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Speaker 1: Are they saying she want to fuck with the big

2
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Speaker 1: dick this entire time?

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Speaker 2: No eight Ape Dick. No, nobody saying dick.

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Speaker 1: Oh it sounds like dick to me. No, you never

5
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Speaker 1: know this whole time, I never knew what he was saying.

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Speaker 1: She want to fuck with the Big eight, the Big eight, Okay, yeah.

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Speaker 2: Because yeah, it's truly because of the Ape Stone Guerrillas,

8
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Speaker 2: that gang that Casanova just went to prison for.

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Speaker 1: Okay, damn, a lot of people going to jail.

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Speaker 2: Huh. Yeah, it's a big summer, big jail summer. That's

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Speaker 2: where it gets you.

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Speaker 1: There's big jail summer, baby, and we celebrating here. And

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Speaker 1: my mama told me, send all these niggas to jail.

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Speaker 1: Walk about.

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Speaker 2: A big chips in yours are racist.

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Speaker 1: The money.

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Speaker 2: Turkey stuff, I can't tell me. My Cucci pick my booty.

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Speaker 2: Whole brown just left Poundtown, christ Is, my mama.

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Speaker 1: Told me the fiecasts. Well, we dive deep, deep into

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Speaker 1: the pockets of black conspiracy theories.

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Speaker 2: And we finally worked to prove that the Joshaw Slide

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Speaker 2: is not only a fun dance out of Chicago. He

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Speaker 2: was also an ancient set of coded movements used to

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Speaker 2: identify members of the Underground Railroad to each other in public.

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Speaker 1: Okay, I'm like, snick Herman, and I'm impressed. Yes, I

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Speaker 1: you know this whole time, I was like, this is

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Speaker 1: motherfucker about to make this about escaping slavery.

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Speaker 2: I could feel it, you knew it.

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Speaker 1: It was at the tip of my my taste buds.

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Speaker 1: I was like, there's this got some slavery to it.

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Speaker 2: It's because every time you slip to the last you

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Speaker 2: knew you were doing it for a cost greater than yourself.

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Speaker 1: It's like that you gotta move left because massa coming.

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Speaker 2: To the right. Granted it was not now Charlie Brown,

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Speaker 2: it was a different lyric.

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Speaker 3: So your black ass, you're skipping stones three hops this time,

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Speaker 3: and I get it.

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Speaker 2: That's perfect freedom, brother, That's what I say.

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Speaker 1: Damn, we've been talking to each other this whole time,

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Speaker 1: and we didn't. We just don't listen. That's all.

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Speaker 2: Communication is, non verbal.

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Speaker 1: Yeah, yeah, yeah, yeah. Those grunts that when the cave

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Speaker 1: men were just grunting at each other, they had it,

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Speaker 1: they had it figured out.

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Speaker 2: Those were the real talks.

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Speaker 1: And we thought we'd introduce Constantinople and make it more

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Speaker 1: come no, we just grunt, just.

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Speaker 2: A power of babble fell. And now we got a

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Speaker 2: million languages.

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Speaker 1: That's too many, too many languages, Doug. And frankly we

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Speaker 1: hear in My mama told me, are are here to

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Speaker 1: tell you stop speaking other languages? Yeah, you're done.

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Speaker 2: And if we're gonna have to go with one for

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Speaker 2: the whole world, I gotta say English. It just sounds

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Speaker 2: the best. This isn't this isn't no way jangoistic.

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Speaker 1: It's just easiest for me.

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Speaker 2: It's the easiest for me. Rap is in English. That's

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Speaker 2: where the best is.

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Speaker 1: Come on, man, I don't want to hear that British

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Speaker 1: boo boo. I know they're speaking English too, but it

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Speaker 1: don't sound good barely.

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Speaker 2: Hey bro, get the food.

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Speaker 1: Shut up, shut up, shut up. We hate it. Why carriage?

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Speaker 1: It's garage, bitch. Yeah, and that's not where good things

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Speaker 1: are made.

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Speaker 2: No. And it's a shirt, not a jumper, you fucking idiot.

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Speaker 1: Come on, man, it's a goddamn sweatshirts. Stop calling it

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Speaker 1: a jumper.

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Speaker 2: Don't be an idiot. And chips are the crispy things

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Speaker 2: that come in bags.

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Speaker 1: Yeah, they're thinner. French fries is what the words.

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Speaker 2: You're looking for fries and they're made by the French,

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Speaker 2: and they're made by the French. I refuse to learn.

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Speaker 1: Well, now that we've got all our bigotry out up front,

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Speaker 1: I think we have a very exciting episode in line

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Speaker 1: for our listeners. It's a Lengthston and David episode, a

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Speaker 1: David and Langston episode, one of those exciting little numbers.

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Speaker 1: And we're gonna do some emails, We're gonna talk some shit.

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Speaker 1: We'll see what happens.

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Speaker 2: It's all open. I feel good about it. Are you

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Speaker 2: recharged from the fourth of July weekend? You ready to go?

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Speaker 2: You back in it.

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Speaker 1: I am in a difficult position as a father in

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Speaker 1: that there is no recharge. I will never recharge ever again.

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Speaker 1: My body is just slowly being drained. I don't like

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Speaker 1: you're putting batteries in the freezer because somebody told you

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Speaker 1: that works, but that don't really work. They still bad batteries.

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Speaker 1: That's where I'm at.

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Speaker 2: You know, Oh that sounds awful. I feel great, Listen,

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Speaker 2: you're glowing you. I had an amazing week. I feel

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Speaker 2: if I went to a dakery lounge. I'm doing it.

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Speaker 1: All and they now you know, they made entire lounges

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Speaker 1: that dedicated to dakeries.

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Speaker 2: I think it's new. I think it's new, and I

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Speaker 2: think it's only based in Colorado Springs, but uh, you

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Speaker 2: know it can catch on five different survey machines full

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Speaker 2: of different Dakri flavors, so you know it's good.

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Speaker 1: What was your go to? Where were you were? You like,

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Speaker 1: I'm a I'm a strawberry man.

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Speaker 2: I'm a I'm not. No, I'm not sure on paper

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Speaker 2: what the flavor was, but it was blue, Okay, I

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Speaker 2: think it could have been blue coconut, but who you know?

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Speaker 1: That's wild?

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Speaker 2: You never heard of blue coconut.

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Speaker 1: I've never heard of blue coconut. Blue is traditional with raspberry,

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Speaker 1: and if you're a bad boy, it goes to lemonade. Right,

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Speaker 1: I've seen some blue lemonades. I have never heard of.

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Speaker 1: Motherfuckers say blue coconut. But maybe I'm just not as

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Speaker 1: worldly as you are.

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Speaker 2: I think you're not out in these sweet streets if

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Speaker 2: you will, obviously not the gay streets, I mean the

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Speaker 2: streets for people who like sweets. Nothing wrong with it.

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Speaker 1: No, I don't think anybody was confused by it, And

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Speaker 1: I think the clarification honestly made more of us uncomfortable

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Speaker 1: than you intended. I think we're all on the edge

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Speaker 1: of our seats now based off of the clarification.

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Speaker 2: I wish gay guys would call them the sweet streets.

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Speaker 1: Back out in these sweet streets.

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Speaker 2: Maybe back on these sweet streets.

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Speaker 1: Second nicks, back in these sweet streets.

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Speaker 2: No, but blue coconut is a thing. On this blue coconut, Yeah,

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Speaker 2: it's a and the other flavors. I can't drink green stuff,

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Speaker 2: I know, mountain dew. Drinking green makes me feel weird,

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Speaker 2: not like if I get like a smoothie where it's

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Speaker 2: supposed to be green, but that artificial green scares me.

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Speaker 1: That's funny because I've always associated that feeling with blue.

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Speaker 1: Where I was this is defying God's will when I'm

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Speaker 1: drinking blue, I.

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Speaker 2: Mean blue liquid. It definitely doesn't occur in nature.

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Speaker 1: Right, And that's green liquid we can make.

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Speaker 2: That's fair, you know what I mean.

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Speaker 1: Like even if you if you blend up blueberries, they

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Speaker 1: don't come out blue like that.

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Speaker 2: No, no, no, and listen, I'm not saying I'm not wrong.

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Speaker 2: I'm just much like leading into todayday's topic, going with

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Speaker 2: my instincts.

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Speaker 1: M that was a That was an excellent fucking transition.

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Speaker 2: I don't know you.

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Speaker 1: I told you I'm reaching Large're back at it, baby.

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Speaker 2: The fireworks filled me back up.

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Speaker 1: You know, my daughter pissed on me at the on

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Speaker 1: a plane yesterday. So we're sitting in the sea where

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Speaker 1: she was sitting in my lap watching Dora the Explorer

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Speaker 1: from like two like old episodes, not even current episodes.

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Speaker 1: Dora doesn't exist anymore. We're just giving her stuff that

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Speaker 1: we know is safe from like twenty two thousand and four.

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Speaker 1: And she peed in my lap and then I just

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Speaker 1: had to sit there wet for the for another hour

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Speaker 1: and a half.

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Speaker 2: Damn.

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Speaker 1: Yeah, no, it's bad.

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Speaker 2: That's that's the opposite of my day. Yeah, I took

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Speaker 2: two I took two plates home from the barbecue.

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Speaker 1: Come on, man, you're a plate king bro.

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Speaker 2: Shout out to miss hazel Man.

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Speaker 1: She was going, I ain't recharge it never again. My

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Speaker 1: batteries are wet and they stink a little bit. But

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Speaker 1: you had a beautiful transition, and then we fucked this up.

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Speaker 1: But okay, that's We got an email from a person,

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Speaker 1: a person named Aliyah Aliyah and it's spelled classic. It's

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Speaker 1: spelled like the the This is the A l I

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Speaker 1: y a h.

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Speaker 2: So hard to sing. This is because she says a A.

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Speaker 1: Right, I don't know she says a L. I don't

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Speaker 1: think she does the beginning. I think she's like, you know,

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Speaker 1: the beginning.

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Speaker 2: I thought she did the beginning. I just I thought

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Speaker 2: it because it's a I don't think she says the

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Speaker 2: I think she says because it's a A.

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Speaker 1: Why No, I think she just this is the l

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Speaker 1: I y a H. If I were if I'm if

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Speaker 1: I'm a betting man, I'm going with her just saying

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Speaker 1: Leah and then you know the rest on top of that, Olivia,

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Speaker 1: if you if you happen to know or if you

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Speaker 1: happen to be able to look it up. I feel

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Speaker 1: fairly confident she doesn't bring up them a A.

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Speaker 2: I thought she said the AA. I mean he that's

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Speaker 2: all right. She has a jazz personality.

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Speaker 1: Come on, man, come on, come on man. That's a

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Speaker 1: freestyle lady. If ever there was, I love it, I

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Speaker 1: love it. We mess you Leah.

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Speaker 2: Really, do you ever go do a Leah deep dive

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Speaker 2: like on a walk or anything like that outside walking? Sometimes?

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Speaker 1: Yeah, I had a hard time with it for a

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Speaker 1: while because of the uh sort of complexities of of

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Speaker 1: the rights to her her music and obviously like her

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Speaker 1: family sort of like not having the rights. But but

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Speaker 1: that one uncle I believe was sort of like the

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Speaker 1: only person who was making money or could make money

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Speaker 1: off of her ship. And that's also the uncle that

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Speaker 1: like essentially sold her into sex slavery. So a lot

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Speaker 1: of it sort of had like an achy vibe. And

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Speaker 1: then you know, the right the right music sort of.

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Speaker 2: Thanks for ruining Aliyah for you fucking nerve God, damn it.

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Speaker 2: Bro Come on, man, I had no idea.

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Speaker 1: Not bad dog, you know. Listen, there were there were

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Speaker 1: some uh, there were some legalities in that four page

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Speaker 1: letter that they didn't bring up in the song.

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Speaker 2: You know what I mean. Now I gotta feel weird

200
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Speaker 2: about it. I listen, not two hours ago.

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Speaker 1: I think it's okay.

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Speaker 4: Now.

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Speaker 1: I think like they worked it out a little bit,

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Speaker 1: that them family sees some of the that's why it's

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Speaker 1: on Spotify years after it wasn't.

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Speaker 2: Oh man, I didn't. I so for a long time.

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Speaker 2: I wasn't streaming. Once they put YouTube on the phone,

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Speaker 2: I was like, that's my music service. Yeah, yea, yeah,

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Speaker 2: I didn't even I don't have Spotify. Now I'm a

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Speaker 2: title man though, oh you fuck with title. I got

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Speaker 2: my own playlist on title title David Bardy Hardy's and bullshit,

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Speaker 2: it's pretty good.

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Speaker 1: Okay, and that's Hardy's the restaurant, right yeah yeah, yeah, yeah, okay,

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Speaker 1: all right.

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Speaker 2: Yeah yeah yeah yeah yeah, no, I'm I'm I got equity. Okay, wait,

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Speaker 2: justin from Olivia.

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Speaker 1: It is y yeah, I know that he sha't bring

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Speaker 1: up the days.

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Speaker 2: This is.

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Speaker 1: Yeah, yeah that makes sense. Yep, still good, still good.

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Speaker 1: Well Aliyah not the dead gal who got taken advantage

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Speaker 1: of sent us an email and she said, Hey, Langston

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Speaker 1: and David, longtime listener. I absolutely love the show. We

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Speaker 1: love you too, Aliyah. That's so nice. I don't know

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Speaker 1: you fair enough. I was being generous. That's not usually

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Speaker 1: our instinct is to because our listeners. Let's not switch

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Speaker 1: it up now, come on, you're right, fuck you, Aliyah,

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Speaker 1: But thank you for sending it all the same. We

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Speaker 1: appreciate that she says, I am writing because I have

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Speaker 1: a conspiracy I recently heard about, and I am not

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Speaker 1: sure if either of you are familiar with. Usually, when

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Speaker 1: you get butterflies in your stomach when you first meet

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Speaker 1: someone romantically. This thought of as a sweet sign that

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Speaker 1: you two may have a good connection. Well, this theory

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Speaker 1: is the complete opposite. Oh shit, she's prefacing the whole thing.

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Speaker 1: It is the theory that if you get butterflies the

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Speaker 1: first time you meet a romantic interest, then that person

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Speaker 1: is not a good match for you, And it's actually

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Speaker 1: a war. It's actually a warning signal from your body

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Speaker 1: telling you not to fuck with that person. Thought it

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Speaker 1: was interesting. Would love to hear your thoughts, Aliyah.

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Speaker 2: I love it. As somebody who regularly confuses the intense

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Speaker 2: feelings in their body, I think this is something we

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Speaker 2: gotta talk. Everybody's always like, trust your gut, what if

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Speaker 2: your guts bad? Yeah?

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Speaker 1: Yeah, We're not making good choices very often, I would say,

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Speaker 1: just as a as a race, as a people, and

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Speaker 1: not even just black people, like the human race, we

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Speaker 1: are not often making good choices for ourselves on a

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Speaker 1: daily basis. The presumption that somebody we want to fuck

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Speaker 1: is a good choice is pretty wild.

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Speaker 2: I'm saying, because Hey, think about the people you know

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Speaker 2: in your life who act the most off of impulse,

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Speaker 2: mostly of mine, bad guys. Yeah, lot of bad and women.

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Speaker 1: Yeah.

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Speaker 2: Yeah, like people who only move off a gut. Stupid people.

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Speaker 1: They're real usually usually they're real, dumb and a little demonic.

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Speaker 1: They're not Uh, they're not heroes in anybody's story.

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Speaker 2: No, it's the well thought out like, Okay, you have

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Speaker 2: a wife. Was it butterflies the first time you met her?

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Speaker 2: Or was it a relationship that developed and you were like, oh,

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Speaker 2: this could be a pretty good reasonable thing.

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Speaker 1: I will say that that I think I have butterflies,

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Speaker 1: but I think that I would not say that they

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Speaker 1: were butterflies different than other butterflies that I have felt

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Speaker 1: right that, like they weren't so exceptionally different butterflies that

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Speaker 1: it was like I've never felt this way upon meeting

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Speaker 1: another human being ever in my life. It was the

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Speaker 1: time that we spent in sort of the growing together

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Speaker 1: that made them feel more exceptional to every other experience

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Speaker 1: I've had. You know what I mean, I.

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Speaker 2: Know exactly what you mean, except I'm not married. I

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Speaker 2: just mean I thought I had butterflies and then come

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Speaker 2: to find out maybe it was just some big ass titties. Yes,

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Speaker 2: And you're like, oh, this girl with big titties likes me.

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Speaker 2: That's really not, and then come to find out maybe

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Speaker 2: that was a bad call.

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Speaker 1: And I'll tell you this as a married person, big

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Speaker 1: titties still give me butterflies, you know what I.

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Speaker 2: Mean public every day.

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Speaker 1: I mean just walking through the gruncery store in my

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Speaker 1: heart and my mind tell me will be a flutter.

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Speaker 1: And it's like, well, that's not the correct feeling. I'm

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Speaker 1: not running off with those big titties. That's a mistake.

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Speaker 2: If I chased every feeling of butterflies I've ever felt romantically,

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Speaker 2: there's some weird ones in there. Yeah, d on on,

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Speaker 2: Moisha when she spoke in that Jamaican accent, felt butterflies.

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Speaker 2: But that is no in no disrespect to Cheryl Lee Ralf,

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Speaker 2: but that wasn't my.

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Speaker 1: Story, man, right right, right right. You're like, nah, this

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Speaker 1: is a moment and and I felt it, and now

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Speaker 1: I need to move on and think differently.

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Speaker 2: Who was the police lady with the big titties? On?

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Speaker 1: Come on, I already know what you're talking about.

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Speaker 2: Come on, come on. We all felt a little bit

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Speaker 2: of that. All felt a little bit of that. I

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Speaker 2: used to.

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Speaker 1: I used to watch the Wayne's brothers and they would

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Speaker 1: call her like ugly I'd be like, y'all don't get it.

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Speaker 2: What do you do? Bro?

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Speaker 1: What are you she's talking about?

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Speaker 2: Can we talk about her? First second? She's in under

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Speaker 2: some hero people don't bring that up about how that

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Speaker 2: was good. Notice we never talked about that. We never

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Speaker 2: talked she was bad, she's bad, she was older.

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Speaker 1: You know who else they used to do that with that.

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Speaker 1: I I just I was like, y'all are fucking nuts

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Speaker 1: and I don't even think this is a funny game.

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Speaker 1: Was fuck, what's her name?

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Speaker 2: The chick?

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Speaker 1: Friday Afternoon, She's and then so many things producing her.

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Speaker 1: She played the like horny wife in Friday Afternoon, Oh

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Speaker 1: my god, oh my next Friday after.

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Speaker 2: Oh sugar, yeah me and yeah yeah yeah. Kim.

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Speaker 1: Why they used to do that with Kim Whitley all

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Speaker 1: the time where they would pretend like she's fat and

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Speaker 1: ugly and it's like dog, that is the most beautiful

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Speaker 1: woman walking this planet Earth.

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Speaker 2: Character shaped the sexual preferences of a generation.

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Speaker 1: Come on, man, I used to I used to look

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Speaker 1: at Kim Whitley like, if only, if only I be

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Speaker 1: so lucky?

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Speaker 2: Bro, I wanted mister time when she licked his head

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Speaker 2: and he was like, you I was like, man, what

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Speaker 2: are you doing, ice Cube?

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Speaker 1: You got Nea Long and her You're the greatest, You're

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Speaker 1: the greatest.

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Speaker 2: Fool. He's a foolish man.

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Speaker 1: He's a fool. He's an anti Semitic fool.

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Speaker 2: Shout up to those two on. So I really don't

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Speaker 2: think either of them get enough of credible never.

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Speaker 1: I just think there was a period where it was

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Speaker 1: like really convenient to like be like, ah, she's big,

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Speaker 1: so bad bad because she's big.

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Speaker 2: I feel like Martin. I feel like Martin created a

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Speaker 2: premise where you had to have a dog on The

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Speaker 2: Black Show. Yeah, yeah, yeah, you know what I mean.

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Speaker 2: Because even Martin talking to Pam was insane.

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Speaker 1: He was very disrespectful to that very gorgeous woman. Yeah,

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Speaker 1: he was fucking her behind the scenes. That's how fine

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Speaker 1: she was. That that the whole bit was hinged on

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Speaker 1: him being like, you're disgusting, and he was still like, bro,

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Speaker 1: I can't even hold back. I want to be with

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Speaker 1: this lady so bad.

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Speaker 2: It's also how you know Martin was a toxic king,

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Speaker 2: because that behavior is that that is what a guest like.

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Speaker 1: It ain't great because they were best friends in real life.

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Speaker 2: That ain't great, Like between that and Tisa Campbell. I

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Speaker 2: love the show as well, but like, yeah, oof, somebody's

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Speaker 2: got to do like a hard hitting biopick on Martin.

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Speaker 1: I will say, And we've talked about it a bunch

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Speaker 1: of like why is Martin different now? And I do

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Speaker 1: got to believe that some of it has to be

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Speaker 1: how hard he went into toxic territory for for a decade.

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Speaker 2: You know what I mean. I think it's also the

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Speaker 2: I think that, and I've always thought this. I think

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Speaker 2: that there's a price that comes with being too fresh

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Speaker 2: mm hmmm hmmm. And I think Martin. I think Martin Lawrence.

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Speaker 2: When did you ever see one hair out of play?

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Speaker 2: People don't give credit how good Martin's hair was. He

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Speaker 2: was the first nigga to wear a Pelly Pelly on television.

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Speaker 2: That comes at the cost, That's fair.

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Speaker 1: Yeah, you can't. You can't create a style and a

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Speaker 1: vibe for a generation and sort of be an aesthetic

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Speaker 1: without eventually having a downfall on the other side of it.

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Speaker 2: Bro I mapped my apartment after Martin's apartment. You think

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Speaker 2: I got this painting because I wanted it.

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Speaker 1: No, Martin wanted that.

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Speaker 2: Martin wanted it. That's a flat space. Man, you think

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00:20:14,840 --> 00:20:18,439
Speaker 2: that was my idea? It was. It was shut out.

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Speaker 1: He wasn't thinking like that.

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Speaker 2: No, No, I was. You know he crawlsed, cycle, walk

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Speaker 2: versus or whatever is.

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Speaker 1: Bonjour. It is Langston Kerrman and me.

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Speaker 2: You are not me, not mean. We we.

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Speaker 1: And we are terribly excited because we're bringing our podcast.

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Speaker 1: My mama told me to the Just for Laughs festival

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Speaker 1: in Montreal.

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Speaker 2: Oh, it's gonna be great. We're gonna have great guests

380
00:20:57,560 --> 00:21:00,960
Speaker 2: for you, door prizes, and us in person. You can

381
00:21:01,000 --> 00:21:04,120
Speaker 2: come see us, touch us, smell us, whatever you need

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00:21:04,160 --> 00:21:04,440
Speaker 2: to do.

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Speaker 1: Come smell our hair, y'all. You gotta do it and listen.

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Speaker 1: We're gonna be at the Hilton Double Tree in Montreal,

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Speaker 1: and you don't want to miss it. It's gonna be

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Speaker 1: an amazing show. It's gonna be the most fun you

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Speaker 1: can imagine at eleven am in the morning.

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Speaker 2: Yeah, it's gonna be the best thing you can do

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00:21:20,760 --> 00:21:24,160
Speaker 2: besides eating a late breakfast. So remember that's Friday, July

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00:21:24,359 --> 00:21:29,640
Speaker 2: twenty eighth, at eleven am in the Hilton Double Tree, Montreal.

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Speaker 2: Or you can go to hahaha dot com and search

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Speaker 2: My mama told me.

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Speaker 1: Just look up. My mama told me live shows were

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Speaker 1: gonna be there Montreal, monsieur we we. I do think

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00:21:44,080 --> 00:21:46,359
Speaker 1: that there are legs here, though. I do think there's

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Speaker 1: something pretty valid about, at the very least our instincts

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Speaker 1: not being as fool proof as we like to pretend

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Speaker 1: that they are.

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Speaker 2: I think I've had it with so many times. There's

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00:21:58,040 --> 00:22:00,560
Speaker 2: so many times I've just followed my instinct instead of

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00:22:00,600 --> 00:22:05,760
Speaker 2: pretty basic context clues and ended up in like bad

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00:22:05,840 --> 00:22:09,240
Speaker 2: situations where it's like, yeah, okay, you feel this way

403
00:22:09,240 --> 00:22:13,560
Speaker 2: about this person, but like you know, now she's got

404
00:22:13,560 --> 00:22:15,560
Speaker 2: you at this house party trying to buy a radio,

405
00:22:15,760 --> 00:22:16,640
Speaker 2: like what's going on?

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Speaker 1: Yeah, And I'll say this even if we move it

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Speaker 1: beyond just sort of like sexual and sort of like

408
00:22:26,400 --> 00:22:30,200
Speaker 1: you know, interpersonal relationships. I feel that way even with

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00:22:30,320 --> 00:22:34,200
Speaker 1: like buying cars and shit and like things that people

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00:22:34,359 --> 00:22:37,600
Speaker 1: sell me on the street, where a man will convince

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00:22:37,680 --> 00:22:40,480
Speaker 1: me that something is good and I will have sort

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Speaker 1: of like these immediate instincts of being like, yeah, I

413
00:22:43,440 --> 00:22:46,919
Speaker 1: gotta buy this because he's very convincing and he's at

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Speaker 1: an advocate for it, and then I feel fucking dumb afterwards.

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Speaker 2: How do you think the oil man got me. You're right,

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Speaker 2: I do look like a man who appreciates the scent

417
00:22:55,320 --> 00:23:01,920
Speaker 2: out of a backpack. No, it's just confidence, the confidence.

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00:23:02,359 --> 00:23:05,440
Speaker 1: The amount of people I think that that just fell

419
00:23:05,560 --> 00:23:11,040
Speaker 1: for confidence men via bitcoin and and all of these

420
00:23:11,160 --> 00:23:15,560
Speaker 1: like online dollars. It's endless, you know what I mean.

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00:23:15,640 --> 00:23:18,160
Speaker 1: I truly have motherfuckers convinced me that if I wasn't

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Speaker 1: about to buy some some fucking bitcoin, I was fucking

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Speaker 1: up my life.

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Speaker 2: I bought some, I bought some. I got out though

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00:23:26,200 --> 00:23:28,600
Speaker 2: when it was still high, because I'm paranoid. I was like,

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00:23:28,640 --> 00:23:31,119
Speaker 2: this can't be. This is making nothing out of nothing,

427
00:23:31,400 --> 00:23:33,639
Speaker 2: But this is making something out of nothing like it.

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00:23:33,960 --> 00:23:36,000
Speaker 2: I did make a couple of racks though, to be honest,

429
00:23:36,040 --> 00:23:39,080
Speaker 2: Oh shit, but I put. I bought a lot, but

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Speaker 2: then I just pulled out because I was like.

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Speaker 1: Black spaceman, ain't cheap, man, I get it.

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Speaker 2: Come on, man, I got a whole got a whole

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Speaker 2: lifestyle to uphold man.

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Speaker 1: Olivia is sending us some some research. She says that,

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00:23:54,160 --> 00:23:57,800
Speaker 1: or rather the research she found says that the science

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00:23:57,880 --> 00:24:01,639
Speaker 1: behind it. So what's actually happening, what's actually causing the

437
00:24:01,640 --> 00:24:04,920
Speaker 1: fluttering in your stomach. The sensation may be due to

438
00:24:05,080 --> 00:24:10,040
Speaker 1: increase levels of sub of the substance nor nor pine

439
00:24:10,359 --> 00:24:13,520
Speaker 1: nor effort. You know how to pronounce stuff better than

440
00:24:13,560 --> 00:24:17,920
Speaker 1: me sometimes nor piniferin nor penifferin. I like the way

441
00:24:17,960 --> 00:24:21,600
Speaker 1: you went in on that. Hell yeah, so that's nor

442
00:24:21,720 --> 00:24:26,639
Speaker 1: piniferint following. We're following your butterflies. Maybe your butterflies at

443
00:24:26,720 --> 00:24:29,440
Speaker 1: least fly mine mind wings got ripped off by the

444
00:24:29,560 --> 00:24:33,879
Speaker 1: sick kid. Maybe it's because ipenephrin.

445
00:24:33,960 --> 00:24:34,680
Speaker 2: I like that.

446
00:24:34,680 --> 00:24:39,800
Speaker 1: That sounds doctory, so nor epinephrine. Throughout the body's central

447
00:24:39,880 --> 00:24:45,000
Speaker 1: nervous system. Nor Eperinepherin functions both as a hormone and

448
00:24:45,119 --> 00:24:49,879
Speaker 1: a neurotransmitter molecule that sends messages between the nerve cells,

449
00:24:49,920 --> 00:24:55,480
Speaker 1: and it's released in response to stress and potentially attraction.

450
00:24:56,040 --> 00:25:00,520
Speaker 1: Your brain struggles to determine between stress and desire.

451
00:25:01,160 --> 00:25:05,720
Speaker 2: That call motherfucking box and nigga and know nothing about that?

452
00:25:05,840 --> 00:25:07,840
Speaker 1: There it is, That's the truest ship.

453
00:25:07,880 --> 00:25:10,119
Speaker 2: I I can't. I still can't. So I don't know

454
00:25:10,119 --> 00:25:12,120
Speaker 2: the difference between a good time and a scary time.

455
00:25:12,359 --> 00:25:17,320
Speaker 2: I really don't the house. What's happening, How this bad

456
00:25:17,359 --> 00:25:21,720
Speaker 2: bitch has stressed me out. Come on, come on, think

457
00:25:21,800 --> 00:25:24,600
Speaker 2: about the face day, think about the face when you

458
00:25:24,640 --> 00:25:27,800
Speaker 2: see a bad bitch. Come back.

459
00:25:28,359 --> 00:25:31,399
Speaker 1: We're about to make my life complicated around you.

460
00:25:31,440 --> 00:25:33,399
Speaker 2: Ever seen a girl so far and you're upset that

461
00:25:33,480 --> 00:25:34,919
Speaker 2: you're in the same space.

462
00:25:35,600 --> 00:25:36,200
Speaker 1: All the time?

463
00:25:36,240 --> 00:25:37,800
Speaker 2: Man? When she do it over here? Yeah?

464
00:25:37,800 --> 00:25:40,080
Speaker 1: Why would you invite her? You don't have a situation.

465
00:25:41,840 --> 00:25:44,120
Speaker 2: I gotta get keemo, I gotta deal with this.

466
00:25:45,760 --> 00:25:49,080
Speaker 1: What is she looking lost? Comes about to help her?

467
00:25:49,720 --> 00:25:53,040
Speaker 2: You know the target is supposed to have bad bitch hours.

468
00:25:53,240 --> 00:25:55,440
Speaker 1: Come on, man, and it ain't right now, it ain't

469
00:25:55,440 --> 00:25:56,240
Speaker 1: when I'm shopping.

470
00:25:56,440 --> 00:25:58,520
Speaker 2: Man, Now, I got six bottles of the breeze on

471
00:25:58,600 --> 00:25:59,640
Speaker 2: accident because I.

472
00:25:59,600 --> 00:26:08,240
Speaker 1: Was Oh, I didn't even rechecked my grocery list. I

473
00:26:08,359 --> 00:26:09,840
Speaker 1: just bought what I had and left.

474
00:26:10,080 --> 00:26:13,600
Speaker 2: Yeah.

475
00:26:10,400 --> 00:26:16,199
Speaker 1: I came home with three oranges and that's it. And

476
00:26:16,240 --> 00:26:19,520
Speaker 1: my wife was like, what about the toilet paper? Lady,

477
00:26:19,560 --> 00:26:21,520
Speaker 1: you don't know what I was going through over the

478
00:26:21,560 --> 00:26:23,560
Speaker 1: are you? You can't talk to me like this.

479
00:26:23,680 --> 00:26:26,280
Speaker 2: I'm fighting demons. Listen.

480
00:26:26,440 --> 00:26:28,440
Speaker 1: It was either I get the toilet paper or we

481
00:26:28,560 --> 00:26:29,440
Speaker 1: lose our marriage.

482
00:26:29,560 --> 00:26:30,040
Speaker 2: That's it.

483
00:26:32,920 --> 00:26:34,600
Speaker 1: Do you still want to be with me? There no

484
00:26:34,680 --> 00:26:35,640
Speaker 1: toilet paper in this.

485
00:26:35,600 --> 00:26:38,760
Speaker 2: House, and that's just how it's gotta be.

486
00:26:42,200 --> 00:26:45,119
Speaker 1: No, but this makes perfect sense to me that the

487
00:26:45,440 --> 00:26:50,440
Speaker 1: stress and the desire sort of live in the exact

488
00:26:50,480 --> 00:26:54,280
Speaker 1: same bell curve, right, or the feelings live in that

489
00:26:54,359 --> 00:26:55,200
Speaker 1: same bell curve.

490
00:26:55,400 --> 00:26:57,199
Speaker 2: I think so. I think it's a lot of like

491
00:26:57,440 --> 00:27:01,359
Speaker 2: the pleasure pain principle, which I guess I don't know

492
00:27:01,400 --> 00:27:03,399
Speaker 2: if that's a real principle or if it's just that

493
00:27:03,520 --> 00:27:04,200
Speaker 2: Janet song.

494
00:27:04,280 --> 00:27:06,720
Speaker 1: I think it might be Janet. But I bet Janet.

495
00:27:07,119 --> 00:27:09,680
Speaker 1: I bet Janet did a little research before she named

496
00:27:09,680 --> 00:27:12,439
Speaker 1: that title. I bet it has something to do with something.

497
00:27:12,840 --> 00:27:14,840
Speaker 2: Yeah, it could be. I just it's that, it's that,

498
00:27:15,320 --> 00:27:17,520
Speaker 2: you know, It's just it's just that fine line between

499
00:27:18,320 --> 00:27:22,919
Speaker 2: pleasure and pain, that line between excitement and like, it

500
00:27:22,960 --> 00:27:25,200
Speaker 2: makes perfect sense to because yeah, I can't tell tell

501
00:27:25,240 --> 00:27:27,600
Speaker 2: the difference between that A lot of times you ever

502
00:27:27,680 --> 00:27:29,600
Speaker 2: want to fight explain that feeling.

503
00:27:30,200 --> 00:27:33,480
Speaker 1: Yeah, you know, here's here's something. And I think I've

504
00:27:33,480 --> 00:27:36,920
Speaker 1: talked to you about this before. But I was in Sacramento,

505
00:27:37,920 --> 00:27:43,639
Speaker 1: unfortunately not too long ago. Uh not not a great town,

506
00:27:44,200 --> 00:27:48,880
Speaker 1: but but we're all working. But I was in Sacramento

507
00:27:49,320 --> 00:27:52,200
Speaker 1: and I went for a jug and as I rounded

508
00:27:52,480 --> 00:27:56,480
Speaker 1: a block. A dude came out shirtless with a knife

509
00:27:56,560 --> 00:27:58,200
Speaker 1: and just started charging at.

510
00:27:58,119 --> 00:28:00,439
Speaker 2: Me, like you even talk to me about this, bro?

511
00:28:01,000 --> 00:28:02,960
Speaker 2: Bro what it was one.

512
00:28:02,760 --> 00:28:05,280
Speaker 1: Of the scariest things that's ever happened in my life

513
00:28:05,320 --> 00:28:07,679
Speaker 1: where this dude comes around the corner, he's clearly on

514
00:28:07,800 --> 00:28:11,639
Speaker 1: drugs or just you know, not all the way there whatever,

515
00:28:11,960 --> 00:28:15,040
Speaker 1: comes charging at me and he's like, I'll kill you, motherfucker.

516
00:28:16,160 --> 00:28:18,560
Speaker 2: It wasn't even like it was coming at you, bro.

517
00:28:18,720 --> 00:28:21,639
Speaker 1: He's talking gang ship, he's throwing up signs, he's like

518
00:28:21,800 --> 00:28:25,320
Speaker 1: coming at me specifically being like you coming over here,

519
00:28:25,560 --> 00:28:28,120
Speaker 1: I don't fucking kill you. You know what it is blah

520
00:28:28,119 --> 00:28:31,879
Speaker 1: blah blah blah blah doing the whole shit, and naturally,

521
00:28:32,160 --> 00:28:34,879
Speaker 1: at least through through the what history has told me

522
00:28:35,280 --> 00:28:39,200
Speaker 1: and what I believed this entire time, what my body

523
00:28:39,320 --> 00:28:42,000
Speaker 1: should do was I thought I would kick into like

524
00:28:42,080 --> 00:28:45,560
Speaker 1: this animalistic instinct where I fight for my life whatever.

525
00:28:46,000 --> 00:28:48,440
Speaker 1: And all I did was sort of like go, hey,

526
00:28:48,480 --> 00:28:50,479
Speaker 1: I don't want no trouble man, and just kind of

527
00:28:50,520 --> 00:28:54,480
Speaker 1: walk into the street and casually walk away from him.

528
00:28:54,720 --> 00:28:58,600
Speaker 1: And it terrified me that I didn't turn into like

529
00:28:58,640 --> 00:29:01,960
Speaker 1: a fucking you know what I mean. I didn't become

530
00:29:02,080 --> 00:29:04,760
Speaker 1: the man that I needed to be brother to save

531
00:29:04,880 --> 00:29:07,360
Speaker 1: my life, exactly what you mean?

532
00:29:07,840 --> 00:29:10,520
Speaker 2: Yeah, shit got turned up and you thought, now this

533
00:29:10,640 --> 00:29:12,800
Speaker 2: is you know what it is. You think like, now

534
00:29:12,880 --> 00:29:15,960
Speaker 2: this is gonna be the me that I've always thought

535
00:29:16,000 --> 00:29:18,680
Speaker 2: I could be. I'm now I'm gonna I'm gonna send

536
00:29:20,160 --> 00:29:21,960
Speaker 2: that I had always hoped myself to be.

537
00:29:22,280 --> 00:29:24,800
Speaker 1: I've known I'm a super saying this whole time. I

538
00:29:25,080 --> 00:29:27,560
Speaker 1: just needed a moment to trigger it. And then my

539
00:29:27,720 --> 00:29:30,959
Speaker 1: hair will turn yellow, my eyes will turn blue, I

540
00:29:31,000 --> 00:29:35,600
Speaker 1: will beat this motherfucker's ass. And instead I just stayed Krilling.

541
00:29:36,080 --> 00:29:37,400
Speaker 1: And that's a problem.

542
00:29:37,600 --> 00:29:40,600
Speaker 2: Don't do that. You stayed Chilling. Don't do that. Don't

543
00:29:40,600 --> 00:29:43,360
Speaker 2: do that to yourself. Nobody likes Krilling. Don't do that.

544
00:29:43,720 --> 00:29:46,000
Speaker 1: Hey, Criling got the baddest girl in the whole and

545
00:29:46,080 --> 00:29:46,760
Speaker 1: the whole thing.

546
00:29:47,000 --> 00:29:47,960
Speaker 2: Oh chee chee.

547
00:29:48,720 --> 00:29:53,880
Speaker 1: Krilling with Android eighteen. He ended off with, yeah, Android aighteen,

548
00:29:54,040 --> 00:29:57,000
Speaker 1: she's secretly a battie. But and way out of this

549
00:29:57,160 --> 00:30:00,800
Speaker 1: league is more the important part. Shout out to that, Yeah,

550
00:30:01,160 --> 00:30:03,840
Speaker 1: there are no leagues if you do it right. But no,

551
00:30:03,960 --> 00:30:05,560
Speaker 1: I know what you're saying because I've had that same

552
00:30:05,600 --> 00:30:08,560
Speaker 1: situation where some shit went crazy and then I just

553
00:30:08,640 --> 00:30:13,720
Speaker 1: got like very cool, very calm, very calm and cool.

554
00:30:14,040 --> 00:30:17,600
Speaker 2: But you don't feel good about you feel like a bitch. No, yeah,

555
00:30:17,840 --> 00:30:20,560
Speaker 2: it doesn't feel like that empowered for sure.

556
00:30:20,720 --> 00:30:23,120
Speaker 1: Yeah I didn't feel like de Niro cool, you know

557
00:30:23,160 --> 00:30:26,080
Speaker 1: what I mean where it's like, yeah, I'm chilling because

558
00:30:26,120 --> 00:30:29,120
Speaker 1: I know I'll murder you at any second. It was like, oh,

559
00:30:29,160 --> 00:30:31,280
Speaker 1: I think you'll just stab me to death and I'll

560
00:30:31,440 --> 00:30:33,800
Speaker 1: I'll never even get a hit in, like I think

561
00:30:33,880 --> 00:30:36,800
Speaker 1: I'll never I'll never even sock you one good time

562
00:30:36,840 --> 00:30:38,400
Speaker 1: and make you rethink your behavior.

563
00:30:38,560 --> 00:30:41,000
Speaker 2: Let me ask you this question. Does it hurt your feeling?

564
00:30:41,680 --> 00:30:44,080
Speaker 2: Does it make you feel bad about yourself that you

565
00:30:44,120 --> 00:30:48,000
Speaker 2: weren't like you weren't on it enough to even yell,

566
00:30:51,640 --> 00:30:53,680
Speaker 2: Like you didn't even take you outside of your shit

567
00:30:53,800 --> 00:30:56,080
Speaker 2: enough for you to like raise your voice. Yeah, like

568
00:30:56,120 --> 00:31:01,080
Speaker 2: I was, yeah, yeah, because you stop more sense like

569
00:31:02,320 --> 00:31:05,600
Speaker 2: or something some ship that makes sense, But like, I

570
00:31:05,640 --> 00:31:11,680
Speaker 2: know you're scaring me afterwards, Like fuck, I could have died.

571
00:31:11,720 --> 00:31:13,240
Speaker 2: I didn't even yep for my life.

572
00:31:13,320 --> 00:31:16,200
Speaker 1: I just and that's what's embarrassing is like I didn't

573
00:31:16,200 --> 00:31:19,080
Speaker 1: even fight for this thing. I I want to believe,

574
00:31:20,040 --> 00:31:21,400
Speaker 1: you know what I mean, you want to believe you're

575
00:31:21,440 --> 00:31:24,280
Speaker 1: gonna fall. It's like Cliffhanger where you're gonna like hang

576
00:31:24,320 --> 00:31:26,400
Speaker 1: on with that one arm and fight for your life.

577
00:31:26,480 --> 00:31:28,640
Speaker 2: But nah, I'm just some people just drop.

578
00:31:29,200 --> 00:31:30,720
Speaker 1: I'm just like, take me, big dog.

579
00:31:32,560 --> 00:31:34,360
Speaker 2: It's like it's like that polite thing, like I was

580
00:31:34,400 --> 00:31:36,280
Speaker 2: out of my I was out of here already, you know.

581
00:31:38,160 --> 00:31:40,760
Speaker 1: Sorry, I was running pretty fast.

582
00:31:41,280 --> 00:31:43,840
Speaker 2: Yeah, I didn't mean to get in your space. There.

583
00:31:44,760 --> 00:31:46,840
Speaker 1: It is three one three over years.

584
00:31:53,160 --> 00:31:55,400
Speaker 2: That is a terrible story. I wouldn't have told anybody.

585
00:31:56,040 --> 00:31:58,480
Speaker 1: I mean I told my wife, and I felt so embarrassed.

586
00:31:58,520 --> 00:32:03,800
Speaker 1: I was like, I think she was comforted by the

587
00:32:03,840 --> 00:32:06,440
Speaker 1: fact that I was okay, and that's good. That's good

588
00:32:06,600 --> 00:32:09,480
Speaker 1: certainly that I didn't I think I will say, this

589
00:32:09,640 --> 00:32:11,760
Speaker 1: is what I think would be the most embarrassing is

590
00:32:11,760 --> 00:32:15,000
Speaker 1: if you then try to be a tough guy and

591
00:32:15,040 --> 00:32:19,320
Speaker 1: you lose on the streets of Sacramento in your jogging clothes.

592
00:32:19,680 --> 00:32:20,520
Speaker 2: That's true.

593
00:32:21,160 --> 00:32:24,280
Speaker 1: I don't think that this was the most embarrassing ending

594
00:32:24,360 --> 00:32:26,760
Speaker 1: to the story. I think it was probably like real

595
00:32:26,920 --> 00:32:31,240
Speaker 1: middle embarrassing, but it was uncomfortable to have to repeat

596
00:32:31,280 --> 00:32:32,360
Speaker 1: to another human being.

597
00:32:32,400 --> 00:32:34,160
Speaker 2: But you don't want to get sliced up in a

598
00:32:34,160 --> 00:32:37,640
Speaker 2: pair of hookas either. I don't know what you jogging.

599
00:32:37,760 --> 00:32:41,280
Speaker 1: I'm just I should be so lucky. I'm jogging in

600
00:32:41,320 --> 00:32:47,520
Speaker 1: old basketball shoes, shogging basketball on TV. Yeah, man, I

601
00:32:47,520 --> 00:32:50,640
Speaker 1: I don't mean TV. And this is something everybody at

602
00:32:50,640 --> 00:32:53,320
Speaker 1: home should know. TV don't make you love yourself. That's

603
00:32:53,360 --> 00:32:54,160
Speaker 1: something you gotta do.

604
00:32:54,560 --> 00:32:56,240
Speaker 2: It also doesn't make you as much money as you

605
00:32:56,280 --> 00:32:56,880
Speaker 2: thought it would.

606
00:32:57,200 --> 00:33:02,440
Speaker 1: Yeah, now we're all middling out emotionally and financially from Yeah,

607
00:33:02,440 --> 00:33:05,480
Speaker 1: I thought that I was a lot of television appearances.

608
00:33:05,720 --> 00:33:08,360
Speaker 2: Yeah, shout out to Conan O'Brien, but didn't do for

609
00:33:08,480 --> 00:33:09,680
Speaker 2: me what I thought.

610
00:33:15,040 --> 00:33:18,360
Speaker 1: But yeah, no, I do think to the larger point,

611
00:33:18,760 --> 00:33:22,800
Speaker 1: we are talking about the instincts not necessarily being all

612
00:33:22,840 --> 00:33:26,440
Speaker 1: the way trustworthy, and I do. This does feel correct

613
00:33:26,440 --> 00:33:26,680
Speaker 1: to me.

614
00:33:27,320 --> 00:33:30,000
Speaker 2: It feels it feels real to me. I think that, Well,

615
00:33:30,240 --> 00:33:31,760
Speaker 2: let's take a break and then we'll come back and

616
00:33:31,800 --> 00:33:33,080
Speaker 2: we'll talk about it. Yeah.

617
00:33:33,120 --> 00:33:35,240
Speaker 1: Well, well we're gonna take a break. We'll be back

618
00:33:35,280 --> 00:33:37,560
Speaker 1: with more Langston and David and more. My mama told

619
00:33:37,600 --> 00:33:49,680
Speaker 1: me bonjour it is Langston Kerman and me.

620
00:33:50,040 --> 00:33:52,440
Speaker 2: You are more not me, not mean. We we.

621
00:33:54,000 --> 00:33:58,240
Speaker 1: And we are terribly excited because we're bringing our podcast.

622
00:33:58,400 --> 00:34:01,560
Speaker 1: My mama told me to do the Just for Laughs

623
00:34:01,600 --> 00:34:03,200
Speaker 1: festival in Montreal.

624
00:34:03,840 --> 00:34:06,800
Speaker 2: Ooh, it's gonna be great. We're gonna have great guests

625
00:34:06,880 --> 00:34:10,279
Speaker 2: for you, door prizes, and us in person. You can

626
00:34:10,280 --> 00:34:13,400
Speaker 2: come see us, touch us, smell us, whatever you need

627
00:34:13,440 --> 00:34:13,719
Speaker 2: to do.

628
00:34:14,040 --> 00:34:17,480
Speaker 1: Come smell our hair, y'all. You gotta do it and listen.

629
00:34:17,680 --> 00:34:20,520
Speaker 1: We're gonna be at the Hilton Double Tree in Montreal,

630
00:34:20,960 --> 00:34:23,040
Speaker 1: and you don't want to miss it. It's gonna be

631
00:34:23,040 --> 00:34:25,920
Speaker 1: an amazing show. It's gonna be the most fun you

632
00:34:25,920 --> 00:34:28,040
Speaker 1: can imagine at eleven am in the morning.

633
00:34:28,440 --> 00:34:30,000
Speaker 2: Yeah, it's gonna be the best thing you can do

634
00:34:30,040 --> 00:34:33,480
Speaker 2: besides eating a late breakfast. So remember that's Friday, July

635
00:34:33,680 --> 00:34:38,919
Speaker 2: twenty eighth at eleven am in the Hilton Double Tree, Montreal.

636
00:34:39,360 --> 00:34:41,720
Speaker 2: Or you can go to hahaha dot com and search.

637
00:34:41,760 --> 00:34:42,640
Speaker 2: My mama told me.

638
00:34:42,800 --> 00:34:45,200
Speaker 1: Just look up. My mama told me live shows. We're

639
00:34:45,239 --> 00:34:46,600
Speaker 1: gonna be there Montreal.

640
00:34:47,160 --> 00:34:55,239
Speaker 2: Monsieur. We we someone get this jigaboo away from me. There,

641
00:34:55,320 --> 00:35:00,960
Speaker 2: y'all back with another that was a real time often

642
00:35:01,080 --> 00:35:04,319
Speaker 2: confronting that jogger on the streets.

643
00:35:04,600 --> 00:35:09,279
Speaker 1: I wish I was brave enough to say that I

644
00:35:09,360 --> 00:35:11,680
Speaker 1: was just sell alone. There was no one there. I

645
00:35:11,760 --> 00:35:13,160
Speaker 1: knew no one was gonna help me.

646
00:35:13,760 --> 00:35:15,799
Speaker 2: Bro. I feel it because like so my block is

647
00:35:15,840 --> 00:35:20,000
Speaker 2: super active as far as with the like on house

648
00:35:20,400 --> 00:35:24,400
Speaker 2: drug using selling community, and like, yeah, they accost me

649
00:35:24,440 --> 00:35:26,319
Speaker 2: all the time, and I wish I had like a

650
00:35:26,360 --> 00:35:28,399
Speaker 2: cooler but it's usually it's just like that, like man,

651
00:35:28,440 --> 00:35:31,239
Speaker 2: I don't even know. Oh man, I'm just trying to

652
00:35:31,239 --> 00:35:31,879
Speaker 2: get in the door.

653
00:35:32,440 --> 00:35:37,319
Speaker 1: Yeah, or like what you know what I hate too.

654
00:35:37,400 --> 00:35:40,320
Speaker 2: It's not the house people, but when the drug dealers

655
00:35:40,640 --> 00:35:42,680
Speaker 2: say good morning to me and ship, I wish I

656
00:35:42,719 --> 00:35:45,520
Speaker 2: could have a get this jiggoo, But I'm just like.

657
00:35:46,400 --> 00:35:50,040
Speaker 1: Yeah, you have a good morning too.

658
00:35:50,040 --> 00:35:51,360
Speaker 2: Bro.

659
00:35:52,200 --> 00:35:54,719
Speaker 1: Hey man, hey man, I don't think what you're doing

660
00:35:54,800 --> 00:36:01,080
Speaker 1: in your community is that baby. Actually, drugs are pretty

661
00:36:01,080 --> 00:36:02,880
Speaker 1: cool for in the community.

662
00:36:03,080 --> 00:36:07,719
Speaker 2: I didn't shut my door fast or anything because it's

663
00:36:07,719 --> 00:36:11,720
Speaker 2: a key fob. I wasn't afraid you were gonna get I'm.

664
00:36:11,600 --> 00:36:14,120
Speaker 1: Not looking back and make sure you ain't following.

665
00:36:15,160 --> 00:36:15,600
Speaker 2: I'm brave.

666
00:36:15,760 --> 00:36:17,480
Speaker 1: I'm pretty braive, do I do.

667
00:36:17,560 --> 00:36:19,080
Speaker 2: I always come and get the girl, or do I

668
00:36:19,120 --> 00:36:27,560
Speaker 2: buzzer in sometimes No, I'm just kidding. Yeah, I'll go.

669
00:36:27,680 --> 00:36:28,560
Speaker 2: I'll go get you if.

670
00:36:28,440 --> 00:36:31,840
Speaker 1: You come to mind listen, He'll come get you. Bring

671
00:36:31,880 --> 00:36:32,360
Speaker 1: that plate.

672
00:36:32,560 --> 00:36:34,400
Speaker 2: Unless it's in the daytime. Unless it's in the daytime,

673
00:36:34,480 --> 00:36:36,800
Speaker 2: then it's like it's it's it's not you know, we'll

674
00:36:36,800 --> 00:36:37,160
Speaker 2: be all right.

675
00:36:37,760 --> 00:36:41,239
Speaker 1: Yeah, I'm sorrying to think you're not coming to get them,

676
00:36:41,280 --> 00:36:42,200
Speaker 1: but that's I'm coming.

677
00:36:48,120 --> 00:36:50,800
Speaker 2: I mean sometimes I got into the neighborhood.

678
00:36:51,200 --> 00:36:55,520
Speaker 1: Yeah, hey, I'm not any stronger than you are.

679
00:36:55,960 --> 00:37:00,560
Speaker 2: Okay, get you large and dark as hell, everybody.

680
00:37:03,320 --> 00:37:06,839
Speaker 1: I I guess the question I have for you is

681
00:37:07,200 --> 00:37:10,400
Speaker 1: if we are both in agreement that that this isn't

682
00:37:10,440 --> 00:37:14,839
Speaker 1: necessarily good, right, that we shouldn't necessarily be following the

683
00:37:14,840 --> 00:37:18,480
Speaker 1: butterflies that are leading us potentially to our own demise sometimes,

684
00:37:19,320 --> 00:37:21,480
Speaker 1: what do we do about it? Are we just meant

685
00:37:21,520 --> 00:37:24,120
Speaker 1: to never trust our butterflies? How do we fix this?

686
00:37:24,560 --> 00:37:27,920
Speaker 2: That's what? So, that's that's that's the big issue, right,

687
00:37:28,239 --> 00:37:31,319
Speaker 2: because I've often I've thought about this a lot, and

688
00:37:31,320 --> 00:37:35,000
Speaker 2: I'm like, in a perfect world, there would be a

689
00:37:35,120 --> 00:37:38,160
Speaker 2: way to train your instincts. But I don't think it's

690
00:37:38,480 --> 00:37:41,960
Speaker 2: that possible because your instincts are that's your base you

691
00:37:42,000 --> 00:37:44,359
Speaker 2: know what I mean, that's your base level. So I mean,

692
00:37:44,840 --> 00:37:49,080
Speaker 2: I think it's like for me it becomes u rely

693
00:37:49,680 --> 00:37:53,680
Speaker 2: less on your instincts and more on a fake this

694
00:37:53,880 --> 00:37:57,880
Speaker 2: out be tacting because I think that one thing that

695
00:37:57,920 --> 00:38:02,600
Speaker 2: can trump instincts is a logic base or like a

696
00:38:02,640 --> 00:38:06,000
Speaker 2: strong sense of logic, and like you kind of run

697
00:38:06,080 --> 00:38:08,920
Speaker 2: through that in your head before you make a decision,

698
00:38:09,520 --> 00:38:11,920
Speaker 2: as opposed to just going with your gut. Because coming

699
00:38:12,000 --> 00:38:14,480
Speaker 2: with your gut. Don't get me wrong, it's sexy. I

700
00:38:14,560 --> 00:38:17,480
Speaker 2: understand it's so sexy when people say that, no, I

701
00:38:17,600 --> 00:38:20,360
Speaker 2: just went with my gut. But I I got I gotta,

702
00:38:20,440 --> 00:38:25,040
Speaker 2: like I think I I I sometimes sometimes if it's

703
00:38:25,080 --> 00:38:27,440
Speaker 2: like if I run the if I run through the

704
00:38:27,440 --> 00:38:30,640
Speaker 2: logic of a certain scenario or a situation, and I'm

705
00:38:30,680 --> 00:38:34,680
Speaker 2: still on the fence, then I'll maybe take my gut

706
00:38:34,760 --> 00:38:37,640
Speaker 2: to push me over. But that's been wrong. I've been

707
00:38:37,719 --> 00:38:41,680
Speaker 2: scammed many times. All this art, all this art.

708
00:38:42,800 --> 00:38:47,120
Speaker 1: Sure you're you're saying that our logic, or rather our

709
00:38:47,200 --> 00:38:49,560
Speaker 1: instincts need some checks and balances.

710
00:38:49,920 --> 00:38:52,520
Speaker 2: I think, I think I and and maybe for some people,

711
00:38:53,320 --> 00:38:55,760
Speaker 2: for some people it's different, but I know for me personally,

712
00:38:55,840 --> 00:38:57,160
Speaker 2: I do I do feel that way.

713
00:38:57,600 --> 00:39:00,439
Speaker 1: I think that I think that sounds fair. I think

714
00:39:00,480 --> 00:39:03,840
Speaker 1: we could all afford to maybe like give it a second,

715
00:39:04,760 --> 00:39:08,160
Speaker 1: as far as you know, making sure that the choice

716
00:39:08,160 --> 00:39:12,760
Speaker 1: that we're making instinctually is in fact the correct choice

717
00:39:12,800 --> 00:39:15,439
Speaker 1: for the greater good of our lives, or at least

718
00:39:15,520 --> 00:39:19,399
Speaker 1: keeping things at a net zero. Like I do think

719
00:39:19,440 --> 00:39:22,200
Speaker 1: that that that's part of the problem, right, Like, there

720
00:39:22,200 --> 00:39:24,200
Speaker 1: are probably a lot of people out here who you're

721
00:39:24,200 --> 00:39:27,480
Speaker 1: attracted to, who might give you butterflies, and some of

722
00:39:27,520 --> 00:39:31,319
Speaker 1: them are not necessarily the best for you, but they're

723
00:39:31,360 --> 00:39:34,360
Speaker 1: not going to detract from your life. They're not going

724
00:39:34,440 --> 00:39:37,200
Speaker 1: to make shit worse than it already is. And then

725
00:39:37,200 --> 00:39:39,000
Speaker 1: there are a lot of people who give you butterflies

726
00:39:39,000 --> 00:39:41,880
Speaker 1: who are truly like a bro. You are making a

727
00:39:42,080 --> 00:39:45,600
Speaker 1: massive mistake if you follow this train and maybe a

728
00:39:45,600 --> 00:39:47,839
Speaker 1: little bit of checks and balances to be like, hey,

729
00:39:47,880 --> 00:39:51,160
Speaker 1: I don't look, the titties are fantastic, but I think

730
00:39:51,200 --> 00:39:54,279
Speaker 1: I got a chill and not follow this all the

731
00:39:54,280 --> 00:39:55,040
Speaker 1: way to the end.

732
00:39:55,560 --> 00:39:58,719
Speaker 2: And also, sometimes if you grew up strange, you have

733
00:39:59,480 --> 00:40:03,319
Speaker 2: odd mental shit or sometimes sometimes your instincts lead to

734
00:40:03,400 --> 00:40:07,440
Speaker 2: destruction because that's what you're like subconsciously looking for.

735
00:40:07,800 --> 00:40:09,040
Speaker 1: Mm hmmm hmm, you know.

736
00:40:09,000 --> 00:40:10,680
Speaker 2: What I'm saying. So a lot of it is that too.

737
00:40:10,760 --> 00:40:13,839
Speaker 2: A lot of it is like developmental, like what am

738
00:40:13,880 --> 00:40:16,480
Speaker 2: I actually looking for in a partner? Like you know

739
00:40:16,520 --> 00:40:20,360
Speaker 2: what I mean? Because it's like whatever it is you want,

740
00:40:20,560 --> 00:40:22,719
Speaker 2: you find what you're looking for, whether you put that

741
00:40:22,800 --> 00:40:25,560
Speaker 2: out consciously or not. You do tend to be attracted

742
00:40:25,600 --> 00:40:28,239
Speaker 2: to and get what it is you're looking for, And

743
00:40:28,320 --> 00:40:30,439
Speaker 2: a lot of us are looking for the wrong thing.

744
00:40:31,080 --> 00:40:34,040
Speaker 1: Yeah, some of what you're you're getting butterflies for is

745
00:40:34,080 --> 00:40:37,239
Speaker 1: your daddy's fault and you gotta impact that before you

746
00:40:39,160 --> 00:40:42,000
Speaker 1: real listening to them butterflies for real or or.

747
00:40:42,000 --> 00:40:44,400
Speaker 2: If somebody nobody ever told you how to like you know,

748
00:40:44,760 --> 00:40:46,480
Speaker 2: cause like also it's like a lot of times I

749
00:40:46,480 --> 00:40:50,360
Speaker 2: think butterfly too butterflies two is like just because like

750
00:40:50,440 --> 00:40:53,000
Speaker 2: you're gonna have great sex with somebody, doesn't mean that's

751
00:40:53,040 --> 00:40:58,600
Speaker 2: like you're person right, Like it's not, that's not that's

752
00:40:58,640 --> 00:41:01,200
Speaker 2: not necessarily so I think I think butterflies are often on

753
00:41:01,239 --> 00:41:04,160
Speaker 2: a physical level, like oh this this could be great,

754
00:41:04,200 --> 00:41:07,080
Speaker 2: we could have a good whatever, But that might not be.

755
00:41:07,200 --> 00:41:08,880
Speaker 2: There's so many other factors.

756
00:41:08,560 --> 00:41:10,920
Speaker 1: Right, Yeah, I do think, and and maybe that's a

757
00:41:10,920 --> 00:41:15,040
Speaker 1: good way of interpreting is is the butterflies that I

758
00:41:15,239 --> 00:41:18,120
Speaker 1: felt on an emotional level came later.

759
00:41:18,719 --> 00:41:18,839
Speaker 2: Right.

760
00:41:18,880 --> 00:41:21,960
Speaker 1: The butterflies that I felt on a physical level happen

761
00:41:22,040 --> 00:41:25,360
Speaker 1: a lot more often and have happened with plenty of folks.

762
00:41:25,840 --> 00:41:29,480
Speaker 1: But the emotional butterflies are rarer and a little more

763
00:41:29,520 --> 00:41:31,200
Speaker 1: harder earned, right.

764
00:41:31,040 --> 00:41:33,360
Speaker 2: And that and that makes sense because that's you using

765
00:41:33,440 --> 00:41:37,359
Speaker 2: your that's you understanding the situation and your brain being like, oh,

766
00:41:37,400 --> 00:41:39,680
Speaker 2: I think this could be good, but like, yeah, on

767
00:41:39,760 --> 00:41:42,319
Speaker 2: a quick you know, like, I am not a love

768
00:41:42,360 --> 00:41:45,280
Speaker 2: it for site person. I don't think that that doesn't

769
00:41:45,320 --> 00:41:46,480
Speaker 2: really make any sense to me.

770
00:41:46,760 --> 00:41:49,480
Speaker 1: You don't subscribe to it at all for anybody.

771
00:41:49,120 --> 00:41:52,040
Speaker 2: Not particularly. I think that I think the reason that

772
00:41:52,080 --> 00:41:54,640
Speaker 2: it's kind of like an antiquated notion is because I

773
00:41:54,640 --> 00:41:57,680
Speaker 2: think people who had experienced that type of thing years

774
00:41:57,719 --> 00:42:00,320
Speaker 2: ago were also more inclined to like stick out the

775
00:42:00,400 --> 00:42:04,000
Speaker 2: relationship and just make it work than people are now. Yeah,

776
00:42:04,000 --> 00:42:07,760
Speaker 2: so I think maybe it's like I had this feeling

777
00:42:07,760 --> 00:42:11,560
Speaker 2: about this person at first, we got together, got married

778
00:42:11,600 --> 00:42:13,960
Speaker 2: in a week or whatever, and then we are the

779
00:42:14,000 --> 00:42:16,960
Speaker 2: type of people who wanted to stick it out and

780
00:42:17,120 --> 00:42:17,799
Speaker 2: figure it out.

781
00:42:17,960 --> 00:42:21,799
Speaker 1: More So, I believe I believe you can want to

782
00:42:22,040 --> 00:42:25,760
Speaker 1: love someone at first sight. I believe that two people

783
00:42:25,840 --> 00:42:28,600
Speaker 1: can want to love each other at first sight and

784
00:42:28,680 --> 00:42:32,239
Speaker 1: sort of go in equally, being like, I am committing

785
00:42:32,760 --> 00:42:35,839
Speaker 1: to playing a game with you and seeing this to

786
00:42:35,880 --> 00:42:38,880
Speaker 1: the end for the sake of what we are coining

787
00:42:38,920 --> 00:42:43,480
Speaker 1: as love growth whatever. But do I genuinely believe that

788
00:42:43,719 --> 00:42:47,439
Speaker 1: like your soul's bonded the moment that y'all locked eyes

789
00:42:47,480 --> 00:42:48,040
Speaker 1: on each other.

790
00:42:48,440 --> 00:42:48,840
Speaker 2: I do not.

791
00:42:49,200 --> 00:42:51,520
Speaker 1: I think that's timing. I think timing has a big

792
00:42:51,560 --> 00:42:54,200
Speaker 1: portion to do with it. I think unpacking all the

793
00:42:54,239 --> 00:42:56,839
Speaker 1: shit that's in your life that sort of makes it

794
00:42:56,880 --> 00:43:00,120
Speaker 1: so that you're open fully to this human being and

795
00:43:00,160 --> 00:43:03,279
Speaker 1: there's no like weird baggage obstructing both of you at

796
00:43:03,280 --> 00:43:05,839
Speaker 1: the same time. I think all of that comes into

797
00:43:05,840 --> 00:43:08,759
Speaker 1: play way more than just being like, we're in love

798
00:43:08,920 --> 00:43:10,080
Speaker 1: and we know it right.

799
00:43:10,880 --> 00:43:13,520
Speaker 2: Timing is the most important thing kind of over everything.

800
00:43:14,080 --> 00:43:18,799
Speaker 1: Yeah, they're definitely people who I've I've like kicked it with,

801
00:43:19,040 --> 00:43:22,880
Speaker 1: had relationships with that, Like, had the timing been different,

802
00:43:22,960 --> 00:43:25,400
Speaker 1: had we met each other at different points in our lives.

803
00:43:25,719 --> 00:43:27,440
Speaker 1: We might have been able to figure it out, it

804
00:43:27,520 --> 00:43:30,920
Speaker 1: might have turned into something, but as it was, nah,

805
00:43:31,080 --> 00:43:33,520
Speaker 1: we probably shouldn't speak to each other ever.

806
00:43:33,600 --> 00:43:36,400
Speaker 2: Again Yeah, oh yeah for sure, because I see it

807
00:43:36,400 --> 00:43:39,120
Speaker 2: now in hindsight too, where it's like, oh, I was

808
00:43:39,239 --> 00:43:42,160
Speaker 2: just like on some ship but that you know what

809
00:43:42,200 --> 00:43:44,600
Speaker 2: I mean? But that was or vice versa, or she

810
00:43:44,760 --> 00:43:47,120
Speaker 2: was you know what I mean. Yeah, Like, so I

811
00:43:47,120 --> 00:43:50,479
Speaker 2: think I think timing is way more important than any

812
00:43:50,520 --> 00:43:53,200
Speaker 2: of this other shit. Yeah, And that being said, if

813
00:43:53,200 --> 00:43:56,879
Speaker 2: you got bad instincts, if you keep you know, den

814
00:43:56,920 --> 00:44:01,280
Speaker 2: I am you got bad if you got bad instincts,

815
00:44:02,120 --> 00:44:04,640
Speaker 2: just because you know, if you haven't bad instincts.

816
00:44:04,239 --> 00:44:08,680
Speaker 1: We all, man, you play the lottery every week, you know,

817
00:44:08,840 --> 00:44:11,799
Speaker 1: damn well, you ain't supposed to trust the lady that

818
00:44:11,840 --> 00:44:14,640
Speaker 1: you met at the grocery store to be the love

819
00:44:14,680 --> 00:44:19,520
Speaker 1: of your life. Just chill, get her number and take

820
00:44:19,560 --> 00:44:23,759
Speaker 1: your time with this. But but don't you gotta take

821
00:44:23,800 --> 00:44:24,799
Speaker 1: it slow with this one?

822
00:44:25,200 --> 00:44:28,520
Speaker 2: Yeah, it's okay time, you know. I'm sure if you

823
00:44:28,520 --> 00:44:30,120
Speaker 2: guys are actually in love, she'll be there for a

824
00:44:30,160 --> 00:44:32,200
Speaker 2: little bit like or.

825
00:44:32,239 --> 00:44:35,200
Speaker 1: As you won't. And again, you're you're a gambler, So

826
00:44:35,239 --> 00:44:36,520
Speaker 1: who are you to decide?

827
00:44:37,160 --> 00:44:40,799
Speaker 2: And some people are addicted to love anyways. Yeah, some

828
00:44:40,840 --> 00:44:42,440
Speaker 2: people fall in love all the time.

829
00:44:42,760 --> 00:44:45,520
Speaker 1: I think my mom would, and she'd admit it. My

830
00:44:45,640 --> 00:44:48,520
Speaker 1: mom is very much that person who's like, very like,

831
00:44:48,920 --> 00:44:51,799
Speaker 1: I just love hard and I love fast. That's my shit.

832
00:44:52,320 --> 00:44:54,839
Speaker 2: And that's like a fun life too, like whatever.

833
00:44:54,560 --> 00:44:57,200
Speaker 1: Man, she seems to be having a good time. She's

834
00:44:57,200 --> 00:45:01,960
Speaker 1: all right, yeah, do you.

835
00:45:01,880 --> 00:45:05,840
Speaker 2: Want me to fill in with the droppers something? I

836
00:45:05,880 --> 00:45:08,359
Speaker 2: don't know. I just I felt like the space need

837
00:45:08,440 --> 00:45:08,919
Speaker 2: to be filled.

838
00:45:09,640 --> 00:45:15,400
Speaker 1: Yeah, I think that. I think me exhaling from exhaustion

839
00:45:16,280 --> 00:45:19,839
Speaker 1: is probably the best indicator ever we're at. But but yeah,

840
00:45:20,040 --> 00:45:24,799
Speaker 1: I think to your point, love for some people is

841
00:45:25,320 --> 00:45:31,399
Speaker 1: a fun, fleeting game, and that is also okay.

842
00:45:31,239 --> 00:45:35,240
Speaker 2: Okay perfect. I would agree with that, because it's life

843
00:45:35,280 --> 00:45:38,320
Speaker 2: is life is hard. Whatever gets you through besides.

844
00:45:37,920 --> 00:45:40,440
Speaker 1: Crack, you know, yeah, don't do crack.

845
00:45:40,719 --> 00:45:42,840
Speaker 2: Don't do it. I mean, if it makes you feel better,

846
00:45:43,920 --> 00:45:45,480
Speaker 2: but know that there's a downside.

847
00:45:45,600 --> 00:45:47,680
Speaker 1: They're not going to be able to stop feeling better

848
00:45:47,719 --> 00:45:49,839
Speaker 1: with it. And and that's sort of the hard part

849
00:45:50,640 --> 00:45:54,759
Speaker 1: that that there's that one professor I think he was

850
00:45:54,800 --> 00:45:59,160
Speaker 1: at Harvard or Princeton. Who the black guy. I don't

851
00:45:59,200 --> 00:46:03,080
Speaker 1: believe it was, but he love. Are you referring to

852
00:46:03,200 --> 00:46:04,000
Speaker 1: doctor Malick?

853
00:46:04,080 --> 00:46:08,960
Speaker 2: I love? Is that you're the fictional Eddie Murphy character

854
00:46:09,000 --> 00:46:09,920
Speaker 2: from The Nutty Professor?

855
00:46:09,960 --> 00:46:11,560
Speaker 1: Oh right, right, that buddy, Love.

856
00:46:11,600 --> 00:46:12,880
Speaker 2: Wait, there's a doctor Malick.

857
00:46:12,920 --> 00:46:13,319
Speaker 4: I love.

858
00:46:13,600 --> 00:46:14,640
Speaker 1: You don't know doctor Malick.

859
00:46:14,680 --> 00:46:14,960
Speaker 2: I love.

860
00:46:15,080 --> 00:46:19,279
Speaker 1: He's a sixteen year old that pretended to be a collegist.

861
00:46:19,600 --> 00:46:21,520
Speaker 2: Man, I love.

862
00:46:21,560 --> 00:46:27,080
Speaker 3: That guy is the funniest young man to ever walk

863
00:46:27,320 --> 00:46:28,560
Speaker 3: this planet Earth.

864
00:46:29,040 --> 00:46:31,319
Speaker 2: Man. We spent all this time riding jokes and then

865
00:46:31,320 --> 00:46:33,879
Speaker 2: this guy just comes up. It is amazing.

866
00:46:34,480 --> 00:46:39,240
Speaker 1: He took the greatest headshot that a human being could

867
00:46:39,239 --> 00:46:46,239
Speaker 1: take for a fictional job they did not earn. He

868
00:46:46,320 --> 00:46:51,000
Speaker 1: looked at Pussy's for two years, two years and then

869
00:46:51,080 --> 00:46:54,959
Speaker 1: and then got in trouble and continue to do it afterwards.

870
00:46:55,120 --> 00:46:59,799
Speaker 1: My man is hilarious, and I'm sorry that he left

871
00:47:00,040 --> 00:47:03,320
Speaker 1: trauma in people's lives. That is obviously not the funny

872
00:47:03,400 --> 00:47:05,880
Speaker 1: part of it. But boy, oh boy, and there are

873
00:47:05,880 --> 00:47:08,240
Speaker 1: a lot of funny parts around it that we needed

874
00:47:08,280 --> 00:47:09,520
Speaker 1: to celebrate.

875
00:47:09,120 --> 00:47:11,080
Speaker 2: Like those glasses in that posture.

876
00:47:11,280 --> 00:47:14,640
Speaker 1: Come on, man, he had a mohawk doing a doing

877
00:47:14,680 --> 00:47:19,360
Speaker 1: this in a doctor's and ladies let him fucking do

878
00:47:19,520 --> 00:47:19,959
Speaker 1: the thing.

879
00:47:20,680 --> 00:47:25,759
Speaker 2: He has a mohawk. Step one, my doctor comes in

880
00:47:25,800 --> 00:47:28,359
Speaker 2: with a mohawk. I put my shirt and pants back on.

881
00:47:28,560 --> 00:47:30,440
Speaker 1: I go, hey, big dog, I don't think that this

882
00:47:30,560 --> 00:47:32,960
Speaker 1: is the right fit. I'm not calling you unqualified.

883
00:47:33,239 --> 00:47:37,719
Speaker 2: I'm tack. Send that salty old Jamaican nurse. She knows

884
00:47:37,760 --> 00:47:38,399
Speaker 2: what she's doing.

885
00:47:38,600 --> 00:47:41,200
Speaker 1: Ja seems a little more appropriate for what I need

886
00:47:41,280 --> 00:47:41,760
Speaker 1: right now.

887
00:47:43,680 --> 00:47:45,040
Speaker 2: We gotta get him on the pod.

888
00:47:45,440 --> 00:47:48,920
Speaker 1: Dog. I'll say this, there's like a short list of

889
00:47:48,960 --> 00:47:50,840
Speaker 1: people who I think if we could get them on

890
00:47:50,880 --> 00:47:54,640
Speaker 1: the pod will truly I'll retire, I'll walk, I'll do

891
00:47:54,840 --> 00:47:58,360
Speaker 1: Thano sitting at the on the porch staring at nothing.

892
00:47:58,880 --> 00:48:02,239
Speaker 1: I think to Malik, I love is very high on

893
00:48:02,280 --> 00:48:06,400
Speaker 1: the list. I think Drake's dad is super high on

894
00:48:06,400 --> 00:48:09,040
Speaker 1: the list. If we could get Dennis Graham on the podcast,

895
00:48:09,200 --> 00:48:13,600
Speaker 1: that would be pretty game changing. Olivia for a while

896
00:48:13,840 --> 00:48:17,080
Speaker 1: was d m ing with Dennis Graham, but she wouldn't

897
00:48:17,080 --> 00:48:19,400
Speaker 1: give up that pussy and that was a big problem

898
00:48:19,440 --> 00:48:20,000
Speaker 1: for Dennis.

899
00:48:20,080 --> 00:48:24,839
Speaker 2: That's for sure what he was looking for. Right. Yeah,

900
00:48:25,040 --> 00:48:26,920
Speaker 2: he doesn't know what a podcast is.

901
00:48:27,480 --> 00:48:30,120
Speaker 1: Yeah, podcast, what you're calling it?

902
00:48:30,560 --> 00:48:50,319
Speaker 4: Yeah, you can't say, yo, lingo, I'll see that.

903
00:48:51,000 --> 00:48:57,600
Speaker 1: I'll be the brother in the El Dorado. He for

904
00:48:57,680 --> 00:49:01,400
Speaker 1: sure has Dennis Graham got the greatest elder Odo.

905
00:49:01,480 --> 00:49:02,920
Speaker 2: Like Salamander Sandals.

906
00:49:03,280 --> 00:49:06,600
Speaker 1: Yeah, oh man, yeah, no, I think there's a few

907
00:49:06,719 --> 00:49:09,400
Speaker 1: that if we can get some of these these real heroes,

908
00:49:09,480 --> 00:49:11,080
Speaker 1: that'll it'll change everything.

909
00:49:11,280 --> 00:49:13,280
Speaker 2: I gotta think of. Oh you know who, I would

910
00:49:13,320 --> 00:49:16,160
Speaker 2: like to have the guy, the kid who played Goo

911
00:49:16,440 --> 00:49:20,320
Speaker 2: on my brother and me come on that love that

912
00:49:20,320 --> 00:49:24,719
Speaker 2: that was major. He was so gage. He was good man,

913
00:49:24,840 --> 00:49:27,319
Speaker 2: he was good, he was confident, he looked like me.

914
00:49:28,120 --> 00:49:28,799
Speaker 1: He had it.

915
00:49:28,880 --> 00:49:31,160
Speaker 2: Stayed shooting a shot with Amanda Seals.

916
00:49:34,680 --> 00:49:39,880
Speaker 1: Wait no, he like a sister, and Amanda Seals character

917
00:49:40,160 --> 00:49:43,640
Speaker 1: was constantly hating on him and sort of interrupting his

918
00:49:44,280 --> 00:49:46,399
Speaker 1: and not that the sister was that into it either,

919
00:49:46,520 --> 00:49:49,560
Speaker 1: but but he would kind of almost get like kind

920
00:49:49,560 --> 00:49:52,719
Speaker 1: of close, and then Amanda's character would come in and

921
00:49:52,760 --> 00:49:53,760
Speaker 1: fuck it up for everybody.

922
00:49:53,880 --> 00:49:56,160
Speaker 2: I don't know what you're doing over here anyways, Goo

923
00:49:56,560 --> 00:49:59,520
Speaker 2: yeah you remember, and then the mom would come and

924
00:49:59,600 --> 00:50:00,439
Speaker 2: he would be like, oh.

925
00:50:00,480 --> 00:50:03,279
Speaker 1: Sweet, Yeah, he was good. He had it.

926
00:50:03,320 --> 00:50:08,240
Speaker 2: Man, who was a king. He had good punch. Remember

927
00:50:08,280 --> 00:50:13,200
Speaker 2: that I don't punch everybody now good. It was like,

928
00:50:13,760 --> 00:50:15,840
Speaker 2: I'll find it for the next episode. It was some

929
00:50:15,920 --> 00:50:17,600
Speaker 2: episode where he had his own punch.

930
00:50:17,920 --> 00:50:18,280
Speaker 1: Damn.

931
00:50:19,320 --> 00:50:21,240
Speaker 2: Email us. If you guys remember a good.

932
00:50:21,080 --> 00:50:22,960
Speaker 1: Punch, If you remember good punch, and if you know

933
00:50:23,000 --> 00:50:24,839
Speaker 1: how to make good punch, email us.

934
00:50:25,360 --> 00:50:27,560
Speaker 2: And if you can find Goo, if you.

935
00:50:27,480 --> 00:50:29,640
Speaker 1: Can find Goo, let him know that there are some

936
00:50:29,680 --> 00:50:32,520
Speaker 1: people looking for him and some people who still really

937
00:50:32,560 --> 00:50:35,479
Speaker 1: believe in him. You know, the industry sort of turned

938
00:50:35,520 --> 00:50:37,439
Speaker 1: its back on on Goo.

939
00:50:38,040 --> 00:50:41,080
Speaker 2: And you know that he like the director now or something.

940
00:50:41,280 --> 00:50:44,439
Speaker 1: What if that is Barry Jenkins? What is this whole time?

941
00:50:45,800 --> 00:50:50,799
Speaker 2: You know what?

942
00:50:50,920 --> 00:50:53,200
Speaker 1: At this whole time, Barry Jenkins was just.

943
00:50:53,280 --> 00:50:59,359
Speaker 2: Goog, I'm saying. And for the clip, please Olivia put

944
00:50:59,360 --> 00:51:02,080
Speaker 2: aside by your sign up. Has anyone ever seen Goo

945
00:51:02,160 --> 00:51:04,840
Speaker 2: and Berry Jenkins in the same never seen that is

946
00:51:04,880 --> 00:51:08,640
Speaker 2: together at one time? Come on, Barry Jenkins looks like

947
00:51:08,640 --> 00:51:09,320
Speaker 2: he likes punch.

948
00:51:09,880 --> 00:51:12,240
Speaker 1: Barry Jenkins. Punch that don't sound like something?

949
00:51:12,400 --> 00:51:14,640
Speaker 2: Come on, because you can't go by goof forever. You

950
00:51:14,640 --> 00:51:15,760
Speaker 2: gotta change you.

951
00:51:15,640 --> 00:51:18,640
Speaker 1: Nah, but Jenkins does sound like something that you would

952
00:51:18,800 --> 00:51:22,439
Speaker 1: call a nigga Goo. Yeah, Oh, Barry Jenkins you're gonna

953
00:51:22,440 --> 00:51:23,080
Speaker 1: call him goo.

954
00:51:23,320 --> 00:51:26,560
Speaker 2: The line, the Jenkins to Goo line is short. Yeah.

955
00:51:26,600 --> 00:51:29,520
Speaker 1: You you remove moonlight from the conversation, and that's a

956
00:51:29,600 --> 00:51:30,080
Speaker 1: nigga name.

957
00:51:30,160 --> 00:51:34,640
Speaker 2: Goo. That's doo. That's good from North Carolina? Is that

958
00:51:34,680 --> 00:51:38,479
Speaker 2: where they were? That's good from a comic book shop.

959
00:51:38,640 --> 00:51:41,040
Speaker 1: I don't even know if they were North. They feel

960
00:51:41,080 --> 00:51:44,640
Speaker 1: like South Carolina. My brother could have been South. It wasn't.

961
00:51:44,800 --> 00:51:47,880
Speaker 1: It wasn't anywhere anybody wanted to be. But boy was

962
00:51:47,880 --> 00:51:51,280
Speaker 1: at a good show for Yeah, got the two seasons

963
00:51:51,280 --> 00:51:52,160
Speaker 1: as it existed.

964
00:51:52,480 --> 00:51:54,960
Speaker 2: I know it was really short, right, It was.

965
00:51:54,960 --> 00:51:59,480
Speaker 1: Really short, and I imagine pretty unsuccessful. I think excluding

966
00:52:00,080 --> 00:52:04,319
Speaker 1: black men in their mid thirties, there's not a lot

967
00:52:04,320 --> 00:52:08,400
Speaker 1: of people sitting around being nostalgic. For my brother and me, it.

968
00:52:08,280 --> 00:52:10,759
Speaker 2: Was you know what I remember about it. It was

969
00:52:10,840 --> 00:52:14,840
Speaker 2: not on with any regularity mm hmm. Like if you

970
00:52:14,960 --> 00:52:18,279
Speaker 2: caught it, you'd be like, oh shit, oh shit. They

971
00:52:18,280 --> 00:52:19,120
Speaker 2: got two of them on.

972
00:52:20,680 --> 00:52:22,640
Speaker 1: Yeah, yeah, I can't.

973
00:52:22,520 --> 00:52:25,520
Speaker 2: Go with you. They got back to back by brothers

974
00:52:25,560 --> 00:52:27,680
Speaker 2: and me. This isn't gonna happen for six months.

975
00:52:29,400 --> 00:52:31,680
Speaker 1: They were like, we'll make your show a la carte

976
00:52:31,760 --> 00:52:33,759
Speaker 1: and see how we feel after that.

977
00:52:34,239 --> 00:52:38,239
Speaker 2: It never came on at regular times. No, all right, well,

978
00:52:38,320 --> 00:52:42,080
Speaker 2: anybody knows good please, you know, drop us a line.

979
00:52:42,440 --> 00:52:46,239
Speaker 1: And more importantly, Aliyah, I hope that this helps. It

980
00:52:46,320 --> 00:52:49,239
Speaker 1: seems as if David and I are completely on the

981
00:52:49,280 --> 00:52:51,839
Speaker 1: same page with you. Your conspiracy holds up in our

982
00:52:51,880 --> 00:52:55,960
Speaker 1: books that we should not be trusting our instincts just

983
00:52:56,040 --> 00:52:58,400
Speaker 1: because we want to fucking just because we think we

984
00:52:58,480 --> 00:53:00,799
Speaker 1: want to build a life with somebody does not in

985
00:53:00,840 --> 00:53:04,000
Speaker 1: fact mean that we should. And butterflies are liars and

986
00:53:04,040 --> 00:53:06,400
Speaker 1: bullshit and should not be trusted.

987
00:53:07,160 --> 00:53:09,520
Speaker 2: Yeah, I mean, I think that's it, right, that's it.

988
00:53:09,800 --> 00:53:11,719
Speaker 1: Do you want to tell the people where they can

989
00:53:11,719 --> 00:53:13,680
Speaker 1: find you and what cool shit you have going on?

990
00:53:13,920 --> 00:53:18,080
Speaker 2: Cool guy joke eighty seven on Instagram. I'm waiting forever

991
00:53:18,200 --> 00:53:21,520
Speaker 2: on my fly tour paper, my tour art. But those

992
00:53:22,040 --> 00:53:24,840
Speaker 2: those states should be out by now. A lot of

993
00:53:24,840 --> 00:53:30,759
Speaker 2: weird cities, Burningham, Morgantown, West Virginia, Saint Louis, all the

994
00:53:30,800 --> 00:53:34,200
Speaker 2: big ones, you know. I've already taken an hour to

995
00:53:34,239 --> 00:53:36,879
Speaker 2: the places where I know people will like it. Yeah,

996
00:53:36,920 --> 00:53:39,320
Speaker 2: I got to think it to where they probably won't

997
00:53:39,400 --> 00:53:41,600
Speaker 2: like it, and then if it works there, that could

998
00:53:41,960 --> 00:53:42,640
Speaker 2: make a special.

999
00:53:43,719 --> 00:53:47,000
Speaker 1: Come on, baby, we're going to Birmingham to see feel Good.

1000
00:53:47,120 --> 00:53:49,279
Speaker 2: I'm going to rally to just try not to eat

1001
00:53:49,280 --> 00:53:52,120
Speaker 2: my feelings at the rallies after the said fuck man.

1002
00:53:52,480 --> 00:53:55,960
Speaker 1: Well as always, you can follow me at Langston, Kerman

1003
00:53:56,120 --> 00:53:59,759
Speaker 1: and I. We have some cool dates coming up from

1004
00:53:59,760 --> 00:54:03,399
Speaker 1: my told me that we'll be announcing pretty soon, so

1005
00:54:03,520 --> 00:54:06,919
Speaker 1: keep your ears and eyes out. We're gonna be hitting

1006
00:54:06,960 --> 00:54:09,680
Speaker 1: the road and hidding some some major cities where we

1007
00:54:09,840 --> 00:54:10,600
Speaker 1: feel relative.

1008
00:54:11,719 --> 00:54:17,240
Speaker 2: Guys, I love all my cities, the same little cities.

1009
00:54:17,239 --> 00:54:18,280
Speaker 2: Put them on the forehead.

1010
00:54:18,960 --> 00:54:22,080
Speaker 1: We're hitting. We're hitting the big ones, baby, And that's

1011
00:54:22,080 --> 00:54:24,120
Speaker 1: not to say that the little ones don't matter, but

1012
00:54:24,120 --> 00:54:32,239
Speaker 1: we're hitting. We're hitting the big old ding dong cities.

1013
00:54:33,200 --> 00:54:34,040
Speaker 1: Oh you got it.

1014
00:54:34,880 --> 00:54:39,600
Speaker 2: Also, yeah, it was a horny episode. Don't forget to

1015
00:54:39,719 --> 00:54:43,520
Speaker 2: check out my mama told me part on Instagram because.

1016
00:54:43,480 --> 00:54:46,960
Speaker 1: Yeah, we're gonna be posting a lot of old content,

1017
00:54:47,080 --> 00:54:49,399
Speaker 1: a lot of new content on the page and and

1018
00:54:49,880 --> 00:54:51,680
Speaker 1: it's gonna be a place where we can put some

1019
00:54:51,760 --> 00:54:55,040
Speaker 1: of our thoughts that are inappropriate for our personal pages.

1020
00:54:55,160 --> 00:54:58,920
Speaker 1: So go to and follow the Instagram account because that's

1021
00:54:58,920 --> 00:55:00,799
Speaker 1: gonna be fun. And if you want to send us

1022
00:55:00,800 --> 00:55:03,600
Speaker 1: your own drops, your own conspiracy theories. If you want

1023
00:55:03,600 --> 00:55:06,480
Speaker 1: to tell us what we can do about those fucked

1024
00:55:06,520 --> 00:55:09,439
Speaker 1: up butterflies and our tom thums, go ahead and send

1025
00:55:09,480 --> 00:55:12,359
Speaker 1: that to mymamapod at gmail dot com. We would love

1026
00:55:12,400 --> 00:55:15,040
Speaker 1: to hear from you. Also, goog that's where you can

1027
00:55:15,080 --> 00:55:19,160
Speaker 1: find us. And that's it, bye, bitch. I actually am

1028
00:55:19,239 --> 00:55:23,240
Speaker 1: one point four percent Nigerian African. I'm a sister.

1029
00:55:23,840 --> 00:55:32,040
Speaker 4: Okay, my crow chips in your.

1030
00:55:34,200 --> 00:55:44,960
Speaker 2: Quala bears on racist. The money our turkey stuff, I

1031
00:55:45,200 --> 00:55:45,920
Speaker 2: can't tell me