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Speaker 1: It goes like this game. This is to steal prayer

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Speaker 1: from me. Y'all root out. You don't want you don't

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Speaker 1: want me feel almost ever seen Ron. Want to ask

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Speaker 1: you a question real quick. Let's just keep a real

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Speaker 1: straight shot for no Jason, I'm gonna get a little

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Speaker 1: bit roughly roughly. You wanted to win a serch not

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Speaker 1: I'm here for those who really believed in the American process,

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Speaker 1: all of us. You're feel straight shot no chaser with

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Speaker 1: your girl Testling figure row on the Black Effect podcasting

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Speaker 1: that word they work. What's happening to everybody? This is

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Speaker 1: your girl teslaing figure rough straight shot no chaser today.

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Speaker 1: I am so excited. You have not had an opportunity

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Speaker 1: for me to interview a comedian yet, and I couldn't

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Speaker 1: think of anyone better to interview. First is the homie

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Speaker 1: Big Job. This man is one of the funniest man

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Speaker 1: on the Internet and stand up Instagram, Facebook. If you

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Speaker 1: have not called any if it's stand up, you certainly

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Speaker 1: will have the listener to this interview. I cannot think

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Speaker 1: of anybody that has made me laugh more, especially during

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Speaker 1: this pandemic, other than Big Jobs. Straight from the West,

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Speaker 1: representing the west Side, California was having a big Let

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Speaker 1: me say that in the way you say it was happening.

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Speaker 1: Thanks for having me, man, I'm appreciative and all that.

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Speaker 1: I'm about to have fun. We're about to crack and

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Speaker 1: jump around and get some information back and forth. We're

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Speaker 1: gonna do it. We're gonna do a big You put

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Speaker 1: out so much content, I mean back to back to

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Speaker 1: back to back to back to back, But I don't know,

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Speaker 1: and maybe I haven't looked hard enough. I watched all

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Speaker 1: of your skits, everything that you do, but I haven't

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Speaker 1: really heard an opportunity to hear from you, you know,

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Speaker 1: as a person, to be interviewed, to really know like

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Speaker 1: who you are. I know where you're from, but I

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Speaker 1: really am intrigued by and those who know me Charlemagne

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Speaker 1: calls me the hood whisper, And what that means is

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Speaker 1: I translate politics into terminology that is easy to understand.

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Speaker 1: Not because that's the only thing that they can understand,

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Speaker 1: but because I want my homies to know, particularly those

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Speaker 1: in California, to know that everything they've been doing about

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Speaker 1: gang banging is exactly like politics. They just didn't know it.

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Speaker 1: They didn't realize that when you look at California, l A.

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Speaker 1: How Inglewood is, you know, surrounded by cript territories. That

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Speaker 1: that's just like you know, Republicans and Democrats. They didn't

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Speaker 1: realize that everything every level in the set O G

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Speaker 1: Y G B G, it's just like senator, Congress, mayor.

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Speaker 1: I mean literally the organization, the flow, how you push

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Speaker 1: the trap, how you push the work. It is exactly

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Speaker 1: like crips and bloods. So I try to use my

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Speaker 1: experience from the like late nineties to translate in a

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Speaker 1: way that people can understand. In fact, I explain to

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Speaker 1: one of my homies out there, shout out to Kenny

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Speaker 1: Boy from Crenshaw Mafia, how to understand the electoral college

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Speaker 1: using Inglewood family. And I won't use that time to

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Speaker 1: go here, you know, because they couldn't have stend it

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Speaker 1: diff between the popular vote and the electoral college. And

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Speaker 1: so I use sense and territories, you know, to make

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Speaker 1: it make sense. So what attracted me to you was,

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Speaker 1: first of all, you always pushing the hood. You're always

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Speaker 1: including that and your and I've never seen anybody really

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Speaker 1: do that in their comedy. You know, you talk about it,

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Speaker 1: but you've like really centered things that really ain't funny

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Speaker 1: like the blood and crypt stuff. And you've made him

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Speaker 1: laugh even some of my home and shout out to

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Speaker 1: Taco Center Park, Inglewood family out there now, you know

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Speaker 1: in l A. And he laughed at Tiberias, he laughed

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Speaker 1: at you know, the blood and crypts. Uh. Yes, the

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Speaker 1: Sini classes and contes is hilarious. And you had them

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Speaker 1: really laughing. So I wanted to know about you, like

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Speaker 1: tell me your experience and how you made that comedy

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Speaker 1: and also how did you do it without it being disrespectful,

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Speaker 1: because you know, kind of sense to the about well

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Speaker 1: if you well, I was so sorry from them. I'm

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Speaker 1: I'm from south Centralia. You don't grow up on the

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Speaker 1: West side, ninety four, the Vermont Um. I'm out affiliated

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Speaker 1: with any gangs, amount of quite of any gangs. I

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Speaker 1: know a lot of game members growing up in l A. Well,

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Speaker 1: I'm from I'm from the I'm I'm an eighties baby,

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Speaker 1: so I grew up in the ages in the nineties

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Speaker 1: and uh in l A West Coast that the gang

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Speaker 1: culture is prevalent. It's still prevalent, very prevalent now or

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Speaker 1: even like the eighties and nineties, nineties for sure, or

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Speaker 1: eighties for sure, but nineties it's like that's my time

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Speaker 1: of growing up. And a lot of people from where

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Speaker 1: I'm from, Canbraa don't really have an outlet to watch

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Speaker 1: anything that you know, I mean, they might find the

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Speaker 1: funniest funny, so you can it can be said that

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Speaker 1: you can't necessarily relate to. But if it's funny, it's funny. However,

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Speaker 1: with this hood good comedy that I I like to

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Speaker 1: put out, I think this is something that that that

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Speaker 1: people where I'm from can directly relate to what I'm doing,

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Speaker 1: relate to the comedy, can find it funny, can really

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Speaker 1: know what I'm saying. They remember a situation like that

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Speaker 1: when they grew up or they were the situation, you

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Speaker 1: know what I'm saying. So I love growing up watching

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Speaker 1: like Don't Be a Minister, the Wood Minister Society of

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Speaker 1: course boys in the hood, and we don't even see

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Speaker 1: that stuff out no more like we don't see anything

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Speaker 1: like that any West Coast representation of lifestyle outside of Snowfall,

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Speaker 1: which I love ratio. Um. But yeah, so when I

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Speaker 1: when I when I set out to do my content,

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Speaker 1: my content is for us the culture, not game banging culture,

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Speaker 1: but West Coast. It's for everybody. It's for anybody. I

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Speaker 1: have people walk up to me of all different races,

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Speaker 1: age ranges, and they and they love the content. And

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Speaker 1: I'm flattered by it and I'm honored by it. However, initially,

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Speaker 1: when I was saying this is for the hood, this

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Speaker 1: is like this kind of this, this particular sketch, I know,

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Speaker 1: if anybody's gonna like it, it's gonna be the people

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Speaker 1: from the hood, Like you know what I'm saying, so

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Speaker 1: and so that's kind of now. I set out to

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Speaker 1: to to that. They were they were my target audience initially,

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Speaker 1: but once it all said down with my comedy as

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Speaker 1: a whole, everybody's my target audience, you know. But you

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Speaker 1: have millions of followers. It's been a blessing to get

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Speaker 1: that far. You know. It started off slow and steady,

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Speaker 1: but I mean now I feel like I'm in a

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Speaker 1: place where I'm still I still gotta rock, I still

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Speaker 1: gotta push forward and still expand the brand. But yeah,

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Speaker 1: I'm proud of Wild how far it's come and the

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Speaker 1: hard work they pay all. So would you consider yourself

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Speaker 1: a sympathizer? Oh for sure. Yeah, Like I'm made you sympathy.

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Speaker 1: I'm assuming you lean on the left side a little

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Speaker 1: bit on the left side of politics. Do you lean

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Speaker 1: towards the right those who are listening, The left is

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Speaker 1: the crypt side. The right side is the blood side. Again,

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Speaker 1: just like politics and left side, right side. I'm keeping

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Speaker 1: a hunt it. I grew up in Cryp. I grew

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Speaker 1: up in and and most of my family members are crypts.

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Speaker 1: And I have family members that are blood too, So

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Speaker 1: I wouldn't say lean when I was a younger. You

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Speaker 1: had to. You had to choose what I'm saying. I was.

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Speaker 1: I'm I'm grown man now, so I'm not partial to anyone.

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Speaker 1: But I grew up in I grew up in crip hood.

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Speaker 1: So the way I addressed, the way I talked, the

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Speaker 1: way I moved was definitely towards world, towards the crip energy.

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Speaker 1: You know what I'm saying, because you at you what

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Speaker 1: I'm saying. So wherever you grew up at this, that's

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Speaker 1: what you were, and that's exactly that's so on point.

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Speaker 1: I talked about that in my first Breakfast Club interview.

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Speaker 1: Shout out to my homie Mandrell Dean Rest in peace.

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Speaker 1: He was in my neighborhood. It was only one crip

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Speaker 1: that lived in my neighborhood. I grew up in the

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Speaker 1: neighborhood North Tidings, Oklahoma City, the Pyru neighborhood. One crip

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Speaker 1: lived there. My best friend, she was a great street

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Speaker 1: her brother was the neighborhood sixty And we would walk

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Speaker 1: through the hood and man, Drell, we had on what

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Speaker 1: we call milkshakes and Cortez and Chucks and all all

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Speaker 1: your attire that now I see them in politics, like

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Speaker 1: in no disrespect to sen of the Hairs, but when

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Speaker 1: she were her chucks, everybody's like, oh, it's so cool

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Speaker 1: to work up. But to me, Chuck's is a lifestyle.

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Speaker 1: Like it's not just a fastest statement, you know what

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Speaker 1: I mean. It comes from a certain era. And we

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Speaker 1: would walk through the hood and you're absolutely right if

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Speaker 1: you had on the wrong color, if you had and

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Speaker 1: a lot of that has changed, but back in the nineties,

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Speaker 1: late nineties, early nineties, you were whatever you were in

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Speaker 1: that neighborhood and if you didn't, you absolutely right. You know,

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Speaker 1: you will stay in the house for sure. It's the

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Speaker 1: problem most of you kind of tell the guys that

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Speaker 1: you grew up with who stayed in the house and

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Speaker 1: who didn't you know saying, So I was always outside,

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Speaker 1: so I had to be I had to be in

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Speaker 1: pocket at all times. So and I went to school

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Speaker 1: in the photies and I went to I lived the

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Speaker 1: nineties and in the nine for I gotta take two

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Speaker 1: bus to get to school every day. So I'm going

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Speaker 1: through different hoods in the morning and on the way

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Speaker 1: back too. So I've always I was. I was always

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Speaker 1: getting in this ship. My content is from basically where

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Speaker 1: I'm from, my upbringing, my experiences, those are those are

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Speaker 1: not my only experiences, but those my first my first

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Speaker 1: fifteen years was that you know what I'm saying. When

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Speaker 1: I went up to college, and he experienced a lot

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Speaker 1: of other different things and different people, different lifestyles and

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Speaker 1: cultures and whatnot. But growing up in l A in

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Speaker 1: San Diego, I spent time in San Diego, back and

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Speaker 1: forth San Diego, which is like A. I would I

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Speaker 1: used to say water down l A. But I would

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Speaker 1: say like a smaller version of l A. And this

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Speaker 1: blood central in that and San Diego. I grew up

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Speaker 1: in all criphood in l A. And I moved to

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Speaker 1: San Diego and it's predominantly blood gangs out there. So

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Speaker 1: but you know, you navigate through both, you navigate through

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Speaker 1: life and and you come out and I wouldn't say unscathed,

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Speaker 1: but you come out alive. So I'm here. I'm here.

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Speaker 1: So my my humor is relatable because even game bangers,

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Speaker 1: even gangster they know, like they know that bloods no

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Speaker 1: it crips know they say locan and blood fifteen times

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Speaker 1: in one sentence and so and so, and they know.

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Speaker 1: It's a lot of times they will see a sketch

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Speaker 1: that I shoot, that I make about that type of stuff,

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Speaker 1: about that that topic, and they find it funny because

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Speaker 1: it is me. That is so I felt. I feel

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Speaker 1: like they can find some humor and the yeah, that's it,

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Speaker 1: and that that's what I love, which is so important.

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Speaker 1: Just one kind of going back to what you said

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Speaker 1: a moment ago about it wasn't your only experience and

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Speaker 1: that's so important, Like that's not my only experience. I

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Speaker 1: do com arry on national media, on Fox News, different

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Speaker 1: places to revolt. Whatever. Black Effect is the spot where

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Speaker 1: I really get to show all of not just my diversity,

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Speaker 1: but our diversity as a whole. It's not just one experience,

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Speaker 1: and people seem to think that if you come from

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Speaker 1: a certain side of the tracks or you or if

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Speaker 1: you are around a certain you know, group of folks,

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Speaker 1: that that's the only thing you know. No, that's not

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Speaker 1: the only thing that I know. That's just one part

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Speaker 1: of me. And what I try to do in politics

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Speaker 1: is the same that you're doing in comedy, not leaving

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Speaker 1: those experiences behind. And so if I can take what

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Speaker 1: I learned and what I know and be able to

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Speaker 1: translate and be a hood whispers, so people can understand,

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Speaker 1: you know, what I'm talking about and understand how they

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Speaker 1: have a role in politics, and that politics really just

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Speaker 1: been on some gangster ship this whole time, and people

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Speaker 1: just don't know what Trump is a very good example.

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Speaker 1: I mean, he's straight up. He gains all the way too.

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Speaker 1: And when I do a lot of younger people say, oh,

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Speaker 1: that's not gangster what he's doing, and I tell them

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Speaker 1: gamester doesn't mean good, it means gangs. When I'm saying

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Speaker 1: he pulled against the move, I mean literally, you acting

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Speaker 1: like you Tiberius, You know, you are literally acting like

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Speaker 1: somebody from a hood that's pushing the line that don't

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Speaker 1: give a damn about who it is, who it affects,

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Speaker 1: who it it bothers, who whatever. They're pushing the line

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Speaker 1: for the set. That's what Trump did in politics. It's

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Speaker 1: not that I'm saying that's the right thing to do.

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Speaker 1: It's not that I'm saying that's how it should be.

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Speaker 1: I'm telling you what it is because I've been nothing

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Speaker 1: but around gangsters my whole life, and I know a

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Speaker 1: g when I see one, And that is exactly what

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Speaker 1: Trump did. He didn't give a damn about let's just

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Speaker 1: go ahead. He was he was read from the red

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Speaker 1: team the Republicans here, do you give a damn about

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Speaker 1: what crips was talking about? Anybody can bang in their

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Speaker 1: own hood, but who's gonna go over to the to

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Speaker 1: the enemy's territory and bank. That's what Trump did. He

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Speaker 1: pushed the line. I'm not a supporter of him by

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Speaker 1: no stretching imagination. I just try to get people to

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Speaker 1: see that we need some gangsters on out side of

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Speaker 1: the on out side of the out. Yeah. Absolutely, and

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Speaker 1: I'm gonna keep it on. I'm not huge on politics.

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Speaker 1: I don't know my very knowledgeable. I should be my

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Speaker 1: mom and my positive and stay current with the current news,

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Speaker 1: and I understand what's going on in the world. I

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Speaker 1: have a I have a somewhat understanding what's going on.

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Speaker 1: But if I'm sitting in front of a uh room

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Speaker 1: for the people who who watch politics and study it

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Speaker 1: and read it, I'll just be I have to sit

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Speaker 1: back and listen. But that's okay, though. See, that's the

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Speaker 1: reason why this is so important. You know, this opportunity

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Speaker 1: is important. I was interviewing Charlotte Magne and he said

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Speaker 1: the same thing you said. I'm not an expert in politics.

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Speaker 1: I don't know about politics. But the point is to

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Speaker 1: have a gateway to somebody that is, and somebody that

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Speaker 1: you can sit down and talk to and just say,

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Speaker 1: let me break this ship down to you on a way.

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Speaker 1: Not because that's not the only thing, you understand, it's

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Speaker 1: just the quickest way for me to get through. When

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Speaker 1: I'm talking to at home and I'm like, Okay, you

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Speaker 1: know how Englewood family got this set? This at this set.

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Speaker 1: This is the electoral college, This is the popular vote.

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Speaker 1: Who has more power? The ogs are are the watches?

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Speaker 1: Dots have more power just because it's a whole it's

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Speaker 1: a more of them, Or do the ogs have more power.

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Speaker 1: Obviously the ogs do because they have more influence. So

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Speaker 1: it's not a matter of everybody being an expert of everything.

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Speaker 1: I don't know about comedy. I don't know about what

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Speaker 1: you do. I don't know about how you put your

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Speaker 1: skis together and things like that. The party is brother

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Speaker 1: that we all bring our common knowledge to the table

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Speaker 1: and be able to sit down on somebody that we

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Speaker 1: trust to at least be able to explain things, not

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Speaker 1: try to move you one way or the other, but

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Speaker 1: to know that you're out there what I love about

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Speaker 1: your comedy. And this is what is really important personally.

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Speaker 1: A friend of mine was shotting paralyzed last year, and

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Speaker 1: you know, and he came went out to Els from

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Speaker 1: l A. Originally wasn't living in l A at the time,

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Speaker 1: went out and just on some random fluke ship. Now,

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Speaker 1: this guy has been banging his whole life, but he

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Speaker 1: left that life a long time ago. And when I

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Speaker 1: seen him your skits and it's able to make him laugh.

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Speaker 1: Because this is really why I wanted I wanted this

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Speaker 1: on the record to tell you this. When I send

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Speaker 1: him your skits, and because he's really like super blood,

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Speaker 1: like blood every other words, on blood, on blood or blood.

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Speaker 1: You know this, It's a part of who he is.

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Speaker 1: Highly intelligent man Arthur fifteen books, wrote all his books

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Speaker 1: while he was in prison. There and Walmart, Barnes and

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Speaker 1: Noba all over the country shut out to Clifford Johnson

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Speaker 1: names spilled the blood who I met at fifteen years old.

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Speaker 1: You know what I mean? That man impacted my life.

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Speaker 1: I wouldn't be here today had it not been for

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Speaker 1: the homie looking at It wasn't my daddy, wasn't my mom.

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Speaker 1: It was the homies. It was cribs, it was bloods.

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Speaker 1: They gave me what I needed to start in my life,

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Speaker 1: whether it was protect me in the streets, whether it

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Speaker 1: was I need money to be able to get my

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Speaker 1: car from being repoled, or or I need to be

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Speaker 1: able to get an apartment when I moved to Dallas,

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Speaker 1: or none but the shut on my back. It was

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Speaker 1: the homies that looked out for me. In those same

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Speaker 1: homies whin did time through mass incarceration, through doing first

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Speaker 1: time non buying offenders. None of them have said they

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Speaker 1: feel that they shouldn't have been punished. The question was

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Speaker 1: always about being over sentenced. So I'm saying all that

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Speaker 1: to say when I'm on the phone with him and

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Speaker 1: he's in pain. Because one thing people don't understand about

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Speaker 1: being paralyzed this you're in constant pain. It's not just

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Speaker 1: a one time thing and then your legs go dead.

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Speaker 1: It's constant spasms all the time. It's scruciating pain. When

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Speaker 1: I sent him your skits and in the middle of

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Speaker 1: the night because he can't sleep, and it's able to

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Speaker 1: make him laugh, Like you need to know that you're

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Speaker 1: touching people that come from that walk of life, who

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Speaker 1: have been affected by that walk of life and still

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Speaker 1: can find humor, not in what happened with him, and

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Speaker 1: not in glorifying a particular lifestyle, but something that they

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Speaker 1: relate to to be able to laugh and get through it,

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Speaker 1: to get through yet another night. This is real. Ship

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Speaker 1: that type of pain, people get suicidal, you know, they

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Speaker 1: want to end their life. When you talk about this

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Speaker 1: guy's your size. Job, that's a lot for a man

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Speaker 1: come down from being I don't know, I tell you are,

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Speaker 1: but he's six three six four, you know, almost three

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Speaker 1: hundred pounds and you lose all of your physical ability.

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Speaker 1: It takes a lot for a man to get through tonight. Yeah,

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Speaker 1: and so you've been a blessing to that. And I

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Speaker 1: wanted you to know that that it's not just me

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Speaker 1: making me laugh or others to a pandemic, but really

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Speaker 1: touching people who have been affected by the hood. And

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Speaker 1: when you say you're not political, that's good because you haven't.

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Speaker 1: I noticed you haven't put any of that in your comedy.

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Speaker 1: And for me, I talked about politics seven I don't

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Speaker 1: want to really sometimes I need an outlet to just

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Speaker 1: laugh about something that don't have it to do with

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Speaker 1: Donald Trump. So did you know that you were impacting

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Speaker 1: people in that way? Have you got stories wrote to

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Speaker 1: you over the years I went on I went on

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Speaker 1: tour last last summer summer between eighteen and I went

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Speaker 1: on a comedy tour and I met a lot of

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Speaker 1: people over the over the over the country, throughout the

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Speaker 1: country that you know, we're fans. And I had meeting

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Speaker 1: Greek setups and people will come up and we would

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Speaker 1: talk for a little bit. And even even when I

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Speaker 1: go live with my own app. On my app, I

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Speaker 1: go live and I talked to people and they tell

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Speaker 1: me all these things you're telling me to not specifically

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Speaker 1: what you just told me, but something along the lines

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Speaker 1: of it, and I appreciate it. I do it for that,

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Speaker 1: you know, to be honest with you, because a lot

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Speaker 1: of people like Spud the Blood. I can't speak for

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Speaker 1: him per se, but I know people enough, people in

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Speaker 1: his in his lifestyle or his former lifestyle, to where

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Speaker 1: a lot of stuff when you live the type of

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Speaker 1: lifestyle you came laughing at certain things ain't ain't funny

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Speaker 1: to you, So they might not be able to relate

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Speaker 1: to something that come on TV that's supposed to be

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Speaker 1: funny to everybody else. They might be like, that's corny,

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Speaker 1: but that's corny because I actually that's that's corny. What

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Speaker 1: can I What can they laugh at? What can they

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Speaker 1: relate to it? And a lot of times this stuff

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Speaker 1: I put out, you know what I'm saying, and this

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Speaker 1: is what they're telling me. I'm not making this up.

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Speaker 1: This is what I thought would happen. And then they

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Speaker 1: actually did happen. They say, Man, I find your ship

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Speaker 1: funny because I can relate to it. I've been there before,

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Speaker 1: you know, I know somebody just like that in comedy

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Speaker 1: and anything especially, but comedy for sure is relatable people

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Speaker 1: people sort of gravitating towards a certain person because of

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Speaker 1: how much he or she is relatable, you know what

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Speaker 1: I'm saying, how they can relate to that person and

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Speaker 1: what he or she says. And I think, hopefully, well,

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Speaker 1: I'm sure I strike out sometimes and some of the

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Speaker 1: stuff I do might not be that funny, but I

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Speaker 1: feel like a lot of times I put something out

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Speaker 1: there that's funny to um, hopefully the masses, and if not,

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Speaker 1: in particular to the people that I know grew up

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Speaker 1: the same where I did. You know that is funny.

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Speaker 1: That ship is funny. Something sometimes you straight down that

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Speaker 1: ship is funny. One of my favorite skids is where

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Speaker 1: She's from. Man, I'm telling you, I had a homeboy,

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Speaker 1: and just for those who listen, I just kind of

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Speaker 1: set it up quickly. It's a skit where you do

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Speaker 1: where guy from the West Coast fall in loves with

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Speaker 1: with a girl from the East Coast, and all of

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Speaker 1: a sudden he transforms into somebody from New York. I

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Speaker 1: swear on everything my homeboy Corey widely, it's just like

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Speaker 1: that character. Rest in peace, Corey. All growing up, it's

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Speaker 1: always been West Coast and then all of a sudden,

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Speaker 1: when well, tank clank came out in high school. He

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Speaker 1: just literally became that dude. And I remember sitting just

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Speaker 1: like the characters that were sitting there and saying what

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Speaker 1: did you do and start doing reciting E forty and

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Speaker 1: try to get them like snapping back to us, come back,

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Speaker 1: come back, bro. Yeah, A lot of a lot of stuff.

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Speaker 1: A lot of stuff I write is stuff that really

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Speaker 1: happened to me or happened to summer right next to me.

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Speaker 1: So like, yeah, I'm from l A, grew up the

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Speaker 1: South into my mom's from Harlem, from New York. So

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Speaker 1: when I went off to college, I'm the youngest when

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Speaker 1: I went off to school. She moved back to New

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Speaker 1: York in twenty in two thousands, and so every summer,

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Speaker 1: every Christmas and every summer, I will go see my mom.

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Speaker 1: I will be out there. You know what I'm saying,

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Speaker 1: I'm out of New York now, so what with the lady?

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Speaker 1: What he am is at? So I remember, I'll be

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Speaker 1: I would be out there so often and I would

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Speaker 1: come home. I will use some of the terminology to

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Speaker 1: subconsciously for my cousins. They were talking to the way

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Speaker 1: that people I meet out there and talk. Son, Yo,

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Speaker 1: you're gonna be mad tight sons. Your son's real brick

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Speaker 1: mad bricks hunt. Uh. So I start saying stuff like

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Speaker 1: that to them, what girl got you twisted up in

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Speaker 1: the edge? And that was years ago. That was years

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Speaker 1: ago when I was like in college, I was here

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Speaker 1: so and a lot of people, a lot of women,

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Speaker 1: other guy especially big, big, big tough dudes. You don't

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Speaker 1: gotta be big, but tough dudes in general they want

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Speaker 1: a chick. Sometimes they do, like a chicken's aggressive. I'm

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Speaker 1: that's aggressive, just like then that turns them on. So

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Speaker 1: I figured and Cocoa the chicken. She's super sweet, the

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Speaker 1: girl that plays, and that's that catch, super talented chick.

426
00:20:27,960 --> 00:20:29,760
Speaker 1: She's from Queens, she's really from New York and she's

427
00:20:29,760 --> 00:20:33,440
Speaker 1: super is that she's literally like that. If you like,

428
00:20:33,520 --> 00:20:35,040
Speaker 1: she could be, hey, how are you doing on, Cocoa.

429
00:20:35,320 --> 00:20:37,280
Speaker 1: But if you get on, if you get upset your son,

430
00:20:37,359 --> 00:20:41,080
Speaker 1: I'm funk that yo, and I'm I'm my pop off son.

431
00:20:41,600 --> 00:20:45,320
Speaker 1: She she she couldn't sugared active. Most dudes who from

432
00:20:45,359 --> 00:20:47,800
Speaker 1: the hood we like chicks like that. Of course you do.

433
00:20:47,920 --> 00:20:50,040
Speaker 1: That's why I don't exactly, That's why I'll be struggling

434
00:20:50,119 --> 00:20:53,480
Speaker 1: with dating because I'm used to that. I don't know.

435
00:20:53,600 --> 00:20:55,400
Speaker 1: I mean, I guess I've just been conditioned that way

436
00:20:55,520 --> 00:21:00,480
Speaker 1: when that's all you've ever dated. Everybody to me is cornballs, corny.

437
00:21:00,560 --> 00:21:02,800
Speaker 1: I hate him. I hate him, sucked up like I'm

438
00:21:02,800 --> 00:21:05,960
Speaker 1: just gonna keep it real. I wish I could change. You.

439
00:21:06,200 --> 00:21:09,680
Speaker 1: Won't find somebody that that could do both. I don't

440
00:21:09,720 --> 00:21:14,040
Speaker 1: never refined, like, yeah, you gotta find the dude. And

441
00:21:14,160 --> 00:21:15,760
Speaker 1: my pops was like that, my pops resting piece, he

442
00:21:15,880 --> 00:21:18,119
Speaker 1: was like he's a hood too completing, Ohio, and know

443
00:21:18,160 --> 00:21:20,240
Speaker 1: what I'm saying, but like if you met you, you

444
00:21:20,280 --> 00:21:22,240
Speaker 1: will meet him, and like this dude, such a nice guy,

445
00:21:22,359 --> 00:21:25,040
Speaker 1: so so refined, but he's been in out of jail

446
00:21:25,320 --> 00:21:27,720
Speaker 1: most of his younger, his young life before he had

447
00:21:27,800 --> 00:21:31,320
Speaker 1: me and and my other siblings. But he's a dude

448
00:21:31,359 --> 00:21:33,200
Speaker 1: that you go you with rocket respect as that O

449
00:21:33,359 --> 00:21:36,080
Speaker 1: G dude. My dad would go to any anyone, any

450
00:21:36,160 --> 00:21:38,800
Speaker 1: hood that I moved to and go find the biggest

451
00:21:38,840 --> 00:21:40,360
Speaker 1: gene the hood. But how are you doing that? I'm Charles,

452
00:21:40,400 --> 00:21:42,000
Speaker 1: I'm old lot. This is I'm that's my sling over

453
00:21:42,040 --> 00:21:43,719
Speaker 1: to him right there with a little uptail. That's that's

454
00:21:43,760 --> 00:21:47,200
Speaker 1: my son. You're trying to with your daddy. I felt

455
00:21:47,200 --> 00:21:50,920
Speaker 1: like you're trying to come. I'm like somebody like them,

456
00:21:50,960 --> 00:21:54,280
Speaker 1: but somebody like that that can relate to the game.

457
00:21:54,359 --> 00:21:57,359
Speaker 1: And he grew up with dated but he's still but

458
00:21:57,480 --> 00:21:59,520
Speaker 1: he also got he might have a business, he might

459
00:21:59,600 --> 00:22:02,879
Speaker 1: he he's fine, but yeah, he's gonna still keep you

460
00:22:02,920 --> 00:22:05,720
Speaker 1: in check. Not invist version. No, it need to be

461
00:22:05,840 --> 00:22:07,399
Speaker 1: No I need to be checked. No, you don't have

462
00:22:07,480 --> 00:22:11,320
Speaker 1: to remember that all. Let me hear that. Some women

463
00:22:11,359 --> 00:22:12,920
Speaker 1: hear that. You think like it's a it's a power

464
00:22:12,960 --> 00:22:15,639
Speaker 1: struggle between many women. I'm like, no, it ain't. You

465
00:22:15,720 --> 00:22:17,440
Speaker 1: should have a man that should be able to check you,

466
00:22:17,560 --> 00:22:20,480
Speaker 1: and it should be a respectable enough person and the

467
00:22:20,560 --> 00:22:23,680
Speaker 1: man for you to accept that. If you don't respect

468
00:22:23,720 --> 00:22:25,240
Speaker 1: your man and he can't check, you can't nobody that

469
00:22:25,280 --> 00:22:28,040
Speaker 1: you don't respect check you. But if you respect him

470
00:22:28,080 --> 00:22:30,080
Speaker 1: and he walks in them and he moves away, a

471
00:22:30,119 --> 00:22:33,200
Speaker 1: man should move to game respect and earned respect from

472
00:22:33,200 --> 00:22:35,560
Speaker 1: this woman him saying something when she might say something

473
00:22:35,560 --> 00:22:37,640
Speaker 1: out of pocket, she should be respect that. And that's

474
00:22:37,640 --> 00:22:40,000
Speaker 1: what I mean. But you want to break down me

475
00:22:40,240 --> 00:22:41,960
Speaker 1: break that down to the listeners, because I know what

476
00:22:42,080 --> 00:22:45,040
Speaker 1: it is everybody out and we got to check me, period.

477
00:22:45,960 --> 00:22:47,800
Speaker 1: And I remember guy told me when you shouldn't want

478
00:22:47,800 --> 00:22:49,760
Speaker 1: to be checked. No, it's not about that. It's about

479
00:22:50,240 --> 00:22:53,600
Speaker 1: I think people think independent strong women. There's a such thing.

480
00:22:53,640 --> 00:22:57,200
Speaker 1: It's called being an alpha submissive. Alpha women can be submissive.

481
00:22:57,280 --> 00:22:58,879
Speaker 1: We'll be looking for me and that know how to

482
00:22:59,400 --> 00:23:01,520
Speaker 1: you know that that can straighten you out or And

483
00:23:01,560 --> 00:23:03,520
Speaker 1: it's not saying I'm matterr clowning and wow, and that's

484
00:23:03,560 --> 00:23:06,720
Speaker 1: not what that is. It's saying that you, you know,

485
00:23:06,960 --> 00:23:09,359
Speaker 1: if if you see anything disrespect, if you're gonna speak up.

486
00:23:09,520 --> 00:23:11,760
Speaker 1: I don't need nobody softer than me. Somebody got to

487
00:23:11,800 --> 00:23:14,239
Speaker 1: be harder and and I don't and I don't want

488
00:23:14,280 --> 00:23:16,600
Speaker 1: it to be me. And I think that's a misconception.

489
00:23:16,880 --> 00:23:19,560
Speaker 1: And in this woke space that I'm in, a lot

490
00:23:19,640 --> 00:23:21,560
Speaker 1: of men think that that's how strong women are and

491
00:23:21,600 --> 00:23:25,000
Speaker 1: they got it so twisted, like that's totally not how

492
00:23:25,119 --> 00:23:26,800
Speaker 1: I am. And a lot of women that I know,

493
00:23:27,040 --> 00:23:29,200
Speaker 1: that's not how they are. So that's what comes with

494
00:23:29,280 --> 00:23:31,960
Speaker 1: the dilemma of you know me and that approach you,

495
00:23:32,160 --> 00:23:34,200
Speaker 1: and then they approach you with this queen and king

496
00:23:34,320 --> 00:23:36,800
Speaker 1: and I'm from the hood. I don't. We wasn't with

497
00:23:36,880 --> 00:23:39,000
Speaker 1: the beloved and the king and the Queen and all that.

498
00:23:39,840 --> 00:23:41,800
Speaker 1: I'm like, I'm like your approach, like, what's happening to

499
00:23:41,800 --> 00:23:45,879
Speaker 1: look at me? Yes, if you're looking at yeah, I

500
00:23:46,040 --> 00:23:48,880
Speaker 1: was cracking with it. How can we do this later wrong?

501
00:23:48,960 --> 00:23:56,600
Speaker 1: Let me get you you're in yes, yeah, yeah, And

502
00:23:56,720 --> 00:23:59,920
Speaker 1: checking don't always mean that the woman is tripping or tripping.

503
00:24:00,040 --> 00:24:02,080
Speaker 1: Check and be like you can be it's a it's

504
00:24:02,080 --> 00:24:04,480
Speaker 1: a second opinion. You gotta have a man in your life,

505
00:24:04,520 --> 00:24:07,400
Speaker 1: a woman your life that where hey, baby, um, I said,

506
00:24:07,440 --> 00:24:09,200
Speaker 1: this is the homie. I don't am I tripping? Just

507
00:24:09,320 --> 00:24:10,399
Speaker 1: what I said. This is what he said. And I

508
00:24:10,440 --> 00:24:13,359
Speaker 1: said this and responsible he said. And she could be

509
00:24:13,440 --> 00:24:15,879
Speaker 1: like or he could be like, yeah, you were tripping

510
00:24:16,040 --> 00:24:18,560
Speaker 1: what I'm saying, checking to see if the way he

511
00:24:18,720 --> 00:24:21,080
Speaker 1: was moving it's it's okay or not. And he or

512
00:24:21,160 --> 00:24:23,399
Speaker 1: she could check you in this. But now just realign you.

513
00:24:23,520 --> 00:24:25,800
Speaker 1: It's others a realignment. I might be going. I might

514
00:24:25,800 --> 00:24:29,200
Speaker 1: be straying off like that realignment. Speaking of realignment, let's

515
00:24:29,200 --> 00:24:35,360
Speaker 1: go to one of my other favorite skills, redeem my stroke. Hey, heys, indeed, now,

516
00:24:35,600 --> 00:24:38,200
Speaker 1: now tell me was that a personal experience that you

517
00:24:38,320 --> 00:24:41,520
Speaker 1: get here. I'm gonna keep it a hunting because flight

518
00:24:41,600 --> 00:24:43,359
Speaker 1: it to the people that don't know. Redeem my stroke.

519
00:24:44,280 --> 00:24:47,880
Speaker 1: Stroke is for the fellers. When you have the opportunity

520
00:24:48,000 --> 00:24:50,960
Speaker 1: to uh partake in a little um physical phone with

521
00:24:50,960 --> 00:24:53,600
Speaker 1: a lady and you don't properly perform the way you

522
00:24:53,640 --> 00:24:59,040
Speaker 1: should and you might leave her without withoutside of so um,

523
00:24:59,200 --> 00:25:01,560
Speaker 1: I can't speak for be mad. And it only happened

524
00:25:01,600 --> 00:25:03,159
Speaker 1: to me a couple of times, to be honest with you,

525
00:25:03,240 --> 00:25:05,119
Speaker 1: and when it happened to me the first time, I

526
00:25:05,240 --> 00:25:08,640
Speaker 1: was twenty six, I was like, not give me some trash, nick,

527
00:25:12,200 --> 00:25:15,320
Speaker 1: and I wanted to redeem it. And I never got

528
00:25:15,400 --> 00:25:19,640
Speaker 1: the opportunity to back. I never got the opportunity opportunity.

529
00:25:19,720 --> 00:25:22,680
Speaker 1: It only happened one time in this situation where this

530
00:25:22,840 --> 00:25:25,119
Speaker 1: is a while ago, and um, I didn't have the opportunity,

531
00:25:25,240 --> 00:25:28,400
Speaker 1: the opportunity to redeem my stroke and so not left

532
00:25:28,760 --> 00:25:32,000
Speaker 1: with that BDR that bad that bad Dick report. Yeah,

533
00:25:33,040 --> 00:25:38,040
Speaker 1: because yeah, just so you know, like let's really break

534
00:25:38,119 --> 00:25:40,200
Speaker 1: this down. We're gonna break down this redeem because I

535
00:25:40,200 --> 00:25:42,840
Speaker 1: got some thoughts on this. Okay, So once you get

536
00:25:42,920 --> 00:25:45,680
Speaker 1: the bad report, you do know, like that stands you

537
00:25:45,760 --> 00:25:49,919
Speaker 1: can redeem, but it never really completely cancels out the trash.

538
00:25:49,960 --> 00:25:54,080
Speaker 1: And six you're aware of that, oh yeah to a degree. If,

539
00:25:54,119 --> 00:25:57,360
Speaker 1: for example, if you with that person, and if you're

540
00:25:57,400 --> 00:25:59,920
Speaker 1: with that person and you build up enough credit with

541
00:26:00,119 --> 00:26:03,320
Speaker 1: that one person after giving them, after after giving them

542
00:26:03,359 --> 00:26:07,440
Speaker 1: the trash meat and after times after that, let's say

543
00:26:07,520 --> 00:26:10,200
Speaker 1: you did your things with that person and it was trash.

544
00:26:10,840 --> 00:26:13,840
Speaker 1: She wasn't sr to satisfied. But you see a girl now,

545
00:26:14,280 --> 00:26:17,119
Speaker 1: so now you're gonna have thirty seventy a hundred more

546
00:26:17,200 --> 00:26:18,879
Speaker 1: times of the sex. And let's say the rest of

547
00:26:18,920 --> 00:26:22,720
Speaker 1: those hundred times are great. Of course she remembers it,

548
00:26:23,000 --> 00:26:25,600
Speaker 1: but she's not tripping off that that b dr right,

549
00:26:25,640 --> 00:26:27,200
Speaker 1: but it's still on the report. I just want you

550
00:26:27,200 --> 00:26:29,919
Speaker 1: to know it's on the credit report, like it don't erase.

551
00:26:30,560 --> 00:26:32,920
Speaker 1: So okay, okay, so you can have some other points

552
00:26:32,960 --> 00:26:35,959
Speaker 1: that balance it out. So if you can't, well, if

553
00:26:36,000 --> 00:26:39,320
Speaker 1: you had some some some events, some sessions that this

554
00:26:39,440 --> 00:26:41,960
Speaker 1: is not necessarily erased it but overpowered. There's so many

555
00:26:42,320 --> 00:26:45,560
Speaker 1: that one and you got that were great and that

556
00:26:45,720 --> 00:26:48,280
Speaker 1: one that was trash, right, well, that's true. And then

557
00:26:48,320 --> 00:26:51,840
Speaker 1: it's also when you talk about redeeming, it's also points

558
00:26:51,880 --> 00:26:55,560
Speaker 1: that we give to So it's not just no just one,

559
00:26:56,160 --> 00:26:58,560
Speaker 1: you know, initial points you know we're looking at because

560
00:26:58,560 --> 00:27:00,040
Speaker 1: I wrote it down. I want to make sure we

561
00:27:00,080 --> 00:27:03,280
Speaker 1: talking about this today. Was he drunk? You know? Was

562
00:27:03,400 --> 00:27:08,560
Speaker 1: he tired? I'm bringing you on endurance strands, longevity, size, girls,

563
00:27:08,720 --> 00:27:11,320
Speaker 1: dreak Like, it's a lot of points. It's not just

564
00:27:11,520 --> 00:27:13,040
Speaker 1: one point. You know what I'm saying, Like, all of

565
00:27:13,119 --> 00:27:15,920
Speaker 1: this ship got to live. So so some of this

566
00:27:16,000 --> 00:27:19,680
Speaker 1: can't be redeemed. It's ingredients. So some of some of

567
00:27:19,760 --> 00:27:22,399
Speaker 1: this can't just be redeemed. Like if the size and girls,

568
00:27:22,440 --> 00:27:25,680
Speaker 1: they ain't no redeem and it's a rap, so redemption

569
00:27:26,080 --> 00:27:29,320
Speaker 1: you just without and you got to move on. Yeah,

570
00:27:29,760 --> 00:27:32,959
Speaker 1: that's a whole situation. Yeah, so all right. In this situation,

571
00:27:33,520 --> 00:27:36,640
Speaker 1: it was more so I was young and she pulled

572
00:27:36,680 --> 00:27:39,040
Speaker 1: some toys out on me, and at that time, I

573
00:27:39,200 --> 00:27:42,920
Speaker 1: was like, you know what he's doing, and that threw

574
00:27:43,000 --> 00:27:46,600
Speaker 1: me off. A had never happened to me before, No

575
00:27:46,720 --> 00:27:49,080
Speaker 1: one time, and I'm I'm an honest person. Up until

576
00:27:49,119 --> 00:27:50,920
Speaker 1: that time, I had never happened to me. I was like,

577
00:27:51,720 --> 00:27:54,080
Speaker 1: but I know I'm thinking, I know it's because of

578
00:27:54,119 --> 00:27:56,399
Speaker 1: the toys, because I wanted her bad. It wasn't her.

579
00:27:56,440 --> 00:27:58,800
Speaker 1: I was very very attracted her. I was waiting the

580
00:27:58,960 --> 00:28:00,919
Speaker 1: time to get that. I have to get to the ends.

581
00:28:00,960 --> 00:28:03,280
Speaker 1: And I finally was getting them. And she pulled some

582
00:28:03,400 --> 00:28:07,120
Speaker 1: toys out on some freak ship and I was like, yeah, yeah,

583
00:28:07,600 --> 00:28:11,600
Speaker 1: I'm I ain't there this, Yeah, what are you doing

584
00:28:11,640 --> 00:28:13,040
Speaker 1: with that? Why are you playing with that? And we're

585
00:28:13,080 --> 00:28:15,840
Speaker 1: doing nothing. So it threw me off and so and

586
00:28:16,320 --> 00:28:18,600
Speaker 1: I probably would have had a chance at another opportunity,

587
00:28:18,640 --> 00:28:20,880
Speaker 1: but I said some goofy ship. I think I said something, Yeah,

588
00:28:21,040 --> 00:28:23,400
Speaker 1: I think I was. I was disappointed in this situation,

589
00:28:23,520 --> 00:28:25,640
Speaker 1: had an attitude and I said something to her about

590
00:28:25,720 --> 00:28:29,679
Speaker 1: like the toys she brought us something. I said something goofy.

591
00:28:29,720 --> 00:28:31,879
Speaker 1: I don't remember. I think after that we said. We

592
00:28:32,359 --> 00:28:34,760
Speaker 1: remained friends after that, but we never got a crack

593
00:28:34,960 --> 00:28:37,280
Speaker 1: again because it was just trans period. It was in

594
00:28:37,359 --> 00:28:39,640
Speaker 1: our mind, which is plays the toy skit. I saw

595
00:28:39,720 --> 00:28:42,400
Speaker 1: that too. I watch all your stuff, that's all the

596
00:28:42,440 --> 00:28:46,040
Speaker 1: skiking about toys. But if we really if we really believe,

597
00:28:46,080 --> 00:28:47,760
Speaker 1: and you don't like, if we really want you to win,

598
00:28:48,360 --> 00:28:50,760
Speaker 1: you're like I noticed, I know he can deliver bad.

599
00:28:50,800 --> 00:28:52,440
Speaker 1: I had that one time and then he got a

600
00:28:52,480 --> 00:28:54,440
Speaker 1: chance to redeemon because I wanted to redeem it because

601
00:28:54,480 --> 00:28:56,960
Speaker 1: I was just I believe in them. And then after

602
00:28:57,040 --> 00:28:58,520
Speaker 1: the second time, I was like, man, I knew you

603
00:28:58,600 --> 00:29:00,160
Speaker 1: could do this ship. I knew you could it. Like

604
00:29:00,240 --> 00:29:04,000
Speaker 1: I literally said that, I literally said, that's why this

605
00:29:04,080 --> 00:29:07,240
Speaker 1: skip related to me. It's another one. I'm coming to

606
00:29:09,720 --> 00:29:11,280
Speaker 1: where that come from. You got a woman like that?

607
00:29:11,400 --> 00:29:14,479
Speaker 1: But me personally, no, I'm I'm I'm a more dominant

608
00:29:14,520 --> 00:29:16,960
Speaker 1: man than that. But I know dudes like that. I

609
00:29:17,040 --> 00:29:18,880
Speaker 1: got a homie. I'll played ball in my whole life.

610
00:29:18,920 --> 00:29:20,880
Speaker 1: So I know a lot of big as dudes and

611
00:29:21,200 --> 00:29:23,560
Speaker 1: some of my homeboys. One one homeboy in particularly, you know,

612
00:29:23,600 --> 00:29:25,160
Speaker 1: I love him and he probably even know I'm talking

613
00:29:25,160 --> 00:29:27,200
Speaker 1: about him, but he probably does. But like he got

614
00:29:27,280 --> 00:29:29,680
Speaker 1: a lady, he got a lady. That's that she is.

615
00:29:30,520 --> 00:29:32,760
Speaker 1: I'm coming to. She don't say that, but that's what

616
00:29:32,920 --> 00:29:35,600
Speaker 1: she that's where she lives at. And so he's a

617
00:29:35,640 --> 00:29:37,680
Speaker 1: big dude and he's a super aggressive guy like he

618
00:29:37,800 --> 00:29:40,040
Speaker 1: type to do that. If you get him angry, you

619
00:29:40,120 --> 00:29:43,040
Speaker 1: can't come him down. You can't so, and he ripped

620
00:29:43,080 --> 00:29:44,800
Speaker 1: the whole room up. But he'll go home and he's

621
00:29:44,840 --> 00:29:47,240
Speaker 1: girl be talking to him crazy, and and he'd be like,

622
00:29:47,880 --> 00:29:50,280
Speaker 1: oh man, she tripped. Man. But if it's if it's

623
00:29:50,720 --> 00:29:52,680
Speaker 1: if it was a dude, he ripped his head off.

624
00:29:53,240 --> 00:29:55,360
Speaker 1: If it's a chick, which is good. But he's he's,

625
00:29:55,440 --> 00:29:58,400
Speaker 1: he's he's he's very submissive to his woman and so

626
00:29:58,720 --> 00:30:01,960
Speaker 1: and it's funny. So that sketches from really not my

627
00:30:02,120 --> 00:30:05,440
Speaker 1: experiences because I'm I like aggressive women. I like a

628
00:30:05,560 --> 00:30:08,480
Speaker 1: certain women. If I say something, it's gonna have to stand.

629
00:30:08,600 --> 00:30:11,000
Speaker 1: You know what I'm saying. I'm coming to you're hilarious.

630
00:30:11,440 --> 00:30:19,880
Speaker 1: Uh but but but what uh whatever wants? Yeah, and

631
00:30:19,960 --> 00:30:23,120
Speaker 1: the sketch is the girlfriend's name, and uh, whatever she

632
00:30:23,280 --> 00:30:25,160
Speaker 1: wants is what she gets in the in the dude

633
00:30:25,200 --> 00:30:27,560
Speaker 1: don't got that. All he gotta do, all he all

634
00:30:27,720 --> 00:30:30,120
Speaker 1: he can do is oblige her, you know what I'm saying. So, um,

635
00:30:30,400 --> 00:30:32,640
Speaker 1: I know, I know a lot of guys can relate

636
00:30:32,680 --> 00:30:34,600
Speaker 1: to that. I know I know a few guys who

637
00:30:34,680 --> 00:30:37,160
Speaker 1: are just like that. Never like, oh man, why didn't

638
00:30:37,160 --> 00:30:38,840
Speaker 1: he actually happened to the last week? But well, he

639
00:30:39,040 --> 00:30:41,360
Speaker 1: know that they're cheating. She gotta watch him all the time.

640
00:30:41,400 --> 00:30:43,920
Speaker 1: I remember having to feel that way at one point

641
00:30:43,920 --> 00:30:45,920
Speaker 1: in time. All of the stuff that you do one

642
00:30:46,840 --> 00:30:49,720
Speaker 1: your fascination with yams. And I'm just asking questions because

643
00:30:49,720 --> 00:30:51,120
Speaker 1: I know this is what your people want to know.

644
00:30:51,520 --> 00:30:53,720
Speaker 1: What's up with your fascination with yams? And how do

645
00:30:53,840 --> 00:30:56,680
Speaker 1: you find these women with these bad ass bodies, I

646
00:30:56,720 --> 00:30:59,120
Speaker 1: mean cold bloody bodies, like some of the best bodies

647
00:30:59,160 --> 00:31:01,920
Speaker 1: I've ever seen. How do you find those women? And

648
00:31:02,040 --> 00:31:04,200
Speaker 1: what made you? I mean you literally made yams a

649
00:31:04,280 --> 00:31:09,480
Speaker 1: whole Yeah, you know, like product line and which we appreciate,

650
00:31:09,560 --> 00:31:13,080
Speaker 1: those of the Yam community appreciate. So how what made you? Like?

651
00:31:13,240 --> 00:31:15,239
Speaker 1: What what made you do that? And and how how

652
00:31:15,320 --> 00:31:17,080
Speaker 1: does that? I guess people do a lot of people

653
00:31:17,120 --> 00:31:20,440
Speaker 1: buy that stuff, the yam watch, and yeah, it's a blessing.

654
00:31:20,520 --> 00:31:23,760
Speaker 1: People are happy purchasing. So the merchants definitely doing well,

655
00:31:24,120 --> 00:31:26,720
Speaker 1: and I think everybody for doing it. And once again,

656
00:31:27,000 --> 00:31:29,080
Speaker 1: I'm just the ambassador. You know, I'm not the only

657
00:31:29,200 --> 00:31:32,520
Speaker 1: one that that appreciates yams and such, but I'm definitely

658
00:31:32,600 --> 00:31:38,560
Speaker 1: a huge admirer of of yams. Friend. So yeah, I'm

659
00:31:38,600 --> 00:31:41,960
Speaker 1: gonna dude, and you know, I said, I'm a we

660
00:31:42,160 --> 00:31:44,040
Speaker 1: we men talk. We know what man, we know what

661
00:31:44,600 --> 00:31:48,840
Speaker 1: what men like. Women know what men like. So and um, yeah,

662
00:31:49,000 --> 00:31:50,720
Speaker 1: I didn't make the wordy ms up, but I think

663
00:31:50,760 --> 00:31:52,800
Speaker 1: I made it popular. You know you did. MS is

664
00:31:52,840 --> 00:31:55,840
Speaker 1: a big part of uh my life. I'm I'm I'm

665
00:31:55,880 --> 00:31:58,400
Speaker 1: always if you have yams, I'm waring to look. My

666
00:31:58,520 --> 00:32:01,880
Speaker 1: lady knows that. My lady knows when she when while

667
00:32:01,880 --> 00:32:04,640
Speaker 1: I I'm looking everywhere and everything. Every time she gets

668
00:32:04,720 --> 00:32:06,640
Speaker 1: up and goes to the bathroom, I'm looking, you know,

669
00:32:06,840 --> 00:32:09,400
Speaker 1: and I'm looking at because I admired the gams. I

670
00:32:09,440 --> 00:32:11,520
Speaker 1: don't necessarily want the woman. I mean in the sense

671
00:32:11,560 --> 00:32:13,600
Speaker 1: that meaning like if I see a guy walking with

672
00:32:13,720 --> 00:32:16,000
Speaker 1: his girl and he catches me looking at his girl's games.

673
00:32:16,880 --> 00:32:18,320
Speaker 1: But I don't want your lady. Man, I'm just minding.

674
00:32:18,440 --> 00:32:22,120
Speaker 1: I'm i'mmiring the cakes. Bro. Yeah, that's that's it. That's it.

675
00:32:22,680 --> 00:32:27,040
Speaker 1: I'm saying, how leg what I'm saying, Yeah, I'm paying

676
00:32:27,080 --> 00:32:29,479
Speaker 1: how much to the ms? So that's it. And so uh,

677
00:32:30,120 --> 00:32:31,800
Speaker 1: it's sort of my my father, my father was he

678
00:32:31,840 --> 00:32:33,920
Speaker 1: was an artist, so my father was the illustrated So

679
00:32:34,040 --> 00:32:37,040
Speaker 1: my dad literally he walked to my house as a kid,

680
00:32:38,160 --> 00:32:40,440
Speaker 1: my whole life up until I graduated and moved out

681
00:32:40,440 --> 00:32:42,080
Speaker 1: of his house. I asked my homeboys to tell you

682
00:32:42,160 --> 00:32:43,400
Speaker 1: the girls I did it, would tell you they come

683
00:32:43,400 --> 00:32:45,840
Speaker 1: to my house, they see naked women on the walls.

684
00:32:45,920 --> 00:32:48,200
Speaker 1: My dad was an artist, so he would like literally

685
00:32:48,720 --> 00:32:51,840
Speaker 1: like women would come for new paintings. Dudes will hired

686
00:32:52,360 --> 00:32:54,920
Speaker 1: my dad to paint their new wife for like a

687
00:32:55,080 --> 00:32:57,720
Speaker 1: birthday in the big portrait. And I'm staying so and

688
00:32:57,840 --> 00:32:59,920
Speaker 1: my and my dad was never like a creep ass

689
00:33:00,040 --> 00:33:01,920
Speaker 1: due to what he was working with a woman. He

690
00:33:01,920 --> 00:33:04,760
Speaker 1: would just draw people who my dad loved, beautiful woman.

691
00:33:04,800 --> 00:33:08,840
Speaker 1: He loved the artwork, that is the physique. So I've

692
00:33:08,840 --> 00:33:10,800
Speaker 1: always I grew up like that, so I never even

693
00:33:11,800 --> 00:33:13,480
Speaker 1: I'm a type of do that. My homeboy had a

694
00:33:13,520 --> 00:33:15,320
Speaker 1: beautiful last woman. Wo yeah, it's he MMed up the

695
00:33:15,400 --> 00:33:16,880
Speaker 1: m out. She's sitting next to me in the hole

696
00:33:16,880 --> 00:33:18,760
Speaker 1: in the room by by ourselves, and he left for

697
00:33:18,880 --> 00:33:20,720
Speaker 1: an hour or two. He know, I ain't gonna such it.

698
00:33:21,000 --> 00:33:23,360
Speaker 1: I'm gonna be in pocketed. I'm not gonna say nothing

699
00:33:23,360 --> 00:33:26,080
Speaker 1: inappropriate to or or nothing like that. But he understands

700
00:33:26,480 --> 00:33:28,440
Speaker 1: I love yam so I'm gonna look, possibly, but I'm

701
00:33:28,480 --> 00:33:31,360
Speaker 1: not gonna look to where she uncomfortable. I'm not gonna see. Well,

702
00:33:31,400 --> 00:33:33,800
Speaker 1: it makes us very comfortable. So I'm just so you know,

703
00:33:34,000 --> 00:33:37,040
Speaker 1: keep on looking. I'm comfortable that no comfortable. Yeah, I

704
00:33:37,120 --> 00:33:40,080
Speaker 1: like you looking. And again no I suspect to your woman.

705
00:33:40,080 --> 00:33:42,640
Speaker 1: I'm just saying when men look, yes, that's what it is.

706
00:33:42,640 --> 00:33:44,560
Speaker 1: That's why I got my ship out. That's the whole point. Now,

707
00:33:44,600 --> 00:33:46,840
Speaker 1: that's me. Now, everybody's not like that. I get to

708
00:33:47,040 --> 00:33:51,080
Speaker 1: movement is different. So I'm not being toxic masculinity what

709
00:33:51,240 --> 00:33:54,200
Speaker 1: they say, But I enjoy men who appreciate the beauty

710
00:33:54,240 --> 00:34:05,960
Speaker 1: of a woman. A lot of comedians, now you're using

711
00:34:06,040 --> 00:34:08,359
Speaker 1: social media. I know there's a lot of hate from

712
00:34:09,280 --> 00:34:11,640
Speaker 1: the older comedians, all the men and that niggas on

713
00:34:11,680 --> 00:34:13,840
Speaker 1: the internet because it's something they feel they can't do.

714
00:34:14,840 --> 00:34:16,560
Speaker 1: Tell me a little bit about how you feel about that,

715
00:34:16,600 --> 00:34:18,400
Speaker 1: because instead of waiting on the movie to come to you,

716
00:34:18,560 --> 00:34:20,759
Speaker 1: you made the movie over and over and over, putting

717
00:34:20,800 --> 00:34:24,799
Speaker 1: out content, constantly, putting skits out, constant, which is very

718
00:34:24,840 --> 00:34:26,480
Speaker 1: different than those who kind of grew up with that

719
00:34:26,840 --> 00:34:29,759
Speaker 1: stand up only I can only do stand up. What's

720
00:34:29,760 --> 00:34:32,480
Speaker 1: your thoughts on pretty much like the hate that you

721
00:34:32,600 --> 00:34:35,480
Speaker 1: get from other comedians who have been in movies. You know,

722
00:34:35,520 --> 00:34:37,879
Speaker 1: I want nay names, but a lot of dudes really

723
00:34:37,920 --> 00:34:40,600
Speaker 1: ain't feeling like how people like you are moving on

724
00:34:40,680 --> 00:34:43,000
Speaker 1: the internet. What's your thoughts on that? And how how

725
00:34:43,080 --> 00:34:45,080
Speaker 1: has the internet really been a blessing to you? Because

726
00:34:45,080 --> 00:34:46,880
Speaker 1: I know you do stand up a lot of shows,

727
00:34:47,080 --> 00:34:49,160
Speaker 1: So tell me about that. I'm gonna keep it, honey.

728
00:34:49,200 --> 00:34:52,880
Speaker 1: I don't receive me personally. I know that there's a

729
00:34:52,960 --> 00:34:57,239
Speaker 1: lot of social media U creators that have that came

730
00:34:57,280 --> 00:35:00,440
Speaker 1: into who are doing anything and building their name, and

731
00:35:00,480 --> 00:35:02,160
Speaker 1: they do get a lot of hate from the older

732
00:35:02,200 --> 00:35:04,399
Speaker 1: comedians or this comedians who are they are not even older,

733
00:35:04,400 --> 00:35:06,360
Speaker 1: they could be the same age, but they don't do

734
00:35:06,640 --> 00:35:09,440
Speaker 1: content creation and just do stand up. And I started

735
00:35:09,480 --> 00:35:11,120
Speaker 1: in stand up. I went to film school, so I

736
00:35:11,200 --> 00:35:14,840
Speaker 1: started in film. And And however, like most of the

737
00:35:14,880 --> 00:35:18,000
Speaker 1: comedians who are, I don't know Mark Lawrence, but I

738
00:35:18,080 --> 00:35:19,560
Speaker 1: know a lot of I know a lot of the

739
00:35:19,640 --> 00:35:21,800
Speaker 1: O g s in this game that have seen me

740
00:35:22,239 --> 00:35:24,600
Speaker 1: over the years, and then they know me as a

741
00:35:24,640 --> 00:35:27,000
Speaker 1: stand up, so this sketch stuff is something new to them,

742
00:35:28,160 --> 00:35:29,840
Speaker 1: new to them from me. So then they see that

743
00:35:29,920 --> 00:35:31,680
Speaker 1: at all, I see a big dog you and your thing.

744
00:35:32,239 --> 00:35:34,359
Speaker 1: They know I'm a stand up already. I'm not sitting

745
00:35:34,360 --> 00:35:35,640
Speaker 1: there saying I'm the best send up in the world,

746
00:35:35,680 --> 00:35:37,320
Speaker 1: not at all. I'm still getting better and all that,

747
00:35:37,480 --> 00:35:39,560
Speaker 1: but I've been doing sending for a long time to

748
00:35:39,680 --> 00:35:41,200
Speaker 1: the point where I can go head like my own

749
00:35:41,239 --> 00:35:43,080
Speaker 1: tour last summer, and I was blessed enough to do

750
00:35:43,200 --> 00:35:45,400
Speaker 1: that and be able to have the time and be

751
00:35:45,480 --> 00:35:48,640
Speaker 1: able to entertain the people that came to see me. So, um,

752
00:35:48,800 --> 00:35:51,680
Speaker 1: they know, I think from my I'm I'm not a

753
00:35:51,760 --> 00:35:54,000
Speaker 1: person that didn't do stand up but just started doing

754
00:35:54,040 --> 00:35:56,839
Speaker 1: stuff on the internet, got famous and not famous, got

755
00:35:56,960 --> 00:36:00,279
Speaker 1: got got popping, and I said, oh yeah, well, since

756
00:36:00,320 --> 00:36:02,640
Speaker 1: I got this following and people laugh at my sketches

757
00:36:02,719 --> 00:36:05,759
Speaker 1: or my skits, let me go in do comedy. And

758
00:36:05,800 --> 00:36:07,560
Speaker 1: then a lot of commedians like, see you jump on

759
00:36:07,600 --> 00:36:10,360
Speaker 1: the gun. It's equivalent to like the rapper that starts acting,

760
00:36:11,000 --> 00:36:13,680
Speaker 1: you know what I'm saying. So the actor who sees

761
00:36:13,760 --> 00:36:15,640
Speaker 1: a rapper who's popular, all of a sudden he getting

762
00:36:15,680 --> 00:36:18,000
Speaker 1: the role that the actor would have gotten. But because

763
00:36:18,040 --> 00:36:20,439
Speaker 1: he's a popular rapper, it happens to know. I'm saying

764
00:36:20,480 --> 00:36:23,439
Speaker 1: people might look at Tupac for doing certain things because

765
00:36:23,480 --> 00:36:25,239
Speaker 1: he was a popular rapper or ice cre and he

766
00:36:25,320 --> 00:36:28,279
Speaker 1: started acting first. You don't know that people exactly. So

767
00:36:28,880 --> 00:36:31,399
Speaker 1: before just to answer your question, if I did get

768
00:36:31,440 --> 00:36:33,560
Speaker 1: some kind of hey, I've never really received anybody saying

769
00:36:33,600 --> 00:36:35,920
Speaker 1: anything to me or even about me. I haven't unless

770
00:36:35,960 --> 00:36:37,600
Speaker 1: people are saying suthing behind my back and no one's

771
00:36:37,640 --> 00:36:40,080
Speaker 1: telling me, which I doubt. But it's possible too, because

772
00:36:40,320 --> 00:36:42,160
Speaker 1: if I found out that, I probably do something unforcem

773
00:36:42,160 --> 00:36:45,440
Speaker 1: into him. But that's another reason to another been to

774
00:36:45,520 --> 00:36:47,400
Speaker 1: it in this industry is not a lot of I'm

775
00:36:47,440 --> 00:36:49,799
Speaker 1: an actor, I'm a director, but I'm a different dude.

776
00:36:49,840 --> 00:36:51,719
Speaker 1: I'll come see you, you know, and and and and

777
00:36:52,000 --> 00:36:54,600
Speaker 1: not even on some physical stuff. And just like I'm

778
00:36:54,640 --> 00:36:56,720
Speaker 1: a direct man. What what what exactly is your problem

779
00:36:56,760 --> 00:36:58,480
Speaker 1: with me? And my thing is if you haven't said

780
00:36:58,520 --> 00:37:03,000
Speaker 1: to my face doesn't exist. It's almost that's what somebody

781
00:37:03,040 --> 00:37:05,319
Speaker 1: said this about you know, they didn't. I don't believe.

782
00:37:05,800 --> 00:37:07,440
Speaker 1: I don't believe them. I got to hear from them

783
00:37:07,520 --> 00:37:10,200
Speaker 1: for it to be true. Yeah, and if not, if

784
00:37:10,200 --> 00:37:12,759
Speaker 1: they're not willing to say to you. It doesn't It

785
00:37:12,840 --> 00:37:15,000
Speaker 1: doesn't mean anything. It doesn't exist. You know what I'm

786
00:37:15,000 --> 00:37:17,080
Speaker 1: saying exactly, Yeah, that's real. That's what I tellt me

787
00:37:17,120 --> 00:37:19,279
Speaker 1: about my space and policy, especially getting mad with people

788
00:37:19,320 --> 00:37:23,200
Speaker 1: on social media. This gang banging on social media, I

789
00:37:23,200 --> 00:37:25,200
Speaker 1: don't know. I don't get that until we face the

790
00:37:25,280 --> 00:37:29,080
Speaker 1: face and you really and you really disrespected me in

791
00:37:29,160 --> 00:37:31,399
Speaker 1: that way. But this twitter banging and all that, don't

792
00:37:31,440 --> 00:37:33,560
Speaker 1: you tweet? You get you didn't you get at me

793
00:37:33,640 --> 00:37:36,200
Speaker 1: into tweet and say you're a whole ass naked, right,

794
00:37:36,480 --> 00:37:39,160
Speaker 1: But they don't mean nothing if it ain't in my face.

795
00:37:40,120 --> 00:37:42,239
Speaker 1: Understand that, so I might. I'm not even upset about it.

796
00:37:42,320 --> 00:37:47,719
Speaker 1: I'm like, Okay, that's cute, that's rhetoric, rightly, exactly so.

797
00:37:47,960 --> 00:37:50,800
Speaker 1: But I mean, I've never really experienced that. I honestly,

798
00:37:50,840 --> 00:37:53,319
Speaker 1: I've been being a situation. I haven't had any bad

799
00:37:53,480 --> 00:37:56,680
Speaker 1: encounters with people, and it's a positive situation. I'm about

800
00:37:56,760 --> 00:37:59,840
Speaker 1: positive vibes. I I grew up in the in the

801
00:37:59,880 --> 00:38:03,120
Speaker 1: in the term a tumultuous area, and in the lifestyle,

802
00:38:03,239 --> 00:38:06,319
Speaker 1: so I'm just happy to be here and I'm trying

803
00:38:06,360 --> 00:38:08,440
Speaker 1: to spread the love and the positivity in these jokes.

804
00:38:08,560 --> 00:38:10,480
Speaker 1: You know what I'm saying. That's it, That's how I

805
00:38:10,560 --> 00:38:12,879
Speaker 1: feel if you have a matter of fact, John said

806
00:38:12,960 --> 00:38:15,640
Speaker 1: that yesterday I posted a meme saying that if you

807
00:38:15,800 --> 00:38:19,800
Speaker 1: getting emotional by something someone said on social media to

808
00:38:20,000 --> 00:38:23,480
Speaker 1: you are posted, that means either you haven't been through

809
00:38:23,560 --> 00:38:26,440
Speaker 1: real pain in life, or you haven't healed through the

810
00:38:26,480 --> 00:38:28,719
Speaker 1: pain that you've been through. It's one of those two things.

811
00:38:28,880 --> 00:38:31,120
Speaker 1: Because this ship don't move me out here, you know

812
00:38:31,239 --> 00:38:35,200
Speaker 1: I this ship don't move me out till you been

813
00:38:35,239 --> 00:38:38,560
Speaker 1: in some situations, you know what, where your life was

814
00:38:38,640 --> 00:38:40,600
Speaker 1: on the line, or somebody else's life was on the line,

815
00:38:40,680 --> 00:38:43,040
Speaker 1: or you can physically hurt. I have you know, to

816
00:38:43,200 --> 00:38:44,960
Speaker 1: you really been of that type of ship, listen, and

817
00:38:45,000 --> 00:38:48,400
Speaker 1: that ship ain't nothing. I definitely think anybody disrespects you personally.

818
00:38:48,480 --> 00:38:51,800
Speaker 1: I was just talking about the overall idea. You don't know,

819
00:38:51,880 --> 00:38:53,640
Speaker 1: it's just a lot of the older cats that really

820
00:38:54,000 --> 00:38:56,040
Speaker 1: because they feel like the only way they're going to

821
00:38:56,160 --> 00:38:58,279
Speaker 1: act is if you know what's in a movie. Person

822
00:38:59,360 --> 00:39:01,880
Speaker 1: They kind of feel they above the skid thing. And

823
00:39:02,400 --> 00:39:04,319
Speaker 1: and so I think it's a way to keep your

824
00:39:04,360 --> 00:39:07,560
Speaker 1: people engaged, especially during this pandemic, because they starving right now,

825
00:39:07,680 --> 00:39:10,360
Speaker 1: like you've been able to keep content. You do content,

826
00:39:10,760 --> 00:39:13,560
Speaker 1: you know, not just saying something on the internet, but

827
00:39:13,760 --> 00:39:15,960
Speaker 1: really working, putting in the time, putting out the films,

828
00:39:15,960 --> 00:39:18,759
Speaker 1: putting out the content. How long does it take for you, to, like,

829
00:39:18,920 --> 00:39:22,279
Speaker 1: from beginning to end, from an idea to actually getting

830
00:39:22,280 --> 00:39:25,080
Speaker 1: it on the internet. Um, okay, it could it could

831
00:39:25,120 --> 00:39:29,840
Speaker 1: take I'll tell you the fastest way. Um, I think recently,

832
00:39:29,920 --> 00:39:33,399
Speaker 1: like it might have been the most the second, the second,

833
00:39:33,440 --> 00:39:35,640
Speaker 1: the last sketch I dropped with the wig. It was

834
00:39:35,880 --> 00:39:39,840
Speaker 1: the double standard. Man, I watched that today. Appreciate it.

835
00:39:40,000 --> 00:39:42,160
Speaker 1: I caught her up the night the night before, I said,

836
00:39:42,200 --> 00:39:44,040
Speaker 1: can you can? You can? Can we meet up tomorrow

837
00:39:44,120 --> 00:39:46,680
Speaker 1: and shoot a sketch? And she said yeah. We met

838
00:39:46,760 --> 00:39:52,600
Speaker 1: up on um Monday morning, Monday afternoon shot the sketch. Um,

839
00:39:52,680 --> 00:39:54,919
Speaker 1: I thought the idea. Um, I already had the idea

840
00:39:54,920 --> 00:39:57,160
Speaker 1: in my head, but I thought the idea. Caught her up.

841
00:39:57,200 --> 00:40:00,120
Speaker 1: We met that following afternoon. We shot that sketch, and

842
00:40:00,200 --> 00:40:02,600
Speaker 1: then that evening I edited the sketch and dropped it

843
00:40:02,640 --> 00:40:06,480
Speaker 1: the next day so that the one with the curls. Yeah, yeah, problem,

844
00:40:07,600 --> 00:40:14,160
Speaker 1: she said, don't do that. Bout supertallenging, super tallengeing dope.

845
00:40:14,200 --> 00:40:16,520
Speaker 1: She easy woman to work with. But everybody I work

846
00:40:16,600 --> 00:40:19,359
Speaker 1: with is easy to be honest with you. I'm I'm

847
00:40:19,360 --> 00:40:21,640
Speaker 1: I'm all about energy. I'm gonna keeping a hunting. We

848
00:40:21,760 --> 00:40:23,880
Speaker 1: have a We have fun on our sets, but no

849
00:40:23,920 --> 00:40:27,239
Speaker 1: one's uncomfortable and ain't nobody getting arguments. Ain't nobody even

850
00:40:27,280 --> 00:40:28,920
Speaker 1: when you're tired and a little hungry, we still have

851
00:40:29,040 --> 00:40:32,160
Speaker 1: a good time. So coneguans dope and most of the

852
00:40:32,200 --> 00:40:34,640
Speaker 1: women I shoot with a dope and my homeboys that

853
00:40:34,760 --> 00:40:37,200
Speaker 1: there was all my dogs and we are. The reason

854
00:40:37,239 --> 00:40:39,440
Speaker 1: why where I'm at is because the homies around me

855
00:40:39,520 --> 00:40:41,480
Speaker 1: are so supportive of me as I am to them,

856
00:40:41,880 --> 00:40:44,680
Speaker 1: and there's no egos. There ain't no shoot my sketch,

857
00:40:44,719 --> 00:40:46,880
Speaker 1: and I'm tired of the time to shoot yours. We

858
00:40:47,000 --> 00:40:49,719
Speaker 1: all get it in. And I noticed that you show

859
00:40:49,760 --> 00:40:51,360
Speaker 1: a lot of other people stuff to a lot of

860
00:40:51,400 --> 00:40:53,320
Speaker 1: the other comedians, share a lot of luck. That's a

861
00:40:53,360 --> 00:40:55,800
Speaker 1: really all jokes side where I really want to interview.

862
00:40:56,040 --> 00:40:59,399
Speaker 1: I can tell your energy. It's just it's all love,

863
00:41:00,160 --> 00:41:03,320
Speaker 1: just highlighting other people that we don't know. But also

864
00:41:04,000 --> 00:41:06,759
Speaker 1: you're lifting other people as you climb and vice versa,

865
00:41:07,400 --> 00:41:10,160
Speaker 1: and everybody doesn't do that. I was telling Charlie, mate,

866
00:41:10,239 --> 00:41:12,040
Speaker 1: he does that, and a lot of people don't do that.

867
00:41:12,280 --> 00:41:14,000
Speaker 1: And I want to make sure that I'm always using

868
00:41:14,880 --> 00:41:18,080
Speaker 1: my vehicle whatever that is, you know, to show what

869
00:41:18,239 --> 00:41:20,480
Speaker 1: other people are doing. Not to everybody, because everybody gave

870
00:41:20,520 --> 00:41:22,839
Speaker 1: worthy of that of being in your space, but those

871
00:41:22,960 --> 00:41:24,879
Speaker 1: that you know that's really out here trying to push

872
00:41:25,320 --> 00:41:27,359
Speaker 1: and trying to get it. It's all off. And that's

873
00:41:27,400 --> 00:41:29,960
Speaker 1: really what attracted me to you, just your whole thing,

874
00:41:30,040 --> 00:41:32,479
Speaker 1: plus you sexy. But again I don't want your woman,

875
00:41:32,560 --> 00:41:37,040
Speaker 1: so you don't have a homeboard to look like you

876
00:41:37,200 --> 00:41:43,520
Speaker 1: or nothing you. It's hard to tell somebody that you

877
00:41:43,560 --> 00:41:45,719
Speaker 1: look like me. But I feel like I think we

878
00:41:45,800 --> 00:41:48,680
Speaker 1: look like I got a couple of me. But is

879
00:41:48,680 --> 00:41:54,319
Speaker 1: he funny like you? Funny like you? Okay, making women

880
00:41:54,400 --> 00:41:57,200
Speaker 1: laugh at that helps you get the ams that help you,

881
00:41:58,360 --> 00:42:01,120
Speaker 1: you know, yeah, for sure, you know what being smart too,

882
00:42:01,400 --> 00:42:05,600
Speaker 1: being smart in the hood. If this thing is said broccoli,

883
00:42:05,640 --> 00:42:12,239
Speaker 1: he spelled it with two seeds, okay smart um yeah,

884
00:42:12,480 --> 00:42:15,520
Speaker 1: so yeah, that definitely helping get the answers. Being smart,

885
00:42:15,880 --> 00:42:18,680
Speaker 1: but being funny from short, being funny get you a

886
00:42:18,719 --> 00:42:21,239
Speaker 1: lot of stuff though. Being funny get you a man.

887
00:42:21,520 --> 00:42:24,080
Speaker 1: I sometimes dudes want to hang with you the blood.

888
00:42:24,160 --> 00:42:27,640
Speaker 1: They gonna hang with you because you're funny. Funny man. Sunday,

889
00:42:27,760 --> 00:42:30,319
Speaker 1: I do that thing, how doing a little impression little

890
00:42:30,360 --> 00:42:34,239
Speaker 1: Eddie Murphy lads to do that. I'm so yeah. I

891
00:42:34,360 --> 00:42:36,440
Speaker 1: wanted a real quick just to find the response to

892
00:42:36,560 --> 00:42:40,600
Speaker 1: the question about the older old geese and how sometimes

893
00:42:40,640 --> 00:42:43,359
Speaker 1: a lot of people feel they're above the sketches. I'll

894
00:42:43,440 --> 00:42:45,879
Speaker 1: get that. I understand where it's coming from. They're wrong

895
00:42:46,200 --> 00:42:48,720
Speaker 1: in my opinion, and they're wrong in my opinion because

896
00:42:48,800 --> 00:42:51,360
Speaker 1: I feel like the sketch world where I used to

897
00:42:51,400 --> 00:42:54,000
Speaker 1: I used to write all these different sketches in these

898
00:42:54,040 --> 00:42:56,920
Speaker 1: short films and try to picture to like bigger net

899
00:42:57,320 --> 00:43:01,239
Speaker 1: networks that were already cracking something different differently, channels on

900
00:43:01,760 --> 00:43:05,120
Speaker 1: on Facebook, channels on YouTube that have bigger platforms. I

901
00:43:05,160 --> 00:43:07,839
Speaker 1: can put my sketches on their platform, and I can

902
00:43:07,920 --> 00:43:10,399
Speaker 1: just get some notoriety or get some notice from their

903
00:43:10,480 --> 00:43:13,680
Speaker 1: platform on my sketches. And a lot they weren't messing

904
00:43:13,680 --> 00:43:16,120
Speaker 1: with me. It wasn't some reason they wasn't biding. They was,

905
00:43:16,200 --> 00:43:18,719
Speaker 1: And I knew a lot of the people there, all

906
00:43:18,760 --> 00:43:20,960
Speaker 1: due respect that they was wasn't messing with me, you

907
00:43:21,000 --> 00:43:23,560
Speaker 1: know what I'm saying, whatever reason, It wasn't until I

908
00:43:23,640 --> 00:43:26,400
Speaker 1: decided to start my own page from stretch zero followers,

909
00:43:26,520 --> 00:43:28,360
Speaker 1: zero subscribers, and then they put my name on a

910
00:43:28,440 --> 00:43:30,960
Speaker 1: big job and put my first sketch on their zero

911
00:43:31,000 --> 00:43:34,200
Speaker 1: followers and then eventually get some views, eventually get some followers,

912
00:43:34,239 --> 00:43:36,880
Speaker 1: and I built it. I built it to this. So

913
00:43:37,239 --> 00:43:40,160
Speaker 1: now anybody that comes to that Big Job page is

914
00:43:40,280 --> 00:43:43,239
Speaker 1: literally there to see me, most likely unless they hear

915
00:43:43,280 --> 00:43:45,840
Speaker 1: the city MS or something. I'm saying. No, that's real, sweet,

916
00:43:46,640 --> 00:43:48,799
Speaker 1: It's okay. I know you humble, but you earned that ship,

917
00:43:48,920 --> 00:43:51,879
Speaker 1: like it's okay to give you your flowers. Yeah, that's

918
00:43:51,920 --> 00:43:53,759
Speaker 1: that's what's up. You earned that ship. When did you start?

919
00:43:53,800 --> 00:43:57,320
Speaker 1: When did you put your first sketch for seventeen is whatnot.

920
00:43:57,400 --> 00:43:59,000
Speaker 1: I had a page before then when I have down

921
00:43:59,400 --> 00:44:01,560
Speaker 1: and I wasn't assistant. I was putting work out there,

922
00:44:01,880 --> 00:44:04,040
Speaker 1: but I might do one or two videos a year,

923
00:44:04,480 --> 00:44:06,120
Speaker 1: you know what I'm saying. Because I was also I

924
00:44:06,239 --> 00:44:08,440
Speaker 1: was also hired. I was a hired DP. I was

925
00:44:08,480 --> 00:44:10,640
Speaker 1: a hired person that would do sound. I would edit

926
00:44:10,680 --> 00:44:13,040
Speaker 1: your video, so I had other My thing is, I

927
00:44:13,080 --> 00:44:15,719
Speaker 1: got to a point where I was auditioning for different roles.

928
00:44:15,760 --> 00:44:17,400
Speaker 1: I had an agent, I have an agent. I was

929
00:44:17,400 --> 00:44:19,799
Speaker 1: auditioning for stuff, and I was waiting for the waiting

930
00:44:19,800 --> 00:44:22,200
Speaker 1: to be called, wait to be picked. And then I

931
00:44:22,280 --> 00:44:24,479
Speaker 1: was waiting to be hired to shoot someone else's vision,

932
00:44:24,880 --> 00:44:27,120
Speaker 1: and I wasn't shooting my own visions. And I didn't

933
00:44:27,120 --> 00:44:29,319
Speaker 1: really start getting serious into twenty seven team. But I've

934
00:44:29,320 --> 00:44:32,400
Speaker 1: been doing this stuff since and ten years ago, and

935
00:44:32,440 --> 00:44:35,360
Speaker 1: what I'm saying so um, and I really got serious

936
00:44:35,400 --> 00:44:37,719
Speaker 1: in twenty seventeen because all the other ways I was

937
00:44:37,760 --> 00:44:39,880
Speaker 1: hustling wasn't really getting to me, getting me, getting me

938
00:44:39,920 --> 00:44:43,719
Speaker 1: where I wanted to be. M Yeah, so that's what

939
00:44:43,840 --> 00:44:46,680
Speaker 1: it is now. I'm just, uh, I'm not as siding

940
00:44:46,680 --> 00:44:48,600
Speaker 1: out where I want to be, but I'm closer to that.

941
00:44:48,760 --> 00:44:50,840
Speaker 1: I'm closer to where I'm where I'm going. So but

942
00:44:50,920 --> 00:44:53,759
Speaker 1: it comes down to the grind. You know, I just

943
00:44:53,880 --> 00:44:56,239
Speaker 1: said that consistency is everything. You know. I'll tell people

944
00:44:56,280 --> 00:44:58,279
Speaker 1: they're like, oh, matter of fact, somebody said, I don't

945
00:44:58,280 --> 00:44:59,920
Speaker 1: know if that's being funny or what have you been

946
00:45:00,080 --> 00:45:02,520
Speaker 1: radio teen years? Why I haven't heard of you. Just

947
00:45:02,560 --> 00:45:04,479
Speaker 1: because you haven't heard of you don't mean I haven't

948
00:45:04,480 --> 00:45:06,320
Speaker 1: been a radio teen years. Kind of going back to

949
00:45:06,360 --> 00:45:08,960
Speaker 1: what you said about becoming a rapper or you know,

950
00:45:09,080 --> 00:45:12,160
Speaker 1: being a rapper turn actor. No, this has been a grind,

951
00:45:12,280 --> 00:45:15,400
Speaker 1: my nigga, like everything. My first commercial while I was

952
00:45:15,600 --> 00:45:17,759
Speaker 1: in the fourth grade. My my mother, you know, worked

953
00:45:17,800 --> 00:45:19,600
Speaker 1: at a television station. So I've been on TV on

954
00:45:19,640 --> 00:45:21,680
Speaker 1: my life. My first plate that I wrote was at twelve,

955
00:45:22,040 --> 00:45:24,640
Speaker 1: first time I perform was at thirteen. I've been doing

956
00:45:24,800 --> 00:45:28,160
Speaker 1: radio and television since the year two thousand, grinding, show

957
00:45:28,320 --> 00:45:32,600
Speaker 1: after show, everything from blog talk radio and don'tbody want

958
00:45:32,600 --> 00:45:34,080
Speaker 1: to give you a shot? Get on the end ofnet

959
00:45:34,080 --> 00:45:36,920
Speaker 1: and make your own shot? You if nobody clicking like fun?

960
00:45:37,000 --> 00:45:38,800
Speaker 1: Did you just keep putting the content out over and

961
00:45:38,880 --> 00:45:41,680
Speaker 1: over and over. Then I did talk radio in Orlando.

962
00:45:41,800 --> 00:45:44,200
Speaker 1: I did talk radio in Oklahoma City that had a

963
00:45:44,239 --> 00:45:46,840
Speaker 1: TV show in Dallas. I've lived in five different cities,

964
00:45:47,320 --> 00:45:50,319
Speaker 1: but way before this opportunity came, you know, way before

965
00:45:50,360 --> 00:45:53,279
Speaker 1: this opportunity came. It's the grind and the consistency. And

966
00:45:53,360 --> 00:45:56,680
Speaker 1: even when I'm learning about the podcast space, is the

967
00:45:56,760 --> 00:46:00,000
Speaker 1: consistency you know, putting that work every week, every week,

968
00:46:00,200 --> 00:46:02,839
Speaker 1: every week. That's the main thing. People listen. If you're

969
00:46:02,840 --> 00:46:04,640
Speaker 1: trying to get your content and you're really gonna say

970
00:46:04,640 --> 00:46:07,080
Speaker 1: you're a content creator, you gotta really be in the

971
00:46:07,160 --> 00:46:09,680
Speaker 1: lab about this ship. It's just not you know, every

972
00:46:09,760 --> 00:46:11,880
Speaker 1: now and then or what because I'm gonna get reviews

973
00:46:12,000 --> 00:46:13,719
Speaker 1: of what other people say about other podcasts, like I

974
00:46:13,840 --> 00:46:16,239
Speaker 1: like it, but you don't. You're not often enough. So

975
00:46:16,880 --> 00:46:19,080
Speaker 1: I'm really trying to make sure you know that same

976
00:46:19,160 --> 00:46:22,359
Speaker 1: work ethic they got you where you are and really

977
00:46:22,440 --> 00:46:24,840
Speaker 1: cutting out that time to push that content out. That

978
00:46:24,960 --> 00:46:27,080
Speaker 1: makes a difference. And so it sounds like you appreciate

979
00:46:27,160 --> 00:46:29,279
Speaker 1: that too, And there's an appreciation that you'll get in

980
00:46:29,320 --> 00:46:31,520
Speaker 1: this game for like you said, they know me from

981
00:46:31,719 --> 00:46:33,759
Speaker 1: basically you're saying these things from stand up, so I

982
00:46:33,840 --> 00:46:36,200
Speaker 1: know they come from me. Like I didn't do it backwards.

983
00:46:36,239 --> 00:46:38,480
Speaker 1: I came up in a game, you know, the right way,

984
00:46:38,480 --> 00:46:40,759
Speaker 1: and that that's a it's a difference and people respect that.

985
00:46:40,840 --> 00:46:44,000
Speaker 1: And if you didn't, and if you didn't because no comedian,

986
00:46:44,200 --> 00:46:46,239
Speaker 1: I don't care who you are. No commedian is the

987
00:46:46,280 --> 00:46:49,040
Speaker 1: gatekeeper when to start comedy and who's starting the house

988
00:46:49,120 --> 00:46:51,400
Speaker 1: soon she started, how lates that you started. If a

989
00:46:51,440 --> 00:46:54,839
Speaker 1: person says, all these these social media content comedians ain't

990
00:46:54,880 --> 00:46:57,200
Speaker 1: real comedians. Okay, anything you on stage and for the

991
00:46:57,239 --> 00:46:59,640
Speaker 1: times they can become real stand up comedians and you

992
00:46:59,640 --> 00:47:02,759
Speaker 1: should welcome them. And some people there's some comments even

993
00:47:02,840 --> 00:47:05,320
Speaker 1: if you're not doing social media content, some kinds. Some

994
00:47:05,440 --> 00:47:07,759
Speaker 1: comedians seeing new comics is there for the first time,

995
00:47:07,800 --> 00:47:09,960
Speaker 1: they were like, they treat them like crap because they

996
00:47:10,040 --> 00:47:13,440
Speaker 1: feel like you're encroaching in my world. You're a new

997
00:47:13,640 --> 00:47:15,839
Speaker 1: a new comedian that might end up being I think

998
00:47:15,880 --> 00:47:19,080
Speaker 1: a lot of them find themselves feeling not inferior, but

999
00:47:19,200 --> 00:47:22,000
Speaker 1: I feel threatened by the next comedians coming as opposed

1000
00:47:22,000 --> 00:47:24,200
Speaker 1: to some comments, they're like, bro, what's what man? You

1001
00:47:24,320 --> 00:47:26,400
Speaker 1: got potential? Man, you don't have no time and yet,

1002
00:47:26,440 --> 00:47:28,319
Speaker 1: but let's talk. Listen they take my number. Then, man,

1003
00:47:28,360 --> 00:47:30,040
Speaker 1: let's go meet up at some open mics and let's

1004
00:47:30,080 --> 00:47:33,120
Speaker 1: talk about you getting stronger. There's some commedians like that.

1005
00:47:33,200 --> 00:47:35,040
Speaker 1: So some comedians are in it for the wrong reasons.

1006
00:47:35,080 --> 00:47:37,640
Speaker 1: The ones who are better are in it for the

1007
00:47:37,760 --> 00:47:40,319
Speaker 1: money only. I won't say money only, but they haven't

1008
00:47:40,320 --> 00:47:42,439
Speaker 1: got to where they're at. They haven't got to where

1009
00:47:42,440 --> 00:47:43,759
Speaker 1: they wanted to be at a certain age or a

1010
00:47:43,840 --> 00:47:46,200
Speaker 1: certain time, and how many years they put in and

1011
00:47:46,200 --> 00:47:47,799
Speaker 1: they feel some some way about that, and they see

1012
00:47:47,800 --> 00:47:49,920
Speaker 1: somebody else that might see some success in this kind

1013
00:47:50,000 --> 00:47:52,239
Speaker 1: in this comedy world a little sooner, and they feel

1014
00:47:52,320 --> 00:47:54,759
Speaker 1: JD they feel upset about it, and they and they

1015
00:47:54,800 --> 00:47:57,200
Speaker 1: act on it. So to those people would say, man,

1016
00:47:57,280 --> 00:48:00,319
Speaker 1: this everybody got their own world and their own lane,

1017
00:48:00,400 --> 00:48:02,799
Speaker 1: they owned path. We might start out doing the same

1018
00:48:02,880 --> 00:48:05,120
Speaker 1: thing at the same time, at the same age. It

1019
00:48:05,200 --> 00:48:07,400
Speaker 1: might take me here to get back here, and it

1020
00:48:07,480 --> 00:48:09,080
Speaker 1: may you might go straight here, but we might end

1021
00:48:09,160 --> 00:48:10,840
Speaker 1: up being there at the same time. I watched an

1022
00:48:10,840 --> 00:48:13,120
Speaker 1: interview with Samuel Jackson and he was on the Chipning

1023
00:48:13,200 --> 00:48:17,399
Speaker 1: circuit doing plays with Denzel Morgan, Freeman, Lawrence fish Byrne

1024
00:48:17,440 --> 00:48:20,400
Speaker 1: and all these other black male male leads that are

1025
00:48:20,560 --> 00:48:24,239
Speaker 1: that that that shaped are our black are our film

1026
00:48:24,280 --> 00:48:26,840
Speaker 1: our film experiences over the last thirty years. He remembered

1027
00:48:26,880 --> 00:48:28,719
Speaker 1: those guys. They all grew they came up together in

1028
00:48:28,760 --> 00:48:32,200
Speaker 1: the twenties and early thirties, and Jamiel Jackson was one

1029
00:48:32,200 --> 00:48:34,400
Speaker 1: of the last guys recruited out of the out of

1030
00:48:34,440 --> 00:48:37,680
Speaker 1: the play at the live live performance of the world.

1031
00:48:37,920 --> 00:48:41,120
Speaker 1: And he's probably made this as much of more money

1032
00:48:41,120 --> 00:48:44,120
Speaker 1: than all of them guys. So I read that Samuel Jackson.

1033
00:48:45,640 --> 00:48:48,120
Speaker 1: But he started, but he got he got this, he

1034
00:48:48,200 --> 00:48:50,520
Speaker 1: got this break later than everybody else, did you know

1035
00:48:50,600 --> 00:48:52,960
Speaker 1: what I'm saying? So yeah, yo, yo, I'm thirty year

1036
00:48:53,000 --> 00:48:55,000
Speaker 1: years old. I started doing this stuff. I read it

1037
00:48:55,120 --> 00:48:57,600
Speaker 1: from film school at twenty two, you know what I'm saying.

1038
00:48:58,200 --> 00:49:01,040
Speaker 1: So everything I think I works in the serious ways.

1039
00:49:01,080 --> 00:49:03,560
Speaker 1: And everything happens for a reason. You know. People say that,

1040
00:49:03,600 --> 00:49:05,600
Speaker 1: And I want to plant this in your in your spirit.

1041
00:49:06,000 --> 00:49:07,960
Speaker 1: You know, they always say God work in my sterious ways,

1042
00:49:08,000 --> 00:49:09,840
Speaker 1: And I just want you to know there's nothing mysterious

1043
00:49:09,840 --> 00:49:13,359
Speaker 1: about him. When he's moving on on your behalf, he's

1044
00:49:13,440 --> 00:49:16,839
Speaker 1: quite clear. The only one that's confuses us. We don't

1045
00:49:16,920 --> 00:49:19,360
Speaker 1: listen to our discernment. We don't listen to our wisdom.

1046
00:49:20,160 --> 00:49:22,439
Speaker 1: He said that it will be we just don't listen.

1047
00:49:22,920 --> 00:49:24,640
Speaker 1: And I and I know we used that and I don't.

1048
00:49:24,640 --> 00:49:26,919
Speaker 1: I'm not, you know, minimizing that that phrase of people

1049
00:49:27,000 --> 00:49:28,640
Speaker 1: us a lot. You know, God working mysterious ways. No,

1050
00:49:28,880 --> 00:49:30,759
Speaker 1: he's the art in the beginning, the beginning in the

1051
00:49:30,920 --> 00:49:33,880
Speaker 1: end and make it. Yeah, he really clear about this.

1052
00:49:33,960 --> 00:49:36,719
Speaker 1: He's the big homey for real, you know. So think

1053
00:49:36,760 --> 00:49:39,400
Speaker 1: about that that he's always know what he's had for

1054
00:49:39,480 --> 00:49:43,480
Speaker 1: you and through your trust and your belief and how

1055
00:49:43,600 --> 00:49:46,359
Speaker 1: you kept grinding and how you kept moving through it all.

1056
00:49:46,480 --> 00:49:49,640
Speaker 1: I know you've lost more than you've gained. I've lost

1057
00:49:49,880 --> 00:49:52,799
Speaker 1: way more than i've gain. I've worked for free, way

1058
00:49:52,880 --> 00:49:55,080
Speaker 1: more than I've ever been paid, even at this stage

1059
00:49:55,120 --> 00:49:57,120
Speaker 1: in life. You really got to do this for the

1060
00:49:57,239 --> 00:49:59,880
Speaker 1: love and for something bigger than yourself, and whether that

1061
00:50:00,160 --> 00:50:03,120
Speaker 1: is me and politics. Wanted people to know, you know,

1062
00:50:03,480 --> 00:50:05,719
Speaker 1: what they can do to be a part of you know,

1063
00:50:05,960 --> 00:50:08,600
Speaker 1: politics and how we'm getting ready to a series called

1064
00:50:08,640 --> 00:50:11,879
Speaker 1: trapping Politics will revoke. Whether it's you making somebody laugh,

1065
00:50:11,960 --> 00:50:15,560
Speaker 1: taking my mind off politics. We all have our journey

1066
00:50:15,600 --> 00:50:17,720
Speaker 1: in this and the thing is to just keep grinding

1067
00:50:18,040 --> 00:50:19,960
Speaker 1: and to never give up. And that's what I see

1068
00:50:20,000 --> 00:50:21,960
Speaker 1: in you. Is there anything you want us to know

1069
00:50:22,120 --> 00:50:23,919
Speaker 1: before you get out of here? Where's your next show?

1070
00:50:24,400 --> 00:50:27,239
Speaker 1: How can people find you? I don't have a show

1071
00:50:27,320 --> 00:50:30,160
Speaker 1: line this year. I might have one in Dallas. Um, well,

1072
00:50:30,200 --> 00:50:33,359
Speaker 1: my boy, Craig Smith, Um, that's not sitting soon. Just yet,

1073
00:50:33,440 --> 00:50:37,200
Speaker 1: but I might It might be this coming month in December. UM,

1074
00:50:37,880 --> 00:50:41,160
Speaker 1: I'm working on some stuff, working on a TV show

1075
00:50:41,239 --> 00:50:43,480
Speaker 1: that I'm putting together, and I'm gonna produce myself and

1076
00:50:43,560 --> 00:50:45,600
Speaker 1: we'll see how how good, how good it is. And

1077
00:50:46,280 --> 00:50:48,040
Speaker 1: if you can get picked up in the bigger platform.

1078
00:50:48,080 --> 00:50:51,080
Speaker 1: It's not always go on my own platform, right, what

1079
00:50:51,080 --> 00:50:53,879
Speaker 1: I'm saying so waiting, no nobody just making that ship happen.

1080
00:50:53,960 --> 00:50:58,080
Speaker 1: Follow you on Big Job everywhere? Is that where I

1081
00:50:58,200 --> 00:51:02,120
Speaker 1: G J H two G Big Job on Twitter, Facebook,

1082
00:51:02,160 --> 00:51:04,920
Speaker 1: I G and YouTube and my app too. If you

1083
00:51:05,000 --> 00:51:08,160
Speaker 1: ever want to see all my sketches and all and

1084
00:51:08,280 --> 00:51:11,320
Speaker 1: watch me live and do more interaction with the supporters,

1085
00:51:11,719 --> 00:51:13,520
Speaker 1: I have an app called this Big Job App. You

1086
00:51:13,600 --> 00:51:16,640
Speaker 1: can go out on your Google, Google play Store, Google

1087
00:51:16,680 --> 00:51:19,520
Speaker 1: play Store, um, Apple play Store, or go to my

1088
00:51:19,600 --> 00:51:23,120
Speaker 1: website big joh dot com, forward slash app and you

1089
00:51:23,360 --> 00:51:25,480
Speaker 1: go ahead and down like that, The Hood Good Store,

1090
00:51:25,560 --> 00:51:27,759
Speaker 1: all of that, what about that, the Hook Good Story,

1091
00:51:28,120 --> 00:51:33,600
Speaker 1: all my merch I'm saying was happening. Yeah, yeah, go

1092
00:51:33,760 --> 00:51:35,719
Speaker 1: to the Hook good Store dot com th h E

1093
00:51:36,080 --> 00:51:38,719
Speaker 1: h O O d H G O O D S

1094
00:51:38,760 --> 00:51:41,279
Speaker 1: t O r E dot com and go send you

1095
00:51:41,360 --> 00:51:43,480
Speaker 1: up some merchant you can't. If not, that's all good.

1096
00:51:43,600 --> 00:51:47,040
Speaker 1: I love life regardless and that I don't know this right.

1097
00:51:47,640 --> 00:51:50,759
Speaker 1: Everybody you were listening to the big homemie Big John.

1098
00:51:51,040 --> 00:51:54,120
Speaker 1: I'm telling you I enjoyed this interview. I appreciate you

1099
00:51:54,239 --> 00:51:56,440
Speaker 1: stopping vibe. Make sure you go check out all of

1100
00:51:56,480 --> 00:51:58,279
Speaker 1: his skits. All of the ones that I mentioned are

1101
00:51:58,400 --> 00:52:01,880
Speaker 1: my favorite. Seeing b Class six cryptin Blood cat Classes,

1102
00:52:01,920 --> 00:52:04,759
Speaker 1: that's hilarious. Go look at the series where she's from.

1103
00:52:04,960 --> 00:52:07,520
Speaker 1: Go look at the series I'm coming to go. Look

1104
00:52:07,560 --> 00:52:09,560
Speaker 1: at the series Redeemed my Stroke. I mean I can

1105
00:52:09,600 --> 00:52:11,960
Speaker 1: go on. No. I literally watched this man one of

1106
00:52:12,000 --> 00:52:13,880
Speaker 1: the funniest people, not just on the Internet, not just

1107
00:52:13,960 --> 00:52:16,880
Speaker 1: on Instagram, but period. And I just appreciate you stopping

1108
00:52:16,920 --> 00:52:18,560
Speaker 1: by and all that you've done. I wanted to tell

1109
00:52:18,640 --> 00:52:20,319
Speaker 1: them face to face and tell you face to face

1110
00:52:20,640 --> 00:52:22,640
Speaker 1: just how much of an impact you've kept my head

1111
00:52:22,800 --> 00:52:27,120
Speaker 1: straight through this pandemic and this aggressive ass political season

1112
00:52:27,200 --> 00:52:28,719
Speaker 1: that we just got through and we still got a

1113
00:52:28,760 --> 00:52:30,719
Speaker 1: couple of more to go. So thank you so much

1114
00:52:30,760 --> 00:52:38,359
Speaker 1: for joining me Max. Everybody you've been listening, straight shot,

1115
00:52:38,400 --> 00:52:42,760
Speaker 1: no chaser, Share, tell a friend, and until next time.

1116
00:52:43,080 --> 00:52:45,680
Speaker 1: If you like what you heard on Straight Shot No Chaser,

1117
00:52:45,760 --> 00:52:48,720
Speaker 1: please subscribe and tropify, star review, and tell a friend.

1118
00:52:48,800 --> 00:52:50,960
Speaker 1: Straight Shot No Chaser is a production of The Black

1119
00:52:51,000 --> 00:52:54,000
Speaker 1: Effect podcast networking I Heart Radio and Tesla and Figure

1120
00:52:54,200 --> 00:52:57,000
Speaker 1: and I'd like to thank our producer editor mixer, the

1121
00:52:57,400 --> 00:53:00,960
Speaker 1: one and Only Marcy Depina, are mixed Master Dwayne Crawford,

1122
00:53:01,040 --> 00:53:04,359
Speaker 1: and our executive producer Charlottage Nagott. For more podcast from

1123
00:53:04,400 --> 00:53:08,160
Speaker 1: I Heart Radio, visit the I Heart Radio app, Apple Podcast,

1124
00:53:08,400 --> 00:53:09,920
Speaker 1: or wherever you get your podcasts.