1 00:00:00,720 --> 00:00:08,720 Speaker 1: I am all in, that's you. 2 00:00:16,079 --> 00:00:19,080 Speaker 2: This Isn't Old Man Music with Scott Patterson. 3 00:00:19,400 --> 00:00:21,040 Speaker 3: Everything You've ever wanted to know. 4 00:00:21,200 --> 00:00:24,799 Speaker 1: About the music of Gilmore Girls. He everybody, Scott Patterson. 5 00:00:24,840 --> 00:00:31,639 Speaker 1: I am Alden Podcast one eleven Productions. iHeartRadio Media, iHeart podcast. 6 00:00:31,720 --> 00:00:36,559 Speaker 1: This Isn't Old Man's Music with Marylynn Rice cub Hello, 7 00:00:36,600 --> 00:00:38,519 Speaker 1: mary Lynn? How you doing? You know or your lover? 8 00:00:38,680 --> 00:00:43,480 Speaker 1: She's a comedian. She's Chloe on the Fox series twenty four. 9 00:00:44,320 --> 00:00:49,720 Speaker 1: She's Gale the Snail and it's always Sonny and Philadelphia 10 00:00:49,840 --> 00:00:53,360 Speaker 1: my hometown. Maryland is also starring in the second season 11 00:00:53,400 --> 00:00:57,880 Speaker 1: of her Netflix series North of north Man. 12 00:00:59,040 --> 00:01:02,080 Speaker 3: I mean, get you go. Thank you for that lovely 13 00:01:02,160 --> 00:01:04,760 Speaker 3: intro though, so night and you said my name correctly, 14 00:01:05,640 --> 00:01:05,840 Speaker 3: you know. 15 00:01:06,160 --> 00:01:09,800 Speaker 1: We we worked on that and we took bets and 16 00:01:10,360 --> 00:01:12,760 Speaker 1: I think I just won about fifteen dollars. 17 00:01:13,000 --> 00:01:15,840 Speaker 3: It was pretty great. And you have Detroit had on. 18 00:01:15,920 --> 00:01:17,320 Speaker 3: I'm from the Detroit area. 19 00:01:17,600 --> 00:01:20,959 Speaker 1: Yeah, I just I can't get enough of this logo. 20 00:01:21,160 --> 00:01:23,600 Speaker 1: I just ye, I love it. I love it pretty fantastic. 21 00:01:24,120 --> 00:01:25,960 Speaker 1: I was just up there. I love that place. I 22 00:01:26,600 --> 00:01:28,840 Speaker 1: love I love Michigan, I love Detroit, I love the 23 00:01:28,880 --> 00:01:32,759 Speaker 1: whole I love the whole vibe and Gilmore Girls fan 24 00:01:32,920 --> 00:01:40,000 Speaker 1: are gonna remember Marylynn as one of Starr's Hollows memorable 25 00:01:40,080 --> 00:01:43,880 Speaker 1: troubadors and as the girlfriend in Kirk's movie, appearing in 26 00:01:44,000 --> 00:01:46,520 Speaker 1: two of Kirk's movies. 27 00:01:46,720 --> 00:01:49,400 Speaker 3: Double Trouble for Me, I'm the gilm Girls. 28 00:01:49,440 --> 00:01:52,320 Speaker 1: It sure is Maryland. How are you doing. 29 00:01:54,000 --> 00:01:54,480 Speaker 3: So good? 30 00:01:55,200 --> 00:01:59,520 Speaker 1: Yeah? So good? Yeah, well we see it in in 31 00:01:59,760 --> 00:02:04,120 Speaker 1: SEO episode nineteen Teach Me Tonight Kirk girlfriend, and then 32 00:02:04,160 --> 00:02:06,240 Speaker 1: again as a town troupe Do Our Season six, episode 33 00:02:06,240 --> 00:02:09,480 Speaker 1: twenty two parties, Yes, how did you? How did you 34 00:02:09,520 --> 00:02:10,440 Speaker 1: get these roles? 35 00:02:10,919 --> 00:02:16,120 Speaker 3: You know, way back when we're talking about the past 36 00:02:17,240 --> 00:02:21,640 Speaker 3: where we've been around for a while. Amy Sherman Palladino 37 00:02:21,840 --> 00:02:24,919 Speaker 3: was a huge La comedy fan. I mean, I think 38 00:02:25,000 --> 00:02:27,519 Speaker 3: she's a comedy fan in general, and we know when 39 00:02:28,720 --> 00:02:32,320 Speaker 3: you can see by her vast incredible work. When she 40 00:02:32,600 --> 00:02:38,079 Speaker 3: likes something, she celebrates it. So she used to come 41 00:02:38,120 --> 00:02:42,560 Speaker 3: to this local show, what was it called on cabaret 42 00:02:42,600 --> 00:02:46,560 Speaker 3: that they used to do in West Hollywood, and I 43 00:02:46,880 --> 00:02:49,840 Speaker 3: was fighting to get on a local show that show 44 00:02:50,000 --> 00:02:54,200 Speaker 3: as somebody new to La. So yeah, it was sort 45 00:02:54,200 --> 00:02:56,880 Speaker 3: of the beginning of my stand up I was coming 46 00:02:56,880 --> 00:02:59,880 Speaker 3: from art school. I was like a performance art type 47 00:02:59,880 --> 00:03:02,920 Speaker 3: of person, and then a friend of mine at the 48 00:03:02,919 --> 00:03:05,160 Speaker 3: time we were learning how to play guitar and we 49 00:03:05,240 --> 00:03:08,320 Speaker 3: ended up doing it on stage, and I think that 50 00:03:08,440 --> 00:03:11,600 Speaker 3: Amy was just aware of the scene of the comedy 51 00:03:11,639 --> 00:03:18,000 Speaker 3: scene and had seen me or us enough and asked 52 00:03:18,000 --> 00:03:22,520 Speaker 3: me if I wanted to jump in and be a truerdard. Now. 53 00:03:22,560 --> 00:03:27,400 Speaker 3: I was terrified because I probably still to this day 54 00:03:27,480 --> 00:03:33,000 Speaker 3: only no three chords on the guitar. And I thought, 55 00:03:33,160 --> 00:03:35,080 Speaker 3: I can do this. I can do a song for 56 00:03:35,160 --> 00:03:38,480 Speaker 3: thirty seconds. I can hold it down and look like 57 00:03:39,560 --> 00:03:42,560 Speaker 3: I mean, it seems silly. But it was a challenge 58 00:03:42,600 --> 00:03:46,320 Speaker 3: for me because you know, I wanted to be the part. 59 00:03:46,560 --> 00:03:49,560 Speaker 3: But it was terrifying, but just enough so I was like, 60 00:03:49,600 --> 00:03:52,240 Speaker 3: come on, you can get through this. They're gonna cut 61 00:03:52,280 --> 00:03:55,480 Speaker 3: away from you and got enough of my juicy juicy 62 00:03:55,560 --> 00:03:58,280 Speaker 3: song in there. But yeah, that was second, and then 63 00:03:58,640 --> 00:04:00,640 Speaker 3: filmed by Kirk was first. But it was because she 64 00:04:00,720 --> 00:04:03,720 Speaker 3: saw us. That was a long winded answer of she 65 00:04:04,520 --> 00:04:07,400 Speaker 3: saw me in the local LA scene and then. 66 00:04:07,240 --> 00:04:12,240 Speaker 1: She finally approached you one night after a show or 67 00:04:12,280 --> 00:04:14,280 Speaker 1: she got in touch with your agent. How'd she get it. 68 00:04:14,400 --> 00:04:16,560 Speaker 3: I think it was through my agent, and I think 69 00:04:16,600 --> 00:04:20,080 Speaker 3: it was. You know, she's a fan of yours, which 70 00:04:20,120 --> 00:04:25,080 Speaker 3: is the greatest thing if you ever are lucky enough 71 00:04:25,080 --> 00:04:28,880 Speaker 3: to hear that as an actor or a performer. I mean, 72 00:04:28,880 --> 00:04:32,839 Speaker 3: those are some of my best jobs. Is when the 73 00:04:32,880 --> 00:04:35,680 Speaker 3: person who's in charge has the vision enough to know 74 00:04:35,760 --> 00:04:38,600 Speaker 3: what they like and know what they want, and then 75 00:04:38,640 --> 00:04:41,080 Speaker 3: also the huge, you know, ego boost that you get 76 00:04:41,120 --> 00:04:46,360 Speaker 3: if you're in that vicinity and get to be that. 77 00:04:46,720 --> 00:04:49,400 Speaker 3: So yeah, I just love her. 78 00:04:50,040 --> 00:04:52,080 Speaker 1: Well, a lot of people know you for your comedy 79 00:04:52,480 --> 00:04:58,200 Speaker 1: and acting, but what the musical side, Yes, how's that developing? 80 00:04:58,240 --> 00:05:00,000 Speaker 1: Are you still incorporating that into your eye? 81 00:05:00,560 --> 00:05:07,560 Speaker 3: I sure am not that developed? And that ended. It 82 00:05:07,680 --> 00:05:11,599 Speaker 3: started as a comedy band with a friend of mine 83 00:05:11,640 --> 00:05:17,000 Speaker 3: who is now very well known for her murder podcast. 84 00:05:17,200 --> 00:05:19,359 Speaker 3: I'm such a like old person. I'm like, what's the 85 00:05:19,440 --> 00:05:26,200 Speaker 3: name of that murder podcast? It's Karen Kogariff, who back 86 00:05:26,480 --> 00:05:29,080 Speaker 3: back then she was learning how to play guitar, and 87 00:05:29,120 --> 00:05:33,560 Speaker 3: she recruited me and then we became a club for 88 00:05:33,680 --> 00:05:36,599 Speaker 3: girls who want to learn how to play guitar. And 89 00:05:36,680 --> 00:05:40,120 Speaker 3: of course because we were both comedians, not knowing what 90 00:05:40,200 --> 00:05:43,279 Speaker 3: we were doing on guitar, but still writing songs anyway, 91 00:05:43,960 --> 00:05:45,800 Speaker 3: and every time we would screw up, we would just 92 00:05:45,920 --> 00:05:49,760 Speaker 3: talk in between, and so we put that on stage 93 00:05:50,000 --> 00:05:53,080 Speaker 3: and became the Girl's Guitar Club and we were really 94 00:05:53,120 --> 00:05:56,400 Speaker 3: flying high for two three years before we disbanded. And 95 00:05:56,440 --> 00:06:00,000 Speaker 3: it was in that period of time that the Troubadour 96 00:06:00,880 --> 00:06:01,640 Speaker 3: job happened. 97 00:06:02,240 --> 00:06:05,839 Speaker 1: Oh okay, got you? Would you say that you were 98 00:06:05,960 --> 00:06:08,880 Speaker 1: fans of the Smothers Brothers. 99 00:06:09,720 --> 00:06:11,839 Speaker 3: Sure, tangentially of course. 100 00:06:12,160 --> 00:06:15,120 Speaker 1: So who were your big influences in your in your comedy? 101 00:06:15,120 --> 00:06:16,560 Speaker 1: Who really fed you? 102 00:06:16,600 --> 00:06:16,800 Speaker 2: Who? 103 00:06:17,320 --> 00:06:19,040 Speaker 1: Why did you want to become a comedian? 104 00:06:20,480 --> 00:06:26,640 Speaker 3: I never really identified with comedians. I just was funny 105 00:06:26,640 --> 00:06:29,440 Speaker 3: and I didn't know I was being funny. When I 106 00:06:29,440 --> 00:06:32,479 Speaker 3: first started, I would get laughs in between the jokes 107 00:06:32,600 --> 00:06:35,520 Speaker 3: because I was doing performance art and art school, and 108 00:06:35,560 --> 00:06:38,719 Speaker 3: then I was making fun of performance art. And then 109 00:06:39,320 --> 00:06:44,080 Speaker 3: over the years I started steering it towards knowing how 110 00:06:44,080 --> 00:06:47,200 Speaker 3: to get the laugh on purpose instead of by accident. 111 00:06:47,600 --> 00:06:52,520 Speaker 1: Interesting, the accidental comedian brilliant. 112 00:06:53,000 --> 00:06:53,320 Speaker 2: All right? 113 00:06:53,360 --> 00:06:56,000 Speaker 1: Well, the song you sang in the show is credited 114 00:06:56,880 --> 00:06:59,840 Speaker 1: with many different titles. One is Lost Volfo the other 115 00:07:00,200 --> 00:07:03,640 Speaker 1: car Song. The other one is eighty nine Volvo? 116 00:07:03,760 --> 00:07:04,120 Speaker 2: What is it? 117 00:07:04,200 --> 00:07:06,800 Speaker 1: Who wrote it? What's the title? Who wrote the song? 118 00:07:08,000 --> 00:07:08,240 Speaker 3: Whoa? 119 00:07:08,279 --> 00:07:08,440 Speaker 2: Whoa? 120 00:07:08,520 --> 00:07:10,680 Speaker 3: Whoa? This is a hard hitting question. You started to 121 00:07:10,680 --> 00:07:12,440 Speaker 3: get angry there. What's going on here? 122 00:07:12,560 --> 00:07:14,160 Speaker 1: That's what people want to know. 123 00:07:14,480 --> 00:07:16,920 Speaker 3: Now, all those titles are mine. I'll take credit for 124 00:07:17,040 --> 00:07:20,280 Speaker 3: all of them. I think the songs called eighty nine Vovo, 125 00:07:20,400 --> 00:07:23,640 Speaker 3: I wrote it about my eighty nine Volvo Scott. Okay, 126 00:07:24,560 --> 00:07:27,840 Speaker 3: so in your face with that. I wrote all six 127 00:07:27,920 --> 00:07:30,120 Speaker 3: lines of that song. Honestly, I think the song was 128 00:07:30,160 --> 00:07:32,760 Speaker 3: probably I got two minutes out of it. I actually 129 00:07:32,760 --> 00:07:35,160 Speaker 3: did write the song. But yes, it was in that 130 00:07:35,280 --> 00:07:37,960 Speaker 3: time period where I was playing with Karen, so I 131 00:07:38,080 --> 00:07:41,080 Speaker 3: was in the mindset of like, I can do this. 132 00:07:41,200 --> 00:07:44,360 Speaker 3: I can focus long enough to strum, you know, And 133 00:07:45,520 --> 00:07:47,640 Speaker 3: if you would have watched thirty more seconds, I'm sure 134 00:07:47,680 --> 00:07:52,560 Speaker 3: my rhythm would have falled apart, fell fun fallen apart. 135 00:07:54,120 --> 00:07:55,320 Speaker 1: What kind of guitar do you play? 136 00:07:56,480 --> 00:07:58,400 Speaker 3: I don't play anymore, but I think I had a 137 00:07:58,600 --> 00:08:02,160 Speaker 3: baby Taylor for a while travel guitar and she and I. 138 00:08:02,240 --> 00:08:04,720 Speaker 3: You know, back when we were doing our comedy act, 139 00:08:04,840 --> 00:08:08,800 Speaker 3: we actually opened for quite a few people. People really 140 00:08:09,960 --> 00:08:13,360 Speaker 3: enjoyed us like we opened for Amy Mann at Largo. 141 00:08:13,560 --> 00:08:16,440 Speaker 3: We for the Tubes. Do you remember the band that 142 00:08:16,520 --> 00:08:20,119 Speaker 3: cheen Sure? They saw us somewhere and had us open 143 00:08:20,200 --> 00:08:23,640 Speaker 3: for them somewhere in West Hollywood. I can't remember the venue, 144 00:08:23,920 --> 00:08:27,280 Speaker 3: but we really got around a little bit. It was 145 00:08:27,320 --> 00:08:30,320 Speaker 3: really fun and we had you know, originals, and we 146 00:08:30,400 --> 00:08:37,280 Speaker 3: did some covers, and you know, we were kind of 147 00:08:37,280 --> 00:08:40,760 Speaker 3: good in our in our not goodness, and it was 148 00:08:40,840 --> 00:08:42,920 Speaker 3: foolproof because we had that way. We were a club 149 00:08:42,960 --> 00:08:45,440 Speaker 3: for girls who wanted to learn how to play guitar. 150 00:08:45,880 --> 00:08:47,760 Speaker 3: So if we made mistakes, it was just part of 151 00:08:47,800 --> 00:08:50,800 Speaker 3: the act. And if we got caught up and talking 152 00:08:51,240 --> 00:08:53,160 Speaker 3: in the middle of a song, if one of us 153 00:08:53,480 --> 00:08:55,600 Speaker 3: started monologuing, you know, so be it. 154 00:08:55,960 --> 00:08:58,800 Speaker 1: Any is there any video that people can enjoy? 155 00:08:59,559 --> 00:09:03,280 Speaker 3: There is a short film by a guy of the 156 00:09:03,360 --> 00:09:06,200 Speaker 3: name of Ruben Fleischer who went on to become a 157 00:09:06,240 --> 00:09:09,880 Speaker 3: big movie director. He saw us live and we were 158 00:09:09,960 --> 00:09:13,680 Speaker 3: actually one of his first things that he made because 159 00:09:13,720 --> 00:09:16,280 Speaker 3: he was just starting out, and he said, I want 160 00:09:16,559 --> 00:09:18,880 Speaker 3: you guys are great, I want to make a short 161 00:09:18,880 --> 00:09:20,880 Speaker 3: film of you. And of course we had attitudes because 162 00:09:20,880 --> 00:09:23,800 Speaker 3: we're like, you know, we didn't trust anybody We're like, 163 00:09:23,880 --> 00:09:26,360 Speaker 3: what do you what are you trying to get from us? 164 00:09:26,360 --> 00:09:28,559 Speaker 3: And he said, no, I love you guys. Let's make 165 00:09:28,559 --> 00:09:32,200 Speaker 3: a short film and so you you can google that film. 166 00:09:32,600 --> 00:09:35,040 Speaker 3: Really pretty funny. E from the Eels is in it, 167 00:09:35,440 --> 00:09:38,960 Speaker 3: and our characters both work at a thrift shop and 168 00:09:39,000 --> 00:09:42,640 Speaker 3: we want to be rock stars in comedy and guitar players. 169 00:09:42,920 --> 00:09:55,160 Speaker 1: Gotcha? All right, I'm gonna check that out. Did Amy 170 00:09:55,440 --> 00:09:59,200 Speaker 1: Sharon Paladino give you any specific guidance on tone or 171 00:09:59,240 --> 00:10:01,120 Speaker 1: style or she just let you run with it. 172 00:10:03,120 --> 00:10:09,000 Speaker 3: I'm sure she did, because that's how she is. She's 173 00:10:09,040 --> 00:10:15,520 Speaker 3: going to tell you what's going on and set you 174 00:10:15,640 --> 00:10:19,480 Speaker 3: up for success and want you to win. So I'm 175 00:10:19,520 --> 00:10:23,280 Speaker 3: sure at the time there was you know, I just 176 00:10:23,360 --> 00:10:28,280 Speaker 3: really think she's such a you know, she's a monumental 177 00:10:28,360 --> 00:10:32,160 Speaker 3: artist and also a giver a lover of artists, and 178 00:10:32,240 --> 00:10:38,640 Speaker 3: so I'm sure she just you know, described where we 179 00:10:38,640 --> 00:10:44,719 Speaker 3: were and kind of the premise behind why the troubadours 180 00:10:44,760 --> 00:10:47,280 Speaker 3: were there. But as far as what I did, she 181 00:10:47,440 --> 00:10:50,560 Speaker 3: was very trusting and just like, we'll see what you 182 00:10:50,600 --> 00:10:52,240 Speaker 3: do when you do it. So it was more like 183 00:10:52,320 --> 00:10:55,319 Speaker 3: she set the scene for us and the tone and 184 00:10:55,360 --> 00:11:00,240 Speaker 3: then kind of trusted. She wasn't too worried about what 185 00:11:00,320 --> 00:11:02,280 Speaker 3: I would do. And again, that's what that's such a 186 00:11:02,320 --> 00:11:06,440 Speaker 3: testament to somebody who has vision and can see in 187 00:11:06,600 --> 00:11:08,240 Speaker 3: other people what they do. 188 00:11:10,240 --> 00:11:14,440 Speaker 1: What are your most memorable interactions with cast while filming 189 00:11:14,440 --> 00:11:20,320 Speaker 1: your episodes? What was it like working with with Sean Gunn. 190 00:11:20,280 --> 00:11:23,760 Speaker 3: I remember him being a little bit like his character, 191 00:11:24,960 --> 00:11:29,600 Speaker 3: you know, which I was a full on weirdo as well. 192 00:11:31,480 --> 00:11:34,480 Speaker 3: And I remember everybody just being cool, you know. It's 193 00:11:34,559 --> 00:11:37,199 Speaker 3: it's always a it's always a good vibe when you're 194 00:11:37,240 --> 00:11:39,920 Speaker 3: on something that's good, that people love and you feel 195 00:11:39,920 --> 00:11:43,320 Speaker 3: like you're getting to do your craft. Those are usually 196 00:11:44,400 --> 00:11:48,520 Speaker 3: really nice sets to be on. And it was and 197 00:11:48,559 --> 00:11:51,280 Speaker 3: it was you know, I'm sure it was there a 198 00:11:51,400 --> 00:11:54,360 Speaker 3: day or like, not even a whole day, you know, 199 00:11:55,440 --> 00:11:58,679 Speaker 3: And for me at that time, I probably was just like, Wow, 200 00:11:58,760 --> 00:12:02,040 Speaker 3: this is so cool. Would be so cool to be 201 00:12:02,120 --> 00:12:05,040 Speaker 3: a regular on a show like this, you know. For me, 202 00:12:05,160 --> 00:12:07,960 Speaker 3: it was like a day imagining what it would be 203 00:12:08,200 --> 00:12:11,400 Speaker 3: like to be coming to that set every day. And 204 00:12:11,600 --> 00:12:14,640 Speaker 3: I was a little bit you know, the trubidour thing. 205 00:12:15,080 --> 00:12:19,360 Speaker 3: Even though it's a stranger conceit made more sense to 206 00:12:19,440 --> 00:12:22,640 Speaker 3: me than even being in his short film. I remember 207 00:12:22,679 --> 00:12:25,400 Speaker 3: being a little bit nervous about that because I didn't 208 00:12:25,400 --> 00:12:31,560 Speaker 3: really grasp how it would play out, which is fine, 209 00:12:31,679 --> 00:12:34,719 Speaker 3: you know, stuff like that happens as an actor all 210 00:12:34,760 --> 00:12:38,440 Speaker 3: the time. When you sometimes don't you know, sometimes it's 211 00:12:38,440 --> 00:12:40,000 Speaker 3: not for you to know you can't. It's not like 212 00:12:40,080 --> 00:12:42,400 Speaker 3: I'm like, how is this going to be edited together? 213 00:12:42,520 --> 00:12:46,120 Speaker 3: Which sometimes we do think of stuff like that, but 214 00:12:46,320 --> 00:12:47,720 Speaker 3: you know, you kind of just have to let it 215 00:12:47,760 --> 00:12:49,800 Speaker 3: go and go all right, that's not my job. I'm 216 00:12:49,840 --> 00:12:54,439 Speaker 3: just going to the director's happy, the creator's happy. I'm 217 00:12:54,480 --> 00:12:56,280 Speaker 3: going to let this one go because I didn't. I 218 00:12:56,320 --> 00:12:59,000 Speaker 3: couldn't really understand, and then when I saw it cut together, 219 00:12:59,040 --> 00:13:03,280 Speaker 3: it's like, yeah, it's really weird. It doesn't connect to 220 00:13:03,320 --> 00:13:08,120 Speaker 3: anything else. Yeah, So that can be scary when you're 221 00:13:09,600 --> 00:13:14,080 Speaker 3: you know, a day player, so put into a story. 222 00:13:14,200 --> 00:13:16,680 Speaker 3: But now this was like a story outside of a 223 00:13:16,720 --> 00:13:21,320 Speaker 3: story that takes place in Kirk's mind. So in a 224 00:13:21,360 --> 00:13:25,640 Speaker 3: way that maybe makes it mistake proof because it's sure 225 00:13:25,840 --> 00:13:29,600 Speaker 3: because it's out there. But to me in that moment, 226 00:13:29,640 --> 00:13:35,240 Speaker 3: I remember going, I don't really understand what Kirk's thing is. 227 00:13:35,640 --> 00:13:38,640 Speaker 3: But I didn't have to that comes from the ego 228 00:13:38,720 --> 00:13:40,880 Speaker 3: going like I want to get this right right, which 229 00:13:40,880 --> 00:13:45,160 Speaker 3: we always have to let go of it when starts anyway. 230 00:13:45,360 --> 00:13:49,560 Speaker 1: Right, all right, Let's say there's a Christmas movie, just 231 00:13:50,080 --> 00:13:55,120 Speaker 1: hypothetically speaking, Gilmore Christmas movie, and they want you to return. 232 00:13:55,480 --> 00:13:57,520 Speaker 3: I'm nervous already to pick up the guitar again. 233 00:13:58,880 --> 00:13:59,640 Speaker 1: So there you go. 234 00:14:00,360 --> 00:14:04,000 Speaker 3: Maybe do I return as as Kirk's real life girlfriend? 235 00:14:04,160 --> 00:14:07,880 Speaker 1: There you go? That would be a character you could create. Yes, 236 00:14:08,679 --> 00:14:12,920 Speaker 1: So what happened to Lulu? Because that's his that's his 237 00:14:13,200 --> 00:14:14,079 Speaker 1: that's his girlfriend. 238 00:14:14,240 --> 00:14:15,960 Speaker 3: I don't know what did happen? 239 00:14:16,080 --> 00:14:20,480 Speaker 1: That's a that's a storyline right there. Yeah, to be explored. 240 00:14:20,720 --> 00:14:24,480 Speaker 3: You know, maybe we get into a fight. Maybe maybe 241 00:14:24,520 --> 00:14:26,360 Speaker 3: I just want to be his girlfriend, you. 242 00:14:26,320 --> 00:14:31,080 Speaker 1: Know, it's uh, you know, maybe he's maybe he's just 243 00:14:31,360 --> 00:14:34,720 Speaker 1: still with Lulu. He's just two timing, you know. Oh no, 244 00:14:35,600 --> 00:14:37,120 Speaker 1: can you imagine. 245 00:14:36,800 --> 00:14:38,480 Speaker 3: When we learned too much about people? 246 00:14:41,040 --> 00:14:43,560 Speaker 1: Well, let's talk a little bit about North of North 247 00:14:43,640 --> 00:14:49,760 Speaker 1: You filmed it in the Canadian Arctic. Yes, Lord have mercy? 248 00:14:50,160 --> 00:14:54,440 Speaker 3: Uh going back there for season two in January, so, yes, 249 00:14:54,880 --> 00:14:56,000 Speaker 3: Lord have mercy. 250 00:14:56,840 --> 00:14:57,960 Speaker 1: How cold does it get? 251 00:14:58,240 --> 00:15:00,560 Speaker 3: Well? In March it was twenty below. So what's it 252 00:15:00,600 --> 00:15:03,760 Speaker 3: going to be in January February, Yikes. 253 00:15:04,720 --> 00:15:05,600 Speaker 1: Tell us about the show. 254 00:15:05,960 --> 00:15:10,520 Speaker 3: The show is based on on a Lamb plays and 255 00:15:10,560 --> 00:15:13,000 Speaker 3: she actually is from there ecollow It and so the 256 00:15:13,040 --> 00:15:15,520 Speaker 3: two showrunners are from there, and they wanted to create 257 00:15:15,560 --> 00:15:19,160 Speaker 3: a show that was centered around indigenous life that was 258 00:15:19,240 --> 00:15:24,440 Speaker 3: not heavy and dark and mysterious. So it's very relatable. 259 00:15:24,600 --> 00:15:27,080 Speaker 3: It's a really really good show. In fact, I think 260 00:15:27,080 --> 00:15:30,080 Speaker 3: people about are fans of Gilmore Girls. I think anybody 261 00:15:30,120 --> 00:15:33,920 Speaker 3: would love this show. But you guys will appreciate it 262 00:15:35,240 --> 00:15:39,720 Speaker 3: because it's it's relatable. All the characters are relatable, but 263 00:15:39,840 --> 00:15:42,680 Speaker 3: yet you're seeing this world that you've never seen before. 264 00:15:42,760 --> 00:15:45,120 Speaker 3: So it centers around her trying to break out of 265 00:15:45,160 --> 00:15:49,520 Speaker 3: her small life in a town where everybody knows your business, 266 00:15:49,720 --> 00:15:53,960 Speaker 3: and you know, she doesn't want to adhere to the 267 00:15:54,080 --> 00:15:57,640 Speaker 3: traditional life. And on top of that, she would like 268 00:15:57,720 --> 00:16:00,680 Speaker 3: to be a working woman, not a wife and a 269 00:16:00,760 --> 00:16:05,520 Speaker 3: mother and that and I my character is the manager 270 00:16:05,560 --> 00:16:08,040 Speaker 3: of the community center and I'm sort of the gatekeeper 271 00:16:08,360 --> 00:16:14,280 Speaker 3: slash helper, you know, Karen type white savior who then 272 00:16:14,440 --> 00:16:16,680 Speaker 3: does she end up saving me? So we have this 273 00:16:16,800 --> 00:16:20,400 Speaker 3: like back and forth. You know, I'm an outsider that's 274 00:16:20,440 --> 00:16:23,920 Speaker 3: lived in the community for twenty years. I'm married, I 275 00:16:23,960 --> 00:16:27,320 Speaker 3: have an Inuit husband, but so it's it's the dynamic 276 00:16:28,280 --> 00:16:30,480 Speaker 3: of that. But but you know, the whole show is 277 00:16:30,520 --> 00:16:37,200 Speaker 3: her journey of love and career and motherhood and coming 278 00:16:37,240 --> 00:16:43,400 Speaker 3: from a very traditional Inuit family and town. So it's 279 00:16:43,480 --> 00:16:46,880 Speaker 3: it's pretty amazing. And it was crazy to film up there. 280 00:16:46,880 --> 00:16:48,280 Speaker 3: I'm looking forward to going back. 281 00:16:49,080 --> 00:16:51,000 Speaker 1: How long, how many episodes? How long you aup there? 282 00:16:51,040 --> 00:16:52,040 Speaker 1: What's the shooting schedule? 283 00:16:52,320 --> 00:16:55,120 Speaker 3: Well, you know, this is a streaming show for Netflix, 284 00:16:55,200 --> 00:16:58,880 Speaker 3: so we first time around, we did eight and and 285 00:16:58,920 --> 00:17:02,120 Speaker 3: it was a lot because when you're doing a pilot 286 00:17:02,160 --> 00:17:05,640 Speaker 3: and you're figuring out what the show is, and then 287 00:17:05,960 --> 00:17:09,520 Speaker 3: we get eight shows done and it's this great accomplishment. 288 00:17:09,560 --> 00:17:11,879 Speaker 3: The show comes out great, and then people binge it 289 00:17:11,960 --> 00:17:16,080 Speaker 3: and it's over like that. You know, I haven't seen 290 00:17:16,080 --> 00:17:18,879 Speaker 3: any scripts yet and no one said anything. I'm just 291 00:17:18,920 --> 00:17:21,399 Speaker 3: making this up. But in my mind, I'm going, I 292 00:17:21,440 --> 00:17:26,040 Speaker 3: hope they wrote more than eight episodes, Like I'm completely 293 00:17:26,080 --> 00:17:29,640 Speaker 3: making this up, but I'm going, maybe we can do twelve, 294 00:17:30,119 --> 00:17:32,640 Speaker 3: just you know, since we're all going to go back 295 00:17:32,720 --> 00:17:35,800 Speaker 3: up there again. But I know that it's hard. I'm 296 00:17:35,800 --> 00:17:42,240 Speaker 3: the writers to pump it out. Yeah, that quickly gone. 297 00:17:42,280 --> 00:17:46,199 Speaker 3: Gone are the days of sitcoms where we're doing twenty 298 00:17:46,200 --> 00:17:50,480 Speaker 3: four episodes. It's like these streaming shows and especially shows 299 00:17:50,520 --> 00:17:53,120 Speaker 3: like this that you know it contains a lot, there's 300 00:17:53,160 --> 00:17:57,000 Speaker 3: a lot, there's a lot of layers to creating this 301 00:17:57,119 --> 00:17:59,880 Speaker 3: world and all the characters are really well drawn. So 302 00:18:01,720 --> 00:18:04,480 Speaker 3: hopefully I'll see some material soon though. 303 00:18:06,000 --> 00:18:10,800 Speaker 1: Any other upcoming projects tours people should keep an eye 304 00:18:10,840 --> 00:18:11,080 Speaker 1: off for. 305 00:18:11,880 --> 00:18:13,960 Speaker 3: I mean, I'm always in and out of touring for 306 00:18:14,119 --> 00:18:19,040 Speaker 3: stand up. You know, it's hard because it's if I'm acting, 307 00:18:19,119 --> 00:18:22,120 Speaker 3: I'm acting. If I'm being a mom, I'm being a mom. 308 00:18:22,200 --> 00:18:24,880 Speaker 3: So I try to carve out touring whenever I can, 309 00:18:25,000 --> 00:18:28,520 Speaker 3: but nothing until next year because you know, I'm pretty 310 00:18:28,560 --> 00:18:31,680 Speaker 3: much gearing up for the Arctic from here on out 311 00:18:31,720 --> 00:18:32,600 Speaker 3: to the end of the year. 312 00:18:33,560 --> 00:18:35,840 Speaker 1: All right, Well, all the best with that, and thank 313 00:18:35,880 --> 00:18:39,560 Speaker 1: you for your time, Marylyn. Please come back in the 314 00:18:39,640 --> 00:18:41,760 Speaker 1: Canadian Arctic think. 315 00:18:41,560 --> 00:18:43,359 Speaker 3: About me in January February. 316 00:18:43,760 --> 00:18:48,160 Speaker 1: We will we will have a great shoot. And thank 317 00:18:48,160 --> 00:18:50,400 Speaker 1: you all for the downloads. Keep the cards and letters coming. 318 00:18:50,560 --> 00:18:53,560 Speaker 1: Best fans on the planet, and remember where you lead 319 00:18:53,800 --> 00:18:57,680 Speaker 1: we will follow all the best everyone. 320 00:19:04,720 --> 00:19:26,240 Speaker 2: Dot Hey, everybody, and talk again. 321 00:19:26,359 --> 00:19:30,400 Speaker 1: Follow us on Instagram at i Am all In podcast 322 00:19:30,480 --> 00:19:43,520 Speaker 1: and email us at Gilmore at iHeartRadio dot com.