1 00:00:00,320 --> 00:00:03,000 Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in 2 00:00:03,040 --> 00:00:26,319 Speaker 1: partnership with Iheartradiot, oshas It. 3 00:00:26,480 --> 00:00:27,680 Speaker 2: Katie Though. 4 00:00:32,200 --> 00:00:36,120 Speaker 3: Gladiators listening, We have the one and only Melaura Harden 5 00:00:37,360 --> 00:00:43,159 Speaker 3: on the pod today. I oh, my gosh, this is 6 00:00:43,520 --> 00:00:46,280 Speaker 3: I'm such an office fan. I am such a fan 7 00:00:46,360 --> 00:00:50,800 Speaker 3: of you. I don't even understand what's happening right now. 8 00:00:51,240 --> 00:00:53,120 Speaker 4: Did you get to watch the episode, Malaura? 9 00:00:53,479 --> 00:00:56,040 Speaker 2: I did watch it? Yeah? Wow? 10 00:00:56,080 --> 00:00:58,040 Speaker 4: Crazy? How long ago did we shoot that? 11 00:00:58,880 --> 00:01:01,360 Speaker 2: I was trying to figure that out. I didn't remember 12 00:01:01,680 --> 00:01:04,000 Speaker 2: when the year. I was gonna actually look, but I 13 00:01:04,040 --> 00:01:06,000 Speaker 2: just haven't had the time to see what you hold on. 14 00:01:06,080 --> 00:01:08,399 Speaker 3: I'm going to tell you, guys right now. Let me 15 00:01:08,480 --> 00:01:11,360 Speaker 3: tell you this is aired. We are talking today, my 16 00:01:11,400 --> 00:01:14,920 Speaker 3: friends about episode three oh four, entitled Say Hello to 17 00:01:15,000 --> 00:01:19,880 Speaker 3: My Little Friend, aired on October twenty fourth, twenty thirteen. 18 00:01:19,760 --> 00:01:22,560 Speaker 4: And it was written by Mark Fish, who we love, 19 00:01:23,000 --> 00:01:25,720 Speaker 4: and directed by Oliver Bolckelberg, who was also our EP 20 00:01:25,920 --> 00:01:26,479 Speaker 4: on the show. 21 00:01:26,800 --> 00:01:30,520 Speaker 3: It was directed by Oliver. And then, really quick, while 22 00:01:30,520 --> 00:01:32,320 Speaker 3: we're here, we're going to take our guests real quick, 23 00:01:32,360 --> 00:01:34,760 Speaker 3: Malaura through what happened in the episode. So we're all 24 00:01:34,800 --> 00:01:37,000 Speaker 3: on the same page and then I have one thousand 25 00:01:37,080 --> 00:01:39,680 Speaker 3: questions for you. So it was guest starring Patrick Fabian Is, 26 00:01:39,760 --> 00:01:45,080 Speaker 3: Senator Richard Myers, Mowlaura Harden as Shelley Myers. 27 00:01:44,400 --> 00:01:46,680 Speaker 4: And Michael B. Silver as Gavin Mitchell. 28 00:01:47,160 --> 00:01:50,000 Speaker 3: And to just update our gladiators and all of us 29 00:01:50,000 --> 00:01:52,680 Speaker 3: on what the hell happened? Synopsis and scandalpace with popen 30 00:01:52,720 --> 00:01:55,560 Speaker 3: associates still struggling to find clients, the team decides to 31 00:01:55,600 --> 00:01:58,440 Speaker 3: take on a philandering senator who hasn't stopped his ways 32 00:01:58,440 --> 00:02:00,240 Speaker 3: despite being charged with murder. 33 00:02:00,440 --> 00:02:03,920 Speaker 4: Meanwhile, Melly slips up by spinning some shade on live microphone, 34 00:02:03,920 --> 00:02:05,920 Speaker 4: and Quinn learns more about what's bothering howk and Fit 35 00:02:06,040 --> 00:02:08,280 Speaker 4: starts poking into things that he shouldn't. 36 00:02:08,560 --> 00:02:14,560 Speaker 3: That's one way, now, Like where do we start? 37 00:02:14,639 --> 00:02:17,560 Speaker 4: There's so much to unpack here, Gasted. 38 00:02:17,800 --> 00:02:20,960 Speaker 3: Also, are you drinking wine? And what's in your office? 39 00:02:21,040 --> 00:02:24,040 Speaker 3: Behind you? Tell me everything? And what is this lip color? 40 00:02:24,360 --> 00:02:27,640 Speaker 4: I'm questions? 41 00:02:27,880 --> 00:02:32,720 Speaker 2: I'm having Waterloo the Lime version Lemon Lime very good? 42 00:02:33,320 --> 00:02:38,320 Speaker 2: And behind me is are these fictitious posters from this 43 00:02:38,639 --> 00:02:41,840 Speaker 2: one woman movie that I star in called Golden Vanity, 44 00:02:41,880 --> 00:02:45,640 Speaker 2: which is playing in Los Angeles for just another six 45 00:02:45,720 --> 00:02:47,000 Speaker 2: days including today. 46 00:02:47,240 --> 00:02:50,680 Speaker 3: Wait, Melaura, all of these posters behind you, which to 47 00:02:50,800 --> 00:02:53,440 Speaker 3: the viewer, to the audience, doesn't it looks like these 48 00:02:53,480 --> 00:02:59,040 Speaker 3: are all shows you've been old Broadway shows, way off Broadway, 49 00:02:59,080 --> 00:03:01,800 Speaker 3: regional plays. That is not true. That is not that. 50 00:03:02,320 --> 00:03:05,880 Speaker 2: No, they're actually set decor from this movie that I 51 00:03:05,960 --> 00:03:09,800 Speaker 2: play a Mabel Montgomery Mayflower, who is a fading, fading 52 00:03:09,880 --> 00:03:14,079 Speaker 2: movie star ala Judy Garland Elizabeth Taylor. Yeah, said in 53 00:03:14,200 --> 00:03:16,600 Speaker 2: nineteen sixty seven. And these are all of the movies 54 00:03:16,600 --> 00:03:21,360 Speaker 2: that she starred, and The Magician's Assistant and Equestrian Request 55 00:03:21,440 --> 00:03:24,800 Speaker 2: and Bookworm and All's Fair in the World's Fair, and 56 00:03:24,840 --> 00:03:27,239 Speaker 2: they go on and on. But she's sort of a 57 00:03:27,280 --> 00:03:30,960 Speaker 2: fictitious movie star that barricades herself in her mansion and 58 00:03:31,560 --> 00:03:34,000 Speaker 2: decides that she needs to record her life story to 59 00:03:34,080 --> 00:03:38,000 Speaker 2: finally set the record straight. So it's very funny, it's dark, 60 00:03:38,200 --> 00:03:41,480 Speaker 2: it's tragic, but it's a really great indie movie. Was 61 00:03:41,520 --> 00:03:43,560 Speaker 2: made for one hundred and fifty thousand dollars you guys, 62 00:03:43,560 --> 00:03:47,240 Speaker 2: oh wow, or monetarily. We don't yet have a distributor, 63 00:03:47,280 --> 00:03:50,200 Speaker 2: but we have something to get one interested. Yeah, it's 64 00:03:50,240 --> 00:03:53,040 Speaker 2: pretty great, I have to say so. Anybody that's a 65 00:03:53,080 --> 00:03:55,880 Speaker 2: fan of mine, or if I've done anything to make 66 00:03:55,960 --> 00:03:58,960 Speaker 2: anyone happy or make them laugh, make me happy and 67 00:03:59,000 --> 00:03:59,400 Speaker 2: come and. 68 00:03:59,360 --> 00:04:02,160 Speaker 4: Show see this movie. And you said, I want all 69 00:04:02,240 --> 00:04:04,360 Speaker 4: those posters to put them up in my house. I 70 00:04:04,480 --> 00:04:06,160 Speaker 4: love it. You said, I want everyone. 71 00:04:06,360 --> 00:04:08,800 Speaker 3: Did you just go up to the art department and 72 00:04:08,840 --> 00:04:10,960 Speaker 3: you were like, I will take all of those. 73 00:04:11,200 --> 00:04:14,240 Speaker 2: What's really fun about it is that my husband. So 74 00:04:14,480 --> 00:04:17,360 Speaker 2: it's like Mickey Rooney and Judy Garland did all those 75 00:04:17,480 --> 00:04:22,240 Speaker 2: movies together. So basically, this fictitious movie star, Mabel Montgomery Mayflower, 76 00:04:22,360 --> 00:04:24,320 Speaker 2: she did all of her movies with a guy named 77 00:04:24,400 --> 00:04:28,680 Speaker 2: Jimbo Layson. And so actually they used my real husband's 78 00:04:28,760 --> 00:04:33,960 Speaker 2: face to be had to have it, like that's really 79 00:04:34,200 --> 00:04:35,320 Speaker 2: you know, to have it. 80 00:04:35,480 --> 00:04:36,240 Speaker 4: I love it. 81 00:04:36,320 --> 00:04:38,800 Speaker 2: Yeah, And this artist that did it was just that 82 00:04:38,839 --> 00:04:41,719 Speaker 2: one is from a real picture from actually going to 83 00:04:41,839 --> 00:04:45,320 Speaker 2: Jason Rightman's Halloween party one year. We dressed like that 84 00:04:45,480 --> 00:04:48,400 Speaker 2: and that was a real picture. Oh my god, it 85 00:04:48,440 --> 00:04:49,880 Speaker 2: was too too much. 86 00:04:49,760 --> 00:04:52,560 Speaker 3: Like us to be yoh no, too perfect tonight. And 87 00:04:52,640 --> 00:04:55,200 Speaker 3: let me tell you something, it is a sick backdrop 88 00:04:55,320 --> 00:04:58,440 Speaker 3: for whether you're at a Zoom meeting, you're on a 89 00:04:59,560 --> 00:05:02,880 Speaker 3: time all with your family. It is very good. 90 00:05:03,240 --> 00:05:04,680 Speaker 2: It works, it works good. 91 00:05:05,000 --> 00:05:10,120 Speaker 3: Do you remember in twenty thirteen where you were when 92 00:05:10,240 --> 00:05:14,400 Speaker 3: this scandal situation came into your life. 93 00:05:14,640 --> 00:05:17,719 Speaker 2: In twenty thirteen, That means that my eldest daughter, Rory 94 00:05:17,880 --> 00:05:22,679 Speaker 2: was twelve and my youngest daughter, Piper was eight. That's 95 00:05:23,000 --> 00:05:31,160 Speaker 2: weird question in university, So that's weird. I was like 96 00:05:31,240 --> 00:05:33,719 Speaker 2: being a mom and I was working on the office 97 00:05:34,040 --> 00:05:37,799 Speaker 2: and I was doing yeah, like doing all that. 98 00:05:38,640 --> 00:05:40,960 Speaker 4: Was it a straight up offer? Melaura? Did they like 99 00:05:41,160 --> 00:05:43,640 Speaker 4: call your peeps and were like, we wanted to play 100 00:05:43,640 --> 00:05:44,040 Speaker 4: this role? 101 00:05:44,400 --> 00:05:48,000 Speaker 3: Yes you did, Yes, yes, of course, And hey you 102 00:05:48,279 --> 00:05:51,400 Speaker 3: had you ever seen scandal before? Or were you so 103 00:05:51,560 --> 00:05:53,680 Speaker 3: busy in the mom world and working on the office 104 00:05:53,720 --> 00:05:56,400 Speaker 3: and things that you were like, yeah, great, sounds good. 105 00:05:56,400 --> 00:05:58,359 Speaker 3: I would love to do it whatever, Or did you 106 00:05:58,440 --> 00:06:01,279 Speaker 3: know someone involved? Had you worked with Carry or Patrick 107 00:06:01,320 --> 00:06:02,839 Speaker 3: Fabian before anything like that? 108 00:06:03,440 --> 00:06:08,200 Speaker 2: Tom Verica and I were friends. Maybe I'd seen an episode, 109 00:06:08,279 --> 00:06:10,239 Speaker 2: but I really hadn't seen much. I don't watch ATV. 110 00:06:10,400 --> 00:06:12,919 Speaker 2: We turned our TV off twenty two years ago and 111 00:06:12,960 --> 00:06:14,039 Speaker 2: we never turned it back on. 112 00:06:14,240 --> 00:06:15,280 Speaker 4: I love that. 113 00:06:16,120 --> 00:06:19,159 Speaker 2: So if I don't even have a television in my house, 114 00:06:19,240 --> 00:06:20,880 Speaker 2: our television is in the guest house. 115 00:06:21,240 --> 00:06:24,000 Speaker 4: Are you kidding? I am addicted, Melaura. I can't stop. 116 00:06:24,040 --> 00:06:26,400 Speaker 4: Please help me. What do I do? Are you like 117 00:06:26,440 --> 00:06:29,440 Speaker 4: an avid reader or are you like what? How do 118 00:06:29,520 --> 00:06:32,200 Speaker 4: you find yourself like spending time without a television? What 119 00:06:32,200 --> 00:06:34,880 Speaker 4: do you do? What do you love to do? 120 00:06:35,680 --> 00:06:39,559 Speaker 3: Grama watches a lot of horror movies. We have something 121 00:06:39,600 --> 00:06:44,080 Speaker 3: on this podcast called six Degrees of Horror where, yeah. 122 00:06:43,240 --> 00:06:45,920 Speaker 4: Oh, I have a couple of I saw last night, 123 00:06:46,120 --> 00:06:49,360 Speaker 4: I hunkered down, Malaura and watched two of your horror 124 00:06:49,360 --> 00:06:55,120 Speaker 4: movies horror. I traumatized by Caged But we'll get to that. 125 00:06:55,960 --> 00:07:00,080 Speaker 4: Oh my god, but I digress. So wait, how do 126 00:06:59,960 --> 00:07:01,920 Speaker 4: you find you're in your housbod? How do you find 127 00:07:01,960 --> 00:07:05,000 Speaker 4: yourselves spending time like without a television? 128 00:07:05,400 --> 00:07:07,719 Speaker 2: I'm an artist too, and I spend a lot of 129 00:07:07,760 --> 00:07:12,520 Speaker 2: time making my collage art and petting my dog and yeah, 130 00:07:12,800 --> 00:07:15,720 Speaker 2: you know, cooking and cleaning up and like organizing the 131 00:07:15,760 --> 00:07:18,960 Speaker 2: house and calling friends, talking to friends. 132 00:07:19,320 --> 00:07:21,160 Speaker 3: Are you ever in a position where people are talking 133 00:07:21,200 --> 00:07:24,240 Speaker 3: about the hottest, bestest show that's changed everyone, like a 134 00:07:24,280 --> 00:07:26,760 Speaker 3: Game of Thrones moment that eighteen million people are watching 135 00:07:26,760 --> 00:07:29,200 Speaker 3: at the same time. Do you feel fomo or you 136 00:07:29,240 --> 00:07:32,600 Speaker 3: feel joemo. And for those listening, that's fear of missing 137 00:07:32,600 --> 00:07:35,000 Speaker 3: out versus joy of missing out. 138 00:07:35,040 --> 00:07:38,000 Speaker 4: I've never heard of Jomo Katie Joy mad. 139 00:07:38,760 --> 00:07:41,160 Speaker 3: I probably did it, but it's for today. 140 00:07:41,200 --> 00:07:45,360 Speaker 2: I did. Yeah, I figure I'll get any information I 141 00:07:45,440 --> 00:07:50,960 Speaker 2: really need from everybody else. I can just nod my 142 00:07:51,040 --> 00:07:54,640 Speaker 2: head and if I really need to get into an 143 00:07:54,680 --> 00:07:58,160 Speaker 2: engaged conversation about something, I'll watch it, or I'll watch 144 00:07:58,200 --> 00:08:00,640 Speaker 2: an episode or all. Like. It's not that I don't 145 00:08:00,680 --> 00:08:04,000 Speaker 2: watch things I do, it's just weirdly, there was a 146 00:08:04,040 --> 00:08:07,920 Speaker 2: time when I really did miss it. Stopping drinking Coca cola. 147 00:08:08,120 --> 00:08:10,840 Speaker 2: There was a time I drank a Coca cola every 148 00:08:10,960 --> 00:08:13,080 Speaker 2: day at lunch when I was growing up. 149 00:08:13,360 --> 00:08:14,720 Speaker 3: My dad had a Coca Cola. 150 00:08:14,960 --> 00:08:19,440 Speaker 2: I haven't had a Coca cola in probably twenty five years, 151 00:08:19,440 --> 00:08:20,400 Speaker 2: maybe thirty years. 152 00:08:20,480 --> 00:08:23,880 Speaker 4: You're inside, you're so clean. I just saw that coke 153 00:08:24,200 --> 00:08:27,160 Speaker 4: is the worst. Yeah, it's worse Coca cola. 154 00:08:27,560 --> 00:08:29,800 Speaker 2: It really was the thing that quenched my thirst more 155 00:08:29,880 --> 00:08:32,480 Speaker 2: than anything else. But I had a doctor tell me like, 156 00:08:32,840 --> 00:08:35,600 Speaker 2: just don't drink it. I had a little scared. I 157 00:08:35,679 --> 00:08:39,160 Speaker 2: was like, okay, I'm justad it's best so I just did, 158 00:08:39,400 --> 00:08:42,200 Speaker 2: and now I would never drink it. It's the same 159 00:08:42,200 --> 00:08:43,360 Speaker 2: with TV. I'm just goode. 160 00:08:43,480 --> 00:08:47,680 Speaker 3: I'll tell you, yeah, looking at you and how stunning 161 00:08:47,720 --> 00:08:51,360 Speaker 3: you are your two children being like full on grown ups. 162 00:08:51,360 --> 00:08:52,600 Speaker 3: I have a three year old and a six year old. 163 00:08:52,640 --> 00:08:55,319 Speaker 3: I'm like about to march out of this podcast and 164 00:08:56,160 --> 00:08:59,240 Speaker 3: throw out all the Coca cola and the televisions with 165 00:08:59,320 --> 00:09:01,760 Speaker 3: it if I want a prayer in hell of being 166 00:09:01,840 --> 00:09:05,120 Speaker 3: like Melaura Harden, we listeners are going to take you 167 00:09:05,160 --> 00:09:08,680 Speaker 3: through all of our standards. We've got six degrees of 168 00:09:08,720 --> 00:09:11,360 Speaker 3: horror with g We've got the fashion moments. We've got 169 00:09:11,400 --> 00:09:14,240 Speaker 3: like the hottest Kerry Washington acting moments of the episode, 170 00:09:14,280 --> 00:09:17,160 Speaker 3: the best Shonda Rhime's moments of the episode. This episode 171 00:09:18,280 --> 00:09:23,200 Speaker 3: is famous in my impact. It's famous in my heart 172 00:09:23,360 --> 00:09:26,640 Speaker 3: because it's the dick pic episode. 173 00:09:26,679 --> 00:09:27,000 Speaker 4: Guys. 174 00:09:27,280 --> 00:09:32,120 Speaker 2: Yes, I love that one shot with the probably wasn't 175 00:09:32,160 --> 00:09:36,320 Speaker 2: Patrick but wearing the white whitey tidy tidy and I 176 00:09:36,480 --> 00:09:40,640 Speaker 2: was wondering the full erection underneath his under his tidy whities. 177 00:09:40,640 --> 00:09:42,840 Speaker 2: I'm like, oh my god, wait a minute, isn't this 178 00:09:42,960 --> 00:09:45,679 Speaker 2: night time television on a major network. I don't get it. 179 00:09:45,760 --> 00:09:49,240 Speaker 4: Yeah, the things we got away with on Scandal. It's crazy, 180 00:09:49,240 --> 00:09:51,520 Speaker 4: but I wondered the same thing. It's probably not. 181 00:09:52,200 --> 00:09:54,319 Speaker 3: But it's this number. I could probably text him and 182 00:09:54,400 --> 00:09:55,000 Speaker 3: ask him. 183 00:09:55,160 --> 00:09:57,120 Speaker 4: Text him right now and tell to send you that picture. 184 00:09:57,480 --> 00:09:57,760 Speaker 2: Good. 185 00:09:58,640 --> 00:10:03,160 Speaker 3: I want to know, like everything about this episode just 186 00:10:03,600 --> 00:10:06,280 Speaker 3: rocked me because it was at the time, and correct 187 00:10:06,320 --> 00:10:10,120 Speaker 3: me if I'm wrong. This was the whole time that Wiener, 188 00:10:10,520 --> 00:10:14,240 Speaker 3: the Anthony Wiener. This is one of the amazing Scandal 189 00:10:14,280 --> 00:10:17,480 Speaker 3: episodes that we got to do where the main a 190 00:10:17,679 --> 00:10:22,040 Speaker 3: storyline is completely ripped from the actual news. This is 191 00:10:22,080 --> 00:10:25,000 Speaker 3: not made up. There is a high profile Anthony Wiener 192 00:10:25,200 --> 00:10:32,640 Speaker 3: politician who literally couldn't stop sending like dig and I 193 00:10:33,720 --> 00:10:35,360 Speaker 3: was on the edge of my seat. And of course 194 00:10:35,800 --> 00:10:38,679 Speaker 3: for me, I want to hear about your favorite moments, Malaura. 195 00:10:38,720 --> 00:10:42,000 Speaker 3: Did you have any highlights of the episode that struck. 196 00:10:41,720 --> 00:10:48,680 Speaker 2: For you very much like the picture of the tidy whities? Yeah, same, 197 00:10:48,960 --> 00:10:52,320 Speaker 2: just like that. So I thought that scene with Olivia 198 00:10:52,440 --> 00:10:55,160 Speaker 2: with Carrie and I was really fun. I thought in 199 00:10:55,240 --> 00:10:56,479 Speaker 2: the hotel. 200 00:10:56,160 --> 00:10:58,720 Speaker 4: Room, oh yeah, where you're buzzed. 201 00:10:58,960 --> 00:11:01,520 Speaker 2: Yes, I'm just with this and I hate him and 202 00:11:01,800 --> 00:11:03,720 Speaker 2: how could I even do this? And then when Carrie 203 00:11:03,760 --> 00:11:05,720 Speaker 2: has the idea that like you don't have to lie. 204 00:11:06,440 --> 00:11:10,080 Speaker 3: Yes, anything that sticks out in your memory of or 205 00:11:10,120 --> 00:11:12,640 Speaker 3: of course coming into OPA and working with the amazing 206 00:11:12,679 --> 00:11:13,800 Speaker 3: gear medias, I mean. 207 00:11:14,440 --> 00:11:17,360 Speaker 2: Yes, I do. I remember all those things just at 208 00:11:17,440 --> 00:11:20,120 Speaker 2: you know, the pace of the show was like super fast, 209 00:11:20,760 --> 00:11:23,600 Speaker 2: and that was interesting just you know, I like that 210 00:11:23,640 --> 00:11:25,920 Speaker 2: when you like shows that are just they're going along, 211 00:11:25,960 --> 00:11:27,960 Speaker 2: they're doing their own thing, and you get you have 212 00:11:28,000 --> 00:11:31,120 Speaker 2: to fold into the to the tone the style of 213 00:11:31,200 --> 00:11:33,840 Speaker 2: the show, and I found that interesting. And that was 214 00:11:33,880 --> 00:11:35,679 Speaker 2: a scene. That scene in the hotel room was one 215 00:11:35,679 --> 00:11:38,440 Speaker 2: where we could just relax a little bit. I think 216 00:11:38,520 --> 00:11:41,000 Speaker 2: Tom even came down for a few minutes from the 217 00:11:41,040 --> 00:11:43,400 Speaker 2: office just to just to say hi and watch a 218 00:11:43,400 --> 00:11:46,720 Speaker 2: little bit, did he Yeah, Yeah, that was really nice. Yeah, 219 00:11:46,760 --> 00:11:49,880 Speaker 2: I think that. I just remember feeling really connected and 220 00:11:49,960 --> 00:11:53,800 Speaker 2: it was a really nice scene and very really well 221 00:11:53,800 --> 00:11:56,400 Speaker 2: written and really fun, just a really fun view. 222 00:11:56,520 --> 00:11:57,880 Speaker 3: Was so well written. 223 00:11:58,520 --> 00:11:59,839 Speaker 4: I was going to tell me Laura how much I 224 00:12:00,080 --> 00:12:03,280 Speaker 4: loved her hairdo on the show. You have this updu 225 00:12:03,280 --> 00:12:07,600 Speaker 4: you know that's just so staunch and so like serious. 226 00:12:07,240 --> 00:12:11,080 Speaker 3: Fashion moment of the episode, so good fashion. This fucking 227 00:12:11,120 --> 00:12:14,800 Speaker 3: episode is all about Melaura Harden's fucking French twist. 228 00:12:15,080 --> 00:12:19,400 Speaker 2: Yes, and it's kind of a weird French twists. It's 229 00:12:19,400 --> 00:12:20,440 Speaker 2: a weird French. 230 00:12:20,280 --> 00:12:21,520 Speaker 4: Twist, a weird one. 231 00:12:21,679 --> 00:12:25,400 Speaker 2: It's not like the typical, almost like a little bit 232 00:12:25,640 --> 00:12:30,079 Speaker 2: like going this way, a little bit star Trek even. 233 00:12:30,880 --> 00:12:35,040 Speaker 4: It was a little star like Gary Oldman in Dracula, 234 00:12:35,160 --> 00:12:36,960 Speaker 4: you know when he has that sort of that do 235 00:12:37,000 --> 00:12:38,199 Speaker 4: you that's pulled back like that? 236 00:12:39,720 --> 00:12:42,400 Speaker 3: Was that a conscious choice on your behalf or it 237 00:12:42,480 --> 00:12:45,079 Speaker 3: was just like that's what was decided or how did 238 00:12:45,120 --> 00:12:45,640 Speaker 3: that happen? 239 00:12:45,720 --> 00:12:48,600 Speaker 2: I think we collaborated on that together. We just figured 240 00:12:48,600 --> 00:12:51,600 Speaker 2: out what would be the best thing for her. I 241 00:12:51,640 --> 00:12:55,680 Speaker 2: remember agreeing that we wanted her to look very corporate, 242 00:12:56,559 --> 00:13:01,440 Speaker 2: very corporate, very pulled together, very classy. Well, her life 243 00:13:01,600 --> 00:13:03,800 Speaker 2: was all in order until. 244 00:13:03,480 --> 00:13:07,880 Speaker 3: This, until it is not. That is my fashion moment 245 00:13:08,000 --> 00:13:11,559 Speaker 3: of the whole episode? Is that dang? Oh yeah, that hairstyle. 246 00:13:11,880 --> 00:13:13,959 Speaker 3: That's what stuck out for me. Over the cl I'm 247 00:13:13,960 --> 00:13:16,480 Speaker 3: thinking like, oh, what were my favorite clothing was a favorite? 248 00:13:16,520 --> 00:13:19,520 Speaker 3: And I was like, it's Malura Harden's hair, like one hundred. 249 00:13:21,600 --> 00:13:26,240 Speaker 4: We'll be right back, guys. 250 00:13:28,920 --> 00:13:34,360 Speaker 3: I thought that your work on the stand is my 251 00:13:34,640 --> 00:13:37,280 Speaker 3: Harry Washington acting moment of the Week, and I want 252 00:13:37,320 --> 00:13:39,560 Speaker 3: to hear your guys, but it's my Carry Washington acting 253 00:13:39,600 --> 00:13:44,200 Speaker 3: moment of the week, and it's also just for you 254 00:13:44,200 --> 00:13:50,360 Speaker 3: guys listening. In the episode, she's standing by dick husband 255 00:13:50,600 --> 00:13:53,679 Speaker 3: for the whole episode, like he did not murder anybody, 256 00:13:53,840 --> 00:13:56,720 Speaker 3: And you think that it's only one girl that he's 257 00:13:56,760 --> 00:14:00,480 Speaker 3: sending these pictures to, and the whole episode unleashes how 258 00:14:00,559 --> 00:14:03,520 Speaker 3: many chicks he's sending these things to. And then you 259 00:14:03,559 --> 00:14:05,760 Speaker 3: finally get up on the stand and you say how 260 00:14:05,800 --> 00:14:08,640 Speaker 3: you really feel about him? Yeah, he's a disgusting piece 261 00:14:08,640 --> 00:14:08,920 Speaker 3: of shit. 262 00:14:09,440 --> 00:14:12,040 Speaker 4: Rosen Asser, Right, He's like and he assumes that the 263 00:14:12,080 --> 00:14:13,560 Speaker 4: answer is going to be yes. Of course. He's like, 264 00:14:13,559 --> 00:14:15,640 Speaker 4: do you you love your husband? Right? And she's like, no, 265 00:14:15,720 --> 00:14:18,400 Speaker 4: I don't love him. And he was such a great 266 00:14:18,559 --> 00:14:22,120 Speaker 4: like turn and unexpected like answer. And people are like, oh, 267 00:14:22,120 --> 00:14:24,160 Speaker 4: my god, of course she's telling the truth. Because she's 268 00:14:24,240 --> 00:14:26,920 Speaker 4: telling the truth. I fucking hate him, But he wasn't 269 00:14:26,920 --> 00:14:29,400 Speaker 4: a murderer. Yeah, of course they're going to acquit him. 270 00:14:29,800 --> 00:14:31,560 Speaker 2: And she actually was telling the truth. 271 00:14:32,040 --> 00:14:34,480 Speaker 4: Yeah, yeah, exactly. 272 00:14:34,960 --> 00:14:37,880 Speaker 3: And Josh Molina's double take on that was so good. 273 00:14:38,040 --> 00:14:40,920 Speaker 3: What you don't you like, he does a whole double 274 00:14:41,000 --> 00:14:46,120 Speaker 3: take really good. Rosen is such a Rosan bozo dufis 275 00:14:46,240 --> 00:14:48,440 Speaker 3: all the time, the poor guy. He just gets the 276 00:14:48,480 --> 00:14:49,480 Speaker 3: short end of the stick. 277 00:14:50,520 --> 00:14:52,840 Speaker 4: But lord, did our director keep coming in and telling 278 00:14:52,840 --> 00:14:55,240 Speaker 4: you to pick up the pace because that's what they 279 00:14:55,400 --> 00:14:57,440 Speaker 4: They did that with us all the time, just to 280 00:14:57,520 --> 00:15:00,400 Speaker 4: keep that pace up faster us. 281 00:15:01,440 --> 00:15:07,160 Speaker 5: Yeah, it's so annoying that it makes the scenes better, 282 00:15:07,320 --> 00:15:10,280 Speaker 5: Like it truly makes everything better when you're just speaking 283 00:15:10,320 --> 00:15:12,280 Speaker 5: faster and keeping that pace up. 284 00:15:12,520 --> 00:15:14,440 Speaker 2: It works for you for that show, for sure. 285 00:15:14,680 --> 00:15:17,240 Speaker 3: Yeah, I totally did. G and Melaura, did you have 286 00:15:17,280 --> 00:15:20,680 Speaker 3: favorite acting moments Harry Washington School of Acting Moments from 287 00:15:20,720 --> 00:15:21,560 Speaker 3: episode three or four? 288 00:15:22,920 --> 00:15:25,560 Speaker 4: I had one. It's a little it's a bit vain 289 00:15:25,680 --> 00:15:31,360 Speaker 4: because with me and you, I love when Huck turned 290 00:15:31,920 --> 00:15:36,240 Speaker 4: So throughout the episode, Quinn is trailing Huck, She's following him. 291 00:15:36,320 --> 00:15:39,280 Speaker 4: She goes to an AA meeting and Huck is saying 292 00:15:39,280 --> 00:15:42,640 Speaker 4: he drank whiskey, which is code word for I murdered someone, 293 00:15:42,720 --> 00:15:45,280 Speaker 4: and she just she's just behind him and following him 294 00:15:45,320 --> 00:15:48,000 Speaker 4: throughout the episode, and finally he turns around in the 295 00:15:48,040 --> 00:15:51,440 Speaker 4: office and he's like, you're interested, Like, I know you're 296 00:15:51,480 --> 00:15:54,320 Speaker 4: interested in being like me and killing people and you 297 00:15:54,400 --> 00:15:56,480 Speaker 4: need to stop. And oh, I just love that scene. 298 00:15:56,560 --> 00:15:59,480 Speaker 4: And your reactions to me were so good because you're 299 00:15:59,520 --> 00:16:02,040 Speaker 4: like you were almost like getting off on it and 300 00:16:02,080 --> 00:16:03,840 Speaker 4: exhilarated with what I was telling you. 301 00:16:03,920 --> 00:16:07,960 Speaker 3: I normally think I'm so terrible, and I'm usually pretty right, 302 00:16:08,080 --> 00:16:10,760 Speaker 3: but like that scene, I was like, I buy it. 303 00:16:11,320 --> 00:16:12,760 Speaker 4: Yes, I bought it. 304 00:16:13,280 --> 00:16:14,920 Speaker 3: Show I buy it. 305 00:16:15,640 --> 00:16:18,480 Speaker 2: I thought, you guys a storyline, you know, being that 306 00:16:18,560 --> 00:16:21,360 Speaker 2: I'm not like watching every episode of Scandal. I thought 307 00:16:21,400 --> 00:16:24,800 Speaker 2: that storyline was really interesting and great. I totally got 308 00:16:25,360 --> 00:16:28,000 Speaker 2: sucked into that and knew what was going on, what 309 00:16:28,160 --> 00:16:30,680 Speaker 2: was going on with you guys. And I also thought 310 00:16:30,720 --> 00:16:34,120 Speaker 2: that was a really interesting word that he kept using. 311 00:16:34,240 --> 00:16:37,760 Speaker 2: I can stop interested. That was great. That was a 312 00:16:37,840 --> 00:16:39,680 Speaker 2: really great I really liked that. I was like, that's 313 00:16:39,720 --> 00:16:42,720 Speaker 2: a really interesting thing for him to say stop being interested, 314 00:16:42,800 --> 00:16:46,040 Speaker 2: rather than stop asking questions or stop it was a 315 00:16:46,040 --> 00:16:47,440 Speaker 2: good It was good writing there. 316 00:16:47,920 --> 00:16:50,120 Speaker 3: Yeah, this is where we start to see how sick 317 00:16:50,280 --> 00:16:53,520 Speaker 3: Quinn really is, and I'm like all about it. 318 00:16:53,920 --> 00:16:57,520 Speaker 4: Just to jump off really quickly, there is a fun 319 00:16:57,560 --> 00:16:59,360 Speaker 4: piece of trivia that I just want to throw it 320 00:16:59,480 --> 00:17:03,720 Speaker 4: you guys and at our listeners about Melaura. That freaking 321 00:17:03,960 --> 00:17:09,280 Speaker 4: blew my mind. So there was a little movie called 322 00:17:09,320 --> 00:17:13,439 Speaker 4: Back to the Future and well Melaura. There was an 323 00:17:13,480 --> 00:17:17,679 Speaker 4: actress who was playing Marty McFly's girlfriend named Jennifer Parker. 324 00:17:18,080 --> 00:17:21,080 Speaker 4: Her name was Claudia Wells, and this actress booked a pilot, 325 00:17:21,720 --> 00:17:25,159 Speaker 4: she dropped out of the movie, and Melaura was cast 326 00:17:25,400 --> 00:17:29,160 Speaker 4: as Marty McFly's girlfriend, Malaura. Do you want to tell 327 00:17:29,160 --> 00:17:30,199 Speaker 4: a little bit of that story. 328 00:17:30,680 --> 00:17:34,439 Speaker 2: Eric Stoltz was hired to play Marty Hi and I 329 00:17:34,600 --> 00:17:37,520 Speaker 2: was cast to play his girlfriend. And then when he 330 00:17:37,680 --> 00:17:40,040 Speaker 2: was fired two weeks in and we did all the 331 00:17:40,080 --> 00:17:43,840 Speaker 2: promo stuff and everything. There were there's a guy who 332 00:17:43,880 --> 00:17:45,600 Speaker 2: wrote a book about Back to the Future actually, and 333 00:17:45,640 --> 00:17:47,960 Speaker 2: he was the one that called and told me that 334 00:17:48,040 --> 00:17:52,040 Speaker 2: it was two female executives in nineteen eighty whatever that 335 00:17:52,119 --> 00:17:55,280 Speaker 2: was six that said that they thought it emasculated their 336 00:17:55,359 --> 00:17:59,400 Speaker 2: lead man to have a girlfriend taller than him, and 337 00:17:59,440 --> 00:18:03,439 Speaker 2: Michael J. Fox is much shorter than me. So they 338 00:18:03,480 --> 00:18:06,600 Speaker 2: were the ones who decided, even against Bob's Mechus and 339 00:18:06,640 --> 00:18:09,600 Speaker 2: Bob Gail, who both were like, what, we think she's great, 340 00:18:09,680 --> 00:18:13,919 Speaker 2: Let's keep her, and the two female executives were They were. 341 00:18:13,840 --> 00:18:17,600 Speaker 3: Wow, my, yeah, that is. 342 00:18:19,119 --> 00:18:19,560 Speaker 2: Wild. 343 00:18:20,280 --> 00:18:22,160 Speaker 4: How trippy was that? Oh? 344 00:18:22,320 --> 00:18:23,159 Speaker 3: So, how old were you? 345 00:18:23,200 --> 00:18:24,520 Speaker 2: How old are You're seventeen? 346 00:18:24,600 --> 00:18:28,840 Speaker 3: I think, oh my god, well a really crazy Scandal 347 00:18:28,960 --> 00:18:35,760 Speaker 3: trivia history. George Newbern who played Quinn's husband and he 348 00:18:35,800 --> 00:18:39,320 Speaker 3: plays Charlie on Scandal for all seven seasons, and my 349 00:18:39,440 --> 00:18:42,359 Speaker 3: character and his his end up getting married in the 350 00:18:42,440 --> 00:18:45,440 Speaker 3: end and having a baby. But he was flown from 351 00:18:45,480 --> 00:18:50,199 Speaker 3: Northwestern University to screen test against Stoltz and Michael J. 352 00:18:50,359 --> 00:18:55,080 Speaker 3: Fox for Back to the Future in another alternate universe 353 00:18:55,080 --> 00:18:58,280 Speaker 3: sliding doors moment. Yeah, back to the Future is starring 354 00:18:58,359 --> 00:19:03,880 Speaker 3: George Newbern and which also would have been outstanding. 355 00:19:03,960 --> 00:19:04,760 Speaker 2: All other things. 356 00:19:05,400 --> 00:19:07,280 Speaker 3: Was there any eating in this episode? 357 00:19:07,640 --> 00:19:10,479 Speaker 4: There was some eating in the OPA office. You and 358 00:19:10,520 --> 00:19:14,720 Speaker 4: I are eating eating a pickle, and I bet, I 359 00:19:14,760 --> 00:19:17,800 Speaker 4: would bet a flinking hundred dollars that you had hummus 360 00:19:17,840 --> 00:19:20,440 Speaker 4: on the side with that pickle. And I probably said, 361 00:19:20,440 --> 00:19:22,480 Speaker 4: give me what Katie's eating, because I used to just 362 00:19:22,520 --> 00:19:23,480 Speaker 4: eat whatever you were eating. 363 00:19:23,640 --> 00:19:25,879 Speaker 3: One of my go to snacks on Scandal was just 364 00:19:25,960 --> 00:19:31,200 Speaker 3: dipping kosher salty pickles into a to go thing of hummus, 365 00:19:31,280 --> 00:19:34,000 Speaker 3: And definitely one of the scenes in this episode I 366 00:19:34,040 --> 00:19:36,520 Speaker 3: totally forgot is Quinn taking a bite out of a pickle. 367 00:19:36,520 --> 00:19:39,760 Speaker 3: And I have to say, usually I think acting while 368 00:19:39,800 --> 00:19:42,760 Speaker 3: eating looks really good. And when I watched me do it, 369 00:19:42,800 --> 00:19:44,720 Speaker 3: I was like, Oh, that's definitely not Quinn, that's Katie, 370 00:19:44,760 --> 00:19:46,240 Speaker 3: and it looks so stupid. 371 00:19:46,800 --> 00:19:49,359 Speaker 4: You looked at that pickle like it said something mean 372 00:19:49,400 --> 00:19:51,560 Speaker 4: to you. You were like, and then you ate it. 373 00:19:51,560 --> 00:19:55,280 Speaker 4: It was so funny me, Laura, do you like to 374 00:19:55,320 --> 00:19:58,080 Speaker 4: eat on set? Are you like a Grazer craft service 375 00:19:58,160 --> 00:19:59,760 Speaker 4: or do you try to stay away from the food? 376 00:20:00,359 --> 00:20:03,160 Speaker 2: I try to stay away from. Yeah, the craft service, yeah, 377 00:20:03,200 --> 00:20:08,760 Speaker 2: for sure. Usually isn't really very good. Usually it's just 378 00:20:08,800 --> 00:20:10,560 Speaker 2: a lot of crap. But when I wake up for 379 00:20:10,600 --> 00:20:13,200 Speaker 2: a super early call time, I do have to eat 380 00:20:13,240 --> 00:20:15,159 Speaker 2: a little bit more than I eat in a normal 381 00:20:15,240 --> 00:20:19,960 Speaker 2: day just to keep going. And I have to nap too, Yes, yeah, 382 00:20:20,080 --> 00:20:22,640 Speaker 2: usually I'll nap at lunchtime. If I'm working a lot 383 00:20:22,680 --> 00:20:25,080 Speaker 2: and I've started at four am or five am or something, 384 00:20:25,119 --> 00:20:27,879 Speaker 2: I cannot I hate early morning. I definitely have to 385 00:20:27,960 --> 00:20:29,679 Speaker 2: nap if I get up that early and I have 386 00:20:29,720 --> 00:20:31,200 Speaker 2: to keep going and going. 387 00:20:31,840 --> 00:20:37,879 Speaker 3: Yeah, Okay, anybody's favorite writing moments of the episode, because 388 00:20:38,320 --> 00:20:42,520 Speaker 3: mine is definitely all the girls on the stands. Yes, 389 00:20:43,040 --> 00:20:46,560 Speaker 3: they cut together all of his texts that were just 390 00:20:46,680 --> 00:20:48,880 Speaker 3: so dirty. I wish I had them to read right now? 391 00:20:48,920 --> 00:20:52,040 Speaker 3: Does any those they killed me? 392 00:20:52,359 --> 00:20:52,880 Speaker 4: So good? 393 00:20:53,240 --> 00:20:56,360 Speaker 2: I am a toilet he wanted, oh yeah. 394 00:20:56,240 --> 00:21:00,000 Speaker 3: Something about wanting to pee or toilet, I don't remember. 395 00:20:59,680 --> 00:21:02,679 Speaker 4: What it was. He wanted me to be his toiletters 396 00:21:02,840 --> 00:21:05,200 Speaker 4: or yeah, something he wanted to be my toilet. 397 00:21:06,760 --> 00:21:09,120 Speaker 3: All I do is picture our writers, who are all 398 00:21:09,160 --> 00:21:11,920 Speaker 3: friends of ours, sitting in a circle in the writer's 399 00:21:12,000 --> 00:21:13,880 Speaker 3: room just coming up with what these. 400 00:21:13,720 --> 00:21:15,120 Speaker 2: Texts someone else? 401 00:21:16,760 --> 00:21:20,000 Speaker 3: What would be such a dirty ass text that on 402 00:21:20,080 --> 00:21:23,200 Speaker 3: a court stand would be just so inappropriate and hilarious. 403 00:21:23,280 --> 00:21:25,480 Speaker 4: That was my favorite movie, Yeah, Katie. One of my 404 00:21:25,600 --> 00:21:28,280 Speaker 4: A couple of my favorite lines are by Abby. Abby 405 00:21:28,359 --> 00:21:32,240 Speaker 4: says when we're boarding Senator that your husband Laura's husband, 406 00:21:32,480 --> 00:21:35,040 Speaker 4: and Abby says, slutshame the dead girl all aboard. 407 00:21:35,240 --> 00:21:38,879 Speaker 3: Oh yeah, so good, so good, so good. 408 00:21:40,000 --> 00:21:43,520 Speaker 4: She also calls him the pervy texting pervy perv, which 409 00:21:43,520 --> 00:21:45,080 Speaker 4: I thought was really good. 410 00:21:45,040 --> 00:21:49,160 Speaker 3: And only Darby can deliver lines. Yes, so freaking well. 411 00:21:49,800 --> 00:21:53,000 Speaker 2: Yes, I will just say I loved someone That was 412 00:21:53,040 --> 00:21:54,720 Speaker 2: a standout for me. And I don't know if this 413 00:21:54,800 --> 00:21:57,160 Speaker 2: is really writing, but I guess it is writing too. 414 00:21:57,720 --> 00:22:01,760 Speaker 2: Is the widow Yes, who was there at the burial 415 00:22:01,960 --> 00:22:05,359 Speaker 2: when the president shows up. That's my favorite acting moment. 416 00:22:05,440 --> 00:22:08,200 Speaker 2: That woman. She was amazing, Milaura. 417 00:22:08,280 --> 00:22:09,520 Speaker 4: That stood out for me too. 418 00:22:09,640 --> 00:22:11,480 Speaker 2: I didn't even know that he was allowed to be 419 00:22:11,560 --> 00:22:12,400 Speaker 2: buried here, and I. 420 00:22:12,600 --> 00:22:14,080 Speaker 4: Yes, Oh did you do that? 421 00:22:14,200 --> 00:22:17,399 Speaker 2: And it was like she got so much in her 422 00:22:17,520 --> 00:22:20,840 Speaker 2: five lines, and I just believed her. And she was 423 00:22:21,000 --> 00:22:25,280 Speaker 2: so distraught and at the same time confused and honored 424 00:22:25,320 --> 00:22:28,400 Speaker 2: but also baffled and like it was all going through 425 00:22:28,400 --> 00:22:30,359 Speaker 2: her head, like but I thought he wasn't allowed to 426 00:22:30,400 --> 00:22:32,399 Speaker 2: be buried here, but he is. And now you're showing 427 00:22:32,480 --> 00:22:35,440 Speaker 2: up and it's like all these things like ticking and clicking. 428 00:22:35,800 --> 00:22:37,960 Speaker 2: She's not really putting it together because you're not getting 429 00:22:38,000 --> 00:22:39,800 Speaker 2: that she's bright enough to put that together. But then 430 00:22:39,840 --> 00:22:41,760 Speaker 2: the next scene is where you find out that he 431 00:22:41,800 --> 00:22:47,040 Speaker 2: has the tattoo of the special whatever unit that they're 432 00:22:47,040 --> 00:22:49,760 Speaker 2: trying to cover something. Right, that's probably a long story 433 00:22:49,800 --> 00:22:51,760 Speaker 2: line that must go through the season or whatever. 434 00:22:52,240 --> 00:22:54,360 Speaker 3: Yes it does, it's a whole runner. And they had 435 00:22:54,359 --> 00:22:57,200 Speaker 3: that beautiful Nina Simone song playing. I think it was 436 00:22:57,280 --> 00:23:00,399 Speaker 3: Na Simone, right, I think It's Going to Rain by 437 00:23:00,440 --> 00:23:03,919 Speaker 3: Nina simonin it's like the most beautiful, yeah version of it, 438 00:23:03,960 --> 00:23:06,679 Speaker 3: And it's so effective and so beautiful and very scammed. 439 00:23:06,760 --> 00:23:08,720 Speaker 4: And Tony's so good in that scene too. He gets 440 00:23:08,720 --> 00:23:11,879 Speaker 4: super emotional when he's saluting. Oh it's And I remember 441 00:23:12,000 --> 00:23:14,159 Speaker 4: being on set and we were on location obviously for 442 00:23:14,240 --> 00:23:17,159 Speaker 4: that scene, and I remember just watching them both and 443 00:23:17,240 --> 00:23:19,600 Speaker 4: just being like, oh my god, they're so good. They're 444 00:23:19,640 --> 00:23:23,159 Speaker 4: so sad. And of course my character is the one 445 00:23:23,160 --> 00:23:25,720 Speaker 4: that killed him, and it was actually her brother that 446 00:23:25,880 --> 00:23:28,520 Speaker 4: was murdered. But yeah, I thought the same thing. Malaura. 447 00:23:28,640 --> 00:23:31,280 Speaker 4: She really stood out. But sometimes you get guest stars 448 00:23:31,320 --> 00:23:33,760 Speaker 4: like that to just just knock it out of the park, 449 00:23:33,840 --> 00:23:36,800 Speaker 4: that are just so emotionally available and just so good. 450 00:23:36,960 --> 00:23:39,080 Speaker 4: Just so she was wonderful, just so simple. 451 00:23:39,240 --> 00:23:41,720 Speaker 2: Yeah, but it's like all the right things were going 452 00:23:41,760 --> 00:23:43,159 Speaker 2: through her head and you can just see it in 453 00:23:43,160 --> 00:23:44,440 Speaker 2: her eyes. It was fantastic. 454 00:23:45,040 --> 00:23:53,720 Speaker 3: Yeah, we will be back with more after the break me, Laura, 455 00:23:54,160 --> 00:23:57,680 Speaker 3: have you been in horror films? Germo Diaz can tell. 456 00:23:57,560 --> 00:24:02,720 Speaker 4: Us, uh, he has Melaura Harden been in horror films. 457 00:24:02,760 --> 00:24:07,320 Speaker 3: A very very successful actress. She's definitely been in horror films. 458 00:24:07,400 --> 00:24:08,400 Speaker 3: What are they g tails? 459 00:24:08,400 --> 00:24:11,679 Speaker 4: You can I just and listen these two films, I 460 00:24:11,680 --> 00:24:15,160 Speaker 4: guess I would categorize them as horror slash thriller, possibly 461 00:24:15,320 --> 00:24:18,399 Speaker 4: sci fi a little bit. The first one is called 462 00:24:18,880 --> 00:24:23,040 Speaker 4: Caged and it's on t B and Melaura plays the 463 00:24:23,080 --> 00:24:29,080 Speaker 4: most hateful prison cop. And your performance, Malaura is brilliant. 464 00:24:30,080 --> 00:24:33,119 Speaker 4: I didn't even remember it was you. You were so good. 465 00:24:33,720 --> 00:24:37,160 Speaker 4: And she has this amazing scar. The special effects makeup 466 00:24:37,160 --> 00:24:45,080 Speaker 4: person on that movie was ridiculously talented. Oh really, tell 467 00:24:45,160 --> 00:24:47,720 Speaker 4: us tell her that. Do you remember shooting that movie? 468 00:24:47,880 --> 00:24:50,920 Speaker 2: Like oh yeah, yeah, no I really remember, and. 469 00:24:50,960 --> 00:24:54,920 Speaker 4: Chewing your gum like she choos gum. Oh she's so good, Katie. 470 00:24:55,040 --> 00:24:57,840 Speaker 4: You have to watch it just for her? Is it too, No, 471 00:24:58,000 --> 00:25:00,479 Speaker 4: you'll be able to. It's disturbing. I don't know if 472 00:25:00,480 --> 00:25:01,200 Speaker 4: i'd say scary. 473 00:25:01,200 --> 00:25:06,119 Speaker 2: It's disturbing, disturbing, Yeah, yeah, I think the scar is 474 00:25:06,280 --> 00:25:09,360 Speaker 2: just it was done with this stuff. That's that basically 475 00:25:09,359 --> 00:25:12,199 Speaker 2: what it does is it just it dries and squeezes 476 00:25:12,240 --> 00:25:16,120 Speaker 2: your skin to make it makes this indent in your skin, 477 00:25:16,160 --> 00:25:19,240 Speaker 2: and it literally goes down like this, and we shot 478 00:25:19,280 --> 00:25:22,040 Speaker 2: all of my stuff in a few days. If it 479 00:25:22,080 --> 00:25:25,560 Speaker 2: had been longer than that, the scar like the imprint 480 00:25:25,600 --> 00:25:27,480 Speaker 2: that it made that we would put on the blue 481 00:25:27,560 --> 00:25:29,120 Speaker 2: like they put it on and then take it off 482 00:25:29,119 --> 00:25:33,840 Speaker 2: at night. But I literally did have an imprint a 483 00:25:33,880 --> 00:25:37,360 Speaker 2: couple of days after films. So I don't think if 484 00:25:37,359 --> 00:25:39,639 Speaker 2: I were working on a bigger budget movie that was 485 00:25:39,680 --> 00:25:42,679 Speaker 2: a smaller budget movie, I think they wouldn't have I 486 00:25:42,680 --> 00:25:44,800 Speaker 2: would never let anyone use that on my face. 487 00:25:44,840 --> 00:25:47,000 Speaker 3: Again, No good to know. 488 00:25:47,560 --> 00:25:51,040 Speaker 2: It looks incredible, and for a low budget movie, I 489 00:25:51,119 --> 00:25:53,560 Speaker 2: was very happy with how good it looked. It just 490 00:25:53,600 --> 00:25:55,720 Speaker 2: looks so it's so real. It's amazing. 491 00:25:55,760 --> 00:25:57,840 Speaker 4: It really did. 492 00:25:57,200 --> 00:25:59,159 Speaker 2: It did skin, I don't think. 493 00:25:59,359 --> 00:26:01,439 Speaker 4: And that's on your face too, Like it's one thing 494 00:26:01,480 --> 00:26:03,840 Speaker 4: if it's on your arm or your leg or your back, 495 00:26:03,880 --> 00:26:05,840 Speaker 4: but it's your face. I've had stuff like that too, 496 00:26:05,840 --> 00:26:08,040 Speaker 4: and I've been like, look, I'm not sure about this. 497 00:26:08,480 --> 00:26:10,480 Speaker 4: And you worked with the wonderful lead actor in the 498 00:26:10,480 --> 00:26:13,920 Speaker 4: film is name Eddie Gathegi. I don't know if I'm pronouncing. 499 00:26:13,440 --> 00:26:17,000 Speaker 3: It right, Beggy, I love it. Yes, he works with 500 00:26:17,040 --> 00:26:17,960 Speaker 3: my theater company. 501 00:26:18,080 --> 00:26:22,040 Speaker 2: He's the best he's great. He's so great, you guys. 502 00:26:22,119 --> 00:26:26,760 Speaker 4: Is chemistry was so wonderful. I mean, Laura's character is 503 00:26:26,920 --> 00:26:29,320 Speaker 4: has it out for this guy who's in solitary confinement 504 00:26:29,720 --> 00:26:32,679 Speaker 4: in the prison, and ugh, but they just they played 505 00:26:32,720 --> 00:26:34,000 Speaker 4: off each other so good. 506 00:26:34,119 --> 00:26:34,959 Speaker 3: What's the other arm? 507 00:26:35,119 --> 00:26:38,520 Speaker 4: The other one is called Clock. Margo Sussie is in it. 508 00:26:38,600 --> 00:26:40,160 Speaker 4: How do you is what's Margo's last name? 509 00:26:40,600 --> 00:26:41,480 Speaker 3: Margo Sussie? 510 00:26:41,600 --> 00:26:46,720 Speaker 4: Yeah, yes, yes. Melura plays Elizabeth Simms, who's the head 511 00:26:46,720 --> 00:26:49,639 Speaker 4: of this institution who's that are doing a clinical trial 512 00:26:49,680 --> 00:26:52,760 Speaker 4: for women whose biological clocks are not ticking like this, 513 00:26:53,440 --> 00:26:57,640 Speaker 4: And it's super it's super trippy, it's very sci fi. 514 00:26:57,760 --> 00:26:59,879 Speaker 4: Of course they have they put they place these in 515 00:27:00,080 --> 00:27:03,160 Speaker 4: plants inside them and then they start hallucinating and craving 516 00:27:03,280 --> 00:27:07,240 Speaker 4: raw eggs and oh my god, you're again. Your performance 517 00:27:07,400 --> 00:27:10,560 Speaker 4: was stellar and you were frightening and disturbing, but in 518 00:27:10,600 --> 00:27:13,439 Speaker 4: a whole different way. It's called Clock, and it's on 519 00:27:13,520 --> 00:27:16,280 Speaker 4: Hulu where people can go and watch Scandal and then 520 00:27:16,320 --> 00:27:17,960 Speaker 4: go watch Malaura's movie Clock. 521 00:27:18,240 --> 00:27:20,160 Speaker 2: Yes, that's right, yeah, yeah. 522 00:27:20,160 --> 00:27:23,159 Speaker 3: And since we're talking about Malaura's entire career, I just 523 00:27:23,440 --> 00:27:27,200 Speaker 3: need to talk about were you shooting the office at 524 00:27:27,200 --> 00:27:29,360 Speaker 3: the same time that you shot this episode. 525 00:27:29,640 --> 00:27:31,640 Speaker 2: Yeah, I think I was. Yeah, I think I wasn't 526 00:27:31,680 --> 00:27:34,439 Speaker 2: working in this particular episode of the Office, so I 527 00:27:34,520 --> 00:27:35,400 Speaker 2: was able to do this. 528 00:27:36,320 --> 00:27:39,520 Speaker 4: Yeah, Katie was so excited about the Office. 529 00:27:39,600 --> 00:27:45,880 Speaker 3: My shit, everybody's so excited. Our Office fans like annoying 530 00:27:45,920 --> 00:27:49,840 Speaker 3: you at all times, and that's me. How did you 531 00:27:49,880 --> 00:27:52,880 Speaker 3: get that part? What was it like working with Steve 532 00:27:52,920 --> 00:27:55,879 Speaker 3: Krell and everybody on that show who are all geniuses 533 00:27:56,040 --> 00:27:59,399 Speaker 3: and yourself included in that. Just give us a few 534 00:27:59,480 --> 00:28:01,120 Speaker 3: hot tips about the Office. 535 00:28:03,000 --> 00:28:06,280 Speaker 2: What's really interesting about me being on the show from 536 00:28:06,280 --> 00:28:08,960 Speaker 2: my perspective is that I had auditioned for the day 537 00:28:09,000 --> 00:28:13,160 Speaker 2: before for a series a pilot, but it was already 538 00:28:13,200 --> 00:28:15,960 Speaker 2: picked up to a series. It was already sold, and 539 00:28:16,240 --> 00:28:20,159 Speaker 2: then I went in to this one and it was like, Okay, 540 00:28:20,240 --> 00:28:22,119 Speaker 2: they need you to come over there at three. I 541 00:28:22,160 --> 00:28:24,000 Speaker 2: hadn't gotten the material. I was like, okay, I'll just 542 00:28:24,040 --> 00:28:26,880 Speaker 2: get there early. I'll look at the sides and I'll 543 00:28:26,920 --> 00:28:28,600 Speaker 2: go in. That was how it was. I just didn't 544 00:28:28,640 --> 00:28:31,359 Speaker 2: have time, so I went outside and worked on it 545 00:28:31,359 --> 00:28:35,359 Speaker 2: for twenty minutes. Whatever. Went in and Ken Koppas was there, 546 00:28:35,520 --> 00:28:38,120 Speaker 2: who was the director of the pilot and Greg Daniels 547 00:28:38,160 --> 00:28:42,520 Speaker 2: who created the office, and Phyllis who was the casting associate, 548 00:28:42,880 --> 00:28:46,680 Speaker 2: and Alison Jones who was the casting director, And I 549 00:28:46,720 --> 00:28:50,880 Speaker 2: could tell, like the minute I started doing the scene 550 00:28:51,560 --> 00:28:53,680 Speaker 2: that they were really liking what I was doing. You know, 551 00:28:54,000 --> 00:28:56,840 Speaker 2: you can just feel that in a room, right, Yes, yeah. 552 00:28:56,880 --> 00:28:59,320 Speaker 2: I feel so bad for young actors that they don't. 553 00:29:00,000 --> 00:29:02,120 Speaker 4: I'll never know that feeling. Yeah. Right. 554 00:29:02,400 --> 00:29:06,440 Speaker 2: You learn so much from being across from producers and 555 00:29:06,480 --> 00:29:08,680 Speaker 2: directors and them saying can you try that again? And 556 00:29:08,720 --> 00:29:12,920 Speaker 2: do this? And you learn how to actually like work 557 00:29:13,200 --> 00:29:15,120 Speaker 2: and how to deal with nerves and how to deal 558 00:29:15,160 --> 00:29:17,520 Speaker 2: with there's so much education in that, and how to 559 00:29:17,560 --> 00:29:19,360 Speaker 2: sit there with your fellow actors that are going in 560 00:29:19,400 --> 00:29:21,840 Speaker 2: for the same part as you and spat with them 561 00:29:21,920 --> 00:29:23,920 Speaker 2: or not chat with them, or deal with their like 562 00:29:24,280 --> 00:29:26,600 Speaker 2: you know, sending you vibes and you just like dealing 563 00:29:26,600 --> 00:29:27,920 Speaker 2: with I'm just going to say focused. 564 00:29:28,080 --> 00:29:29,320 Speaker 3: Yeah, it's such a huge. 565 00:29:29,120 --> 00:29:32,160 Speaker 2: That's an incredible education for a young actor, so that 566 00:29:32,240 --> 00:29:34,640 Speaker 2: I'm really sad that they don't because my daughter, my 567 00:29:34,680 --> 00:29:37,640 Speaker 2: oldest daughter, is an actor, and I just they've gotten 568 00:29:37,680 --> 00:29:39,880 Speaker 2: to do some of it because they did start really young. 569 00:29:39,960 --> 00:29:41,640 Speaker 2: So they have gotten to do some of it, but 570 00:29:41,680 --> 00:29:44,480 Speaker 2: it's just I'm not happy about it anyway. So anyway, 571 00:29:44,760 --> 00:29:46,880 Speaker 2: if I went in, I think and then I don't 572 00:29:46,920 --> 00:29:48,960 Speaker 2: remember if we did any adjustments or anything. I just 573 00:29:49,000 --> 00:29:51,120 Speaker 2: think they were really into it, laughing and stuff, and 574 00:29:51,160 --> 00:29:54,200 Speaker 2: then we went I left, and then I got called 575 00:29:54,240 --> 00:29:58,280 Speaker 2: back for the pilot and I was going it to 576 00:29:58,440 --> 00:30:02,160 Speaker 2: test and al Alison Jones was also the casting director 577 00:30:02,160 --> 00:30:04,760 Speaker 2: on that one. And Allison came out to the hallway 578 00:30:04,800 --> 00:30:06,720 Speaker 2: and it was just me sitting there waiting to go in, 579 00:30:07,120 --> 00:30:10,040 Speaker 2: and she said, she said hi. I said, oh, hi, 580 00:30:10,160 --> 00:30:12,440 Speaker 2: and I said that felt like that that that thing, 581 00:30:12,480 --> 00:30:14,720 Speaker 2: that office one, which was just a guest star possible 582 00:30:14,800 --> 00:30:17,239 Speaker 2: recurring character. And I was like, that seems like that 583 00:30:17,280 --> 00:30:19,960 Speaker 2: went really well yesterday, and she was like, yeah, I 584 00:30:20,000 --> 00:30:22,200 Speaker 2: think it went really well. And I was like, maybe 585 00:30:22,240 --> 00:30:23,959 Speaker 2: I'll get both of these. That would be fun. And 586 00:30:24,000 --> 00:30:26,840 Speaker 2: she goes, yeah, I really want you to get that one, 587 00:30:27,200 --> 00:30:30,960 Speaker 2: and I was like and I was like. 588 00:30:29,880 --> 00:30:32,600 Speaker 3: Yeah, but this was a regular and that one's a 589 00:30:32,640 --> 00:30:34,080 Speaker 3: guest star like that star. 590 00:30:34,240 --> 00:30:36,640 Speaker 2: Yeah, I was like a starring role regular sould series. 591 00:30:36,720 --> 00:30:39,720 Speaker 2: And then she goes, yeah, there's gonna that one's gonna 592 00:30:39,720 --> 00:30:42,360 Speaker 2: be that's gonna be a special one. That's the one 593 00:30:42,400 --> 00:30:44,680 Speaker 2: I want you to get. And I was like, and 594 00:30:44,720 --> 00:30:46,520 Speaker 2: I was like, okay, you know, it didn't make any 595 00:30:46,560 --> 00:30:49,080 Speaker 2: sense to me right that it was like guest star, possible, recurring. 596 00:30:49,360 --> 00:30:51,080 Speaker 2: But anyway I went and I did not get the 597 00:30:51,080 --> 00:30:55,320 Speaker 2: one that was like the series strength series came and 598 00:30:55,400 --> 00:30:57,440 Speaker 2: went like that. I don't even remember. 599 00:30:57,080 --> 00:30:58,360 Speaker 4: What the name of the show was. 600 00:30:58,880 --> 00:31:01,880 Speaker 2: Remember, but it was it like they did the pilot 601 00:31:01,920 --> 00:31:04,840 Speaker 2: and I even picked up. I don't even think it 602 00:31:04,920 --> 00:31:08,520 Speaker 2: went right. And sure enough, Alison was right like, this 603 00:31:08,640 --> 00:31:10,600 Speaker 2: was the one to get. We had six episodes. It 604 00:31:10,640 --> 00:31:12,200 Speaker 2: was our first season, and I think I was in 605 00:31:12,240 --> 00:31:14,960 Speaker 2: every single episode most a lot of it on the phone. 606 00:31:15,080 --> 00:31:17,400 Speaker 2: I was in every episode. And then and then the 607 00:31:17,440 --> 00:31:21,000 Speaker 2: second season came around, I was still just a recurring character, 608 00:31:21,360 --> 00:31:23,920 Speaker 2: so they would just call me in for which episodes 609 00:31:24,280 --> 00:31:26,440 Speaker 2: And then there was one episode they had written for 610 00:31:26,520 --> 00:31:29,560 Speaker 2: me and I was guest starring on another show and 611 00:31:29,600 --> 00:31:32,480 Speaker 2: they couldn't have me. And that was where they were like, oh, 612 00:31:32,600 --> 00:31:34,560 Speaker 2: we better make her right, we better make her right. 613 00:31:34,800 --> 00:31:38,880 Speaker 3: Oh wow, it talk about Yeah, that's what I was 614 00:31:38,920 --> 00:31:39,520 Speaker 3: talking about. 615 00:31:39,760 --> 00:31:41,120 Speaker 4: How many seasons did it go? 616 00:31:41,320 --> 00:31:44,520 Speaker 2: Yeah, it went a lot of seasons. I mean, I 617 00:31:44,560 --> 00:31:46,760 Speaker 2: when Steve Croll wasn't in it anymore, I wasn't really 618 00:31:47,000 --> 00:31:49,200 Speaker 2: in it as much anymore either. I wasn't in it 619 00:31:49,280 --> 00:31:51,520 Speaker 2: until last season just as a guest start. 620 00:31:51,800 --> 00:31:54,120 Speaker 3: Was it a blast being on that set? Was it 621 00:31:54,240 --> 00:31:54,800 Speaker 3: just was? 622 00:31:54,920 --> 00:31:57,520 Speaker 2: It was great? It was so great. Steve's wonderful to 623 00:31:57,600 --> 00:32:00,280 Speaker 2: work with. He's so great at patching a ball that 624 00:32:00,320 --> 00:32:02,880 Speaker 2: you'll throw his and then throwing one back at you 625 00:32:02,960 --> 00:32:07,440 Speaker 2: and he's never thrown off by a curveball. He's very 626 00:32:07,440 --> 00:32:09,520 Speaker 2: good to work with. And just the fun of the 627 00:32:09,600 --> 00:32:13,000 Speaker 2: comedy of and Greg Daniels is amazing as far as 628 00:32:13,040 --> 00:32:14,280 Speaker 2: just and the whole writing team. 629 00:32:15,040 --> 00:32:17,600 Speaker 4: Did you guys have a hard time not cracking up, 630 00:32:17,920 --> 00:32:21,520 Speaker 4: not busting out laughing sometimes? Yeah, because we would have 631 00:32:21,560 --> 00:32:23,920 Speaker 4: a hard time not right. We'd have moments where we 632 00:32:23,920 --> 00:32:26,640 Speaker 4: couldn't stop laughing, and we were doing a drama and 633 00:32:26,840 --> 00:32:28,960 Speaker 4: the office is so hilarious, so I could imagine that 634 00:32:29,360 --> 00:32:31,200 Speaker 4: sometimes it was just hard to keep a straight face. 635 00:32:31,720 --> 00:32:35,040 Speaker 2: Oh yeah, there were times when it was just impossible. 636 00:32:34,920 --> 00:32:37,160 Speaker 4: Which is when you know the joke is good and 637 00:32:37,200 --> 00:32:39,080 Speaker 4: then it's working and do you know what I mean? 638 00:32:39,160 --> 00:32:39,760 Speaker 4: So it's right. 639 00:32:39,880 --> 00:32:44,080 Speaker 3: Oh man, yeah, total, I love that show. I love 640 00:32:44,120 --> 00:32:46,479 Speaker 3: you on it. I don't know if there's a big 641 00:32:46,640 --> 00:32:50,920 Speaker 3: Office Scandal fan crossover, but if there are, this is 642 00:32:50,960 --> 00:32:54,360 Speaker 3: a fucking episode for you. Last thing I need to 643 00:32:54,360 --> 00:32:56,760 Speaker 3: comment on about the episode and then we can do 644 00:32:56,800 --> 00:33:00,520 Speaker 3: some tweets at the time. But I also forgot when 645 00:33:00,520 --> 00:33:05,680 Speaker 3: I rewatched this episode, the twist that your character killed 646 00:33:05,680 --> 00:33:11,280 Speaker 3: the girl. I forgot and I found myself being like 647 00:33:11,320 --> 00:33:15,120 Speaker 3: a gladiator on my couch. Ither was like, no, she didn't. 648 00:33:15,320 --> 00:33:20,160 Speaker 3: She fucking murdered her. What are you talking about. You 649 00:33:20,240 --> 00:33:22,080 Speaker 3: had the sides, and you were at the table read 650 00:33:22,160 --> 00:33:25,920 Speaker 3: so you knew all along that you murdered her. And 651 00:33:25,960 --> 00:33:28,880 Speaker 3: for those of you listening, if you remember so, it 652 00:33:28,920 --> 00:33:32,720 Speaker 3: comes around if Patrick, her husband, gets acquitted he didn't 653 00:33:32,800 --> 00:33:35,840 Speaker 3: murder the girl, but their marriage is obviously in shambles. 654 00:33:35,880 --> 00:33:38,920 Speaker 3: And then Olivia Pope runs after you in the hallway 655 00:33:39,040 --> 00:33:41,440 Speaker 3: of the courthouse and is like you you did it 656 00:33:41,520 --> 00:33:43,840 Speaker 3: because you thought it was only one girl and you 657 00:33:43,920 --> 00:33:45,960 Speaker 3: were going to fix this and fix your marriage by 658 00:33:46,160 --> 00:33:48,000 Speaker 3: But then you learned that you would have had to 659 00:33:48,080 --> 00:33:50,680 Speaker 3: murder like so many girls, so many girls. 660 00:33:51,920 --> 00:33:53,760 Speaker 2: Everyone deserves a second chance. 661 00:33:54,040 --> 00:33:57,600 Speaker 4: That's right, that's right, so good, and. 662 00:33:57,520 --> 00:33:59,320 Speaker 3: Then you say everybody deserves a second chance. And then 663 00:33:59,360 --> 00:34:01,080 Speaker 3: you just go out and the world with your French 664 00:34:01,080 --> 00:34:04,000 Speaker 3: twist and your suit and you're just like, Wow, that 665 00:34:04,040 --> 00:34:08,240 Speaker 3: woman is going to run the world. She's a murderer. 666 00:34:10,680 --> 00:34:11,920 Speaker 2: No one's ever gonna know. 667 00:34:13,520 --> 00:34:16,840 Speaker 3: You really are just such a talent to go between 668 00:34:17,719 --> 00:34:23,279 Speaker 3: obviously drama, obviously comedy, and obviously horror or side or 669 00:34:23,280 --> 00:34:26,760 Speaker 3: whatever we're calling it, all of it, and the film 670 00:34:26,800 --> 00:34:32,040 Speaker 3: that you have out right now, Golden Vanity, the old school, 671 00:34:32,400 --> 00:34:36,560 Speaker 3: you know, Hollywood esque film. I mean, there is nothing 672 00:34:37,320 --> 00:34:39,600 Speaker 3: you can't watch TV. That's what you can't do. 673 00:34:40,200 --> 00:34:42,319 Speaker 2: And I really can't do laugh at all. 674 00:34:42,520 --> 00:34:49,239 Speaker 3: So I'm the I can't the worst. There's also twice 675 00:34:49,280 --> 00:34:51,840 Speaker 3: in this episode characters. The fun fact of this episode 676 00:34:51,920 --> 00:34:55,120 Speaker 3: is that episode characters contradict themselves twice. Shelley Myers on 677 00:34:55,120 --> 00:34:57,080 Speaker 3: the Stand says she does not want her husband to 678 00:34:57,080 --> 00:34:59,160 Speaker 3: go to jail. On the same scene, I would love 679 00:34:59,200 --> 00:35:01,959 Speaker 3: for him to go to jail. I get that, though. 680 00:35:02,160 --> 00:35:04,920 Speaker 3: Olivia tells Jake that she's not crying and then proceeds 681 00:35:04,960 --> 00:35:07,040 Speaker 3: to cry. Oh yeah, that was like a good that 682 00:35:07,120 --> 00:35:09,520 Speaker 3: was a good acting moment g and I always read 683 00:35:09,560 --> 00:35:11,800 Speaker 3: a few tweets at the time. Are you on Twitter, Malaura? 684 00:35:11,920 --> 00:35:18,000 Speaker 4: Yeah, yep, were you on Twitter back then, Malaura during 685 00:35:18,040 --> 00:35:18,440 Speaker 4: the show? 686 00:35:18,719 --> 00:35:23,040 Speaker 2: I guess so, probably not very actively, but sure probably. 687 00:35:23,480 --> 00:35:26,120 Speaker 3: This is a real time capsule for what was going 688 00:35:26,160 --> 00:35:29,480 Speaker 3: on at that time and what I My favorite tweet 689 00:35:29,719 --> 00:35:33,240 Speaker 3: on October twenty fifth, twenty thirteen comes from at Josh 690 00:35:33,280 --> 00:35:36,680 Speaker 3: Molina at Michael six one one six zero zero two 691 00:35:36,719 --> 00:35:38,719 Speaker 3: writes at Josh Malina, what's your favorite part of being 692 00:35:38,719 --> 00:35:42,680 Speaker 3: on Scandal, and he writes the pay that's. 693 00:35:42,480 --> 00:35:49,400 Speaker 4: So Josh freaking Josh se Vitamin Control at Vitamin Control tweeted, 694 00:35:49,480 --> 00:35:51,879 Speaker 4: I am no longer here for Olivia slash Fits. It's 695 00:35:51,960 --> 00:35:55,480 Speaker 4: gross and crazy unhealthy. I want Olivia Jake. He's much 696 00:35:55,480 --> 00:35:58,240 Speaker 4: more suitable, much more suitable match bye. 697 00:35:58,800 --> 00:36:02,319 Speaker 3: Hashtag scandal at Radical Row tweeted the same thing. Just 698 00:36:02,320 --> 00:36:03,919 Speaker 3: watch Scandal and I hate to say it, but I'm 699 00:36:04,000 --> 00:36:08,840 Speaker 3: team Jake, which is this was the big thing, Malaura 700 00:36:08,960 --> 00:36:14,319 Speaker 3: that for seven seasons, people just really it was like 701 00:36:14,360 --> 00:36:20,000 Speaker 3: those bradder gen sures that were going on. Yeah, benefit 702 00:36:20,640 --> 00:36:23,360 Speaker 3: or benefit, Yeah, this is just so team Jake er 703 00:36:23,440 --> 00:36:26,840 Speaker 3: team fits, and most people I want to say or team. 704 00:36:26,680 --> 00:36:30,160 Speaker 4: Fits, team fits. Yeah, I love this tweet. Let's see 705 00:36:30,200 --> 00:36:33,839 Speaker 4: at Helena underscore. Andrew's tweeted. Also, am I the only 706 00:36:33,880 --> 00:36:37,120 Speaker 4: one who thinks Quinn Perkins wants to be on snapped? Hashtags? Gowner, 707 00:36:37,120 --> 00:36:39,320 Speaker 4: Do you remember the show Snapped about women that snapped 708 00:36:39,480 --> 00:36:41,120 Speaker 4: and murdered their husband's. 709 00:36:40,840 --> 00:36:42,360 Speaker 2: No, I don't know. 710 00:36:42,719 --> 00:36:43,600 Speaker 4: Oh yeah I do. 711 00:36:44,400 --> 00:36:46,359 Speaker 3: I don't even know what the hell that is. 712 00:36:46,680 --> 00:36:48,719 Speaker 4: It's a really sick show about women that have just 713 00:36:48,840 --> 00:36:51,279 Speaker 4: murdered their husbands because they're so over him. So I think, 714 00:36:51,320 --> 00:36:53,680 Speaker 4: of course they were, you know, talking about the fact 715 00:36:53,680 --> 00:36:57,040 Speaker 4: that Quinn is interested and wants to start killing. So 716 00:36:57,120 --> 00:36:59,680 Speaker 4: you'd be a great You'd be wonderful on snaps. 717 00:36:59,719 --> 00:37:02,920 Speaker 3: I would Quinn would have been wonderful on Snapped. And 718 00:37:02,960 --> 00:37:07,319 Speaker 3: then at UV oh no, at V just one minute, ah, 719 00:37:07,600 --> 00:37:10,680 Speaker 3: I just realized the obvious fits is Slash was part 720 00:37:10,719 --> 00:37:13,200 Speaker 3: of B six thirteen, explained his connection with Jake Rowan 721 00:37:13,239 --> 00:37:17,399 Speaker 3: and his ease and killing verna hashtag scandal. Yeah, yeah, 722 00:37:17,440 --> 00:37:18,320 Speaker 3: they're all bad. 723 00:37:18,360 --> 00:37:20,920 Speaker 4: All yeah. And then our props guy George Props tweeted 724 00:37:21,640 --> 00:37:24,000 Speaker 4: the front cover the fake newspaper that we see on 725 00:37:24,040 --> 00:37:26,880 Speaker 4: the show that says mauthe Melly and it's a picture 726 00:37:26,920 --> 00:37:29,439 Speaker 4: of Bellamy Young on the front cover, and it's so good. 727 00:37:29,600 --> 00:37:32,440 Speaker 4: Our props master was so amazing. He always had the 728 00:37:32,480 --> 00:37:36,479 Speaker 4: best props and the most believable, awesome things on our show. 729 00:37:36,520 --> 00:37:38,080 Speaker 4: It was so great. 730 00:37:38,600 --> 00:37:40,960 Speaker 3: Am I wrong? Is this the first episode where we 731 00:37:41,000 --> 00:37:43,200 Speaker 3: see Lisa Kudro or did she come out before? 732 00:37:43,880 --> 00:37:45,719 Speaker 4: I feel like this is the first time we see her. 733 00:37:45,719 --> 00:37:48,319 Speaker 4: I could be mistaken, though, I was surprised. 734 00:37:48,840 --> 00:37:52,320 Speaker 3: Yes, yeah, she recurred on the show for a bunch 735 00:37:52,360 --> 00:37:54,680 Speaker 3: of episodes. Who was a big fan of the show, 736 00:37:54,760 --> 00:37:57,480 Speaker 3: and I forgot that. Lisa Kudro comes in at episode 737 00:37:57,560 --> 00:38:00,720 Speaker 3: three or four that we're talking about today. But stay tuned, guys, 738 00:38:00,760 --> 00:38:04,320 Speaker 3: Lisa Kudro. We are trying to get her on this podcast. 739 00:38:04,360 --> 00:38:06,320 Speaker 3: So if anyone knows Lisa Kudro and can put in 740 00:38:06,360 --> 00:38:08,400 Speaker 3: a call or text Malaura, do you know Lisa Kutra? 741 00:38:09,640 --> 00:38:10,880 Speaker 2: I mean I kind of do. 742 00:38:11,160 --> 00:38:14,319 Speaker 3: Yeah, no way, tell her she needs to come on 743 00:38:14,360 --> 00:38:14,880 Speaker 3: this show. 744 00:38:15,120 --> 00:38:17,080 Speaker 2: I have a friend that she's really close to, so 745 00:38:17,120 --> 00:38:18,439 Speaker 2: I could say something too. 746 00:38:19,080 --> 00:38:20,480 Speaker 3: Is your friend Dan Bugatinsky. 747 00:38:21,000 --> 00:38:22,000 Speaker 2: Dan is a good friend. 748 00:38:23,360 --> 00:38:26,080 Speaker 3: He's all good friend too, and he's also going to 749 00:38:26,080 --> 00:38:27,000 Speaker 3: be a guest this season. 750 00:38:27,239 --> 00:38:29,239 Speaker 2: Yeah, how come you don't have Dan on the show. 751 00:38:29,840 --> 00:38:30,480 Speaker 4: We're going to. 752 00:38:31,200 --> 00:38:33,640 Speaker 3: Saving him for we don't want to, We don't want 753 00:38:33,680 --> 00:38:37,200 Speaker 3: to tell the gladiators listening. But Dan's definitely gonna be on. 754 00:38:37,280 --> 00:38:39,239 Speaker 3: But Dan's also going to be getting a text because 755 00:38:39,239 --> 00:38:41,240 Speaker 3: he's best friend of Lisa Kudro, and if he doesn't 756 00:38:41,280 --> 00:38:43,480 Speaker 3: deliver us Lisa Kudro, I'm going to be mad at 757 00:38:43,520 --> 00:38:44,279 Speaker 3: Dan Bugatinsky. 758 00:38:44,360 --> 00:38:46,480 Speaker 2: And Dan and I had dinner last night together. 759 00:38:46,840 --> 00:38:49,000 Speaker 4: No way, Oh my god. 760 00:38:49,400 --> 00:38:52,600 Speaker 2: He came to see Golden Vanity with another friend of ours, 761 00:38:52,640 --> 00:38:55,440 Speaker 2: another mutual friend of ours, Joanna Coles. 762 00:38:55,480 --> 00:39:00,720 Speaker 3: I love Joanna Coles. Do you know Joanna Giermo? Janna Coles. 763 00:39:00,760 --> 00:39:03,920 Speaker 3: That's who took us when she was an editor of 764 00:39:03,960 --> 00:39:08,000 Speaker 3: a magazine. She took me you, Dan Bugatinsky. Wasn't it 765 00:39:08,040 --> 00:39:11,440 Speaker 3: YouTube DC see The White House Correspondent Dinner my god? 766 00:39:11,760 --> 00:39:12,319 Speaker 4: No way? 767 00:39:12,719 --> 00:39:16,840 Speaker 2: Yeah, So Joanna was the executive producer and the character 768 00:39:16,920 --> 00:39:20,040 Speaker 2: that I my character played loosely was loosely based on 769 00:39:20,080 --> 00:39:22,680 Speaker 2: for the Bull Type, which I started for free Form, 770 00:39:22,680 --> 00:39:25,000 Speaker 2: which is also on Hulu. So people can bounce from 771 00:39:25,320 --> 00:39:30,600 Speaker 2: clock to the bulletpe skin just. 772 00:39:30,520 --> 00:39:35,319 Speaker 3: Like Danski you're just on a Scandal rewatch podcast right now. 773 00:39:35,840 --> 00:39:38,799 Speaker 3: Just say hi real quick. I'm doing an EP with 774 00:39:39,520 --> 00:39:41,960 Speaker 3: the person you were a dinner last night with Malaura Harden. 775 00:39:42,840 --> 00:39:43,600 Speaker 2: Oh my god. 776 00:39:44,880 --> 00:39:51,520 Speaker 3: Yes, she's saying Hi. You can't hear because technology is insane. 777 00:39:51,520 --> 00:39:54,480 Speaker 3: But for gladiators listening, I'm calling Dan. Will you know 778 00:39:54,600 --> 00:39:57,040 Speaker 3: you're coming on the podcast? You just have to. We're 779 00:39:57,080 --> 00:40:00,960 Speaker 3: teeing you up for your perfect episode. Know if I'm available. 780 00:40:00,960 --> 00:40:03,120 Speaker 2: I can tell you that. I don't know if I'm available. 781 00:40:05,360 --> 00:40:08,480 Speaker 4: She made the most beautiful, unbelievable film. 782 00:40:09,520 --> 00:40:11,160 Speaker 3: I can't wait to see it. We're talking about it 783 00:40:11,239 --> 00:40:11,640 Speaker 3: right now. 784 00:40:12,080 --> 00:40:14,520 Speaker 4: Oh yeah, yeah, she's incredible in it. She's incredible in it. 785 00:40:14,719 --> 00:40:18,160 Speaker 2: I love you. I love Scandal, and anytime you want 786 00:40:18,200 --> 00:40:18,799 Speaker 2: me to talk to. 787 00:40:18,719 --> 00:40:19,520 Speaker 4: You about it, I will. 788 00:40:19,600 --> 00:40:21,759 Speaker 3: Okay, thank you, Even this little thing might end up 789 00:40:21,760 --> 00:40:23,680 Speaker 3: on the podcast. I love you so much. I'll be 790 00:40:23,680 --> 00:40:25,640 Speaker 3: bothering you in a little bit. I'll text you later. 791 00:40:25,719 --> 00:40:31,880 Speaker 3: I love you by I love you what. He's my 792 00:40:32,000 --> 00:40:34,560 Speaker 3: birthday twins, so I get to call him whenever I want. 793 00:40:34,800 --> 00:40:39,320 Speaker 2: Yes, you do, great, Melaura. 794 00:40:39,640 --> 00:40:44,080 Speaker 3: This was You are such a great actress. I'm definitely 795 00:40:44,239 --> 00:40:48,120 Speaker 3: going to see you in Golden Vanity and probably not 796 00:40:48,520 --> 00:40:53,839 Speaker 3: in clock or age because they sound terrifying and. 797 00:40:53,800 --> 00:40:56,279 Speaker 2: They both start with the letter see, so it'll be easy. 798 00:40:57,520 --> 00:40:59,560 Speaker 4: Yeah, So I don't do that. 799 00:41:00,160 --> 00:41:03,279 Speaker 3: And this was such an awesome episode. It was a 800 00:41:03,320 --> 00:41:06,879 Speaker 3: classic Scandal up with awesome funness. And episode three oh 801 00:41:06,920 --> 00:41:11,799 Speaker 3: five is next called More Cattle, Less Less Bull. Thank 802 00:41:11,840 --> 00:41:14,759 Speaker 3: you so much and for sharing. 803 00:41:16,480 --> 00:41:23,160 Speaker 4: Yay. Thank you guys for joining us on Unpacking the Toolbox. 804 00:41:23,480 --> 00:41:27,080 Speaker 4: If you enjoyed the show, please subscribe, share with your friends, rate, 805 00:41:27,239 --> 00:41:28,160 Speaker 4: or leave us a review. 806 00:41:28,360 --> 00:41:32,280 Speaker 3: Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan, 807 00:41:32,600 --> 00:41:36,320 Speaker 3: Tyler Klang, and Gabrielle Collins. Our producer and editor is 808 00:41:36,440 --> 00:41:39,200 Speaker 3: Vince de Johnny, with music by Chad Fisher. 809 00:41:39,440 --> 00:41:42,359 Speaker 4: Scandal is a production of ABC Signature, and you can 810 00:41:42,400 --> 00:41:44,640 Speaker 4: follow along by rewatching Scandal on Hulu. 811 00:41:44,840 --> 00:41:47,239 Speaker 3: Unpacking the Toolbox is a production of Shondaland Audio in 812 00:41:47,320 --> 00:41:51,640 Speaker 3: partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit 813 00:41:51,640 --> 00:42:01,400 Speaker 3: the iHeartRadio app or anywhere you subscribe to your favorite shows.