WEBVTT - Julie & Julia: Flavorful & Blog

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Bona Petite.

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<v Speaker 3>I'm Leana Holsten and I'm Sienna Jacob and Welcome to

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<v Speaker 3>Tossed Popcorn, the podcast where two idiots watched every film

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<v Speaker 3>on the AFI's one hundred Greatest American Movies of.

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<v Speaker 2>All Time, the very slightly less racist tenth Anniversary edition,

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<v Speaker 2>and are now watching films directed by women.

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<v Speaker 4>Whoo. This podcast is a safe kitchen for people who

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<v Speaker 4>don't know anything about movies. Today we're watching Julie and

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<v Speaker 4>Julia Monjou Madame. Warning there will be spoilers about this

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<v Speaker 4>culinary ooh uh medium old film.

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<v Speaker 2>Yeah, yeah, Sienna, had you seen this before I had?

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<v Speaker 4>Shall we do our predictions?

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<v Speaker 2>Let's it lip in so long.

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<v Speaker 4>Ago, there was so much that I could not have predicted.

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<v Speaker 2>Oh my gosh, okay, okay, let's start with yours.

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<v Speaker 5>Then maybe I did predict it. Actually, all right, Hi, Leanna,

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<v Speaker 5>this is Sienna. I'm about to watch Julie and Julia.

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<v Speaker 5>From what I remember, Amy Adams is in this and

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<v Speaker 5>Meryl Streep yeah, which I forgot until until just now.

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<v Speaker 6>I can't remember how nine to eleven plays into this,

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<v Speaker 6>but I have heard from various sources that it does

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<v Speaker 6>play in, which is wild. Looking forward to seeing seeing

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<v Speaker 6>some delicious food be made.

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<v Speaker 4>I love you, goodbye. Yeah, I didn't know this took

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<v Speaker 4>place like in two thousand and two.

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<v Speaker 2>Yeah, and whatever.

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<v Speaker 4>We'll talk about it, but like they talk about it

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<v Speaker 4>a lot.

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<v Speaker 2>Oh yeah, oh yeah, oh yeah, well, Sienna, here is

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<v Speaker 2>my prediction for Julie and Julia.

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<v Speaker 4>Hello, Sienna, it's Leanna.

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<v Speaker 2>I am about to watch Julie and Julia Juliae Juy.

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<v Speaker 2>I predict Cuisine France post nine to eleven and also

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<v Speaker 2>maybe post war. Oh my god, that amazing woman who goes.

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<v Speaker 2>She does not.

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<v Speaker 4>Do the work.

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<v Speaker 2>You do, not do work. I love her and Meryll

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<v Speaker 2>God bless, oh my god. In Stanley Tucci. Okay, I predict.

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<v Speaker 2>I'm gonna enjoy this again.

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<v Speaker 3>You.

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<v Speaker 2>Yeah. So when's the last time you saw this?

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<v Speaker 4>I have no idea.

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<v Speaker 2>Definitely before I left for college.

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<v Speaker 4>Great. Did you see the mini series, the Julia Child

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<v Speaker 4>mini series? No, I think think I watched that in

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<v Speaker 4>the I definitely watched that since during the time while

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<v Speaker 4>we were doing the podcast, I watched it because that's

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<v Speaker 4>when I got really into making French omelets. Oh so

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<v Speaker 4>we love Julia Child on this podcast?

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<v Speaker 2>Do you love Julia Jakay?

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<v Speaker 4>Sure? Okay, I just realized it.

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<v Speaker 2>Okay, yeah, why not a tall woman? Have not thought

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<v Speaker 2>about my opinions on her? The only Julia Child I

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<v Speaker 2>know is Meryl's Julia, and I adore I think.

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<v Speaker 4>That she is actually like very uh a very respectful

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<v Speaker 4>and accurate homage sleigh sleigh love. Okay, Well, hey girl,

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<v Speaker 4>is that right?

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<v Speaker 2>Oh? Yeah?

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<v Speaker 4>Do you want to do that with maybe more enthusiasm?

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<v Speaker 4>Hey girl, I just couldn't remember all of a sudden.

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<v Speaker 4>It all feels foreorn to me.

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<v Speaker 2>Girl.

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<v Speaker 4>How's it going.

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<v Speaker 2>Heat summer? The heat wave continues here in London. No,

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<v Speaker 2>it's eighty four degrees today, which means currently it's twenty

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<v Speaker 2>six point five degrees celsius inside my bedroom, which in fahrenheit.

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<v Speaker 2>Let's find out seventy nine degrees fahrenheit inside inside my

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<v Speaker 2>bedroom where I'm sitting presently doing a podcastew you, I

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<v Speaker 2>would say, is the correct assessment of the situation. I'm

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<v Speaker 2>uncomfy again, Did I remind you really uncomfy? No?

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<v Speaker 4>No, anything, It's all that I'm thinking of totally.

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<v Speaker 2>It's the only thing on my mind. I've been having

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<v Speaker 2>very vivid, incredibly stressful dreams. I think in a combination

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<v Speaker 2>of my meds and the heat, it's giving me like

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<v Speaker 2>cinematic dreams. The other night, I had a stress stream

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<v Speaker 2>that you and I were watching a film that was

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<v Speaker 2>so violent, but also I was in the film, and

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<v Speaker 2>I had to spend a week in Soviet Russia. And

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<v Speaker 2>I was like, well, if I can just get through

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<v Speaker 2>this week, I'll be fine. I didn't get through the

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<v Speaker 2>first day. It was deeply stressful. No fort night, I

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<v Speaker 2>had a stress stream that I had to go to

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<v Speaker 2>the met Gala, but it was in Los Angeles instead

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<v Speaker 2>of New York, and I had invites from three different friends.

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<v Speaker 2>I was going as like the guest of three different friends,

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<v Speaker 2>but none of them communicated with me like pick up time,

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<v Speaker 2>Oh my god, no for when they'd collect me so

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<v Speaker 2>that we could go do the stupid like red carpet

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<v Speaker 2>step and repeat. And one of them was like, oh, well,

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<v Speaker 2>I'll pick you up at like ten PM, and I

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<v Speaker 2>was like, but the met Gala starts at five. And

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<v Speaker 2>then another one was like, well, just text me, like

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<v Speaker 2>what motel you're staying in? Motel? I was staying in

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<v Speaker 2>a motel for the met Gala, so so I will.

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<v Speaker 2>And then I kept trying to send them a WhatsApp

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<v Speaker 2>but I kept not being able to get the letters

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<v Speaker 2>correct on the keyboard, so I couldn't text them my

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<v Speaker 2>address for them to pick me up. I had to

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<v Speaker 2>get ready, but I looked so ugly. Oh no, because

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<v Speaker 2>I didn't have any time to do my makeup.

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<v Speaker 3>No.

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<v Speaker 2>I woke up and I was like, what am I

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<v Speaker 2>worried about?

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<v Speaker 4>What?

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<v Speaker 2>What can I fix here? What is it in my life?

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<v Speaker 2>That's what's my life worry that's causing me to worry

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<v Speaker 2>that I have to go to the met Gallow but

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<v Speaker 2>also might get stuck in Soviet Russia.

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<v Speaker 4>Your stress dreams are highly creative. I don't.

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<v Speaker 2>Yeah, yeah, so that's where I'm at.

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<v Speaker 4>Damn. So you're you're you're very hot and your.

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<v Speaker 2>Stress dreams are oh my god. And then the one

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<v Speaker 2>I had last night was we're all getting on an airplane?

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<v Speaker 2>Who just all of us? Okay, definitely you were there.

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<v Speaker 2>I'm like Dorothy at the end of the Wizard of Oz.

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<v Speaker 2>You were there, and you were the ten man and

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<v Speaker 2>the scarecrow, remember, And I got bumped up to first

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<v Speaker 2>class because nobody else sat there and it was just

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<v Speaker 2>like if you asked, they would give you a seat. Okays,

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<v Speaker 2>were looking at this plane. This plane was as long

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<v Speaker 2>as a train, and you go from car to car

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<v Speaker 2>on the airplane a plane one train. They had to

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<v Speaker 2>search my luggage because they were very convinced I'd put

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<v Speaker 2>marijuana in there, okay, and I was like, now, listen,

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<v Speaker 2>that is as valid a concern as that is. I've

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<v Speaker 2>never done that, and I would never do that because

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<v Speaker 2>this is.

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<v Speaker 4>The fear that I have, of course.

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<v Speaker 2>And then I had to get off the plane and

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<v Speaker 2>go get my luggage again and get it back onto

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<v Speaker 2>the plane before the plane took off for initially China

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<v Speaker 2>and then the East coast of the United States.

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<v Speaker 4>Totally, totally.

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<v Speaker 2>And also a guy I had once had a crush

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<v Speaker 2>on who I asked on the date who said no

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<v Speaker 2>of course, was also there just to make things, just

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<v Speaker 2>to add stress to the trestle.

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<v Speaker 4>Well, of course. Yeah.

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<v Speaker 2>So that's been my week subconsciously, you know, it explains

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<v Speaker 2>why I'm so tired.

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<v Speaker 4>Yeah, when I'm awake, absolutely, it's because I'm dreaming in

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<v Speaker 4>HBO mini series. Yeah, any production companies out there.

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<v Speaker 2>There you go, Yeah, if any of that resonated. You

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<v Speaker 2>want to to purchase the rights to my brain, purchase

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<v Speaker 2>the rights to Leonas please, somebody have it. I don't

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<v Speaker 2>want it.

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<v Speaker 4>I would watch a sort of black mirror type mini series.

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<v Speaker 4>Is just based on your dreams every night?

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<v Speaker 2>Yeah, my insane ssri stress dreams. And we know I'm sweating.

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<v Speaker 2>We know I'm real sweat happening. I'm sure that's contributing

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<v Speaker 2>to it.

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<v Speaker 4>Yeah, the state.

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<v Speaker 2>It's hard to know which feeds the other. Like, is

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<v Speaker 2>it the stress dream that make me sweat? Well, that's

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<v Speaker 2>the fact that I'm a sweating that makes my brain

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<v Speaker 2>think I'm stressed.

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<v Speaker 4>This comfort does add to it.

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<v Speaker 2>Yeah, anyway, please do more research about the side effects

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<v Speaker 2>of antidepressants. If any of y'all work in that field,

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<v Speaker 2>please keep, Please do more of that work.

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<v Speaker 7>Maybe it's that they remove, they quell some of the

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<v Speaker 7>anxieties you feel during the day, They like conmute them

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<v Speaker 7>so and they just force them all into your the dream.

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<v Speaker 2>Yeah, they can't hold them back at night. The flood gates.

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<v Speaker 2>There's somewhere, like that energy has to go somewhere. So

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<v Speaker 2>they're like, well, we'll just do it in the dreams

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<v Speaker 2>rather than while she's awake.

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<v Speaker 4>Yeah, and that's.

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<v Speaker 2>Where it goes because yeah, yeah, that's right.

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<v Speaker 4>It can't just disappear. Hey girl, Hey girl, Well I

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<v Speaker 4>texted you that I also had a stress dream last night, mm, which.

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<v Speaker 2>Yeah, stress dreams about just you're sucked. I'm sorry, it's well.

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<v Speaker 4>The thing that's scary is it's like they're just about

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<v Speaker 4>the United States of America getting more and more authoritarian.

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<v Speaker 2>So like that is happening.

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<v Speaker 4>That is happening. I had a dream that I was

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<v Speaker 4>personally I personally offended Donald Trump, and my I was

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<v Speaker 4>I was kidnapped and tortured and then my family was

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<v Speaker 4>gonna be kidnapped and tortured. But literally, that is happening

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<v Speaker 4>the Gestapo, Yeah it's happening.

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<v Speaker 2>What did you do? What was the personal offense? I

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<v Speaker 2>did you call them like a little bit, you know what.

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<v Speaker 4>We were all going out to protest, and once we

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<v Speaker 4>got out to the protest, there was like hundreds more

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<v Speaker 4>marines and police officers than we realized, and we realized

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<v Speaker 4>it was like a trap for everybody, Like the protest

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<v Speaker 4>was a trap. And I got tased, Oh my god.

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<v Speaker 4>And then I was just one of the people who

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<v Speaker 4>was out and about. And the other thing I was

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<v Speaker 4>gonna say at hey girl, was that I went to

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<v Speaker 4>a lay miss party last night and the outfit I

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<v Speaker 4>was wearing, Oh my god, is how I should look

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<v Speaker 4>all the time.

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<v Speaker 2>Oh, I believe that. I believe it was a huge sleigh.

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<v Speaker 4>Whatever it was, it was a sleigh. Yeah, it was

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<v Speaker 4>very fun, and that's kind of my true form. But

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<v Speaker 4>I think I was wearing that outfit in the dream.

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<v Speaker 2>Because it was a revolution, it's and the powers in place.

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<v Speaker 4>I maybe got more attention than usual because I looked

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<v Speaker 4>so amazing, So maybe that's why I.

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<v Speaker 2>Was pulled aside, that's why you got tasting.

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<v Speaker 4>That's why I got kidnapped because well, it's hard to

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<v Speaker 4>take your eyes off of me, of course, because.

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<v Speaker 2>I looked amazing. We need to be come to abduct you?

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<v Speaker 2>Is well, what were you wearing.

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<v Speaker 4>Anyway? Though? That's that and that's why my my my

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<v Speaker 4>voice is a little hoarse because I was screaming lame

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<v Speaker 4>miss songs.

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<v Speaker 2>Yeah, explains Also why you were singing lame is at

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<v Speaker 2>the beginning of our call to day. Well, and just

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<v Speaker 2>that line as well, it's the only part I remember,

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<v Speaker 2>because why are the knew about tigers?

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<v Speaker 4>Why are there tigers.

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<v Speaker 2>And why does Eponine specifically know about them?

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<v Speaker 4>I don't know.

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<v Speaker 2>Yeah, on my own all right, Well, before we do,

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<v Speaker 2>the full second act of Flame is rable speaking of

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<v Speaker 2>a society that has undergone turmoil, Sienna True, could you

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<v Speaker 2>please give us a synopsis of the film Julie and Julia.

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<v Speaker 4>Yes, Julie Powell sets out to cook all of Julia

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<v Speaker 4>Child's five hundred plus recipes from Mastering the Art of

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<v Speaker 4>French Cooking in one year. This is based on a

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<v Speaker 4>true situation and a true blog.

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<v Speaker 2>The movie Truelo cuts.

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<v Speaker 4>The movie cuts between Julia Child's journey to becoming a

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<v Speaker 4>cooking master in France and writing her famous cookbook in

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<v Speaker 4>the nineteen fifties, and Julie Powell's life living in New

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<v Speaker 4>York right after nine to eleven, cooking in her tiny

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<v Speaker 4>apartment kitchen and hating her job the end. Yeah, it's

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<v Speaker 4>a lot of the true Julia Child. Foody foody love

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<v Speaker 4>that you want?

0:13:31.080 --> 0:13:35.319
<v Speaker 2>Oh yeah, yeah, it's got that Nora e. Fron magic

0:13:35.440 --> 0:13:37.640
<v Speaker 2>of making the food look delicious.

0:13:37.760 --> 0:13:40.440
<v Speaker 4>I will watch anything with food. I love food. What

0:13:40.440 --> 0:13:40.880
<v Speaker 4>can I say?

0:13:41.000 --> 0:13:44.959
<v Speaker 2>Yeah, ly reminded me of Ratitui, a lot. Yeah, no,

0:13:45.240 --> 0:13:47.959
<v Speaker 2>just I was basking and THEUI was brought to mind.

0:13:48.360 --> 0:13:50.920
<v Speaker 4>They just go, don't you love bread? And you go,

0:13:51.160 --> 0:13:52.480
<v Speaker 4>I do love it bread.

0:13:53.320 --> 0:13:54.680
<v Speaker 2>I love bread.

0:13:55.760 --> 0:13:59.079
<v Speaker 4>God, I wanted a brushetta real bad after this movie.

0:13:59.320 --> 0:14:00.640
<v Speaker 2>I've been thinking of it all day.

0:14:02.240 --> 0:14:04.280
<v Speaker 4>Well, Leanna should move on to our phone notes where

0:14:04.280 --> 0:14:06.920
<v Speaker 4>we talk. We notes that we took on our phones

0:14:07.320 --> 0:14:08.480
<v Speaker 4>while watching the film.

0:14:09.040 --> 0:14:15.600
<v Speaker 2>O O we Mademoiselle bion venue. Everyone to our phone notes.

0:14:16.600 --> 0:14:19.080
<v Speaker 2>And I couldn't tell you either of those words in French.

0:14:19.400 --> 0:14:23.040
<v Speaker 2>My thirteen years of French classes were worth wow nothing.

0:14:23.520 --> 0:14:27.760
<v Speaker 4>Rin Okay, Yeah, Leanna, you've said, first of all, you said,

0:14:27.760 --> 0:14:31.280
<v Speaker 4>sorry hot take New York is ugly. I think that

0:14:31.320 --> 0:14:34.280
<v Speaker 4>takes fine. I love New York City as much as

0:14:34.320 --> 0:14:38.880
<v Speaker 4>everybody else. I love it so much. But also, you know,

0:14:39.080 --> 0:14:41.440
<v Speaker 4>there's other there's other things to the world, and we

0:14:41.480 --> 0:14:42.440
<v Speaker 4>don't want to admit that.

0:14:43.560 --> 0:14:46.840
<v Speaker 2>Well, it reminded me of the way that you describe

0:14:47.520 --> 0:14:51.360
<v Speaker 2>comedy boys of proudly ugly.

0:14:53.400 --> 0:14:56.680
<v Speaker 4>That's what bothers me. Be ashamed a little bit. M hm.

0:14:57.400 --> 0:15:00.320
<v Speaker 2>Let me love and accept. You be working on yourself,

0:15:00.640 --> 0:15:03.400
<v Speaker 2>aware on it, Yeah, be aware that there's room pro improvement.

0:15:03.920 --> 0:15:06.160
<v Speaker 2>I get it. Also, of course, it was a directorial

0:15:06.280 --> 0:15:10.080
<v Speaker 2>choice to show the difference between the romanticized Paris of

0:15:10.160 --> 0:15:14.880
<v Speaker 2>nineteen forty nine and the devastatingly real New York City

0:15:14.920 --> 0:15:18.720
<v Speaker 2>of two thousand and two. Totally which related Sienna. You noted,

0:15:19.080 --> 0:15:22.000
<v Speaker 2>who does she work for? The nine to eleven company?

0:15:23.880 --> 0:15:25.440
<v Speaker 2>I did not understand her job.

0:15:25.480 --> 0:15:28.040
<v Speaker 4>She's like, I go to work every day, everybody calls

0:15:28.080 --> 0:15:30.040
<v Speaker 4>me and tells me about their nine eleven story, which happened,

0:15:30.040 --> 0:15:31.480
<v Speaker 4>by the way, four months ago.

0:15:32.240 --> 0:15:36.160
<v Speaker 2>Oh insane. And what you're saying with that? Yeah, yeah, yeah,

0:15:36.160 --> 0:15:37.800
<v Speaker 2>Well she works for it. What is it, the Lower

0:15:37.800 --> 0:15:39.240
<v Speaker 2>Manhattan Development Corporate?

0:15:39.360 --> 0:15:42.760
<v Speaker 4>Oh okay, so they're literally the people who are deciding

0:15:42.800 --> 0:15:47.480
<v Speaker 4>what're developing Lower Manhattan. Yeah, with Tribeca and that area,

0:15:47.840 --> 0:15:51.800
<v Speaker 4>which has recently faced a huge blow. Was it two

0:15:51.840 --> 0:15:53.280
<v Speaker 4>thousand and two or two thousand and three that this

0:15:53.400 --> 0:15:55.000
<v Speaker 4>was happening, this movie.

0:15:54.840 --> 0:16:01.600
<v Speaker 2>Nine to eleven? No, no, no, this movie? Yeah, what is happening? No,

0:16:01.720 --> 0:16:03.720
<v Speaker 2>it was like it was two thousand and two. Okay,

0:16:03.720 --> 0:16:06.120
<v Speaker 2>it's two thousand and two into two thousand and three.

0:16:06.520 --> 0:16:12.480
<v Speaker 4>Cool. Yeah, yeah, she really, I for some reason was

0:16:12.560 --> 0:16:14.800
<v Speaker 4>picturing that like the nine to eleven of it all

0:16:14.800 --> 0:16:16.600
<v Speaker 4>would come in at the end.

0:16:17.800 --> 0:16:19.120
<v Speaker 2>Oh anyway, Yeah, this.

0:16:19.160 --> 0:16:22.440
<v Speaker 4>Really is It's really right. I think you're right that

0:16:22.480 --> 0:16:25.280
<v Speaker 4>they did do a good job of kind of it was.

0:16:25.920 --> 0:16:28.760
<v Speaker 4>They're showing that Julie is like cooking in this small

0:16:28.840 --> 0:16:32.880
<v Speaker 4>kitchen and she doesn't have like the all the fresh

0:16:32.960 --> 0:16:37.400
<v Speaker 4>food loving the beautiful copper potts and yeah stuff around

0:16:37.400 --> 0:16:38.320
<v Speaker 4>her marches.

0:16:39.160 --> 0:16:39.560
<v Speaker 5>Yeah.

0:16:40.080 --> 0:16:43.000
<v Speaker 2>I I'm curious how people who lived in New York

0:16:44.480 --> 0:16:48.480
<v Speaker 2>directly after nine to eleven feel about this movie, because

0:16:48.480 --> 0:16:51.000
<v Speaker 2>I feel like, what's good about it is we don't

0:16:51.000 --> 0:16:57.480
<v Speaker 2>really see Julie or her husband themselves like pea if anything,

0:16:58.280 --> 0:17:00.160
<v Speaker 2>like an answering machine for it.

0:17:00.280 --> 0:17:03.480
<v Speaker 4>Yeah, and she'll be like I hate everyone who calls

0:17:03.560 --> 0:17:06.240
<v Speaker 4>me Yeah, which is fair that it's her job and

0:17:06.280 --> 0:17:07.840
<v Speaker 4>it's like really taxing, but it's true.

0:17:07.880 --> 0:17:10.080
<v Speaker 2>Yeah, you're they never because at the beginning she's like,

0:17:10.200 --> 0:17:12.400
<v Speaker 2>should should we be leaving Brooklyn? So it's like, okay,

0:17:12.440 --> 0:17:17.360
<v Speaker 2>you you lived in Brooklyn during nine eleven, Mama, that's

0:17:17.400 --> 0:17:22.040
<v Speaker 2>real close to you know, ground zero. I don't know

0:17:22.160 --> 0:17:24.880
<v Speaker 2>that that struck me more today than previously.

0:17:24.920 --> 0:17:26.640
<v Speaker 4>That's a great point because.

0:17:27.240 --> 0:17:29.639
<v Speaker 2>And it was the two things I hadn't really noticed

0:17:29.640 --> 0:17:33.440
<v Speaker 2>were like them not really having like a personal emotional

0:17:33.480 --> 0:17:35.040
<v Speaker 2>response to nine to eleven.

0:17:35.359 --> 0:17:35.639
<v Speaker 4>Uh huh.

0:17:36.080 --> 0:17:40.200
<v Speaker 2>And also the concept of McCarthyism uh huh being a

0:17:40.280 --> 0:17:42.040
<v Speaker 2>running thing. I did not get that the first time.

0:17:42.040 --> 0:17:49.400
<v Speaker 4>I wat Yeah, yeah, yeah, okay, Leanna, Yeah, this okay.

0:17:49.560 --> 0:17:50.520
<v Speaker 4>My hot take is that.

0:17:51.040 --> 0:17:56.000
<v Speaker 2>I love the Julia movie. I hate the Jewelia movie.

0:17:56.400 --> 0:17:58.720
<v Speaker 2>I said the exact same my flatmate earlier.

0:17:58.880 --> 0:18:01.639
<v Speaker 4>Yes, yeah, yeah, I think this is an amazing movie

0:18:01.680 --> 0:18:05.000
<v Speaker 4>mixed with a movie with somebody who sucks pretty bad.

0:18:04.800 --> 0:18:10.879
<v Speaker 2>People who are annoying. Yeah, okay, yeah, great, thank god, Okay, perfect, Leanna,

0:18:10.880 --> 0:18:12.280
<v Speaker 2>and I want to watch this again, but only the

0:18:12.359 --> 0:18:14.720
<v Speaker 2>nineteen forties bits because it's amazing.

0:18:15.400 --> 0:18:19.359
<v Speaker 4>Leana, you said why are all her friends terrible? Yeah,

0:18:19.359 --> 0:18:21.480
<v Speaker 4>and you wrote, Julie, why are these your friends?

0:18:21.800 --> 0:18:22.280
<v Speaker 5>She is?

0:18:23.440 --> 0:18:28.639
<v Speaker 4>She is mm hm. Their lives are so different. I

0:18:28.680 --> 0:18:31.639
<v Speaker 4>don't know why she's friends with all these rude CEOs.

0:18:34.080 --> 0:18:36.520
<v Speaker 4>The point is she doesn't have that much money, she

0:18:36.560 --> 0:18:37.639
<v Speaker 4>has a shitty job.

0:18:38.560 --> 0:18:40.960
<v Speaker 2>She just likes to go home these rude CEOs.

0:18:41.119 --> 0:18:41.600
<v Speaker 4>I know.

0:18:42.760 --> 0:18:45.160
<v Speaker 2>I think this is a product of being a film

0:18:45.160 --> 0:18:47.480
<v Speaker 2>from two thousand and nine that was executive produced by

0:18:47.480 --> 0:18:52.520
<v Speaker 2>Scott Rudin a famously evil man because the amount of like, oh,

0:18:52.520 --> 0:18:56.560
<v Speaker 2>there was this big expose about him in Oh, I

0:18:56.560 --> 0:18:58.440
<v Speaker 2>can't remember it was maybe Vulture, it was maybe a

0:18:58.440 --> 0:19:02.000
<v Speaker 2>different magazine a few years ago about how much of

0:19:02.040 --> 0:19:04.240
<v Speaker 2>a bully he was and just what a monster he was.

0:19:04.320 --> 0:19:07.200
<v Speaker 2>Oh no, so he got like booted a little bit

0:19:07.240 --> 0:19:11.480
<v Speaker 2>out of the industry. But the misogyny and the Julie

0:19:11.520 --> 0:19:15.240
<v Speaker 2>storyline where like all of her friends are awful, yes,

0:19:15.280 --> 0:19:17.639
<v Speaker 2>but then it's like normal to hate your friends, like

0:19:17.680 --> 0:19:18.840
<v Speaker 2>everybody hates their friends.

0:19:19.080 --> 0:19:22.719
<v Speaker 4>Yeah, what are about her mom calls and says, I

0:19:22.800 --> 0:19:28.679
<v Speaker 4>fucking hate Yeah, and again, maybe you're stupid, You're stupid. Stop.

0:19:30.400 --> 0:19:32.159
<v Speaker 2>Maybe some of that's rooted in the truth of the

0:19:32.200 --> 0:19:37.040
<v Speaker 2>author's experience, but I think just like writing two dimensional

0:19:37.040 --> 0:19:37.920
<v Speaker 2>women is such a.

0:19:37.960 --> 0:19:43.640
<v Speaker 4>Lazy yeah, totally and rude choice. I know, she doesn't

0:19:43.680 --> 0:19:47.600
<v Speaker 4>really have any friends besides her husband, a man who

0:19:47.600 --> 0:19:56.359
<v Speaker 4>eats like a hyena. All he did was come in

0:19:56.400 --> 0:19:59.399
<v Speaker 4>and be like, come on, let's have sex. And then

0:19:59.440 --> 0:20:01.080
<v Speaker 4>she's like, no, I'm cooking right now, and he goes,

0:20:01.680 --> 0:20:03.560
<v Speaker 4>let me try it, let me try some, and we'll

0:20:03.640 --> 0:20:06.480
<v Speaker 4>just like rip apart whatever she's been making and shove

0:20:06.520 --> 0:20:09.639
<v Speaker 4>it in his mouth after she spent that hour with

0:20:09.720 --> 0:20:16.400
<v Speaker 4>a fort It's insane. Say so right, yeah, if you'll

0:20:16.440 --> 0:20:18.679
<v Speaker 4>excuse me, I just made a very very nice and

0:20:18.760 --> 0:20:21.080
<v Speaker 4>fancy cake and my white boyfriend is taking a big

0:20:21.119 --> 0:20:23.919
<v Speaker 4>bite out of the side. I gotta go deal with this.

0:20:24.280 --> 0:20:31.000
<v Speaker 4>I'll be right back. Leanni. You said, oh dang, I

0:20:31.040 --> 0:20:32.879
<v Speaker 4>forgot how good this food looks.

0:20:33.160 --> 0:20:37.880
<v Speaker 2>Oh, oh my god, the food toasting, the bread like

0:20:38.160 --> 0:20:41.399
<v Speaker 2>in a pan filled with butter. She's like grilling bread.

0:20:41.800 --> 0:20:43.840
<v Speaker 4>It is very a very kind thing they did to

0:20:43.920 --> 0:20:47.000
<v Speaker 4>us to make a movie in which there's delicious food

0:20:47.320 --> 0:20:50.000
<v Speaker 4>and Meryl Streep is playing Julia Child. So Meryl Streep

0:20:50.080 --> 0:20:54.320
<v Speaker 4>is incredibly charmingly and hilariously going oh.

0:20:53.640 --> 0:20:57.520
<v Speaker 2>So good, Oh yeah, oh, I love to eat.

0:20:59.080 --> 0:21:02.600
<v Speaker 4>And then for some reason they put sour Julie in it.

0:21:06.000 --> 0:21:08.080
<v Speaker 4>I know it's based on a real person. I don't

0:21:08.080 --> 0:21:10.639
<v Speaker 4>know if they hit the charm of the of the

0:21:10.680 --> 0:21:11.520
<v Speaker 4>other side.

0:21:12.400 --> 0:21:16.320
<v Speaker 2>I found this character so annoying me too, But I

0:21:16.440 --> 0:21:19.280
<v Speaker 2>have to say right now before we say anything truly heinous.

0:21:19.720 --> 0:21:20.200
<v Speaker 4>She died.

0:21:20.280 --> 0:21:23.880
<v Speaker 2>That woman died, I know in twenty twenty two kind

0:21:23.960 --> 0:21:27.760
<v Speaker 2>of of COVID nineteen. Oh really, I saw that it

0:21:27.800 --> 0:21:30.520
<v Speaker 2>was heart failure. I didn't see it was like.

0:21:30.600 --> 0:21:32.359
<v Speaker 4>She had COVID like the week before.

0:21:32.440 --> 0:21:36.600
<v Speaker 2>Oh no, yeah, well that's really sad.

0:21:36.680 --> 0:21:38.520
<v Speaker 4>It is based on a real person and she has

0:21:38.520 --> 0:21:41.240
<v Speaker 4>since passed away, So I'm not making fun of them.

0:21:41.320 --> 0:21:42.720
<v Speaker 4>We're not all clear.

0:21:43.080 --> 0:21:44.080
<v Speaker 2>Think there's something.

0:21:46.320 --> 0:21:50.160
<v Speaker 4>First of all, I say, go Julie for doing this

0:21:50.920 --> 0:21:55.280
<v Speaker 4>what like doing this cooking everything in a year thing,

0:21:56.200 --> 0:21:59.439
<v Speaker 4>and she like made she became a writer through this.

0:22:00.320 --> 0:22:04.760
<v Speaker 2>Yeah never but in a movie.

0:22:03.720 --> 0:22:08.000
<v Speaker 4>I'm sorry, Trying to give stakes to starting a blog

0:22:08.320 --> 0:22:13.160
<v Speaker 4>is next to impossible. They were like, her boyfriend won't

0:22:13.160 --> 0:22:16.320
<v Speaker 4>support her, her mom will call and bully her incessantly

0:22:17.920 --> 0:22:23.399
<v Speaker 4>for spending time after work on a blog. Like no,

0:22:23.640 --> 0:22:25.760
<v Speaker 4>I'm sorry, no one cares if you start a blog,

0:22:25.880 --> 0:22:29.040
<v Speaker 4>which that stakes enough for people not to care and

0:22:29.080 --> 0:22:29.760
<v Speaker 4>not support you.

0:22:30.520 --> 0:22:33.760
<v Speaker 2>But do you think it was different in two thousand

0:22:33.760 --> 0:22:36.400
<v Speaker 2>and two, the concept of starting a blog?

0:22:36.760 --> 0:22:40.240
<v Speaker 4>I do think it was different. H I think it's

0:22:40.320 --> 0:22:46.600
<v Speaker 4>almost better then because there's only so many blogs. Yeah,

0:22:47.119 --> 0:22:50.240
<v Speaker 4>and it's like more of an undertaking back then. But

0:22:50.320 --> 0:22:56.840
<v Speaker 4>I think, yeah, they didn't manage to make her that sympathetic.

0:22:57.440 --> 0:23:01.320
<v Speaker 4>It's weird along the way, and I wonder if it's

0:23:01.359 --> 0:23:06.960
<v Speaker 4>also because in comparison to Julia Child and her apparently

0:23:07.160 --> 0:23:11.360
<v Speaker 4>wonderful marriage to Paul, I know, any two characters would

0:23:11.400 --> 0:23:13.880
<v Speaker 4>be annoying in comparison to them, because they're just such

0:23:13.960 --> 0:23:18.320
<v Speaker 4>dream boats. I don't know, but anytime it went back

0:23:18.320 --> 0:23:19.720
<v Speaker 4>to Julia in two thousand and two, I would go,

0:23:20.640 --> 0:23:24.040
<v Speaker 4>I know because on top of like, there's all these

0:23:24.119 --> 0:23:26.879
<v Speaker 4>life circumstances that are of course going to be different

0:23:26.880 --> 0:23:31.919
<v Speaker 4>than the dreamy, charming, rich life of Julia Child and

0:23:31.920 --> 0:23:36.040
<v Speaker 4>her husband who constantly wants to bone her. But but

0:23:36.320 --> 0:23:38.800
<v Speaker 4>also it's like, Julia, help us out, why are you?

0:23:40.800 --> 0:23:50.320
<v Speaker 4>Why are you so annoying? Leonna? You've said, yes, enormous, Jane, enormous, Jane,

0:23:51.520 --> 0:23:56.240
<v Speaker 4>Jane coming. This is a movie for huge women. These

0:23:56.280 --> 0:23:59.680
<v Speaker 4>sisters are enormous. Yes, Meryl Streep is five to six

0:23:59.760 --> 0:24:02.040
<v Speaker 4>playing a six to two woman. But can I tell

0:24:02.040 --> 0:24:05.679
<v Speaker 4>you something, If anyone's gonna be appropriating tall woman culture,

0:24:05.760 --> 0:24:08.000
<v Speaker 4>I want it to be Meryl Streep because Meryl can

0:24:08.040 --> 0:24:09.639
<v Speaker 4>have it. She first of all, she can have it.

0:24:09.760 --> 0:24:12.760
<v Speaker 4>She did a great job, and she's such a good actress.

0:24:12.800 --> 0:24:16.800
<v Speaker 4>I think she literally grew like she looked bigger on screen.

0:24:16.840 --> 0:24:18.320
<v Speaker 4>I think she managed to do it.

0:24:18.400 --> 0:24:21.080
<v Speaker 2>She made her. She was big. Meryl was a big, big,

0:24:21.119 --> 0:24:24.080
<v Speaker 2>big woman. I also think maryl has never done that

0:24:24.280 --> 0:24:27.720
<v Speaker 2>bullshit thing of like I'm so small right, Like, we've

0:24:27.760 --> 0:24:30.920
<v Speaker 2>never seen her do that kind of the energy. I've

0:24:30.920 --> 0:24:34.440
<v Speaker 2>never seen allowed. She's allowed into the tall girl, into

0:24:34.520 --> 0:24:40.920
<v Speaker 2>the tall woman, the huge woman universe. Hwu, I love

0:24:41.520 --> 0:24:42.840
<v Speaker 2>these huge ladies.

0:24:43.280 --> 0:24:43.440
<v Speaker 4>Oh.

0:24:43.480 --> 0:24:45.639
<v Speaker 2>I thought they were so well cast. I know, I

0:24:45.960 --> 0:24:49.600
<v Speaker 2>just there the Julia child part of this movie me too. Oh,

0:24:49.960 --> 0:24:51.600
<v Speaker 2>every good moment.

0:24:52.240 --> 0:24:54.679
<v Speaker 4>Meryl Streep, We're so lucky to have her. We're so

0:24:54.960 --> 0:24:55.719
<v Speaker 4>lucky to have her.

0:24:56.920 --> 0:24:59.080
<v Speaker 2>And what's crazy is Amy Adams is also a very

0:24:59.119 --> 0:25:04.120
<v Speaker 2>talented actress. I just hate this character. It's just too bad. Sienna,

0:25:04.160 --> 0:25:06.959
<v Speaker 2>I do want to talk about this. You've noted, Okay, bitch?

0:25:07.040 --> 0:25:09.399
<v Speaker 2>Did she really want kids that bad? Or is that

0:25:09.520 --> 0:25:12.240
<v Speaker 2>just what childless women need to feel in movies.

0:25:13.280 --> 0:25:14.800
<v Speaker 4>There were a lot of things in this movie that

0:25:14.880 --> 0:25:17.159
<v Speaker 4>I know they added in for the drama or for

0:25:17.240 --> 0:25:18.880
<v Speaker 4>the like you have to have a mom who doesn't

0:25:18.880 --> 0:25:21.040
<v Speaker 4>support you, even though why didn't you care about your blog?

0:25:21.080 --> 0:25:22.280
<v Speaker 4>That really bothered me obviously.

0:25:23.720 --> 0:25:25.600
<v Speaker 2>What the thing with the mom too is she's like

0:25:26.119 --> 0:25:29.520
<v Speaker 2>why are you doing this blog? Stop?

0:25:30.080 --> 0:25:34.000
<v Speaker 4>But she doesn't say like do something else, yes instead, Yeah,

0:25:34.320 --> 0:25:35.960
<v Speaker 4>she's not like I don't agree with this because I

0:25:35.960 --> 0:25:37.160
<v Speaker 4>think you should be doing this instead.

0:25:37.840 --> 0:25:41.000
<v Speaker 2>Yeah, she's just like the trophy one would be like

0:25:41.119 --> 0:25:44.200
<v Speaker 2>if you need to focus on starting a family, yeah,

0:25:44.280 --> 0:25:47.240
<v Speaker 2>but instead she's just like, don't do no, do it.

0:25:47.240 --> 0:25:49.840
<v Speaker 2>It's dumb, You're stupid.

0:25:50.040 --> 0:25:53.800
<v Speaker 4>You're stupid. It's not a human being at all. But then,

0:25:54.040 --> 0:25:56.520
<v Speaker 4>of course I love to see Meryl act. She did

0:25:56.520 --> 0:25:59.240
<v Speaker 4>an amazing and beautiful job. Jane Lynch is gonna have

0:25:59.280 --> 0:26:01.560
<v Speaker 4>a child, and so then Meryl Streep. We see that

0:26:01.640 --> 0:26:05.440
<v Speaker 4>Julia Child is so sad because she wanted a child

0:26:05.600 --> 0:26:10.080
<v Speaker 4>so badly, and I was kind of like, damn, can't

0:26:10.080 --> 0:26:12.879
<v Speaker 4>we just let there be a childless celebrity who just

0:26:12.960 --> 0:26:16.159
<v Speaker 4>like doesn't have kids. Her life is amazing and I

0:26:16.160 --> 0:26:18.199
<v Speaker 4>don't know her life. I tried looking it up, and

0:26:18.240 --> 0:26:20.560
<v Speaker 4>the things I found I haven't researched enough. But if

0:26:20.560 --> 0:26:23.080
<v Speaker 4>anybody wants to go and research out there, I saw

0:26:23.119 --> 0:26:25.520
<v Speaker 4>one thing saying they never got around to it and

0:26:25.640 --> 0:26:29.239
<v Speaker 4>it was fine, which I would completely believe they had

0:26:29.359 --> 0:26:32.000
<v Speaker 4>very full lives. It doesn't seem like having children would

0:26:32.000 --> 0:26:35.520
<v Speaker 4>necessarily fit in with their situation. I saw another thing

0:26:35.560 --> 0:26:37.760
<v Speaker 4>that maybe they did want kids, and she was a real,

0:26:37.880 --> 0:26:44.520
<v Speaker 4>like huge proponent of planned parenthood, which slag. Oh my god,

0:26:44.640 --> 0:26:47.119
<v Speaker 4>I don't know. I need to research it allmore. But

0:26:47.440 --> 0:26:50.240
<v Speaker 4>either way, it's just like, I don't know if that

0:26:50.359 --> 0:26:52.080
<v Speaker 4>was a huge part of her journey. I couldn't. It

0:26:52.119 --> 0:26:56.360
<v Speaker 4>didn't seem like it was a big part of her thing,

0:26:56.960 --> 0:27:00.840
<v Speaker 4>So why do we gotta do that? Yeah, but maybe

0:27:00.880 --> 0:27:04.000
<v Speaker 4>at the time of twenty eleven or whenever this movie.

0:27:03.760 --> 0:27:07.080
<v Speaker 2>Came out two thousand and nine, Yeah, twosand.

0:27:06.600 --> 0:27:09.000
<v Speaker 4>And nine, maybe it was like, you know, we're talking

0:27:09.000 --> 0:27:11.879
<v Speaker 4>about the infertility thing and stuff like that. But it

0:27:11.880 --> 0:27:14.800
<v Speaker 4>does just feel like every movie we've ever seen when

0:27:14.840 --> 0:27:17.720
<v Speaker 4>a woman doesn't have children, it's like, well, she went

0:27:17.800 --> 0:27:19.600
<v Speaker 4>crazy because she couldn't have a bath.

0:27:20.880 --> 0:27:24.000
<v Speaker 2>We have to humanize her, so we'll make her devastated

0:27:24.080 --> 0:27:26.639
<v Speaker 2>that she has no kids, because that's the only normal

0:27:26.680 --> 0:27:29.240
<v Speaker 2>response for a human woman to have. I don't see

0:27:29.280 --> 0:27:33.640
<v Speaker 2>that for Julia. I think it's fine. I agree, I agree,

0:27:33.680 --> 0:27:34.320
<v Speaker 2>And can I tell.

0:27:34.200 --> 0:27:37.520
<v Speaker 4>You something, It is so awesome to see a woman,

0:27:38.440 --> 0:27:40.960
<v Speaker 4>just to see a person over forty just like learning

0:27:41.000 --> 0:27:43.200
<v Speaker 4>a new skill and thriving that.

0:27:43.880 --> 0:27:47.159
<v Speaker 2>Yeah, it did make me a little sad because it

0:27:47.200 --> 0:27:48.840
<v Speaker 2>was like, oh, okay, in order to be able to

0:27:48.880 --> 0:27:51.159
<v Speaker 2>do this, you have to have the wealthiest husband in

0:27:51.200 --> 0:27:53.080
<v Speaker 2>the world, and also the US embassy is paying for

0:27:53.119 --> 0:27:57.399
<v Speaker 2>yours and no kids picking up a new skill. Sleigh,

0:27:58.640 --> 0:28:01.280
<v Speaker 2>it's never too late. If your husband were the end

0:28:01.680 --> 0:28:02.640
<v Speaker 2>you're fatting parrots.

0:28:02.760 --> 0:28:06.359
<v Speaker 4>Totally. But that was really fun. Leanna. You did say, LMAO,

0:28:06.480 --> 0:28:08.359
<v Speaker 4>being a McCarthy stand is so embarrassing.

0:28:09.520 --> 0:28:13.879
<v Speaker 2>Oh my god, her dad, Julia Child's dad like that McCarthy.

0:28:14.200 --> 0:28:19.119
<v Speaker 2>He's got great ideas, So, I mean, we see it.

0:28:19.119 --> 0:28:22.359
<v Speaker 2>It's it's like those men who start their tweets with

0:28:23.440 --> 0:28:32.040
<v Speaker 2>uh uh Trump, mister president, sir, it would be an

0:28:32.040 --> 0:28:34.159
<v Speaker 2>honor to blah blah blah blah blah, and you're like,

0:28:34.240 --> 0:28:35.360
<v Speaker 2>are you not embarrassed?

0:28:35.400 --> 0:28:39.720
<v Speaker 4>I mean, you gotta know, feel bad about it, but

0:28:39.880 --> 0:28:40.680
<v Speaker 4>think they're proud.

0:28:41.600 --> 0:28:43.160
<v Speaker 2>Yeah, Leanna, you've.

0:28:42.960 --> 0:28:46.600
<v Speaker 4>Said the real villain of this film is the reporter

0:28:46.680 --> 0:28:51.680
<v Speaker 4>guy who called Julie to tell her Julia hates her. Yeah. Hi,

0:28:51.800 --> 0:28:53.240
<v Speaker 4>I wonder if you want to comment on the fact

0:28:53.280 --> 0:28:56.960
<v Speaker 4>that Julia Child hates you, like.

0:28:57.240 --> 0:28:59.240
<v Speaker 2>I didn't ever need to know that. I could have

0:28:59.240 --> 0:29:02.320
<v Speaker 2>gone my whole life not knowing she'd said that, but

0:29:02.440 --> 0:29:05.040
<v Speaker 2>you called me to tell me that she had said that. Yes,

0:29:06.360 --> 0:29:08.440
<v Speaker 2>what the f man?

0:29:08.960 --> 0:29:12.440
<v Speaker 4>Thanks, You didn't set up a situation in which I

0:29:12.480 --> 0:29:12.800
<v Speaker 4>met her.

0:29:12.840 --> 0:29:15.480
<v Speaker 2>You didn't help you know, it's just like, no, like,

0:29:15.560 --> 0:29:17.160
<v Speaker 2>what comment are you expecting?

0:29:17.520 --> 0:29:17.680
<v Speaker 4>Right?

0:29:17.760 --> 0:29:20.080
<v Speaker 2>My comment is that that makes me feel terrible.

0:29:20.440 --> 0:29:25.320
<v Speaker 4>Also, like, I don't know if Julia said that with

0:29:25.400 --> 0:29:27.760
<v Speaker 4>the intention of this person hearing that, Like something I

0:29:27.760 --> 0:29:31.200
<v Speaker 4>would say just kind of offhanded about something is very

0:29:31.240 --> 0:29:33.000
<v Speaker 4>different than what I present to a person, not just

0:29:33.040 --> 0:29:36.880
<v Speaker 4>because I'm filtering it for them, but because it's like, actually,

0:29:36.920 --> 0:29:39.000
<v Speaker 4>the message I want to instill in you is something different.

0:29:39.000 --> 0:29:41.640
<v Speaker 4>I was just being petty with my friends to totally.

0:29:41.680 --> 0:29:43.959
<v Speaker 2>Also, she was like eighty eight when she said that,

0:29:44.560 --> 0:29:48.200
<v Speaker 2>if I heard about somebody like sixty years younger than

0:29:48.200 --> 0:29:51.040
<v Speaker 2>me doing anything related to my work, I would say

0:29:51.040 --> 0:29:54.160
<v Speaker 2>that's annoying. Yeah, leave me be.

0:29:54.520 --> 0:29:56.720
<v Speaker 4>We looked up later why she said like what she

0:29:56.760 --> 0:30:00.280
<v Speaker 4>said about it, and she says it was literally that

0:30:00.320 --> 0:30:03.560
<v Speaker 4>She's like, yeah, she just didn't really like like frivolous people,

0:30:03.640 --> 0:30:07.320
<v Speaker 4>like she'd just never been interested in the flimsies. Oh, like,

0:30:07.360 --> 0:30:09.360
<v Speaker 4>if you were an educated woman through the depression, you're

0:30:09.400 --> 0:30:10.800
<v Speaker 4>just kind of like, I don't want to talk to you.

0:30:10.800 --> 0:30:12.520
<v Speaker 4>You're stupid. I get that.

0:30:12.880 --> 0:30:15.000
<v Speaker 2>I could totally see me telling Julia Child I have

0:30:15.040 --> 0:30:19.280
<v Speaker 2>an anxiety disorder and her being like, ugh, I'd have

0:30:19.320 --> 0:30:21.400
<v Speaker 2>to be like and thank fair enough, ma'am, thank you.

0:30:22.680 --> 0:30:25.560
<v Speaker 2>Oh my god, Siena, you noted nobody calls to put

0:30:25.640 --> 0:30:28.640
<v Speaker 2>up someone else's one woman show. Okay, I'm sorry, please

0:30:28.800 --> 0:30:30.800
<v Speaker 2>is so funny. Can we talk about this for a second.

0:30:30.840 --> 0:30:34.360
<v Speaker 2>Because so she gets published in The New York Times

0:30:34.560 --> 0:30:35.840
<v Speaker 2>with a terrible photo.

0:30:38.120 --> 0:30:40.840
<v Speaker 4>I also thought that I thought when she was looking

0:30:40.840 --> 0:30:42.840
<v Speaker 4>over somebody's shoulder in the cafe, she was gonna be like,

0:30:42.880 --> 0:30:46.720
<v Speaker 4>oh god, but she was just proud, which is again annoying.

0:30:48.160 --> 0:30:50.000
<v Speaker 2>And suddenly she starts getting calls.

0:30:50.040 --> 0:30:52.320
<v Speaker 4>But not only are they calls being like hey, I

0:30:52.360 --> 0:30:54.080
<v Speaker 4>want to represent you, Hey, I want to represent you.

0:30:54.480 --> 0:30:58.200
<v Speaker 4>They are all distinct things that people want from her.

0:30:58.440 --> 0:31:00.480
<v Speaker 4>So one person calls it is like I want to

0:31:00.480 --> 0:31:03.960
<v Speaker 4>represent you. Another person's like I want I have a

0:31:03.960 --> 0:31:06.760
<v Speaker 4>book company, and I want to I want your book.

0:31:07.200 --> 0:31:10.080
<v Speaker 4>This person's like, I make movies and I want to

0:31:10.080 --> 0:31:11.800
<v Speaker 4>make you into a movie. They all have their own

0:31:11.800 --> 0:31:16.360
<v Speaker 4>little thing one person. So it's going through like I'm

0:31:16.400 --> 0:31:19.360
<v Speaker 4>thinking you might want to start a show, an article,

0:31:19.640 --> 0:31:22.200
<v Speaker 4>a book, blah blah blah, a one woman show.

0:31:24.400 --> 0:31:27.880
<v Speaker 2>That's not how one woman shows work. No one woman

0:31:27.920 --> 0:31:31.560
<v Speaker 2>shows happen to the audience. No one ever is like

0:31:31.640 --> 0:31:35.640
<v Speaker 2>I'm developing for someone else. Yes, yes, exactly, I totally

0:31:35.640 --> 0:31:36.240
<v Speaker 2>see what you mean.

0:31:36.360 --> 0:31:38.760
<v Speaker 4>They're like, you either have to tell people are subjected

0:31:38.800 --> 0:31:43.240
<v Speaker 4>to one woman shows, or it's like it completely makes

0:31:43.280 --> 0:31:47.720
<v Speaker 4>sense as a thesis, as I need to mount this

0:31:47.760 --> 0:31:50.880
<v Speaker 4>to stay in the country, or just like this is

0:31:50.880 --> 0:31:53.840
<v Speaker 4>a story that I just let me do this. I'm

0:31:53.880 --> 0:31:56.720
<v Speaker 4>gonna do this. Yeah, but you don't say you know

0:31:58.680 --> 0:32:00.920
<v Speaker 4>your story. I think I think.

0:32:00.760 --> 0:32:03.040
<v Speaker 2>We could develop see this as a one woman show

0:32:03.120 --> 0:32:06.440
<v Speaker 2>to a one woman show. I think people would really

0:32:06.440 --> 0:32:08.440
<v Speaker 2>love that. No one in.

0:32:08.400 --> 0:32:11.880
<v Speaker 4>The history of the world has had their pockets filled

0:32:12.560 --> 0:32:16.400
<v Speaker 4>by putting on a one person performance anywhere.

0:32:17.520 --> 0:32:20.400
<v Speaker 2>No. I also feel like the theater is one of

0:32:20.440 --> 0:32:25.560
<v Speaker 2>the mediums the least capable of conveying like delicious food. Yeah,

0:32:25.720 --> 0:32:32.960
<v Speaker 2>that's so true, like unless you're cooking it on stage live,

0:32:33.560 --> 0:32:36.719
<v Speaker 2>but even then you're gonna have to rely on like

0:32:36.880 --> 0:32:40.400
<v Speaker 2>the scent you across to the audience. A one woman

0:32:40.480 --> 0:32:41.840
<v Speaker 2>show was Julia Child.

0:32:43.440 --> 0:32:44.960
<v Speaker 4>Yeah, I mean if they meant it, like, but that

0:32:45.000 --> 0:32:48.200
<v Speaker 4>was a teavy cooking show. Yeah, that's what you want to.

0:32:48.360 --> 0:32:50.480
<v Speaker 2>I wouldn't describe one.

0:32:51.560 --> 0:32:54.720
<v Speaker 4>And then when Julia Child mounted her famous one woman

0:32:54.160 --> 0:32:57.120
<v Speaker 4>show which would change the cooking world forever, her Emmy

0:32:57.160 --> 0:33:00.800
<v Speaker 4>Award winning one woman's show, Leonna. You're final note is

0:33:00.840 --> 0:33:05.240
<v Speaker 4>the ending always makes me cry. The freeze frame with Julia.

0:33:05.520 --> 0:33:09.400
<v Speaker 2>Oh my god, her and Stanley Tucci laughing. It's the

0:33:09.520 --> 0:33:13.480
<v Speaker 2>jovial laughing. It's something that song I find very like

0:33:14.000 --> 0:33:20.600
<v Speaker 2>heart wrenching, heartrending whatever it is. And their beautiful relationship

0:33:20.720 --> 0:33:23.480
<v Speaker 2>and he's so supportive of her, and they love each

0:33:23.480 --> 0:33:27.160
<v Speaker 2>other so much, and they're able to laugh so easily

0:33:27.200 --> 0:33:31.440
<v Speaker 2>with one another and like celebrate her success together. Oh

0:33:31.480 --> 0:33:35.920
<v Speaker 2>my god, is always cry.

0:33:37.040 --> 0:33:41.360
<v Speaker 4>They're such a their couple, their their relationship is so

0:33:41.360 --> 0:33:43.040
<v Speaker 4>so sweet and fun to.

0:33:43.000 --> 0:33:44.840
<v Speaker 2>Watch, true power couple.

0:33:45.640 --> 0:33:49.280
<v Speaker 4>It's not like overly sweet either, So somehow nothing is

0:33:49.320 --> 0:33:51.280
<v Speaker 4>overly sweet in a way that feels fake, and it's

0:33:51.360 --> 0:33:53.920
<v Speaker 4>just like so delightful totally.

0:33:56.680 --> 0:33:58.960
<v Speaker 2>I forget entire world. Yeah, she's the best person in

0:33:58.960 --> 0:34:02.120
<v Speaker 2>the entire world for sure. Welcome to our segment Badges

0:34:02.160 --> 0:34:08.239
<v Speaker 2>and Trages, where we give badges for buff Bourgignon and

0:34:08.480 --> 0:34:13.840
<v Speaker 2>trages for termidor comm a lobster in which you have

0:34:13.960 --> 0:34:17.239
<v Speaker 2>to murder the lobster. Moly, that's not my tragest that

0:34:17.360 --> 0:34:20.440
<v Speaker 2>was upsetting My first badge before I forget is that?

0:34:20.680 --> 0:34:24.000
<v Speaker 2>And this isn't the movies doing this is just I'm

0:34:24.000 --> 0:34:28.080
<v Speaker 2>glad this was real life. Both Julia Child and her

0:34:28.120 --> 0:34:30.080
<v Speaker 2>husband Paul lived into their nineties.

0:34:30.320 --> 0:34:30.880
<v Speaker 4>So awesome.

0:34:31.160 --> 0:34:33.600
<v Speaker 2>This type of movie could totally do that thing of

0:34:33.640 --> 0:34:38.960
<v Speaker 2>like the plane crashed, there was a car accident, like

0:34:39.000 --> 0:34:41.520
<v Speaker 2>when there's a perfect couple who love each other so much,

0:34:41.840 --> 0:34:44.759
<v Speaker 2>totally one of them is going to die very tragically.

0:34:44.880 --> 0:34:45.040
<v Speaker 4>Yeah.

0:34:45.120 --> 0:34:47.560
<v Speaker 2>Yeah, but real life stepped in and said, no, that

0:34:47.600 --> 0:34:48.120
<v Speaker 2>didn't happen.

0:34:48.120 --> 0:34:48.799
<v Speaker 4>You're not doing that.

0:34:48.880 --> 0:34:50.480
<v Speaker 2>They lived to their old age.

0:34:50.640 --> 0:34:56.800
<v Speaker 4>Badge Badge. Bad Badge for Merril is so so charming

0:34:56.800 --> 0:35:02.200
<v Speaker 4>and delightful in this. Yes, it it's astounding.

0:35:02.920 --> 0:35:07.520
<v Speaker 2>It's astounding. A Badge for France nineteen forty nine. Yes,

0:35:07.560 --> 0:35:07.840
<v Speaker 2>thank you.

0:35:07.920 --> 0:35:13.440
<v Speaker 4>Title card badge for food.

0:35:14.080 --> 0:35:17.280
<v Speaker 2>Oh I love food. I could watch any movie with food.

0:35:18.120 --> 0:35:22.719
<v Speaker 4>It made me want to get into cooking again. So

0:35:22.760 --> 0:35:30.640
<v Speaker 4>delicious and delightful. Yeah. Badge for huge women. Yes, huge women,

0:35:30.840 --> 0:35:36.120
<v Speaker 4>huge women. It's so exciting to see huge women on screen.

0:35:39.360 --> 0:35:39.960
<v Speaker 4>Badge for.

0:35:41.640 --> 0:35:42.200
<v Speaker 2>It's so funny.

0:35:42.239 --> 0:35:45.080
<v Speaker 4>I put food Meryl and then Meryl cooking food.

0:35:48.640 --> 0:35:52.920
<v Speaker 2>That's really what you get, honestly our three favorite things

0:35:53.000 --> 0:35:58.239
<v Speaker 2>to see in a film. Yes, my next badges are

0:35:58.239 --> 0:36:01.360
<v Speaker 2>for Casey Wilson and mary Lynn Reich's yub I actually

0:36:01.360 --> 0:36:03.200
<v Speaker 2>have no idea how to pronounce her last name, but

0:36:03.280 --> 0:36:05.680
<v Speaker 2>Casey Wilson is one of the friends at the Cobb

0:36:05.800 --> 0:36:08.480
<v Speaker 2>Salad Lunch, but she's actually very funny in it. And

0:36:08.480 --> 0:36:11.520
<v Speaker 2>then Mary Lynn is the one who plays Julie's only

0:36:11.680 --> 0:36:15.480
<v Speaker 2>I guess actual friend who's always sitting with her right

0:36:15.520 --> 0:36:16.359
<v Speaker 2>and helping her out.

0:36:16.920 --> 0:36:20.680
<v Speaker 4>Yes, I have a badge for women working together, women

0:36:20.920 --> 0:36:25.080
<v Speaker 4>business partners. Ah, she does not do you work?

0:36:25.239 --> 0:36:26.239
<v Speaker 2>She doesn't work.

0:36:26.480 --> 0:36:27.520
<v Speaker 4>You do not do you work?

0:36:28.400 --> 0:36:33.759
<v Speaker 2>A badge for epistolary exposition. I think this is a

0:36:33.800 --> 0:36:36.279
<v Speaker 2>correct use of both of those words. But the way

0:36:36.280 --> 0:36:41.480
<v Speaker 2>that Julia and Paul's lives are communicated via the letters

0:36:41.480 --> 0:36:44.440
<v Speaker 2>that they write to their friends and loved ones and

0:36:44.480 --> 0:36:46.719
<v Speaker 2>it's like narrated over so it gives you a sense

0:36:46.719 --> 0:36:49.080
<v Speaker 2>of like, oh, Okay, this is where they're living, this

0:36:49.120 --> 0:36:51.200
<v Speaker 2>is why they're there, this is what's going on in

0:36:51.200 --> 0:36:56.280
<v Speaker 2>their lives. Very scenic, very nice, very nice, good exposition delivery.

0:36:57.360 --> 0:37:01.960
<v Speaker 4>Badge for Julia Zess for life. I know a lot

0:37:01.960 --> 0:37:04.279
<v Speaker 4>of it comes out of her privilege of freedom and

0:37:04.400 --> 0:37:09.200
<v Speaker 4>money and but but it's nice to see sometimes and

0:37:09.239 --> 0:37:10.280
<v Speaker 4>be inspired by.

0:37:10.200 --> 0:37:13.080
<v Speaker 2>Like yeah, this is yeah, this.

0:37:13.160 --> 0:37:14.680
<v Speaker 4>Is life and let's just take it. She gets to

0:37:14.719 --> 0:37:16.239
<v Speaker 4>friends and she's like, I'm gonna be bored, so I

0:37:16.280 --> 0:37:18.640
<v Speaker 4>want to find something awesome to do, and I'm gonna

0:37:18.680 --> 0:37:20.960
<v Speaker 4>feel really uncomfortable at first, but who cares.

0:37:21.040 --> 0:37:21.919
<v Speaker 2>I deserve to be here.

0:37:22.200 --> 0:37:22.760
<v Speaker 4>I'm awesome.

0:37:22.920 --> 0:37:25.640
<v Speaker 2>Yes, I'm gonna chop a million onions in my house.

0:37:26.040 --> 0:37:28.040
<v Speaker 4>Oh my god. That was so and scene was so funny.

0:37:28.120 --> 0:37:30.400
<v Speaker 4>By the way, maryl got really good at chopping onions,

0:37:30.440 --> 0:37:32.520
<v Speaker 4>like she was doing that, Oh.

0:37:32.360 --> 0:37:37.320
<v Speaker 2>My god, from like MARYL. When Stanley walks into the kitchen,

0:37:37.360 --> 0:37:37.759
<v Speaker 2>he's like.

0:37:37.800 --> 0:37:45.239
<v Speaker 4>Oh, come on, why wouldn't you want to watch that?

0:37:45.600 --> 0:37:48.360
<v Speaker 4>How is that in the same movie as the other day.

0:37:48.400 --> 0:37:52.120
<v Speaker 4>I don't know. I don't know.

0:37:53.600 --> 0:37:59.319
<v Speaker 2>A badge for I love this French woman, Simca her friend. Yeah,

0:37:59.560 --> 0:38:02.200
<v Speaker 2>I of Oh. I think that actor did such a

0:38:02.239 --> 0:38:03.920
<v Speaker 2>good job. I love that character, and I love the

0:38:03.920 --> 0:38:04.960
<v Speaker 2>way that she was portrayed.

0:38:05.160 --> 0:38:08.360
<v Speaker 4>Oh fun, I didn't remember any of that storyline or anything.

0:38:08.640 --> 0:38:11.200
<v Speaker 4>It was such an a light to watch. Yeah, badge

0:38:11.200 --> 0:38:15.960
<v Speaker 4>for creating a product the whole time. Like I love

0:38:16.080 --> 0:38:17.480
<v Speaker 4>just that they can hold the book in their hands

0:38:17.520 --> 0:38:19.400
<v Speaker 4>at the end. It was fun to watch them. You

0:38:19.480 --> 0:38:20.399
<v Speaker 4>have to go in and fight.

0:38:21.520 --> 0:38:22.320
<v Speaker 2>I guess they were.

0:38:22.160 --> 0:38:25.200
<v Speaker 4>Doing the same thing with the two with the two people,

0:38:25.239 --> 0:38:28.000
<v Speaker 4>It's just that one of them was just writing a

0:38:28.040 --> 0:38:28.840
<v Speaker 4>blog in her house.

0:38:30.400 --> 0:38:36.680
<v Speaker 2>I love how little you respect blogs. I was gonna say,

0:38:40.640 --> 0:38:42.600
<v Speaker 2>you're so anti blog.

0:38:42.680 --> 0:38:47.040
<v Speaker 4>That's funny because I definitely have enjoyed many a blog post.

0:38:47.600 --> 0:38:51.719
<v Speaker 2>Oh a badge for copper pots and pans. I flipping

0:38:52.000 --> 0:38:55.720
<v Speaker 2>love the aesthetic of copper pots and pans.

0:38:55.239 --> 0:38:58.600
<v Speaker 4>So good.

0:38:56.360 --> 0:38:59.319
<v Speaker 7>M Oh.

0:38:59.360 --> 0:39:01.240
<v Speaker 4>My final badge is for Jane Lynch.

0:39:02.280 --> 0:39:04.719
<v Speaker 2>Oh. My next badge is badge for these two sisters.

0:39:04.760 --> 0:39:08.040
<v Speaker 2>Perfect casting. When they greet each other on the train

0:39:08.080 --> 0:39:12.879
<v Speaker 2>platform and they're both so boisterous and loud and expressive,

0:39:13.480 --> 0:39:16.360
<v Speaker 2>Oh my god, and Stanley just does his little smile yeah,

0:39:16.440 --> 0:39:22.000
<v Speaker 2>and the other lovesomen witch yes, when they're looking at

0:39:22.000 --> 0:39:26.080
<v Speaker 2>themselves in the mirror and Meryl goes pretty good but

0:39:26.160 --> 0:39:31.120
<v Speaker 2>not great.

0:39:32.200 --> 0:39:32.920
<v Speaker 4>Women's rights.

0:39:33.080 --> 0:39:40.920
<v Speaker 2>God, my god. My last badge is for the line

0:39:41.280 --> 0:39:45.360
<v Speaker 2>whiz when they're talking about the author credits for mastering

0:39:45.360 --> 0:39:47.160
<v Speaker 2>the Art of French cooking and they're like, it should

0:39:47.160 --> 0:39:56.080
<v Speaker 2>be Julia Simca Whiz Louis said, goes whiz so funny.

0:39:57.239 --> 0:40:01.200
<v Speaker 2>She does not use you work, she doesn't wa Sorry, everybody,

0:40:01.280 --> 0:40:05.160
<v Speaker 2>these two huge women have to take a quick break. Listen, ads,

0:40:05.520 --> 0:40:06.239
<v Speaker 2>but don't.

0:40:06.000 --> 0:40:08.120
<v Speaker 4>Worry us, tall ladies.

0:40:08.160 --> 0:40:17.680
<v Speaker 2>We'll be back very soon. Trages trag is.

0:40:18.600 --> 0:40:21.919
<v Speaker 4>My first trage is wait, Julie kind of sucks question mark.

0:40:23.239 --> 0:40:26.160
<v Speaker 2>Yeah. My first trage is a trage for Chris Messina.

0:40:26.760 --> 0:40:27.880
<v Speaker 2>I'm sorry to Chris.

0:40:27.920 --> 0:40:28.360
<v Speaker 4>I don't know.

0:40:28.960 --> 0:40:31.800
<v Speaker 2>I think you're right. I think you've done any historic

0:40:32.280 --> 0:40:34.520
<v Speaker 2>objective wrongs, but I don't.

0:40:34.760 --> 0:40:37.560
<v Speaker 4>But I agree that he hasn't done any historic amazing

0:40:37.600 --> 0:40:39.879
<v Speaker 4>work either, and we're supposed to act like he has.

0:40:40.120 --> 0:40:43.440
<v Speaker 2>We're supposed to be like, okay, great Chris. I'm always like,

0:40:43.480 --> 0:40:47.040
<v Speaker 2>oh no, I have seen that guy. Yeah, he's fine,

0:40:47.520 --> 0:40:52.280
<v Speaker 2>he's fine. Trage for her mom hating her for no reason?

0:40:52.400 --> 0:40:53.440
<v Speaker 2>Why is your mom so mean?

0:40:54.480 --> 0:40:57.200
<v Speaker 4>That was weird? It was weird. It's odd.

0:40:57.200 --> 0:41:01.560
<v Speaker 2>She's cool, honey, Stop doing in this thing that's bringing

0:41:01.640 --> 0:41:07.560
<v Speaker 2>you Joel. I don't like it's annoying trage For executive

0:41:07.560 --> 0:41:13.360
<v Speaker 2>producer Scott Rudin, that really was a whoa dang well trag?

0:41:13.520 --> 0:41:13.800
<v Speaker 5>Four?

0:41:15.200 --> 0:41:18.120
<v Speaker 4>Why has she never eaten an egg before? Why is

0:41:18.160 --> 0:41:21.960
<v Speaker 4>that steaks? Why we have to watch her eat an

0:41:21.960 --> 0:41:25.080
<v Speaker 4>egg and go, oh, this egg tastes like cheese sauce.

0:41:25.320 --> 0:41:31.680
<v Speaker 2>No, it does not. That's not how cheese sauce you. Yeah,

0:41:32.239 --> 0:41:34.160
<v Speaker 2>I guess that must have been. That must have just

0:41:34.200 --> 0:41:35.280
<v Speaker 2>been based on truth.

0:41:35.400 --> 0:41:37.200
<v Speaker 4>But okay, mm.

0:41:37.160 --> 0:41:39.200
<v Speaker 2>Hm oh a trudge for.

0:41:40.719 --> 0:41:41.160
<v Speaker 4>Tradge for it.

0:41:41.200 --> 0:41:43.359
<v Speaker 2>There's one black woman in the film and she has

0:41:43.400 --> 0:41:46.080
<v Speaker 2>like ten lines and it's all just to be like

0:41:46.280 --> 0:41:49.880
<v Speaker 2>high five, good for you. Yes, I didn't tell him,

0:41:49.920 --> 0:41:53.120
<v Speaker 2>I swear. But none of her actual friends or she

0:41:53.200 --> 0:41:57.840
<v Speaker 2>invites over for dinner, they're they're all white. That's so funny.

0:41:58.160 --> 0:41:59.280
<v Speaker 2>I didn't even realize.

0:41:59.360 --> 0:42:01.680
<v Speaker 4>Why didn't she invite her black friend who seems to

0:42:01.719 --> 0:42:03.719
<v Speaker 4>be her best friend in that she's the only person

0:42:03.760 --> 0:42:04.560
<v Speaker 4>who's nice to her.

0:42:05.160 --> 0:42:06.000
<v Speaker 2>I don't get it.

0:42:06.400 --> 0:42:08.839
<v Speaker 4>She gives her high fives constantly.

0:42:09.040 --> 0:42:13.000
<v Speaker 2>She's so supportive. All she does is support Julie. That

0:42:13.160 --> 0:42:17.000
<v Speaker 2>is so funny.

0:42:19.600 --> 0:42:26.960
<v Speaker 4>Okay, trash for that weird scene where uh where Julie's like,

0:42:27.080 --> 0:42:30.200
<v Speaker 4>I have fans and all the boyfriends at the table

0:42:30.360 --> 0:42:35.040
<v Speaker 4>explain the analytics to her. I don't understand why the

0:42:35.080 --> 0:42:37.520
<v Speaker 4>boyfriends are the only people who know about her blog

0:42:37.680 --> 0:42:40.480
<v Speaker 4>and why she doesn't have access to her viewer count,

0:42:40.960 --> 0:42:44.440
<v Speaker 4>even though in another time they still were able to

0:42:44.480 --> 0:42:46.680
<v Speaker 4>see I think if they had readers and she was like,

0:42:47.160 --> 0:42:50.240
<v Speaker 4>I have people read my blog and these random men are.

0:42:50.040 --> 0:42:53.919
<v Speaker 2>Like, yeah they do. Why do they know that? Why

0:42:53.960 --> 0:42:56.440
<v Speaker 2>isn't it one of her friends no blogs and the

0:42:56.520 --> 0:42:57.840
<v Speaker 2>girlfriends are no blogs?

0:42:58.719 --> 0:43:00.640
<v Speaker 4>I don't know. Yeah, I don't think that girlfriends even

0:43:00.680 --> 0:43:01.600
<v Speaker 4>speak in that scene.

0:43:01.680 --> 0:43:10.320
<v Speaker 2>It's insane. That scene is insane. A trage for starting

0:43:10.360 --> 0:43:13.839
<v Speaker 2>sentences with so, ma'am, you want to be a writer,

0:43:14.640 --> 0:43:16.920
<v Speaker 2>you should not be starting sentences. You should not be

0:43:17.560 --> 0:43:20.879
<v Speaker 2>writing sentences that go so tonight. I made this thing,

0:43:21.600 --> 0:43:24.560
<v Speaker 2>you just say tonight. I made this thing. That's a big,

0:43:24.640 --> 0:43:26.839
<v Speaker 2>a big peeve of mine. As people who start their

0:43:26.880 --> 0:43:31.399
<v Speaker 2>sentences are so oh interesting in writing form, you don't

0:43:31.440 --> 0:43:32.839
<v Speaker 2>need it, you can always take it out.

0:43:34.760 --> 0:43:35.040
<v Speaker 1>Hmm.

0:43:36.640 --> 0:43:37.560
<v Speaker 2>If I haven't done that.

0:43:38.280 --> 0:43:38.960
<v Speaker 4>You have not known.

0:43:39.480 --> 0:43:42.239
<v Speaker 2>I noticed it a lot at work. Imagine if I

0:43:42.280 --> 0:43:44.120
<v Speaker 2>was trying to convey a pet peeve to you, but

0:43:44.719 --> 0:43:49.759
<v Speaker 2>via a trage. Hate film when people do that. I

0:43:49.800 --> 0:43:54.120
<v Speaker 2>hate when trage for when when you're trying to make

0:43:54.280 --> 0:43:59.719
<v Speaker 2>memes with your Wait, that's only us, and no, that

0:43:59.800 --> 0:44:01.480
<v Speaker 2>was an film Julia and Julia's.

0:44:01.080 --> 0:44:06.120
<v Speaker 4>Well trag for that very awkward SNL viewing they do

0:44:06.160 --> 0:44:08.120
<v Speaker 4>together where they're both snickering.

0:44:09.200 --> 0:44:11.920
<v Speaker 2>With their like martinis and.

0:44:11.800 --> 0:44:14.520
<v Speaker 4>Being forced to watch an SNL thing like a classic thing.

0:44:14.560 --> 0:44:17.840
<v Speaker 4>You kind of go, oh, it's I guess that's medium funny.

0:44:17.880 --> 0:44:23.439
<v Speaker 4>She just she's just bleeding everywhere and watching. There's nothing

0:44:23.440 --> 0:44:25.640
<v Speaker 4>that makes something less funny than watching two people.

0:44:25.440 --> 0:44:26.080
<v Speaker 2>Laughing at it.

0:44:29.680 --> 0:44:30.160
<v Speaker 4>Yeah.

0:44:31.400 --> 0:44:32.360
<v Speaker 2>Yeah, it was very.

0:44:32.239 --> 0:44:33.000
<v Speaker 4>Awkward and weird.

0:44:33.320 --> 0:44:35.719
<v Speaker 2>God, you know, I also found it pretty creepy how

0:44:36.080 --> 0:44:40.480
<v Speaker 2>Julie starts like wearing pearls and like sort of dressing

0:44:40.560 --> 0:44:45.480
<v Speaker 2>like Julia. Yeah, it was going a little bit all

0:44:45.520 --> 0:44:50.400
<v Speaker 2>about Eve for me. My final trage is a trag

0:44:50.520 --> 0:44:55.120
<v Speaker 2>for this old ideology around turning thirty and this whole like,

0:44:55.120 --> 0:44:58.760
<v Speaker 2>oh you have to have an existential crisis about turning thirty,

0:44:58.920 --> 0:45:02.160
<v Speaker 2>because it's the end of your life and if you

0:45:02.239 --> 0:45:05.920
<v Speaker 2>haven't had everything figured out by then you are a waste.

0:45:06.200 --> 0:45:09.120
<v Speaker 2>Because Julie's character turns thirty over the course of the year,

0:45:09.360 --> 0:45:12.880
<v Speaker 2>yeah blog, and I'm like, I just this is so tired.

0:45:13.080 --> 0:45:15.080
<v Speaker 4>I feel like the only reason I will feel any

0:45:15.120 --> 0:45:17.840
<v Speaker 4>weirdness around turning thirty is because everyone keeps acting like

0:45:17.840 --> 0:45:22.680
<v Speaker 4>you're supposed to. Yeah, okay, trag For the lobster scene,

0:45:23.080 --> 0:45:27.319
<v Speaker 4>I'm sorry, Julie says much. Oh, I don't want it.

0:45:27.320 --> 0:45:30.319
<v Speaker 4>It's so it's so crazy for me to throw these

0:45:30.360 --> 0:45:33.799
<v Speaker 4>live lobsters into the boiling water. The human thing to

0:45:33.840 --> 0:45:36.000
<v Speaker 4>do is to kill them with a knife, And then

0:45:36.280 --> 0:45:39.440
<v Speaker 4>she thinks about doing it. Then she throws them in

0:45:39.560 --> 0:45:44.719
<v Speaker 4>the boiling water, which is so inhumane. I know it's

0:45:44.760 --> 0:45:46.400
<v Speaker 4>how they've been doing it for a long time, but

0:45:46.440 --> 0:45:50.520
<v Speaker 4>she has the choice. And then her boyfriend rushes up

0:45:50.640 --> 0:45:52.920
<v Speaker 4>and puts the lid back on. He wasn't helpful in

0:45:53.000 --> 0:45:54.600
<v Speaker 4>killing them at all. He didn't do anything to help.

0:45:54.640 --> 0:45:55.799
<v Speaker 4>And then he puts the lid on and she goes,

0:45:55.920 --> 0:45:59.399
<v Speaker 4>thank you so much. That scene was crazy. I felt

0:45:59.480 --> 0:46:02.359
<v Speaker 4>gasper by that scene. Everybody here did a bad job,

0:46:02.360 --> 0:46:03.840
<v Speaker 4>and no one should be proud of themselves.

0:46:04.320 --> 0:46:08.520
<v Speaker 2>Yes, oh, I would love for you to be going

0:46:08.560 --> 0:46:11.640
<v Speaker 2>around to various situations and saying that to the people involved.

0:46:12.080 --> 0:46:14.480
<v Speaker 2>None of you should be proud. Everyone did a very

0:46:14.480 --> 0:46:16.480
<v Speaker 2>bad job. Stop stop feeling proud about this.

0:46:16.600 --> 0:46:19.840
<v Speaker 4>It was all bad. Well, Leanna, Shall we move on

0:46:19.880 --> 0:46:22.240
<v Speaker 4>to our next segment, which is, of course.

0:46:22.080 --> 0:46:23.600
<v Speaker 2>How to pretend you've seen this film?

0:46:23.760 --> 0:46:28.560
<v Speaker 4>This is you are grocery shopping at the supermakey and

0:46:29.480 --> 0:46:34.640
<v Speaker 4>you're looking at the bread and McCarthy.

0:46:35.440 --> 0:46:44.160
<v Speaker 2>Oh okay. Senator Joseph McCarthy comes up to you. It says,

0:46:44.160 --> 0:46:48.080
<v Speaker 2>what do you do in your spare time? WHOA nothing?

0:46:49.120 --> 0:46:51.240
<v Speaker 4>No, I do nothing at all. You say, I'm starting

0:46:51.239 --> 0:46:53.440
<v Speaker 4>a blog. He goes, that's actually more annoying than my thing.

0:46:54.000 --> 0:46:57.839
<v Speaker 4>Be on your way. Yeah.

0:46:57.880 --> 0:47:00.479
<v Speaker 2>Senator Joseph McCarthy comes up to you with a really

0:47:00.520 --> 0:47:04.279
<v Speaker 2>bright light, holds it over you. It starts are you gay?

0:47:04.400 --> 0:47:06.680
<v Speaker 2>Interrogating you, but then realizes, do you know what? This

0:47:06.719 --> 0:47:09.400
<v Speaker 2>really reminds me of a guy who worked for the

0:47:09.440 --> 0:47:12.120
<v Speaker 2>government in the fifties, and they actually made a movie

0:47:12.120 --> 0:47:17.640
<v Speaker 2>about him that's called Paul and Paul. Well, really it's

0:47:17.640 --> 0:47:21.719
<v Speaker 2>called Julie and Julia. Yeah, I've seen that one. Yeah,

0:47:21.760 --> 0:47:24.960
<v Speaker 2>it's about Paul Child. No, no, no. And in order

0:47:25.040 --> 0:47:25.640
<v Speaker 2>to big.

0:47:26.160 --> 0:47:33.400
<v Speaker 4>Senator McCarthy from interrogating you about Red scaring you, Oh yeah,

0:47:33.719 --> 0:47:35.160
<v Speaker 4>here are a few things you can say to pretend

0:47:35.200 --> 0:47:38.600
<v Speaker 4>you've seen the film Julie and Julia.

0:47:38.920 --> 0:47:43.080
<v Speaker 2>Yes, Senator McCarthy, I've seen Julie and Julia.

0:47:44.480 --> 0:47:44.600
<v Speaker 4>Ugh.

0:47:44.680 --> 0:47:46.800
<v Speaker 2>The current state of the government reminds me of the

0:47:47.120 --> 0:47:51.600
<v Speaker 2>makeup of Julia Child's class at Le cordon Bleu. All men,

0:47:52.040 --> 0:47:54.879
<v Speaker 2>all GI's and very expensive.

0:47:57.840 --> 0:48:00.640
<v Speaker 4>That looked straight up terrible. That's why I felt I

0:48:00.680 --> 0:48:02.839
<v Speaker 4>think she won some of them over. She totally, Oh

0:48:02.840 --> 0:48:10.720
<v Speaker 4>you're improv class, Yeah, totally. Yeah, Uh, she totally did. Okay,

0:48:10.800 --> 0:48:14.600
<v Speaker 4>you better work. Meryl Streep gained fifteen pounds while filming

0:48:14.640 --> 0:48:15.080
<v Speaker 4>the movie.

0:48:16.680 --> 0:48:18.840
<v Speaker 2>Oh I forgot you just from eating like really good food.

0:48:18.960 --> 0:48:19.279
<v Speaker 4>I guess.

0:48:19.280 --> 0:48:19.360
<v Speaker 2>So.

0:48:19.440 --> 0:48:21.319
<v Speaker 4>I don't know if she was supposed Maybe she was

0:48:21.360 --> 0:48:23.080
<v Speaker 4>just doing it as part of the role.

0:48:24.920 --> 0:48:26.800
<v Speaker 2>Yeah, because she grew eight inches.

0:48:27.040 --> 0:48:31.040
<v Speaker 4>Yeah, she had to stretch up and become the size

0:48:31.040 --> 0:48:31.960
<v Speaker 4>of the enormous woman.

0:48:33.160 --> 0:48:40.480
<v Speaker 2>Enormous woman, yes, Senator McCarthy. I've seen Julie and Julia. Really, honestly,

0:48:40.520 --> 0:48:43.800
<v Speaker 2>it's not about Paul. We're not talking about men. Who's

0:48:43.800 --> 0:48:44.520
<v Speaker 2>talking about men.

0:48:46.400 --> 0:48:51.440
<v Speaker 4>We're talking about Julie and Julia. Really, just Julia. Yeah,

0:48:51.480 --> 0:48:55.120
<v Speaker 4>to be honest, Yes, Senator McCarthy, I've seen the film

0:48:55.200 --> 0:48:59.319
<v Speaker 4>Julie and Julia. Some facts about the heights in this movie.

0:48:59.680 --> 0:49:03.840
<v Speaker 4>Julie a child was six to two huge, We love it.

0:49:05.239 --> 0:49:07.439
<v Speaker 4>Paul Child was five nine, which is so funny because

0:49:07.480 --> 0:49:10.480
<v Speaker 4>imagine being like five two, but he just looks like

0:49:10.520 --> 0:49:14.520
<v Speaker 4>it compared to this six too woman. Yeah, but Meryl

0:49:14.520 --> 0:49:18.160
<v Speaker 4>Streep is five six. Stanley Tucci is five seven and

0:49:18.239 --> 0:49:22.280
<v Speaker 4>three quarters tall. Okay, just like just give it, just

0:49:22.280 --> 0:49:24.719
<v Speaker 4>just just say, just say five to seven. But but

0:49:25.239 --> 0:49:29.719
<v Speaker 4>he's a man in Hollywood, so I understand. H In

0:49:29.840 --> 0:49:32.560
<v Speaker 4>order to achieve the height, they had to do several

0:49:32.680 --> 0:49:36.640
<v Speaker 4>camera slash, set slash costume tricks, which I was noticing.

0:49:36.640 --> 0:49:38.759
<v Speaker 4>I think they dropped her waist a lot, so she

0:49:38.840 --> 0:49:43.680
<v Speaker 4>looked like all together longer. Yeah, and then also like

0:49:43.719 --> 0:49:47.160
<v Speaker 4>in the last scene, you also just buy it because

0:49:47.200 --> 0:49:51.439
<v Speaker 4>she's such a great actress, but she is wearing like platform.

0:49:50.920 --> 0:49:52.160
<v Speaker 2>All those those heels.

0:49:52.320 --> 0:49:55.560
<v Speaker 4>Yeah, I saw those in the end, I was like, huh,

0:49:55.640 --> 0:49:57.360
<v Speaker 4>which at some point you're like, what are we supposed

0:49:57.360 --> 0:50:01.280
<v Speaker 4>to do besides simply theater, Like, honestly, that's quaint, instead

0:50:01.280 --> 0:50:03.320
<v Speaker 4>of them like CG eyeing her legs longer.

0:50:03.440 --> 0:50:04.120
<v Speaker 2>Oh my god.

0:50:04.440 --> 0:50:07.040
<v Speaker 4>Yeah it, but it is really funny to imagine Julia

0:50:07.160 --> 0:50:12.680
<v Speaker 4>child like absolutely prancing around in these clumping in some things, strutting.

0:50:13.640 --> 0:50:19.240
<v Speaker 2>What is marshmallow fluff? I finally read scare Senator McCarthy

0:50:19.280 --> 0:50:22.200
<v Speaker 2>away from me in the grocery store aisle so I

0:50:22.200 --> 0:50:25.960
<v Speaker 2>can have some peace. But I find myself so distraught

0:50:26.000 --> 0:50:30.200
<v Speaker 2>and perturbed by that conversation that I say, I'm going

0:50:30.239 --> 0:50:31.200
<v Speaker 2>to go buy some bread.

0:50:33.280 --> 0:50:36.359
<v Speaker 4>Oh imagine living somewhere with a bakery. Oh my god,

0:50:36.400 --> 0:50:40.720
<v Speaker 4>do you guys have like no good bakeries in London

0:50:40.719 --> 0:50:42.000
<v Speaker 4>where you can buy breads.

0:50:41.719 --> 0:50:44.280
<v Speaker 2>Not in the way that you'd wish.

0:50:44.440 --> 0:50:49.080
<v Speaker 4>Okay, yes, Senator McCarthy. I have seen the film Julia

0:50:49.120 --> 0:50:52.040
<v Speaker 4>and Julia, And guess what. This is the first Hollywood

0:50:52.040 --> 0:50:57.880
<v Speaker 4>film at least partially based on a blog. And I

0:50:57.880 --> 0:50:58.279
<v Speaker 4>believe it.

0:51:00.040 --> 0:51:05.880
<v Speaker 2>I believe it, and I believe it. It's funny that

0:51:05.880 --> 0:51:09.120
<v Speaker 2>we've watched a film based on a Twitter thread and

0:51:09.160 --> 0:51:10.400
<v Speaker 2>a film that's based.

0:51:10.160 --> 0:51:18.040
<v Speaker 4>On the blog to we accidentally often Yeah, a reason

0:51:18.200 --> 0:51:18.640
<v Speaker 4>moving too.

0:51:19.360 --> 0:51:23.200
<v Speaker 2>Yeah, well, can I give a late badge? Yes, I

0:51:23.280 --> 0:51:26.960
<v Speaker 2>have to give a badge for the pet name that

0:51:27.120 --> 0:51:30.880
<v Speaker 2>Paul calls Julia as a term of endearment. He goes

0:51:31.440 --> 0:51:38.120
<v Speaker 2>my big sprig. Also, I'm sorry, this is another badge

0:51:38.200 --> 0:51:40.600
<v Speaker 2>I have to give a badge for. When they're talking

0:51:40.600 --> 0:51:43.880
<v Speaker 2>about Julia's size. There's never an element of shame to

0:51:43.960 --> 0:51:47.799
<v Speaker 2>it that they're always just like, you're huge, You're a

0:51:47.840 --> 0:51:50.520
<v Speaker 2>big woman. And she's like, I know, I'm growing in

0:51:50.560 --> 0:51:53.480
<v Speaker 2>front of you. And I love that. That is so true.

0:51:53.520 --> 0:51:58.439
<v Speaker 2>It's just it's like really healthy. They're just so like, yep,

0:51:58.640 --> 0:52:01.640
<v Speaker 2>that's how you're big. Yeah, And that's not a bad thing.

0:52:01.719 --> 0:52:02.600
<v Speaker 4>It's just what it is.

0:52:02.680 --> 0:52:03.280
<v Speaker 2>It's awesome.

0:52:03.719 --> 0:52:06.920
<v Speaker 4>They're also like fifty forty and fifty like I think

0:52:06.920 --> 0:52:14.440
<v Speaker 4>they're just like it's all it's all good. Oh my god, Okay,

0:52:14.440 --> 0:52:18.120
<v Speaker 4>I'm sorry. One last one, last one, yes, Senator McCarthy.

0:52:18.200 --> 0:52:22.839
<v Speaker 4>I have seen the film. I have seen the film

0:52:22.920 --> 0:52:26.040
<v Speaker 4>Julia and Julia. In her research, Nora Efron was surprised

0:52:26.040 --> 0:52:28.359
<v Speaker 4>to discover that Julia Child and Paul Child had a

0:52:28.480 --> 0:52:33.000
<v Speaker 4>very intense sexual relationship, which they both wrote about enthusiastically

0:52:33.080 --> 0:52:36.480
<v Speaker 4>to their friends.

0:52:37.200 --> 0:52:39.920
<v Speaker 2>People would put that into letters in the past in

0:52:39.960 --> 0:52:43.120
<v Speaker 2>ways that I don't think people do necessarily these days.

0:52:43.239 --> 0:52:45.080
<v Speaker 4>I don't know if you'd see your friends like talk

0:52:45.120 --> 0:52:46.839
<v Speaker 4>to friends on the phone so much so like they

0:52:46.880 --> 0:52:48.960
<v Speaker 4>just had to be like, yeah, I had great sex

0:52:49.000 --> 0:52:49.720
<v Speaker 4>with my wife.

0:52:49.760 --> 0:52:51.120
<v Speaker 2>Fucking yeah.

0:52:52.080 --> 0:52:53.360
<v Speaker 4>Oh Sianna.

0:52:54.000 --> 0:53:00.120
<v Speaker 2>Uh huh. Let us uh uh pull our next segment

0:53:00.200 --> 0:53:02.759
<v Speaker 2>out of the oven, which is should you watch this

0:53:02.880 --> 0:53:05.759
<v Speaker 2>ore in which we tell you, beloved listeners, if we

0:53:05.800 --> 0:53:07.600
<v Speaker 2>think you should watch this movie or if you should

0:53:07.600 --> 0:53:11.720
<v Speaker 2>do something else with your recipe? What do you think, Leanna?

0:53:12.640 --> 0:53:15.040
<v Speaker 4>Oh gosh, I.

0:53:14.960 --> 0:53:23.760
<v Speaker 2>Would say you could watch this film. You could watch

0:53:24.000 --> 0:53:29.440
<v Speaker 2>just the Julia Child parts. Tbah, I love them so much.

0:53:29.880 --> 0:53:33.000
<v Speaker 2>And then I really really was very just like at

0:53:33.040 --> 0:53:36.319
<v Speaker 2>the other half, which I feel bad about, but it's

0:53:36.320 --> 0:53:40.680
<v Speaker 2>also the truth. But I don't really have another thing.

0:53:40.960 --> 0:53:44.880
<v Speaker 2>Is there some sort of cooking show?

0:53:45.960 --> 0:53:46.360
<v Speaker 4>Now?

0:53:46.760 --> 0:53:47.000
<v Speaker 3>You know?

0:53:47.040 --> 0:53:49.480
<v Speaker 2>What was really good that I enjoyed a lot was

0:53:49.880 --> 0:53:55.880
<v Speaker 2>Sola L. Wiley's YouTube channel where you larious dishes. You

0:53:55.880 --> 0:53:59.879
<v Speaker 2>could check out her YouTube channel, Sola That's a fun one.

0:54:00.200 --> 0:54:02.200
<v Speaker 4>She is one woman show.

0:54:02.480 --> 0:54:03.960
<v Speaker 2>She is one of my favorite.

0:54:04.400 --> 0:54:10.520
<v Speaker 4>She's incredibly, incredibly knowledgeable and skilled about like food science,

0:54:10.640 --> 0:54:13.080
<v Speaker 4>but she's also just a delightful fun person to watch

0:54:13.160 --> 0:54:15.800
<v Speaker 4>and she has a husband she loves.

0:54:16.480 --> 0:54:16.680
<v Speaker 2>Ah.

0:54:17.520 --> 0:54:20.000
<v Speaker 4>Yes, Cianna, what would you say? It's a great recommendation.

0:54:20.520 --> 0:54:22.880
<v Speaker 4>I would say the same thing as you. The parts

0:54:22.920 --> 0:54:25.799
<v Speaker 4>that are delightful and fun with Meryl being Julia Child

0:54:25.880 --> 0:54:28.720
<v Speaker 4>are so fun. It is really kind of endlessly delightful

0:54:28.719 --> 0:54:31.759
<v Speaker 4>to watch Julia Child do her thing and prepraying that

0:54:33.040 --> 0:54:36.319
<v Speaker 4>if you wanted to watch more of that, you could

0:54:36.320 --> 0:54:38.560
<v Speaker 4>watch Julia the French Chef is her actual show, which

0:54:38.600 --> 0:54:40.640
<v Speaker 4>you could also watch, but I haven't watched much.

0:54:40.640 --> 0:54:45.759
<v Speaker 2>Oh my gosh, it's Sarah Lancashire plays Julia Child. She's amazing.

0:54:45.920 --> 0:54:50.799
<v Speaker 4>She was so good. She's British. That makes sense because

0:54:50.800 --> 0:54:56.160
<v Speaker 4>she was yeah she uh yeah. That show was so

0:54:56.200 --> 0:54:57.880
<v Speaker 4>good and it kind of takes you through how they

0:54:57.880 --> 0:55:00.280
<v Speaker 4>started it, which because she was like a housewife's starting

0:55:00.280 --> 0:55:03.320
<v Speaker 4>a cooking show and things were done so differently. Anyway,

0:55:03.440 --> 0:55:05.240
<v Speaker 4>I really enjoyed that and it made me so excited

0:55:05.280 --> 0:55:07.960
<v Speaker 4>about food. It's great for foodies. Would recommend if you

0:55:07.960 --> 0:55:10.960
<v Speaker 4>want more Julia Child content. That is packaged in a

0:55:11.239 --> 0:55:15.880
<v Speaker 4>in a dramatic medium.

0:55:16.080 --> 0:55:18.880
<v Speaker 2>Leanna, what would you rate this film? Weird movie?

0:55:19.480 --> 0:55:19.640
<v Speaker 5>Man?

0:55:20.680 --> 0:55:25.000
<v Speaker 2>I god like I would give the Julia Child parts

0:55:25.600 --> 0:55:29.279
<v Speaker 2>five big spriggs out of five. We can rate it

0:55:29.320 --> 0:55:31.759
<v Speaker 2>like and then the Julie part I would give like

0:55:33.560 --> 0:55:38.880
<v Speaker 2>two burnt Borgignons out of five, so on average, I

0:55:38.920 --> 0:55:41.719
<v Speaker 2>guess that makes it a three point five out of

0:55:41.840 --> 0:55:44.960
<v Speaker 2>five totally, but I feel sad about that. But I

0:55:44.960 --> 0:55:47.080
<v Speaker 2>think I'm gonna wait them differently. I think I'm gonna

0:55:47.080 --> 0:55:49.280
<v Speaker 2>wait at like a two thirds to a one third ratio.

0:55:49.360 --> 0:55:51.400
<v Speaker 2>So I'm gonna give the whole thing four out of five.

0:55:51.640 --> 0:55:58.160
<v Speaker 2>Fantastic copper pans. Yeah, I love Love, Love Merrily and

0:55:58.239 --> 0:56:02.160
<v Speaker 2>Stanley and Jane Lynch. I completely agree, Like it's it's

0:56:02.239 --> 0:56:05.359
<v Speaker 2>such a gift. The maryl parts such a gift. Yeah,

0:56:05.400 --> 0:56:07.400
<v Speaker 2>So I'm going to give that food in the Julie

0:56:07.400 --> 0:56:09.279
<v Speaker 2>section also is really good.

0:56:10.080 --> 0:56:13.239
<v Speaker 4>I am going to Yeah, that's true. I'm going to

0:56:13.400 --> 0:56:15.320
<v Speaker 4>give the maryl Or the I'm going to give the

0:56:15.640 --> 0:56:22.120
<v Speaker 4>Julia Child part of this six female created cookbooks out

0:56:22.160 --> 0:56:27.200
<v Speaker 4>of five, and I'm going to give the Julie parts

0:56:30.040 --> 0:56:40.319
<v Speaker 4>two Bullied by Your Mom Blogs out of five, and

0:56:40.840 --> 0:56:46.319
<v Speaker 4>I will give the full movie two point nine yeah,

0:56:46.320 --> 0:56:49.640
<v Speaker 4>because it weighs it down for me too much. Two

0:56:49.680 --> 0:56:54.920
<v Speaker 4>point nine boned Ducks out of five. But the Marral parts,

0:56:55.000 --> 0:56:56.920
<v Speaker 4>I wonder they probably have like a YouTube edit with

0:56:57.000 --> 0:57:00.960
<v Speaker 4>just the maryl parts. Not to be completely rude, I

0:57:01.000 --> 0:57:03.680
<v Speaker 4>mean it was fine, It was fine, but I just

0:57:03.760 --> 0:57:06.799
<v Speaker 4>really wanted to just I would just watch Marilyn, Marilyn Monroe.

0:57:08.360 --> 0:57:09.640
<v Speaker 2>I would just watch Meryl Street be.

0:57:09.800 --> 0:57:13.320
<v Speaker 4>Julia Child for my whole life, the best, the best.

0:57:13.760 --> 0:57:15.720
<v Speaker 4>Well there, we've done it. We watched Julia and Julia.

0:57:16.440 --> 0:57:18.240
<v Speaker 4>I had a fun time. I gotta say, my brother

0:57:18.240 --> 0:57:19.640
<v Speaker 4>and I were saying this at the end. It's kind

0:57:19.640 --> 0:57:22.040
<v Speaker 4>of the perfect movie in that you get to love

0:57:22.080 --> 0:57:24.000
<v Speaker 4>it so much and you get to hate it so much,

0:57:24.040 --> 0:57:26.520
<v Speaker 4>which is actually kind of enjoyable to talk about.

0:57:27.040 --> 0:57:33.960
<v Speaker 2>That's true. Yeah, it's the perfect thing. Merciboku for listening now.

0:57:34.320 --> 0:57:37.600
<v Speaker 2>We are Tossed Popcorn. We are at toss Popcorn on Instagram.

0:57:37.640 --> 0:57:41.240
<v Speaker 2>You can also find us on Patreon at patreon dot com.

0:57:41.240 --> 0:57:46.680
<v Speaker 2>Slash Tossed Popcorn for bonus episodes and join us next

0:57:46.720 --> 0:57:54.080
<v Speaker 2>week when we will be watching Belle. You know, thank you.

0:57:54.520 --> 0:57:55.200
<v Speaker 2>We love you.

0:57:56.640 --> 0:58:04.440
<v Speaker 4>Olive bonup, Petit bonup, pe tit.

0:58:09.360 --> 0:58:11.840
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:58:11.960 --> 0:58:13.080
<v Speaker 1>and at Leanna Holsten.

0:58:13.440 --> 0:58:14.840
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0:58:14.800 --> 0:58:17.960
<v Speaker 1>Spelling of our dumb names. We put on episodes every Tuesday,

0:58:18.000 --> 0:58:20.240
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0:58:20.240 --> 0:58:23.760
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

0:58:23.840 --> 0:58:26.840
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

0:58:29.240 --> 0:58:32.080
<v Speaker 2>If you had to accomplish a milestone in a year,

0:58:33.120 --> 0:58:35.440
<v Speaker 2>what do you think you would do? Like a certain

0:58:35.480 --> 0:58:36.400
<v Speaker 2>number of some things?

0:58:37.560 --> 0:58:42.760
<v Speaker 4>Oh interesting, I'd probably either do an exercise one just

0:58:42.840 --> 0:58:44.919
<v Speaker 4>to see if I could actually like, I'd probably try

0:58:44.960 --> 0:58:50.120
<v Speaker 4>to try to do I'd do one cartwheel a day

0:58:50.160 --> 0:58:52.320
<v Speaker 4>and add one every day until.

0:58:52.040 --> 0:58:55.120
<v Speaker 2>I was doing three s five carp wheels.

0:58:55.280 --> 0:58:58.400
<v Speaker 4>And by the way, I can't do even one right now, Okay,

0:58:58.560 --> 0:58:59.040
<v Speaker 4>so i'd have.

0:58:59.040 --> 0:59:02.280
<v Speaker 2>To be right or so I'm picturing at the end

0:59:02.440 --> 0:59:04.520
<v Speaker 2>that you're like on a football field, like you need

0:59:04.560 --> 0:59:08.800
<v Speaker 2>that much distance to do three hundred and sixty five cartwheel?

0:59:08.840 --> 0:59:11.680
<v Speaker 4>Would that actually be really bad for your brain? Probably?

0:59:11.800 --> 0:59:13.880
<v Speaker 2>I was just wondering that I was wondering that exact

0:59:13.920 --> 0:59:14.280
<v Speaker 2>same thing