WEBVTT - 11. Reconstruction

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<v Speaker 1>Murder in Illinois is a production of iHeartRadio. So there's

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<v Speaker 1>a sign that's as welcome to Pinkneyville, and the churches

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<v Speaker 1>of Pinkneyville welcome you. And it looks like they're about

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<v Speaker 1>twenty churches. So God in prisons. After months of letters

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<v Speaker 1>and emails, COVID restrictions were lifted in May, and Bill

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<v Speaker 1>Clutter and I were finally on our way to visit

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<v Speaker 1>Chris part As we get closer to the prison, is

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<v Speaker 1>absolutely pouring.

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<v Speaker 2>From you, quorks of lightning, you know, thunder yet, Yeah,

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<v Speaker 2>there are a lot of churches around here.

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<v Speaker 3>The abbess is the buckle of the Bible belt right

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<v Speaker 3>here southern Illinois.

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<v Speaker 1>As a result of good behavior during his time at Minard,

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<v Speaker 1>Christopher Vaughan was transferred to the Pinkneyville Correctional Center in

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<v Speaker 1>twenty nineteen, a medium security prison located in Perry County.

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<v Speaker 3>This is it the Pinkneyville Correctional Center.

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<v Speaker 1>So it's kind of a sprawling brick facility surrounded by

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<v Speaker 1>the wire.

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<v Speaker 3>It's not that old of a facility, hating. I'm within

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<v Speaker 3>the last right twenty or twenty five years.

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<v Speaker 1>So the parking lot looks pretty full. I'm assuming this

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<v Speaker 1>is where we go in It is all right.

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<v Speaker 3>Because to leave my cellphone.

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<v Speaker 1>Okay, so we should be about two hours. I have

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<v Speaker 1>my passport. I think we need two forms of what org.

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<v Speaker 4>All right?

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<v Speaker 1>Take a run for it, which is funny. I don't

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<v Speaker 1>think most people say they're going to make a run

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<v Speaker 1>for it as they're going into.

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<v Speaker 3>Present foreshadowed by thunder.

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<v Speaker 1>I'm Lauren breg Pacheco, and this is murder in Illinois.

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<v Speaker 5>Kay.

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<v Speaker 6>Disjuged fop Shah.

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<v Speaker 1>The check in process at Pinkneyville was thorough and impacted

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<v Speaker 1>by COVID protocol. We were vetted, masked, and temperature checked.

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<v Speaker 1>No personal belongings, phones, or recording devices were permitted. After

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<v Speaker 1>we were individually searched and padded down, we passed through

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<v Speaker 1>a metal detector and two additional checkpoints before entering the

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<v Speaker 1>cafeteria like room, where inmates were individually seated at small

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<v Speaker 1>tables surrounded by four fixed stools. Each tabletop was divided

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<v Speaker 1>into sections by high plexiglass a COVID precaution. We were

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<v Speaker 1>instructed to sit across from the inmate if possible, so

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<v Speaker 1>only one of us could sit next to Vaughn. Acoustics

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<v Speaker 1>were difficult as a result, especially when compounded by masks.

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<v Speaker 1>After communicating through email for so many months, it was

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<v Speaker 1>surreal to see and speak with Vaughn in person. The

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<v Speaker 1>two and a half hours that initially felt overwhelming ended

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<v Speaker 1>up passing quickly once we got used to raising our

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<v Speaker 1>voices and leaning forward enough to hear and be heard.

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<v Speaker 1>When we left and I got back into our car,

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<v Speaker 1>oh my gosh, that was really interesting. I was still

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<v Speaker 1>trying to reconcile my expectations with the man I just met,

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<v Speaker 1>and there was a bit of an element of being

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<v Speaker 1>taken aback because he is not imposing in terms of

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<v Speaker 1>his height or his physicality.

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<v Speaker 7>He comes across a little bit more tough in photos

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<v Speaker 7>just because his head is shaven and he has a goatee,

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<v Speaker 7>but his mannerisms are so.

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<v Speaker 1>Mild. There's a fragility to him that goes hand in

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<v Speaker 1>hand with the introspective nature of how he speaks and

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<v Speaker 1>expresses himself.

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<v Speaker 3>Well, that's what kind of struck me, because you get

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<v Speaker 3>a sense that he's learned to survive in this environment

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<v Speaker 3>and he can't be a pleasant experience now fourteen years

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<v Speaker 3>in prison.

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<v Speaker 1>During our visit, Vaughan expressed the mental and emotional repercussions

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<v Speaker 1>of our communication. He apologized for wavering. Apparently he had

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<v Speaker 1>a really tough December because I was asking him to

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<v Speaker 1>access memories and feelings and emotions that he had kept

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<v Speaker 1>compartmentalized for so long. Then he wrote the five page

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<v Speaker 1>letter and then almost immediately he was done.

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<v Speaker 3>And one of the things I wanted to clarify with

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<v Speaker 3>him in our meeting was I always had concerns when

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<v Speaker 3>he started out in that letter telling his parents he

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<v Speaker 3>would fill in the gaps that I was concerned that

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<v Speaker 3>some of the things he was describing may have been

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<v Speaker 3>doing that.

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<v Speaker 1>He had no idea what that noise was. It never

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<v Speaker 1>occurred to him that there were gunshots happening within the car,

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<v Speaker 1>and he was in the quiet of a morning in

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<v Speaker 1>a big open field, and it was almost like this

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<v Speaker 1>ominous kind of echoing in the field. He didn't put

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<v Speaker 1>two and two together, sounds like, didn't until he got

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<v Speaker 1>back in the car, after he believes she shot three

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<v Speaker 1>shots at him, that she fired three times. That's when

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<v Speaker 1>he really truly realized that the kids were all dead

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<v Speaker 1>in the back seat, and at that point she was

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<v Speaker 1>dead as well.

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<v Speaker 3>He acknowledged today that he's really unclear about the sequences

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<v Speaker 3>of which shot occurred verse the wrist or the leg.

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<v Speaker 3>But the one memory that he did have that was

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<v Speaker 3>vivid and clear is closing his eyes to avoid looking

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<v Speaker 3>at Kim and reaching and grabbing her seat belt to

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<v Speaker 3>try to fasten her seatbelt and struggling with it, and

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<v Speaker 3>his hand was shaking, and that is consistent with the

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<v Speaker 3>forensic evidence that large saturation stain on Kim's seatbelt. The

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<v Speaker 3>clearest memory he has is after everything happened, I mean,

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<v Speaker 3>his description of leaning back in his seat and looking

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<v Speaker 3>at the children. That explains the transfer stain that was

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<v Speaker 3>on the back right side of his jacket back to

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<v Speaker 3>the seatbelt. And the version of the state that he

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<v Speaker 3>somehow unbuckled her seatbelt to stage the crime scene makes

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<v Speaker 3>no sense.

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<v Speaker 1>Because his blood would have been on the actual female part.

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<v Speaker 3>He would have taken his thumb and depressed the seatbelt,

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<v Speaker 3>and you wouldn't have all that blood saturating the seat belt.

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<v Speaker 3>But his description of closing his eyes because he couldn't

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<v Speaker 3>look at Kim's face, that I mean just a ghastly sight,

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<v Speaker 3>and reaching grabbing the seatbelt, trying to buckle her and

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<v Speaker 3>struggling to buckle because her arm is covering the female

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<v Speaker 3>part of the buckle. All of that makes perfect sense,

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<v Speaker 3>and there's enough time for him to saturate that seat

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<v Speaker 3>belt strap with his left wrist injury. I mean, he

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<v Speaker 3>acknowledged that that was the clearest memory he had of

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<v Speaker 3>what he was describing the letter.

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<v Speaker 1>That memory was about to be put to the test

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<v Speaker 1>in a controlled scientific crime scene reconstruction. We connected with

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<v Speaker 1>Gail and Pierre, who traveled to meet us after the

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<v Speaker 1>visit to share more thoughts. He was very thankful and

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<v Speaker 1>kind of surprised that anybody cared. He reiterated how grateful

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<v Speaker 1>he's been for your support and how much that means.

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<v Speaker 1>I was so taken aback that there's no anger, that

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<v Speaker 1>he doesn't seem angry or bitter. I told him that

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<v Speaker 1>I had a couple of questions, and these are things

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<v Speaker 1>that stuck out, particularly in terms of the press and

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<v Speaker 1>the prosecution, and so much was made of the fact

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<v Speaker 1>that he was wearing the same outfit, and so I

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<v Speaker 1>asked him, why were you wearing the same clothes you

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<v Speaker 1>wore to the shooting range, And he said, because he

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<v Speaker 1>was working most of the night that he would often

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<v Speaker 1>work in his study and then kind of catnap. But

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<v Speaker 1>he brought all the clothes he was changing into. They

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<v Speaker 1>were in the back of the car.

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<v Speaker 6>But nobody said that.

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<v Speaker 1>And the other thing that really came through everything he

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<v Speaker 1>said about the dynamic of their relationship, and also that

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<v Speaker 1>when Kimberly got that degree from Phoenix that took seven

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<v Speaker 1>years I think to get, she was handed an empty diploma.

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<v Speaker 1>But also learned that when she started calling, she thought

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<v Speaker 1>that all of these doors would open to her because

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<v Speaker 1>she had this degree. But it wasn't respected and it

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<v Speaker 1>didn't open doors. That people actually dismissed it because it

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<v Speaker 1>was online. That's interesting, Yeah, and that upset her deeply,

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<v Speaker 1>and so that could have unfolded in real time and

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<v Speaker 1>could have led to her anxiety.

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<v Speaker 8>I still had a couple months to finish her degree,

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<v Speaker 8>to completely finish it, she still had a couple months

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<v Speaker 8>to go well. And in jest, when before all this happened,

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<v Speaker 8>Chris was saying, oh, yeah, now that you're going to

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<v Speaker 8>be a college degree person, you can go out and

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<v Speaker 8>make the big books, and I can quit and make

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<v Speaker 8>wood in the garage, would and play with the kids.

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<v Speaker 9>You know.

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<v Speaker 8>It was all in joke back then, then when it happened,

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<v Speaker 8>I guess that's a different story.

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<v Speaker 1>Well, he also talks about they had gotten to the

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<v Speaker 1>point where they were going to stay together while the

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<v Speaker 1>kids were in the house, but that eventually they would be.

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<v Speaker 3>Leading separate lives.

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<v Speaker 1>In July of twenty twenty one, I flew to meet

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<v Speaker 1>Bill Clutter in Kentucky for the crime scene reconstruction that

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<v Speaker 1>would recreate the events of June fourteenth, two thousand and seven,

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<v Speaker 1>under the direction of a seasoned crime scene investigator.

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<v Speaker 6>My name's Kate Hartman.

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<v Speaker 5>I'm a retired crime scene investigator from Lowell Metro Police Department.

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<v Speaker 5>I worked for the Metro Police Department for twenty one years,

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<v Speaker 5>started in communications and then tested to go into the

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<v Speaker 5>crime scene unit.

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<v Speaker 1>Hartman was secured by Bill Clutter to meticulously review the

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<v Speaker 1>Vaughan case. Because of her lack of proximity, she was

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<v Speaker 1>well suited to approach the task.

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<v Speaker 6>Well, I had no preconceived notions.

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<v Speaker 5>I'd never heard of it since it didn't happen in Kentucky,

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<v Speaker 5>I didn't know anybody involved. Police department used to wish

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<v Speaker 5>contacts throughout the United States, and I.

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<v Speaker 6>Had never heard of that case.

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<v Speaker 5>So I didn't have any of those prejudices at all.

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<v Speaker 1>In person, Katie Hartman comes across as no nonsense and direct.

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<v Speaker 1>She holds eye contact with a degree of scrutiny, in

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<v Speaker 1>keeping with her profession and reputation she's built both by

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<v Speaker 1>backing up instincts with science. She brought that same scrutiny

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<v Speaker 1>to reviewing Bob Deal's original crime scene report.

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<v Speaker 5>As a crime scene investigator, I really am impressed with

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<v Speaker 5>his work, and I'm a critical person. I used to

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<v Speaker 5>train people to do what I did, so I was

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<v Speaker 5>looking at it very I was ready to give him

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<v Speaker 5>Well Bill criticisms if need be, because I told Bill,

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<v Speaker 5>I'll give you exactly what I think good better in between.

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<v Speaker 5>And my first comment to him was, this guy's good.

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<v Speaker 1>It's really interesting because you know he was discredited.

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<v Speaker 5>I was told that after I read that he had

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<v Speaker 5>been discredited. So I wasn't shocked because I'm not shocked

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<v Speaker 5>by anything that happens. I've been victimized in that way

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<v Speaker 5>also through the years, not in the same way he has,

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<v Speaker 5>but it can be career altering.

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<v Speaker 1>In addition to Deal's crime scene report, Hartman scrutinized the

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<v Speaker 1>forensic evidence bullet trajectory paths and the trial trap.

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<v Speaker 5>With his report standing alone, he was very thorough with

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<v Speaker 5>his photographs, and it's very difficult to photograph a crime

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<v Speaker 5>scene that is within a car because you can't mess

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<v Speaker 5>up anything. You got to lean in, you can't be

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<v Speaker 5>at a ninety degree angle sometimes.

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<v Speaker 6>To take a photograph. But with the three D.

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<v Speaker 5>Imaging also and his references, I felt like I was there.

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<v Speaker 5>He referred to things and I could follow it as

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<v Speaker 5>if I was with him and standing next to him.

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<v Speaker 5>I did not make an opinion about whether or not

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<v Speaker 5>this was a suicide murder or murders until I really

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<v Speaker 5>looked at the trajectories.

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<v Speaker 1>Hartman wouldn't be willing to share her opinion until testing

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<v Speaker 1>it through multiple scenarios, but having read the crime scene

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<v Speaker 1>report and trial transcripts, she did have initial issues with

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<v Speaker 1>the way evidence was presented at Vaughn's trial.

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<v Speaker 5>Given what the jury was given, I'm not surprised he

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<v Speaker 5>was convicted because they weren't given everything. In my opinion,

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<v Speaker 5>if I was on that jury and was only given

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<v Speaker 5>that information, and this is more of a personal than

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<v Speaker 5>a professional opinion, if I was someone who is not

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<v Speaker 5>familiar with what to ask or what to expect of

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<v Speaker 5>a case. I would have convicted it because everything wasn't

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<v Speaker 5>put out there.

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<v Speaker 1>I had Hartman break down exactly what the crime scene

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<v Speaker 1>reconstruction would cover and test. This was to be the

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<v Speaker 1>first of two reconstructions, the second with the ballistics expert

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<v Speaker 1>who would further map out the exact trajectories.

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<v Speaker 5>We're going to reenact what the prosecution stated about the

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<v Speaker 5>blood on the seatbelt and blood on Kim and where

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<v Speaker 5>Chris was shot. We need a visual and need to

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<v Speaker 5>be able to look at it to see if it

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<v Speaker 5>was possible what he said or if it was possible

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<v Speaker 5>what they said.

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<v Speaker 6>We're going to do all scenarios.

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<v Speaker 5>We need to be completely unbiased in that we need

0:15:22.280 --> 0:15:27.440
<v Speaker 5>to prove or disprove his story or their story period.

0:15:28.240 --> 0:15:31.720
<v Speaker 1>Hartman was clear that what would be revealed would not

0:15:31.760 --> 0:15:33.520
<v Speaker 1>be tied to any agenda.

0:15:34.200 --> 0:15:36.600
<v Speaker 5>When Bill asked me to be on this case, I

0:15:36.640 --> 0:15:38.920
<v Speaker 5>told him I'm the type of person that I'm not

0:15:39.000 --> 0:15:41.600
<v Speaker 5>going to give you what you want to hear. If

0:15:41.680 --> 0:15:45.080
<v Speaker 5>I think something isn't no, it doesn't fall along, I'm

0:15:45.080 --> 0:15:47.280
<v Speaker 5>going to tell you. That was my job.

0:15:47.560 --> 0:15:48.960
<v Speaker 6>I was there to prove or disprove it.

0:15:49.080 --> 0:15:52.680
<v Speaker 5>Someone did this, and if they did it, they did it.

0:15:53.360 --> 0:15:55.840
<v Speaker 5>I could not look at anything else. I had no

0:15:55.960 --> 0:15:59.680
<v Speaker 5>tunnel vision. Even if the person who did something maybe

0:15:59.680 --> 0:16:02.760
<v Speaker 5>had done something before and wasn't the best person, Well,

0:16:02.800 --> 0:16:05.800
<v Speaker 5>that's not what I was there for. I'm there for

0:16:05.960 --> 0:16:11.560
<v Speaker 5>that crime and whether or not we can prove who

0:16:12.040 --> 0:16:12.320
<v Speaker 5>did it.

0:16:14.400 --> 0:16:18.840
<v Speaker 1>The reconstruction's purpose was to test the multiple scenarios laid

0:16:18.880 --> 0:16:22.120
<v Speaker 1>out for what could have happened that day, to determine

0:16:22.160 --> 0:16:25.760
<v Speaker 1>the most plausible and likely one based on the forensics

0:16:25.760 --> 0:16:29.680
<v Speaker 1>of the crime scene without emotion. Hartman brought that same

0:16:29.840 --> 0:16:32.040
<v Speaker 1>objectivity to Bond's five page letter.

0:16:35.240 --> 0:16:37.520
<v Speaker 5>It was always my job to look at something in

0:16:37.680 --> 0:16:41.960
<v Speaker 5>the most unemotional way possible. I always was able to

0:16:42.160 --> 0:16:46.120
<v Speaker 5>really do that. I'm just not a very emotional person.

0:16:46.520 --> 0:16:48.600
<v Speaker 5>I think about who he's writing to. He's writing to

0:16:48.640 --> 0:16:55.160
<v Speaker 5>his mom and dad, and he seems still hopeless. He's

0:16:55.360 --> 0:16:58.240
<v Speaker 5>almost apologizing to his mom and dad that it's going

0:16:58.320 --> 0:17:02.360
<v Speaker 5>to be all brought up again. But as I read

0:17:02.400 --> 0:17:07.879
<v Speaker 5>his description of what happened, it was believable to me

0:17:08.400 --> 0:17:10.719
<v Speaker 5>as a crime scene person. If he had said that

0:17:10.800 --> 0:17:13.800
<v Speaker 5>in his interview, it would have made all the difference.

0:17:14.520 --> 0:17:17.879
<v Speaker 1>But that letter covered just one of the scenarios about

0:17:17.920 --> 0:17:18.720
<v Speaker 1>to be reenacted.

0:17:19.400 --> 0:17:23.960
<v Speaker 5>We're all going to get the visual of every scenario,

0:17:24.280 --> 0:17:27.560
<v Speaker 5>and that's important because you'd be amazed how you think

0:17:27.600 --> 0:17:30.160
<v Speaker 5>about something in your head. And everyone's different on how

0:17:30.160 --> 0:17:34.119
<v Speaker 5>they hold things, how they move. Movement is almost unique

0:17:34.160 --> 0:17:38.359
<v Speaker 5>to each person. So the way if she shot herself,

0:17:38.560 --> 0:17:41.720
<v Speaker 5>I wouldn't have shot myself that way. I would have

0:17:41.720 --> 0:17:46.080
<v Speaker 5>held again, probably differently, but that doesn't mean she didn't.

0:17:46.320 --> 0:17:50.160
<v Speaker 1>The crime scene reconstruction took place July fifteenth, twenty twenty one,

0:17:50.640 --> 0:17:53.679
<v Speaker 1>utilizing the exact make, model and color of the Bonds

0:17:53.720 --> 0:17:57.639
<v Speaker 1>family SUV and two actors named Nathan and Patty, who

0:17:57.680 --> 0:18:01.080
<v Speaker 1>are approximately the same height and weights Chris and Kimberly

0:18:01.119 --> 0:18:03.720
<v Speaker 1>Vaughan were at the time of the tragedy. It would

0:18:03.720 --> 0:18:08.880
<v Speaker 1>be filmed by seasoned investigative journalist, director and cameraman Ron Zimmerman.

0:18:09.320 --> 0:18:11.919
<v Speaker 1>In addition to having worked on America's Most Wanted for

0:18:11.920 --> 0:18:15.480
<v Speaker 1>twenty one years, Zimmerman has a resume that includes CNN

0:18:15.600 --> 0:18:16.439
<v Speaker 1>and twenty twenty.

0:18:16.920 --> 0:18:20.400
<v Speaker 4>To film the recreation, we wanted to cover all possible angles,

0:18:20.440 --> 0:18:23.880
<v Speaker 4>things that you wouldn't see just by standing on one

0:18:23.920 --> 0:18:26.879
<v Speaker 4>side of the car the other. So we had three

0:18:27.000 --> 0:18:32.400
<v Speaker 4>cameras small GoPros inside the car, one on the driver's

0:18:32.400 --> 0:18:36.440
<v Speaker 4>side pillar, one near the rear view mirror, and one

0:18:36.480 --> 0:18:40.160
<v Speaker 4>on the passenger side door pillar. Then there are two

0:18:40.200 --> 0:18:44.719
<v Speaker 4>cameras outside the car, one outside the driver's window handheld

0:18:45.040 --> 0:18:49.439
<v Speaker 4>and another one outside the passenger's window. The reason to

0:18:49.440 --> 0:18:52.639
<v Speaker 4>have so many angles is that at certain times during

0:18:53.480 --> 0:18:56.080
<v Speaker 4>the events that happened inside the car, it's best to

0:18:56.080 --> 0:18:59.440
<v Speaker 4>see it from a different angle. Otherwise one camera another's

0:18:59.440 --> 0:19:02.240
<v Speaker 4>going to be blocked by somebody's body. And that's when

0:19:02.240 --> 0:19:04.400
<v Speaker 4>the truth emerges, when you can see all the possible

0:19:04.440 --> 0:19:07.200
<v Speaker 4>angles and even slow it down to take it frame

0:19:07.280 --> 0:19:07.760
<v Speaker 4>by frame.

0:19:08.440 --> 0:19:11.399
<v Speaker 1>Back to Bill Clutter, the first demonstration we to do

0:19:11.520 --> 0:19:15.200
<v Speaker 1>is test the theory of the stay that Chris unbuckled

0:19:15.240 --> 0:19:18.359
<v Speaker 1>her seat belt, bled onto the seat belt and.

0:19:19.840 --> 0:19:22.840
<v Speaker 3>Explains the pattern of bloodstains you see on it on

0:19:22.920 --> 0:19:23.879
<v Speaker 3>the passenger's seat belt.

0:19:24.400 --> 0:19:27.119
<v Speaker 1>The mood was somber and filled with tension that was

0:19:27.119 --> 0:19:30.600
<v Speaker 1>in keeping with what was being reenacted and what it

0:19:30.640 --> 0:19:31.280
<v Speaker 1>could reveal.

0:19:32.240 --> 0:19:35.560
<v Speaker 3>So I think what we'll do, Katie, is we'll position

0:19:36.359 --> 0:19:39.920
<v Speaker 3>Patty and we'll do the positioning based on the crime

0:19:39.960 --> 0:19:44.359
<v Speaker 3>scene photos. And do the first demonstration where she's seat

0:19:44.359 --> 0:19:47.720
<v Speaker 3>belted and have him on seat belt her and then

0:19:47.840 --> 0:19:49.760
<v Speaker 3>Katie get Patty positioned.

0:19:50.880 --> 0:19:54.440
<v Speaker 1>Hartman and clutter recreated each scenario to be tested by

0:19:54.520 --> 0:19:58.680
<v Speaker 1>exhaustively referencing the crime scene photos and the crime scene reports.

0:19:59.119 --> 0:20:02.399
<v Speaker 1>Each actor was placed an exact position and given the

0:20:02.440 --> 0:20:05.439
<v Speaker 1>most basic directive in terms of motive or movement.

0:20:05.800 --> 0:20:13.760
<v Speaker 5>Remember, her feet were flat, she is slapped. Yeah, okay,

0:20:14.119 --> 0:20:18.520
<v Speaker 5>so you're feeling where her arm was pushed up. What's

0:20:18.560 --> 0:20:20.399
<v Speaker 5>important is how where this left arm is?

0:20:20.440 --> 0:20:20.760
<v Speaker 3>Okay.

0:20:21.920 --> 0:20:24.840
<v Speaker 1>To test the state's theory that vonnat unbuckled his wife

0:20:24.880 --> 0:20:28.639
<v Speaker 1>after she was shot, the actress playing Kimberly was positioned

0:20:28.800 --> 0:20:32.000
<v Speaker 1>exactly as Kimberly was photographed in the vehicle, with her

0:20:32.119 --> 0:20:36.080
<v Speaker 1>left arm covering the belted buckle. The crime scene reports

0:20:36.119 --> 0:20:38.760
<v Speaker 1>specifically state that her body did not appear to have

0:20:38.800 --> 0:20:42.280
<v Speaker 1>been moved after she was shot. Hartman then walked the

0:20:42.320 --> 0:20:46.680
<v Speaker 1>actor playing Vaughn through his action without dictating any specific

0:20:46.720 --> 0:20:49.879
<v Speaker 1>directive in order to observe his intuitive movements.

0:20:51.080 --> 0:20:56.480
<v Speaker 5>What we're doing is these red dots signifiant what your

0:20:56.520 --> 0:20:57.119
<v Speaker 5>injury is.

0:20:57.200 --> 0:20:57.520
<v Speaker 6>Okay.

0:20:58.960 --> 0:21:02.040
<v Speaker 1>Red stickers were played based on places where both Chris

0:21:02.080 --> 0:21:04.040
<v Speaker 1>and Kim were actually shot.

0:21:04.920 --> 0:21:09.240
<v Speaker 5>So you have an abrupt injury, all right, Okay, So

0:21:09.480 --> 0:21:11.560
<v Speaker 5>even though you can't really mimic how it would hurt,

0:21:11.560 --> 0:21:13.040
<v Speaker 5>and I don't really want you to, but what I

0:21:13.080 --> 0:21:15.040
<v Speaker 5>want you to do is when we tell you to

0:21:15.119 --> 0:21:19.520
<v Speaker 5>do something instinctively, how would you move if you had

0:21:19.560 --> 0:21:20.359
<v Speaker 5>injuries like that?

0:21:21.880 --> 0:21:24.520
<v Speaker 6>Okay? All I want you.

0:21:24.520 --> 0:21:28.200
<v Speaker 5>To do, don't overthink it, okay is wait wait wait.

0:21:28.680 --> 0:21:30.639
<v Speaker 6>What I want you to do is keep in mind you've.

0:21:30.480 --> 0:21:34.640
<v Speaker 5>Been injured, right, okay, and you reach over and unbuckle

0:21:34.760 --> 0:21:35.440
<v Speaker 5>per seatbelt.

0:21:35.560 --> 0:21:35.919
<v Speaker 10>Period.

0:21:36.040 --> 0:21:36.400
<v Speaker 6>That's it.

0:21:36.520 --> 0:21:36.800
<v Speaker 4>That's it.

0:21:37.000 --> 0:21:37.280
<v Speaker 6>Okay.

0:21:37.760 --> 0:21:42.399
<v Speaker 1>When you restart, like all the scenarios, this would be

0:21:42.480 --> 0:21:46.560
<v Speaker 1>run multiple times, resetting everything before each take.

0:21:48.720 --> 0:21:50.920
<v Speaker 5>If you keep your arms this way until he gets

0:21:50.960 --> 0:21:52.800
<v Speaker 5>in here, you can actually just lean over and ick

0:21:52.880 --> 0:21:53.520
<v Speaker 5>and make.

0:21:53.400 --> 0:21:55.439
<v Speaker 6>Sure you're in that position when we get ready.

0:21:55.920 --> 0:21:59.720
<v Speaker 1>And each take showed the same result to.

0:22:00.119 --> 0:22:02.080
<v Speaker 6>Her arm, and I did.

0:22:02.160 --> 0:22:02.400
<v Speaker 8>Yeah.

0:22:02.440 --> 0:22:05.280
<v Speaker 11>In order to get past the arm needed to move

0:22:05.600 --> 0:22:07.840
<v Speaker 11>because her elbow.

0:22:09.000 --> 0:22:10.119
<v Speaker 6>I needed to move her elbow.

0:22:10.280 --> 0:22:17.400
<v Speaker 3>Okay, the female part of the elbow.

0:22:18.680 --> 0:22:21.000
<v Speaker 11>Was under her yes, sir, yeah, I was under her

0:22:21.000 --> 0:22:23.359
<v Speaker 11>elbow that needed to be moved in order to get

0:22:23.440 --> 0:22:25.040
<v Speaker 11>to that button.

0:22:25.960 --> 0:22:29.639
<v Speaker 1>Each time the state's theory was tested. To unbuckle the belt,

0:22:30.119 --> 0:22:34.520
<v Speaker 1>the actor playing Christopher used his uninjured right arm to

0:22:34.640 --> 0:22:38.760
<v Speaker 1>reach under the actress's upper left arm to access the belt.

0:22:39.640 --> 0:22:43.440
<v Speaker 11>With injuries and you know, some restricted movement to my arm,

0:22:43.480 --> 0:22:45.040
<v Speaker 11>it would be difficult, and I felt I need to

0:22:45.119 --> 0:22:48.280
<v Speaker 11>lean over this way and move a little more. So

0:22:48.320 --> 0:22:49.400
<v Speaker 11>that's how I would do it.

0:22:50.359 --> 0:22:52.640
<v Speaker 1>Doing so would have meant he would have passed through

0:22:52.720 --> 0:22:56.320
<v Speaker 1>Kimberly's blood, which was pooling on the back of the

0:22:56.320 --> 0:22:59.879
<v Speaker 1>center console, and none of Kim's blood was found on

0:23:00.040 --> 0:23:03.280
<v Speaker 1>Chris Baud's right arm. Next up was the buckling of

0:23:03.320 --> 0:23:04.200
<v Speaker 1>the belt.

0:23:05.160 --> 0:23:08.480
<v Speaker 3>Let's just instruct him to buckle her without giving him

0:23:08.480 --> 0:23:13.120
<v Speaker 3>the story of what happened, without showing him the photo

0:23:13.280 --> 0:23:17.159
<v Speaker 3>yet right to buckle her. Yeah, just to just instruct

0:23:17.240 --> 0:23:17.480
<v Speaker 3>him to.

0:23:17.480 --> 0:23:20.280
<v Speaker 6>Buckle right before we do the shocking photo.

0:23:20.720 --> 0:23:25.240
<v Speaker 5>Because Chris had said that he had his eyes, we're

0:23:25.240 --> 0:23:28.280
<v Speaker 5>going to do have him buckle her, you know, Okay,

0:23:28.720 --> 0:23:29.560
<v Speaker 5>see you see what he does.

0:23:29.680 --> 0:23:33.280
<v Speaker 1>Naturally, Hartman also had a theory. She wanted to test.

0:23:34.040 --> 0:23:35.760
<v Speaker 6>What I want you to do now is you've just

0:23:35.800 --> 0:23:37.840
<v Speaker 6>been shot in the wrist. What's the first thing you

0:23:37.880 --> 0:23:38.480
<v Speaker 6>think you would do.

0:23:39.160 --> 0:23:42.920
<v Speaker 11>What do you think I would put pressure on the

0:23:42.960 --> 0:23:45.200
<v Speaker 11>wound and elevate it, and you know that's what I

0:23:45.240 --> 0:23:45.600
<v Speaker 11>would do.

0:23:45.760 --> 0:23:48.960
<v Speaker 6>You would grab the wound because you're shot. God got you, right, Okay.

0:23:50.320 --> 0:23:54.040
<v Speaker 1>Nathan immediately raised his left wrist and grabbed it with

0:23:54.080 --> 0:23:56.240
<v Speaker 1>his right hand to stop the bleeding.

0:23:56.720 --> 0:23:59.240
<v Speaker 5>So that just happened, and I want you to reach

0:23:59.280 --> 0:24:03.399
<v Speaker 5>over and buckle her. So you've just been shot.

0:24:03.760 --> 0:24:03.920
<v Speaker 4>Now.

0:24:04.040 --> 0:24:05.359
<v Speaker 6>I didn't tell you to keep your hand there.

0:24:05.400 --> 0:24:05.960
<v Speaker 4>You don't have to.

0:24:06.119 --> 0:24:08.240
<v Speaker 6>I'm just saying what your first instinct was was.

0:24:08.200 --> 0:24:10.360
<v Speaker 11>To my first instinct is going to be to check

0:24:10.359 --> 0:24:11.800
<v Speaker 11>it out and go oh.

0:24:11.760 --> 0:24:13.639
<v Speaker 6>But yet you still want a buckler. So what do

0:24:13.680 --> 0:24:18.879
<v Speaker 6>you do? Don't overthink it, just do it. Just do

0:24:19.080 --> 0:24:23.520
<v Speaker 6>this as quick as I could. Now, don't look.

0:24:25.440 --> 0:24:26.120
<v Speaker 3>Are you? Oh?

0:24:26.280 --> 0:24:26.720
<v Speaker 10>Interesting?

0:24:26.920 --> 0:24:27.800
<v Speaker 1>Yeah?

0:24:28.080 --> 0:24:31.240
<v Speaker 6>Okay, okay, you didn't do anything wrong. You know what

0:24:31.320 --> 0:24:31.600
<v Speaker 6>you need.

0:24:31.640 --> 0:24:33.800
<v Speaker 5>We'd ask you to do what you would do if

0:24:33.840 --> 0:24:35.119
<v Speaker 5>your wrist hurt and you had grabbed it.

0:24:35.240 --> 0:24:36.560
<v Speaker 6>The reason why I was telling you what would you.

0:24:36.560 --> 0:24:38.240
<v Speaker 5>Do if you got hurt and your wrist it was

0:24:38.320 --> 0:24:40.880
<v Speaker 5>because I also think somebody would have put their hand

0:24:40.920 --> 0:24:41.760
<v Speaker 5>on top of the wound.

0:24:42.359 --> 0:24:46.200
<v Speaker 1>Each time the scenario was tested. The actor simply moved

0:24:46.280 --> 0:24:50.119
<v Speaker 1>the actress's left arm and buckled her with his right hand.

0:24:50.800 --> 0:24:53.240
<v Speaker 1>Keep in mind, both of his hands could have been

0:24:53.280 --> 0:24:55.439
<v Speaker 1>covered with his own blood had he been clasping his

0:24:55.480 --> 0:24:58.119
<v Speaker 1>wounded left wrist, so he would have left some prints

0:24:58.160 --> 0:25:00.679
<v Speaker 1>on her left arm which were not present at the

0:25:00.680 --> 0:25:04.800
<v Speaker 1>actual crime scene. Next tested was the scenario covered in

0:25:04.880 --> 0:25:08.080
<v Speaker 1>Chris's letter and his description of how he attempted to

0:25:08.080 --> 0:25:11.000
<v Speaker 1>buckle his deceased wife. This was the first time the

0:25:11.040 --> 0:25:14.600
<v Speaker 1>actor playing Chris was told in the actual specifics of

0:25:14.640 --> 0:25:15.080
<v Speaker 1>the case.

0:25:16.680 --> 0:25:20.120
<v Speaker 3>And so this is a recent letter we received from Chris.

0:25:19.960 --> 0:25:23.120
<v Speaker 7>Ravaughan, who is the person that you're playing.

0:25:22.840 --> 0:25:26.000
<v Speaker 3>For, right, and he's serving a life sentence in Illinois.

0:25:27.119 --> 0:25:29.520
<v Speaker 3>He wrote this letter to his parents in March of

0:25:29.920 --> 0:25:33.760
<v Speaker 3>twenty twenty one, and he says, she then turned the

0:25:33.800 --> 0:25:38.080
<v Speaker 3>gun on herself and fired, and then I thought to

0:25:38.160 --> 0:25:42.439
<v Speaker 3>drive the truck. Kim was slumped, so I tried to

0:25:42.520 --> 0:25:48.359
<v Speaker 3>buckle her. My hands shook badly. I couldn't buckle the belt.

0:25:50.720 --> 0:25:53.520
<v Speaker 1>He also should understand why his hands are shaking badly.

0:25:53.600 --> 0:25:58.080
<v Speaker 1>He's been shot twice. But your three children are all

0:25:58.119 --> 0:26:03.000
<v Speaker 1>dead in the backseat, So that's the emotion that's going

0:26:03.040 --> 0:26:05.879
<v Speaker 1>through your head and part of why you're shaking.

0:26:05.520 --> 0:26:07.560
<v Speaker 11>Adrenaline, shaking violently.

0:26:07.920 --> 0:26:09.000
<v Speaker 3>Yes, I would be.

0:26:09.200 --> 0:26:14.359
<v Speaker 1>Now, your wife also has a single gunshot wound under

0:26:14.359 --> 0:26:17.199
<v Speaker 1>her chin, and this is what he's looking at, and

0:26:17.240 --> 0:26:26.280
<v Speaker 1>I apologize. Swick In order to understand Christopher Vaughn's movements,

0:26:26.800 --> 0:26:30.040
<v Speaker 1>we have to address what he was reacting to. The

0:26:30.040 --> 0:26:33.960
<v Speaker 1>crime scene photo of Kimberly Vaughn is extremely graphic. What

0:26:34.000 --> 0:26:38.440
<v Speaker 1>it captures in person would have been even more so.

0:26:38.480 --> 0:26:41.520
<v Speaker 1>She slumped to the left, her head tilted back over

0:26:41.560 --> 0:26:45.480
<v Speaker 1>her left shoulder and facing the driver's seat. Her left

0:26:45.480 --> 0:26:48.320
<v Speaker 1>eye is bulging from its socket, and the bullet that

0:26:48.480 --> 0:26:51.840
<v Speaker 1>entered under her chin has severed her upper palette and

0:26:51.920 --> 0:26:58.600
<v Speaker 1>teeth into So when we visited Chris in prison, we

0:26:58.680 --> 0:27:02.440
<v Speaker 1>ask him to explain what was going through his head,

0:27:02.960 --> 0:27:05.119
<v Speaker 1>and as an actor, I want you to see it

0:27:05.200 --> 0:27:09.600
<v Speaker 1>because it's pretty telling. He stopped, he paused, he closed

0:27:09.640 --> 0:27:13.280
<v Speaker 1>his eyes, and he cringed away from it. And then

0:27:13.320 --> 0:27:16.040
<v Speaker 1>he threw his right arm around her.

0:27:15.920 --> 0:27:18.960
<v Speaker 12>As he leaned forward because he didn't want to touch

0:27:19.160 --> 0:27:22.760
<v Speaker 12>or look at her as he was buckling, and then

0:27:22.800 --> 0:27:27.520
<v Speaker 12>he used his injured left arm to assist his right arm.

0:27:27.960 --> 0:27:30.800
<v Speaker 1>So that's what we would like you to keep in mind.

0:27:31.400 --> 0:27:34.119
<v Speaker 11>Okay, all right, all right, Yeah, there's that photo.

0:27:34.160 --> 0:27:38.920
<v Speaker 6>One more time, one more time. Now, that's right here.

0:27:39.040 --> 0:27:40.480
<v Speaker 4>I think where Patty's face is.

0:27:40.960 --> 0:27:42.439
<v Speaker 6>That's her. Okay, that close?

0:27:43.240 --> 0:27:44.480
<v Speaker 3>All right, excellent.

0:27:46.320 --> 0:27:49.639
<v Speaker 1>Each and every time the actor recreated this scenario, we

0:27:49.680 --> 0:27:52.960
<v Speaker 1>watched in silence, not wanting to interrupt what was being

0:27:53.040 --> 0:27:58.960
<v Speaker 1>clearly illustrated. Each time, the movement vond described seamlessly overlapped

0:27:59.000 --> 0:28:02.119
<v Speaker 1>with the forensic in terms of where and how his

0:28:02.240 --> 0:28:05.520
<v Speaker 1>blood appeared on the seat belt, the buckle, where the

0:28:05.600 --> 0:28:09.040
<v Speaker 1>droplets were found on the passenger floor, kim shirt, and

0:28:09.080 --> 0:28:12.600
<v Speaker 1>the center console, in addition to how her blood transferred

0:28:12.680 --> 0:28:14.160
<v Speaker 1>to the right back of his fleece.

0:28:15.280 --> 0:28:17.919
<v Speaker 6>Yeah, shaking, I see her and give up.

0:28:19.000 --> 0:28:20.520
<v Speaker 11>I think that's how I would do it.

0:28:20.560 --> 0:28:20.919
<v Speaker 6>Okay.

0:28:21.520 --> 0:28:25.000
<v Speaker 1>Next, they tested the state scenario of how Vaughn was

0:28:25.040 --> 0:28:28.080
<v Speaker 1>alleged to have murdered his wife. It was equally as

0:28:28.119 --> 0:28:32.280
<v Speaker 1>telling and compelling as the seat belt. They first attempted

0:28:32.280 --> 0:28:34.240
<v Speaker 1>it with Vaughn sitting in the driver's seat.

0:28:34.440 --> 0:28:36.959
<v Speaker 3>This is the state's theory of the case that Christopher

0:28:37.040 --> 0:28:39.479
<v Speaker 3>Vaughn shot and killed his wife and then stage did

0:28:39.560 --> 0:28:43.640
<v Speaker 3>to look like a suicide because this wound under her

0:28:43.720 --> 0:28:47.240
<v Speaker 3>chin as a classic self inflicted thing. So we want

0:28:47.280 --> 0:28:50.160
<v Speaker 3>you to get her to cooperate while you kill her.

0:28:51.240 --> 0:28:54.120
<v Speaker 3>So and it has to look like a suicide. It

0:28:54.200 --> 0:28:57.320
<v Speaker 3>can't be jammed hard against her chin, because that didn't

0:28:57.360 --> 0:28:59.880
<v Speaker 3>happen according to the autopsy. But it was kind of

0:29:00.320 --> 0:29:03.520
<v Speaker 3>light contact, loose contact under her chin when it fired.

0:29:04.160 --> 0:29:07.360
<v Speaker 3>And of course, Patty, you're alive, and you have to

0:29:07.560 --> 0:29:09.840
<v Speaker 3>assume that you're in a struggle for.

0:29:09.800 --> 0:29:14.760
<v Speaker 11>Survivor and your babies are back there right malware, and.

0:29:14.760 --> 0:29:17.440
<v Speaker 5>You know what, we're making this assumption again, but in

0:29:17.480 --> 0:29:20.680
<v Speaker 5>these reenactments, some assumptions need to be made because we

0:29:21.240 --> 0:29:23.800
<v Speaker 5>are trying to think of how we would act as humans,

0:29:24.560 --> 0:29:28.680
<v Speaker 5>human beings. So Patty, you know your mom, you know

0:29:28.760 --> 0:29:29.520
<v Speaker 5>how you would act.

0:29:29.800 --> 0:29:30.840
<v Speaker 6>You know it's it.

0:29:30.760 --> 0:29:34.160
<v Speaker 1>Would have gotten a back seat even just acting. The

0:29:34.240 --> 0:29:37.520
<v Speaker 1>re enactment participants drew blood trying to get into position,

0:29:46.160 --> 0:29:48.240
<v Speaker 1>and it happened when the actors were seated in the

0:29:48.280 --> 0:29:51.800
<v Speaker 1>front seats and when the actor playing Chris was positioned

0:29:51.840 --> 0:29:56.440
<v Speaker 1>outside the passenger window. In keeping with Sergeant Gary Lawson's theory.

0:29:56.600 --> 0:29:56.840
<v Speaker 3>All.

0:30:00.040 --> 0:30:14.000
<v Speaker 13>Yes, how about in her here here, see you.

0:30:14.000 --> 0:30:14.280
<v Speaker 6>Okay.

0:30:15.240 --> 0:30:18.440
<v Speaker 1>Eventually they came to the scenario where the actor playing

0:30:18.560 --> 0:30:21.920
<v Speaker 1>Chris shot the kids from the driver's seat to test

0:30:22.000 --> 0:30:23.040
<v Speaker 1>all possibilities.

0:30:23.920 --> 0:30:27.280
<v Speaker 3>Okay, each child is shot twice, once in the abdomen,

0:30:27.720 --> 0:30:29.280
<v Speaker 3>once in the head. So you're going to be aiming

0:30:29.320 --> 0:30:31.320
<v Speaker 3>for these targets there.

0:30:31.560 --> 0:30:31.880
<v Speaker 9>Okay.

0:30:33.000 --> 0:30:35.120
<v Speaker 1>This was one of the many moments of that day

0:30:35.160 --> 0:30:39.080
<v Speaker 1>that underscored the brutal, tragic reality of what transpired in

0:30:39.120 --> 0:30:42.800
<v Speaker 1>that suv fourteen years ago, but every possibility needed to

0:30:42.800 --> 0:30:46.280
<v Speaker 1>be explored and tested without bias or emotion.

0:30:47.200 --> 0:30:47.680
<v Speaker 6>Think of it.

0:30:47.720 --> 0:30:50.840
<v Speaker 5>Okay, you've got three kids here, head to head, torso,

0:30:50.920 --> 0:30:52.520
<v Speaker 5>head to it and I don't know if it was

0:30:52.560 --> 0:30:53.200
<v Speaker 5>that order or not.

0:30:53.360 --> 0:30:56.240
<v Speaker 6>Okay, just I want to see.

0:30:56.280 --> 0:30:58.840
<v Speaker 5>We want to see how you would be able to

0:30:58.840 --> 0:30:59.320
<v Speaker 5>shoot them.

0:30:59.520 --> 0:31:02.000
<v Speaker 6>I'm not in it if you go on their theory

0:31:02.120 --> 0:31:05.280
<v Speaker 6>or not. Okay, because they think he shot himself.

0:31:05.560 --> 0:31:06.800
<v Speaker 4>And where's he going to shoot from here?

0:31:07.960 --> 0:31:10.920
<v Speaker 6>He's gonna sit in the driver's seat. Yeah, we do.

0:31:10.960 --> 0:31:12.880
<v Speaker 5>You need to be here because your head might be

0:31:12.880 --> 0:31:15.640
<v Speaker 5>in the way. Now you've already shot Patty.

0:31:15.880 --> 0:31:24.000
<v Speaker 6>Okay, she's deceased. She's deceased. Seat built on lay like

0:31:24.080 --> 0:31:26.720
<v Speaker 6>you were there. You go all.

0:31:26.640 --> 0:31:35.920
<v Speaker 5>Right, Okay, ready, Bill, Okay, I'm just shot.

0:31:36.120 --> 0:31:37.160
<v Speaker 3>I just shot.

0:31:41.960 --> 0:31:45.640
<v Speaker 6>You see how you had to Okay, that's good, that's good. Okay.

0:31:46.280 --> 0:31:49.160
<v Speaker 1>Next, they tried out the scenario with Chris standing outside

0:31:49.200 --> 0:31:53.160
<v Speaker 1>the car. Immediately, the height of the actor portraying the

0:31:53.200 --> 0:31:56.480
<v Speaker 1>five foot nine vond stood out in start contrasts with

0:31:56.560 --> 0:31:57.960
<v Speaker 1>the size of the large s u V.

0:31:59.040 --> 0:32:02.160
<v Speaker 6>First, with the door shot in supposed way, the windows down.

0:32:02.960 --> 0:32:03.640
<v Speaker 6>I want you to.

0:32:03.560 --> 0:32:11.160
<v Speaker 11>Shoot the kids from this, yeah, one two, one two, one.

0:32:11.560 --> 0:32:14.120
<v Speaker 5>Okay, I'll see that he would have had to reach

0:32:14.160 --> 0:32:17.760
<v Speaker 5>in overpay and feel free to stand on the running.

0:32:19.280 --> 0:32:20.400
<v Speaker 3>The most reach you can get.

0:32:20.520 --> 0:32:22.040
<v Speaker 14>These are shot with representation.

0:32:22.720 --> 0:32:24.080
<v Speaker 6>The kids were head shots.

0:32:24.320 --> 0:32:24.640
<v Speaker 4>Yeah.

0:32:24.720 --> 0:32:27.800
<v Speaker 5>So what I think would be very, very difficult was

0:32:27.840 --> 0:32:30.080
<v Speaker 5>for the little boy the way I mean, two girls

0:32:30.160 --> 0:32:34.520
<v Speaker 5>are the trajectories crazy, But we're wanting to see how

0:32:34.560 --> 0:32:35.640
<v Speaker 5>he could have even done that.

0:32:36.760 --> 0:32:39.880
<v Speaker 1>It's really interesting that in every single scenario he's reached

0:32:39.880 --> 0:32:42.720
<v Speaker 1>to the left of her seat. Each time the actor

0:32:42.720 --> 0:32:45.480
<v Speaker 1>portraying Chris tried to make the shots that would have

0:32:45.560 --> 0:32:49.320
<v Speaker 1>hit Blake, seated directly behind the passenger seat. He did

0:32:49.320 --> 0:32:51.280
<v Speaker 1>so by moving the gun from the center of the

0:32:51.360 --> 0:32:55.000
<v Speaker 1>vehicle to the left of the passenger seat headrest, which

0:32:55.240 --> 0:32:59.560
<v Speaker 1>was not consistent with the actual trajectory according to ballistic evidence.

0:33:00.160 --> 0:33:00.840
<v Speaker 6>I guess I'm.

0:33:00.680 --> 0:33:04.000
<v Speaker 5>Trying to say the natural movement of a person trying

0:33:04.040 --> 0:33:07.120
<v Speaker 5>to reach back there and kill those kids for us

0:33:07.280 --> 0:33:11.320
<v Speaker 5>would have been crazy trajectory and very hard to do.

0:33:12.120 --> 0:33:15.440
<v Speaker 6>I mean it's possible, of course, it's possible, but it

0:33:15.480 --> 0:33:19.960
<v Speaker 6>doesn't match. Yeah, he's got his hand in here and everything.

0:33:20.040 --> 0:33:25.640
<v Speaker 5>So okay, now one more doors open and you're killing

0:33:25.680 --> 0:33:33.640
<v Speaker 5>the kids. Look that last one is what gets from

0:33:33.760 --> 0:33:35.360
<v Speaker 5>either any of these.

0:33:35.600 --> 0:33:37.920
<v Speaker 6>You know, left arm right.

0:33:38.800 --> 0:33:41.600
<v Speaker 1>Watching the actor struggle to keep his balance on the

0:33:41.680 --> 0:33:44.440
<v Speaker 1>sideboard with his left arm as he tried to lean

0:33:44.480 --> 0:33:47.160
<v Speaker 1>into the suv far enough to make the trajectories of

0:33:47.200 --> 0:33:51.000
<v Speaker 1>the shots fired with precision over the actress's left side

0:33:51.520 --> 0:33:55.360
<v Speaker 1>called to mind the original CSI Bob Deal's words after

0:33:55.400 --> 0:33:59.360
<v Speaker 1>Sergeant Gary Lawson expressed his theory the day of the murders,

0:33:59.880 --> 0:34:04.680
<v Speaker 1>it was friggin' impossible. Next, Hartman gave the actress playing

0:34:04.800 --> 0:34:05.880
<v Speaker 1>Kim a directive.

0:34:06.480 --> 0:34:11.800
<v Speaker 5>Now, ay, I'm going you're alive, turn around to kill kids.

0:34:12.400 --> 0:34:14.560
<v Speaker 6>How would you shoot people in the backseat?

0:34:14.760 --> 0:34:15.600
<v Speaker 3>Just do the movement.

0:34:15.880 --> 0:34:18.000
<v Speaker 6>Ready, okay, go aheadny.

0:34:22.640 --> 0:34:23.000
<v Speaker 10>Okay.

0:34:23.520 --> 0:34:26.960
<v Speaker 6>I just wanted to see the angle, all right, Now

0:34:27.000 --> 0:34:39.600
<v Speaker 6>take it off, do something thank mm hmm. Changes the

0:34:39.600 --> 0:34:40.680
<v Speaker 6>angle totally.

0:34:42.400 --> 0:34:46.600
<v Speaker 1>Unbelted. The actress seated in the passenger seat instinctively and

0:34:46.719 --> 0:34:51.520
<v Speaker 1>rapidly recreated trajectories in keeping with the bullets fired into

0:34:51.520 --> 0:34:53.640
<v Speaker 1>the back seat if.

0:34:53.480 --> 0:34:55.879
<v Speaker 5>He were to have come back to the car he's

0:34:55.880 --> 0:34:58.000
<v Speaker 5>getting back in and yeah, he thought he heard an

0:34:58.080 --> 0:35:00.959
<v Speaker 5>explosion or something in the car she's waiting for him.

0:35:01.600 --> 0:35:05.799
<v Speaker 1>After hours of running multiple scenarios, the ultimate conclusion was

0:35:05.880 --> 0:35:09.719
<v Speaker 1>that the prosecution's version of what happened would have been

0:35:10.040 --> 0:35:16.200
<v Speaker 1>extremely implausible, if not impossible. Here's seasoned crime journalist Ron Zimmerman,

0:35:16.400 --> 0:35:17.919
<v Speaker 1>who filmed the reconstruction.

0:35:18.520 --> 0:35:21.680
<v Speaker 4>I've done hundreds of reenactments for shows like America's Most

0:35:21.719 --> 0:35:26.000
<v Speaker 4>Wanted and Unsolved Mysteries, and this one stands above a

0:35:26.000 --> 0:35:28.640
<v Speaker 4>lot of those for a number of reasons. When you

0:35:29.160 --> 0:35:32.919
<v Speaker 4>really examine the reenactment point by point by point, from

0:35:32.960 --> 0:35:36.920
<v Speaker 4>all these different angles, you really see how Christopher's explanation

0:35:37.040 --> 0:35:40.360
<v Speaker 4>to his parents in a letter rings true. This didn't

0:35:40.360 --> 0:35:42.480
<v Speaker 4>come out at the time of interrogation, didn't come out

0:35:42.480 --> 0:35:44.960
<v Speaker 4>at the time of trial. He didn't try to build

0:35:44.960 --> 0:35:48.440
<v Speaker 4>a story to explain his behavior a way to investigators

0:35:48.440 --> 0:35:51.680
<v Speaker 4>like us. But it was fourteen years later that this

0:35:51.719 --> 0:35:54.040
<v Speaker 4>all came out in a letter to his parents where

0:35:54.080 --> 0:35:56.440
<v Speaker 4>he just tried to get to the honest truth of it.

0:35:56.640 --> 0:35:59.719
<v Speaker 4>And it's searingly honest that letter to his parents about

0:35:59.719 --> 0:36:03.640
<v Speaker 4>what happened. Kim shot the kids, she shot Christopher, then

0:36:03.719 --> 0:36:06.600
<v Speaker 4>she shot herself, and then he tried to buckle her

0:36:06.640 --> 0:36:10.600
<v Speaker 4>in and failed at that. It wasn't successful in buckling

0:36:10.600 --> 0:36:13.279
<v Speaker 4>her in, but he left the trail of blood. All

0:36:13.320 --> 0:36:16.280
<v Speaker 4>of those are things that we can see. The blood

0:36:16.280 --> 0:36:19.360
<v Speaker 4>evidence doesn't lie. It tells the story, and it tells

0:36:19.400 --> 0:36:20.920
<v Speaker 4>the true facts of what happened.

0:36:21.680 --> 0:36:23.480
<v Speaker 1>Katie Hartman agrees.

0:36:23.480 --> 0:36:26.239
<v Speaker 5>The physicality of all of this does not match with

0:36:26.280 --> 0:36:29.239
<v Speaker 5>what the prosecution said it happened, or Lowson or any

0:36:29.239 --> 0:36:30.080
<v Speaker 5>of them.

0:36:30.680 --> 0:36:31.480
<v Speaker 6>Deal was right.

0:36:31.719 --> 0:36:33.440
<v Speaker 3>Deal was right. Deal was right.

0:36:34.120 --> 0:36:35.520
<v Speaker 6>Oh yeah, he was right.

0:36:36.080 --> 0:36:37.680
<v Speaker 5>I am the last person that's going to say a

0:36:37.680 --> 0:36:38.600
<v Speaker 5>policeman was wrong.

0:36:39.719 --> 0:36:42.279
<v Speaker 6>I am. But when they're wrong.

0:36:42.120 --> 0:36:42.640
<v Speaker 3>They're wrong.

0:36:43.120 --> 0:36:46.360
<v Speaker 1>Hartman believes Deal's break with the official version of events

0:36:46.640 --> 0:36:48.760
<v Speaker 1>would not have been without consequences.

0:36:49.680 --> 0:36:52.879
<v Speaker 5>Other police don't like other police that.

0:36:53.120 --> 0:36:54.160
<v Speaker 6>Aren't being honest.

0:36:54.680 --> 0:37:00.600
<v Speaker 5>So Deal sadly he was in a vine a career

0:37:00.800 --> 0:37:01.399
<v Speaker 5>ending bad.

0:37:01.640 --> 0:37:03.480
<v Speaker 6>But it's my opinion that Deal was right.

0:37:04.000 --> 0:37:07.120
<v Speaker 5>Really, the evidence shows that it did not happen the

0:37:07.120 --> 0:37:10.000
<v Speaker 5>way the prosecution said.

0:37:10.040 --> 0:37:14.279
<v Speaker 1>We proved that, and the crime scene reconstruction aligned with

0:37:14.400 --> 0:37:17.520
<v Speaker 1>Christopher Bond's five page letter. Here's Bill Clutter.

0:37:17.880 --> 0:37:22.880
<v Speaker 3>It is my opinion that Chris's statement to his parents

0:37:22.880 --> 0:37:28.799
<v Speaker 3>disclosed in March of twenty twenty one, does explain how

0:37:28.920 --> 0:37:33.200
<v Speaker 3>the blood got on the seatbelt and the left leg

0:37:33.280 --> 0:37:37.000
<v Speaker 3>and arm of his wife. That does explain all of

0:37:37.040 --> 0:37:40.719
<v Speaker 3>the blood that was found of Chris's and Bob Deal

0:37:40.800 --> 0:37:44.080
<v Speaker 3>had it right along. The crime scene was consistent with

0:37:44.600 --> 0:37:49.000
<v Speaker 3>the murder suicide. The state's theory as to how Chris's

0:37:49.040 --> 0:37:53.040
<v Speaker 3>blood got on the seatbelt and on his wife's body

0:37:53.120 --> 0:37:55.560
<v Speaker 3>is it simply didn't happen the way they said it did.

0:37:55.920 --> 0:37:58.480
<v Speaker 3>The seat belt was such a critical piece of evidence

0:37:59.040 --> 0:38:02.960
<v Speaker 3>that based on that alone, I think we've proven the

0:38:03.120 --> 0:38:05.960
<v Speaker 3>sufficient evidence to vacate the conviction.

0:38:06.520 --> 0:38:08.960
<v Speaker 1>I called Gale and Pierre with my thoughts as soon

0:38:08.960 --> 0:38:11.319
<v Speaker 1>as I got back to the hotel, I can tell

0:38:11.360 --> 0:38:15.600
<v Speaker 1>you with absolute confidence, having seen what I saw today,

0:38:15.800 --> 0:38:22.080
<v Speaker 1>that we're able to very effectively show what happened that

0:38:22.200 --> 0:38:26.319
<v Speaker 1>day was not what the courtroom was privy to.

0:38:26.920 --> 0:38:32.520
<v Speaker 10>Oh my gosh, Lauren, that's It's like I knew it

0:38:32.560 --> 0:38:37.760
<v Speaker 10>in my home and I knew he didn't do it.

0:38:38.000 --> 0:38:42.360
<v Speaker 10>Right Now we have evidence for you know, everybody to

0:38:42.640 --> 0:38:43.080
<v Speaker 10>look at.

0:38:56.080 --> 0:38:58.440
<v Speaker 1>Once Bill had put together an initial summary of the

0:38:58.440 --> 0:39:05.920
<v Speaker 1>crime scene reconstruction finds, we reached out to update Jason Vlahm.

0:39:05.239 --> 0:39:09.239
<v Speaker 3>I sent you a draft of my report. But in

0:39:09.280 --> 0:39:14.920
<v Speaker 3>a nutshell, we've tested the state's theory that Christopher unbuckled

0:39:14.960 --> 0:39:19.160
<v Speaker 3>his wife's seatbelt somehow to stage the crime scene. It

0:39:19.239 --> 0:39:23.760
<v Speaker 3>was interesting that when we gave the actor instructions to

0:39:23.880 --> 0:39:27.720
<v Speaker 3>unbuckle the seat belt the passenger's seat belt, he uses

0:39:27.840 --> 0:39:32.319
<v Speaker 3>his right hand, has to actually move the left arm

0:39:32.400 --> 0:39:37.240
<v Speaker 3>of our actress and depresses it with his right hand

0:39:37.320 --> 0:39:41.760
<v Speaker 3>without a left arm, which is bleeding over the body

0:39:41.800 --> 0:39:45.719
<v Speaker 3>of Kimberly. So that really debunks the state's theory that

0:39:45.840 --> 0:39:50.239
<v Speaker 3>Christopher staged the crime scene by unbuckling his wife's seat belt.

0:39:50.920 --> 0:39:55.520
<v Speaker 3>The second demonstration we did was to role play what

0:39:55.719 --> 0:40:00.400
<v Speaker 3>Chris described that he reached around his wife to the

0:40:00.440 --> 0:40:03.800
<v Speaker 3>passenger's seatbelt in an attempt to buckle her in because

0:40:03.800 --> 0:40:07.800
<v Speaker 3>he thought about driving away to get help. The movements

0:40:07.800 --> 0:40:14.800
<v Speaker 3>of that scenario really explains how Chris's passive blood drops

0:40:14.840 --> 0:40:17.800
<v Speaker 3>from his left wrist blood over the top of his wife,

0:40:17.880 --> 0:40:22.440
<v Speaker 3>because in making that reach, the left hand arcs over

0:40:23.040 --> 0:40:26.680
<v Speaker 3>the female actress, and it's totally consistent with where we

0:40:26.760 --> 0:40:28.280
<v Speaker 3>find Chris's blood.

0:40:29.719 --> 0:40:36.200
<v Speaker 1>So that letter and his explanation of the movement overlap

0:40:36.400 --> 0:40:42.000
<v Speaker 1>seamlessly in Bill's opinion and in Katie Hartman the CSI

0:40:42.239 --> 0:40:47.319
<v Speaker 1>from Kentucky, and we were able to repeat it multiple times.

0:40:47.920 --> 0:40:52.719
<v Speaker 14>I can't help thinking, as we're having this conversation that

0:40:53.080 --> 0:40:57.480
<v Speaker 14>probably a significant percentage of the general public believes or

0:40:57.520 --> 0:41:00.000
<v Speaker 14>wants to believe that this type of stuff is done

0:41:00.040 --> 0:41:05.160
<v Speaker 14>and pre conviction right or pre trial, and that our

0:41:05.200 --> 0:41:10.000
<v Speaker 14>system works because people get a fair shake and you know,

0:41:10.040 --> 0:41:15.040
<v Speaker 14>you get to present this evidence and CSI. I think

0:41:15.080 --> 0:41:17.640
<v Speaker 14>we need to believe it works properly, because otherwise the

0:41:17.640 --> 0:41:19.880
<v Speaker 14>default is to say, oh, no, this could happen to me,

0:41:19.960 --> 0:41:22.359
<v Speaker 14>and nobody wants to believe that. Nobody can believe that.

0:41:22.560 --> 0:41:25.960
<v Speaker 14>I think that this case is so important because Christopher

0:41:26.080 --> 0:41:28.440
<v Speaker 14>could be any one of us. He was a guy

0:41:28.680 --> 0:41:33.200
<v Speaker 14>who I think may be easier to relate to than

0:41:34.120 --> 0:41:36.239
<v Speaker 14>some other people that are caught up in our system.

0:41:36.560 --> 0:41:38.359
<v Speaker 14>For a lot of people, you know, here's a guy

0:41:39.480 --> 0:41:41.560
<v Speaker 14>on the way to an amusement park with his family,

0:41:41.800 --> 0:41:46.160
<v Speaker 14>working a good job, seemingly American dream type of stuff.

0:41:46.800 --> 0:41:55.800
<v Speaker 14>In an instant, everything turns to shit. Rights It's a lot.

0:41:56.600 --> 0:41:59.120
<v Speaker 14>So I'm sure for your audience this is a lot

0:41:59.160 --> 0:42:02.479
<v Speaker 14>to process, you know, And for Chris, he's still living

0:42:02.520 --> 0:42:03.839
<v Speaker 14>it every minute of every day.

0:42:04.760 --> 0:42:08.399
<v Speaker 1>That reality was underscored by another takeaway from the crime

0:42:08.440 --> 0:42:13.960
<v Speaker 1>scene reconstruction. When we tasked the actors to have that

0:42:14.000 --> 0:42:18.520
<v Speaker 1>final shot, both actors drew blood in just trying to

0:42:18.560 --> 0:42:23.520
<v Speaker 1>get into position that there was just in the act

0:42:23.600 --> 0:42:28.120
<v Speaker 1>of trying to put the gun underneath. There was bruising

0:42:28.239 --> 0:42:31.440
<v Speaker 1>and there was blood, and they weren't going at it

0:42:31.480 --> 0:42:35.400
<v Speaker 1>full strength. So it is very telling that there is

0:42:35.520 --> 0:42:39.000
<v Speaker 1>no sign of a struggle. Kimberly Bond's nails were scraped,

0:42:39.520 --> 0:42:41.839
<v Speaker 1>There is no DNA belonging to Chris Vaughn. There were

0:42:41.840 --> 0:42:44.480
<v Speaker 1>no scratch marks, there was no pulled hair, there were

0:42:44.520 --> 0:42:48.080
<v Speaker 1>no bruises on their arm. There was nothing to suggest

0:42:48.520 --> 0:42:51.799
<v Speaker 1>that she was held in place while a gun was

0:42:51.840 --> 0:42:55.239
<v Speaker 1>placed ever so slightly apart from the soft area of

0:42:55.320 --> 0:42:55.719
<v Speaker 1>her chin.

0:42:56.239 --> 0:42:59.400
<v Speaker 14>Any mother would bite to the death in a situation

0:42:59.640 --> 0:43:02.600
<v Speaker 14>like that, because she's got her kids. Whether the kids

0:43:02.640 --> 0:43:05.680
<v Speaker 14>were still alive or not, in whichever scenario you want

0:43:05.680 --> 0:43:09.200
<v Speaker 14>to paint, if they had already been shot, she would

0:43:09.239 --> 0:43:13.279
<v Speaker 14>have been like a cat right with the claws. I mean,

0:43:13.840 --> 0:43:16.440
<v Speaker 14>think about any parent, right, what they would do to somebody,

0:43:16.480 --> 0:43:20.719
<v Speaker 14>regardless if it's their husband or anyone who had just

0:43:20.960 --> 0:43:23.839
<v Speaker 14>murdered their children, right, or if they're still alive, you'd

0:43:23.840 --> 0:43:25.880
<v Speaker 14>be fighting to keep them alive and to keep this

0:43:26.080 --> 0:43:30.799
<v Speaker 14>gun away from yourself and them. And Bill, let me

0:43:30.840 --> 0:43:32.560
<v Speaker 14>ask you this, because you're the expert, right, So I'm

0:43:32.600 --> 0:43:36.000
<v Speaker 14>just thinking she was shot under the chin, right, which

0:43:36.040 --> 0:43:37.960
<v Speaker 14>is a classic thing that people do when they take

0:43:38.000 --> 0:43:40.919
<v Speaker 14>their own lives with a gun. Not everybody, but it's

0:43:41.160 --> 0:43:43.960
<v Speaker 14>sort of common. But my question is just in terms

0:43:44.000 --> 0:43:46.120
<v Speaker 14>of strength and leverage, right. I mean, Chris is not

0:43:46.200 --> 0:43:49.800
<v Speaker 14>a huge powerful guy, and if he was to stick

0:43:49.840 --> 0:43:52.640
<v Speaker 14>his arm up in a position where the gun would

0:43:52.640 --> 0:43:56.879
<v Speaker 14>be pointing upwards, his arm would be weak in that position, right,

0:43:56.920 --> 0:43:59.440
<v Speaker 14>And she would have a relatively easy time because she

0:43:59.480 --> 0:44:02.120
<v Speaker 14>would have the leverage to be able to take her

0:44:02.400 --> 0:44:07.920
<v Speaker 14>hand with her downward strength and push his arm down right.

0:44:08.000 --> 0:44:10.520
<v Speaker 14>At a very minimum, the shot would have been wild

0:44:10.680 --> 0:44:13.520
<v Speaker 14>because he would have had no ability to keep his

0:44:13.760 --> 0:44:17.319
<v Speaker 14>hand with the gun positioned under her chin for even

0:44:17.360 --> 0:44:19.960
<v Speaker 14>a second long enough they got off a shot if

0:44:19.960 --> 0:44:22.600
<v Speaker 14>she was making even a modest attempt to push his

0:44:22.760 --> 0:44:23.320
<v Speaker 14>arm down.

0:44:23.640 --> 0:44:24.799
<v Speaker 3>No, that's absolutely right.

0:44:24.920 --> 0:44:27.440
<v Speaker 14>Let's think of this logically. So then he's going to

0:44:27.520 --> 0:44:30.160
<v Speaker 14>sort of gently go, honey, hold still for a second.

0:44:30.680 --> 0:44:34.360
<v Speaker 14>I'm just going to gently place my hand with this pistol,

0:44:34.400 --> 0:44:38.160
<v Speaker 14>which you can plainly see up under your chin, very

0:44:38.280 --> 0:44:41.879
<v Speaker 14>you know, calmly, and you just hold motionless.

0:44:42.440 --> 0:44:45.200
<v Speaker 3>No, I mean no, Yeah, that didn't happen.

0:44:45.400 --> 0:44:52.440
<v Speaker 14>As you pull back these layers, it becomes so painfully obvious.

0:44:52.800 --> 0:44:54.359
<v Speaker 14>I mean, I'm just going to come out and say,

0:44:54.360 --> 0:44:57.479
<v Speaker 14>this is not what happened, and that's why we're here.

0:44:57.760 --> 0:45:00.759
<v Speaker 1>As I finished this episode, I reach back out to

0:45:00.840 --> 0:45:04.760
<v Speaker 1>Katie Hartman for her final analysis. After having some time

0:45:04.840 --> 0:45:08.200
<v Speaker 1>to process both the reconstruction and Bill's report.

0:45:08.520 --> 0:45:10.239
<v Speaker 6>My thoughts from that day were many.

0:45:10.800 --> 0:45:14.959
<v Speaker 9>What was alleged to have happened by the prosecution, we

0:45:14.960 --> 0:45:21.440
<v Speaker 9>were able to disprove and what was the defense's explanation

0:45:21.880 --> 0:45:25.520
<v Speaker 9>wasn't fully brought to a conclusion either.

0:45:26.120 --> 0:45:33.160
<v Speaker 1>In your opinion, based on what the crime scene reconstruction revealed,

0:45:33.840 --> 0:45:39.000
<v Speaker 1>do you believe that there is reasonable doubt that Christopher

0:45:39.120 --> 0:45:41.759
<v Speaker 1>Vond killed his wife and three children that day?

0:45:42.800 --> 0:45:43.200
<v Speaker 6>Very much?

0:45:43.239 --> 0:45:43.279
<v Speaker 3>So.

0:45:43.760 --> 0:45:48.240
<v Speaker 9>We went from everything from Christopher as the prosecution alleged

0:45:48.239 --> 0:45:52.000
<v Speaker 9>to shooting from the outside. We went to Christopher shooting

0:45:52.040 --> 0:45:56.840
<v Speaker 9>from the inside, Christopher shooting with the passenger door opened

0:45:57.080 --> 0:46:00.680
<v Speaker 9>and shooting Kim and the kids, Christopher with the or closed,

0:46:00.680 --> 0:46:03.080
<v Speaker 9>to shooting Kim and the character. None of those things

0:46:04.040 --> 0:46:09.320
<v Speaker 9>were possible with the angles that the three d presented.

0:46:10.040 --> 0:46:12.680
<v Speaker 9>It was shocking, to be honest, that it was even

0:46:12.760 --> 0:46:15.560
<v Speaker 9>brought to trial and it ended up at the end

0:46:15.640 --> 0:46:23.320
<v Speaker 9>of the day the most logical way was that Kim

0:46:23.520 --> 0:46:26.719
<v Speaker 9>did it. And that's hard for.

0:46:26.640 --> 0:46:28.640
<v Speaker 1>Me to say that did some murder suicide.

0:46:29.840 --> 0:46:34.279
<v Speaker 9>Yeah, and that's hard because it's terrible that these three

0:46:34.320 --> 0:46:35.000
<v Speaker 9>babies died.

0:46:35.280 --> 0:46:36.480
<v Speaker 4>But it's hard to.

0:46:38.000 --> 0:46:39.080
<v Speaker 6>Look at it and see that.

0:46:41.440 --> 0:46:46.520
<v Speaker 9>The man's in prison because a lot of people got

0:46:46.520 --> 0:46:52.000
<v Speaker 9>a tunnel vision and didn't didn't listen, and had already

0:46:52.000 --> 0:46:56.480
<v Speaker 9>figured out in their minds what happened is It?

0:47:17.320 --> 0:47:20.960
<v Speaker 1>On the final episode of Murder in Illinois. The daunting

0:47:21.040 --> 0:47:23.600
<v Speaker 1>hurdles that remain for Christopher Vaughan, the.

0:47:23.520 --> 0:47:26.640
<v Speaker 3>Prosepcutors who got it wrong are always the last to

0:47:26.719 --> 0:47:28.719
<v Speaker 3>admit that they made a mistake.

0:47:28.800 --> 0:47:31.440
<v Speaker 1>Are met with some impressive offers of assistance.

0:47:32.280 --> 0:47:36.359
<v Speaker 14>We've had nine exonerations, and my goal is to make

0:47:36.480 --> 0:47:38.040
<v Speaker 14>mister Vaughan the tenth.

0:47:38.120 --> 0:47:43.239
<v Speaker 1>And a very significant spotlight. Murder in Illinois is a

0:47:43.280 --> 0:47:47.920
<v Speaker 1>production of iHeartRadio. Executive producers are Lauren Priie Pacheco and

0:47:48.000 --> 0:47:52.000
<v Speaker 1>Taylor Chacoine. Written by Lauren Prei Pacheco and Matthew Riddle,

0:47:52.360 --> 0:47:55.600
<v Speaker 1>Story editing by Matthew Riddle, editing and sound design by

0:47:55.600 --> 0:47:59.520
<v Speaker 1>Evan Tyer and Taylor Chaqoyne. Featuring music by Cicada Rhythm

0:48:00.160 --> 0:48:03.680
<v Speaker 1>New compositions engineered and mixed by Evan Tyer and Taylor

0:48:03.800 --> 0:48:17.160
<v Speaker 1>Chicoran Uzo nro Down Meri Guzo row.

0:48:20.760 --> 0:48:25.600
<v Speaker 2>Down on me ri Guo.

0:48:26.920 --> 0:48:30.760
<v Speaker 1>For more podcasts from iHeartRadio, check out the iHeartRadio app,

0:48:30.920 --> 0:48:34.520
<v Speaker 1>Apple Podcasts, or wherever you get the stories that matter

0:48:34.640 --> 0:48:35.000
<v Speaker 1>to you.