1 00:00:05,640 --> 00:00:10,000 Speaker 1: Trans lesbian center porn is my new kink. Oh my god, 2 00:00:10,119 --> 00:00:17,720 Speaker 1: not this one that's pregnant. I want to set the 3 00:00:17,800 --> 00:00:20,959 Speaker 1: scene for all of you virgins listening at home. Right now, 4 00:00:21,800 --> 00:00:25,320 Speaker 1: Frand and I are in a wintry wonderland. We are 5 00:00:25,360 --> 00:00:30,520 Speaker 1: both wearing huge fur coast huge, and just off in 6 00:00:30,560 --> 00:00:35,120 Speaker 1: the distance is a fawn um, a shirtless fawn, a 7 00:00:35,200 --> 00:00:41,920 Speaker 1: shirtless twink fawn. Well, I would say, o toddter right, Harry, Well, 8 00:00:42,440 --> 00:00:47,480 Speaker 1: go off of the distances a fond and then also 9 00:00:47,600 --> 00:00:51,000 Speaker 1: off in another distance as a talking beaver. Wait another 10 00:00:51,080 --> 00:00:54,440 Speaker 1: getting closer together. Wait now the beaver is sucking the fond. 11 00:00:54,920 --> 00:00:58,920 Speaker 1: Put down this live fan fiction you're writing. I was 12 00:00:59,040 --> 00:01:01,040 Speaker 1: this was against my son. I did not know. This 13 00:01:01,080 --> 00:01:04,480 Speaker 1: is where you were going. Well, where I'm going is 14 00:01:04,560 --> 00:01:09,920 Speaker 1: to the magical land of Narnia. Because today we're talking 15 00:01:10,120 --> 00:01:14,200 Speaker 1: all about the lion, the witch, the wardrobe, the twink, 16 00:01:14,280 --> 00:01:18,240 Speaker 1: the otter, the twunk, the daddy, the bear, the fisting top, 17 00:01:18,360 --> 00:01:24,839 Speaker 1: the fisting bottom, the piss, the piss queen, the pillow princess, 18 00:01:24,880 --> 00:01:28,240 Speaker 1: and the wardrobe. Because this is like a virgin the 19 00:01:28,280 --> 00:01:31,679 Speaker 1: show we give yesterday's pop culture, today's takes. I'm Rasdami 20 00:01:31,920 --> 00:01:34,640 Speaker 1: and I'm fran Toronto. God, how did we get here? 21 00:01:38,600 --> 00:01:43,680 Speaker 1: Happy Thanksgiving Virgins. We hope that you are surrounded by 22 00:01:44,040 --> 00:01:48,360 Speaker 1: your family, whether they be biological or chosen. Yes, we 23 00:01:48,400 --> 00:01:51,800 Speaker 1: hope that you are celebrating anti imperialism and that you 24 00:01:51,920 --> 00:01:54,840 Speaker 1: understand that this is a wretched little holiday that has 25 00:01:55,040 --> 00:02:00,640 Speaker 1: great food but otherwise is founded in a history of 26 00:02:00,920 --> 00:02:04,200 Speaker 1: you know, colonialist violence. Do you know what? I am 27 00:02:04,280 --> 00:02:06,680 Speaker 1: disciplined in those that. Like this year, I'm going to 28 00:02:07,240 --> 00:02:09,880 Speaker 1: my family in Connecticut and I just go out for 29 00:02:09,919 --> 00:02:12,959 Speaker 1: the day, but everyone else there, you know, kind of 30 00:02:13,040 --> 00:02:15,760 Speaker 1: stays throughout the weekend because they live there. I don't 31 00:02:15,840 --> 00:02:18,480 Speaker 1: usually get sent home with leftovers, And to me, that 32 00:02:18,639 --> 00:02:21,560 Speaker 1: is one of the best parts of Thanksgiving is eating 33 00:02:21,560 --> 00:02:23,640 Speaker 1: the leftovers for a couple of days and you know, 34 00:02:23,760 --> 00:02:27,800 Speaker 1: doing like a sandwich with turkey and stuffing and cranberry 35 00:02:27,840 --> 00:02:31,160 Speaker 1: sauce on it. So I'm like, where can I get 36 00:02:31,200 --> 00:02:33,160 Speaker 1: one of those? Because I'm I'm not I will not 37 00:02:33,200 --> 00:02:37,519 Speaker 1: be fulfilled with just having it one day. No, my 38 00:02:37,919 --> 00:02:41,960 Speaker 1: favorite tradition is to make like a giant sandwich like 39 00:02:42,040 --> 00:02:44,880 Speaker 1: the next day with like normal sandwich bread, but like 40 00:02:44,960 --> 00:02:48,679 Speaker 1: you know, roasted turkey, cranberry sauce, cheddar cheese, like all 41 00:02:48,680 --> 00:02:50,680 Speaker 1: of the things that like you want to put on 42 00:02:50,680 --> 00:02:57,079 Speaker 1: a Thanksgiving meals so good. Wait, speaking of leftovers, how 43 00:02:57,120 --> 00:02:59,520 Speaker 1: did you buy Chency Triangle of Sadness. I don't think 44 00:02:59,560 --> 00:03:03,320 Speaker 1: you saw. I still have not seen it. I at 45 00:03:03,320 --> 00:03:05,600 Speaker 1: this point probably won't see it in theaters, but we'll 46 00:03:05,639 --> 00:03:09,399 Speaker 1: catch it on digital at some point. Okay, I don't 47 00:03:09,400 --> 00:03:10,760 Speaker 1: want to talk about it, but I just want to 48 00:03:10,840 --> 00:03:13,720 Speaker 1: quickly like just you know, assign you homework and maybe 49 00:03:13,760 --> 00:03:16,200 Speaker 1: the Virgin's homework to watch it when you can, because 50 00:03:16,680 --> 00:03:18,359 Speaker 1: when I saw the trailer, I was like, that seems 51 00:03:18,440 --> 00:03:21,000 Speaker 1: kind of like two on the nose. The trailer makes 52 00:03:21,000 --> 00:03:23,920 Speaker 1: it feel really cheap, right, It's like, this is the 53 00:03:23,919 --> 00:03:29,320 Speaker 1: movie that eviscerated the upper class, amazing critique and capitalism, 54 00:03:29,320 --> 00:03:31,160 Speaker 1: and I was like, I don't really want to watch that, 55 00:03:31,200 --> 00:03:32,800 Speaker 1: And then I actually went to go see it, and 56 00:03:32,840 --> 00:03:34,720 Speaker 1: it's like one of the most amazing things I've seen 57 00:03:34,720 --> 00:03:37,600 Speaker 1: on screen in a very long time. Glad to hear 58 00:03:37,680 --> 00:03:40,400 Speaker 1: that it was good. It needed an editor. Let's be clear, 59 00:03:42,200 --> 00:03:46,400 Speaker 1: it is in suffering, we do, but but it was 60 00:03:46,440 --> 00:03:49,000 Speaker 1: so and rose I'm not gonna spot anything. There's just 61 00:03:49,080 --> 00:03:55,119 Speaker 1: something that happens in the midpoint that is so shocking, 62 00:03:55,360 --> 00:03:58,080 Speaker 1: and it's something that you never forget, Like it's just 63 00:03:58,400 --> 00:04:01,040 Speaker 1: it's something that happens in a movie where you're like, 64 00:04:01,200 --> 00:04:05,680 Speaker 1: I will never forget this. Um. Anyways, that's all I'll say, 65 00:04:05,760 --> 00:04:08,240 Speaker 1: so that we can actually discuss it, you know, whenever 66 00:04:08,440 --> 00:04:11,000 Speaker 1: we end up watching it. Um, what have you been 67 00:04:11,000 --> 00:04:15,160 Speaker 1: watching this this this past week? Um? You know, I'm 68 00:04:15,200 --> 00:04:19,640 Speaker 1: neck deep in my annual Gilmore Girls re watch. You know, 69 00:04:19,800 --> 00:04:23,080 Speaker 1: I have been in the middle of moving, so I 70 00:04:23,120 --> 00:04:26,480 Speaker 1: really don't kind of have any patience for anything more 71 00:04:26,560 --> 00:04:28,960 Speaker 1: than that. It's just been a lot of Gilmore Girls 72 00:04:29,000 --> 00:04:32,840 Speaker 1: on in the background while I unpacked boxes watching too 73 00:04:32,920 --> 00:04:35,680 Speaker 1: maybe I'll need to hop on and and and you 74 00:04:35,720 --> 00:04:39,520 Speaker 1: should fire for the first time into it. But I 75 00:04:39,600 --> 00:04:43,440 Speaker 1: did go to the movies last week and saw Wakonda Forever, 76 00:04:43,960 --> 00:04:46,160 Speaker 1: and so did I and I had so much fun 77 00:04:46,279 --> 00:04:48,680 Speaker 1: at it. I think the impression that I was left 78 00:04:48,720 --> 00:04:51,239 Speaker 1: with most was that, oh my god, everyone that movie 79 00:04:51,320 --> 00:04:59,680 Speaker 1: is really hot. So fine, fine, nay More is the 80 00:04:59,800 --> 00:05:06,719 Speaker 1: mod or he's the dick. Everyone should suck everyone should eat. 81 00:05:07,520 --> 00:05:10,240 Speaker 1: I literally, like, it doesn't matter how many memes I 82 00:05:10,279 --> 00:05:14,839 Speaker 1: saw about him before seeing this movie. Nothing, nothing, could 83 00:05:15,000 --> 00:05:18,719 Speaker 1: have prepared for me for what I felt in my 84 00:05:18,839 --> 00:05:23,800 Speaker 1: body when nayme Or ascended from the sea, his his 85 00:05:26,240 --> 00:05:32,640 Speaker 1: his winged little mercurial Herme's wing ass feet, fucking gay 86 00:05:32,680 --> 00:05:37,919 Speaker 1: ass mermaid god little Speedo and his like indigenous Mayan 87 00:05:38,080 --> 00:05:42,120 Speaker 1: ass ancestry and his accent and his thick little body. 88 00:05:42,279 --> 00:05:46,560 Speaker 1: Oh my god. I was alone in the theater, clutching 89 00:05:46,880 --> 00:05:50,720 Speaker 1: my face and physically breathless. That's not an exaggeration. I 90 00:05:50,760 --> 00:05:54,080 Speaker 1: was physically out of breath. What are the things that 91 00:05:54,080 --> 00:05:56,160 Speaker 1: stuck out from you from the movie, like fave parts 92 00:05:56,200 --> 00:05:58,599 Speaker 1: or things you didn't like maybe or I really like 93 00:05:58,720 --> 00:06:01,200 Speaker 1: Dreary Williams. I thought she was a welcome edition, and 94 00:06:02,160 --> 00:06:05,039 Speaker 1: I thought it made sense to bring her in because 95 00:06:05,400 --> 00:06:07,799 Speaker 1: with Chadwick Boseman gone to the movie, you know, Leticia 96 00:06:07,880 --> 00:06:11,120 Speaker 1: Right had to step into the lead role and couldn't 97 00:06:11,160 --> 00:06:15,160 Speaker 1: be like the like smart wise cracking sidekick anymore. And 98 00:06:15,320 --> 00:06:19,560 Speaker 1: re redefinitely filled that position while also being a very 99 00:06:19,600 --> 00:06:22,080 Speaker 1: compelling character with her own story and she has she 100 00:06:22,160 --> 00:06:25,000 Speaker 1: has a TV series coming, so we'll get to see 101 00:06:25,200 --> 00:06:28,040 Speaker 1: more of her. And I really liked the dynamic between 102 00:06:28,040 --> 00:06:30,760 Speaker 1: her and Sherry, which was like they definitely were into 103 00:06:30,800 --> 00:06:36,040 Speaker 1: each other. There was a vibe. Angela Bassett really chewed 104 00:06:36,160 --> 00:06:38,960 Speaker 1: every scene she was in. You know, that one scene 105 00:06:39,040 --> 00:06:42,120 Speaker 1: where she is yelling at a koy a, you know, 106 00:06:42,120 --> 00:06:45,920 Speaker 1: about how she's lost everyone in her life was devastating, 107 00:06:46,040 --> 00:06:49,120 Speaker 1: and you know, she gave an incredible performance that I 108 00:06:49,160 --> 00:06:51,280 Speaker 1: thought Letitia Right did too. I thought, you know, this 109 00:06:51,320 --> 00:06:55,200 Speaker 1: movie had this tremendous weight placed on it of having 110 00:06:55,279 --> 00:07:00,280 Speaker 1: to not only honor Chadwick Boseman's legacy, but like deal 111 00:07:00,360 --> 00:07:03,839 Speaker 1: with it in a way that was narratively fulfilling, and 112 00:07:04,040 --> 00:07:07,560 Speaker 1: so much of that was put on the shoulders of 113 00:07:07,600 --> 00:07:11,840 Speaker 1: those two actresses specifically, and I thought they really you know, 114 00:07:12,080 --> 00:07:15,520 Speaker 1: rose to the occasion. I mean, I agree. I thought that, like, 115 00:07:15,880 --> 00:07:19,320 Speaker 1: given the circumstances, like everyone in the film really carried 116 00:07:19,480 --> 00:07:22,800 Speaker 1: the responsibility of something that is kind of impossible to 117 00:07:22,920 --> 00:07:26,280 Speaker 1: do from a media perspective, which is translate real life 118 00:07:26,320 --> 00:07:30,960 Speaker 1: grief to franchise grief. Like that sucks. I feel bad 119 00:07:31,000 --> 00:07:34,680 Speaker 1: for everyone involved, like they had to literally like three 120 00:07:34,800 --> 00:07:38,960 Speaker 1: months later like hop into this and like play grief 121 00:07:39,040 --> 00:07:41,720 Speaker 1: on screen, and like part of me, like I do 122 00:07:41,880 --> 00:07:45,600 Speaker 1: love that that this film was about grief, and I 123 00:07:45,640 --> 00:07:48,800 Speaker 1: felt like it was a resonant meditation on grief. But 124 00:07:48,880 --> 00:07:51,320 Speaker 1: I also do wish that they could have just waited 125 00:07:51,760 --> 00:07:54,720 Speaker 1: and and given it some space, so that like everyone 126 00:07:54,800 --> 00:07:58,000 Speaker 1: involved could have, like I don't know, had more time 127 00:07:58,000 --> 00:08:02,200 Speaker 1: with it, because, like I thought the burial scene was gorgeous, 128 00:08:04,120 --> 00:08:09,000 Speaker 1: I did not need to see Chadwick Boseman's grave ascend 129 00:08:09,160 --> 00:08:11,800 Speaker 1: into like a spaceship like that. At the end, I 130 00:08:11,840 --> 00:08:16,920 Speaker 1: was like, I feel crazy watching that because it's so 131 00:08:17,000 --> 00:08:21,720 Speaker 1: emotionally dissonant from what myself and probably every actor there 132 00:08:21,960 --> 00:08:24,480 Speaker 1: is feeling. One of the things I really liked was 133 00:08:24,640 --> 00:08:26,680 Speaker 1: the way that they brought Michael B. Jordan's back is 134 00:08:26,800 --> 00:08:30,240 Speaker 1: kill Monger, because he was such a great villain in 135 00:08:30,320 --> 00:08:34,040 Speaker 1: Black Panther that just watching that made me remember what 136 00:08:34,160 --> 00:08:38,280 Speaker 1: an enigmatic and like compelling presence he was in that movie. 137 00:08:38,440 --> 00:08:41,200 Speaker 1: But also it worked really well for the story they 138 00:08:41,200 --> 00:08:44,559 Speaker 1: were trying to tell that Sherry was like channeling her 139 00:08:44,559 --> 00:08:47,480 Speaker 1: grief through anger, and so of course that is the 140 00:08:47,520 --> 00:08:50,800 Speaker 1: person that she would see in that moment um. So 141 00:08:50,840 --> 00:08:53,120 Speaker 1: I thought that was just like one of one of 142 00:08:53,160 --> 00:08:56,559 Speaker 1: those instances where you know the constraints of the movie 143 00:08:56,559 --> 00:08:59,360 Speaker 1: they had to make really worked with the movie that 144 00:08:59,480 --> 00:09:03,559 Speaker 1: they also wanted to make. And a place where maybe 145 00:09:03,559 --> 00:09:07,600 Speaker 1: that was not so successful was the reintroduction of Lupete 146 00:09:07,720 --> 00:09:10,640 Speaker 1: Nyongo because like, I mean, I she was. I was 147 00:09:10,679 --> 00:09:12,920 Speaker 1: so happy to have her back. But it's like so 148 00:09:12,960 --> 00:09:15,200 Speaker 1: funny that it's just like, oh, Lupeta, where have you 149 00:09:15,240 --> 00:09:17,640 Speaker 1: been in Haiti? And it's like like we all know 150 00:09:17,720 --> 00:09:20,120 Speaker 1: that she like didn't do the Avengers movie because she 151 00:09:20,160 --> 00:09:22,000 Speaker 1: wanted to be in an off Broadway play and like 152 00:09:22,080 --> 00:09:25,080 Speaker 1: hates this Avenger ship. And like Lupeta, who's like one 153 00:09:25,160 --> 00:09:29,959 Speaker 1: of the greatest actors of like our generation, like she's 154 00:09:29,960 --> 00:09:32,280 Speaker 1: phoning it in, like she doesn't give a ship about 155 00:09:32,320 --> 00:09:34,319 Speaker 1: this movie. She's I don't know, but I still think 156 00:09:34,400 --> 00:09:38,320 Speaker 1: she's You don't really see that in her performance. I 157 00:09:38,400 --> 00:09:41,400 Speaker 1: think she's very committed. Maybe I'm projecting. I felt like 158 00:09:41,559 --> 00:09:44,240 Speaker 1: I think you, I think you're projecting what you what 159 00:09:44,400 --> 00:09:47,560 Speaker 1: you see in the real maybe because I thought she 160 00:09:47,720 --> 00:09:51,600 Speaker 1: was really dialed in, like that that scene that she 161 00:09:51,679 --> 00:09:54,720 Speaker 1: has with a Koa where she's talking about why she 162 00:09:54,800 --> 00:09:57,720 Speaker 1: wasn't at the funeral. Like mean, she's an incredible actress 163 00:09:57,760 --> 00:10:01,520 Speaker 1: and she has to do so little to Fay so much. Yeah, 164 00:10:01,559 --> 00:10:03,760 Speaker 1: that's true, and and and she and she can do 165 00:10:03,800 --> 00:10:05,480 Speaker 1: a lot with a little as can like a lot 166 00:10:05,520 --> 00:10:09,079 Speaker 1: of prestige actors, and like these franchises, Um, it is 167 00:10:09,160 --> 00:10:12,400 Speaker 1: kind of wild though that spoiler alert, like in the 168 00:10:12,480 --> 00:10:16,600 Speaker 1: post credit scene, like she's like, yeah, and Chadwick knocked 169 00:10:16,640 --> 00:10:19,079 Speaker 1: me up and left me on this island and like 170 00:10:19,360 --> 00:10:21,920 Speaker 1: here's my son. I was like, what the fuck? Like 171 00:10:22,040 --> 00:10:26,000 Speaker 1: another yell. That also reminded me just how long it's 172 00:10:26,040 --> 00:10:29,400 Speaker 1: been since the first Black Panther came out in eighteen 173 00:10:30,120 --> 00:10:33,040 Speaker 1: and I don't know when what kinda forever was originally 174 00:10:33,120 --> 00:10:35,600 Speaker 1: supposed to be rolled out, like because what kind of forever? 175 00:10:35,800 --> 00:10:39,360 Speaker 1: Is the official end of phase four? Like this is 176 00:10:39,440 --> 00:10:42,960 Speaker 1: now the end of sort of the post end game fall, 177 00:10:43,920 --> 00:10:47,760 Speaker 1: and now now we're in phase five as you can 178 00:10:47,760 --> 00:10:49,760 Speaker 1: see with them laying things in the ground, like the 179 00:10:49,800 --> 00:10:52,960 Speaker 1: Julia Louis Driver's character, who that might have been My 180 00:10:53,360 --> 00:10:56,200 Speaker 1: only like real complaint with this movie is I just 181 00:10:56,840 --> 00:10:59,880 Speaker 1: every part with her and Martin Freeman. As much as 182 00:10:59,880 --> 00:11:01,480 Speaker 1: I like Martin Freeman and as much as I love 183 00:11:01,600 --> 00:11:04,280 Speaker 1: Julie Louis Dreyfus, really took me out of the movie 184 00:11:04,480 --> 00:11:08,160 Speaker 1: and like, I mean, she's she's so funny, but she 185 00:11:08,280 --> 00:11:13,079 Speaker 1: felt so out of place and even like the streak 186 00:11:13,120 --> 00:11:14,840 Speaker 1: of gray in her hair, which I'm sure is like 187 00:11:15,120 --> 00:11:17,000 Speaker 1: what she looks like in the comic books, and it's 188 00:11:17,040 --> 00:11:19,800 Speaker 1: some sort of like nod to that stylistically, it just 189 00:11:19,960 --> 00:11:25,920 Speaker 1: looked world work with her. No. Also, this movie was 190 00:11:26,360 --> 00:11:29,800 Speaker 1: very badly lit and was so dark, especially the underwater 191 00:11:29,880 --> 00:11:34,240 Speaker 1: scenes so dark. I just like, maybe they're going for 192 00:11:34,360 --> 00:11:36,720 Speaker 1: some kind of realism, but this is comic book movie, babe, 193 00:11:36,760 --> 00:11:41,839 Speaker 1: turn the lights. Yeah, realism, honey, Like, uh, these are mermaids. Um, 194 00:11:41,920 --> 00:11:44,400 Speaker 1: you know what are mermaids? Let let it be said. Yeah, 195 00:11:44,440 --> 00:11:47,080 Speaker 1: I totally agree. I mean, like I'm never unhappy to 196 00:11:47,080 --> 00:11:49,960 Speaker 1: watch Julia Louis Drifus on screen. But yeah, when Marvel 197 00:11:50,080 --> 00:11:53,240 Speaker 1: is Marveling, like just for the sake of like reading 198 00:11:53,280 --> 00:11:56,760 Speaker 1: all of these movies together, it's like, those are things 199 00:11:56,800 --> 00:11:58,720 Speaker 1: that we would cut out of if this was not 200 00:11:58,800 --> 00:12:01,319 Speaker 1: a Marvel movie, it was any other movie, like these 201 00:12:01,320 --> 00:12:03,320 Speaker 1: would be chop chop chop. I just wanted her to say, 202 00:12:03,400 --> 00:12:09,040 Speaker 1: it's me, um wait, I have a I have another 203 00:12:09,160 --> 00:12:14,240 Speaker 1: spoilery question for you. Spoiler spoiler, Did Angela Bassa have 204 00:12:14,320 --> 00:12:18,320 Speaker 1: to die. I do think, so you do. I do 205 00:12:18,360 --> 00:12:20,680 Speaker 1: think she had to die. But I didn't like was 206 00:12:20,720 --> 00:12:23,040 Speaker 1: that her death was given kind of the same weight 207 00:12:23,120 --> 00:12:30,200 Speaker 1: as Naymours, like random minion being killed, like there's things 208 00:12:30,200 --> 00:12:32,360 Speaker 1: are not my sister or something. It was it was 209 00:12:32,400 --> 00:12:34,280 Speaker 1: one of his relatives, but like he's a fish, so 210 00:12:34,320 --> 00:12:38,080 Speaker 1: he has like seven sisters, you know what I mean? Like, oh, okay, 211 00:12:38,160 --> 00:12:41,280 Speaker 1: this is like only kind of tangentially related to Black Panther. 212 00:12:41,679 --> 00:12:43,560 Speaker 1: But I did come up with a sort of wild 213 00:12:43,640 --> 00:12:47,120 Speaker 1: conspiracy theory. Okay. So I saw this movie with a 214 00:12:47,200 --> 00:12:49,920 Speaker 1: friend of the podcast him Mitchell, and we were talking 215 00:12:49,960 --> 00:12:53,080 Speaker 1: about how a year or two ago, there was so 216 00:12:53,160 --> 00:12:56,400 Speaker 1: much conversation about Letitia Right being an anti vaxer and 217 00:12:56,480 --> 00:12:59,800 Speaker 1: it was so loud, but it really kind of disappeared, 218 00:13:00,360 --> 00:13:02,200 Speaker 1: especially in the lead up to this film. I feel 219 00:13:02,240 --> 00:13:04,000 Speaker 1: like I did not see a lot of big stories 220 00:13:04,040 --> 00:13:06,920 Speaker 1: about it. I know that very recently she has kind 221 00:13:06,920 --> 00:13:10,320 Speaker 1: of come out and like disavowed it and also disavowed 222 00:13:10,400 --> 00:13:12,839 Speaker 1: a priest she was connected with who has a lot 223 00:13:12,880 --> 00:13:16,440 Speaker 1: of homophobic and transphobic views. Anyway, I'm just was so 224 00:13:16,480 --> 00:13:20,800 Speaker 1: shocked that there wasn't a bigger like fur around, especially 225 00:13:20,840 --> 00:13:23,959 Speaker 1: the anti Baxtor of it all, and I was also 226 00:13:24,000 --> 00:13:25,960 Speaker 1: thinking about how that wasn't really a big part of 227 00:13:25,960 --> 00:13:28,360 Speaker 1: the conversation when Death on the Nile came out at 228 00:13:28,400 --> 00:13:31,720 Speaker 1: the beginning of this year, which she was also in, 229 00:13:32,040 --> 00:13:34,760 Speaker 1: and then I started thinking, you know, Disney is really 230 00:13:34,800 --> 00:13:38,440 Speaker 1: evil and they knew that Sherry you know, was going 231 00:13:38,440 --> 00:13:41,280 Speaker 1: to be the lead in this movie and that they 232 00:13:41,360 --> 00:13:45,440 Speaker 1: had to you know, sort of protect their investment. And 233 00:13:45,600 --> 00:13:49,920 Speaker 1: my conspiracy is that Disney is behind the outing of 234 00:13:50,040 --> 00:13:55,199 Speaker 1: Armie Hammer as a cannibal as a way to draw 235 00:13:55,520 --> 00:13:58,920 Speaker 1: fire from Letitia during the Death on the Nile pressed 236 00:13:59,080 --> 00:14:02,280 Speaker 1: or to sort of set the stage for her to 237 00:14:02,320 --> 00:14:05,319 Speaker 1: be able to get through that without any like journalists 238 00:14:05,400 --> 00:14:09,040 Speaker 1: asking her questions during interviews, because all the heat was 239 00:14:09,080 --> 00:14:11,520 Speaker 1: on Army, so that by the time Black Panther came out, 240 00:14:11,559 --> 00:14:13,320 Speaker 1: we had already kind of moved on from it. That's 241 00:14:13,360 --> 00:14:17,760 Speaker 1: my like Galaxy brain but also brain worms conspiracy theory. 242 00:14:17,960 --> 00:14:20,640 Speaker 1: The versions can see it with my jaw is dropped. Um, 243 00:14:20,760 --> 00:14:23,800 Speaker 1: you need to put that on TikTok immediately. I mean, 244 00:14:23,880 --> 00:14:27,040 Speaker 1: there's that's crazy. There's it's very it's very like there's 245 00:14:27,160 --> 00:14:31,200 Speaker 1: no actual real logic involved in it. Um. But at 246 00:14:31,240 --> 00:14:34,520 Speaker 1: least what I think is some publicist at least brought 247 00:14:34,520 --> 00:14:37,720 Speaker 1: it up as an option at some point. Oh for sure. 248 00:14:37,800 --> 00:14:40,520 Speaker 1: I mean the Devil works hard, but Marvel pr works hard, 249 00:14:41,040 --> 00:14:44,040 Speaker 1: Disney pr because that's what I'll back to the House 250 00:14:44,080 --> 00:14:48,400 Speaker 1: of Mouse, Yes house, not the House of Mouse. Um. 251 00:14:49,000 --> 00:14:52,600 Speaker 1: I was going to remark on and often heard complaint 252 00:14:52,600 --> 00:14:57,160 Speaker 1: on this podcast. Can we talk about the blink and 253 00:14:57,280 --> 00:15:00,040 Speaker 1: you missed it? Gay kiss in this movie that I 254 00:15:00,000 --> 00:15:03,040 Speaker 1: I didn't even see. Oh I saw it. It was, 255 00:15:03,080 --> 00:15:04,840 Speaker 1: but it was it was just like a head kiss. 256 00:15:05,560 --> 00:15:11,240 Speaker 1: I had a forehead kiss. I'm so really kiss in foreheads. 257 00:15:11,280 --> 00:15:15,000 Speaker 1: And also like for this movie, what a waste of MICHAELA. Cole, 258 00:15:15,200 --> 00:15:18,160 Speaker 1: Like we could have had michaela scenes instead of like 259 00:15:18,280 --> 00:15:20,800 Speaker 1: these Martin Freedman scenes, and like I was just like, 260 00:15:21,240 --> 00:15:24,320 Speaker 1: where was mickay La? Yeah? But I you know, I 261 00:15:24,720 --> 00:15:27,320 Speaker 1: do think at least there was enough of the things 262 00:15:27,400 --> 00:15:30,800 Speaker 1: that I liked in the movie to make up for 263 00:15:32,000 --> 00:15:34,560 Speaker 1: they're not being enough of the things that I wanted 264 00:15:34,600 --> 00:15:36,960 Speaker 1: more of. I'm excited for what's next, though, I do. 265 00:15:37,080 --> 00:15:39,640 Speaker 1: I will say I did not think that Angela Bassa 266 00:15:39,680 --> 00:15:42,840 Speaker 1: needed to die. That was my primary complaint. And and 267 00:15:42,880 --> 00:15:46,080 Speaker 1: that's just because selfishly I want to see her in 268 00:15:46,200 --> 00:15:49,160 Speaker 1: every movie. And but she got so much to do 269 00:15:49,280 --> 00:15:52,600 Speaker 1: before she died. Like I was so happy that we 270 00:15:52,720 --> 00:15:54,680 Speaker 1: had so much time for her in this film. She 271 00:15:54,720 --> 00:15:58,800 Speaker 1: got some action scenes, she got a lot of great 272 00:15:58,960 --> 00:16:01,960 Speaker 1: you know monologue, and people are like, she's going to 273 00:16:02,040 --> 00:16:04,760 Speaker 1: get an Oscar nomination, which is like a girl, that's 274 00:16:04,760 --> 00:16:07,640 Speaker 1: not happening. But I mean, but not to be a 275 00:16:07,680 --> 00:16:11,920 Speaker 1: bitch though, but like, there are so many other characters 276 00:16:12,000 --> 00:16:15,040 Speaker 1: to kill that Angela Bassett, but they wouldn't. But it 277 00:16:15,040 --> 00:16:18,120 Speaker 1: wouldn't have been narratively satisfying. You have to think about 278 00:16:18,160 --> 00:16:21,160 Speaker 1: the story you're telling. I disagree. I think like a Koya, 279 00:16:21,240 --> 00:16:23,160 Speaker 1: if they had killed a Koya. There there are a 280 00:16:23,240 --> 00:16:25,520 Speaker 1: few people where I was like, no, no, no, Sherry 281 00:16:25,600 --> 00:16:26,840 Speaker 1: had to be at her lowest. She had to be 282 00:16:26,880 --> 00:16:28,560 Speaker 1: a fat, nasty and broke. She had to come on 283 00:16:28,680 --> 00:16:31,720 Speaker 1: this bitch matt as hell. I loved the lesson at 284 00:16:31,720 --> 00:16:35,400 Speaker 1: the end. I wish that we could have seen Shary 285 00:16:36,080 --> 00:16:39,600 Speaker 1: be a little evil like obviously she was really dark 286 00:16:39,640 --> 00:16:42,800 Speaker 1: the whole film. I wanted her to make a crucially 287 00:16:42,880 --> 00:16:47,440 Speaker 1: dark mistake in killing someone. I guess like, wasn't it 288 00:16:47,440 --> 00:16:51,120 Speaker 1: more as like little, wasn't it more kind of her fault? 289 00:16:51,480 --> 00:16:54,160 Speaker 1: But it was more mine, It was more Lupida's fault 290 00:16:54,400 --> 00:16:57,520 Speaker 1: because she needed to rescue Sherry. I would have liked 291 00:16:57,560 --> 00:17:01,280 Speaker 1: to see just more of Sharry as the black Panther 292 00:17:01,800 --> 00:17:04,119 Speaker 1: because it's like she she was doing lines of the 293 00:17:04,160 --> 00:17:06,400 Speaker 1: heart shaped a herb or you know whatever the fuck. 294 00:17:06,880 --> 00:17:09,879 Speaker 1: Um she micro dosed and then she like immediately not 295 00:17:09,920 --> 00:17:12,520 Speaker 1: only has the powers but kind of the skill to 296 00:17:12,720 --> 00:17:16,199 Speaker 1: use them. And like, I get that this movie couldn't 297 00:17:16,280 --> 00:17:21,119 Speaker 1: be another origin story, but I just would have liked 298 00:17:21,160 --> 00:17:24,960 Speaker 1: more time with her being superpowered and not kind of 299 00:17:25,359 --> 00:17:28,960 Speaker 1: all of her like stepping into that mantle happening very 300 00:17:29,040 --> 00:17:33,000 Speaker 1: quickly or kind of off screen. But the fight sequences 301 00:17:33,040 --> 00:17:37,199 Speaker 1: and like action were fun and like didn't get in 302 00:17:37,240 --> 00:17:41,480 Speaker 1: the way of still telling a very emotional story. Yeah, 303 00:17:41,640 --> 00:17:45,160 Speaker 1: I totally agree, speaking of emotional stories. Did you try 304 00:17:45,200 --> 00:17:48,760 Speaker 1: to get Taylor Swift tickets this weekend? Um? I did 305 00:17:48,800 --> 00:17:54,000 Speaker 1: not try to get Taylor Swift tickets because I just well, 306 00:17:54,040 --> 00:17:58,919 Speaker 1: you know, like I don't super care about seeing live music, 307 00:17:59,600 --> 00:18:03,600 Speaker 1: and I also just like didn't want to deal with 308 00:18:03,640 --> 00:18:07,600 Speaker 1: what I knew was going to be the nightmare of um, 309 00:18:07,680 --> 00:18:11,199 Speaker 1: you know, getting tickets for that show. Never could I 310 00:18:11,280 --> 00:18:16,000 Speaker 1: even have imagined the true nightmare would become though, Oh 311 00:18:16,040 --> 00:18:18,520 Speaker 1: my god. I mean the versions can read up on 312 00:18:18,640 --> 00:18:20,720 Speaker 1: like all the drama that went down about how like 313 00:18:20,760 --> 00:18:23,360 Speaker 1: people basically like couldn't get tickets and ticket Master had 314 00:18:23,400 --> 00:18:26,600 Speaker 1: to cancel its actual on sale date because of lack 315 00:18:26,680 --> 00:18:30,159 Speaker 1: of quantity. But like I I wanted to bring it 316 00:18:30,240 --> 00:18:31,879 Speaker 1: up because we have a lot of swift ease on 317 00:18:31,920 --> 00:18:33,639 Speaker 1: the pot on like on the pod who are listening, 318 00:18:33,760 --> 00:18:39,000 Speaker 1: and I feel like pressure needs to be applied because 319 00:18:39,359 --> 00:18:44,720 Speaker 1: Taylor Swift statement on this was so nothing, It was 320 00:18:44,800 --> 00:18:48,439 Speaker 1: so absolutely nothing. She put all the blame on ticket 321 00:18:48,440 --> 00:18:51,360 Speaker 1: Master and was like, yes, oh my god, it sucks 322 00:18:51,400 --> 00:18:54,919 Speaker 1: that you couldn't get tickets for the concert. Yeah, and like, 323 00:18:54,960 --> 00:18:57,280 Speaker 1: obviously she can do her part in like ad shows, 324 00:18:57,320 --> 00:19:00,399 Speaker 1: but like it's not even like it's not even like 325 00:19:00,440 --> 00:19:03,439 Speaker 1: I want her to take blame. It's that she is 326 00:19:03,800 --> 00:19:08,040 Speaker 1: the most powerful artist on the planet to some degree. 327 00:19:08,480 --> 00:19:12,760 Speaker 1: When Taylor Swift expressed her very first political opinion about 328 00:19:12,760 --> 00:19:15,000 Speaker 1: that fucking you know governor in Tennessee or I don't 329 00:19:15,000 --> 00:19:19,840 Speaker 1: even remember whatever, the fucktive. Yeah, representative, thank you. More 330 00:19:19,920 --> 00:19:22,760 Speaker 1: people registered to vote in a single day than in 331 00:19:22,960 --> 00:19:25,160 Speaker 1: any other day in the history of this country. Like 332 00:19:25,320 --> 00:19:30,880 Speaker 1: that is obscene. She can move bodies to create actual, 333 00:19:31,119 --> 00:19:37,200 Speaker 1: tangible change in a way that could fundamentally change things 334 00:19:37,240 --> 00:19:39,679 Speaker 1: for all of these other artists in the industry. And 335 00:19:39,720 --> 00:19:44,960 Speaker 1: it makes me angry that her kind of very tepid 336 00:19:45,080 --> 00:19:49,639 Speaker 1: response to Ticketmaster was ultimately a display of her allegiance 337 00:19:49,720 --> 00:19:54,119 Speaker 1: to capital and her relationship with Ticketmaster. If she was 338 00:19:54,160 --> 00:19:58,360 Speaker 1: on her ship, she would say, Hey, this is fucked 339 00:19:58,760 --> 00:20:01,800 Speaker 1: Ticketmaster and Live n should never should have merged. This 340 00:20:01,880 --> 00:20:07,000 Speaker 1: is an illegal monopoly that has now created problems for artists, 341 00:20:07,040 --> 00:20:11,040 Speaker 1: independent artists across the board, and now my fans. So 342 00:20:11,080 --> 00:20:15,879 Speaker 1: this is personal to me. Break Ticketmaster up and change 343 00:20:15,920 --> 00:20:19,640 Speaker 1: this fucking ship like Taylor is. If any artist could 344 00:20:19,720 --> 00:20:23,240 Speaker 1: do that and actually have an impact, it would be Taylor. Well, 345 00:20:23,320 --> 00:20:29,199 Speaker 1: now the Justice Department is investigating Ticketmaster, and yes, of 346 00:20:29,240 --> 00:20:32,719 Speaker 1: course we wish that Taylor would have gotten involved herself, 347 00:20:32,760 --> 00:20:35,440 Speaker 1: but like I just I'm not going to expect that 348 00:20:35,560 --> 00:20:39,320 Speaker 1: of celebrities who want to make as much money as possible, 349 00:20:39,359 --> 00:20:42,840 Speaker 1: and like there are no perfect celebrities like I certainly 350 00:20:43,040 --> 00:20:46,119 Speaker 1: don't think Taylor is a perfect celebrity, and nor do 351 00:20:46,160 --> 00:20:48,320 Speaker 1: I expect her to be one. I kind of like 352 00:20:48,320 --> 00:20:51,480 Speaker 1: like her music and keep it pushing from there. But 353 00:20:52,320 --> 00:20:57,440 Speaker 1: Swifties are powerful and because of them, this this could change. 354 00:20:57,520 --> 00:21:01,199 Speaker 1: And I saw something that was like, Swifties, can you 355 00:21:01,240 --> 00:21:07,200 Speaker 1: tackle racism and abortion next? No, Actually, swift these are 356 00:21:07,280 --> 00:21:10,400 Speaker 1: smart and are great organizers, and like, come on, let's 357 00:21:10,400 --> 00:21:14,800 Speaker 1: fucking change something. Um. I heard that you finally uh 358 00:21:15,240 --> 00:21:19,719 Speaker 1: dove into miss Emelda Stanton. Yeah. I started season five 359 00:21:19,800 --> 00:21:24,720 Speaker 1: of The Crown. Um, I'm only an episode in, um, 360 00:21:24,760 --> 00:21:27,560 Speaker 1: but I am seeing kind of right off the bat 361 00:21:27,640 --> 00:21:29,920 Speaker 1: a lot of what I've seen people talking about about 362 00:21:29,920 --> 00:21:33,240 Speaker 1: how it's gotten very soapy in a way that it 363 00:21:33,320 --> 00:21:37,000 Speaker 1: never was before. Um. But I have to say, Eliza, 364 00:21:37,119 --> 00:21:40,320 Speaker 1: I do want Elizabeth Debecky to step on me. Me. 365 00:21:40,600 --> 00:21:44,280 Speaker 1: Stans is incredible as always. I was so happy to 366 00:21:44,320 --> 00:21:47,399 Speaker 1: see what's her face? Mrs Harris goes to Paris as 367 00:21:47,440 --> 00:21:52,480 Speaker 1: Princess Margaret. That's Mrs Harris goes to Paris. What's what's 368 00:21:52,480 --> 00:21:56,000 Speaker 1: her name? Oh Leslie Manfelt as Princess Margaret? Who I 369 00:21:56,119 --> 00:21:59,280 Speaker 1: just you know, I loved that the season started with 370 00:21:59,640 --> 00:22:02,199 Speaker 1: you know, Clara Fhoy coming back to do to do 371 00:22:02,280 --> 00:22:05,080 Speaker 1: young Queen Elizabeth as she always does. But it just 372 00:22:05,160 --> 00:22:09,400 Speaker 1: made me remember how incredible those first seasons of The 373 00:22:09,400 --> 00:22:11,560 Speaker 1: Crown War and listen, I love The Crown. I will 374 00:22:12,080 --> 00:22:15,280 Speaker 1: keep watching it until it ends. But those first seasons, 375 00:22:15,800 --> 00:22:19,840 Speaker 1: you know, Claire Foy put her whole pussy into that role. 376 00:22:20,200 --> 00:22:24,600 Speaker 1: Vanessa Vanessa Kirby as Princess Margaret was so incredible. I 377 00:22:25,000 --> 00:22:28,399 Speaker 1: love Vanessa Kirby. I wish she wasn't just relegated to 378 00:22:28,480 --> 00:22:31,600 Speaker 1: like those weird like Fast and the Furious spin off movies, 379 00:22:32,119 --> 00:22:34,080 Speaker 1: although I am always happy to see her in the 380 00:22:34,080 --> 00:22:37,080 Speaker 1: Mission Possible movies. She I didn't even know she was 381 00:22:37,119 --> 00:22:38,840 Speaker 1: in either of those, but I didn't really know who 382 00:22:38,880 --> 00:22:42,000 Speaker 1: she was, but like, she's so good in the series. Yeah, 383 00:22:42,080 --> 00:22:47,000 Speaker 1: she's that's my I mean, of course I also love 384 00:22:47,520 --> 00:22:53,520 Speaker 1: Helena Bottom carter Um, but that's my Princess Margaret Um. Yeah, 385 00:22:53,600 --> 00:22:56,399 Speaker 1: I'm you know, I'm enjoying it. And it just I 386 00:22:56,520 --> 00:22:58,199 Speaker 1: like held off on it for so long because I 387 00:22:58,200 --> 00:22:59,760 Speaker 1: was like, oh, I'm not in the right headspace, Like 388 00:23:00,040 --> 00:23:01,800 Speaker 1: it's so serious, it's so dramatic. And then as soon 389 00:23:01,840 --> 00:23:03,440 Speaker 1: as they started watching I was like, I want to 390 00:23:03,480 --> 00:23:06,040 Speaker 1: sit here for the next ten hours and and just 391 00:23:06,280 --> 00:23:10,480 Speaker 1: watch this show. Yeah, I'm do wish like it's this 392 00:23:10,480 --> 00:23:13,760 Speaker 1: This season in particular is like not as like fun 393 00:23:14,320 --> 00:23:17,160 Speaker 1: like for lack of a better word, right now, um 394 00:23:17,200 --> 00:23:20,320 Speaker 1: as like previous seasons like there's less like kind of 395 00:23:20,640 --> 00:23:24,120 Speaker 1: sometimes like I enjoy the hijinks of the royal family 396 00:23:24,520 --> 00:23:26,480 Speaker 1: and this one deals with a lot of like heavy 397 00:23:26,480 --> 00:23:29,639 Speaker 1: subject matter. But yeah, I mean, Elizabeth Debecci is like 398 00:23:29,720 --> 00:23:32,840 Speaker 1: eyeliner alone, like they knew what they were doing with 399 00:23:32,880 --> 00:23:35,760 Speaker 1: the eyeliner, Like come on, I'm also so happy that 400 00:23:35,800 --> 00:23:38,280 Speaker 1: they I mean, Netflix even tweeted something about this, that 401 00:23:38,320 --> 00:23:42,399 Speaker 1: the Crown let Elizabeth Debeccy be tall, and I do appreciate. 402 00:23:42,720 --> 00:23:45,360 Speaker 1: I do appreciate that they don't have everyone around her 403 00:23:45,400 --> 00:23:48,480 Speaker 1: like standing on you know, like blocks and like with 404 00:23:48,520 --> 00:23:50,760 Speaker 1: lifts in their shoes, and that she just is taller 405 00:23:50,760 --> 00:23:53,479 Speaker 1: than everyone. If if they had c G, i'd everyone 406 00:23:53,560 --> 00:23:57,439 Speaker 1: taller like like Tom like no, like Gandalf in the 407 00:23:57,440 --> 00:24:03,399 Speaker 1: Hobbits like style, Oh my Godbeth Debecci should play what 408 00:24:03,480 --> 00:24:06,840 Speaker 1: if they what if they actually like reconstructed the entirety 409 00:24:06,880 --> 00:24:10,320 Speaker 1: of the Crown set to appear physically bigger, so that 410 00:24:12,320 --> 00:24:16,640 Speaker 1: I love that. Elizabeth Debecci should be in season two 411 00:24:16,800 --> 00:24:21,520 Speaker 1: Rings of Power. Um, if that happens, don't even with 412 00:24:21,600 --> 00:24:24,840 Speaker 1: me that Like literally, anyone like that I recognize in 413 00:24:24,920 --> 00:24:27,359 Speaker 1: Rings of Power would be great. But Elizabeth Debecci and 414 00:24:27,480 --> 00:24:30,040 Speaker 1: Rings of Power, Damn, Elizabeth Debeccy should be in the 415 00:24:30,040 --> 00:24:32,840 Speaker 1: House of the Dragon. She should be a targe Arian. Yeah, 416 00:24:33,080 --> 00:24:35,680 Speaker 1: that's actually much more worthy for for for her. Tom. 417 00:24:35,880 --> 00:24:38,280 Speaker 1: I still have not finished Drings of Power. I don't 418 00:24:38,280 --> 00:24:41,800 Speaker 1: know if I ever will. Uh, you know what, actually like, 419 00:24:42,160 --> 00:24:46,040 Speaker 1: holidays are perfect time to finish it. Holidays off holidays 420 00:24:46,080 --> 00:24:48,119 Speaker 1: are when I'm going to do my annual Lord of 421 00:24:48,640 --> 00:24:52,200 Speaker 1: rewatch and kind of and honestly kind of the last 422 00:24:52,240 --> 00:24:54,880 Speaker 1: thing I'm gonna want to do after that is watching 423 00:24:55,359 --> 00:24:58,280 Speaker 1: Watchings of Power. That's kind of that's kind of tea. 424 00:24:58,400 --> 00:25:00,320 Speaker 1: You could like put it on background while you're, you know, 425 00:25:00,400 --> 00:25:02,760 Speaker 1: making a pie or something. I don't make pies. I 426 00:25:02,840 --> 00:25:26,480 Speaker 1: hate that, I was so The Chronicles of Narnia is 427 00:25:26,520 --> 00:25:29,440 Speaker 1: a fantasy series written by C. S. Lewis. Heard of it? 428 00:25:29,840 --> 00:25:32,200 Speaker 1: Heard of it? Yes? It was one of the few 429 00:25:32,200 --> 00:25:34,720 Speaker 1: things I was allowed to consume growing up because it's 430 00:25:34,760 --> 00:25:39,119 Speaker 1: super Christian, Because it's extremely extremely Christian, I would I 431 00:25:39,119 --> 00:25:43,159 Speaker 1: would wager to say that it is uncreatively Christian. Like C. S. 432 00:25:43,240 --> 00:25:46,520 Speaker 1: Lewis was lifting plot points from the Bible and just 433 00:25:46,560 --> 00:25:50,240 Speaker 1: putting them on the page. He plagiarized the God, God, 434 00:25:50,680 --> 00:25:54,200 Speaker 1: God herself. Yes, I also read the books as a kid. 435 00:25:54,320 --> 00:26:00,320 Speaker 1: I think though, that my intro to the world of 436 00:26:00,400 --> 00:26:08,879 Speaker 1: Narnia was specifically the nine animated movie as well. I 437 00:26:08,960 --> 00:26:11,000 Speaker 1: think I've talked about this before that when I was 438 00:26:11,080 --> 00:26:15,560 Speaker 1: a kid growing up, my dad was a librarian at 439 00:26:15,600 --> 00:26:22,600 Speaker 1: a middle school, and I definitely remember him bringing home 440 00:26:23,560 --> 00:26:26,840 Speaker 1: the vhs of The Lion, the Witch and the Wardrobe, 441 00:26:26,880 --> 00:26:29,479 Speaker 1: the animated movie, so I could watch it, and I 442 00:26:29,520 --> 00:26:32,160 Speaker 1: think I like stole it. So he never brought it back. 443 00:26:32,400 --> 00:26:37,920 Speaker 1: Love you never got fined. No, he was the librarian. 444 00:26:37,960 --> 00:26:44,560 Speaker 1: What was it gonna do? Wow, I got away with it. Um. 445 00:26:44,640 --> 00:26:49,040 Speaker 1: That movie is stunning, so beautiful. The White Witch in 446 00:26:49,119 --> 00:26:55,000 Speaker 1: that movie is so fierce, the diva doll herself, God her. 447 00:26:55,160 --> 00:26:57,199 Speaker 1: She has like this beautiful fur coat and like a 448 00:26:57,280 --> 00:26:59,959 Speaker 1: skull cap kind of ye with a crown on top 449 00:27:00,040 --> 00:27:03,800 Speaker 1: up of the skull cap. Yes, iconic, It's a huge knife, yeah, 450 00:27:03,880 --> 00:27:08,840 Speaker 1: and very like grinch like, fluctuant facial expressions like sometimes 451 00:27:08,840 --> 00:27:11,720 Speaker 1: she's soft and supple and queen, like another time she 452 00:27:11,840 --> 00:27:14,199 Speaker 1: looks like a demon. Well, I think also part of 453 00:27:14,200 --> 00:27:17,960 Speaker 1: that is that the animation is not great. Well, it's 454 00:27:18,080 --> 00:27:22,919 Speaker 1: not great because it's from but it's actually really beautiful 455 00:27:22,960 --> 00:27:25,000 Speaker 1: and how old it is I feel, and there was 456 00:27:25,080 --> 00:27:29,199 Speaker 1: some very good animation made long before. Have you ever 457 00:27:29,240 --> 00:27:33,280 Speaker 1: heard of Walt Disney Studios. No, I'm realizing that you're 458 00:27:33,320 --> 00:27:38,680 Speaker 1: talking about the kind of frames, the pick images per frame. 459 00:27:39,440 --> 00:27:43,119 Speaker 1: It's choppy, yes, it's choppy, yes, but it's beautiful. It 460 00:27:43,240 --> 00:27:46,560 Speaker 1: is beautiful, and I love that version of it. And 461 00:27:46,640 --> 00:27:52,480 Speaker 1: so from there I went and read the book series, um, 462 00:27:52,520 --> 00:27:56,760 Speaker 1: the Chronicles of Narnia. So for for virgins out there, 463 00:27:56,920 --> 00:28:00,960 Speaker 1: The Lion, the Witch, and the Wardrobe is technically the 464 00:28:01,119 --> 00:28:06,040 Speaker 1: second book in the series, The Chronicles of Narnia, the 465 00:28:06,040 --> 00:28:08,439 Speaker 1: only book most people recognize, but it was the It 466 00:28:08,560 --> 00:28:11,800 Speaker 1: was the first one that was released, and that in 467 00:28:11,960 --> 00:28:15,120 Speaker 1: nineteen fifty by C. S. Lewis, and then he went 468 00:28:15,280 --> 00:28:20,120 Speaker 1: back and wrote the first book, The Magician's Nephew, and 469 00:28:20,160 --> 00:28:24,040 Speaker 1: then all of the sequels that come after the Lion, 470 00:28:24,080 --> 00:28:27,560 Speaker 1: the Witch and the Wardrobe. Did you are seven books 471 00:28:27,560 --> 00:28:32,000 Speaker 1: in total? Yeah? Um, have you read all of them? No? 472 00:28:32,640 --> 00:28:37,000 Speaker 1: I have read I think three of them and retained 473 00:28:37,680 --> 00:28:40,160 Speaker 1: none of them. I feel like I definitely I might 474 00:28:40,160 --> 00:28:43,040 Speaker 1: have reread Lion, the Witch and the Wardrobe because um, 475 00:28:43,080 --> 00:28:45,120 Speaker 1: as a kid, we used to listen to the audio 476 00:28:45,200 --> 00:28:47,560 Speaker 1: book and stuff like audio books of them are so good. 477 00:28:47,960 --> 00:28:51,080 Speaker 1: But like we because my family like this is the 478 00:28:51,160 --> 00:28:53,960 Speaker 1: this is the kind of fantasy and our mainstream culture 479 00:28:54,000 --> 00:28:56,800 Speaker 1: that we could like indulge in because it was so 480 00:28:57,040 --> 00:29:00,320 Speaker 1: Christian like so so Christians, which I did not get 481 00:29:00,360 --> 00:29:03,400 Speaker 1: at first. I thought it was just fantastical. And that's 482 00:29:03,440 --> 00:29:07,160 Speaker 1: why it's a great gateway drug to Christianity. I suppose it. Really, 483 00:29:07,240 --> 00:29:09,440 Speaker 1: it really is. And I let me tell you had 484 00:29:09,440 --> 00:29:16,000 Speaker 1: the reverse experience of course, like for me Narnia rather Yeah. 485 00:29:16,200 --> 00:29:20,880 Speaker 1: Actually Narnia and Christianity were inextricable. There was no way 486 00:29:20,920 --> 00:29:23,760 Speaker 1: I could consume Lyne, the Witch and the Wardrobe without 487 00:29:23,840 --> 00:29:26,600 Speaker 1: thinking about God. Wow. I didn't get any of the 488 00:29:26,680 --> 00:29:31,520 Speaker 1: Jesus stuff, even though it's so obvious. So when you 489 00:29:31,640 --> 00:29:34,200 Speaker 1: go back and look at it all, I mean, you know, um, 490 00:29:34,240 --> 00:29:37,120 Speaker 1: so my so I did read all the books at 491 00:29:37,160 --> 00:29:39,959 Speaker 1: one point. The only ones that have really stuck with 492 00:29:40,000 --> 00:29:42,000 Speaker 1: me are obviously in the line The Witch and the Wardrobe, 493 00:29:42,040 --> 00:29:45,280 Speaker 1: because it is the best. I also love The Magician's 494 00:29:45,280 --> 00:29:48,600 Speaker 1: Nephew because it gives you the origin story of both 495 00:29:48,720 --> 00:29:52,080 Speaker 1: Narnia and of the White Witch Jadis. Do you remember 496 00:29:52,080 --> 00:29:54,880 Speaker 1: any of it like I? I unfortunately don't remember the 497 00:29:55,600 --> 00:29:59,040 Speaker 1: so so the plot of The Magician's Nephew is, there's 498 00:29:59,280 --> 00:30:02,280 Speaker 1: this boy whose uncle is a magician. It is called 499 00:30:02,280 --> 00:30:07,040 Speaker 1: the Magician's Nephew, and with he, he and his friend Poppy, 500 00:30:07,120 --> 00:30:12,160 Speaker 1: I believe, find their way into this place called the 501 00:30:12,200 --> 00:30:14,480 Speaker 1: Wood between the Worlds, which is the way you get 502 00:30:14,480 --> 00:30:18,800 Speaker 1: into all these different universes, and they find their way 503 00:30:18,880 --> 00:30:23,200 Speaker 1: into this world called charn which is the homeworld of Jadis, 504 00:30:23,280 --> 00:30:26,240 Speaker 1: who becomes the White Witch. And the story with her 505 00:30:26,720 --> 00:30:30,080 Speaker 1: is that she and her sister were in this like 506 00:30:30,440 --> 00:30:37,000 Speaker 1: fierce battle for the crown um but they they said 507 00:30:37,000 --> 00:30:39,720 Speaker 1: they were not going to use magic to get the crown, 508 00:30:40,280 --> 00:30:44,200 Speaker 1: but then a Jadis's sister did, and they were like 509 00:30:44,720 --> 00:30:46,880 Speaker 1: they were kind of like about to destroy each other. 510 00:30:46,960 --> 00:30:51,800 Speaker 1: And Jadis had this um like little secret gag up 511 00:30:52,040 --> 00:30:56,080 Speaker 1: sleeve which was called the deplorable word, and what the 512 00:30:56,200 --> 00:31:01,840 Speaker 1: deplorable word would do already sounds christian would destroy everyone 513 00:31:02,000 --> 00:31:05,680 Speaker 1: in the entire world except her. Oh my god, And 514 00:31:05,760 --> 00:31:08,280 Speaker 1: so at the last moment she used it, everyone in 515 00:31:08,280 --> 00:31:10,960 Speaker 1: the world is storied, so by default she becomes queen. 516 00:31:11,280 --> 00:31:13,760 Speaker 1: But she's like queen of nothing. So what she decides 517 00:31:13,800 --> 00:31:17,280 Speaker 1: to do is use magic to preserve herself until someone 518 00:31:17,320 --> 00:31:20,280 Speaker 1: comes along and rings a bell and unleashes her. And 519 00:31:20,320 --> 00:31:22,840 Speaker 1: so obviously the first thing these kids do when they 520 00:31:22,880 --> 00:31:25,400 Speaker 1: go to her world is ring a bell and she 521 00:31:25,480 --> 00:31:28,240 Speaker 1: comes back to life, and then she kind of um 522 00:31:28,360 --> 00:31:32,120 Speaker 1: hitches a ride with them back to the Wood between 523 00:31:32,120 --> 00:31:35,000 Speaker 1: the Worlds where like her powers don't really work there 524 00:31:35,000 --> 00:31:36,800 Speaker 1: and she gets kind of sick, and then they take 525 00:31:36,840 --> 00:31:40,280 Speaker 1: her to Earth. She kind of tries to take over Earth, 526 00:31:41,040 --> 00:31:43,720 Speaker 1: but it doesn't really work out, and then finally they're 527 00:31:43,760 --> 00:31:47,360 Speaker 1: able to get her back into the Wood between the Worlds. 528 00:31:47,400 --> 00:31:51,120 Speaker 1: Before that, she like breaks off a lamp post in London, 529 00:31:51,840 --> 00:31:54,200 Speaker 1: and then she takes that lamp post. They all make 530 00:31:54,240 --> 00:31:58,360 Speaker 1: their way into Narnia as Narnia is being created by 531 00:31:58,400 --> 00:32:02,880 Speaker 1: as Land, and the Itch tries to throw the lamppost 532 00:32:03,040 --> 00:32:05,680 Speaker 1: at as Land and it plants on the ground and 533 00:32:05,840 --> 00:32:09,640 Speaker 1: grows into the lamppost from the lion the witch on 534 00:32:09,640 --> 00:32:13,920 Speaker 1: the wardrobe. Oh my god, I mean he that that's 535 00:32:13,960 --> 00:32:16,080 Speaker 1: such a gag. Now that that makes me actually want 536 00:32:16,160 --> 00:32:19,360 Speaker 1: to revisit the first one. It's so good and and 537 00:32:19,400 --> 00:32:23,640 Speaker 1: that's you know, so that that quote that that is 538 00:32:23,800 --> 00:32:25,920 Speaker 1: a meme like, do not cite the deep magic to me, 539 00:32:26,080 --> 00:32:29,320 Speaker 1: which I was there when it was written, is referencing 540 00:32:29,360 --> 00:32:33,640 Speaker 1: the fact that both the White Witch and as Len 541 00:32:33,720 --> 00:32:36,800 Speaker 1: were there when Narnia was created, and so that's why 542 00:32:36,840 --> 00:32:39,560 Speaker 1: they both know like the rules of the universe. And 543 00:32:39,600 --> 00:32:41,959 Speaker 1: also that's where you see even more of the Bible, 544 00:32:42,040 --> 00:32:47,040 Speaker 1: the biblical stuff coming in, because Jadis eats an apple 545 00:32:47,160 --> 00:32:49,640 Speaker 1: from a tree that gives her everlasting life. Of course, 546 00:32:49,840 --> 00:32:55,120 Speaker 1: of course she tries to talk the titular magician's nephew 547 00:32:55,760 --> 00:32:59,200 Speaker 1: into eating the apple, but he doesn't do it, and 548 00:32:59,440 --> 00:33:05,960 Speaker 1: that the magician's nephew is the boy who grows up 549 00:33:06,200 --> 00:33:09,360 Speaker 1: to be the old man who owns the house with 550 00:33:09,400 --> 00:33:16,640 Speaker 1: the wardrobe in it. Uh. Oh, now I understand. Okay, 551 00:33:16,680 --> 00:33:19,720 Speaker 1: I'm actually so delighted that you summarize that for me, 552 00:33:19,800 --> 00:33:22,880 Speaker 1: because I truly retained nothing and I'm such a nerd. 553 00:33:24,400 --> 00:33:26,680 Speaker 1: You really are, I'm not going to lie. But it's 554 00:33:26,720 --> 00:33:30,080 Speaker 1: also impressive that you're able to retain so much about 555 00:33:30,120 --> 00:33:34,440 Speaker 1: like huge world they're written eons ago, but nothing about 556 00:33:34,520 --> 00:33:37,400 Speaker 1: like what we recorded one hour ago. Well one thing 557 00:33:37,520 --> 00:33:42,520 Speaker 1: is important in one thing. Um. I a lot that 558 00:33:42,800 --> 00:33:46,400 Speaker 1: was in conversation around C. S. Lewis um when we 559 00:33:46,400 --> 00:33:47,960 Speaker 1: were reading the books as kids are, like when I 560 00:33:48,000 --> 00:33:51,200 Speaker 1: was consuming the ship was like the relationship between him 561 00:33:51,200 --> 00:33:53,840 Speaker 1: and Tolkien, which I feel like we talked about it. 562 00:33:53,920 --> 00:33:56,840 Speaker 1: Do you think they were a second No, I think 563 00:33:57,080 --> 00:33:59,840 Speaker 1: well they were, obviously because I'm going to go on 564 00:34:00,840 --> 00:34:03,720 Speaker 1: if there's any fiction about that. Obviously because this is 565 00:34:03,760 --> 00:34:05,560 Speaker 1: like a virgin. Of course we think that they're sucking 566 00:34:05,600 --> 00:34:07,280 Speaker 1: and fucking. But if in my heart of hearts to 567 00:34:07,360 --> 00:34:11,760 Speaker 1: actually think they were so so repressed, and I feel 568 00:34:11,800 --> 00:34:14,359 Speaker 1: like the vibe between them. I've read a lot about 569 00:34:14,360 --> 00:34:18,520 Speaker 1: their relationship, and the vibe kind of was like C. S. 570 00:34:18,600 --> 00:34:21,040 Speaker 1: Lewis like takes a lot of credit for helping like 571 00:34:21,160 --> 00:34:24,640 Speaker 1: be the what they called the midwife for Tolkien's worlds. 572 00:34:24,719 --> 00:34:27,480 Speaker 1: Like they say that like Tolkien never would have finished 573 00:34:27,480 --> 00:34:29,600 Speaker 1: his work if like C. S. Lewis didn't bring him 574 00:34:29,600 --> 00:34:31,680 Speaker 1: home or like encourage him all along the way. But 575 00:34:31,719 --> 00:34:34,839 Speaker 1: I was also like, girl, your work suffered because of it, 576 00:34:34,880 --> 00:34:38,080 Speaker 1: because like no offense, like love Chronics Narnia, but like 577 00:34:38,120 --> 00:34:43,920 Speaker 1: the Chronicles of Narnia compared to Tolkien rose like nothing 578 00:34:44,080 --> 00:34:46,480 Speaker 1: like C. S. Lewis is out here being like this 579 00:34:46,560 --> 00:34:49,439 Speaker 1: line talks and like this line is also Jesus Christ. 580 00:34:49,520 --> 00:34:51,880 Speaker 1: You get it. And Tolkien is like, how many languages 581 00:34:51,920 --> 00:34:55,719 Speaker 1: have you written? But but one is for children and 582 00:34:55,880 --> 00:35:01,799 Speaker 1: one is not. Okay, I mean there's violence in these 583 00:35:01,840 --> 00:35:04,640 Speaker 1: books too. It's like some of the you know, it's 584 00:35:04,680 --> 00:35:10,279 Speaker 1: not a children no, but these but they are children's stories. 585 00:35:10,560 --> 00:35:16,520 Speaker 1: And although you know, Tolkien also wrote The Hobbit as 586 00:35:16,520 --> 00:35:19,680 Speaker 1: a book for children, but then as his children grew up, 587 00:35:19,719 --> 00:35:22,560 Speaker 1: you know, he wanted to advance the idea of the 588 00:35:22,880 --> 00:35:26,319 Speaker 1: quote unquote fairy story into something that could be consumed 589 00:35:26,320 --> 00:35:29,480 Speaker 1: by adults, because that wasn't really something that existed at 590 00:35:29,480 --> 00:35:35,200 Speaker 1: that time. Um. You know, they they are so obviously contemporaries, 591 00:35:35,280 --> 00:35:38,160 Speaker 1: and you know their works. I think when we think 592 00:35:38,200 --> 00:35:41,440 Speaker 1: about the legacy of fantasy are the ones that are 593 00:35:41,520 --> 00:35:46,319 Speaker 1: the most in conversation with each other. And they were 594 00:35:46,400 --> 00:35:49,600 Speaker 1: literally and they definitely sucked each other off. Yeah, I 595 00:35:49,600 --> 00:35:52,520 Speaker 1: mean they were working on these like literal fan fictions, 596 00:35:52,560 --> 00:35:55,120 Speaker 1: like working on their own little fan fictions, like in 597 00:35:55,320 --> 00:35:57,359 Speaker 1: like a fucking gay bar together. I mean it wasn't 598 00:35:57,360 --> 00:35:58,960 Speaker 1: a gay bar, but it was called the Eagle in 599 00:35:59,000 --> 00:36:02,360 Speaker 1: the Child, which is a ry like it's gay. I 600 00:36:02,360 --> 00:36:04,560 Speaker 1: didn't get too deep into this, but apparently they had 601 00:36:04,600 --> 00:36:08,759 Speaker 1: a falling out. They were because they broke up. Yes, 602 00:36:09,480 --> 00:36:14,319 Speaker 1: I think they had. You heard it here first j R. O. 603 00:36:14,440 --> 00:36:19,279 Speaker 1: Tolkien and C. S. Lewis, We're boyfriends, how to break up? 604 00:36:20,400 --> 00:36:24,360 Speaker 1: And the rest is her story. But according to Tolkiene, 605 00:36:24,600 --> 00:36:28,440 Speaker 1: like their relationship only lasted I think like twelve years 606 00:36:28,719 --> 00:36:31,600 Speaker 1: or so, and then after that they had a very 607 00:36:31,640 --> 00:36:35,640 Speaker 1: fierce like falling out. I think because C. S. Lewis 608 00:36:35,719 --> 00:36:39,560 Speaker 1: apparently took a job at Okay, wait wait, took a lover. Yes, 609 00:36:39,760 --> 00:36:43,000 Speaker 1: Lewis left Oxford and took a job as the chair 610 00:36:43,040 --> 00:36:47,120 Speaker 1: of Medieval and Renaissance Literature nerd at Cambridge. And I 611 00:36:47,160 --> 00:36:50,960 Speaker 1: think that they personally said they had fundamental like differing 612 00:36:51,000 --> 00:36:54,320 Speaker 1: beliefs about like what should be taught in the cannon. 613 00:36:54,800 --> 00:36:57,840 Speaker 1: And I believe Louis was the one that's like we 614 00:36:57,880 --> 00:37:00,400 Speaker 1: should be teaching things that are like a little more 615 00:37:00,600 --> 00:37:02,560 Speaker 1: not contemporary, because they didn't. Neither of them believe in 616 00:37:02,640 --> 00:37:06,120 Speaker 1: contemporary literature. But I think that like Tolkien was like 617 00:37:06,480 --> 00:37:10,319 Speaker 1: nothing outside of the Canterbury Hills, it's like relevant, like 618 00:37:10,400 --> 00:37:14,120 Speaker 1: it is only Middle English. No, Middle English is so 619 00:37:14,200 --> 00:37:16,880 Speaker 1: fucking boring and not relevant at all to like today's society. 620 00:37:16,920 --> 00:37:19,400 Speaker 1: And I actually think it should be extract like completely 621 00:37:19,480 --> 00:37:22,279 Speaker 1: expunged from literary canons of today. I think that we 622 00:37:22,320 --> 00:37:26,200 Speaker 1: as a society should decimate anything in Middle English and 623 00:37:26,200 --> 00:37:29,520 Speaker 1: it's not relevant. Where is the sad gay period drama 624 00:37:29,600 --> 00:37:34,080 Speaker 1: about Tolken and Louis's love affair. It's probably on a 625 00:37:34,120 --> 00:37:36,640 Speaker 1: O three. I'm gonna write it and it will be 626 00:37:36,680 --> 00:37:40,239 Speaker 1: man into my policeman's style, yeah, or maybe like a 627 00:37:40,280 --> 00:37:42,799 Speaker 1: BBC miniseries. Okay, So if you think they broke up, 628 00:37:42,840 --> 00:37:44,640 Speaker 1: what is the true story of their break up? If 629 00:37:44,719 --> 00:37:48,560 Speaker 1: this is the Wikipedia version, what's the true story? Um 630 00:37:49,160 --> 00:37:52,720 Speaker 1: that they were both tops? No, they were both bottoms. No, 631 00:37:52,920 --> 00:37:59,200 Speaker 1: I don't believe in those binaries. I think that Tolken 632 00:38:00,520 --> 00:38:06,960 Speaker 1: was into some like real gross orcship and Lewis was 633 00:38:07,480 --> 00:38:10,960 Speaker 1: very kind of pure. Yeah, like wanted to commit to 634 00:38:11,000 --> 00:38:16,280 Speaker 1: the bit but couldn't really. You know. Also, Tolkien had children, 635 00:38:17,000 --> 00:38:19,440 Speaker 1: so maybe he wanted he wanted, you know, he wanted 636 00:38:19,440 --> 00:38:22,759 Speaker 1: to live in the straight world. Lewis was just his 637 00:38:22,960 --> 00:38:26,279 Speaker 1: childless fag friends and C. S. Lewis, you know, I 638 00:38:26,320 --> 00:38:28,520 Speaker 1: don't know, actually a C. S. Lewis had children. I 639 00:38:28,520 --> 00:38:31,320 Speaker 1: would imagine he did. It seems like he would. Um, 640 00:38:31,360 --> 00:38:33,080 Speaker 1: it seems like a thing he would. I'm just gonna 641 00:38:33,120 --> 00:38:35,879 Speaker 1: say they just had some like Drap McQueen breakup. They 642 00:38:35,920 --> 00:38:38,839 Speaker 1: loved each other, but it didn't work out, And who knows, 643 00:38:38,920 --> 00:38:43,040 Speaker 1: maybe if it weren't for you know, the society that 644 00:38:43,640 --> 00:38:46,080 Speaker 1: you know wouldn't let them be together, maybe they would have. 645 00:38:46,840 --> 00:38:48,759 Speaker 1: Or maybe they were just petty and jealous of each 646 00:38:48,760 --> 00:38:51,160 Speaker 1: other's work, which is like what I think happened. I 647 00:38:51,239 --> 00:38:53,520 Speaker 1: think they were both jealous of each other's work because 648 00:38:53,560 --> 00:38:57,480 Speaker 1: like if Tolkien credited Lewis to helping him create this 649 00:38:57,560 --> 00:39:00,560 Speaker 1: like big thing, like would that not create strain on 650 00:39:00,600 --> 00:39:04,680 Speaker 1: their relationship, Like if someone was helping you through years 651 00:39:04,680 --> 00:39:08,480 Speaker 1: and years and years like birth this like massive franchise 652 00:39:08,560 --> 00:39:13,279 Speaker 1: level epic. Sure, but of course they would grow to 653 00:39:13,320 --> 00:39:14,719 Speaker 1: hate each other but you know what, at the end 654 00:39:14,719 --> 00:39:17,759 Speaker 1: of the day, they were both um white men who 655 00:39:17,960 --> 00:39:23,480 Speaker 1: are dead and bald and bald wigs snatch and let's 656 00:39:23,480 --> 00:39:27,560 Speaker 1: talk about talk about the diva's they created. So we 657 00:39:27,640 --> 00:39:29,640 Speaker 1: talked a little bit about the White Witch. Okay, there's 658 00:39:29,680 --> 00:39:33,080 Speaker 1: also Aslan, who is you know, the Jesus figure. Talk 659 00:39:33,120 --> 00:39:37,760 Speaker 1: about a stunt queen. I definitely wanted to fuck Aslan 660 00:39:38,400 --> 00:39:41,759 Speaker 1: and pretty much every version of The Lion, the Witch 661 00:39:41,760 --> 00:39:45,080 Speaker 1: and the Wardrobe that's been made. Aslan is objectively hot, 662 00:39:45,120 --> 00:39:48,560 Speaker 1: but like played by Liam Neeson a little on the nose, 663 00:39:48,640 --> 00:39:54,040 Speaker 1: like they knew how hot Aslan was. Yeah, the set, Yes, 664 00:39:55,160 --> 00:40:01,759 Speaker 1: let's let's see if there's Aslin move face upport x 665 00:40:01,960 --> 00:40:09,160 Speaker 1: x X what is it? Oh my god, oh my god, 666 00:40:10,440 --> 00:40:15,640 Speaker 1: oh my god, oh my god, I've gone too far. 667 00:40:15,760 --> 00:40:20,879 Speaker 1: If you are scandalized that anyway, that's saying something as 668 00:40:20,960 --> 00:40:25,319 Speaker 1: Lands very hot. Also, okay, so let's talk about the 669 00:40:25,480 --> 00:40:30,160 Speaker 1: movie franchise. Um, So, The Lion, The Witch and the 670 00:40:30,160 --> 00:40:35,239 Speaker 1: Wardrobe film series the Saga. The franchise came out in 671 00:40:35,360 --> 00:40:39,640 Speaker 1: two thousand five. I think that's probably how most people 672 00:40:40,440 --> 00:40:45,120 Speaker 1: of our generation and younger were introduced to it. This 673 00:40:45,480 --> 00:40:51,360 Speaker 1: was sort of like post Harry Potter post Lord of 674 00:40:51,400 --> 00:40:56,640 Speaker 1: the Rings. I think studios realizing that there was a 675 00:40:58,440 --> 00:41:05,839 Speaker 1: first for you know, fantasy, I p and um. I 676 00:41:05,880 --> 00:41:08,600 Speaker 1: love the two thousand and five film. I think it's 677 00:41:08,880 --> 00:41:12,319 Speaker 1: so good. It gave the world several people. It gave 678 00:41:12,440 --> 00:41:16,759 Speaker 1: us James McAvoy this was his breakout? What? Yeah? This 679 00:41:16,840 --> 00:41:20,439 Speaker 1: is his breakout? Yeah? Girl, what else did you think 680 00:41:20,440 --> 00:41:23,440 Speaker 1: it was? I'm freaking out. I thought he was an 681 00:41:23,560 --> 00:41:28,319 Speaker 1: established actor by this. No, this was his big bready. 682 00:41:28,800 --> 00:41:33,400 Speaker 1: It was also Tilda Swinton's big break That's also crazy. 683 00:41:33,440 --> 00:41:38,000 Speaker 1: I did not know that either. That's crazy to me. Wow, 684 00:41:38,360 --> 00:41:43,720 Speaker 1: and they Winton just Winton wear with dreadlocks. I mean, okay, 685 00:41:43,719 --> 00:41:45,800 Speaker 1: but can we also can we just talk about the 686 00:41:45,840 --> 00:41:49,520 Speaker 1: production design in general. I rewatched this movie for the record, 687 00:41:49,600 --> 00:41:53,880 Speaker 1: so it's fresh on my mind. Stunning. It's like beautiful, 688 00:41:53,960 --> 00:41:57,200 Speaker 1: beautiful film. I remembered it being kind of generic, and 689 00:41:57,239 --> 00:42:00,560 Speaker 1: when I watched, I was like, every single aim is 690 00:42:00,600 --> 00:42:03,279 Speaker 1: actually like better than most of what I watched. And 691 00:42:03,360 --> 00:42:07,000 Speaker 1: Rings of Power, my god, the moment where Lucy pulls 692 00:42:07,080 --> 00:42:12,800 Speaker 1: the sheet off the wardrobe. I mean, honestly, everything the 693 00:42:12,880 --> 00:42:15,480 Speaker 1: Queen wears is so stunning. Aside from the dreads, but 694 00:42:15,520 --> 00:42:18,719 Speaker 1: like the fact that her icicle crown gets slowly smaller, 695 00:42:18,880 --> 00:42:21,120 Speaker 1: does the world melt well? I do kind of a 696 00:42:21,760 --> 00:42:25,680 Speaker 1: gag like I do get sad when the winter goes away, 697 00:42:25,680 --> 00:42:28,000 Speaker 1: because I think that's the countiest part of the movie. 698 00:42:28,080 --> 00:42:30,560 Speaker 1: It's a really county and it's also what you remember 699 00:42:30,640 --> 00:42:33,120 Speaker 1: when you think of the Lion, the Witch and the Wardrobe, 700 00:42:33,440 --> 00:42:37,399 Speaker 1: which is why it's canonically a Christmas film. It is well, 701 00:42:37,560 --> 00:42:41,359 Speaker 1: I mean, Santa is literally a character in the movie. 702 00:42:41,520 --> 00:42:45,360 Speaker 1: Just so once again loser behavior from C. S. Lewis. 703 00:42:45,680 --> 00:42:50,279 Speaker 1: I think like writing Santa into your story, bro and 704 00:42:50,320 --> 00:42:54,160 Speaker 1: Tolkien is over here creating like worlds of like orcs 705 00:42:54,160 --> 00:42:57,000 Speaker 1: and elves and author languages like you wrote Santa. But 706 00:42:57,080 --> 00:43:01,560 Speaker 1: I do also think that Santa in the movie hot. 707 00:43:02,440 --> 00:43:05,839 Speaker 1: I was waiting for you to say it, he's a daddy. Yeah. 708 00:43:21,440 --> 00:43:23,560 Speaker 1: Watching a lot of like fantasy stuff that we watched 709 00:43:23,600 --> 00:43:27,200 Speaker 1: today when it whether it's like Marvel or like any 710 00:43:27,280 --> 00:43:29,600 Speaker 1: sort of like you know, original they make a live 711 00:43:29,640 --> 00:43:31,560 Speaker 1: action Snow White movie or all these other things they're 712 00:43:31,560 --> 00:43:33,759 Speaker 1: trying to like make from original. I p it's like 713 00:43:34,320 --> 00:43:37,480 Speaker 1: it feels regurgitated. A lot of it or it feels 714 00:43:37,480 --> 00:43:39,640 Speaker 1: like a rushed job. And there's something about this that 715 00:43:39,760 --> 00:43:43,640 Speaker 1: just feels so it felt so fresh, and I think that, well, 716 00:43:43,640 --> 00:43:46,880 Speaker 1: it's also all practical, like now we live in the 717 00:43:47,000 --> 00:43:51,080 Speaker 1: era of everything is c G I and this is 718 00:43:51,760 --> 00:43:54,719 Speaker 1: it's even if it's all on sound stages, which I'm 719 00:43:54,760 --> 00:43:59,040 Speaker 1: sure it all is. Like outside of Aslan and some 720 00:43:59,200 --> 00:44:02,600 Speaker 1: of the end the other like talking animal characters, this 721 00:44:02,680 --> 00:44:06,520 Speaker 1: is a world that feels tangible. Well, actually, the war 722 00:44:06,840 --> 00:44:09,319 Speaker 1: is all c G I and and and at the 723 00:44:09,480 --> 00:44:11,200 Speaker 1: end of the line, the Witch and the wardrobe and 724 00:44:11,239 --> 00:44:13,880 Speaker 1: I actually but I actually think it's kind of fine 725 00:44:13,920 --> 00:44:17,080 Speaker 1: because they gave us everything else, you know what I mean, 726 00:44:17,239 --> 00:44:19,440 Speaker 1: like and I think a lot of that, you know, 727 00:44:20,360 --> 00:44:22,960 Speaker 1: a lot of like what I I just honestly was 728 00:44:23,000 --> 00:44:25,120 Speaker 1: watching this and I was like, if you told I mean, 729 00:44:25,120 --> 00:44:27,319 Speaker 1: the c G is like a little but like if 730 00:44:27,320 --> 00:44:29,600 Speaker 1: you had told me it came out two years ago, 731 00:44:29,680 --> 00:44:32,040 Speaker 1: I would believe you. But that's how stunning it was. 732 00:44:32,239 --> 00:44:37,759 Speaker 1: That moment when all the Pevenses walk through the wardrobe 733 00:44:37,760 --> 00:44:42,279 Speaker 1: for the first time into Narnia into the snow, like 734 00:44:42,600 --> 00:44:50,960 Speaker 1: that captures something about childhood and the ability for regular 735 00:44:51,080 --> 00:44:56,480 Speaker 1: things to become extraordinary, like in a way that is 736 00:44:56,560 --> 00:45:00,200 Speaker 1: so profound, and you could tell that the person don't 737 00:45:00,200 --> 00:45:01,879 Speaker 1: even know who made this movie, but like you could 738 00:45:01,880 --> 00:45:04,560 Speaker 1: tell that there was a love for the story. And 739 00:45:04,800 --> 00:45:07,160 Speaker 1: I also felt like, who ever made this movie how 740 00:45:07,200 --> 00:45:10,080 Speaker 1: to love for the animated movie. There's a lot of 741 00:45:10,120 --> 00:45:14,520 Speaker 1: things that imagistically replicate what the nineteen seventy nine just 742 00:45:14,600 --> 00:45:17,360 Speaker 1: little hints here and there, like what the nineteen seventy 743 00:45:17,440 --> 00:45:20,239 Speaker 1: nine movie did, And I love that because it was 744 00:45:20,640 --> 00:45:24,520 Speaker 1: still reinterpreted. Right, Yeah, well, probably all the different adaptations 745 00:45:24,520 --> 00:45:27,600 Speaker 1: are somewhat in conversation with each other. Have you ever 746 00:45:27,640 --> 00:45:31,960 Speaker 1: seen the BBC mini series from that from the late eighties? 747 00:45:32,000 --> 00:45:34,600 Speaker 1: Does it do all of the books? Yeah? All of them? 748 00:45:34,719 --> 00:45:38,680 Speaker 1: Did you? Yeah? I watched them. I definitely watched The Lion, 749 00:45:38,760 --> 00:45:41,000 Speaker 1: The Witch and the Wardrobe more than any of the 750 00:45:41,040 --> 00:45:44,239 Speaker 1: other ones. But I have seen all of them. They're 751 00:45:44,239 --> 00:45:49,560 Speaker 1: not my favorites. So of the film annotations that started 752 00:45:49,560 --> 00:45:52,880 Speaker 1: in two thousand and five, there were two sequels, Prince 753 00:45:52,920 --> 00:45:56,760 Speaker 1: Caspian and The Voyage of the Dawn Treader for Flops, 754 00:45:57,520 --> 00:46:00,400 Speaker 1: which were kind of flops, although they did in reduced 755 00:46:00,560 --> 00:46:04,040 Speaker 1: Ben Barnes to the world that was he was in 756 00:46:04,440 --> 00:46:08,680 Speaker 1: that Netflix show Shadow and Bone. He has been in 757 00:46:08,760 --> 00:46:11,719 Speaker 1: a lot of stuff. He's like a hunky British guy. 758 00:46:11,760 --> 00:46:15,919 Speaker 1: He also is a very popular fan cast for a young, 759 00:46:16,080 --> 00:46:22,359 Speaker 1: serious black Oh and I think he's super sexy. Um. 760 00:46:22,520 --> 00:46:25,560 Speaker 1: There were plans for a fourth movie, The Silver Chair, 761 00:46:26,520 --> 00:46:31,160 Speaker 1: which is I think one of the better books and 762 00:46:31,200 --> 00:46:35,800 Speaker 1: also well, something the movies did was Tilda Swinton appeared 763 00:46:35,800 --> 00:46:39,640 Speaker 1: in all of the sequels, even though even though after 764 00:46:39,680 --> 00:46:43,399 Speaker 1: The White which is killed, like they make allusions to her, 765 00:46:43,600 --> 00:46:47,600 Speaker 1: and um, they knew how much she carried well either 766 00:46:48,040 --> 00:46:51,320 Speaker 1: even in I don't remember if it's in Prince Caspian 767 00:46:51,360 --> 00:46:53,400 Speaker 1: our Voyage of the down Treader, but in one of 768 00:46:53,440 --> 00:46:58,200 Speaker 1: them they attempt to resurrect her and so she comes back, 769 00:46:58,239 --> 00:47:01,200 Speaker 1: and that is in the book, but it's like they 770 00:47:01,320 --> 00:47:04,200 Speaker 1: talk about it, they don't actually do it. But like, 771 00:47:04,280 --> 00:47:07,200 Speaker 1: if you got Tilda, you're gonna use Tilda, yeah, which 772 00:47:07,200 --> 00:47:09,319 Speaker 1: is kind of like, I mean, I'm sure they just 773 00:47:09,400 --> 00:47:12,200 Speaker 1: wanted to like get these kids in movies as fast 774 00:47:12,239 --> 00:47:15,120 Speaker 1: as they could before they like went fully through puberty, 775 00:47:15,160 --> 00:47:17,239 Speaker 1: even though they kind of did, but like they really 776 00:47:17,239 --> 00:47:20,440 Speaker 1: should have just gone straight to Magician's nephew because that 777 00:47:20,520 --> 00:47:25,560 Speaker 1: to me. I know, I wish there was a magician's 778 00:47:25,640 --> 00:47:30,239 Speaker 1: nephew movies so badly so um. It was announced a 779 00:47:30,280 --> 00:47:33,080 Speaker 1: couple of years ago that Netflix had bought their rights 780 00:47:33,320 --> 00:47:37,480 Speaker 1: to UM Narnia and they were going to make either 781 00:47:37,840 --> 00:47:43,040 Speaker 1: a series or films series. It's still in development. There 782 00:47:43,040 --> 00:47:46,320 Speaker 1: hasn't been really any news on it. I think maybe 783 00:47:46,440 --> 00:47:50,200 Speaker 1: like COVID slowed down the plans, but hopefully it happens 784 00:47:50,239 --> 00:47:52,319 Speaker 1: one day. I wonder I would love to see it. 785 00:47:52,440 --> 00:47:56,359 Speaker 1: I wonder how Narnia. I mean, like two five wasn't 786 00:47:56,400 --> 00:48:00,960 Speaker 1: that long ago, but culturally it's kind of ago, and 787 00:48:01,000 --> 00:48:04,520 Speaker 1: I wonder how receptive the world might be now to 788 00:48:04,680 --> 00:48:08,719 Speaker 1: something that is so explicitly Christian, like, well, it's it's 789 00:48:08,760 --> 00:48:12,080 Speaker 1: so pure, and yeah, it's so pure. And the thing 790 00:48:12,160 --> 00:48:14,920 Speaker 1: about all fantasy media now is that it has to 791 00:48:14,960 --> 00:48:18,640 Speaker 1: have a level of meta nous to it. It has 792 00:48:18,680 --> 00:48:24,880 Speaker 1: to be commenting on what fantasy is in the modern era. 793 00:48:25,040 --> 00:48:29,399 Speaker 1: And that's why, you know, we have something like The Magicians, 794 00:48:29,480 --> 00:48:31,880 Speaker 1: which is a book series by Love Grossman that was 795 00:48:31,920 --> 00:48:36,239 Speaker 1: turned into a TV series on sci fi that is 796 00:48:36,480 --> 00:48:40,680 Speaker 1: very and I'm not using this word negatively derivative of 797 00:48:41,239 --> 00:48:44,560 Speaker 1: chronicles of Narnia because it's a book that sort of 798 00:48:44,600 --> 00:48:48,560 Speaker 1: remixes Narnia and Harry Potter in this way, it's a 799 00:48:48,560 --> 00:48:52,280 Speaker 1: little Harry Potter too. So um, if you have never 800 00:48:52,400 --> 00:48:56,240 Speaker 1: read the books or watched the TV show, it's about 801 00:48:56,680 --> 00:49:00,400 Speaker 1: um this guy Quentin who's like very depress ust and 802 00:49:00,960 --> 00:49:04,680 Speaker 1: gets into a magical college and the books and then 803 00:49:04,800 --> 00:49:07,680 Speaker 1: grad school in the TV show, and he also had 804 00:49:07,680 --> 00:49:11,319 Speaker 1: a childhood obsession with a series of novels that are 805 00:49:11,360 --> 00:49:15,680 Speaker 1: a stand in for Narnia, but the world is called 806 00:49:15,760 --> 00:49:20,920 Speaker 1: Phillery in the Magicians, and after he goes to magic school, 807 00:49:21,000 --> 00:49:24,160 Speaker 1: he discovers that Philery is actually a real place and 808 00:49:24,200 --> 00:49:27,920 Speaker 1: he and his friends go there and it's so meta, 809 00:49:28,160 --> 00:49:31,200 Speaker 1: like to a crazy extent, And it's basically like the 810 00:49:31,239 --> 00:49:35,160 Speaker 1: whole idea of the series is what if you were 811 00:49:35,200 --> 00:49:39,239 Speaker 1: like super obsessed with fantasy and that thing that people 812 00:49:39,280 --> 00:49:43,680 Speaker 1: are obsessed with fantasy, that that idea you have that like, oh, 813 00:49:43,719 --> 00:49:46,440 Speaker 1: one day, I'll like walk into a wardrobe and it 814 00:49:46,480 --> 00:49:49,239 Speaker 1: will take me into Narnia. Like what if that actually happened? 815 00:49:49,840 --> 00:49:55,120 Speaker 1: And would that actually make you any happier than you 816 00:49:55,239 --> 00:49:58,200 Speaker 1: were before or would you still just like be depressed 817 00:49:58,239 --> 00:50:00,719 Speaker 1: but you would be in a magical world. Those are 818 00:50:00,760 --> 00:50:03,000 Speaker 1: the themes that I like want to see if the 819 00:50:03,239 --> 00:50:05,879 Speaker 1: if like it's ever made into if like Narnia has 820 00:50:05,880 --> 00:50:07,759 Speaker 1: ever made into a series. Right, it feels like The 821 00:50:07,800 --> 00:50:13,040 Speaker 1: Magicians was kind of like the the adultification of some 822 00:50:13,200 --> 00:50:16,560 Speaker 1: of these like tropes and themes, because I think, you know, 823 00:50:17,400 --> 00:50:20,600 Speaker 1: the stories are actually like they have violence in them, 824 00:50:20,640 --> 00:50:22,880 Speaker 1: like or at least the ones that I read like 825 00:50:22,960 --> 00:50:26,719 Speaker 1: had violence in them more like adult themes or whatever. Um. 826 00:50:26,760 --> 00:50:29,560 Speaker 1: But there's room for it to go all the way 827 00:50:29,600 --> 00:50:31,920 Speaker 1: if it wanted to. But you know, I'm sure they 828 00:50:32,040 --> 00:50:35,000 Speaker 1: would never because they would if if Netflix or whoever 829 00:50:35,040 --> 00:50:38,080 Speaker 1: ever made this again, they probably want to prioritize like 830 00:50:38,120 --> 00:50:41,840 Speaker 1: a family Christmas movie. Well. Also, I'm sure that whoever 831 00:50:41,960 --> 00:50:45,080 Speaker 1: controls the rights to the books, like I'm sure there's 832 00:50:45,120 --> 00:50:50,319 Speaker 1: like a C. S. Lewis Foundation, they probably have very 833 00:50:50,400 --> 00:50:56,839 Speaker 1: strict guidelines in place about how these novels can be adapted. Wait, 834 00:50:56,880 --> 00:51:00,000 Speaker 1: we should talk about that because I feel like the morality, 835 00:51:00,360 --> 00:51:02,640 Speaker 1: this is something that we spoke about when we were 836 00:51:02,680 --> 00:51:06,600 Speaker 1: talking through our like Rings of Power recaps, that you know, 837 00:51:06,719 --> 00:51:09,359 Speaker 1: the morality and the kind of good versus bad thing 838 00:51:09,440 --> 00:51:12,880 Speaker 1: that exists in Lord of the Rings is like cranked 839 00:51:12,960 --> 00:51:16,240 Speaker 1: up to the inst degree in the world of Narnia, 840 00:51:16,440 --> 00:51:22,400 Speaker 1: like almost to a to a problematic level, like something 841 00:51:22,640 --> 00:51:28,200 Speaker 1: um I have. Oh that some people talk about is Susan, 842 00:51:28,480 --> 00:51:30,880 Speaker 1: who is one of the Pavency children. I don't know 843 00:51:30,960 --> 00:51:33,960 Speaker 1: if you've ever heard of this, but there's a short 844 00:51:34,000 --> 00:51:37,400 Speaker 1: story that Neil Gaiman wrote called the Problem of Susan. 845 00:51:38,120 --> 00:51:40,920 Speaker 1: Because so the ending of the books is really fucked up. 846 00:51:40,960 --> 00:51:44,920 Speaker 1: I don't know if you're if you know. So in 847 00:51:45,000 --> 00:51:48,600 Speaker 1: the last book you find out that all the Peavency 848 00:51:48,719 --> 00:51:53,480 Speaker 1: children died in a train accident and they all go 849 00:51:53,800 --> 00:52:01,040 Speaker 1: to basically like heaven in Narnia, and and it's supposed 850 00:52:01,040 --> 00:52:03,120 Speaker 1: to be like a good thing that they're all dead, 851 00:52:03,200 --> 00:52:07,799 Speaker 1: but they're together in heaven, except Susan doesn't get to go. 852 00:52:08,600 --> 00:52:12,879 Speaker 1: And the reasoning that as Land gives them is because 853 00:52:13,400 --> 00:52:17,040 Speaker 1: she had become obsessed with like makeup and boys and 854 00:52:17,080 --> 00:52:20,359 Speaker 1: stuff and had become like super jaded, and so she 855 00:52:20,400 --> 00:52:23,320 Speaker 1: didn't get to go to heaven with her dead family. 856 00:52:24,239 --> 00:52:26,840 Speaker 1: And oh, my god, now I need to read you 857 00:52:26,880 --> 00:52:30,640 Speaker 1: have to so this. In this short story, it's about 858 00:52:30,680 --> 00:52:35,719 Speaker 1: a student who's interviewing a professor of like children's literature, 859 00:52:36,440 --> 00:52:42,680 Speaker 1: and the professor actually is Susan all grown up, and 860 00:52:42,760 --> 00:52:46,719 Speaker 1: there's like some really great scenes of um, you know, 861 00:52:46,800 --> 00:52:49,200 Speaker 1: there's like this part where she talks about as Land 862 00:52:49,320 --> 00:52:52,680 Speaker 1: fucking the White Witch, and it's just like it's super 863 00:52:52,719 --> 00:52:57,120 Speaker 1: fucked up, and it's just like really great commentary on 864 00:52:58,200 --> 00:53:01,200 Speaker 1: you know, the like very kind of pucked up morality 865 00:53:01,239 --> 00:53:05,239 Speaker 1: of C. S. Lewis and and the way that he 866 00:53:05,360 --> 00:53:08,960 Speaker 1: did not treat especially the female character as well. You know, 867 00:53:09,000 --> 00:53:13,400 Speaker 1: they were either very pure children or evil witches and 868 00:53:13,440 --> 00:53:16,480 Speaker 1: they're kind of was no in between for women, kind 869 00:53:16,520 --> 00:53:19,239 Speaker 1: of the same way that for Tolkien it was either 870 00:53:19,400 --> 00:53:22,840 Speaker 1: like Galadriel or nothing. And it must be said that 871 00:53:22,880 --> 00:53:25,799 Speaker 1: they had this C. S. Lewis Untilkien had like a 872 00:53:25,840 --> 00:53:28,799 Speaker 1: writing group called like the Inklings or something faggy like that, 873 00:53:28,920 --> 00:53:31,719 Speaker 1: and they would not allow women in this writers They 874 00:53:31,760 --> 00:53:34,600 Speaker 1: were all fucking and I mean it was also like 875 00:53:34,800 --> 00:53:37,279 Speaker 1: I think that like Oxford didn't like allow like a 876 00:53:37,320 --> 00:53:40,480 Speaker 1: woman to like study their until like ny or something 877 00:53:40,520 --> 00:53:42,600 Speaker 1: like that. But like it's still just like it's stupid. 878 00:53:42,640 --> 00:53:46,200 Speaker 1: It's so clear what their worlds were. I'm actually shook 879 00:53:46,280 --> 00:53:49,759 Speaker 1: that there are even like women characters in like Narnia, 880 00:53:49,840 --> 00:53:51,760 Speaker 1: but like, let's I want to talk about the morality 881 00:53:51,760 --> 00:53:55,520 Speaker 1: like a little bit more because Aslan is as Jesus 882 00:53:56,320 --> 00:54:00,160 Speaker 1: is so ham fisted, and I think it's really interesting 883 00:54:00,239 --> 00:54:03,439 Speaker 1: that Aslan is kind of like one of those characters, 884 00:54:03,680 --> 00:54:06,719 Speaker 1: one of those like all seeing, all powerful characters that 885 00:54:07,920 --> 00:54:11,080 Speaker 1: has tons of information that would be helpful to the 886 00:54:11,120 --> 00:54:13,360 Speaker 1: rest of the characters, but withholds it for no reason, 887 00:54:13,480 --> 00:54:16,799 Speaker 1: like a Dumbledore or a Gandalf or you know, but 888 00:54:16,880 --> 00:54:20,200 Speaker 1: like no one it's never explained why Aslin disappeared for 889 00:54:20,239 --> 00:54:23,840 Speaker 1: ages and let like Narnia become always winter, never Christmas, 890 00:54:23,840 --> 00:54:25,960 Speaker 1: you know what I mean. I'm sure that's explained, like 891 00:54:26,000 --> 00:54:29,319 Speaker 1: in the actual mythology of it, but like it's so funny. 892 00:54:29,360 --> 00:54:32,839 Speaker 1: It's like and also um, like when Aslan sacrifices, well, 893 00:54:32,880 --> 00:54:38,560 Speaker 1: when he's crucified, like literally crucified like Jesus, like he 894 00:54:38,680 --> 00:54:42,919 Speaker 1: never explains to anyone why it's happening. I mean he well, 895 00:54:42,920 --> 00:54:45,840 Speaker 1: he doesn't explain it only after happening. He explains it 896 00:54:45,880 --> 00:54:48,400 Speaker 1: all after. It's like at any point he could tell 897 00:54:48,960 --> 00:54:51,959 Speaker 1: anybody in this story like hey, don't worry, I'm gonna 898 00:54:51,960 --> 00:54:54,040 Speaker 1: get die. But I'm gonna come back in like twenty 899 00:54:54,040 --> 00:54:57,040 Speaker 1: four hours. Like it's chill. But like the crucifixion scene, 900 00:54:57,080 --> 00:54:59,839 Speaker 1: like we have to say, like chriscifixion is hot. Well, 901 00:54:59,880 --> 00:55:01,960 Speaker 1: he doesn't get a crucified, he gets stabbed, he gets 902 00:55:02,080 --> 00:55:06,480 Speaker 1: on the stone table. Yes, but he's crucified. He's he's crucified, period, 903 00:55:06,640 --> 00:55:13,319 Speaker 1: Like that's crucifixion. Crucifixion is like a communal killing of 904 00:55:13,400 --> 00:55:16,920 Speaker 1: someone on the basis of like sin Pennant. So does 905 00:55:16,920 --> 00:55:20,040 Speaker 1: that not have to actually be on a cross? Um No, 906 00:55:20,160 --> 00:55:22,839 Speaker 1: I mean like it's crucial. I mean it is, yeah, 907 00:55:22,840 --> 00:55:25,080 Speaker 1: on a cross, but it is a crucifix like it's 908 00:55:25,080 --> 00:55:28,239 Speaker 1: a crucifixion, like it's it's literally nothing else like the 909 00:55:28,400 --> 00:55:31,279 Speaker 1: ritual sacrifice. Yes, and but instead of across is a 910 00:55:31,320 --> 00:55:34,239 Speaker 1: stone table, which is again another ham fisted metaphor for 911 00:55:34,320 --> 00:55:37,919 Speaker 1: like whatever the cross was. But like it's I love 912 00:55:37,960 --> 00:55:41,480 Speaker 1: that they shaved him. They shaved as lab again, they 913 00:55:41,480 --> 00:55:44,840 Speaker 1: gave him a makeover before they killed him. And then 914 00:55:45,000 --> 00:55:49,319 Speaker 1: in the movie, um, the White Witch like wears his 915 00:55:49,520 --> 00:55:52,200 Speaker 1: fur as part of her look when she charges it 916 00:55:52,400 --> 00:55:54,759 Speaker 1: when she charges into battle at the end, which is 917 00:55:55,520 --> 00:55:58,960 Speaker 1: so petty and also fierce it's a serve and she 918 00:55:59,120 --> 00:56:01,680 Speaker 1: was like, hey, you goblin over here, take this hair 919 00:56:01,680 --> 00:56:05,120 Speaker 1: and make me something aware tomorrow. Oh my god, that's 920 00:56:05,200 --> 00:56:08,040 Speaker 1: such I didn't even realize that when it happened on screen. 921 00:56:09,200 --> 00:56:13,240 Speaker 1: Did you know that not only are there film adaptations 922 00:56:13,440 --> 00:56:18,640 Speaker 1: and TV adaptations, there's also a musical adaptation of The Lion, 923 00:56:18,719 --> 00:56:22,120 Speaker 1: the Witch and the Wardrobe. And do you want to 924 00:56:22,160 --> 00:56:26,040 Speaker 1: know who might have appeared in a production of the 925 00:56:26,120 --> 00:56:28,359 Speaker 1: Land of the Witch of the Wardrobe the musical when 926 00:56:28,360 --> 00:56:31,319 Speaker 1: they were in medical school? Medical school, when they were 927 00:56:31,320 --> 00:56:35,440 Speaker 1: in middle school? Oh my god, you yes. Do you 928 00:56:35,520 --> 00:56:38,239 Speaker 1: want to know what role I played? Have I heard 929 00:56:38,239 --> 00:56:42,600 Speaker 1: this word? Were you the narrator? No? I was. I 930 00:56:42,640 --> 00:56:49,560 Speaker 1: was the professor who owns the house. No, that's it. 931 00:56:50,400 --> 00:56:53,880 Speaker 1: And you know what made it worse is that the professor. 932 00:56:53,920 --> 00:56:56,319 Speaker 1: So the way that the show is written is that 933 00:56:56,800 --> 00:56:59,600 Speaker 1: the professor and as Land are supposed to be played 934 00:56:59,640 --> 00:57:03,080 Speaker 1: by this same actor, but they only cast me as 935 00:57:03,120 --> 00:57:08,799 Speaker 1: the professor. But I have this song. I think it's 936 00:57:08,960 --> 00:57:12,520 Speaker 1: maybe like the second song in the show, and it's 937 00:57:12,520 --> 00:57:16,600 Speaker 1: called doors and Windows, and I do still remember it. 938 00:57:16,840 --> 00:57:25,320 Speaker 1: No doors and windows open and close to high door exposed. 939 00:57:25,400 --> 00:57:32,480 Speaker 1: One just waiting for you. That's just a little intrigue. Um, 940 00:57:32,680 --> 00:57:37,040 Speaker 1: wasn't good? Was a musical good? No? No, it wasn't. 941 00:57:53,920 --> 00:57:56,880 Speaker 1: Admit is such a little ship like I mean, just 942 00:57:56,920 --> 00:58:01,120 Speaker 1: the name Edmund. I mean, but yet another much like Susan, 943 00:58:01,240 --> 00:58:06,080 Speaker 1: Yet another kid that is like literally a child, literally 944 00:58:06,080 --> 00:58:11,040 Speaker 1: a child making a child's mistake, and like, yeah, but 945 00:58:11,080 --> 00:58:14,320 Speaker 1: he like sells his whole family little Judas, Yes he 946 00:58:14,440 --> 00:58:17,840 Speaker 1: is that. He is definitely the Judas for candy candy. 947 00:58:17,920 --> 00:58:21,720 Speaker 1: Have you ever had Turkish delight? Yes, that's not that good. No, No, 948 00:58:21,760 --> 00:58:24,120 Speaker 1: when it's good, it's good to you. It's like it's 949 00:58:24,120 --> 00:58:28,440 Speaker 1: like gelatine covered in powdered sugar. Honey. Literally all Turkish 950 00:58:28,440 --> 00:58:30,920 Speaker 1: delight is honey. Yes that's true. But the thing is, 951 00:58:30,960 --> 00:58:33,479 Speaker 1: it's about the flavoring. It's about the consistency. It's about 952 00:58:33,480 --> 00:58:35,440 Speaker 1: how much gelatin you use right, because if you use 953 00:58:35,520 --> 00:58:39,120 Speaker 1: too much gelatin, it gets really chilly, really gummy, really nasty. 954 00:58:39,400 --> 00:58:42,400 Speaker 1: But if you do it really light, it's soft and 955 00:58:42,440 --> 00:58:44,919 Speaker 1: melts in your mouth. If you're using like the right 956 00:58:45,080 --> 00:58:48,440 Speaker 1: ingredients and the right execution. Let me tell you, we 957 00:58:48,480 --> 00:58:50,880 Speaker 1: need to go get something good Turkish. I do remember 958 00:58:50,920 --> 00:58:52,840 Speaker 1: that when we did that production of The Lion, the 959 00:58:52,840 --> 00:58:57,120 Speaker 1: Witch and the Wardrobe. At rehearsal, one day, someone's mom 960 00:58:57,680 --> 00:59:01,200 Speaker 1: brought us Turkish delight to eat, and we were all 961 00:59:01,240 --> 00:59:03,840 Speaker 1: expecting some kind of like we were expecting to have 962 00:59:03,880 --> 00:59:08,320 Speaker 1: our minds blown. We're expecting to have our pussies rocks. 963 00:59:08,880 --> 00:59:15,880 Speaker 1: And then someone opens his tin of like powdered gelatine 964 00:59:15,960 --> 00:59:20,600 Speaker 1: and we're like the fuck. It's an extremely British delicacy. 965 00:59:20,720 --> 00:59:25,240 Speaker 1: Like Brits love like the taste of like some sort 966 00:59:25,280 --> 00:59:30,600 Speaker 1: of like gummy thing that is flavored like perfume, like rose. 967 00:59:30,640 --> 00:59:34,440 Speaker 1: Turkish light is disgusting, Like that sounds kind of good. Actually, oh, 968 00:59:34,680 --> 00:59:37,480 Speaker 1: I hate the taste of rose, especially in gelatine. But 969 00:59:37,640 --> 00:59:40,320 Speaker 1: Turkish light comes in so many different flavors. I don't 970 00:59:40,360 --> 00:59:42,200 Speaker 1: funk with Turkish light that has nuts in it, or 971 00:59:42,200 --> 00:59:44,960 Speaker 1: like pistachios. That's not like I don't like nuts and 972 00:59:45,000 --> 00:59:49,160 Speaker 1: gelatine combined. But um in the Borough Market in London 973 00:59:49,200 --> 00:59:51,800 Speaker 1: Town ever heard of it? They, you know, there are 974 00:59:52,080 --> 00:59:53,840 Speaker 1: I don't know if it's like this anymore, but when I, 975 00:59:53,960 --> 00:59:57,240 Speaker 1: you know, was there, they were like huge like lanes 976 00:59:57,280 --> 01:00:01,480 Speaker 1: and swaths that were just Turkish to live. So many ridles. 977 01:00:02,280 --> 01:00:04,520 Speaker 1: I do love the way that she takes off her 978 01:00:04,560 --> 01:00:08,160 Speaker 1: little potion and drops it onto the snow, and then 979 01:00:08,160 --> 01:00:13,600 Speaker 1: the Turkish light just appears. Stunning, stunning, Tilda, stunning. This 980 01:00:13,800 --> 01:00:18,560 Speaker 1: is Tilda's best work. No, that's not true. This is 981 01:00:18,760 --> 01:00:21,520 Speaker 1: a role that so actually I was about to say 982 01:00:21,560 --> 01:00:23,320 Speaker 1: this is a role that only Tilda could do, but 983 01:00:23,320 --> 01:00:26,040 Speaker 1: it's actually not true. A lot of action. No, I 984 01:00:26,120 --> 01:00:29,360 Speaker 1: actually think it's specific to Tilda. No, I don't think 985 01:00:29,400 --> 01:00:32,720 Speaker 1: that's I don't think that would you cast instead literally 986 01:00:33,000 --> 01:00:37,360 Speaker 1: any fierce white woman to play the white wing. But 987 01:00:37,400 --> 01:00:41,760 Speaker 1: I think Tilda has this like this alien quality to her. 988 01:00:42,160 --> 01:00:45,840 Speaker 1: But also a lot of those women have played witches 989 01:00:45,920 --> 01:00:48,240 Speaker 1: who are kind of derivative of the way, which like 990 01:00:48,760 --> 01:00:54,600 Speaker 1: Charlie's and The Huntsman, like Julianne Moore. There was some 991 01:00:54,720 --> 01:00:57,919 Speaker 1: like weird fantasy movie that she played a witch in. Yeah, 992 01:00:58,200 --> 01:01:01,880 Speaker 1: in Snow White as well another Snow White, um Angelina 993 01:01:02,000 --> 01:01:05,919 Speaker 1: Jolie as Maleficent. Like Tilda's so good as a witch. 994 01:01:05,960 --> 01:01:09,280 Speaker 1: I mean, if you you know that Suspiria is one 995 01:01:09,320 --> 01:01:11,920 Speaker 1: of my favorite films and she plays a witch, and 996 01:01:12,000 --> 01:01:15,600 Speaker 1: that I just think when I rewatched it, she's fear. 997 01:01:15,760 --> 01:01:19,720 Speaker 1: She's amazing, She's sublime. She does have the alien quality. 998 01:01:19,800 --> 01:01:22,200 Speaker 1: But at the end of the day, I think it's 999 01:01:22,200 --> 01:01:25,640 Speaker 1: a role that's easy to make fierce, like I, you know, like, 1000 01:01:25,720 --> 01:01:29,240 Speaker 1: and the production design does so much, not to de 1001 01:01:29,320 --> 01:01:30,880 Speaker 1: great her work, but it does so much work in 1002 01:01:30,920 --> 01:01:34,240 Speaker 1: addition to what she's doing. I don't know. I think 1003 01:01:34,320 --> 01:01:37,040 Speaker 1: she elevates the movie, and like, yes I can, it 1004 01:01:37,160 --> 01:01:40,120 Speaker 1: is elevated. Yes I can. I can look back and 1005 01:01:40,120 --> 01:01:42,760 Speaker 1: and say that some of that is my bias of 1006 01:01:42,880 --> 01:01:48,680 Speaker 1: just knowing who Tilda is, because I, you know, didn't 1007 01:01:48,800 --> 01:01:51,520 Speaker 1: obviously when I saw this for the first time. But 1008 01:01:52,320 --> 01:01:55,800 Speaker 1: I do think she has this quality to her where 1009 01:01:56,200 --> 01:02:00,280 Speaker 1: she can do so much with just one look. Um. 1010 01:02:00,320 --> 01:02:04,680 Speaker 1: There's this one moment where after she has been plotting 1011 01:02:04,680 --> 01:02:07,560 Speaker 1: with Edmund and she sends him on his way to 1012 01:02:07,760 --> 01:02:10,800 Speaker 1: go like lure his family back to Narnia, she does 1013 01:02:10,800 --> 01:02:12,920 Speaker 1: this thing where she looks at him she goes, I'm 1014 01:02:12,920 --> 01:02:15,360 Speaker 1: gonna miss you so much, and it's just like it's 1015 01:02:15,560 --> 01:02:18,640 Speaker 1: so good I forgotten. She has lots of little lines 1016 01:02:18,680 --> 01:02:21,400 Speaker 1: like that, like um, when she sends her wolf to 1017 01:02:21,520 --> 01:02:25,400 Speaker 1: go find the heaven ses, she goes, you know what 1018 01:02:25,480 --> 01:02:31,080 Speaker 1: to do? You know what to do. Um she every 1019 01:02:31,160 --> 01:02:35,560 Speaker 1: single second of that and the fight scenes Steva sher 1020 01:02:35,720 --> 01:02:41,880 Speaker 1: swords double swords. It's so fucking fierce a sigh being 1021 01:02:41,960 --> 01:02:45,080 Speaker 1: driven by polar bears. I don't know why I'm like 1022 01:02:45,400 --> 01:02:47,960 Speaker 1: shitting on Rings of Powers so much, but literally, like 1023 01:02:48,160 --> 01:02:52,760 Speaker 1: her with two swords is cooler than anything that happened 1024 01:02:52,800 --> 01:02:55,600 Speaker 1: the entirety of like Rings of Power. You can't compete 1025 01:02:55,640 --> 01:02:58,800 Speaker 1: where you can't compare. Yeah, I'm sorry, Like, I'm just 1026 01:02:58,960 --> 01:03:02,120 Speaker 1: it made me. I is watching it, and I actually 1027 01:03:02,160 --> 01:03:04,240 Speaker 1: I turned it on to be a background watch, like 1028 01:03:04,280 --> 01:03:05,600 Speaker 1: I thought I was going to look at my phone 1029 01:03:05,680 --> 01:03:07,640 Speaker 1: or like clean the house or something, and I sat 1030 01:03:07,680 --> 01:03:10,240 Speaker 1: down because I was like, damn, I forgot how good 1031 01:03:10,280 --> 01:03:12,160 Speaker 1: this movie is. You know who I would love to 1032 01:03:12,200 --> 01:03:16,720 Speaker 1: see as the White Witch if um the like a 1033 01:03:16,760 --> 01:03:21,360 Speaker 1: new adaptation does end up happening. I think Michelleos the 1034 01:03:21,400 --> 01:03:25,400 Speaker 1: White Witch would be incredible. I want to see her 1035 01:03:25,400 --> 01:03:28,640 Speaker 1: play a villain. Okay. Something that's like not really talked 1036 01:03:28,680 --> 01:03:32,680 Speaker 1: about is the fact that Mr Tumnus is like pretty 1037 01:03:32,800 --> 01:03:38,280 Speaker 1: rapey in that he is a full grown satyr who 1038 01:03:38,360 --> 01:03:41,160 Speaker 1: has brought this child into his home multiple and then 1039 01:03:42,080 --> 01:03:49,360 Speaker 1: like does love her to sleep essentially date rape. But 1040 01:03:49,440 --> 01:03:51,400 Speaker 1: the only thing so I guess what happens in that 1041 01:03:51,440 --> 01:03:54,400 Speaker 1: scene is he kind of thinks he's going to give 1042 01:03:54,440 --> 01:03:56,280 Speaker 1: her over to the witch and then has a kind 1043 01:03:56,280 --> 01:03:59,520 Speaker 1: of change of heart and decides he can't do it. 1044 01:03:59,560 --> 01:04:01,920 Speaker 1: He can't. You gets turned to stone and that's why 1045 01:04:01,960 --> 01:04:04,200 Speaker 1: he gets turned to stone, which like, would you which 1046 01:04:04,200 --> 01:04:08,880 Speaker 1: God to the girl? You would you have turned her in? Yeah? 1047 01:04:09,040 --> 01:04:11,080 Speaker 1: For sure, because the White Witches kind of like fear, 1048 01:04:11,160 --> 01:04:14,320 Speaker 1: Like I would have been on her side totally. If 1049 01:04:14,560 --> 01:04:16,439 Speaker 1: I would have been team I would have been her. 1050 01:04:16,800 --> 01:04:19,400 Speaker 1: I would have been Yeah, I would have been team Asland. 1051 01:04:19,400 --> 01:04:23,840 Speaker 1: But if Asland has been gone for years, that sucks, 1052 01:04:23,920 --> 01:04:27,760 Speaker 1: like your leader to desert you like God, and he's God. 1053 01:04:28,080 --> 01:04:31,320 Speaker 1: God has deserted you and then comes back. It's like, hey, 1054 01:04:31,360 --> 01:04:34,160 Speaker 1: I'm in charge again. By the way, Edmund, you are 1055 01:04:34,200 --> 01:04:36,640 Speaker 1: going to be crucified. J K, I'm going to crucify 1056 01:04:36,760 --> 01:04:39,520 Speaker 1: myself and take all the credit, like all the glory 1057 01:04:39,680 --> 01:04:42,240 Speaker 1: for that for sure. And the Witch's crew, I have 1058 01:04:42,400 --> 01:04:46,640 Speaker 1: to say, is so much cooler than the good side. 1059 01:04:46,680 --> 01:04:49,200 Speaker 1: Like you know when when they sacrifice as Land and 1060 01:04:49,240 --> 01:04:52,240 Speaker 1: they show up and all those like goblins and ghouls 1061 01:04:52,280 --> 01:04:55,160 Speaker 1: and stuff for like partying. That's like I've been to 1062 01:04:55,280 --> 01:04:58,560 Speaker 1: parties that looked pretty much exactly like that. Yeah, Veil 1063 01:04:58,600 --> 01:05:02,840 Speaker 1: of Kashmir, Yeah, that was spectrum totally. It was giving 1064 01:05:02,880 --> 01:05:07,120 Speaker 1: berlin um and you know the like, Yeah, I like 1065 01:05:07,200 --> 01:05:10,480 Speaker 1: the centaurs and stuff like, they're kind of hot. Would 1066 01:05:10,520 --> 01:05:16,240 Speaker 1: you fuck a centaur or get sucked by a centaur? Well, 1067 01:05:16,360 --> 01:05:18,960 Speaker 1: if you're getting sucked my center, that's like sad some 1068 01:05:19,040 --> 01:05:22,200 Speaker 1: permanent damn it. Yeah, it's a lot of dick. We 1069 01:05:22,280 --> 01:05:25,080 Speaker 1: talked about this in our porn episode. But like the 1070 01:05:25,120 --> 01:05:29,360 Speaker 1: idea of wrecking my whole as I don't want to 1071 01:05:29,440 --> 01:05:32,400 Speaker 1: yuck anybody's not my tea. I don't want to permanently 1072 01:05:32,440 --> 01:05:35,320 Speaker 1: alter my whole, and I think that with a center 1073 01:05:36,080 --> 01:05:40,560 Speaker 1: that is the case. Let me look up some center born. Well, 1074 01:05:40,600 --> 01:05:45,320 Speaker 1: if you ever watched the video to death to death, 1075 01:05:46,400 --> 01:05:51,000 Speaker 1: he died God, oh wow, oh my god, look at that. 1076 01:05:51,120 --> 01:05:54,640 Speaker 1: I forgot they died. That's so sad. He died following 1077 01:05:55,480 --> 01:05:59,880 Speaker 1: he died doing what he loved. To death my horn. 1078 01:06:02,160 --> 01:06:07,080 Speaker 1: What a way to go. Let me answer your question. Actually, realistically, no, 1079 01:06:07,680 --> 01:06:10,560 Speaker 1: in my fantasy world, getting funed by a center is 1080 01:06:10,680 --> 01:06:14,920 Speaker 1: extremely hot. Humanoids very hot to me, centaurs and and 1081 01:06:14,920 --> 01:06:20,400 Speaker 1: and satyr's extremely hot to me. Giant horse cock. Yeah, 1082 01:06:21,040 --> 01:06:23,800 Speaker 1: but some which magical creature are you are you most 1083 01:06:23,960 --> 01:06:28,320 Speaker 1: interested in having sex with? I think it would be 1084 01:06:28,520 --> 01:06:30,760 Speaker 1: a center, if not an elf, but I feel like 1085 01:06:30,800 --> 01:06:33,160 Speaker 1: that's kind of cheating, But yeah, I think it would 1086 01:06:33,200 --> 01:06:37,080 Speaker 1: kind of be a humans. I think there's something. I 1087 01:06:37,080 --> 01:06:39,800 Speaker 1: think there's something really erotic about horses. This is why 1088 01:06:39,800 --> 01:06:42,040 Speaker 1: I was obsessed with equis as a kid. I actually 1089 01:06:42,120 --> 01:06:44,960 Speaker 1: I'm a horse girl, not as a kid. As a 1090 01:06:45,000 --> 01:06:47,920 Speaker 1: college student, but I did you know that I took 1091 01:06:48,680 --> 01:06:52,240 Speaker 1: this is actually horse cock shop. This is a gag. Actually, 1092 01:06:52,240 --> 01:06:54,920 Speaker 1: I don't know if I've ever told you this. When 1093 01:06:54,960 --> 01:06:58,360 Speaker 1: I was in college, I enrolled and took a full 1094 01:06:58,440 --> 01:07:06,640 Speaker 1: course on horses throughout literature, and I wrote my term yes, 1095 01:07:06,720 --> 01:07:09,840 Speaker 1: and I wrote my turn this is a horse girl podcast. Yes. 1096 01:07:09,960 --> 01:07:14,760 Speaker 1: And I wrote my paper on the kind of thematic 1097 01:07:15,320 --> 01:07:18,080 Speaker 1: um importance of horses in the Lord of the Rings 1098 01:07:18,120 --> 01:07:22,800 Speaker 1: franchise and followed like several yes, and I followed a 1099 01:07:22,840 --> 01:07:25,880 Speaker 1: few different horses through the franchise about like and what 1100 01:07:25,960 --> 01:07:29,520 Speaker 1: their meanings were whatever. And my horse teacher, I thought 1101 01:07:29,560 --> 01:07:31,880 Speaker 1: it was so good that she submitted my essay for 1102 01:07:31,920 --> 01:07:36,400 Speaker 1: a contest that I won contest Shadow Facts King of 1103 01:07:36,440 --> 01:07:41,680 Speaker 1: the Horses. Oh my god, I have so many virgins. 1104 01:07:41,720 --> 01:07:49,280 Speaker 1: This has just evolved into us looking at Oh my god. 1105 01:07:50,240 --> 01:07:53,320 Speaker 1: I love that we can find a way to turn 1106 01:07:53,480 --> 01:07:59,200 Speaker 1: children's fantasy literature into the conversation about fantasy horse cock 1107 01:08:06,680 --> 01:08:09,520 Speaker 1: slide into our d M s at Like a Virgin 1108 01:08:09,680 --> 01:08:12,280 Speaker 1: tell us, um, are you a lion, a witch, or 1109 01:08:12,320 --> 01:08:15,760 Speaker 1: a wardrobe? Which one do you identify? A wardrobe? For sure? 1110 01:08:16,040 --> 01:08:19,280 Speaker 1: I'm a witch and if Phoebe is a lion, yeah, 1111 01:08:19,320 --> 01:08:23,240 Speaker 1: you are a lion? Okay, and um next week we 1112 01:08:23,320 --> 01:08:28,680 Speaker 1: will be back with a discussion about everyone's favorite lesbian 1113 01:08:29,000 --> 01:08:35,439 Speaker 1: Christmas film, Carol. Thank god, finally it's it's time to 1114 01:08:35,520 --> 01:08:39,200 Speaker 1: talk about The Girls, the most important Christmas movie ever 1115 01:08:39,200 --> 01:08:43,640 Speaker 1: made ever. So until then, you know, leave us a 1116 01:08:43,680 --> 01:08:47,439 Speaker 1: review on Apple Podcasts. It helps us out so much. 1117 01:08:47,560 --> 01:08:49,800 Speaker 1: I'm your co host, Rose Damn You. You can find 1118 01:08:49,800 --> 01:08:53,960 Speaker 1: me anywhere online at Rose Damn You, and I'm Franterata. 1119 01:08:54,040 --> 01:08:56,559 Speaker 1: You can find me at Friends, Squish, go anywhere you like. 1120 01:08:57,040 --> 01:08:59,880 Speaker 1: Subscribe to Like a Virgin anywhere you listen to podcast 1121 01:09:00,000 --> 01:09:03,719 Speaker 1: to leave us a rating, on Spotify for a review 1122 01:09:03,720 --> 01:09:07,080 Speaker 1: on Apple Podcast, we appreciate it so much like a 1123 01:09:07,160 --> 01:09:10,680 Speaker 1: Virgin is an I Heart radio production. Our producer is 1124 01:09:10,680 --> 01:09:14,680 Speaker 1: Phoebe Unter, with support from Lindsay Hoffman, Julian Weller, Just 1125 01:09:14,920 --> 01:09:21,000 Speaker 1: Crane Chitch and Nikki Etre Until next week goodbye for now. 1126 01:09:26,760 --> 01:09:34,600 Speaker 1: The center is pussy looks like an egg bag. Literally 1127 01:09:38,040 --> 01:09:46,719 Speaker 1: loves the way she's holding her boob because it's it's 1128 01:09:46,920 --> 01:09:50,800 Speaker 1: so big. It's so happy that she has just it's 1129 01:09:50,920 --> 01:09:56,000 Speaker 1: just to suspend. Yes, yes, I love just to stand 1130 01:09:56,040 --> 01:09:58,479 Speaker 1: on a bucket to fund this center, because the center 1131 01:09:58,560 --> 01:09:59,479 Speaker 1: is so big.