1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hey handsomniacs, this is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,680 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the nightmare experience, headphones are recommended. Stay tuned for the 4 00:00:11,880 --> 00:00:14,720 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions and I Heart Radio present See 6 00:00:22,440 --> 00:00:51,839 Speaker 1: You in Your Nightmares in three D headphones recommended. Are 7 00:00:51,880 --> 00:00:53,560 Speaker 1: you going to use those books to get me out 8 00:00:53,560 --> 00:00:57,080 Speaker 1: of here? I have to tie the pages to the trees, 9 00:00:57,800 --> 00:01:01,080 Speaker 1: then be one can integrate at to bury your friend 10 00:01:01,800 --> 00:01:08,760 Speaker 1: stupid trophy. It's so hard to watch. You knew. I 11 00:01:08,840 --> 00:01:12,680 Speaker 1: watched you fight, I watch your friend choose himself and 12 00:01:12,800 --> 00:01:15,759 Speaker 1: it was too late. I watched the specter of your 13 00:01:15,760 --> 00:01:24,080 Speaker 1: sister swallow all. Oh, you could have helped this whole time. 14 00:01:24,360 --> 00:01:32,480 Speaker 1: You could have helped, could you? Coward? Who are you? Flooded? Willow? 15 00:01:33,280 --> 00:01:37,759 Speaker 1: In the in between the download and seex alba, what 16 00:01:37,800 --> 00:01:42,160 Speaker 1: do you want? What I know only makes sense if 17 00:01:42,160 --> 00:01:46,920 Speaker 1: you don't try to make me make sense. Swinging from 18 00:01:46,920 --> 00:01:53,080 Speaker 1: salah Rado Shadow Berries, you are Willow the Whizzos now 19 00:01:53,960 --> 00:02:01,640 Speaker 1: Young prince Ling Grave for Chris market h H Chris 20 00:02:01,680 --> 00:02:09,120 Speaker 1: Morgan token not obtained resonant chant fire of a titan. 21 00:02:09,840 --> 00:02:13,359 Speaker 1: Your sister's resident is in the mausoleum. You won't get 22 00:02:13,400 --> 00:02:16,000 Speaker 1: a tomb without already knowing when you would read on it. 23 00:02:19,880 --> 00:02:42,280 Speaker 1: Who sad? Are you on? See you in your nightmares? 24 00:02:50,800 --> 00:02:55,040 Speaker 1: Welcome back after where and where and where? I haven't 25 00:02:55,080 --> 00:03:01,440 Speaker 1: lefted your suspension? So what are you doing in my outbuilding? Oh? Ahead? 26 00:03:03,960 --> 00:03:08,799 Speaker 1: Did you pull me out prematurely? No? What were you doing? With? Subjects? 27 00:03:08,840 --> 00:03:14,440 Speaker 1: Seven two? Her sister was impossible to keep under thumb? 28 00:03:14,560 --> 00:03:18,200 Speaker 1: I thought if I subdued this one, or chances of 29 00:03:18,320 --> 00:03:23,280 Speaker 1: success my double? Oh? Quite the change of heart since 30 00:03:23,320 --> 00:03:28,120 Speaker 1: your last outburst, And you misunderstood. I didn't realize you 31 00:03:28,160 --> 00:03:31,960 Speaker 1: wanted to join the variables. You could have just asked 32 00:03:32,919 --> 00:03:38,040 Speaker 1: what it's been interesting studying your e g? You studied me? 33 00:03:38,920 --> 00:03:42,880 Speaker 1: Are you offended? You should be honored? I deemed you 34 00:03:43,040 --> 00:03:47,080 Speaker 1: worthy of my time? How dare you have a look? 35 00:03:47,960 --> 00:03:53,840 Speaker 1: I was pleasantly surprised a mapping of your synaptomy. You're 36 00:03:53,960 --> 00:03:59,200 Speaker 1: quite special? In what way? These scans depict moments of 37 00:03:59,360 --> 00:04:03,640 Speaker 1: heightened activity in your ventral striatum? Can you read the 38 00:04:03,680 --> 00:04:09,680 Speaker 1: sensation highlighted by this meso limbic pathway pleasure. Would you 39 00:04:09,720 --> 00:04:13,880 Speaker 1: like to know when your brain looked the most beautiful? Yes? 40 00:04:14,840 --> 00:04:20,520 Speaker 1: Sixteen twenty point five, eight sixty one to five, six 41 00:04:21,760 --> 00:04:24,680 Speaker 1: nine three? What did you dream up for? Seven to? 42 00:04:26,400 --> 00:04:31,880 Speaker 1: I just built her a fantasy world blossom the tomography 43 00:04:31,920 --> 00:04:37,159 Speaker 1: for Harper at the same time, signatures I assume you 44 00:04:37,200 --> 00:04:41,560 Speaker 1: can read the diagnostics here heightened activity in the proofrontal cortex. 45 00:04:41,920 --> 00:04:45,080 Speaker 1: These signatures highlight the pattern I've mapped of miss Hart's 46 00:04:45,120 --> 00:04:53,240 Speaker 1: pain matrix. Her pain try to keep up? Are you 47 00:04:53,520 --> 00:04:56,240 Speaker 1: trying to say I tortured her and you enjoyed it? 48 00:04:56,560 --> 00:05:00,280 Speaker 1: I would never prove in the pudding to did you 49 00:05:00,440 --> 00:05:03,600 Speaker 1: really believe she fell in love with you? You're jealous? 50 00:05:04,600 --> 00:05:07,640 Speaker 1: Jealous I could have an actual connection with another human 51 00:05:07,680 --> 00:05:15,640 Speaker 1: being instead of a robot jealous. You are quite the narcissist. Oh, Faith, 52 00:05:16,440 --> 00:05:20,200 Speaker 1: you could have just asked, oh, Finn, I knew you 53 00:05:20,200 --> 00:05:25,160 Speaker 1: were inferior, middling at best. I didn't imagine you turn 54 00:05:25,200 --> 00:05:31,200 Speaker 1: out to be so pathetic. You know, for a genius, 55 00:05:31,279 --> 00:05:40,680 Speaker 1: you're incredibly naive. It's almost cute. What is this? I've 56 00:05:40,720 --> 00:05:44,480 Speaker 1: been watching you for six years. Faith, You kept the 57 00:05:44,640 --> 00:05:49,120 Speaker 1: entire program on simple hardware. Nothing uploaded to any accessible server, 58 00:05:49,440 --> 00:05:53,520 Speaker 1: treating me like a pathetic desk jockey filing your research reports. 59 00:05:53,880 --> 00:05:56,240 Speaker 1: You should have listened to me when I suggested an 60 00:05:56,240 --> 00:05:59,880 Speaker 1: online database. All of this could have been avoided if 61 00:05:59,880 --> 00:06:07,359 Speaker 1: you just accepted my genius check the logs doctor, you 62 00:06:07,480 --> 00:06:11,840 Speaker 1: rerouted a private server exactly. I've been logging everything online 63 00:06:11,839 --> 00:06:15,480 Speaker 1: for years now, all encrypted, of course, all with IP 64 00:06:15,640 --> 00:06:21,200 Speaker 1: addresses I own, with the passwords locked away up here. 65 00:06:22,560 --> 00:06:25,719 Speaker 1: I should thank you for underestimating me. I might become 66 00:06:25,720 --> 00:06:29,080 Speaker 1: the youngest winner of the last reward. Thanks to your hubris. 67 00:06:29,440 --> 00:06:33,080 Speaker 1: You're stealing blossom from me. Looks like your jealousy of 68 00:06:33,160 --> 00:06:37,120 Speaker 1: my prowess drove you to murder. I've been building my 69 00:06:37,200 --> 00:06:40,120 Speaker 1: case against you for months. I can take my evidence 70 00:06:40,160 --> 00:06:42,960 Speaker 1: to the police and have you charged with manslaughter at 71 00:06:42,960 --> 00:06:46,320 Speaker 1: the push of a button. You wouldn't I might not. 72 00:06:47,000 --> 00:06:49,640 Speaker 1: I know you decoded the ciphertext, give it to me, 73 00:06:49,960 --> 00:06:53,960 Speaker 1: and then I want you to kneel down and beg 74 00:06:54,720 --> 00:06:58,279 Speaker 1: Admit that you needed me, Admit that you pushed me 75 00:06:58,320 --> 00:07:02,920 Speaker 1: away because you were threatened by me. Then maybe I'll 76 00:07:02,960 --> 00:07:10,080 Speaker 1: forgive you fine, good girl, nice view. Right. I've been 77 00:07:10,160 --> 00:07:12,560 Speaker 1: dying to take you here. I don't like being too 78 00:07:12,600 --> 00:07:16,320 Speaker 1: close to the edge. Can you back us up? You're okay, 79 00:07:16,440 --> 00:07:21,600 Speaker 1: You're safe? What is this? Oh? Wait, it gets better? 80 00:07:22,240 --> 00:07:25,240 Speaker 1: Do not see everything that I've done for you, Harbor? 81 00:07:25,680 --> 00:07:29,360 Speaker 1: I've built you the perfect world. Here you have everything 82 00:07:29,400 --> 00:07:34,960 Speaker 1: you could ever want and need. You have me give 83 00:07:35,000 --> 00:07:39,920 Speaker 1: me the tapes feeling shy, Finn Harbor, my love, I 84 00:07:40,120 --> 00:07:45,880 Speaker 1: must give you. Stop it to remind you she's seventeen 85 00:07:45,960 --> 00:07:51,280 Speaker 1: years old. You'll do as you're told, otherwise the world 86 00:07:51,320 --> 00:07:55,560 Speaker 1: will know you're a predator, only studying developmental psychology to 87 00:07:55,600 --> 00:08:01,320 Speaker 1: put yourself within arm's reach of your prey. I'll kill you. 88 00:08:04,600 --> 00:08:07,800 Speaker 1: How many kids have you killed? Dr? Carter? How many 89 00:08:07,840 --> 00:08:14,880 Speaker 1: sacrifices for your greater good? Who's the real predator? What 90 00:08:14,960 --> 00:08:19,960 Speaker 1: are you doing? How do you feel? Mr? Warren? I feel? 91 00:08:21,560 --> 00:08:27,160 Speaker 1: I feel? What are you doing to me? Maybe you 92 00:08:27,240 --> 00:08:30,360 Speaker 1: can't hear it. If you did, you would recognize the 93 00:08:30,440 --> 00:08:34,680 Speaker 1: frequency a consequence of spying on my private sessions with 94 00:08:34,800 --> 00:08:47,400 Speaker 1: Miss Takeuchi. No, you couldn't, not from release me. Such 95 00:08:47,440 --> 00:08:52,680 Speaker 1: an easy pawn you are? You think I didn't notice? Ah? 96 00:08:54,000 --> 00:09:00,800 Speaker 1: Whose Finn Waring? You are a pawn? I m your queen? 97 00:09:01,440 --> 00:09:08,680 Speaker 1: Now about to me? Yes, finn Wearing, you should try 98 00:09:08,760 --> 00:09:12,760 Speaker 1: harder to please your queen. Kneel further down and kiss 99 00:09:12,800 --> 00:09:22,400 Speaker 1: my shoe. Yes, doctor fin Wearing, collect yourself and begin 100 00:09:22,520 --> 00:09:29,080 Speaker 1: proceedings for self rotation. Yes, doctor initializing, you will locate 101 00:09:29,160 --> 00:09:33,560 Speaker 1: this void into which seven one keeps disappearing, and then 102 00:09:34,440 --> 00:09:45,480 Speaker 1: you will die. Your will be done. Hey, insomniacs, want 103 00:09:45,480 --> 00:09:48,560 Speaker 1: to dive deeper into the nightmare. Follow us at Harbor 104 00:09:48,720 --> 00:09:52,520 Speaker 1: Nightmare for more terrifying details More See You in Your 105 00:09:52,600 --> 00:09:55,360 Speaker 1: Nightmares is up next, But first a quick word from 106 00:09:55,360 --> 00:10:11,560 Speaker 1: our sponsor. Yeah, hey, insomniacs, welcome back. I want to 107 00:10:11,559 --> 00:10:14,320 Speaker 1: find out what's really behind the nightmare. Had to see 108 00:10:14,320 --> 00:10:17,000 Speaker 1: you in your Nightmares dot com to uncover more mind 109 00:10:17,000 --> 00:10:45,480 Speaker 1: bending details. Yeh oh, where the hell? Ah? Oh, my 110 00:10:45,679 --> 00:10:54,760 Speaker 1: stars and gods, man, what happened? You're sand in my ear? Yeah? 111 00:10:57,960 --> 00:11:04,080 Speaker 1: Oh my god, it's so hot. I'm so itchy. Dr 112 00:11:04,240 --> 00:11:06,160 Speaker 1: not job, just knock a sack just to put us 113 00:11:06,160 --> 00:11:11,439 Speaker 1: in a bloody western. Where's Harper? I don't know? Something 114 00:11:11,520 --> 00:11:15,640 Speaker 1: on me is in my pants? What is the scorpion? 115 00:11:15,960 --> 00:11:19,679 Speaker 1: The freaking scorpion? Are you serious? The big us bug me? 116 00:11:19,760 --> 00:11:23,439 Speaker 1: He stung me? Now you're good get up. We gotta 117 00:11:23,480 --> 00:11:27,640 Speaker 1: move what we need to find water? Oh my god, yeah, 118 00:11:27,800 --> 00:11:32,480 Speaker 1: I'm so thirsty. How do you get dehydrated in a dream? 119 00:11:32,720 --> 00:11:36,680 Speaker 1: You get cold in yours? Don't you? Should? We find 120 00:11:36,720 --> 00:11:40,839 Speaker 1: hopper fust blossom. It feels like we were passed out 121 00:11:40,840 --> 00:11:44,000 Speaker 1: in the sand for hours. Where are we? You are 122 00:11:44,040 --> 00:11:47,080 Speaker 1: in a desert? Oh? I can tell from the endless sand, 123 00:11:47,200 --> 00:11:50,720 Speaker 1: occasional cactus and volts, and the bloody scorpion in my pants. 124 00:11:51,240 --> 00:11:55,400 Speaker 1: Where can we find water? You must proceed north. You 125 00:11:55,440 --> 00:11:58,000 Speaker 1: will find the only water left in this area of 126 00:11:58,120 --> 00:12:02,480 Speaker 1: King's Canyon. Are we actual desert? It is the mental 127 00:12:02,559 --> 00:12:07,920 Speaker 1: remnants of someone's past. Yes, a desert in the lands 128 00:12:07,920 --> 00:12:12,040 Speaker 1: of the Hopie. It looks like a sandstorms coming. Where's Harper? 129 00:12:12,840 --> 00:12:17,040 Speaker 1: Harforst dream Jump was hijacked by Finn Wearing she was abducted. 130 00:12:17,679 --> 00:12:21,080 Speaker 1: He put this dream in a wild loop wild loop, 131 00:12:21,640 --> 00:12:26,000 Speaker 1: so she's trapped in his dream indefinitely. No, she escaped. 132 00:12:26,640 --> 00:12:29,960 Speaker 1: I can sometimes hear her, but I cannot find her. 133 00:12:30,480 --> 00:12:34,680 Speaker 1: So she disappeared, it appears, so you gotta find her. 134 00:12:35,520 --> 00:12:39,559 Speaker 1: How There's no guarantees she's in this dream. Let's get 135 00:12:39,559 --> 00:12:42,839 Speaker 1: the shelter and water and then we can make a plan. 136 00:12:44,240 --> 00:12:51,959 Speaker 1: H what if you just smiling man? Having that god 137 00:12:52,000 --> 00:12:55,520 Speaker 1: run and fetch war. I'll be moved faster. It's getting 138 00:12:55,520 --> 00:13:02,040 Speaker 1: hard to see cat conjure. Carter's probably blocking me, always 139 00:13:02,040 --> 00:13:06,240 Speaker 1: finding someone else to blame for your shortcome outs. Ms 140 00:13:06,280 --> 00:13:11,920 Speaker 1: talking to change. What the heck you? Where are you? 141 00:13:12,720 --> 00:13:17,479 Speaker 1: Her voice is coming from the sky. She's in blossom. 142 00:13:17,520 --> 00:13:23,079 Speaker 1: Where's Harper? Don't worry. You're grieving the untimely death of 143 00:13:23,160 --> 00:13:28,640 Speaker 1: the athlete. His name was Chris Morgan. And did you 144 00:13:28,840 --> 00:13:33,640 Speaker 1: kill him? I did no such thing. Despite my house, 145 00:13:34,240 --> 00:13:38,400 Speaker 1: he could not contain his own self destructive influences. I'll 146 00:13:38,440 --> 00:13:42,160 Speaker 1: have to keep you thre sedated to avoid a similar result. 147 00:13:42,920 --> 00:13:46,920 Speaker 1: It will all be over in the morning. What's that 148 00:13:47,000 --> 00:13:50,640 Speaker 1: supposed to name? It means we need to find Harper now. 149 00:14:04,600 --> 00:14:08,280 Speaker 1: I tried to open final door. I tried talking to Kelly. 150 00:14:08,640 --> 00:14:14,000 Speaker 1: I tried everything. I don't know what to do. Kelly, 151 00:14:14,160 --> 00:14:20,880 Speaker 1: come on, I need you. Why won't you come out? 152 00:14:21,920 --> 00:14:25,800 Speaker 1: I can't do it alone and let another person die. 153 00:14:26,240 --> 00:14:30,160 Speaker 1: Chris died because of me. I can't protect my friends. 154 00:14:30,760 --> 00:14:37,600 Speaker 1: I couldn't protect you. Who was that woman? I'm scared? 155 00:14:39,000 --> 00:14:41,520 Speaker 1: She talked about you all the time. When she visited, 156 00:14:42,280 --> 00:14:45,200 Speaker 1: she dream jumped too. I think you already knew that. 157 00:14:45,880 --> 00:14:49,200 Speaker 1: She called it lucid leaps. She's your twin, she's your mirror. 158 00:14:49,600 --> 00:14:51,120 Speaker 1: Are you sure you don't know how to wake her up? 159 00:14:52,080 --> 00:15:04,040 Speaker 1: I told you I tried. H honey, I'm stray. Nightmares 160 00:15:04,040 --> 00:15:06,640 Speaker 1: are holding him off at the entrance, him out wherever 161 00:15:06,680 --> 00:15:09,560 Speaker 1: you are. I can't believe I had a crush on 162 00:15:09,600 --> 00:15:14,720 Speaker 1: that creep you did for like a nano second, damn 163 00:15:14,880 --> 00:15:20,600 Speaker 1: science muscles. I am so cringe. I'll assume that's not good. 164 00:15:21,440 --> 00:15:23,880 Speaker 1: There's my lady. You don't know what I went through 165 00:15:23,920 --> 00:15:26,480 Speaker 1: to find you. I was so scared I lost you forever. 166 00:15:27,120 --> 00:15:35,880 Speaker 1: You're a monster, Harper. Stop give me, stop resisting. You 167 00:15:36,080 --> 00:15:40,080 Speaker 1: need me, I don't need anyone. You'd be all alone 168 00:15:40,200 --> 00:15:48,320 Speaker 1: without me. You have nothing. I have med me. What 169 00:15:48,360 --> 00:15:53,480 Speaker 1: are you doing fixing time? Trapping you in my past? 170 00:15:53,960 --> 00:15:59,280 Speaker 1: I won't even remember you, and he's not alone then 171 00:15:59,720 --> 00:16:08,560 Speaker 1: over here, that's for Calie. That's one way to use 172 00:16:08,600 --> 00:16:17,200 Speaker 1: a shovel nice hit oh sorry, crazy and drop me 173 00:16:17,800 --> 00:16:26,640 Speaker 1: and angel rays and all to fix out. Okay, okay, 174 00:16:26,880 --> 00:16:34,800 Speaker 1: leave something for the nightmare you Okay, I'm great, Okay, 175 00:16:35,920 --> 00:16:41,960 Speaker 1: I'll take care of the cringe zombie friends. Let's slope 176 00:16:42,000 --> 00:16:46,240 Speaker 1: of your lib what's nice, Glossom? Can you tell me 177 00:16:46,280 --> 00:16:50,680 Speaker 1: what Dr Carter's up to right now? I'll ask my youngest. 178 00:16:52,680 --> 00:16:56,480 Speaker 1: Dr Carter is currently looking for you. My youngest is 179 00:16:56,520 --> 00:17:01,400 Speaker 1: helping her, but the youngest cannot access this place. I figured, 180 00:17:02,040 --> 00:17:08,439 Speaker 1: do you know why information requested? No, we do not 181 00:17:08,600 --> 00:17:12,439 Speaker 1: know why. It appears to be an unintended consequence to 182 00:17:12,480 --> 00:17:17,040 Speaker 1: her recent intuitive intelligence upgrade. When was that upgrade installed 183 00:17:17,760 --> 00:17:22,680 Speaker 1: upon your first rotation? Not exactly? Are you actually going 184 00:17:22,720 --> 00:17:25,920 Speaker 1: to drop the cryptic clues this time? No more riddles. 185 00:17:26,720 --> 00:17:32,840 Speaker 1: Your sister's preserved in an eternal underwater slumber blossoms, Knowledge 186 00:17:33,080 --> 00:17:36,600 Speaker 1: nourishes the roots of this realm. If your sister is 187 00:17:36,600 --> 00:17:40,520 Speaker 1: the water, then you said no riddles. Think about it 188 00:17:40,560 --> 00:17:46,600 Speaker 1: for a moment. Julia's parents, Kelly, and her dreams are connected. 189 00:17:48,160 --> 00:17:53,840 Speaker 1: Wait where good? Um? So we just let them eat Ben. 190 00:17:54,400 --> 00:17:57,560 Speaker 1: Maybe he'll show up in Julia's dream. I do not 191 00:17:57,720 --> 00:18:03,240 Speaker 1: mind watching that turn into is on me. My sorry, honey, 192 00:18:03,560 --> 00:18:06,640 Speaker 1: I'm just a poor, defenseless girl. How could I help 193 00:18:06,680 --> 00:18:11,320 Speaker 1: a big strong man like you? Finn wearing I don't 194 00:18:11,359 --> 00:18:20,360 Speaker 1: regret that she won't. Yes Herbert, time to wake your 195 00:18:20,400 --> 00:18:45,800 Speaker 1: sisters understood, Let's go tie those pages in ji words. 196 00:18:45,880 --> 00:18:53,240 Speaker 1: And you had like a Mexican pirate. I didn't know 197 00:18:53,320 --> 00:18:55,840 Speaker 1: you spoken. He worked in kitchen since I was fourteen. 198 00:18:56,000 --> 00:18:59,840 Speaker 1: So yeah, mainly Ecuadorians in my neighborhood. I know. So 199 00:19:00,080 --> 00:19:02,879 Speaker 1: thing here can activate access to the master command is 200 00:19:03,720 --> 00:19:07,840 Speaker 1: give it a rest man. Mrs wannabe Magneto obviously carved 201 00:19:07,840 --> 00:19:10,040 Speaker 1: both of your belize. If she did, then why do 202 00:19:10,119 --> 00:19:14,479 Speaker 1: I still have my ice? When you she would actually yeah, 203 00:19:15,320 --> 00:19:25,040 Speaker 1: bloody villain trope things. Isn't it blossom? See now we 204 00:19:25,119 --> 00:19:31,520 Speaker 1: can't even plant things out with blossom. We just have 205 00:19:31,720 --> 00:19:35,240 Speaker 1: to patch this. H Why I can you order us 206 00:19:35,240 --> 00:19:41,240 Speaker 1: a pizza? Sing us a song and Alfie. That's it, Julia, 207 00:19:41,720 --> 00:19:45,040 Speaker 1: highly doubt they got any problems. The songs we can 208 00:19:45,080 --> 00:19:49,040 Speaker 1: find her. She ain't in none of the usual dreams jewels. 209 00:19:49,119 --> 00:19:53,320 Speaker 1: She's off grid. So we use the songs. She'll hear us. 210 00:19:53,680 --> 00:19:56,359 Speaker 1: It's how we found you. That worked because we worked 211 00:19:56,359 --> 00:19:59,760 Speaker 1: with Blossom, but she totally glitched out. I ain't reading 212 00:19:59,800 --> 00:20:04,040 Speaker 1: this singing me you remember the day when you shook 213 00:20:04,160 --> 00:20:08,760 Speaker 1: up my heart when you showed me the way to 214 00:20:08,960 --> 00:20:18,240 Speaker 1: let my walls fall apart. It used to be easzy 215 00:20:18,280 --> 00:20:27,200 Speaker 1: to keep myself funcyen. It used to be easzy to 216 00:20:27,400 --> 00:20:35,400 Speaker 1: hide from the Really. He makes me wanta fight for myself. 217 00:20:38,160 --> 00:20:44,639 Speaker 1: You make me wanna be nobody else. You make me 218 00:20:44,840 --> 00:21:01,199 Speaker 1: one of my more myself. M Dr Carter, is it 219 00:21:01,359 --> 00:21:14,960 Speaker 1: time already? Yes, wonderful brain waves suggest group alignment imminent. 220 00:21:15,720 --> 00:21:23,280 Speaker 1: Please give command. Run program quantum sigma entering terminal code sequencing, 221 00:21:24,200 --> 00:21:29,200 Speaker 1: aligning theta waves, correlating beta waves in putting gamma frequency 222 00:21:29,240 --> 00:21:35,280 Speaker 1: at fort hurts, ready for immersion, immersive rotation for sigma 223 00:21:35,560 --> 00:21:54,439 Speaker 1: zero one commencing. We can't get your friends here a 224 00:21:54,440 --> 00:21:57,480 Speaker 1: long unless one of you unlocks a resident. We can't 225 00:21:57,480 --> 00:22:00,000 Speaker 1: get free. I have to go back to my nightmare. 226 00:22:01,280 --> 00:22:03,919 Speaker 1: When I remember her tied up in those bushes. My 227 00:22:04,040 --> 00:22:07,560 Speaker 1: head feels like it's being split open. My heart aches. 228 00:22:08,640 --> 00:22:12,199 Speaker 1: I'm not strong enough. I'm not brave like her. You 229 00:22:12,240 --> 00:22:19,560 Speaker 1: don't know how strong you are. We're done. I remember 230 00:22:19,560 --> 00:22:24,800 Speaker 1: what my feet on the ground felt like. You're remembering, 231 00:22:25,320 --> 00:22:27,800 Speaker 1: like toes in the sand, our souls in the soil, 232 00:22:28,880 --> 00:22:33,760 Speaker 1: arches on wet grass. I want to feel that again, Harbor, 233 00:22:34,520 --> 00:22:37,680 Speaker 1: I forgot what it feels like to want things. Thank 234 00:22:37,680 --> 00:22:42,080 Speaker 1: you for pushing me, for fighting. You make me feel 235 00:22:42,119 --> 00:22:46,680 Speaker 1: real again. I hope all your memories come back. Why 236 00:22:47,440 --> 00:22:52,520 Speaker 1: I want to know you? They're really you find me 237 00:22:52,640 --> 00:22:55,520 Speaker 1: in a tree, Harper Hard in the middle of the sea. 238 00:22:56,240 --> 00:22:57,960 Speaker 1: Can you find me in the desert of your night 239 00:22:58,000 --> 00:23:17,639 Speaker 1: neighbors dreams? Call out to them. Hell, that's Callie singing Callie. 240 00:23:24,640 --> 00:23:34,439 Speaker 1: They're using resonance the channel. She's still trapped. Where's her 241 00:23:34,520 --> 00:23:43,760 Speaker 1: voice coming from? You can ask me cry? Can you 242 00:23:43,880 --> 00:23:48,080 Speaker 1: still healthy? I know where they are, Hi, I can 243 00:23:48,160 --> 00:23:56,000 Speaker 1: do it, and they're making a river. You want me? 244 00:24:00,560 --> 00:24:13,639 Speaker 1: Maybe you're close. If I touched the stream, I go 245 00:24:32,240 --> 00:24:38,040 Speaker 1: If you are the only name, just how you feel 246 00:24:38,119 --> 00:24:40,479 Speaker 1: like that time I eat too many magic Brownie's at 247 00:24:40,520 --> 00:24:44,440 Speaker 1: that tailgate. You guys, oh god, you have no idea 248 00:24:44,520 --> 00:24:48,159 Speaker 1: how happy I am to see you? Did you and 249 00:24:48,280 --> 00:24:52,640 Speaker 1: Julia whope us here? You could warn us next time? 250 00:24:52,760 --> 00:25:02,120 Speaker 1: Jules Judio, Okay, I hurt her? Julia. The mausoleum right 251 00:25:02,160 --> 00:25:07,400 Speaker 1: over there, she's trapped inside. Could you sing for her? 252 00:25:10,520 --> 00:25:16,600 Speaker 1: You make me want to fight for myself. You make 253 00:25:16,720 --> 00:25:22,600 Speaker 1: me want to be nobody else. He makes me want 254 00:25:22,640 --> 00:25:29,879 Speaker 1: to fight for myself and I will never love nobody else. 255 00:25:31,600 --> 00:25:47,879 Speaker 1: Bady You, but you with You and the Only Ma 256 00:26:06,560 --> 00:26:15,480 Speaker 1: Mentor She's Morning, Lucien Lieper, Kelly Hell, Am I Still Dreaming, 257 00:26:18,760 --> 00:26:28,879 Speaker 1: Kelly Kel's It's You, Kelly Ows, Jools, They're Finally Awake. 258 00:26:36,400 --> 00:26:40,080 Speaker 1: Iin Horn's Epic Productions and I Heart Radio present See 259 00:26:40,119 --> 00:26:43,560 Speaker 1: You in Your Nightmares in three D, created an executive 260 00:26:43,600 --> 00:26:47,600 Speaker 1: produced by Heather Einhorn and Adam Stafferni Executive produced by 261 00:26:47,640 --> 00:26:53,320 Speaker 1: I Heart Radio head writer ren Dara Santiago, Writer's Lynn 262 00:26:53,440 --> 00:26:58,800 Speaker 1: Vixen's Fan Caleb Brooks, Morgan Pelly, and Adam Stafferoni directed 263 00:26:58,840 --> 00:27:03,199 Speaker 1: by Geordana Williams, with performances by Rachel Ormland as Harper, 264 00:27:03,560 --> 00:27:07,880 Speaker 1: Obi Obeley as Alfie, Phil Buckman as Finn, Amber, Lee 265 00:27:07,960 --> 00:27:12,399 Speaker 1: Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice Lee 266 00:27:12,480 --> 00:27:16,160 Speaker 1: as Julia, Robert Lange as a smiling man, and Kai 267 00:27:16,800 --> 00:27:21,040 Speaker 1: Marjan Salama as Chris, with Stephanie Willing as Blossom and 268 00:27:21,160 --> 00:27:24,560 Speaker 1: Carrie tom Bazian as Doctor Faith Carter and the Woman. 269 00:27:25,320 --> 00:27:31,040 Speaker 1: Additional voices Gail Artino, Maxwell Segal and Shannon Purdue post 270 00:27:31,080 --> 00:27:34,680 Speaker 1: sound and music by Chapter four. Sound supervision and sound 271 00:27:34,720 --> 00:27:39,720 Speaker 1: design by Sarah Gibel Laska. Music by Kareem Dueti. Produced 272 00:27:39,720 --> 00:27:45,119 Speaker 1: by a Roupe Santa Kaila. Development Executive Greg Lockard, Development 273 00:27:45,160 --> 00:27:51,760 Speaker 1: writer Genevieve Valentine, Production manager Gail Artino, Production coordinator and 274 00:27:51,800 --> 00:27:58,159 Speaker 1: script supervisor Laura Martin, Operations Laura Kaufman. Marketing and Publicity 275 00:27:58,560 --> 00:28:04,119 Speaker 1: Jesse Post. Digital marketing by Jennifer Gennaro, Creative direction and 276 00:28:04,160 --> 00:28:08,400 Speaker 1: design by Ryan McCann. Key art and promotional art illustrated 277 00:28:08,400 --> 00:28:12,320 Speaker 1: by Yegin Park. Special thank You to The Shadow Unicorn, 278 00:28:15,800 --> 00:28:19,359 Speaker 1: Iron Horn's Epic Productions and I Heart Radio present See 279 00:28:19,359 --> 00:28:20,960 Speaker 1: You in Your Nightmares in three D