WEBVTT - Stephen Bishop Full Interview

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<v Speaker 1>Welcome to Money Making Conversation. I'm your host, Rashaan McDonald.

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<v Speaker 1>I recognized that we all have different definitions of success.

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<v Speaker 1>For some, it's acizable paycheck. Mine is helping people wake

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<v Speaker 1>up and inspiring them to accomplish their goals and live

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<v Speaker 1>their very best life. These are my passions and that's

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<v Speaker 1>what I'm going to do for you as a listener.

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<v Speaker 1>I want you to stop tripping over small challenges and

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<v Speaker 1>prepare to rise above the bigger obstacles the life will

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<v Speaker 1>present to you. The Money Making Conversation interviews provide relatable

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<v Speaker 1>information to listeners by career and financial planning, entrepreneurship, motivation, leadership,

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<v Speaker 1>overcoming the arts, and how to live a balanced life.

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<v Speaker 1>My next guest and so my man in a long time.

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<v Speaker 1>I think last to myself him while it was up

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<v Speaker 1>in uh New York City circle of sisters I was

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<v Speaker 1>hanging out with when you were Carett Robinson and he

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<v Speaker 1>may not remember, but I got one of them elephant memories.

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<v Speaker 1>I remember everybody I meet because his brother was very impressive.

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<v Speaker 1>I've always followed his career. He started such movie projects

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<v Speaker 1>as a moneyball all of course, you know, being Mary Jane,

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<v Speaker 1>that's when you know he was just the bomb on that.

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<v Speaker 1>Of course, everything he does is fantastic TV one's Girlfriends

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<v Speaker 1>get Away to uh Think like a Man too, That

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<v Speaker 1>was my project. Executive produced that project. So I know

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<v Speaker 1>him from Their television appearances include USA Networks Raw Pains,

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<v Speaker 1>ABC's Gradess, Natomy, Lost, Brothers, Sisters, CBS, The Mentalist, c

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<v Speaker 1>c W is the Game Heart of Dixie. But what

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<v Speaker 1>he's on here to talk about today is the movie

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<v Speaker 1>I just saw this weekend, fantastic called Fatal Affair with

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<v Speaker 1>Neil Long on my apps. He plays her husband Marcus.

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<v Speaker 1>Please walking to money making conversation. Long time no see

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<v Speaker 1>Mrs Stephen Bishop, how you dring? Brother? Hey man? Hey,

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<v Speaker 1>foremost I gotta tell you that intro, not the intro

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<v Speaker 1>of me, which was sparkling, thank you very much for that,

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<v Speaker 1>but your intro to the show. That thing is smooth

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<v Speaker 1>out there, and that that's my Stephen A. Smith Man?

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<v Speaker 1>Was it really? Yeah? Man? Wow? I just spread my

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<v Speaker 1>wings out there, man, Stephen, you know I got a

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<v Speaker 1>little I got a little blast out there. Man. Uh,

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<v Speaker 1>you know, my life is good. Stephen. Ain't even an

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<v Speaker 1>indoor voice? Yes, absolutely, absolutely absolutely So, how's every they've

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<v Speaker 1>been going versus the last so you have in New York.

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<v Speaker 1>I've been watching your TV and uh, life's been good

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<v Speaker 1>for you. Huh yeah, man, I can't you know, I

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<v Speaker 1>can't really complain a lot. You know, the uh works

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<v Speaker 1>been been really good. Uh, family has been good. Everything's

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<v Speaker 1>been going well up until this pandemic it and you know,

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<v Speaker 1>I put the brakes on a lot. But uh, you know,

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<v Speaker 1>everybody staying healthy and to keep up doing what we

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<v Speaker 1>came to to be digitaling about wearing a mask when

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<v Speaker 1>we go out and continuing the social distince and all that.

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<v Speaker 1>So yeah, man, things, since I saw your last thing,

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<v Speaker 1>you've been really really good and uh, I'm honestly happy

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<v Speaker 1>to be here. So now the movie Fatal Fair, that's that.

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<v Speaker 1>That's your start in along with Nia and oh my

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<v Speaker 1>Epps sore good good people, good actors, good talent around you. Now,

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<v Speaker 1>when was this movie shot? Where where was the shot?

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<v Speaker 1>They win? It was shot in Malibu. Um, we we

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<v Speaker 1>shot the book of it in Malibu. And I had

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<v Speaker 1>a fantastic house and saw the movies absolutely. Uh. It

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<v Speaker 1>was amazing. And to be able to have that as

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<v Speaker 1>my office every day for a few weeks. Uh. Second

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<v Speaker 1>and nine, and I was one of the better locations

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<v Speaker 1>up into and uh, you know, let's get a great

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<v Speaker 1>job as sign and not Jim Primp locations manager did

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<v Speaker 1>a fantastic job. Well, it's awesome. So when when you

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<v Speaker 1>get a script like this, you know it's a fatal

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<v Speaker 1>attraction type deal. Woman of man get hooked good the

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<v Speaker 1>other and then all of a sudden one doesn't want

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<v Speaker 1>to release in the relationship. When you get a script

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<v Speaker 1>like this, how do you approach it? Stephen? Uh? In

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<v Speaker 1>what regards in regards to your character, because in your character,

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<v Speaker 1>your character is injured I would like to say injured,

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<v Speaker 1>and then he's trying to recover physically, and then so

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<v Speaker 1>it's like a communication issue. I like to believe that

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<v Speaker 1>really led to this kind of disconnect between Nia's character,

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<v Speaker 1>which plays she plays your wife. She's a hard worker,

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<v Speaker 1>and then you kind of like a recovery mode because

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<v Speaker 1>you're still in rehabilitation, so that intimacy, intimacy really is

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<v Speaker 1>lost there for a period. Am I am I writing

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<v Speaker 1>what I'm saying? Uh? Yeah, the that's in communication is

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<v Speaker 1>a big part of that. But as far as your

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<v Speaker 1>question of how I approached it, Um, I've been injured

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<v Speaker 1>before I had surgery. I had a knee surgery when

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<v Speaker 1>I was playing uh baseball, And so I was able

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<v Speaker 1>to draw from that experience what it's like to be,

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<v Speaker 1>you know, plaid off and not being able to do

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<v Speaker 1>what she longly do, know what you love. Uh. So

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<v Speaker 1>I was able to draw from my experience, and then

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<v Speaker 1>with the character himself, I was able to draw from

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<v Speaker 1>my experience growing up in the Bay Area. There's a

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<v Speaker 1>lot of the film is set in the Bay Area,

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<v Speaker 1>and I grew up there, and that, you know, there

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<v Speaker 1>was a lot of sensibilities and even down to the

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<v Speaker 1>layering of the clothing that I was able to draw

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<v Speaker 1>from my memories and and my experience living up there

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<v Speaker 1>and put myself into the mindset of somebody that's up there,

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<v Speaker 1>u y successful and just having to uh come back

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<v Speaker 1>from an injury. I was able to combine those two

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<v Speaker 1>things to create market right right because when I was

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<v Speaker 1>looking at the movie and uh, you know, well produced,

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<v Speaker 1>well crafted, well active movie. And they think about Netflix,

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<v Speaker 1>is that that's the next to the consul A different

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<v Speaker 1>game right now for streaming and uh premier movies and

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<v Speaker 1>and if I'm not if I'm not mistaken because you

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<v Speaker 1>can always correct me. It's like it's like their premier

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<v Speaker 1>in these movies and like over a hundred countries correct

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<v Speaker 1>with Netflix premiers a movie. Correct from what I A

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<v Speaker 1>hundred and ninety countries? Yeah, a hundred or something like

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<v Speaker 1>a hundred and eighty three million pery, Wow, in a

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<v Speaker 1>hundred and ninety countries. And the reason I bring that

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<v Speaker 1>up because the reason I bring that up because let's

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<v Speaker 1>let's be just this is us talking in the business

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<v Speaker 1>and how they've been treating black movies, okay, and of

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<v Speaker 1>movies with black leads, you know, domestically their premiere, but

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<v Speaker 1>they never saw an audience internationally, and so so we

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<v Speaker 1>never had the benefit of doing movies. And when I

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<v Speaker 1>did think like a man, I think like a man too.

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<v Speaker 1>We premier domestically, even though we made eighty million dollars

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<v Speaker 1>domestically we may have went to England, May a little

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<v Speaker 1>bit in Caribbean and then uh then in Africa. That

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<v Speaker 1>was it. And to see that now that black talent

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<v Speaker 1>is now being exposed in a whole wor hundred and

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<v Speaker 1>any countries, now that is a that's an amazing opportunity

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<v Speaker 1>that I feel that Netflix is provided for African American talent. Absolutely,

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<v Speaker 1>that's I mean, the you're dead on the nail with

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<v Speaker 1>the the normal lack of international representation in our film. Um,

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<v Speaker 1>you know, for some reason, they don't our films don't

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<v Speaker 1>do well overseasons, so they don't they don't buy them.

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<v Speaker 1>But I think that might have a lot to do

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<v Speaker 1>with the same reasons that we weren't getting a lot

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<v Speaker 1>of opportunities domestically for a while, is people just were

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<v Speaker 1>unfamiliar with the talent and the you know, the assets

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<v Speaker 1>that we bring to the table. So I think that

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<v Speaker 1>what Netflix is doing is pro writing a platform for

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<v Speaker 1>us to showcase our abilities on the international stage, and

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<v Speaker 1>that opens people's minds and opens people's eyes to what

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<v Speaker 1>they've been missing. And now you know, then later down

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<v Speaker 1>the road, if if the theatrical model comes back all

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<v Speaker 1>the way, um, it will open more doors, let's think,

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<v Speaker 1>for us to be able to pre sell internationally and

0:09:11.720 --> 0:09:15.680
<v Speaker 1>even you know, sell internationally after the fact. But I

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<v Speaker 1>think that Netflix is doing a fantastic job of taking

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<v Speaker 1>movies immediately global and giving everybody an opportunity to see

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<v Speaker 1>I love that that because that's you know, in in

0:11:27.640 --> 0:11:30.080
<v Speaker 1>the in I've been doing. I've been in entertainment, writing

0:11:30.160 --> 0:11:34.880
<v Speaker 1>sitcoms and writing reality shows and dramas ninety two in

0:11:34.920 --> 0:11:38.120
<v Speaker 1>this business. And so I've said, I've done black sitcoms

0:11:38.160 --> 0:11:40.480
<v Speaker 1>and just been trapped on the w B format or

0:11:40.559 --> 0:11:43.480
<v Speaker 1>up n per format or c W format, and they

0:11:43.520 --> 0:11:46.640
<v Speaker 1>called us black shows. And that's that's it. And and

0:11:46.760 --> 0:11:49.000
<v Speaker 1>and I when I see a movie like this, this

0:11:49.080 --> 0:11:53.680
<v Speaker 1>is entertainment, Stephen, this is entertainment. It's relatable to everybody.

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<v Speaker 1>Everybody has emotional issues, everybody has a child's in college,

0:11:58.760 --> 0:12:01.240
<v Speaker 1>everybody has meet crazy easy people out there who don't

0:12:01.240 --> 0:12:03.040
<v Speaker 1>want that you want to, don't want to be bothered with.

0:12:03.440 --> 0:12:05.960
<v Speaker 1>I just felt there was a universal movie. I'm sure

0:12:06.000 --> 0:12:07.480
<v Speaker 1>when you took on the script that was a whole

0:12:07.520 --> 0:12:14.520
<v Speaker 1>perspective you had about failure, attractions, failure, failure affairs. Well, correct, Yeah,

0:12:14.559 --> 0:12:17.360
<v Speaker 1>I did. I saw a lot for everybody. I mean,

0:12:17.840 --> 0:12:20.280
<v Speaker 1>the main thing that attracted me was being able to

0:12:20.280 --> 0:12:24.640
<v Speaker 1>work with Mia and omar Um, you know, being a

0:12:24.720 --> 0:12:28.000
<v Speaker 1>fan of both of theirs and being friends with both

0:12:28.000 --> 0:12:32.000
<v Speaker 1>of them outside of the business. Uh, it was just

0:12:32.080 --> 0:12:34.679
<v Speaker 1>a great opportunity. But when I got to read the

0:12:34.720 --> 0:12:37.680
<v Speaker 1>script and and and see what was happening out of

0:12:37.679 --> 0:12:41.640
<v Speaker 1>that lot, there's a lot of relatable subject matter here.

0:12:41.679 --> 0:12:43.360
<v Speaker 1>I think a lot of people will be able to,

0:12:43.480 --> 0:12:45.400
<v Speaker 1>you know, just to resonate with a lot of people

0:12:45.440 --> 0:12:47.880
<v Speaker 1>because a lot, like you said, a lot of people

0:12:47.960 --> 0:12:51.480
<v Speaker 1>go through these same life stories, and a lot of

0:12:51.480 --> 0:12:56.679
<v Speaker 1>people unfortunately go through this specific life story and so

0:12:56.960 --> 0:12:59.040
<v Speaker 1>they you know, from one side or the other, they'll

0:12:59.040 --> 0:13:01.599
<v Speaker 1>be able to relate. So yeah, I think it's pretty relatable,

0:13:02.240 --> 0:13:05.600
<v Speaker 1>uh in the premise and you know, hopefully it's not

0:13:05.679 --> 0:13:10.480
<v Speaker 1>too relatable in the uh plot. You know. Well, I

0:13:10.960 --> 0:13:13.800
<v Speaker 1>think that when you look at now, now you got

0:13:13.840 --> 0:13:16.520
<v Speaker 1>physical in the end, okay, got physical in the with

0:13:16.679 --> 0:13:19.720
<v Speaker 1>the with I'm not gonna give away the storyline, but

0:13:20.240 --> 0:13:23.240
<v Speaker 1>was it any additional training and he he started training involved

0:13:23.679 --> 0:13:26.920
<v Speaker 1>what you uh with the physicality near the end of

0:13:26.920 --> 0:13:33.679
<v Speaker 1>the movie. Uh, No, No, I Uh, I had to

0:13:33.720 --> 0:13:38.920
<v Speaker 1>do my normal you know training, which was weightlifting and

0:13:39.360 --> 0:13:42.520
<v Speaker 1>you know and uh you know, proper diet and all

0:13:42.559 --> 0:13:44.360
<v Speaker 1>that you get ready for us shoot because you know,

0:13:44.400 --> 0:13:47.520
<v Speaker 1>there's some some shirtless stuff in there, and I always

0:13:47.559 --> 0:13:49.480
<v Speaker 1>like to be, you know, as sharp as I can

0:13:49.520 --> 0:13:52.360
<v Speaker 1>be in that in that regard. But as far as

0:13:52.440 --> 0:13:56.600
<v Speaker 1>the the the reality of the role, No, I didn't

0:13:56.600 --> 0:13:59.760
<v Speaker 1>have to do any extra training. You know, I've done

0:14:00.120 --> 0:14:03.319
<v Speaker 1>training in the past with fighting and that kind of stuff,

0:14:03.400 --> 0:14:08.240
<v Speaker 1>so you know, I'm pretty pretty well versed in in that. Uh,

0:14:09.320 --> 0:14:11.520
<v Speaker 1>that facet of it. But you know I did have

0:14:11.600 --> 0:14:13.400
<v Speaker 1>to go and you know we had to rehearse the

0:14:13.520 --> 0:14:16.960
<v Speaker 1>actual writing, but we had that. We had the choreograph,

0:14:17.040 --> 0:14:21.520
<v Speaker 1>we had the chore I'm talking about, you know. So,

0:14:21.680 --> 0:14:26.960
<v Speaker 1>but you know, other than the choreograph and the choreography, Uh,

0:14:27.120 --> 0:14:29.440
<v Speaker 1>there wasn't anything extra that I had to do. I

0:14:29.480 --> 0:14:32.720
<v Speaker 1>was you know, I brought the skill sets to the

0:14:32.760 --> 0:14:36.680
<v Speaker 1>table with me. Hello, I brought the skill sets to

0:14:36.720 --> 0:14:39.400
<v Speaker 1>the table. I love that. So and when you when

0:14:39.440 --> 0:14:42.520
<v Speaker 1>you say being in an opportunity, you're working when you're

0:14:42.520 --> 0:14:48.200
<v Speaker 1>alone all my epps and she plays your your your wife,

0:14:48.880 --> 0:14:51.200
<v Speaker 1>and you have a daughter that comes home from college

0:14:51.320 --> 0:14:53.800
<v Speaker 1>or but she's about to in her first year of college, right,

0:14:55.760 --> 0:14:59.120
<v Speaker 1>she's actually there and she's coming home for she's coming

0:14:59.120 --> 0:15:01.400
<v Speaker 1>home for a break and uh, and in dealing with

0:15:01.440 --> 0:15:03.840
<v Speaker 1>your career and so and this is what I want

0:15:03.840 --> 0:15:05.520
<v Speaker 1>to get a little detail about it because I always

0:15:05.560 --> 0:15:07.120
<v Speaker 1>try to look at movies a little bit deeper than

0:15:07.120 --> 0:15:09.200
<v Speaker 1>most people see it because you're trying to find your

0:15:09.240 --> 0:15:14.840
<v Speaker 1>footing again in your career. And then she's like she's

0:15:14.920 --> 0:15:18.320
<v Speaker 1>like moving on and establishing her career in her own office.

0:15:19.080 --> 0:15:21.280
<v Speaker 1>And so because I'm trying to get the dynamics of

0:15:21.400 --> 0:15:24.480
<v Speaker 1>why that could possibly happen in a relationship like that,

0:15:24.520 --> 0:15:26.720
<v Speaker 1>Why would she even step out for that little half

0:15:26.720 --> 0:15:29.560
<v Speaker 1>a minute in your mind? In the script, what do

0:15:29.600 --> 0:15:32.760
<v Speaker 1>you think led to that with the relationship she kind

0:15:32.800 --> 0:15:37.760
<v Speaker 1>of had with all my ELPs? Well, there was, like

0:15:37.880 --> 0:15:42.320
<v Speaker 1>you said, the injury brought a lot into into play.

0:15:42.360 --> 0:15:45.200
<v Speaker 1>You know, you're laid up, you can't move. It was

0:15:45.240 --> 0:15:49.520
<v Speaker 1>like six months, right, you know you're yeah, yeah. And

0:15:49.560 --> 0:15:55.480
<v Speaker 1>there's also uh Meds involved that if you remember. Uh

0:15:55.560 --> 0:15:58.680
<v Speaker 1>I don't know if they actually left this part in

0:15:58.720 --> 0:16:02.440
<v Speaker 1>the in the not I don't remember, but there when

0:16:02.480 --> 0:16:04.400
<v Speaker 1>we were shooting, there as a part where it says

0:16:04.520 --> 0:16:06.720
<v Speaker 1>the Meds had put me in a place where I

0:16:06.760 --> 0:16:11.080
<v Speaker 1>wasn't really able to fulfill my husband ly duties, you

0:16:11.160 --> 0:16:13.480
<v Speaker 1>know what I mean. I wasn't, you know, I wasn't.

0:16:13.320 --> 0:16:15.920
<v Speaker 1>I don't know if it if it made the cut

0:16:16.000 --> 0:16:18.440
<v Speaker 1>or not. I don't remember that line. I just but

0:16:18.480 --> 0:16:22.880
<v Speaker 1>I can understand that it was in the scene. I

0:16:22.400 --> 0:16:24.640
<v Speaker 1>I said it in the scene when I was playing

0:16:24.640 --> 0:16:28.640
<v Speaker 1>golf with Homemor's character. Right. They may have cut that,

0:16:28.760 --> 0:16:32.480
<v Speaker 1>they may have cut that out. But regardless what I

0:16:32.520 --> 0:16:35.040
<v Speaker 1>think what led to it was you know, the injury,

0:16:35.160 --> 0:16:39.600
<v Speaker 1>being incapacitated, the med's you know, bringing you know, the

0:16:40.400 --> 0:16:43.520
<v Speaker 1>Beto down and and the you know, just the interest

0:16:43.720 --> 0:16:48.120
<v Speaker 1>and you know, she just was feeling uh neglected, and

0:16:48.520 --> 0:16:51.560
<v Speaker 1>you know when she ran into a guy that she

0:16:51.680 --> 0:16:55.600
<v Speaker 1>knew and he expressed, you know, such strong interest and

0:16:55.720 --> 0:16:57.800
<v Speaker 1>they you know, they got a couple of drinks in them,

0:16:57.840 --> 0:17:01.240
<v Speaker 1>and you know, I think her are just got let down.

0:17:01.320 --> 0:17:04.919
<v Speaker 1>And I think that, but I think what led to

0:17:05.000 --> 0:17:08.080
<v Speaker 1>it was just the you know, the mundane married life

0:17:08.119 --> 0:17:10.040
<v Speaker 1>that you know, they have a nineteen year old, so

0:17:10.080 --> 0:17:14.560
<v Speaker 1>they obviously have been together for twenty years more and

0:17:14.560 --> 0:17:17.479
<v Speaker 1>and you know, a lot of times that's what happens.

0:17:17.560 --> 0:17:22.080
<v Speaker 1>It's just becomes a routine and uh, people look for,

0:17:22.400 --> 0:17:24.919
<v Speaker 1>you know, an extra spark, and when they find it,

0:17:25.040 --> 0:17:29.239
<v Speaker 1>it can sometimes lead to, you know, things that they

0:17:29.240 --> 0:17:33.480
<v Speaker 1>shouldn't do. Well. Definitely, um in this movie, I really

0:17:33.600 --> 0:17:35.800
<v Speaker 1>um it was good. I enjoyed it. I really really

0:17:35.880 --> 0:17:38.840
<v Speaker 1>enjoyed the enjoyed the acting, and enjoyed the relationship that

0:17:38.960 --> 0:17:41.879
<v Speaker 1>you know, I can understand, Like like you said, Stephen Bishop,

0:17:41.880 --> 0:17:43.520
<v Speaker 1>I'm talking to Stephen Bishoon is one of the stars

0:17:43.520 --> 0:17:48.000
<v Speaker 1>of Fatal Affair. He's up. July sixteen, Netflix new global

0:17:48.080 --> 0:17:51.600
<v Speaker 1>release of Fatal Affair. Uh, a pair of released in

0:17:51.680 --> 0:17:54.800
<v Speaker 1>over a hundred and eighty countries worldwide. That's our Netflix

0:17:54.840 --> 0:17:57.600
<v Speaker 1>does it for all their movies. When I when I

0:17:57.600 --> 0:18:01.200
<v Speaker 1>look at a movie like this, and it's always about relatabilities,

0:18:01.240 --> 0:18:04.400
<v Speaker 1>all about did they pull you in? Did I related?

0:18:04.440 --> 0:18:07.080
<v Speaker 1>Because I did? I understand? Did I have sympathy for

0:18:07.160 --> 0:18:10.320
<v Speaker 1>your character and understanding that you were recovering from a

0:18:10.320 --> 0:18:13.639
<v Speaker 1>physical injury? Did I understand where she came from? But

0:18:13.720 --> 0:18:16.600
<v Speaker 1>she did pull back? You know, she didn't. She didn't

0:18:16.800 --> 0:18:19.920
<v Speaker 1>fully commit. And so even though there was liquor involved

0:18:19.920 --> 0:18:23.199
<v Speaker 1>and all that, so I was still I felt. I

0:18:23.200 --> 0:18:25.920
<v Speaker 1>felt her character was still saved. And I thought the

0:18:25.960 --> 0:18:29.200
<v Speaker 1>script writing and the director was fantastic. Overall. Your thoughts

0:18:29.240 --> 0:18:34.960
<v Speaker 1>on the movie as we wrapped this up, uh, Stephen? Uh? Yeah,

0:18:35.160 --> 0:18:39.920
<v Speaker 1>Peter Sultan are director to a fantastic job. I thought

0:18:39.920 --> 0:18:43.159
<v Speaker 1>the writing was you know, was was well executed, and

0:18:44.720 --> 0:18:47.800
<v Speaker 1>I thought the acting was was was really well done

0:18:47.800 --> 0:18:50.080
<v Speaker 1>as well. Me and it's such a professional I did

0:18:50.080 --> 0:18:51.639
<v Speaker 1>a lot of my my work with her. I had

0:18:51.640 --> 0:18:53.119
<v Speaker 1>a little bit with all my goth the bulk of

0:18:53.200 --> 0:18:55.680
<v Speaker 1>my work with me and absolutely and it was such

0:18:55.920 --> 0:18:58.520
<v Speaker 1>it was such a pleasure to work with her every day.

0:18:58.760 --> 0:19:01.280
<v Speaker 1>And she, you know, she's such a nice women and

0:19:02.440 --> 0:19:06.679
<v Speaker 1>such a professional, very prepared. Um you know, she just

0:19:06.840 --> 0:19:09.640
<v Speaker 1>was She's an actor's actor, you know what I mean.

0:19:09.720 --> 0:19:13.320
<v Speaker 1>She's just somebody that you know, you enjoy going to

0:19:13.359 --> 0:19:16.840
<v Speaker 1>work with every day. Um. So I thought, I thought

0:19:16.840 --> 0:19:20.720
<v Speaker 1>our whole team did a really good job. We had

0:19:20.760 --> 0:19:24.720
<v Speaker 1>some you know, some late nights and some some long

0:19:25.320 --> 0:19:28.600
<v Speaker 1>shooting shooting gangs, but we got it done. And you know,

0:19:28.680 --> 0:19:33.400
<v Speaker 1>our our team, our team, you know, put it together

0:19:33.520 --> 0:19:36.240
<v Speaker 1>and and it really brought it home. So I think

0:19:36.280 --> 0:19:39.720
<v Speaker 1>everybody's gonna like it. I hope everyone does. I like it.

0:19:39.760 --> 0:19:42.480
<v Speaker 1>I loved it. I'm proud of it, and I'm glad

0:19:42.520 --> 0:19:45.359
<v Speaker 1>you did or show. I'm glad you did. Um uh.

0:19:45.400 --> 0:19:48.639
<v Speaker 1>And you know, once again, I just gotta you know,

0:19:48.720 --> 0:19:51.199
<v Speaker 1>seeing the praises of me along who was actually a

0:19:51.200 --> 0:19:54.480
<v Speaker 1>producer on this one as well. And so she had

0:19:54.600 --> 0:19:56.399
<v Speaker 1>she had, she had a couple of hats on and

0:19:57.200 --> 0:20:01.680
<v Speaker 1>I think she did a fantastic job. So um yeah,

0:20:01.720 --> 0:20:04.560
<v Speaker 1>I think I think, oh, you got a home run,

0:20:04.600 --> 0:20:08.360
<v Speaker 1>you got a home run, knows uh, Fatal Affair Global

0:20:08.440 --> 0:20:12.080
<v Speaker 1>released on Netflix July sixteen. My man, Stephen Bishop, for

0:20:12.200 --> 0:20:15.000
<v Speaker 1>the next time, let's talk longer. I appreciate you coming

0:20:15.000 --> 0:20:17.320
<v Speaker 1>on promoting this movie is a great movie. I'm recommending

0:20:17.359 --> 0:20:20.480
<v Speaker 1>everybody and putting all my social media clothes a fan club.

0:20:20.760 --> 0:20:23.480
<v Speaker 1>But again, thank you Netflix for bringing him on the show.

0:20:23.800 --> 0:20:27.640
<v Speaker 1>Formier in a hundred and ninety countries Fatal Affair starring

0:20:28.080 --> 0:20:31.720
<v Speaker 1>Nia Long on my ELPs and Stephen Bishop. Thank you, Stephen,

0:20:32.000 --> 0:20:34.000
<v Speaker 1>thank you so thanks for having me man. I really

0:20:34.080 --> 0:20:36.439
<v Speaker 1>appreciate it, and let's do it again. To him, we

0:20:36.520 --> 0:20:41.040
<v Speaker 1>will thank you Netflix. By in this season of giving,

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<v Speaker 1>Adoption presented by adopt Us Kids, brought to you by

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<v Speaker 1>for Children and Families, and the ad Council