1 00:00:00,120 --> 00:00:04,280 Speaker 1: Hello the Internet, and welcome to this episode of Zeighthouse Down. 2 00:00:05,240 --> 00:00:10,039 Speaker 1: Courtesy of Rory the Scrivener. What's a scrivener? I believe 3 00:00:10,360 --> 00:00:15,520 Speaker 1: so Bartleby the Scrivener that is that is a Melville 4 00:00:15,560 --> 00:00:18,720 Speaker 1: short story where the guy just it's just like a 5 00:00:18,760 --> 00:00:22,520 Speaker 1: bit where the guy is like, I'd prefer not to 6 00:00:22,880 --> 00:00:24,599 Speaker 1: instead of doing his job. I think it's at a 7 00:00:24,680 --> 00:00:29,160 Speaker 1: law firm. Oh so, scrivener is a wait a word 8 00:00:29,240 --> 00:00:31,400 Speaker 1: process whatever this is. This is what always happens at 9 00:00:31,400 --> 00:00:32,879 Speaker 1: the beginning of these. I'm gonna come in with a 10 00:00:33,000 --> 00:00:39,120 Speaker 1: random and then suddenly we're looking at bygone clerk, scribe 11 00:00:39,320 --> 00:00:43,160 Speaker 1: or notary. Sure, I'm sure there's some sort of software 12 00:00:43,200 --> 00:00:46,040 Speaker 1: that is called scrivener. Then they take that right, I 13 00:00:46,120 --> 00:00:49,080 Speaker 1: got you right, shot out, Rory. Are you a scrivener? 14 00:00:49,159 --> 00:00:51,720 Speaker 1: Let us know, yeah, let us know? Or are you 15 00:00:51,760 --> 00:00:55,240 Speaker 1: a fan of the Melville short story? Is that I'd 16 00:00:55,280 --> 00:00:58,360 Speaker 1: prefer not to over and over again old school graffiti 17 00:00:58,400 --> 00:01:00,800 Speaker 1: ship that was just when you like, hit up glass 18 00:01:00,800 --> 00:01:04,280 Speaker 1: with a scribe, carve it in real quick. All right, 19 00:01:04,400 --> 00:01:08,319 Speaker 1: let's tell the people that's that's Miles. Oh yeah, yeah, yeah, Hey, hey, 20 00:01:09,240 --> 00:01:13,640 Speaker 1: it's me Jack. And this is what's trending. Mary Wilson 21 00:01:14,000 --> 00:01:18,480 Speaker 1: is trending. Yeah, r I p Mary Wilson one of 22 00:01:18,520 --> 00:01:22,120 Speaker 1: the you know, I always talk shit about the I 23 00:01:22,120 --> 00:01:24,160 Speaker 1: don't talk about the Supremes. I talk about how Diana 24 00:01:24,240 --> 00:01:27,640 Speaker 1: Ross was got all the shine in the Supremes because 25 00:01:28,200 --> 00:01:32,360 Speaker 1: because she looked a certain way. But Mary Wilson, my god, 26 00:01:32,959 --> 00:01:38,959 Speaker 1: she was. She a Motown legend, and just yeah, it's 27 00:01:39,280 --> 00:01:41,280 Speaker 1: the year is taking a lot of people from us. 28 00:01:41,640 --> 00:01:45,640 Speaker 1: But yeah, she was only seventy six, um, which I 29 00:01:45,640 --> 00:01:47,560 Speaker 1: don't know why. I'm like, only seventy six because in 30 00:01:47,600 --> 00:01:50,680 Speaker 1: my mind, I'm like, people have to live to a hundred. Yeah, 31 00:01:50,680 --> 00:01:53,480 Speaker 1: but yeah, she was, you know, to that to that point, 32 00:01:53,520 --> 00:01:57,400 Speaker 1: the longest reigning original Supreme. It's such a such a 33 00:01:57,440 --> 00:02:00,880 Speaker 1: career too, um like like just from coming out of 34 00:02:00,880 --> 00:02:03,680 Speaker 1: Mississippi to all of a sudden being on the Supremes 35 00:02:03,720 --> 00:02:09,239 Speaker 1: and just it's just this whole era is really interesting 36 00:02:09,240 --> 00:02:10,880 Speaker 1: because I mean, we're gonna talk about it later on 37 00:02:10,919 --> 00:02:12,640 Speaker 1: episode that comes out later this week. But just like 38 00:02:12,720 --> 00:02:15,839 Speaker 1: the impact of like Motown on music and what that 39 00:02:16,040 --> 00:02:20,000 Speaker 1: was in terms of like America's sort of sifting through 40 00:02:20,040 --> 00:02:22,280 Speaker 1: what it meant to be an American act and how 41 00:02:22,919 --> 00:02:25,920 Speaker 1: uh you know, Barry Gordy and the art black artists, 42 00:02:25,880 --> 00:02:30,000 Speaker 1: they're we're trying to like blend all of these accepted 43 00:02:30,600 --> 00:02:33,960 Speaker 1: sonic and visual tropes of like white entertainers on top 44 00:02:34,040 --> 00:02:36,600 Speaker 1: of these black entertainers and bringing in the gospel and 45 00:02:36,639 --> 00:02:40,839 Speaker 1: all this other stuff. So yeah, it's a it's significant time, 46 00:02:40,840 --> 00:02:44,040 Speaker 1: but yeah, shout out to her. And obviously the producing 47 00:02:44,040 --> 00:02:48,079 Speaker 1: team of Holland Dozer Holland, Who's Holland Dozer Holland they 48 00:02:48,080 --> 00:02:50,360 Speaker 1: were basically man, they were behind some of the biggest 49 00:02:50,440 --> 00:02:54,480 Speaker 1: fucking hits Lamont. It was Briantmant Dozer and Eddie Hall. Yeah. Yeah, 50 00:02:54,480 --> 00:02:56,960 Speaker 1: they were like the they were they were there. They 51 00:02:56,960 --> 00:02:59,799 Speaker 1: were like the ones fucking doing all the fucking the 52 00:03:00,000 --> 00:03:02,000 Speaker 1: it's and ship like that. But it was a yeah, 53 00:03:02,280 --> 00:03:04,280 Speaker 1: always a great thing to like look into in terms 54 00:03:04,280 --> 00:03:07,000 Speaker 1: of like how that operated as like a machine, where 55 00:03:07,040 --> 00:03:09,960 Speaker 1: Barry Gordon was like, what do white people listening to? Okay, 56 00:03:09,960 --> 00:03:12,320 Speaker 1: how do we turn that up? Okay, Like I want 57 00:03:12,320 --> 00:03:14,320 Speaker 1: my version of this song and it's like boom, Now 58 00:03:14,320 --> 00:03:18,560 Speaker 1: you've got people fucking putting in work, and yeah, so 59 00:03:18,639 --> 00:03:23,200 Speaker 1: much better than anything that's being made. I don't know 60 00:03:23,280 --> 00:03:28,320 Speaker 1: that that's some old school old man. It ain't as 61 00:03:28,400 --> 00:03:30,760 Speaker 1: good as Motown, you know. It's just it's like one 62 00:03:30,800 --> 00:03:32,519 Speaker 1: of those things though too when you look at music, 63 00:03:32,600 --> 00:03:36,520 Speaker 1: like how many people still play their instruments versus artists 64 00:03:36,520 --> 00:03:39,120 Speaker 1: who have a singing ability and then have a production 65 00:03:39,280 --> 00:03:42,360 Speaker 1: team around them to create like the instrumental music for 66 00:03:42,400 --> 00:03:45,360 Speaker 1: them to sing on or write the songs um But 67 00:03:45,440 --> 00:03:47,160 Speaker 1: I think also like in America, weas have a weird 68 00:03:47,200 --> 00:03:50,720 Speaker 1: relationship with music, like where it's it's not like in Europe. 69 00:03:50,760 --> 00:03:52,960 Speaker 1: You always wonder like how these Europeans are the sick 70 00:03:53,000 --> 00:03:55,720 Speaker 1: gas bands, Like, well, the music is a big part 71 00:03:55,720 --> 00:03:58,280 Speaker 1: of like your education and classical music, like even if 72 00:03:58,280 --> 00:04:00,400 Speaker 1: you play guitar, you probably had to play little piano 73 00:04:00,760 --> 00:04:03,480 Speaker 1: and those things build on each other. And Whereas in America, 74 00:04:03,600 --> 00:04:06,800 Speaker 1: like that tradition was coming out of black churches. So 75 00:04:06,880 --> 00:04:10,200 Speaker 1: that's where we were creating like some really great musicians. 76 00:04:10,240 --> 00:04:13,040 Speaker 1: Not to say that's the only place, but in this context, yeah, 77 00:04:13,080 --> 00:04:15,800 Speaker 1: where's coming out of churches? And I can talk about 78 00:04:15,800 --> 00:04:18,320 Speaker 1: this all day. Dayton Ohio the Land of Funk, because 79 00:04:18,360 --> 00:04:20,679 Speaker 1: all these all these church bands that were just battling 80 00:04:20,720 --> 00:04:23,039 Speaker 1: each other, that ended up becoming like slave or the 81 00:04:23,080 --> 00:04:26,800 Speaker 1: Ohio players. They know how the one place that I 82 00:04:26,839 --> 00:04:29,680 Speaker 1: tried to learn electric guitar and I learned the riff 83 00:04:29,720 --> 00:04:36,279 Speaker 1: from Sweet Shout of Mine and gave up the Home 84 00:04:36,320 --> 00:04:40,320 Speaker 1: of Funk. And you're like and me being able to 85 00:04:40,320 --> 00:04:42,479 Speaker 1: play the riff and switech out of Mine and we 86 00:04:42,520 --> 00:04:45,159 Speaker 1: were just doing Smoke on the water, I think right there, Yeah, yeah, 87 00:04:45,160 --> 00:04:47,840 Speaker 1: I know that that's like the other I feel like 88 00:04:47,880 --> 00:04:56,320 Speaker 1: when you're yeah that old sweech out of um the 89 00:04:57,520 --> 00:05:03,000 Speaker 1: I feel like that's the other song that everybody learns first. Um. Alright, 90 00:05:03,080 --> 00:05:06,080 Speaker 1: Chewbacca defense is trending. This is a reference to a 91 00:05:06,360 --> 00:05:11,479 Speaker 1: episode of South Park where the lawyer basically has no 92 00:05:12,000 --> 00:05:18,360 Speaker 1: argument and just starts trying to confuse the jury with 93 00:05:18,839 --> 00:05:22,520 Speaker 1: I believe facts about Chewbacca. Oh that's what the premise 94 00:05:22,560 --> 00:05:27,360 Speaker 1: of that joke is. Yeah, that's exactly what's happening. Then. Yeah, 95 00:05:27,400 --> 00:05:30,600 Speaker 1: and there're people are, uh, you know, we've been recording 96 00:05:30,640 --> 00:05:34,440 Speaker 1: while a lot of this stuff is happening, but people, 97 00:05:34,560 --> 00:05:37,320 Speaker 1: I'm seeing a lot of what is even happening right 98 00:05:37,320 --> 00:05:43,560 Speaker 1: now from people watching the impeachment trial. Yeah, it's it's 99 00:05:43,640 --> 00:05:48,600 Speaker 1: it's spanning all kinds of things like reading from the Constitution, 100 00:05:49,000 --> 00:05:52,359 Speaker 1: playing weird clips that don't make sense, not making any 101 00:05:52,440 --> 00:05:56,600 Speaker 1: points about what the actual your argument is. As a defense. 102 00:05:57,360 --> 00:06:01,839 Speaker 1: Uh so ship yeah, like because like apparently he was 103 00:06:01,880 --> 00:06:05,360 Speaker 1: just saying a bunch of words like extra awards, Like 104 00:06:05,400 --> 00:06:08,800 Speaker 1: he was just filling in his sentences with extra words, 105 00:06:08,839 --> 00:06:11,000 Speaker 1: as you do when you're writing an essay like in 106 00:06:11,240 --> 00:06:16,320 Speaker 1: high school. Um, and now, yeah, I don't that's what's wild. 107 00:06:16,360 --> 00:06:18,640 Speaker 1: It's like even with that, even with having a non 108 00:06:18,720 --> 00:06:22,160 Speaker 1: defense defense and in fact almost being like I don't know, Yeah, 109 00:06:22,200 --> 00:06:23,920 Speaker 1: maybe he did do it, but like, come on, y'all, 110 00:06:24,160 --> 00:06:30,200 Speaker 1: it's Tuesday. Can we go? Also shout out to senators 111 00:06:30,200 --> 00:06:32,640 Speaker 1: because I love y'all. You gotta got y'all got great hair, 112 00:06:32,760 --> 00:06:39,680 Speaker 1: you've got great suits, pantsuits, power suits, uh he, bracelets, rings, 113 00:06:40,120 --> 00:06:48,520 Speaker 1: um lenses, gavel, seat desk like that's where they're at. 114 00:06:48,560 --> 00:06:51,240 Speaker 1: And then you're still gonna have Republican senators be like, 115 00:06:51,480 --> 00:06:54,120 Speaker 1: you know, it's hard to go against what was presented 116 00:06:54,120 --> 00:06:58,040 Speaker 1: as a defense of the president's action or inaction. Yeah, 117 00:06:58,160 --> 00:07:00,480 Speaker 1: they're not making it easy on them, but a will 118 00:07:01,000 --> 00:07:04,039 Speaker 1: I think the Republican senators will rise to the occasion 119 00:07:04,640 --> 00:07:09,159 Speaker 1: and sell the country the funk out. Yeah, it's also 120 00:07:09,240 --> 00:07:11,960 Speaker 1: like there's this whole thing about how apparently Trump didn't 121 00:07:11,960 --> 00:07:14,920 Speaker 1: want to be called former president ever, so it's always 122 00:07:14,920 --> 00:07:18,200 Speaker 1: like forty five president of the United States. But both 123 00:07:18,200 --> 00:07:22,720 Speaker 1: as lawyers have said ex president from president already said 124 00:07:23,120 --> 00:07:26,440 Speaker 1: they can't even get daddy's orders, right, he plays, he 125 00:07:26,440 --> 00:07:29,320 Speaker 1: claims he's coming back. We'll talk about that a little 126 00:07:29,320 --> 00:07:32,000 Speaker 1: bit on tomorrow's episode. But the one thing that I 127 00:07:32,000 --> 00:07:34,120 Speaker 1: don't even have on the dock here this trending that 128 00:07:34,360 --> 00:07:36,880 Speaker 1: one of us needs to probably watch. I think I'll 129 00:07:36,920 --> 00:07:39,880 Speaker 1: probably watch is that Britney Spears watch. People are really 130 00:07:40,000 --> 00:07:43,880 Speaker 1: did you watch tonight? It's funny because in it and 131 00:07:43,920 --> 00:07:48,360 Speaker 1: I'm like, yeah, that's the dope shout out to the 132 00:07:48,440 --> 00:07:52,600 Speaker 1: sister from a different Mr Babs Gray. Yeah, yeah, um 133 00:07:52,800 --> 00:07:54,880 Speaker 1: is it? Is it good worth watching? I mean yeah, 134 00:07:54,920 --> 00:07:57,880 Speaker 1: I think it's it's really interesting in that, like you know, 135 00:07:57,880 --> 00:08:00,320 Speaker 1: obviously you feel like you listening to this podcast. We 136 00:08:00,400 --> 00:08:03,240 Speaker 1: had other podcasters on who were actually blazing this trail, 137 00:08:03,720 --> 00:08:07,080 Speaker 1: Um and Test Barker and Barbara Gray for their podcast 138 00:08:07,440 --> 00:08:10,880 Speaker 1: Britney's Instagram. But yeah, like, I mean, I think we've 139 00:08:10,920 --> 00:08:14,160 Speaker 1: talked about a lot of like the evolution into the conservatorship. 140 00:08:14,240 --> 00:08:16,400 Speaker 1: But it's I think what it does a really good 141 00:08:16,480 --> 00:08:21,120 Speaker 1: job of is really setting the table emotionally psychologically for 142 00:08:21,200 --> 00:08:24,320 Speaker 1: the environment that Britney Spears was entering in the late nineties, 143 00:08:24,520 --> 00:08:29,520 Speaker 1: juxtaposed with like the Lewinsky affair and just rabid slut 144 00:08:29,600 --> 00:08:33,760 Speaker 1: shaming um happening, where like Diane Sawyer is even pressing 145 00:08:33,760 --> 00:08:36,559 Speaker 1: her in the interview, We're like, yo, shut the funk up, Diane, 146 00:08:36,600 --> 00:08:39,440 Speaker 1: Like when you watch it now, you're like, God, did 147 00:08:39,480 --> 00:08:43,320 Speaker 1: her so dirty? Um? And it was more Sawyer, a 148 00:08:43,320 --> 00:08:47,360 Speaker 1: few people know was in the helicopter when Nixon got 149 00:08:47,360 --> 00:08:49,840 Speaker 1: in the gave the peace signs and got in the helicopter. 150 00:08:49,960 --> 00:08:53,800 Speaker 1: She was like Nixon's right hand man. Yeah, okay, so 151 00:08:54,000 --> 00:08:57,640 Speaker 1: keep an eye out like two um yeah. So. But 152 00:08:57,720 --> 00:09:00,040 Speaker 1: I think that was really interesting because they also to 153 00:09:00,120 --> 00:09:02,439 Speaker 1: show these clips of her on her way till like 154 00:09:02,520 --> 00:09:04,319 Speaker 1: you know, two thousand and six seven when things started 155 00:09:04,400 --> 00:09:08,920 Speaker 1: kind of unraveling, where you can see how she's clearly 156 00:09:09,000 --> 00:09:13,760 Speaker 1: navigating this like hyper misogynistic society but that's suddenly aware 157 00:09:13,760 --> 00:09:16,760 Speaker 1: of how hyper sexualized it is, but then blaming the 158 00:09:16,840 --> 00:09:20,520 Speaker 1: woman where it's like, why is she's not that innocent, 159 00:09:20,760 --> 00:09:24,680 Speaker 1: but those titties ain't innocent. It's like what and like 160 00:09:24,720 --> 00:09:26,920 Speaker 1: people are active asking her she's a virgin and ship 161 00:09:26,960 --> 00:09:29,760 Speaker 1: and you're like what are y'all? What the fuck is 162 00:09:29,840 --> 00:09:32,840 Speaker 1: going on? And you can see how that with like 163 00:09:33,000 --> 00:09:36,559 Speaker 1: unrelenting paparazzi who are just trying to like magnify her, 164 00:09:36,800 --> 00:09:40,199 Speaker 1: like just personal issues like led her to a point 165 00:09:40,559 --> 00:09:43,360 Speaker 1: where like yeah, like it ship got really messy, and 166 00:09:43,480 --> 00:09:45,520 Speaker 1: there was just a ton of cameras there to completely 167 00:09:45,559 --> 00:09:48,920 Speaker 1: spin that into Britney Spears has lost it, y'all, and 168 00:09:48,960 --> 00:09:51,680 Speaker 1: we gotta fucking do something about her because she can't 169 00:09:51,679 --> 00:09:54,600 Speaker 1: do it on her own. And like all the jokes 170 00:09:54,640 --> 00:09:57,160 Speaker 1: that were happening from like Late Night People, so that 171 00:09:57,240 --> 00:10:01,240 Speaker 1: Craig Ferguson monologue is actually going viral again. And because 172 00:10:01,640 --> 00:10:03,400 Speaker 1: back in two thousand seven he's like I'm I'm I'm 173 00:10:03,440 --> 00:10:05,559 Speaker 1: off these like Britney Spears jokes, like this is a 174 00:10:05,559 --> 00:10:08,480 Speaker 1: person suffering. Um, so like you want to keep just 175 00:10:08,800 --> 00:10:11,320 Speaker 1: fun to somebody because they shave their head or whatever, 176 00:10:11,360 --> 00:10:15,960 Speaker 1: like this person is distressed, not like so because of y'all. 177 00:10:16,080 --> 00:10:20,960 Speaker 1: If you want that, it's not gonna happen on this show. Um, 178 00:10:21,040 --> 00:10:27,360 Speaker 1: Chris Hemsworth is trending because his body double is I've 179 00:10:27,400 --> 00:10:29,439 Speaker 1: never really thought about this, but if you are Chris 180 00:10:29,440 --> 00:10:31,600 Speaker 1: hems or his body double, you're just kind of like 181 00:10:31,640 --> 00:10:35,560 Speaker 1: Google image searching him and being like, damn it went 182 00:10:35,600 --> 00:10:41,040 Speaker 1: to the gym again. Hare like that. But his body 183 00:10:41,040 --> 00:10:43,000 Speaker 1: double is basically like I would like it if he 184 00:10:43,120 --> 00:10:47,600 Speaker 1: stopped working out. I cannot physically put on that amount 185 00:10:47,640 --> 00:10:51,160 Speaker 1: of muscle. Um. That is the first story, and then 186 00:10:51,160 --> 00:10:54,480 Speaker 1: the second story is just like a Men's Fitness article 187 00:10:54,520 --> 00:11:01,240 Speaker 1: about how sick Chris hems worth sled workouts are. Um, sick, dude. 188 00:11:01,520 --> 00:11:04,240 Speaker 1: That's just so fucked up with Like, there's a job 189 00:11:04,280 --> 00:11:08,800 Speaker 1: where you're basically physically tethered to this celebrity and you 190 00:11:08,840 --> 00:11:12,319 Speaker 1: have to like you're you're literally a body double and 191 00:11:12,440 --> 00:11:16,080 Speaker 1: everything their body does you have to make your body do. 192 00:11:16,720 --> 00:11:19,920 Speaker 1: And it almost feels like yeah for his body doubles, 193 00:11:19,960 --> 00:11:23,600 Speaker 1: like is this my body anymore? Or am I quite? 194 00:11:23,640 --> 00:11:28,040 Speaker 1: I've com modified my physical likeness to Chris Hemsworth to 195 00:11:28,080 --> 00:11:31,800 Speaker 1: a point where I can't even be whatever mine. Brian 196 00:11:32,120 --> 00:11:35,120 Speaker 1: the body double guy, just Brian Instead. I got to 197 00:11:35,160 --> 00:11:37,120 Speaker 1: book the funk out because this man wants to be 198 00:11:37,440 --> 00:11:40,960 Speaker 1: four on h G H. His name is not even Brian, 199 00:11:41,080 --> 00:11:43,960 Speaker 1: it's just like he Chris Hemsworth just calls him Brian 200 00:11:44,160 --> 00:11:47,600 Speaker 1: or mate. Right, dude, my name is Michael. My name 201 00:11:47,679 --> 00:11:51,320 Speaker 1: is Liam, like your brother. How do I forget that? 202 00:11:55,840 --> 00:11:58,560 Speaker 1: I did watch Extraction. He's very good in that, So 203 00:11:58,920 --> 00:12:02,880 Speaker 1: he's a he's a good action star. I think um 204 00:12:03,120 --> 00:12:13,000 Speaker 1: hot takes coming out this kind of a star. Streaker 205 00:12:13,360 --> 00:12:16,640 Speaker 1: is trending. There's a couple of stories that are ongoing. 206 00:12:17,120 --> 00:12:21,360 Speaker 1: Streaker Army Hammer both trending. We are we are waiting 207 00:12:21,400 --> 00:12:25,000 Speaker 1: to hear a little bit more news on both the Streaker. 208 00:12:25,480 --> 00:12:32,080 Speaker 1: There rumors flying around the streaking community that he had 209 00:12:32,160 --> 00:12:36,160 Speaker 1: bet on the I think it was like a Florida 210 00:12:36,320 --> 00:12:39,480 Speaker 1: one odds or something like not good odds that a 211 00:12:39,760 --> 00:12:43,880 Speaker 1: streaker would interrupt the game. He took the bet and 212 00:12:43,920 --> 00:12:50,520 Speaker 1: then struck struck struct Yeah, so yeah, they're saying that 213 00:12:50,559 --> 00:12:53,839 Speaker 1: this guy did so. For anybody who watched the Super Bowl, 214 00:12:53,880 --> 00:12:56,240 Speaker 1: I did catch that part where somebody streaked through the thing. 215 00:12:56,280 --> 00:12:58,079 Speaker 1: They weren't fully nude, because obviously you don't want to 216 00:12:58,080 --> 00:13:00,560 Speaker 1: catch that kind of case. So you were a cheeky 217 00:13:00,640 --> 00:13:03,720 Speaker 1: pink bathing suit. But they're saying this, dude bet fifty K, 218 00:13:04,000 --> 00:13:06,720 Speaker 1: put a fifty k prop bet on a streaker. In 219 00:13:06,800 --> 00:13:15,240 Speaker 1: the streaker was him nitting him? K? So I mean there, Yeah, 220 00:13:15,280 --> 00:13:16,880 Speaker 1: it's one of those things that they said there's very 221 00:13:16,880 --> 00:13:20,720 Speaker 1: little evidence to support this, but also nothing that they 222 00:13:20,760 --> 00:13:22,480 Speaker 1: can say that it didn't happen. But I think a 223 00:13:22,480 --> 00:13:25,439 Speaker 1: lot of the more compelling evidence comes from like people 224 00:13:25,440 --> 00:13:28,000 Speaker 1: who work in sports books that they're like, dude, no 225 00:13:28,040 --> 00:13:30,720 Speaker 1: one would take a fucking you know, a fifty tho 226 00:13:31,120 --> 00:13:35,280 Speaker 1: dollar streak of bet, Like that's just not gonna happen. 227 00:13:35,360 --> 00:13:39,199 Speaker 1: It's like maybe two hundred. But like they like, I 228 00:13:39,600 --> 00:13:44,600 Speaker 1: can't imagine any real casino or legitimate sports book taking 229 00:13:44,600 --> 00:13:48,559 Speaker 1: a fifty prop bet. Yeah that makes sense, but I 230 00:13:48,600 --> 00:13:53,800 Speaker 1: don't know whatever. Yeah, I only had like I mean, 231 00:13:53,880 --> 00:13:55,360 Speaker 1: but you know what, that's a sick g ass way 232 00:13:55,400 --> 00:13:58,280 Speaker 1: to start gaming sports betting too. We would be like, yeah, yeah, okay, 233 00:13:58,320 --> 00:13:59,960 Speaker 1: so I have a I have an army of stooges 234 00:14:00,040 --> 00:14:02,440 Speaker 1: where we do prop bets and then they make it happen. 235 00:14:03,960 --> 00:14:07,520 Speaker 1: Um and finally that the army hammer thing is you know, well, 236 00:14:07,880 --> 00:14:10,360 Speaker 1: we're keeping our eye on it. There are some uh 237 00:14:12,440 --> 00:14:17,079 Speaker 1: there whoa wow. Yeah, But I mean because what it's 238 00:14:17,120 --> 00:14:20,160 Speaker 1: a Ronan Pharaoh story that's supposed to drop, supposed to drop, 239 00:14:20,400 --> 00:14:23,520 Speaker 1: and that was for him to tell us what he 240 00:14:23,640 --> 00:14:26,240 Speaker 1: was able to confirm, but right, And that was that's 241 00:14:26,240 --> 00:14:29,800 Speaker 1: what led W. M. E. And the and Armies publicists 242 00:14:29,840 --> 00:14:32,720 Speaker 1: to drop him. They caught wind of what the story 243 00:14:32,760 --> 00:14:35,920 Speaker 1: was going to be. They think they must have. I 244 00:14:35,960 --> 00:14:39,160 Speaker 1: think they must have known some detail to drop him, 245 00:14:39,200 --> 00:14:43,320 Speaker 1: because you know, that's there, Like a publicist job is 246 00:14:43,360 --> 00:14:46,280 Speaker 1: to be there and like help help manage that ship. 247 00:14:46,440 --> 00:14:50,520 Speaker 1: So like when it's when they're like, well that is 248 00:14:50,640 --> 00:14:56,080 Speaker 1: beyond my uh scope, beyond my level of abilities, that's 249 00:14:56,160 --> 00:15:00,640 Speaker 1: a I do because I haven't experienced with Army Hammer 250 00:15:00,680 --> 00:15:04,640 Speaker 1: and his publicist. When I worked at Conde, we made 251 00:15:04,680 --> 00:15:07,480 Speaker 1: a video and like whatever cars movie he was voicing 252 00:15:07,480 --> 00:15:09,680 Speaker 1: for came out and we did this video where it 253 00:15:09,760 --> 00:15:12,640 Speaker 1: was like Army Hammer gives his take on other talking 254 00:15:12,760 --> 00:15:17,000 Speaker 1: cars throughout history, you know, the Internet trope video trope 255 00:15:17,200 --> 00:15:20,760 Speaker 1: cursed Internet with um and so in talking about it, 256 00:15:20,880 --> 00:15:22,480 Speaker 1: there was one thing that he went through and he 257 00:15:22,520 --> 00:15:24,160 Speaker 1: went on this whole talk about how he was like 258 00:15:24,240 --> 00:15:26,560 Speaker 1: doing acid and all this other ship and like how 259 00:15:26,560 --> 00:15:30,240 Speaker 1: this clip reminded him of tripping. And then the second 260 00:15:30,360 --> 00:15:33,640 Speaker 1: we cut, the publicist was like on me being like 261 00:15:34,000 --> 00:15:35,880 Speaker 1: I wrote down this, this and this, you keep this 262 00:15:36,000 --> 00:15:37,880 Speaker 1: absolutely cannot air and I will make a note of 263 00:15:37,920 --> 00:15:40,280 Speaker 1: that to make sure the studio knows. This was like okay, yeah, yeah, 264 00:15:40,320 --> 00:15:41,960 Speaker 1: all good, But I mean I get that that's what 265 00:15:42,000 --> 00:15:44,840 Speaker 1: a publicist is there to do. But the energy was 266 00:15:44,880 --> 00:15:47,520 Speaker 1: different than other. There have been times like I did 267 00:15:47,520 --> 00:15:49,520 Speaker 1: a video with Sam Jackson he said some wild ship 268 00:15:49,560 --> 00:15:52,520 Speaker 1: and publicists like, well probably yeah right, and I'm like, yeah, yeah, 269 00:15:52,520 --> 00:15:54,160 Speaker 1: we don't need to hear that ship. But like this 270 00:15:54,240 --> 00:15:56,080 Speaker 1: was like almost like cut and they were like on me, 271 00:15:56,160 --> 00:15:57,440 Speaker 1: like okay, so just what you try to do because 272 00:15:57,480 --> 00:16:01,240 Speaker 1: army hammer came. I was like okay, wow, yeah, tightly wound. 273 00:16:01,440 --> 00:16:04,080 Speaker 1: The job has h has put them in a that's 274 00:16:04,120 --> 00:16:08,280 Speaker 1: the worst job, man, like somebody who was just a mess? 275 00:16:08,880 --> 00:16:10,800 Speaker 1: How are you going to be a publicist? Like as 276 00:16:10,840 --> 00:16:13,480 Speaker 1: a job where you have to literally like stand in 277 00:16:13,560 --> 00:16:16,920 Speaker 1: front of these people and spin a tail and like 278 00:16:17,120 --> 00:16:20,240 Speaker 1: have to like answer questions and ship for some dumb 279 00:16:20,280 --> 00:16:25,200 Speaker 1: ship publicist for a monster, not a not a good gig, 280 00:16:26,320 --> 00:16:31,120 Speaker 1: just for a puppy Day. Yeah. Publicist for Joel's new 281 00:16:31,160 --> 00:16:35,600 Speaker 1: puppy that would be online. Blis one of the cutest 282 00:16:35,640 --> 00:16:38,880 Speaker 1: dogs I've ever seen. Um. Alright, guys, that is going 283 00:16:38,960 --> 00:16:42,840 Speaker 1: to do it for today. We are back tomorrow morning 284 00:16:42,840 --> 00:16:45,040 Speaker 1: with a whole last episode of the show. Until then, 285 00:16:45,440 --> 00:16:47,880 Speaker 1: be kind to each other, be kind to yourselves, wear 286 00:16:47,880 --> 00:16:51,080 Speaker 1: a mask, stay inside, wash your hands, don't do nothing 287 00:16:51,080 --> 00:16:53,280 Speaker 1: about what supremacy, and we'll talk to you all tomorrow. 288 00:16:53,560 --> 00:16:54,880 Speaker 1: Bie Bide