1
00:00:02,279 --> 00:00:04,200
Speaker 1: Freedom here on house Risk got to tilling for you.

2
00:00:04,280 --> 00:00:06,000
Speaker 1: Take her up where you stay.

3
00:00:05,920 --> 00:00:08,840
Speaker 2: Here, Yo, yo, yo, yo yo. Welcome to It's Up

4
00:00:08,840 --> 00:00:11,799
Speaker 2: Their podcast. I go by Big Loan. I am your

5
00:00:11,880 --> 00:00:15,120
Speaker 2: active and attractive hosts for another episode of the fastest

6
00:00:15,120 --> 00:00:17,760
Speaker 2: going podcasts out there. Right now, let me say this,

7
00:00:17,800 --> 00:00:19,800
Speaker 2: and let me say this with confidence. You are now

8
00:00:19,880 --> 00:00:23,279
Speaker 2: locked in with the best podcasts in the world, and

9
00:00:23,360 --> 00:00:26,840
Speaker 2: without any of y'all, it's never possible. So I definitely

10
00:00:26,880 --> 00:00:31,319
Speaker 2: want to start the podcast with saluting each and every

11
00:00:31,320 --> 00:00:33,600
Speaker 2: one of y'all to keep me motivated to keep going.

12
00:00:33,880 --> 00:00:36,360
Speaker 2: The journey is the journey you take, will come with it.

13
00:00:36,760 --> 00:00:39,160
Speaker 2: I ain't ducking no smoke, but I ain't looking for none.

14
00:00:40,240 --> 00:00:44,080
Speaker 2: It's up There podcast. All videos ad free are found

15
00:00:44,120 --> 00:00:48,000
Speaker 2: behind the paywall on patreon dot com. It's up There podcast.

16
00:00:48,400 --> 00:00:50,960
Speaker 2: So many comments be like, yo, we want to see

17
00:00:50,960 --> 00:00:53,800
Speaker 2: it without the AD. Why you keep putting the ad yo?

18
00:00:53,920 --> 00:00:57,240
Speaker 2: Ad free content is available on Patreon dot com.

19
00:00:57,280 --> 00:00:59,240
Speaker 1: It's up There podcast. It'll never stop.

20
00:00:59,280 --> 00:01:02,400
Speaker 2: It'll play it all the way through, no skips, no nothing,

21
00:01:03,200 --> 00:01:07,480
Speaker 2: nothing on the screen, nothing right. And so unfortunately for y'all,

22
00:01:07,480 --> 00:01:09,480
Speaker 2: the business is the business, and that's how I have

23
00:01:09,560 --> 00:01:11,920
Speaker 2: to run it. Hopefully the content is good enough for

24
00:01:11,959 --> 00:01:13,080
Speaker 2: you guys to stick around.

25
00:01:13,280 --> 00:01:13,679
Speaker 3: That's that.

26
00:01:14,120 --> 00:01:16,720
Speaker 2: So much for us to talk about, so so so

27
00:01:17,040 --> 00:01:19,280
Speaker 2: much for us to talk about today. I want to

28
00:01:19,319 --> 00:01:22,000
Speaker 2: start with a circumstance that I've been watching for a

29
00:01:22,040 --> 00:01:23,800
Speaker 2: while and it was a case study for me and

30
00:01:23,880 --> 00:01:28,440
Speaker 2: still is because again, I am the only one in

31
00:01:28,560 --> 00:01:32,399
Speaker 2: podcasting that really understands podcasting. And the father I go up,

32
00:01:32,440 --> 00:01:35,480
Speaker 2: the more I'm really realizing this, I am the single

33
00:01:35,520 --> 00:01:39,200
Speaker 2: handed only person that really understands what I'm looking at.

34
00:01:39,400 --> 00:01:42,160
Speaker 2: And because I prepare thinking nobody would help, and I

35
00:01:42,240 --> 00:01:45,560
Speaker 2: just got lucky and got some help. But there is

36
00:01:45,640 --> 00:01:48,840
Speaker 2: a white young lady by the name of Bobby. I

37
00:01:48,880 --> 00:01:51,400
Speaker 2: think it's I talk. And if I get that wrong,

38
00:01:51,480 --> 00:01:54,800
Speaker 2: I do apologize. The other day I posted something on

39
00:01:54,840 --> 00:01:58,080
Speaker 2: my Instagram and I said, what's the difference between Loan

40
00:01:58,200 --> 00:02:01,760
Speaker 2: and her? We both got popping pard. She got big guess.

41
00:02:01,840 --> 00:02:04,960
Speaker 2: I got big guess. Let's keep it, Gangster Drake. Probably

42
00:02:05,000 --> 00:02:07,920
Speaker 2: the only thing that's outside of my reach. Everything else

43
00:02:08,040 --> 00:02:11,520
Speaker 2: is like, yo, we can compare these now, if we

44
00:02:11,600 --> 00:02:15,160
Speaker 2: get down to the nitty gritty, we can compare guests now. Now,

45
00:02:15,720 --> 00:02:18,440
Speaker 2: content is one thing, and consumption is another. So we

46
00:02:18,480 --> 00:02:21,480
Speaker 2: won't live there. But the fact that she was building

47
00:02:21,520 --> 00:02:25,280
Speaker 2: her entire platform inside right like right next to me.

48
00:02:25,840 --> 00:02:28,200
Speaker 2: It's like, I'm sitting here digging over here and hipop

49
00:02:28,200 --> 00:02:30,320
Speaker 2: and look over there in that and it's a little

50
00:02:30,560 --> 00:02:31,520
Speaker 2: it's a little skinny.

51
00:02:31,960 --> 00:02:34,239
Speaker 1: It's a little skinny white girl right here digging too.

52
00:02:34,639 --> 00:02:37,520
Speaker 2: I mean, it's normal though we you know, we except

53
00:02:37,560 --> 00:02:38,720
Speaker 2: all over here in hip hop.

54
00:02:38,760 --> 00:02:39,960
Speaker 1: So I'm steady digging.

55
00:02:40,720 --> 00:02:44,080
Speaker 2: But I'm saying, damn, it seems like it's you know,

56
00:02:44,280 --> 00:02:46,320
Speaker 2: but I'm a man, and as a man, you can't

57
00:02:46,320 --> 00:02:48,639
Speaker 2: say nothing. I never say nothing. I salute her and

58
00:02:48,720 --> 00:02:51,080
Speaker 2: to help point in any way I still can and will.

59
00:02:51,760 --> 00:02:54,560
Speaker 2: But it is important for me to identify what the

60
00:02:54,560 --> 00:02:57,919
Speaker 2: people behind me may and counter on their road. Now,

61
00:02:58,639 --> 00:03:01,120
Speaker 2: it's important for the people that it's already been in

62
00:03:01,200 --> 00:03:04,760
Speaker 2: North Carolina to tell folks what the weather is in

63
00:03:04,840 --> 00:03:09,400
Speaker 2: North Carolina if they head it that way. I feel

64
00:03:09,440 --> 00:03:12,400
Speaker 2: as though I have an obligation to over communicate to

65
00:03:12,480 --> 00:03:15,239
Speaker 2: the culture because I'm in a unique position that I

66
00:03:15,400 --> 00:03:17,920
Speaker 2: forced and fought my way to be in. So I

67
00:03:18,000 --> 00:03:21,640
Speaker 2: have to absorb all hits and fights and ticks and

68
00:03:21,680 --> 00:03:25,520
Speaker 2: texts that come along with me identifying circumstances. These are

69
00:03:25,600 --> 00:03:28,400
Speaker 2: things that I have to consider on this episode. I'm

70
00:03:28,400 --> 00:03:33,760
Speaker 2: gonna continue to reiterate that I have respect. And here's

71
00:03:33,800 --> 00:03:37,240
Speaker 2: the kicker, because again, knee deep into this shit. I

72
00:03:37,360 --> 00:03:40,080
Speaker 2: also know what she's doing with podcasts, and I respect

73
00:03:40,080 --> 00:03:44,040
Speaker 2: that I know about the Rick Glassman's I know that's

74
00:03:44,040 --> 00:03:46,880
Speaker 2: what it's come from. Even with Funny Marco, this is

75
00:03:46,920 --> 00:03:50,720
Speaker 2: a Rick Glassman thing. This is a you know this

76
00:03:51,280 --> 00:03:53,400
Speaker 2: And we're gonna get into one of his episodes right

77
00:03:53,440 --> 00:03:56,880
Speaker 2: now so I can show y'all exactly what she pulled

78
00:03:56,960 --> 00:04:01,960
Speaker 2: from the universe. It's so perfect. I've been listening to

79
00:04:02,000 --> 00:04:05,160
Speaker 2: this guy, but the universe is so perfect because to me,

80
00:04:05,320 --> 00:04:09,520
Speaker 2: he's top tier podcast Rick Glassman is. He's top tier

81
00:04:10,120 --> 00:04:13,600
Speaker 2: when we go from inform to jokes to I mean,

82
00:04:13,680 --> 00:04:16,960
Speaker 2: he's top tier. It's a few people that's like top

83
00:04:17,040 --> 00:04:20,040
Speaker 2: tier in my book, and he's one of them. And

84
00:04:20,120 --> 00:04:23,719
Speaker 2: so the universe is so perfect that he would be

85
00:04:23,760 --> 00:04:28,400
Speaker 2: her first guest, and he carried that, he carried the awkward,

86
00:04:28,480 --> 00:04:32,080
Speaker 2: so he kind of placed her into the cubby hole

87
00:04:32,160 --> 00:04:35,400
Speaker 2: she sits in, like the awkward podcast. He literally placed

88
00:04:35,440 --> 00:04:38,560
Speaker 2: her there. Because he's so good at kind of matching

89
00:04:38,720 --> 00:04:42,120
Speaker 2: energy and just understanding how to navigate this thing. Because

90
00:04:42,120 --> 00:04:45,600
Speaker 2: he's a professional actor, and I just want people to understand.

91
00:04:45,600 --> 00:04:48,880
Speaker 2: I lay that framework as a frame of reference as

92
00:04:48,920 --> 00:04:51,680
Speaker 2: to this guy you're about to see on the screen

93
00:04:51,680 --> 00:04:55,599
Speaker 2: that you may not know, Bobby, you do know. We've

94
00:04:55,640 --> 00:04:58,520
Speaker 2: seen her with Drake, We've seen her with Tyer, We've

95
00:04:58,520 --> 00:05:01,400
Speaker 2: seen her with Off, said Mark qu We've seen up

96
00:05:01,400 --> 00:05:04,440
Speaker 2: with some pretty big people. As a man, though, as

97
00:05:04,440 --> 00:05:07,560
Speaker 2: a black man, you're not supposed to feel nothing when

98
00:05:07,560 --> 00:05:11,599
Speaker 2: a woman gets favor, you see what I'm saying, And

99
00:05:13,200 --> 00:05:19,080
Speaker 2: you're not supposed to acknowledge the fact that inconsistencies are

100
00:05:19,120 --> 00:05:22,559
Speaker 2: amongst us in regards to treatment. Because you look better,

101
00:05:22,640 --> 00:05:25,640
Speaker 2: and when you rich, you hate to look better. When

102
00:05:25,680 --> 00:05:28,360
Speaker 2: you rich, you hate to look broken. Builder them two

103
00:05:28,440 --> 00:05:31,080
Speaker 2: things that still got you. So when you get a

104
00:05:31,080 --> 00:05:33,839
Speaker 2: certain amount of money, your thing now becomes that don't

105
00:05:33,839 --> 00:05:36,799
Speaker 2: be better. You can't look better. You can't if somebody

106
00:05:36,880 --> 00:05:39,400
Speaker 2: do you wrong. You just got this sit because you rich,

107
00:05:39,839 --> 00:05:42,000
Speaker 2: somebody run off with your money. It just got to

108
00:05:42,040 --> 00:05:44,640
Speaker 2: go like that, because you got it. If somebody do

109
00:05:44,760 --> 00:05:47,039
Speaker 2: wrong about you in the process or something, you just

110
00:05:47,080 --> 00:05:50,040
Speaker 2: got to accept it because you rich. If somebody violate

111
00:05:50,160 --> 00:05:52,800
Speaker 2: your privacy and you with your family, you got to

112
00:05:52,800 --> 00:05:55,600
Speaker 2: accept it because you just wealthy. They think you got

113
00:05:55,600 --> 00:05:58,039
Speaker 2: to accept it when you enter that ram and so

114
00:05:58,120 --> 00:06:01,040
Speaker 2: as a black male, even Oh, you see a white

115
00:06:01,160 --> 00:06:04,919
Speaker 2: woman building her podcast in hip hop, and again I

116
00:06:04,960 --> 00:06:07,720
Speaker 2: want to reiterate that I'm not saying don't come to

117
00:06:07,839 --> 00:06:08,240
Speaker 2: hip hop.

118
00:06:08,480 --> 00:06:09,680
Speaker 1: Do whatever you want to do.

119
00:06:09,800 --> 00:06:12,040
Speaker 2: I'm not gonna be the person at the door saying

120
00:06:12,279 --> 00:06:15,480
Speaker 2: y'all can't get in. I'm focused on hustling. I'm making money.

121
00:06:15,680 --> 00:06:18,440
Speaker 2: But I have to identify this just because it did.

122
00:06:18,880 --> 00:06:21,080
Speaker 2: It was something that I was thinking about, and I

123
00:06:21,120 --> 00:06:23,600
Speaker 2: think that anything that I'm thinking about, with me having

124
00:06:23,640 --> 00:06:27,200
Speaker 2: such a huge platform influence on the culture and the

125
00:06:27,320 --> 00:06:31,160
Speaker 2: minds and the hearts of so many people, I might

126
00:06:31,200 --> 00:06:32,160
Speaker 2: as well speak to it.

127
00:06:32,240 --> 00:06:34,479
Speaker 1: It gotta be so many people thinking about this.

128
00:06:35,160 --> 00:06:38,280
Speaker 2: I saw our biggest podcasters in the world, all our

129
00:06:38,360 --> 00:06:39,160
Speaker 2: black podcasts.

130
00:06:39,279 --> 00:06:41,599
Speaker 1: Leave her alone, let her get on, let her do

131
00:06:41,720 --> 00:06:42,159
Speaker 1: her thing.

132
00:06:42,520 --> 00:06:44,760
Speaker 2: When you've seen long come up, you saw these same

133
00:06:44,880 --> 00:06:48,159
Speaker 2: dudes bleep my name out of podcasts. They didn't have

134
00:06:48,240 --> 00:06:51,560
Speaker 2: no issue with me, they didn't have no beef for me.

135
00:06:51,640 --> 00:06:54,360
Speaker 2: But they bleeped the black man name at the podcast,

136
00:06:54,400 --> 00:06:56,680
Speaker 2: and I ain't even blacked. You know, I ain't even

137
00:06:56,720 --> 00:06:59,239
Speaker 2: this kind of guy. I'm too busy focus on hustling

138
00:06:59,640 --> 00:07:02,719
Speaker 2: and on life, making me some money, buying some shit

139
00:07:03,120 --> 00:07:05,599
Speaker 2: like I don't even like to live in that black

140
00:07:05,640 --> 00:07:09,039
Speaker 2: and white shit. But when my own people reach out

141
00:07:09,080 --> 00:07:11,600
Speaker 2: and say, y'all leave her alone, bleep his name. We

142
00:07:11,600 --> 00:07:14,400
Speaker 2: don't want him to get no shine, bleep the black

143
00:07:14,800 --> 00:07:16,640
Speaker 2: podcast name, don't even mention it.

144
00:07:16,680 --> 00:07:19,680
Speaker 1: I always act like, what's his name? Damn it, what's

145
00:07:19,680 --> 00:07:22,320
Speaker 1: his name? I can't think of his name.

146
00:07:22,360 --> 00:07:26,320
Speaker 2: But dude, somebody said, But dude, nim said when it

147
00:07:26,400 --> 00:07:30,080
Speaker 2: comes to black podcast, when it's white podcast, will applaud them.

148
00:07:31,040 --> 00:07:33,920
Speaker 2: This don't got nothing to do with Drake because any artists,

149
00:07:33,920 --> 00:07:36,480
Speaker 2: I stand by this, if you feel as though you

150
00:07:36,520 --> 00:07:39,360
Speaker 2: want to go somewhere have a conversation, by all means

151
00:07:39,640 --> 00:07:40,680
Speaker 2: that ain't even artists.

152
00:07:40,720 --> 00:07:41,960
Speaker 1: That's individuals.

153
00:07:43,080 --> 00:07:45,360
Speaker 2: So I can't blame an artist for going where he

154
00:07:45,440 --> 00:07:47,840
Speaker 2: want to go home and do your thing, not me.

155
00:07:48,080 --> 00:07:52,560
Speaker 2: I definitely can't. You see what I'm saying. So this

156
00:07:52,600 --> 00:07:54,920
Speaker 2: ain't about this. This is about the reaction of the

157
00:07:54,960 --> 00:07:57,600
Speaker 2: people in the field, because there's people that's trying to

158
00:07:57,600 --> 00:07:59,720
Speaker 2: get in this game, and there's a lot of individuals

159
00:07:59,720 --> 00:08:02,640
Speaker 2: that is deserve a shot at telling their story or

160
00:08:03,120 --> 00:08:05,600
Speaker 2: getting in the same way that I may have got in.

161
00:08:06,040 --> 00:08:08,760
Speaker 2: I studied the game so hard that they couldn't deny me.

162
00:08:08,960 --> 00:08:13,480
Speaker 2: There was no way to deny me. I cannot be denied.

163
00:08:15,720 --> 00:08:21,240
Speaker 2: But you gotta become undeniable. I knew for a fact

164
00:08:21,320 --> 00:08:22,320
Speaker 2: I can't be denied.

165
00:08:22,400 --> 00:08:22,520
Speaker 4: Now.

166
00:08:22,920 --> 00:08:26,560
Speaker 2: What I'm dealing with is I'm taught to be humble,

167
00:08:26,800 --> 00:08:29,000
Speaker 2: and not by my mama, but the streets taught me

168
00:08:29,040 --> 00:08:33,480
Speaker 2: to be humble. And it's gonna take a little bit

169
00:08:33,520 --> 00:08:37,520
Speaker 2: more popping it. It's gonna take a little bit more visibility.

170
00:08:38,800 --> 00:08:41,840
Speaker 2: It's gonna take a little bit more showing this or that.

171
00:08:41,920 --> 00:08:44,440
Speaker 1: The kids. It's like a commercial. They gotta see Loan.

172
00:08:44,600 --> 00:08:48,320
Speaker 2: Yeah, so unfor it, Like you know, So now I

173
00:08:48,320 --> 00:08:50,280
Speaker 2: gotta figure out how to do that and still be

174
00:08:50,400 --> 00:08:53,319
Speaker 2: comfortable because I don't live in the same way other

175
00:08:53,400 --> 00:08:55,439
Speaker 2: guys live. But let's get back to what I was saying.

176
00:08:55,480 --> 00:08:58,160
Speaker 2: Bobby got in and got some big guests. Loan said,

177
00:08:58,240 --> 00:09:02,720
Speaker 2: damn not that she's not working and not deserving or whatever.

178
00:09:02,720 --> 00:09:05,040
Speaker 2: It is that she may a guy Balloon said, damn

179
00:09:06,679 --> 00:09:13,199
Speaker 2: she getting pressed, she getting NBC News, us say today

180
00:09:14,320 --> 00:09:16,640
Speaker 2: me and little baby roll out of interview. And Bro,

181
00:09:16,760 --> 00:09:19,120
Speaker 2: when y'all hear me mentioned little babies interview with me,

182
00:09:20,040 --> 00:09:23,640
Speaker 2: it's important identify that because there was a point of

183
00:09:23,679 --> 00:09:26,440
Speaker 2: time in which I thought that there was no way

184
00:09:26,520 --> 00:09:30,200
Speaker 2: my culture wouldn't lift that up. Lift that guy up

185
00:09:30,280 --> 00:09:35,760
Speaker 2: right there, and not by posts, because we know Instagram

186
00:09:35,800 --> 00:09:39,920
Speaker 2: posts mean little or nothing. We'll appreciate those their brand builders.

187
00:09:39,960 --> 00:09:43,120
Speaker 2: There's money and business inside of that world. But when

188
00:09:43,120 --> 00:09:46,480
Speaker 2: we go to talking about someone getting pressed and being

189
00:09:46,559 --> 00:09:48,960
Speaker 2: over here and over there and over here and over there,

190
00:09:49,080 --> 00:09:52,439
Speaker 2: and us say today, NBC, you see what I'm saying,

191
00:09:52,640 --> 00:09:55,320
Speaker 2: Like yo, they'll let you go get a big interview

192
00:09:55,360 --> 00:09:57,319
Speaker 2: and then die down. And this is not a bit

193
00:09:57,360 --> 00:10:01,000
Speaker 2: of MC talking. This is a dude. I'm on, I'm good.

194
00:10:01,400 --> 00:10:04,240
Speaker 2: What we're about to look at is Bobby and Rick Glassman.

195
00:10:04,320 --> 00:10:06,280
Speaker 2: But before we go there, I want to just speak

196
00:10:06,320 --> 00:10:11,240
Speaker 2: about something. I want to speak about how she even

197
00:10:11,440 --> 00:10:15,840
Speaker 2: encountered Drake. Drake followed her. She sent him a DM.

198
00:10:17,000 --> 00:10:23,439
Speaker 2: He asked, I think that that is a very unique transaction.

199
00:10:24,840 --> 00:10:30,040
Speaker 2: I think that is something that may never happen again.

200
00:10:30,280 --> 00:10:33,760
Speaker 2: But her oral with Drake, and this is what was

201
00:10:33,760 --> 00:10:36,840
Speaker 2: so interesting about this because Rick was so dope that

202
00:10:36,880 --> 00:10:40,000
Speaker 2: he understands that part of this is an act. Ninety

203
00:10:40,040 --> 00:10:41,959
Speaker 2: percent of it is an act. But I think she

204
00:10:42,080 --> 00:10:44,439
Speaker 2: may be turning into this. And you see a down

205
00:10:44,480 --> 00:10:46,840
Speaker 2: play Drake and down play these rappers and kind of

206
00:10:46,920 --> 00:10:47,640
Speaker 2: down play.

207
00:10:47,520 --> 00:10:48,240
Speaker 1: What they're doing.

208
00:10:48,360 --> 00:10:51,120
Speaker 2: And they wouldn't even sit with a dude a dude

209
00:10:51,160 --> 00:10:53,880
Speaker 2: doing that. So let's take a look at this interview.

210
00:10:53,960 --> 00:10:55,800
Speaker 2: And I don't kind of narrate you guys as to

211
00:10:55,840 --> 00:10:58,640
Speaker 2: what I'm seeing. What I'm looking at. This is the

212
00:10:58,679 --> 00:11:02,600
Speaker 2: guy who kind of kicked off her podcast. She did

213
00:11:02,640 --> 00:11:04,920
Speaker 2: this thing where she said, Hey, I need a celebrity

214
00:11:04,920 --> 00:11:06,800
Speaker 2: on my podcast. If you can get somebody on here,

215
00:11:06,880 --> 00:11:09,840
Speaker 2: I give you three hundred dollars. They somebody tagged him.

216
00:11:10,120 --> 00:11:12,360
Speaker 2: He came under that said, Yo, that's a great idea.

217
00:11:12,880 --> 00:11:16,120
Speaker 2: Got on it just out of respect of a three

218
00:11:16,240 --> 00:11:18,960
Speaker 2: hundred dollars move, like, oh that was a little funny

219
00:11:19,000 --> 00:11:22,400
Speaker 2: marketing thing. After that, she did the same for Funny Marco.

220
00:11:22,840 --> 00:11:28,079
Speaker 2: He jumped on it. I think my team done sent

221
00:11:28,200 --> 00:11:30,720
Speaker 2: Funny Marco or email or two That's why I don't

222
00:11:30,800 --> 00:11:31,720
Speaker 2: DM these dudes.

223
00:11:31,760 --> 00:11:32,199
Speaker 1: I don't need.

224
00:11:32,240 --> 00:11:34,319
Speaker 2: I don't want no record of me ever reaching to

225
00:11:34,400 --> 00:11:37,680
Speaker 2: these niggas, And no disrespect to Funny Marco because I

226
00:11:37,679 --> 00:11:40,240
Speaker 2: don't know him, but I think my team done reach

227
00:11:40,280 --> 00:11:44,160
Speaker 2: the Funny Marco once. You know, I don't be knowing

228
00:11:44,200 --> 00:11:46,520
Speaker 2: who they reaching to. As I just got into this

229
00:11:46,559 --> 00:11:48,480
Speaker 2: thing where we're trying to figure out how to get

230
00:11:48,559 --> 00:11:49,200
Speaker 2: guests and.

231
00:11:49,120 --> 00:11:49,600
Speaker 1: All of that.

232
00:11:50,000 --> 00:11:54,240
Speaker 2: Everybody I've had been straight out of love so we

233
00:11:54,280 --> 00:11:57,080
Speaker 2: ain't had to go through this enormous booking process and

234
00:11:57,120 --> 00:11:59,520
Speaker 2: all of this. But just like haf she's been able

235
00:11:59,559 --> 00:12:02,560
Speaker 2: to just these people are tag these people. It's something

236
00:12:02,600 --> 00:12:05,400
Speaker 2: about tagging and then they seeing this a white girl.

237
00:12:07,480 --> 00:12:11,480
Speaker 2: It's something that makes disarms these guys when it's that

238
00:12:13,040 --> 00:12:16,840
Speaker 2: versus tagging and then Loan pop up kicking some high

239
00:12:16,960 --> 00:12:17,600
Speaker 2: level game.

240
00:12:17,960 --> 00:12:24,080
Speaker 1: It's a little different. But nonetheless she was able.

241
00:12:23,880 --> 00:12:27,360
Speaker 2: To get Marco Marco jump on smoke It because again,

242
00:12:28,280 --> 00:12:33,840
Speaker 2: carried the pod this before Drake, So again she was

243
00:12:33,920 --> 00:12:36,200
Speaker 2: blessed enough. And man, you ain't nobody else gonna be

244
00:12:36,200 --> 00:12:38,960
Speaker 2: able to break this down, I don't think, because it

245
00:12:39,080 --> 00:12:42,840
Speaker 2: takes a certain level of history to be able to

246
00:12:43,080 --> 00:12:46,120
Speaker 2: even encounter these kind of results in your mind. Right

247
00:12:46,280 --> 00:12:49,720
Speaker 2: when I when I'm telling you that she's been placed

248
00:12:49,840 --> 00:12:52,319
Speaker 2: into that awkward podcast position.

249
00:12:52,480 --> 00:12:55,720
Speaker 1: Rick Glassman was the first person. He is an actor.

250
00:12:56,120 --> 00:12:59,560
Speaker 2: He carried that podcast and placed her into Yo, this

251
00:12:59,600 --> 00:13:03,640
Speaker 2: is a cool awqua podcast, like damn, this is watchable,

252
00:13:04,480 --> 00:13:07,360
Speaker 2: next funny Mark Old. He's one of the masters in

253
00:13:07,400 --> 00:13:11,520
Speaker 2: this black space in regards to that kind of comedy.

254
00:13:12,080 --> 00:13:15,000
Speaker 2: Carried that episode and now you solidified that kind of show.

255
00:13:15,440 --> 00:13:16,839
Speaker 1: Then you get Mark Cuban. Right.

256
00:13:16,960 --> 00:13:20,640
Speaker 2: So, I'm telling you that she didn't really even intend

257
00:13:20,800 --> 00:13:23,120
Speaker 2: on it being that way. I think she has a

258
00:13:23,240 --> 00:13:26,760
Speaker 2: natural awkwardness, but this guy was about to watch her

259
00:13:26,800 --> 00:13:30,000
Speaker 2: interact with carried her and sat her into that spot.

260
00:13:30,080 --> 00:13:31,600
Speaker 2: This is what I say we need to do in

261
00:13:31,640 --> 00:13:34,760
Speaker 2: black podcasting or even in black business. When you got

262
00:13:34,760 --> 00:13:37,400
Speaker 2: a brand, say long go get a rap snack deal.

263
00:13:37,600 --> 00:13:40,480
Speaker 2: I have to take that potato chip brand. It's mine,

264
00:13:40,760 --> 00:13:43,520
Speaker 2: and I have to walk that into a place and

265
00:13:43,679 --> 00:13:47,079
Speaker 2: drop it there. You can't just do a post or

266
00:13:47,080 --> 00:13:49,040
Speaker 2: a picture here and now I have to walk this

267
00:13:49,200 --> 00:13:53,600
Speaker 2: brand inside of my operations, place it on the table

268
00:13:53,720 --> 00:13:56,680
Speaker 2: of all things brand that belonged to me, and let

269
00:13:56,720 --> 00:14:02,520
Speaker 2: my people know this one of mine, and it separates

270
00:14:02,559 --> 00:14:06,840
Speaker 2: it in the eyes of the cosmo. It gives it

271
00:14:06,880 --> 00:14:12,280
Speaker 2: more equity, and it's the easier process if you are

272
00:14:12,679 --> 00:14:15,480
Speaker 2: a master in it, like Rick Glassman. Let's pay attention.

273
00:14:16,120 --> 00:14:18,080
Speaker 2: Thank you, But my friends call me rich?

274
00:14:19,240 --> 00:14:19,840
Speaker 5: Are you rich?

275
00:14:21,160 --> 00:14:23,760
Speaker 3: I mean some people call me that I go by Rick.

276
00:14:24,240 --> 00:14:24,640
Speaker 3: Mm hmm.

277
00:14:25,000 --> 00:14:26,480
Speaker 5: Wasn't funny the first time you said love?

278
00:14:26,680 --> 00:14:26,920
Speaker 3: Really?

279
00:14:26,960 --> 00:14:27,920
Speaker 5: Thanks for trying it again.

280
00:14:28,480 --> 00:14:29,440
Speaker 3: I like your tattoos.

281
00:14:29,760 --> 00:14:30,360
Speaker 5: Thank you.

282
00:14:30,360 --> 00:14:36,400
Speaker 3: You're welcome, Bobby, Bobby, Yes, Bobby, So this podcast isn't

283
00:14:36,480 --> 00:14:38,920
Speaker 3: doesn't have all the flash that yours does. This is

284
00:14:39,000 --> 00:14:42,000
Speaker 3: more of a let's get to know each other and

285
00:14:42,040 --> 00:14:44,240
Speaker 3: have a real conversation. But in order to do that,

286
00:14:44,800 --> 00:14:48,600
Speaker 3: it's my job to make the guest opposite me's walls

287
00:14:48,720 --> 00:14:51,680
Speaker 3: come down. So right now, I see your walls are up,

288
00:14:54,680 --> 00:14:56,520
Speaker 3: So may I ask you some personal questions?

289
00:14:56,680 --> 00:14:56,800
Speaker 4: No?

290
00:15:03,360 --> 00:15:08,120
Speaker 3: All right? Well, thanks, babbie. We had some fun in

291
00:15:08,160 --> 00:15:12,120
Speaker 3: the hallway and we had some laughs. We had some confusion.

292
00:15:12,120 --> 00:15:16,440
Speaker 3: You didn't know what was real what was fake. But

293
00:15:16,560 --> 00:15:18,720
Speaker 3: isn't that kind of what you do as well?

294
00:15:21,120 --> 00:15:21,520
Speaker 1: What is it?

295
00:15:21,680 --> 00:15:23,560
Speaker 3: How would you explain what you do? Then? Does everybody

296
00:15:23,640 --> 00:15:25,800
Speaker 3: know what you're doing is fake or does everybody know

297
00:15:25,840 --> 00:15:28,800
Speaker 3: what you're doing? Think every what you're doing is real?

298
00:15:28,920 --> 00:15:34,080
Speaker 3: Everything is real? Yes, okay, all right, well then you'll

299
00:15:34,160 --> 00:15:35,280
Speaker 3: let me know if you want me to let.

300
00:15:35,280 --> 00:15:36,720
Speaker 1: Me explain something to you, guys.

301
00:15:36,800 --> 00:15:39,560
Speaker 2: He knows it's not real because he walked into the

302
00:15:39,640 --> 00:15:43,360
Speaker 2: place as I just explained to you guys. He knows, yo,

303
00:15:43,520 --> 00:15:45,960
Speaker 2: everything you're doing is not real because you didn't even

304
00:15:45,960 --> 00:15:47,800
Speaker 2: know what you were doing when i'd done it for you.

305
00:15:48,160 --> 00:15:50,760
Speaker 2: But he's a he's he got he a classman. He

306
00:15:50,840 --> 00:15:53,000
Speaker 2: got a lot of class about him. So he's not

307
00:15:53,080 --> 00:15:57,360
Speaker 2: saying it that way. He's basically gonna say, hmmm, so

308
00:15:57,480 --> 00:15:59,520
Speaker 2: I kind of do this, and I've done that for you,

309
00:15:59,640 --> 00:16:02,120
Speaker 2: so I know what you were doing when I got there,

310
00:16:02,160 --> 00:16:04,080
Speaker 2: and you weren't doing what you're doing now, And I

311
00:16:04,200 --> 00:16:07,120
Speaker 2: really taught you or walked you into doing what you're doing.

312
00:16:07,160 --> 00:16:09,240
Speaker 2: And you're getting better at doing what you're doing, but

313
00:16:09,280 --> 00:16:11,280
Speaker 2: you don't didn't do it till I taught you how

314
00:16:11,280 --> 00:16:13,160
Speaker 2: to do it.

315
00:16:13,400 --> 00:16:14,680
Speaker 1: Let's pay attention to some more.

316
00:16:15,760 --> 00:16:17,480
Speaker 3: I mean to edit something up because we spoke on

317
00:16:17,480 --> 00:16:19,360
Speaker 3: the phone about this already, and I said, are you

318
00:16:19,600 --> 00:16:22,960
Speaker 3: comfortable having conversation. I also have text messages which will

319
00:16:23,000 --> 00:16:26,640
Speaker 3: put up here. Are you comfortable like to be fabricate

320
00:16:26,760 --> 00:16:34,120
Speaker 3: text messages? So this is just going to be what

321
00:16:34,120 --> 00:16:37,320
Speaker 3: what are you upset?

322
00:16:37,760 --> 00:16:38,280
Speaker 5: A little bit?

323
00:16:38,680 --> 00:16:39,280
Speaker 3: Tell me why?

324
00:16:40,480 --> 00:16:44,200
Speaker 5: After I had you on my podcast, I you were like, oh,

325
00:16:44,240 --> 00:16:46,560
Speaker 5: I'm going to have you on mine, and people kept

326
00:16:46,560 --> 00:16:49,960
Speaker 5: saying that, oh, you should have Bobby on your podcast,

327
00:16:50,120 --> 00:16:52,800
Speaker 5: and you didn't ever get me on it. You didn't

328
00:16:52,800 --> 00:16:54,920
Speaker 5: make it happen. But the second I finally start to

329
00:16:54,960 --> 00:16:56,360
Speaker 5: take off, who calls me?

330
00:16:57,320 --> 00:17:00,000
Speaker 3: You question? Yeah, did I call you? Or did you

331
00:17:00,040 --> 00:17:00,480
Speaker 3: you call me?

332
00:17:01,360 --> 00:17:03,400
Speaker 5: I called you for help. I didn't call you to

333
00:17:03,440 --> 00:17:04,800
Speaker 5: come on your podcast and help.

334
00:17:05,000 --> 00:17:06,560
Speaker 3: Did I help you?

335
00:17:06,640 --> 00:17:09,960
Speaker 5: Sort of? That's not that's not the point. You're trying

336
00:17:10,000 --> 00:17:10,480
Speaker 5: to be funny.

337
00:17:10,480 --> 00:17:13,520
Speaker 3: But I'm being sincere because because at the end of

338
00:17:13,520 --> 00:17:16,440
Speaker 3: our podcast, and now here's where I'm going to be like, well,

339
00:17:16,560 --> 00:17:18,640
Speaker 3: you want to play your games, then I have receipts

340
00:17:18,880 --> 00:17:21,000
Speaker 3: because at the end of the podcast that we did,

341
00:17:21,800 --> 00:17:25,160
Speaker 3: you're you said to me you had like a little

342
00:17:25,200 --> 00:17:26,719
Speaker 3: bit of an off energy and I said that was fun.

343
00:17:26,880 --> 00:17:29,760
Speaker 3: You said really, I said, yeah, you're like, oh, I

344
00:17:29,760 --> 00:17:31,480
Speaker 3: thought you were really mad at me. A lot of

345
00:17:31,480 --> 00:17:34,040
Speaker 3: people think of me as a comedian, but I'm starting

346
00:17:34,040 --> 00:17:36,720
Speaker 3: to people know also I'm a reward winning dramatic actor.

347
00:17:38,359 --> 00:17:39,359
Speaker 5: The bar is low.

348
00:17:39,440 --> 00:17:41,600
Speaker 3: Then the television Acadomy runs the Emmys.

349
00:17:42,760 --> 00:17:45,120
Speaker 5: Okay, continue, okay.

350
00:17:45,440 --> 00:17:48,560
Speaker 3: And we've spoken and I said I would love to

351
00:17:48,600 --> 00:17:50,760
Speaker 3: have you on my podcast. Didn't I say that the

352
00:17:50,880 --> 00:17:51,480
Speaker 3: day we met?

353
00:17:51,680 --> 00:17:51,840
Speaker 4: Yeah?

354
00:17:51,880 --> 00:17:54,320
Speaker 5: You did, and then you never actually followed up.

355
00:17:54,800 --> 00:17:58,119
Speaker 3: A week later I left. I've been gone for two months.

356
00:17:58,320 --> 00:17:59,720
Speaker 3: I haven't been in LA for two months.

357
00:18:00,200 --> 00:18:02,600
Speaker 5: You didn't say, come to New York and I'll do it.

358
00:18:03,320 --> 00:18:08,840
Speaker 5: You could have said that, don't act like you know

359
00:18:08,880 --> 00:18:16,879
Speaker 5: what you did. Don't act stupid or now please, Okay,

360
00:18:17,480 --> 00:18:18,600
Speaker 5: thank you, we can continue.

361
00:18:19,560 --> 00:18:21,280
Speaker 3: Do you think I only had you on this podcast?

362
00:18:21,560 --> 00:18:23,480
Speaker 5: Yeah, because you know it's going to get your numbers up.

363
00:18:23,920 --> 00:18:26,200
Speaker 5: Same reason you had me talk you and my video

364
00:18:26,280 --> 00:18:28,399
Speaker 5: of you. You didn't care about the talk before, you

365
00:18:28,440 --> 00:18:29,200
Speaker 5: cared about it. Now.

366
00:18:29,760 --> 00:18:32,760
Speaker 3: Well, were we filming when she she said she's going

367
00:18:32,800 --> 00:18:35,239
Speaker 3: to take a picture of me. We'll cut to that,

368
00:18:38,520 --> 00:18:42,440
Speaker 3: post a picture of you, and we're back.

369
00:18:42,560 --> 00:18:43,359
Speaker 1: So that was you?

370
00:18:43,680 --> 00:18:45,080
Speaker 5: So like you think that I'm going to get a

371
00:18:45,080 --> 00:18:47,560
Speaker 5: clout from your like one hundred thousand followers online.

372
00:18:47,680 --> 00:18:49,280
Speaker 3: I didn't ask you to take a picture or to

373
00:18:49,320 --> 00:18:50,240
Speaker 3: tag me. I don't care.

374
00:18:52,960 --> 00:18:56,320
Speaker 2: Okay, So this is what I believe people are saying.

375
00:18:57,880 --> 00:19:01,080
Speaker 2: She's starting to turn into like a real life like

376
00:19:01,200 --> 00:19:04,159
Speaker 2: kind of give off, this kind of thing. I watched

377
00:19:04,160 --> 00:19:06,480
Speaker 2: this whole episode, so I know that some of this is.

378
00:19:06,840 --> 00:19:08,800
Speaker 2: I know a lot of what she doing is playing

379
00:19:08,800 --> 00:19:12,479
Speaker 2: to the cameras like dry humor is. I definitely understand that,

380
00:19:12,480 --> 00:19:15,000
Speaker 2: So I won't paint it in any other way because

381
00:19:15,040 --> 00:19:18,760
Speaker 2: as a content creator, I definitely understand the intentions of it.

382
00:19:18,840 --> 00:19:22,320
Speaker 2: I'm more so focused on hip hop culture's ability to

383
00:19:22,440 --> 00:19:26,680
Speaker 2: let her, in particular in this instance, because although I'm

384
00:19:26,720 --> 00:19:29,159
Speaker 2: so happy that she's been able to build a platform,

385
00:19:29,480 --> 00:19:32,520
Speaker 2: I find it interesting that she interviews black people and

386
00:19:32,560 --> 00:19:40,439
Speaker 2: then go and get interviewed by white people. Now, nothing's

387
00:19:40,480 --> 00:19:43,920
Speaker 2: wrong with white people interviewing you, because you know, I've

388
00:19:43,920 --> 00:19:46,600
Speaker 2: been interviewed by white people, and I interview white people.

389
00:19:46,640 --> 00:19:49,320
Speaker 2: So I hain't the guy you can play on that side,

390
00:19:49,400 --> 00:19:52,360
Speaker 2: but I am the guy who can recognize that you're

391
00:19:52,400 --> 00:19:55,240
Speaker 2: more comfortable in that space. And then so I ask,

392
00:19:55,720 --> 00:19:57,760
Speaker 2: and this is not a shot, this is not a knock.

393
00:19:57,800 --> 00:20:01,080
Speaker 2: I definitely want to be clear in my stands because

394
00:20:01,440 --> 00:20:06,160
Speaker 2: I'm just identifying what's happening here in the culture. She's

395
00:20:06,240 --> 00:20:10,520
Speaker 2: interviewed some of the top black prospects in rap, in

396
00:20:10,560 --> 00:20:16,440
Speaker 2: particular hip hop culture, but she's only been interviewed by

397
00:20:16,480 --> 00:20:19,440
Speaker 2: white platforms and shout out to all of them because

398
00:20:19,480 --> 00:20:20,960
Speaker 2: I fuck with him, especially Rick.

399
00:20:21,200 --> 00:20:22,480
Speaker 1: I believe he's a legend.

400
00:20:22,680 --> 00:20:24,680
Speaker 2: And so as you see in this interview, she kind

401
00:20:24,680 --> 00:20:29,400
Speaker 2: of starts to give off this aura, this idea of

402
00:20:29,480 --> 00:20:31,720
Speaker 2: who she is, like, Yo, I'm the big dog.

403
00:20:31,800 --> 00:20:32,560
Speaker 1: Now you want me.

404
00:20:32,560 --> 00:20:35,160
Speaker 2: To come back. But I know it's playful because they

405
00:20:35,200 --> 00:20:38,280
Speaker 2: talk behind the scenes. But she the thing about this,

406
00:20:38,800 --> 00:20:42,520
Speaker 2: she can't beat him at that. Again, he's the one

407
00:20:42,640 --> 00:20:46,199
Speaker 2: walked her into this position. She didn't have an idea

408
00:20:46,320 --> 00:20:49,600
Speaker 2: what she was doing on that first episode idea, so

409
00:20:49,680 --> 00:20:53,080
Speaker 2: she walked. He walked her in that position to have

410
00:20:53,240 --> 00:20:56,760
Speaker 2: this kind of podcast. But then you got our podcast

411
00:20:56,800 --> 00:21:01,880
Speaker 2: guys Champion in that because she was able to get

412
00:21:01,880 --> 00:21:04,000
Speaker 2: next to Drake. I want Drake to know how powerful

413
00:21:04,040 --> 00:21:07,160
Speaker 2: he is, which I know he probably knows. We'll get

414
00:21:07,200 --> 00:21:09,800
Speaker 2: to that fall out here in a second, but it's

415
00:21:09,880 --> 00:21:13,520
Speaker 2: definitely important that people understand what they're looking at. Pay

416
00:21:13,560 --> 00:21:16,120
Speaker 2: attention to her sit with the Master in doing what

417
00:21:16,160 --> 00:21:18,760
Speaker 2: it is she's been able to do because he was

418
00:21:18,760 --> 00:21:19,919
Speaker 2: her first episode.

419
00:21:20,600 --> 00:21:21,320
Speaker 1: Pay attention.

420
00:21:22,680 --> 00:21:25,280
Speaker 5: I didn't. I took it right because I just thought

421
00:21:25,320 --> 00:21:26,840
Speaker 5: it was fun. I thought we were kind of friends

422
00:21:26,880 --> 00:21:28,840
Speaker 5: a little bit. You're mostly just an awful to me,

423
00:21:28,920 --> 00:21:31,000
Speaker 5: and you pretend like you like me because you want

424
00:21:31,040 --> 00:21:34,400
Speaker 5: the numbers. Okay, your podcast is going a little bit downhill.

425
00:21:34,600 --> 00:21:36,879
Speaker 3: I could not post this if you really feel that. Okay,

426
00:21:37,000 --> 00:21:39,680
Speaker 3: we could end this and I cannot post it. I'll

427
00:21:39,760 --> 00:21:42,320
Speaker 3: let you make that decision. If you get up and leave,

428
00:21:42,680 --> 00:21:44,199
Speaker 3: I won't show any of this stuff.

429
00:21:44,240 --> 00:21:46,120
Speaker 5: I'm doing you a favor. You came on my podcast

430
00:21:46,119 --> 00:21:48,160
Speaker 5: when it was nothing, so I'm helping you. Your podcast

431
00:21:48,240 --> 00:21:49,800
Speaker 5: is nothing right now, and I'm doing you a favor.

432
00:21:49,880 --> 00:21:51,119
Speaker 3: Did you think I was doing you a favor?

433
00:21:51,320 --> 00:21:51,640
Speaker 4: You were?

434
00:21:51,880 --> 00:21:54,040
Speaker 3: I wasn't you were. Do you know why I did it?

435
00:21:54,080 --> 00:21:56,040
Speaker 5: Because you wanted someone to get three hundred dollars?

436
00:21:56,440 --> 00:21:58,119
Speaker 3: I thought that was I thought what you did. I

437
00:21:58,119 --> 00:22:00,720
Speaker 3: thought you posting three hundred dollars if you tag somebody,

438
00:22:00,760 --> 00:22:03,080
Speaker 3: I thought that was clever, and I'm like, I'll do that.

439
00:22:03,320 --> 00:22:06,479
Speaker 5: Okay, I'm saying it. Still, you still did a favor

440
00:22:06,520 --> 00:22:09,720
Speaker 5: for me. You you didn't have to do that, so

441
00:22:09,800 --> 00:22:10,720
Speaker 5: I'm paying it back.

442
00:22:11,760 --> 00:22:13,119
Speaker 3: But then what am I getting? But what are you

443
00:22:13,160 --> 00:22:16,200
Speaker 3: paying me back? Like? I came on your podcasts and some.

444
00:22:16,119 --> 00:22:17,919
Speaker 5: We're an asshole to me for twenty minutes?

445
00:22:18,800 --> 00:22:22,240
Speaker 3: All right, Hi, Rech, is that part of the notes?

446
00:22:22,400 --> 00:22:25,480
Speaker 5: Yeah? It actually is, it says Hirech on my notes. No,

447
00:22:27,119 --> 00:22:27,760
Speaker 5: you have an.

448
00:22:27,600 --> 00:22:31,760
Speaker 3: AM B D internet movie pay to days.

449
00:22:32,600 --> 00:22:34,520
Speaker 5: Don't try to be funny because you're not very funny.

450
00:22:34,720 --> 00:22:37,040
Speaker 3: Okay, we'll be right back after award from our sponsors.

451
00:22:37,359 --> 00:22:39,679
Speaker 5: I don't have sponsors. Do you want to sponsor me?

452
00:22:40,320 --> 00:22:43,280
Speaker 3: Like, do a commercial for my podcast on your podcast

453
00:22:44,000 --> 00:22:44,960
Speaker 3: and then pay you for that?

454
00:22:46,000 --> 00:22:47,920
Speaker 5: No, that makes zero dollar. Shouldn't being here?

455
00:22:48,400 --> 00:22:49,520
Speaker 3: What's driving you to do this?

456
00:22:49,600 --> 00:22:51,119
Speaker 5: I lost a thousand dollars today?

457
00:22:51,160 --> 00:22:53,520
Speaker 3: This is one thousand dollars in total. Do you think

458
00:22:53,520 --> 00:22:55,320
Speaker 3: that it may have behooved you to not be fifteen

459
00:22:55,320 --> 00:22:56,000
Speaker 3: minutes late? Then?

460
00:22:56,480 --> 00:22:56,560
Speaker 6: No?

461
00:22:57,280 --> 00:23:00,520
Speaker 5: I needed to pump for the kids? Hate me?

462
00:23:03,440 --> 00:23:05,320
Speaker 3: What is this thing? What is this podcast? What are

463
00:23:05,320 --> 00:23:05,600
Speaker 3: we doing?

464
00:23:05,640 --> 00:23:07,240
Speaker 5: I don't think that's very fair of you. You could

465
00:23:07,240 --> 00:23:09,480
Speaker 5: teach me how to do a podcast instead of sitting

466
00:23:09,480 --> 00:23:11,840
Speaker 5: here and making fun of me and being mean to me.

467
00:23:11,920 --> 00:23:13,040
Speaker 5: I'm just trying my best.

468
00:23:16,080 --> 00:23:19,880
Speaker 3: Every long long stream let me.

469
00:23:20,200 --> 00:23:20,520
Speaker 5: I hear it.

470
00:23:20,600 --> 00:23:21,880
Speaker 3: I got it, so no more.

471
00:23:22,040 --> 00:23:24,520
Speaker 5: No, are you proud of yourself from where you're out today?

472
00:23:24,640 --> 00:23:26,120
Speaker 3: I am proud of myself, not today.

473
00:23:26,200 --> 00:23:28,760
Speaker 5: Yeah, I don't know. Why do you want to apologize

474
00:23:29,080 --> 00:23:29,280
Speaker 5: to me?

475
00:23:29,760 --> 00:23:29,960
Speaker 3: Yeah?

476
00:23:31,560 --> 00:23:32,159
Speaker 5: Are you going to?

477
00:23:35,760 --> 00:23:35,920
Speaker 4: Yes?

478
00:23:37,200 --> 00:23:39,880
Speaker 3: I am sorry that you're that you're being an asshole.

479
00:23:41,880 --> 00:23:46,080
Speaker 5: Mmm. I saw the comments. You read the comments. You're

480
00:23:46,119 --> 00:23:48,120
Speaker 5: responding to the comments because you don't have anything better

481
00:23:48,160 --> 00:23:49,040
Speaker 5: to do with your time, but.

482
00:23:49,040 --> 00:23:52,240
Speaker 2: Respond See she can't beat them, and this, be careful, Bobby,

483
00:23:52,520 --> 00:23:53,960
Speaker 2: you cannot beat ricking this.

484
00:23:54,119 --> 00:23:56,920
Speaker 1: I'm just putting you down. I'm giving you some real.

485
00:23:56,760 --> 00:23:58,480
Speaker 5: Game on the comments under my video.

486
00:23:59,080 --> 00:24:00,280
Speaker 3: You know, I was hoping to get to know you

487
00:24:00,320 --> 00:24:01,919
Speaker 3: a little bit on here, the way we've gone to

488
00:24:01,920 --> 00:24:04,760
Speaker 3: know each other off camera, and I see what you're doing.

489
00:24:05,160 --> 00:24:06,040
Speaker 5: I see what you're doing.

490
00:24:06,320 --> 00:24:06,560
Speaker 3: Yeah.

491
00:24:06,800 --> 00:24:11,479
Speaker 5: Yeah, So you want to seem cool, You're like, oh,

492
00:24:11,480 --> 00:24:13,679
Speaker 5: I want I want my people to think. What do

493
00:24:13,680 --> 00:24:14,240
Speaker 5: you call them?

494
00:24:14,760 --> 00:24:15,320
Speaker 3: Goblins?

495
00:24:15,600 --> 00:24:19,440
Speaker 5: Did you come up with that? You named?

496
00:24:19,600 --> 00:24:19,639
Speaker 6: No?

497
00:24:22,160 --> 00:24:24,399
Speaker 5: Okay, you would know that because you stalk me in

498
00:24:24,440 --> 00:24:27,520
Speaker 5: your free time you don't have to ask a question.

499
00:24:27,600 --> 00:24:28,399
Speaker 5: You need the answer too.

500
00:24:28,960 --> 00:24:37,919
Speaker 1: Okay, can't beat him in this.

501
00:24:40,920 --> 00:24:43,280
Speaker 5: Do you have anything else you talk about?

502
00:24:43,359 --> 00:24:44,840
Speaker 3: I had questions to ask about.

503
00:24:45,000 --> 00:24:47,080
Speaker 1: He does not get uncomfortable. Man.

504
00:24:47,560 --> 00:24:51,000
Speaker 2: Again, this is the master of this style. I tell

505
00:24:51,000 --> 00:24:54,480
Speaker 2: you what happened. He walked her into the room, took

506
00:24:54,560 --> 00:24:57,800
Speaker 2: her into took her to the table, sat her down,

507
00:24:58,320 --> 00:25:01,359
Speaker 2: put up to the table, funny mar look, and bought

508
00:25:01,400 --> 00:25:04,680
Speaker 2: her played out Drake put the food on the table

509
00:25:05,400 --> 00:25:09,120
Speaker 2: and the utensils, and then the rest of that shit

510
00:25:09,240 --> 00:25:11,600
Speaker 2: is just it's just customers.

511
00:25:11,640 --> 00:25:13,240
Speaker 1: At this point, we all love.

512
00:25:13,440 --> 00:25:16,679
Speaker 2: She didn't have, in my opinion, a real hand in

513
00:25:16,760 --> 00:25:20,680
Speaker 2: her brand identity. And I know that from being knee

514
00:25:20,680 --> 00:25:23,200
Speaker 2: deep into podcast and then knowing how good this guy

515
00:25:23,440 --> 00:25:27,359
Speaker 2: is at doing this thing that she's been an offspring of.

516
00:25:27,560 --> 00:25:30,680
Speaker 2: Because he was her first interview. Had she had, if

517
00:25:30,720 --> 00:25:34,080
Speaker 2: the universe would have placed another person, that's her first interview,

518
00:25:34,440 --> 00:25:37,040
Speaker 2: it was done. But because she had a guy who

519
00:25:37,119 --> 00:25:39,600
Speaker 2: can deal with someone who don't know kind of what's

520
00:25:39,640 --> 00:25:44,159
Speaker 2: going on and make them live in their awkward little spot,

521
00:25:44,359 --> 00:25:46,200
Speaker 2: she had to deal with that. I'm putting you down,

522
00:25:46,320 --> 00:25:48,200
Speaker 2: letting you know what's going on. Pay attention.

523
00:25:49,720 --> 00:25:50,640
Speaker 5: Did you write them down?

524
00:25:51,040 --> 00:25:52,760
Speaker 3: No? I remember my stuff.

525
00:25:53,000 --> 00:25:55,440
Speaker 5: Okay, congratulations, you've been doing this for a lot longer.

526
00:25:55,440 --> 00:25:58,119
Speaker 5: You're much older than me. I'm twenty three, you're not

527
00:25:58,160 --> 00:25:58,640
Speaker 5: twenty three.

528
00:26:00,040 --> 00:26:00,320
Speaker 3: Okay.

529
00:26:01,320 --> 00:26:03,760
Speaker 5: I think we went over this when we did my podcast.

530
00:26:03,840 --> 00:26:05,720
Speaker 3: When you had all my information wrong, when you thought

531
00:26:05,760 --> 00:26:07,920
Speaker 3: you knew where I was from and who I was dating,

532
00:26:07,920 --> 00:26:09,680
Speaker 3: and how much money I had in what car I drove,

533
00:26:09,720 --> 00:26:11,080
Speaker 3: in my age and it was all off.

534
00:26:11,400 --> 00:26:14,440
Speaker 5: Okay, it's not my fault, but no one actually cares

535
00:26:14,520 --> 00:26:16,000
Speaker 5: enough to get that information right about you.

536
00:26:16,359 --> 00:26:17,680
Speaker 3: Jesus Christ, you're such a.

537
00:26:21,000 --> 00:26:23,600
Speaker 5: You should put that it's not you should put the

538
00:26:23,600 --> 00:26:24,200
Speaker 5: hot back on.

539
00:26:24,680 --> 00:26:29,120
Speaker 3: Even on longer. Yeah, it's pretty bad since since we're

540
00:26:29,119 --> 00:26:30,840
Speaker 3: not going to get to know Bobby, you know her

541
00:26:30,840 --> 00:26:32,359
Speaker 3: a little bit? Can I interview you? Would you tell

542
00:26:32,520 --> 00:26:33,560
Speaker 3: some things? Do you mind coming on?

543
00:26:34,000 --> 00:26:34,480
Speaker 5: Go ahead?

544
00:26:36,760 --> 00:26:38,440
Speaker 3: Will you let me know when you think it's time

545
00:26:38,440 --> 00:26:39,000
Speaker 3: to take this off?

546
00:26:39,480 --> 00:26:41,440
Speaker 1: Yeah?

547
00:26:42,240 --> 00:26:44,040
Speaker 3: So when did you guys start working together?

548
00:26:45,880 --> 00:26:46,840
Speaker 5: We started working together?

549
00:26:46,880 --> 00:26:47,159
Speaker 4: About it?

550
00:26:47,280 --> 00:26:48,600
Speaker 3: I'm so sorry because I have the head you kids.

551
00:26:48,640 --> 00:26:49,800
Speaker 3: Could you bring the microphone little closer?

552
00:26:49,880 --> 00:26:51,480
Speaker 1: We started working together about like.

553
00:26:51,359 --> 00:26:52,080
Speaker 5: Two weeks ago.

554
00:26:53,160 --> 00:26:56,159
Speaker 3: And what were you doing before that just supporting her.

555
00:26:56,640 --> 00:26:59,520
Speaker 3: Oh that's interesting. You didn't have it. You weren't doing

556
00:26:59,560 --> 00:27:00,439
Speaker 3: a job though before then?

557
00:27:00,520 --> 00:27:01,119
Speaker 4: No, I was.

558
00:27:01,560 --> 00:27:02,440
Speaker 3: Yeah, what were you doing?

559
00:27:02,560 --> 00:27:04,320
Speaker 1: I was a billing specialist.

560
00:27:03,840 --> 00:27:06,520
Speaker 3: And you stopped doing that. Yeah, well you probably would

561
00:27:06,520 --> 00:27:07,879
Speaker 3: have stopped doing that a while ago if you had

562
00:27:07,880 --> 00:27:12,639
Speaker 3: the opportunity, right, Yeah, isn't that interesting that she didn't

563
00:27:12,760 --> 00:27:15,320
Speaker 3: until your podcast took off. Do you think that she's

564
00:27:15,400 --> 00:27:17,639
Speaker 3: using that as an opportunity to make money?

565
00:27:17,760 --> 00:27:20,280
Speaker 5: Yes, obviously she's not going to do it for free.

566
00:27:20,119 --> 00:27:21,520
Speaker 3: So you only to my money.

567
00:27:22,160 --> 00:27:24,560
Speaker 5: No, she was doing she was hanging out with me before,

568
00:27:24,600 --> 00:27:26,120
Speaker 5: and now she's getting paid to do it.

569
00:27:26,320 --> 00:27:27,320
Speaker 3: How much are getting paid?

570
00:27:27,440 --> 00:27:29,560
Speaker 5: That's not any of the information. Thank you.

571
00:27:29,880 --> 00:27:31,240
Speaker 3: Well, you were bringing up my money.

572
00:27:31,359 --> 00:27:33,919
Speaker 5: I don't care about your money. I've looked up your

573
00:27:33,960 --> 00:27:36,960
Speaker 5: net worth said five million dollars. How accurate is that?

574
00:27:37,359 --> 00:27:37,960
Speaker 3: It's spot on.

575
00:27:38,560 --> 00:27:40,560
Speaker 5: I don't really believe that you have that much money.

576
00:27:40,680 --> 00:27:43,240
Speaker 3: Again, it's how you define it. I love my friends,

577
00:27:43,240 --> 00:27:45,439
Speaker 3: I love my family. I'm happy. Do you own a

578
00:27:45,480 --> 00:27:46,760
Speaker 3: house I don't. I rent.

579
00:27:47,240 --> 00:27:49,960
Speaker 5: Oh my god, it's really embarrassing read.

580
00:27:51,640 --> 00:27:53,560
Speaker 2: So I wanted to show a little bit of an interview.

581
00:27:53,640 --> 00:27:55,719
Speaker 2: It goes on and on. But I don't want to just,

582
00:27:55,880 --> 00:27:58,119
Speaker 2: you know, continue to play that. I want to just

583
00:27:58,160 --> 00:27:59,760
Speaker 2: focus on a few other things. I got a few

584
00:27:59,760 --> 00:28:01,440
Speaker 2: other topics. Then I'm gonna get out of here. It's

585
00:28:01,480 --> 00:28:03,440
Speaker 2: not gonna be a long part today, but I'm definitely

586
00:28:03,480 --> 00:28:05,920
Speaker 2: gonna tap in with y'all because you know, I miss

587
00:28:05,960 --> 00:28:06,560
Speaker 2: talking to y'all.

588
00:28:06,600 --> 00:28:07,560
Speaker 1: I know y'all miss me.

589
00:28:08,480 --> 00:28:12,359
Speaker 2: But following this, and I'll just kind of give you

590
00:28:12,400 --> 00:28:16,359
Speaker 2: a summary as to how she received the Drake Verse again,

591
00:28:16,400 --> 00:28:18,760
Speaker 2: I did a few minutes earlier, and I'll just reiterate.

592
00:28:19,600 --> 00:28:22,399
Speaker 2: She DMed him after he followed her. A couple of

593
00:28:22,440 --> 00:28:24,520
Speaker 2: days after that, she was in Memphis doing it. His

594
00:28:24,680 --> 00:28:28,760
Speaker 2: team recorded it, sent her the recording. She said, okay,

595
00:28:28,800 --> 00:28:32,120
Speaker 2: cool it lands they put it out, it goes crazy

596
00:28:32,160 --> 00:28:34,439
Speaker 2: and then she gets pressed. She gets new guests, she

597
00:28:34,520 --> 00:28:37,600
Speaker 2: gets signed by W and ME, A bunch of different

598
00:28:37,600 --> 00:28:40,440
Speaker 2: things happen. So again, from the business perspective, this is

599
00:28:40,520 --> 00:28:44,120
Speaker 2: moving quite fast for this young lady. She already again

600
00:28:44,200 --> 00:28:47,160
Speaker 2: has an agency. This is a powerful play. But hun

601
00:28:47,320 --> 00:28:49,960
Speaker 2: Drake relationship has now came to an end and it

602
00:28:50,040 --> 00:28:54,440
Speaker 2: has shattered according to people online. I imagine them to

603
00:28:54,440 --> 00:28:57,000
Speaker 2: fix this with Drake. Maybe she doesn't, Maybe she really

604
00:28:57,040 --> 00:29:00,920
Speaker 2: don't care. Because even after Drake gave her that interview

605
00:29:00,960 --> 00:29:03,640
Speaker 2: that propelled her career and got a ten million views

606
00:29:03,680 --> 00:29:06,200
Speaker 2: in under a month and got a YACHTI and all

607
00:29:06,240 --> 00:29:08,600
Speaker 2: these other doors that opened for she went to his

608
00:29:09,160 --> 00:29:11,920
Speaker 2: concert and she continued to play that role of I'm

609
00:29:11,960 --> 00:29:15,400
Speaker 2: not interested this guy's on stage. I'm at this dude's concert.

610
00:29:15,480 --> 00:29:17,800
Speaker 2: I know she's playing it to the character. I don't

611
00:29:17,840 --> 00:29:20,400
Speaker 2: know what happened behind the scenes. I do, though, want

612
00:29:20,440 --> 00:29:22,720
Speaker 2: to point out that there's a culture class when we

613
00:29:22,800 --> 00:29:26,360
Speaker 2: deal with white and black people, even in black arenas.

614
00:29:26,360 --> 00:29:28,520
Speaker 2: We have to let them know what's acceptable, and then

615
00:29:28,560 --> 00:29:30,920
Speaker 2: they have to let us know what's acceptable, because what's

616
00:29:30,960 --> 00:29:34,840
Speaker 2: funny in their backyard is disrespectful in our front yard,

617
00:29:36,200 --> 00:29:38,400
Speaker 2: and what's funny to us may not be as funny

618
00:29:38,400 --> 00:29:41,840
Speaker 2: to them. And so there's boundaries in place, and there's

619
00:29:41,880 --> 00:29:45,240
Speaker 2: invisible rules, and there's rules that you can only cater

620
00:29:45,320 --> 00:29:47,400
Speaker 2: to if you've come up under them, or you've had

621
00:29:47,520 --> 00:29:50,360
Speaker 2: family that has been with you along the way and

622
00:29:50,400 --> 00:29:52,400
Speaker 2: been able to mold you in a way where you

623
00:29:52,480 --> 00:29:55,640
Speaker 2: can identify with the things to keep you in position

624
00:29:55,800 --> 00:29:58,640
Speaker 2: with the people you benefit from So again, I don't

625
00:29:58,680 --> 00:30:00,520
Speaker 2: know that there's an issue, but I do know that

626
00:30:00,600 --> 00:30:04,080
Speaker 2: as a culture class, everybody knows I love Theovonne. We

627
00:30:04,120 --> 00:30:06,880
Speaker 2: see rappers over there messing with the Ovonne all the time.

628
00:30:07,200 --> 00:30:10,280
Speaker 2: I'm not sure I've seen Theovonn on any rap podcast.

629
00:30:10,760 --> 00:30:13,240
Speaker 1: And he may not be interested. They may be interested

630
00:30:13,280 --> 00:30:13,680
Speaker 1: in him.

631
00:30:13,920 --> 00:30:17,040
Speaker 2: But if you're interested in having that conversation with them,

632
00:30:17,080 --> 00:30:19,680
Speaker 2: then you must be interested in the culture. And so

633
00:30:19,720 --> 00:30:22,560
Speaker 2: we've reached out to Theovonne for a conversation. Let's see

634
00:30:22,560 --> 00:30:25,520
Speaker 2: what happens. We want to get to know Theovonn too.

635
00:30:25,560 --> 00:30:27,560
Speaker 2: We want to get to know who is Yg over

636
00:30:27,600 --> 00:30:31,160
Speaker 2: there talking to and Boosty and all these guys who

637
00:30:31,160 --> 00:30:33,760
Speaker 2: they going to talk to. Man, we like them dudes.

638
00:30:33,840 --> 00:30:36,520
Speaker 2: Let's let's see what they talking about. You know what

639
00:30:36,520 --> 00:30:40,320
Speaker 2: I'm saying. And so I want you all to see

640
00:30:40,360 --> 00:30:44,720
Speaker 2: how easy it is access to hip hop culture, how

641
00:30:44,800 --> 00:30:48,160
Speaker 2: easy it is access to our audience is if you

642
00:30:48,240 --> 00:30:51,960
Speaker 2: don't share our skin color. Because again, the top podcast

643
00:30:52,080 --> 00:30:55,880
Speaker 2: in the culture will bleep b Loom's name upon mentioning,

644
00:30:58,000 --> 00:31:00,760
Speaker 2: will mention his name when the cameras are off, and

645
00:31:00,920 --> 00:31:03,320
Speaker 2: bleep it when the cameras are on. But if you

646
00:31:03,440 --> 00:31:07,600
Speaker 2: are of another ethnicity, if you are of another race,

647
00:31:07,960 --> 00:31:10,840
Speaker 2: them people were champion you. They ain't mad at what

648
00:31:10,880 --> 00:31:12,880
Speaker 2: you doing it this mad as you doing it. They're

649
00:31:13,000 --> 00:31:16,320
Speaker 2: champion people doing the same thing you doing. It's just

650
00:31:16,400 --> 00:31:21,440
Speaker 2: you doing it, just you, It's just you doing it. Fortunate, though, man,

651
00:31:21,600 --> 00:31:24,760
Speaker 2: we fortunate. I hustle won't allow us to stop. We

652
00:31:24,960 --> 00:31:27,240
Speaker 2: fortunate to put one foot in front the other, wake

653
00:31:27,320 --> 00:31:29,960
Speaker 2: up every motherfucking day and go get some money on.

654
00:31:30,640 --> 00:31:34,320
Speaker 2: We fortunate to stay focused. Everybody don't feel it. But

655
00:31:34,400 --> 00:31:41,000
Speaker 2: it ain't for everybody. It ain't for everybody. It's consequences

656
00:31:41,040 --> 00:31:45,000
Speaker 2: behind misunderstanding this right here, because the universal law is

657
00:31:45,040 --> 00:31:50,120
Speaker 2: on this side. I don't pontificate and I don't do

658
00:31:50,240 --> 00:31:53,160
Speaker 2: no whole bunch of guessing. And we'll talk about this

659
00:31:53,880 --> 00:31:56,880
Speaker 2: maybe next week or a little later. We're gonna move

660
00:31:56,920 --> 00:31:59,680
Speaker 2: on to the Logan Park. Also with Bobby, I want

661
00:31:59,680 --> 00:32:02,520
Speaker 2: to say before I move on, this is what the

662
00:32:02,600 --> 00:32:03,720
Speaker 2: confusion sits in.

663
00:32:04,560 --> 00:32:04,760
Speaker 1: Right.

664
00:32:05,000 --> 00:32:07,240
Speaker 2: Bobby comes into the game and she don't know how

665
00:32:07,240 --> 00:32:11,400
Speaker 2: to play the game, similar to me. But I come

666
00:32:11,480 --> 00:32:13,520
Speaker 2: from the streets and they don't place me in certain

667
00:32:13,560 --> 00:32:17,280
Speaker 2: places where I had to sit back and observe, like

668
00:32:18,160 --> 00:32:21,040
Speaker 2: there's a certain feeling when you get off the bus

669
00:32:22,080 --> 00:32:24,480
Speaker 2: and you get on you know they taking you to

670
00:32:24,560 --> 00:32:27,880
Speaker 2: jail or whatever. And you get off the bus and

671
00:32:27,920 --> 00:32:30,520
Speaker 2: you get to the compound, and you know for a

672
00:32:30,600 --> 00:32:34,920
Speaker 2: fact the whole town in here, right, and you ain't

673
00:32:35,000 --> 00:32:37,680
Speaker 2: just got no clean slate in regards to things don't

674
00:32:37,720 --> 00:32:41,000
Speaker 2: happen in the town. Shit doesn't happen, that doesn't happen,

675
00:32:41,080 --> 00:32:43,520
Speaker 2: This doesn't happen. Certain things doesn't happen. So it's a

676
00:32:43,520 --> 00:32:47,040
Speaker 2: certain feeling. Then you get in whatever part they posted

677
00:32:47,080 --> 00:32:50,040
Speaker 2: to put you in. This is not even maximum security,

678
00:32:50,080 --> 00:32:53,880
Speaker 2: and people like to think minimum security is this and that,

679
00:32:53,920 --> 00:32:57,080
Speaker 2: but it's really a little more dangerous because the access

680
00:32:57,960 --> 00:33:01,280
Speaker 2: like bro stays something going on in minimum security because

681
00:33:01,320 --> 00:33:04,400
Speaker 2: you can reach out to touch you a nigga. But

682
00:33:04,440 --> 00:33:08,080
Speaker 2: there's a feeling you get getting off their bus, and

683
00:33:08,120 --> 00:33:10,440
Speaker 2: that's something you learn about bone. They just put me

684
00:33:10,480 --> 00:33:13,360
Speaker 2: as three thousand niggas on the compound. Some of these

685
00:33:13,440 --> 00:33:15,240
Speaker 2: my guys, some of these guys know me.

686
00:33:15,360 --> 00:33:16,120
Speaker 1: I don't know them.

687
00:33:16,160 --> 00:33:18,400
Speaker 2: Some of these guys I know, they don't know me.

688
00:33:19,320 --> 00:33:21,320
Speaker 2: Far as I done heard they name. Some of this

689
00:33:21,440 --> 00:33:24,400
Speaker 2: shit is just universal law and kicked in. But what

690
00:33:24,480 --> 00:33:31,720
Speaker 2: I learned then was sit still diagnosed. The same position

691
00:33:31,840 --> 00:33:35,040
Speaker 2: I'm in right now in regards to I've garnered a

692
00:33:35,080 --> 00:33:38,000
Speaker 2: certain amount of traction and a certain amount of eyeballs.

693
00:33:38,240 --> 00:33:41,719
Speaker 2: Right now, I'm sitting and I'm diagnosing what you're dealing with.

694
00:33:41,800 --> 00:33:44,360
Speaker 2: What's the cost of, what's the value of, what's the

695
00:33:44,520 --> 00:33:48,400
Speaker 2: power of it? How much do you need to get

696
00:33:48,840 --> 00:33:51,160
Speaker 2: where you're going? And how much can you preserve and

697
00:33:51,520 --> 00:33:54,959
Speaker 2: wait till you get that you dig? So I'm planning

698
00:33:55,080 --> 00:33:59,920
Speaker 2: and plotting because this is what I do. I'm intentional

699
00:34:00,120 --> 00:34:03,560
Speaker 2: with my moves most times, and I'm still trusting people,

700
00:34:03,600 --> 00:34:10,480
Speaker 2: but I'm intentional with my trust. Now everybody can't locate

701
00:34:10,600 --> 00:34:13,160
Speaker 2: my trust. You ain't done enough to have access to

702
00:34:13,200 --> 00:34:20,160
Speaker 2: the trust part. I may take what you say into consideration,

703
00:34:20,520 --> 00:34:21,399
Speaker 2: but to trust you.

704
00:34:21,400 --> 00:34:24,400
Speaker 1: As a whole another bag. It's a whole nother ball game.

705
00:34:24,680 --> 00:34:28,720
Speaker 2: So I learned, even in young age, as my brain

706
00:34:28,880 --> 00:34:33,759
Speaker 2: was developing, I learned how to sit back and diagnose.

707
00:34:35,200 --> 00:34:37,280
Speaker 2: And I don't want people to think that the Black

708
00:34:37,360 --> 00:34:40,319
Speaker 2: culture only way we learn those things is to go

709
00:34:40,360 --> 00:34:41,480
Speaker 2: on the jail compounds.

710
00:34:41,520 --> 00:34:43,560
Speaker 1: So let me give you another example.

711
00:34:43,560 --> 00:34:46,319
Speaker 2: It's the same thing as when you're fifteen years old

712
00:34:46,360 --> 00:34:48,680
Speaker 2: or you're sixteen and Mama go drop you off at

713
00:34:48,680 --> 00:34:49,160
Speaker 2: the center.

714
00:34:49,520 --> 00:34:54,440
Speaker 1: There's a certain feeling walking into the center. You know everybody.

715
00:34:54,440 --> 00:34:56,960
Speaker 2: I don't even know these guys like we see when

716
00:34:57,000 --> 00:34:59,520
Speaker 2: I came up, they'll drop you off damn near.

717
00:34:59,600 --> 00:35:00,880
Speaker 1: Then it's in the city.

718
00:35:01,200 --> 00:35:03,239
Speaker 2: If you one of those guys that's kind of known

719
00:35:03,280 --> 00:35:05,279
Speaker 2: around the city, like you might be way over here

720
00:35:05,280 --> 00:35:07,239
Speaker 2: at this center, but when you walk in, you really

721
00:35:07,280 --> 00:35:10,399
Speaker 2: don't know who know you who, So you gotta sit

722
00:35:10,480 --> 00:35:17,360
Speaker 2: and diagnose. I think Bobby was handed a bravado. Again,

723
00:35:17,520 --> 00:35:21,279
Speaker 2: I reiterate my thought process in regards to her. I

724
00:35:21,400 --> 00:35:24,360
Speaker 2: knee deep into podcasting, so I know Rick Glassman. She

725
00:35:24,520 --> 00:35:27,240
Speaker 2: was lucky enough. And this is what I tell podcasters

726
00:35:27,400 --> 00:35:30,440
Speaker 2: when you're building a podcast, you don't necessarily need that

727
00:35:30,520 --> 00:35:35,160
Speaker 2: big name. You need that big conversation, you need that

728
00:35:35,560 --> 00:35:40,520
Speaker 2: you need that theme conversation, you need that brand identify right,

729
00:35:40,560 --> 00:35:43,280
Speaker 2: and some people that take three hundred episodes to get.

730
00:35:43,400 --> 00:35:46,640
Speaker 2: She was lucky enough to have dealt with Rick Glassman,

731
00:35:46,960 --> 00:35:51,360
Speaker 2: award winning actor. I'm not sure if he's award winning

732
00:35:51,400 --> 00:35:53,520
Speaker 2: if he's trolling, but I do know he's an actor,

733
00:35:53,560 --> 00:35:56,040
Speaker 2: and I do know he's probably one of the best

734
00:35:56,080 --> 00:36:00,040
Speaker 2: people doing that type of thing. He gets into that

735
00:36:00,120 --> 00:36:02,759
Speaker 2: mode and you really can't tell whether he's playing or not.

736
00:36:02,960 --> 00:36:05,719
Speaker 2: He's that vibe. And so she was lucky enough to

737
00:36:05,760 --> 00:36:09,759
Speaker 2: be introduced in that way along with her marketing strategy.

738
00:36:10,040 --> 00:36:13,720
Speaker 2: But he walked her into a brand identify our piece

739
00:36:13,719 --> 00:36:14,320
Speaker 2: of content.

740
00:36:15,160 --> 00:36:16,400
Speaker 1: So she didn't develop that.

741
00:36:17,960 --> 00:36:21,600
Speaker 2: And when you handed something, you have a different relationship

742
00:36:21,680 --> 00:36:24,520
Speaker 2: with it than when you develop something. And that's why

743
00:36:24,560 --> 00:36:27,239
Speaker 2: when you get with these corporations, you run into these

744
00:36:27,680 --> 00:36:30,640
Speaker 2: road blocks and these mud holes for lack of better term,

745
00:36:30,719 --> 00:36:37,000
Speaker 2: because they've been handed this. Granted, there's a different situation

746
00:36:37,160 --> 00:36:39,480
Speaker 2: that has to be had when you get to a

747
00:36:39,520 --> 00:36:43,640
Speaker 2: certain level. So I think that the process change costs

748
00:36:43,640 --> 00:36:48,360
Speaker 2: for some sort of disconnection. And so the process changed

749
00:36:48,600 --> 00:36:51,319
Speaker 2: from it being just a podcast you love to a

750
00:36:51,360 --> 00:36:55,560
Speaker 2: podcast now that has to be something that's wrapped around

751
00:36:55,960 --> 00:37:01,840
Speaker 2: advertisement and business and lawyers and producers and camera operators

752
00:37:01,880 --> 00:37:02,680
Speaker 2: and this and that.

753
00:37:03,080 --> 00:37:06,680
Speaker 1: It now changes the very texture of what that was.

754
00:37:06,920 --> 00:37:10,840
Speaker 2: And unfortunately for Bobby, she wasn't in a situation the

755
00:37:10,840 --> 00:37:12,040
Speaker 2: way she developed this.

756
00:37:15,320 --> 00:37:16,560
Speaker 1: Now knowing why do.

757
00:37:16,640 --> 00:37:19,279
Speaker 2: You say that, I make that point because now I

758
00:37:19,360 --> 00:37:23,280
Speaker 2: dragged that information over to the Little Yachty situation. After

759
00:37:23,400 --> 00:37:27,120
Speaker 2: Drake births your career in a way when many people

760
00:37:27,160 --> 00:37:30,600
Speaker 2: won't even get that opportunity. That knows Drake, I have

761
00:37:30,640 --> 00:37:33,879
Speaker 2: one hundred and fifty episodes by myself. You think Drake

762
00:37:33,880 --> 00:37:36,879
Speaker 2: could come sit down? It's a shot and a doll.

763
00:37:37,760 --> 00:37:41,000
Speaker 2: You had one episode and got Drake and Drake and

764
00:37:41,000 --> 00:37:45,040
Speaker 2: Little Yatty's relationship. Drake say he do it, y'atty say, Yo,

765
00:37:45,120 --> 00:37:47,799
Speaker 2: my brother done it. I'm doing it. And plus I

766
00:37:47,840 --> 00:37:50,720
Speaker 2: fuck with your vibration. I like what you're doing. They've

767
00:37:50,800 --> 00:37:55,160
Speaker 2: handed you a role. This is why they can't call

768
00:37:55,280 --> 00:37:58,160
Speaker 2: on an industry plant because it's clear. Ain't nobody handed

769
00:37:58,200 --> 00:38:01,600
Speaker 2: me a script. When you see some of these people,

770
00:38:01,600 --> 00:38:05,200
Speaker 2: it's like, yo, they've been placed there, not by circumstance,

771
00:38:05,360 --> 00:38:11,080
Speaker 2: but by coincidence. And now the entrance a line with

772
00:38:11,200 --> 00:38:15,480
Speaker 2: the powers that be in this particular situation, you see

773
00:38:15,520 --> 00:38:19,120
Speaker 2: Bobby rolling out the pocket.

774
00:38:20,840 --> 00:38:21,840
Speaker 1: Way too early.

775
00:38:22,480 --> 00:38:24,600
Speaker 2: You ever seen a quarterback you ain't even gave a

776
00:38:24,719 --> 00:38:26,360
Speaker 2: chance for the play to develop.

777
00:38:26,400 --> 00:38:29,239
Speaker 1: Here you is rolling out like you, Michael Vick, that's

778
00:38:29,280 --> 00:38:30,319
Speaker 1: something he done. Roll man.

779
00:38:30,360 --> 00:38:33,040
Speaker 2: Them folks can't even you donnea rerolling out the pocket.

780
00:38:34,120 --> 00:38:36,839
Speaker 2: She polded, to let the play develop. You jetting that star,

781
00:38:37,040 --> 00:38:39,160
Speaker 2: you got three four huh, you sit in the pocket.

782
00:38:39,200 --> 00:38:41,799
Speaker 2: They blocking good. You got Drake at the block, you

783
00:38:41,880 --> 00:38:44,520
Speaker 2: got off Set at the block, Tiger at the block.

784
00:38:44,800 --> 00:38:47,719
Speaker 2: You dig what I'm saying, Sit in the pocket. Let

785
00:38:47,760 --> 00:38:50,640
Speaker 2: the play developed. Something gonna be wide open for you.

786
00:38:51,640 --> 00:38:56,480
Speaker 2: But because you didn't develop the style or the craftsmanship

787
00:38:56,560 --> 00:39:01,920
Speaker 2: to get yourself in that scenario right and not taking

788
00:39:01,960 --> 00:39:05,520
Speaker 2: anything from her ability, I think she's gonna learn on

789
00:39:05,560 --> 00:39:08,759
Speaker 2: the fly and be great at what she does. I

790
00:39:08,800 --> 00:39:10,879
Speaker 2: think that's a thing for her. I think she's gonna

791
00:39:10,920 --> 00:39:13,400
Speaker 2: be okay in regards to that. They're gonna keep handing

792
00:39:13,400 --> 00:39:17,480
Speaker 2: her things now because she's solidified. But because they hand

793
00:39:17,520 --> 00:39:23,480
Speaker 2: you this unimpressed attitude, awkward type style, you don't know

794
00:39:23,520 --> 00:39:25,040
Speaker 2: when to cut it on and cut it off. You

795
00:39:25,120 --> 00:39:27,560
Speaker 2: don't know when you're hurting his brand or helping his brand.

796
00:39:28,400 --> 00:39:30,720
Speaker 2: And one thing about this, and this is a lesson

797
00:39:30,760 --> 00:39:34,080
Speaker 2: I'll give you guys this game, you'll start to get

798
00:39:34,160 --> 00:39:35,120
Speaker 2: all about you.

799
00:39:35,120 --> 00:39:38,839
Speaker 1: You'll forget yo. Brundham helped me. They helped me like certain.

800
00:39:38,560 --> 00:39:40,920
Speaker 2: Folks like if I got an opportunity to let me

801
00:39:41,000 --> 00:39:42,640
Speaker 2: try to help them back.

802
00:39:42,800 --> 00:39:46,800
Speaker 1: You'll forget about that. You dig what I'm saying.

803
00:39:46,920 --> 00:39:49,360
Speaker 2: It would have went viral to see you going crazy

804
00:39:49,360 --> 00:39:51,359
Speaker 2: at the Drake Show or just dancing a little bit.

805
00:39:51,400 --> 00:39:53,960
Speaker 2: They'll say, Oh, the girl that usually don't dance is

806
00:39:54,000 --> 00:39:57,239
Speaker 2: now dancing at the Drake Show. Right, that still would

807
00:39:57,239 --> 00:40:01,120
Speaker 2: have went viral and go right back to awkward. But

808
00:40:01,200 --> 00:40:03,680
Speaker 2: you played it that way because you're still in character.

809
00:40:03,719 --> 00:40:05,400
Speaker 2: You don't know when to cut the sea, don't know

810
00:40:05,400 --> 00:40:07,600
Speaker 2: how to play the game. And I get it. Because

811
00:40:07,600 --> 00:40:08,960
Speaker 2: I don't know how to play it. I got a

812
00:40:09,000 --> 00:40:11,720
Speaker 2: hell of a defense blocking for me too, in regards

813
00:40:11,719 --> 00:40:14,600
Speaker 2: to who's been in business with me, who my interests

814
00:40:14,600 --> 00:40:17,719
Speaker 2: aligning with? You see my yeah, nigga. I mean, I'm

815
00:40:17,760 --> 00:40:22,000
Speaker 2: letting her play Devela. And so let's just say that

816
00:40:22,520 --> 00:40:25,760
Speaker 2: Drake knows that's her brand, because clearly she's still brand

817
00:40:25,800 --> 00:40:28,560
Speaker 2: building after I invite her to my show, after I

818
00:40:28,600 --> 00:40:31,280
Speaker 2: do a podcast get a ten million in three weeks,

819
00:40:31,800 --> 00:40:34,320
Speaker 2: I get her to my show, she's still brand building

820
00:40:34,400 --> 00:40:37,480
Speaker 2: at my show in a secured area where that no

821
00:40:37,600 --> 00:40:40,080
Speaker 2: fans can be to pay top dollar. I got her

822
00:40:40,160 --> 00:40:43,759
Speaker 2: somewhat secured, and she's still brand building for her. She's

823
00:40:43,840 --> 00:40:46,480
Speaker 2: yet to help me brand build in the least of ways.

824
00:40:46,520 --> 00:40:48,920
Speaker 2: And then every time she talks about me, there's a

825
00:40:49,040 --> 00:40:52,120
Speaker 2: down playment, and I think she's being honest. But at

826
00:40:52,160 --> 00:40:54,520
Speaker 2: some point, you have to play this game. You've been

827
00:40:54,600 --> 00:40:58,120
Speaker 2: handed something very unique. They've handed you a diamond that

828
00:40:58,640 --> 00:41:02,359
Speaker 2: is of the rarest of the of its kind. They've

829
00:41:02,360 --> 00:41:10,200
Speaker 2: handed you an audience that takes years years to galvanize.

830
00:41:12,160 --> 00:41:14,279
Speaker 2: And so what about brand building for Drake in that

831
00:41:14,400 --> 00:41:17,680
Speaker 2: moment that's gonna go out? Yo, She's unimpressed at the

832
00:41:17,760 --> 00:41:21,040
Speaker 2: Drake show, which again, let's just say he accepts that

833
00:41:21,239 --> 00:41:24,399
Speaker 2: as Hey, yo, she's still thinking about her, shorty crazy boy.

834
00:41:24,440 --> 00:41:26,560
Speaker 1: She doing a whole lot of breath. She's just all

835
00:41:26,600 --> 00:41:27,120
Speaker 1: about her.

836
00:41:27,800 --> 00:41:32,120
Speaker 2: I already blessed your game room, already put all complete

837
00:41:32,200 --> 00:41:36,040
Speaker 2: PS five to the X, Already already put the big Perdrac,

838
00:41:36,560 --> 00:41:41,640
Speaker 2: Already blessed your game room. Damn, you ain't even thinking

839
00:41:41,680 --> 00:41:44,040
Speaker 2: about my game room. That's how they do when they

840
00:41:44,040 --> 00:41:46,600
Speaker 2: ain't from the street. See, I remember home. He didn't

841
00:41:46,600 --> 00:41:49,120
Speaker 2: tell he gave me his price when he when he

842
00:41:49,200 --> 00:41:51,240
Speaker 2: gets dried through that, I'm gonna give him my number,

843
00:41:51,880 --> 00:41:53,920
Speaker 2: he get my price. I ain't putting none on him,

844
00:41:53,960 --> 00:41:56,480
Speaker 2: no matter what he buying, because he ain't putting no

845
00:41:56,560 --> 00:41:59,160
Speaker 2: price on me. That's the that's the little we show

846
00:41:59,200 --> 00:42:02,680
Speaker 2: where I come from. But again, say Drake accepts that

847
00:42:03,560 --> 00:42:05,920
Speaker 2: when she even speaks about him on these interviews.

848
00:42:05,960 --> 00:42:07,160
Speaker 1: I didn't know what he was like.

849
00:42:07,200 --> 00:42:09,000
Speaker 2: I didn't. I didn't think about him like that. I

850
00:42:09,000 --> 00:42:10,839
Speaker 2: don't really look at him like that. I guess now

851
00:42:10,880 --> 00:42:13,719
Speaker 2: I do, like it's a new thing, But I really

852
00:42:13,800 --> 00:42:17,000
Speaker 2: don't think he's like, Yo, you down playing a dude

853
00:42:17,040 --> 00:42:21,759
Speaker 2: that just handed you Thanksgiving in January. I'm talking about

854
00:42:21,760 --> 00:42:24,799
Speaker 2: handed you more than you can eat. I'm talking about

855
00:42:24,800 --> 00:42:27,320
Speaker 2: you can call the family. He hanged you a feast?

856
00:42:27,840 --> 00:42:30,680
Speaker 2: Hey say you can call the family. Lord, it's Thanksgiving.

857
00:42:30,719 --> 00:42:35,880
Speaker 2: It's early this year. The boy came through. Yeah, the

858
00:42:35,960 --> 00:42:39,520
Speaker 2: boy came through and blessed my game room. It's Thanksgiving

859
00:42:39,600 --> 00:42:43,400
Speaker 2: early this year. The boy done handed me a feast.

860
00:42:43,920 --> 00:42:46,359
Speaker 2: But then y'ally goes on and then the fans say, yo,

861
00:42:46,440 --> 00:42:48,360
Speaker 2: he chewing in the mic. We don't like that, like

862
00:42:48,400 --> 00:42:51,640
Speaker 2: they criticizing him for that. That ain't you right? So

863
00:42:51,760 --> 00:42:54,040
Speaker 2: I can't say that's her fault. That they saying that.

864
00:42:54,040 --> 00:42:56,840
Speaker 2: That's the fans like he's chewing on the mic. He

865
00:42:56,880 --> 00:42:58,520
Speaker 2: done forgot, this is a thing he.

866
00:42:58,640 --> 00:42:59,560
Speaker 4: Eating, he hungry.

867
00:42:59,600 --> 00:43:00,720
Speaker 1: That's just what the vibes.

868
00:43:00,760 --> 00:43:04,360
Speaker 2: It like the fans sometimes be won't these full production

869
00:43:04,600 --> 00:43:05,400
Speaker 2: things to happen?

870
00:43:05,440 --> 00:43:08,560
Speaker 1: And it's like, Yo, that ain't the vibes all the time.

871
00:43:08,600 --> 00:43:10,400
Speaker 2: You're gonna get up, You're gonna you might hit me,

872
00:43:10,480 --> 00:43:13,120
Speaker 2: hit the blunner, light the light up, or you might

873
00:43:13,160 --> 00:43:15,319
Speaker 2: hear it. You know, it might go out and come

874
00:43:15,360 --> 00:43:18,360
Speaker 2: back in. Like certain things might happen. But I get it.

875
00:43:18,440 --> 00:43:22,480
Speaker 2: Chewing in the mic annoying when you're listening. So they say, Yo,

876
00:43:22,560 --> 00:43:25,000
Speaker 2: that's annoying. That's one thing. But then she speaks on

877
00:43:25,080 --> 00:43:30,400
Speaker 2: it and then she goes off. He was weird, like

878
00:43:30,520 --> 00:43:33,960
Speaker 2: now he was actually weird, Like I left, Like I mean,

879
00:43:34,000 --> 00:43:36,520
Speaker 2: when I left, I was like, Yo, this dude is actually.

880
00:43:36,239 --> 00:43:40,880
Speaker 1: And it's like, Yo, these two guys they blessed your game, bro.

881
00:43:41,800 --> 00:43:43,040
Speaker 1: But she don't look at it like that.

882
00:43:43,120 --> 00:43:47,400
Speaker 2: I'm still in character, I'm brand building, I'm annoyed, I'm aggravated.

883
00:43:47,440 --> 00:43:51,319
Speaker 2: It's awkward. How do I know that? When you look

884
00:43:51,360 --> 00:43:56,160
Speaker 2: at her sitting with Rick Glassman, he pointed out that no,

885
00:43:57,440 --> 00:44:01,200
Speaker 2: you're you're playing cause he he's the master of this.

886
00:44:01,960 --> 00:44:04,879
Speaker 2: It's like, oh, oh you don't want people, Okay, great, great, great,

887
00:44:04,920 --> 00:44:06,040
Speaker 2: it's a thing happening.

888
00:44:06,400 --> 00:44:07,080
Speaker 1: Pay attention.

889
00:44:09,000 --> 00:44:10,919
Speaker 2: But then you go to Little Yachty and you say

890
00:44:10,920 --> 00:44:14,520
Speaker 2: all that, it's like, fuck Drake some followers after that,

891
00:44:14,719 --> 00:44:16,959
Speaker 2: there's still other stuff happening, but I want to move

892
00:44:17,000 --> 00:44:20,560
Speaker 2: on and we'll talk about it later. But the unintentional

893
00:44:20,600 --> 00:44:23,680
Speaker 2: consequences of not playing the game when someone has handed

894
00:44:23,719 --> 00:44:28,040
Speaker 2: you the game to play, it's almost like, yo, I've

895
00:44:28,040 --> 00:44:30,719
Speaker 2: handed you the control on Xbox and you just holding it.

896
00:44:36,840 --> 00:44:39,920
Speaker 2: Not only did Drake do that, just pay attention. Not

897
00:44:40,000 --> 00:44:43,760
Speaker 2: only did Drake do that for that girl, he liable

898
00:44:43,800 --> 00:44:46,799
Speaker 2: to take hits on his brand from people saying, yo,

899
00:44:46,880 --> 00:44:49,520
Speaker 2: you still ain't saying with the culture cause he told

900
00:44:49,560 --> 00:44:51,160
Speaker 2: to sit with her. Now, I'm gonna do this for

901
00:44:51,200 --> 00:44:53,839
Speaker 2: you because I fuck with what you're doing. And I

902
00:44:53,880 --> 00:44:56,360
Speaker 2: really ain't no slave than what nobody telling me to do.

903
00:44:56,480 --> 00:44:58,920
Speaker 2: But at the end of the day, it's unfortunate for

904
00:44:59,000 --> 00:45:00,719
Speaker 2: me to put you for for me to do that

905
00:45:00,840 --> 00:45:05,400
Speaker 2: for you, and then you still ain't auto corrected how

906
00:45:05,440 --> 00:45:07,279
Speaker 2: you think about me and when I'm the reason you

907
00:45:07,360 --> 00:45:09,919
Speaker 2: done prepared. They got you on USA today, I heard

908
00:45:11,719 --> 00:45:14,360
Speaker 2: this next situation I want to talk about, and again

909
00:45:14,400 --> 00:45:16,239
Speaker 2: I got one more. I actually got a lot of

910
00:45:16,280 --> 00:45:20,320
Speaker 2: shit I can talk about, but I don't have time unfortunately, y'all.

911
00:45:20,360 --> 00:45:22,600
Speaker 2: But I know, y'all miss me man, I'm gonna make

912
00:45:22,680 --> 00:45:25,479
Speaker 2: time because these shits is fire. I enjoy this shit

913
00:45:25,640 --> 00:45:28,560
Speaker 2: like it's just a vibe. It's like, yo, you getting

914
00:45:28,600 --> 00:45:32,960
Speaker 2: the game off talking how you feel people enjoyed, appreciate it.

915
00:45:33,000 --> 00:45:34,759
Speaker 1: Then to be honest with y'all.

916
00:45:34,800 --> 00:45:37,879
Speaker 2: As y'all listening and as I'm out here talking, I'm

917
00:45:37,960 --> 00:45:41,480
Speaker 2: actually combing through things in real time, like when it

918
00:45:41,560 --> 00:45:44,680
Speaker 2: pop in my head to say we all are together saying,

919
00:45:44,719 --> 00:45:49,000
Speaker 2: oh shit, that makes sense because I'm damn neil a

920
00:45:49,080 --> 00:45:52,600
Speaker 2: part of the audience. Just it's a weird thing happening.

921
00:45:52,640 --> 00:45:54,239
Speaker 2: I'm like ahead a little bit of a part of

922
00:45:54,280 --> 00:45:59,239
Speaker 2: the audience. I don't know, it's weird, but I want

923
00:45:59,239 --> 00:46:01,200
Speaker 2: to talk about. This next thing I want to talk

924
00:46:01,239 --> 00:46:07,480
Speaker 2: about is something that came across my timeline and I

925
00:46:07,520 --> 00:46:09,560
Speaker 2: want to speak to some of the games. I think

926
00:46:09,640 --> 00:46:11,560
Speaker 2: this being played for those of you that don't know

927
00:46:11,680 --> 00:46:14,759
Speaker 2: Charleston White and Aiden Ross have hooked up. If you

928
00:46:14,840 --> 00:46:18,680
Speaker 2: do not know who Charston White is, he is a comedian,

929
00:46:19,719 --> 00:46:23,840
Speaker 2: an activist, He works with kids. I mean, he's somebody

930
00:46:23,880 --> 00:46:27,040
Speaker 2: that said a lot of things online disparaging to a

931
00:46:27,080 --> 00:46:30,040
Speaker 2: lot of people, so he wanted them guys to talk

932
00:46:31,719 --> 00:46:35,200
Speaker 2: a certain amount of shit online. Aiden Ross is one

933
00:46:35,200 --> 00:46:37,680
Speaker 2: of the biggest dreamers in the world. My children know him.

934
00:46:37,760 --> 00:46:40,359
Speaker 2: All the kids know who Aiden Ross is. So he

935
00:46:40,440 --> 00:46:43,880
Speaker 2: has a chokehold on a certain demographic of America. In

936
00:46:43,920 --> 00:46:47,279
Speaker 2: the veins of the Nickelodeons, in the veins of the

937
00:46:47,719 --> 00:46:50,920
Speaker 2: you know, Spider Man's and things like that, he shares

938
00:46:51,000 --> 00:46:56,279
Speaker 2: some of that audience with the youth that reaches millions

939
00:46:56,320 --> 00:47:00,640
Speaker 2: of young people, and he reached out to Chuston White.

940
00:47:00,719 --> 00:47:04,279
Speaker 2: Charleston White got on the stream, they introduced themselves.

941
00:47:05,520 --> 00:47:07,640
Speaker 1: Charleston didn't know who the guy was.

942
00:47:07,680 --> 00:47:10,680
Speaker 2: According to him, I'm not gonna be able to give

943
00:47:10,680 --> 00:47:13,440
Speaker 2: you a complete rundown as to how we got here.

944
00:47:13,800 --> 00:47:16,839
Speaker 2: I'm assuming that if you're here, you know who these

945
00:47:16,880 --> 00:47:19,279
Speaker 2: two are, and we kind of can fast forward through

946
00:47:19,280 --> 00:47:22,800
Speaker 2: the process. So where we are now is Charleston White

947
00:47:22,920 --> 00:47:26,760
Speaker 2: has arrived in Las Vegas to meet with Aiden Ross.

948
00:47:26,880 --> 00:47:31,319
Speaker 2: He says, is under the guise of a Kick deal,

949
00:47:31,800 --> 00:47:36,000
Speaker 2: because Aiden Ross has expressed interest in signing Charleston White

950
00:47:36,400 --> 00:47:40,319
Speaker 2: to Kick and Aiden Ross has streaming going on. It's

951
00:47:40,440 --> 00:47:43,000
Speaker 2: our real streaming, which is in real life where they

952
00:47:43,080 --> 00:47:46,000
Speaker 2: kind of keep the streaming going. Pay attention to both

953
00:47:46,040 --> 00:47:51,600
Speaker 2: guys approaching this. Now we fast forward today too. They've

954
00:47:51,640 --> 00:47:53,760
Speaker 2: did a lot of things. It's been a lot of riding,

955
00:47:53,840 --> 00:47:56,320
Speaker 2: a lot of content being made. I mean, the camera's

956
00:47:56,360 --> 00:48:00,160
Speaker 2: been on twelve fourteen hours at a time. Charleston has

957
00:48:00,200 --> 00:48:02,960
Speaker 2: been with him at restaurants and you know, at this

958
00:48:03,120 --> 00:48:05,319
Speaker 2: place and that place, and doing this and doing that,

959
00:48:05,560 --> 00:48:08,600
Speaker 2: riding and you know, just the camera on content, getting

960
00:48:08,600 --> 00:48:09,200
Speaker 2: the content.

961
00:48:09,480 --> 00:48:12,080
Speaker 1: I think this is the last day.

962
00:48:12,440 --> 00:48:14,959
Speaker 2: Charleston White has yet to talk about a Kick deal,

963
00:48:15,840 --> 00:48:20,040
Speaker 2: but they have been streaming. Aiden Ross also invited another

964
00:48:20,120 --> 00:48:24,040
Speaker 2: guy I think by the name of Prime. Him and

965
00:48:24,120 --> 00:48:28,799
Speaker 2: Charleston White get into it about something. I would say,

966
00:48:28,800 --> 00:48:32,000
Speaker 2: it's extremely crazy and weird. Pay attention.

967
00:48:33,040 --> 00:48:35,320
Speaker 4: We listen.

968
00:48:35,360 --> 00:48:35,640
Speaker 1: Listen.

969
00:48:35,760 --> 00:48:36,719
Speaker 7: I'm questioning.

970
00:48:38,640 --> 00:48:40,560
Speaker 4: He's pushing me about.

971
00:48:41,440 --> 00:48:46,440
Speaker 8: But it's we're talking about.

972
00:48:45,200 --> 00:48:46,839
Speaker 4: And im and I'm answering the question.

973
00:48:46,880 --> 00:48:48,759
Speaker 8: If you let me answer this nigga, I got mad

974
00:48:48,800 --> 00:48:51,960
Speaker 8: about my dick, not mad he's gonna talk about I

975
00:48:51,960 --> 00:48:53,799
Speaker 8: ain't talking this nigga about.

976
00:48:53,440 --> 00:48:55,640
Speaker 4: Because you asked your question. You walked porn, you weren't.

977
00:48:55,640 --> 00:48:56,279
Speaker 4: You were beating around the.

978
00:48:56,239 --> 00:48:59,200
Speaker 1: House mainly watching bro.

979
00:48:59,320 --> 00:48:59,960
Speaker 4: We didn't ask that.

980
00:49:00,080 --> 00:49:02,799
Speaker 7: No, we didn't ask that I ever watched port.

981
00:49:03,520 --> 00:49:04,640
Speaker 1: We didn't ask that.

982
00:49:04,640 --> 00:49:07,600
Speaker 4: That's say we asked you the one coming with the

983
00:49:07,640 --> 00:49:08,880
Speaker 4: extra Homer. We just said, did you.

984
00:49:08,880 --> 00:49:12,920
Speaker 8: Watch points said iron again?

985
00:49:13,080 --> 00:49:13,960
Speaker 1: You think that's that's straight?

986
00:49:14,080 --> 00:49:16,000
Speaker 4: That's my de that's my dick.

987
00:49:16,960 --> 00:49:17,719
Speaker 1: That's my dick.

988
00:49:17,960 --> 00:49:19,520
Speaker 4: This nigga talking about my dick?

989
00:49:19,760 --> 00:49:20,880
Speaker 1: He why is he stuck on?

990
00:49:21,000 --> 00:49:23,479
Speaker 4: Mind the camera? I'm just having an on camera. Why

991
00:49:23,560 --> 00:49:24,839
Speaker 4: is he stuck on my dick?

992
00:49:25,239 --> 00:49:27,200
Speaker 1: That's all I want to know, me and this man.

993
00:49:27,120 --> 00:49:29,120
Speaker 8: And have him come staying about my dick and he

994
00:49:29,280 --> 00:49:29,920
Speaker 8: come jump in.

995
00:49:31,880 --> 00:49:36,880
Speaker 4: Yeah nigga, Yeah, listen, I'm literally saying, that's why I

996
00:49:36,920 --> 00:49:39,320
Speaker 4: was questioned about. I was like, so, what happened and that?

997
00:49:39,560 --> 00:49:41,239
Speaker 4: And then you came in. You came in, and then

998
00:49:41,360 --> 00:49:44,239
Speaker 4: all all he did was asked, yo, have you watched port?

999
00:49:44,560 --> 00:49:49,080
Speaker 2: Now by this time, I think Charleston was already frustrated

1000
00:49:49,120 --> 00:49:54,800
Speaker 2: with this, with this guy, because even though I believe

1001
00:49:54,920 --> 00:49:58,400
Speaker 2: Charleston is trying to recover, I think they put him

1002
00:49:58,440 --> 00:50:02,080
Speaker 2: in a trick bag right here, or or he's emotionally.

1003
00:50:01,840 --> 00:50:03,600
Speaker 1: He's sick of this nigga right here.

1004
00:50:03,840 --> 00:50:07,360
Speaker 2: It just feels like it's it's something that because usually

1005
00:50:07,400 --> 00:50:09,239
Speaker 2: you supposed to say, yo, get in my off to

1006
00:50:09,560 --> 00:50:11,680
Speaker 2: walk off the CARAM over here doing something, aiding to

1007
00:50:11,719 --> 00:50:14,719
Speaker 2: figure that out, and then come see a nill like

1008
00:50:14,800 --> 00:50:17,000
Speaker 2: I'm over here kicking it and I have started something.

1009
00:50:17,120 --> 00:50:18,960
Speaker 1: Hey, how y'all doing that? You know?

1010
00:50:19,000 --> 00:50:21,279
Speaker 2: They you know I'm because I'm here about this other

1011
00:50:21,320 --> 00:50:22,439
Speaker 2: shit like that him?

1012
00:50:22,920 --> 00:50:27,840
Speaker 1: You feel me? But he engaged and I'm trying to

1013
00:50:27,840 --> 00:50:29,800
Speaker 1: figure out was that a trick?

1014
00:50:31,400 --> 00:50:31,640
Speaker 4: Was that?

1015
00:50:32,120 --> 00:50:34,040
Speaker 2: Because a lot of money is on the line. If

1016
00:50:34,080 --> 00:50:36,640
Speaker 2: you know Aiden Ross, Aiden Ross can get a deal done.

1017
00:50:36,840 --> 00:50:40,520
Speaker 2: Let's be let's be clear. Like I'm telling you this,

1018
00:50:40,640 --> 00:50:42,640
Speaker 2: Aiden Ross can get a deal done. They kick on

1019
00:50:42,760 --> 00:50:44,000
Speaker 2: hundred percent. Pay attention.

1020
00:50:44,320 --> 00:50:46,360
Speaker 4: You were beating around the bush at first, That's what

1021
00:50:46,440 --> 00:50:49,640
Speaker 4: he's saying. Now, look, what do you watch your boe

1022
00:50:49,719 --> 00:50:51,879
Speaker 4: got to do with a man sending somebody somebody kick?

1023
00:50:52,200 --> 00:50:53,960
Speaker 4: Why you worried about didn't?

1024
00:50:54,880 --> 00:50:57,000
Speaker 8: That's all I want to know why you so stuck

1025
00:50:57,040 --> 00:50:58,319
Speaker 8: on what I did with my dick.

1026
00:50:59,000 --> 00:51:00,719
Speaker 1: Bro, I need some more frakeniggas. Look at the call

1027
00:51:00,719 --> 00:51:01,640
Speaker 1: about men men.

1028
00:51:02,320 --> 00:51:05,319
Speaker 8: Hold on, hold on, hold you hold of camera, cameraman camera.

1029
00:51:05,719 --> 00:51:08,040
Speaker 8: This man has asked me a question I was questioning.

1030
00:51:08,200 --> 00:51:10,160
Speaker 8: This man is just asking me a straight up question.

1031
00:51:10,560 --> 00:51:14,440
Speaker 8: This nigga come jumping this nigga, come jump in.

1032
00:51:14,520 --> 00:51:16,280
Speaker 4: What the point is this nigga?

1033
00:51:16,320 --> 00:51:18,759
Speaker 8: Come jump in and go to talking on my dick

1034
00:51:19,080 --> 00:51:20,520
Speaker 8: by gay nigga?

1035
00:51:20,560 --> 00:51:22,960
Speaker 1: What you talking about my dick for? What you talking

1036
00:51:23,000 --> 00:51:24,080
Speaker 1: about my dick for a nigga?

1037
00:51:24,160 --> 00:51:31,080
Speaker 4: You game? Nigga, sen me yourck before this nigga played

1038
00:51:31,120 --> 00:51:31,920
Speaker 4: gay game thirty.

1039
00:51:33,360 --> 00:51:35,719
Speaker 8: Nigga, I ain't playing with you now, nigga, I ain't

1040
00:51:35,760 --> 00:51:40,799
Speaker 8: playing with you. Then you game nigga this nigga Hold up, y'all, listen,

1041
00:51:41,200 --> 00:51:41,839
Speaker 8: listen this man.

1042
00:51:42,280 --> 00:51:45,799
Speaker 2: I didn't even see that part. That's an interesting part

1043
00:51:45,880 --> 00:51:48,840
Speaker 2: to pay attention to, y'all. Hear me, pay attention to

1044
00:51:48,920 --> 00:51:49,759
Speaker 2: this part right here.

1045
00:51:50,000 --> 00:51:51,080
Speaker 7: You're talking about my dick.

1046
00:51:50,960 --> 00:51:57,959
Speaker 4: For a nigga. You game, nigga your before God, this.

1047
00:51:57,920 --> 00:52:00,840
Speaker 8: Nigga played gay game thirty.

1048
00:52:01,120 --> 00:52:01,359
Speaker 3: See.

1049
00:52:01,760 --> 00:52:06,000
Speaker 2: I think this is what changed it because if I

1050
00:52:06,040 --> 00:52:08,160
Speaker 2: do think you got an issue, right, If I do

1051
00:52:08,320 --> 00:52:10,960
Speaker 2: think that there's some kind of and then I'm here

1052
00:52:11,000 --> 00:52:14,200
Speaker 2: because I'm I'm all, but I'm listening. There's some trigger

1053
00:52:14,280 --> 00:52:20,200
Speaker 2: words involved with my understanding. So I'm listening. I'm saying

1054
00:52:20,239 --> 00:52:22,759
Speaker 2: all kind of ship. But then when I hear, hey,

1055
00:52:22,800 --> 00:52:24,640
Speaker 2: don't don't do that, bro, don't do that.

1056
00:52:24,680 --> 00:52:24,799
Speaker 9: Bro.

1057
00:52:25,239 --> 00:52:27,840
Speaker 2: I'm not playing with this nigga. Bro, I'm not fucking

1058
00:52:27,840 --> 00:52:31,040
Speaker 2: a run. He talking about me? He ain't playing with me.

1059
00:52:32,040 --> 00:52:34,040
Speaker 2: Did somebody add their little nigga to play with me?

1060
00:52:35,320 --> 00:52:39,120
Speaker 2: Who said I was playing? When they start playing? Did

1061
00:52:39,160 --> 00:52:43,040
Speaker 2: anybody but they is on stream? So again, this is

1062
00:52:43,080 --> 00:52:46,480
Speaker 2: what I'm saying. This is the wrong arena for somebody

1063
00:52:46,560 --> 00:52:47,560
Speaker 2: like Charleston White.

1064
00:52:48,000 --> 00:52:48,760
Speaker 4: Nigga, I ain't.

1065
00:52:48,520 --> 00:52:56,080
Speaker 8: Playing with you now, nigga, ain't playing with you. Listen,

1066
00:52:56,120 --> 00:52:58,640
Speaker 8: this man is trying to get a logical question. He

1067
00:52:58,640 --> 00:53:00,879
Speaker 8: ain't come in all you nigga, What you talking about

1068
00:53:00,880 --> 00:53:03,200
Speaker 8: my dick? What you're talking about?

1069
00:53:03,239 --> 00:53:05,839
Speaker 7: When you get an explanation, why matter?

1070
00:53:05,960 --> 00:53:08,720
Speaker 4: Why you talking about my dick? Nigga? Why you talking

1071
00:53:08,719 --> 00:53:09,479
Speaker 4: about my dick?

1072
00:53:09,880 --> 00:53:11,640
Speaker 7: There's two men right, we're.

1073
00:53:11,520 --> 00:53:16,200
Speaker 8: Having We're talking about my dead asked you your question?

1074
00:53:17,480 --> 00:53:19,520
Speaker 4: With me about your dick.

1075
00:53:20,480 --> 00:53:23,120
Speaker 8: Man, you wanna you wanna interview another man about your dick?

1076
00:53:23,160 --> 00:53:24,359
Speaker 7: Why you so into my dick?

1077
00:53:24,800 --> 00:53:27,200
Speaker 1: Why is the why this nigga so into my deal?

1078
00:53:27,800 --> 00:53:29,560
Speaker 4: Why is this nigga so into my dick?

1079
00:53:29,680 --> 00:53:33,279
Speaker 1: He won't even let hate about your dick? About your dick?

1080
00:53:33,600 --> 00:53:36,920
Speaker 4: What's the interview? I asked about the clip I saw?

1081
00:53:37,840 --> 00:53:39,640
Speaker 1: He he hates bring it up.

1082
00:53:40,200 --> 00:53:42,160
Speaker 4: I think he's getting jealous of me and as his friendship.

1083
00:53:42,520 --> 00:53:42,800
Speaker 4: I don't know.

1084
00:53:42,840 --> 00:53:46,120
Speaker 8: I think this nigga might be getting jealous because.

1085
00:53:45,840 --> 00:53:47,920
Speaker 1: He was just asking me a basic question and he

1086
00:53:47,960 --> 00:53:48,319
Speaker 1: came on.

1087
00:53:49,920 --> 00:53:52,080
Speaker 4: And d We were having a normal I was saying,

1088
00:53:52,080 --> 00:53:54,920
Speaker 4: equipment sent me already, ask it off. Come on, my nigga,

1089
00:53:55,000 --> 00:53:56,040
Speaker 4: Let the man do his job.

1090
00:53:56,160 --> 00:53:59,239
Speaker 1: Let the man get the content. Listen, Let's let's get

1091
00:53:59,280 --> 00:54:01,160
Speaker 1: the content. Nig You the one, you.

1092
00:54:01,239 --> 00:54:05,160
Speaker 8: The one came in and said, hey, no no no

1093
00:54:05,280 --> 00:54:06,640
Speaker 8: no no no no no no no no no no

1094
00:54:06,640 --> 00:54:07,800
Speaker 8: no listen listen.

1095
00:54:07,960 --> 00:54:11,400
Speaker 1: This man was asking me a question. This man, nigga,

1096
00:54:11,480 --> 00:54:12,400
Speaker 1: you gay nigga.

1097
00:54:12,719 --> 00:54:16,320
Speaker 8: You into my dick though, but you into my disia.

1098
00:54:16,600 --> 00:54:19,720
Speaker 1: Watch the nigga you watch watch you know you.

1099
00:54:19,719 --> 00:54:21,080
Speaker 9: Gave nigga gay ass.

1100
00:54:21,200 --> 00:54:28,080
Speaker 1: Listen and yeah, big nigga, you came and John.

1101
00:54:27,800 --> 00:54:30,200
Speaker 4: Coming get you ain't gonna do, nigga, what you gonna do?

1102
00:54:32,080 --> 00:54:34,000
Speaker 1: What you gon do?

1103
00:54:34,960 --> 00:54:37,080
Speaker 10: I know what?

1104
00:54:36,440 --> 00:54:39,120
Speaker 8: Then I'm gonna what you gonna do?

1105
00:54:39,200 --> 00:54:41,000
Speaker 1: Bitch? You got you want to get you?

1106
00:54:41,120 --> 00:54:44,480
Speaker 2: I'm most praying to all Right, this is where it

1107
00:54:44,560 --> 00:54:49,840
Speaker 2: went left right. This is where things change. Nothing in

1108
00:54:49,880 --> 00:54:52,840
Speaker 2: the in the tone of the interview or the content

1109
00:54:53,480 --> 00:54:56,319
Speaker 2: gets into a weird place. This is what decision has

1110
00:54:56,360 --> 00:55:00,200
Speaker 2: to be made after this encounter. And that's why if

1111
00:55:00,200 --> 00:55:03,120
Speaker 2: there is a million dollars at play, a five hundred thousand,

1112
00:55:03,200 --> 00:55:06,719
Speaker 2: two hundred thousand, four hundred thousand, at some point you

1113
00:55:06,760 --> 00:55:10,359
Speaker 2: gotta say, this little altercation with this guy, what does

1114
00:55:10,400 --> 00:55:15,800
Speaker 2: that mean? Why is that happening? And then pay attention

1115
00:55:15,880 --> 00:55:19,120
Speaker 2: to Aiden when he stood up. This is the first

1116
00:55:19,160 --> 00:55:22,160
Speaker 2: thing that I said, Yo, that was wild because if

1117
00:55:22,160 --> 00:55:25,200
Speaker 2: you're listening to them and you're paying attention to them,

1118
00:55:25,480 --> 00:55:27,680
Speaker 2: you didn't just see Aiden take off running.

1119
00:55:29,719 --> 00:55:30,720
Speaker 1: Let's play that bang.

1120
00:55:31,080 --> 00:55:34,440
Speaker 2: There's Aiden, right, so he's Charleston about to stand up.

1121
00:55:34,480 --> 00:55:35,040
Speaker 1: Pay attention.

1122
00:55:37,080 --> 00:55:40,759
Speaker 8: YEAHA, you came in jail coming over your You ain't

1123
00:55:41,120 --> 00:55:41,839
Speaker 8: noth nigga, what you.

1124
00:55:41,760 --> 00:55:49,319
Speaker 2: Got Aiden Ross runs out out of frame. I also

1125
00:55:49,440 --> 00:55:52,279
Speaker 2: want to point out that Aiden Ross had security on deck.

1126
00:55:53,000 --> 00:55:57,800
Speaker 2: They've been instructed to protect only Aiden. These two motherfuckers

1127
00:55:57,880 --> 00:56:00,840
Speaker 2: right here can tag theyself up, killing each other, stab

1128
00:56:00,960 --> 00:56:03,600
Speaker 2: each other. But I bet a nigga won't touch Aiden,

1129
00:56:05,320 --> 00:56:08,600
Speaker 2: and I bet Aiden won't say, man, you wrong. That's

1130
00:56:08,640 --> 00:56:12,000
Speaker 2: really why probably Aiden won't take a side, because even

1131
00:56:12,040 --> 00:56:14,520
Speaker 2: if he played take a side, the security might take

1132
00:56:14,520 --> 00:56:17,680
Speaker 2: it wrong. But it's interesting to have those two guys,

1133
00:56:17,719 --> 00:56:21,800
Speaker 2: that that guy being from Chicago, Charleston White being someone

1134
00:56:21,840 --> 00:56:26,160
Speaker 2: that's talked horrible about Chicago. So we have to start

1135
00:56:26,200 --> 00:56:28,799
Speaker 2: to put together what we're looking at. Couple in the

1136
00:56:28,880 --> 00:56:34,120
Speaker 2: fact that the security has been instructed only to protect Aiden,

1137
00:56:35,400 --> 00:56:40,480
Speaker 2: also the fact that these two guys' ideologies don't mix,

1138
00:56:41,120 --> 00:56:44,400
Speaker 2: the fact that cameras are rolling is just a daily combination.

1139
00:56:45,680 --> 00:56:47,640
Speaker 2: But then I do have to put some blame on

1140
00:56:47,719 --> 00:56:50,839
Speaker 2: Charleston White because I bag up and say, Yo, how

1141
00:56:50,840 --> 00:56:53,160
Speaker 2: we even get here on day three of streaming. It

1142
00:56:53,160 --> 00:56:56,040
Speaker 2: ain't nobody gave nobody no money.

1143
00:56:57,200 --> 00:56:57,359
Speaker 7: Yo.

1144
00:56:57,440 --> 00:57:00,200
Speaker 2: Before then white boys would have sought me respectfully to

1145
00:57:00,280 --> 00:57:04,320
Speaker 2: my white people. I got being this with before anybody

1146
00:57:04,400 --> 00:57:11,279
Speaker 2: see me of that magnitude. YO, send me five hundred k.

1147
00:57:11,360 --> 00:57:13,840
Speaker 2: Let's get the deal done before you cut them cameras on.

1148
00:57:14,880 --> 00:57:16,960
Speaker 2: Because that's why I feel like I'm tricked at. You

1149
00:57:17,000 --> 00:57:20,960
Speaker 2: done cut them cameras on. You got this shit rolling

1150
00:57:21,040 --> 00:57:26,320
Speaker 2: fourteen hours, sixteen hours. You done cut them motherfucking cameras on,

1151
00:57:26,680 --> 00:57:29,160
Speaker 2: and you got me tricked up here talking about a deal.

1152
00:57:29,400 --> 00:57:32,080
Speaker 2: You got a deal from me and a deal going on,

1153
00:57:32,600 --> 00:57:36,080
Speaker 2: and for me to see Charleston, I really believe Charleston

1154
00:57:36,160 --> 00:57:40,920
Speaker 2: was genuinely happy. I think he was genuinely excited to

1155
00:57:40,960 --> 00:57:44,600
Speaker 2: work with Aiden Ross. He genuinely believed that, Yo, everybody

1156
00:57:45,080 --> 00:57:47,440
Speaker 2: left me today, left me for dead, and I just

1157
00:57:47,520 --> 00:57:49,720
Speaker 2: came up. This is gonna be a mean come up.

1158
00:57:49,760 --> 00:57:52,400
Speaker 2: He got the kids, he got a big platform, and

1159
00:57:52,440 --> 00:57:56,400
Speaker 2: he getting people chicks. So I think his faith in

1160
00:57:56,480 --> 00:57:59,720
Speaker 2: that made him go out there. But in this business,

1161
00:57:59,720 --> 00:58:02,840
Speaker 2: when you operate on faith, you lose every time. And

1162
00:58:02,960 --> 00:58:06,320
Speaker 2: Charleston took the long way. And he's taking the long

1163
00:58:06,360 --> 00:58:09,240
Speaker 2: way from what he said from some of the relationships

1164
00:58:09,240 --> 00:58:10,080
Speaker 2: he's made is ruined.

1165
00:58:10,560 --> 00:58:10,760
Speaker 1: Right.

1166
00:58:10,840 --> 00:58:14,880
Speaker 2: He's making money, but he's legitimately taking the long route.

1167
00:58:15,000 --> 00:58:17,120
Speaker 2: When you look at the Live Nation thing and how

1168
00:58:17,120 --> 00:58:20,720
Speaker 2: they're trying to handle him on that tour. They're not

1169
00:58:20,840 --> 00:58:24,960
Speaker 2: handling him with the draw that he is. He's probably

1170
00:58:24,960 --> 00:58:27,360
Speaker 2: the one of the more famous people in black culture

1171
00:58:27,440 --> 00:58:34,280
Speaker 2: right now. But they have just they've ostracized all businesses

1172
00:58:34,440 --> 00:58:39,600
Speaker 2: surrounding the fame. And so what he's able to do

1173
00:58:39,720 --> 00:58:42,920
Speaker 2: is make money. Now he know how to circumvent the process,

1174
00:58:42,960 --> 00:58:45,160
Speaker 2: and he know how to sell shirts and do comedy

1175
00:58:45,160 --> 00:58:49,160
Speaker 2: and do interviews and this and that, because there is

1176
00:58:49,240 --> 00:58:52,680
Speaker 2: another level, and I think playing with Aiden Ross, you

1177
00:58:52,720 --> 00:58:56,360
Speaker 2: can get in that place where they really put that

1178
00:58:56,480 --> 00:59:00,439
Speaker 2: sweep on your name and they cut that finance off.

1179
00:59:00,920 --> 00:59:01,760
Speaker 1: How do they do that?

1180
00:59:01,840 --> 00:59:02,080
Speaker 4: Long?

1181
00:59:02,920 --> 00:59:05,680
Speaker 1: What they'll do is they'll make your name radioactive.

1182
00:59:05,800 --> 00:59:09,400
Speaker 2: Right now, it's probably a little it's probably yellow right

1183
00:59:09,440 --> 00:59:12,000
Speaker 2: now where it's like he might say something. But once

1184
00:59:12,040 --> 00:59:15,400
Speaker 2: they make it red, like what Farak Kahan and Alex

1185
00:59:15,480 --> 00:59:20,320
Speaker 2: Jones and Andrew Tayting all those guys went through. Once

1186
00:59:20,360 --> 00:59:23,080
Speaker 2: they make it red, these people who you think your

1187
00:59:23,120 --> 00:59:26,720
Speaker 2: friends in the streaming world in its content space, these

1188
00:59:26,720 --> 00:59:30,880
Speaker 2: interview guys, they're gonna beild out because if they have

1189
00:59:31,000 --> 00:59:33,640
Speaker 2: to pay you ten thousand dollars for a interview, and

1190
00:59:33,680 --> 00:59:37,560
Speaker 2: then when they uploaded it immediately says not able to

1191
00:59:37,600 --> 00:59:41,600
Speaker 2: be monetized in any way shape form, then it's a

1192
00:59:41,640 --> 00:59:44,280
Speaker 2: loss of investment and they done heard you talk too

1193
00:59:44,360 --> 00:59:46,400
Speaker 2: much at this point to continue to pay that.

1194
00:59:47,720 --> 00:59:49,800
Speaker 1: But they haven't put it in that rig yet.

1195
00:59:50,400 --> 00:59:52,800
Speaker 2: I think the back and forth with Aden, depending on

1196
00:59:52,840 --> 00:59:57,200
Speaker 2: how it goes, they flirt with that idea. But again,

1197
00:59:57,400 --> 01:00:02,960
Speaker 2: I believe Charleston was tricked in the going up down.

1198
01:00:03,480 --> 01:00:06,440
Speaker 1: I know what he do, then I'm gonna know, Bro.

1199
01:00:06,560 --> 01:00:07,600
Speaker 7: Then I'm gonna what you gonna do.

1200
01:00:07,720 --> 01:00:09,360
Speaker 1: Bitch. You got a mazy you want to get what

1201
01:00:09,440 --> 01:00:10,600
Speaker 1: you almost.

1202
01:00:10,320 --> 01:00:12,000
Speaker 7: Brand to tee talking.

1203
01:00:12,040 --> 01:00:14,760
Speaker 4: Jigga almost bragged like you gonna do something. Nigga, You're

1204
01:00:14,760 --> 01:00:17,000
Speaker 4: gonna do a motherfucking thing. I know how to.

1205
01:00:17,280 --> 01:00:18,080
Speaker 1: Situation from that.

1206
01:00:18,480 --> 01:00:20,920
Speaker 4: I'm not going fuck bro, come on, you just tell

1207
01:00:21,000 --> 01:00:21,919
Speaker 4: him and jumped in the southing.

1208
01:00:22,160 --> 01:00:23,760
Speaker 1: Ain't got nothing to do with Nigga did.

1209
01:00:25,680 --> 01:00:27,800
Speaker 7: It's just not that serious, bro, None of that ship

1210
01:00:27,920 --> 01:00:28,280
Speaker 7: is serious.

1211
01:00:28,280 --> 01:00:29,840
Speaker 1: Bros playing with the maxic Nigga.

1212
01:00:29,840 --> 01:00:30,760
Speaker 7: Ain't threating you, Nigga.

1213
01:00:30,800 --> 01:00:33,720
Speaker 1: I'm just saying, look look at he didn't think he's

1214
01:00:33,760 --> 01:00:35,400
Speaker 1: sleek man the ship?

1215
01:00:37,000 --> 01:00:39,400
Speaker 4: Me, what did I do? I jumped out of the ship.

1216
01:00:39,600 --> 01:00:41,400
Speaker 1: Come on home. He got Mason, he got hard the

1217
01:00:41,440 --> 01:00:43,040
Speaker 1: man you come jump in the sun.

1218
01:00:43,080 --> 01:00:44,800
Speaker 8: Ain't got no man to saying nigga with that ma

1219
01:00:45,040 --> 01:00:47,080
Speaker 8: say homey he booked me to come here, lot to.

1220
01:00:47,680 --> 01:00:48,400
Speaker 1: Nig puk me to.

1221
01:00:48,520 --> 01:00:50,160
Speaker 10: I don't you wanna fuck? But you ain't the nigga

1222
01:00:50,600 --> 01:00:51,000
Speaker 10: talking to me.

1223
01:00:51,240 --> 01:00:55,840
Speaker 8: You ain't the nigga chases all tasting ding to that camma.

1224
01:00:55,880 --> 01:00:57,960
Speaker 4: Come on, ain't building that day?

1225
01:00:58,080 --> 01:01:02,200
Speaker 7: Not a day ship.

1226
01:01:01,440 --> 01:01:06,200
Speaker 1: BROA nigga fucks playing this.

1227
01:01:06,440 --> 01:01:09,040
Speaker 4: I'm playing dirty now, okay.

1228
01:01:08,840 --> 01:01:09,640
Speaker 1: What the fun?

1229
01:01:09,760 --> 01:01:11,000
Speaker 4: Bro, Let's go come away.

1230
01:01:11,760 --> 01:01:13,320
Speaker 1: Let me go about the face like, let's bed for

1231
01:01:13,400 --> 01:01:13,960
Speaker 1: my damns.

1232
01:01:14,040 --> 01:01:14,360
Speaker 4: And I'm.

1233
01:01:16,920 --> 01:01:18,040
Speaker 7: Jesus fucking Christ.

1234
01:01:18,160 --> 01:01:20,360
Speaker 10: I got a board and laces, nigga dons and everything.

1235
01:01:20,440 --> 01:01:21,320
Speaker 10: Nigga I got gone.

1236
01:01:21,400 --> 01:01:27,480
Speaker 9: That don't mean my man. I got that nigga.

1237
01:01:28,360 --> 01:01:29,080
Speaker 4: We'll leave it right now.

1238
01:01:29,160 --> 01:01:31,640
Speaker 7: I got you know this nigga?

1239
01:01:32,040 --> 01:01:32,800
Speaker 3: What rice bro?

1240
01:01:33,000 --> 01:01:34,040
Speaker 4: And yeah, tough.

1241
01:01:33,920 --> 01:01:36,280
Speaker 10: Niggers click top nigga going to the room.

1242
01:01:38,120 --> 01:01:40,200
Speaker 7: Bro, what the don't come to the room.

1243
01:01:40,280 --> 01:01:45,520
Speaker 10: Big Donlli's alright, d.

1244
01:01:47,200 --> 01:01:51,920
Speaker 9: Man, you get around that makes up with my dead nigga.

1245
01:01:51,960 --> 01:01:54,840
Speaker 7: You ain't gon tough your don in no fi quit

1246
01:01:55,160 --> 01:01:55,600
Speaker 7: in the singing.

1247
01:01:55,640 --> 01:01:57,840
Speaker 11: You go to the room, So I go to the room, Sir,

1248
01:01:58,360 --> 01:02:02,520
Speaker 11: I go to the room, So go to the room,

1249
01:02:02,520 --> 01:02:05,800
Speaker 11: going to the room, So go to the room.

1250
01:02:05,840 --> 01:02:11,840
Speaker 4: And so it's just get too far, bro, just because

1251
01:02:11,840 --> 01:02:12,440
Speaker 4: we're the whole town.

1252
01:02:12,440 --> 01:02:12,919
Speaker 7: There's kids.

1253
01:02:12,920 --> 01:02:21,080
Speaker 4: Bro, I'm literally trying not how do you get caught up?

1254
01:02:21,520 --> 01:02:23,360
Speaker 1: So this is what Charleston is switching.

1255
01:02:23,400 --> 01:02:23,520
Speaker 3: Now.

1256
01:02:23,600 --> 01:02:27,800
Speaker 2: Pay attention to Charles and just watching right now he's saying, damn,

1257
01:02:28,440 --> 01:02:30,680
Speaker 2: he was finna walk off and he turned back around

1258
01:02:33,360 --> 01:02:35,400
Speaker 2: and now I think he's computing in his head down

1259
01:02:35,440 --> 01:02:36,840
Speaker 2: what the little nigga finna try to do?

1260
01:02:36,960 --> 01:02:38,680
Speaker 1: What is he doing? What's going on?

1261
01:02:39,800 --> 01:02:42,280
Speaker 2: See, embarrassment is a lot to deal with, but a

1262
01:02:42,360 --> 01:02:43,920
Speaker 2: weapon is a lot to run up on.

1263
01:02:45,960 --> 01:02:47,880
Speaker 1: And trust me, I tell.

1264
01:02:47,680 --> 01:02:50,560
Speaker 2: My old lady whoever I'm dating these women, like, keep

1265
01:02:50,600 --> 01:02:53,480
Speaker 2: you some mace, all that ship work, man, that's ship

1266
01:02:53,560 --> 01:02:54,880
Speaker 2: to get a nigga ass off for you.

1267
01:02:55,000 --> 01:02:55,160
Speaker 1: Man.

1268
01:02:56,040 --> 01:02:58,560
Speaker 2: In real life, I tell my mama, you know, I

1269
01:02:58,640 --> 01:03:01,880
Speaker 2: keep hugging like certain things like, bro, keep this, keep that,

1270
01:03:02,120 --> 01:03:04,640
Speaker 2: make sure you got this the little bitty gun.

1271
01:03:04,720 --> 01:03:06,760
Speaker 1: Can't nobody really see you can handle it?

1272
01:03:07,080 --> 01:03:09,800
Speaker 2: You know what I'm saying, Like because you need things

1273
01:03:09,880 --> 01:03:11,560
Speaker 2: and people respect danger.

1274
01:03:12,120 --> 01:03:15,120
Speaker 1: Don't let these tattools full your gold chains.

1275
01:03:15,200 --> 01:03:19,800
Speaker 2: These niggas with all this attitude and no gratitude, nigga,

1276
01:03:19,840 --> 01:03:23,920
Speaker 2: they scared of danger. Let it get dangerous right now, Nigga,

1277
01:03:24,480 --> 01:03:28,400
Speaker 2: these boy gonna go to running. But you see right

1278
01:03:28,440 --> 01:03:31,200
Speaker 2: now Charleston White switching his narrative and switching how he

1279
01:03:31,320 --> 01:03:31,760
Speaker 2: looking at it.

1280
01:03:31,840 --> 01:03:32,400
Speaker 1: Pay attention.

1281
01:03:35,840 --> 01:03:37,800
Speaker 4: I'm literally trying not have you get caught up in here.

1282
01:03:37,800 --> 01:03:43,200
Speaker 4: Bro to casino Bro' ride with you, no matter what

1283
01:03:43,200 --> 01:03:44,240
Speaker 4: what youre you gonna do, get his s face and

1284
01:03:44,240 --> 01:03:48,080
Speaker 4: punch them do rolling?

1285
01:03:48,080 --> 01:03:52,160
Speaker 1: Whoa hold on? Run that back.

1286
01:03:53,960 --> 01:03:59,640
Speaker 4: It's just get too far, bro, just because we're the

1287
01:03:59,640 --> 01:04:07,800
Speaker 4: whole time, there's kids broun. I'm literally trying to not

1288
01:04:07,960 --> 01:04:09,560
Speaker 4: have you get caught up in here. Bro to casino

1289
01:04:09,600 --> 01:04:12,240
Speaker 4: Bro and Ron you know I'm right with you no

1290
01:04:12,240 --> 01:04:14,680
Speaker 4: matter what. No, I started out, what are you gonna

1291
01:04:14,680 --> 01:04:16,320
Speaker 4: do getting his face and punch him you wanna do?

1292
01:04:16,920 --> 01:04:17,959
Speaker 1: Not the nigga he's rolling.

1293
01:04:19,280 --> 01:04:22,400
Speaker 2: So you heard aiden Ross right there communicate to his buddy,

1294
01:04:22,400 --> 01:04:23,720
Speaker 2: I'm round with you no matter what.

1295
01:04:23,800 --> 01:04:25,560
Speaker 1: Now that that's what lords, it looks like.

1296
01:04:26,120 --> 01:04:28,360
Speaker 2: The more interesting thing I grabbed from that is that

1297
01:04:28,480 --> 01:04:32,560
Speaker 2: Charleston White is probably twenty feet away, thirty feet away.

1298
01:04:32,600 --> 01:04:36,160
Speaker 2: He has no idea that's being said. But Aiden still

1299
01:04:36,200 --> 01:04:38,960
Speaker 2: miked up the camera, still alone, Charleston probably over there

1300
01:04:39,000 --> 01:04:40,800
Speaker 2: thinking damn, he might be checking this guy.

1301
01:04:40,880 --> 01:04:43,520
Speaker 1: But what he really over telling me I'm round with

1302
01:04:43,560 --> 01:04:44,360
Speaker 1: you no matter what.

1303
01:04:46,400 --> 01:04:49,040
Speaker 2: Because Aiden dealing with a black man, mad, I think,

1304
01:04:49,120 --> 01:04:51,680
Speaker 2: don't matter the shape shies and none of the black

1305
01:04:51,760 --> 01:04:54,120
Speaker 2: man is just uncomfortable. I think I take him to

1306
01:04:54,200 --> 01:04:59,160
Speaker 2: be non confrontational. You know, for me, there's a point

1307
01:04:59,240 --> 01:05:02,200
Speaker 2: where I understand that there's something to lose, so I

1308
01:05:02,200 --> 01:05:04,960
Speaker 2: don't want to be confrontational. But once I accept that

1309
01:05:05,640 --> 01:05:08,120
Speaker 2: we about to go to the darkness about this or

1310
01:05:08,160 --> 01:05:11,800
Speaker 2: we but something violence. But I can that's cool, let's

1311
01:05:11,800 --> 01:05:15,480
Speaker 2: get that. But I think he's somebody that's non confrontational.

1312
01:05:15,520 --> 01:05:17,800
Speaker 2: It's like, nah, I really don't want to look at me.

1313
01:05:17,840 --> 01:05:19,520
Speaker 2: I'm around with you. I've been knowing you long. I

1314
01:05:19,560 --> 01:05:22,360
Speaker 2: know it look right that I'm riding with you. But

1315
01:05:22,400 --> 01:05:26,120
Speaker 2: that energy also doesn't diffuse the situation. And a man

1316
01:05:26,200 --> 01:05:28,560
Speaker 2: as myself, I would have looked at both of them

1317
01:05:28,600 --> 01:05:31,040
Speaker 2: niggas and say, y'all know, y'all nigga. Know y'all can't

1318
01:05:31,120 --> 01:05:33,520
Speaker 2: do this with all that money on the line. Huh

1319
01:05:33,800 --> 01:05:37,960
Speaker 2: on my face, card man, it better not be a man.

1320
01:05:39,120 --> 01:05:41,760
Speaker 2: That would have been my vibration. But that's a kid.

1321
01:05:42,080 --> 01:05:45,400
Speaker 2: So again, my question still remains, why it's Charston White

1322
01:05:45,480 --> 01:05:48,840
Speaker 2: up there with the little kid. The little kid put

1323
01:05:48,960 --> 01:05:54,520
Speaker 2: Charleston White in this situation. But before I deal with

1324
01:05:54,600 --> 01:05:56,440
Speaker 2: any of that, I want to deal with the reaction

1325
01:05:56,560 --> 01:05:59,560
Speaker 2: to this. So you hear Aiden say, Yo, you my guy,

1326
01:05:59,600 --> 01:06:03,280
Speaker 2: I'm round with you, right or wrong. Charleston don't understand that,

1327
01:06:03,560 --> 01:06:05,240
Speaker 2: but give him about five minutes.

1328
01:06:05,280 --> 01:06:10,400
Speaker 1: It'll set in that Yo. Damn. Seemed like something ain't right.

1329
01:06:10,760 --> 01:06:11,360
Speaker 1: Pay attention.

1330
01:06:12,680 --> 01:06:15,200
Speaker 4: I'm I can't get a word in, Bro. I can't

1331
01:06:15,200 --> 01:06:16,720
Speaker 4: even get a word in prime. I think you guys

1332
01:06:17,080 --> 01:06:18,600
Speaker 4: let me you're talking right over there. You can't get

1333
01:06:18,600 --> 01:06:25,000
Speaker 4: a word in bro, start calling out. Now.

1334
01:06:25,080 --> 01:06:27,440
Speaker 2: You also gonna hear Charleston White in the background, So

1335
01:06:27,480 --> 01:06:30,080
Speaker 2: pay attention to what both people are saying. This is

1336
01:06:30,120 --> 01:06:33,560
Speaker 2: almost like fight corners, where you hear this person over here,

1337
01:06:33,600 --> 01:06:36,080
Speaker 2: you hear what his thinking process is. It's like, what

1338
01:06:36,120 --> 01:06:38,200
Speaker 2: the fuck? And then over here you got the guy.

1339
01:06:38,240 --> 01:06:41,320
Speaker 2: It booked both of us because he's a child and

1340
01:06:41,360 --> 01:06:43,120
Speaker 2: he ain't a real he ain't a man, so you

1341
01:06:43,160 --> 01:06:45,760
Speaker 2: don't know how to even handle conflict. So he over

1342
01:06:45,800 --> 01:06:49,280
Speaker 2: here really don't know that that's aiding to homeboy not

1343
01:06:49,440 --> 01:06:52,240
Speaker 2: calming down. All he gotta tell dude is, bro, if

1344
01:06:52,240 --> 01:06:54,160
Speaker 2: you don't calm down, I can't fuck with you. Bro,

1345
01:06:54,200 --> 01:06:56,840
Speaker 2: you're running me hot. I can't fuck with you ever.

1346
01:06:57,400 --> 01:07:01,480
Speaker 2: Dude gonna shut up because that opportunity means to him.

1347
01:07:01,720 --> 01:07:03,160
Speaker 2: But he come over and I'm round with you.

1348
01:07:03,200 --> 01:07:03,320
Speaker 4: Bro.

1349
01:07:03,480 --> 01:07:05,000
Speaker 1: Look, I'm on your side no matter what.

1350
01:07:05,040 --> 01:07:05,240
Speaker 3: Bro.

1351
01:07:05,840 --> 01:07:08,280
Speaker 2: D he just he thought he trying to appease him.

1352
01:07:08,280 --> 01:07:11,440
Speaker 2: It's something about that. It seemed like he give him

1353
01:07:11,440 --> 01:07:14,000
Speaker 2: that some kind of way, trying to appease him. But

1354
01:07:14,080 --> 01:07:17,320
Speaker 2: that leans fuel to the fire. Same time we got

1355
01:07:17,400 --> 01:07:20,160
Speaker 2: charged in white on the other side. Why he's so

1356
01:07:20,360 --> 01:07:21,400
Speaker 2: mad pay attention.

1357
01:07:21,840 --> 01:07:22,960
Speaker 1: I thought, call him a hut character.

1358
01:07:23,000 --> 01:07:23,760
Speaker 4: That's when it escalated.

1359
01:07:23,920 --> 01:07:27,520
Speaker 7: Bro in Bro, I'm trying to make him neutral, neutral bro.

1360
01:07:27,800 --> 01:07:28,600
Speaker 4: Niggas the niggas.

1361
01:07:28,600 --> 01:07:29,960
Speaker 7: Bro, it wasn't no proper for you called me on

1362
01:07:29,960 --> 01:07:30,320
Speaker 7: my character.

1363
01:07:30,480 --> 01:07:32,520
Speaker 4: I swear to God right, we're all joking about the diction.

1364
01:07:32,800 --> 01:07:34,720
Speaker 8: The start calling me a fake rod and a fake

1365
01:07:34,800 --> 01:07:37,000
Speaker 8: ass niggas, And I said, Bro, you a fake ass nigga.

1366
01:07:37,040 --> 01:07:40,320
Speaker 2: That's also I want to put in the context that,

1367
01:07:40,480 --> 01:07:44,160
Speaker 2: in my opinion, after watching his back, what changed the conversation,

1368
01:07:44,280 --> 01:07:47,680
Speaker 2: in my opinion, is when Aiden said, Yo, come on, Prime,

1369
01:07:47,760 --> 01:07:48,880
Speaker 2: you send me your dick.

1370
01:07:50,080 --> 01:07:50,320
Speaker 1: Now.

1371
01:07:50,360 --> 01:07:53,520
Speaker 2: He he lost now, but he'll be tad da da dad.

1372
01:07:53,800 --> 01:07:54,640
Speaker 2: Just change this thing.

1373
01:07:54,760 --> 01:07:54,920
Speaker 12: Now.

1374
01:07:54,960 --> 01:07:58,000
Speaker 2: Those two guys that fuels went up and it went

1375
01:07:58,120 --> 01:07:59,400
Speaker 2: to them and then he got out the way.

1376
01:07:59,520 --> 01:07:59,960
Speaker 1: Pay attention.

1377
01:08:00,120 --> 01:08:02,240
Speaker 7: I didn't call him this, I get it.

1378
01:08:02,280 --> 01:08:03,200
Speaker 1: My nigga started with me.

1379
01:08:03,240 --> 01:08:07,920
Speaker 8: Bro, fucking old ass, bitch ass nigga, paper pussies, your papus,

1380
01:08:10,560 --> 01:08:11,280
Speaker 8: that's your lane.

1381
01:08:11,320 --> 01:08:13,240
Speaker 4: Bro, God damn Bro, what the fuck?

1382
01:08:13,360 --> 01:08:14,280
Speaker 3: Bro?

1383
01:08:16,600 --> 01:08:20,280
Speaker 8: He got make your heard you so bitch my phone Brook?

1384
01:08:20,720 --> 01:08:25,040
Speaker 4: Just like anyway, it's one of those things. Yeah, I'm

1385
01:08:25,240 --> 01:08:28,439
Speaker 4: checking him. Can I be honest, Bro, I'm gonna try

1386
01:08:28,479 --> 01:08:31,000
Speaker 4: to talk talk this through. What he is so pushing them.

1387
01:08:31,400 --> 01:08:33,600
Speaker 4: It's one of those things that makes me bro on

1388
01:08:33,680 --> 01:08:34,120
Speaker 4: my big home.

1389
01:08:36,880 --> 01:08:41,040
Speaker 1: What he getting so mad fast? All right? You hear Charleston.

1390
01:08:41,200 --> 01:08:44,919
Speaker 2: Now this is so important because even though you hear Charleston,

1391
01:08:45,000 --> 01:08:47,000
Speaker 2: you don't know that he's thirty feet away.

1392
01:08:47,280 --> 01:08:49,560
Speaker 1: So these are two different mindsets.

1393
01:08:49,600 --> 01:08:52,439
Speaker 2: In one time, you got Aiding and Prime over here,

1394
01:08:52,600 --> 01:08:54,800
Speaker 2: and Prim I knocked this nigga out, such u Sup

1395
01:08:55,000 --> 01:08:56,760
Speaker 2: and Aiden basically I'm round with you, bro.

1396
01:08:56,880 --> 01:08:58,880
Speaker 1: Look Prime, just calm down. But I'm round with you.

1397
01:08:59,200 --> 01:09:01,439
Speaker 2: And I think because cause he's a young dude, he

1398
01:09:01,520 --> 01:09:03,280
Speaker 2: don't really understand what that does.

1399
01:09:04,400 --> 01:09:08,400
Speaker 1: They don't put the file. They say, boss man, round

1400
01:09:08,400 --> 01:09:08,640
Speaker 1: with me.

1401
01:09:08,720 --> 01:09:13,280
Speaker 2: If he do go down, that's what kind of confidence

1402
01:09:13,320 --> 01:09:15,519
Speaker 2: they put up under that. But you know, I give

1403
01:09:15,600 --> 01:09:17,800
Speaker 2: him twenty two, so I don't know if you know that.

1404
01:09:18,000 --> 01:09:21,440
Speaker 2: But unintentional, damn it. You still have to be accredited.

1405
01:09:21,720 --> 01:09:26,680
Speaker 2: But pay attention to Charleston in real time looking at

1406
01:09:26,720 --> 01:09:30,639
Speaker 2: this and saying, Yo, everybody's over there holding him back.

1407
01:09:31,600 --> 01:09:32,759
Speaker 1: I don't know what he owned.

1408
01:09:32,760 --> 01:09:34,559
Speaker 2: We then already got to the point where it's my

1409
01:09:34,720 --> 01:09:38,720
Speaker 2: second time pulling the weapon out on this duel. At

1410
01:09:38,760 --> 01:09:45,160
Speaker 2: one point do we try me pay attentions like.

1411
01:09:46,000 --> 01:09:55,240
Speaker 8: Bronck down, don't say that ship of camera?

1412
01:09:55,360 --> 01:10:00,000
Speaker 10: He feel me.

1413
01:10:00,040 --> 01:10:01,120
Speaker 4: Not doing that ship run anymore?

1414
01:10:01,520 --> 01:10:04,400
Speaker 3: My dude, just listen.

1415
01:10:04,520 --> 01:10:07,360
Speaker 4: I just want everyone to come. Yeah, you're in a

1416
01:10:07,400 --> 01:10:08,679
Speaker 4: hotel of kids and cameras everywhere.

1417
01:10:08,680 --> 01:10:09,479
Speaker 7: That's what I'm trying to tell.

1418
01:10:09,400 --> 01:10:12,320
Speaker 4: You Roy.

1419
01:10:12,600 --> 01:10:13,080
Speaker 3: Here to go back.

1420
01:10:13,880 --> 01:10:15,719
Speaker 4: Yeah, there's no pooint.

1421
01:10:16,080 --> 01:10:18,920
Speaker 7: Everyone got a chip, everybody, Yes, ma'am.

1422
01:10:18,920 --> 01:10:21,360
Speaker 4: I'm every thing. I know he is. It's a conversation

1423
01:10:21,400 --> 01:10:23,200
Speaker 4: that escalated for no reason at all, I promise you,

1424
01:10:23,240 --> 01:10:25,719
Speaker 4: because he's not talking about my character. Yeah, about the Shiite,

1425
01:10:27,720 --> 01:10:29,920
Speaker 4: it's not that's how he speaks. And I'm not defending him.

1426
01:10:29,920 --> 01:10:31,960
Speaker 4: I'm just saying to tell me I'm with you. I'm

1427
01:10:31,960 --> 01:10:33,599
Speaker 4: on it all right, Bro. I'm I'm gona walking away. Bro,

1428
01:10:33,600 --> 01:10:34,920
Speaker 4: I'm not. I'm not doing this ship either, Bro with you.

1429
01:10:34,960 --> 01:10:35,960
Speaker 4: I'm not doing that ship with you either.

1430
01:10:35,960 --> 01:10:36,120
Speaker 9: Bro.

1431
01:10:36,960 --> 01:10:38,559
Speaker 4: Fuck out here, Bro, trying to make this ship neutral.

1432
01:10:38,640 --> 01:10:42,200
Speaker 4: Ship funk out of here. It's obviously basket content. I

1433
01:10:42,200 --> 01:10:43,760
Speaker 4: texted Centrist in this stream, I don't want to deal

1434
01:10:43,760 --> 01:10:44,320
Speaker 4: with this ship right now.

1435
01:10:44,360 --> 01:10:50,760
Speaker 13: Bro, he threaten you twice for me, say, man, why

1436
01:10:50,840 --> 01:10:57,000
Speaker 13: is he still doing out there talking ships?

1437
01:10:57,000 --> 01:11:00,000
Speaker 4: So fucking nah cha. I just told him to just

1438
01:11:00,040 --> 01:11:03,200
Speaker 4: to just pause. It's just too controversial.

1439
01:11:03,200 --> 01:11:05,040
Speaker 7: Bro's too fucking controversial.

1440
01:11:05,080 --> 01:11:09,559
Speaker 4: Bro. I'm not trying to cut it, but it's like Thart, Bro,

1441
01:11:09,920 --> 01:11:13,440
Speaker 4: whole day's ruin. How ship playing with them, it's embarrassing

1442
01:11:13,439 --> 01:11:16,000
Speaker 4: to do in front of a fucking casino kids walking

1443
01:11:16,040 --> 01:11:19,760
Speaker 4: around the ship. It's just a conversation that didn't need

1444
01:11:19,840 --> 01:11:29,640
Speaker 4: to bro I don't want to I'm good around. I

1445
01:11:29,640 --> 01:11:30,160
Speaker 4: don't want to hear it.

1446
01:11:30,240 --> 01:11:41,519
Speaker 2: Now now again, I want you to pay attention because

1447
01:11:42,280 --> 01:11:45,760
Speaker 2: Charleston White in real time, you see him. Listen, all right,

1448
01:11:46,400 --> 01:11:50,559
Speaker 2: this is an important interaction. Charleston White has been sitting

1449
01:11:50,600 --> 01:11:52,880
Speaker 2: on their bench over there for about the last six

1450
01:11:53,000 --> 01:11:59,519
Speaker 2: minutes contemplating in his mind. Damn, what the fuck out

1451
01:11:59,520 --> 01:12:03,040
Speaker 2: of everything I'm saying like these This is a twenty

1452
01:12:03,080 --> 01:12:04,960
Speaker 2: two year old white boy. Got me up, and they've

1453
01:12:04,960 --> 01:12:07,160
Speaker 2: been talking dick and puts his shit all day.

1454
01:12:07,520 --> 01:12:08,840
Speaker 1: They've been doing all this shit.

1455
01:12:08,920 --> 01:12:12,639
Speaker 2: Now you got a nigga mad fight mad for the

1456
01:12:12,680 --> 01:12:17,000
Speaker 2: second time to where they contemplate ruin in the stream,

1457
01:12:17,400 --> 01:12:19,680
Speaker 2: Aden jump out the way. All this is happened in

1458
01:12:19,720 --> 01:12:24,679
Speaker 2: real time, Like I can tell, see man pay attention

1459
01:12:24,800 --> 01:12:27,519
Speaker 2: right before they're charging White in his mind, I'm here

1460
01:12:27,560 --> 01:12:28,360
Speaker 2: with Aiden.

1461
01:12:28,080 --> 01:12:29,960
Speaker 1: I'm the nigga. He booked me.

1462
01:12:30,080 --> 01:12:33,679
Speaker 2: He don't know the boy booked him too. So again,

1463
01:12:34,000 --> 01:12:35,920
Speaker 2: this is a twenty two year old white boy. He

1464
01:12:35,960 --> 01:12:40,559
Speaker 2: ain't really treating y'all like content creators. He really treats

1465
01:12:41,360 --> 01:12:45,200
Speaker 2: content creators under him in his brain. He treats them

1466
01:12:45,280 --> 01:12:48,840
Speaker 2: like he treat them a little bit better than fans

1467
01:12:49,280 --> 01:12:51,599
Speaker 2: because Aid and Ross do this to his fans. Fly

1468
01:12:51,760 --> 01:12:53,679
Speaker 2: him out, take him shop, and put them on camera

1469
01:12:53,720 --> 01:12:56,639
Speaker 2: on stream with me all day Like that's some fans shit.

1470
01:12:58,040 --> 01:13:00,800
Speaker 2: So if we discuss it a deal, don't lock me

1471
01:13:00,880 --> 01:13:03,360
Speaker 2: in as a fan. That's like inviting me to the

1472
01:13:03,400 --> 01:13:06,360
Speaker 2: show and got me in the crowd. Let me get

1473
01:13:06,360 --> 01:13:09,120
Speaker 2: the full experience if you If you invite me to

1474
01:13:09,160 --> 01:13:11,439
Speaker 2: the show and it's your thing, like and it's on

1475
01:13:11,479 --> 01:13:12,160
Speaker 2: some business.

1476
01:13:12,200 --> 01:13:13,240
Speaker 1: We got business together.

1477
01:13:13,320 --> 01:13:15,439
Speaker 2: We even thinking about doing business, so we got that

1478
01:13:15,560 --> 01:13:18,760
Speaker 2: kind of relationship together. You get what I'm saying. So

1479
01:13:19,600 --> 01:13:22,719
Speaker 2: Aiden really got those guys up there. He got Charleston

1480
01:13:22,760 --> 01:13:24,760
Speaker 2: thinking it's about a deal, which he can make a

1481
01:13:24,800 --> 01:13:29,599
Speaker 2: deal happen. But damn, you brought this other dude up

1482
01:13:29,600 --> 01:13:32,439
Speaker 2: here almost like almost like a WWE match, and here

1483
01:13:32,479 --> 01:13:35,080
Speaker 2: a referee. Not that he want him to fight, but

1484
01:13:35,120 --> 01:13:37,200
Speaker 2: this this is just the stream for the next couple

1485
01:13:37,240 --> 01:13:38,960
Speaker 2: of days, just the stream.

1486
01:13:39,040 --> 01:13:41,320
Speaker 1: We just streaming, because that's more important than y'all.

1487
01:13:41,320 --> 01:13:43,600
Speaker 2: That's why every time they saw Charleston Whitey had a

1488
01:13:43,680 --> 01:13:46,240
Speaker 2: mic on how we gonna talk being his deals and

1489
01:13:46,280 --> 01:13:48,080
Speaker 2: every time I see you for they even showed me

1490
01:13:48,120 --> 01:13:52,720
Speaker 2: where you wet. They micd me up. They don't put

1491
01:13:52,760 --> 01:13:55,719
Speaker 2: the boy in the trick bag. They had to send

1492
01:13:55,800 --> 01:13:58,240
Speaker 2: me literally a deal that I could have took my

1493
01:13:58,360 --> 01:13:59,680
Speaker 2: lawyer for half a me for.

1494
01:13:59,760 --> 01:14:00,840
Speaker 1: We got on stream.

1495
01:14:00,880 --> 01:14:04,400
Speaker 2: I ain't flying nowhere, brother, But he didn't know they

1496
01:14:04,400 --> 01:14:07,080
Speaker 2: played the streaming game with the camera running all day.

1497
01:14:07,840 --> 01:14:11,040
Speaker 2: He ain't know that, but I know that. But they

1498
01:14:11,080 --> 01:14:15,240
Speaker 2: played the streaming game. But in this moment, Charleston white

1499
01:14:15,320 --> 01:14:18,519
Speaker 2: is trying to figure out, Man, this might not. They

1500
01:14:18,520 --> 01:14:20,840
Speaker 2: treat me like a fan. This ain't. They ain't treat

1501
01:14:20,880 --> 01:14:23,760
Speaker 2: me like the content creator. Then I just found out

1502
01:14:23,800 --> 01:14:26,920
Speaker 2: you booked him too. So the whole time I'm thinking

1503
01:14:27,520 --> 01:14:29,920
Speaker 2: he just a fan of one of your people. You

1504
01:14:30,000 --> 01:14:32,160
Speaker 2: done booked him to come up here, and now he

1505
01:14:32,320 --> 01:14:34,760
Speaker 2: telling you about me, saying something to oh, this is

1506
01:14:34,760 --> 01:14:39,400
Speaker 2: a trick play. This may not be by no deal.

1507
01:14:39,520 --> 01:14:41,280
Speaker 2: They trying to make a mockery of the nigga that

1508
01:14:41,360 --> 01:14:43,920
Speaker 2: make mocarel niggas.

1509
01:14:44,640 --> 01:14:45,160
Speaker 1: Pay attention.

1510
01:14:46,960 --> 01:14:49,680
Speaker 7: Can you got your problem? Can we can we squash it?

1511
01:14:49,720 --> 01:14:52,920
Speaker 4: Bro, what is he Squash it and have a good day.

1512
01:14:53,880 --> 01:14:55,080
Speaker 4: He's not crime problem.

1513
01:14:55,360 --> 01:14:59,479
Speaker 2: Listen the security right there talking to Prime. They've yet

1514
01:14:59,520 --> 01:15:02,439
Speaker 2: to speak with Charleston White. They don't give a damn

1515
01:15:02,520 --> 01:15:05,080
Speaker 2: if he gets stomped out over there, nigga for a

1516
01:15:05,160 --> 01:15:07,200
Speaker 2: nigga stab him in the middle of They don't give

1517
01:15:07,200 --> 01:15:11,759
Speaker 2: a damn. And that's important to know. We out in public, dog,

1518
01:15:12,320 --> 01:15:14,720
Speaker 2: so we ran with three four big niggas. That's only

1519
01:15:14,760 --> 01:15:17,680
Speaker 2: gonna protect Aiden. Somebody grab me, they gonna say, we

1520
01:15:17,720 --> 01:15:19,840
Speaker 2: can't do nothing because they gonna blame Aiden for what

1521
01:15:19,880 --> 01:15:22,599
Speaker 2: we do to you win your security. They playing them

1522
01:15:22,680 --> 01:15:24,479
Speaker 2: kind of games, and I'm una pire by a deal.

1523
01:15:25,640 --> 01:15:28,320
Speaker 2: When I'm with peeing them, they security treat me like

1524
01:15:28,400 --> 01:15:32,400
Speaker 2: I'm with them. Nigga, you ain't anything when I'm with anybody.

1525
01:15:32,439 --> 01:15:34,920
Speaker 2: That's how my security. When you with me, my guys

1526
01:15:34,960 --> 01:15:38,639
Speaker 2: gonna treat you like you with me. They violate this shit.

1527
01:15:38,680 --> 01:15:41,280
Speaker 2: We stomping them out. We don't care where they come from,

1528
01:15:42,200 --> 01:15:44,960
Speaker 2: We don't care what they own. We ain't looking for

1529
01:15:45,000 --> 01:15:49,200
Speaker 2: no motherfucking drinking buddies. You see what I'm saying. The

1530
01:15:49,280 --> 01:15:51,479
Speaker 2: people we allaying what we are laying with. But for

1531
01:15:51,520 --> 01:15:53,599
Speaker 2: me to be out in public saying what I done

1532
01:15:53,760 --> 01:15:56,360
Speaker 2: said with two or three niggas, then I'm under the

1533
01:15:56,439 --> 01:15:59,519
Speaker 2: guys are thinking this is my potential business partner. I

1534
01:15:59,560 --> 01:16:02,759
Speaker 2: got three four big niggas around. The interest is only Aiden.

1535
01:16:02,800 --> 01:16:05,040
Speaker 2: They don't even care about the other black nigga. Nigga

1536
01:16:05,040 --> 01:16:08,400
Speaker 2: come take his jurel. But they probably know Aiden won't

1537
01:16:08,400 --> 01:16:10,639
Speaker 2: be proud of that, so they might jump in knowing

1538
01:16:10,680 --> 01:16:13,559
Speaker 2: Aiden a riot. But for Charleston, I don't see them

1539
01:16:13,600 --> 01:16:17,760
Speaker 2: moving no matter what happened. And he found that out

1540
01:16:17,840 --> 01:16:22,640
Speaker 2: right there in that moment. Now, pay attention to the revelation.

1541
01:16:23,880 --> 01:16:26,479
Speaker 4: Listen, I'm just saying, but that's not what he thinks.

1542
01:16:26,479 --> 01:16:28,120
Speaker 7: He's used to look like it looked like it.

1543
01:16:28,160 --> 01:16:28,439
Speaker 4: Listen.

1544
01:16:28,439 --> 01:16:29,400
Speaker 7: Can we just squash it.

1545
01:16:29,360 --> 01:16:34,040
Speaker 4: Bro like a man ship. Why don't we meet midway

1546
01:16:34,240 --> 01:16:36,960
Speaker 4: and squash it bro Bro, get that man that man though,

1547
01:16:37,840 --> 01:16:42,639
Speaker 4: throw you're not gonna make him right.

1548
01:16:42,760 --> 01:16:44,639
Speaker 7: Oh, Homer, he's still lacking like he's mad.

1549
01:16:44,800 --> 01:16:46,679
Speaker 4: I know. Can we call Homer?

1550
01:16:46,760 --> 01:16:47,040
Speaker 1: Listen?

1551
01:16:47,600 --> 01:16:49,880
Speaker 8: He came over her starting problem home, and why is

1552
01:16:49,920 --> 01:16:51,439
Speaker 8: he still causing his big scene?

1553
01:16:51,600 --> 01:16:53,000
Speaker 7: There's no he's causing the big scene.

1554
01:16:53,200 --> 01:16:54,760
Speaker 4: What is he mad for? That's all. I want to

1555
01:16:54,760 --> 01:16:57,760
Speaker 4: know what is he mad for? What is he this

1556
01:16:57,880 --> 01:17:02,000
Speaker 4: fight mad for? Or he want to fight? No, I understand,

1557
01:17:02,280 --> 01:17:03,840
Speaker 4: I understand. That's why I'm trying to find a way

1558
01:17:03,880 --> 01:17:07,880
Speaker 4: if we could just I don't ye, Yeah, I'm trying

1559
01:17:07,880 --> 01:17:13,640
Speaker 4: to forget what is he mad for? Yeah? I know,

1560
01:17:13,840 --> 01:17:15,759
Speaker 4: I know you have said, I know he questioned your malehood.

1561
01:17:15,760 --> 01:17:17,880
Speaker 4: I know he did. Was there a way we could

1562
01:17:17,920 --> 01:17:18,439
Speaker 4: just squash it?

1563
01:17:19,320 --> 01:17:21,960
Speaker 2: I'm gonna be honest. It looks like Aiden is he's

1564
01:17:22,080 --> 01:17:24,280
Speaker 2: using the skill set he got. He's twenty two years

1565
01:17:24,320 --> 01:17:26,439
Speaker 2: old with one hundred meion or something. He ain't got

1566
01:17:26,479 --> 01:17:29,599
Speaker 2: no skill set. Conflict resolute that he gotta go highly

1567
01:17:29,640 --> 01:17:32,080
Speaker 2: at Charleston who fifty and then go highly as some

1568
01:17:32,240 --> 01:17:36,520
Speaker 2: nigga that's playing King Vaughn, you know, respectfully the homeboy,

1569
01:17:36,840 --> 01:17:39,120
Speaker 2: but but but but a guy who's you know, got

1570
01:17:39,160 --> 01:17:41,280
Speaker 2: a bunch of jill ron but can't bet nothing and

1571
01:17:41,280 --> 01:17:43,479
Speaker 2: really ain't got the money, like you know what I mean.

1572
01:17:43,520 --> 01:17:45,679
Speaker 2: According to them, I'm just going off what they say.

1573
01:17:45,720 --> 01:17:48,519
Speaker 2: This ain't a shot. But I'm saying Aiden don't have

1574
01:17:48,680 --> 01:17:53,080
Speaker 2: the skill set to navigate these waters. He's been placed

1575
01:17:53,120 --> 01:17:56,640
Speaker 2: in Charleston White ain't got no being this neck. He

1576
01:17:56,800 --> 01:17:59,360
Speaker 2: no black historical facts and shit. He might kick some

1577
01:17:59,439 --> 01:18:02,519
Speaker 2: Martin Luther King shit, some real deep shit. He ain't

1578
01:18:02,520 --> 01:18:05,040
Speaker 2: got no business with a dude to do pranks. These

1579
01:18:05,080 --> 01:18:07,479
Speaker 2: white boys are pass gas and let the one dog

1580
01:18:08,200 --> 01:18:10,920
Speaker 2: you know a put two pastes on your mouth when

1581
01:18:10,960 --> 01:18:13,759
Speaker 2: you sleep, hot sauce in your hand and then tickle

1582
01:18:13,840 --> 01:18:16,559
Speaker 2: your you know, Jesus, the kind of Jesus is what

1583
01:18:16,680 --> 01:18:18,960
Speaker 2: he does on the day leaning he streaming that made

1584
01:18:19,000 --> 01:18:23,439
Speaker 2: itself successful doing it. But the mixture of Charleston White

1585
01:18:23,439 --> 01:18:25,360
Speaker 2: and him never should have happened without a half a

1586
01:18:25,400 --> 01:18:29,880
Speaker 2: million dollar deposit before we even get to y'all putting

1587
01:18:29,880 --> 01:18:32,640
Speaker 2: me on camera, because not only did you trick me,

1588
01:18:32,800 --> 01:18:35,040
Speaker 2: you got me looking like I done tricked my people.

1589
01:18:35,479 --> 01:18:38,360
Speaker 2: Because according to Charleston White, he might charge some of

1590
01:18:38,360 --> 01:18:41,320
Speaker 2: these people five thousand, seventy five hundred for a interview

1591
01:18:41,360 --> 01:18:44,000
Speaker 2: that should be an hour two hours long. That's him

1592
01:18:44,040 --> 01:18:46,800
Speaker 2: showing love. Them folks didn't give him nothing, and they

1593
01:18:46,880 --> 01:18:50,800
Speaker 2: ran him sixteen hours just camera on just god, what

1594
01:18:50,960 --> 01:18:53,080
Speaker 2: is that? One hundred dollars an hour, two hundred dollars

1595
01:18:53,080 --> 01:18:55,040
Speaker 2: an hour, five hundred dollars an hour?

1596
01:18:55,080 --> 01:18:55,400
Speaker 1: You dig?

1597
01:18:55,439 --> 01:18:58,160
Speaker 2: What I'm saying, and so is trickery. That what I

1598
01:18:58,240 --> 01:19:01,479
Speaker 2: tell you to hide the business his goal. The layers

1599
01:19:01,560 --> 01:19:04,840
Speaker 2: get it, man, it's layers of game being put down.

1600
01:19:05,760 --> 01:19:08,960
Speaker 2: The streaming game is all day content. Now they don't

1601
01:19:09,000 --> 01:19:12,439
Speaker 2: ever see Charleston White again. They still what got eighteen

1602
01:19:12,479 --> 01:19:16,320
Speaker 2: hours of content for? For somebody black building a platform

1603
01:19:16,360 --> 01:19:20,519
Speaker 2: with Charleston White showing them love. Say, charge them three

1604
01:19:20,560 --> 01:19:25,479
Speaker 2: thousand dollars for them to get eighteen hours of content.

1605
01:19:25,560 --> 01:19:29,120
Speaker 2: That's steal the bag. It's thirty forty grand. You get

1606
01:19:29,160 --> 01:19:31,320
Speaker 2: what I'm saying. So pay attention to the level of

1607
01:19:31,400 --> 01:19:35,080
Speaker 2: games and the and the manipulation on that level. But

1608
01:19:35,240 --> 01:19:37,720
Speaker 2: in this moment, Charleston is figuring out, Yo, something ain't

1609
01:19:37,800 --> 01:19:41,000
Speaker 2: right about this, and you're gonna see what happens next.

1610
01:19:41,240 --> 01:19:44,080
Speaker 7: I'll be cool ready, you know.

1611
01:19:44,160 --> 01:19:45,760
Speaker 4: He did it because it looked like you're gonna you're

1612
01:19:45,760 --> 01:19:48,799
Speaker 4: gonna you know, and obviously in the fistfighter was you're

1613
01:19:48,800 --> 01:19:50,920
Speaker 4: gonna probably you know, be a good fight. So he

1614
01:19:50,960 --> 01:19:51,519
Speaker 4: didn't know much.

1615
01:19:51,520 --> 01:19:52,000
Speaker 7: He got his me.

1616
01:19:52,160 --> 01:19:53,040
Speaker 4: He was getting ready.

1617
01:19:55,960 --> 01:19:59,640
Speaker 2: And see that's eight and knowing Charleston is listening, I

1618
01:19:59,680 --> 01:20:01,559
Speaker 2: just want I'm trying to hate keep stopping it. But

1619
01:20:01,560 --> 01:20:04,200
Speaker 2: it's so many points to pay attention to Aiden in

1620
01:20:04,280 --> 01:20:06,759
Speaker 2: that moment. No even close enough for Charleston. And listen,

1621
01:20:06,800 --> 01:20:09,120
Speaker 2: because over on the other side you were saying, Man,

1622
01:20:09,120 --> 01:20:11,280
Speaker 2: you're gonna you'll beat the hell out of him, which

1623
01:20:11,320 --> 01:20:15,000
Speaker 2: he probably would, But Aiden, no, Charleston right there. So man,

1624
01:20:15,000 --> 01:20:17,440
Speaker 2: he was grabbing his mates getting ready, so he justified

1625
01:20:17,479 --> 01:20:21,360
Speaker 2: both things. But he's twenty two years old. His conflict

1626
01:20:21,400 --> 01:20:24,960
Speaker 2: resolution skills are poor. He don't know to say, hey, bro,

1627
01:20:25,640 --> 01:20:27,679
Speaker 2: you been knowing me? Or why you know what we're doing?

1628
01:20:27,720 --> 01:20:29,240
Speaker 1: Man? You know this is this nigga, this is a

1629
01:20:29,280 --> 01:20:31,400
Speaker 1: play for us. Chill.

1630
01:20:34,120 --> 01:20:39,760
Speaker 2: But dude, I think that dude is also battling with

1631
01:20:41,080 --> 01:20:45,120
Speaker 2: also being looked at as gangster in Aiden's eyes or

1632
01:20:45,160 --> 01:20:47,280
Speaker 2: someone that don't bag down. I think he has a

1633
01:20:47,320 --> 01:20:51,760
Speaker 2: reputation in Aiden's eyes to being someone that is a

1634
01:20:51,800 --> 01:20:54,840
Speaker 2: no shit kind of guy. You know, he might not

1635
01:20:55,040 --> 01:20:58,479
Speaker 2: take no shorts. You did what I'm saying, So Aiden

1636
01:20:58,560 --> 01:21:00,800
Speaker 2: may be looking at him, and he may be looking

1637
01:21:00,840 --> 01:21:06,080
Speaker 2: at Aiden to uphold this kind of bravado. The reason

1638
01:21:06,160 --> 01:21:10,280
Speaker 2: I say that is because this same guy told Aiden

1639
01:21:10,360 --> 01:21:13,120
Speaker 2: that his grandmother wouldn't call the police in the event

1640
01:21:13,360 --> 01:21:16,400
Speaker 2: that she saw her neighbor's house being broken into and

1641
01:21:16,439 --> 01:21:18,120
Speaker 2: they had to put his granny on the phone, and

1642
01:21:18,200 --> 01:21:19,920
Speaker 2: she said she would call the police.

1643
01:21:21,400 --> 01:21:23,720
Speaker 1: So he's trying to uphold a gangster.

1644
01:21:23,400 --> 01:21:27,720
Speaker 2: Rhysm that is uncomfortable when it's he it's easy to

1645
01:21:27,720 --> 01:21:30,080
Speaker 2: hold that shit up around the white boys because you

1646
01:21:30,080 --> 01:21:32,840
Speaker 2: can ball your fists, have some muscles. And then white

1647
01:21:32,840 --> 01:21:34,920
Speaker 2: boy think you're gonna do it, not based on what

1648
01:21:34,960 --> 01:21:37,800
Speaker 2: you've done, but based on what they've seen on television

1649
01:21:37,880 --> 01:21:41,000
Speaker 2: and just stories that they've heard. They believe you'll do

1650
01:21:41,080 --> 01:21:45,400
Speaker 2: it because something us will do it. But this is

1651
01:21:45,439 --> 01:21:50,679
Speaker 2: so interesting. Pay attention, all right, listen.

1652
01:21:50,439 --> 01:21:56,599
Speaker 4: Bro, He's not gonna stab your wormation. No you want

1653
01:21:56,640 --> 01:22:00,280
Speaker 4: you guys want to just squash it real quick. I

1654
01:22:00,280 --> 01:22:12,240
Speaker 4: don't need to. I'm sitting there on the Himah my god, bro.

1655
01:22:14,200 --> 01:22:15,559
Speaker 7: Bro, I don't know what the fuck to do. Bro,

1656
01:22:15,640 --> 01:22:17,519
Speaker 7: I don't I really don't know what to do.

1657
01:22:17,560 --> 01:22:18,840
Speaker 4: Bro, I swear to God, I don't know what to do.

1658
01:22:19,640 --> 01:22:21,840
Speaker 7: I don't know what the fuck to do. I don't

1659
01:22:21,880 --> 01:22:22,240
Speaker 7: know what to do.

1660
01:22:22,400 --> 01:22:28,360
Speaker 4: Yeah, so, uh, I just how do you guys usually

1661
01:22:28,360 --> 01:22:29,000
Speaker 4: do this type of thing?

1662
01:22:29,360 --> 01:22:31,320
Speaker 7: Listen, helmete, I'm a grown man.

1663
01:22:31,400 --> 01:22:31,840
Speaker 1: My nigga.

1664
01:22:32,160 --> 01:22:35,240
Speaker 8: Not only did he disrespect me, he says something to

1665
01:22:35,320 --> 01:22:38,360
Speaker 8: a man that ain't said nothing. Sometimes forgot, why is

1666
01:22:38,400 --> 01:22:38,920
Speaker 8: he attacked?

1667
01:22:38,920 --> 01:22:39,640
Speaker 4: What did he say to you?

1668
01:22:39,640 --> 01:22:39,880
Speaker 3: Again?

1669
01:22:40,000 --> 01:22:41,559
Speaker 4: Oh what homeless soul?

1670
01:22:42,160 --> 01:22:42,320
Speaker 3: Wait?

1671
01:22:42,320 --> 01:22:43,519
Speaker 4: What are he saying? I'm not trying to provide him,

1672
01:22:43,600 --> 01:22:47,439
Speaker 4: trying to like, hey, you saw what he did. You're

1673
01:22:47,479 --> 01:22:48,519
Speaker 4: just on the camera. I know, I know.

1674
01:22:48,680 --> 01:22:49,720
Speaker 1: Yeah, So this is what I'm saying.

1675
01:22:49,720 --> 01:22:51,680
Speaker 4: I want to know what did this? Remember that? What

1676
01:22:51,760 --> 01:22:54,000
Speaker 4: he asked? The question for? The nigga so mad for?

1677
01:22:54,400 --> 01:22:56,200
Speaker 7: Let's just that bike.

1678
01:22:57,000 --> 01:22:57,960
Speaker 4: It can't it can't be.

1679
01:22:57,920 --> 01:22:59,160
Speaker 1: By gone, be by gone home.

1680
01:22:59,360 --> 01:23:01,479
Speaker 8: If he's still and he's still mad.

1681
01:23:01,600 --> 01:23:04,080
Speaker 7: I'm not talking, I'm trying to. I'm asking him what

1682
01:23:04,280 --> 01:23:04,960
Speaker 7: is he mad for?

1683
01:23:05,439 --> 01:23:06,439
Speaker 10: I think he was just mad?

1684
01:23:07,400 --> 01:23:09,000
Speaker 7: No no, no, no, no no, you can't.

1685
01:23:08,800 --> 01:23:09,280
Speaker 4: Think for him.

1686
01:23:09,320 --> 01:23:11,439
Speaker 8: Brother, I'm asking him as a man, because he calls

1687
01:23:11,520 --> 01:23:12,120
Speaker 8: this confusion.

1688
01:23:12,160 --> 01:23:13,760
Speaker 4: I did so.

1689
01:23:13,920 --> 01:23:16,200
Speaker 8: So how about we just stopped then, fam If it's

1690
01:23:16,200 --> 01:23:18,320
Speaker 8: gonna do that, y'all got the cameras, holler.

1691
01:23:18,200 --> 01:23:19,960
Speaker 4: We just stopped it. Yeah, we can, we can stop it.

1692
01:23:21,520 --> 01:23:24,479
Speaker 4: I mean, I don't get I'm I'm sure gonna do

1693
01:23:24,520 --> 01:23:24,800
Speaker 4: something to that.

1694
01:23:24,920 --> 01:23:28,680
Speaker 1: But I'm saying, book, see that, so they know not

1695
01:23:28,760 --> 01:23:29,360
Speaker 1: to stop it.

1696
01:23:29,840 --> 01:23:31,880
Speaker 2: They know even though he say that, don't stop it

1697
01:23:31,920 --> 01:23:34,080
Speaker 2: until he really buckled out, like hey, yo, cut it,

1698
01:23:34,120 --> 01:23:37,600
Speaker 2: cut camera. He there's something that they know when he

1699
01:23:37,680 --> 01:23:40,479
Speaker 2: really wants them to cut it. But aiden is in

1700
01:23:40,520 --> 01:23:43,280
Speaker 2: this place where he appeases people when things seem to

1701
01:23:43,280 --> 01:23:45,799
Speaker 2: get tense. So isn't that moment, Yeah, we can stop

1702
01:23:45,840 --> 01:23:47,920
Speaker 2: knowing he don't really want to stop it. He don't

1703
01:23:47,960 --> 01:23:51,519
Speaker 2: really want to stop this. This is his thing, this

1704
01:23:51,600 --> 01:23:53,400
Speaker 2: is my thing. Man, I know this happened, but this

1705
01:23:53,439 --> 01:23:57,559
Speaker 2: is kind of what I do. Like now, in my opinion,

1706
01:23:57,680 --> 01:24:00,720
Speaker 2: Charging White is contemplating in that moment man waved up here,

1707
01:24:00,760 --> 01:24:04,679
Speaker 2: ain't got none out of officially been bamboozled at this point,

1708
01:24:04,880 --> 01:24:05,960
Speaker 2: Now can I recover?

1709
01:24:06,439 --> 01:24:08,599
Speaker 1: Is there a deal here? Is there something here?

1710
01:24:08,640 --> 01:24:11,960
Speaker 2: It's like he contemplating walking away from this paper because

1711
01:24:12,080 --> 01:24:15,280
Speaker 2: right now he still ain't said I'm leaving. He's saying

1712
01:24:15,360 --> 01:24:18,080
Speaker 2: cut the camera so we can talk, but they not

1713
01:24:18,120 --> 01:24:24,320
Speaker 2: gonna cut the camera. And so in real time, it's

1714
01:24:24,400 --> 01:24:29,120
Speaker 2: like you see him battle with the money, with the opportunity,

1715
01:24:29,479 --> 01:24:30,879
Speaker 2: and also with his spirit.

1716
01:24:31,000 --> 01:24:33,080
Speaker 1: You can see it. Pay attention, I'm.

1717
01:24:32,920 --> 01:24:35,400
Speaker 8: Trying to figure out home we can stop this yet.

1718
01:24:35,920 --> 01:24:37,080
Speaker 4: I'm not gonna end, but I'm.

1719
01:24:37,760 --> 01:24:40,840
Speaker 7: Trying to figure out what this nigga mad for?

1720
01:24:42,000 --> 01:24:43,920
Speaker 8: So why he needs all this talking to why he

1721
01:24:43,960 --> 01:24:44,800
Speaker 8: need all these people?

1722
01:24:45,040 --> 01:24:47,439
Speaker 4: What's the problem. We ain't got to shake hand?

1723
01:24:47,439 --> 01:24:48,839
Speaker 1: This watch nothing at this point.

1724
01:24:48,600 --> 01:24:49,280
Speaker 10: Home, all right.

1725
01:24:49,360 --> 01:24:50,640
Speaker 4: See, if you guys want to do they don't have

1726
01:24:50,680 --> 01:24:52,920
Speaker 4: to do that, all.

1727
01:24:52,880 --> 01:24:58,679
Speaker 2: Right, Hey, then don't have the negotiation skills to say,

1728
01:24:58,680 --> 01:25:00,000
Speaker 2: Look y'all don't have to shake hand.

1729
01:25:00,080 --> 01:25:01,400
Speaker 1: Is this what I'm gonna do? Yo?

1730
01:25:01,520 --> 01:25:03,400
Speaker 2: Prime, you go up to the room for four hours.

1731
01:25:03,400 --> 01:25:05,920
Speaker 2: I'm gonna kick it with Charleston. Four hours, Yo, Charleston,

1732
01:25:05,960 --> 01:25:08,479
Speaker 2: come with me. We'll get you Charleston. Is that okay?

1733
01:25:08,720 --> 01:25:10,519
Speaker 2: At the four hours, I give you some money. Let

1734
01:25:10,520 --> 01:25:13,040
Speaker 2: you and your lady go enjoy yourself somewhere. We'll meet

1735
01:25:13,040 --> 01:25:15,479
Speaker 2: back up at ten. By ten o'clock at night, both

1736
01:25:15,520 --> 01:25:19,800
Speaker 2: them niggas would have been back cool. But he don't

1737
01:25:19,840 --> 01:25:23,160
Speaker 2: have the conflict resolution skills. He's twenty two years old,

1738
01:25:23,400 --> 01:25:26,479
Speaker 2: and I blame him, But I also blame Charleston because

1739
01:25:26,560 --> 01:25:30,720
Speaker 2: Charleston is a smart man and a twenty two year

1740
01:25:30,760 --> 01:25:34,320
Speaker 2: old boy, and he's showing you in real time. He

1741
01:25:34,360 --> 01:25:36,400
Speaker 2: should have got some payper out that boy before he

1742
01:25:36,439 --> 01:25:39,839
Speaker 2: ever went up there, pay attention.

1743
01:25:41,520 --> 01:25:43,960
Speaker 8: He didn't nobody answer my question what the nigga asked for?

1744
01:25:44,120 --> 01:25:45,920
Speaker 4: I thought we suppoke. I thought, I thought, I don't

1745
01:25:45,920 --> 01:25:47,320
Speaker 4: know what's in his head. I'm not gonna speak from you,

1746
01:25:47,320 --> 01:25:50,240
Speaker 4: know what I mean, that's your boy, So ask you.

1747
01:25:50,520 --> 01:25:52,639
Speaker 4: I mean because I just want to listen. He listen

1748
01:25:52,640 --> 01:25:54,400
Speaker 4: to be honest. Other than that fan, we're trying to

1749
01:25:54,400 --> 01:25:56,360
Speaker 4: get an understand it. I know, I want. I want

1750
01:25:56,360 --> 01:25:57,880
Speaker 4: you guys to squash it when you was the camera.

1751
01:25:57,880 --> 01:25:59,479
Speaker 7: If we can't, I agree, I'm gonna walk away.

1752
01:25:59,520 --> 01:26:01,000
Speaker 4: I'm gonna be no, no, no, no, no, not with

1753
01:26:01,080 --> 01:26:03,200
Speaker 4: the cameras on. I'm gonna walk away cut because look

1754
01:26:03,200 --> 01:26:04,680
Speaker 4: look look, I'm not going I'm just gonna do my

1755
01:26:04,680 --> 01:26:04,920
Speaker 4: own thing.

1756
01:26:04,960 --> 01:26:08,080
Speaker 2: This is look at this see Aiden is trying to

1757
01:26:08,120 --> 01:26:12,559
Speaker 2: remove himself from the conflict. He not even understand. Charleston

1758
01:26:12,560 --> 01:26:17,680
Speaker 2: is saying, cut the camera aid and facilitate resolution. He said, no,

1759
01:26:17,720 --> 01:26:20,320
Speaker 2: I'm gonna walk off and do my own thing. It's

1760
01:26:20,360 --> 01:26:24,000
Speaker 2: one hundred thousand people watching. Charleston is still saying, hey,

1761
01:26:24,000 --> 01:26:26,479
Speaker 2: you're morals, you're you're let's let's let's get this.

1762
01:26:26,760 --> 01:26:28,960
Speaker 1: It's one hundred thousand man dudes this and w ain't

1763
01:26:28,960 --> 01:26:29,360
Speaker 1: cutting it.

1764
01:26:29,360 --> 01:26:32,120
Speaker 2: I'm not ending heys, just in case y'all might have

1765
01:26:32,120 --> 01:26:35,599
Speaker 2: been confused by what I ain't ending. I'ma gone off man,

1766
01:26:35,680 --> 01:26:40,559
Speaker 2: y'all talk y'all, I'm gone somewhere. He thinking that's what

1767
01:26:40,640 --> 01:26:42,479
Speaker 2: he's saying. He ain't saying it, so they at getting

1768
01:26:42,520 --> 01:26:45,040
Speaker 2: close to him. You still miked up. Pay attention.

1769
01:26:45,880 --> 01:26:52,240
Speaker 4: He disrespected this brother. Nigga, God, I pack weapons only.

1770
01:26:52,320 --> 01:26:53,760
Speaker 7: Look, nigga can't tell me nothing.

1771
01:26:53,800 --> 01:26:56,000
Speaker 1: I ain't got no club. The ain't walking over now.

1772
01:26:56,320 --> 01:26:59,240
Speaker 2: This is this young dude don't have no conflict resolution

1773
01:26:59,320 --> 01:27:00,000
Speaker 2: skills as well.

1774
01:27:01,200 --> 01:27:02,680
Speaker 1: This is him trying to squash it.

1775
01:27:03,360 --> 01:27:05,639
Speaker 2: If I'm being totally honest with y'all, this is Prime

1776
01:27:05,720 --> 01:27:08,320
Speaker 2: trying to sneak over and say I ain't got no

1777
01:27:08,400 --> 01:27:11,360
Speaker 2: problem with him and think y'd squashing it instead of saying, Yo,

1778
01:27:11,560 --> 01:27:14,559
Speaker 2: I'm sorry, or again, the right thing to do I

1779
01:27:14,680 --> 01:27:17,080
Speaker 2: just gave aiden was to yo, Prime, you go up

1780
01:27:17,080 --> 01:27:18,880
Speaker 2: there for four hours, me and charge and we're gonna

1781
01:27:18,960 --> 01:27:20,879
Speaker 2: ride out do some content.

1782
01:27:21,160 --> 01:27:23,040
Speaker 1: We'll come get you four hours later. To Charles to

1783
01:27:23,080 --> 01:27:24,000
Speaker 1: he go some paper.

1784
01:27:24,360 --> 01:27:26,479
Speaker 2: You and your lady take her, y'all, he go a

1785
01:27:26,520 --> 01:27:29,200
Speaker 2: couple thousand dollars, go find you a good restaurant, right quick,

1786
01:27:29,280 --> 01:27:31,639
Speaker 2: y'all kick it, take her shot and do something. Will

1787
01:27:31,680 --> 01:27:33,639
Speaker 2: be to get you in four hour because this happened

1788
01:27:33,680 --> 01:27:36,800
Speaker 2: now costs me an extra three grand or something, cause

1789
01:27:36,840 --> 01:27:38,519
Speaker 2: I gotta hand him something for him and his old

1790
01:27:38,600 --> 01:27:40,799
Speaker 2: lady to do something while me and Prime doing something

1791
01:27:41,080 --> 01:27:44,040
Speaker 2: after that, right, and then by ten o'clock at night

1792
01:27:44,080 --> 01:27:46,479
Speaker 2: they back straight. That's the right thing that he should

1793
01:27:46,520 --> 01:27:49,720
Speaker 2: have done. But this is Prime having no conflict resolution

1794
01:27:49,840 --> 01:27:52,080
Speaker 2: skills and coming in to try to squash it. Pay

1795
01:27:52,120 --> 01:27:53,800
Speaker 2: attention to the words coming out of his mouth.

1796
01:27:54,320 --> 01:27:57,280
Speaker 7: A seeing he made. He disrespected this brother.

1797
01:27:57,400 --> 01:28:01,240
Speaker 8: Homi bin't maliga God, I packed weapons only.

1798
01:28:01,320 --> 01:28:02,760
Speaker 7: Look, nigga can't tell me nothing.

1799
01:28:02,760 --> 01:28:03,720
Speaker 1: I ain't got no fuck I'm talking.

1800
01:28:03,800 --> 01:28:05,639
Speaker 8: You can't, no nigga, you can't talk to me about

1801
01:28:05,640 --> 01:28:06,320
Speaker 8: men in front of nothing.

1802
01:28:06,760 --> 01:28:08,640
Speaker 1: Probably this old nigga. I's gonna bring though Masa and

1803
01:28:08,720 --> 01:28:11,040
Speaker 1: no none of that shit around me. I said, don't

1804
01:28:11,040 --> 01:28:11,439
Speaker 1: bring it out.

1805
01:28:11,479 --> 01:28:12,640
Speaker 7: I don't want to tell me.

1806
01:28:12,680 --> 01:28:14,880
Speaker 8: If you if you threaten me like you want to fight,

1807
01:28:15,080 --> 01:28:16,880
Speaker 8: I'm gonna bring out more than what I think.

1808
01:28:16,720 --> 01:28:18,920
Speaker 1: And I think defend myself. Did I say any words?

1809
01:28:19,000 --> 01:28:22,040
Speaker 1: That's what I'm saying. Brother, I've been keeping it, nigga. Listen,

1810
01:28:22,080 --> 01:28:25,040
Speaker 1: how many you he's attacking people? He stood up over

1811
01:28:25,080 --> 01:28:26,920
Speaker 1: my head. He stood up over my head.

1812
01:28:27,080 --> 01:28:28,200
Speaker 4: There's no one in the middle of this, Bro, I'm

1813
01:28:28,200 --> 01:28:30,040
Speaker 4: gonna go crazy. No, no, just how how we're gonna

1814
01:28:30,040 --> 01:28:30,719
Speaker 4: do people?

1815
01:28:32,840 --> 01:28:33,000
Speaker 3: Yeah?

1816
01:28:33,040 --> 01:28:36,280
Speaker 4: All right, yeah, yowe me two. Damn the picture.

1817
01:28:38,080 --> 01:28:38,920
Speaker 3: That's what you too.

1818
01:28:41,600 --> 01:28:43,720
Speaker 1: I hate that that had to that was fighting in

1819
01:28:43,800 --> 01:28:45,679
Speaker 1: on my Now that was fun.

1820
01:28:46,160 --> 01:28:48,920
Speaker 2: You ain't catch it, he said, Man, he'd a made

1821
01:28:48,960 --> 01:28:51,040
Speaker 2: a man and man and come out here lose man

1822
01:28:51,080 --> 01:28:51,479
Speaker 2: the folks.

1823
01:28:51,479 --> 01:28:52,800
Speaker 1: Doesnet got me? Hey, ain't?

1824
01:28:53,000 --> 01:28:55,160
Speaker 2: How about we do it like this, my brother, because

1825
01:28:55,200 --> 01:28:56,960
Speaker 2: I'm you know what I mean, I done just because

1826
01:28:57,000 --> 01:28:58,760
Speaker 2: I've been going y out and took me through hell

1827
01:28:58,800 --> 01:29:01,440
Speaker 2: the last fifting men. But he was doing what contemplating

1828
01:29:01,520 --> 01:29:03,800
Speaker 2: is it worth it is? Our way to recover? He

1829
01:29:03,840 --> 01:29:07,640
Speaker 2: don't see no way to recover. Aiden don't had the

1830
01:29:07,720 --> 01:29:10,760
Speaker 2: conflict resolution skills for me to put that plan in play.

1831
01:29:10,960 --> 01:29:11,760
Speaker 1: So he come.

1832
01:29:11,720 --> 01:29:14,040
Speaker 2: Handling the mic. Hey, bro, you know what I'm saying.

1833
01:29:14,640 --> 01:29:15,720
Speaker 2: I really appreciate you.

1834
01:29:15,800 --> 01:29:15,960
Speaker 8: Man.

1835
01:29:16,000 --> 01:29:18,040
Speaker 2: You know I'm a gone dip and he pulling me

1836
01:29:18,080 --> 01:29:20,920
Speaker 2: in close. Yeah, you still owe me two down. Nuh

1837
01:29:21,040 --> 01:29:23,360
Speaker 2: Let me get that two down? Nuh as a man,

1838
01:29:23,640 --> 01:29:24,240
Speaker 2: But yeah.

1839
01:29:24,120 --> 01:29:26,320
Speaker 1: Man, I appreciate what you got going on.

1840
01:29:26,240 --> 01:29:28,920
Speaker 2: Me, you know, because he trying to get something out

1841
01:29:28,960 --> 01:29:31,599
Speaker 2: of the y'all fold undone me horrible and I got

1842
01:29:31,640 --> 01:29:32,280
Speaker 2: to get something.

1843
01:29:33,200 --> 01:29:36,320
Speaker 1: Yeah, you know, pulling nigga in. You still owe me

1844
01:29:36,360 --> 01:29:36,840
Speaker 1: two down.

1845
01:29:36,920 --> 01:29:38,240
Speaker 3: Nuh let me get that two down.

1846
01:29:38,360 --> 01:29:41,240
Speaker 1: I ain't really going for that, but yeah, man, like

1847
01:29:41,320 --> 01:29:42,840
Speaker 1: I really appreciate you brother.

1848
01:29:43,200 --> 01:29:43,439
Speaker 10: You know.

1849
01:29:44,040 --> 01:29:50,559
Speaker 1: Now this is funny. Pay attention now, Yeah, all.

1850
01:29:50,479 --> 01:29:56,559
Speaker 4: Right, Yeah, you owe me two downs for a picture. Now.

1851
01:29:56,560 --> 01:29:59,160
Speaker 2: The two thousand for the picture is cause Aiden asked

1852
01:29:59,240 --> 01:30:00,000
Speaker 2: him to take picture.

1853
01:30:00,520 --> 01:30:01,360
Speaker 1: We gave people.

1854
01:30:01,400 --> 01:30:03,120
Speaker 2: He said, I give you two thousand dollars if you

1855
01:30:03,160 --> 01:30:05,400
Speaker 2: take a picture with these gay people. Now, Charleston don't

1856
01:30:05,400 --> 01:30:08,400
Speaker 2: talk gay talk. Charleston don't really talk those things. So

1857
01:30:08,439 --> 01:30:11,200
Speaker 2: you ask yourself, why would they put Charleston in a

1858
01:30:11,240 --> 01:30:15,200
Speaker 2: situation to a brand align with things that he may

1859
01:30:15,240 --> 01:30:19,639
Speaker 2: be uncomfortable with on such a big stage. Were they

1860
01:30:19,640 --> 01:30:21,559
Speaker 2: trying to make a mockery of the guy, to make

1861
01:30:21,600 --> 01:30:24,360
Speaker 2: a mockery of people? Now, at that moment, right there.

1862
01:30:25,640 --> 01:30:28,120
Speaker 2: If he was, if he was a damn fool for real,

1863
01:30:28,360 --> 01:30:30,760
Speaker 2: get what he would have done. He'd have pulled ate.

1864
01:30:30,840 --> 01:30:33,519
Speaker 2: He'd have pulled that mike off because Prime doing a

1865
01:30:33,560 --> 01:30:36,280
Speaker 2: little too much. Rather dozt man, he'd have pulled that

1866
01:30:36,400 --> 01:30:40,920
Speaker 2: mike GoF Hey, Aiden, let me, hey, brother, I really

1867
01:30:40,960 --> 01:30:41,760
Speaker 2: appreciate you.

1868
01:30:41,760 --> 01:30:42,400
Speaker 3: You know what I mean.

1869
01:30:43,560 --> 01:30:45,679
Speaker 1: I look forward to working which I thought we would

1870
01:30:45,680 --> 01:30:46,439
Speaker 1: be in in something.

1871
01:30:46,720 --> 01:30:49,519
Speaker 2: You know, with the handle the mic went back in

1872
01:30:49,600 --> 01:30:55,719
Speaker 2: his pocket and grabbed that motherfucking mace, sprayed Aden start

1873
01:30:55,880 --> 01:31:00,280
Speaker 2: hitting Aiden Row, spraying here you talking about you?

1874
01:31:00,400 --> 01:31:02,160
Speaker 1: The one done it right?

1875
01:31:02,400 --> 01:31:05,880
Speaker 2: If he was a real, damn fool, nah, I would

1876
01:31:05,880 --> 01:31:08,559
Speaker 2: have said, you set this up and start spraying Aiden

1877
01:31:08,680 --> 01:31:12,320
Speaker 2: Ross right there? They gonna beat me and then yeah,

1878
01:31:12,360 --> 01:31:15,120
Speaker 2: I mean then knowing charge and if they beat him,

1879
01:31:15,160 --> 01:31:17,920
Speaker 2: he could he would have been able to see him.

1880
01:31:18,760 --> 01:31:20,639
Speaker 4: That's what you told me, not from yesterday.

1881
01:31:20,680 --> 01:31:20,840
Speaker 10: I know.

1882
01:31:20,880 --> 01:31:22,879
Speaker 4: I remember, so I got.

1883
01:31:22,720 --> 01:31:25,960
Speaker 8: You me and you didn't continue.

1884
01:31:27,280 --> 01:31:28,320
Speaker 4: I can't leave.

1885
01:31:29,640 --> 01:31:30,680
Speaker 10: I can't even strict you.

1886
01:31:30,920 --> 01:31:34,600
Speaker 8: So for your guess you're not in a bean you

1887
01:31:34,640 --> 01:31:35,200
Speaker 8: know you wrong?

1888
01:31:35,920 --> 01:31:38,760
Speaker 4: Nah, I just want to be neutrol this situation. Listen,

1889
01:31:39,120 --> 01:31:42,400
Speaker 4: Can I be honest it's not about who's laying wrong.

1890
01:31:42,560 --> 01:31:44,360
Speaker 4: I agree with you, so so you I just think

1891
01:31:44,400 --> 01:31:46,360
Speaker 4: I just think she squashed. I just think you'd be

1892
01:31:46,360 --> 01:31:48,960
Speaker 4: squashedro But listen to it can't be squashed if y'all

1893
01:31:49,000 --> 01:31:50,280
Speaker 4: still have to pacify him.

1894
01:31:50,320 --> 01:31:51,559
Speaker 7: But I think I think you have to pass.

1895
01:31:51,680 --> 01:31:52,320
Speaker 1: But I think I think it.

1896
01:31:52,320 --> 01:31:53,000
Speaker 4: Both are in the wrong.

1897
01:31:54,840 --> 01:31:55,719
Speaker 7: You asked me a question.

1898
01:31:55,880 --> 01:31:58,000
Speaker 4: Yeah, I know, I did. I know we were talking

1899
01:31:58,520 --> 01:31:59,439
Speaker 4: that question. I know.

1900
01:31:59,560 --> 01:32:02,640
Speaker 8: Whatever ultimate disrespect with our nigga, you gate, so he

1901
01:32:02,680 --> 01:32:05,559
Speaker 8: even took over your questions, right, So he came.

1902
01:32:05,439 --> 01:32:08,880
Speaker 2: In pay attention to aid and holding the microphone where

1903
01:32:08,880 --> 01:32:09,759
Speaker 2: he can get the audio.

1904
01:32:10,280 --> 01:32:11,280
Speaker 1: This industry, bruh.

1905
01:32:11,640 --> 01:32:15,320
Speaker 2: This industry is industry and for aid and this is

1906
01:32:15,400 --> 01:32:18,200
Speaker 2: content they don't have. They use this freme word loosely

1907
01:32:18,200 --> 01:32:20,520
Speaker 2: in this industry. So he don't have no real relationship

1908
01:32:20,560 --> 01:32:22,800
Speaker 2: with Charleston White. If you pay attention, he's holding the

1909
01:32:23,479 --> 01:32:26,160
Speaker 2: camera down, he's holding the mic in a way where

1910
01:32:26,479 --> 01:32:28,960
Speaker 2: I get what he's saying. Now, if you paid attention

1911
01:32:29,080 --> 01:32:31,040
Speaker 2: right before the audio was trash, and then when he

1912
01:32:31,120 --> 01:32:33,920
Speaker 2: flipped it it got better, it's almost like he knew.

1913
01:32:34,360 --> 01:32:36,519
Speaker 2: I'm not sure, but that's just me looking at this

1914
01:32:36,600 --> 01:32:38,880
Speaker 2: in real time and thinking pay attention.

1915
01:32:38,960 --> 01:32:44,840
Speaker 4: Let's look, I did I know we were talking.

1916
01:32:46,400 --> 01:32:52,200
Speaker 1: You see how he's holding the mics. Let me show

1917
01:32:52,200 --> 01:32:53,360
Speaker 1: you that first.

1918
01:32:53,800 --> 01:32:57,320
Speaker 4: Can I be honest, it's not who's laying wrong. I

1919
01:32:57,320 --> 01:32:59,439
Speaker 4: agree with you, So I just think. I just think

1920
01:32:59,800 --> 01:33:00,920
Speaker 4: he this isa you.

1921
01:33:01,000 --> 01:33:03,400
Speaker 8: Be squashed, but listen to it can't be squashed if

1922
01:33:03,439 --> 01:33:04,960
Speaker 8: y'all stills have to pacify him.

1923
01:33:05,000 --> 01:33:06,400
Speaker 4: But I think I think you have to pass. But

1924
01:33:06,439 --> 01:33:07,679
Speaker 4: I think I think it both are in the wrong.

1925
01:33:09,000 --> 01:33:11,840
Speaker 2: You see me, see me how to put that mic down?

1926
01:33:11,840 --> 01:33:13,800
Speaker 2: When of y'all get this guy? Damn Mike, I'm sick

1927
01:33:14,360 --> 01:33:17,280
Speaker 2: if I'm really upset, But I think again twenty two

1928
01:33:17,320 --> 01:33:19,240
Speaker 2: your old dude, this is part of content world.

1929
01:33:20,040 --> 01:33:22,120
Speaker 4: You asked me a question. Yeah, I know, I did.

1930
01:33:22,200 --> 01:33:28,599
Speaker 4: I know we were talking that question. I know whatever

1931
01:33:28,880 --> 01:33:31,519
Speaker 4: ultimate disrespect with our nigga you gave, so he even

1932
01:33:31,560 --> 01:33:34,280
Speaker 4: took over your questions, right, So he came in we

1933
01:33:34,360 --> 01:33:34,720
Speaker 4: were talking.

1934
01:33:34,720 --> 01:33:38,160
Speaker 8: So when me and him reputed one another, why does

1935
01:33:38,200 --> 01:33:38,920
Speaker 8: he get personal?

1936
01:33:39,000 --> 01:33:39,719
Speaker 10: I didn't get personal.

1937
01:33:40,000 --> 01:33:40,920
Speaker 7: I didn't get prisonal too.

1938
01:33:40,920 --> 01:33:42,439
Speaker 1: He's gonna say, oh you better woo.

1939
01:33:42,200 --> 01:33:44,960
Speaker 8: Woo woo, don't so nah, I didn't ever take it personal?

1940
01:33:45,240 --> 01:33:47,760
Speaker 8: Why is he taking it pressonal and we're here on business.

1941
01:33:48,000 --> 01:33:50,519
Speaker 8: This your buddy homie, you flew me here and invited me?

1942
01:33:50,680 --> 01:33:53,040
Speaker 4: Is so I don't Yeah, and again I didn't think

1943
01:33:53,040 --> 01:33:53,679
Speaker 4: this is what happened.

1944
01:33:53,680 --> 01:33:55,800
Speaker 1: I really won't you washed it?

1945
01:33:56,160 --> 01:33:57,120
Speaker 4: What do you want me to do? Though? Bro?

1946
01:33:57,200 --> 01:33:57,840
Speaker 10: See your partner.

1947
01:33:57,920 --> 01:33:59,320
Speaker 1: He wrong, like I would have told my nigga.

1948
01:33:59,320 --> 01:34:02,280
Speaker 4: He was right myself. He was wrong for asking him.

1949
01:34:02,479 --> 01:34:05,120
Speaker 4: He was wrong for butting into the conversation. Means you

1950
01:34:05,160 --> 01:34:06,320
Speaker 4: were having trying to take it.

1951
01:34:06,600 --> 01:34:09,519
Speaker 2: See Charleston, right, and this I think before he left,

1952
01:34:09,560 --> 01:34:12,040
Speaker 2: like at least right here, he has the wrong outlook

1953
01:34:12,040 --> 01:34:14,559
Speaker 2: on what's happening him. So he's saying like he think

1954
01:34:14,640 --> 01:34:17,719
Speaker 2: you interviewing me. But dude doesn't book both of y'all

1955
01:34:17,760 --> 01:34:20,479
Speaker 2: because he do the fans like this, Hey, y'all, book two,

1956
01:34:20,560 --> 01:34:22,479
Speaker 2: three of y'all, take you shop, and we're gonna go

1957
01:34:22,520 --> 01:34:24,519
Speaker 2: to the escape room. We're gonna go over here and

1958
01:34:24,560 --> 01:34:27,639
Speaker 2: jump off the high dive. We're gonna do some fucking

1959
01:34:27,800 --> 01:34:31,720
Speaker 2: This is what he do. So Charleston is like thinking that, hey, yo,

1960
01:34:31,840 --> 01:34:34,200
Speaker 2: it's a me and you thing, but it's a US thing.

1961
01:34:34,280 --> 01:34:36,400
Speaker 1: And dude, guys like all of us.

1962
01:34:36,439 --> 01:34:39,320
Speaker 2: Then X QC and all these other guys are flying

1963
01:34:39,360 --> 01:34:40,960
Speaker 2: in like this is a thing.

1964
01:34:42,200 --> 01:34:43,200
Speaker 1: This isn't a one.

1965
01:34:43,080 --> 01:34:45,240
Speaker 2: On one thing, and I think Charleston so when he

1966
01:34:45,320 --> 01:34:48,040
Speaker 2: jumped in, it's because he the one fed aid in

1967
01:34:48,120 --> 01:34:51,120
Speaker 2: the question. So he the one kind of know more

1968
01:34:51,120 --> 01:34:54,840
Speaker 2: about Charleston White than Aiden. So Charleston has this thing

1969
01:34:54,880 --> 01:34:56,880
Speaker 2: where he's saying to him like, yo, I would have

1970
01:34:56,960 --> 01:34:59,559
Speaker 2: told my guests, and I'm your guess, and yo, both

1971
01:34:59,560 --> 01:35:01,519
Speaker 2: of y'all. That's why he's saying I want to remain

1972
01:35:01,640 --> 01:35:05,160
Speaker 2: neutral because in his mind, this is content world. I

1973
01:35:05,160 --> 01:35:07,639
Speaker 2: got two, three, five, sixty y'all flying in and now

1974
01:35:07,920 --> 01:35:11,799
Speaker 2: I can't really pick a side. So after Charleston left,

1975
01:35:12,120 --> 01:35:14,960
Speaker 2: then there was a situation where he was in the

1976
01:35:15,080 --> 01:35:18,439
Speaker 2: room and they called the police on Charleston White. I

1977
01:35:18,479 --> 01:35:20,360
Speaker 2: do want to play some of this live because he

1978
01:35:20,439 --> 01:35:22,479
Speaker 2: kind of gets into the business side. He kind of

1979
01:35:22,479 --> 01:35:24,720
Speaker 2: gets into the side of saying, yo, I thought it

1980
01:35:24,840 --> 01:35:27,559
Speaker 2: was a deal, but then I figured out, Yo, they

1981
01:35:27,560 --> 01:35:28,679
Speaker 2: ain't talking about no deal.

1982
01:35:28,920 --> 01:35:30,639
Speaker 1: Let's look at it a little bit of it down.

1983
01:35:30,680 --> 01:35:32,800
Speaker 10: I get what he did. He couldn't even look at me.

1984
01:35:33,360 --> 01:35:36,000
Speaker 10: Could they know they wrong? Homie? They know they did

1985
01:35:36,040 --> 01:35:37,880
Speaker 10: sit this shit up.

1986
01:35:38,000 --> 01:35:40,439
Speaker 14: They've been having a camera roller so we can't never

1987
01:35:40,560 --> 01:35:43,599
Speaker 14: talk busding. So I hit him this morning to say,

1988
01:35:43,640 --> 01:35:48,679
Speaker 14: listen home, Oh, I know we having funmer, but when

1989
01:35:48,720 --> 01:35:50,439
Speaker 14: we go sit down and talk, bidding me.

1990
01:35:50,479 --> 01:35:56,160
Speaker 10: And you one on one? Yeah, So I'm I'm gonna

1991
01:35:56,200 --> 01:35:58,400
Speaker 10: lay y'all out of it. So I'm gonna show y'all

1992
01:35:59,080 --> 01:36:03,120
Speaker 10: how umped been playing fil with him on it.

1993
01:36:03,479 --> 01:36:07,120
Speaker 15: I've been going alone to get along, to show the

1994
01:36:07,240 --> 01:36:09,439
Speaker 15: people I know how to play well with others.

1995
01:36:09,760 --> 01:36:12,280
Speaker 10: They been handling on like a roadie, poop on me.

1996
01:36:12,720 --> 01:36:15,920
Speaker 14: When I get to the airport, you hear me, they

1997
01:36:15,920 --> 01:36:18,040
Speaker 14: won't see any information what airport are flying? So I

1998
01:36:18,040 --> 01:36:19,799
Speaker 14: got a car say, oh, no, I bet the airport.

1999
01:36:20,200 --> 01:36:23,240
Speaker 14: What airline am I flying? Would y'all see the text

2000
01:36:23,280 --> 01:36:27,720
Speaker 14: message that they responded to me, Oh, he's just the airport.

2001
01:36:26,240 --> 01:36:27,880
Speaker 10: But what airline am I flying?

2002
01:36:27,920 --> 01:36:31,639
Speaker 14: My nigga, So I'm saying, okay, well, maybe I gotta

2003
01:36:31,680 --> 01:36:32,839
Speaker 14: pay for my own hotel.

2004
01:36:33,280 --> 01:36:34,800
Speaker 10: So I booked me a hotel at.

2005
01:36:34,800 --> 01:36:39,240
Speaker 14: Trump because ain't nobody giving me no information. But I'm

2006
01:36:39,240 --> 01:36:42,000
Speaker 14: playing along to see they said that white boy offered

2007
01:36:42,000 --> 01:36:42,960
Speaker 14: me a streaming deal.

2008
01:36:43,360 --> 01:36:44,439
Speaker 10: Nigga, they playing on you.

2009
01:36:44,520 --> 01:36:46,559
Speaker 15: Well, let's see if they playing on your nigga and

2010
01:36:46,600 --> 01:36:51,679
Speaker 15: while they playing on you peep game, while you playing

2011
01:36:51,720 --> 01:36:52,479
Speaker 15: on your peep game.

2012
01:36:52,880 --> 01:36:56,160
Speaker 1: Let now that's important to know. He said when he

2013
01:36:56,200 --> 01:36:56,639
Speaker 1: got to.

2014
01:36:56,560 --> 01:37:00,639
Speaker 2: The airport, he didn't even know what flight he was on. Again,

2015
01:37:01,080 --> 01:37:05,400
Speaker 2: this is more behavior of them treating those people like fans,

2016
01:37:06,080 --> 01:37:09,120
Speaker 2: not like potential business partners. There's no way they would

2017
01:37:09,120 --> 01:37:10,920
Speaker 2: have done that to take There's no way they would

2018
01:37:10,960 --> 01:37:13,000
Speaker 2: have done that to anybody that they truly would have

2019
01:37:13,040 --> 01:37:15,840
Speaker 2: booked on business. And this is why I think charge

2020
01:37:15,880 --> 01:37:18,240
Speaker 2: is start to feel like, Yo, y'all all this shit

2021
01:37:18,320 --> 01:37:22,040
Speaker 2: starting to add up, seem like y'all playing, don't seem

2022
01:37:22,120 --> 01:37:24,439
Speaker 2: like there's no real shit that's going on. Seem like

2023
01:37:24,479 --> 01:37:28,879
Speaker 2: this a bunch of bullshit. I get to the airport,

2024
01:37:28,920 --> 01:37:31,240
Speaker 2: don no, don't know what hotel? I mean, y'all ain't

2025
01:37:31,280 --> 01:37:33,800
Speaker 2: doing this for somebody you booking, y'all doing this for

2026
01:37:33,880 --> 01:37:36,360
Speaker 2: somebody that y'all looking at it like y'all giving an

2027
01:37:36,400 --> 01:37:39,960
Speaker 2: opportunity to So what happens is y'all hope I don't

2028
01:37:40,040 --> 01:37:46,080
Speaker 2: understand the value I possess in this circumstance. See we'll

2029
01:37:46,120 --> 01:37:48,600
Speaker 2: have an audience and not know how to monetize it

2030
01:37:48,720 --> 01:37:50,479
Speaker 2: or not know how to get the money from it,

2031
01:37:50,920 --> 01:37:53,000
Speaker 2: not know how to what really to do.

2032
01:37:54,240 --> 01:37:57,280
Speaker 1: Pay attention though to what bro? What charge? The white

2033
01:37:57,360 --> 01:38:00,639
Speaker 1: is saying, I'm up there.

2034
01:38:00,880 --> 01:38:04,360
Speaker 10: Looking and peeping. So nigga, I let him play. Oh,

2035
01:38:04,479 --> 01:38:06,439
Speaker 10: I'll come up playing. I'll let him play 'em all.

2036
01:38:06,479 --> 01:38:07,799
Speaker 10: What's up my mom? Okay?

2037
01:38:07,920 --> 01:38:10,360
Speaker 15: They some cool white boy, but a nigga. They playing

2038
01:38:10,400 --> 01:38:13,000
Speaker 15: on you. They got these cameras on you for twelve hours.

2039
01:38:13,600 --> 01:38:15,840
Speaker 15: Were down there a hundred some thousand people. Now they

2040
01:38:15,880 --> 01:38:17,600
Speaker 15: done easily made a million.

2041
01:38:17,280 --> 01:38:20,360
Speaker 10: Dollars to day. So don't worry. Everybody say that nigga.

2042
01:38:20,320 --> 01:38:22,439
Speaker 10: The nigga, you go up here and see what's going on.

2043
01:38:22,960 --> 01:38:27,240
Speaker 6: Okay, they got a PC. Ooh they got a oh okay,

2044
01:38:27,280 --> 01:38:29,360
Speaker 6: so now I know about the PC. Niggas don't know

2045
01:38:29,400 --> 01:38:31,920
Speaker 6: nothing about the PC and the service. So you gotta

2046
01:38:31,960 --> 01:38:34,320
Speaker 6: get a PC in the service. Well, say, man, what's

2047
01:38:34,320 --> 01:38:36,599
Speaker 6: a streamer? I don't know nothing about the stream i'ma

2048
01:38:36,600 --> 01:38:41,400
Speaker 6: asking question. Oh man, we go over streaming, So okay,

2049
01:38:41,400 --> 01:38:42,839
Speaker 6: so now nobody streaming.

2050
01:38:43,800 --> 01:38:46,519
Speaker 14: So now I don't need him to go over to

2051
01:38:46,680 --> 01:38:51,120
Speaker 14: kick I just down old kick my motherfucking self, find

2052
01:38:51,160 --> 01:38:52,519
Speaker 14: me somebody to know how to.

2053
01:38:52,439 --> 01:38:57,919
Speaker 10: Build PCs and servers. And guess what, I didn't.

2054
01:38:57,720 --> 01:39:02,680
Speaker 14: Know nothing about gaming, so by they help her use me,

2055
01:39:02,920 --> 01:39:06,200
Speaker 14: I'm a per learning about game.

2056
01:39:07,640 --> 01:39:08,280
Speaker 10: Streaming.

2057
01:39:08,439 --> 01:39:10,320
Speaker 14: I didn't know nothing about this shit, my nigga, I

2058
01:39:10,320 --> 01:39:12,559
Speaker 14: didn't know you can come over her and stream and

2059
01:39:12,640 --> 01:39:14,760
Speaker 14: say what you wanna say over her.

2060
01:39:14,680 --> 01:39:20,200
Speaker 10: On what I can hmm, game applied me in the elevation.

2061
01:39:20,360 --> 01:39:23,800
Speaker 15: Let him use your nigga, and guess what now they

2062
01:39:23,840 --> 01:39:27,400
Speaker 15: don't expose you to all of his audience millions of people.

2063
01:39:27,439 --> 01:39:29,799
Speaker 10: Now you a bigger name than what you was before.

2064
01:39:30,320 --> 01:39:31,799
Speaker 10: Let him use your nigga.

2065
01:39:32,240 --> 01:39:36,120
Speaker 14: Now come over here, and now Ada Ross has a

2066
01:39:36,200 --> 01:39:39,840
Speaker 14: motherfucking arch enemy on Kick.

2067
01:39:40,240 --> 01:39:41,920
Speaker 10: So guess what they gonna be coming to see what

2068
01:39:41,960 --> 01:39:43,639
Speaker 10: he says. They're gonna be come and see what I'll.

2069
01:39:43,479 --> 01:39:47,920
Speaker 14: Say, Oh man, And I thought they were use using

2070
01:39:48,000 --> 01:39:50,160
Speaker 14: me and I wouldn't get nothing out of it.

2071
01:39:51,439 --> 01:39:55,880
Speaker 2: Here's the thing about that, definitely understand brand visibility. They

2072
01:39:55,920 --> 01:39:58,280
Speaker 2: can't take that from him. He definitely got that from it.

2073
01:39:58,360 --> 01:40:02,120
Speaker 2: What I would say, though, is I believe that's a

2074
01:40:02,160 --> 01:40:04,479
Speaker 2: trick bag to put him in as well. If he

2075
01:40:04,600 --> 01:40:08,880
Speaker 2: goes and joins that platform for free. I mean, I

2076
01:40:08,920 --> 01:40:11,200
Speaker 2: do see some value in it because the people that

2077
01:40:11,200 --> 01:40:13,519
Speaker 2: are there for him already know who you are. So

2078
01:40:13,600 --> 01:40:15,240
Speaker 2: if you can get some of the people. But do

2079
01:40:15,280 --> 01:40:17,760
Speaker 2: they let you monetize? Do they play around with it?

2080
01:40:17,800 --> 01:40:20,280
Speaker 2: Do they not give you that visibility? Do they not

2081
01:40:20,320 --> 01:40:23,280
Speaker 2: place you in the algorithm? You know what I'm saying?

2082
01:40:23,320 --> 01:40:23,760
Speaker 1: Do they not?

2083
01:40:24,400 --> 01:40:28,160
Speaker 2: Like there's a lot of back in operational things that

2084
01:40:28,320 --> 01:40:30,679
Speaker 2: happen that It's like, I'm not sure.

2085
01:40:30,960 --> 01:40:32,639
Speaker 1: I wouldn't get on that platform for free.

2086
01:40:32,640 --> 01:40:35,240
Speaker 2: I would negotiate a contract to be on that platform

2087
01:40:35,280 --> 01:40:38,880
Speaker 2: if I go, even if I'm in a rival capacity,

2088
01:40:39,000 --> 01:40:40,439
Speaker 2: I wouldn't go just for free.

2089
01:40:40,720 --> 01:40:44,639
Speaker 10: The nigga I came up for asking questions. One other thing.

2090
01:40:45,160 --> 01:40:48,000
Speaker 14: I don't know nothing about gaming and what they playing

2091
01:40:48,000 --> 01:40:48,639
Speaker 14: with the gaming.

2092
01:40:49,080 --> 01:40:51,479
Speaker 10: Guess what I'm leaving with a PS five?

2093
01:40:51,600 --> 01:40:53,800
Speaker 14: I used to talk down on the motherfucker getting a

2094
01:40:53,800 --> 01:40:54,400
Speaker 14: PS five.

2095
01:40:54,760 --> 01:40:57,120
Speaker 10: Guess what we got some new knowledge?

2096
01:40:57,160 --> 01:41:01,960
Speaker 14: Because lack of knowledge, people will That's why it's only

2097
01:41:02,120 --> 01:41:04,920
Speaker 14: one black big streamer and he had to go through

2098
01:41:04,960 --> 01:41:05,360
Speaker 14: the Jew.

2099
01:41:05,760 --> 01:41:08,400
Speaker 12: We y'all had to go through the Jew. I just

2100
01:41:08,439 --> 01:41:10,920
Speaker 12: didn't go through the Jew. I met the Jew and

2101
01:41:11,000 --> 01:41:14,040
Speaker 12: got some of the game from the Jew maint people.

2102
01:41:14,040 --> 01:41:16,200
Speaker 12: You see what I'm saying, I ain't I was gonna

2103
01:41:16,200 --> 01:41:18,400
Speaker 12: go through the Jew. I was willing to go through

2104
01:41:18,400 --> 01:41:20,599
Speaker 12: the Jew, but I didn't wanna get treated like these

2105
01:41:20,680 --> 01:41:23,040
Speaker 12: niggas get treated going through the Jews.

2106
01:41:23,080 --> 01:41:25,760
Speaker 10: Man that nigga because he's a Jew nigga. He ain't

2107
01:41:25,800 --> 01:41:26,320
Speaker 10: our nigga.

2108
01:41:28,280 --> 01:41:31,639
Speaker 14: I was willing to hurt this King Vaughan loving see

2109
01:41:31,640 --> 01:41:34,519
Speaker 14: because the Jews say, I love King Vaughan, and I'm saying,

2110
01:41:34,520 --> 01:41:36,920
Speaker 14: I'm with the victims of King von people niggas, so

2111
01:41:37,000 --> 01:41:37,760
Speaker 14: y'all picked King.

2112
01:41:38,040 --> 01:41:39,840
Speaker 10: Now, all nigga, I saw what it was.

2113
01:41:40,280 --> 01:41:42,840
Speaker 14: I saw how they were trying to use me to

2114
01:41:42,960 --> 01:41:45,879
Speaker 14: get me up hero to stab this date shit.

2115
01:41:45,800 --> 01:41:48,560
Speaker 10: That these niggas doing. So they gonna use the nigga.

2116
01:41:48,240 --> 01:41:52,840
Speaker 14: To try to tell nah, all niggas, bitch ass nigga.

2117
01:41:53,000 --> 01:41:55,680
Speaker 10: The white boys is using you niggas to stand and

2118
01:41:55,720 --> 01:41:59,760
Speaker 10: these niggas say, come on, my nigga, they gonna use

2119
01:42:00,120 --> 01:42:03,280
Speaker 10: me to try and obtain me millions.

2120
01:42:02,680 --> 01:42:06,000
Speaker 14: Of dollars to come up through and stamp the Nigga

2121
01:42:06,120 --> 01:42:09,240
Speaker 14: nation with the gay shit with this to this nigga.

2122
01:42:09,439 --> 01:42:13,719
Speaker 14: I'll be damn you line to meet nigga. I hate

2123
01:42:13,720 --> 01:42:16,720
Speaker 14: everything about everything and everybody nigga for I shall out

2124
01:42:16,800 --> 01:42:19,360
Speaker 14: like this here and they ain't giving me no up

2125
01:42:19,360 --> 01:42:20,480
Speaker 14: from money.

2126
01:42:20,680 --> 01:42:24,160
Speaker 15: This nigga Prime Grandmama still in the ghetto, my nigga,

2127
01:42:24,280 --> 01:42:26,920
Speaker 15: and they betting hundreds of thousands of dollars in front

2128
01:42:26,960 --> 01:42:29,600
Speaker 15: of him, he crying about losing.

2129
01:42:29,240 --> 01:42:30,480
Speaker 10: A thousand, Homie.

2130
01:42:30,760 --> 01:42:34,000
Speaker 12: I stood back and watched them white boys a hull

2131
01:42:34,040 --> 01:42:37,200
Speaker 12: of thousands, a hull of thousand of power.

2132
01:42:37,880 --> 01:42:41,200
Speaker 10: And them niggas got tennis shoes. Who they think they

2133
01:42:41,280 --> 01:42:44,600
Speaker 10: playing with? My nigga, Who they think they playing with?

2134
01:42:44,640 --> 01:42:48,360
Speaker 10: Them niggas got tennis shoes. Them niggas got tennis shoes,

2135
01:42:48,479 --> 01:42:49,160
Speaker 10: my nigga.

2136
01:42:49,240 --> 01:42:51,200
Speaker 2: Yo, that was a lot to deal with, man. Like

2137
01:42:51,240 --> 01:42:53,840
Speaker 2: I said, a lot happened in this.

2138
01:42:54,280 --> 01:42:56,360
Speaker 1: We could go further, but we gotta get out of

2139
01:42:56,400 --> 01:42:57,040
Speaker 1: here for today.

2140
01:42:57,120 --> 01:42:57,320
Speaker 3: Man.

2141
01:42:57,439 --> 01:42:58,920
Speaker 1: I apologize to y'all.

2142
01:42:59,000 --> 01:43:01,920
Speaker 2: You know you want more loon come to patreon dot

2143
01:43:01,960 --> 01:43:05,280
Speaker 2: com It's up that podcast. If you pay up front

2144
01:43:05,320 --> 01:43:09,439
Speaker 2: for a year, you get three months free along with

2145
01:43:10,439 --> 01:43:14,120
Speaker 2: merch once every quarter. So come to Patreon dot com

2146
01:43:14,160 --> 01:43:19,120
Speaker 2: It's up that podcast. Continue listening continue sharing, continue supporting.

2147
01:43:19,400 --> 01:43:20,519
Speaker 1: We got live shows.

2148
01:43:20,520 --> 01:43:24,040
Speaker 2: Pop out on me September fifteen, Nashville, Tennessee Loon doctor

2149
01:43:24,160 --> 01:43:27,080
Speaker 2: Umar Johnson first live show. It don't take you ten

2150
01:43:27,160 --> 01:43:29,000
Speaker 2: years to do a live show. We did it in

2151
01:43:29,040 --> 01:43:32,040
Speaker 2: ten months. It's up the podcasts, biggest in history. We

2152
01:43:32,080 --> 01:43:32,639
Speaker 2: love y'all.