1 00:00:01,760 --> 00:00:05,120 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,480 --> 00:00:10,520 Speaker 1: an iHeartRadio podcast. Welcome to and That's what You're in 3 00:00:10,560 --> 00:00:17,639 Speaker 1: the miss podcast. Hello Kevin, Hey Jenna. Today we have 4 00:00:17,680 --> 00:00:23,320 Speaker 1: a special guest, I mean, one of our favorite people 5 00:00:23,400 --> 00:00:26,920 Speaker 1: on the planet, one of our best friends, one of 6 00:00:26,960 --> 00:00:33,040 Speaker 1: the most successful parts of Glee, like behind the scenes, hardworking, 7 00:00:33,800 --> 00:00:36,800 Speaker 1: one of the things that just made the show. Mother 8 00:00:37,040 --> 00:00:41,640 Speaker 1: mother she is, She's our mother mother. Meghan Doyle is here, 9 00:00:42,080 --> 00:00:47,199 Speaker 1: and Megan Doyle is the Nieces. She says it America's 10 00:00:47,280 --> 00:00:51,880 Speaker 1: Jane Lynch. Megan is so much son tour. I mean, 11 00:00:51,960 --> 00:00:59,480 Speaker 1: obviously she earned her keep and is integral part of 12 00:00:59,520 --> 00:01:03,880 Speaker 1: the Glee machine. Truly, she works her way. She works 13 00:01:03,920 --> 00:01:06,520 Speaker 1: for bradfaw Truck now even still she's a VP of 14 00:01:07,120 --> 00:01:11,440 Speaker 1: his come company Television Production Company, Television. She's a She's 15 00:01:11,480 --> 00:01:14,360 Speaker 1: a boss. H and we knew this. 16 00:01:14,920 --> 00:01:19,160 Speaker 2: I feel so proud of being able to have watched 17 00:01:19,160 --> 00:01:22,800 Speaker 2: her grow from the first Glee tour where she was 18 00:01:22,840 --> 00:01:26,360 Speaker 2: thrown to the wolves. 19 00:01:26,680 --> 00:01:27,640 Speaker 1: That's the true test. 20 00:01:28,000 --> 00:01:30,679 Speaker 2: Yeah, she thrived in it. She didn't just make it. 21 00:01:30,920 --> 00:01:34,280 Speaker 2: She excels. She's not just surviving, she's thriving. This is 22 00:01:34,319 --> 00:01:37,000 Speaker 2: Megan Doyle enjoy Hi Meggs. 23 00:01:37,520 --> 00:01:40,640 Speaker 1: Hey guys, welcome. 24 00:01:43,319 --> 00:01:44,600 Speaker 3: That's too generous. 25 00:01:45,400 --> 00:01:47,160 Speaker 1: I don't think it's generous enough to be honest. 26 00:01:47,560 --> 00:01:50,160 Speaker 3: I want a headset like you guys. It's very profresh. 27 00:01:51,680 --> 00:01:53,920 Speaker 1: It's just a mask. Yeah, we'd just like to hear 28 00:01:53,960 --> 00:01:58,600 Speaker 1: her own voices as loud as possible. Exactly. Well, welcome 29 00:01:58,640 --> 00:02:00,760 Speaker 1: to the show. It's very exciting to have you here. 30 00:02:02,040 --> 00:02:05,160 Speaker 1: You feel like an integral part of our Glee experience 31 00:02:05,320 --> 00:02:07,480 Speaker 1: and so wouldn't be the same if we didn't have 32 00:02:07,480 --> 00:02:08,120 Speaker 1: you on the show. 33 00:02:08,880 --> 00:02:13,800 Speaker 2: I also feel like you are a prime example of 34 00:02:13,840 --> 00:02:18,760 Speaker 2: someone who really had a journey within the show and 35 00:02:18,919 --> 00:02:22,200 Speaker 2: post a show with it like within this family. Yes, 36 00:02:22,360 --> 00:02:28,280 Speaker 2: you have climbed the ranks more than anyone else has. 37 00:02:28,080 --> 00:02:31,000 Speaker 1: That's I mean you have. Yeah, you have like your own. 38 00:02:31,560 --> 00:02:35,920 Speaker 3: Journeys right, Yeah, I did ARC and it's. 39 00:02:35,800 --> 00:02:41,160 Speaker 1: Still going okay. Can you tell the people who don't 40 00:02:41,200 --> 00:02:45,280 Speaker 1: know already what your role was when you joined the 41 00:02:45,400 --> 00:02:48,919 Speaker 1: show and how you got into a world like how 42 00:02:48,960 --> 00:02:53,120 Speaker 1: you you joined the show? What was the opportunity presented 43 00:02:53,160 --> 00:02:56,440 Speaker 1: to you? 44 00:02:56,480 --> 00:03:05,440 Speaker 3: So I was living in Chicago, nannying post college, and 45 00:03:05,480 --> 00:03:08,680 Speaker 3: all my friends were had like nine to five marketing 46 00:03:08,680 --> 00:03:10,960 Speaker 3: gigs in the city, and I was like, this is 47 00:03:11,000 --> 00:03:14,880 Speaker 3: not for me, Like I, I can't do this. I'm 48 00:03:15,040 --> 00:03:17,280 Speaker 3: not cut out for a nine to five in sales. 49 00:03:18,639 --> 00:03:20,280 Speaker 3: And I'm also not cut out to be a nanny 50 00:03:20,280 --> 00:03:22,440 Speaker 3: for the rest of my life that I know that 51 00:03:22,480 --> 00:03:27,919 Speaker 3: I would become an adult nanny. So I had done 52 00:03:27,960 --> 00:03:32,760 Speaker 3: a bunch of internships throughout the summers during college in 53 00:03:32,919 --> 00:03:41,040 Speaker 3: LA and my aunt, America's Jane Lynch was was on 54 00:03:41,080 --> 00:03:43,800 Speaker 3: this little show called Glee, and I was ready to 55 00:03:43,880 --> 00:03:45,520 Speaker 3: jump ship. I was like, I'm ready, I'm ready to 56 00:03:45,560 --> 00:03:47,040 Speaker 3: go do this. I don't know what I'm going to 57 00:03:47,040 --> 00:03:51,000 Speaker 3: do in entertainment, but I need to at least, you know, 58 00:03:51,360 --> 00:03:53,640 Speaker 3: dive in and see see what's out there. And so 59 00:03:54,000 --> 00:03:55,440 Speaker 3: I reached out to her and I was you know, 60 00:03:55,440 --> 00:03:59,280 Speaker 3: we were very close, we were always very close, and 61 00:03:59,280 --> 00:04:01,520 Speaker 3: and she was like, well, you know, I'm going on 62 00:04:01,520 --> 00:04:06,640 Speaker 3: this concert tour this summer. Maybe there are some assistant gigs. 63 00:04:06,840 --> 00:04:09,000 Speaker 3: And I was like great, And in my head I 64 00:04:09,040 --> 00:04:10,520 Speaker 3: was like, oh, I'm totally like a shoe in for 65 00:04:10,560 --> 00:04:12,560 Speaker 3: this job, like I'm Jane Lynch's knees. Of course I'm 66 00:04:12,560 --> 00:04:15,760 Speaker 3: going to get it. And I ended up having to 67 00:04:15,800 --> 00:04:19,120 Speaker 3: go through like six seven interviews. 68 00:04:18,600 --> 00:04:21,760 Speaker 1: To get this weight stop. Who did you muw it? 69 00:04:23,080 --> 00:04:27,560 Speaker 3: I remember jeff Bywater helped. Oh yeah, okay, so wonderful. 70 00:04:28,680 --> 00:04:34,520 Speaker 2: I Jeff Water was like the music department at FOXNY. 71 00:04:33,440 --> 00:04:36,680 Speaker 3: Executive thought like I had no idea that I was 72 00:04:36,680 --> 00:04:40,880 Speaker 3: talking to somebody who was like so big and accomplished. Anyway, 73 00:04:40,960 --> 00:04:43,360 Speaker 3: he was so lovely and kind of like to under 74 00:04:43,360 --> 00:04:50,000 Speaker 3: his wing. And then I remember having to interview with 75 00:04:50,040 --> 00:04:54,600 Speaker 3: a few people at like Irving and aise off. One 76 00:04:54,680 --> 00:04:56,160 Speaker 3: of them was like a bit it might have been 77 00:04:56,360 --> 00:04:58,560 Speaker 3: I don't if somebody super high up, and I was like, 78 00:04:58,560 --> 00:05:00,440 Speaker 3: why is it so hard to get an assistant a job? 79 00:05:00,680 --> 00:05:07,760 Speaker 3: Like so nepotism was at play, but it also like 80 00:05:07,800 --> 00:05:10,960 Speaker 3: I had to you know, but I was a real person. 81 00:05:11,000 --> 00:05:13,160 Speaker 2: To nepotism got you in the door, you had to 82 00:05:13,360 --> 00:05:15,839 Speaker 2: follow through right right, prove yourself. 83 00:05:16,320 --> 00:05:19,400 Speaker 3: So then I had actually never been out of the country. 84 00:05:19,440 --> 00:05:21,479 Speaker 3: I didn't even have a passport. I never studied abroad 85 00:05:21,520 --> 00:05:25,400 Speaker 3: or anything like that. And although see the first tour 86 00:05:25,560 --> 00:05:30,080 Speaker 3: was not overseas, so back to the first tour, they 87 00:05:30,120 --> 00:05:32,760 Speaker 3: were like, okay, like you're hired, show up at this 88 00:05:32,800 --> 00:05:37,480 Speaker 3: airport and then you'll start and I had no idea 89 00:05:37,560 --> 00:05:39,720 Speaker 3: and I show up and they're like, okay, great, Like 90 00:05:39,760 --> 00:05:42,159 Speaker 3: there was Telly and all cast was there, and you 91 00:05:42,200 --> 00:05:44,839 Speaker 3: guys were all like, you know, in your own little pod, 92 00:05:44,920 --> 00:05:48,800 Speaker 3: and I was like, Hi, you know, I'm Megan. I'm 93 00:05:48,880 --> 00:05:50,680 Speaker 3: an assistant on this tour as well, and I just 94 00:05:50,760 --> 00:05:53,920 Speaker 3: kind of got thrown into the deep end. Obviously, Telly 95 00:05:54,000 --> 00:05:57,360 Speaker 3: took me under his wing. Our tour manager, Angie Warner, 96 00:05:57,520 --> 00:06:00,440 Speaker 3: was incredible, and so I was kind of like her 97 00:06:00,839 --> 00:06:04,960 Speaker 3: little right hand person, whereas Kelly was more like the 98 00:06:05,000 --> 00:06:06,960 Speaker 3: cast assistant, kind of an extension of what he'd been 99 00:06:06,960 --> 00:06:07,560 Speaker 3: doing on set. 100 00:06:10,040 --> 00:06:12,600 Speaker 1: Did they give you any kind of context of what 101 00:06:12,680 --> 00:06:14,719 Speaker 1: your role would be or you just like got thrown 102 00:06:14,800 --> 00:06:18,000 Speaker 1: to the fire and said, like, you go, where's needed. 103 00:06:18,480 --> 00:06:22,200 Speaker 3: I don't remember any context at all. I was I 104 00:06:22,240 --> 00:06:24,919 Speaker 3: was a desperate just to get out of Chicagogo and 105 00:06:26,200 --> 00:06:30,360 Speaker 3: hit the road with you fools. So I remember being 106 00:06:30,400 --> 00:06:32,760 Speaker 3: I remember I met Corey first, and I was I 107 00:06:32,839 --> 00:06:38,920 Speaker 3: remember being a little starstruck. Yeah, and he was so nice, 108 00:06:39,120 --> 00:06:42,320 Speaker 3: you know, and and the rest of y'all are pretty clickie. 109 00:06:44,040 --> 00:06:46,839 Speaker 1: Well, I was going to ask you because I remember. 110 00:06:48,080 --> 00:06:51,960 Speaker 2: It was very weird because that was the first time 111 00:06:52,040 --> 00:06:56,680 Speaker 2: we had been outside of our safe space, outside of Paramount. 112 00:06:57,240 --> 00:07:00,000 Speaker 2: We had become very close, the show had become very, 113 00:07:00,040 --> 00:07:03,200 Speaker 2: very successful, and so like this was us out in 114 00:07:03,240 --> 00:07:07,520 Speaker 2: the real world. And I remember meeting you and like 115 00:07:07,680 --> 00:07:10,520 Speaker 2: you being introduced, and we were also very protective of 116 00:07:10,640 --> 00:07:14,120 Speaker 2: like Telly and Telly's role within our group, and I 117 00:07:14,200 --> 00:07:19,720 Speaker 2: remember thinking, like, who is this, Like how how do 118 00:07:19,800 --> 00:07:20,520 Speaker 2: they think we're just. 119 00:07:20,600 --> 00:07:24,080 Speaker 1: Going to like except bring somebody else in. Yeah, like 120 00:07:24,240 --> 00:07:27,000 Speaker 1: we have our system that works. Telly can do everything right. 121 00:07:27,080 --> 00:07:30,200 Speaker 2: We don't need somebody else. But I think that dasted 122 00:07:30,320 --> 00:07:35,000 Speaker 2: for maybe, like I don't know, forty eight hours. Yeah, 123 00:07:35,640 --> 00:07:36,760 Speaker 2: I don't last long. 124 00:07:37,960 --> 00:07:40,400 Speaker 3: I remember, like one of my first memories on that 125 00:07:40,520 --> 00:07:43,760 Speaker 3: tour was obviously meeting you all, but then and we 126 00:07:43,840 --> 00:07:45,720 Speaker 3: were flying commercial at the time, right, we weren't in 127 00:07:46,560 --> 00:07:50,600 Speaker 3: correct on our private jet, which is a generous term 128 00:07:50,760 --> 00:07:55,240 Speaker 3: for our second tour exactly. But I one of the 129 00:07:55,360 --> 00:08:00,240 Speaker 3: first things I remember was being in Phoenix and I 130 00:08:00,440 --> 00:08:03,680 Speaker 3: went out with you. I clicked with Chris Colfer right away. 131 00:08:03,720 --> 00:08:07,080 Speaker 3: He was wonderful. I was Jane's niece, and like we 132 00:08:07,240 --> 00:08:09,840 Speaker 3: just clicked. But I remember going out with you and 133 00:08:10,000 --> 00:08:13,720 Speaker 3: Chris and Jeremiah, who was doing hair on the tour, 134 00:08:14,040 --> 00:08:15,600 Speaker 3: and he. 135 00:08:16,000 --> 00:08:18,480 Speaker 1: Went to a gay bar, my first gay bar ever, 136 00:08:19,600 --> 00:08:22,600 Speaker 1: mine too, and I'm. 137 00:08:22,520 --> 00:08:25,119 Speaker 3: Jammed in the back seat. We're all like pretty drunk 138 00:08:25,200 --> 00:08:27,240 Speaker 3: in the back seat of this you know. I guess 139 00:08:27,280 --> 00:08:33,360 Speaker 3: it was a taxi. Yeah, And I just remember that. No, 140 00:08:33,480 --> 00:08:38,679 Speaker 3: I thought Kevin was straight. I am, And I don't remember. 141 00:08:38,800 --> 00:08:42,319 Speaker 3: I think I I think I texted Jane or I 142 00:08:42,480 --> 00:08:44,000 Speaker 3: was like I said, I was like, yeah, I went 143 00:08:44,040 --> 00:08:46,760 Speaker 3: to a gay bar with so and so, and I 144 00:08:46,840 --> 00:08:48,480 Speaker 3: was like, yeah, but Kevin's straight and she was like. 145 00:08:48,559 --> 00:08:49,000 Speaker 1: No, he's not. 146 00:08:49,760 --> 00:08:58,520 Speaker 3: Kevin's something inappropriate, but we don't use anymore, Jane. But yeah, 147 00:08:58,520 --> 00:09:00,880 Speaker 3: I had knew, I think kind of. I was just like, oh, 148 00:09:00,960 --> 00:09:05,520 Speaker 3: he's cute, but like not, I knew he wasn't from you, 149 00:09:05,600 --> 00:09:07,959 Speaker 3: weren't for me, you weren't like but I didn't know. 150 00:09:07,960 --> 00:09:09,319 Speaker 3: I didn't put the pieces together. 151 00:09:09,040 --> 00:09:09,640 Speaker 1: That you were getting. 152 00:09:11,520 --> 00:09:14,160 Speaker 2: That's when stop on the tour was La and then 153 00:09:14,200 --> 00:09:16,360 Speaker 2: Jane came in and she's like, so, you're a little 154 00:09:16,400 --> 00:09:20,240 Speaker 2: gay boy, and I was like, she saw the panic 155 00:09:20,320 --> 00:09:24,480 Speaker 2: in my fish, so sorry, and I looked horrified and. 156 00:09:24,520 --> 00:09:25,920 Speaker 3: Then I was like, no, you can know, just not 157 00:09:26,080 --> 00:09:30,800 Speaker 3: here right, Cleane always knew, of course she did. 158 00:09:31,880 --> 00:09:34,000 Speaker 1: I mean you could smell it on me. 159 00:09:34,600 --> 00:09:35,319 Speaker 3: Yeah you know. 160 00:09:36,120 --> 00:09:38,679 Speaker 1: Then how did you get a job on the show then? 161 00:09:39,320 --> 00:09:42,840 Speaker 3: Yeah, So basically I was still I did the tour. 162 00:09:43,120 --> 00:09:46,240 Speaker 1: And a bond and fell in love with you. Yeah. Yeah, 163 00:09:47,240 --> 00:09:47,680 Speaker 1: I fell in. 164 00:09:47,679 --> 00:09:49,960 Speaker 3: Love with you guys, and we So at that point 165 00:09:50,000 --> 00:09:51,480 Speaker 3: I was like, Okay, well now I'm totally gonna get 166 00:09:51,480 --> 00:09:53,640 Speaker 3: a job on the show, like I've I've earned my stripes. 167 00:09:53,840 --> 00:09:57,839 Speaker 3: And Donte di Loretto. I remember emailing him being like 168 00:09:57,840 --> 00:09:59,320 Speaker 3: I want a job on the show, blah blah blah 169 00:10:00,080 --> 00:10:02,559 Speaker 3: set and he wrote me back and told me that 170 00:10:02,640 --> 00:10:05,840 Speaker 3: I was too green and that I needed to get 171 00:10:06,280 --> 00:10:08,559 Speaker 3: more set experience because the tour is not the same 172 00:10:08,600 --> 00:10:11,200 Speaker 3: as set and Glee. As you know, it's a beast 173 00:10:11,280 --> 00:10:15,160 Speaker 3: of a show. So at this point, I'd moved to 174 00:10:15,280 --> 00:10:17,320 Speaker 3: LA and like, you know, you guys are my only friends, 175 00:10:17,960 --> 00:10:19,040 Speaker 3: and I was like, what am I going to do? 176 00:10:19,320 --> 00:10:21,360 Speaker 3: Like I have to get on this set. So I 177 00:10:22,320 --> 00:10:30,400 Speaker 3: Telly's dad JP K John cusackagent legendary producer, was working 178 00:10:30,440 --> 00:10:32,599 Speaker 3: on n CIA or you know, producing n C. I 179 00:10:32,760 --> 00:10:34,520 Speaker 3: S L A and he was like, well, I can 180 00:10:34,559 --> 00:10:37,319 Speaker 3: give you a job as an office PA, and I 181 00:10:37,440 --> 00:10:42,079 Speaker 3: was like okay. So I spent like seven months basically 182 00:10:42,080 --> 00:10:44,960 Speaker 3: stocking the refrigerator of a production office, like the bottom 183 00:10:45,040 --> 00:10:48,240 Speaker 3: of the bottom of the bottom of assistants. And then 184 00:10:49,120 --> 00:10:50,920 Speaker 3: I got invited to go on the second tour with 185 00:10:51,000 --> 00:10:55,240 Speaker 3: you guys, which was overseas, and I like dropped ass 186 00:10:56,040 --> 00:10:57,800 Speaker 3: to have everything at n C. I s l A 187 00:10:58,040 --> 00:11:03,880 Speaker 3: and said for well to elchool Jay and I got 188 00:11:03,920 --> 00:11:11,040 Speaker 3: my first packport and went overseas with you idiots. And 189 00:11:11,160 --> 00:11:15,000 Speaker 3: it was that was where I think I earned my stripes. 190 00:11:15,240 --> 00:11:21,640 Speaker 3: Uh yes, it was bananas and like a real traveling 191 00:11:21,760 --> 00:11:25,199 Speaker 3: circus freak show situation and like it was also I 192 00:11:25,320 --> 00:11:29,439 Speaker 3: remember like I was looking through my journal, uh like 193 00:11:29,520 --> 00:11:31,120 Speaker 3: I had like it was like a it was on 194 00:11:31,160 --> 00:11:34,120 Speaker 3: my computer or whatever. I remember being so mad at 195 00:11:34,160 --> 00:11:36,760 Speaker 3: you guys at one point, and I remember being like 196 00:11:36,960 --> 00:11:40,520 Speaker 3: I am like, don't ever work with these people again. 197 00:11:41,280 --> 00:11:44,280 Speaker 3: It was just a polarcoaster of emotions, like you guys 198 00:11:44,320 --> 00:11:48,120 Speaker 3: were like they're terrible people and I love the same time. 199 00:11:48,760 --> 00:11:50,640 Speaker 3: And as it turns out, I couldn't quit you because 200 00:11:50,679 --> 00:11:53,319 Speaker 3: I did get a job as a set PA for 201 00:11:53,920 --> 00:11:59,360 Speaker 3: season three. Wait wait, hold on, we were okay when 202 00:11:59,400 --> 00:12:00,480 Speaker 3: I was writing the Journalist. 203 00:12:00,559 --> 00:12:01,320 Speaker 1: Yeah, what happened. 204 00:12:02,200 --> 00:12:04,480 Speaker 3: We were in London on the bus from London to 205 00:12:04,559 --> 00:12:10,400 Speaker 3: man Manchester, middle of the night, terrifying like two lane roads, 206 00:12:10,480 --> 00:12:15,080 Speaker 3: like one going each day, and I remember, I remember 207 00:12:15,120 --> 00:12:17,240 Speaker 3: the bat we like had a bathroom on the bus 208 00:12:17,320 --> 00:12:21,000 Speaker 3: and it like like people were it was discussing, and 209 00:12:21,120 --> 00:12:25,640 Speaker 3: everybody was so mad and just and I just I 210 00:12:25,720 --> 00:12:28,200 Speaker 3: just remember thinking English, It's like, God, they're so spoiled. 211 00:12:28,240 --> 00:12:29,199 Speaker 3: They don't know how good they. 212 00:12:29,200 --> 00:12:33,280 Speaker 2: Have it in that moment, right, that's fair. That was 213 00:12:33,440 --> 00:12:37,640 Speaker 2: like a weird time portal like that bus ride. It 214 00:12:37,800 --> 00:12:39,319 Speaker 2: was the only time we ever did anything like that, 215 00:12:40,160 --> 00:12:42,880 Speaker 2: and it was we had just gotten out of the country. 216 00:12:43,000 --> 00:12:45,199 Speaker 2: We did We had like four days in Manchester. It 217 00:12:45,320 --> 00:12:48,439 Speaker 2: was our first couple of days off and then we 218 00:12:48,559 --> 00:12:50,439 Speaker 2: were going to London. And if you listen to this 219 00:12:50,520 --> 00:12:54,680 Speaker 2: podcast regularly, you know that mentally lost. Most of us 220 00:12:54,800 --> 00:12:58,040 Speaker 2: never made it to London. And what happened was on 221 00:12:58,200 --> 00:13:01,880 Speaker 2: that bus ride, people fully just checked out and I 222 00:13:02,280 --> 00:13:05,319 Speaker 2: lost it. Yeah, And that was the turning point. 223 00:13:05,920 --> 00:13:08,120 Speaker 3: Right, everyone was like their worst selves. 224 00:13:08,360 --> 00:13:09,920 Speaker 2: It was the first time too that everyone sort of 225 00:13:09,960 --> 00:13:14,480 Speaker 2: like factioned off in a weird way. It almost felt 226 00:13:14,520 --> 00:13:17,040 Speaker 2: like stranger things were like that was the upside down 227 00:13:17,760 --> 00:13:21,160 Speaker 2: or I don't know what happened everything changed on that 228 00:13:21,600 --> 00:13:23,120 Speaker 2: was like four hour bus ride or something. 229 00:13:23,640 --> 00:13:25,240 Speaker 1: It was yet the second leg of the tour and 230 00:13:25,320 --> 00:13:27,920 Speaker 1: we were almost done. We were like getting to the end. 231 00:13:28,720 --> 00:13:31,800 Speaker 1: We weren't in our country. People not weird when they're 232 00:13:31,800 --> 00:13:32,760 Speaker 1: not in their own country. 233 00:13:33,520 --> 00:13:37,679 Speaker 3: And everybody was getting sick. It was like a revolving door. 234 00:13:37,880 --> 00:13:41,600 Speaker 3: Who was who had an IV for hydration or whatever. 235 00:13:41,720 --> 00:13:43,400 Speaker 3: It was just like and who knows if we were 236 00:13:43,440 --> 00:13:44,520 Speaker 3: also like always. 237 00:13:44,559 --> 00:13:47,200 Speaker 2: Yeah, like we also got like all these like shots 238 00:13:47,200 --> 00:13:49,360 Speaker 2: and stuff in Manchester because we were all sick and stuff. 239 00:13:50,400 --> 00:13:53,040 Speaker 1: People were yelling at each other. Yeah, it was weird. 240 00:13:53,679 --> 00:13:58,000 Speaker 2: When you first tour moved to La work on and 241 00:13:58,080 --> 00:14:01,000 Speaker 2: says La and how being on that second tour, which 242 00:14:01,080 --> 00:14:05,280 Speaker 2: was a whole different animal, what was your I guess 243 00:14:05,360 --> 00:14:11,400 Speaker 2: expectation versus the reality of your experience on that tour 244 00:14:12,600 --> 00:14:14,600 Speaker 2: the second tour, I had. 245 00:14:14,679 --> 00:14:18,199 Speaker 3: No idea, Like I knew how big the show was 246 00:14:18,640 --> 00:14:21,560 Speaker 3: because I was always with you guys socially, and you're 247 00:14:21,960 --> 00:14:24,160 Speaker 3: like you're being paparazzi left and right, but I had 248 00:14:24,320 --> 00:14:27,760 Speaker 3: no idea what a splash you'd made internationally. 249 00:14:28,600 --> 00:14:29,840 Speaker 1: It was wild. 250 00:14:29,840 --> 00:14:32,000 Speaker 3: I mean, it was, it was. It was. It was 251 00:14:32,120 --> 00:14:35,360 Speaker 3: so cool, like it was Radio City the second tour 252 00:14:35,440 --> 00:14:38,040 Speaker 3: or the first first tour. Okay, So I had a 253 00:14:38,120 --> 00:14:40,200 Speaker 3: moment during Radio City where I looked outside and I 254 00:14:40,240 --> 00:14:42,680 Speaker 3: saw like the streets were completely packed with people like 255 00:14:42,720 --> 00:14:44,640 Speaker 3: you guys were the Beatles. But then on the second tour, 256 00:14:45,600 --> 00:14:49,960 Speaker 3: I again, I just didn't realize the impact you'd had. 257 00:14:50,040 --> 00:14:52,880 Speaker 3: And I remember we were being like in Dublin, there 258 00:14:52,920 --> 00:14:55,800 Speaker 3: were women who would leave there or bring their or 259 00:14:55,840 --> 00:14:58,560 Speaker 3: they'd bring their babies into the bar to chase after us, 260 00:14:58,680 --> 00:15:01,160 Speaker 3: you know, and then the bartender be like, there are 261 00:15:01,200 --> 00:15:02,960 Speaker 3: no babies allowed in here, and they'd leave their little 262 00:15:03,000 --> 00:15:05,040 Speaker 3: kids and their babies outside while they would go in 263 00:15:05,160 --> 00:15:07,720 Speaker 3: and chase you around. And there were people popping out 264 00:15:07,760 --> 00:15:10,560 Speaker 3: of bushes outside of our hotel, and like we'd have 265 00:15:10,640 --> 00:15:14,600 Speaker 3: to take secret, you know, escape routes to get to 266 00:15:14,720 --> 00:15:17,880 Speaker 3: the theater. It was. It was wild. It really felt 267 00:15:17,960 --> 00:15:21,880 Speaker 3: like like she's using the Beatles comparison, but it really 268 00:15:21,920 --> 00:15:23,760 Speaker 3: felt like I was like on tour with the Beatles. 269 00:15:23,840 --> 00:15:24,480 Speaker 1: It was insane. 270 00:15:32,200 --> 00:15:34,920 Speaker 2: How did you like, how did you feel like in 271 00:15:35,000 --> 00:15:36,920 Speaker 2: your position with and like, I also feel like you 272 00:15:37,040 --> 00:15:39,480 Speaker 2: had a bigger job that second tour, Like you were 273 00:15:39,880 --> 00:15:42,240 Speaker 2: like you were leading things, like you were rounding us up. 274 00:15:42,440 --> 00:15:45,960 Speaker 2: You were like you were it seemed like you had 275 00:15:46,000 --> 00:15:49,040 Speaker 2: more of like a managerial yeah, position than you did 276 00:15:49,080 --> 00:15:49,560 Speaker 2: the first tour. 277 00:15:49,920 --> 00:15:52,080 Speaker 3: I think Kelly was like felt a little bit. First 278 00:15:52,080 --> 00:15:54,920 Speaker 3: of all, he was tired from working on season two, right, 279 00:15:55,040 --> 00:15:57,400 Speaker 3: and he felt I remember him being like, Megs, I'm 280 00:15:57,440 --> 00:16:01,520 Speaker 3: passing you the torch. And it was such it was 281 00:16:01,560 --> 00:16:05,280 Speaker 3: a bigger production than it was season one tour, and 282 00:16:05,440 --> 00:16:07,840 Speaker 3: so it was kind of all hands on deck. But 283 00:16:07,880 --> 00:16:10,280 Speaker 3: also Telly and you guys trusted me enough for me 284 00:16:10,360 --> 00:16:12,200 Speaker 3: to kind of step up into that. I had kind 285 00:16:12,240 --> 00:16:15,720 Speaker 3: of earned it at that point, but Telly was like 286 00:16:15,880 --> 00:16:18,120 Speaker 3: kind of like, I'm starting to take step back and 287 00:16:18,200 --> 00:16:20,520 Speaker 3: you're going to take over. And like, honestly, Kelly taught 288 00:16:20,560 --> 00:16:25,560 Speaker 3: me everything that I knew or any anything, Yeah, And 289 00:16:25,840 --> 00:16:28,760 Speaker 3: he taught me how to be an assistant, especially you guys, 290 00:16:28,920 --> 00:16:31,080 Speaker 3: you know. And also I had my own relationship with you, 291 00:16:31,280 --> 00:16:36,200 Speaker 3: like I knew I'm very observant. I love watching natural habitats, 292 00:16:36,240 --> 00:16:38,240 Speaker 3: and I could, I ID have. 293 00:16:38,280 --> 00:16:39,960 Speaker 1: To handle specific people. 294 00:16:40,720 --> 00:16:43,120 Speaker 3: Yeah, and I put my own rhythm with you guys, 295 00:16:44,200 --> 00:16:45,800 Speaker 3: But I learned a lot of that from. 296 00:16:45,680 --> 00:16:49,720 Speaker 2: Telly, which is Telly's a master at that and you 297 00:16:49,840 --> 00:16:53,360 Speaker 2: both are, because it's so hard to come into a 298 00:16:53,440 --> 00:16:56,240 Speaker 2: group with so many different types of people that are 299 00:16:56,240 --> 00:17:00,280 Speaker 2: also all so close and be able to manage them, 300 00:17:00,360 --> 00:17:02,600 Speaker 2: get them where they need to be, but also not 301 00:17:02,800 --> 00:17:05,520 Speaker 2: feel like, I don't know, you're nagging them or you're 302 00:17:05,680 --> 00:17:06,480 Speaker 2: being like a parent. 303 00:17:07,200 --> 00:17:10,679 Speaker 1: Well adult nannies. It was an adult nanny. 304 00:17:10,920 --> 00:17:12,959 Speaker 3: I was an adult nanny, and you know that, It's 305 00:17:13,000 --> 00:17:17,240 Speaker 3: funny all those skills that I learned on set still 306 00:17:17,359 --> 00:17:19,439 Speaker 3: kind of carry over into like what I do now, 307 00:17:20,920 --> 00:17:24,760 Speaker 3: so and then just like dealing with difficult personalities and 308 00:17:25,480 --> 00:17:29,439 Speaker 3: you know, getting people to do what I need them 309 00:17:29,480 --> 00:17:32,320 Speaker 3: to do, but also so that they feel supported and 310 00:17:32,400 --> 00:17:35,840 Speaker 3: that I'm you know, I'm there for them. And yeah, so. 311 00:17:37,680 --> 00:17:37,920 Speaker 4: A lot. 312 00:17:38,960 --> 00:17:41,320 Speaker 1: It was amazing that the skills that you and Telly 313 00:17:41,480 --> 00:17:44,879 Speaker 1: could have to treat us like the children we were 314 00:17:44,960 --> 00:17:47,720 Speaker 1: acting like, yet us not be insulted by it. 315 00:17:48,440 --> 00:17:52,200 Speaker 3: Yeah, it was a fine, very fine, delicate line because 316 00:17:52,200 --> 00:17:53,840 Speaker 3: you know, a lot of times that we'd have day 317 00:17:53,840 --> 00:17:55,960 Speaker 3: player pas or when I would get pulled to a 318 00:17:56,040 --> 00:17:56,680 Speaker 3: different unit. 319 00:17:56,800 --> 00:17:59,240 Speaker 1: You guys, you were so pissed that I was there, 320 00:18:00,040 --> 00:18:03,359 Speaker 1: you know exactly, And but. 321 00:18:04,119 --> 00:18:06,639 Speaker 3: You know, I feel bad for those day player pas. 322 00:18:06,720 --> 00:18:12,920 Speaker 1: Yeah, but it was tough role, very delicate. Yeah, yeah, me. 323 00:18:13,119 --> 00:18:15,840 Speaker 2: You both were masterful at that position, and I think 324 00:18:15,840 --> 00:18:17,720 Speaker 2: a lot of time it's like a thankless position to 325 00:18:17,800 --> 00:18:22,159 Speaker 2: be in, for sure, but we all needed it so 326 00:18:22,359 --> 00:18:24,480 Speaker 2: desperately that as soon as one of you weren't around, 327 00:18:24,640 --> 00:18:27,159 Speaker 2: we felt it and it felt like we didn't have. 328 00:18:27,400 --> 00:18:30,840 Speaker 2: You guys were like our foundation, our baseline, and so 329 00:18:30,960 --> 00:18:34,119 Speaker 2: like without it, we always like WHOA, we can't do 330 00:18:34,240 --> 00:18:37,080 Speaker 2: anything without them, and I don't. We don't need to 331 00:18:37,119 --> 00:18:39,879 Speaker 2: listen to anybody else, which is also why interesting you 332 00:18:39,960 --> 00:18:44,600 Speaker 2: have that journal entry about the bus, because I feel 333 00:18:44,640 --> 00:18:48,000 Speaker 2: like it's like with family members, where you love them, 334 00:18:48,119 --> 00:18:49,840 Speaker 2: you're the closest to them. 335 00:18:49,720 --> 00:18:51,479 Speaker 1: In your life, but hate them. 336 00:18:51,880 --> 00:18:54,000 Speaker 2: You can also treat them the worst because you know 337 00:18:54,119 --> 00:18:55,600 Speaker 2: at the end of the day, they're still going to 338 00:18:55,640 --> 00:18:58,639 Speaker 2: have to be there because you're they're family. And I 339 00:18:58,720 --> 00:19:03,639 Speaker 2: feel like, upon reflection, you and Kelly probably got so 340 00:19:03,840 --> 00:19:08,320 Speaker 2: much of that regularly because we could or we felt 341 00:19:08,359 --> 00:19:11,840 Speaker 2: like we love them, we're family, and it's not. It's 342 00:19:11,880 --> 00:19:14,920 Speaker 2: that fine line of obviously it's not professional to be 343 00:19:15,040 --> 00:19:17,879 Speaker 2: this way, but also we're really close outside of this, 344 00:19:18,440 --> 00:19:21,879 Speaker 2: and so there's this blurry line of yes, we're co workers, 345 00:19:21,880 --> 00:19:23,680 Speaker 2: which we always used to make jokes about calling each 346 00:19:23,680 --> 00:19:27,359 Speaker 2: other co workers because really we were just best friends 347 00:19:27,400 --> 00:19:30,280 Speaker 2: and obsessed with each other, right it I you. 348 00:19:30,320 --> 00:19:34,880 Speaker 3: Know, I I don't remember feeling disrespected by you guys. 349 00:19:34,920 --> 00:19:38,440 Speaker 3: I remember because there were always like I remember Corey 350 00:19:38,440 --> 00:19:40,639 Speaker 3: would always ask, like, what do you want to be 351 00:19:40,680 --> 00:19:42,080 Speaker 3: when you grow up? What do you want to do? 352 00:19:42,560 --> 00:19:44,680 Speaker 3: And he and Darren would always tell me like, someday 353 00:19:44,720 --> 00:19:46,000 Speaker 3: you're going to be my boss. Some day you're going 354 00:19:46,040 --> 00:19:47,680 Speaker 3: to be my boss, Like you're you're better than this, 355 00:19:47,840 --> 00:19:50,320 Speaker 3: You're gonna I can't wait to see what you do. Yeah, 356 00:19:51,359 --> 00:19:56,960 Speaker 3: And so I just never it was fun. It was frustrating. 357 00:19:57,000 --> 00:19:59,840 Speaker 3: But like if I got frustrated, and I'm sure tell 358 00:19:59,880 --> 00:20:01,920 Speaker 3: you feel the same way, we could express it to 359 00:20:02,000 --> 00:20:03,600 Speaker 3: you and you'd be like, okay, we need to like 360 00:20:03,680 --> 00:20:04,200 Speaker 3: get in line. 361 00:20:04,840 --> 00:20:10,119 Speaker 1: Yeah, so you get back from tour, how do you 362 00:20:10,200 --> 00:20:11,320 Speaker 1: then get on set? 363 00:20:11,560 --> 00:20:18,800 Speaker 3: Finally, I remember, I think I went through Leo. I 364 00:20:18,920 --> 00:20:22,040 Speaker 3: was putting. I was put in contact with Leo, and 365 00:20:22,359 --> 00:20:26,560 Speaker 3: at that point he knew what a crazy time the 366 00:20:26,680 --> 00:20:27,680 Speaker 3: tours were. 367 00:20:27,800 --> 00:20:30,280 Speaker 1: And Leo was our first a d Leo. He was 368 00:20:30,600 --> 00:20:35,280 Speaker 1: trusting legend like rand that said, he is the man 369 00:20:36,160 --> 00:20:38,440 Speaker 1: like God love him. I can't even I could cry 370 00:20:38,560 --> 00:20:41,720 Speaker 1: when I think about it. It's so wonderful. Okay, sorry. 371 00:20:42,200 --> 00:20:44,480 Speaker 3: I learned so much about like how to be a 372 00:20:44,520 --> 00:20:46,399 Speaker 3: good person in this business from Leo Baber. 373 00:20:46,520 --> 00:20:47,760 Speaker 1: Yeah, same makes sense. 374 00:20:50,000 --> 00:20:53,440 Speaker 3: So at this point, you guys were a well oiled 375 00:20:53,520 --> 00:20:57,760 Speaker 3: machine and I had, you know, proven that I could. 376 00:20:57,920 --> 00:20:59,560 Speaker 3: You know, I kind of stepped up on the second 377 00:20:59,600 --> 00:21:03,360 Speaker 3: tour and so uh he interviewed me and was like, great, 378 00:21:03,400 --> 00:21:06,560 Speaker 3: you're in. You know, I had day played on a 379 00:21:06,640 --> 00:21:09,760 Speaker 3: few other sets as a PA, which was absolutely mortifying 380 00:21:09,760 --> 00:21:12,200 Speaker 3: because I had never been on a set at a 381 00:21:12,359 --> 00:21:16,360 Speaker 3: walkie talkie and and I remember one of the ads 382 00:21:16,480 --> 00:21:19,720 Speaker 3: is like, you know, Megan, go to two, which means 383 00:21:19,760 --> 00:21:23,280 Speaker 3: like switched a channel too. I literally I was so 384 00:21:23,400 --> 00:21:26,439 Speaker 3: green that I I started running around being like, where's 385 00:21:26,560 --> 00:21:31,600 Speaker 3: to where's looking for two of the destination and somebody 386 00:21:31,600 --> 00:21:37,640 Speaker 3: would go to channel two. You've done it, as right, exactly, 387 00:21:37,760 --> 00:21:40,200 Speaker 3: and so I had only done a few days on 388 00:21:40,280 --> 00:21:41,960 Speaker 3: set before I came on a Glee and I my 389 00:21:42,160 --> 00:21:47,119 Speaker 3: first episode was the food fight at one episode, like 390 00:21:47,240 --> 00:21:49,840 Speaker 3: on the stages and then and and Kelly was in 391 00:21:50,000 --> 00:21:51,680 Speaker 3: charge of first team. That was he was like the 392 00:21:51,760 --> 00:21:54,320 Speaker 3: key set PA. I was like the bottom bottom tier 393 00:21:54,440 --> 00:21:54,880 Speaker 3: set PA. 394 00:21:55,200 --> 00:22:00,160 Speaker 1: And also like first team is like us, right, it's 395 00:22:00,160 --> 00:22:01,640 Speaker 1: so funny, but we're first team. 396 00:22:02,000 --> 00:22:05,280 Speaker 3: Yeah. So they were kere of pas and what you do, 397 00:22:05,600 --> 00:22:08,439 Speaker 3: and so Telly was very much the PA. But at 398 00:22:08,440 --> 00:22:10,399 Speaker 3: this point I had a relationship with you guys, and 399 00:22:10,520 --> 00:22:13,960 Speaker 3: so you guys were treating me like an equal to Telly. 400 00:22:14,200 --> 00:22:17,119 Speaker 3: And for the ads that I was working under, the 401 00:22:17,200 --> 00:22:20,000 Speaker 3: second ads like they didn't like that, you know. They 402 00:22:20,040 --> 00:22:25,240 Speaker 3: were like, you know, they were, yeah, what's friends with 403 00:22:25,280 --> 00:22:27,159 Speaker 3: these people? And so she's special, No, she's got to 404 00:22:27,200 --> 00:22:29,560 Speaker 3: start the bottom. She got It was like manual labor. 405 00:22:29,480 --> 00:22:31,679 Speaker 1: Like but we still found you. I remember like seeking 406 00:22:31,760 --> 00:22:32,720 Speaker 1: you out and still. 407 00:22:32,680 --> 00:22:33,040 Speaker 2: Being like. 408 00:22:34,720 --> 00:22:36,040 Speaker 1: What what were you doing? Though? 409 00:22:36,240 --> 00:22:39,280 Speaker 3: On those like what was what were your I remember 410 00:22:39,320 --> 00:22:41,040 Speaker 3: I was in charge of Okay, so I was like 411 00:22:41,080 --> 00:22:42,760 Speaker 3: the first one in and the last one out. So 412 00:22:43,440 --> 00:22:47,159 Speaker 3: I was charge of They put me in charge of 413 00:22:47,280 --> 00:22:52,560 Speaker 3: radios radio, and so I had to distro the radios 414 00:22:52,600 --> 00:22:55,320 Speaker 3: to every department and like track and the thing is 415 00:22:55,520 --> 00:22:57,119 Speaker 3: each radio. I don't know how much they cost, but 416 00:22:57,160 --> 00:22:59,720 Speaker 3: they're very expensive. And like the big thing is is 417 00:23:00,080 --> 00:23:02,320 Speaker 3: me who I was making probably five hundred dollars a 418 00:23:02,400 --> 00:23:06,440 Speaker 3: week for working like sixty hours on my feet. I 419 00:23:06,680 --> 00:23:09,400 Speaker 3: was in charge if if these radios went missing, because 420 00:23:09,440 --> 00:23:11,760 Speaker 3: these grown men, these grown grips lost to radio, like 421 00:23:11,840 --> 00:23:14,080 Speaker 3: it was my fall at the end of the season. 422 00:23:14,600 --> 00:23:18,240 Speaker 3: So anytime we had like a person who was day playing, 423 00:23:18,520 --> 00:23:20,520 Speaker 3: I had to have them sign their life away for 424 00:23:20,600 --> 00:23:22,520 Speaker 3: a radio. But the thing is is like if I 425 00:23:22,600 --> 00:23:24,000 Speaker 3: didn't find them in their radio at the end of 426 00:23:24,000 --> 00:23:26,480 Speaker 3: the day, it was on me, Oh my god. So 427 00:23:26,720 --> 00:23:28,840 Speaker 3: it was like I took it very seriously. But I 428 00:23:28,920 --> 00:23:30,280 Speaker 3: was also had like one foot out the door. 429 00:23:30,320 --> 00:23:33,280 Speaker 1: I was like this sucks, right, yeah, like this is 430 00:23:33,359 --> 00:23:35,280 Speaker 1: not what I imagined. Tour was glamorous. 431 00:23:35,760 --> 00:23:37,639 Speaker 3: Yeah, really, I was saying, we were saying the nicest 432 00:23:37,680 --> 00:23:39,640 Speaker 3: hotels on tour and then like this was the least 433 00:23:39,680 --> 00:23:44,800 Speaker 3: glamorous thing I'd ever done, and so yeah, and then 434 00:23:44,880 --> 00:23:49,720 Speaker 3: you know, being I would sign out all the stand 435 00:23:49,800 --> 00:23:51,440 Speaker 3: ins at the end of the day signed, like the 436 00:23:51,680 --> 00:23:54,240 Speaker 3: time cards, things like that, like really boring stuff or 437 00:23:54,280 --> 00:23:55,800 Speaker 3: in you know, in the grand scheme of things. I 438 00:23:55,840 --> 00:23:58,439 Speaker 3: would have to then go collect everybody's time card at 439 00:23:58,480 --> 00:23:59,800 Speaker 3: the end of the night when they were when all 440 00:23:59,840 --> 00:24:04,520 Speaker 3: the grips and you know, camera people, everybody. I had 441 00:24:04,560 --> 00:24:07,600 Speaker 3: to wait for the last person to leave the kind 442 00:24:07,640 --> 00:24:11,720 Speaker 3: card they'd signed. So it was a doozy And what 443 00:24:11,880 --> 00:24:15,040 Speaker 3: happened was so Kelly, this is season three Tlly. I 444 00:24:15,080 --> 00:24:17,440 Speaker 3: don't remember when he transitioned up to the writer's room, 445 00:24:18,480 --> 00:24:20,480 Speaker 3: but I had been kind of being trained by him, 446 00:24:20,880 --> 00:24:23,440 Speaker 3: and then he left to go be a script coordinator 447 00:24:23,960 --> 00:24:25,920 Speaker 3: and I was in charge of you guys. 448 00:24:27,520 --> 00:24:29,840 Speaker 1: Plan was always like get her in. 449 00:24:29,920 --> 00:24:32,200 Speaker 2: There were always rumblings of like if Telly Ever decides 450 00:24:32,240 --> 00:24:34,879 Speaker 2: to leave, like we're fucked, yeah, like what are we 451 00:24:34,960 --> 00:24:37,040 Speaker 2: going to do? And then megsd stepped on the scene 452 00:24:37,320 --> 00:24:40,159 Speaker 2: like okay, and then it became like okay, meg z 453 00:24:40,280 --> 00:24:44,879 Speaker 2: Ever leaves, what are we going to do? Right, So 454 00:24:45,040 --> 00:24:47,640 Speaker 2: it's like we needed we got to keep her around. Yeah, 455 00:24:47,920 --> 00:24:49,840 Speaker 2: but we also were trying to push Telly out because 456 00:24:49,880 --> 00:24:52,560 Speaker 2: we're like, Telly, you've been doing this, You've spent so 457 00:24:52,720 --> 00:24:55,760 Speaker 2: many hours go make more money, like move up in 458 00:24:55,760 --> 00:24:57,720 Speaker 2: the ranks. Because also I think within the Ryan Murphy 459 00:24:57,800 --> 00:25:00,720 Speaker 2: world there was a lot of lawyer in that way 460 00:25:01,400 --> 00:25:06,800 Speaker 2: where you build up that cachet and Ryan trusts you, 461 00:25:06,960 --> 00:25:09,920 Speaker 2: Brad I and everybody loves Telly. Everybody loves you. It 462 00:25:10,040 --> 00:25:13,359 Speaker 2: respects your work ethic and then it's like, come on, 463 00:25:13,680 --> 00:25:15,760 Speaker 2: just you got to go ask for the thing. And 464 00:25:15,880 --> 00:25:19,800 Speaker 2: then he started moving up and then you quote unquote 465 00:25:19,840 --> 00:25:20,760 Speaker 2: moved up to us. 466 00:25:21,600 --> 00:25:23,720 Speaker 3: I moved up to you. That was my next stop 467 00:25:23,800 --> 00:25:27,200 Speaker 3: on the assistant totem poll. We were the good old days. 468 00:25:27,200 --> 00:25:29,119 Speaker 3: I don't think it happens like this anymore, or at 469 00:25:29,160 --> 00:25:32,520 Speaker 3: least it doesn't feel and I think you have boundaries 470 00:25:32,600 --> 00:25:33,960 Speaker 3: now and I didn't have any. 471 00:25:42,280 --> 00:25:44,119 Speaker 1: You ended up dealing with a lot of guest stars. 472 00:25:44,160 --> 00:25:47,080 Speaker 1: You dealt with like you were the guest star. Gal. 473 00:25:47,640 --> 00:25:52,399 Speaker 3: I was a difficult person, Gal, So I was like 474 00:25:53,240 --> 00:25:57,880 Speaker 3: you guys listened to me. But I found myself being 475 00:25:57,920 --> 00:26:00,800 Speaker 3: the person who was sent to Casman houses when they 476 00:26:00,840 --> 00:26:05,119 Speaker 3: were sick to like get them off the floor whatever 477 00:26:05,280 --> 00:26:07,520 Speaker 3: was going like there was I was always around vomit. 478 00:26:07,680 --> 00:26:10,320 Speaker 3: For some reason, I was always the person because I'm 479 00:26:10,359 --> 00:26:14,440 Speaker 3: a helper I'm caretaker. Somebody throwing up and I you know, 480 00:26:14,520 --> 00:26:16,440 Speaker 3: I remember Mark throwing up into a garbage can and 481 00:26:16,520 --> 00:26:17,920 Speaker 3: ME like rubbing his back and I was like, what 482 00:26:18,000 --> 00:26:18,440 Speaker 3: am I doing? 483 00:26:18,560 --> 00:26:20,560 Speaker 1: Like this is right, not my responsibility. 484 00:26:22,320 --> 00:26:24,119 Speaker 3: So I yes, I became the. 485 00:26:26,200 --> 00:26:26,440 Speaker 4: I was. 486 00:26:26,720 --> 00:26:30,240 Speaker 3: I remember I was always being pulled between two units. 487 00:26:30,280 --> 00:26:31,800 Speaker 3: It was like, you guys wanted me. I was like, 488 00:26:31,840 --> 00:26:35,760 Speaker 3: you're pacifier and then so like. And then when Leah 489 00:26:36,000 --> 00:26:39,760 Speaker 3: was in New York, you know, or she always wanted 490 00:26:39,800 --> 00:26:41,280 Speaker 3: me to so I was kind of going back and 491 00:26:41,359 --> 00:26:45,679 Speaker 3: forth between the two. And then guest stars. Yes, there 492 00:26:45,720 --> 00:26:48,600 Speaker 3: were a few guest stars that I had the pleasure. 493 00:26:48,240 --> 00:26:50,080 Speaker 1: Of dealing with. 494 00:26:50,520 --> 00:26:55,920 Speaker 3: And yeah, there was one who didn't show up to 495 00:26:56,080 --> 00:27:01,000 Speaker 3: set and it was a really big day and you 496 00:27:01,119 --> 00:27:02,760 Speaker 3: guys were so mad because it was one of It 497 00:27:02,880 --> 00:27:04,639 Speaker 3: was a competition day. I think it was regionals or 498 00:27:04,680 --> 00:27:08,679 Speaker 3: sectionals or something, and those days are so chaotic. There 499 00:27:08,720 --> 00:27:11,840 Speaker 3: are so many people, it's so sweaty. It's just absolutely miserable. 500 00:27:11,880 --> 00:27:13,240 Speaker 3: You have to get there so early, and then you 501 00:27:13,320 --> 00:27:16,240 Speaker 3: just sit and wait all day and everybody is waiting 502 00:27:16,280 --> 00:27:17,960 Speaker 3: on this one guest star, and. 503 00:27:19,760 --> 00:27:21,399 Speaker 2: You know, I. 504 00:27:23,359 --> 00:27:29,840 Speaker 3: Production sent me in a van to Chateau Marmont, because 505 00:27:29,840 --> 00:27:32,119 Speaker 3: that is where this person was pictured or seen the 506 00:27:32,200 --> 00:27:35,280 Speaker 3: night before, and I had to go on the on 507 00:27:35,440 --> 00:27:38,960 Speaker 3: a wild goose hunt for this person. I found that 508 00:27:39,080 --> 00:27:42,880 Speaker 3: person and I put them in the van. And even 509 00:27:42,920 --> 00:27:45,920 Speaker 3: though that person was you know three at this point, 510 00:27:46,000 --> 00:27:50,040 Speaker 3: like three hours late, they demanded they asked if we 511 00:27:50,080 --> 00:27:56,239 Speaker 3: could stop at McDonald's for a meg McMuffin, and then 512 00:27:56,280 --> 00:27:58,040 Speaker 3: I was assigned to that person for the rest of 513 00:27:58,119 --> 00:27:58,640 Speaker 3: the episode. 514 00:27:58,720 --> 00:28:00,560 Speaker 1: Of course, you work, you're too good at it. That's 515 00:28:00,600 --> 00:28:03,680 Speaker 1: the same when you make yourself known that you're so 516 00:28:04,000 --> 00:28:07,960 Speaker 1: valuable in that way, you screw yourself. Everyone listens to you. 517 00:28:08,720 --> 00:28:09,520 Speaker 1: It's so true. 518 00:28:10,160 --> 00:28:13,359 Speaker 3: It was weird because we all we needed that actor 519 00:28:13,480 --> 00:28:16,159 Speaker 3: to do their work, and even though like they were 520 00:28:16,240 --> 00:28:20,840 Speaker 3: notoriously difficult, and so I'd be in their trailer and 521 00:28:21,560 --> 00:28:23,840 Speaker 3: you know, they'd be smoking a cigarette, which isn't allowed 522 00:28:23,920 --> 00:28:26,240 Speaker 3: in those trailers, like you have to completely you know, 523 00:28:26,480 --> 00:28:29,960 Speaker 3: that trailer's garbage when somebody smokes in it, and you know, 524 00:28:30,080 --> 00:28:32,040 Speaker 3: everybody be waiting on set, and I'd have my ear 525 00:28:32,080 --> 00:28:36,000 Speaker 3: piece in and they'd be like, look like, don't upset 526 00:28:36,080 --> 00:28:39,240 Speaker 3: her because she's she's going to take off. But like 527 00:28:39,360 --> 00:28:41,840 Speaker 3: I need you to coerce her to get onto set, 528 00:28:42,000 --> 00:28:42,600 Speaker 3: like please. 529 00:28:42,440 --> 00:28:44,760 Speaker 1: You're like like do you want to treat? Do you 530 00:28:44,840 --> 00:28:45,360 Speaker 1: want to treat? 531 00:28:45,840 --> 00:28:47,080 Speaker 3: It was like trying to get. 532 00:28:50,800 --> 00:28:51,040 Speaker 2: Wow. 533 00:28:51,360 --> 00:28:52,640 Speaker 3: Wow, it was wild. 534 00:28:53,320 --> 00:28:55,440 Speaker 1: Did you was there a part of your like that 535 00:28:55,520 --> 00:28:57,920 Speaker 1: you and did you enjoy that at all? Did that 536 00:28:58,080 --> 00:28:59,040 Speaker 1: like stress you out? 537 00:28:59,160 --> 00:28:59,200 Speaker 4: Like? 538 00:28:59,320 --> 00:29:03,480 Speaker 1: What was that for you and your mental capabilities? 539 00:29:04,080 --> 00:29:06,000 Speaker 3: I'm a little bit of a masochist in that way. 540 00:29:06,160 --> 00:29:06,440 Speaker 1: Like I. 541 00:29:08,280 --> 00:29:11,080 Speaker 3: I I'm the oldest of four, I grew up in 542 00:29:11,120 --> 00:29:15,719 Speaker 3: a big family. I just I kind of thrive in chaos. 543 00:29:15,960 --> 00:29:18,200 Speaker 3: Now is that like a good thing? Maybe not. I 544 00:29:18,360 --> 00:29:20,680 Speaker 3: was my therapist like, I'm sure has some opinions on that. 545 00:29:20,920 --> 00:29:25,880 Speaker 3: But I to be good at something, you know, right, 546 00:29:27,480 --> 00:29:29,880 Speaker 3: I got that person on a set and you know, 547 00:29:30,920 --> 00:29:34,840 Speaker 3: they didn't know any of their lines, and it was 548 00:29:35,440 --> 00:29:37,800 Speaker 3: like I was in the corner practicing their lines with them, 549 00:29:37,920 --> 00:29:41,480 Speaker 3: Like it was just it was it was insane holding handholding, 550 00:29:42,240 --> 00:29:44,240 Speaker 3: but I was so Yes, I liked it, I think 551 00:29:44,280 --> 00:29:45,840 Speaker 3: because I was good at it, But it also was 552 00:29:45,920 --> 00:29:47,200 Speaker 3: like what's next? 553 00:29:47,680 --> 00:29:48,880 Speaker 1: Yeah, what am I doing? 554 00:29:48,960 --> 00:29:50,760 Speaker 3: What am I doing with my life? Because I actually 555 00:29:51,080 --> 00:29:52,600 Speaker 3: don't want to be on set for the rest of 556 00:29:52,640 --> 00:29:52,920 Speaker 3: my life. 557 00:29:52,960 --> 00:29:53,600 Speaker 1: This is not for me. 558 00:29:53,760 --> 00:29:55,800 Speaker 3: And I think part of the process of being an 559 00:29:55,800 --> 00:29:58,720 Speaker 3: assistant is that you start exing things off your list. 560 00:29:59,080 --> 00:30:01,040 Speaker 3: Ye want to do that, don't want to do that, 561 00:30:01,160 --> 00:30:03,080 Speaker 3: don't want to do that totally. 562 00:30:03,840 --> 00:30:07,520 Speaker 1: That's so what was next for you? Megs? Where'd you 563 00:30:07,560 --> 00:30:08,120 Speaker 1: go next? 564 00:30:09,080 --> 00:30:09,120 Speaker 4: So? 565 00:30:10,160 --> 00:30:12,440 Speaker 3: Next, I had my site set on the big Ivory 566 00:30:12,560 --> 00:30:19,040 Speaker 3: Tower at Paramount Studios, the Ryan Murphy Loft. I had 567 00:30:19,040 --> 00:30:25,040 Speaker 3: become friends with Brad Falchuk's assistant, Jess Meyer, like we 568 00:30:25,120 --> 00:30:28,960 Speaker 3: all had, and she was getting promoted, getting ready to 569 00:30:28,960 --> 00:30:31,400 Speaker 3: get promoted to you know, go into the writer's room, 570 00:30:32,240 --> 00:30:37,040 Speaker 3: and so she kind of started grooming me to be 571 00:30:37,280 --> 00:30:41,080 Speaker 3: Brad's assistant. You know, like he directed lots of our episodes, 572 00:30:41,080 --> 00:30:43,440 Speaker 3: so I knew him pretty well, but she would have me, 573 00:30:43,760 --> 00:30:49,120 Speaker 3: you know, bring him his lunch or like things like that, 574 00:30:49,520 --> 00:30:52,280 Speaker 3: and just so he like started to know me and 575 00:30:52,440 --> 00:30:57,800 Speaker 3: trust me. And you know, so once she got promoted, 576 00:30:58,080 --> 00:31:00,680 Speaker 3: I moved up to be his assistant. 577 00:31:01,360 --> 00:31:01,560 Speaker 1: Wow. 578 00:31:01,880 --> 00:31:06,280 Speaker 3: That was like a very that was that was terrifying. 579 00:31:06,320 --> 00:31:08,200 Speaker 3: You know, it went from you went from I went 580 00:31:08,240 --> 00:31:10,000 Speaker 3: from being on set with all of you to being 581 00:31:10,120 --> 00:31:16,040 Speaker 3: in a very different setting up and up in those offices. 582 00:31:17,360 --> 00:31:19,320 Speaker 1: Me as the creator of one of the creators of 583 00:31:19,400 --> 00:31:22,440 Speaker 1: the show. He's like not a nobody, no. 584 00:31:22,640 --> 00:31:25,360 Speaker 3: But Brad was amazing. I mean he was the chillest 585 00:31:25,400 --> 00:31:25,800 Speaker 3: of people. 586 00:31:26,200 --> 00:31:26,360 Speaker 1: You know. 587 00:31:26,600 --> 00:31:31,880 Speaker 3: Yeah, I love something. But it's funny. I went from, 588 00:31:32,400 --> 00:31:34,840 Speaker 3: you know, living this kind of grubby set life to 589 00:31:35,520 --> 00:31:38,240 Speaker 3: being in like a pretty glamorous office. 590 00:31:39,840 --> 00:31:41,120 Speaker 1: I love that office so much. 591 00:31:42,040 --> 00:31:42,840 Speaker 3: It was a good space. 592 00:31:43,120 --> 00:31:47,520 Speaker 2: When you moved up there, I started sneaking away. It 593 00:31:47,640 --> 00:31:49,160 Speaker 2: was also like such an end of an error where 594 00:31:49,200 --> 00:31:52,080 Speaker 2: I just like missed you and Telly, where I would 595 00:31:52,080 --> 00:31:53,760 Speaker 2: sneak away and have lunch up there with you guys. 596 00:31:53,840 --> 00:31:55,880 Speaker 2: I get all the secrets just by all the sitting 597 00:31:55,920 --> 00:31:58,560 Speaker 2: in there. I could just listen to all the conversations. 598 00:31:59,480 --> 00:32:01,120 Speaker 1: Yeah, get how smart. 599 00:32:02,640 --> 00:32:04,320 Speaker 3: You would tell me all the tea from set. 600 00:32:04,560 --> 00:32:07,560 Speaker 1: It was great compare notes the best of both worlds. 601 00:32:07,880 --> 00:32:09,360 Speaker 1: You don't have to be down there, you just hear 602 00:32:09,400 --> 00:32:13,840 Speaker 1: about it. Yeah, Megan is the ultimate Fairyvale catcher, Like 603 00:32:14,120 --> 00:32:15,520 Speaker 1: she knows all the secrets. 604 00:32:16,480 --> 00:32:18,200 Speaker 3: I think that's kind of why I was good at 605 00:32:19,320 --> 00:32:22,840 Speaker 3: dealing with you know, people different personalities. 606 00:32:22,960 --> 00:32:24,800 Speaker 1: Is that very different? 607 00:32:25,480 --> 00:32:27,160 Speaker 3: And I'm really great at keeping secrets. 608 00:32:27,480 --> 00:32:32,880 Speaker 4: Yeah, yeah, we know you have so many secrets years 609 00:32:32,960 --> 00:32:37,160 Speaker 4: later and then yeah, and then she was like, yeah, 610 00:32:37,200 --> 00:32:39,040 Speaker 4: I know exactly what. 611 00:32:40,320 --> 00:32:47,080 Speaker 1: She's so good. How would you explain your experience with Brad? 612 00:32:47,480 --> 00:32:48,720 Speaker 1: Like assisting Brad? 613 00:32:51,720 --> 00:32:55,960 Speaker 3: It was really nice for me because he was working 614 00:32:56,040 --> 00:33:00,640 Speaker 3: on so many shows at once. It was I had 615 00:33:00,760 --> 00:33:03,640 Speaker 3: just experienced like Hollywood boot Camp on set, and then 616 00:33:03,720 --> 00:33:06,680 Speaker 3: now I was experiencing like Hollywood boot Camp from like 617 00:33:06,680 --> 00:33:07,840 Speaker 3: a producer oil point. 618 00:33:07,640 --> 00:33:10,000 Speaker 1: Of view, like an executive creative. 619 00:33:10,560 --> 00:33:13,400 Speaker 3: Yeah, so you know, and then those were the days. 620 00:33:13,600 --> 00:33:18,000 Speaker 3: I mean, at least from my perspective, it felt like 621 00:33:18,080 --> 00:33:19,920 Speaker 3: they would just spit out a log line and they'd 622 00:33:19,960 --> 00:33:21,400 Speaker 3: be in production a few months later. 623 00:33:21,600 --> 00:33:22,200 Speaker 1: That's just how. 624 00:33:23,840 --> 00:33:27,400 Speaker 3: They didn't really have to develop the way you have 625 00:33:27,520 --> 00:33:30,840 Speaker 3: to develop shows now. At least that's how it felt 626 00:33:31,200 --> 00:33:36,800 Speaker 3: from where I was sitting. So it was, it was 627 00:33:36,920 --> 00:33:39,920 Speaker 3: I I loved I loved observing all that it was. 628 00:33:40,000 --> 00:33:42,640 Speaker 3: It was very inspiring, and it's you know, it started 629 00:33:42,640 --> 00:33:44,680 Speaker 3: getting a wheels turning about, like what what do I 630 00:33:44,760 --> 00:33:47,680 Speaker 3: want to do after this? And I knew I didn't 631 00:33:47,680 --> 00:33:52,320 Speaker 3: want to be in the writer's room, and I had 632 00:33:52,360 --> 00:33:54,400 Speaker 3: a pretty good feeling that I wanted to be a producer, 633 00:33:54,720 --> 00:33:59,960 Speaker 3: a non writing so yeah, Brad was. It was also 634 00:34:00,160 --> 00:34:02,960 Speaker 3: great because Brad was directing a lot of these episodes, 635 00:34:03,000 --> 00:34:04,720 Speaker 3: so I'd be traveling with him, like if we were 636 00:34:04,720 --> 00:34:07,080 Speaker 3: shooting you know, Scream Queens and New Orleans. I went 637 00:34:07,120 --> 00:34:09,200 Speaker 3: with him for that for you know, at one point 638 00:34:09,280 --> 00:34:12,200 Speaker 3: we were there for like a month or two, like 639 00:34:12,440 --> 00:34:14,320 Speaker 3: prep for the pilot and then I think the pilot 640 00:34:14,400 --> 00:34:19,480 Speaker 3: and maybe episode two, which was great. Learned so much 641 00:34:19,760 --> 00:34:21,160 Speaker 3: and again I was on set, but like in a 642 00:34:21,160 --> 00:34:24,440 Speaker 3: different capacity than I had, just kind of refreshing. 643 00:34:24,719 --> 00:34:28,000 Speaker 1: Yeah, having to run around chasing us, right, Like. 644 00:34:28,080 --> 00:34:32,879 Speaker 3: Brad is very very low maintenance, and he's also he's 645 00:34:32,920 --> 00:34:37,720 Speaker 3: a very good person. Yes, I learned after I left 646 00:34:38,200 --> 00:34:41,000 Speaker 3: as his assistant, I learned that that was incredibly rare 647 00:34:41,120 --> 00:34:45,680 Speaker 3: and this is so and he's he's also incredibly loyal, 648 00:34:45,800 --> 00:34:46,880 Speaker 3: which is why I work for. 649 00:34:46,920 --> 00:34:49,960 Speaker 1: Him again now right, producing shows. 650 00:34:51,200 --> 00:34:52,360 Speaker 3: Yeah, full circle. 651 00:34:53,200 --> 00:34:55,839 Speaker 1: Yeah, so tell the people what you do now. 652 00:34:59,280 --> 00:35:01,480 Speaker 3: So I'm the of Brad Felcheck's company. 653 00:35:01,840 --> 00:35:05,080 Speaker 1: Tell you that's right, vice president. 654 00:35:08,239 --> 00:35:09,880 Speaker 3: I what do I do? 655 00:35:10,520 --> 00:35:10,719 Speaker 4: You know? 656 00:35:11,440 --> 00:35:14,000 Speaker 3: He has his he we have a first look deal 657 00:35:14,080 --> 00:35:17,680 Speaker 3: with Netflix. So for a few years we had an 658 00:35:17,680 --> 00:35:21,480 Speaker 3: overall deal. Now we have a first look. I kind 659 00:35:21,520 --> 00:35:25,640 Speaker 3: of you know, it's Brad and his producing partner Michael Bonason, 660 00:35:25,680 --> 00:35:28,319 Speaker 3: and then it's myself and my colleague Nils, and then 661 00:35:28,360 --> 00:35:31,560 Speaker 3: we have two assistants and kind of running the day 662 00:35:31,560 --> 00:35:34,920 Speaker 3: to day. So I'm meeting with writers and directors every day, 663 00:35:35,360 --> 00:35:37,360 Speaker 3: people that we can be in business with. I'm constantly 664 00:35:37,440 --> 00:35:40,759 Speaker 3: reading scripts. I'm constantly reading articles that you know might 665 00:35:40,800 --> 00:35:44,759 Speaker 3: be the seed of an idea for a show, just 666 00:35:45,239 --> 00:35:49,360 Speaker 3: you know, looking for things that Brad can write on 667 00:35:49,760 --> 00:35:53,000 Speaker 3: or that can create, and then also looking for opportunities 668 00:35:53,040 --> 00:35:54,680 Speaker 3: where Brad can co create with other writers. 669 00:35:56,440 --> 00:35:59,000 Speaker 1: So you guys must have a short such a shorthand 670 00:35:59,040 --> 00:36:00,839 Speaker 1: by this point, you and Brad. 671 00:36:01,320 --> 00:36:03,320 Speaker 3: It's funny we don't have an office, and it doesn't 672 00:36:03,360 --> 00:36:06,719 Speaker 3: feel that way because I just I feel like we 673 00:36:06,840 --> 00:36:09,440 Speaker 3: know each other so well that it doesn't like not 674 00:36:09,520 --> 00:36:11,520 Speaker 3: seeing him day to day in person, like really doesn't 675 00:36:11,520 --> 00:36:17,200 Speaker 3: make a difference, right right, Wow, Which awesome, He's great. 676 00:36:17,880 --> 00:36:18,479 Speaker 1: He's the best. 677 00:36:19,960 --> 00:36:22,839 Speaker 2: When you were talking about doing when you first got 678 00:36:22,880 --> 00:36:25,840 Speaker 2: on to Glee and you were the lowest rung of 679 00:36:25,880 --> 00:36:30,719 Speaker 2: the total pole signing all those people in and out, 680 00:36:31,680 --> 00:36:35,160 Speaker 2: I bet that makes you such a good executive in 681 00:36:35,200 --> 00:36:38,360 Speaker 2: that way. Because you know, when it comes to filming 682 00:36:38,400 --> 00:36:40,320 Speaker 2: a show. You guys did Brother's Son, which is incredible, 683 00:36:41,239 --> 00:36:45,680 Speaker 2: but like on set seeing something being filmed from that 684 00:36:45,920 --> 00:36:48,440 Speaker 2: point of view, this is your position. Now you know 685 00:36:48,760 --> 00:36:52,320 Speaker 2: how long these people are on set working, and you 686 00:36:52,480 --> 00:36:55,480 Speaker 2: know where they are, what they're doing. And I feel 687 00:36:55,560 --> 00:36:58,760 Speaker 2: like it's pretty rare to have somebody in your position 688 00:36:59,560 --> 00:37:04,280 Speaker 2: that has seen set life from almost every single perspective 689 00:37:04,360 --> 00:37:08,040 Speaker 2: from bottom to the top. And I feel like when 690 00:37:08,080 --> 00:37:11,880 Speaker 2: you are now in this position doing this on set, like, 691 00:37:12,000 --> 00:37:14,200 Speaker 2: how do you notice that day to day like the 692 00:37:14,280 --> 00:37:18,239 Speaker 2: consideration into managing like the work life culture and set 693 00:37:18,280 --> 00:37:18,920 Speaker 2: culture and all that. 694 00:37:19,920 --> 00:37:23,239 Speaker 3: Yeah, I was on set every day for Brother's Son. 695 00:37:24,920 --> 00:37:26,400 Speaker 3: I was there to kind of make sure that our 696 00:37:26,440 --> 00:37:30,839 Speaker 3: creative vision was being you know, carried through on set. 697 00:37:31,600 --> 00:37:39,759 Speaker 3: And it's interesting because a lot of executives, many executives 698 00:37:39,800 --> 00:37:43,239 Speaker 3: that i've you know, peers that I've worked with, never 699 00:37:43,360 --> 00:37:47,399 Speaker 3: had they started out at an agency. They didn't take 700 00:37:47,560 --> 00:37:50,319 Speaker 3: the set route. And every now and then I'll meet 701 00:37:50,360 --> 00:37:52,040 Speaker 3: somebody who did come up on set and we have 702 00:37:52,239 --> 00:37:54,520 Speaker 3: like such a camaraderie like right away because we know 703 00:37:54,600 --> 00:37:56,439 Speaker 3: what it's to be in the trenches and to really 704 00:37:56,600 --> 00:37:59,520 Speaker 3: know what it takes to make a show Soup to nuts. 705 00:37:59,640 --> 00:38:05,280 Speaker 3: I think it's like it's it's rare, yeah, and it's funny. 706 00:38:05,360 --> 00:38:09,279 Speaker 3: Set feels like home to me. We were lucky enough 707 00:38:09,320 --> 00:38:13,520 Speaker 3: to have a few of like Glee American Horror Story 708 00:38:14,120 --> 00:38:15,920 Speaker 3: crew members on Brother's Son and. 709 00:38:18,040 --> 00:38:18,080 Speaker 2: It. 710 00:38:18,840 --> 00:38:22,640 Speaker 3: Yeah that that was like such a bonus. And uh, 711 00:38:24,880 --> 00:38:28,560 Speaker 3: it's everybody who's there is like the best at their job, 712 00:38:28,800 --> 00:38:32,160 Speaker 3: and like with one piece of the puzzle missing, it 713 00:38:32,400 --> 00:38:33,080 Speaker 3: doesn't get done. 714 00:38:33,520 --> 00:38:37,440 Speaker 1: Do you have a memory or a moment that like 715 00:38:37,480 --> 00:38:45,719 Speaker 1: sticks out on your mind from the gleaset? That's a 716 00:38:45,760 --> 00:38:47,879 Speaker 1: lot because I know that we spent a lot of time. 717 00:38:52,600 --> 00:38:56,280 Speaker 3: I loved anything Trouble Tones. 718 00:38:57,200 --> 00:38:57,399 Speaker 4: Ah. 719 00:39:00,600 --> 00:39:03,920 Speaker 3: Yeah, so you start to become a little jaded when 720 00:39:04,040 --> 00:39:07,640 Speaker 3: you know, see musical numbers shot every day. And when 721 00:39:07,680 --> 00:39:11,560 Speaker 3: the Travel Tones came on, I like I remember taking 722 00:39:11,600 --> 00:39:14,719 Speaker 3: my phone out and like recording rehearsal to because I 723 00:39:14,840 --> 00:39:16,160 Speaker 3: was like, I can't wait for this to come on 724 00:39:16,239 --> 00:39:17,440 Speaker 3: to TV. I need to be able to watch it 725 00:39:17,520 --> 00:39:22,960 Speaker 3: whenever I want at home. Yeah, exact, Yeah, rumor has 726 00:39:23,040 --> 00:39:26,680 Speaker 3: it someone like you or whatever the mashup was. 727 00:39:28,400 --> 00:39:28,960 Speaker 1: To this day. 728 00:39:29,360 --> 00:39:32,360 Speaker 3: And it's funny because I like when we had the 729 00:39:32,719 --> 00:39:36,759 Speaker 3: songs on iTunes, I paid for them and downloaded them, 730 00:39:36,960 --> 00:39:39,360 Speaker 3: even though I was like, right, like I'm crazy, like 731 00:39:39,440 --> 00:39:43,919 Speaker 3: I was listening to them as had them. Yeah, well 732 00:39:44,040 --> 00:39:52,040 Speaker 3: I've paid for them. You're welcome for that. I remember it. 733 00:39:52,120 --> 00:39:55,839 Speaker 3: There was like walking onto those dusty sound stages every day. 734 00:39:56,680 --> 00:39:58,560 Speaker 3: And I remember, even on the days where I was 735 00:39:58,680 --> 00:40:03,360 Speaker 3: so freaking tired and poor and like just like miserable, 736 00:40:04,719 --> 00:40:08,840 Speaker 3: I would walk on the set and I always knew 737 00:40:09,920 --> 00:40:13,600 Speaker 3: that there was like this was a very special experience 738 00:40:13,680 --> 00:40:15,880 Speaker 3: that I was privileged to be a part of. I 739 00:40:15,960 --> 00:40:19,360 Speaker 3: knew that there was something special happening in those walls. 740 00:40:20,440 --> 00:40:26,000 Speaker 3: And I got butterflies all the time watching you guys perform, 741 00:40:26,800 --> 00:40:28,759 Speaker 3: just like incomplete, all of you. It didn't get old. 742 00:40:31,120 --> 00:40:33,960 Speaker 3: I had such a lady boner for anything Adulton Academy. 743 00:40:35,520 --> 00:40:38,959 Speaker 3: It was really yeah, because it was so refreshing because 744 00:40:38,960 --> 00:40:41,120 Speaker 3: one we were in beautiful Pasadena at the American Red 745 00:40:41,160 --> 00:40:46,520 Speaker 3: Cross House or headborn, right, but also like and I 746 00:40:46,640 --> 00:40:48,839 Speaker 3: loved you guys like you were my day to day. 747 00:40:49,000 --> 00:40:51,719 Speaker 3: But then it was such a nice reprieve because all 748 00:40:51,800 --> 00:40:53,520 Speaker 3: those boys were so happy to be. 749 00:40:53,560 --> 00:40:58,080 Speaker 1: There and we're so good and. 750 00:40:59,800 --> 00:41:07,600 Speaker 3: I loved any anything Dalton and yeah, and I think 751 00:41:07,760 --> 00:41:10,400 Speaker 3: season four was really special because it felt like we 752 00:41:10,480 --> 00:41:13,200 Speaker 3: were shooting like two different shows with New York and 753 00:41:13,320 --> 00:41:18,360 Speaker 3: then William McKinley and we kind of shifted into a 754 00:41:18,440 --> 00:41:21,480 Speaker 3: new normal with all the new kids and. 755 00:41:23,239 --> 00:41:23,279 Speaker 1: It. 756 00:41:23,600 --> 00:41:26,920 Speaker 3: But it felt good. It wasn't not to say that 757 00:41:26,960 --> 00:41:29,040 Speaker 3: it's bad before they got there or anything like that. 758 00:41:29,160 --> 00:41:31,600 Speaker 3: It was just different. It felt like we like it 759 00:41:31,760 --> 00:41:36,640 Speaker 3: just we needed that fresh blood. And I feel like that. 760 00:41:37,480 --> 00:41:39,440 Speaker 3: I feel like you guys needed it too, you know, 761 00:41:39,760 --> 00:41:41,320 Speaker 3: like it was it was nice. 762 00:41:41,280 --> 00:41:44,319 Speaker 1: Driving my ear. Yeah saying that and what you said 763 00:41:44,400 --> 00:41:46,879 Speaker 1: exactly just matches what she's been saying that true. 764 00:41:47,440 --> 00:41:50,160 Speaker 3: Yeah, it was just like and I remember that that 765 00:41:50,280 --> 00:41:52,080 Speaker 3: was the first time because I wasn't around for season 766 00:41:52,160 --> 00:41:53,840 Speaker 3: one and season two, so I didn't I met you 767 00:41:53,920 --> 00:41:56,359 Speaker 3: guys when you were already famous. But it was really 768 00:41:56,400 --> 00:41:59,560 Speaker 3: interesting to be at base camp and to have these 769 00:41:59,640 --> 00:42:02,920 Speaker 3: new kid kids around, you know, like Blake and Jacob 770 00:42:03,000 --> 00:42:06,560 Speaker 3: and Becca and Melissa and and Alex and for them 771 00:42:06,640 --> 00:42:08,719 Speaker 3: to be super excited to be there and to see 772 00:42:08,760 --> 00:42:12,840 Speaker 3: their lives changed very quickly, and so like I remember 773 00:42:13,120 --> 00:42:16,680 Speaker 3: when one of the kids got his very first credit card, 774 00:42:17,320 --> 00:42:20,520 Speaker 3: and he was like sitting at base camp and he's like, 775 00:42:21,080 --> 00:42:23,880 Speaker 3: last night, I went out to dinner. I had a steak, 776 00:42:24,120 --> 00:42:26,640 Speaker 3: I had potatoes. I had a glass of wine. And 777 00:42:26,719 --> 00:42:28,600 Speaker 3: he's like, and I put it on my new credit 778 00:42:28,640 --> 00:42:32,440 Speaker 3: card and my limit is eight hundred dollars. Oh my god, 779 00:42:33,200 --> 00:42:36,560 Speaker 3: I'm gonna remember this like you forget it. You know, 780 00:42:36,760 --> 00:42:41,800 Speaker 3: It's just like it was. It was innocent. So and 781 00:42:41,920 --> 00:42:44,920 Speaker 3: also like the guest stars that we had, especially on 782 00:42:45,000 --> 00:42:49,960 Speaker 3: the New York set that year, We're fucking epic. I 783 00:42:50,120 --> 00:42:54,560 Speaker 3: loved watching Rachel like like transform into this sex pot. 784 00:42:54,640 --> 00:42:57,400 Speaker 1: You know, smoky shadow. 785 00:42:58,680 --> 00:43:01,480 Speaker 3: Yes, yeah, And like Kate Hudson was like we had 786 00:43:01,640 --> 00:43:03,640 Speaker 3: so Also the guest stars that we had that season, 787 00:43:03,719 --> 00:43:06,640 Speaker 3: Kate Hudson and Sarahtsica Parker who people burg like everybody 788 00:43:06,960 --> 00:43:10,080 Speaker 3: was a consummate of professional, consummate professional on set and 789 00:43:10,200 --> 00:43:14,520 Speaker 3: like just fun and cool and like yeah, they'd hang 790 00:43:14,600 --> 00:43:18,160 Speaker 3: out and eat with Crewe and SGP was eating like 791 00:43:18,560 --> 00:43:19,279 Speaker 3: like I work. 792 00:43:19,760 --> 00:43:19,880 Speaker 4: Uh. 793 00:43:20,920 --> 00:43:23,840 Speaker 3: The catering that day was like hot dogs and she 794 00:43:24,040 --> 00:43:26,759 Speaker 3: was just sitting amongst the crew eating a hot dog 795 00:43:26,880 --> 00:43:29,000 Speaker 3: and I was like this is and I'm sitting across 796 00:43:29,080 --> 00:43:31,839 Speaker 3: room like this is unreal, Like, yeah, you know, it's 797 00:43:33,160 --> 00:43:35,480 Speaker 3: it was. It was very it was a very cool time. 798 00:43:35,640 --> 00:43:47,000 Speaker 1: Or was really special? Do you have any face like 799 00:43:47,040 --> 00:43:50,560 Speaker 1: to any more? Like favorite guest stars. I remember being so. 800 00:43:50,680 --> 00:43:56,800 Speaker 3: Psyched about Shirley McLean. I remember Whoop for Me was 801 00:43:57,000 --> 00:44:00,520 Speaker 3: very surreal. I honestly Kate Hudson, like growing up watching 802 00:44:00,600 --> 00:44:04,000 Speaker 3: two thousands rom coms. That was the most where I 803 00:44:04,120 --> 00:44:06,719 Speaker 3: was like, okay, like I don't I don't usually get starstruck, 804 00:44:07,680 --> 00:44:09,560 Speaker 3: and that was one where I was like, oh shit, 805 00:44:09,719 --> 00:44:14,840 Speaker 3: this is crazy. So I mean, who else? What are 806 00:44:14,880 --> 00:44:16,160 Speaker 3: we list of some guests? 807 00:44:16,320 --> 00:44:19,160 Speaker 1: I mean, who else is there? Tyra banks On? 808 00:44:20,840 --> 00:44:25,760 Speaker 3: I don't think I ever interacted with Tyra Niini Meani 809 00:44:25,920 --> 00:44:30,319 Speaker 3: was Nini was a riot so funny, It's just so good. 810 00:44:31,280 --> 00:44:35,200 Speaker 3: Constant quotable. You know. I kept a notes app in 811 00:44:35,320 --> 00:44:37,279 Speaker 3: my phone where I would just write down it just 812 00:44:37,280 --> 00:44:41,640 Speaker 3: says like Glee season four quotables and Glee season three quotables, whatever, 813 00:44:41,680 --> 00:44:43,279 Speaker 3: And I would just write down things. And a lot 814 00:44:43,320 --> 00:44:46,080 Speaker 3: of quotes aren't assigned to people. But I can't tell 815 00:44:46,120 --> 00:44:50,719 Speaker 3: you how many Niani leaks quotes I have that could 816 00:44:51,160 --> 00:44:54,359 Speaker 3: spin off episode where I sit here and read through 817 00:44:54,400 --> 00:44:56,879 Speaker 3: my notes and you guys, guess who's true. 818 00:44:57,239 --> 00:44:59,560 Speaker 1: Absolutely, you have all the receipts. 819 00:45:00,000 --> 00:45:04,280 Speaker 2: I always say, like, Megan's got notes, She's got photos, 820 00:45:04,360 --> 00:45:05,280 Speaker 2: she's got videos. 821 00:45:05,480 --> 00:45:06,240 Speaker 1: It's insane. 822 00:45:07,000 --> 00:45:11,560 Speaker 3: Yeah, I remember. Okay, So you remember there was the 823 00:45:11,640 --> 00:45:16,960 Speaker 3: Valentine's Day dance episode, the school dance episode, and they 824 00:45:17,040 --> 00:45:22,080 Speaker 3: had you know, of course, the props were incredible I 825 00:45:22,680 --> 00:45:26,040 Speaker 3: and everything was like all the food was like impeccably done, 826 00:45:26,120 --> 00:45:29,360 Speaker 3: like Lee and Paul Crops and Ellis and everybody, like. 827 00:45:29,360 --> 00:45:33,080 Speaker 3: There are these heart shaped rabulis that had been sitting 828 00:45:33,120 --> 00:45:35,560 Speaker 3: out all day, and at the end of the day, 829 00:45:35,719 --> 00:45:40,440 Speaker 3: Nya was like, Megs, I will pay you fifty dollars 830 00:45:41,160 --> 00:45:43,920 Speaker 3: to eat one of those ravulis that's been sitting out 831 00:45:43,960 --> 00:45:46,759 Speaker 3: all day. And I was like, oh, absolutely, I will 832 00:45:46,840 --> 00:45:48,640 Speaker 3: do it. And so I just found this video in 833 00:45:48,719 --> 00:45:51,520 Speaker 3: my phone this morning of Nya's holding the camera and 834 00:45:51,600 --> 00:45:53,920 Speaker 3: I'm sitting there and I like, take it. And it's 835 00:45:53,960 --> 00:45:56,239 Speaker 3: like it's like floppy, it's been sitting there all day, 836 00:45:56,400 --> 00:45:59,320 Speaker 3: and I just take a bite and I'm like okay, 837 00:45:59,440 --> 00:46:01,960 Speaker 3: and then she's like, oh my god, I popped the 838 00:46:02,000 --> 00:46:04,840 Speaker 3: whole thing in my mouth. She hands me fifty dollars. 839 00:46:05,239 --> 00:46:09,239 Speaker 1: Oh my god, her word was good disgusting. I have 840 00:46:09,480 --> 00:46:10,240 Speaker 1: so much respect. 841 00:46:13,760 --> 00:46:17,480 Speaker 2: Do you have great memories of working with your auntie Jane? Yeah, 842 00:46:17,560 --> 00:46:18,560 Speaker 2: I mean it was a look. 843 00:46:19,200 --> 00:46:22,560 Speaker 3: I was very lucky because you know, she had her 844 00:46:22,600 --> 00:46:25,920 Speaker 3: trailer and so, like I, I had a place to 845 00:46:26,040 --> 00:46:28,319 Speaker 3: like put all my ship during the day, or if 846 00:46:28,360 --> 00:46:30,000 Speaker 3: I didn't want to go in like the porta potties 847 00:46:30,080 --> 00:46:31,600 Speaker 3: or whatever, I can go into our trailer. I still 848 00:46:31,640 --> 00:46:33,759 Speaker 3: have dreams about going into her trailer. It's very weird 849 00:46:34,920 --> 00:46:37,080 Speaker 3: just going to be at base camp. That's like I 850 00:46:37,600 --> 00:46:42,960 Speaker 3: recurr where we're all at base camp. But yeah, totally, 851 00:46:43,120 --> 00:46:45,600 Speaker 3: but we were. I mean we would we would get 852 00:46:45,640 --> 00:46:48,920 Speaker 3: what thirty minutes for lunch most days, and Jane and 853 00:46:48,960 --> 00:46:50,080 Speaker 3: I would take a nap together. 854 00:46:52,600 --> 00:46:53,279 Speaker 1: It's really cut. 855 00:46:54,680 --> 00:47:01,520 Speaker 3: Yeah, she was. I loved the number where she's nickim in. Yeah. 856 00:47:02,000 --> 00:47:03,960 Speaker 3: I will watch that over and over and over and 857 00:47:04,040 --> 00:47:08,760 Speaker 3: I just remember like laughing so hard. I was crying 858 00:47:08,880 --> 00:47:12,279 Speaker 3: watching that and watching her in that outfit. I think 859 00:47:12,320 --> 00:47:16,600 Speaker 3: at first I was nervous about being associated with Jane 860 00:47:16,680 --> 00:47:18,799 Speaker 3: because I didn't want people to think that I didn't 861 00:47:18,840 --> 00:47:23,840 Speaker 3: deserve to be there. But like day one, she'd like 862 00:47:24,080 --> 00:47:25,879 Speaker 3: be like, that's my Nay's that's my name. 863 00:47:26,440 --> 00:47:26,600 Speaker 1: You know. 864 00:47:26,800 --> 00:47:32,000 Speaker 3: She's so proud, so there was no hiding it. But 865 00:47:32,960 --> 00:47:36,080 Speaker 3: she watching her in action like she had always been. 866 00:47:36,160 --> 00:47:37,719 Speaker 3: You know, I grew up in Chicago, she lived in 867 00:47:37,880 --> 00:47:40,800 Speaker 3: La She you know, we would hear her voice on 868 00:47:40,840 --> 00:47:44,680 Speaker 3: the radio for Baker Square commercials and the one where 869 00:47:44,719 --> 00:47:46,399 Speaker 3: she'd be like, well you'll always find a great deal, 870 00:47:46,560 --> 00:47:51,160 Speaker 3: good food and unbelievable pie. And like I thought, she 871 00:47:51,440 --> 00:47:56,279 Speaker 3: was like the biggest star ever and so to be 872 00:47:56,400 --> 00:47:59,040 Speaker 3: able to work with her like at the peak of 873 00:47:59,120 --> 00:48:02,080 Speaker 3: her career. Granted she's always evolving. 874 00:48:01,760 --> 00:48:04,359 Speaker 1: And she'll always work, but like no one works more 875 00:48:04,440 --> 00:48:05,880 Speaker 1: than Jane Lynch truly. 876 00:48:05,840 --> 00:48:09,880 Speaker 3: Right, but like this was this was like an incredible 877 00:48:10,000 --> 00:48:15,040 Speaker 3: time for her and it was just I was I 878 00:48:15,239 --> 00:48:18,040 Speaker 3: was just so proud to be to be working side 879 00:48:18,040 --> 00:48:20,560 Speaker 3: by side with her every day. But like and I 880 00:48:20,600 --> 00:48:22,480 Speaker 3: didn't have to tell her what to do like she was. 881 00:48:22,760 --> 00:48:25,680 Speaker 3: Jane was always in a corner by herself on her phone, 882 00:48:25,960 --> 00:48:28,200 Speaker 3: Like she never was involved with the drama, though she 883 00:48:28,360 --> 00:48:30,520 Speaker 3: loved to hear about it. You guys were like a 884 00:48:30,560 --> 00:48:31,400 Speaker 3: whole different beast. 885 00:48:31,880 --> 00:48:36,080 Speaker 1: Yeah, yeah, she always she was always professional. 886 00:48:36,320 --> 00:48:39,799 Speaker 3: Yeah, both Jane and Matt were always like they kind 887 00:48:39,800 --> 00:48:40,719 Speaker 3: of kept to themselves. 888 00:48:40,800 --> 00:48:45,959 Speaker 2: But yeah, exactly what is like special? Like who else 889 00:48:46,040 --> 00:48:47,959 Speaker 2: gets to do that? Like who else in the world 890 00:48:48,040 --> 00:48:50,440 Speaker 2: gets to have that experience with their aunt, right, Like 891 00:48:50,719 --> 00:48:54,200 Speaker 2: you two, no one, no one like it is such 892 00:48:54,200 --> 00:48:58,040 Speaker 2: a specific thing. And at the time when this show 893 00:48:58,160 --> 00:49:02,719 Speaker 2: is gigantic, Jane is the star and you get to 894 00:49:02,800 --> 00:49:04,080 Speaker 2: be there to witness it, and no one else in 895 00:49:04,120 --> 00:49:05,800 Speaker 2: your family has that experience. No one else out in 896 00:49:05,840 --> 00:49:09,879 Speaker 2: the world has that experience, right, And yeah, I think 897 00:49:09,880 --> 00:49:13,040 Speaker 2: it's just so beautiful that you got to have that. 898 00:49:13,840 --> 00:49:15,480 Speaker 3: I'm very very lucky. 899 00:49:15,960 --> 00:49:19,400 Speaker 1: Before we let you go off to your Zoom meetings 900 00:49:19,440 --> 00:49:25,040 Speaker 1: and you're busy, real what is the feeling that leaves 901 00:49:25,040 --> 00:49:25,279 Speaker 1: you with. 902 00:49:29,560 --> 00:49:36,720 Speaker 3: Homesickness? Mm hmmm, I would say, yeah, I was watching 903 00:49:37,160 --> 00:49:42,000 Speaker 3: I was watching season four this morning, and it makes 904 00:49:42,040 --> 00:49:45,640 Speaker 3: me feel so warm inside. I don't any of like 905 00:49:45,800 --> 00:49:47,520 Speaker 3: the bullshit that happened. 906 00:49:48,719 --> 00:49:51,279 Speaker 1: Just goes goes away. 907 00:49:51,560 --> 00:49:54,800 Speaker 3: You know, it really does feel like home to me, 908 00:49:55,320 --> 00:50:00,960 Speaker 3: you guys, to me, you know, like rolling growing up 909 00:50:01,040 --> 00:50:04,120 Speaker 3: in your the growth that you do in your twenties 910 00:50:04,280 --> 00:50:09,400 Speaker 3: is like so poignant, I think, and I got to 911 00:50:09,440 --> 00:50:13,439 Speaker 3: do it with you guys and with that incredible crew, 912 00:50:13,600 --> 00:50:15,760 Speaker 3: you know, the makeup girls or like my big sisters 913 00:50:16,960 --> 00:50:23,799 Speaker 3: taught me everything, and I yeah, Glee feels like home. Yeah, 914 00:50:25,000 --> 00:50:28,799 Speaker 3: nothing will ever compare. I really don't think so. Yeah, 915 00:50:29,680 --> 00:50:31,960 Speaker 3: it's hard that Glee makes them feel homesick. 916 00:50:32,400 --> 00:50:34,600 Speaker 1: No, that was a new one. That was great. Yeah. 917 00:50:35,840 --> 00:50:39,760 Speaker 2: Yeah, the sentiments are similar where people feel really special. 918 00:50:39,920 --> 00:50:42,400 Speaker 2: But but homesickness, I think is a good one. It 919 00:50:42,440 --> 00:50:45,200 Speaker 2: makes a lot of sense. Yeah, I feel that. 920 00:50:46,560 --> 00:50:49,640 Speaker 1: Well, Megsty. Thank you for joining us today. We really 921 00:50:49,680 --> 00:50:53,040 Speaker 1: thank you so much time with love you for having me. 922 00:50:53,760 --> 00:50:54,880 Speaker 1: I would quickly without you. 923 00:50:55,080 --> 00:50:58,440 Speaker 3: I made like more soundbites of random stories. 924 00:50:58,480 --> 00:51:01,680 Speaker 2: I've got them, but this we need to hold you 925 00:51:01,800 --> 00:51:05,000 Speaker 2: to come back and read some of your notes like quotes. 926 00:51:05,719 --> 00:51:09,840 Speaker 3: Yes, my favorite one, one of my favorites that I 927 00:51:09,920 --> 00:51:13,520 Speaker 3: just came across this morning was Oh, Megan, I love 928 00:51:13,600 --> 00:51:16,480 Speaker 3: you so much. No matter what Mark Selling says about you. 929 00:51:17,680 --> 00:51:20,040 Speaker 1: That was absolutely Wait can we guess who it was? 930 00:51:20,719 --> 00:51:20,919 Speaker 3: Yeah? 931 00:51:20,960 --> 00:51:27,399 Speaker 1: Sure, the way you did it, it makes me feel 932 00:51:27,480 --> 00:51:29,080 Speaker 1: like it was Ryan. 933 00:51:30,760 --> 00:51:32,120 Speaker 3: No, that would be amazing. 934 00:51:33,480 --> 00:51:36,160 Speaker 1: I would say Mark Selling said something about you. It's 935 00:51:36,160 --> 00:51:38,040 Speaker 1: like in one of the eighties or something. I don't know. 936 00:51:39,280 --> 00:51:45,520 Speaker 3: It was Damien said I would like with this Irish accent, 937 00:51:45,640 --> 00:51:47,640 Speaker 3: and it was like because he's so sweet, and then 938 00:51:47,680 --> 00:51:49,920 Speaker 3: I like, I was like, oh he loves that's nice, 939 00:51:50,000 --> 00:51:51,279 Speaker 3: he loves me. And then I was like, wait, what 940 00:51:51,480 --> 00:51:52,520 Speaker 3: is selling. 941 00:51:52,280 --> 00:51:57,080 Speaker 1: Saying about me? That is so funny And it's even 942 00:51:57,160 --> 00:52:03,280 Speaker 1: funnier than it came from Damien. Oh, Damien, I love you, guys, 943 00:52:03,680 --> 00:52:06,239 Speaker 1: love you so much. I'll see you soon. 944 00:52:07,200 --> 00:52:07,480 Speaker 4: Thank you. 945 00:52:07,600 --> 00:52:14,279 Speaker 1: Megs Well, sweet Megan Doyle. I like to call her 946 00:52:14,320 --> 00:52:17,160 Speaker 1: Megan Doyle even though we never call her that. You know, 947 00:52:17,440 --> 00:52:24,120 Speaker 1: she's love Megs d love her, lover, lover. I'm glad 948 00:52:24,200 --> 00:52:27,440 Speaker 1: that she had to I'm a little sad that she 949 00:52:27,480 --> 00:52:31,160 Speaker 1: didn't share more secrets. Yeah, but I just guarantees that 950 00:52:31,239 --> 00:52:35,080 Speaker 1: she has to come back again. That's true because those quotes, Yeah, 951 00:52:35,239 --> 00:52:37,160 Speaker 1: you know, she's gonna be texting us like wait, I 952 00:52:37,239 --> 00:52:38,920 Speaker 1: have more. Of course she does. 953 00:52:39,320 --> 00:52:41,480 Speaker 2: We're gonna we'll have her back because it will be 954 00:52:41,520 --> 00:52:44,080 Speaker 2: a specific, targeted secret. 955 00:52:46,200 --> 00:52:50,960 Speaker 1: We only use code words. Yeah, you guys. I hope 956 00:52:50,960 --> 00:52:54,920 Speaker 1: you guys enjoyed that episode with Nan and see you 957 00:52:55,239 --> 00:52:55,799 Speaker 1: next time. 958 00:52:56,280 --> 00:53:01,040 Speaker 2: That's thanks for listening and follow us on Instagram at 959 00:53:01,120 --> 00:53:02,640 Speaker 2: and that's what you really miss POD. 960 00:53:02,960 --> 00:53:04,759 Speaker 1: Make sure to write us a review and leave us 961 00:53:04,800 --> 00:53:06,279 Speaker 1: five stars. See you next time.