WEBVTT - Weirdhouse Cinema: The Abominable Dr. Phibes

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<v Speaker 1>Welcome to Stuff to Blow your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Weird House Cinema. This is

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<v Speaker 1>Rob Lamb and this is Joe McCormick. And who I

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<v Speaker 1>hope you like Oregan music because today we're doing Dr five's.

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<v Speaker 1>That's right, the Abominable Dr fives from one. Uh. This

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<v Speaker 1>is a film that is frequently described as a dark

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<v Speaker 1>comedy horror film, which is a It is kind of

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<v Speaker 1>a way of saying this movie is weird, and we

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<v Speaker 1>don't really know how to classify it, you know, because

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<v Speaker 1>it certainly has Yeah, it has comedic flair in it,

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<v Speaker 1>it has horror flare um, but it's it's ultimately its

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<v Speaker 1>own unique weird vision. Uh. And it's it's really difficult

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<v Speaker 1>to compare it to just about anything else. I would

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<v Speaker 1>almost say it's a musical, though the characters don't sing songs.

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<v Speaker 1>There are a lot of musical numbers and dancing. Yes, yeah,

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<v Speaker 1>it's very theatrical. Um Like, in trying to come up

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<v Speaker 1>with an elevator pitch for it, I was thinking, it's

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<v Speaker 1>it's kind of Phantom of the Opera meets Batman meets

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<v Speaker 1>a wax museum horror movie and a swanky, unoccupied nightclub

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<v Speaker 1>for stylish madmen. But but also you have to say

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<v Speaker 1>the words Vincent Price, because I think that is a

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<v Speaker 1>key element of establishing the themes. Yeah, I think this

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<v Speaker 1>is our first Vincent Price film, and um and Fibes

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<v Speaker 1>has been on our our our list, It's been on

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<v Speaker 1>our radar for a while, and I know we've heard

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<v Speaker 1>from at least a couple of listeners suggesting it, and

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<v Speaker 1>it came up again recently when I was looking at

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<v Speaker 1>films that had very well regarded movie scores and so yeah, yeah,

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<v Speaker 1>this is, uh, this is our first Vincent Price film.

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<v Speaker 1>That we did discuss The Tingler from N nine and

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<v Speaker 1>an old episode of Stuff to Blow your Mind, but

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<v Speaker 1>that was pretty weird house that was more of a

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<v Speaker 1>like we used The Tingler as a bringboard to discuss

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<v Speaker 1>some science or vice versa. You know. I would say

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<v Speaker 1>The Tingler is somewhat different because The Tingler is a

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<v Speaker 1>William Castle movie that has Vincent Price in it. But

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<v Speaker 1>lots of Vincent Price movies, it almost feels as if

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<v Speaker 1>it doesn't matter who the director is and it's just

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<v Speaker 1>it just becomes a Vincent Price movie. I would say

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<v Speaker 1>this is one of those it is and then on

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<v Speaker 1>the on the same level, one thing I kept thinking

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<v Speaker 1>about is, Okay, Vincent Price plays a character in this

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<v Speaker 1>film that that doesn't actually speak with his voice anymore. Uh.

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<v Speaker 1>You hear Vincent Price's voice, but it's like a it's

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<v Speaker 1>it's like through a machine. And so it's it's unique

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<v Speaker 1>to be watching this and you think, oh, well, you know,

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<v Speaker 1>Vincent Prices is great, like as a visual performer, he

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<v Speaker 1>has this amazing voice, uh, and yet we have a

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<v Speaker 1>character who's uh, in many ways mute in this film,

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<v Speaker 1>and it kind of it kind of applies to other

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<v Speaker 1>characters in the film as well, like a lot of

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<v Speaker 1>a lot of the people in this film are just

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<v Speaker 1>part of the set piece. It's about about creating this

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<v Speaker 1>this theatrical vision somehow. Though, even though he doesn't speak

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<v Speaker 1>with his mouth in the movie, the price ham juice

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<v Speaker 1>gets on everything, like the Vincent Price campiness comes through

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<v Speaker 1>in the energy exuded by every other actor in the film.

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<v Speaker 1>And I was going to compare it to another great

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<v Speaker 1>horror movie that I just watched within the last year,

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<v Speaker 1>because they are so similar. This other movie is called

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<v Speaker 1>Theater of Blood from nineteen seventy three. So it came

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<v Speaker 1>out two years after Dr Fibes. But if you can

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<v Speaker 1>believe this, listen to all the parallels. Both movies star

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<v Speaker 1>Vincent Price as a performing artist of some kind who

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<v Speaker 1>is presumed dead but returns to enact an elaborate plan

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<v Speaker 1>of revenge on a list of nine specific enemies, targeting

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<v Speaker 1>each one in a succession of sort of themed murders.

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<v Speaker 1>And in Dr Fibes the themed murders are based on

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<v Speaker 1>the tin plagues of Egypt in the Book of Exodus,

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<v Speaker 1>and in Theater of Blood they're based on deaths in

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<v Speaker 1>the plays of Shakespeare. And in both movies, the Price

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<v Speaker 1>character has a cool, younger female sidekick. In Theater of

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<v Speaker 1>Blood that is actually the It is Vincent Price's character's daughter,

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<v Speaker 1>played by Diana Rigg, who always great. Dia rig one

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<v Speaker 1>of my favorites, and in that one, uh, she's great.

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<v Speaker 1>But also in that when Vincent Price plays a ham

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<v Speaker 1>Shakespearean actor instead of an organist. All right, well, those

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<v Speaker 1>are certainly some five vibes. You're definitely vibing with fibies there. Um.

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<v Speaker 1>You know one thing that I was thinking about, especially

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<v Speaker 1>towards the end of this picture, and we'll discuss the

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<v Speaker 1>plot here that uh was that this film The Abominable

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<v Speaker 1>Doctor fives. It's kind of like the precursor to such

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<v Speaker 1>dreary themed murder films as uh seven as I don't

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<v Speaker 1>even thinking like Resurrection and of course the Saw movies.

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<v Speaker 1>Except this movie is like what if you had something

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<v Speaker 1>like that and it was at least ten times is fun?

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<v Speaker 1>You know? Um oh more than that? Yeah, this is

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<v Speaker 1>the exact opposite. This is a weird, elaborate themed murders

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<v Speaker 1>but just bouncing on rays of sunshine. Yes, So, I

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<v Speaker 1>think Dr Fibes is one of my new show favorites.

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<v Speaker 1>It's going on the list with uh, I think some

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<v Speaker 1>of the best movies we've watched on here, like uh,

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<v Speaker 1>I don't keep a running list of my favorites, but

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<v Speaker 1>they're somewhere in my head. It's gonna be like Mad Love,

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<v Speaker 1>Robot Jock's Ship of Monsters and and oh and Inframan

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<v Speaker 1>and this one's going up there too. Yeah. It's it's

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<v Speaker 1>extremely watchable. I can easily recommend this one to to

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<v Speaker 1>film fans of different genres because it does transcend genre.

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<v Speaker 1>It's not just a horror film, uh, It's it's just

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<v Speaker 1>so stylish so love lovingly stylish that I feel like

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<v Speaker 1>it can suck in just about anybody, like you're just

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<v Speaker 1>just about any given scene. Even the scenes that don't

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<v Speaker 1>play take place within dr Fibes, Subterranean, Um Organum fun

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<v Speaker 1>House are still like lavishly decorated and and ingeniously shot.

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<v Speaker 1>Totally agree? All right, well, let's go ahead and listen

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<v Speaker 1>to the trailer. Here, h what lovely music for a murder?

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<v Speaker 1>Or two or three or nine? Who's this? Ladies and gentlemen,

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<v Speaker 1>I want you to meet a dear friend. Nine killed you,

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<v Speaker 1>nine shall die your wife? No fibes but you I

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<v Speaker 1>will kill but you go? Doctor I already dead? But

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<v Speaker 1>what's the guitar? The town cut is visited among the

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<v Speaker 1>pharoahs before Exodus. Are you ready for Doctor five? All right,

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<v Speaker 1>let's talk about some of the people involved in this

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<v Speaker 1>motion picture. First of all, let's start at the top

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<v Speaker 1>with the director, Robert Fust Fust Live through two thousand

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<v Speaker 1>and twelve, British director noted for his unique genre style. UM.

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<v Speaker 1>It should come as no surprise to to some fans

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<v Speaker 1>out there that he came up through the Avengers TV

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<v Speaker 1>show before making such features as nineteen seventies and Soon

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<v Speaker 1>in the Darkness, a thriller nineteen seventy adaptation of Worthering

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<v Speaker 1>Heights with Timothy Dalton is Heathcliff, followed by the two

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<v Speaker 1>Doctor Five's films. Uh nineteen seventy three is the Final Program,

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<v Speaker 1>which was based on a Michael moorecock novel starring John Finch,

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<v Speaker 1>and seventy five satanic melt oh Mania movie The Devil's

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<v Speaker 1>Ragin starring Ernest board Nine, The Shot, Tom Scarrett, John Travolta,

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<v Speaker 1>and of course uh Anton LaVey. I was wondering if

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<v Speaker 1>we should come back to The Devil's Reign on weird House.

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<v Speaker 1>It is a notorious for being not very good but

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<v Speaker 1>also being sort of worth seeing. Yeah, yeah, it has

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<v Speaker 1>greatness in it, and I think maybe we're in a

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<v Speaker 1>better place, will be in a better place to understand

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<v Speaker 1>it having experienced fibes. But uh yeah, and also it

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<v Speaker 1>is possible that maybe the world just wasn't ready for

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<v Speaker 1>the Devil's Rain um, especially when you look at his filmography,

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<v Speaker 1>because it looks like, uh, he mostly did TV after

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<v Speaker 1>The Devil's Reign. All right. Um. The writers on this,

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<v Speaker 1>they're two credited writers, James Whitten born two thousand and

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<v Speaker 1>sixteen American writer who wrote the story for two Murder

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<v Speaker 1>by Phone starring Richard Chamberlain. And then there's also William Goldstein,

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<v Speaker 1>credited on both fives movies plus nineteen seventies six is

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<v Speaker 1>The Amazing Doberman's, in which quote an ex con man

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<v Speaker 1>and his five trained Doberman's helped the Treasury Department agent

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<v Speaker 1>stop a racketeer and his gang. It starred James Franciscus,

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<v Speaker 1>Barbara Eden, Fred Astaire, and Billy Bardi. Um. It has

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<v Speaker 1>an amazing poster. And my wife says that she remembered

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<v Speaker 1>this movie. I think her her family they always had

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<v Speaker 1>Doberman so I think they've watched any if there was

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<v Speaker 1>a Doberman movie, Uh, they watched it. Imagine the pitch

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<v Speaker 1>for that. What about Doberman's that solved mysteries? I think

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<v Speaker 1>there was a They also tried to turn into a

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<v Speaker 1>TV show. Wait, what kind of dog was Scooby Doo?

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<v Speaker 1>I guess he was supposed to be like a great

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<v Speaker 1>day In or something. Yeah, yeah, and not a The

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<v Speaker 1>Doberman's have those like the pointy head, those really dirty

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<v Speaker 1>pointed heads. Yeah, um derpy or terrifying depends on how

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<v Speaker 1>you look at him, but they can they can look

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<v Speaker 1>quite dirty, all right. Uh. The star of this film

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<v Speaker 1>playing Dr Anton Fives is Vincent Price, who lived nineteen

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<v Speaker 1>eleven through nineteen The legend himself got all of him

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<v Speaker 1>and an actor of great genuine talent who could have

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<v Speaker 1>kept pressing just to focus on serious film roles, but

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<v Speaker 1>but embraced camp. And that's something I really respect, Yes,

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<v Speaker 1>and it was really really a master of it. Yeah.

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<v Speaker 1>Price was active on screen from the late thirties to

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<v Speaker 1>the early nineties. You know, great voice, great look, horror

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<v Speaker 1>icon um. You know, could could really play serious threat.

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<v Speaker 1>But also it seemed to have a great sense of

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<v Speaker 1>humor and was able to play that up. I was

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<v Speaker 1>active in various genres, especially early on in his career,

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<v Speaker 1>and you see him, you know, showing up in some

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<v Speaker 1>some serious pictures during that time period for sure. Uh.

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<v Speaker 1>And then he did all sorts of celebrity appearances and

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<v Speaker 1>product endorsements later in life, and it seems seemed to

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<v Speaker 1>very much you know, cash in on things to a

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<v Speaker 1>certain extent. And again, God bless him, he learned it

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<v Speaker 1>by that point. But uh, time life enchanted world commercials.

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<v Speaker 1>I think he did commercials for what are they called wine? Uh?

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<v Speaker 1>What was that brand of wine coolers? Yes, where he's

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<v Speaker 1>dressed like a polar bear. Um like, I I highly

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<v Speaker 1>recommend anyone out there just do a like a YouTube

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<v Speaker 1>search for Vincent Price commercials and you'll get numerous results

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<v Speaker 1>and they're all great. Oh if you find the ones

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<v Speaker 1>where he's doing wine coolers. I don't remember the brand name,

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<v Speaker 1>but that same brand of wine coolers also has commercials

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<v Speaker 1>with Grace Jones that are amazing. Ultimately, I would say

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<v Speaker 1>the Vincent Price pop culture footprint is almost just too

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<v Speaker 1>huge for us to possibly do justice here in a

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<v Speaker 1>single episode. So for my part, I'm just going to

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<v Speaker 1>mention a few of my favorites, uh from from a

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<v Speaker 1>few different categories. So, first of all, in film, as

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<v Speaker 1>much as I love this film, again, it is kind

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<v Speaker 1>of weird to cast Vincent Price in a role where

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<v Speaker 1>he doesn't actually speak. I think they're they're you know,

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<v Speaker 1>they're much better examples of him acting both as a

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<v Speaker 1>pure protagonist and also as an antagonist. Um. You know.

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<v Speaker 1>Roger Corman's Mask of the Red Death is a great

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<v Speaker 1>example of him in pure villain mode, while the in

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<v Speaker 1>the Tingler. We get to see him as a as

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<v Speaker 1>kind of a tortured hero. Um, wait, is he a hero? No?

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<v Speaker 1>Wait a minute, he's he's like trying to murder his

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<v Speaker 1>wife and the Tingler. Oh, well, yes he was, but

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<v Speaker 1>didn't he Well wait no, I think he's sort of

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<v Speaker 1>he sort of is the hero, but he's a bad dude.

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<v Speaker 1>Is there a film where he plays like a pure protagonist? Oh,

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<v Speaker 1>I'm sure there's plenty of one. The Last Man on Earth,

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<v Speaker 1>which is one of the many film adaptations of I

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<v Speaker 1>Am Legend, is one of the earlier ones. He's in

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<v Speaker 1>that and he plays the main character. Um. How many

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<v Speaker 1>film adaptations of I Am Legend are there? There's the

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<v Speaker 1>there's the Omega Man. Yeah, there's the the one with

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<v Speaker 1>Will Smith, There's the one with Vincent Price. There at

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<v Speaker 1>least three, but there may be more. Yeah, and I

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<v Speaker 1>think they're they're planning on making more now. Vincent Price

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<v Speaker 1>also did a lot of television. Uh. One notable thing

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<v Speaker 1>is he appeared on Night Gallery. I think a couple

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<v Speaker 1>of times, including the nineteen seventy two episode The Return

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<v Speaker 1>of the Sorcerer, which is one of the few adaptations

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<v Speaker 1>of a Clark Ashton Smith short story. When it comes

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<v Speaker 1>to just pure selebbing, I'd say his nineteen seventy seven

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<v Speaker 1>appearance on The Muppet Show is pretty stellar. That that's

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<v Speaker 1>right in his element. I mean, oh yeah, Price can

0:13:34.520 --> 0:13:37.800
<v Speaker 1>act opposite a puppet. Yes, yes, very well. Though of

0:13:37.960 --> 0:13:39.720
<v Speaker 1>those Muppet shows, some of them, if you try and

0:13:39.760 --> 0:13:42.839
<v Speaker 1>watch them in their entirety, some of them can be

0:13:42.880 --> 0:13:44.800
<v Speaker 1>a little painful at times. There, I mean there it was.

0:13:44.960 --> 0:13:48.840
<v Speaker 1>It was a Hammy show. Uh, you know, not everything

0:13:48.960 --> 0:13:52.000
<v Speaker 1>holds up all that well. But but Price was great

0:13:52.040 --> 0:13:54.600
<v Speaker 1>on that. Now, when it comes to music and spoken word,

0:13:55.000 --> 0:13:57.000
<v Speaker 1>that this is fact. I wasn't familiar with the pure

0:13:57.080 --> 0:13:59.520
<v Speaker 1>scope of this. But uh, if you go to discogs

0:13:59.559 --> 0:14:03.200
<v Speaker 1>dot com, Vincent Price has sixty eight listings. To put

0:14:03.200 --> 0:14:06.800
<v Speaker 1>that in perspective, Christopher Lee only had twenty six, which

0:14:06.840 --> 0:14:10.800
<v Speaker 1>is nothing to sneeze at. Um, but sixty eight listings.

0:14:10.920 --> 0:14:14.680
<v Speaker 1>Does that include Christopher Lee's metal albums? I think it didn't. Yeah,

0:14:15.120 --> 0:14:17.200
<v Speaker 1>now I won't. I won't pretend to have heard even

0:14:17.280 --> 0:14:22.880
<v Speaker 1>half of the uh the releases from Vincent Price. But

0:14:22.880 --> 0:14:25.480
<v Speaker 1>but I've I've got to go with his excellent spoken

0:14:25.520 --> 0:14:29.960
<v Speaker 1>word bit in the three track thriller Uh. That you know,

0:14:30.040 --> 0:14:33.600
<v Speaker 1>it's loads of fun, the funk of forty thousand years. Um.

0:14:33.640 --> 0:14:36.840
<v Speaker 1>And then when it comes to product endorsements, Um again

0:14:36.880 --> 0:14:42.120
<v Speaker 1>the timeline books, Um, Enchanted World's advertisement is great. But

0:14:42.240 --> 0:14:44.520
<v Speaker 1>also he did one for Monster Vitamins. It's a lot

0:14:44.600 --> 0:14:47.680
<v Speaker 1>of fun as animated monsters in it, and he's talking

0:14:47.920 --> 0:14:50.880
<v Speaker 1>it's a children's vitamin commercial. But you've got Vincent Bryce

0:14:50.960 --> 0:14:54.120
<v Speaker 1>there again. We we can't go through everything that Vincent

0:14:54.120 --> 0:14:56.240
<v Speaker 1>Price was in, but just to mention a few of

0:14:56.280 --> 0:14:59.000
<v Speaker 1>the big ones. He was in the Ten Commandments, who

0:14:59.040 --> 0:15:02.560
<v Speaker 1>was in House of Whack, the fly House, Unhaunted Hill.

0:15:03.000 --> 0:15:07.920
<v Speaker 1>He popped up on the old sixties TV Batman series. Uh,

0:15:07.960 --> 0:15:10.240
<v Speaker 1>he's a voice in The Great Mouse Detective. He plays

0:15:10.280 --> 0:15:13.080
<v Speaker 1>the villainous rat and that, and then of course his

0:15:13.160 --> 0:15:18.120
<v Speaker 1>final feature film appearance is in Edward scissor Hands Rest

0:15:18.160 --> 0:15:23.240
<v Speaker 1>in Peace Man, So Vincent prices His character Dr Five's

0:15:23.320 --> 0:15:25.800
<v Speaker 1>is listed in the end credits to this movie as

0:15:25.880 --> 0:15:29.000
<v Speaker 1>one of two protagonists. Um, which is so you know,

0:15:29.560 --> 0:15:33.360
<v Speaker 1>humorous but also in keeping with the strange vibe of

0:15:33.360 --> 0:15:37.840
<v Speaker 1>the film. Uh. The other protagonist is listed as Doctor

0:15:37.880 --> 0:15:42.360
<v Speaker 1>of Salius, played by Joseph Cotton. Joseph Cotton is another

0:15:42.480 --> 0:15:45.640
<v Speaker 1>legend star of film, stage, radio and television Live nineteen

0:15:45.640 --> 0:15:49.760
<v Speaker 1>o five through probably best remembered for his roles and

0:15:50.600 --> 0:15:53.320
<v Speaker 1>I think three different orson Wells movies Citizen Kane and

0:15:53.360 --> 0:15:56.560
<v Speaker 1>forty one, The Magnificent Emberson's at forty two Journey into

0:15:56.600 --> 0:15:59.920
<v Speaker 1>Fear and forty three. Uh. He's also known for The

0:16:00.080 --> 0:16:01.960
<v Speaker 1>Third Man from forty nine. I think that was the

0:16:02.000 --> 0:16:06.000
<v Speaker 1>first first thing I really remember him from, so I

0:16:06.040 --> 0:16:08.320
<v Speaker 1>guess I probably watched Citizen Kane around the same time.

0:16:08.840 --> 0:16:11.600
<v Speaker 1>He was also in gas Light, which is where we

0:16:11.640 --> 0:16:15.280
<v Speaker 1>get the term gas lighting from. And later on he

0:16:15.280 --> 0:16:18.400
<v Speaker 1>appeared in such films as Soiling Green and seventy three,

0:16:18.920 --> 0:16:24.480
<v Speaker 1>and such Italian films as Marcelo Alprandi's nine seventies six

0:16:24.480 --> 0:16:27.800
<v Speaker 1>film They Whisper in the Dark and Sergio Martino's excellent

0:16:27.880 --> 0:16:32.040
<v Speaker 1>Island of the Fishmen a k A. Screamers excellent. So

0:16:32.160 --> 0:16:34.920
<v Speaker 1>any anything he's in, it's a it's a solid screen presence.

0:16:35.200 --> 0:16:38.320
<v Speaker 1>So in this he plays this character, Doctor Vassalius, who

0:16:38.440 --> 0:16:42.840
<v Speaker 1>is the the last of the enemies targeted for revenge

0:16:42.960 --> 0:16:47.920
<v Speaker 1>by Dr Fibes. Yeah, because this film ultimately follows uh

0:16:47.960 --> 0:16:49.640
<v Speaker 1>A pattern that you see in a number of different

0:16:49.920 --> 0:16:53.160
<v Speaker 1>revenge films with kind of an anti hero revenge killer

0:16:53.200 --> 0:16:56.720
<v Speaker 1>at the center is he'll have a number of targets

0:16:56.880 --> 0:16:59.200
<v Speaker 1>and you'll start with the targets that are you either

0:16:59.200 --> 0:17:01.800
<v Speaker 1>don't know much about out or or or or who

0:17:01.880 --> 0:17:05.240
<v Speaker 1>are actively villainous in some way or another, and then

0:17:05.280 --> 0:17:08.440
<v Speaker 1>you work your way towards a character who is more

0:17:08.520 --> 0:17:12.240
<v Speaker 1>relatable and so you know, it forces you to sort

0:17:12.240 --> 0:17:15.280
<v Speaker 1>of enjoy the early kills but feel conflicted about the

0:17:15.600 --> 0:17:26.639
<v Speaker 1>later kills that are planned. All right, some of the

0:17:26.640 --> 0:17:30.679
<v Speaker 1>other people here, we have Peter Jeffrey in this um,

0:17:31.000 --> 0:17:32.600
<v Speaker 1>probably probably not an actor that a lot of people

0:17:32.640 --> 0:17:34.960
<v Speaker 1>are familiar with. He plays Inspector Harry Trout. He's the

0:17:35.000 --> 0:17:38.040
<v Speaker 1>hard nosed British detective on the case. Ultimately has a

0:17:38.040 --> 0:17:43.800
<v Speaker 1>lot of screen time in this um. He lived and

0:17:44.080 --> 0:17:46.359
<v Speaker 1>he had roles in such films as The Adventures of

0:17:46.359 --> 0:17:49.680
<v Speaker 1>Baron Muchausen, Midnight Express, The Return of the Pink Panther,

0:17:50.119 --> 0:17:52.920
<v Speaker 1>and he played the character Count Grendel on Doctor Who,

0:17:53.400 --> 0:17:55.560
<v Speaker 1>among I think some other characters on Doctor Here. He

0:17:55.600 --> 0:17:57.680
<v Speaker 1>did a lot of TV work. This is our main

0:17:57.760 --> 0:18:00.840
<v Speaker 1>Scotland yard detective trying to solve the case of the

0:18:00.920 --> 0:18:06.359
<v Speaker 1>doctors being murdered in bizarre ways. Inspector killed war Trout. Yeah,

0:18:06.480 --> 0:18:09.080
<v Speaker 1>and it's it's pretty fun because at times he comes

0:18:09.119 --> 0:18:10.920
<v Speaker 1>up a little bit comedic. Other times he's just kind

0:18:10.920 --> 0:18:13.399
<v Speaker 1>of just the hard nosed cop trope. Yeah, oh oh,

0:18:13.480 --> 0:18:15.240
<v Speaker 1>but we've got to talk about so in this movie,

0:18:15.320 --> 0:18:19.000
<v Speaker 1>Dr Fibes has a sidekick. He has an assistant named

0:18:19.119 --> 0:18:23.160
<v Speaker 1>vol Navia, and she's great. Yes, it's played by Virginia North,

0:18:23.560 --> 0:18:26.680
<v Speaker 1>who in my notes here I have six through two

0:18:26.720 --> 0:18:30.320
<v Speaker 1>thousand nine ninety four, I suspect that I have a

0:18:30.440 --> 0:18:34.760
<v Speaker 1>type of there. And she actually lived to two thousand four.

0:18:34.880 --> 0:18:38.960
<v Speaker 1>Make that two thousand and four, not two thousand nine. Anyway,

0:18:39.000 --> 0:18:40.879
<v Speaker 1>she was a fashion model who only appeared in a

0:18:40.920 --> 0:18:44.160
<v Speaker 1>handful of titles, including this, which was her final final film,

0:18:44.800 --> 0:18:46.479
<v Speaker 1>and she was She also pops up in On Her

0:18:46.520 --> 0:18:49.639
<v Speaker 1>Majesty's Secret Service. She wasn't a bond girl, however, as

0:18:49.680 --> 0:18:51.560
<v Speaker 1>the main love interest in that movie was played by

0:18:51.640 --> 0:18:54.720
<v Speaker 1>Diana Rigg, the great Diana Rigg. But yeah, I really

0:18:54.840 --> 0:18:58.359
<v Speaker 1>enjoy North as vol Navia in this movie. She this

0:18:58.440 --> 0:19:02.119
<v Speaker 1>is also both of our sort of villain roles. The

0:19:02.400 --> 0:19:05.680
<v Speaker 1>killers in this movie do not speak directly. Vincent Price

0:19:05.720 --> 0:19:08.160
<v Speaker 1>only speaks through like a tube in his neck plugged

0:19:08.160 --> 0:19:11.840
<v Speaker 1>into a phonograph in some scenes, and Vilnavia doesn't speak

0:19:11.880 --> 0:19:14.400
<v Speaker 1>at all, though she does play a mean violin as

0:19:14.720 --> 0:19:17.119
<v Speaker 1>as like doctors are being drained of all their blood

0:19:17.480 --> 0:19:21.040
<v Speaker 1>and she can she can wield a golden axe. That's right.

0:19:21.320 --> 0:19:25.200
<v Speaker 1>So yeah, she's stylish and she's helpful. Now we're not

0:19:25.200 --> 0:19:27.440
<v Speaker 1>going to list all of the various doctors who are

0:19:27.520 --> 0:19:30.719
<v Speaker 1>murdered by Dr fives, but two of them are noteworthy. Uh,

0:19:30.840 --> 0:19:34.640
<v Speaker 1>there's a doctor Longstreet played by Terry Thomas. That of course,

0:19:34.640 --> 0:19:38.159
<v Speaker 1>there's Terry hyphen Thomas, who lived nineteen eleven through n

0:19:39.200 --> 0:19:40.800
<v Speaker 1>This is one of those guys who you just see

0:19:40.880 --> 0:19:43.199
<v Speaker 1>his face and even if it's a still photograph, you

0:19:43.200 --> 0:19:49.240
<v Speaker 1>can imagine the sounds he's making and there's something like yeah, yeah, yes, yeah.

0:19:49.280 --> 0:19:53.520
<v Speaker 1>He tremendous British comedian and character actor who really excelled

0:19:53.560 --> 0:19:56.920
<v Speaker 1>at playing kind of like um, kind of like bumbling

0:19:57.200 --> 0:20:03.200
<v Speaker 1>fops and upper crust weird and um yeah, there's a

0:20:03.240 --> 0:20:07.000
<v Speaker 1>certain type of role that Terry Thomas just absolutely excelled

0:20:07.040 --> 0:20:10.120
<v Speaker 1>at in this movie. He's a little bit Harvey Corman,

0:20:10.240 --> 0:20:13.280
<v Speaker 1>but also a little you're gonna balk for a second,

0:20:13.320 --> 0:20:17.359
<v Speaker 1>I think, but a little bit wings Houser. Well, he

0:20:17.400 --> 0:20:21.400
<v Speaker 1>definitely choose the scenes with with a with a wings

0:20:21.440 --> 0:20:27.119
<v Speaker 1>Houser in Ian uh intensity Um. Terry Thomas was in

0:20:27.280 --> 0:20:29.960
<v Speaker 1>loads of stuff, but I'd say probably the biggest film

0:20:29.960 --> 0:20:32.560
<v Speaker 1>he was in, the most most well known is perhaps

0:20:32.640 --> 0:20:35.080
<v Speaker 1>It's a Mad, Mad, Mad Mad World from sixty three.

0:20:35.600 --> 0:20:38.960
<v Speaker 1>He also pops up in Danger Diabolic from sixty eight,

0:20:38.960 --> 0:20:41.720
<v Speaker 1>which is another highly stylish film, and that one was

0:20:41.760 --> 0:20:44.720
<v Speaker 1>of course featured on Mystery Science Theater three thousand. He

0:20:44.800 --> 0:20:47.560
<v Speaker 1>was also a great voice actor. If if you've seen

0:20:47.760 --> 0:20:50.280
<v Speaker 1>Walt Disney's Robin Hood, the animated Robin Hood with all

0:20:50.280 --> 0:20:53.320
<v Speaker 1>the animal characters from Envy three, he is the voice

0:20:53.359 --> 0:20:57.080
<v Speaker 1>of Sir Hiss the Snake. He's sort of the toady

0:20:57.240 --> 0:21:00.560
<v Speaker 1>to the to the cowardly lion prince I believes out Yes,

0:21:01.000 --> 0:21:04.560
<v Speaker 1>all right, another doctor we have doctor Um Hargreaves, played

0:21:04.600 --> 0:21:07.800
<v Speaker 1>by Alex Scott. Alex Scott was in Next of Kin

0:21:07.920 --> 0:21:12.399
<v Speaker 1>from two, which we just covered on a Weird House Cinema.

0:21:12.520 --> 0:21:15.399
<v Speaker 1>So I won't go into detail about him, but you know,

0:21:15.440 --> 0:21:17.480
<v Speaker 1>if you want to hear more about Alex Scott. We

0:21:17.560 --> 0:21:21.960
<v Speaker 1>discussed him in the cast section for our previous episode.

0:21:22.240 --> 0:21:25.280
<v Speaker 1>He was the doctor in Next of Kin. Yes, he

0:21:25.359 --> 0:21:28.920
<v Speaker 1>was the doctor, and he's a doctor in this one too. Yeah,

0:21:30.200 --> 0:21:32.480
<v Speaker 1>in this one he's a he's a psychiatrist, right, he

0:21:32.760 --> 0:21:37.199
<v Speaker 1>puts on the frog mask. Now another small but but

0:21:37.320 --> 0:21:40.560
<v Speaker 1>fun role, we have Hugh Griffith popping up playing a

0:21:40.680 --> 0:21:44.520
<v Speaker 1>rabbi who's called in or called upon by the inspectors

0:21:44.560 --> 0:21:48.639
<v Speaker 1>to give some some expert advice on some of the

0:21:48.680 --> 0:21:52.720
<v Speaker 1>clues they've discovered. Griffith live nineteen twelve through nineteen eighty

0:21:52.920 --> 0:21:56.240
<v Speaker 1>a Welsh actor who actually won the Best Supporting oscar

0:21:56.800 --> 0:22:01.240
<v Speaker 1>Um Actor oscar in nineteen sixty for Ben her Now

0:22:01.280 --> 0:22:04.639
<v Speaker 1>the next Oh, this, this is one where I think you.

0:22:05.200 --> 0:22:08.159
<v Speaker 1>I don't think she was actually credited originally on this film,

0:22:08.200 --> 0:22:11.119
<v Speaker 1>but you might say that this film also stars a

0:22:11.200 --> 0:22:15.879
<v Speaker 1>photograph of Caroline Monroe. That's right. Uh, when we actually

0:22:15.920 --> 0:22:21.280
<v Speaker 1>see so she plays Dr fives deceased wife, and at

0:22:21.320 --> 0:22:23.400
<v Speaker 1>some point later in the movie we actually see her

0:22:23.480 --> 0:22:26.520
<v Speaker 1>dead body. But I don't think that's Caroline Monroe. Yeah,

0:22:26.640 --> 0:22:29.320
<v Speaker 1>I think it's just photographs oftware that are used which

0:22:29.359 --> 0:22:33.080
<v Speaker 1>is which is interesting especially since uh, since she did

0:22:33.119 --> 0:22:36.080
<v Speaker 1>go on to she wasn't a number of films she

0:22:36.080 --> 0:22:38.720
<v Speaker 1>she was a pin up model, an actress who I

0:22:38.720 --> 0:22:42.160
<v Speaker 1>think ultimately stolen seems to have stolen many like seventies

0:22:42.200 --> 0:22:45.800
<v Speaker 1>film Nerds Heart because she she pops up in films

0:22:45.840 --> 0:22:48.560
<v Speaker 1>like The Spy Loved Me from seventy seven, The Golden

0:22:48.640 --> 0:22:52.920
<v Speaker 1>Voyage of Sinbad from seventy three, Captain Cronos Vampire Hunter

0:22:52.960 --> 0:22:55.560
<v Speaker 1>from seventy four, At the Earth's Core from seventy six,

0:22:55.600 --> 0:22:59.639
<v Speaker 1>Star Crash from seventy eight, Star Crash, Yeah, Star Crash, Uh,

0:22:59.760 --> 0:23:04.400
<v Speaker 1>Dracula A d nineventy two from nineteen seventy two. Um,

0:23:04.440 --> 0:23:05.960
<v Speaker 1>and then she was in some stuff in the eighties

0:23:05.960 --> 0:23:10.400
<v Speaker 1>of note like a Maniac and Slaughter High. But yeah,

0:23:10.440 --> 0:23:13.879
<v Speaker 1>this is it barely counts as an appearance, Like you

0:23:13.880 --> 0:23:17.920
<v Speaker 1>could say that, uh Rita Hayworth is uh just as

0:23:18.000 --> 0:23:23.200
<v Speaker 1>much an acting component in Schasna Shank Redemption as Caroline

0:23:23.200 --> 0:23:25.760
<v Speaker 1>Monroe is actually a cast member of this film, though

0:23:25.760 --> 0:23:27.720
<v Speaker 1>her photo does get a lot of screen time, as

0:23:27.760 --> 0:23:30.919
<v Speaker 1>we have multiple scenes of Vincent Price just worshiping a

0:23:31.000 --> 0:23:35.120
<v Speaker 1>headshot of Caroline Monroe. Yeah all, but but praying to her.

0:23:35.440 --> 0:23:37.680
<v Speaker 1>You know. Another tie into a recent episode of the

0:23:37.720 --> 0:23:42.439
<v Speaker 1>show with with beast Master two. Apparently Caroline Monroe was

0:23:42.440 --> 0:23:45.240
<v Speaker 1>at some point in the running to play the character

0:23:45.520 --> 0:23:50.000
<v Speaker 1>Ursa in Superman, the Villain from the Planet Crypton, the

0:23:50.040 --> 0:23:52.800
<v Speaker 1>part that eventually went to the actress Sarah Douglas, who

0:23:52.800 --> 0:23:55.560
<v Speaker 1>played the sorceress in beast Master two and who I

0:23:55.600 --> 0:23:57.600
<v Speaker 1>thought was by far the best part of that movie.

0:23:58.119 --> 0:24:00.520
<v Speaker 1>But I think Monroe turned down on the role in

0:24:00.600 --> 0:24:03.800
<v Speaker 1>Superman so she could be in in that Roger Moore movie.

0:24:04.080 --> 0:24:08.800
<v Speaker 1>I don't have a real clear memory of that Bond movie. Ye,

0:24:09.600 --> 0:24:12.639
<v Speaker 1>that's the one. It's the first one with Jaws. It established,

0:24:13.320 --> 0:24:15.920
<v Speaker 1>but it's in that regard it's just a necessary precursor

0:24:15.960 --> 0:24:20.000
<v Speaker 1>to Moonraker. Uh yeah, that's true. Uh So that one

0:24:20.160 --> 0:24:22.920
<v Speaker 1>was actually well regarded by critics when it came out.

0:24:22.960 --> 0:24:25.160
<v Speaker 1>If you watch it now, it's, you know, like all

0:24:25.160 --> 0:24:29.520
<v Speaker 1>those Roger Moore movies, is extremely cheesy. I recalled that

0:24:29.560 --> 0:24:32.479
<v Speaker 1>one also being one of the ones with the most

0:24:32.880 --> 0:24:36.120
<v Speaker 1>just evil James Bond in it. Like I recall there's

0:24:36.119 --> 0:24:39.320
<v Speaker 1>a scene where some assassins trying to shoot at him

0:24:39.359 --> 0:24:41.920
<v Speaker 1>and he's like kissing a woman and then he literally

0:24:42.000 --> 0:24:44.840
<v Speaker 1>just turns and uses her as a human shield to

0:24:44.920 --> 0:24:48.160
<v Speaker 1>block the bullet from the assassin. I mean, I think

0:24:48.200 --> 0:24:50.480
<v Speaker 1>it's implied that she's in on she's like setting a

0:24:50.520 --> 0:24:52.840
<v Speaker 1>trap for him, but still like come on to that's

0:24:52.880 --> 0:24:57.359
<v Speaker 1>pretty rough. Yeah, so that's a mean Roger Moore James

0:24:57.440 --> 0:24:59.920
<v Speaker 1>Bond though is. Yeah, it has some good stuff about it.

0:25:00.160 --> 0:25:02.639
<v Speaker 1>Villain in it likes to feed people to sharks, because

0:25:02.680 --> 0:25:04.879
<v Speaker 1>of course that's the guy. He's got like a gun

0:25:05.040 --> 0:25:08.600
<v Speaker 1>under the long table. I think that's also the one

0:25:08.600 --> 0:25:11.040
<v Speaker 1>where it's the first one with Jaws in it, and uh,

0:25:11.160 --> 0:25:14.280
<v Speaker 1>Jaws gets thrown to some sharks, but he defeats the

0:25:14.280 --> 0:25:18.040
<v Speaker 1>sharks by biting them. Yes, okay, see, I mean I

0:25:18.160 --> 0:25:22.040
<v Speaker 1>mostly remember it for Jaws. Yeah, alright, let's talk about

0:25:22.080 --> 0:25:26.399
<v Speaker 1>the music on this one. Um. The music for this film,

0:25:26.640 --> 0:25:29.040
<v Speaker 1>though a number of different songs are featured in it,

0:25:29.480 --> 0:25:35.240
<v Speaker 1>the actual scores composed by uh Basil Kirchen, who through

0:25:35.280 --> 0:25:39.359
<v Speaker 1>two thousand and five British composer and musician responsible for

0:25:39.400 --> 0:25:42.200
<v Speaker 1>the scores of such films as sixty seven's The Shuttered Room.

0:25:42.280 --> 0:25:46.679
<v Speaker 1>Starting Oliver read this movie, the four movie The Freakmaster,

0:25:47.080 --> 0:25:49.639
<v Speaker 1>which I've been tempted to watch for this show. It's

0:25:49.680 --> 0:25:52.199
<v Speaker 1>kind of a seventies take on Todd Browning's Freaks and

0:25:52.320 --> 0:25:55.800
<v Speaker 1>has Donald Pleasants, Tom Baker, and Brad Harris in it.

0:25:56.000 --> 0:25:58.880
<v Speaker 1>Oh well, I like that cast list, but something about

0:25:58.880 --> 0:26:01.960
<v Speaker 1>the idea of a vand's take on Freaks does not

0:26:02.200 --> 0:26:05.439
<v Speaker 1>appeal to me. Yeah, I that's probably what's kind of

0:26:05.440 --> 0:26:07.760
<v Speaker 1>helped me back. I know it has I think um

0:26:07.840 --> 0:26:11.439
<v Speaker 1>Tom Baker plays like a giant, like a tall mutant character,

0:26:11.480 --> 0:26:13.200
<v Speaker 1>and there's like a plant man in it. So it's

0:26:13.200 --> 0:26:17.640
<v Speaker 1>got some some attractive elements to it, plus Donald pleasants.

0:26:17.640 --> 0:26:19.919
<v Speaker 1>But I haven't actually watched it yet. I've had it,

0:26:19.960 --> 0:26:22.680
<v Speaker 1>like you know in the playlist ready to go Now.

0:26:22.920 --> 0:26:27.600
<v Speaker 1>Kirchen did not return for fivees to UM, but he's

0:26:27.600 --> 0:26:30.159
<v Speaker 1>he's pretty interesting fellows looking into him a bit. Uh

0:26:30.240 --> 0:26:32.800
<v Speaker 1>He came up in big band, but then he also

0:26:32.960 --> 0:26:37.960
<v Speaker 1>got into electronic music and experimental music and tape manipulation

0:26:38.600 --> 0:26:41.800
<v Speaker 1>and uh so you've had a number of individuals have

0:26:42.000 --> 0:26:45.520
<v Speaker 1>pointed to him as an important influence, like Brian eno

0:26:45.960 --> 0:26:51.200
<v Speaker 1>Um broadcast also Nurse with Wound, that's the project from

0:26:51.200 --> 0:26:54.359
<v Speaker 1>Steven Stapleton. If you're not familiar with Nurse with Wound.

0:26:54.400 --> 0:26:59.040
<v Speaker 1>It's a UM kind of early industrial but also kind

0:26:59.080 --> 0:27:04.399
<v Speaker 1>of noise is weird UM musical project that UH like.

0:27:04.520 --> 0:27:06.840
<v Speaker 1>I have to say, I like Nurse with Wound, And

0:27:06.880 --> 0:27:08.760
<v Speaker 1>then there's a lot of Nurse with Wound music that

0:27:08.800 --> 0:27:11.399
<v Speaker 1>I cannot listen to, and and if you played it

0:27:11.440 --> 0:27:13.040
<v Speaker 1>for me, I would say, I hate that, Please don't

0:27:13.080 --> 0:27:15.439
<v Speaker 1>play it. But then there's other stuff that's really solid.

0:27:15.520 --> 0:27:17.159
<v Speaker 1>So I don't know if you're if you're gonna check

0:27:17.200 --> 0:27:19.840
<v Speaker 1>something out, I would say check out Thunder, Perfect Mind

0:27:20.240 --> 0:27:23.399
<v Speaker 1>or UM rock and roll station. So I think the

0:27:24.000 --> 0:27:26.920
<v Speaker 1>five score kind of reflects some of these elements. There's

0:27:26.920 --> 0:27:29.359
<v Speaker 1>certainly a lot of big band notes as well, of course,

0:27:29.359 --> 0:27:31.280
<v Speaker 1>and then we have all this organ music and other

0:27:31.320 --> 0:27:34.720
<v Speaker 1>tracks that are featured. It gets a little noisy and

0:27:34.760 --> 0:27:38.160
<v Speaker 1>per percussive in places, especially when things are getting weird

0:27:38.240 --> 0:27:40.679
<v Speaker 1>or or they want to amp up at tension, but

0:27:40.720 --> 0:27:43.400
<v Speaker 1>it doesn't really get like Nurse with Wound levels of strange.

0:27:44.000 --> 0:27:45.840
<v Speaker 1>But this score is often held up as an as

0:27:45.840 --> 0:27:48.919
<v Speaker 1>an excellent genre score, though it's again it's kind of

0:27:48.920 --> 0:27:52.480
<v Speaker 1>a unique beast um. It's widely available in all formats

0:27:52.520 --> 0:27:54.760
<v Speaker 1>though I think most of the vinyl out there is older.

0:27:55.119 --> 0:27:57.399
<v Speaker 1>I haven't seen any evidence of any like super cool

0:27:57.480 --> 0:28:00.919
<v Speaker 1>re releases from recent years. Though, I would emphasize that

0:28:00.960 --> 0:28:03.440
<v Speaker 1>the music in this movie is a kind of hybrid product,

0:28:03.520 --> 0:28:06.800
<v Speaker 1>because on one level you've got this weird score, but

0:28:06.840 --> 0:28:10.359
<v Speaker 1>then you also have a lot of uh, directly diegetic

0:28:10.480 --> 0:28:14.480
<v Speaker 1>music taking place on screen that's like uh jazzy big

0:28:14.520 --> 0:28:18.399
<v Speaker 1>band numbers and an old sort of crooner standards. Yeah.

0:28:18.920 --> 0:28:22.560
<v Speaker 1>And finally, since this is such a visually luscious movie,

0:28:22.600 --> 0:28:25.720
<v Speaker 1>we have to mention the set designer Brian eat Well,

0:28:25.800 --> 0:28:29.200
<v Speaker 1>who lived ninety nine through two thousand and seven. Uh. Yeah,

0:28:29.240 --> 0:28:30.960
<v Speaker 1>the sets in this movie are just to die for.

0:28:31.320 --> 0:28:34.000
<v Speaker 1>So props to to eat Well and everyone else involved

0:28:34.040 --> 0:28:38.200
<v Speaker 1>in creating these weird interiors. Um. He was a British

0:28:38.240 --> 0:28:40.920
<v Speaker 1>production designer and art director. He designed the sets for

0:28:41.000 --> 0:28:44.920
<v Speaker 1>both Dr fives movies as well. Uh. He also served

0:28:44.960 --> 0:28:47.600
<v Speaker 1>as production designer on such films as the nineteen seventy

0:28:47.600 --> 0:28:53.040
<v Speaker 1>one Australian movie walk About uh Ye, Godspell, The Three

0:28:53.120 --> 0:28:56.840
<v Speaker 1>Musketeers and the Four Musketeers from seventy three and seventy four. Uh.

0:28:57.000 --> 0:28:59.680
<v Speaker 1>Nineteen seventies six is the Man who Fell to Earth

0:28:59.720 --> 0:29:04.000
<v Speaker 1>start David Bowie, Uh, seventy eight, Sergeant Pepper, Lonely Hearts

0:29:04.000 --> 0:29:08.440
<v Speaker 1>Club Band, Uh, The Onion Field and seventy nine and

0:29:07.880 --> 0:29:12.600
<v Speaker 1>the Killer Lion movie Savage Harvest see seventy three. Guys,

0:29:12.600 --> 0:29:15.240
<v Speaker 1>I guess there's only one movie adaptation of God's Spell?

0:29:15.360 --> 0:29:18.240
<v Speaker 1>Is that with Victor Garber? Yeah? I assume this is one.

0:29:18.280 --> 0:29:20.080
<v Speaker 1>This is as far as far as I know, the

0:29:20.160 --> 0:29:22.680
<v Speaker 1>god Spell. This is the one, the one I've seen,

0:29:23.280 --> 0:29:25.320
<v Speaker 1>and it does have I can see the connection here,

0:29:25.360 --> 0:29:29.600
<v Speaker 1>Like there's a between this, this, this Broadway this, you know,

0:29:29.680 --> 0:29:31.960
<v Speaker 1>this weird Broadway musical brought to life and the you know,

0:29:32.000 --> 0:29:34.640
<v Speaker 1>the visual elements that are in play in God's Spell,

0:29:34.760 --> 0:29:38.360
<v Speaker 1>like they compare reasonably well to some of the sensibilities

0:29:38.360 --> 0:29:41.280
<v Speaker 1>we see in Dr fives, the Fibes never wears the

0:29:41.320 --> 0:29:53.160
<v Speaker 1>Superman shirt. No, all right, you want to talk about

0:29:53.160 --> 0:29:56.160
<v Speaker 1>the plot. Hello, let's talk about this plot? Okay. So

0:29:56.240 --> 0:29:59.640
<v Speaker 1>it starts very strong. You know, lights come up on

0:30:00.040 --> 0:30:03.080
<v Speaker 1>rogue organ music and you see a player in a

0:30:03.200 --> 0:30:06.840
<v Speaker 1>hood and cloak. So this black hood, it's kind of shiny.

0:30:07.040 --> 0:30:10.000
<v Speaker 1>The cloak almost looks like it is wet or oily.

0:30:10.160 --> 0:30:13.600
<v Speaker 1>Maybe that's just the material. But the the organ player

0:30:14.160 --> 0:30:18.280
<v Speaker 1>is sitting at the instrument and then being like raised

0:30:18.480 --> 0:30:22.520
<v Speaker 1>up on as if on an elevator. Yeah it is this, Yeah,

0:30:22.560 --> 0:30:29.280
<v Speaker 1>this elevator powered um super moody organ of the supervillain

0:30:29.440 --> 0:30:33.800
<v Speaker 1>organ um playing area. It's it's like, you know, it's

0:30:33.800 --> 0:30:35.840
<v Speaker 1>it's a familiar trope. It's very Phantom of the Opera,

0:30:36.040 --> 0:30:39.520
<v Speaker 1>but then just played up tremendously. You know. The the

0:30:39.600 --> 0:30:42.480
<v Speaker 1>visuals of this are just again just just so luscious.

0:30:42.680 --> 0:30:46.680
<v Speaker 1>And then like the movie just starts at maximum WTF,

0:30:46.840 --> 0:30:50.120
<v Speaker 1>like how to describe what comes next? And it's it's

0:30:50.160 --> 0:30:53.760
<v Speaker 1>a recurring theme. But so the organ player plays while

0:30:53.800 --> 0:30:56.720
<v Speaker 1>the credits roll, and then he gets up and he

0:30:56.800 --> 0:30:59.920
<v Speaker 1>descends a staircase, and the camera pulls back to reveal

0:31:00.520 --> 0:31:04.760
<v Speaker 1>what appears to be a musical ensemble made of embodied

0:31:04.840 --> 0:31:09.280
<v Speaker 1>humanoid automata like the rock a fire explosion like Chuck

0:31:09.320 --> 0:31:13.400
<v Speaker 1>E Cheese or Showbiz Pizza, but instead of having banjo

0:31:13.520 --> 0:31:17.719
<v Speaker 1>bears and cool rats, they are tuxedo dudes in Michael

0:31:17.720 --> 0:31:21.640
<v Speaker 1>Myer's masks, and they're all playing tubas and drums and

0:31:21.640 --> 0:31:25.040
<v Speaker 1>and stuff, and then he conducts them as if they

0:31:25.040 --> 0:31:29.520
<v Speaker 1>were an orchestra. Yeah, and the drum informs us what

0:31:29.560 --> 0:31:34.560
<v Speaker 1>the name of this group is. It's Dr fivees Clockwork Wizards.

0:31:34.600 --> 0:31:37.840
<v Speaker 1>So it's it's already off to a tremendous start, like

0:31:37.840 --> 0:31:39.880
<v Speaker 1>this is a film that's so bold and it's stylish

0:31:39.880 --> 0:31:43.040
<v Speaker 1>weirdness that we just kick things off with an extended

0:31:43.320 --> 0:31:47.880
<v Speaker 1>horror pipe organ number in this underground nightclub. And then

0:31:48.080 --> 0:31:52.680
<v Speaker 1>we're getting no dialogue. Uh no real you know, human

0:31:52.760 --> 0:31:57.960
<v Speaker 1>faces or human voices or anything, just like pure performative weirdness. Yes,

0:31:58.040 --> 0:32:00.120
<v Speaker 1>and it commits so hard, like it goes on like

0:32:00.160 --> 0:32:03.400
<v Speaker 1>you're saying, without dialogue for a while. So the organist

0:32:03.520 --> 0:32:06.160
<v Speaker 1>in the in the cloak steps back, and then there's

0:32:06.160 --> 0:32:09.160
<v Speaker 1>a whole dance number. Virginia North comes out in this

0:32:09.240 --> 0:32:11.880
<v Speaker 1>amazing I don't know what to call the sugar plum

0:32:12.000 --> 0:32:15.480
<v Speaker 1>fairy costume. Like she's wearing this this weird white dress

0:32:15.480 --> 0:32:19.880
<v Speaker 1>with a strange golden vertical crown on her head, and

0:32:19.920 --> 0:32:23.960
<v Speaker 1>they dance together while the while the robots play. Yeah,

0:32:24.000 --> 0:32:26.920
<v Speaker 1>and it's just it's tremendous, like it just it just

0:32:26.960 --> 0:32:30.400
<v Speaker 1>sucks you absolutely and you're like, just it's and it

0:32:30.440 --> 0:32:33.760
<v Speaker 1>works on so many levels. Um, like it sets the

0:32:33.800 --> 0:32:36.640
<v Speaker 1>tone for a film where it's really hard to have

0:32:36.760 --> 0:32:40.960
<v Speaker 1>expectations about what's going to happen because you're not entirely

0:32:41.000 --> 0:32:45.280
<v Speaker 1>sure what this film's values are. I kept thinking about

0:32:45.320 --> 0:32:48.120
<v Speaker 1>that and ultimately made the the you know, the last

0:32:48.160 --> 0:32:51.400
<v Speaker 1>twenty minutes of the film extra terrifying for me because

0:32:51.400 --> 0:32:53.160
<v Speaker 1>it's like, I, I don't know what how a film

0:32:53.200 --> 0:32:56.560
<v Speaker 1>like this ends. I don't know what it considers a

0:32:56.640 --> 0:32:59.720
<v Speaker 1>proper ending because it feels like it's from another dimension.

0:33:00.040 --> 0:33:02.480
<v Speaker 1>Can we stop them and describe the set in this

0:33:02.600 --> 0:33:05.280
<v Speaker 1>room because they will return to it many times throughout

0:33:05.320 --> 0:33:07.640
<v Speaker 1>the throughout the movie. I was calling this the total

0:33:07.720 --> 0:33:10.160
<v Speaker 1>party house because of course you have the ensemble there

0:33:10.200 --> 0:33:12.440
<v Speaker 1>and and it's it's sort of always a party when

0:33:12.520 --> 0:33:16.280
<v Speaker 1>when the when the automatry playing, But it's it's like

0:33:16.320 --> 0:33:20.440
<v Speaker 1>a room with a giant I guess marble floor and

0:33:20.480 --> 0:33:26.040
<v Speaker 1>then uh like balcony levels surrounding it all around. And

0:33:26.920 --> 0:33:28.600
<v Speaker 1>what are some of the things in there? Like there's

0:33:28.640 --> 0:33:31.800
<v Speaker 1>a table on one side of the room that has

0:33:32.000 --> 0:33:36.520
<v Speaker 1>all of these busts or the upper parts of mannekins.

0:33:36.880 --> 0:33:39.080
<v Speaker 1>I think there are nine of them, each one with

0:33:39.160 --> 0:33:43.360
<v Speaker 1>a ceiling lamp hanging over it that I think they're

0:33:43.360 --> 0:33:45.440
<v Speaker 1>supposed to be made of wax or something like we

0:33:45.520 --> 0:33:49.080
<v Speaker 1>see them melting later. And the organ is up on

0:33:49.120 --> 0:33:51.280
<v Speaker 1>the stage at one end of the room. The room

0:33:51.360 --> 0:33:55.800
<v Speaker 1>is decorated with all these satin curtains and these paintings

0:33:55.840 --> 0:33:58.560
<v Speaker 1>on the columns leading up to the balcony with like

0:33:58.680 --> 0:34:02.440
<v Speaker 1>these I don't know what you like, like pharaoh heads

0:34:02.480 --> 0:34:08.200
<v Speaker 1>and uh, weird symbols. Yeah, it's a trip, Yeah it is.

0:34:08.280 --> 0:34:10.160
<v Speaker 1>It is a space that you know, it feels performed,

0:34:10.160 --> 0:34:12.680
<v Speaker 1>but if it feels like a like a nightclub, but

0:34:12.719 --> 0:34:15.040
<v Speaker 1>it also feels like a temple and it is kind

0:34:15.080 --> 0:34:18.880
<v Speaker 1>of like his temple to holy revenge, a temple to

0:34:19.600 --> 0:34:22.640
<v Speaker 1>uh it's to his love for his departed wife. Those

0:34:22.760 --> 0:34:26.800
<v Speaker 1>those heads represent each of the victims that he is

0:34:26.840 --> 0:34:31.960
<v Speaker 1>going to uh kill, the objects of his revenge. Um.

0:34:32.040 --> 0:34:36.680
<v Speaker 1>So it's yeah, it's it's It has a real, you know,

0:34:36.800 --> 0:34:40.759
<v Speaker 1>strong ritualistic and performative vibe to it. Well, after the

0:34:40.840 --> 0:34:42.759
<v Speaker 1>dance is over, the guy in the cloak he goes

0:34:42.800 --> 0:34:45.279
<v Speaker 1>to operate a chain Pulley and I guess we can

0:34:45.320 --> 0:34:47.520
<v Speaker 1>refer to these characters because we know who they're going

0:34:47.560 --> 0:34:50.680
<v Speaker 1>to be. This is dr Fibes in Volvania, and so

0:34:50.760 --> 0:34:52.919
<v Speaker 1>he goes to operate a chain pulley in the middle

0:34:52.920 --> 0:34:55.319
<v Speaker 1>of the room and it lowers something that looks like

0:34:55.320 --> 0:35:00.040
<v Speaker 1>a shrouded bird cage into a sub floor basement, and

0:35:00.040 --> 0:35:03.680
<v Speaker 1>and then Volvania goes down to the subfloor and tends

0:35:03.719 --> 0:35:05.640
<v Speaker 1>to she kind of straps it onto I think a

0:35:05.719 --> 0:35:08.799
<v Speaker 1>trailer on the back of a car. She straps it

0:35:08.840 --> 0:35:10.560
<v Speaker 1>down with a leather belt, and then they get into

0:35:10.600 --> 0:35:13.800
<v Speaker 1>the car and drive away, and we see them driving

0:35:13.800 --> 0:35:17.160
<v Speaker 1>the car and it's the funniest shots of Wolvannia is

0:35:17.960 --> 0:35:20.400
<v Speaker 1>I don't think that's supposed to be her hair. Maybe

0:35:20.400 --> 0:35:22.239
<v Speaker 1>it is. She's got her head is covered in this

0:35:22.280 --> 0:35:24.320
<v Speaker 1>big ball of fur, and I guess it's supposed to

0:35:24.320 --> 0:35:27.800
<v Speaker 1>be a fur cap, I think so. Yeah. Meanwhile, Fibes

0:35:27.840 --> 0:35:30.600
<v Speaker 1>is sitting in the backseat being chauffeured with just like

0:35:31.200 --> 0:35:34.000
<v Speaker 1>wearing the black hood and with the stocking over his face.

0:35:34.080 --> 0:35:37.200
<v Speaker 1>So he's just you know, faceless terror. Yeah, it's it's

0:35:37.200 --> 0:35:40.040
<v Speaker 1>worth noting that both of these characters have so many

0:35:40.080 --> 0:35:45.400
<v Speaker 1>different costume changes. Uh. That revenge, they say revenge is

0:35:45.400 --> 0:35:49.520
<v Speaker 1>a dish Beth served cold, but that doesn't mean you

0:35:49.560 --> 0:35:51.640
<v Speaker 1>can't style it up. That means doesn't mean you can't

0:35:51.880 --> 0:35:56.640
<v Speaker 1>change your your your cloak frequently, that you can't engage

0:35:56.680 --> 0:35:59.760
<v Speaker 1>in any number of rituals. Uh. Yeah, they're they're heavy

0:35:59.760 --> 0:36:02.520
<v Speaker 1>and this vengeance game. And so they're headed out somewhere

0:36:02.560 --> 0:36:05.360
<v Speaker 1>and we we cut to a bedroom we assume is

0:36:05.360 --> 0:36:07.640
<v Speaker 1>where they're headed. It's it's this guy in a in

0:36:07.719 --> 0:36:11.080
<v Speaker 1>a lavish bed chamber with I don't know, fancy stuff

0:36:11.120 --> 0:36:14.520
<v Speaker 1>all over the walls, like paintings of horses and markers

0:36:14.560 --> 0:36:17.080
<v Speaker 1>to indicate this is a rich guy. But then in

0:36:17.160 --> 0:36:20.840
<v Speaker 1>the ceiling above this guy's bed, a skylight in the

0:36:20.880 --> 0:36:24.920
<v Speaker 1>ceiling opens up and we see fibes in Volvania lowering

0:36:25.000 --> 0:36:28.040
<v Speaker 1>in that bird cage from earlier and uh, and then

0:36:28.080 --> 0:36:30.520
<v Speaker 1>they retracted. They pull it back up with a trapdoor

0:36:30.600 --> 0:36:32.640
<v Speaker 1>in the bottom of the cage hanging open. So it

0:36:32.640 --> 0:36:35.920
<v Speaker 1>seems they've released something into the room. And this is

0:36:35.960 --> 0:36:39.120
<v Speaker 1>the first murder of the movie. That's right, it's gonna

0:36:39.160 --> 0:36:44.920
<v Speaker 1>be death by free bat, just like in the Old Testament. Okay,

0:36:44.960 --> 0:36:47.799
<v Speaker 1>we'll get into the biblical accuracy maybe a little bit,

0:36:47.880 --> 0:36:50.439
<v Speaker 1>and I don't know about that. But so the guy

0:36:50.440 --> 0:36:53.560
<v Speaker 1>in bed, he is attacked by bats. They're like bats

0:36:53.600 --> 0:36:56.640
<v Speaker 1>crawling on him and he's like uh. And then we

0:36:56.719 --> 0:36:59.920
<v Speaker 1>do the intro and reverse the cloaked figure and and Volvani.

0:37:00.120 --> 0:37:03.600
<v Speaker 1>They return home, they turn off the Michael Myers rock

0:37:03.800 --> 0:37:06.960
<v Speaker 1>fire band and then he descends into the floor playing

0:37:07.040 --> 0:37:10.239
<v Speaker 1>his organ. But the next morning, in the in the

0:37:10.280 --> 0:37:14.120
<v Speaker 1>bedroom of the victim, we get to see some Butler action.

0:37:14.239 --> 0:37:16.680
<v Speaker 1>Butler comes in with eggs on toast and like a

0:37:16.760 --> 0:37:20.160
<v Speaker 1>bat lands on the eggs, and there are bats everywhere

0:37:20.480 --> 0:37:22.719
<v Speaker 1>and the guy's face we see him laying in bed.

0:37:22.840 --> 0:37:26.799
<v Speaker 1>It has been fully oatmeal ified. Yeah, death by free bat.

0:37:27.520 --> 0:37:29.560
<v Speaker 1>And then we see the first of a ritual that

0:37:29.640 --> 0:37:32.520
<v Speaker 1>will repeat throughout the movie, which is that Dr fives

0:37:32.560 --> 0:37:35.640
<v Speaker 1>back at his party house. He puts a dependant with

0:37:35.719 --> 0:37:41.240
<v Speaker 1>a with a significant looking symbol on it on on

0:37:41.239 --> 0:37:45.319
<v Speaker 1>one of the heads of the mannekins or the busts

0:37:45.360 --> 0:37:48.279
<v Speaker 1>on the edge of the big concert hall room, and

0:37:48.320 --> 0:37:51.080
<v Speaker 1>then he burns the face of the bust with a candle.

0:37:51.840 --> 0:37:54.480
<v Speaker 1>But the next morning we get to see the police investigating,

0:37:54.560 --> 0:37:57.920
<v Speaker 1>and and the police are they're played for comedy in

0:37:57.920 --> 0:38:00.640
<v Speaker 1>this movie. They're all bumbling. One of him says it's

0:38:00.719 --> 0:38:04.040
<v Speaker 1>strange business. Tom a man literally shredded to death right

0:38:04.080 --> 0:38:07.400
<v Speaker 1>in the heart of London. We find out that the

0:38:07.480 --> 0:38:10.760
<v Speaker 1>victim was a medical doctor, and the police noticed something.

0:38:10.800 --> 0:38:15.360
<v Speaker 1>They noticed that this vicious fruit bat shredding is similar

0:38:15.400 --> 0:38:18.000
<v Speaker 1>to the recent death of another doctor in town who

0:38:18.040 --> 0:38:21.160
<v Speaker 1>was killed by a swarm of bees in his library.

0:38:21.760 --> 0:38:24.040
<v Speaker 1>And they say, almost turning to look at the camera,

0:38:24.080 --> 0:38:26.680
<v Speaker 1>they say, his face looked as if it were covered

0:38:26.680 --> 0:38:32.000
<v Speaker 1>in boils, and that will be important shortly. So then

0:38:32.000 --> 0:38:33.799
<v Speaker 1>we go back to the Total party house and we

0:38:33.840 --> 0:38:37.879
<v Speaker 1>see Vincent Price, uh, putting on his face. We will

0:38:38.040 --> 0:38:40.799
<v Speaker 1>We don't know what Dr Fib's real face looks like,

0:38:40.920 --> 0:38:42.920
<v Speaker 1>but once he does a bunch of stuff to it,

0:38:42.960 --> 0:38:46.440
<v Speaker 1>he looks like Vincent Price. And uh and I love this.

0:38:46.640 --> 0:38:48.840
<v Speaker 1>I love everything about it. I love the weird sets.

0:38:48.880 --> 0:38:53.239
<v Speaker 1>I love Vincent Price with shaggy ringo hair, and I

0:38:53.280 --> 0:38:56.839
<v Speaker 1>love how they make Vincent Price's actual face look like

0:38:56.920 --> 0:39:00.480
<v Speaker 1>a sagging rubber mask on his head. They yeah, they

0:39:00.520 --> 0:39:04.239
<v Speaker 1>give him this really waxy um color, and yeah, they

0:39:04.320 --> 0:39:07.160
<v Speaker 1>had some other little elements to it. Uh. And he

0:39:07.200 --> 0:39:08.840
<v Speaker 1>also know, of course it's been some Price, so he

0:39:08.880 --> 0:39:12.239
<v Speaker 1>has a great mustache, but also really nice sideburns, yes,

0:39:12.280 --> 0:39:16.440
<v Speaker 1>but also uh, dark rings under his eyes always yes,

0:39:16.520 --> 0:39:19.480
<v Speaker 1>So he looks very very haunted, um like he even

0:39:19.480 --> 0:39:21.560
<v Speaker 1>though he's not in pure monster mode right now, he

0:39:21.600 --> 0:39:25.520
<v Speaker 1>still looks kind of monstrous and unnatural. But the movie

0:39:25.520 --> 0:39:29.200
<v Speaker 1>wastes no time. It is immediately onto the next Doctor Murder,

0:39:29.760 --> 0:39:33.359
<v Speaker 1>so we we meet doctor Hargraves again. He's uh, he's

0:39:33.400 --> 0:39:36.640
<v Speaker 1>at some swanky party where it's like fancy people are

0:39:36.760 --> 0:39:40.600
<v Speaker 1>all wearing animal masks of some kind, and prices there

0:39:40.680 --> 0:39:44.880
<v Speaker 1>in a mask. He gives a frog mask to doctor Hargraves.

0:39:45.040 --> 0:39:49.280
<v Speaker 1>Dr Hargraves uh seems to just accept it. Uh, and

0:39:49.280 --> 0:39:51.680
<v Speaker 1>and Vince Price helps him put it on, and he

0:39:51.760 --> 0:39:55.040
<v Speaker 1>like does the catch on it, and and Hargraves introduces himself.

0:39:55.080 --> 0:39:57.960
<v Speaker 1>He says, I'm a psychiatrist, you know, a head shrinker.

0:39:58.880 --> 0:40:01.879
<v Speaker 1>But oh, this rog mask it's a it's a track

0:40:02.000 --> 0:40:05.080
<v Speaker 1>from Saw. It's like a head crushing action mask where

0:40:05.080 --> 0:40:10.000
<v Speaker 1>it just keeps ratcheting itself tighter. And the doctor staggers around,

0:40:10.040 --> 0:40:12.680
<v Speaker 1>trying to get help from a drunken lizard and some

0:40:12.760 --> 0:40:15.239
<v Speaker 1>oaf in a pig mask, but there's no way of

0:40:15.280 --> 0:40:18.239
<v Speaker 1>saving him. He just his head is crushed and he

0:40:18.320 --> 0:40:20.960
<v Speaker 1>lays there with the frog mask and blood coming out

0:40:20.960 --> 0:40:24.080
<v Speaker 1>of it while people in horsehead masks and and other

0:40:24.719 --> 0:40:29.319
<v Speaker 1>weird costumes look on in amazement. So counting the the

0:40:29.440 --> 0:40:32.239
<v Speaker 1>off screen death, that's like the third death. So three

0:40:32.239 --> 0:40:35.040
<v Speaker 1>down right, And we get a rundown of this by

0:40:35.040 --> 0:40:38.000
<v Speaker 1>the police in the next scene, because there's a scene

0:40:38.000 --> 0:40:39.960
<v Speaker 1>at Scotland Yard with cops are talking about how they

0:40:39.960 --> 0:40:43.640
<v Speaker 1>don't want this story about animal themed doctor murders to

0:40:43.640 --> 0:40:46.560
<v Speaker 1>get out to the press. There there's something that characters

0:40:46.600 --> 0:40:49.080
<v Speaker 1>say multiple times in this movie. They're like medical men

0:40:49.160 --> 0:40:54.040
<v Speaker 1>die all the time. I mean true is and because

0:40:54.280 --> 0:40:59.000
<v Speaker 1>human beings die all the time? Um um that that

0:40:58.840 --> 0:41:02.160
<v Speaker 1>that under a suspicion of circumstances with animal themes. I

0:41:02.200 --> 0:41:05.120
<v Speaker 1>don't know that that's like statistically a thing. Yeah, So

0:41:05.160 --> 0:41:08.800
<v Speaker 1>Inspector trout Is he's tracking now, He's like, wait a minute, bats,

0:41:08.920 --> 0:41:12.120
<v Speaker 1>bees and frogs, so what's going on here? But then

0:41:12.239 --> 0:41:14.880
<v Speaker 1>it's immediately on to the next doctor murder. This is

0:41:14.920 --> 0:41:17.480
<v Speaker 1>just they're coming thick and fast, and the next one

0:41:17.520 --> 0:41:20.680
<v Speaker 1>is dr Longstreet. Is this Terry Thomas? This is Terry Thomas,

0:41:20.760 --> 0:41:24.520
<v Speaker 1>And it is such a Terry Thomas sat So. When

0:41:24.560 --> 0:41:29.319
<v Speaker 1>we first meet him, he's immediately furtively ripping into a

0:41:29.400 --> 0:41:32.239
<v Speaker 1>cylindrical parcel. I think he doesn't want his housekeeper to

0:41:32.280 --> 0:41:35.600
<v Speaker 1>see what he's doing. And he's acting all sweaty and squirrely,

0:41:36.320 --> 0:41:38.799
<v Speaker 1>and he appears to what's going on is that he

0:41:38.840 --> 0:41:43.000
<v Speaker 1>seems to have received a canister of racy film reels

0:41:43.120 --> 0:41:45.920
<v Speaker 1>from the East and he plans to watch them on

0:41:46.000 --> 0:41:49.959
<v Speaker 1>his rattling projector while absolutely chugging red wine tonight, since

0:41:50.000 --> 0:41:54.080
<v Speaker 1>the housekeeper is going to be out for the evening. Yeah,

0:41:54.120 --> 0:41:56.200
<v Speaker 1>and this is the part. So we're watching, you know,

0:41:56.239 --> 0:41:58.680
<v Speaker 1>he puts on his film reel and he's watching. It's

0:41:58.680 --> 0:42:02.600
<v Speaker 1>of like a late dancing with a snake, yes, and

0:42:02.640 --> 0:42:05.480
<v Speaker 1>it's like a belly dancing snake dance kind of a film,

0:42:05.520 --> 0:42:08.080
<v Speaker 1>you know, very but also a very old film. This

0:42:08.160 --> 0:42:10.960
<v Speaker 1>is not something that um, well, you know. It brings

0:42:11.000 --> 0:42:12.759
<v Speaker 1>me back to the question, I'm not sure exactly what

0:42:12.920 --> 0:42:14.680
<v Speaker 1>when when this film is supposed to be taking place.

0:42:14.680 --> 0:42:16.680
<v Speaker 1>It's not supposed to take place in the seventies. No,

0:42:16.800 --> 0:42:18.920
<v Speaker 1>I think it's supposed to take place in like the twenties.

0:42:19.000 --> 0:42:23.200
<v Speaker 1>Bro Okay, so maybe it is a current film that

0:42:23.280 --> 0:42:26.120
<v Speaker 1>he has acquired here. Okay, but yeah, Terry Thomas, he

0:42:26.360 --> 0:42:28.839
<v Speaker 1>is a dirty chap and uh he looks a little bit.

0:42:28.840 --> 0:42:34.240
<v Speaker 1>Wings Houser is here. He's watching inappropriate film reels, chugging

0:42:34.280 --> 0:42:37.480
<v Speaker 1>red wine out of a sniff ter and like licking

0:42:37.520 --> 0:42:41.439
<v Speaker 1>his lips so that he's just being gross. Yes, it's

0:42:41.480 --> 0:42:44.120
<v Speaker 1>a great scene. But then oh here comes of course.

0:42:44.200 --> 0:42:47.719
<v Speaker 1>Dr Fibes and Volvania show up at his house. You know,

0:42:47.800 --> 0:42:49.640
<v Speaker 1>they walk in and he's just kind of like, hum,

0:42:49.800 --> 0:42:51.799
<v Speaker 1>what's going on? And while they sit him down in

0:42:51.800 --> 0:42:53.839
<v Speaker 1>a chair, strap him in and then drain out all

0:42:53.880 --> 0:42:57.879
<v Speaker 1>of his blood. Ye, put it in bottles up there

0:42:57.960 --> 0:43:01.360
<v Speaker 1>on the about the they're about the fireplace. I believe

0:43:01.360 --> 0:43:04.360
<v Speaker 1>it on a shelf. So that's four doctors down. But

0:43:04.440 --> 0:43:06.759
<v Speaker 1>this one kind of breaks the animal theme. This one

0:43:07.000 --> 0:43:10.160
<v Speaker 1>is is blood, huh, what's going on? But the police

0:43:10.200 --> 0:43:13.080
<v Speaker 1>put together a different pattern. They figure out that all

0:43:13.160 --> 0:43:17.839
<v Speaker 1>four of these doctors worked for another doctor named Dr Vassalius,

0:43:18.040 --> 0:43:21.879
<v Speaker 1>and this is Joseph Cotton, and so Inspector Trout goes

0:43:21.920 --> 0:43:24.080
<v Speaker 1>to his house to meet him and see if he

0:43:24.120 --> 0:43:26.160
<v Speaker 1>can make any sense of this. And I like how

0:43:26.200 --> 0:43:30.080
<v Speaker 1>when he gets there Vassalius's teenage son Limb is very

0:43:30.080 --> 0:43:34.160
<v Speaker 1>impressed by the presence of Scotland yard. Yes, and Vassalius's

0:43:34.280 --> 0:43:38.480
<v Speaker 1>house looks like a hair salon. It's so stylish, so stylish.

0:43:38.600 --> 0:43:41.760
<v Speaker 1>There's there's like, you know, African nasts on the wall,

0:43:41.800 --> 0:43:45.120
<v Speaker 1>there's this like Satyr's statue with a light above it,

0:43:45.480 --> 0:43:50.120
<v Speaker 1>shiny surfaces everywhere, potted plants, mirrors on the walls, and

0:43:50.160 --> 0:43:53.240
<v Speaker 1>a lot of fancy chairs just lined up along the walls.

0:43:53.719 --> 0:43:56.920
<v Speaker 1>Does his house have a waiting room? I don't know.

0:43:56.960 --> 0:43:59.719
<v Speaker 1>But Dr Vassalius we see, is a model trained guy.

0:44:00.400 --> 0:44:03.120
<v Speaker 1>Rails and train cars are scattered all over the floor.

0:44:03.160 --> 0:44:06.520
<v Speaker 1>When Trout shows up and Trout fills him in, he's like, okay,

0:44:06.560 --> 0:44:08.600
<v Speaker 1>here's what's going on. And he's like, do you know

0:44:08.640 --> 0:44:11.359
<v Speaker 1>why someone would want to kill all of your associates?

0:44:11.400 --> 0:44:14.200
<v Speaker 1>And of course with saleus has no idea. He again,

0:44:14.320 --> 0:44:16.520
<v Speaker 1>he says the same thing as the guy earlier. He's like,

0:44:16.560 --> 0:44:18.799
<v Speaker 1>men in my profession die every day of the year.

0:44:20.120 --> 0:44:23.520
<v Speaker 1>I don't know how often. Then like frog related deaths though,

0:44:23.640 --> 0:44:27.120
<v Speaker 1>but yeah, But anyway, when the police find out about

0:44:27.239 --> 0:44:30.520
<v Speaker 1>the Longstreet murder here, they get a clue, which is

0:44:31.040 --> 0:44:35.200
<v Speaker 1>the pendant left behind at the scene. Dr Fibes actually

0:44:35.960 --> 0:44:39.279
<v Speaker 1>drops the pendant there by accident, and so they find it.

0:44:39.320 --> 0:44:42.000
<v Speaker 1>They take it back to a goldsmith, the person who

0:44:42.040 --> 0:44:45.440
<v Speaker 1>made it, and uh. The goldsmith tells him, Yep, this

0:44:45.480 --> 0:44:47.960
<v Speaker 1>is an ambulance. I made ten of them. It was

0:44:48.239 --> 0:44:51.200
<v Speaker 1>a lady who ordered them. Uh. And Trout is like,

0:44:51.239 --> 0:44:57.000
<v Speaker 1>was she smart? And then he says fashionable. Yeah. It's

0:44:57.040 --> 0:44:58.920
<v Speaker 1>a fun scene because there's a lot of a lot

0:44:58.920 --> 0:45:02.719
<v Speaker 1>of goofy back and forth between these two characters. But

0:45:02.960 --> 0:45:07.719
<v Speaker 1>the jeweler informs Trout that the sign on the ambulance

0:45:07.800 --> 0:45:10.440
<v Speaker 1>is something requested by the person who bought them, and

0:45:10.560 --> 0:45:14.799
<v Speaker 1>it's a symbol in Hebrew. So the inspector then has

0:45:14.800 --> 0:45:16.840
<v Speaker 1>a new clue and takes it to a rabbi to

0:45:16.880 --> 0:45:18.880
<v Speaker 1>get the run down, and here we get a major

0:45:18.920 --> 0:45:22.400
<v Speaker 1>exposition scene. So the rabbi tells him that the symbol

0:45:22.480 --> 0:45:26.480
<v Speaker 1>is Hebrew for blood, and okay, this makes sense because

0:45:26.560 --> 0:45:30.880
<v Speaker 1>Longstreet was drained of all blood. But it's also notable

0:45:30.920 --> 0:45:33.799
<v Speaker 1>for being one of the ten plagues of Egypt, of course,

0:45:33.840 --> 0:45:36.200
<v Speaker 1>turning the Nile into blood. And so here we get

0:45:36.200 --> 0:45:38.319
<v Speaker 1>a speech about the ten plagues of Egypt. So this

0:45:38.400 --> 0:45:41.720
<v Speaker 1>is from the story of the Exodus in in the Torah,

0:45:41.760 --> 0:45:44.680
<v Speaker 1>and the context is that the Jews are in bondage

0:45:44.680 --> 0:45:48.239
<v Speaker 1>in Egypt and God keeps sending plagues against Egypt to

0:45:48.360 --> 0:45:51.880
<v Speaker 1>force the Pharaoh to release them. Here we get a

0:45:51.960 --> 0:45:56.080
<v Speaker 1>list of the plagues which are in order. And I'm

0:45:56.080 --> 0:45:59.239
<v Speaker 1>not saying these are necessarily the correct plagues, but this

0:45:59.280 --> 0:46:08.960
<v Speaker 1>is what the movies as says. They are boils, bats, frogs, blood, rats, hail, beasts, locusts,

0:46:09.360 --> 0:46:13.040
<v Speaker 1>death of the firstborn, and darkness. Alright, we've had the

0:46:13.080 --> 0:46:15.960
<v Speaker 1>first four, so we're almost halfway through. I feel like

0:46:16.000 --> 0:46:18.080
<v Speaker 1>I must flag as kind of a Bible nerdy like

0:46:18.120 --> 0:46:20.440
<v Speaker 1>compare that to the actual list in a in a

0:46:20.520 --> 0:46:24.040
<v Speaker 1>good translation of Exodus. I don't think that really matches,

0:46:25.120 --> 0:46:28.080
<v Speaker 1>but anyway, So we get more scenes with Dr Fibes

0:46:28.120 --> 0:46:30.560
<v Speaker 1>back at the party house and he uh, this is

0:46:30.920 --> 0:46:32.759
<v Speaker 1>this is where we first see him speaking to a

0:46:32.880 --> 0:46:36.160
<v Speaker 1>shrine of the image of a woman. We find out

0:46:36.239 --> 0:46:39.240
<v Speaker 1>his wife. This is the one played by the photo

0:46:39.280 --> 0:46:43.799
<v Speaker 1>of Caroline Monroe against Stella star Uh, and he's like

0:46:43.880 --> 0:46:46.520
<v Speaker 1>worshiping this this headshot of her. He's got a whole

0:46:46.800 --> 0:46:50.359
<v Speaker 1>table I think of her her belongings laid out. And

0:46:50.680 --> 0:46:53.919
<v Speaker 1>we mentioned earlier that Vincent Price never actually speaks out

0:46:53.920 --> 0:46:56.800
<v Speaker 1>of his mouth in this movie, so the only times

0:46:56.800 --> 0:47:00.840
<v Speaker 1>he talks are by plugging a phone of graph into

0:47:00.920 --> 0:47:03.759
<v Speaker 1>a jack in the back of his neck. And this

0:47:03.840 --> 0:47:06.799
<v Speaker 1>connects to another weird scene later where he looks it

0:47:06.800 --> 0:47:10.359
<v Speaker 1>looks like he's drinking a beverage by pouring it into

0:47:10.400 --> 0:47:13.080
<v Speaker 1>the back of his neck. Yes, at one point he

0:47:13.120 --> 0:47:16.120
<v Speaker 1>tastes something he's mixed up on his finger by like

0:47:16.160 --> 0:47:18.880
<v Speaker 1>sticking his finger back there to where they're when we

0:47:18.920 --> 0:47:21.560
<v Speaker 1>never see it, but presumably there's some sort of a

0:47:21.600 --> 0:47:25.040
<v Speaker 1>mouth hole back there that has been I don't know

0:47:25.080 --> 0:47:28.960
<v Speaker 1>if it's surgical or technological, but uh, not knowing for

0:47:28.960 --> 0:47:32.080
<v Speaker 1>sure makes it all the more impressive. When he's tasting something,

0:47:32.160 --> 0:47:34.880
<v Speaker 1>is that the Brussels sprout. Google, Yes, the Brussels sprout.

0:47:36.840 --> 0:47:40.600
<v Speaker 1>We'll get to that. But this also provides some exposition

0:47:40.640 --> 0:47:44.000
<v Speaker 1>because talking through the phonograph, he gives this whole uh

0:47:44.440 --> 0:47:48.160
<v Speaker 1>fiery speech and he says nine killed you, nine shall

0:47:48.280 --> 0:47:52.560
<v Speaker 1>die nine It turn it he's in doom. But we

0:47:52.640 --> 0:47:55.359
<v Speaker 1>also get some exposition on the other side, for with

0:47:55.480 --> 0:47:58.400
<v Speaker 1>dr Vesalius and the police. So he and Trout do

0:47:58.520 --> 0:48:01.280
<v Speaker 1>some research and they figure out that there was actually

0:48:01.360 --> 0:48:04.880
<v Speaker 1>only one case where Visalius worked with all of the

0:48:04.920 --> 0:48:07.480
<v Speaker 1>doctors who are now dead, and that was on one

0:48:07.480 --> 0:48:12.680
<v Speaker 1>patient named Victoria Regina Fibes, and we get the whole backstory.

0:48:12.719 --> 0:48:16.000
<v Speaker 1>So she she had some medical emergency. They were operating

0:48:16.000 --> 0:48:20.200
<v Speaker 1>on her. Her husband was someone named Dr Anton Fibes,

0:48:20.239 --> 0:48:23.640
<v Speaker 1>and as Anton Fibes was racing to the hospital where

0:48:23.680 --> 0:48:25.880
<v Speaker 1>his wife was in surgery, his car went off a

0:48:25.920 --> 0:48:30.040
<v Speaker 1>cliff and exploded and he was incinerated or was he?

0:48:30.920 --> 0:48:34.040
<v Speaker 1>And the reason from this, Okay, so the rest of

0:48:34.080 --> 0:48:37.720
<v Speaker 1>the surgical team that worked on this case of Victoria Fibes,

0:48:38.080 --> 0:48:41.200
<v Speaker 1>they all need to be put under police protection, but

0:48:41.239 --> 0:48:43.440
<v Speaker 1>the police don't really get there fast enough for most

0:48:43.480 --> 0:48:45.760
<v Speaker 1>of them because the next scene is where Vincent Price

0:48:45.840 --> 0:48:49.400
<v Speaker 1>uses an air conditioner in a car to kill a guy. Yeah, yeah,

0:48:49.520 --> 0:48:53.279
<v Speaker 1>you know, yeah, like this in the carriage there, they

0:48:53.320 --> 0:48:57.840
<v Speaker 1>just kind of like pulled him over, take incapacitate the driver,

0:48:58.320 --> 0:48:59.640
<v Speaker 1>and then just hook him up to the a C

0:49:00.040 --> 0:49:02.440
<v Speaker 1>freeze him solid and there's like snow blowing in his

0:49:02.520 --> 0:49:05.440
<v Speaker 1>face from this machine. Yeah, it's pretty good and this

0:49:05.480 --> 0:49:08.439
<v Speaker 1>one was the scene too that's very feels very Avengers

0:49:08.680 --> 0:49:11.400
<v Speaker 1>uh and uh in its weirdness, you know, because we

0:49:11.480 --> 0:49:14.240
<v Speaker 1>got like a little bit of super science that in

0:49:14.239 --> 0:49:17.439
<v Speaker 1>in weirdness. And we're also getting into that territory here

0:49:17.480 --> 0:49:20.279
<v Speaker 1>too with our villain. Where our villain is um. He's

0:49:20.320 --> 0:49:23.880
<v Speaker 1>not incapable of air. We saw him drop the amulet earlier,

0:49:24.560 --> 0:49:28.080
<v Speaker 1>but he's really thought out everything and is a man

0:49:28.200 --> 0:49:31.919
<v Speaker 1>of multiple talents, a real villainous poly math. Yes. In fact,

0:49:32.080 --> 0:49:34.480
<v Speaker 1>the very next scene we start to learn about all

0:49:34.480 --> 0:49:37.279
<v Speaker 1>of his different expertise. So first of all, we get

0:49:37.320 --> 0:49:40.760
<v Speaker 1>a clue from for Scotland Yard, which comes from Dr

0:49:40.840 --> 0:49:45.680
<v Speaker 1>Vesalius's son Lim, who says he was in the music

0:49:45.719 --> 0:49:48.719
<v Speaker 1>shop I think, talking to the owner there about the

0:49:48.760 --> 0:49:51.400
<v Speaker 1>great organists, and he just happens to name some of

0:49:51.440 --> 0:49:57.080
<v Speaker 1>the great organists offhand, Bridges, Drew and Fibes. And so

0:49:57.120 --> 0:49:59.719
<v Speaker 1>they're like, oh, oh, I see Dr Anton Fibes. He

0:49:59.760 --> 0:50:02.920
<v Speaker 1>was a aid organist and he's apparently been paying the

0:50:03.000 --> 0:50:06.360
<v Speaker 1>local organ shop guy recently, even though he's supposed to

0:50:06.440 --> 0:50:09.600
<v Speaker 1>be dead. So they take a trip out to the

0:50:09.719 --> 0:50:13.160
<v Speaker 1>crypt where Mr and Mrs Fibes were supposedly laid to rest,

0:50:13.600 --> 0:50:16.680
<v Speaker 1>and we get more discussion about his background. They say, okay,

0:50:16.680 --> 0:50:21.200
<v Speaker 1>he's not only a concert organist, he's also a PhD

0:50:21.239 --> 0:50:24.680
<v Speaker 1>in theology. And I thought this was hilarious. Inspector Trout

0:50:24.760 --> 0:50:26.719
<v Speaker 1>is like that would explain his knowledge of the ten

0:50:26.760 --> 0:50:31.319
<v Speaker 1>plagues of Egypt. It seems like rather basic knowledge. I

0:50:31.320 --> 0:50:41.760
<v Speaker 1>don't know, it's not really a deep cut. But another

0:50:41.880 --> 0:50:44.680
<v Speaker 1>really weird thing here is that wait a minute, Okay,

0:50:44.680 --> 0:50:48.719
<v Speaker 1>so Fibes is a concert organist and a PhD in theology.

0:50:48.800 --> 0:50:52.000
<v Speaker 1>I started to wonder, that is a really weird coincidence

0:50:52.040 --> 0:50:53.920
<v Speaker 1>if this is not supposed to be a play on

0:50:54.000 --> 0:50:57.960
<v Speaker 1>Albert Schweitzer. But I don't know why else that would be.

0:50:58.000 --> 0:51:00.640
<v Speaker 1>So do you know anything about Schweitzer. I didn't know

0:51:00.640 --> 0:51:03.240
<v Speaker 1>a lot about him until you you mentioned the possible connection,

0:51:03.280 --> 0:51:06.160
<v Speaker 1>and I read like just a basic bio on him. Yeah. Yeah.

0:51:05.880 --> 0:51:09.480
<v Speaker 1>He's an interesting figure who was a medical doctor, a

0:51:09.520 --> 0:51:12.719
<v Speaker 1>concert organist, and one of the most important scholars ever

0:51:12.760 --> 0:51:17.040
<v Speaker 1>of the New Testament. He's largely responsible in historical Jesus

0:51:17.120 --> 0:51:22.160
<v Speaker 1>scholarship for putting forward probably the reigning historical understanding of

0:51:22.160 --> 0:51:25.600
<v Speaker 1>of Jesus today, which is that he was an apocalyptic

0:51:25.680 --> 0:51:29.440
<v Speaker 1>Jewish prophet, somebody who was predicting the imminent end of

0:51:29.480 --> 0:51:32.400
<v Speaker 1>the world. But but I was just thinking, like, it

0:51:32.440 --> 0:51:35.080
<v Speaker 1>doesn't make a lot of sense otherwise, But it would

0:51:35.080 --> 0:51:38.480
<v Speaker 1>be that is such a weirdly specific thing. An organist

0:51:38.600 --> 0:51:43.560
<v Speaker 1>and a PhD in theology. I don't know. So yeah,

0:51:43.600 --> 0:51:46.319
<v Speaker 1>I mean it makes sense. It's one way to flesh

0:51:46.320 --> 0:51:49.759
<v Speaker 1>out your villain. Pick a pick an historical figure and

0:51:49.800 --> 0:51:53.120
<v Speaker 1>say what if we made them into a super villain,

0:51:53.239 --> 0:51:56.200
<v Speaker 1>If they were a super villain, what would it be like? Yeah,

0:51:56.239 --> 0:51:59.560
<v Speaker 1>So I don't know, strange choice, but interesting anyway. At

0:51:59.560 --> 0:52:02.239
<v Speaker 1>the crip we've got, you know, so they're like, well,

0:52:02.320 --> 0:52:05.040
<v Speaker 1>let's just pop open these coffins and have us look. Yeah,

0:52:05.520 --> 0:52:09.200
<v Speaker 1>there's no no official process here. They just just rip

0:52:09.239 --> 0:52:12.080
<v Speaker 1>them open, just pop them open. Yeah. So they pop

0:52:12.120 --> 0:52:15.200
<v Speaker 1>open the Doctor fibes to him. It has only ashes

0:52:15.239 --> 0:52:18.160
<v Speaker 1>in it, but whose ashes we don't know. They pop

0:52:18.200 --> 0:52:22.600
<v Speaker 1>open the Mrs fibes to him, nothing, completely empty. One

0:52:22.600 --> 0:52:25.560
<v Speaker 1>of the next scenes I recall is Inspector Trout back

0:52:25.640 --> 0:52:28.759
<v Speaker 1>at the office receiving just a whacking chew out from

0:52:28.760 --> 0:52:31.759
<v Speaker 1>his superiors. So they, you know, he's what what is

0:52:31.880 --> 0:52:34.320
<v Speaker 1>do you remember this boss's name, the guy who's yelling

0:52:34.320 --> 0:52:36.759
<v Speaker 1>at him for like a minute straight. I believe this

0:52:36.880 --> 0:52:40.439
<v Speaker 1>is James Grout just playing sergeant. I could be wrong

0:52:40.480 --> 0:52:42.560
<v Speaker 1>on that, but but it's a it's it's a real

0:52:42.600 --> 0:52:44.400
<v Speaker 1>fun role because he's, yeah, he's a real he's a

0:52:44.440 --> 0:52:47.720
<v Speaker 1>real hard ass. Yeah he's he's demanding that they solve

0:52:47.760 --> 0:52:50.200
<v Speaker 1>the case immediately. You know, we we can't have these

0:52:50.239 --> 0:52:52.680
<v Speaker 1>weird doctor murders just hanging out there because there was

0:52:52.719 --> 0:52:56.640
<v Speaker 1>public outcry and that's falling on me. And the big

0:52:56.640 --> 0:52:59.040
<v Speaker 1>boss also yells at Trout for not wearing his suit

0:52:59.120 --> 0:53:04.000
<v Speaker 1>jacket inside. It is a real stickler. Uh. And then

0:53:04.239 --> 0:53:06.399
<v Speaker 1>we get another doctor murder scene. This one I thought

0:53:06.440 --> 0:53:10.080
<v Speaker 1>was kind of strange, but it was the rat attack

0:53:10.239 --> 0:53:13.760
<v Speaker 1>in the planes. One of the doctors is an amateur pilot.

0:53:14.280 --> 0:53:16.839
<v Speaker 1>He takes his plane up and then while in there,

0:53:16.880 --> 0:53:19.799
<v Speaker 1>I guess they guess Dr FIBs and Volvania have put

0:53:19.880 --> 0:53:22.920
<v Speaker 1>rats in the plane. The rats attack him and then

0:53:22.920 --> 0:53:26.080
<v Speaker 1>he crashes the plane. Um. I guess part of it's

0:53:26.120 --> 0:53:29.279
<v Speaker 1>the sequential nature of this and also the britishness of it.

0:53:29.400 --> 0:53:31.759
<v Speaker 1>But I was reminded of psychomania A lot in this

0:53:31.920 --> 0:53:34.480
<v Speaker 1>because it's the whole section in Psychomania where there's you

0:53:34.560 --> 0:53:37.440
<v Speaker 1>have every all the bikers trying to kill themselves in

0:53:37.680 --> 0:53:40.759
<v Speaker 1>unique ways. They can come back as undead bikers, and

0:53:40.800 --> 0:53:42.839
<v Speaker 1>there's kind of like each one is more ridiculous than

0:53:42.840 --> 0:53:45.759
<v Speaker 1>the last. That is a great sequence, oh Psychomania. Oh,

0:53:45.800 --> 0:53:49.279
<v Speaker 1>that's also one of the best, I think, speaking of

0:53:49.320 --> 0:53:52.719
<v Speaker 1>the best, oh, the next murder it maybe it's one

0:53:52.760 --> 0:53:54.799
<v Speaker 1>of the cheapest where you're kind of like, I don't know,

0:53:54.880 --> 0:53:57.719
<v Speaker 1>Five's you're kind of really stretching the theme here, but

0:53:58.400 --> 0:54:01.799
<v Speaker 1>on the other level, like absolut lutely top marks for

0:54:02.360 --> 0:54:05.360
<v Speaker 1>creativity and style. So the so the police have not

0:54:05.400 --> 0:54:07.600
<v Speaker 1>been able to protect any of the doctors yet. So

0:54:07.640 --> 0:54:10.440
<v Speaker 1>they finally get to the next one before five Scan.

0:54:11.160 --> 0:54:14.120
<v Speaker 1>They're at his Gentleman's club in London, I guess, and

0:54:14.160 --> 0:54:16.600
<v Speaker 1>they're like, okay, we're gonna take you into protective custody,

0:54:16.640 --> 0:54:18.920
<v Speaker 1>will make sure nothing happens to you. So they're walking

0:54:18.920 --> 0:54:21.879
<v Speaker 1>out of the club and as they opened the door,

0:54:21.960 --> 0:54:24.880
<v Speaker 1>you just hear like an arrow hitting the target sound effect,

0:54:25.600 --> 0:54:30.320
<v Speaker 1>and he has been pierced through with the horn of

0:54:30.480 --> 0:54:34.759
<v Speaker 1>a brass unicorn. Yes, as oh, when they say it

0:54:34.800 --> 0:54:37.560
<v Speaker 1>was fired from a catapult. Yeah, And this is one

0:54:37.560 --> 0:54:39.919
<v Speaker 1>of those moments in The Villagers reminds you like, don't

0:54:39.920 --> 0:54:43.600
<v Speaker 1>try and think too forensically about this motion picture. If

0:54:43.600 --> 0:54:45.960
<v Speaker 1>you're like, well, how did they get a cataby lay

0:54:45.960 --> 0:54:48.520
<v Speaker 1>a catapult trap there, and and how did they work

0:54:48.520 --> 0:54:52.919
<v Speaker 1>out the aerodynamics of launching like this brass unicorn at

0:54:52.960 --> 0:54:55.920
<v Speaker 1>this guy. We'll just don't worry about that. Just trust

0:54:55.960 --> 0:54:59.760
<v Speaker 1>us that happened. The unicorn horn has a spiral pattern

0:54:59.840 --> 0:55:02.239
<v Speaker 1>on it, and they have to unscrew the guy from

0:55:02.239 --> 0:55:05.319
<v Speaker 1>the wall. They show like his feet going around. Yes,

0:55:05.960 --> 0:55:09.040
<v Speaker 1>it's such it's such great gallows humor. I love it.

0:55:09.280 --> 0:55:12.080
<v Speaker 1>But then so you've got this extremely silly scene and

0:55:12.120 --> 0:55:15.520
<v Speaker 1>then right after there's kind of a serious scene where

0:55:16.040 --> 0:55:19.280
<v Speaker 1>Fibes is he's again worshiping the headshot of Caroline Monroe,

0:55:19.360 --> 0:55:22.640
<v Speaker 1>but in this one he recites part of a wonderful

0:55:22.719 --> 0:55:25.520
<v Speaker 1>love poem by John Dunn, The Goodmorrow. Do you know

0:55:25.560 --> 0:55:27.960
<v Speaker 1>this one? Rob, I wasn't familiar with this one. You

0:55:28.040 --> 0:55:30.680
<v Speaker 1>might remember lines from it, you know, people might have

0:55:30.719 --> 0:55:32.800
<v Speaker 1>read it at school, and sometimes it has the lines

0:55:33.120 --> 0:55:35.880
<v Speaker 1>if ever, any beauty I did see which I desired

0:55:35.920 --> 0:55:38.640
<v Speaker 1>and got twas but a dream of the well. He

0:55:38.680 --> 0:55:40.719
<v Speaker 1>doesn't say those lines in the movie. He instead he

0:55:40.760 --> 0:55:43.160
<v Speaker 1>quotes some lines from the last stands of the poem.

0:55:43.239 --> 0:55:45.640
<v Speaker 1>He quotes them out of order. So the last stanza

0:55:45.800 --> 0:55:49.560
<v Speaker 1>is my face in thine I thine in mine appears

0:55:49.640 --> 0:55:53.040
<v Speaker 1>and true plane hearts do in the faces rest? Where

0:55:53.080 --> 0:55:56.800
<v Speaker 1>can we find two better hemispheres without sharp north, without

0:55:56.840 --> 0:56:01.719
<v Speaker 1>declining west? Whatever dies was not equally if our two

0:56:01.800 --> 0:56:04.760
<v Speaker 1>loves be one or thou and I love so alike

0:56:05.040 --> 0:56:09.600
<v Speaker 1>that none do slacken, none can die. It's a great poem.

0:56:09.680 --> 0:56:12.239
<v Speaker 1>But he so he reads the first four lines of

0:56:12.280 --> 0:56:14.840
<v Speaker 1>that stanza, but he reads lines three and four and

0:56:14.880 --> 0:56:17.000
<v Speaker 1>then one and two, so the ones about the hemispheres

0:56:17.640 --> 0:56:21.000
<v Speaker 1>and then the in the faces rest. Well, Yeah, he's

0:56:21.000 --> 0:56:23.120
<v Speaker 1>put a lot of work into this whole revenged cycle

0:56:23.280 --> 0:56:26.440
<v Speaker 1>and ritual h So you know, he's he's figured out

0:56:26.440 --> 0:56:28.120
<v Speaker 1>how to mix it up a little bit. He's got

0:56:28.120 --> 0:56:30.120
<v Speaker 1>to get it just right. There's been many takes. But

0:56:30.239 --> 0:56:33.640
<v Speaker 1>then it goes straight from that into probably I would say,

0:56:33.680 --> 0:56:38.479
<v Speaker 1>the weirdest murder in the entire movie. Would you agree, Yeah, yeah,

0:56:38.560 --> 0:56:41.080
<v Speaker 1>it's and it's also and this is nice that the

0:56:41.480 --> 0:56:45.000
<v Speaker 1>murders all feel a little bit different, and they're presented

0:56:45.000 --> 0:56:47.600
<v Speaker 1>in different ways. Like we get no clue at all

0:56:47.640 --> 0:56:51.480
<v Speaker 1>about the set up for the brass unicorn catapult murder,

0:56:52.239 --> 0:56:57.320
<v Speaker 1>but the making the unicorn or everything, no extended scenes

0:56:57.320 --> 0:56:59.479
<v Speaker 1>of that, But this one is all about the prep work.

0:56:59.640 --> 0:57:01.600
<v Speaker 1>In fact, you just set you just sat there watching

0:57:01.600 --> 0:57:05.720
<v Speaker 1>this weirdness take place, and you're like, what are they doing? What? What? What?

0:57:05.719 --> 0:57:09.160
<v Speaker 1>What of the tin plagues of Egypt involved Brussels sprouts.

0:57:09.440 --> 0:57:13.279
<v Speaker 1>Let's talk about Brussels sprouts. What is happening. Volvania is

0:57:13.600 --> 0:57:17.840
<v Speaker 1>walking around dressed like Queen Elizabeth and holding trays of

0:57:17.880 --> 0:57:22.160
<v Speaker 1>Brussels sprouts, and Vincent Price is standing over a giant

0:57:22.280 --> 0:57:25.720
<v Speaker 1>pot of boiling Brussels sprouts, and he's like picking Brussels

0:57:25.720 --> 0:57:28.200
<v Speaker 1>sprouts from her hands and throwing some of them into

0:57:28.200 --> 0:57:31.320
<v Speaker 1>the pot and throwing other ones away. He's inspecting them

0:57:31.400 --> 0:57:33.840
<v Speaker 1>to see if they're just right. I don't know why,

0:57:33.960 --> 0:57:36.880
<v Speaker 1>I don't know how this works, but he's like making

0:57:37.760 --> 0:57:41.200
<v Speaker 1>he's turning the Brussels sprouts into some kind of essence

0:57:41.240 --> 0:57:45.120
<v Speaker 1>of Brussels sprout. Yeah, and I wasn't sure what was

0:57:45.160 --> 0:57:47.600
<v Speaker 1>going on. I was like, well, we know that, um,

0:57:47.640 --> 0:57:50.640
<v Speaker 1>you know, obviously he was. He was heavily disfigured, and

0:57:51.080 --> 0:57:53.600
<v Speaker 1>we I think by this point we already knew know

0:57:53.720 --> 0:57:56.720
<v Speaker 1>that he drinks through his neck. So I was thinking, well,

0:57:56.720 --> 0:57:59.600
<v Speaker 1>maybe this is just what Dr Fibes consumes. Maybe he's

0:57:59.600 --> 0:58:01.600
<v Speaker 1>on a liqu a diet and he likes Brussels sprouts,

0:58:01.600 --> 0:58:03.520
<v Speaker 1>and brussels prouts are good for you, and brussel trouts

0:58:03.520 --> 0:58:06.400
<v Speaker 1>are great. So I mean, maybe not in this form,

0:58:06.840 --> 0:58:09.480
<v Speaker 1>but no, this is this is the world. I mean,

0:58:09.520 --> 0:58:13.440
<v Speaker 1>I love brussel sprouts like good, like roasted. The idea

0:58:13.440 --> 0:58:17.120
<v Speaker 1>of boiling brussels sprouts down to a paste is one

0:58:17.160 --> 0:58:20.480
<v Speaker 1>of the most disgusting things I can imagine Brussel sprouts

0:58:20.480 --> 0:58:23.960
<v Speaker 1>and wet heat. No, no, no, yeah, but yeah. Watching this,

0:58:24.000 --> 0:58:25.760
<v Speaker 1>I was like, I have no idea where this is going.

0:58:25.880 --> 0:58:28.280
<v Speaker 1>But I'm I'm all in, let's see, well where is

0:58:28.320 --> 0:58:30.560
<v Speaker 1>it going. We've got one last person on the list.

0:58:30.600 --> 0:58:33.040
<v Speaker 1>It's a nurse who worked on the you know, the

0:58:33.160 --> 0:58:36.480
<v Speaker 1>Victoria Fives case, and so the police are trying to

0:58:36.520 --> 0:58:38.520
<v Speaker 1>protect her. They send her into a room in some

0:58:38.640 --> 0:58:43.120
<v Speaker 1>building where every surface is green. Very nice and fits

0:58:43.160 --> 0:58:45.640
<v Speaker 1>with the theme of of green good. So they're like, okay,

0:58:45.680 --> 0:58:48.320
<v Speaker 1>go in this room and sleep, and she's like okay.

0:58:48.400 --> 0:58:51.320
<v Speaker 1>They tell her to take a sleeping pill, and uh,

0:58:51.360 --> 0:58:55.080
<v Speaker 1>I guess that would explain why she is slow to wake. Later,

0:58:55.640 --> 0:58:58.440
<v Speaker 1>Dr five sneaks into the floor above her, drills a

0:58:58.440 --> 0:59:02.080
<v Speaker 1>hole in the floor, hooks up a machine to pump

0:59:02.240 --> 0:59:04.840
<v Speaker 1>green goog. I guess this is what he made out

0:59:04.880 --> 0:59:07.680
<v Speaker 1>of the Brussels sprouts into the room. It dribbles all

0:59:07.680 --> 0:59:10.600
<v Speaker 1>over some globe lamp and then dribbles all over her face.

0:59:11.640 --> 0:59:15.640
<v Speaker 1>And then he releases locusts into the room via a

0:59:15.720 --> 0:59:18.800
<v Speaker 1>tube and they marched single file and then they go

0:59:18.920 --> 0:59:21.280
<v Speaker 1>down and I guess they start eating the green goo

0:59:21.840 --> 0:59:24.200
<v Speaker 1>off of her because they like plants and I don't know.

0:59:24.240 --> 0:59:27.920
<v Speaker 1>And then they just strip her flesh down to the bones. Yeah,

0:59:27.960 --> 0:59:32.040
<v Speaker 1>it just completely de flesh her skeleton. Yeah, pironify her.

0:59:33.040 --> 0:59:36.360
<v Speaker 1>Is that weird enough for you? It's such a weird scene,

0:59:37.000 --> 0:59:40.440
<v Speaker 1>and of course you know it's completely unrealistic, but but

0:59:40.880 --> 0:59:42.720
<v Speaker 1>but kudos he was able to work. It was like,

0:59:42.760 --> 0:59:45.120
<v Speaker 1>once I saw the bugs, I was like, ah, you're

0:59:45.120 --> 0:59:47.560
<v Speaker 1>doing the locusts. Okay, now it all makes sense. He

0:59:47.760 --> 0:59:53.000
<v Speaker 1>made Brussels sprout goo. Then he used, okay, well you

0:59:53.040 --> 0:59:55.040
<v Speaker 1>know he's been working up again. A lot of work

0:59:55.080 --> 0:59:59.080
<v Speaker 1>went into this. He probably tried different you know, liquefied

0:59:59.200 --> 1:00:02.680
<v Speaker 1>vegetables and liquefied plants to see what would get the

1:00:02.720 --> 1:00:07.360
<v Speaker 1>locust excited enough to completely consume the human human bodies flesh.

1:00:07.440 --> 1:00:09.800
<v Speaker 1>And this is what worked. And she never woke up

1:00:09.840 --> 1:00:12.800
<v Speaker 1>the whole time. Well, she she'd taken a sleeping tale,

1:00:12.840 --> 1:00:15.480
<v Speaker 1>so she was she was out. But then finally we

1:00:15.520 --> 1:00:19.640
<v Speaker 1>get down to the climax, which is when Visalius realizes that, oh,

1:00:19.800 --> 1:00:22.440
<v Speaker 1>the biblical play falling to him is the death of

1:00:22.440 --> 1:00:25.920
<v Speaker 1>the firstborn, his organist son, his son Limb has been

1:00:26.000 --> 1:00:29.240
<v Speaker 1>kidnapped by Dr Fibes, and uh here here we come

1:00:29.240 --> 1:00:32.360
<v Speaker 1>to our James Bond trap ending. So Vassalius finds out

1:00:32.360 --> 1:00:35.600
<v Speaker 1>that Fibes has his kid. He knocks out Inspector Trout,

1:00:35.600 --> 1:00:37.960
<v Speaker 1>who tries to stop him, and then he heads over

1:00:37.960 --> 1:00:40.960
<v Speaker 1>to the party house where all kinds of things are happening.

1:00:41.240 --> 1:00:46.160
<v Speaker 1>U vol Navia is wearing this amazing like red cloak

1:00:46.240 --> 1:00:48.440
<v Speaker 1>with a with a golden son with all these like

1:00:48.640 --> 1:00:52.240
<v Speaker 1>insect legs on it, and this, uh, this hat with

1:00:52.800 --> 1:00:56.160
<v Speaker 1>peacock things shooting off of it. I don't know. She's

1:00:56.200 --> 1:00:59.479
<v Speaker 1>the high priestess of the Revenge, I think at this point, yes,

1:00:59.600 --> 1:01:02.720
<v Speaker 1>beauty full and this, uh, the the Automata playing their

1:01:02.840 --> 1:01:07.960
<v Speaker 1>their big band music, and Doctor Vissalius arrives and and

1:01:08.280 --> 1:01:10.320
<v Speaker 1>oh god, they explained this whole thing to him. His

1:01:10.600 --> 1:01:13.680
<v Speaker 1>They're like, Okay, you've got six minutes to operate on

1:01:13.720 --> 1:01:17.360
<v Speaker 1>your son, to get a key out of his body

1:01:17.440 --> 1:01:20.280
<v Speaker 1>that I've placed in his body that you will have

1:01:20.360 --> 1:01:24.200
<v Speaker 1>to use to unlock the table, which so you can

1:01:24.280 --> 1:01:27.640
<v Speaker 1>move the table that he's on so that this timer

1:01:27.760 --> 1:01:31.240
<v Speaker 1>doesn't release a bunch of acid onto him. Right, It's

1:01:31.720 --> 1:01:34.160
<v Speaker 1>it's it's like, this is very much This is where

1:01:34.200 --> 1:01:36.760
<v Speaker 1>I was definitely thinking about, like the Saw movies and

1:01:36.760 --> 1:01:40.120
<v Speaker 1>and all, but like, really Jigsaw just a rank amateur

1:01:40.240 --> 1:01:43.440
<v Speaker 1>with no style at all compared to Dr Five's because

1:01:43.640 --> 1:01:46.040
<v Speaker 1>as grotesque is this sounds, and it does come off

1:01:46.080 --> 1:01:49.640
<v Speaker 1>as like legitimately kind of at this point, it's still

1:01:49.640 --> 1:01:53.680
<v Speaker 1>beautifully rendered. You know, this white background. It's it's very

1:01:53.760 --> 1:01:56.600
<v Speaker 1>stylish and and it also works really well. I feel

1:01:56.640 --> 1:01:58.320
<v Speaker 1>like the tension really builds in this part of the

1:01:58.320 --> 1:02:01.520
<v Speaker 1>movie because, like I I referenced earlier, we're at the

1:02:01.560 --> 1:02:04.680
<v Speaker 1>part where we're past the victims, where we can be like, Okay,

1:02:04.680 --> 1:02:06.919
<v Speaker 1>that guy seems sleazy. I guess it's okay of our

1:02:07.160 --> 1:02:10.520
<v Speaker 1>unrealistic movie villain kills them. But now, like we're dealing

1:02:10.600 --> 1:02:13.520
<v Speaker 1>with with the doctor alone, we haven't really seen anything

1:02:13.520 --> 1:02:16.800
<v Speaker 1>to any reason to hate him and his son even

1:02:16.800 --> 1:02:19.160
<v Speaker 1>more so, like he is an innocent when it comes

1:02:19.200 --> 1:02:22.360
<v Speaker 1>to the death of fibes wife. You know, no, no

1:02:22.400 --> 1:02:25.600
<v Speaker 1>matter how you you know, tease apart the details of

1:02:25.600 --> 1:02:29.200
<v Speaker 1>her demise, right, so Visalius is he's he's setting to it.

1:02:29.240 --> 1:02:32.000
<v Speaker 1>He's trying to get the task done. Meanwhile, of all,

1:02:32.080 --> 1:02:36.320
<v Speaker 1>Navia goes to grab a solid old axe and just

1:02:36.360 --> 1:02:38.680
<v Speaker 1>starts hacking up the whole place. I guess, you know,

1:02:38.840 --> 1:02:43.000
<v Speaker 1>Fibes is like, we're done destroy everything, so she's at it.

1:02:43.560 --> 1:02:47.200
<v Speaker 1>We get a Fibes face reveal, Yes, where what is

1:02:47.240 --> 1:02:50.200
<v Speaker 1>his real face? It's I don't know how to describe it.

1:02:50.160 --> 1:02:53.000
<v Speaker 1>It's a skull face. Yeah, it's a like very very

1:02:53.000 --> 1:02:57.240
<v Speaker 1>Phantom of the Opera skeleton face. Uh. You know on

1:02:57.280 --> 1:03:01.480
<v Speaker 1>the posters you see some like mechanical elements um that

1:03:01.560 --> 1:03:03.360
<v Speaker 1>are part of it, like you know, he's you know,

1:03:03.520 --> 1:03:05.800
<v Speaker 1>touching on the fact that he's also kind of made

1:03:05.840 --> 1:03:09.360
<v Speaker 1>up have some clockwork elements to himself, because he has

1:03:09.400 --> 1:03:12.640
<v Speaker 1>this big showdown right where he's talking about, uh, you know,

1:03:12.680 --> 1:03:15.680
<v Speaker 1>how the doctors can't be trusted. The doctor said he

1:03:15.680 --> 1:03:19.440
<v Speaker 1>wouldn't survive, but he used his own ingenuity, to his

1:03:19.520 --> 1:03:23.320
<v Speaker 1>knowledge of music and acoustics to allow himself to speak again.

1:03:23.480 --> 1:03:25.680
<v Speaker 1>And and he also has that great line there where

1:03:25.720 --> 1:03:29.280
<v Speaker 1>he's says, I've killed nine times in my life. How

1:03:29.320 --> 1:03:34.240
<v Speaker 1>many motors may be attributed to you? Speaking to the doctor. Yeah,

1:03:34.440 --> 1:03:36.520
<v Speaker 1>So he comes down there, he takes the mask off,

1:03:36.520 --> 1:03:38.400
<v Speaker 1>because this whole thing is like soon your son will

1:03:38.400 --> 1:03:41.120
<v Speaker 1>be disfigured by acid. It will look just like me. Um.

1:03:41.320 --> 1:03:43.360
<v Speaker 1>And then of course the doctor continues to try and

1:03:43.400 --> 1:03:46.280
<v Speaker 1>frantically work the surgery, and meanwhile he just kind of

1:03:46.320 --> 1:03:49.680
<v Speaker 1>like backs up and scapes into the elevator, uh, and

1:03:49.800 --> 1:03:51.760
<v Speaker 1>leaves them to try and pull it off. Now we

1:03:52.440 --> 1:03:56.360
<v Speaker 1>Visalia succeeds. The sun is not harmed, but Fibes does

1:03:56.440 --> 1:03:59.240
<v Speaker 1>get away and the police arrive. Oh and there when

1:03:59.240 --> 1:04:02.880
<v Speaker 1>the police arrived, Volnavia is standing there, I guess, ready

1:04:02.920 --> 1:04:05.920
<v Speaker 1>to attack with the golden, the solid gold axe. But

1:04:06.000 --> 1:04:09.120
<v Speaker 1>then she stands under the acid machine and she gets

1:04:09.200 --> 1:04:11.640
<v Speaker 1>she gets acided. Yeah, she gets acids lined. We don't

1:04:11.640 --> 1:04:15.280
<v Speaker 1>actually see her melt or anything, but um, it's it's

1:04:15.360 --> 1:04:18.480
<v Speaker 1>it's you know, it's an implied melting. And I guess

1:04:18.480 --> 1:04:22.280
<v Speaker 1>you know she's not a good character. She's not. She's

1:04:22.320 --> 1:04:24.160
<v Speaker 1>been doing a lot of murder, a lot of murders,

1:04:24.160 --> 1:04:27.320
<v Speaker 1>so it feels fair. Oh but then Dr Fibes he

1:04:27.360 --> 1:04:29.400
<v Speaker 1>basically gets away with it because what does he do.

1:04:29.520 --> 1:04:32.240
<v Speaker 1>He goes down and we find out, oh, there's there's

1:04:32.360 --> 1:04:35.800
<v Speaker 1>Mrs Fibes in a sort of crypt with a robotic

1:04:35.880 --> 1:04:39.000
<v Speaker 1>lifting or mechanically lifting lid. He gets into the crypt

1:04:39.000 --> 1:04:42.480
<v Speaker 1>next to her, I guess, planning to be interred alongside

1:04:42.480 --> 1:04:45.160
<v Speaker 1>her body, and then hooks up a machine to replace

1:04:45.240 --> 1:04:47.640
<v Speaker 1>his blood with embalming fluid, and we see it like

1:04:47.680 --> 1:04:51.720
<v Speaker 1>coming out of these yellow, very clearly labeled beakers that

1:04:51.800 --> 1:04:55.520
<v Speaker 1>say embalming fluid. And so he's going down there, I guess,

1:04:55.560 --> 1:04:58.480
<v Speaker 1>getting embalmed in real time. When the when the police

1:04:58.480 --> 1:05:00.880
<v Speaker 1>inspectors show up, the we're like, wait a minute, what

1:05:00.960 --> 1:05:03.520
<v Speaker 1>was the last plague big Stinger? Of course, plague of

1:05:03.600 --> 1:05:06.680
<v Speaker 1>darkness and the lights go out. Yeah, and we get

1:05:06.680 --> 1:05:09.480
<v Speaker 1>the credits roll. And this is in the credits where

1:05:09.520 --> 1:05:13.800
<v Speaker 1>we see both doctor both doctors are listed as the protagonists,

1:05:13.800 --> 1:05:17.000
<v Speaker 1>which I like. And then when oh, and then what

1:05:17.160 --> 1:05:19.360
<v Speaker 1>song is playing over the end credits just to add

1:05:19.360 --> 1:05:25.120
<v Speaker 1>to the utter weirdness of this movie. Somewhere over the rainbow. Oh,

1:05:25.120 --> 1:05:27.680
<v Speaker 1>it's so good. And then at the very end you

1:05:27.720 --> 1:05:30.680
<v Speaker 1>get a little stinger, you get an evil doctor fives

1:05:30.760 --> 1:05:33.960
<v Speaker 1>Vincent price laugh. Oh god, I love it. There's just

1:05:34.120 --> 1:05:36.560
<v Speaker 1>in the last twenty minutes there's so many weird touches,

1:05:36.600 --> 1:05:39.960
<v Speaker 1>like I love how the when he self embalms himself alive.

1:05:40.040 --> 1:05:43.560
<v Speaker 1>The embalming fluid is this bright yellow opposite the bright

1:05:43.640 --> 1:05:46.440
<v Speaker 1>red of the blood. Um. It made me think. I

1:05:46.480 --> 1:05:50.400
<v Speaker 1>think phantasm too has bright yellow embalming fluid. I have

1:05:50.440 --> 1:05:53.400
<v Speaker 1>no idea what color embalming fluid actually is, but I

1:05:53.480 --> 1:05:56.240
<v Speaker 1>hope it's bright mustard yellow like in these motion pictures.

1:05:57.280 --> 1:06:00.160
<v Speaker 1>There's the lid to the casket. Oh what about that? Oh,

1:06:00.200 --> 1:06:03.960
<v Speaker 1>it has like this elaborate sun, moon and earth, this

1:06:04.320 --> 1:06:08.880
<v Speaker 1>astrological thing going on. Amazing great set design. Uh, this

1:06:08.920 --> 1:06:13.400
<v Speaker 1>one's a real winner. Dr Fibes is the best. Absolutely, yeah,

1:06:13.400 --> 1:06:15.400
<v Speaker 1>this one. This one was a lot of fun. Highly

1:06:15.400 --> 1:06:19.400
<v Speaker 1>recommend it. Just just a weird fun picture. Uh yeah,

1:06:19.520 --> 1:06:24.880
<v Speaker 1>probably not for the week, kids or anything, but unless

1:06:24.920 --> 1:06:27.240
<v Speaker 1>we say otherwise, that applies to any movie we talk

1:06:27.280 --> 1:06:29.600
<v Speaker 1>about here, right right, But I've got a lot of

1:06:29.680 --> 1:06:32.600
<v Speaker 1>fun for just about everybody else. Uh. This one is

1:06:32.640 --> 1:06:35.680
<v Speaker 1>currently hard to stream anywhere as of this recording, at

1:06:35.720 --> 1:06:38.760
<v Speaker 1>least in the United States. Uh. There's an old DVD

1:06:38.880 --> 1:06:41.760
<v Speaker 1>available in the United States and and that is what

1:06:41.880 --> 1:06:45.080
<v Speaker 1>I rented from Video Drome to watch it. There's a

1:06:45.200 --> 1:06:49.760
<v Speaker 1>nice arrow video Blu Ray for regions be Slash two

1:06:50.120 --> 1:06:53.280
<v Speaker 1>out there. But luckily the folks at Video Drume informed

1:06:53.280 --> 1:06:56.040
<v Speaker 1>me that a new Blu Ray edition is about to

1:06:56.040 --> 1:06:58.959
<v Speaker 1>come out from Keno Lorber. It's gonna come out next

1:06:59.000 --> 1:07:02.560
<v Speaker 1>month and it's a two pack with both Fibes movies

1:07:02.600 --> 1:07:06.400
<v Speaker 1>in part one and the sequel. Uh. So if you're

1:07:06.440 --> 1:07:09.000
<v Speaker 1>excited to check out this film, well, hey, it's about here.

1:07:09.400 --> 1:07:11.040
<v Speaker 1>And who knows a lot of times when these films

1:07:11.080 --> 1:07:14.680
<v Speaker 1>come out like this, um it opens up streaming options

1:07:14.680 --> 1:07:17.720
<v Speaker 1>as well, at least in subsequent months. So I feel

1:07:17.760 --> 1:07:23.160
<v Speaker 1>like Fibes is returning. Uh. In grandiose fashion, which of course,

1:07:23.280 --> 1:07:27.120
<v Speaker 1>uh fits him perfectly. I can't wait. I will probably

1:07:27.120 --> 1:07:29.400
<v Speaker 1>be trying to grab one of those. Yeah, Kino Lorber.

1:07:29.640 --> 1:07:32.720
<v Speaker 1>They tend to do a really good job. Alright, anything

1:07:32.720 --> 1:07:34.760
<v Speaker 1>else you want to say about Dr FIBs, I mean,

1:07:34.760 --> 1:07:36.520
<v Speaker 1>there's so many This is one of those movies are

1:07:36.600 --> 1:07:38.919
<v Speaker 1>just so rich with weirdness that we we didn't even

1:07:38.960 --> 1:07:42.480
<v Speaker 1>have time to touch on everything. There's so many great shots, um,

1:07:42.560 --> 1:07:46.840
<v Speaker 1>you know, so many nice little details that are either

1:07:46.880 --> 1:07:50.480
<v Speaker 1>added to a performance or certainly to the background. For instance,

1:07:50.680 --> 1:07:53.400
<v Speaker 1>I feel like we could have just described his organ

1:07:54.560 --> 1:07:58.680
<v Speaker 1>that he plays, glowing red organ. Oh yeah, it's just

1:07:58.840 --> 1:08:05.160
<v Speaker 1>so beautiful, gothically super villain stylish. Oh, it's just it

1:08:05.200 --> 1:08:07.800
<v Speaker 1>has to be seen. Don't watch this movie if you're

1:08:07.800 --> 1:08:13.080
<v Speaker 1>making Brussels sprouts for dinner. All right, We're gonna go

1:08:13.080 --> 1:08:16.120
<v Speaker 1>ahead and close out this episode. But as always so

1:08:16.160 --> 1:08:18.639
<v Speaker 1>we'd love to hear from everyone out there. Any five

1:08:18.760 --> 1:08:21.040
<v Speaker 1>stands have any tidbits they want to share with us,

1:08:21.720 --> 1:08:25.040
<v Speaker 1>right in? Let us know, uh weird, how cinema comes

1:08:25.040 --> 1:08:26.760
<v Speaker 1>out every Friday, and the stuff to blow your mind

1:08:26.800 --> 1:08:31.720
<v Speaker 1>podcast feed. We are primarily a podcast about science and

1:08:31.800 --> 1:08:35.400
<v Speaker 1>you know, sometimes mythology and culture and history and so forth,

1:08:35.960 --> 1:08:38.240
<v Speaker 1>but on on Friday's we set most of that aside

1:08:38.240 --> 1:08:40.160
<v Speaker 1>and we just focus in on a weird film like

1:08:40.240 --> 1:08:42.640
<v Speaker 1>this one. Uh Core. Episodes of Stuff to Blow Your

1:08:42.680 --> 1:08:45.479
<v Speaker 1>Mind come out on Tuesdays and Thursdays Artifact or Monster

1:08:45.520 --> 1:08:48.160
<v Speaker 1>Effact on Wednesday, and on Monday's we do listener mail

1:08:48.640 --> 1:08:51.719
<v Speaker 1>huge thanks as always to our excellent audio producer Seth

1:08:51.840 --> 1:08:54.200
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

1:08:54.240 --> 1:08:56.639
<v Speaker 1>with us with feedback on this episode or any other,

1:08:56.720 --> 1:08:59.040
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1:08:59.080 --> 1:09:01.800
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1:09:01.840 --> 1:09:11.360
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1:09:11.360 --> 1:09:14.280
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1:09:14.280 --> 1:09:16.400
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1:09:16.560 --> 1:09:19.280
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