WEBVTT - Melanie Fiona

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Than take Valanti. We are the authority and ladies and gentlemen,

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<v Speaker 3>my name is Tank, I'm Valentine and this it's the

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<v Speaker 3>Army Money Podcast, the a thort on all things R

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<v Speaker 3>and B. Stays of this ship.

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<v Speaker 4>Because it's probably for It's probably sh if you stay

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<v Speaker 4>up too.

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<v Speaker 3>Ladies. Came right up at the strip club. You're damn right,

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<v Speaker 3>and I know it kills you. Ladies and gentlemen. Nothing

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<v Speaker 3>but talent, beauty and grace on the pot today. Give

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<v Speaker 3>it up, melody.

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<v Speaker 5>Yeah.

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<v Speaker 3>Last we've been saying we're gonna do this.

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<v Speaker 1>Listen, I've been at your house.

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<v Speaker 6>I just randomly walk up to her, like, how.

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<v Speaker 1>Come you have been on the podcast? I was like,

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<v Speaker 1>we're coming.

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<v Speaker 3>You have the nigga house man chilling, drinking, kids playing.

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<v Speaker 4>I'm like, I agree, it's harder to get like our

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<v Speaker 4>personal friends on the podcast.

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<v Speaker 3>What is that about? I don't I don't know, I

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<v Speaker 3>don't know you know what I think, But I think

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<v Speaker 3>I know you were waiting.

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<v Speaker 1>It was I was waiting.

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<v Speaker 3>You wanted to connect it to to some cool ship.

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<v Speaker 3>You know what. Let me, let me, let me, let

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<v Speaker 3>me roll out. Come on, because because I give out

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<v Speaker 3>because I want to. I want to roll.

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<v Speaker 6>We don't usually follow no rules, but he gonna go

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<v Speaker 6>ahead and get it.

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<v Speaker 3>No, no, no, because because because this is this is the

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<v Speaker 3>beginning of the pod. They're tuned in right now, right now,

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<v Speaker 3>right now, right now. You know what I'm saying. If

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<v Speaker 3>they don't stay on for the next hour and a half,

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<v Speaker 3>two hours, we got them right now. Okay, singles Say

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<v Speaker 3>Yes and I Choose.

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<v Speaker 1>You Yes new singles.

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<v Speaker 3>Just give me a little bit about those two records.

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<v Speaker 1>Oh Say Yes is like my artful offering. It is

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<v Speaker 1>a completely live song produced by Dre Harris ThunderCats playing bass,

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<v Speaker 1>Charlie Barrell guitar, Chris Dave on drums. Sir Co wrote

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<v Speaker 1>this song singing backgrounds. I mean this is like I

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<v Speaker 1>feel music lovers like gonna be their favorite song, Like

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<v Speaker 1>they just can appreciate what it is. And the truth

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<v Speaker 1>is the song is a seven minute song, but what

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<v Speaker 1>we released is only four minutes. Oh yeah, we want.

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<v Speaker 1>I wanted to give. First of all, the song is

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<v Speaker 1>about saying yes to love. It's about stepping over fear.

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<v Speaker 1>It's about being really vulnerable, hard in hand. But the

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<v Speaker 1>mood and the energy of the vibe because it was

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<v Speaker 1>a live session. It's just so sexy that it was like,

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<v Speaker 1>you want to you want to do something in seven minutes,

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<v Speaker 1>keep going going, So whatever anybody wants to do in

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<v Speaker 1>seven minutes when they listen to say yes, get it done.

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<v Speaker 1>I love that you count listen, you can Okay, you

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<v Speaker 1>got to say yes in seven minutes, So I really

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<v Speaker 1>love say yes. It's such a vibe. It's such a

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<v Speaker 1>just a beautiful, I think, vulnerable story. And I wrote

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<v Speaker 1>it about, you know, being in the space of when

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<v Speaker 1>I first started dating my husband and we were we

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<v Speaker 1>were doing this dance of we love each other, but

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<v Speaker 1>we're scared, we're both out of relationships and what do

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<v Speaker 1>we want to do and so we have to say yes.

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<v Speaker 1>And so I also feel like it's a manifestation song

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<v Speaker 1>because we had to get to our life by saying

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<v Speaker 1>yes that we are now and then I choose you

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<v Speaker 1>is just fun. It's just that it's for the lovers. Again.

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<v Speaker 1>I wanted to make a song that people could play

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<v Speaker 1>at their weddings. But it's like Lover's Rock Waiting in

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<v Speaker 1>Vain by Bob Marley vibe and it's about the empowerment

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<v Speaker 1>of choice and what it is and what it means

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<v Speaker 1>to choose someone you know, to make the choice, to

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<v Speaker 1>choose love, to choose yourself, to choose to show up

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<v Speaker 1>how you need to in that relationship through all the

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<v Speaker 1>whatever it is. So you know, it's like, I choose

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<v Speaker 1>you to me is just such a powerful statement every

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<v Speaker 1>time I've ever heard that. When I think about it.

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<v Speaker 1>Ryan Leslie wrote a song called I Choose You, and

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<v Speaker 1>it was always one of my favorite things, and I

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<v Speaker 1>actually said it in my wedding vows. So I turned

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<v Speaker 1>it into a song and it's something that people could

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<v Speaker 1>dance to and rock to and smoke to or whatever.

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<v Speaker 1>It's just a vibe.

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<v Speaker 6>Just look at you out here making real life music memory. Yes,

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<v Speaker 6>that's what it should be.

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<v Speaker 1>But that's what it should be. But you know what

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<v Speaker 1>the thing is is that I think that it would

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<v Speaker 1>be a travesty if I just came out after all

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<v Speaker 1>this time, not putting on music and was singing about

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<v Speaker 1>some shit that people were like, that's not her life.

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<v Speaker 1>People know my life, you know, people have seen, they've asked,

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<v Speaker 1>they've wondered, they've supported me through different these different iterations

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<v Speaker 1>of myself from podcasting to motherhood, to being a woman,

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<v Speaker 1>to transitioning into motherhood, all the things, like people have

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<v Speaker 1>been with me on that I'm now a wife, I'm

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<v Speaker 1>a business woman, I'm an entrepreneur and still an artist

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<v Speaker 1>and a musician. So I think it's only honest for

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<v Speaker 1>people to get insight, true authentic insight into the feelings

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<v Speaker 1>and the experiences that have been happening all this time.

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<v Speaker 3>And I think there's a there is an entertainment part

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<v Speaker 3>of what this is, but I think the movie of

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<v Speaker 3>it all is your life, you know what I mean,

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<v Speaker 3>the sitcom of it all, it is your life, which, ultimately,

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<v Speaker 3>if we think about the things that have entertained us

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<v Speaker 3>the most, it it's always been family based for us.

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<v Speaker 3>It always been the Huxables, It's always been Fresh Prince

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<v Speaker 3>of bel Air, It's always been Martin, It's always where

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<v Speaker 3>It's like, it's life.

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<v Speaker 1>It's life, you know what I mean. See Like, I'm

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<v Speaker 1>also just in a very positive space in my life,

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<v Speaker 1>and love is to me just the ultimate connector. It

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<v Speaker 1>is the ultimate energy, It's the ultimate feeling, and so

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<v Speaker 1>I just want to inject more of that into the

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<v Speaker 1>world right now, you know, Like that's that I feel.

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<v Speaker 1>I have a responsibility to do and I feel like

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<v Speaker 1>I've done that in different ways with other songs. They've

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<v Speaker 1>been heartbreak songs or you know, like really like pleading ballads,

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<v Speaker 1>and that helps people understand love in a different way.

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<v Speaker 1>But this project and these songs particularly, I really wanted

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<v Speaker 1>to inject love and high vibration and have people smile

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<v Speaker 1>when they hear it and send it to people when

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<v Speaker 1>they hear it. So that's sound bath Oh yeah, okay,

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<v Speaker 1>we be sound bathing.

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<v Speaker 6>One time they invited me to the sound Bad.

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<v Speaker 1>That's actually good. You know you know what people say

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<v Speaker 1>that like no, because I'm telling you, when I first started.

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<v Speaker 6>They left me though everybody left.

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<v Speaker 1>They're respecting, they're respecting the grounding.

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<v Speaker 6>They said, you know what cooked, because you know what.

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<v Speaker 1>The thing is is that that's how you wake up

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<v Speaker 1>on a place. But you know what, there is something

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<v Speaker 1>really beautiful about that because your body is just telling

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<v Speaker 1>you like you've actually released and relaxed.

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<v Speaker 6>I don't.

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<v Speaker 3>Canepa listen if we stop talking right now for five minutes.

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<v Speaker 4>You know, I'm not narcalyptic, but I get comfortable, like

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<v Speaker 4>I'm I'm I live in comfort.

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<v Speaker 6>Don't go to the movies, movies.

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<v Speaker 1>Do you dream Gone? Do you dream?

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<v Speaker 3>Yeah? Okay, he goes straight to R E. M Fast.

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<v Speaker 3>I love He's gone. You don't got to worry about

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<v Speaker 3>it about melon.

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<v Speaker 4>I'm from the hood. I think everybody that do sh

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<v Speaker 4>is a dophie. I don't funk with nothing.

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<v Speaker 3>I'm like, you do what?

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<v Speaker 6>Oh nigga? You?

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<v Speaker 1>Oh my god? No, I mean I love that for you.

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<v Speaker 3>Sleeping is It's really tough for a lot of people. Yes, yeah,

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<v Speaker 3>so now it is absolutely again. Today is is today?

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<v Speaker 3>The release date of No.

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<v Speaker 1>The two songs are already out. Okay, two songs are out, Yes,

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<v Speaker 1>but there are two songs ahead of a six song

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<v Speaker 1>EP that's coming out at the top of the year,

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<v Speaker 1>Beautiful Yes. And the AP is also called say Yes.

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<v Speaker 3>I think like I mean, and we've had this conversation before.

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<v Speaker 3>I think, like what you do, how you articulate it,

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<v Speaker 3>like the energy of it all is is so needed.

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<v Speaker 3>And I say this a lot because I got this

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<v Speaker 3>from from one of one of my friends, Jason. He

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<v Speaker 3>was just like, when when the really talented people, when

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<v Speaker 3>the really great and amazing people take breaks, that's that's

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<v Speaker 3>when the imbalance happens. And for the people for the

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<v Speaker 3>young people who are growing up with these gifts and

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<v Speaker 3>these talents and need something or someone to hang on to,

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<v Speaker 3>someone to help inspire and guide their way. When we're

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<v Speaker 3>not present, they fall victim to the other side. And

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<v Speaker 3>nothing wrong with whatever that is over there. I respect it.

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<v Speaker 3>You know, whatever you gotta do to get off the

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<v Speaker 3>shelf and get out the good or live whatever dream

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<v Speaker 3>you're trying to live, I respect it. But there's something

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<v Speaker 3>about our calling that is different to people who are

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<v Speaker 3>like us. And just hearing you talk knowing your talent,

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<v Speaker 3>you know what I mean, Like, there's a there's a

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<v Speaker 3>fucking difference like your your your vibration and your energy

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<v Speaker 3>is connected to something so amazing that we just we

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<v Speaker 3>just don't need no Melanie Fiona breaks.

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<v Speaker 1>Melanie Fiona needed some breaks.

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<v Speaker 3>And I respect it and I respect it on you know.

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<v Speaker 1>What it is is that I think and I appreciate

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<v Speaker 1>you for those kind words, Thank you so much, because

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<v Speaker 1>I feel that in order for me to truly live

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<v Speaker 1>in my greatest purpose, I needed to protect myself and

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<v Speaker 1>I needed to refocus, and I needed to ask myself

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<v Speaker 1>what do I want my life to look like? And

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<v Speaker 1>I think that that's something that as artists we don't

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<v Speaker 1>sometimes give ourselves permission to do because we're so focused

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<v Speaker 1>on making a living, so we forget that like our

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<v Speaker 1>life is actually the thing. Our life's purpose and our

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<v Speaker 1>life's work is to take our whole life. So sometimes

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<v Speaker 1>we take time. And I've been saying this a lot

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<v Speaker 1>of people because like i've been now that I'm back

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<v Speaker 1>in like the promo run circle, a lot of artists

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<v Speaker 1>are coming to me, like new artists, younger artists, and

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<v Speaker 1>they're like, so happy you're back putting out music and

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<v Speaker 1>you know, and I'll be like, how are things going

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<v Speaker 1>for you? And they're like, yeah, you know, I just

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<v Speaker 1>I'm trying to find I got to work on this

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<v Speaker 1>next project. And I'll say, you know, I was like,

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<v Speaker 1>take you time. It's yours to take, you know, it's

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<v Speaker 1>yours to take. And too often we just feel like

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<v Speaker 1>we're on this demand of time and if we're not

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<v Speaker 1>in it, then we're out of it. And it's like

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<v Speaker 1>there's a I think for me, and I'll speak for myself,

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<v Speaker 1>it's that I've always felt timeless. I've never felt trendy

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<v Speaker 1>or current or like you know, too old or too young.

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<v Speaker 1>My spirit has always felt like I've always just been

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<v Speaker 1>in my right time, and just as long as I'm

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<v Speaker 1>being true to who I am and what I want

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<v Speaker 1>to do, then there'll always be a place for it,

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<v Speaker 1>you know. And I think the expectations of starting and

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<v Speaker 1>having a really strong foundation, you know, having a success

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<v Speaker 1>as far as what it is, numbers wise or accolades,

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<v Speaker 1>and I've experienced that and I recognized that that's a

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<v Speaker 1>blessing as well, Like it's also afforded me the choice

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<v Speaker 1>to decide how I want to shape my life.

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<v Speaker 2>You know.

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<v Speaker 1>So maybe if I didn't achieve some of the things

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<v Speaker 1>that I had, I might still be like I gotta,

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<v Speaker 1>I gotta. But when I got there and I realized

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<v Speaker 1>there was more to my well being and more that

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<v Speaker 1>I had to offer than I had to really ask myself,

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<v Speaker 1>like what do I want my life to look like?

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<v Speaker 7>You know?

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<v Speaker 1>So I won't be taking any more breaks as.

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<v Speaker 3>Far as take your time just the tickets. I just

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<v Speaker 3>know the people are watching it, you know what.

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<v Speaker 1>And that's why I wanted to put out two singles

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<v Speaker 1>out the gate, because it had been a while and

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<v Speaker 1>I wanted to give you know, just not just And

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<v Speaker 1>that's the beautiful thing about music and just the landscape

0:12:06.040 --> 0:12:08.480
<v Speaker 1>of music right now, like there's no rules and I'm

0:12:08.480 --> 0:12:14.440
<v Speaker 1>independent and I can and I can do that. You know,

0:12:14.559 --> 0:12:19.320
<v Speaker 1>so so of your company love Link Link, Love Link Music.

0:12:19.400 --> 0:12:25.439
<v Speaker 1>It's my my children's middle names, Hi Love and Cameron Lincoln.

0:12:25.520 --> 0:12:26.760
<v Speaker 1>So love Link music.

0:12:27.280 --> 0:12:30.280
<v Speaker 3>That sounds like that sounds like a piece of jewelry

0:12:30.679 --> 0:12:32.199
<v Speaker 3>for sure. That is it.

0:12:32.320 --> 0:12:33.760
<v Speaker 6>Do you know what?

0:12:33.880 --> 0:12:38.680
<v Speaker 1>You better manifest it because because jewelry is in my

0:12:39.520 --> 0:12:45.240
<v Speaker 1>creative wheelhouse, love Link it is. It is. Oh my gosh,

0:12:45.400 --> 0:12:48.240
<v Speaker 1>listen you guys. This is just I love it. I'm

0:12:48.280 --> 0:12:51.839
<v Speaker 1>so happy. And by the way, like I've just been

0:12:51.880 --> 0:12:55.440
<v Speaker 1>in a very powerful, energetic season of my life. So

0:12:55.520 --> 0:12:58.800
<v Speaker 1>I receive everything as affirmations. I receive everything is confirmation

0:12:59.280 --> 0:13:02.199
<v Speaker 1>and divine. So the fact that you're saying that when

0:13:02.240 --> 0:13:04.840
<v Speaker 1>I'm in this season of already in creation and ideation

0:13:04.920 --> 0:13:10.560
<v Speaker 1>of that is just like yeah, yeah, here we are.

0:13:10.600 --> 0:13:12.520
<v Speaker 3>We are Yeah, so.

0:13:14.720 --> 0:13:20.439
<v Speaker 1>Oh we get comfortable, Hannah, let me adjust.

0:13:18.679 --> 0:13:28.360
<v Speaker 3>Okay, when did when did someone say or when did

0:13:28.400 --> 0:13:32.600
<v Speaker 3>you realize that you had something different?

0:13:33.280 --> 0:13:39.680
<v Speaker 1>Mm hmmm. I think I realized it when I was

0:13:39.679 --> 0:13:40.360
<v Speaker 1>four years old.

0:13:41.240 --> 0:13:45.120
<v Speaker 3>You realized it when you were for explain that.

0:13:45.320 --> 0:13:47.280
<v Speaker 1>So when I said, they asked me what I wanted

0:13:47.320 --> 0:13:49.040
<v Speaker 1>to be when I grew up, I said I wanted

0:13:49.080 --> 0:13:53.640
<v Speaker 1>to be a singing nurse. And I have carried that

0:13:54.280 --> 0:13:58.080
<v Speaker 1>very cute title for the majority of my life, thinking

0:13:58.120 --> 0:14:01.600
<v Speaker 1>what a cute idea. And it was only until I

0:14:01.640 --> 0:14:05.040
<v Speaker 1>really started to recognize how I was impacting people through

0:14:05.080 --> 0:14:08.760
<v Speaker 1>healing when I was putting out music, that I realized, Oh,

0:14:08.800 --> 0:14:11.400
<v Speaker 1>my four year old self, she already knew what I

0:14:11.440 --> 0:14:14.199
<v Speaker 1>was supposed to be. She already knew that I was

0:14:14.240 --> 0:14:18.480
<v Speaker 1>supposed to be this blend of music and healing in

0:14:18.520 --> 0:14:21.360
<v Speaker 1>this person. She said it, and I've written it in

0:14:21.400 --> 0:14:24.040
<v Speaker 1>books as a child, my parents told me, family members

0:14:24.400 --> 0:14:25.920
<v Speaker 1>and every time I used to say that growing up,

0:14:25.960 --> 0:14:27.280
<v Speaker 1>like what did you want to be? Did you always

0:14:27.320 --> 0:14:28.800
<v Speaker 1>know you want to be a singer? And I was like, yeah,

0:14:28.800 --> 0:14:29.880
<v Speaker 1>when I was little, I used to say I want

0:14:29.920 --> 0:14:32.840
<v Speaker 1>to be a singing nurse. But then I realized it

0:14:33.880 --> 0:14:35.880
<v Speaker 1>when I first started putting out music, and it kills

0:14:35.920 --> 0:14:42.560
<v Speaker 1>me came out, and that to me was like, oh,

0:14:43.440 --> 0:14:45.960
<v Speaker 1>this has already been written for you, and your four

0:14:46.000 --> 0:14:48.520
<v Speaker 1>year old self knew this about you.

0:14:48.640 --> 0:14:51.880
<v Speaker 3>Had you already been singing like in church or just so.

0:14:52.800 --> 0:14:57.840
<v Speaker 1>So I grew up immigrant parents, Guyanese household. My parents

0:14:57.840 --> 0:15:00.760
<v Speaker 1>are from the Caribbean. My dad played guitar. He used

0:15:00.760 --> 0:15:02.840
<v Speaker 1>to sing in a band on the weekends and evenings

0:15:02.840 --> 0:15:04.120
<v Speaker 1>like this was a thing. So I grew up with

0:15:04.200 --> 0:15:05.720
<v Speaker 1>music in the house. But my dad also worked the

0:15:05.800 --> 0:15:09.400
<v Speaker 1>day job. My dad and my mom worked full time jobs.

0:15:09.800 --> 0:15:13.480
<v Speaker 1>And I didn't grow up in the industry or even

0:15:13.480 --> 0:15:15.640
<v Speaker 1>grow up singing in church like I didn't.

0:15:16.920 --> 0:15:17.720
<v Speaker 6>But the music was in that.

0:15:17.840 --> 0:15:19.480
<v Speaker 1>But the music was in the house, you know. But

0:15:19.560 --> 0:15:23.760
<v Speaker 1>the idea of becoming a professional singer, especially coming from Toronto,

0:15:24.200 --> 0:15:27.600
<v Speaker 1>like that wasn't a thing that we saw, you know,

0:15:27.680 --> 0:15:30.120
<v Speaker 1>we knew about it, but we didn't see it from

0:15:30.120 --> 0:15:32.720
<v Speaker 1>where we were. We knew America and we knew the world.

0:15:33.080 --> 0:15:35.720
<v Speaker 1>But in Canada, like as a kid growing up, like

0:15:35.760 --> 0:15:38.320
<v Speaker 1>we knew Celine Dion and then eventually we would go

0:15:38.360 --> 0:15:39.680
<v Speaker 1>on and then in R and B you would see

0:15:39.680 --> 0:15:42.680
<v Speaker 1>Glenn Lewis and you'd see Deborah Cox and Tamia and

0:15:42.720 --> 0:15:45.440
<v Speaker 1>then you're like, oh, wait a second. But growing up

0:15:45.480 --> 0:15:47.960
<v Speaker 1>as a little girl, like I knew I wanted to sing,

0:15:48.000 --> 0:15:49.960
<v Speaker 1>but I didn't know how I was going to get there,

0:15:50.160 --> 0:15:51.680
<v Speaker 1>you know. I didn't know how I was going to

0:15:51.680 --> 0:15:53.360
<v Speaker 1>get there. But I was also really active in a

0:15:53.360 --> 0:15:57.120
<v Speaker 1>lot of things. I played sports. I loved school. Oh

0:15:57.160 --> 0:15:59.760
<v Speaker 1>I played basketball, I played volleyball, track and field, cross

0:15:59.760 --> 0:16:04.080
<v Speaker 1>county free. I kept myself busy. My mom and dad

0:16:04.080 --> 0:16:08.280
<v Speaker 1>called me Dion Diannis. I would just come home and

0:16:08.320 --> 0:16:10.040
<v Speaker 1>don't ask for permission. I just be like I joined

0:16:10.040 --> 0:16:11.640
<v Speaker 1>the volleyball team, and mom would be like, well, how

0:16:11.640 --> 0:16:13.720
<v Speaker 1>are you gonna like who's going to take you?

0:16:14.720 --> 0:16:14.960
<v Speaker 7>Like who?

0:16:16.160 --> 0:16:18.960
<v Speaker 1>I joined every team I could. I was a very

0:16:19.080 --> 0:16:22.800
<v Speaker 1>very active child as far as like wanting to try things,

0:16:22.880 --> 0:16:26.480
<v Speaker 1>very precocious, very outgoing, you know. But when it came

0:16:26.520 --> 0:16:29.840
<v Speaker 1>to singing, I was so shy. Like I knew I

0:16:29.840 --> 0:16:32.080
<v Speaker 1>could sing, and everybody knew I could sing. But when

0:16:32.200 --> 0:16:34.600
<v Speaker 1>you have the family function, melody come sick. I would

0:16:34.600 --> 0:16:36.200
<v Speaker 1>make everyone turn around.

0:16:36.920 --> 0:16:41.880
<v Speaker 3>That that direct something about that direct contest just not cool?

0:16:42.360 --> 0:16:43.440
<v Speaker 3>Look away, yeah, look.

0:16:43.440 --> 0:16:45.080
<v Speaker 1>Don't look at me. Don't look at me, and I

0:16:45.120 --> 0:16:47.800
<v Speaker 1>would look up and I didn't want to be looked at.

0:16:47.880 --> 0:16:50.840
<v Speaker 1>It was really interesting to think about that because now

0:16:50.840 --> 0:16:53.480
<v Speaker 1>performing is like my favorite thing, like give put me

0:16:53.520 --> 0:16:57.320
<v Speaker 1>on stage, please, But I didn't want to be looked at,

0:16:57.360 --> 0:17:00.960
<v Speaker 1>which is really interesting. So you know, going through the

0:17:01.760 --> 0:17:04.359
<v Speaker 1>process of like teenage years. And then even when I

0:17:04.400 --> 0:17:07.560
<v Speaker 1>was a teenager, I'd gone through some like really hard things.

0:17:07.680 --> 0:17:11.480
<v Speaker 1>Around twelve thirteen, I'd lost like my best friend to

0:17:11.520 --> 0:17:14.800
<v Speaker 1>a car accident, we moved, my grandmother passed away, like

0:17:14.840 --> 0:17:17.000
<v Speaker 1>there was a lot of life changes, and I felt

0:17:17.080 --> 0:17:21.040
<v Speaker 1>like at that time, my light went like this, and

0:17:21.080 --> 0:17:23.720
<v Speaker 1>I kind of became a different shell of myself. And

0:17:23.800 --> 0:17:25.359
<v Speaker 1>so when I started high school and you had the

0:17:25.400 --> 0:17:28.159
<v Speaker 1>opportunity to choose music or art, I chose art, and

0:17:28.200 --> 0:17:30.880
<v Speaker 1>I didn't do music. And it's almost like this thing

0:17:30.920 --> 0:17:34.560
<v Speaker 1>that I didn't I wasn't sharing anymore. I wasn't singing.

0:17:35.560 --> 0:17:37.600
<v Speaker 1>No one really knew when I first started high school

0:17:37.600 --> 0:17:38.960
<v Speaker 1>that I could sing like I did the play, and

0:17:39.000 --> 0:17:42.359
<v Speaker 1>it was kind of like, eh, like maybe maybe. And

0:17:42.400 --> 0:17:44.040
<v Speaker 1>then it was only until like my senior year when

0:17:44.080 --> 0:17:45.560
<v Speaker 1>I started to ask myself what do I want to

0:17:45.600 --> 0:17:50.480
<v Speaker 1>do with my life? And then I was like, you're

0:17:50.480 --> 0:17:54.000
<v Speaker 1>a singer, Melanie, Like you're good at sports, you're smart,

0:17:54.080 --> 0:17:56.359
<v Speaker 1>you could do all the but you're a singer, Like

0:17:56.400 --> 0:18:00.399
<v Speaker 1>that's the thing you do better than anything, So why

0:18:00.920 --> 0:18:04.080
<v Speaker 1>not why hide that? Like, why not bring that into

0:18:04.280 --> 0:18:06.399
<v Speaker 1>actually who you are? And why not that be the

0:18:06.440 --> 0:18:08.880
<v Speaker 1>thing that everybody really knows about you, because that's who

0:18:08.880 --> 0:18:12.360
<v Speaker 1>you are, like the singing nurse. You know, you've known

0:18:12.359 --> 0:18:14.960
<v Speaker 1>this about yourself. Why hide this part of yourself? So

0:18:15.000 --> 0:18:16.399
<v Speaker 1>then I started to sing that I was in the

0:18:16.440 --> 0:18:18.639
<v Speaker 1>talent show, and then I started showing more publicly that

0:18:18.680 --> 0:18:19.919
<v Speaker 1>I can sing, and then that led me to kind

0:18:19.960 --> 0:18:21.200
<v Speaker 1>of getting into the music industry.

0:18:21.680 --> 0:18:26.720
<v Speaker 6>But and then in Toronto, are not just Toronto, but in.

0:18:26.640 --> 0:18:29.879
<v Speaker 4>Canada, isn't there something set up for the arts as

0:18:29.960 --> 0:18:30.600
<v Speaker 4>far as like the.

0:18:30.560 --> 0:18:34.160
<v Speaker 1>Government, so there is, there's funding that you can get.

0:18:34.160 --> 0:18:36.399
<v Speaker 1>There's grants, like but you have to apply and you

0:18:36.400 --> 0:18:37.960
<v Speaker 1>have to get chosen, and you have to you know,

0:18:38.000 --> 0:18:39.959
<v Speaker 1>you have to do that. And like I was at

0:18:40.000 --> 0:18:42.159
<v Speaker 1>that time as a teenager, like I wasn't even thinking

0:18:42.200 --> 0:18:46.000
<v Speaker 1>about pursuing a career. Okay, you know, I really wasn't.

0:18:46.040 --> 0:18:48.960
<v Speaker 1>Like I was just like, okay, like I'm gonna I'm

0:18:48.960 --> 0:18:52.160
<v Speaker 1>gonna own that I that I can sing. So when

0:18:52.200 --> 0:18:54.080
<v Speaker 1>I say that, like I kind of stepped away from it.

0:18:54.600 --> 0:18:57.639
<v Speaker 1>I it wasn't my whole identity where you know, some

0:18:57.640 --> 0:18:59.680
<v Speaker 1>people are like Oh she was singing her whole life,

0:19:00.200 --> 0:19:04.359
<v Speaker 1>church and in all things. You know. So so when

0:19:04.520 --> 0:19:08.679
<v Speaker 1>I actually got into the music industry, I was just

0:19:08.920 --> 0:19:11.680
<v Speaker 1>out of high school and I had joined the Gold

0:19:11.680 --> 0:19:13.080
<v Speaker 1>Group in Toronto, and.

0:19:13.240 --> 0:19:15.280
<v Speaker 6>You got to get in a group started.

0:19:16.040 --> 0:19:18.720
<v Speaker 1>Did it really happened if hit us with the name us,

0:19:18.760 --> 0:19:23.639
<v Speaker 1>with the name Exquisite? Yeah, yeah, just xx come on,

0:19:24.200 --> 0:19:25.720
<v Speaker 1>come on dash to you.

0:19:26.040 --> 0:19:30.120
<v Speaker 3>Yeah, quiz quiz like that.

0:19:31.000 --> 0:19:32.920
<v Speaker 1>So that's how we got started. And it's fun.

0:19:33.200 --> 0:19:35.080
<v Speaker 6>Did it come along with a bankhead bounce?

0:19:35.080 --> 0:19:37.359
<v Speaker 1>You know? Did it kind of came along with like

0:19:37.359 --> 0:19:39.480
<v Speaker 1>a little bogel. We were like a little pop army group.

0:19:39.680 --> 0:19:41.960
<v Speaker 1>But it was funny because that introduction for me too

0:19:42.200 --> 0:19:44.080
<v Speaker 1>was like I never saw myself being in a group,

0:19:44.080 --> 0:19:45.960
<v Speaker 1>but I had the opportunity to get into a studio

0:19:46.520 --> 0:19:47.760
<v Speaker 1>and I was I was like, I've never been in

0:19:47.760 --> 0:19:51.720
<v Speaker 1>a studio, like eighteen years old. Yeah, let's go.

0:19:51.760 --> 0:19:52.920
<v Speaker 6>I want to go into this point.

0:19:52.920 --> 0:19:57.639
<v Speaker 4>You had never sang never in the never never And

0:19:57.960 --> 0:20:02.480
<v Speaker 4>Okay for the people that don't understand what that is, yeah,

0:20:02.920 --> 0:20:06.000
<v Speaker 4>give them the difference from like you know, you singing

0:20:06.040 --> 0:20:08.240
<v Speaker 4>at school, you singing around the house, this, this, that

0:20:08.280 --> 0:20:11.800
<v Speaker 4>and the other to the moment you're getting that studio,

0:20:12.320 --> 0:20:15.080
<v Speaker 4>you get that playback and you get to hear yourself.

0:20:15.119 --> 0:20:17.560
<v Speaker 1>Oh yeah, you get to hear yourself. And then also

0:20:18.119 --> 0:20:22.240
<v Speaker 1>you sing it over and over and over and over

0:20:22.280 --> 0:20:23.280
<v Speaker 1>again because you didn't.

0:20:23.160 --> 0:20:23.960
<v Speaker 6>I mean in the old days.

0:20:24.000 --> 0:20:25.800
<v Speaker 1>Yeah, no, I don't know.

0:20:25.920 --> 0:20:29.480
<v Speaker 4>Now they just be yeah, whatever whatever come out, we

0:20:29.560 --> 0:20:29.959
<v Speaker 4>keep it.

0:20:30.000 --> 0:20:30.240
<v Speaker 2>You know.

0:20:30.280 --> 0:20:30.840
<v Speaker 1>It's so funny.

0:20:31.240 --> 0:20:33.280
<v Speaker 3>I can fix that, you know what.

0:20:34.160 --> 0:20:37.200
<v Speaker 1>God bless technology. But I really I'm still one of

0:20:37.200 --> 0:20:38.560
<v Speaker 1>those people that's like, no, I feel like I could

0:20:38.560 --> 0:20:40.440
<v Speaker 1>get it better. I still do. I don't want to

0:20:40.480 --> 0:20:42.560
<v Speaker 1>rely on it too hard, but that but that's the

0:20:42.600 --> 0:20:44.159
<v Speaker 1>truth is like getting into the studio, that was the

0:20:44.200 --> 0:20:46.919
<v Speaker 1>first time I got to hear myself on radio, like

0:20:46.960 --> 0:20:50.560
<v Speaker 1>on record, so so you know, and then also to

0:20:50.720 --> 0:20:52.959
<v Speaker 1>being in a girl group dynamic. Now I'm hearing myself

0:20:52.960 --> 0:20:56.120
<v Speaker 1>compared to other voices. How does my voice blend, how

0:20:56.160 --> 0:20:58.320
<v Speaker 1>do we blend together? What does my voice bring to

0:20:58.359 --> 0:21:00.560
<v Speaker 1>a song when it comes on a record. So it

0:21:00.600 --> 0:21:03.760
<v Speaker 1>really started to teach me a lot about my particular

0:21:03.920 --> 0:21:06.760
<v Speaker 1>voice as opposed to just being a singer. You're a

0:21:06.760 --> 0:21:09.199
<v Speaker 1>good singer, you can sing really well, you love what

0:21:09.280 --> 0:21:12.000
<v Speaker 1>you used, didn't me too, but you sing really well harmonies,

0:21:13.920 --> 0:21:17.000
<v Speaker 1>you gotta jail. And then also you know, just learning

0:21:17.000 --> 0:21:19.639
<v Speaker 1>about the business with sisters or like who became sisters.

0:21:19.680 --> 0:21:21.880
<v Speaker 1>I mean one of the girls I'm still very very

0:21:21.880 --> 0:21:25.359
<v Speaker 1>close friends with, And it was like it was like

0:21:25.440 --> 0:21:28.280
<v Speaker 1>training camp. It was like you know, boot camp basically,

0:21:28.800 --> 0:21:30.840
<v Speaker 1>and I quickly learned that I just wasn't going to

0:21:30.920 --> 0:21:33.000
<v Speaker 1>be in the group. The business around that whole situation

0:21:33.119 --> 0:21:36.920
<v Speaker 1>was just terrible and it just fell apart quickly, and

0:21:37.080 --> 0:21:39.040
<v Speaker 1>you know, we never went on to do anything. We had,

0:21:39.040 --> 0:21:41.080
<v Speaker 1>Like the one song that came out, we did local

0:21:41.119 --> 0:21:43.800
<v Speaker 1>success in Toronto, did a little television show up there.

0:21:43.800 --> 0:21:44.280
<v Speaker 3>It was cool.

0:21:44.680 --> 0:21:48.760
<v Speaker 1>But that really gave me the the introduction to I

0:21:48.760 --> 0:21:51.720
<v Speaker 1>think people then in the industry paying attention to me

0:21:52.280 --> 0:21:55.520
<v Speaker 1>as a singer. And then that's what led me to

0:21:55.560 --> 0:21:59.240
<v Speaker 1>then meet my at the time would become my manager,

0:21:59.280 --> 0:22:01.240
<v Speaker 1>who was from the States, who knew somebody in the

0:22:01.320 --> 0:22:03.720
<v Speaker 1>music industry in Toronto. And then that's how I crossed

0:22:03.720 --> 0:22:06.000
<v Speaker 1>the border. After that, that's how I left home, and

0:22:06.040 --> 0:22:08.840
<v Speaker 1>that's how I started to establish my career. And then

0:22:08.880 --> 0:22:11.119
<v Speaker 1>I came out here and then I started working.

0:22:11.840 --> 0:22:14.080
<v Speaker 3>So how did you mean you had across the border.

0:22:14.160 --> 0:22:16.800
<v Speaker 1>Oh, I had to cross the border. Yes, so I'm

0:22:16.840 --> 0:22:17.359
<v Speaker 1>from Toronto.

0:22:17.440 --> 0:22:23.240
<v Speaker 3>Were you saying I need to I need to go there, Yes,

0:22:23.320 --> 0:22:24.840
<v Speaker 3>in order to really figure this out.

0:22:24.840 --> 0:22:25.960
<v Speaker 6>O coming to America.

0:22:26.200 --> 0:22:28.359
<v Speaker 1>It's coming to America. Yeah, I mean this is a

0:22:28.440 --> 0:22:32.320
<v Speaker 1>story that if you talk to most Canadian artists that

0:22:32.359 --> 0:22:36.520
<v Speaker 1>are successful outside of Canada, this is that was always

0:22:36.520 --> 0:22:39.879
<v Speaker 1>the goal back then, you know, like to leave to

0:22:40.040 --> 0:22:45.600
<v Speaker 1>get noticed and achieve success and establishment in the United States.

0:22:46.000 --> 0:22:48.400
<v Speaker 1>Like this was the mecca of that, you know, all

0:22:48.520 --> 0:22:49.960
<v Speaker 1>R and B, all hip hop. We didn't have b

0:22:50.040 --> 0:22:53.639
<v Speaker 1>et growing up, Like we didn't have MTV. We had

0:22:53.720 --> 0:22:58.320
<v Speaker 1>much music, you know, so it's very much music. I'd music,

0:22:58.440 --> 0:23:00.920
<v Speaker 1>much music, which I don't even think exists anymore. It's

0:23:00.960 --> 0:23:03.040
<v Speaker 1>like it's you know, it's interesting. And then especially for

0:23:03.280 --> 0:23:06.840
<v Speaker 1>R and B, what are we talking about. I remember

0:23:06.880 --> 0:23:11.480
<v Speaker 1>being a kid and we used to get WBLK for Buffalo,

0:23:11.840 --> 0:23:13.840
<v Speaker 1>which was the R and B station, and you could

0:23:13.840 --> 0:23:16.240
<v Speaker 1>only get it in the car, so we would listen

0:23:16.359 --> 0:23:31.240
<v Speaker 1>to That's how we got R and B. And then

0:23:31.240 --> 0:23:33.720
<v Speaker 1>there was like the college stations that were starting to

0:23:34.160 --> 0:23:36.120
<v Speaker 1>you know, the DJs would come and run their own

0:23:36.119 --> 0:23:37.399
<v Speaker 1>sets and then That's how we got And I had

0:23:37.400 --> 0:23:39.240
<v Speaker 1>a brother who was seven years older than me, so

0:23:39.320 --> 0:23:41.359
<v Speaker 1>he gave me a lot of music education because he

0:23:41.400 --> 0:23:43.280
<v Speaker 1>was in the clubs when I was listening to Disney,

0:23:43.440 --> 0:23:47.480
<v Speaker 1>you know, So it was it was different. But going

0:23:47.520 --> 0:23:51.879
<v Speaker 1>to the States, that was that was it like you

0:23:52.000 --> 0:23:54.439
<v Speaker 1>gotta flight, you gotta go, you gotta take a meeting,

0:23:55.040 --> 0:23:58.520
<v Speaker 1>you know. I got to meet people that I dreamed

0:23:58.680 --> 0:24:02.399
<v Speaker 1>of hearing. But like just getting into the studio that

0:24:02.560 --> 0:24:06.199
<v Speaker 1>was crazy. But again, the boot camp of the girls

0:24:06.200 --> 0:24:10.159
<v Speaker 1>group really helped me not be completely lost and it

0:24:10.280 --> 0:24:12.840
<v Speaker 1>helped me. It was the stepping stone to prepare for

0:24:13.520 --> 0:24:18.280
<v Speaker 1>the American music industry. So yeah, so it was and

0:24:18.320 --> 0:24:19.359
<v Speaker 1>I know, we got away from.

0:24:19.200 --> 0:24:21.920
<v Speaker 3>The you know, you were coming across.

0:24:21.600 --> 0:24:24.040
<v Speaker 1>The border, yees. So I came across the border and

0:24:25.400 --> 0:24:27.640
<v Speaker 1>then I came across and then it was like, all right,

0:24:28.359 --> 0:24:32.720
<v Speaker 1>what's your sound? And I was like, a sound, I'm

0:24:32.720 --> 0:24:37.200
<v Speaker 1>a voice, there's a sound we have to do. So

0:24:37.440 --> 0:24:39.680
<v Speaker 1>the first producer that I ended up getting in with

0:24:39.960 --> 0:24:44.359
<v Speaker 1>was Super Dupes, and Dupes at the time was a

0:24:44.400 --> 0:24:46.719
<v Speaker 1>part of a sound called Black Chinese, which was a

0:24:46.760 --> 0:24:50.320
<v Speaker 1>reggae collect just completely reggae collective and I started there

0:24:50.440 --> 0:24:55.560
<v Speaker 1>because being Caribbean, of Caribbean background, coming from Toronto, that's

0:24:55.960 --> 0:24:59.119
<v Speaker 1>my juice. That's what I know. R and B, like

0:24:59.160 --> 0:25:01.160
<v Speaker 1>this fusion of R and B and reggae, and so

0:25:01.600 --> 0:25:03.879
<v Speaker 1>that's where I started. And I started as an artist

0:25:03.920 --> 0:25:09.840
<v Speaker 1>named Siren. Huh yes, and that was my first artist name, Siren. Yeah,

0:25:09.960 --> 0:25:12.520
<v Speaker 1>but it's like a it's like a play on symphony.

0:25:12.560 --> 0:25:15.360
<v Speaker 1>Siren is my homeboy that was in Toronto at the time.

0:25:15.359 --> 0:25:17.040
<v Speaker 1>He was a rapper and he gave me that and

0:25:17.119 --> 0:25:19.920
<v Speaker 1>he used to call me Symphony. And then Siren came

0:25:19.920 --> 0:25:23.000
<v Speaker 1>along with the Sirens and they're the vocalists, and so

0:25:23.480 --> 0:25:27.560
<v Speaker 1>that's how that you like that. Then I found out

0:25:27.600 --> 0:25:28.960
<v Speaker 1>it was a porn star and I had to change

0:25:28.960 --> 0:25:29.320
<v Speaker 1>that name.

0:25:29.400 --> 0:25:33.080
<v Speaker 6>So then that's probably why he liked it. I wasn't

0:25:33.080 --> 0:25:33.680
<v Speaker 6>gonna say nothing.

0:25:35.760 --> 0:25:42.040
<v Speaker 3>I didn't know it spoke to you though, would you

0:25:42.080 --> 0:25:44.320
<v Speaker 3>say about like the cards? And then did you say

0:25:44.320 --> 0:25:45.159
<v Speaker 3>something that just in the.

0:25:50.119 --> 0:25:58.560
<v Speaker 1>Very young brand? But yeah, So so I started making

0:25:58.600 --> 0:26:02.919
<v Speaker 1>music with with in like his house, and again it

0:26:03.000 --> 0:26:05.240
<v Speaker 1>was very intimate and I learned a lot again about

0:26:05.280 --> 0:26:09.320
<v Speaker 1>singing and we were creating music. And then I got

0:26:09.359 --> 0:26:16.240
<v Speaker 1>in with Mike City and that early early, and then

0:26:16.280 --> 0:26:19.320
<v Speaker 1>I got in with Mike City and Mike's City was

0:26:19.920 --> 0:26:23.679
<v Speaker 1>it was like studying under a master. Then I realized

0:26:23.680 --> 0:26:26.600
<v Speaker 1>I didn't know shit. Like then I was like, oh,

0:26:27.359 --> 0:26:29.680
<v Speaker 1>I got to learn a lot. I have to learn

0:26:29.680 --> 0:26:31.479
<v Speaker 1>a lot, and Mike taught me a lot and we

0:26:31.520 --> 0:26:34.960
<v Speaker 1>created some amazing records and Mike's City when I first

0:26:34.960 --> 0:26:38.719
<v Speaker 1>got brought to him, Mike City said to me he

0:26:38.760 --> 0:26:41.080
<v Speaker 1>was listening to me singing because we were like chopping

0:26:41.080 --> 0:26:43.000
<v Speaker 1>it up at first, and then you know, you have

0:26:43.080 --> 0:26:44.639
<v Speaker 1>that meeting and then they're like, all right, let me

0:26:44.680 --> 0:26:46.760
<v Speaker 1>hear you say something, right, So then I sang something

0:26:47.040 --> 0:26:50.879
<v Speaker 1>and Mike City just stopped and he goes, damn, you

0:26:50.960 --> 0:26:52.760
<v Speaker 1>could sing. I don't know what I was expected to

0:26:52.760 --> 0:26:54.320
<v Speaker 1>hear you sing. And he's like, but you know what's

0:26:54.359 --> 0:26:58.040
<v Speaker 1>really special about you mail? He says your tone. And

0:26:58.080 --> 0:27:02.399
<v Speaker 1>that was the first time I understood why I loved

0:27:02.520 --> 0:27:06.920
<v Speaker 1>artists like India Ari and Sam Cook, Gladys Knight.

0:27:07.760 --> 0:27:08.200
<v Speaker 6>Tone.

0:27:09.200 --> 0:27:12.560
<v Speaker 1>There's a tone, and so Whitney, I mean, Whitney Houston

0:27:12.600 --> 0:27:15.840
<v Speaker 1>to me is the sweetest tone. So so when Mike

0:27:15.920 --> 0:27:19.520
<v Speaker 1>City said that, then again I came back to the

0:27:19.560 --> 0:27:21.919
<v Speaker 1>singing nurse. Who are you? What are you going to be?

0:27:22.000 --> 0:27:25.000
<v Speaker 1>What is your voice? What do you? What do you represent?

0:27:25.320 --> 0:27:27.200
<v Speaker 1>And then I was like, you got you got a tone,

0:27:27.680 --> 0:27:31.320
<v Speaker 1>so don't worry about anything else. Your tone is your identity.

0:27:31.560 --> 0:27:32.040
<v Speaker 1>Stay that.

0:27:32.680 --> 0:27:36.040
<v Speaker 4>So that's but you don't have a you don't have

0:27:36.080 --> 0:27:36.840
<v Speaker 4>a deal or anything.

0:27:36.880 --> 0:27:38.280
<v Speaker 6>You just you're going to make am.

0:27:38.280 --> 0:27:40.919
<v Speaker 1>I'm going to make demos, going to make demos. And

0:27:40.960 --> 0:27:44.040
<v Speaker 1>in that time too, and in that time too, like

0:27:44.080 --> 0:27:46.320
<v Speaker 1>I can't even forget. I'm there's so much I went

0:27:46.359 --> 0:27:48.760
<v Speaker 1>through in that time, like started working with the underdogs,

0:27:48.800 --> 0:27:51.760
<v Speaker 1>even in that time too, being that the underdog is

0:27:51.760 --> 0:27:55.119
<v Speaker 1>a Harvey Harvey over there taking me in and singing

0:27:55.119 --> 0:27:58.240
<v Speaker 1>backgrounds on like movie scores and using my voice in

0:27:58.240 --> 0:28:00.960
<v Speaker 1>that way, and meeting James Fontler Roy for the first time,

0:28:01.800 --> 0:28:05.639
<v Speaker 1>you know, and being like, you're incredible. You're an incredible person.

0:28:06.680 --> 0:28:08.560
<v Speaker 1>And I want to share this story too because I

0:28:08.600 --> 0:28:11.560
<v Speaker 1>always I always want to say this because James font

0:28:11.600 --> 0:28:15.040
<v Speaker 1>Lore to me is just the goat. According to this podcast,

0:28:15.840 --> 0:28:21.280
<v Speaker 1>I'm the coldest motherfuckers ever live. There will be what

0:28:21.320 --> 0:28:23.520
<v Speaker 1>did he say? There will be a chill in the

0:28:23.600 --> 0:28:27.520
<v Speaker 1>air after I'm gone. One of the hardest lines that's

0:28:27.560 --> 0:28:31.480
<v Speaker 1>ever been said. But truly I met James in that

0:28:31.600 --> 0:28:33.720
<v Speaker 1>time too, and you know, you know what James said

0:28:33.720 --> 0:28:36.600
<v Speaker 1>to me, and it never never left me. He said,

0:28:37.440 --> 0:28:39.560
<v Speaker 1>he said, I don't want to write like one of

0:28:39.560 --> 0:28:41.600
<v Speaker 1>the biggest songs in history. And this is before he

0:28:41.640 --> 0:28:44.280
<v Speaker 1>had any like big cuts, this is before no air,

0:28:44.400 --> 0:28:47.400
<v Speaker 1>this is before all of that. And he was like,

0:28:47.480 --> 0:28:49.880
<v Speaker 1>I want to write one of the biggest songs ever. Now.

0:28:50.240 --> 0:28:52.080
<v Speaker 1>We were right across the street from that studio, that

0:28:52.120 --> 0:28:53.720
<v Speaker 1>wing Spot, you know that wing Spot used to be

0:28:53.760 --> 0:28:56.160
<v Speaker 1>across from that, and we were eating and he was like, yeah,

0:28:56.200 --> 0:28:57.440
<v Speaker 1>I want to write one of the biggest songs. And

0:28:57.480 --> 0:28:58.960
<v Speaker 1>I was like, He's like, I want to write a

0:28:58.960 --> 0:29:02.560
<v Speaker 1>song like his biggest happen be birthday. I want people

0:29:02.600 --> 0:29:05.960
<v Speaker 1>everywhere in the world to sing my song. And I

0:29:06.040 --> 0:29:11.000
<v Speaker 1>just remember being like they will, Like I just saw

0:29:11.360 --> 0:29:14.880
<v Speaker 1>the greatness in James Fauntleroy just at Knubie coming into

0:29:14.920 --> 0:29:16.880
<v Speaker 1>the game, being like what and he was just so

0:29:17.000 --> 0:29:19.360
<v Speaker 1>kind and so sweet, and I was like, oh my God,

0:29:19.440 --> 0:29:22.120
<v Speaker 1>like your your greatness. So like I was around a

0:29:22.160 --> 0:29:26.640
<v Speaker 1>lot of amazing people from from the Underdog's Dupes and

0:29:26.640 --> 0:29:31.200
<v Speaker 1>and Mike's city and theot these times when I didn't

0:29:31.200 --> 0:29:33.560
<v Speaker 1>have a deal, and this is how I'm being introduced

0:29:33.600 --> 0:29:36.920
<v Speaker 1>to the music industry. Like I was just so happy

0:29:36.920 --> 0:29:40.120
<v Speaker 1>to be there. Yeah, so happy to be there. You know,

0:29:41.320 --> 0:29:43.520
<v Speaker 1>all of this is happening in La. All this is

0:29:43.520 --> 0:29:47.720
<v Speaker 1>happening in LA. And then and then I and then

0:29:47.760 --> 0:29:49.320
<v Speaker 1>I pivoted to New York.

0:29:50.920 --> 0:29:51.160
<v Speaker 6>First.

0:29:51.200 --> 0:29:53.320
<v Speaker 4>I came to LA first, Okay, because it would seem

0:29:53.400 --> 0:29:54.640
<v Speaker 4>like it would make more sense to go to New

0:29:54.720 --> 0:29:55.200
<v Speaker 4>York first.

0:29:56.000 --> 0:29:58.200
<v Speaker 1>Yeah, because my team at the time was based in LA.

0:29:58.400 --> 0:30:00.960
<v Speaker 1>And so actually when I first, very very very first

0:30:01.000 --> 0:30:04.400
<v Speaker 1>left La Toronto, I went to Oakland. I went to

0:30:04.440 --> 0:30:06.200
<v Speaker 1>the Bay Area because my manager at the time she

0:30:06.240 --> 0:30:08.320
<v Speaker 1>was from Oakland and so she kind of dropped me

0:30:08.400 --> 0:30:09.640
<v Speaker 1>off there and was like, Hey, you're going to go

0:30:09.640 --> 0:30:12.960
<v Speaker 1>into like artists development, and so I was taking dance classes.

0:30:13.680 --> 0:30:16.800
<v Speaker 1>I was really working on like body movement and performance.

0:30:16.840 --> 0:30:19.440
<v Speaker 1>Like I was learning about all the things that goes

0:30:19.480 --> 0:30:22.640
<v Speaker 1>in which is a dying art these days.

0:30:22.800 --> 0:30:24.600
<v Speaker 6>Yeah, but it's the reason why you're still here.

0:30:24.880 --> 0:30:28.040
<v Speaker 1>Yeah, shout out, shout out to the real ones. So

0:30:28.040 --> 0:30:29.760
<v Speaker 1>that's what I'm saying. Like there was a lot of

0:30:29.800 --> 0:30:34.880
<v Speaker 1>development in finding where I was going to, Where was

0:30:34.880 --> 0:30:37.680
<v Speaker 1>my creative team, Where did my voice live? What songs

0:30:37.720 --> 0:30:40.840
<v Speaker 1>that I want to sing? And I remember I remember

0:30:42.520 --> 0:30:44.600
<v Speaker 1>sitting on the floor in a hotel room with my

0:30:44.640 --> 0:30:46.560
<v Speaker 1>manager at the time, and we were sitting there and

0:30:46.600 --> 0:30:49.400
<v Speaker 1>we were taking these meetings, and there was like this

0:30:49.440 --> 0:30:51.880
<v Speaker 1>disconnect from people not really knowing what to do with

0:30:51.920 --> 0:30:55.479
<v Speaker 1>me vocally or production wise or whatever, like labels, like

0:30:55.640 --> 0:30:57.200
<v Speaker 1>what do we do? What do we do? And then

0:30:57.240 --> 0:30:58.760
<v Speaker 1>it was when I went to New York and then

0:30:58.800 --> 0:31:03.200
<v Speaker 1>I linked up with Andrea Markin and that's where the

0:31:03.240 --> 0:31:09.120
<v Speaker 1>sonic that became the amazing, amazing legendary. May she rest

0:31:09.160 --> 0:31:10.520
<v Speaker 1>in Paradise forever?

0:31:11.880 --> 0:31:12.000
<v Speaker 3>Am?

0:31:13.320 --> 0:31:17.800
<v Speaker 1>I mean that I get very emotional thinking about her

0:31:18.120 --> 0:31:23.160
<v Speaker 1>because I finally found someone who understood me and knew

0:31:23.160 --> 0:31:25.560
<v Speaker 1>what to do with my voice. And again I was

0:31:25.640 --> 0:31:29.480
<v Speaker 1>just so grateful to be under someone so gifted and talented.

0:31:30.040 --> 0:31:33.520
<v Speaker 1>And she was also Guyanese and she was in New York,

0:31:33.600 --> 0:31:37.240
<v Speaker 1>and we understood each other. She had a big voice

0:31:37.240 --> 0:31:40.760
<v Speaker 1>like me, She could sing and write anything, so she

0:31:40.960 --> 0:31:43.160
<v Speaker 1>really took me under her wing. And then I felt

0:31:43.760 --> 0:31:47.560
<v Speaker 1>like I had found my musical collaborator. And that's the

0:31:47.600 --> 0:31:50.240
<v Speaker 1>birth of it kills me. And that's the birth of

0:31:50.280 --> 0:31:52.400
<v Speaker 1>the whole first album, The Bridge, And you know, she

0:31:52.560 --> 0:31:55.040
<v Speaker 1>understood what it was, that what I wanted to be.

0:31:55.120 --> 0:31:57.160
<v Speaker 1>I wanted to be a big voice, but I was

0:31:57.200 --> 0:32:00.320
<v Speaker 1>a young girl and I wanted to not be labeled

0:32:00.360 --> 0:32:03.160
<v Speaker 1>into one box and I wanted to bridge genres. And

0:32:03.520 --> 0:32:06.040
<v Speaker 1>I grew up listening to Sam Cook and Lauren Hill

0:32:06.080 --> 0:32:09.120
<v Speaker 1>and so I wanted to wrap and do throwback retro

0:32:09.440 --> 0:32:11.240
<v Speaker 1>mixed with R and B and hit like I Want.

0:32:11.560 --> 0:32:13.880
<v Speaker 1>And she just got it and she understood it, and

0:32:13.920 --> 0:32:16.200
<v Speaker 1>that's really what the first album was about. It was

0:32:16.520 --> 0:32:19.120
<v Speaker 1>called The Bridge because there were so many different sonics

0:32:19.160 --> 0:32:24.360
<v Speaker 1>on there, bridging genres, bridging time, eras, bridging you know, conversations,

0:32:24.400 --> 0:32:27.840
<v Speaker 1>and it was just it was a really important time.

0:32:27.960 --> 0:32:30.920
<v Speaker 1>So that was a lot of late nights in the studio.

0:32:31.360 --> 0:32:33.000
<v Speaker 6>Are you living in New York at this point?

0:32:33.080 --> 0:32:37.960
<v Speaker 1>No, I'm still living in Toronto. I'm still living in Toronto,

0:32:38.000 --> 0:32:41.200
<v Speaker 1>and I'm just going back in and living sleeping on

0:32:41.440 --> 0:32:44.360
<v Speaker 1>my uncle's couch and hotels when there's a budget for it,

0:32:44.480 --> 0:32:45.000
<v Speaker 1>or like at.

0:32:44.840 --> 0:32:47.960
<v Speaker 4>The point you signed, Wait, so you you did it

0:32:48.040 --> 0:32:49.959
<v Speaker 4>kills me before you signed?

0:32:50.000 --> 0:32:53.640
<v Speaker 1>So I did it kills me. Before I signed Oh wow, yes, yeah,

0:32:53.720 --> 0:32:56.000
<v Speaker 1>I was signed to a production company.

0:32:56.040 --> 0:32:59.040
<v Speaker 6>Yeah, the production company, the managers, they knew a lot of.

0:32:59.000 --> 0:33:04.440
<v Speaker 1>People, they really, they really did. And you know, and

0:33:04.480 --> 0:33:06.200
<v Speaker 1>shout out to Jay Brown too, he was a part

0:33:06.200 --> 0:33:08.080
<v Speaker 1>of that, because he was a part of that. He's

0:33:08.080 --> 0:33:10.200
<v Speaker 1>the one who brought me to Mike Mike City, you know.

0:33:10.320 --> 0:33:12.800
<v Speaker 1>So there was there was a lot of people who

0:33:13.000 --> 0:33:15.360
<v Speaker 1>and and that's one of the reasons why my mom was,

0:33:15.400 --> 0:33:19.440
<v Speaker 1>like my Guyanese mother who never let me do anything,

0:33:19.640 --> 0:33:22.640
<v Speaker 1>was like, I guess I'm gonna let you go explore

0:33:22.640 --> 0:33:25.240
<v Speaker 1>what this looks like, you know. And I think about

0:33:25.240 --> 0:33:29.000
<v Speaker 1>that even too, Like my parents only knew anything about education,

0:33:29.360 --> 0:33:31.880
<v Speaker 1>you know, Like, what do you mean you're going to

0:33:31.920 --> 0:33:34.920
<v Speaker 1>pursue music. I mean, my dad artist hard artist at

0:33:34.920 --> 0:33:38.280
<v Speaker 1>heart for sure, but you know, the idea of pursuing

0:33:38.280 --> 0:33:40.920
<v Speaker 1>a career in music, Like for my family, I'm the

0:33:41.040 --> 0:33:45.320
<v Speaker 1>first to even think about that, right. It's my parents

0:33:45.680 --> 0:33:48.000
<v Speaker 1>didn't have a television growing up, you know what I mean.

0:33:48.080 --> 0:33:51.880
<v Speaker 1>So like that's that's that's a crazy thing. So you know,

0:33:52.200 --> 0:33:54.600
<v Speaker 1>even now, going back to my parents giving me the

0:33:54.600 --> 0:33:58.280
<v Speaker 1>permission and the grace to go knowing that they were

0:33:58.280 --> 0:34:01.000
<v Speaker 1>probably terrified to let me do that, you know, and

0:34:01.080 --> 0:34:03.080
<v Speaker 1>put all your eggs in this basket of music and

0:34:03.080 --> 0:34:03.760
<v Speaker 1>what does that mean?

0:34:03.840 --> 0:34:04.080
<v Speaker 6>You know?

0:34:04.480 --> 0:34:07.239
<v Speaker 1>And by the way, this is the craziest part. I

0:34:07.360 --> 0:34:09.440
<v Speaker 1>was doing college at the same time.

0:34:10.200 --> 0:34:11.320
<v Speaker 6>You actually did go to school.

0:34:11.360 --> 0:34:13.799
<v Speaker 1>I did go to school. I was doing college at

0:34:13.800 --> 0:34:16.360
<v Speaker 1>the Saint So after the Girl Group, I said to

0:34:16.360 --> 0:34:18.000
<v Speaker 1>my parents, if it didn't work out, I was going

0:34:18.040 --> 0:34:20.480
<v Speaker 1>to go to college. So I started college. And then

0:34:20.719 --> 0:34:23.240
<v Speaker 1>during college is when I met my production management company.

0:34:23.239 --> 0:34:25.080
<v Speaker 1>And then I left And so then I was going

0:34:25.120 --> 0:34:27.160
<v Speaker 1>back and forth and doing all these things during breaks

0:34:27.280 --> 0:34:29.800
<v Speaker 1>or like summers or like whatever. I had some time.

0:34:30.760 --> 0:34:37.319
<v Speaker 4>And how long is that process from leaving Toronto still

0:34:37.360 --> 0:34:38.919
<v Speaker 4>in school, but then getting your deal.

0:34:40.320 --> 0:34:45.879
<v Speaker 1>It was about four years? About four years? Yeah, four years.

0:34:46.040 --> 0:34:48.160
<v Speaker 6>This whole time you're still living and I'm still living

0:34:48.160 --> 0:34:48.440
<v Speaker 6>at home.

0:34:48.640 --> 0:34:49.759
<v Speaker 1>Yeah, I'm still living at home.

0:34:49.960 --> 0:34:50.120
<v Speaker 6>You know.

0:34:50.160 --> 0:34:51.680
<v Speaker 1>When I came to the States, I would crash at

0:34:51.719 --> 0:34:53.759
<v Speaker 1>my manager's house or like I had family in New York.

0:34:53.760 --> 0:34:56.359
<v Speaker 1>I would crash with them. And then you know, when

0:34:56.360 --> 0:34:59.480
<v Speaker 1>I started shopping, we got it kills me, recorded it

0:34:59.560 --> 0:35:01.839
<v Speaker 1>kills me, and we were like, all right, it's time,

0:35:02.280 --> 0:35:03.800
<v Speaker 1>it's time to go, time to go for the d

0:35:04.680 --> 0:35:07.440
<v Speaker 1>and uh. And we took those songs and we went

0:35:07.480 --> 0:35:10.040
<v Speaker 1>into these meetings, and I took a bunch of meetings

0:35:10.040 --> 0:35:12.000
<v Speaker 1>and played it Kills Me for a bunch of labels,

0:35:12.480 --> 0:35:14.480
<v Speaker 1>and a lot of them did not know.

0:35:15.000 --> 0:35:18.719
<v Speaker 3>Next question, next question.

0:35:18.840 --> 0:35:21.680
<v Speaker 1>They didn't know, they didn't see it, they didn't know.

0:35:21.800 --> 0:35:24.040
<v Speaker 1>And then I was in there singing that song too,

0:35:24.160 --> 0:35:26.120
<v Speaker 1>so it's not like, can you really do this? No,

0:35:26.200 --> 0:35:30.280
<v Speaker 1>I'm singing it, so you know. It was I think

0:35:31.000 --> 0:35:32.600
<v Speaker 1>a lot of the feedback and not even I think

0:35:32.640 --> 0:35:35.160
<v Speaker 1>I know because they said it. They were like, you

0:35:35.200 --> 0:35:38.960
<v Speaker 1>don't like you. These songs feel too grown for you,

0:35:39.040 --> 0:35:42.279
<v Speaker 1>like too old for you, Like you're like R and

0:35:42.360 --> 0:35:44.520
<v Speaker 1>B like big Ballad, Like why do you want to

0:35:44.520 --> 0:35:47.160
<v Speaker 1>do that when you could be more of a pop art?

0:35:47.200 --> 0:35:49.880
<v Speaker 1>And I was like, because I'm a singer, you're too talented.

0:35:50.280 --> 0:35:52.680
<v Speaker 1>I'm a sing because I want to sing. I want

0:35:52.680 --> 0:35:55.080
<v Speaker 1>to sing, Like why I don't want to not sing?

0:35:55.120 --> 0:35:57.160
<v Speaker 1>I want to sing. I want to Like do you

0:35:57.160 --> 0:35:58.400
<v Speaker 1>know who I used to fall asleep to?

0:35:58.520 --> 0:35:58.560
<v Speaker 7>Is?

0:35:58.760 --> 0:36:01.000
<v Speaker 1>I used to listen to Whitney Hugh. I used to

0:36:01.760 --> 0:36:06.759
<v Speaker 1>dream about having a voice like that what Like, So

0:36:06.840 --> 0:36:08.480
<v Speaker 1>now I get it kills me? And I'm like, I'm

0:36:08.520 --> 0:36:12.200
<v Speaker 1>finally singing to the capacity in the range that I

0:36:12.440 --> 0:36:15.799
<v Speaker 1>know I can, and you're telling me that I shouldn't.

0:36:16.080 --> 0:36:18.759
<v Speaker 1>And it was just so disappointing. It was really heartbreaking

0:36:19.200 --> 0:36:23.400
<v Speaker 1>until I met Steve Rifkin and I walked into SRC

0:36:23.600 --> 0:36:26.520
<v Speaker 1>Records and we played it Kills Me, and he played

0:36:26.520 --> 0:36:30.840
<v Speaker 1>it kills Me thirteen times in that meeting, thirteen times

0:36:31.160 --> 0:36:34.759
<v Speaker 1>back to Beck to Beck. He was so excited. He

0:36:34.920 --> 0:36:38.719
<v Speaker 1>was so excited, and he just said, oh no, you

0:36:38.760 --> 0:36:40.600
<v Speaker 1>can't leave. I have a showcase tomorrow. You need to

0:36:40.600 --> 0:36:42.160
<v Speaker 1>be in it. He was doing a showcase for his

0:36:42.200 --> 0:36:46.960
<v Speaker 1>New Towns because SRC had just started and it was

0:36:47.040 --> 0:36:51.680
<v Speaker 1>cra Acon was on the label. Tammy Chin who else

0:36:51.760 --> 0:36:55.120
<v Speaker 1>Chantelle French Montana was like a part of that whole,

0:36:55.200 --> 0:36:58.000
<v Speaker 1>Like it was like a hole. It was crazy. Asher

0:36:58.080 --> 0:37:00.520
<v Speaker 1>Roth like this was like a you know, and Steve

0:37:00.600 --> 0:37:04.200
<v Speaker 1>came from hip hop. So now I'm walking in as

0:37:04.200 --> 0:37:06.719
<v Speaker 1>this R and B girl into this you know, hip

0:37:06.760 --> 0:37:08.160
<v Speaker 1>hop label, and I'm like, what am I going to

0:37:08.200 --> 0:37:10.480
<v Speaker 1>do here? But he got it. He had the passion,

0:37:10.640 --> 0:37:14.080
<v Speaker 1>He had the the yes like yes, yes, yes, we're

0:37:14.120 --> 0:37:15.920
<v Speaker 1>doing this, and he didn't let me leave and I

0:37:15.960 --> 0:37:18.400
<v Speaker 1>stayed that weekend and he gave me a contract that weekend.

0:37:18.400 --> 0:37:22.360
<v Speaker 1>He had the paperwork sent over and he was like,

0:37:22.360 --> 0:37:23.799
<v Speaker 1>I want you to make the album that you want

0:37:23.800 --> 0:37:26.440
<v Speaker 1>to make. He said, go make it. He said, go

0:37:26.520 --> 0:37:28.680
<v Speaker 1>make it. And then we finished making the Bridge. And

0:37:28.719 --> 0:37:33.520
<v Speaker 1>that's how we finished making the Bridge shout out, you know,

0:37:33.960 --> 0:37:37.440
<v Speaker 1>still doing it too, like you know, and Steve just

0:37:37.840 --> 0:37:40.799
<v Speaker 1>was so supportive, like everything that we wanted to do.

0:37:40.880 --> 0:37:43.040
<v Speaker 1>Like Steve was like, yeah, let's go. You need to

0:37:43.040 --> 0:37:45.440
<v Speaker 1>go on this tour. Okay, cool, you know, like all

0:37:45.480 --> 0:37:47.799
<v Speaker 1>the things. But you know, one funny fact is after

0:37:47.840 --> 0:37:49.400
<v Speaker 1>I got my record deal and I went back home,

0:37:50.000 --> 0:37:52.279
<v Speaker 1>I got stuck in Canada and I couldn't come back

0:37:52.280 --> 0:37:55.560
<v Speaker 1>to the state. Well not, I overstayed it because now,

0:37:55.640 --> 0:37:57.480
<v Speaker 1>like I had been going back and forth, you know,

0:37:57.520 --> 0:38:03.239
<v Speaker 1>I wasn't working technically, you know, so now look at this.

0:38:03.320 --> 0:38:05.520
<v Speaker 1>So now I'm going to immigration to go back and

0:38:05.560 --> 0:38:07.839
<v Speaker 1>they're like what are you going to do? And I'm like, oh,

0:38:07.840 --> 0:38:10.520
<v Speaker 1>I'm going to finish my album and they're like your

0:38:10.560 --> 0:38:13.719
<v Speaker 1>album and I'm like yeah, and they're like, you're a

0:38:13.719 --> 0:38:15.680
<v Speaker 1>recording artist. And I was like, yeah, like I got

0:38:15.680 --> 0:38:20.480
<v Speaker 1>a record deal. And they were like, where's your visa?

0:38:20.520 --> 0:38:31.279
<v Speaker 8>I was like, what what do you mean, cat? I

0:38:31.320 --> 0:38:33.360
<v Speaker 8>was like, I got a visa, I got a mastercre No.

0:38:33.719 --> 0:38:36.160
<v Speaker 1>They they were like, you have a recording, you have

0:38:36.200 --> 0:38:40.920
<v Speaker 1>a contract, like you you are, you're your your intention

0:38:41.040 --> 0:38:43.240
<v Speaker 1>is to make money. We can't let you into this country.

0:38:43.520 --> 0:38:45.799
<v Speaker 1>You have a contract. And I was like, but like

0:38:45.840 --> 0:38:47.759
<v Speaker 1>I was traveling with my documents, Like I was like, no,

0:38:47.800 --> 0:38:49.120
<v Speaker 1>I'm legitimate, like I.

0:38:49.160 --> 0:38:50.439
<v Speaker 6>They were like, I just didn't.

0:38:50.840 --> 0:38:53.759
<v Speaker 1>I didn't know. I didn't know, and no one really

0:38:53.800 --> 0:38:56.120
<v Speaker 1>knew at the time. And so then I was stuck

0:38:56.160 --> 0:38:59.480
<v Speaker 1>in Canada for eight months no, while my visa was

0:38:59.480 --> 0:38:59.960
<v Speaker 1>getting cleared.

0:39:00.160 --> 0:39:03.640
<v Speaker 6>Yeah it's eight months months.

0:39:03.640 --> 0:39:05.319
<v Speaker 1>So all you had to do, though is just be

0:39:05.400 --> 0:39:08.439
<v Speaker 1>like I'm just going yeah, but you know, I could

0:39:08.440 --> 0:39:10.560
<v Speaker 1>have I could have said that, but if at that

0:39:10.680 --> 0:39:13.080
<v Speaker 1>reason they had then like because if there was press

0:39:13.160 --> 0:39:14.960
<v Speaker 1>or anything that had gotten released and they had found it,

0:39:15.000 --> 0:39:17.640
<v Speaker 1>then I'd have been really really so they you know.

0:39:17.760 --> 0:39:22.279
<v Speaker 1>So so that also then was like momental momental momentum,

0:39:22.480 --> 0:39:26.319
<v Speaker 1>and it was like oh, slow down again, slow down,

0:39:27.000 --> 0:39:29.879
<v Speaker 1>So you know, it was it was an interesting time,

0:39:29.920 --> 0:39:32.200
<v Speaker 1>but we ended up getting the work visa. Then became

0:39:32.239 --> 0:39:35.600
<v Speaker 1>an Alien of Extraordinary Ability on a O one. I

0:39:35.640 --> 0:39:39.720
<v Speaker 1>love that title forever. Yeah, that's what A one is,

0:39:39.760 --> 0:39:43.120
<v Speaker 1>an Alien of extraordinary ability. So back to what you

0:39:43.160 --> 0:39:46.680
<v Speaker 1>were asking, that was another time somebody said you're extraordinary.

0:39:47.360 --> 0:39:55.920
<v Speaker 1>The government told me alien of extraordinary ability. But you know,

0:39:55.920 --> 0:39:57.800
<v Speaker 1>it was a whole bunch of petitioning and like people

0:39:57.800 --> 0:39:59.600
<v Speaker 1>had to be like, yeah, we vouch for her, the label,

0:39:59.640 --> 0:40:03.000
<v Speaker 1>all that's stuff. So no, it was a eight eight months,

0:40:03.000 --> 0:40:04.040
<v Speaker 1>eight months.

0:40:04.640 --> 0:40:07.719
<v Speaker 3>Eight months. I mean, somebody just needs to look on

0:40:07.760 --> 0:40:13.080
<v Speaker 3>the desk and is harmless. So the goddamn paper it was.

0:40:13.160 --> 0:40:14.360
<v Speaker 1>It was a lot of surprise.

0:40:14.560 --> 0:40:14.799
<v Speaker 6>It was.

0:40:14.880 --> 0:40:18.759
<v Speaker 1>It wasn't listen, it's immigration, as we know, a hot

0:40:18.840 --> 0:40:22.879
<v Speaker 1>topic these days, it is, for sure. So so yeah,

0:40:22.920 --> 0:40:25.160
<v Speaker 1>so you know, so then I got my visa and

0:40:25.200 --> 0:40:27.719
<v Speaker 1>then I was down here and then it was just

0:40:27.760 --> 0:40:30.160
<v Speaker 1>like all right, let's go, let's go finish the album,

0:40:30.239 --> 0:40:31.120
<v Speaker 1>finish the bridge.

0:40:31.560 --> 0:40:33.360
<v Speaker 6>And so for that eight months though you're not recording,

0:40:33.360 --> 0:40:35.480
<v Speaker 6>you're not doing you just know home.

0:40:35.400 --> 0:40:37.600
<v Speaker 1>I'm home, I'm recording in my closet.

0:40:37.760 --> 0:40:38.719
<v Speaker 6>You got your little jail, b.

0:40:38.800 --> 0:40:41.000
<v Speaker 1>I had my little jail bid. Yeah, have you got

0:40:41.000 --> 0:40:41.520
<v Speaker 1>a little.

0:40:41.280 --> 0:40:43.600
<v Speaker 3>Money in your pocket though too? Because you got your

0:40:44.520 --> 0:40:44.759
<v Speaker 3>you got.

0:40:44.719 --> 0:40:47.479
<v Speaker 1>A couple of dollars, a couple of dollars, a couple

0:40:47.480 --> 0:40:47.799
<v Speaker 1>of dollars.

0:40:47.960 --> 0:40:50.919
<v Speaker 6>You didn't move out, stayed stay in parents house.

0:40:50.920 --> 0:40:53.680
<v Speaker 3>Now do people know, like you know, people know, like

0:40:53.719 --> 0:40:55.879
<v Speaker 3>in your commune, your circle knowed, you know, you got

0:40:55.880 --> 0:40:58.800
<v Speaker 3>to you kind of you kind of popping down and

0:40:59.400 --> 0:40:59.879
<v Speaker 3>they did.

0:41:00.080 --> 0:41:01.680
<v Speaker 1>But I'm still living at my mama's house, so like

0:41:01.719 --> 0:41:03.959
<v Speaker 1>you know, it's like but also you have to remember

0:41:04.000 --> 0:41:09.560
<v Speaker 1>I'm Canadian, so like it's very very humble, very like yeah,

0:41:09.920 --> 0:41:12.440
<v Speaker 1>like at that time, it's nice, Oh my god, I

0:41:12.440 --> 0:41:14.360
<v Speaker 1>got got money. I was paying off debts. That's what

0:41:14.400 --> 0:41:17.040
<v Speaker 1>I did with my money because I was responsible. Okay

0:41:17.120 --> 0:41:22.520
<v Speaker 1>I was. I'm not and that is why we were both.

0:41:23.239 --> 0:41:24.919
<v Speaker 1>That is why you are you and you are great

0:41:25.239 --> 0:41:25.759
<v Speaker 1>for being you.

0:41:26.120 --> 0:41:32.920
<v Speaker 6>Debts the strip club.

0:41:33.920 --> 0:41:37.080
<v Speaker 1>I am a young woman in my early twenties. Like

0:41:37.200 --> 0:41:40.600
<v Speaker 1>in my parents' house, they are immigrants, remember, Like there

0:41:40.719 --> 0:41:43.680
<v Speaker 1>was no flashing, Like there was nothing I was flashing,

0:41:43.719 --> 0:41:46.120
<v Speaker 1>but I was recording in my closet and because I

0:41:46.120 --> 0:41:48.920
<v Speaker 1>had actually put out, I had put out a reggae

0:41:48.920 --> 0:41:51.040
<v Speaker 1>song called Somebody come get me first. It's like a

0:41:51.080 --> 0:41:52.759
<v Speaker 1>single off of like a one off that was on

0:41:52.880 --> 0:41:55.840
<v Speaker 1>like reggae gold and no I was, no I was.

0:41:55.960 --> 0:42:00.960
<v Speaker 1>So they put it out under siren because because uh,

0:42:01.360 --> 0:42:06.360
<v Speaker 1>that's how I recorded it, and it was so not

0:42:06.360 --> 0:42:09.240
<v Speaker 1>not that sor sion Tank knows a different siren.

0:42:09.280 --> 0:42:11.799
<v Speaker 3>Now, okay, I don't know who that is.

0:42:12.160 --> 0:42:14.320
<v Speaker 1>I don't know who that is. Sorry to that woman,

0:42:16.200 --> 0:42:23.319
<v Speaker 1>now you curious, don't do it.

0:42:23.840 --> 0:42:24.520
<v Speaker 3>Don't do it.

0:42:25.000 --> 0:42:27.000
<v Speaker 1>But yes, there was a song. And so what I

0:42:27.040 --> 0:42:28.680
<v Speaker 1>was doing in that time was I was recording doub

0:42:28.680 --> 0:42:31.760
<v Speaker 1>plates in my in my closet for all the reggae

0:42:31.800 --> 0:42:34.200
<v Speaker 1>sounds and all the you were cooking. I was cooking

0:42:34.400 --> 0:42:38.640
<v Speaker 1>with my clothes being the sound. It was wild. There's

0:42:38.680 --> 0:42:42.160
<v Speaker 1>wild times. But yeah, then I got stuck and then

0:42:42.200 --> 0:42:45.480
<v Speaker 1>I came out to the stage. Year this is two

0:42:45.600 --> 0:42:46.960
<v Speaker 1>thousand and eight.

0:42:47.440 --> 0:42:49.680
<v Speaker 3>Oh wow, okay, yeah, so.

0:42:49.680 --> 0:42:51.759
<v Speaker 6>You are already out of the second group that we didn't

0:42:51.760 --> 0:42:54.160
<v Speaker 6>mention the Oh.

0:42:54.440 --> 0:42:57.400
<v Speaker 1>It wasn't really a group. Everybody loves this story, but

0:42:57.440 --> 0:42:59.840
<v Speaker 1>it's not really replied. Go ahead, because everybody asked the

0:43:00.120 --> 0:43:01.359
<v Speaker 1>love it. It's a good sound bite.

0:43:01.440 --> 0:43:02.600
<v Speaker 6>Yeah, you're like a fake group.

0:43:02.680 --> 0:43:05.120
<v Speaker 1>I was in a fake group. I was in a collective,

0:43:05.440 --> 0:43:14.080
<v Speaker 1>a collective collective. I was in a collective with with Drake. Okay, guys,

0:43:14.320 --> 0:43:16.719
<v Speaker 1>let's let's get it out there, because it's all over

0:43:16.760 --> 0:43:19.359
<v Speaker 1>the good and anyways. But yeah, this was before he

0:43:19.520 --> 0:43:22.239
<v Speaker 1>was rapping. This was before I had a deal. And

0:43:23.800 --> 0:43:25.920
<v Speaker 1>my manager, my manager at the time, like we had

0:43:25.960 --> 0:43:27.840
<v Speaker 1>all connected again, remember the people that I told you

0:43:27.840 --> 0:43:29.840
<v Speaker 1>that and then my manager throw they had all connected

0:43:29.880 --> 0:43:31.120
<v Speaker 1>us with a bunch of people. And then I had

0:43:31.120 --> 0:43:34.759
<v Speaker 1>met Drake when he was just on television but was

0:43:35.200 --> 0:43:38.600
<v Speaker 1>embarking into rap. And so we would do these little

0:43:39.040 --> 0:43:41.920
<v Speaker 1>live performances at this like supper club in Toronto.

0:43:41.640 --> 0:43:43.440
<v Speaker 6>And but never recording anything.

0:43:43.280 --> 0:43:46.600
<v Speaker 1>Never recorded anything, just live. We'd cover songs, we'd perform

0:43:46.640 --> 0:43:48.400
<v Speaker 1>our own records, like some of the songs that I

0:43:48.440 --> 0:43:50.680
<v Speaker 1>was recording and demoing, and that's what I was doing

0:43:50.680 --> 0:43:52.680
<v Speaker 1>in the States. I would practice some of those songs,

0:43:52.680 --> 0:43:55.480
<v Speaker 1>singing them live. And there was another vocalist in there

0:43:55.480 --> 0:43:57.839
<v Speaker 1>by the name of Voice, and then a keyboard player

0:43:57.880 --> 0:43:59.759
<v Speaker 1>named d Ten who still plays it goes on tour

0:43:59.840 --> 0:44:03.440
<v Speaker 1>with with Drake. But it was a really beautiful time

0:44:03.560 --> 0:44:07.799
<v Speaker 1>because for me, I felt like I had known of

0:44:07.880 --> 0:44:11.799
<v Speaker 1>the cardinal officials, you know what I mean, like those Yeah,

0:44:11.920 --> 0:44:15.920
<v Speaker 1>Julie Black's like Socrates and Chocolate Air and these dudes

0:44:15.920 --> 0:44:17.560
<v Speaker 1>in Toronto, and then of course Deborah Cox and to

0:44:17.600 --> 0:44:19.160
<v Speaker 1>me and all the Canadians that had come before me.

0:44:19.680 --> 0:44:24.240
<v Speaker 1>But I didn't have my own like crew, okay outside

0:44:24.239 --> 0:44:26.839
<v Speaker 1>of the girl group when we first started. But that

0:44:27.280 --> 0:44:30.400
<v Speaker 1>time was just really beautiful to meet other artists in

0:44:30.440 --> 0:44:33.840
<v Speaker 1>the city that were just so talented and clearly talented

0:44:33.880 --> 0:44:36.400
<v Speaker 1>because he's gone on to become who he is, So

0:44:36.640 --> 0:44:41.240
<v Speaker 1>you know, again, that's a really another another story. It's crazy.

0:44:41.680 --> 0:44:45.120
<v Speaker 1>I always forget there's so many really beautiful stories in

0:44:45.160 --> 0:44:48.360
<v Speaker 1>the chapters until people ask, you know. And that was

0:44:48.400 --> 0:44:50.960
<v Speaker 1>a part of that too. So you know, we never

0:44:51.080 --> 0:44:53.960
<v Speaker 1>we we have always had visions of going to and

0:44:54.000 --> 0:44:56.360
<v Speaker 1>that was before the Mike Citi era era. That was

0:44:56.440 --> 0:44:59.239
<v Speaker 1>right going into the Mike City era. So that was

0:45:01.200 --> 0:45:04.760
<v Speaker 1>that was a really like educational time, like a really

0:45:04.800 --> 0:45:08.920
<v Speaker 1>fun time just to perform live in the city.

0:45:08.719 --> 0:45:11.520
<v Speaker 4>And are you performing R and B stuff? Are you

0:45:11.600 --> 0:45:13.680
<v Speaker 4>performing more dance?

0:45:13.719 --> 0:45:16.520
<v Speaker 1>No, I'm performing R and B. I'm performing R and B.

0:45:16.600 --> 0:45:18.520
<v Speaker 1>So when I worked with Dopps, that was just what

0:45:18.560 --> 0:45:20.160
<v Speaker 1>we were creating the song, like had R and B

0:45:20.440 --> 0:45:22.279
<v Speaker 1>had reggae vibes, but I was still singing R and

0:45:22.280 --> 0:45:24.760
<v Speaker 1>B melodies, you know, but the music had reggae vites.

0:45:24.920 --> 0:45:27.240
<v Speaker 1>But yeah, the R and B songs, I was covering songs.

0:45:27.280 --> 0:45:32.240
<v Speaker 1>I used to sing fantasias and of the Geto truth

0:45:32.440 --> 0:45:35.600
<v Speaker 1>is that one. I love that song. And we used

0:45:35.600 --> 0:45:37.600
<v Speaker 1>to just cover cover songs. It was like it was

0:45:37.600 --> 0:45:45.319
<v Speaker 1>like we were entertainment basically for the Yes, exactly, exactly

0:45:45.440 --> 0:45:47.439
<v Speaker 1>exactly so that it was it was a good time.

0:45:47.520 --> 0:45:50.120
<v Speaker 1>It was a good time, sacred time.

0:45:51.080 --> 0:45:53.319
<v Speaker 3>So and it kills me.

0:45:53.320 --> 0:45:54.839
<v Speaker 6>The first single, so give It.

0:45:54.800 --> 0:45:57.640
<v Speaker 1>To Me Right, is actually the first give Yeah, that

0:45:57.800 --> 0:45:59.239
<v Speaker 1>was the song. I did that with Andrew and Martin

0:45:59.280 --> 0:46:03.520
<v Speaker 1>as well, and that one was sampled the Zombies Time

0:46:03.560 --> 0:46:06.799
<v Speaker 1>of the season. It's the time. This seas doom, Doom, Doom,

0:46:06.920 --> 0:46:09.080
<v Speaker 1>and there was like that baseline was really popular at

0:46:09.120 --> 0:46:10.680
<v Speaker 1>that time because there was an artist out of the

0:46:10.760 --> 0:46:13.720
<v Speaker 1>UK named Duffy that came out and she was also

0:46:13.840 --> 0:46:15.600
<v Speaker 1>in the same thing, and Amy Winehouse was a huge

0:46:15.640 --> 0:46:18.279
<v Speaker 1>inspiration and like this was that time of music. So

0:46:18.320 --> 0:46:19.840
<v Speaker 1>give It to Me Right came out and that was

0:46:19.880 --> 0:46:22.879
<v Speaker 1>the first single and then It Kills Me followed after

0:46:22.920 --> 0:46:24.560
<v Speaker 1>and then It Kills Me came out and that was

0:46:24.640 --> 0:46:28.560
<v Speaker 1>really like the the Rocket that was the hit. Yeah,

0:46:29.000 --> 0:46:29.680
<v Speaker 1>that was the one.

0:46:30.280 --> 0:46:32.560
<v Speaker 6>At this point, you in America? You living here now?

0:46:32.760 --> 0:46:33.040
<v Speaker 3>Yes?

0:46:33.160 --> 0:46:36.720
<v Speaker 1>No, No, I'm still back and forth, like I'm still

0:46:36.920 --> 0:46:42.200
<v Speaker 1>back and forth like before. Okay, so yeah, like it

0:46:42.239 --> 0:46:46.439
<v Speaker 1>was La. It was New York, Toronto, back and forth,

0:46:46.480 --> 0:46:48.560
<v Speaker 1>back and forth, back and forth. So like I always

0:46:48.719 --> 0:46:50.560
<v Speaker 1>was going back and forth for years. I was going

0:46:50.600 --> 0:46:53.319
<v Speaker 1>back and forth even once the record took off. Even

0:46:53.320 --> 0:46:55.200
<v Speaker 1>once the record took Once the record took off, then

0:46:55.200 --> 0:46:57.319
<v Speaker 1>I was gone everywhere. Then I was just out of

0:46:57.320 --> 0:46:59.120
<v Speaker 1>a suitcase. I was on the rock, but I would

0:46:59.120 --> 0:47:02.200
<v Speaker 1>always go back home to Toronto. That was always home.

0:47:02.320 --> 0:47:03.640
<v Speaker 6>Who's your first tour with?

0:47:04.239 --> 0:47:07.680
<v Speaker 1>My first tour was Kanye West and Kanye Glow in

0:47:07.719 --> 0:47:13.480
<v Speaker 1>the Dark yep. Oh, it was so fun was Dark Tours.

0:47:13.520 --> 0:47:14.920
<v Speaker 1>I was on the European leg of the Glow in

0:47:14.960 --> 0:47:15.440
<v Speaker 1>the Dark tour.

0:47:15.640 --> 0:47:16.040
<v Speaker 6>Yeah.

0:47:16.080 --> 0:47:19.040
<v Speaker 4>And that's your first time on any form of a

0:47:19.080 --> 0:47:19.600
<v Speaker 4>tour at all?

0:47:19.760 --> 0:47:26.000
<v Speaker 1>Arenas of course arenas. Yeah, it was. It was quite so.

0:47:26.040 --> 0:47:27.160
<v Speaker 6>How was your stage setup?

0:47:29.000 --> 0:47:29.760
<v Speaker 1>This is amazing?

0:47:29.880 --> 0:47:30.200
<v Speaker 6>Okay.

0:47:30.960 --> 0:47:32.960
<v Speaker 1>My stage setup was a three piece band and two

0:47:33.000 --> 0:47:39.080
<v Speaker 1>background singers with an iPod run the ox play the

0:47:39.120 --> 0:47:42.960
<v Speaker 1>tracks have the bad play on top. And that was

0:47:43.000 --> 0:47:47.680
<v Speaker 1>our set. Yep, that was our set and we oh

0:47:47.760 --> 0:47:49.440
<v Speaker 1>the iPod you remember I remember what time?

0:47:49.680 --> 0:47:50.719
<v Speaker 6>Yeah?

0:47:50.120 --> 0:47:54.399
<v Speaker 1>Yeah, box chord right like, and I'm the Oh, I'm

0:47:54.400 --> 0:47:57.640
<v Speaker 1>the one of many openers. It was me. Kid Cutty

0:47:57.719 --> 0:48:01.880
<v Speaker 1>was on their consequence, mister Hudson, the Roots. Yeah it was.

0:48:01.960 --> 0:48:03.480
<v Speaker 1>It was good. The Roots were actually on tour, so

0:48:03.520 --> 0:48:07.000
<v Speaker 1>they didn't do every every city, but yeah, me, Kid Cutty,

0:48:07.360 --> 0:48:10.919
<v Speaker 1>mister Hudson, Yay, it was. And I was the only

0:48:11.000 --> 0:48:13.359
<v Speaker 1>female artist. It was the only female artist. And then

0:48:13.400 --> 0:48:15.840
<v Speaker 1>I'm R and B like this in this space, so

0:48:15.920 --> 0:48:18.560
<v Speaker 1>I'm bringing a different energy. So I knew every night

0:48:20.000 --> 0:48:20.600
<v Speaker 1>you gotta win.

0:48:20.680 --> 0:48:22.160
<v Speaker 6>You gotta win, you gotta win the crowd over.

0:48:22.200 --> 0:48:25.600
<v Speaker 1>You don't get an opportunity to lose. Like this, You're

0:48:25.640 --> 0:48:29.239
<v Speaker 1>being introduced to Kanye's audience. First of all, Kanye was

0:48:29.239 --> 0:48:31.160
<v Speaker 1>one of my favorite artists at the time, Like just

0:48:32.760 --> 0:48:36.839
<v Speaker 1>I was in awe like a true fan. So I

0:48:36.840 --> 0:48:39.280
<v Speaker 1>get on that stage every night and I just knew

0:48:39.440 --> 0:48:43.879
<v Speaker 1>that that preparing for that tour taught me so much

0:48:43.960 --> 0:48:49.319
<v Speaker 1>about the art of performance, because get out there and

0:48:49.480 --> 0:48:51.920
<v Speaker 1>win them over every time. You don't get this might

0:48:51.920 --> 0:48:53.759
<v Speaker 1>if this is your only time, get out there. And

0:48:53.920 --> 0:48:55.920
<v Speaker 1>I don't care how long you got. You got fifteen minutes,

0:48:56.080 --> 0:48:58.520
<v Speaker 1>you got twenty minutes. You better give it everything cook,

0:48:58.760 --> 0:49:01.400
<v Speaker 1>and I mean back to back. You gotta have a

0:49:01.400 --> 0:49:03.840
<v Speaker 1>cover in there. You got to let people know that,

0:49:04.000 --> 0:49:09.120
<v Speaker 1>like you, you're here. And so it was good. I

0:49:09.160 --> 0:49:11.400
<v Speaker 1>was doing well every single night. And then it was

0:49:11.440 --> 0:49:15.360
<v Speaker 1>the last show of the tour and then in Versi

0:49:15.480 --> 0:49:24.360
<v Speaker 1>Arena in Paris and we're playing and the iPod is

0:49:24.400 --> 0:49:27.360
<v Speaker 1>rested on some sort of monitor or bass and it

0:49:27.680 --> 0:49:32.320
<v Speaker 1>jumps and skips and the track cuts out in Versy Arena,

0:49:32.960 --> 0:49:38.200
<v Speaker 1>thousands of people, it's like fifteen thousand people. I'm like, oh,

0:49:38.280 --> 0:49:40.480
<v Speaker 1>you trained for it. So what do I start doing?

0:49:40.719 --> 0:49:43.640
<v Speaker 1>I start singing a cappella? Oh yeah, I start singing

0:49:43.680 --> 0:49:46.200
<v Speaker 1>killing me softly a cappella while they fix that shit

0:49:46.239 --> 0:49:48.200
<v Speaker 1>behind me.

0:49:58.200 --> 0:50:01.640
<v Speaker 3>What future more about you?

0:50:01.680 --> 0:50:03.240
<v Speaker 1>Oh no, he's playing.

0:50:06.600 --> 0:50:21.160
<v Speaker 3>We're here, Melanie. You've You've come all away from Canada

0:50:21.239 --> 0:50:29.280
<v Speaker 3>to bless us with your gifts as a singing nurse.

0:50:32.920 --> 0:50:35.920
<v Speaker 3>Sounded weird at first, but now I got it. My

0:50:36.080 --> 0:50:40.880
<v Speaker 3>mind just plays tricks on me. Sister siren. Amen, we

0:50:40.920 --> 0:50:43.480
<v Speaker 3>will not search yet, you will.

0:50:44.960 --> 0:50:47.040
<v Speaker 1>Don't do it.

0:50:47.760 --> 0:50:50.120
<v Speaker 3>But now that people want to know the music that

0:50:50.160 --> 0:50:54.680
<v Speaker 3>has touched you, that have influenced you to become the

0:50:54.800 --> 0:51:01.040
<v Speaker 3>artist and singer and entrepreneur that you are, called that shore.

0:51:01.400 --> 0:51:02.000
<v Speaker 6>Where we gone?

0:51:04.239 --> 0:51:18.160
<v Speaker 3>Top five? Your top five, Top five, your top five.

0:51:18.600 --> 0:51:28.440
<v Speaker 2>O Pas singers, Burreathy songs. We got to know, Pa

0:51:28.640 --> 0:51:31.400
<v Speaker 2>thought you go, you're on the shoe.

0:51:32.120 --> 0:51:52.600
<v Speaker 7>Let everybody know your tap tip, Yes, your tap f.

0:52:00.040 --> 0:52:08.520
<v Speaker 1>Oh such a chocolate. That more good? That that was incredible.

0:52:10.200 --> 0:52:13.840
<v Speaker 1>That was I couldn't even have imagined it would have

0:52:13.840 --> 0:52:15.520
<v Speaker 1>been that great in person.

0:52:15.239 --> 0:52:16.720
<v Speaker 6>To see what happened when you start rapping.

0:52:21.000 --> 0:52:26.200
<v Speaker 1>Wow, okay, okay, that was that was amazing.

0:52:26.680 --> 0:52:29.680
<v Speaker 3>Your Top five R and B.

0:52:29.880 --> 0:52:42.759
<v Speaker 1>Singers, Top five R and B singers, Stevie Wonder, I

0:52:42.920 --> 0:52:49.000
<v Speaker 1>like that, Sam Cook.

0:52:49.640 --> 0:53:03.319
<v Speaker 5>Yeah, yeah, music, so child, I love music, so music.

0:53:03.360 --> 0:53:11.480
<v Speaker 1>So Whitney Houston, Whitney Houston and Lauren Hill.

0:53:13.160 --> 0:53:14.799
<v Speaker 6>Yes, it's a great.

0:53:14.600 --> 0:53:16.280
<v Speaker 3>List, Hilly.

0:53:17.160 --> 0:53:24.080
<v Speaker 4>It's great, high level vocals, viby and singing with a purpose.

0:53:25.000 --> 0:53:27.560
<v Speaker 6>Yeah, yeah, I found I'm following you.

0:53:27.640 --> 0:53:28.239
<v Speaker 3>I'm following you.

0:53:28.560 --> 0:53:34.440
<v Speaker 1>But wait, I really I really was my top c

0:53:37.840 --> 0:53:42.080
<v Speaker 1>because I mean I said it was hard because Whitney.

0:53:42.480 --> 0:53:45.279
<v Speaker 1>In my mind, you know, Whitney, She's kind of in

0:53:45.320 --> 0:53:49.440
<v Speaker 1>a category of her own, right, Like it's like pop.

0:53:50.760 --> 0:53:52.960
<v Speaker 1>You know when you say singers, now when you say

0:53:53.000 --> 0:53:56.759
<v Speaker 1>like artists, it's a little different. Because truly, in my

0:53:56.840 --> 0:54:02.120
<v Speaker 1>top five artists, I'm gonna put Brandy in there because

0:54:02.400 --> 0:54:07.520
<v Speaker 1>brand is Brandy. Brandy, Brandy vocally is one of my

0:54:07.560 --> 0:54:08.160
<v Speaker 1>favorite artist.

0:54:08.400 --> 0:54:10.080
<v Speaker 6>What is the thing they put it when you got

0:54:10.200 --> 0:54:10.760
<v Speaker 6>in America?

0:54:11.400 --> 0:54:14.080
<v Speaker 1>What kind of an alien of extraordinary ability?

0:54:14.239 --> 0:54:14.680
<v Speaker 3>That is?

0:54:15.320 --> 0:54:18.480
<v Speaker 1>She is a resident? She is a citizen of extraordinary

0:54:19.800 --> 0:54:23.880
<v Speaker 1>one hundred? Got it right there, Brandy?

0:54:23.960 --> 0:54:24.439
<v Speaker 6>Got it?

0:54:24.640 --> 0:54:25.000
<v Speaker 1>Brandy?

0:54:25.160 --> 0:54:28.439
<v Speaker 6>Yet, that's fine?

0:54:28.440 --> 0:54:28.680
<v Speaker 1>Okay?

0:54:28.960 --> 0:54:29.319
<v Speaker 6>Top six?

0:54:29.880 --> 0:54:32.720
<v Speaker 3>That your top five R and B songs.

0:54:34.960 --> 0:54:37.920
<v Speaker 1>This one I wasn't prepared for Top five R and

0:54:37.960 --> 0:54:44.480
<v Speaker 1>B songs. A Song for You by Donnie Hathaway.

0:54:44.840 --> 0:54:47.000
<v Speaker 6>Yep, kick it off a head and kick it off.

0:54:51.200 --> 0:54:56.040
<v Speaker 1>I'm gonna go. I'm overjoyed by Stevie Wonder.

0:54:57.840 --> 0:54:58.719
<v Speaker 3>My Castle of Love.

0:55:00.160 --> 0:55:02.239
<v Speaker 1>Those the music and that could just make me cry

0:55:02.239 --> 0:55:04.640
<v Speaker 1>every time every time.

0:55:08.040 --> 0:55:08.439
<v Speaker 6>Hm hmm.

0:55:09.920 --> 0:55:14.120
<v Speaker 1>Let me dig deep into my well of songs that

0:55:14.200 --> 0:55:22.320
<v Speaker 1>I love to sing. This is this is tough songs

0:55:22.320 --> 0:55:30.200
<v Speaker 1>are tough for me. Brandy, It's uh. I think now

0:55:30.200 --> 0:55:31.880
<v Speaker 1>I'm drawing a blank, but I can hear it in

0:55:31.920 --> 0:55:34.840
<v Speaker 1>my mind. Is uh is it when you touch me?

0:55:35.120 --> 0:55:35.319
<v Speaker 3>Yes?

0:55:35.520 --> 0:55:41.160
<v Speaker 1>Yeah, yeah, yeah, mm hmm, my Mama, I'm gonna go

0:55:41.200 --> 0:55:45.840
<v Speaker 1>with killing me softly because it's Lauren. I'm going with

0:55:45.880 --> 0:55:48.480
<v Speaker 1>my artists, you know what I'm saying. And then.

0:55:50.200 --> 0:55:52.720
<v Speaker 6>Mm hmm, it's.

0:55:52.520 --> 0:55:57.919
<v Speaker 1>Gonna be Anita, Baker, raptor.

0:55:59.640 --> 0:56:05.160
<v Speaker 3>Waiting I was. It's like the brick however you were doing. Yeah,

0:56:05.200 --> 0:56:09.600
<v Speaker 3>whatever you were doing, you were tapping into something. You know.

0:56:09.640 --> 0:56:12.600
<v Speaker 1>I have to go into a place. It's emotional for me,

0:56:13.239 --> 0:56:15.440
<v Speaker 1>So I think about the songs, how I like to

0:56:15.480 --> 0:56:17.960
<v Speaker 1>sing them, or where they take me to, where's the

0:56:18.000 --> 0:56:22.680
<v Speaker 1>place I am? And I just remember listening to Anita

0:56:23.160 --> 0:56:25.360
<v Speaker 1>with my mom playing it in the house on Saturday

0:56:25.400 --> 0:56:27.880
<v Speaker 1>mornings and just thinking like, oh.

0:56:27.680 --> 0:56:29.360
<v Speaker 6>It is that a feeling?

0:56:30.000 --> 0:56:30.400
<v Speaker 1>Yeah?

0:56:31.000 --> 0:56:32.080
<v Speaker 3>It is one hundred.

0:56:33.360 --> 0:56:37.280
<v Speaker 1>Yeah. I like that list. Love it great. You approved,

0:56:38.000 --> 0:56:47.680
<v Speaker 1>we're celebrating it's all champions and yeah, we like that list.

0:56:48.880 --> 0:56:53.920
<v Speaker 3>Build your Vulturon, your super r and b artists. Who

0:56:54.000 --> 0:56:56.520
<v Speaker 3>are you going to get the vocal from the performance

0:56:56.520 --> 0:57:00.399
<v Speaker 3>style from the styling from and the passion of the

0:57:00.480 --> 0:57:04.200
<v Speaker 3>artists to make your super R and B artist. What

0:57:04.320 --> 0:57:07.360
<v Speaker 3>one vocal are you going to grab?

0:57:09.440 --> 0:57:18.680
<v Speaker 1>The one vocal I'm going to grab is I'm gonna

0:57:18.680 --> 0:57:19.160
<v Speaker 1>grab Mic.

0:57:20.160 --> 0:57:24.080
<v Speaker 3>I knew when you started breathing you were going to

0:57:25.600 --> 0:57:28.720
<v Speaker 3>because like that was a breath that said, I'm going

0:57:28.800 --> 0:57:31.800
<v Speaker 3>to go, I'm going to the moon with this breath.

0:57:31.880 --> 0:57:34.760
<v Speaker 1>Yeah, I'm going to grab mic. That's the voice the moon.

0:57:36.040 --> 0:57:37.280
<v Speaker 6>I'm nice.

0:57:38.800 --> 0:57:39.360
<v Speaker 3>Here we go.

0:57:40.320 --> 0:57:46.880
<v Speaker 1>Performance style, oh, performance style on.

0:57:46.920 --> 0:57:48.240
<v Speaker 3>Stage, how they do it?

0:57:49.560 --> 0:57:49.960
<v Speaker 6>Mm hmm.

0:57:57.600 --> 0:58:01.880
<v Speaker 1>This is very very tough Bruno mars Ha.

0:58:02.600 --> 0:58:09.480
<v Speaker 6>Yeah, yeah, yeah, Bruno be cooking, tough on be cooking.

0:58:09.560 --> 0:58:11.960
<v Speaker 3>He's tough on stage, you know what I mean.

0:58:12.000 --> 0:58:15.960
<v Speaker 4>He's and he told you he ain't scared to get

0:58:15.960 --> 0:58:17.200
<v Speaker 4>about here and do what he does.

0:58:17.840 --> 0:58:28.200
<v Speaker 3>He's business pres underrated dancer. Yes he's it's not spoken about.

0:58:28.240 --> 0:58:31.919
<v Speaker 3>They don't talk about it. That boy can dag.

0:58:33.240 --> 0:58:34.880
<v Speaker 6>He really comes from the school.

0:58:35.600 --> 0:58:42.560
<v Speaker 3>He went through the nice high level, nice performer. Yeah,

0:58:43.800 --> 0:58:52.440
<v Speaker 3>fire show style of the artist, the drip Eric m hmm,

0:58:53.520 --> 0:58:54.120
<v Speaker 3>gonna dance.

0:58:54.000 --> 0:58:54.479
<v Speaker 6>And all them.

0:58:58.680 --> 0:59:03.240
<v Speaker 1>Anything is possible involved right them closed, You're.

0:59:03.160 --> 0:59:10.280
<v Speaker 3>Right, you're right. I'm not going my voice Bruno performance.

0:59:10.480 --> 0:59:14.120
<v Speaker 1>I could even interchange that. I could I could interchange.

0:59:14.160 --> 0:59:17.120
<v Speaker 1>I could do Bruno voice and Mike stage. It could

0:59:17.120 --> 0:59:18.960
<v Speaker 1>be either or to be honest.

0:59:18.800 --> 0:59:23.240
<v Speaker 6>Well, yeah, dudes.

0:59:23.280 --> 0:59:28.160
<v Speaker 1>Close closes it.

0:59:30.960 --> 0:59:32.720
<v Speaker 3>And the passion of the artist, the.

0:59:32.600 --> 0:59:37.040
<v Speaker 1>Heart of the artist, Stevie Wonder a heart of gold. Yes,

0:59:37.240 --> 0:59:41.960
<v Speaker 1>it's very passionate that man is still out here doing

0:59:42.960 --> 0:59:48.160
<v Speaker 1>God's work, God's work, his life's purpose work. After everything

0:59:48.160 --> 0:59:51.480
<v Speaker 1>that he has accomplished, he still gets out there with

0:59:51.560 --> 0:59:56.200
<v Speaker 1>so much love in his heart. That is something that

0:59:56.280 --> 0:59:59.360
<v Speaker 1>I don't think that we see and feel enough of.

1:00:00.080 --> 1:00:01.600
<v Speaker 1>He's dedicated to it, and.

1:00:01.520 --> 1:00:04.520
<v Speaker 3>You know it's different like I just he just Busher

1:00:04.560 --> 1:00:06.200
<v Speaker 3>brought him out on this tour here in l A.

1:00:07.040 --> 1:00:10.120
<v Speaker 3>And he started singing, just him this piano, and I

1:00:10.160 --> 1:00:14.680
<v Speaker 3>was like, Tank, you're not going to break down crying people,

1:00:15.200 --> 1:00:21.680
<v Speaker 3>chill out. I was talking, let it out.

1:00:23.240 --> 1:00:24.160
<v Speaker 1>Everyone would understand.

1:00:24.160 --> 1:00:28.240
<v Speaker 3>Everyone, It's cool, Stevie. And and we're at the in

1:00:28.320 --> 1:00:30.800
<v Speaker 3>the v I P like high rise section, like all

1:00:30.920 --> 1:00:32.160
<v Speaker 3>eyes on us.

1:00:34.200 --> 1:00:35.440
<v Speaker 6>They would they wouldn't understand.

1:00:35.840 --> 1:00:39.000
<v Speaker 3>They would have been like Tank over there crying and saying,

1:00:39.000 --> 1:00:53.280
<v Speaker 3>you know, jealousy people people. It was. It was still

1:00:53.400 --> 1:00:57.200
<v Speaker 3>amazing it was still spiritual, it was still connected, it

1:00:57.280 --> 1:01:00.520
<v Speaker 3>was it was yeah, yeah, do.

1:01:00.520 --> 1:01:05.280
<v Speaker 1>You know that. Stevie Wonder once said I was in

1:01:05.360 --> 1:01:09.320
<v Speaker 1>I was with him, and he once said, I listened

1:01:09.320 --> 1:01:12.440
<v Speaker 1>to my own music. He says, I listened to my

1:01:12.480 --> 1:01:15.720
<v Speaker 1>own music when I need to feel God. He said,

1:01:15.760 --> 1:01:20.360
<v Speaker 1>because everything that I've ever created has come from God.

1:01:20.480 --> 1:01:23.320
<v Speaker 1>Because I don't have the gift of vision, so I

1:01:23.360 --> 1:01:26.440
<v Speaker 1>only know this conversation with God and these gifts. So

1:01:26.520 --> 1:01:29.120
<v Speaker 1>I listened to myself when I need to feel close

1:01:29.160 --> 1:01:34.680
<v Speaker 1>to God. Like that's why the passion and heart of

1:01:34.680 --> 1:01:44.640
<v Speaker 1>that person needs is needed in the world. Like, yeah,

1:01:44.880 --> 1:01:48.560
<v Speaker 1>it can only be gottee Stevie Steveland.

1:01:48.240 --> 1:01:51.720
<v Speaker 3>He said, ReBs in this guy, Oh, can we.

1:01:51.680 --> 1:01:53.040
<v Speaker 1>Go back and talk about songs again?

1:01:53.520 --> 1:02:01.120
<v Speaker 3>God could have only given him that vision. Hello, he

1:02:01.200 --> 1:02:02.960
<v Speaker 3>yet he didn't see no the turgical dances.

1:02:03.120 --> 1:02:04.680
<v Speaker 6>Hello, get out of the tank.

1:02:04.840 --> 1:02:05.560
<v Speaker 3>Okay, get.

1:02:06.920 --> 1:02:08.200
<v Speaker 6>Stevie go kick ass.

1:02:09.280 --> 1:02:13.240
<v Speaker 1>Y'all got meat, y'all got thing. It's a thing.

1:02:14.240 --> 1:02:15.760
<v Speaker 3>People come up to me and tell me it's a thing.

1:02:15.840 --> 1:02:16.560
<v Speaker 1>Don't you drag me.

1:02:17.200 --> 1:02:19.320
<v Speaker 6>Don't drag me into the Stevie looking at the tank.

1:02:20.480 --> 1:02:24.880
<v Speaker 1>Stop Hello, mom, Yeah, I'm not gonna go into the

1:02:24.880 --> 1:02:25.400
<v Speaker 1>depths of hell.

1:02:25.440 --> 1:02:25.600
<v Speaker 5>Here.

1:02:25.680 --> 1:02:28.440
<v Speaker 1>I'm just gonna stay right here. Yep, call you after.

1:02:32.360 --> 1:02:34.760
<v Speaker 3>I ain't saying no nxs. Hey, I ain't saying no

1:02:34.840 --> 1:02:38.200
<v Speaker 3>nat I ain't saying no names. I ain't saying no names.

1:02:38.200 --> 1:02:39.040
<v Speaker 2>Who was.

1:02:41.360 --> 1:02:47.840
<v Speaker 3>What you did? Don't say? She ain't saying no names.

1:02:49.480 --> 1:02:57.880
<v Speaker 6>He Yep, we're here now, We're here now.

1:02:57.920 --> 1:03:00.680
<v Speaker 4>We had a very very important part of the show, Wow,

1:03:01.440 --> 1:03:04.240
<v Speaker 4>will you tell us a story? Funny or fucked up?

1:03:04.520 --> 1:03:08.720
<v Speaker 4>Are funny and fucked up? The only rule to the game, okay,

1:03:08.960 --> 1:03:10.000
<v Speaker 4>is you can't say no name.

1:03:12.560 --> 1:03:19.640
<v Speaker 1>Okay, it's a little fucked up. Not gonna lie a

1:03:19.680 --> 1:03:25.280
<v Speaker 1>little fucked up. I was on a flight and I

1:03:25.320 --> 1:03:29.520
<v Speaker 1>was sitting next to someone where we were discussing the

1:03:29.640 --> 1:03:34.040
<v Speaker 1>event that we were just coming from, and we were

1:03:34.080 --> 1:03:42.080
<v Speaker 1>talking about a particular person who I knew that I

1:03:42.160 --> 1:03:45.400
<v Speaker 1>wasn't feeling at the time because I had once known

1:03:45.440 --> 1:03:49.680
<v Speaker 1>this person very well and felt connected to this person,

1:03:50.120 --> 1:03:53.400
<v Speaker 1>but a short few years later didn't feel connected to

1:03:53.440 --> 1:03:57.640
<v Speaker 1>them anymore. And as we were having this conversation and

1:03:57.720 --> 1:04:01.320
<v Speaker 1>this person was expressing their thoughts on this person as well,

1:04:03.600 --> 1:04:05.560
<v Speaker 1>we didn't realize that there was a family member of

1:04:05.600 --> 1:04:10.520
<v Speaker 1>the person that we were talking about sitting sitting behind us,

1:04:11.480 --> 1:04:17.120
<v Speaker 1>right behind Oh this is great, right behind this. Yeah,

1:04:17.160 --> 1:04:18.760
<v Speaker 1>so there was a confrontation.

1:04:19.520 --> 1:04:22.600
<v Speaker 3>Mmmm no, oh okay, yeah, yeah, person says, so what

1:04:22.680 --> 1:04:25.560
<v Speaker 3>you say they stood on business? But did I?

1:04:27.480 --> 1:04:32.000
<v Speaker 1>Yeah, I'm very sorry you had to overhear that conversation.

1:04:33.680 --> 1:04:37.520
<v Speaker 1>But I do feel this way about this person, and

1:04:37.560 --> 1:04:40.080
<v Speaker 1>I'm I am. The only thing I'm apologizing for is

1:04:40.080 --> 1:04:42.400
<v Speaker 1>that you overheard it. And I'm really sorry that that happened.

1:04:42.560 --> 1:04:44.440
<v Speaker 1>I should have been more mindful about where I was.

1:04:45.480 --> 1:04:49.400
<v Speaker 1>And that was that. And then I saw that person

1:04:49.640 --> 1:04:53.120
<v Speaker 1>a few years later and hadn't seen them for many

1:04:53.160 --> 1:04:58.320
<v Speaker 1>years in between, and and that person looked like they

1:04:58.360 --> 1:04:59.880
<v Speaker 1>wanted to talk to me. And I was just like

1:05:01.120 --> 1:05:05.240
<v Speaker 1>peace and love, got nothing and love for you and

1:05:05.520 --> 1:05:09.960
<v Speaker 1>just kept it moving. And now that is a far

1:05:10.000 --> 1:05:12.000
<v Speaker 1>distant memory in our in our mass.

1:05:12.400 --> 1:05:14.120
<v Speaker 6>Yeah, it was.

1:05:14.200 --> 1:05:14.480
<v Speaker 3>It was.

1:05:14.520 --> 1:05:15.640
<v Speaker 1>It was uncomfortable.

1:05:15.720 --> 1:05:20.000
<v Speaker 3>That is great. It was uncomfortable conversation mid flight.

1:05:20.200 --> 1:05:21.920
<v Speaker 1>Oh no, it was in the airport after.

1:05:23.160 --> 1:05:26.200
<v Speaker 6>Waited waited because they needed some space because also because the.

1:05:26.800 --> 1:05:33.240
<v Speaker 1>Yeah, they waited, they waited, they waited, they waited.

1:05:33.640 --> 1:05:35.160
<v Speaker 3>What was she saying in.

1:05:35.160 --> 1:05:38.160
<v Speaker 1>Two a y that's that's where I know I was

1:05:38.200 --> 1:05:44.480
<v Speaker 1>in to Yeah, yeah, to see I was in the

1:05:44.720 --> 1:05:48.840
<v Speaker 1>I was in the aisle. Yeah it was. And I

1:05:48.880 --> 1:05:51.040
<v Speaker 1>knew the family member so that it's not like I

1:05:51.880 --> 1:05:55.040
<v Speaker 1>didn't know that they were there. Ah, it was great,

1:05:55.320 --> 1:05:58.320
<v Speaker 1>Yeah it was. It was. It's great now, it wasn't

1:05:58.320 --> 1:06:01.520
<v Speaker 1>great at the time. I don't like I don't like drama,

1:06:02.120 --> 1:06:03.439
<v Speaker 1>you know, and so I don't.

1:06:03.640 --> 1:06:04.760
<v Speaker 3>You weren't doing it for drama.

1:06:04.840 --> 1:06:05.920
<v Speaker 1>I wasn't doing it for drum.

1:06:06.120 --> 1:06:10.360
<v Speaker 3>It's hard to be it's hard to know that that

1:06:10.360 --> 1:06:11.360
<v Speaker 3>that person is right.

1:06:11.480 --> 1:06:14.480
<v Speaker 1>But you know what it did. It was back to

1:06:14.680 --> 1:06:21.479
<v Speaker 1>my lessons of watch your mouth truly because you don't

1:06:21.520 --> 1:06:24.120
<v Speaker 1>know where you are and you don't know who's around

1:06:24.200 --> 1:06:26.760
<v Speaker 1>or who knows who. And that was a valuable lesson

1:06:26.760 --> 1:06:29.240
<v Speaker 1>and I think that's a valuable lesson for anybody. But

1:06:29.400 --> 1:06:31.440
<v Speaker 1>sometimes you just be talking. You're just like good it is.

1:06:31.840 --> 1:06:34.760
<v Speaker 1>You don't really but if it's how you truly feel,

1:06:34.880 --> 1:06:36.080
<v Speaker 1>it is it is.

1:06:36.120 --> 1:06:41.520
<v Speaker 3>But I and it was a warranted conversation between you

1:06:41.680 --> 1:06:42.800
<v Speaker 3>and whoever else.

1:06:42.880 --> 1:06:48.040
<v Speaker 1>Yes, yes, we were having you know, we were having a.

1:06:47.880 --> 1:06:48.960
<v Speaker 3>It's kind of a privilege.

1:06:49.080 --> 1:06:50.840
<v Speaker 1>It was like an opinion. It was like more of like.

1:06:50.800 --> 1:06:53.640
<v Speaker 3>An kind of a privileged conversation in a sense.

1:06:53.760 --> 1:06:58.440
<v Speaker 4>Not if I bought three c that part and they

1:06:58.520 --> 1:07:01.240
<v Speaker 4>talked about my cousin, I'm gonna tap you on your

1:07:01.280 --> 1:07:03.480
<v Speaker 4>shoulder and we get off display I'm not.

1:07:04.560 --> 1:07:07.520
<v Speaker 3>Oh, I'm definitely I'm not because because but.

1:07:07.440 --> 1:07:10.840
<v Speaker 1>That but that's but that's it now, I know no,

1:07:10.920 --> 1:07:12.360
<v Speaker 1>But you know what the thing is though, it's because

1:07:12.400 --> 1:07:13.320
<v Speaker 1>I knew the person.

1:07:16.680 --> 1:07:18.520
<v Speaker 3>I know the person knew I thought you knew who

1:07:18.560 --> 1:07:20.320
<v Speaker 3>they were, Okay, so.

1:07:20.240 --> 1:07:22.880
<v Speaker 1>They came up to me and were like, that's how

1:07:22.880 --> 1:07:25.680
<v Speaker 1>you feel, like yeah, Like I was just really surprised,

1:07:25.760 --> 1:07:28.240
<v Speaker 1>like I I you know, I I've always thought so

1:07:28.360 --> 1:07:31.040
<v Speaker 1>highly of you, and I was surprised, and I was like, hey,

1:07:31.200 --> 1:07:34.480
<v Speaker 1>look I understand why you feel that way. I get it.

1:07:34.920 --> 1:07:36.960
<v Speaker 1>And I was like, but I'm like, I'm really sorry

1:07:36.960 --> 1:07:39.560
<v Speaker 1>that you overheard that conversation. I should have been more

1:07:39.560 --> 1:07:42.040
<v Speaker 1>mindful about where I was. And I was like, I'm

1:07:42.040 --> 1:07:46.040
<v Speaker 1>sure that was hurtful to hear. I'm so that was

1:07:46.120 --> 1:07:48.160
<v Speaker 1>hurtful to hear. That's what I said, because you don't

1:07:48.160 --> 1:07:51.080
<v Speaker 1>want to hear anybody talking about anybody about your people

1:07:51.120 --> 1:07:52.880
<v Speaker 1>like that, Like I wasn't saying anything crazy. It was

1:07:52.880 --> 1:07:55.439
<v Speaker 1>really just my own experience about how, like I said,

1:07:55.480 --> 1:07:57.040
<v Speaker 1>I was once connected to this person, then how I

1:07:57.040 --> 1:07:59.600
<v Speaker 1>felt very disconnected to this person based off of their actions.

1:08:00.400 --> 1:08:03.840
<v Speaker 1>So you know it was not accepted.

1:08:04.120 --> 1:08:06.680
<v Speaker 3>Yeah that's a good one. Yeah, that's a good one.

1:08:07.600 --> 1:08:10.080
<v Speaker 3>He was going in too. And this mother, let me

1:08:10.120 --> 1:08:11.520
<v Speaker 3>tell you it was.

1:08:11.760 --> 1:08:13.600
<v Speaker 1>You know what it was. It was It was. It

1:08:13.720 --> 1:08:16.559
<v Speaker 1>was just it was. It was a conversation of tastes

1:08:17.200 --> 1:08:18.680
<v Speaker 1>and we were on the same tas if.

1:08:18.680 --> 1:08:21.400
<v Speaker 3>Y'all were on the same page, you can imagine that. Yeah,

1:08:21.439 --> 1:08:27.439
<v Speaker 3>I'm saying you you too. It was going up. Give

1:08:27.439 --> 1:08:28.720
<v Speaker 3>me nothing, give me the jack and coke.

1:08:31.320 --> 1:08:33.320
<v Speaker 1>The thing is I really like when they did that,

1:08:33.360 --> 1:08:34.760
<v Speaker 1>you know what I'm saying, Like that was whack. They

1:08:34.760 --> 1:08:35.719
<v Speaker 1>could have done that best.

1:08:36.160 --> 1:08:39.919
<v Speaker 3>That one time it gets it gets it gets excited

1:08:40.120 --> 1:08:50.160
<v Speaker 3>that well, Melanie, we have always valued your gifts, your presence,

1:08:51.479 --> 1:08:55.080
<v Speaker 3>your friendship, your family, our family. We've been doing that

1:08:55.120 --> 1:09:00.200
<v Speaker 3>a long time, and we are grateful for the opportunity,

1:09:00.320 --> 1:09:05.120
<v Speaker 3>too to do a deep dive into where all of

1:09:05.120 --> 1:09:07.519
<v Speaker 3>this comes from and then why it is the way

1:09:07.560 --> 1:09:13.360
<v Speaker 3>it is. And we're happy, Number one that you're good

1:09:14.400 --> 1:09:16.280
<v Speaker 3>and then we're happy number two that you're back.

1:09:16.520 --> 1:09:19.160
<v Speaker 1>Yeah, good and back. I like that.

1:09:19.520 --> 1:09:21.680
<v Speaker 3>We we're really excited about.

1:09:21.400 --> 1:09:27.040
<v Speaker 1>That, like like you sing man, thank you. Thanks.

1:09:28.160 --> 1:09:28.919
<v Speaker 3>That's exciting.

1:09:29.680 --> 1:09:32.640
<v Speaker 1>Yeah that listen, that means a lot from from this

1:09:32.760 --> 1:09:33.600
<v Speaker 1>room specifically.

1:09:33.640 --> 1:09:34.360
<v Speaker 3>That's exciting.

1:09:34.640 --> 1:09:36.000
<v Speaker 1>Thank you, Thank you, guys.

1:09:36.120 --> 1:09:40.160
<v Speaker 3>That keeps uh. You know, I'm I'm I'm always keeping score.

1:09:42.920 --> 1:09:47.360
<v Speaker 3>I'm always keeping score. You on you on our side,

1:09:47.520 --> 1:09:51.880
<v Speaker 3>You're on our Teamron, you know, you know, you know,

1:09:52.240 --> 1:09:55.200
<v Speaker 3>you know what it is. You know what it is,

1:09:55.920 --> 1:09:58.679
<v Speaker 3>and we just appreciate you. We support you and whatever

1:09:58.720 --> 1:09:59.960
<v Speaker 3>you need from us, you always know that.

1:10:00.080 --> 1:10:02.320
<v Speaker 1>Thank you and thank you guys for creating this space.

1:10:03.280 --> 1:10:06.920
<v Speaker 1>This is really important, really really important. Thank you. Thank

1:10:06.960 --> 1:10:09.000
<v Speaker 1>you for holding space. Thank you for holding the time,

1:10:09.000 --> 1:10:10.719
<v Speaker 1>because I told you I was coming, I was coming,

1:10:11.000 --> 1:10:13.960
<v Speaker 1>and now I'm here and I'll be back for sure.

1:10:14.320 --> 1:10:15.000
<v Speaker 1>Thank you guys.

1:10:15.360 --> 1:10:18.400
<v Speaker 3>Ladies and gentlemen, Money is Tank Valentine and this is

1:10:18.400 --> 1:10:22.880
<v Speaker 3>the Army Money Podcast, the authority on all things R

1:10:22.920 --> 1:10:28.920
<v Speaker 3>and B. We have been bathing, sound and fall asleep

1:10:29.080 --> 1:10:36.080
<v Speaker 3>and true therapy is taken place. Ladies and gentlemen, She's back,

1:10:36.240 --> 1:10:37.440
<v Speaker 3>Melanie Fiona.

1:10:39.040 --> 1:10:44.879
<v Speaker 4>Thank you guys, R and B Money is a production

1:10:44.960 --> 1:10:49.400
<v Speaker 4>of the Black Effect Podcast Network. For more podcasts from iHeartRadio,

1:10:49.840 --> 1:10:53.920
<v Speaker 4>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:10:53.960 --> 1:10:57.240
<v Speaker 4>to your favorite shows. Don't forget to subscribe to and

1:10:57.439 --> 1:10:59.720
<v Speaker 4>rate our show, and you can connect with us on

1:10:59.720 --> 1:11:03.320
<v Speaker 4>social media at Jay Valentine and at the Real Tank.

1:11:03.720 --> 1:11:08.479
<v Speaker 4>For the extended episode, subscribe to YouTube dot com or

1:11:08.640 --> 1:11:10.080
<v Speaker 4>slash R and B Money