1 00:00:03,680 --> 00:00:05,000 Speaker 1: I'm Kate Winkler Dawson. 2 00:00:05,120 --> 00:00:07,960 Speaker 2: I'm a journalist who's spent the last twenty five years 3 00:00:08,039 --> 00:00:09,559 Speaker 2: writing about true crime. 4 00:00:09,800 --> 00:00:12,800 Speaker 3: And I'm Paul Hols, a retired cold case investigator who's 5 00:00:12,840 --> 00:00:16,439 Speaker 3: worked some of America's most complicated cases and solve them. 6 00:00:16,480 --> 00:00:19,759 Speaker 2: Each week, I present Paul with one of history's most 7 00:00:19,840 --> 00:00:21,720 Speaker 2: compelling true crimes. 8 00:00:21,400 --> 00:00:24,279 Speaker 3: And I weigh in using modern forensic techniques to bring 9 00:00:24,320 --> 00:00:26,040 Speaker 3: new insights to old mysteries. 10 00:00:26,440 --> 00:00:31,680 Speaker 2: Together, using our individual expertise, we're examining historical true crime 11 00:00:31,760 --> 00:00:34,400 Speaker 2: cases through a twenty first century lens. 12 00:00:34,600 --> 00:00:37,800 Speaker 4: Some are solved and some are cold, very cold. 13 00:00:38,240 --> 00:00:45,680 Speaker 1: This is buried Bones. 14 00:01:01,720 --> 00:01:03,640 Speaker 4: Hey Paul, Hey Kate, how are you. 15 00:01:04,000 --> 00:01:05,399 Speaker 1: I'm doing well. How about you? 16 00:01:05,720 --> 00:01:06,479 Speaker 4: I'm doing great. 17 00:01:06,520 --> 00:01:09,280 Speaker 3: I've got my energy drink, and I'm ready to hear 18 00:01:09,360 --> 00:01:11,720 Speaker 3: the rest of this story that you started last week. 19 00:01:12,280 --> 00:01:15,160 Speaker 2: Well, let's go ahead and set the scene for part 20 00:01:15,160 --> 00:01:19,679 Speaker 2: two of the kidnapping. So, just to remind you, although 21 00:01:19,720 --> 00:01:21,800 Speaker 2: I think you've been thinking about this for the last week, 22 00:01:22,000 --> 00:01:23,560 Speaker 2: just to remind you where we are. We have a 23 00:01:23,560 --> 00:01:26,959 Speaker 2: seventy two year old man, Charles Ross, very wealthy, retired, 24 00:01:27,680 --> 00:01:33,399 Speaker 2: stopped with his former secretary in a car and kidnapped 25 00:01:33,400 --> 00:01:38,160 Speaker 2: at gunpoint. We have over a series of about two weeks, 26 00:01:38,600 --> 00:01:42,720 Speaker 2: several different ransom notes that seem very random for ransom 27 00:01:42,760 --> 00:01:47,080 Speaker 2: notes asking for different amounts, even sort of I didn't 28 00:01:47,080 --> 00:01:48,880 Speaker 2: say this the last time, but it felt like a 29 00:01:48,920 --> 00:01:51,640 Speaker 2: little bit of a sliding scale. Can you get this? 30 00:01:51,800 --> 00:01:55,000 Speaker 2: Maybe not get that? Twenty five thousand's probably okay, fifty thousand. 31 00:01:55,120 --> 00:01:57,800 Speaker 2: I mean, it just felt all over the place. And 32 00:01:57,840 --> 00:02:01,600 Speaker 2: we are worried about Charles Ross because we have proof 33 00:02:01,640 --> 00:02:05,800 Speaker 2: of life if this is a real kidnapping, that he 34 00:02:05,880 --> 00:02:10,280 Speaker 2: has been alive for seven days, which seems very committed 35 00:02:10,360 --> 00:02:11,320 Speaker 2: of these kidnappers. 36 00:02:11,320 --> 00:02:14,520 Speaker 3: If this is real, obviously you know they have to 37 00:02:14,560 --> 00:02:19,320 Speaker 3: be able to at least provide Charles some sustenance and 38 00:02:19,400 --> 00:02:22,360 Speaker 3: also as well as be able to contain him. But 39 00:02:22,560 --> 00:02:24,919 Speaker 3: it sounds like because of his heart condition, he may 40 00:02:24,919 --> 00:02:27,520 Speaker 3: be on the meek side, so he knows that he 41 00:02:27,600 --> 00:02:30,440 Speaker 3: can't exert much effort in trying to escape or to 42 00:02:30,560 --> 00:02:34,440 Speaker 3: fight his abductors, so he may be a very docile victim. 43 00:02:35,080 --> 00:02:37,919 Speaker 3: But there are red flags all over the place, and 44 00:02:38,040 --> 00:02:40,400 Speaker 3: I have concerns about you know, is this a real 45 00:02:40,480 --> 00:02:44,280 Speaker 3: kidnapping or has Charles orchestrated something for some reason. 46 00:02:44,520 --> 00:02:45,720 Speaker 1: Well, let's get into it. 47 00:02:45,919 --> 00:02:49,280 Speaker 2: Missus Ross is very worried about her husband, who of 48 00:02:49,280 --> 00:02:52,720 Speaker 2: course has heart problems and blood pressure problems. She has 49 00:02:52,720 --> 00:02:56,200 Speaker 2: gotten the money fifty thousand dollars a million dollars today. 50 00:02:56,880 --> 00:03:01,160 Speaker 2: She placed that wonky ad in the Chicago newspaper about 51 00:03:01,200 --> 00:03:04,320 Speaker 2: a car for sale and place the name of the writer, 52 00:03:04,560 --> 00:03:08,200 Speaker 2: A Harley Davidson. Hired writer and did everything that they 53 00:03:08,240 --> 00:03:12,560 Speaker 2: said and communicated this out saying we're ready, you can 54 00:03:12,600 --> 00:03:14,959 Speaker 2: have the money. This is all at the blessing of 55 00:03:15,000 --> 00:03:18,800 Speaker 2: the police. They receive a note as promised back with 56 00:03:19,040 --> 00:03:22,639 Speaker 2: detailed instructions that just make the other two notes or 57 00:03:22,680 --> 00:03:26,480 Speaker 2: the other several notes look sane compared. So if you remember, 58 00:03:26,639 --> 00:03:29,919 Speaker 2: the writer is supposed to deliver the money somehow, some way. 59 00:03:30,080 --> 00:03:31,640 Speaker 2: So now I'm going to make you do this again. 60 00:03:31,720 --> 00:03:33,079 Speaker 2: You're going to have to read the note. I don't 61 00:03:33,120 --> 00:03:34,519 Speaker 2: even know if you want to go through this whole thing. 62 00:03:34,760 --> 00:03:37,720 Speaker 2: I think, like I said, it's a Sherlock Holmes feet 63 00:03:37,800 --> 00:03:40,760 Speaker 2: to try to understand exactly what they want to have happened. 64 00:03:40,800 --> 00:03:43,480 Speaker 2: But this is the note, kind of the final note. 65 00:03:43,520 --> 00:03:47,640 Speaker 2: Detailed instructions includes the times that the motorcycle riders should 66 00:03:47,640 --> 00:03:52,000 Speaker 2: reach various towns before arriving in oak Park, Illinois. 67 00:03:52,400 --> 00:03:54,360 Speaker 1: So here's the big letter here. 68 00:03:55,240 --> 00:03:56,480 Speaker 4: Okay, look at this thing. 69 00:03:57,040 --> 00:03:58,000 Speaker 1: Lots of numbers too. 70 00:03:58,560 --> 00:03:59,920 Speaker 4: Everything's set. Let's go. 71 00:04:00,000 --> 00:04:03,800 Speaker 3: So contact man to leave towns at time following each point. 72 00:04:04,280 --> 00:04:07,960 Speaker 3: Start oak Park on Highway number twenty at six o'clock 73 00:04:08,040 --> 00:04:13,640 Speaker 3: PM Friday. Rockford eight forty five, Freeport nine forty junction 74 00:04:13,760 --> 00:04:18,840 Speaker 3: with Highway number eighty eleven oh nine, Savannah eleven fifty nine, 75 00:04:18,960 --> 00:04:24,239 Speaker 3: Fulton twelve thirty, Cordova one, ten East Moleene one forty five. 76 00:04:24,800 --> 00:04:26,120 Speaker 3: You know, O, Kate, right now, I just have to 77 00:04:26,160 --> 00:04:28,479 Speaker 3: kind of break this up because this is this is 78 00:04:28,560 --> 00:04:32,120 Speaker 3: absurd in terms of what they are riding, and there's 79 00:04:32,120 --> 00:04:34,400 Speaker 3: just no way that the kidnappers would not be able 80 00:04:34,440 --> 00:04:37,040 Speaker 3: to verify and be in all these places. And so 81 00:04:37,560 --> 00:04:41,320 Speaker 3: the rider has come through at Savannah at specifically at 82 00:04:41,320 --> 00:04:44,320 Speaker 3: eleven fifty nine. It's kind of crazy, but I'll continue. 83 00:04:44,480 --> 00:04:48,080 Speaker 3: You know, Savannah eleven fifty nine, Fulton twelve thirty, Cordova one, 84 00:04:48,200 --> 00:04:52,760 Speaker 3: ten East Moleene one forty five, Geneseo two thirteen, Sheffel 85 00:04:52,839 --> 00:04:57,360 Speaker 3: To fifty nine, Princeton three twenty five, LaSalle four oh five, 86 00:04:57,480 --> 00:05:01,680 Speaker 3: Ottawa six am and Joliet seven O four. Okay, now 87 00:05:01,680 --> 00:05:03,320 Speaker 3: we get and get out of that. And it says 88 00:05:03,360 --> 00:05:07,200 Speaker 3: take Highway sixty six to Chicago, travel fifty miles per hour, 89 00:05:07,320 --> 00:05:11,640 Speaker 3: gas as often as schedule permits. Eat Ottawa type egg 90 00:05:11,800 --> 00:05:15,040 Speaker 3: so can be released instantly on signal, flashing of lights 91 00:05:15,160 --> 00:05:18,400 Speaker 3: or shot. Don't go further than three hundred yards from 92 00:05:18,440 --> 00:05:23,000 Speaker 3: signal without ditching cycle. Continue at walk in same direction 93 00:05:23,200 --> 00:05:26,640 Speaker 3: on high We'll have reports on progress. Don't take other 94 00:05:26,720 --> 00:05:31,080 Speaker 3: vehicles if possible. Know you by white clothing. Ross won't 95 00:05:31,120 --> 00:05:34,400 Speaker 3: show if this contact fails on your end. If new 96 00:05:34,400 --> 00:05:38,080 Speaker 3: directions are given somewhere en route, follow if signed albe 97 00:05:38,680 --> 00:05:42,520 Speaker 3: inability to raise quite total amount might be overlooked if 98 00:05:42,520 --> 00:05:47,200 Speaker 3: accompanied by adequate explanations. The run around or a suspicious 99 00:05:47,200 --> 00:05:52,200 Speaker 3: car or truck won't ps ross opines. As how, there's 100 00:05:52,320 --> 00:05:57,240 Speaker 3: too much vitamin G in this mess. We agree, Dick 101 00:05:58,000 --> 00:06:01,560 Speaker 3: be home Sunday morning. Hide the silver where into associations 102 00:06:01,640 --> 00:06:02,320 Speaker 3: wear off? 103 00:06:03,400 --> 00:06:07,680 Speaker 1: Oh good god, Vitamin G is G. Men, they're talking 104 00:06:07,720 --> 00:06:09,360 Speaker 1: about the FBI, the government. Men. 105 00:06:09,839 --> 00:06:13,800 Speaker 3: Yeah, kind of the same problems as the prior communications. 106 00:06:14,000 --> 00:06:19,000 Speaker 4: Yeah, you know, there's way too many details that are superfluous. 107 00:06:19,520 --> 00:06:21,960 Speaker 3: There's no way that these abductors would be able to 108 00:06:22,160 --> 00:06:27,240 Speaker 3: verify you know, these locations, the times that the writer's 109 00:06:27,279 --> 00:06:27,919 Speaker 3: going through. 110 00:06:28,360 --> 00:06:31,440 Speaker 2: What does that mean about the Is this person somebody 111 00:06:31,520 --> 00:06:34,800 Speaker 2: who is suffering from some sort of a breakdown, or 112 00:06:35,040 --> 00:06:38,720 Speaker 2: are they, like I said, reading too many hardboiled detective novels. 113 00:06:38,960 --> 00:06:40,960 Speaker 5: Well, you know, my thought is is this is still 114 00:06:41,000 --> 00:06:44,040 Speaker 5: in the line of somebody who thinks this is what 115 00:06:44,120 --> 00:06:48,760 Speaker 5: a ransom note should look like and is providing details, 116 00:06:49,120 --> 00:06:53,039 Speaker 5: probably because of something that they've seen in a I 117 00:06:53,040 --> 00:06:55,400 Speaker 5: don't know if these existed back in the nineteen thirties, 118 00:06:55,440 --> 00:06:58,840 Speaker 5: like a true detective magazine or some crime story. 119 00:06:59,200 --> 00:07:02,080 Speaker 3: That's what resons with me as I read this again. 120 00:07:02,160 --> 00:07:04,840 Speaker 3: We go back to this vagueness in terms of their 121 00:07:04,960 --> 00:07:09,400 Speaker 3: their financial demand in this ransom letter, they say, inability 122 00:07:09,440 --> 00:07:15,560 Speaker 3: to raise quite total amount might be overlooked. Okay, it's okay, 123 00:07:15,760 --> 00:07:18,080 Speaker 3: you want Charles back, we want fifty grand. But if 124 00:07:18,120 --> 00:07:20,320 Speaker 3: you can't quite get that, you know, we'll take ten 125 00:07:20,400 --> 00:07:24,160 Speaker 3: grand and we'll overlook We'll just settle for whatever you're 126 00:07:24,200 --> 00:07:27,360 Speaker 3: willing to give us. That's not the way these things go. 127 00:07:27,840 --> 00:07:30,480 Speaker 3: You know, so again this is I have problems. 128 00:07:30,760 --> 00:07:33,240 Speaker 2: Well, it sounds like a basic lack of confidence on 129 00:07:33,480 --> 00:07:35,840 Speaker 2: part of the kidnappers. If this is a real kidnapping, 130 00:07:35,880 --> 00:07:38,880 Speaker 2: it just seems like, like I said, the sliding scale 131 00:07:38,920 --> 00:07:41,520 Speaker 2: will take what we can get kind of situation. 132 00:07:41,720 --> 00:07:44,240 Speaker 1: But I don't know. It's so confusing. 133 00:07:44,680 --> 00:07:47,160 Speaker 3: But at the same time, Kate, in none of the 134 00:07:47,200 --> 00:07:51,600 Speaker 3: communications that we have gone through up to this point 135 00:07:51,640 --> 00:07:55,480 Speaker 3: in time, has there been a threat made against Charles. 136 00:07:56,000 --> 00:07:57,840 Speaker 3: It's not like if you don't do this, we're going 137 00:07:57,920 --> 00:08:00,400 Speaker 3: to kill him. Nor has there been anything saying if 138 00:08:00,400 --> 00:08:02,640 Speaker 3: you give us a ransom money then Charles will come home. 139 00:08:02,960 --> 00:08:05,200 Speaker 3: They haven't communicated what's going to happen to Charles. 140 00:08:05,600 --> 00:08:09,720 Speaker 2: And it says Ross opines as how as how there's 141 00:08:09,800 --> 00:08:12,880 Speaker 2: too much vitamin G in this mess, and we agree 142 00:08:13,480 --> 00:08:16,240 Speaker 2: That opines part made me chuckle a little bit. So 143 00:08:16,400 --> 00:08:19,600 Speaker 2: I don't know if that's the case. What is the 144 00:08:19,640 --> 00:08:26,000 Speaker 2: relationship between Charles Ross as kidnap victim and the kidnappers 145 00:08:26,400 --> 00:08:29,360 Speaker 2: if they're having this kind of a discussion with him, 146 00:08:29,640 --> 00:08:32,000 Speaker 2: If this is really the case at all, it just 147 00:08:32,040 --> 00:08:35,600 Speaker 2: seems odd. It's almost like he's not a participant. But 148 00:08:35,679 --> 00:08:38,480 Speaker 2: it's just it doesn't seem like he's in fear of 149 00:08:38,520 --> 00:08:39,880 Speaker 2: his life according to them. 150 00:08:39,880 --> 00:08:40,920 Speaker 1: I don't know, I might be wrong. 151 00:08:41,120 --> 00:08:44,160 Speaker 3: Well, there are details that are only coming from Charles 152 00:08:44,280 --> 00:08:45,559 Speaker 3: right throughout the course. 153 00:08:45,280 --> 00:08:46,319 Speaker 4: Of this communications. 154 00:08:46,520 --> 00:08:49,440 Speaker 3: You know, like you know so much stock you know 155 00:08:49,640 --> 00:08:53,880 Speaker 3: in escrow at the First National Bank. Obviously, if Charles 156 00:08:54,000 --> 00:08:58,360 Speaker 3: is interacting with kidnappers, he is divulging, you know, details 157 00:08:58,360 --> 00:08:59,920 Speaker 3: that only Charles would not. 158 00:09:00,840 --> 00:09:02,680 Speaker 4: Now in addition to just the. 159 00:09:02,600 --> 00:09:06,320 Speaker 3: Absurd directions that are given for the money drop off 160 00:09:06,320 --> 00:09:09,640 Speaker 3: to occur, you know, some of that language like you 161 00:09:09,679 --> 00:09:12,920 Speaker 3: brought up ross O Pines. It almost sounds like Charles 162 00:09:12,920 --> 00:09:15,720 Speaker 3: and the kidnappers are sitting around the table having drinks 163 00:09:15,720 --> 00:09:19,520 Speaker 3: together as they're crafting this letter. Again, I kind of 164 00:09:19,679 --> 00:09:22,520 Speaker 3: lean towards I think Charles is potentially an active participant. 165 00:09:22,559 --> 00:09:26,079 Speaker 3: But let's say he's not. Maybe there's something going on 166 00:09:26,400 --> 00:09:29,360 Speaker 3: with Charles, the Stockholm syndrome, you know, in which now 167 00:09:29,400 --> 00:09:34,840 Speaker 3: he has psychologically bonded with his kidnappers and is completely cooperating, 168 00:09:34,880 --> 00:09:37,800 Speaker 3: almost like being part of a team with the very 169 00:09:37,800 --> 00:09:39,000 Speaker 3: people who abducted him. 170 00:09:39,200 --> 00:09:42,640 Speaker 2: Well, it gets even more confusing. These directions, when plotted 171 00:09:42,679 --> 00:09:45,920 Speaker 2: on a map, are sending the motorcycle rider from Harley 172 00:09:46,000 --> 00:09:49,960 Speaker 2: Davidson in a big oval from the Chicago suburb of 173 00:09:50,000 --> 00:09:53,360 Speaker 2: oak Park up to northern Illinois, riding through all of 174 00:09:53,400 --> 00:09:57,040 Speaker 2: these towns very close to Wisconsin to the border, and 175 00:09:57,080 --> 00:10:00,800 Speaker 2: then back down Highway eighty ending in Chicago. So what 176 00:10:01,000 --> 00:10:04,600 Speaker 2: the FBI, who is on the case thinks is they're 177 00:10:04,720 --> 00:10:09,360 Speaker 2: testing this whole motorcycle rider, you know, delivery method to 178 00:10:09,440 --> 00:10:12,839 Speaker 2: make sure that he's following all the directions and they'll 179 00:10:12,840 --> 00:10:15,440 Speaker 2: be able to control the situation and that they'll stop 180 00:10:15,520 --> 00:10:19,080 Speaker 2: him at some point with this signal, which was the 181 00:10:19,080 --> 00:10:21,360 Speaker 2: flashing light or they can't seem to decide is it 182 00:10:21,360 --> 00:10:24,280 Speaker 2: a flashing light or it sounds like a gunshot maybe. 183 00:10:24,040 --> 00:10:24,560 Speaker 1: In the air. 184 00:10:24,840 --> 00:10:25,120 Speaker 4: Right. 185 00:10:25,320 --> 00:10:29,360 Speaker 2: The indecision here is very concerning for me. Again, what 186 00:10:29,440 --> 00:10:30,880 Speaker 2: is going on with Charles. 187 00:10:30,800 --> 00:10:33,000 Speaker 3: And the use of a flashing light or a gunshot 188 00:10:33,080 --> 00:10:36,120 Speaker 3: to say here's the money. You know, that's kind of 189 00:10:36,480 --> 00:10:39,679 Speaker 3: not very discreet. You know, it's going to draw the 190 00:10:39,720 --> 00:10:43,280 Speaker 3: attention of other people who have nothing to do. You know, 191 00:10:43,360 --> 00:10:45,120 Speaker 3: It's just like, why is this sky shooting a gun? 192 00:10:46,280 --> 00:10:48,000 Speaker 3: And he oh, and he dropped a bag. 193 00:10:48,480 --> 00:10:53,920 Speaker 2: It's silly, it's confusing, But missus Ross is enthusiastic about 194 00:10:53,960 --> 00:10:56,440 Speaker 2: getting her sick husband back home. They get the money, 195 00:10:56,600 --> 00:10:59,200 Speaker 2: they hire the motorcycle rider, They put the ad out, 196 00:10:59,320 --> 00:11:01,920 Speaker 2: They do all of it. He puts on a bag 197 00:11:02,000 --> 00:11:05,559 Speaker 2: that contains more than a million dollars now fifty thousand 198 00:11:05,600 --> 00:11:09,480 Speaker 2: dollars in nineteen thirty seven money and does exactly what 199 00:11:09,520 --> 00:11:12,079 Speaker 2: the ransom note says, fifty miles an hour. I mean, 200 00:11:12,120 --> 00:11:14,840 Speaker 2: the whole thing. It just seems like foolish, but he 201 00:11:14,880 --> 00:11:18,640 Speaker 2: does it. He gets the signal flashing lights. There's a 202 00:11:18,679 --> 00:11:21,720 Speaker 2: car behind him that flashes his lights. Six miles east 203 00:11:21,760 --> 00:11:26,120 Speaker 2: of Rockford, Illinois, the hired motorcycle rider pulls over. He 204 00:11:26,400 --> 00:11:28,959 Speaker 2: detaches the bag with the cash from the bike, throws 205 00:11:28,960 --> 00:11:32,040 Speaker 2: it in a ditch, and walks about three hundred yards away. 206 00:11:32,360 --> 00:11:34,800 Speaker 1: Someone scoops up the money. And that is it. 207 00:11:35,520 --> 00:11:37,920 Speaker 4: Yeah, And I mean the FBI is involved. 208 00:11:38,280 --> 00:11:42,080 Speaker 3: Is the FBI tailing this motorcycle rider at all, just 209 00:11:42,120 --> 00:11:46,400 Speaker 3: to see when the kidnappers make contact with the rider? 210 00:11:47,080 --> 00:11:47,720 Speaker 1: No, they did not. 211 00:11:47,880 --> 00:11:50,920 Speaker 2: They took it seriously with this, you know, this man's 212 00:11:50,920 --> 00:11:53,679 Speaker 2: life hanging in the balance. They did not send cars 213 00:11:53,720 --> 00:11:58,120 Speaker 2: out there. They specifically sent the rider followed directions. They 214 00:11:58,160 --> 00:12:03,319 Speaker 2: were playing ball with thei's knowledge. So you remember the 215 00:12:03,440 --> 00:12:06,600 Speaker 2: last line of this banana's notes, which was Dick be 216 00:12:06,720 --> 00:12:10,720 Speaker 2: home Sunday morning. So missus Ross is home Sunday morning 217 00:12:11,120 --> 00:12:13,720 Speaker 2: and Charles Ross has not come home. Not that you 218 00:12:13,760 --> 00:12:17,320 Speaker 2: believe kidnappers all the time here, but they went through 219 00:12:17,360 --> 00:12:18,880 Speaker 2: all of this and he does. 220 00:12:18,720 --> 00:12:19,439 Speaker 1: Not come home. 221 00:12:20,240 --> 00:12:24,800 Speaker 3: So imagine his wife's panic at that point. Oh yeah, 222 00:12:24,960 --> 00:12:29,480 Speaker 3: she truly believes Charles's life is in danger, and she's 223 00:12:29,520 --> 00:12:33,520 Speaker 3: done everything that these kidnappers have requested and she doesn't 224 00:12:33,520 --> 00:12:36,040 Speaker 3: get Charles back. So what did they do? Did did 225 00:12:36,080 --> 00:12:38,199 Speaker 3: they just shoot Charles and throw them in a ditch 226 00:12:38,400 --> 00:12:41,240 Speaker 3: after they got the money. That's always the risk when 227 00:12:41,280 --> 00:12:45,920 Speaker 3: you cooperate with these kidnappers. You can't necessarily guarantee that 228 00:12:45,960 --> 00:12:49,960 Speaker 3: they will do what they say they will. These are criminals. 229 00:12:50,559 --> 00:12:54,640 Speaker 3: They lie, you know, once they have benefited from their crime, 230 00:12:55,520 --> 00:12:57,480 Speaker 3: they're going to do what they need to do to 231 00:12:57,520 --> 00:13:01,840 Speaker 3: minimize their risk of being caught. And Charles is a witness. 232 00:13:02,400 --> 00:13:05,040 Speaker 3: You know, they're just going to let this person that 233 00:13:05,080 --> 00:13:08,960 Speaker 3: they've spent over a week with talking to seeing you know, 234 00:13:09,000 --> 00:13:12,199 Speaker 3: who knows how controlled they were about hiding their identities. 235 00:13:12,840 --> 00:13:14,640 Speaker 3: You know, it's like, well, no, we got our money, 236 00:13:15,080 --> 00:13:17,439 Speaker 3: nobody knows where we're at. We can kill him, throw 237 00:13:17,520 --> 00:13:19,520 Speaker 3: him in a ditch, barry his body, nobody would ever 238 00:13:19,559 --> 00:13:21,960 Speaker 3: find him, and we just ride off into the sunset. 239 00:13:22,400 --> 00:13:25,079 Speaker 1: So why comply? Throughout history? 240 00:13:25,400 --> 00:13:29,040 Speaker 2: Why have police or the FBI or whomever, maybe not 241 00:13:29,160 --> 00:13:31,360 Speaker 2: said this is a great idea, But why allow this 242 00:13:31,480 --> 00:13:34,400 Speaker 2: to happen because the FBI were involved with this? Why 243 00:13:34,800 --> 00:13:38,080 Speaker 2: is this a good idea? You cannot trust a kidnapper. 244 00:13:37,920 --> 00:13:38,120 Speaker 4: You know. 245 00:13:38,160 --> 00:13:42,000 Speaker 3: This is where the power the kidnappers have is the 246 00:13:42,320 --> 00:13:45,839 Speaker 3: emotional connection with the family because they have a loved 247 00:13:45,840 --> 00:13:49,280 Speaker 3: one in their possession and that loved one's health or 248 00:13:49,360 --> 00:13:52,960 Speaker 3: life is in danger. So families, of course are going 249 00:13:53,000 --> 00:13:56,280 Speaker 3: to have that desire to do whatever they can in 250 00:13:56,480 --> 00:14:00,679 Speaker 3: order to appease the kidnappers and hope that their loved 251 00:14:00,679 --> 00:14:04,560 Speaker 3: ones will come home. I think in this day and age, 252 00:14:04,880 --> 00:14:08,760 Speaker 3: law enforcement unless there is a very clear opening in 253 00:14:08,840 --> 00:14:12,400 Speaker 3: which they can use a ruse that they are cooperating, 254 00:14:12,480 --> 00:14:17,760 Speaker 3: but it maximizes the potential of getting the victim back 255 00:14:18,080 --> 00:14:22,400 Speaker 3: unharmed as well as identifying the offenders. You don't see 256 00:14:22,480 --> 00:14:25,960 Speaker 3: law enforcement generally going to cooperate under this set of 257 00:14:26,000 --> 00:14:30,600 Speaker 3: circumstances in this day, unless the family just really drives 258 00:14:30,640 --> 00:14:33,640 Speaker 3: that yes, we will cooperate, I can guarantee in this 259 00:14:33,720 --> 00:14:36,280 Speaker 3: day and age, if this were to happen, the FBI 260 00:14:36,440 --> 00:14:41,960 Speaker 3: is likely counseling Charles's wife and saying, you cooperate, you 261 00:14:42,000 --> 00:14:45,480 Speaker 3: can't guarantee that he's going to come home alive. So 262 00:14:45,720 --> 00:14:48,960 Speaker 3: you know, I think just over the decades, law enforcement 263 00:14:49,000 --> 00:14:53,200 Speaker 3: has recognized that cooperation is really futile. 264 00:14:53,560 --> 00:14:56,040 Speaker 2: Well, it'll be interesting to see how you feel about 265 00:14:56,040 --> 00:15:02,960 Speaker 2: that coming up. So on October eighth, this is when 266 00:15:02,960 --> 00:15:06,280 Speaker 2: the drop happens. Ten days later, he is still not home. 267 00:15:06,760 --> 00:15:10,520 Speaker 2: She the wife, is pissed, and she releases a statement 268 00:15:10,520 --> 00:15:12,760 Speaker 2: through her attorney. She said, we have met, We have 269 00:15:12,840 --> 00:15:15,920 Speaker 2: agreed and met all demands of the person's holding my husband. 270 00:15:16,840 --> 00:15:20,760 Speaker 2: If he has not returned, all law enforcement officers would 271 00:15:20,760 --> 00:15:25,560 Speaker 2: make vigorous efforts to locate and punish those responsible. Missus 272 00:15:25,600 --> 00:15:28,480 Speaker 2: Ross has had enough. She has paid the money and 273 00:15:28,680 --> 00:15:32,400 Speaker 2: they are not participating in this. And she's of course 274 00:15:32,400 --> 00:15:35,080 Speaker 2: afraid her husband's dead, and she's mad, and she's ready 275 00:15:35,080 --> 00:15:38,280 Speaker 2: to turn the FBI and everyone else loose on these 276 00:15:38,280 --> 00:15:39,720 Speaker 2: people who have taken her husband. 277 00:15:40,040 --> 00:15:43,000 Speaker 3: Yeah, you know, and that actually is an interesting kind 278 00:15:43,000 --> 00:15:46,680 Speaker 3: of emotional change, hmm, you know, to go from fear 279 00:15:46,960 --> 00:15:50,960 Speaker 3: to anger. The release of that statement tells me that 280 00:15:51,000 --> 00:15:54,480 Speaker 3: in her mind doesn't matter what she says, because she's 281 00:15:54,480 --> 00:15:58,120 Speaker 3: not going to be bringing Charles back. She's already accepted 282 00:15:58,200 --> 00:15:59,160 Speaker 3: he's been killed. 283 00:15:59,600 --> 00:16:02,320 Speaker 2: This is almost a month after, you know, he was 284 00:16:02,800 --> 00:16:06,160 Speaker 2: kidnapped on September twenty fifth, we're talking about October eighteenth. 285 00:16:06,440 --> 00:16:09,040 Speaker 2: It sounds like she has come to the reality that 286 00:16:09,240 --> 00:16:12,080 Speaker 2: something has happened here. And from our point of view, 287 00:16:12,080 --> 00:16:17,440 Speaker 2: it's either Charles is in Mexico with Florence or a girlfriend, 288 00:16:17,720 --> 00:16:21,560 Speaker 2: or you know, this is a legitimate kidnapping. So the FBI, 289 00:16:22,040 --> 00:16:24,080 Speaker 2: because we haven't talked a lot about the FBI, and 290 00:16:24,160 --> 00:16:27,760 Speaker 2: Jay Edgar Hoover gets involved pretty quickly. They've been involved, 291 00:16:27,920 --> 00:16:31,840 Speaker 2: and like I said, they gave the blessing to the 292 00:16:31,960 --> 00:16:34,840 Speaker 2: ransom and here's what they did. So the kidnappers, if 293 00:16:34,840 --> 00:16:38,680 Speaker 2: you remember, said no sequential bills, and tell me why 294 00:16:38,720 --> 00:16:41,040 Speaker 2: that is. I'm supposed to know this, but why no 295 00:16:41,160 --> 00:16:42,080 Speaker 2: sequential bills. 296 00:16:42,720 --> 00:16:45,480 Speaker 3: Let's say you have a block of money that got 297 00:16:45,560 --> 00:16:49,320 Speaker 3: the serial numbers in sequence. So when that money is 298 00:16:49,400 --> 00:16:52,600 Speaker 3: turned over to some unknown entity. The FBI know what 299 00:16:52,680 --> 00:16:55,520 Speaker 3: serial numbers were given, and then the banks are alerted 300 00:16:55,800 --> 00:16:59,360 Speaker 3: be on the lookout for any bills coming in with 301 00:16:59,440 --> 00:17:02,600 Speaker 3: serial numbers between this and this, and so that can 302 00:17:02,680 --> 00:17:07,119 Speaker 3: provide leads as to where the offenders ended up using 303 00:17:07,160 --> 00:17:10,119 Speaker 3: the money after they acquired it from the commission of 304 00:17:10,119 --> 00:17:10,600 Speaker 3: this crime. 305 00:17:10,920 --> 00:17:14,600 Speaker 2: Okay, so the FBI honored that request. They did not 306 00:17:14,960 --> 00:17:19,000 Speaker 2: give them sequential bills, but they did document every single 307 00:17:19,160 --> 00:17:20,960 Speaker 2: serial number on every bill. 308 00:17:21,200 --> 00:17:22,760 Speaker 1: So this is where we come back to. 309 00:17:23,000 --> 00:17:25,200 Speaker 2: I know that this probably in this day and age, 310 00:17:25,240 --> 00:17:28,280 Speaker 2: is not the smart idea to negotiate or pay a ransom, 311 00:17:28,840 --> 00:17:32,480 Speaker 2: but it does end up paying off because of the bills. 312 00:17:32,800 --> 00:17:35,280 Speaker 2: I'm not sure in nineteen thirty seven what else they 313 00:17:35,280 --> 00:17:38,639 Speaker 2: would have been able to do except play ball to 314 00:17:38,720 --> 00:17:41,399 Speaker 2: get this guy back, because this was their way of 315 00:17:41,560 --> 00:17:45,520 Speaker 2: really now actually being able to track the kidnappers. 316 00:17:45,960 --> 00:17:49,399 Speaker 3: I go back to you have the abduction, You have 317 00:17:49,480 --> 00:17:53,320 Speaker 3: a witness that sees the at least one of the abductors. 318 00:17:53,680 --> 00:17:56,200 Speaker 3: You have a direction in which that vehicle is last 319 00:17:56,200 --> 00:18:00,360 Speaker 3: seen driving. You know Florence, you know falls go into 320 00:18:00,400 --> 00:18:03,440 Speaker 3: pursuit in some ways. So at least you have sort 321 00:18:03,480 --> 00:18:06,760 Speaker 3: of a starting point. There's even though you don't have 322 00:18:06,800 --> 00:18:09,720 Speaker 3: surveillance cameras on businesses and everything else, you potentially have 323 00:18:09,760 --> 00:18:12,440 Speaker 3: witnesses that might be able to place that particular car, 324 00:18:12,720 --> 00:18:16,399 Speaker 3: you know, at certain times along its escape. But also 325 00:18:16,880 --> 00:18:22,040 Speaker 3: you have the interaction. You know, in this situation, in 326 00:18:22,080 --> 00:18:27,400 Speaker 3: the days before online banking and electronic transmissions of funds, 327 00:18:28,000 --> 00:18:32,840 Speaker 3: you have to have a physical transmission of the ransom amount, 328 00:18:33,400 --> 00:18:36,440 Speaker 3: and that's with this motorcycle rider. And this is where, 329 00:18:36,640 --> 00:18:40,400 Speaker 3: in my opinion, that is the core way to work 330 00:18:40,480 --> 00:18:44,359 Speaker 3: this case. If the FBI had developed a methodology to 331 00:18:44,400 --> 00:18:48,679 Speaker 3: be able to follow that motorcycle rider discreetly and to 332 00:18:48,760 --> 00:18:52,640 Speaker 3: be able to see this interaction where now the money 333 00:18:52,680 --> 00:18:57,840 Speaker 3: exchange is occurring, well, that is that's the critical point 334 00:18:58,080 --> 00:19:01,639 Speaker 3: to help solve this case. And that's where if the 335 00:19:01,680 --> 00:19:05,280 Speaker 3: FBI didn't engage at the level they should have, that 336 00:19:05,400 --> 00:19:08,520 Speaker 3: was a big ball that was dropped in my opinion. 337 00:19:08,920 --> 00:19:11,320 Speaker 2: I mean, they absolutely had some level of control. They're 338 00:19:11,359 --> 00:19:14,159 Speaker 2: the ones who jotted down all of the serial numbers. 339 00:19:14,600 --> 00:19:15,560 Speaker 1: It sounds to me, and I. 340 00:19:15,560 --> 00:19:17,480 Speaker 2: Think you're going to probably agree with me that the 341 00:19:17,840 --> 00:19:21,199 Speaker 2: FBI did things the hard way because listen to what 342 00:19:21,280 --> 00:19:24,440 Speaker 2: they did. They forwarded this list of serial numbers all 343 00:19:24,480 --> 00:19:27,840 Speaker 2: over the country to their different offices, their local offices, 344 00:19:28,000 --> 00:19:33,200 Speaker 2: law enforcement agencies, to private citizens, to business owners, everywhere 345 00:19:33,240 --> 00:19:37,520 Speaker 2: they thought a sleez bag kidnapper might spend money. And 346 00:19:37,840 --> 00:19:41,040 Speaker 2: immediately the FBI gets reports from all over the country 347 00:19:41,080 --> 00:19:43,800 Speaker 2: of people who have found one or two of these bills, 348 00:19:43,920 --> 00:19:46,959 Speaker 2: which of which are many, many, many bills, fifty thousand 349 00:19:46,960 --> 00:19:50,520 Speaker 2: dollars worth of Remember they were asking for denominations of 350 00:19:50,600 --> 00:19:54,199 Speaker 2: five dollars and ten dollars. I mean, they're kind of smart. 351 00:19:54,280 --> 00:19:56,600 Speaker 2: I mean that seems pretty smart to me. They were 352 00:19:56,600 --> 00:19:59,639 Speaker 2: able to not get tailed, and they asked for so 353 00:19:59,640 --> 00:20:03,320 Speaker 2: many bill it seems almost impossible to trace these bills 354 00:20:03,400 --> 00:20:04,680 Speaker 2: back to one person. 355 00:20:04,880 --> 00:20:06,520 Speaker 4: Right well, you. 356 00:20:06,480 --> 00:20:09,680 Speaker 3: Know, and that may be something that's happening purposefully. Is 357 00:20:09,800 --> 00:20:13,840 Speaker 3: that now now that they've got these small bills, they 358 00:20:13,880 --> 00:20:20,560 Speaker 3: may have gone and distributed those bills widely through proxies, 359 00:20:20,600 --> 00:20:24,080 Speaker 3: if you will, in order to throw the scent off. 360 00:20:24,119 --> 00:20:27,200 Speaker 3: Instead of oh, we're now going to go downtown Chicago 361 00:20:27,280 --> 00:20:30,159 Speaker 3: and start hitting the nice restaurants and spending this money. 362 00:20:30,520 --> 00:20:32,879 Speaker 3: You know, now you have sort of this concentration of 363 00:20:32,880 --> 00:20:35,160 Speaker 3: where these bills are being spent, and now you can 364 00:20:35,200 --> 00:20:38,400 Speaker 3: focus the investigation at those points. If you've got these 365 00:20:38,400 --> 00:20:42,639 Speaker 3: bills showing up in Maine and California and Florida and Missouri, 366 00:20:43,040 --> 00:20:45,880 Speaker 3: it's like, well, hold on, is this really the kidnapper 367 00:20:45,920 --> 00:20:49,479 Speaker 3: spending these bills or have they already exchanged this? And 368 00:20:49,520 --> 00:20:52,000 Speaker 3: now you have other people who are traveling the country 369 00:20:52,320 --> 00:20:55,879 Speaker 3: who through just maybe their normal life, are now spending 370 00:20:56,400 --> 00:20:59,920 Speaker 3: the ransom money, you know, and it throws the scent off. 371 00:21:00,320 --> 00:21:02,800 Speaker 1: Yeah, I think that seems pretty likely. I think you're right. 372 00:21:03,400 --> 00:21:08,640 Speaker 2: So this drop happens October eighth, and they are tracing 373 00:21:08,720 --> 00:21:12,160 Speaker 2: these bills for all of October, all of November, all 374 00:21:12,160 --> 00:21:15,959 Speaker 2: of December. Sometime in January they get a little bit 375 00:21:16,000 --> 00:21:20,160 Speaker 2: of a good luck here, multiple multiple ransom bills had 376 00:21:20,200 --> 00:21:24,399 Speaker 2: been identified at a bank in Los Angeles. The bank 377 00:21:24,440 --> 00:21:29,760 Speaker 2: in LA says it came from our racetrack, Santa Anita Racetrack, 378 00:21:29,800 --> 00:21:33,880 Speaker 2: which is near LA. And Jay Edgar Hoover is now pissed, 379 00:21:34,080 --> 00:21:35,840 Speaker 2: just like the wife. He gets on a flight to 380 00:21:36,000 --> 00:21:40,400 Speaker 2: LA and they set up a sting operation at this racetrack. Now, 381 00:21:40,400 --> 00:21:42,920 Speaker 2: of course we're really worried about Charles. If this is real. 382 00:21:43,600 --> 00:21:46,760 Speaker 2: They have now traced it back to this racetrack and 383 00:21:46,800 --> 00:21:49,600 Speaker 2: they set up a sting operation. I'm assuming they're doing 384 00:21:49,640 --> 00:21:52,320 Speaker 2: that because they think they're gamblers and. 385 00:21:52,240 --> 00:21:53,280 Speaker 1: These guys are coming back. 386 00:21:53,480 --> 00:21:55,440 Speaker 2: I mean, this isn't a convenience store where they might 387 00:21:55,440 --> 00:21:58,000 Speaker 2: just stop in and get a soda and leave. I'm 388 00:21:58,000 --> 00:22:01,199 Speaker 2: assuming they're thinking this is our best bet, literally, because 389 00:22:01,240 --> 00:22:03,639 Speaker 2: these guys are probably going to come back multiple times 390 00:22:04,040 --> 00:22:05,000 Speaker 2: to watch the races. 391 00:22:05,480 --> 00:22:07,719 Speaker 4: Well, they have a hotspot now. 392 00:22:07,960 --> 00:22:10,320 Speaker 3: They don't know upfront, you know, is it really the 393 00:22:10,560 --> 00:22:14,040 Speaker 3: people who are directly involved in Charles's kidnapping that's spending 394 00:22:14,040 --> 00:22:17,159 Speaker 3: the money there? But it sounds like there must have 395 00:22:17,240 --> 00:22:19,960 Speaker 3: been enough of the bills and an amount in which 396 00:22:19,960 --> 00:22:23,800 Speaker 3: they're going, Okay, this block of money hasn't been distributed 397 00:22:24,280 --> 00:22:28,240 Speaker 3: and intermingled with just the normal flow of currency. So 398 00:22:28,440 --> 00:22:32,520 Speaker 3: possibly somebody either directly involved in the kidnapping or a 399 00:22:32,600 --> 00:22:36,600 Speaker 3: direct associate of the people involved in the kidnapping could 400 00:22:36,600 --> 00:22:39,879 Speaker 3: be the person that's showing up at the racetrack and gambling. 401 00:22:40,359 --> 00:22:43,280 Speaker 3: And of course we know that, you know, gambling is 402 00:22:43,280 --> 00:22:46,479 Speaker 3: something that people do repeatedly, so this could be a 403 00:22:46,520 --> 00:22:48,720 Speaker 3: repeat customer out there in Los Angeles. 404 00:22:49,520 --> 00:22:53,160 Speaker 2: Boy, does this sound like a nightmare of a sting operation? 405 00:22:53,880 --> 00:22:58,080 Speaker 2: So picture this, lots of rabid gamblers lining up to 406 00:22:58,119 --> 00:23:02,320 Speaker 2: bet on horses, the eye agents behind the betting windows, 407 00:23:02,520 --> 00:23:05,919 Speaker 2: taking every bill and looking out a long. 408 00:23:05,760 --> 00:23:07,040 Speaker 1: List of serial numbers. 409 00:23:07,320 --> 00:23:10,679 Speaker 2: It's happening so fast it must have driven these people, 410 00:23:10,800 --> 00:23:14,440 Speaker 2: these agents crazy, And so they do this for multiple 411 00:23:14,480 --> 00:23:19,040 Speaker 2: weeks until January fourteenth. A guy approaches the betting window, 412 00:23:19,440 --> 00:23:22,600 Speaker 2: places a bet, and the agent behind the window identifies 413 00:23:22,640 --> 00:23:24,840 Speaker 2: the bill as one of them from the ransom bag, 414 00:23:25,640 --> 00:23:27,680 Speaker 2: and they close in on him. And the guy doesn't 415 00:23:27,680 --> 00:23:30,040 Speaker 2: put up a fight, and he is a young man. 416 00:23:29,920 --> 00:23:32,040 Speaker 4: With curly hair and a pointy face. 417 00:23:32,200 --> 00:23:35,960 Speaker 2: He got it, and Florence identifies him positively, Yeah, as 418 00:23:36,000 --> 00:23:37,320 Speaker 2: the one who kidnapped Ross. 419 00:23:37,400 --> 00:23:38,360 Speaker 1: Can you believe that? 420 00:23:38,440 --> 00:23:41,760 Speaker 2: I mean, this is akin to the magnet in the 421 00:23:41,840 --> 00:23:44,920 Speaker 2: river trying to find the gun. It just seems almost impossible. 422 00:23:44,920 --> 00:23:46,880 Speaker 2: But this is the links that people had to go 423 00:23:46,960 --> 00:23:50,560 Speaker 2: to in this time period to capture someone. 424 00:23:50,760 --> 00:23:52,200 Speaker 4: Well, and these types. 425 00:23:51,960 --> 00:23:54,920 Speaker 3: Of operations, you know, two of us are a greater 426 00:23:55,000 --> 00:23:57,959 Speaker 3: extent still occur today, you know. And this is where 427 00:23:58,119 --> 00:24:01,920 Speaker 3: this young man, he has been compensated for his role 428 00:24:01,920 --> 00:24:05,240 Speaker 3: in this kidnapping. He's got this free money, he's done 429 00:24:05,280 --> 00:24:09,520 Speaker 3: this work, it's illegal gains, and he's going to the racetrack. 430 00:24:09,560 --> 00:24:12,080 Speaker 3: Of course he's probably trying to make more money, but 431 00:24:12,520 --> 00:24:17,560 Speaker 3: this racetrack is also a way of laundering this tracked cash, 432 00:24:17,640 --> 00:24:21,960 Speaker 3: this currency that could point to his involvement in Charles's kidnapping. 433 00:24:22,200 --> 00:24:23,600 Speaker 1: Well, I think it's an amazing story. 434 00:24:23,640 --> 00:24:26,159 Speaker 2: I was really impressed with Hoover on this because that 435 00:24:26,720 --> 00:24:29,800 Speaker 2: is quite a sting operation. So let's talk about this 436 00:24:29,880 --> 00:24:32,639 Speaker 2: guy and see how involved he really is. He's a 437 00:24:32,680 --> 00:24:36,000 Speaker 2: twenty seven year old named John Henry seland grew up 438 00:24:36,000 --> 00:24:38,879 Speaker 2: in northern Minnesota, so we have a little bit of background. 439 00:24:39,080 --> 00:24:42,680 Speaker 2: Had a fairly normal life, it sounds like, until his 440 00:24:42,880 --> 00:24:47,159 Speaker 2: father died in his car of carbon monoxide poisoning in 441 00:24:47,280 --> 00:24:50,119 Speaker 2: nineteen thirty three. They do not talk about whether or 442 00:24:50,160 --> 00:24:53,440 Speaker 2: not this was suicide. To be honest, in the thirties, 443 00:24:53,520 --> 00:24:55,639 Speaker 2: with cars, it would not have been difficult for this 444 00:24:55,720 --> 00:24:58,160 Speaker 2: to have been an accident at all. But it could 445 00:24:58,200 --> 00:25:01,280 Speaker 2: have gone either way. But this is where when we 446 00:25:01,320 --> 00:25:05,400 Speaker 2: talk about something switching within someone to put them down 447 00:25:05,400 --> 00:25:08,119 Speaker 2: the wrong path. A lot of people think, when this 448 00:25:08,240 --> 00:25:11,600 Speaker 2: happened five years ago, this is what put John down 449 00:25:11,640 --> 00:25:12,439 Speaker 2: the wrong path. 450 00:25:12,920 --> 00:25:17,520 Speaker 3: I don't know if I would necessarily attribute this singular 451 00:25:17,680 --> 00:25:22,359 Speaker 3: event that caused John to end up becoming a criminal. 452 00:25:23,200 --> 00:25:28,560 Speaker 3: Maybe his father was a controlling authority within his life 453 00:25:28,880 --> 00:25:32,320 Speaker 3: that prevented him from maybe doing some illegal activities up 454 00:25:32,400 --> 00:25:35,160 Speaker 3: until that point, And now that that controlling authority has gone, 455 00:25:35,320 --> 00:25:39,080 Speaker 3: he's now left to his own devices and goes into 456 00:25:39,480 --> 00:25:43,040 Speaker 3: the direction he wants and feels that he needs to go. 457 00:25:43,520 --> 00:25:46,520 Speaker 3: But yeah, tell me more about this John. I'm kind 458 00:25:46,520 --> 00:25:49,720 Speaker 3: of curious to see. Did John mastermind if you want 459 00:25:49,720 --> 00:25:52,920 Speaker 3: to call it mastermind this whole kN napping himself? Or 460 00:25:53,119 --> 00:25:55,679 Speaker 3: are there people above him that are doing this? Or 461 00:25:55,760 --> 00:25:57,280 Speaker 3: is there something else going on here? 462 00:25:57,720 --> 00:26:00,800 Speaker 2: So his dad dies when he's twenty two, When John 463 00:26:00,880 --> 00:26:04,439 Speaker 2: is twenty two, by twenty three, he is robbing a 464 00:26:04,480 --> 00:26:08,080 Speaker 2: cafe in Minnesota, he is caught, he breaks out of 465 00:26:08,160 --> 00:26:12,359 Speaker 2: jail and robs several banks in Wisconsin, and then he 466 00:26:12,400 --> 00:26:15,040 Speaker 2: stole a car in Tennessee. I think your theory might 467 00:26:15,080 --> 00:26:17,359 Speaker 2: be right. I think dad might have kept him in line, 468 00:26:17,960 --> 00:26:21,280 Speaker 2: and Dad being gone sent him down a very bad path. 469 00:26:21,480 --> 00:26:24,040 Speaker 2: So now we have armed robbery. It sounds like and 470 00:26:24,280 --> 00:26:27,359 Speaker 2: that's where we're heading here. When he's just twenty three. 471 00:26:27,840 --> 00:26:31,720 Speaker 3: Yeah, yeah, and you know, young, relatively young, I should say, 472 00:26:32,119 --> 00:26:36,840 Speaker 3: probably naive, you know, to the world, but learning, you know, 473 00:26:37,080 --> 00:26:39,000 Speaker 3: particularly learning the criminal side. 474 00:26:39,040 --> 00:26:42,680 Speaker 4: Now does he serve time in prison at all? 475 00:26:42,800 --> 00:26:46,040 Speaker 1: It says jail, but I would interpret that maybe as prison. 476 00:26:46,680 --> 00:26:47,520 Speaker 4: He's in custody. 477 00:26:47,800 --> 00:26:50,360 Speaker 2: Yes, he's been in custody. So this is a big 478 00:26:50,440 --> 00:26:53,000 Speaker 2: change for him. And this is what's interesting. In nineteen 479 00:26:53,040 --> 00:26:55,879 Speaker 2: thirty three, the year his dad died, he had a 480 00:26:56,000 --> 00:26:59,240 Speaker 2: chance encounter while he was hunting in the woods. He 481 00:26:59,359 --> 00:27:02,639 Speaker 2: runs into a gangster named Tommy Carroll, who I've actually 482 00:27:02,680 --> 00:27:06,920 Speaker 2: read about. Tommy Carroll was an associate of John Dillinger. 483 00:27:07,320 --> 00:27:08,119 Speaker 4: Oh okay. 484 00:27:08,320 --> 00:27:11,639 Speaker 2: People in John's life said this was it. He was 485 00:27:11,680 --> 00:27:14,119 Speaker 2: not doing well when his dad died. Before, he was 486 00:27:14,119 --> 00:27:17,040 Speaker 2: doing some stupid stuff. But now this is where it 487 00:27:17,119 --> 00:27:21,560 Speaker 2: really started, is he now has this association with this guy, 488 00:27:21,680 --> 00:27:25,119 Speaker 2: Tommy Carroll. You know, he started out, had a normal childhood, 489 00:27:25,200 --> 00:27:28,320 Speaker 2: normal adulthood, it seems like, and then all of a sudden, 490 00:27:28,320 --> 00:27:30,440 Speaker 2: he runs into this guy at a time when he's 491 00:27:30,480 --> 00:27:34,920 Speaker 2: emotionally vulnerable, and it sounds like there's probably some influence here. 492 00:27:35,000 --> 00:27:38,480 Speaker 3: And John to this point has already shown the propensity 493 00:27:38,520 --> 00:27:42,199 Speaker 3: and the willingness to commit crimes for financial gain. And 494 00:27:42,280 --> 00:27:47,639 Speaker 3: now he's associating with now a group you know, in 495 00:27:47,720 --> 00:27:50,600 Speaker 3: which the organization, you know, it's going to give him 496 00:27:50,600 --> 00:27:54,160 Speaker 3: a structure that possibly he lost when his dad died. 497 00:27:54,280 --> 00:27:58,360 Speaker 3: But the structure is now part of this criminal enterprise, 498 00:27:59,359 --> 00:28:04,080 Speaker 3: and their enterprise is for financial purposes. So I could 499 00:28:04,080 --> 00:28:07,640 Speaker 3: see where now this becomes very enticing to him. 500 00:28:07,840 --> 00:28:10,719 Speaker 2: Well, let me tell you, John Siedlund is no Tommy 501 00:28:10,760 --> 00:28:13,920 Speaker 2: Carroll because he does not do a good job trying 502 00:28:13,960 --> 00:28:17,560 Speaker 2: to get out of this. He gives Jeedgar Hoover, who 503 00:28:17,640 --> 00:28:19,320 Speaker 2: is just incredulous to all of us. 504 00:28:19,720 --> 00:28:21,679 Speaker 1: He gives Jay Edgar Hoover a. 505 00:28:21,560 --> 00:28:25,000 Speaker 2: Fake name, Peter Ander, which is within a day or 506 00:28:25,040 --> 00:28:30,160 Speaker 2: two kind of disputed. He had about fourteen thousand, fifteen 507 00:28:30,160 --> 00:28:33,280 Speaker 2: thousand on him, which was about three hundred thousand today. 508 00:28:33,320 --> 00:28:36,200 Speaker 2: Can you imagine somebody walking around, a normal person walking 509 00:28:36,240 --> 00:28:40,080 Speaker 2: around with three hundred thousand dollars today and a third 510 00:28:40,080 --> 00:28:42,520 Speaker 2: of it is the ransom money. He said, listen, I 511 00:28:42,520 --> 00:28:45,040 Speaker 2: got the money from somebody who robbed a bank. But 512 00:28:45,680 --> 00:28:49,200 Speaker 2: the research, Ali says, very tactfully Hoover got the real 513 00:28:49,240 --> 00:28:52,040 Speaker 2: story from him, which I'm sure was literally the third degree, 514 00:28:52,440 --> 00:28:54,320 Speaker 2: got the story out of him, which is. 515 00:28:54,760 --> 00:28:56,360 Speaker 1: Okay, I'll tell you what happened. 516 00:28:56,720 --> 00:28:59,080 Speaker 2: So he's got a lot of money's not smart enough 517 00:28:59,120 --> 00:29:00,960 Speaker 2: to spend all this money or get rid of it. 518 00:29:01,400 --> 00:29:03,160 Speaker 1: I guess he just thought he would never get caught. 519 00:29:03,680 --> 00:29:03,920 Speaker 4: Yeah. 520 00:29:04,080 --> 00:29:07,920 Speaker 3: Well, and just not savvy in terms of the fact 521 00:29:07,960 --> 00:29:11,680 Speaker 3: that he has physical evidence of the crime on his person, 522 00:29:12,640 --> 00:29:16,560 Speaker 3: you know, and this is months later, yep. Yeah, And 523 00:29:16,600 --> 00:29:20,120 Speaker 3: to also be carrying that amount of money. If anybody 524 00:29:20,480 --> 00:29:22,880 Speaker 3: recognized that he had that amount of money on him, 525 00:29:22,920 --> 00:29:24,600 Speaker 3: he's a target for a crime. 526 00:29:25,160 --> 00:29:27,200 Speaker 2: He must have been confident that nobody was going to 527 00:29:27,240 --> 00:29:29,040 Speaker 2: figure it out. And he I'm sure what's he gonna do. 528 00:29:29,080 --> 00:29:30,880 Speaker 2: He's not gonna put it in a bank. We don't 529 00:29:30,880 --> 00:29:32,640 Speaker 2: know where he's staying. He could be he has the 530 00:29:32,680 --> 00:29:36,480 Speaker 2: money to stay anywhere he wants. But I'm sure he's paranoid. 531 00:29:36,840 --> 00:29:39,200 Speaker 2: So Hoover eventually gets the real story out of him, 532 00:29:39,880 --> 00:29:42,920 Speaker 2: and Seedland says, fine, I'll tell you what happened. There's 533 00:29:42,960 --> 00:29:45,680 Speaker 2: another guy we remember, there's a getaway driver that we've 534 00:29:45,720 --> 00:29:49,000 Speaker 2: never heard anything about. Yep, here's my getaway driver. His 535 00:29:49,080 --> 00:29:50,520 Speaker 2: name is James Atwood. 536 00:29:50,680 --> 00:29:51,000 Speaker 1: Gray. 537 00:29:51,440 --> 00:29:54,480 Speaker 2: Hoover says, what happened with Charles Once you left Florence 538 00:29:54,480 --> 00:29:57,040 Speaker 2: and told her to lay on the front seat, and 539 00:29:57,120 --> 00:30:00,200 Speaker 2: he says he and James drove Charles into Wisconsin, and 540 00:30:00,240 --> 00:30:04,000 Speaker 2: so they went from the Chicago area to Wisconsin. Then 541 00:30:04,040 --> 00:30:07,240 Speaker 2: they went to Minnesota into a hideout in a town 542 00:30:07,320 --> 00:30:12,000 Speaker 2: called Emily, Minnesota, And there is where Charles did write 543 00:30:12,640 --> 00:30:14,440 Speaker 2: the first two ransom letters. 544 00:30:14,840 --> 00:30:15,040 Speaker 1: You know. 545 00:30:15,160 --> 00:30:20,440 Speaker 2: Eventually John Seedland separates from Charles and from James Gray, 546 00:30:21,080 --> 00:30:24,400 Speaker 2: and he goes and buys a typewriter in Chicago and 547 00:30:24,440 --> 00:30:28,160 Speaker 2: he does the rest of the ransom correspondence there. Because 548 00:30:29,080 --> 00:30:32,480 Speaker 2: Charles said, I Am not going to ask my wife 549 00:30:32,960 --> 00:30:36,800 Speaker 2: to raise more than five thousand dollars, so Siedland adds 550 00:30:36,840 --> 00:30:39,680 Speaker 2: an extra zero. I guess Siedland and Gray were just 551 00:30:39,800 --> 00:30:42,760 Speaker 2: very insecure. I don't know, but it seems weird to me. 552 00:30:43,280 --> 00:30:45,520 Speaker 2: Charles just said, no, I'm not doing that, and so 553 00:30:45,680 --> 00:30:47,360 Speaker 2: that's why we switched to the typewriter. 554 00:30:47,480 --> 00:30:49,080 Speaker 1: It sounds like, yeah, but. 555 00:30:49,040 --> 00:30:53,720 Speaker 3: You also said, didn't John separate from James and Charles like, 556 00:30:54,400 --> 00:30:56,360 Speaker 3: He's like, I'm done with this, and he goes to 557 00:30:56,400 --> 00:30:59,080 Speaker 3: a different location and gets the typewriter and continues on 558 00:30:59,400 --> 00:31:00,400 Speaker 3: asking for handsome. 559 00:31:00,880 --> 00:31:04,480 Speaker 2: I think what happened is is that when Charles said, 560 00:31:04,680 --> 00:31:06,680 Speaker 2: I'm not writing anymore. You can do what you want 561 00:31:06,680 --> 00:31:09,160 Speaker 2: to do, but I'm not doing it. I think that 562 00:31:09,320 --> 00:31:12,040 Speaker 2: John said, crap, I gotta get a typewriter. So they 563 00:31:12,080 --> 00:31:15,840 Speaker 2: went to Chica. He went to Chicago, left James alone 564 00:31:16,080 --> 00:31:20,080 Speaker 2: with Charles the kidnapping victim, and he got a typewriter 565 00:31:20,160 --> 00:31:22,440 Speaker 2: and probably brought it back. So I think that's what 566 00:31:22,680 --> 00:31:25,959 Speaker 2: ended up happening. So Seedland adds this zero. That's how 567 00:31:25,960 --> 00:31:28,640 Speaker 2: we end up with fifty thousand dollars, adds a zero 568 00:31:28,720 --> 00:31:31,240 Speaker 2: when he sent the letter. So then this is where 569 00:31:31,440 --> 00:31:34,360 Speaker 2: things kind of get really dicey. 570 00:31:34,520 --> 00:31:35,000 Speaker 1: I think. 571 00:31:35,480 --> 00:31:39,240 Speaker 2: So on the night of November ninth, which is the 572 00:31:39,280 --> 00:31:41,840 Speaker 2: next night from picking up the ransom money with the 573 00:31:41,880 --> 00:31:45,840 Speaker 2: writer from Harley Davidson, Seedland goes back to the hideout, 574 00:31:45,880 --> 00:31:49,560 Speaker 2: which is in Minnesota, and there he and Gray divvy 575 00:31:49,680 --> 00:31:53,520 Speaker 2: up the money, with John Seedland getting thirty thousand dollars 576 00:31:53,600 --> 00:31:56,360 Speaker 2: James Gray getting twenty thousand dollars. I have no idea 577 00:31:56,400 --> 00:31:58,920 Speaker 2: why John got more than James, but that's the way 578 00:31:58,920 --> 00:32:01,960 Speaker 2: it was and at this point, I'm saying, who cares 579 00:32:02,000 --> 00:32:05,160 Speaker 2: what is happening with Charles? Is he alive at this point? 580 00:32:05,480 --> 00:32:07,840 Speaker 2: Right now, we have money in play. The money is 581 00:32:07,880 --> 00:32:10,320 Speaker 2: in front of these two guys, and I have done 582 00:32:10,400 --> 00:32:13,440 Speaker 2: enough stories in history to know that when you actually 583 00:32:13,600 --> 00:32:17,440 Speaker 2: put a million dollars the equivalent of a million dollars 584 00:32:17,440 --> 00:32:20,480 Speaker 2: in front of two people, there is a really good 585 00:32:20,560 --> 00:32:22,080 Speaker 2: chance that one's going to try to take out the 586 00:32:22,120 --> 00:32:24,880 Speaker 2: other one and take the whole pot. So that's what 587 00:32:24,920 --> 00:32:27,240 Speaker 2: I'm wondering, if that's what's going to happen coming up. 588 00:32:31,160 --> 00:32:33,360 Speaker 1: So this is what Seedland says, happens. 589 00:32:33,480 --> 00:32:36,840 Speaker 2: John takes a thirty thousand, James Gray takes a twenty thousand, 590 00:32:37,720 --> 00:32:41,360 Speaker 2: and John gets incredibly paranoid. He thinks James is going 591 00:32:41,400 --> 00:32:43,880 Speaker 2: to attack him, and the two men start to struggle, 592 00:32:44,360 --> 00:32:48,080 Speaker 2: with Charles Ross right next to them, because I'm assuming 593 00:32:48,080 --> 00:32:52,000 Speaker 2: he's tied up. All three of them are standing outside 594 00:32:52,080 --> 00:32:54,280 Speaker 2: where this money has been divvied up, and there's like 595 00:32:54,320 --> 00:32:56,760 Speaker 2: a pit. This is just what John Seedland says. 596 00:32:56,840 --> 00:32:57,400 Speaker 1: There's a pit. 597 00:32:57,640 --> 00:33:01,240 Speaker 2: They fall into it. John Seedland says, as Charles Ross, 598 00:33:01,280 --> 00:33:04,080 Speaker 2: the victim, was knocked out, John Seedland takes the gun 599 00:33:04,600 --> 00:33:07,520 Speaker 2: and he is struggling with James Gray. 600 00:33:07,720 --> 00:33:10,120 Speaker 1: He shoots him, so he kills him, says. 601 00:33:10,160 --> 00:33:12,800 Speaker 2: Actually, he says he shot James Gray several times because 602 00:33:12,800 --> 00:33:15,720 Speaker 2: he wouldn't stop moving. Seedland says he tried to revive 603 00:33:16,080 --> 00:33:19,720 Speaker 2: Charles Ross, who he says was knocked out in the process, 604 00:33:20,240 --> 00:33:22,400 Speaker 2: and when he couldn't, he shot him in the head. 605 00:33:22,680 --> 00:33:26,400 Speaker 2: Two dead guys, one kidnapping victim it sounds like, and 606 00:33:26,480 --> 00:33:27,680 Speaker 2: one co fender. 607 00:33:28,040 --> 00:33:31,640 Speaker 3: Yeah, I was expecting John to minimize his role in 608 00:33:31,720 --> 00:33:35,600 Speaker 3: Charles's homicide. But the fact that he's saying I shot 609 00:33:35,680 --> 00:33:38,080 Speaker 3: him in the head, you know, now I put a 610 00:33:38,120 --> 00:33:41,400 Speaker 3: greater veracity on the accuracy of what he said happened. 611 00:33:42,040 --> 00:33:45,360 Speaker 2: Does this feel to you like, really Charles, who we've 612 00:33:45,400 --> 00:33:49,120 Speaker 2: been sort of suspecting much of the time here, Does 613 00:33:49,240 --> 00:33:53,000 Speaker 2: Charles Ross seem like an innocent bystander in here who 614 00:33:53,120 --> 00:33:56,840 Speaker 2: was killed? Whether or not John is telling the truth, 615 00:33:56,880 --> 00:33:59,000 Speaker 2: and maybe he shot both of them point blank in 616 00:33:59,000 --> 00:34:01,600 Speaker 2: the back of the head, you know wherever sounds like 617 00:34:01,640 --> 00:34:04,720 Speaker 2: that nobody is saying that Charles is involved with this 618 00:34:04,880 --> 00:34:05,480 Speaker 2: in any way. 619 00:34:05,880 --> 00:34:08,839 Speaker 3: Well, at this point, yeah, assessing John's statement, you know, 620 00:34:08,880 --> 00:34:13,960 Speaker 3: he's being interviewed by Hoover by the FBI agents. If 621 00:34:14,080 --> 00:34:18,880 Speaker 3: Charles were actively involved, I would expect John to have said, yeah, 622 00:34:19,160 --> 00:34:23,520 Speaker 3: you know, Charles hired me to do this pretend abduction 623 00:34:23,640 --> 00:34:26,640 Speaker 3: in order to be able to secure money. Charles needed 624 00:34:26,680 --> 00:34:29,640 Speaker 3: to do something, you know, with additional money. So let's 625 00:34:29,640 --> 00:34:32,799 Speaker 3: say Charles is the one that walks away with you know, 626 00:34:32,880 --> 00:34:37,040 Speaker 3: thirty thousand dollars because he needed to somehow hide that 627 00:34:37,840 --> 00:34:42,000 Speaker 3: money from his wife, from other associates in order to 628 00:34:42,040 --> 00:34:47,080 Speaker 3: pay off maybe the underworld and paid John you know. 629 00:34:47,280 --> 00:34:48,440 Speaker 4: Twenty grand whatever. 630 00:34:48,760 --> 00:34:52,560 Speaker 3: But it sounds like which I'm kind of blown away 631 00:34:52,640 --> 00:34:57,040 Speaker 3: because I really was leaning after those ransom letters and 632 00:34:57,080 --> 00:34:59,800 Speaker 3: the silliness and everything else. Now this sounds like Charles 633 00:35:00,200 --> 00:35:03,759 Speaker 3: to set this up, and I'm going to have to 634 00:35:03,840 --> 00:35:06,759 Speaker 3: kind of attribute it. You know, you're dealing with, you know, 635 00:35:06,840 --> 00:35:13,320 Speaker 3: this young, somewhat ignorant offender who really did not plan 636 00:35:13,640 --> 00:35:17,840 Speaker 3: this crime out very well and then ultimately you know, 637 00:35:17,920 --> 00:35:21,080 Speaker 3: got caught with it. But i'd want to corroborate you had. Okay, 638 00:35:21,120 --> 00:35:23,360 Speaker 3: so you've got to okay, where did where did James 639 00:35:23,400 --> 00:35:26,000 Speaker 3: and Charles' bodies end up? Did they just did he 640 00:35:26,120 --> 00:35:29,359 Speaker 3: leave them down in this this pit well, let's go see. 641 00:35:29,640 --> 00:35:31,960 Speaker 3: You know, are they there? Are they shot just like 642 00:35:32,480 --> 00:35:34,279 Speaker 3: you know John said he did to them. You have 643 00:35:34,320 --> 00:35:37,920 Speaker 3: to substantiate those statements. You have to corroborate or refute 644 00:35:37,960 --> 00:35:40,240 Speaker 3: in order to say yes, you know he is telling 645 00:35:40,280 --> 00:35:41,239 Speaker 3: the truth about this. 646 00:35:41,800 --> 00:35:45,560 Speaker 2: Let's go ahead and verify, because the FBI says you 647 00:35:45,880 --> 00:35:46,960 Speaker 2: exactly what you just said. 648 00:35:47,000 --> 00:35:48,680 Speaker 1: You need to prove all of this to us. 649 00:35:49,400 --> 00:35:53,760 Speaker 2: Celand says, I took off after the murders happened. 650 00:35:53,960 --> 00:35:55,920 Speaker 1: I went all over the country. 651 00:35:55,920 --> 00:35:58,719 Speaker 2: Which is where all the money has been spent, all 652 00:35:58,760 --> 00:36:01,200 Speaker 2: over America. He went to I mean this guy. He 653 00:36:01,239 --> 00:36:04,480 Speaker 2: went to Nebraska, he went to Washington State, he went 654 00:36:04,520 --> 00:36:07,680 Speaker 2: to la He went to Chicago, Philadelphia, Washington. I'm impressed, 655 00:36:07,719 --> 00:36:09,239 Speaker 2: so I want to list to all of these DC 656 00:36:09,400 --> 00:36:12,280 Speaker 2: He went to Miami, he went to New Orleans, Denver, Texas, 657 00:36:12,440 --> 00:36:16,200 Speaker 2: Los Angeles. He's very smart and then not smart at all, 658 00:36:16,400 --> 00:36:18,920 Speaker 2: both at the same time. It's amazing. He had a 659 00:36:18,960 --> 00:36:22,279 Speaker 2: lot of potential and then took some wrong turns. So 660 00:36:22,480 --> 00:36:25,279 Speaker 2: this he really went all over the place. So he 661 00:36:25,400 --> 00:36:27,879 Speaker 2: is claiming that they kept Charles' a life for two 662 00:36:27,920 --> 00:36:33,120 Speaker 2: weeks because the murder happened October ninth, and they had 663 00:36:33,200 --> 00:36:36,160 Speaker 2: kidnapped him on September twenty fifth. That's a long time 664 00:36:36,239 --> 00:36:40,480 Speaker 2: to be with somebody who you are trying to constantly 665 00:36:40,600 --> 00:36:43,000 Speaker 2: keep on edge so they don't try to run off 666 00:36:43,360 --> 00:36:44,040 Speaker 2: or whatever. 667 00:36:44,400 --> 00:36:47,000 Speaker 3: Well, well, and there's just the practical aspect, you know, 668 00:36:47,040 --> 00:36:49,480 Speaker 3: they got to prevent him from being able to escape. 669 00:36:50,320 --> 00:36:54,160 Speaker 3: He has to eat, drink, use the bathroom, all of it. 670 00:36:54,320 --> 00:36:55,400 Speaker 4: Yeah, yeah, you know. 671 00:36:55,560 --> 00:36:59,279 Speaker 3: So there is a lot of effort in terms of 672 00:36:59,320 --> 00:37:05,520 Speaker 3: monitoring and kind of caregiving to keep Charles alive. One 673 00:37:05,560 --> 00:37:08,040 Speaker 3: of them, James or John, has to be there all 674 00:37:08,080 --> 00:37:08,520 Speaker 3: the time. 675 00:37:08,920 --> 00:37:11,480 Speaker 2: The FBI says, where's all this money? And he said, 676 00:37:11,520 --> 00:37:13,360 Speaker 2: I hid a lot of it because he didn't have 677 00:37:13,400 --> 00:37:15,440 Speaker 2: all of it. I had a lot of it in 678 00:37:15,560 --> 00:37:19,120 Speaker 2: a typewriter at one of our hideouts. So this does 679 00:37:19,160 --> 00:37:23,359 Speaker 2: feel very John Dillinger. There are several hideouts, so the 680 00:37:23,440 --> 00:37:27,520 Speaker 2: FBI flies him to Minnesota. They go to the first hideout, 681 00:37:27,840 --> 00:37:31,359 Speaker 2: which is it's now January, covered in snow. He takes 682 00:37:31,400 --> 00:37:34,239 Speaker 2: them to the hideout and hidden behind some branches in 683 00:37:34,360 --> 00:37:38,680 Speaker 2: lined with wood is this typewriter and it's full of money. 684 00:37:38,960 --> 00:37:41,840 Speaker 2: So it's I mean, he's really kind of laying it 685 00:37:41,880 --> 00:37:44,640 Speaker 2: out there with a lot of accuracy. I'll show you 686 00:37:44,640 --> 00:37:47,480 Speaker 2: a photo of James. I'll show you a photo of 687 00:37:47,520 --> 00:37:50,719 Speaker 2: John the dead kidnapper, and then I'll show you a 688 00:37:50,719 --> 00:37:53,120 Speaker 2: photo of the typewriter. I mean, I'm just happy to 689 00:37:53,160 --> 00:37:57,680 Speaker 2: have photos. So here is pointy faced man, okay, James 690 00:37:57,680 --> 00:38:01,239 Speaker 2: Atwood Gray, that's him, the dead guy ed kidnapper. And 691 00:38:01,280 --> 00:38:05,640 Speaker 2: then here is the typewriter full of cash. So I 692 00:38:05,640 --> 00:38:07,160 Speaker 2: guess he just took the top off of it. This 693 00:38:07,239 --> 00:38:10,640 Speaker 2: is the typewriter he bought in Chicago. When Charles Ross 694 00:38:10,640 --> 00:38:13,160 Speaker 2: said I'm not asking my wife for more than five 695 00:38:13,200 --> 00:38:16,000 Speaker 2: thousand dollars forget it. Just from that statement we haven't 696 00:38:16,000 --> 00:38:19,440 Speaker 2: talked about that, it sounds to me like if we 697 00:38:19,520 --> 00:38:22,959 Speaker 2: believe this and Charles really says to him, bug off, 698 00:38:23,040 --> 00:38:26,279 Speaker 2: I'm not doing that, they must not have made him 699 00:38:26,360 --> 00:38:29,640 Speaker 2: feel as if he were going to die. He must 700 00:38:29,640 --> 00:38:31,880 Speaker 2: have thought I'm going to get out of this somehow, 701 00:38:31,960 --> 00:38:34,719 Speaker 2: some way, because it's a pretty brazen thing to say 702 00:38:35,520 --> 00:38:38,160 Speaker 2: to someone who you know has at least a revolver. 703 00:38:38,640 --> 00:38:42,320 Speaker 3: But I think we see that in the personality behind 704 00:38:43,120 --> 00:38:45,799 Speaker 3: the writing of the ransom letters. You know, this kind 705 00:38:45,800 --> 00:38:49,480 Speaker 3: of wishy washy well I'll take whatever money you can 706 00:38:49,520 --> 00:38:49,960 Speaker 3: give me. 707 00:38:50,440 --> 00:38:53,520 Speaker 1: You know, yeah really, And Charles I Matt. 708 00:38:53,600 --> 00:38:58,480 Speaker 3: He's seventy two years old. He's a successful businessman, very 709 00:38:58,560 --> 00:39:02,799 Speaker 3: you know, financially savvy, probably has all this self confidence 710 00:39:02,800 --> 00:39:05,319 Speaker 3: in the world and has in essence to him. Who 711 00:39:05,320 --> 00:39:09,040 Speaker 3: are kids who are now making these demands, you know, 712 00:39:09,200 --> 00:39:13,160 Speaker 3: So Charles is probably the dominant personality in that room. 713 00:39:13,400 --> 00:39:13,640 Speaker 4: Yep. 714 00:39:14,760 --> 00:39:18,480 Speaker 2: So then Hoover says, okay, where are these two. 715 00:39:18,320 --> 00:39:19,360 Speaker 1: Men that you killed? 716 00:39:19,680 --> 00:39:23,719 Speaker 2: And there's a second hideout and this is in Spooner, Wisconsin. 717 00:39:23,840 --> 00:39:27,400 Speaker 2: So we're going from Minnesota to Wisconsin. And this is 718 00:39:27,400 --> 00:39:30,080 Speaker 2: so different just as an aside, isn't this different from 719 00:39:30,280 --> 00:39:32,840 Speaker 2: some of the other stories where it's like horse and 720 00:39:32,920 --> 00:39:37,680 Speaker 2: wagon and wheelbarrows and now we're on flights and there's 721 00:39:37,840 --> 00:39:41,719 Speaker 2: trains and so this just shows the time period he 722 00:39:41,880 --> 00:39:44,960 Speaker 2: is able to travel everywhere, and not a very long 723 00:39:45,160 --> 00:39:48,759 Speaker 2: period of time. So obviously, you know, the later we get, 724 00:39:48,800 --> 00:39:51,960 Speaker 2: the more that these guys are able to evade law 725 00:39:52,040 --> 00:39:55,279 Speaker 2: enforcement because even though he has to have some kind 726 00:39:55,320 --> 00:39:58,680 Speaker 2: of an ID, he can go anywhere very fast before 727 00:39:58,719 --> 00:40:01,480 Speaker 2: he's detected just because the transportation options. 728 00:40:01,880 --> 00:40:06,680 Speaker 3: In essence, he has access to relatively modern transportation means 729 00:40:06,719 --> 00:40:09,840 Speaker 3: like what we have today, but it's during an era 730 00:40:10,239 --> 00:40:15,680 Speaker 3: in which the tracking of people is rudimentary at best 731 00:40:15,920 --> 00:40:19,239 Speaker 3: versus what can be done by authorities today. So he 732 00:40:19,280 --> 00:40:24,319 Speaker 3: most certainly could take advantage of this mobile environment that 733 00:40:24,520 --> 00:40:28,440 Speaker 3: kind of happened, you know, during the nineteen thirties, probably 734 00:40:28,480 --> 00:40:31,120 Speaker 3: maybe a little bit earlier. You know, this was law 735 00:40:31,200 --> 00:40:34,799 Speaker 3: enforcement had to catch up with this modern transportation in 736 00:40:34,920 --> 00:40:37,280 Speaker 3: order if you have a fugitive, if you have somebody 737 00:40:37,280 --> 00:40:40,320 Speaker 3: you're looking for, they would be able to get across 738 00:40:40,360 --> 00:40:43,799 Speaker 3: the country like John did in rapid Order, and law 739 00:40:43,880 --> 00:40:47,440 Speaker 3: enforcement would be just absolutely blind to well, how do 740 00:40:47,480 --> 00:40:48,960 Speaker 3: we track this person down? 741 00:40:50,040 --> 00:40:50,760 Speaker 4: Versus today. 742 00:40:50,800 --> 00:40:55,799 Speaker 3: Of course, there's other mechanisms that law enforcement can use 743 00:40:55,840 --> 00:40:58,400 Speaker 3: to try to find somebody, if they board a flight 744 00:40:58,600 --> 00:40:59,760 Speaker 3: or if they get on a bus. 745 00:41:00,239 --> 00:41:02,839 Speaker 2: I think this case is so fascinating. We're dropping back 746 00:41:02,880 --> 00:41:05,120 Speaker 2: down to the eighteen hundred. It's because when they go 747 00:41:05,200 --> 00:41:09,439 Speaker 2: to the second location, it's of course January again Wisconsin. 748 00:41:09,800 --> 00:41:12,239 Speaker 2: There's so much snow they actually have to take a 749 00:41:12,800 --> 00:41:16,200 Speaker 2: horse and carriage to get out to their second hideout. 750 00:41:16,800 --> 00:41:21,640 Speaker 2: So the big reveal is is John Seland telling us 751 00:41:21,719 --> 00:41:25,560 Speaker 2: the truth did he really murder these two people, his 752 00:41:25,719 --> 00:41:30,399 Speaker 2: co conspirator and the kidnapping victim. Does everything he say 753 00:41:30,520 --> 00:41:33,920 Speaker 2: tally with what he has told Jay Edgar Hoover. So 754 00:41:33,960 --> 00:41:37,759 Speaker 2: they get out there and he points, and there's the pit, 755 00:41:38,280 --> 00:41:42,200 Speaker 2: and there are the bodies of James Gray and Charles Ross. 756 00:41:42,719 --> 00:41:44,840 Speaker 1: And Gray is laying face down naked. 757 00:41:45,040 --> 00:41:48,200 Speaker 2: We never know why James is naked, but they're dead, 758 00:41:48,360 --> 00:41:52,000 Speaker 2: is really the bottom line. And then Ross's body is nearby. 759 00:41:52,640 --> 00:41:56,360 Speaker 2: So once he finally told the truth, it all came out, 760 00:41:56,760 --> 00:41:58,319 Speaker 2: you know. Oh and by the way, he had robbed 761 00:41:58,320 --> 00:42:01,080 Speaker 2: a few banks along the way on his travels across 762 00:42:01,160 --> 00:42:04,080 Speaker 2: the country. I forgot to mention that. So you know, 763 00:42:04,200 --> 00:42:07,040 Speaker 2: he is a truthful bad guy at least right now, 764 00:42:07,800 --> 00:42:08,000 Speaker 2: you know. 765 00:42:08,360 --> 00:42:11,239 Speaker 3: At least you know, he gave statements. Those statements are 766 00:42:11,239 --> 00:42:15,160 Speaker 3: corroborated by you know, finding the evidence, finding the victims, 767 00:42:15,760 --> 00:42:20,320 Speaker 3: the homicide victims. If Charles had any involvement in hiring 768 00:42:20,440 --> 00:42:22,880 Speaker 3: John to you know, for to try to you know, 769 00:42:23,040 --> 00:42:26,319 Speaker 3: stage his own abduction for whatever reason, there'd be no 770 00:42:26,400 --> 00:42:30,920 Speaker 3: reason why John would try to protect that from the FBI. Yeah, 771 00:42:30,960 --> 00:42:32,920 Speaker 3: you know, so at this point in time, I just 772 00:42:33,000 --> 00:42:35,400 Speaker 3: think that you know, the goofiness that I was keying 773 00:42:35,440 --> 00:42:40,000 Speaker 3: in on that was suggesting that Charles was involved in 774 00:42:40,040 --> 00:42:43,319 Speaker 3: his own kidnapping plot. I just have to just say, no, 775 00:42:43,520 --> 00:42:46,839 Speaker 3: you know what, he just had two kind of just 776 00:42:47,280 --> 00:42:53,080 Speaker 3: somewhat unsophisticated criminals that knew just enough. Yeah, and probably 777 00:42:53,280 --> 00:42:57,000 Speaker 3: you know, we're just like what I talked about the staging. 778 00:42:57,120 --> 00:42:59,600 Speaker 4: You know, they probably work, well, how what does the 779 00:42:59,680 --> 00:43:02,240 Speaker 4: ransom letter look like? How do we get the money? 780 00:43:02,440 --> 00:43:05,799 Speaker 3: And they looked at you know, different things, you know, 781 00:43:06,360 --> 00:43:12,839 Speaker 3: magazines or whatever they could necessarily read or see back 782 00:43:12,840 --> 00:43:14,400 Speaker 3: in the day and go, well, this is what we 783 00:43:14,440 --> 00:43:17,960 Speaker 3: should do. And that's where that goofiness came from. 784 00:43:18,600 --> 00:43:20,960 Speaker 1: Yeah, I think you're right, and I think meaning Tommy 785 00:43:21,000 --> 00:43:22,719 Speaker 1: Carroll was not helpful. 786 00:43:22,880 --> 00:43:26,920 Speaker 2: He sees this successful gangster, you know who he's probably 787 00:43:26,960 --> 00:43:30,760 Speaker 2: trying to pattern himself after. He's a successful bank robber 788 00:43:31,360 --> 00:43:34,279 Speaker 2: so far so and he could have gotten away with 789 00:43:34,320 --> 00:43:38,160 Speaker 2: this pretty easily. The serial numbers, though, I mean, lord, 790 00:43:38,440 --> 00:43:41,799 Speaker 2: that was some real hard work on the FBI trying 791 00:43:41,840 --> 00:43:43,960 Speaker 2: to get through all that. I mean, that's a lot. 792 00:43:44,040 --> 00:43:45,480 Speaker 1: That was a lot. I was impressed by that. 793 00:43:45,920 --> 00:43:47,799 Speaker 3: No, that that absolutely is you know, and that's just 794 00:43:47,800 --> 00:43:50,160 Speaker 3: where you get, you know, I'm so impressed when I 795 00:43:50,200 --> 00:43:53,640 Speaker 3: take a look at what investigators had to do back 796 00:43:53,640 --> 00:43:57,040 Speaker 3: in the day before modern technology, you know, and it 797 00:43:57,320 --> 00:43:59,719 Speaker 3: was a lot and a lot of work. 798 00:43:59,760 --> 00:44:00,880 Speaker 4: Oh pawn shops. 799 00:44:01,320 --> 00:44:04,520 Speaker 3: He had all the paper, you know, if the transactions 800 00:44:04,520 --> 00:44:07,120 Speaker 3: out of pawnshop you have to go through, you know, 801 00:44:07,440 --> 00:44:10,719 Speaker 3: and that's all by hand. It's not an easy thing 802 00:44:10,760 --> 00:44:14,640 Speaker 3: to do, you know. So it really does underscore, you know, 803 00:44:14,719 --> 00:44:18,880 Speaker 3: the persistence that is needed to solve these types of cases. 804 00:44:19,239 --> 00:44:22,879 Speaker 2: Well right on brand for what we know about John Seedland. 805 00:44:23,120 --> 00:44:28,680 Speaker 2: He makes one more big mistake. He can't get out 806 00:44:28,680 --> 00:44:31,719 Speaker 2: of his own way. At the second hideout, when they're 807 00:44:31,719 --> 00:44:34,560 Speaker 2: all looking at this pit, he tries to escape from 808 00:44:34,560 --> 00:44:37,840 Speaker 2: the FBI. He's chained to an FBI agent and he 809 00:44:37,840 --> 00:44:40,080 Speaker 2: steps backwards and he hits the agent over the head 810 00:44:40,080 --> 00:44:42,759 Speaker 2: with his with his handcuffs and they both fall to 811 00:44:42,800 --> 00:44:45,839 Speaker 2: the ground. But the agents you know, quickly overpower him, 812 00:44:46,080 --> 00:44:49,480 Speaker 2: and he very kindly apologizes for doing that. It's like 813 00:44:49,520 --> 00:44:52,560 Speaker 2: he was born into being a criminal, but not a 814 00:44:52,560 --> 00:44:55,680 Speaker 2: good one. I mean, what were you thinking you're chained 815 00:44:55,680 --> 00:44:57,440 Speaker 2: to this guy. I don't know what was happening in 816 00:44:57,480 --> 00:45:00,239 Speaker 2: his head. If that is just some sort of like 817 00:45:00,239 --> 00:45:02,239 Speaker 2: an impulse that he can't control. 818 00:45:02,840 --> 00:45:04,480 Speaker 1: But he made some big mistakes. 819 00:45:05,560 --> 00:45:07,839 Speaker 3: I mean, this may just be he's recognizing this as 820 00:45:07,880 --> 00:45:11,400 Speaker 3: his last chance at freedom. It looks after this, you know, 821 00:45:11,800 --> 00:45:15,000 Speaker 3: he's going to be put into He's going to be 822 00:45:15,040 --> 00:45:18,680 Speaker 3: taken into custody and then tried for you know this, 823 00:45:18,680 --> 00:45:20,040 Speaker 3: this double homicide. 824 00:45:20,920 --> 00:45:23,160 Speaker 4: What ultimately happened to John oh Man. 825 00:45:23,400 --> 00:45:27,320 Speaker 2: So four days later he's arraigned in Chicago. He originally 826 00:45:27,360 --> 00:45:29,880 Speaker 2: pleads not guilty. He should have stuck with that, but 827 00:45:30,000 --> 00:45:32,879 Speaker 2: then he changes his mind and jures a guilty plea. 828 00:45:33,000 --> 00:45:36,319 Speaker 2: A month later, I'm assuming, as you know, a hope 829 00:45:36,320 --> 00:45:39,280 Speaker 2: for mercy, but it does him no good. He sentenced 830 00:45:39,320 --> 00:45:42,640 Speaker 2: to death, and he's executed in the electric chair in 831 00:45:42,760 --> 00:45:45,839 Speaker 2: July of nineteen thirty eight. And that is all there 832 00:45:45,960 --> 00:45:51,040 Speaker 2: is about John Seedland and this horrible story that left 833 00:45:51,080 --> 00:45:54,320 Speaker 2: a woman without it sounds like her very lovely husband 834 00:45:55,280 --> 00:45:58,759 Speaker 2: and just you know, an awful, awful I can't even 835 00:45:58,800 --> 00:46:03,240 Speaker 2: imagine going from September until January, not knowing what happened 836 00:46:03,280 --> 00:46:07,200 Speaker 2: to my spouse, fearing the worst, hoping that if something 837 00:46:07,239 --> 00:46:09,360 Speaker 2: bad did happen to him, that it was his heart 838 00:46:09,480 --> 00:46:12,040 Speaker 2: and at least it happened quickly and it wasn't that 839 00:46:12,200 --> 00:46:14,759 Speaker 2: traumatizing for him. I mean, I just can't even imagine 840 00:46:15,320 --> 00:46:17,440 Speaker 2: going on after that. But what a story? 841 00:46:17,760 --> 00:46:21,680 Speaker 3: Yeah, was there any information on how John targeted Charles 842 00:46:21,760 --> 00:46:22,359 Speaker 3: to begin with? 843 00:46:22,800 --> 00:46:24,000 Speaker 1: He just said it was random. 844 00:46:24,280 --> 00:46:26,880 Speaker 2: Could have been at the hotel, the Fargo hotel, and 845 00:46:27,000 --> 00:46:28,799 Speaker 2: I don't think it was the man that they were 846 00:46:28,840 --> 00:46:31,040 Speaker 2: talking to. I think it could have just been somebody, 847 00:46:31,080 --> 00:46:33,000 Speaker 2: you know. He could have also just spotted his car 848 00:46:33,040 --> 00:46:33,600 Speaker 2: on the road. 849 00:46:33,719 --> 00:46:34,240 Speaker 1: Who knows. 850 00:46:34,800 --> 00:46:35,120 Speaker 4: Sure. 851 00:46:35,360 --> 00:46:37,120 Speaker 2: This is why it was a two parter, because there 852 00:46:37,200 --> 00:46:39,960 Speaker 2: was so much happening with it. So not only do 853 00:46:40,040 --> 00:46:44,239 Speaker 2: you have this kidnapping and whether the kidnap ee is 854 00:46:44,719 --> 00:46:47,600 Speaker 2: involved or not, but then you have what happens after 855 00:46:47,680 --> 00:46:49,440 Speaker 2: all of that. How do you catch them? How's the 856 00:46:49,520 --> 00:46:53,319 Speaker 2: FBI involved? Jagger Hoover is sometimes not the good guy 857 00:46:53,600 --> 00:46:56,799 Speaker 2: in these situations. He did some pretty crappy things, But 858 00:46:57,160 --> 00:47:00,560 Speaker 2: in this situation, you know, the sting operation I think 859 00:47:00,640 --> 00:47:03,239 Speaker 2: was really smart. And every once in a while, you know, 860 00:47:03,520 --> 00:47:06,359 Speaker 2: I like to do two things. One remind us in 861 00:47:06,440 --> 00:47:09,040 Speaker 2: history that these are real people and the way that 862 00:47:09,080 --> 00:47:12,439 Speaker 2: we present them needs to be respected. But number two, 863 00:47:12,480 --> 00:47:14,759 Speaker 2: I just think it's always fun to see exactly what 864 00:47:14,840 --> 00:47:20,400 Speaker 2: she said, what would you do in times when there's 865 00:47:20,520 --> 00:47:24,320 Speaker 2: nothing available? Almost nothing that we have now was available 866 00:47:24,320 --> 00:47:26,000 Speaker 2: to them, And look what they were able. 867 00:47:25,800 --> 00:47:27,080 Speaker 4: To do, oh for sure. 868 00:47:27,239 --> 00:47:30,120 Speaker 3: And I know, like from my perspective, you know this, 869 00:47:30,719 --> 00:47:33,239 Speaker 3: like every case that I've ever been involved with, there's 870 00:47:33,280 --> 00:47:37,600 Speaker 3: those learning opportunities And I'm assessing this on the fly 871 00:47:37,760 --> 00:47:40,200 Speaker 3: as you're talking about it, and I'm now starting to go, 872 00:47:40,280 --> 00:47:43,239 Speaker 3: hold on, I think it's this. You know, Now I 873 00:47:43,280 --> 00:47:46,640 Speaker 3: have another case in which I can tuck into my 874 00:47:47,160 --> 00:47:52,000 Speaker 3: dictionary for future cases that I ultimately will either consult 875 00:47:52,040 --> 00:47:52,640 Speaker 3: on or work. 876 00:47:54,400 --> 00:47:56,920 Speaker 1: We can learn a lot from history, we really can. 877 00:47:57,040 --> 00:47:59,160 Speaker 2: I mean, these are not just old stories that you 878 00:47:59,200 --> 00:48:02,480 Speaker 2: sit around and tell your kids by the campfire, which 879 00:48:02,480 --> 00:48:04,439 Speaker 2: is what I do with my kids, unfortunately for them. 880 00:48:04,880 --> 00:48:06,839 Speaker 2: But you know, I think these are things that we 881 00:48:06,920 --> 00:48:10,120 Speaker 2: really can learn from. And there are so many cases 882 00:48:10,680 --> 00:48:12,640 Speaker 2: that I read about now that I just think, oh 883 00:48:12,640 --> 00:48:15,680 Speaker 2: my gosh, that that could have happened in a Buried 884 00:48:15,680 --> 00:48:18,399 Speaker 2: Bones episode, that could have happened three hundred years ago, 885 00:48:18,480 --> 00:48:19,960 Speaker 2: exactly the same dynamic. 886 00:48:20,200 --> 00:48:21,920 Speaker 1: So people don't change. 887 00:48:22,040 --> 00:48:24,920 Speaker 2: Everything happens the same, even if it's like one ad 888 00:48:25,200 --> 00:48:29,160 Speaker 2: things happen the same way. Very very true, okay, Paul, Well, 889 00:48:29,480 --> 00:48:32,800 Speaker 2: next week will be another compelling case. It will probably 890 00:48:32,840 --> 00:48:35,440 Speaker 2: not be a kidnapping, but I'll make it something just 891 00:48:35,440 --> 00:48:36,080 Speaker 2: as exciting. 892 00:48:36,120 --> 00:48:36,680 Speaker 1: I promise. 893 00:48:37,600 --> 00:48:38,439 Speaker 4: I'm sure you will. 894 00:48:38,480 --> 00:48:41,080 Speaker 3: And I so appreciate you taking the time and effort 895 00:48:41,080 --> 00:48:42,000 Speaker 3: to tell me these stories. 896 00:48:42,040 --> 00:48:43,279 Speaker 1: Thank you, Kate, thank you. 897 00:48:48,200 --> 00:48:51,480 Speaker 2: This has been an exactly right production for our sources 898 00:48:51,520 --> 00:48:54,680 Speaker 2: and show notes go to exactly rightmedia dot com slash 899 00:48:54,760 --> 00:48:58,680 Speaker 2: Buried Bones sources. Our senior producer is Alexis Emirosi. 900 00:48:59,000 --> 00:49:03,200 Speaker 3: Research by mcclashan, Ali Elkin and Kate Winkler Dawson. 901 00:49:03,480 --> 00:49:05,759 Speaker 1: Our mixing engineer is Ben Tolliday. 902 00:49:06,040 --> 00:49:08,319 Speaker 4: Our theme song is by Tom Bryfogel. 903 00:49:08,600 --> 00:49:10,600 Speaker 1: Our artwork is by Vanessa Lilac. 904 00:49:10,880 --> 00:49:15,000 Speaker 3: Executive produced by Karen Kilgarriff, Georgia hard Stark and Danielle Kramer. 905 00:49:15,280 --> 00:49:18,680 Speaker 2: You can follow Buried Bones on Instagram and Facebook at 906 00:49:18,760 --> 00:49:19,920 Speaker 2: Barry Bones pod. 907 00:49:20,360 --> 00:49:22,920 Speaker 3: Kate's most recent book, All That Is Wicked, a Gilded 908 00:49:22,920 --> 00:49:24,960 Speaker 3: Age story of murder and the race to decode the 909 00:49:24,960 --> 00:49:26,760 Speaker 3: criminal mind, is available now 910 00:49:27,080 --> 00:49:31,360 Speaker 2: And Paul's best selling memoir Unmasked, My life solving America's 911 00:49:31,360 --> 00:49:33,439 Speaker 2: cold cases is also available now