feel and I think it goes back. I

0:40:01.440 --> 0:40:03.840
<v Speaker 1>think it goes back to something something you hit on

0:40:03.960 --> 0:40:07.080
<v Speaker 1>the parenting thing my mom and dad instilled in me

0:40:07.160 --> 0:40:10.040
<v Speaker 1>a long time ago, Like, you are going to make

0:40:10.120 --> 0:40:13.480
<v Speaker 1>a lot of mistakes in your life? What do you

0:40:13.640 --> 0:40:17.319
<v Speaker 1>do with those mistakes? What do you do with those

0:40:17.360 --> 0:40:22.880
<v Speaker 1>traumatic events in your life? So when I have um stumbled,

0:40:23.320 --> 0:40:26.000
<v Speaker 1>when I've fallen, or when I've made mistakes in business

0:40:26.080 --> 0:40:28.800
<v Speaker 1>or in my personal life, you know, I take a

0:40:28.880 --> 0:40:33.640
<v Speaker 1>moment to fall back and see, Okay, God, what was

0:40:33.719 --> 0:40:35.960
<v Speaker 1>the lesson you were trying to teach me? What this one?

0:40:36.120 --> 0:40:39.160
<v Speaker 1>Sometimes those lessons are obvious as hell, and sometimes they're

0:40:39.160 --> 0:40:43.879
<v Speaker 1>not so obvious, But every time it happens, it's it's

0:40:43.920 --> 0:40:47.120
<v Speaker 1>an opportunity to be a better version of yourself. My

0:40:47.239 --> 0:40:52.920
<v Speaker 1>first record deal, um, to answer uh, the question that

0:40:53.040 --> 0:40:56.279
<v Speaker 1>deals with more professional situation. My first record deal that

0:40:56.320 --> 0:40:59.440
<v Speaker 1>I did with my sister Ny, it was an incredible opportunity.

0:41:00.200 --> 0:41:03.480
<v Speaker 1>It was uh, two kids being plucked out of Milwaukee,

0:41:04.040 --> 0:41:07.360
<v Speaker 1>coming to l A, seeing things and experiencing things that

0:41:07.440 --> 0:41:11.279
<v Speaker 1>I only saw on Magnum p I and stuff like that.

0:41:11.520 --> 0:41:16.600
<v Speaker 1>You know, but uh, the record label didn't really give

0:41:16.719 --> 0:41:21.200
<v Speaker 1>us autonomy, didn't really give us control two make all

0:41:21.280 --> 0:41:24.560
<v Speaker 1>of the music we wanted to make, too, pick the

0:41:24.960 --> 0:41:28.840
<v Speaker 1>producers that we necessarily wanted to work with, or or

0:41:28.880 --> 0:41:31.640
<v Speaker 1>at least we felt like I shouldn't say that because

0:41:31.680 --> 0:41:34.560
<v Speaker 1>there was a lot of energy on my part where

0:41:34.640 --> 0:41:39.040
<v Speaker 1>I felt like I doubted myself enough. Is that twenty

0:41:39.480 --> 0:41:42.440
<v Speaker 1>something your old kid who well, I certainly can't know.

0:41:42.600 --> 0:41:44.320
<v Speaker 1>So if they tell if they're telling me I should

0:41:44.360 --> 0:41:47.000
<v Speaker 1>work with this artist and that artist, and I guess

0:41:47.080 --> 0:41:51.840
<v Speaker 1>I should. That was a mistake. That was a mistake,

0:41:51.920 --> 0:41:54.520
<v Speaker 1>and that's a mistake that every young artist like needs

0:41:54.560 --> 0:41:56.640
<v Speaker 1>to know right now. The reason why they own your

0:41:56.640 --> 0:41:59.600
<v Speaker 1>ship right now, young artists out there, the reason why

0:41:59.640 --> 0:42:01.719
<v Speaker 1>you get and the attention you're getting, it's because you're

0:42:01.719 --> 0:42:06.360
<v Speaker 1>a dope. Because the creative decisions you make are are dope.

0:42:07.320 --> 0:42:10.480
<v Speaker 1>Don't doubt that, you know, like, lead with that. Don't

0:42:10.560 --> 0:42:13.719
<v Speaker 1>let somebody else who have who's been on their own

0:42:13.800 --> 0:42:17.320
<v Speaker 1>journey and have seen their own ascent to fame and fortune,

0:42:18.160 --> 0:42:21.920
<v Speaker 1>um tell you this is how I did it, So

0:42:22.080 --> 0:42:23.520
<v Speaker 1>you need to do it. You need to do it

0:42:23.640 --> 0:42:26.280
<v Speaker 1>like this. Look, some of those lessons that they bestow

0:42:26.400 --> 0:42:29.920
<v Speaker 1>on you are appropriate and you can use that, but

0:42:30.480 --> 0:42:34.160
<v Speaker 1>their path is not your path. So I think that's

0:42:34.160 --> 0:42:38.680
<v Speaker 1>probably one of the biggest um uh lessons that I learned.

0:42:38.719 --> 0:42:40.680
<v Speaker 1>I think I learned early from that mistake. That's why

0:42:40.760 --> 0:42:43.200
<v Speaker 1>when I had an opportunity to the solo album in

0:42:43.280 --> 0:42:45.920
<v Speaker 1>ninety six Eric Benet record, I was like, look, okay,

0:42:45.960 --> 0:42:49.200
<v Speaker 1>we can do this record deal thing, but I have

0:42:49.440 --> 0:42:52.680
<v Speaker 1>to be in charge of everything from the way I

0:42:52.680 --> 0:42:55.880
<v Speaker 1>address to the way I look to the songs on

0:42:55.960 --> 0:42:58.000
<v Speaker 1>the album. I told you like the whole album. My

0:42:58.080 --> 0:43:00.640
<v Speaker 1>first album was like the demo between my cousin George

0:43:00.640 --> 0:43:04.200
<v Speaker 1>and Demante and me just me, so um, I need

0:43:04.320 --> 0:43:06.240
<v Speaker 1>to be in control. To the point where I named

0:43:06.400 --> 0:43:09.759
<v Speaker 1>my first album true to Myself because I had been

0:43:09.800 --> 0:43:13.520
<v Speaker 1>through the whole uh the alternative. I could only imagine

0:43:14.320 --> 0:43:16.520
<v Speaker 1>Eric Bonet coming out as like the fifth member of

0:43:16.600 --> 0:43:23.560
<v Speaker 1>Joda see with like because that's the type of like

0:43:23.719 --> 0:43:26.600
<v Speaker 1>it's not you, you are somebody tried to get me

0:43:26.760 --> 0:43:32.680
<v Speaker 1>and like to get me in like a three boy

0:43:33.440 --> 0:43:35.720
<v Speaker 1>band group where it was me. I was the singer

0:43:35.800 --> 0:43:38.960
<v Speaker 1>nigga and it was like this dark nigga from from

0:43:39.040 --> 0:43:41.960
<v Speaker 1>like Nigeria or something, and it was a white nigga.

0:43:42.120 --> 0:43:49.200
<v Speaker 1>Who was who was who? And it was like I

0:43:49.440 --> 0:43:52.359
<v Speaker 1>almost did it. And this was before my first record deal.

0:43:52.440 --> 0:43:54.560
<v Speaker 1>I was like, and I was in the meeting with

0:43:54.680 --> 0:43:56.560
<v Speaker 1>the two guys, and You're like, come on, bro, this

0:43:56.719 --> 0:43:58.520
<v Speaker 1>is our chance. Well if you don't like it, you know,

0:44:00.680 --> 0:44:02.160
<v Speaker 1>we could blow up and then you can do your

0:44:02.160 --> 0:44:04.160
<v Speaker 1>own thing. I was like, yeah, but I don't know.

0:44:04.320 --> 0:44:06.520
<v Speaker 1>This is the same for me. So you're absolutely right. Man.

0:44:06.600 --> 0:44:10.080
<v Speaker 1>It's like, you gotta, you gotta. You're gonna be true

0:44:10.080 --> 0:44:12.040
<v Speaker 1>to yourself. You gotta be true to yourself. You have

0:44:12.200 --> 0:44:15.040
<v Speaker 1>to be honest enough with yourself to know your gut,

0:44:15.200 --> 0:44:18.000
<v Speaker 1>to know your soul so that when something doesn't vibrate

0:44:18.160 --> 0:44:21.920
<v Speaker 1>right with you, you were the first to know and

0:44:22.200 --> 0:44:25.080
<v Speaker 1>and and act upon that. No matter how old I get,

0:44:25.200 --> 0:44:28.279
<v Speaker 1>I'm still that hungry, young creative dude from Milwaukee. No

0:44:28.360 --> 0:44:38.839
<v Speaker 1>matter what happened. Shut shout out to Milwaukee. Thanks. Hey,

0:44:39.000 --> 0:44:42.360
<v Speaker 1>Wisconsin came through, didn't they with that orange? Uh? Hold up?

0:44:42.800 --> 0:44:46.320
<v Speaker 1>You know what? And that's that's okay, movie star writer

0:44:46.920 --> 0:44:49.880
<v Speaker 1>all of that. Um, that's pivot to that because you know,

0:44:49.960 --> 0:44:52.160
<v Speaker 1>I don't really do a whole lot of politics. You

0:44:52.239 --> 0:44:58.719
<v Speaker 1>know sometimes and listen you in between you and b

0:44:58.960 --> 0:45:05.920
<v Speaker 1>l you my god, I think that's the old that's

0:45:05.960 --> 0:45:08.840
<v Speaker 1>the old man in me, you are out there. The

0:45:08.920 --> 0:45:10.840
<v Speaker 1>old man ship is real because once you get to

0:45:10.880 --> 0:45:13.200
<v Speaker 1>a certain age, it's like, I don't get I was

0:45:13.280 --> 0:45:16.560
<v Speaker 1>just like you are saying it. I remember when I

0:45:16.600 --> 0:45:19.680
<v Speaker 1>first started doing it, my management was like, yeah, you know,

0:45:21.719 --> 0:45:24.839
<v Speaker 1>you know, we really respect that you want to voice

0:45:24.880 --> 0:45:27.759
<v Speaker 1>your opinion, but we got to remember there's there are

0:45:27.800 --> 0:45:30.000
<v Speaker 1>people out there who like your music who aren't exactly

0:45:30.080 --> 0:45:34.120
<v Speaker 1>on the same political like that man, we're talking about

0:45:34.400 --> 0:45:40.640
<v Speaker 1>a damn you know ship, damn Hitler he started kid.

0:45:43.280 --> 0:45:48.319
<v Speaker 1>Here's what I say. It's like it is a double

0:45:48.440 --> 0:45:52.680
<v Speaker 1>edge short right in terms of the political part of it,

0:45:53.280 --> 0:45:58.279
<v Speaker 1>right right, right right. Once you start dabbling into that place, um,

0:45:59.560 --> 0:46:03.000
<v Speaker 1>you can you can feel the shift of people who

0:46:03.080 --> 0:46:07.840
<v Speaker 1>were there for the music and then knowing find discovering

0:46:07.880 --> 0:46:11.359
<v Speaker 1>too much about you that makes them either go way

0:46:11.480 --> 0:46:14.279
<v Speaker 1>left or way right with you. But you're right, You're

0:46:14.520 --> 0:46:18.880
<v Speaker 1>you're out, You're outspoken in terms of you know, in

0:46:19.080 --> 0:46:22.560
<v Speaker 1>terms of the political uh, in terms of your political stance.

0:46:22.600 --> 0:46:27.000
<v Speaker 1>I think once you hit fifty, is there like any

0:46:27.080 --> 0:46:31.560
<v Speaker 1>any whatever like filter I had left that ship just

0:46:32.040 --> 0:46:33.920
<v Speaker 1>because you were you were attacking who was who was?

0:46:33.920 --> 0:46:38.080
<v Speaker 1>You know, you said something, you said something running, ain't

0:46:38.239 --> 0:46:42.080
<v Speaker 1>singing and if it's in insane you know because you

0:46:42.440 --> 0:46:51.719
<v Speaker 1>and you young nigga, now you're putting we grew up

0:46:51.760 --> 0:46:54.560
<v Speaker 1>on you, man, stop doing that. Man, but a love

0:46:54.640 --> 0:47:02.000
<v Speaker 1>attacking the kids. Who was attacking the kids? At some

0:47:02.160 --> 0:47:11.359
<v Speaker 1>point We're gonna have to stop. You ain't know back

0:47:11.440 --> 0:47:13.800
<v Speaker 1>when I was growing up, when I was in the

0:47:13.920 --> 0:47:21.120
<v Speaker 1>studio that I said, Eric, come on, man, stop, people

0:47:22.960 --> 0:47:28.719
<v Speaker 1>ain't ship you know, you just saying a dime on it.

0:47:29.320 --> 0:47:31.680
<v Speaker 1>But it was like like you were just I mean,

0:47:31.760 --> 0:47:34.040
<v Speaker 1>you were being honest about now you felt about it,

0:47:34.200 --> 0:47:36.200
<v Speaker 1>but you know what I mean, Like I think I

0:47:36.320 --> 0:47:40.120
<v Speaker 1>was having one of those moments where hey, I love

0:47:40.520 --> 0:47:42.759
<v Speaker 1>like I am. I'm one of the biggest fans of

0:47:42.840 --> 0:47:45.600
<v Speaker 1>like dope runs and people who can run. It's just like,

0:47:46.719 --> 0:47:48.480
<v Speaker 1>I don't know. I think it's like one of those

0:47:48.560 --> 0:47:52.000
<v Speaker 1>things where before the run, that needs to be the melody,

0:47:52.560 --> 0:47:54.400
<v Speaker 1>Like can we at least know what the melody is

0:47:54.520 --> 0:47:56.719
<v Speaker 1>before you start? Like and I know what I said,

0:47:56.800 --> 0:48:00.920
<v Speaker 1>and I agree with you, but had to say it,

0:48:01.000 --> 0:48:06.319
<v Speaker 1>but because because because I grew up, Yeah, you said,

0:48:06.719 --> 0:48:10.800
<v Speaker 1>Kim Barell, We'll see that's it's almost so guess what

0:48:11.440 --> 0:48:14.000
<v Speaker 1>I need it like she she didn't. She didn't make

0:48:14.040 --> 0:48:16.200
<v Speaker 1>a song that was like a straight ahead or a

0:48:16.280 --> 0:48:19.360
<v Speaker 1>commercial thing until way later. I know that sounds like bullshit,

0:48:19.560 --> 0:48:23.840
<v Speaker 1>but it's almost like that's different because because Kim Burrell,

0:48:24.400 --> 0:48:27.600
<v Speaker 1>Kim Burrell is a whole another beatle, it's not different

0:48:27.640 --> 0:48:31.360
<v Speaker 1>because I needed what she was doing. I needed it.

0:48:31.440 --> 0:48:34.120
<v Speaker 1>I agree with that. I'm not disagreeing with you. Like

0:48:34.400 --> 0:48:40.120
<v Speaker 1>what young nigga Kim Burrell probably that's what it's like.

0:48:40.320 --> 0:48:43.680
<v Speaker 1>It's like these young niggas would hear Kim Burrell and

0:48:43.840 --> 0:48:46.279
<v Speaker 1>be like, Oh, that's what I need to do, and

0:48:46.360 --> 0:48:50.600
<v Speaker 1>it's like, no, before Kim Burrell was I don't know,

0:48:50.880 --> 0:48:52.960
<v Speaker 1>I don't. I mean, i've met Kim Barrel. She's a

0:48:53.160 --> 0:48:55.239
<v Speaker 1>wonderful person, but I don't know like her whole story.

0:48:55.280 --> 0:48:57.840
<v Speaker 1>But I would imagine before she could do all that,

0:48:58.600 --> 0:49:00.920
<v Speaker 1>at some point she had to bay sits like she

0:49:01.000 --> 0:49:03.759
<v Speaker 1>could do a melody, sure so, and she had to

0:49:04.600 --> 0:49:08.120
<v Speaker 1>evolved to that. But I think one of the frustrating

0:49:08.200 --> 0:49:12.279
<v Speaker 1>things for me, it's like young singers would see the

0:49:12.360 --> 0:49:15.040
<v Speaker 1>Kim Barrel and be like, Oh, and that's where the

0:49:15.120 --> 0:49:17.920
<v Speaker 1>song is. That's all it is. But as I was

0:49:18.040 --> 0:49:23.200
<v Speaker 1>able to grab use it and use it in spaces.

0:49:24.560 --> 0:49:27.480
<v Speaker 1>And that's what the beauty of running like you you

0:49:27.719 --> 0:49:30.320
<v Speaker 1>well you're a songwriter, you're a producer, so you know,

0:49:30.600 --> 0:49:37.120
<v Speaker 1>construction of of of to learn to to stop singing

0:49:37.480 --> 0:49:40.640
<v Speaker 1>versus myself. You know what I'm saying, Like mode will

0:49:40.680 --> 0:49:42.440
<v Speaker 1>never be able to do this, Like that was my

0:49:42.600 --> 0:49:44.960
<v Speaker 1>mentality when I went into the studio, and you're not

0:49:45.040 --> 0:49:49.040
<v Speaker 1>gonna be like like maybe I deserve was like in

0:49:49.200 --> 0:49:52.280
<v Speaker 1>my mind my worst song vocally one of my biggest,

0:49:53.400 --> 0:49:57.480
<v Speaker 1>and I didn't understand why until fifteen years later. That

0:49:57.840 --> 0:50:00.279
<v Speaker 1>kind of stuff is incredible to me because kind of

0:50:00.320 --> 0:50:02.600
<v Speaker 1>feel the same way like with some of my biggest songs,

0:50:02.640 --> 0:50:06.120
<v Speaker 1>with some of those songs where and it's interesting how

0:50:06.200 --> 0:50:09.400
<v Speaker 1>this works. It's like you can be in the studio

0:50:09.560 --> 0:50:11.480
<v Speaker 1>and you can have some song that you feel like

0:50:11.560 --> 0:50:14.360
<v Speaker 1>it's a masterpiece and you just have to put no

0:50:14.680 --> 0:50:17.840
<v Speaker 1>every every box of that song. No no no, no

0:50:17.920 --> 0:50:19.600
<v Speaker 1>no no no, that wasn't right. I want to can

0:50:19.640 --> 0:50:22.120
<v Speaker 1>we can I bring the can the gatapler come back

0:50:22.120 --> 0:50:25.080
<v Speaker 1>to the studio because he wanted them to listen on this,

0:50:25.760 --> 0:50:28.640
<v Speaker 1>you know. So it's like you can create this masterpiece

0:50:28.719 --> 0:50:31.920
<v Speaker 1>and people were here and be like, wow, let's do okay, um,

0:50:32.040 --> 0:50:33.520
<v Speaker 1>let me hear another one. And then you play a

0:50:33.600 --> 0:50:35.759
<v Speaker 1>song where you was in the studio for like four

0:50:35.880 --> 0:50:41.000
<v Speaker 1>minutes throw away. Yeah, you can be in a song

0:50:41.080 --> 0:50:43.239
<v Speaker 1>where it's like, okay, we we were just vibing on this,

0:50:43.360 --> 0:50:45.160
<v Speaker 1>and then I put some words on this motherfucker and

0:50:45.239 --> 0:50:49.000
<v Speaker 1>it's like, oh, ship that that's the one. So it's

0:50:49.080 --> 0:50:51.760
<v Speaker 1>like a story of my the story of my career.

0:50:52.920 --> 0:50:59.480
<v Speaker 1>The song please Don't Go have been played for numerous

0:50:59.680 --> 0:51:03.080
<v Speaker 1>artists who album whose albums I've worked on. I was like,

0:51:03.120 --> 0:51:05.600
<v Speaker 1>I got this one thing right here, Blair, It's cool.

0:51:07.120 --> 0:51:12.279
<v Speaker 1>I'm in Glenwood Studios working on uh, working on sect

0:51:12.320 --> 0:51:16.759
<v Speaker 1>of Him Pain, and I got one day extra. I

0:51:16.880 --> 0:51:19.520
<v Speaker 1>finished all the songs I wanted to relate here. They

0:51:19.600 --> 0:51:21.200
<v Speaker 1>was like, it was like, well, you got one more day.

0:51:21.200 --> 0:51:22.920
<v Speaker 1>If you wanna do something, you do something. Okay, they

0:51:22.960 --> 0:51:26.719
<v Speaker 1>got good cookies, hang out at the studio, chill, and

0:51:26.719 --> 0:51:28.719
<v Speaker 1>I'm gonna record this one track is one. I was like,

0:51:28.719 --> 0:51:32.320
<v Speaker 1>I got this one track and just recorded Lonnie My Lonnie.

0:51:32.400 --> 0:51:35.759
<v Speaker 1>He's like, he's like, what you working on teams? I

0:51:35.840 --> 0:51:37.440
<v Speaker 1>was like, I'm just working on this song right here,

0:51:37.520 --> 0:51:40.320
<v Speaker 1>like he's like, let me get some of that bridge. Absolutely,

0:51:40.600 --> 0:51:45.080
<v Speaker 1>it was a hundred percenter into the bridge. So he

0:51:45.280 --> 0:51:47.360
<v Speaker 1>puts the bridge down. I've seen the bridge. I'm not

0:51:47.560 --> 0:51:49.520
<v Speaker 1>I'm just turning in with the rest of them. Turned

0:51:49.560 --> 0:51:52.200
<v Speaker 1>the song in what was and it was pleased don't go?

0:51:53.280 --> 0:51:58.560
<v Speaker 1>And they called me two days later, you did, nig

0:51:58.760 --> 0:52:01.880
<v Speaker 1>You did that ship? Nick? And I started naming every

0:52:02.000 --> 0:52:04.799
<v Speaker 1>other song, Oh oh, you like that ship right there,

0:52:05.239 --> 0:52:06.840
<v Speaker 1>and they're like, nah, said, oh, I know what you

0:52:06.880 --> 0:52:08.759
<v Speaker 1>want you talk about. You talk about that one because

0:52:08.760 --> 0:52:11.720
<v Speaker 1>I put that song No, not that with nigga. Nigga,

0:52:11.840 --> 0:52:16.320
<v Speaker 1>please don't go. I said, what right, nigga, it's a smash,

0:52:16.400 --> 0:52:21.040
<v Speaker 1>I said, are you sure right? You know what, I

0:52:21.120 --> 0:52:23.520
<v Speaker 1>haven't been out in five years. I've been on the bench. Yeah,

0:52:23.560 --> 0:52:27.600
<v Speaker 1>I've been at war Company five years. And they're like,

0:52:27.760 --> 0:52:29.640
<v Speaker 1>this is a song and I'm like, I don't I

0:52:29.760 --> 0:52:32.320
<v Speaker 1>don't think. I don't think that after five years of

0:52:32.440 --> 0:52:35.160
<v Speaker 1>being absent, that this is this, this is where we go.

0:52:35.400 --> 0:52:37.600
<v Speaker 1>We don't start with this, and they're like this, yes

0:52:37.680 --> 0:52:42.040
<v Speaker 1>we do, right, yes we do. Records I got I

0:52:42.120 --> 0:52:46.120
<v Speaker 1>got the same story. So it had been a minute

0:52:46.320 --> 0:52:48.480
<v Speaker 1>since I went through this whole thing with Warner Brothers

0:52:48.600 --> 0:52:53.319
<v Speaker 1>where um I um, you know, we did A Day

0:52:53.360 --> 0:52:56.000
<v Speaker 1>in the Life and that was a big record for me.

0:52:56.600 --> 0:53:01.759
<v Speaker 1>And then I did this other record, another album UM

0:53:01.960 --> 0:53:06.239
<v Speaker 1>called Better and Better, but they rejected my album, so

0:53:06.640 --> 0:53:11.040
<v Speaker 1>the whole the whole album. So I'm going to the

0:53:11.120 --> 0:53:14.640
<v Speaker 1>record label and I'm like, Okay, y'all don't really get

0:53:14.719 --> 0:53:18.080
<v Speaker 1>this album. Okay, will you let me leave the label?

0:53:18.160 --> 0:53:21.680
<v Speaker 1>You let me out at my deal? Nope? Okay, will

0:53:21.719 --> 0:53:23.120
<v Speaker 1>you give me like a budget to go in and

0:53:23.360 --> 0:53:25.440
<v Speaker 1>do some more ship like if you didn't like No,

0:53:26.239 --> 0:53:29.440
<v Speaker 1>So basically I'm just sitting. I'm just sitting for a

0:53:29.520 --> 0:53:31.800
<v Speaker 1>couple of years. They wouldn't let me out, they wouldn't

0:53:31.800 --> 0:53:33.960
<v Speaker 1>give me a budget to do anything else. And so

0:53:34.719 --> 0:53:37.360
<v Speaker 1>I'm back home just vibing some songs with my dudes.

0:53:37.560 --> 0:53:41.200
<v Speaker 1>Ultimately I got another, um, I got a green lid

0:53:41.280 --> 0:53:44.880
<v Speaker 1>to do another record, and we were in the hum

0:53:45.600 --> 0:53:54.959
<v Speaker 1>My promotion man's room, Ken Wilson, you know that, my god. Yeah,

0:53:55.280 --> 0:53:57.719
<v Speaker 1>So we're listening to all these songs trying to figure out,

0:53:57.800 --> 0:54:00.960
<v Speaker 1>like what's the single, and we're listening we had a

0:54:01.000 --> 0:54:03.319
<v Speaker 1>couple of dope choice so yeah, yeah, man, you got

0:54:03.440 --> 0:54:06.279
<v Speaker 1>help man, man, this dope shot on that. But that's all.

0:54:06.640 --> 0:54:08.640
<v Speaker 1>It's like, I got this other thing. But you know

0:54:09.760 --> 0:54:13.040
<v Speaker 1>it's not a sad already shot that down. No, no, no, nobody,

0:54:13.040 --> 0:54:14.680
<v Speaker 1>this is something. This is something new that I was like,

0:54:14.719 --> 0:54:16.880
<v Speaker 1>that's this other thing and it's probably not a single,

0:54:17.120 --> 0:54:19.680
<v Speaker 1>but I mean, I'll played it for you. Maybe we

0:54:19.800 --> 0:54:21.920
<v Speaker 1>put it on the album for the Japanese release, like

0:54:23.239 --> 0:54:26.560
<v Speaker 1>bonus track some ship like Nigga. I played the song

0:54:27.800 --> 0:54:33.279
<v Speaker 1>Ken Wilson, Nigga, that that motherfucker right there, Nigga, that's

0:54:33.320 --> 0:54:37.120
<v Speaker 1>your first thing. It was you're the only one? Wow, right,

0:54:38.000 --> 0:54:40.719
<v Speaker 1>but you played as your throwaway. Yeah. I thought it

0:54:40.840 --> 0:54:44.160
<v Speaker 1>was just like Jese. Yeah, I thought it was. I

0:54:44.239 --> 0:54:46.400
<v Speaker 1>thought because when we wrote You're the only One, I

0:54:46.480 --> 0:54:48.680
<v Speaker 1>thought it was one of those like throwback to you know,

0:54:48.840 --> 0:54:54.560
<v Speaker 1>the whole vibe. We were doing like a seventies throwback thing,

0:54:54.719 --> 0:54:56.239
<v Speaker 1>and I was like, I don't know people ready for

0:54:56.320 --> 0:54:57.960
<v Speaker 1>that right now. It's probably just gonna be like a

0:54:58.000 --> 0:55:01.160
<v Speaker 1>cool vibe on the album. He it was like, that

0:55:01.360 --> 0:55:04.399
<v Speaker 1>was the vibe that ship right there. Maybe I don't

0:55:04.440 --> 0:55:08.520
<v Speaker 1>know what you're smoking. So yeah, and that was that

0:55:08.600 --> 0:55:20.239
<v Speaker 1>was number one for like number one, man boy's got

0:55:20.239 --> 0:55:24.040
<v Speaker 1>a lot of my money mine. You have a part

0:55:24.120 --> 0:55:27.320
<v Speaker 1>of the show. Okay, right, you can do it, you

0:55:27.480 --> 0:55:34.920
<v Speaker 1>he can definitely. Does it involve calistinics or doing push up? No, no, no, no, no, okay,

0:55:36.239 --> 0:55:40.560
<v Speaker 1>it involves talking that talk, so it's called I ain't

0:55:40.560 --> 0:55:47.920
<v Speaker 1>sand on that. Whoah, listen, listen, listen, listen. It can

0:55:47.960 --> 0:55:52.520
<v Speaker 1>be funnier fucked up. Are both funny and fuck up

0:55:53.760 --> 0:55:56.440
<v Speaker 1>your story. But you do not say the names of

0:55:56.520 --> 0:55:59.480
<v Speaker 1>the other participants in the story. But you give a

0:55:59.680 --> 0:56:03.600
<v Speaker 1>no like, oh you're talking about that could have been

0:56:05.200 --> 0:56:13.320
<v Speaker 1>at saying, ain't saying Okay, but you know, I know

0:56:13.360 --> 0:56:16.600
<v Speaker 1>I didn't prep you for this name. You like to

0:56:16.640 --> 0:56:18.120
<v Speaker 1>do it on the spot. We like to the spot.

0:56:18.120 --> 0:56:21.400
<v Speaker 1>We'd like to get it honest, you did not. Let

0:56:21.440 --> 0:56:24.200
<v Speaker 1>me see now in my memory, I'm you know, I'm

0:56:24.239 --> 0:56:28.799
<v Speaker 1>doing like the fucking uh. They don't know, they don't

0:56:28.840 --> 0:56:32.560
<v Speaker 1>know who that is. No, not that either. No, yeah,

0:56:32.600 --> 0:56:35.359
<v Speaker 1>we're swiping. I'm swiping right now in my brain. Oh hell,

0:56:37.000 --> 0:56:41.239
<v Speaker 1>let's see no name, no face, no case, there's that.

0:56:41.360 --> 0:56:44.880
<v Speaker 1>I'm trying to think. It don't fit. I ain't saying

0:56:44.960 --> 0:56:50.400
<v Speaker 1>no name y'all edit this ship. No we broke you

0:56:50.920 --> 0:56:57.560
<v Speaker 1>name man, whatever you need, whatever you need. Um, Jamie

0:56:57.600 --> 0:56:59.759
<v Speaker 1>told us don't Edie ship. It cuts us out. But

0:57:00.040 --> 0:57:05.520
<v Speaker 1>wanted to add some ship. Okay, okay, okay, I ain't

0:57:05.520 --> 0:57:08.120
<v Speaker 1>saying no names. I mean this's I mean just in

0:57:08.200 --> 0:57:11.160
<v Speaker 1>the spirit of the conversation and being from Milwaukee, and

0:57:11.280 --> 0:57:19.240
<v Speaker 1>you know Milwaukee gets cold as ship. Mhm. A somebody

0:57:19.400 --> 0:57:24.680
<v Speaker 1>was this was I used to before I actually moved

0:57:24.680 --> 0:57:27.040
<v Speaker 1>to l A. I kept my I kept a place

0:57:27.080 --> 0:57:31.640
<v Speaker 1>in Milwaukee for a while. And uh there was an artist.

0:57:32.360 --> 0:57:39.600
<v Speaker 1>Oh god, I can't believe I'm telling me mean burn

0:57:39.720 --> 0:57:50.040
<v Speaker 1>me here. If I didn't have like three glasses of wine,

0:57:50.040 --> 0:57:57.520
<v Speaker 1>I probably wouldn't say this. So that was somebody. There

0:57:57.600 --> 0:57:59.680
<v Speaker 1>was this female artist who I was kind of vibe

0:57:59.720 --> 0:58:03.880
<v Speaker 1>and by the way, full disclosure, was not married. This

0:58:04.080 --> 0:58:08.160
<v Speaker 1>was like Eric and Milwaukee, just like being at Milwaukee

0:58:09.320 --> 0:58:15.160
<v Speaker 1>A baname. There was this artist in Milwaukee and um

0:58:17.760 --> 0:58:20.360
<v Speaker 1>we uh we had stayed. I forgot how we got

0:58:20.400 --> 0:58:23.440
<v Speaker 1>each other's information, but we stayed in touch and she

0:58:23.640 --> 0:58:26.480
<v Speaker 1>was like, yeah, I'm I'm in Milwaukee. We should have

0:58:26.560 --> 0:58:32.120
<v Speaker 1>some drinks. We went out. God, this sounds horrible. It

0:58:32.240 --> 0:58:38.320
<v Speaker 1>sounds horrible, man, but it's really not that bad. So

0:58:40.120 --> 0:58:42.640
<v Speaker 1>we went out, you know, east side of Milwaukee. It's

0:58:42.640 --> 0:58:45.160
<v Speaker 1>all kind of dope little bars and dope pizza joints

0:58:45.200 --> 0:58:48.320
<v Speaker 1>and where one drink after another and as cold as ship.

0:58:48.520 --> 0:58:51.640
<v Speaker 1>I think it was probably like it was it was

0:58:51.800 --> 0:58:54.480
<v Speaker 1>it was. It was either December or January Milwaukee. So

0:58:54.600 --> 0:59:00.200
<v Speaker 1>you know, that's no way, no joke. So we are, um,

0:59:00.400 --> 0:59:04.360
<v Speaker 1>we're drinking, we're eating, and as we're drinking and eating,

0:59:04.440 --> 0:59:07.040
<v Speaker 1>we're getting a lot more touchy Philly with the laughs,

0:59:07.160 --> 0:59:10.360
<v Speaker 1>the laughs, the lingering hands are lingering longer and boo

0:59:10.560 --> 0:59:15.120
<v Speaker 1>boo whoop, and then ah, we're both drunk, which this

0:59:15.280 --> 0:59:18.280
<v Speaker 1>is everything about the story is horrible because because I'm

0:59:18.400 --> 0:59:23.960
<v Speaker 1>drunk in the bar with this person and now I'm

0:59:24.000 --> 0:59:26.400
<v Speaker 1>gonna drink, I'm like, where are you saying? What? What hotel?

0:59:26.400 --> 0:59:29.320
<v Speaker 1>You saying? Okay, I'm just driving that I'm not drunk,

0:59:30.080 --> 0:59:35.360
<v Speaker 1>incredibly irresponsible. So we're in the car and she says

0:59:35.560 --> 0:59:42.960
<v Speaker 1>we're driving past esther Brook Park. She says it's kiss streaking.

0:59:44.240 --> 0:59:48.120
<v Speaker 1>I'm like streaking, Yeah, let's do it. So it's like

0:59:48.520 --> 0:59:51.720
<v Speaker 1>one o'clock in the morning. It's probably like eight degrees

0:59:51.800 --> 1:00:00.840
<v Speaker 1>outside drunk as hell. That's a great idea. Pull over,

1:00:02.160 --> 1:00:04.560
<v Speaker 1>Oh my god, pull over. And that's the book park

1:00:04.680 --> 1:00:08.160
<v Speaker 1>in the parkt lot looking ship. We take it off

1:00:08.160 --> 1:00:12.160
<v Speaker 1>our clothes. We run through es the brook Park one

1:00:12.200 --> 1:00:16.880
<v Speaker 1>o'clock in the morning, but ass naked ended up in

1:00:16.920 --> 1:00:31.600
<v Speaker 1>the bushes and that's where I leave the park and

1:00:31.720 --> 1:00:37.000
<v Speaker 1>the bushes eight degrees? You are? Did you have me

1:00:37.000 --> 1:00:40.320
<v Speaker 1>here about the nude run in Milwaukee? This this is

1:00:40.360 --> 1:00:41.480
<v Speaker 1>what we said. I got a lot a lot of

1:00:41.560 --> 1:00:44.840
<v Speaker 1>crazy white boyfriends in Milwaukee, so they got this are

1:00:44.880 --> 1:00:46.560
<v Speaker 1>they used to? I don't know if they do it anymore?

1:00:46.640 --> 1:00:49.080
<v Speaker 1>But on New Year's Eve, you got the polar Bears

1:00:49.160 --> 1:00:52.360
<v Speaker 1>and they jump into the polar Bears. But y'all did

1:00:52.400 --> 1:00:53.720
<v Speaker 1>don't know what the polar Bears is. It is a

1:00:53.760 --> 1:00:57.440
<v Speaker 1>bunch of crazy as white people in Milwaukee. On New

1:00:57.560 --> 1:01:02.120
<v Speaker 1>Year's Eve, they will strip down out to their swimsuits

1:01:02.160 --> 1:01:05.560
<v Speaker 1>and jump into sub zero water, freezing ice water for

1:01:05.720 --> 1:01:08.800
<v Speaker 1>whatever reason, I don't know. But anyway, some other homies

1:01:08.800 --> 1:01:10.760
<v Speaker 1>in mine, some of them I went to college with.

1:01:11.000 --> 1:01:12.840
<v Speaker 1>But some of them were just like crazy as white

1:01:12.920 --> 1:01:16.760
<v Speaker 1>dudes like I would go have drinks with every year

1:01:16.840 --> 1:01:19.320
<v Speaker 1>they would do the nude run. You would run from

1:01:19.440 --> 1:01:22.960
<v Speaker 1>like River West all the way to the lake front.

1:01:23.600 --> 1:01:27.880
<v Speaker 1>But as Nick what, Yes, so you would do the

1:01:28.040 --> 1:01:32.360
<v Speaker 1>nude run and you would ultimately end up at this

1:01:32.640 --> 1:01:36.760
<v Speaker 1>public swimming pool that of course was closed, and then

1:01:36.960 --> 1:01:39.800
<v Speaker 1>it would turn into they were breaking the swim. Yeah.

1:01:40.720 --> 1:01:44.480
<v Speaker 1>So I did the nude run in in Milwaukee once,

1:01:45.160 --> 1:01:51.760
<v Speaker 1>but I feel like you do. Probably probably the nude

1:01:51.880 --> 1:01:56.360
<v Speaker 1>run walking. I didn't like what I know. I was lying.

1:01:56.440 --> 1:01:59.160
<v Speaker 1>You could tell I was lying, all right. Every year

1:01:59.640 --> 1:02:08.080
<v Speaker 1>like newde Road run, This niggas Will ferrell a n

1:02:10.320 --> 1:02:13.680
<v Speaker 1>that's franking tank right here, the gentleman. This has been

1:02:13.800 --> 1:02:18.320
<v Speaker 1>Everybody podcast with our brother Aris, but may be na

1:02:20.200 --> 1:02:25.920
<v Speaker 1>name name. Are being money money