WEBVTT - Into the Graveyard

0:00:01.520 --> 0:00:04.720
<v Speaker 1>Welcome to Stuff from the Science Lab from how stuff

0:00:04.720 --> 0:00:15.960
<v Speaker 1>works dot com. Hey guys, this is Alison I don't

0:00:15.960 --> 0:00:18.200
<v Speaker 1>about the science hows to freaks dot com. And this

0:00:18.239 --> 0:00:20.759
<v Speaker 1>is Robert Lamb, science writer at how stuff works dot com.

0:00:20.960 --> 0:00:24.759
<v Speaker 1>Welcome to our spooky podcast. Yes, we are continuing to

0:00:25.040 --> 0:00:27.600
<v Speaker 1>uh get a little spooky here with our topics and

0:00:27.720 --> 0:00:31.520
<v Speaker 1>uh say, we're venturing into the graveyard. Yes, into the cemetery,

0:00:31.800 --> 0:00:35.040
<v Speaker 1>which I think for most people like, especially since we

0:00:35.080 --> 0:00:36.879
<v Speaker 1>already you know, sort of brought up the spooky thing.

0:00:37.159 --> 0:00:39.280
<v Speaker 1>You may be picturing like a you know, a darkly

0:00:39.360 --> 0:00:43.040
<v Speaker 1>lit cemetery. You know, it's maybe there's a some movement

0:00:43.080 --> 0:00:46.080
<v Speaker 1>over here in the corner, or a cat or something moving,

0:00:46.440 --> 0:00:48.159
<v Speaker 1>there's a you know, it's like there's a moon in

0:00:48.200 --> 0:00:51.479
<v Speaker 1>the sky and and they're all these like funny noises

0:00:51.520 --> 0:00:54.600
<v Speaker 1>going on, and then Michael Jackson pops and then Michael

0:00:54.680 --> 0:00:58.480
<v Speaker 1>Jackson because this is thrill. Yeah, I mean that's totally

0:00:58.520 --> 0:01:02.080
<v Speaker 1>what I picture. Vincent Pryor is cackling in the background. Yeah.

0:01:02.080 --> 0:01:03.920
<v Speaker 1>I think we can all instantly, you know, go there

0:01:03.920 --> 0:01:08.200
<v Speaker 1>imagining the creepy haunted cemetery. Um, but in real life,

0:01:08.200 --> 0:01:09.720
<v Speaker 1>do you ever you ever go to the cemetery. I

0:01:09.760 --> 0:01:13.280
<v Speaker 1>do sometimes I run through them. Yeah. Yeah, I think

0:01:13.280 --> 0:01:14.920
<v Speaker 1>that if you paid me enough, I would sleep in

0:01:14.959 --> 0:01:17.760
<v Speaker 1>one in a cemetery for then I could be persuaded

0:01:17.760 --> 0:01:21.120
<v Speaker 1>to do that. I'm not sure what the fee would be. Yeah,

0:01:21.240 --> 0:01:23.679
<v Speaker 1>would you No, I'm just thinking we should like try

0:01:23.720 --> 0:01:25.880
<v Speaker 1>and get to get a PayPal like link put on

0:01:26.400 --> 0:01:28.200
<v Speaker 1>the blogs. Maybe we can, we can. I think I

0:01:28.240 --> 0:01:30.280
<v Speaker 1>can do it by myself. It would be better if

0:01:30.319 --> 0:01:32.760
<v Speaker 1>I were allowed to take my dog, I think. But

0:01:32.840 --> 0:01:36.280
<v Speaker 1>it's true because dogs can sense uh yes, of course

0:01:36.280 --> 0:01:40.119
<v Speaker 1>they can't, very scientific and ghosts hate dogs, right, Oh,

0:01:40.160 --> 0:01:41.800
<v Speaker 1>but they like cats? Is that what you're getting out

0:01:41.800 --> 0:01:44.080
<v Speaker 1>of it? Well, that's that's an interesting thing because people

0:01:44.080 --> 0:01:45.960
<v Speaker 1>bring up the you know, the fact a lot that

0:01:45.959 --> 0:01:48.960
<v Speaker 1>that cats do like to hang out in cemeteries and

0:01:49.000 --> 0:01:51.440
<v Speaker 1>a lot of that, Like, realistically, it comes down to

0:01:51.560 --> 0:01:54.000
<v Speaker 1>their fewer people in a cemetery, people were less likely

0:01:54.080 --> 0:01:56.559
<v Speaker 1>to be mean to cats, and cats like lounging around

0:01:56.600 --> 0:01:58.600
<v Speaker 1>on stuff that's been warmed by the sun. You know.

0:01:58.640 --> 0:02:01.040
<v Speaker 1>So there's all that you know, and not to mention

0:02:01.080 --> 0:02:04.760
<v Speaker 1>the chipmunks. Yes, yeah, right, so you're gonna bring up

0:02:04.760 --> 0:02:08.120
<v Speaker 1>your obligatory reference of Phantasm, the movie that you try

0:02:08.160 --> 0:02:11.840
<v Speaker 1>to work into. Many podcasts have brought utast. You have

0:02:12.760 --> 0:02:14.960
<v Speaker 1>brought up fantastic People. Okay, well, A Phantasm one of

0:02:14.960 --> 0:02:18.760
<v Speaker 1>those great films that delivers the whole spooky graveyard thing.

0:02:18.840 --> 0:02:20.160
<v Speaker 1>And this is what you think of when you think

0:02:20.160 --> 0:02:22.200
<v Speaker 1>of grave. Yeah, it's hard, it's hard not to think

0:02:22.200 --> 0:02:25.880
<v Speaker 1>of the movie Phantasm. But in real life, UM, I

0:02:26.160 --> 0:02:28.919
<v Speaker 1>really like going to Oakland Cemetery here in Atlanta. Which

0:02:29.000 --> 0:02:31.000
<v Speaker 1>did you We just went, Yeah, yeah, we just went.

0:02:31.320 --> 0:02:33.000
<v Speaker 1>You know, we can weather. It's great for it right now.

0:02:33.040 --> 0:02:34.680
<v Speaker 1>And you know, it's a it's a it's an historic

0:02:34.800 --> 0:02:38.119
<v Speaker 1>location here in in town. It's peaceful. You can walk

0:02:38.160 --> 0:02:41.000
<v Speaker 1>around and uh and take pride in your city. You know,

0:02:41.160 --> 0:02:42.960
<v Speaker 1>check out some of the old cats buried there. I

0:02:42.960 --> 0:02:45.720
<v Speaker 1>mean inside casts, I mean here. There's not a pet

0:02:45.800 --> 0:02:48.760
<v Speaker 1>cemetery in Oakland. Oh, that is a good movie. That

0:02:48.880 --> 0:02:51.680
<v Speaker 1>is one that we should I love that movie. I forget.

0:02:51.880 --> 0:02:53.680
<v Speaker 1>I don't remember much about the movie, but the book

0:02:53.720 --> 0:02:57.119
<v Speaker 1>was pretty grand. Yeah, you're Stephen King fan. So what's

0:02:57.120 --> 0:02:59.360
<v Speaker 1>the scarp? Why are we so scared of cemeteries? Well,

0:02:59.400 --> 0:03:01.720
<v Speaker 1>it's really inter thing. Uh. And I wrote an article

0:03:01.720 --> 0:03:04.440
<v Speaker 1>about this, uh back in the day, like a couple

0:03:04.480 --> 0:03:07.240
<v Speaker 1>of years ago or something. And uh and yeah, it's

0:03:07.280 --> 0:03:09.639
<v Speaker 1>it's a lot. When you start really taking it apart,

0:03:09.680 --> 0:03:17.880
<v Speaker 1>it's really fascinating. UM. As a biological organism, we're you know, programmed,

0:03:17.880 --> 0:03:21.760
<v Speaker 1>it's in our genes to stay alive. Sure, so if

0:03:21.800 --> 0:03:24.959
<v Speaker 1>something is you know, might bring about our death, we're

0:03:25.000 --> 0:03:27.040
<v Speaker 1>going to run from it, right or fight it. So

0:03:27.080 --> 0:03:29.960
<v Speaker 1>an obvious reminder of our death, like say, a cemetery

0:03:30.160 --> 0:03:32.359
<v Speaker 1>is a place that we're going to avoid. Well not

0:03:32.560 --> 0:03:35.240
<v Speaker 1>well not it's not as whack and white as that.

0:03:35.360 --> 0:03:38.600
<v Speaker 1>But but when we start thinking about death, it's like

0:03:38.640 --> 0:03:41.200
<v Speaker 1>we end up, you know, death itself ends up being

0:03:41.280 --> 0:03:44.400
<v Speaker 1>something that we might try and fight or avoid. And

0:03:44.480 --> 0:03:46.040
<v Speaker 1>you know, if you can you can see you know,

0:03:46.160 --> 0:03:48.720
<v Speaker 1>people trying to avoid death or you know, outright defy it.

0:03:49.040 --> 0:03:50.960
<v Speaker 1>You know, every day. You know, it's in it's in

0:03:51.000 --> 0:03:54.000
<v Speaker 1>our science, it's in our our you know, New Age medicine,

0:03:54.000 --> 0:03:56.920
<v Speaker 1>it's in our you know, our belief systems. You know. Um,

0:03:56.960 --> 0:03:58.680
<v Speaker 1>you know, death cannot be the end. There must be

0:03:58.720 --> 0:04:02.120
<v Speaker 1>a way that I that things can keep going. Um

0:04:02.200 --> 0:04:04.160
<v Speaker 1>and uh, you know, we make a big deal out

0:04:04.200 --> 0:04:07.400
<v Speaker 1>of it. We also, um, you know, we distance it

0:04:07.440 --> 0:04:09.680
<v Speaker 1>from our thoughts too. That's another way that we deal

0:04:09.680 --> 0:04:11.200
<v Speaker 1>with death. You just you know, you're trying not to

0:04:11.200 --> 0:04:13.760
<v Speaker 1>think about it or well, and of course we also

0:04:13.880 --> 0:04:18.040
<v Speaker 1>limit our intimacy with it, you know. So interesting question

0:04:18.080 --> 0:04:21.280
<v Speaker 1>here do you think that um as a as a HomeBuyer,

0:04:21.640 --> 0:04:24.039
<v Speaker 1>what do you think that does to the price of

0:04:24.080 --> 0:04:27.039
<v Speaker 1>a home? If your house is located next to a cemetery,

0:04:27.760 --> 0:04:29.440
<v Speaker 1>do you think that automatically brings the price of a

0:04:29.480 --> 0:04:31.480
<v Speaker 1>house down? Just wondering. I don't know, we should throw

0:04:31.520 --> 0:04:33.960
<v Speaker 1>that out to the listeners. Yeah, anybody, now, please do

0:04:34.040 --> 0:04:36.080
<v Speaker 1>tell us. I'm curious about this because seems like for

0:04:36.120 --> 0:04:38.320
<v Speaker 1>some folks that would be you would be a plus. Yeah,

0:04:38.600 --> 0:04:41.480
<v Speaker 1>kind of like a park but different. You know, it's

0:04:41.520 --> 0:04:43.919
<v Speaker 1>just dead people buried there. I guess there could be

0:04:44.000 --> 0:04:45.919
<v Speaker 1>people dead people buried in the park too, we just

0:04:45.960 --> 0:04:48.280
<v Speaker 1>don't know about. Yeah, I'd be more concerned about that

0:04:48.320 --> 0:04:50.839
<v Speaker 1>the unmarked graves there than the people who got it nice.

0:04:51.200 --> 0:04:56.800
<v Speaker 1>You know, let's talk a little bit more about death, well, particulately.

0:04:56.800 --> 0:04:59.560
<v Speaker 1>The study from a Chicago's Mount Sinai Hospital. This was

0:04:59.560 --> 0:05:01.719
<v Speaker 1>an interest king. Oh, yes, this is just a little

0:05:01.880 --> 0:05:04.520
<v Speaker 1>sidebar here. Um this Back in the nineteen sixties, Dr

0:05:04.760 --> 0:05:08.920
<v Speaker 1>Eric cast of Chicago's Mount Sinai Hospital, Um, he experimented

0:05:08.960 --> 0:05:12.440
<v Speaker 1>with giving dying patients LSD, which of course is so

0:05:12.560 --> 0:05:17.120
<v Speaker 1>you know, hallucinogen um. And he actually, this is not

0:05:17.200 --> 0:05:19.400
<v Speaker 1>something you can get funding for these days, but back

0:05:19.440 --> 0:05:23.560
<v Speaker 1>then this is possible. I imagine they flag research with

0:05:23.720 --> 0:05:25.800
<v Speaker 1>LSD in it. Yeah, but he ended up dosing like

0:05:25.839 --> 0:05:29.479
<v Speaker 1>eighty patients, you know, and seventy two reported, uh that

0:05:29.520 --> 0:05:31.400
<v Speaker 1>they gained like some sort of insight, like you know,

0:05:31.520 --> 0:05:33.599
<v Speaker 1>they that they were a part of the universe or

0:05:33.640 --> 0:05:37.000
<v Speaker 1>that you know, they felt better about, um, the end

0:05:37.080 --> 0:05:38.599
<v Speaker 1>that was coming to them. And we need to stress

0:05:38.600 --> 0:05:40.719
<v Speaker 1>they were not giving them to them like here, take

0:05:40.839 --> 0:05:42.919
<v Speaker 1>l s D and die. They were like, you're gonna

0:05:42.960 --> 0:05:45.919
<v Speaker 1>die soon, you know, it's it's bound to happen, you know,

0:05:45.960 --> 0:05:49.680
<v Speaker 1>in the in the immediate future. Here's some thinking about it.

0:05:49.760 --> 0:05:53.080
<v Speaker 1>These patients were all the hospice. Yeah, yeah, chronic we're

0:05:53.120 --> 0:05:55.960
<v Speaker 1>suffering from chronic conditions exactly. Yeah. So out of those

0:05:56.000 --> 0:05:59.719
<v Speaker 1>eight seventy two reported insight, fifty eight found it pleasant

0:05:59.800 --> 0:06:03.120
<v Speaker 1>and wanted to do it again. Of course, that's a

0:06:03.200 --> 0:06:05.280
<v Speaker 1>heck of a time in your life to find out

0:06:05.360 --> 0:06:09.000
<v Speaker 1>there's something you want to do more of, you know. Yeah, right, well,

0:06:09.080 --> 0:06:10.960
<v Speaker 1>so I was thinking about this when you when you

0:06:11.000 --> 0:06:13.279
<v Speaker 1>brought this study to my attention, and it was interesting

0:06:13.320 --> 0:06:16.600
<v Speaker 1>and that I think that taking elis you certainly could

0:06:16.600 --> 0:06:21.160
<v Speaker 1>alter your perspective on death. Um. But also I mean,

0:06:21.200 --> 0:06:23.679
<v Speaker 1>if you're hanging out at the boundary between life and death,

0:06:24.480 --> 0:06:28.039
<v Speaker 1>presumably this might be a transcendent experience. I mean this is,

0:06:28.080 --> 0:06:30.440
<v Speaker 1>of course, you know, highly subjective. This is me talking

0:06:30.440 --> 0:06:33.160
<v Speaker 1>about it. But if you're hanging out there on this

0:06:33.640 --> 0:06:36.760
<v Speaker 1>really crazy boundary between life and death, do you want

0:06:36.760 --> 0:06:40.360
<v Speaker 1>to obscure it with drugs? Wouldn't you want to be

0:06:40.480 --> 0:06:42.760
<v Speaker 1>a firsthand witness to it? I mean similar, I guess

0:06:42.760 --> 0:06:44.760
<v Speaker 1>you could look at it like we're talking about it before.

0:06:44.920 --> 0:06:47.760
<v Speaker 1>You know, also with birth, right you know some momentum

0:06:49.040 --> 0:06:52.080
<v Speaker 1>childbirth is painful, you know, and whether you whether or

0:06:52.080 --> 0:06:54.120
<v Speaker 1>not you want to take drugs in that scenario, you know,

0:06:54.279 --> 0:06:56.440
<v Speaker 1>bringing life into the world. It's just really interesting. I

0:06:56.440 --> 0:06:58.599
<v Speaker 1>was ying, Yeah, it's it's I keep going back and

0:06:58.640 --> 0:07:02.279
<v Speaker 1>forth on it when I really understand either way, just

0:07:02.279 --> 0:07:04.640
<v Speaker 1>just thinking about it now, it's interesting you mentioned about

0:07:04.640 --> 0:07:06.560
<v Speaker 1>it you know, being at this boundary point between life

0:07:06.600 --> 0:07:09.920
<v Speaker 1>and death. That's another thing that factors into our experience

0:07:09.920 --> 0:07:15.640
<v Speaker 1>with cemeteries. Obviously, graveyards are for the living, you know. Um,

0:07:15.680 --> 0:07:17.920
<v Speaker 1>I think we can agree, especially in a science podcast,

0:07:18.480 --> 0:07:20.960
<v Speaker 1>that the dead people don't care. You know, you can,

0:07:21.560 --> 0:07:24.720
<v Speaker 1>you can, you know, it's it's it's all about the

0:07:25.160 --> 0:07:27.880
<v Speaker 1>people who survive and wanting to have a place where

0:07:28.120 --> 0:07:31.200
<v Speaker 1>you can remember a loved one that's departed or honor

0:07:31.240 --> 0:07:33.120
<v Speaker 1>a loved one that's departed. So we you know, we

0:07:33.200 --> 0:07:40.960
<v Speaker 1>create these necropolis um you know, environments is um. You know,

0:07:41.080 --> 0:07:43.840
<v Speaker 1>we create these these these environments you know, full of

0:07:43.880 --> 0:07:47.400
<v Speaker 1>marble and stone and silent statues, and and it has

0:07:47.440 --> 0:07:49.360
<v Speaker 1>a very you know, anytime you go to a cemetery,

0:07:49.640 --> 0:07:52.560
<v Speaker 1>no matter what you're feelings on death, and you know

0:07:52.800 --> 0:07:56.120
<v Speaker 1>the hereafter, you know, happen to be um. You know,

0:07:56.160 --> 0:07:58.720
<v Speaker 1>it's it's a very somber environment. And we kind of

0:07:58.720 --> 0:08:01.239
<v Speaker 1>take that feeling of the boundary of life and death

0:08:01.360 --> 0:08:03.920
<v Speaker 1>and we we make a physical space out of it,

0:08:04.160 --> 0:08:05.400
<v Speaker 1>you know, and then you pour in a whole bunch

0:08:05.440 --> 0:08:07.960
<v Speaker 1>of you poor in religion, you pour in like folk tales,

0:08:08.040 --> 0:08:12.880
<v Speaker 1>you cultural tradition, cultural traditions and and horror movies TV,

0:08:13.000 --> 0:08:14.440
<v Speaker 1>all of it. You pour all that in and it

0:08:14.520 --> 0:08:18.200
<v Speaker 1>just intensifies that feeling. You know, it's um and creates

0:08:18.240 --> 0:08:21.240
<v Speaker 1>this kind of contested feeling. There's a contested space between

0:08:21.280 --> 0:08:24.080
<v Speaker 1>life and death. So you know, you walk into the

0:08:24.120 --> 0:08:26.520
<v Speaker 1>midst of all that, you're going to have some interesting

0:08:26.520 --> 0:08:28.960
<v Speaker 1>feelings going on, even if it isn't outright you know,

0:08:29.080 --> 0:08:33.760
<v Speaker 1>fear or you know, creepiness. So we had a childhood

0:08:33.840 --> 0:08:35.520
<v Speaker 1>a tradition. I don't know if you ever did this,

0:08:35.640 --> 0:08:38.560
<v Speaker 1>but you know, similar to the thing where you hold

0:08:38.600 --> 0:08:40.520
<v Speaker 1>your feet up when you're going over railroad tracks. Did

0:08:40.559 --> 0:08:42.439
<v Speaker 1>you ever do that? I don't know what the reasoning

0:08:42.440 --> 0:08:45.079
<v Speaker 1>there is. When you were driving by the cemetery, No, no no, no, okay,

0:08:45.080 --> 0:08:47.880
<v Speaker 1>So there's two separate superstitions at work here. When was

0:08:48.040 --> 0:08:50.120
<v Speaker 1>if you go over railrotchracks, you're supposed to hold your

0:08:50.160 --> 0:08:52.199
<v Speaker 1>feet up while you go over the railtrack. That never

0:08:52.240 --> 0:08:55.680
<v Speaker 1>did that. I don't really know what that especially while driving. No,

0:08:55.800 --> 0:08:57.960
<v Speaker 1>but you're supposed to hold your breath while you drove

0:08:57.960 --> 0:08:59.880
<v Speaker 1>past the cemetery, and that was really tricky if the

0:09:00.080 --> 0:09:03.000
<v Speaker 1>cemetery was was long, and I'm not sure what that

0:09:03.080 --> 0:09:05.640
<v Speaker 1>was based on either. So we always held our breath.

0:09:05.720 --> 0:09:07.319
<v Speaker 1>Now we had our breath when we went over bridges.

0:09:07.840 --> 0:09:13.800
<v Speaker 1>Oh yeah, in case you needed mean, it makes just

0:09:13.840 --> 0:09:16.800
<v Speaker 1>as much sense. But but no, we never did anything

0:09:17.040 --> 0:09:21.920
<v Speaker 1>curious with um. Some more stuff about just how we

0:09:22.040 --> 0:09:25.360
<v Speaker 1>viewed death that I found really interesting, according to philosophy

0:09:25.360 --> 0:09:30.959
<v Speaker 1>professor anton Than niekerk Um, Yeah, we come as a

0:09:31.400 --> 0:09:35.840
<v Speaker 1>culture to see dying not as something our bodies eventually do,

0:09:36.640 --> 0:09:40.120
<v Speaker 1>all right, but something that eventually happens to our bodies.

0:09:41.280 --> 0:09:43.200
<v Speaker 1>It's kind of you know, like think of it this way,

0:09:43.280 --> 0:09:46.640
<v Speaker 1>like your body eventually dies that I mean, that's a

0:09:46.640 --> 0:09:50.000
<v Speaker 1>true statement, but we often end up viewing it instead

0:09:50.080 --> 0:09:53.360
<v Speaker 1>in terms of like death happens to us. Death is

0:09:53.400 --> 0:09:56.800
<v Speaker 1>something that is like an exterior force is enacted upon us.

0:09:56.960 --> 0:09:59.680
<v Speaker 1>And you see that in religion and the mythology and

0:09:59.679 --> 0:10:02.400
<v Speaker 1>folk tales and and all in just art, you know,

0:10:02.440 --> 0:10:05.880
<v Speaker 1>you'll see death depicted as what right, which we have

0:10:05.920 --> 0:10:09.360
<v Speaker 1>a cool article on Bill Harris, right it. Yeah, that's

0:10:09.360 --> 0:10:10.719
<v Speaker 1>a that's a good thing. You know what came out

0:10:10.880 --> 0:10:13.800
<v Speaker 1>that was so interesting. And there's a whole Mexican cult

0:10:15.000 --> 0:10:18.160
<v Speaker 1>um that's like kind of an offshoot of grim Reaper stuff.

0:10:18.160 --> 0:10:27.920
<v Speaker 1>It's so interesting. The name is eluding me, right, yes, yes, yes, yeah, anyway, yeah,

0:10:27.920 --> 0:10:29.640
<v Speaker 1>so you have grim Reaper, you have the Angel of

0:10:29.679 --> 0:10:32.720
<v Speaker 1>Death and all this, right, but we don't really we

0:10:32.720 --> 0:10:35.680
<v Speaker 1>don't really have that, um. But well we still have

0:10:35.800 --> 0:10:39.520
<v Speaker 1>that today, but increasingly UM as a culture, we don't

0:10:39.559 --> 0:10:42.240
<v Speaker 1>really think about the Grim Reaper or they are change

0:10:42.280 --> 0:10:46.640
<v Speaker 1>all of death coming to us as a real thing. Okay,

0:10:47.040 --> 0:10:54.560
<v Speaker 1>So instead, according to sociologist Zigmut Bombing, we practice something

0:10:54.600 --> 0:10:58.280
<v Speaker 1>called quote the deconstruction of mortality. And and in that

0:10:58.559 --> 0:11:02.520
<v Speaker 1>deep deep for a podcasts Let's Let's roll out, he

0:11:02.600 --> 0:11:05.840
<v Speaker 1>says that we break down death into smaller pieces that

0:11:05.920 --> 0:11:09.080
<v Speaker 1>we can digest easily. So instead of like thinking about

0:11:09.280 --> 0:11:12.000
<v Speaker 1>just going like, oh my goodness, the yawning um you know,

0:11:12.080 --> 0:11:14.120
<v Speaker 1>weight of the tomb and the you know, the the

0:11:14.160 --> 0:11:18.200
<v Speaker 1>infinite nothingness or beyond death or through the infinite possibilities

0:11:18.240 --> 0:11:20.560
<v Speaker 1>beyond death, instead of getting torn down with all that,

0:11:20.760 --> 0:11:23.920
<v Speaker 1>we think about the biological functions of death. We think

0:11:23.920 --> 0:11:29.480
<v Speaker 1>about diseases and mental problems. Right yeah, and you can

0:11:29.520 --> 0:11:31.480
<v Speaker 1>you know, you break it down and you can then

0:11:31.480 --> 0:11:34.000
<v Speaker 1>you can you can sort of like assign those tasks off.

0:11:34.040 --> 0:11:36.160
<v Speaker 1>You know, it's like, oh, doctors here, take care of this,

0:11:36.520 --> 0:11:38.960
<v Speaker 1>you know, psychiatrist, psychologists, you to take care of this.

0:11:39.080 --> 0:11:43.000
<v Speaker 1>And then when the act actually occurs again, you know, increasingly,

0:11:43.080 --> 0:11:46.640
<v Speaker 1>especially in like western um, you know, society. You know,

0:11:46.679 --> 0:11:49.319
<v Speaker 1>it's like people, don't we have people to touch the

0:11:49.600 --> 0:11:51.720
<v Speaker 1>dead bodies for us to prepare them too. You know,

0:11:51.720 --> 0:11:54.600
<v Speaker 1>there's a whole industry, um you know that takes care

0:11:54.600 --> 0:11:56.760
<v Speaker 1>of that for us and removes us, you know, from

0:11:57.080 --> 0:12:01.360
<v Speaker 1>intimacy with death and the deceased, right and so cemeteries

0:12:01.360 --> 0:12:03.640
<v Speaker 1>being such a visible sign of our own demise is

0:12:03.880 --> 0:12:06.240
<v Speaker 1>problematic for us. That's what you're saying, right, Yeah, yeah,

0:12:06.440 --> 0:12:08.160
<v Speaker 1>that's that's what it comes on to a lot of people.

0:12:08.160 --> 0:12:11.520
<v Speaker 1>So you do have people who like really get you know,

0:12:11.520 --> 0:12:13.960
<v Speaker 1>I have an aversion to it, you know, like really

0:12:14.000 --> 0:12:16.360
<v Speaker 1>would rather not drive past the cemetery or as I

0:12:16.360 --> 0:12:19.360
<v Speaker 1>think about the memories involved in a cemetery, you know,

0:12:19.440 --> 0:12:21.880
<v Speaker 1>what if you saw I mean, if you had to

0:12:21.920 --> 0:12:24.720
<v Speaker 1>bury your mother or your father, family member, you know,

0:12:24.720 --> 0:12:26.400
<v Speaker 1>a friend or anything like that. I mean, they can

0:12:26.400 --> 0:12:30.520
<v Speaker 1>be associated with some pretty powerful memories, sad memories. So

0:12:30.559 --> 0:12:35.520
<v Speaker 1>there you have it. That's basically our cultural fears about

0:12:36.800 --> 0:12:42.080
<v Speaker 1>cemeteries in a nutshell, in a nutshell, indeed, a morbid nutshell. Yeah.

0:12:42.320 --> 0:12:44.080
<v Speaker 1>So whether or not you like cemeteries, let's talk about

0:12:44.080 --> 0:12:46.800
<v Speaker 1>the science of cemeteries or some of the science going

0:12:46.840 --> 0:12:49.560
<v Speaker 1>on at cemeteries. Yeah, this is pretty cool. I like

0:12:49.679 --> 0:12:52.520
<v Speaker 1>this study. Yeah, this is and this is a good

0:12:52.559 --> 0:12:54.000
<v Speaker 1>thing to think of. If you're you know, if you're

0:12:54.000 --> 0:12:55.480
<v Speaker 1>the type of person who goes to a cemetery and

0:12:55.559 --> 0:13:00.200
<v Speaker 1>you don't feel anything whatsoever, then this is perfect because yea,

0:13:00.559 --> 0:13:02.839
<v Speaker 1>do some science there. So what kind of science is

0:13:02.880 --> 0:13:06.360
<v Speaker 1>going on? Well, it all breaks down to this, um,

0:13:06.440 --> 0:13:08.520
<v Speaker 1>it breaks down. That's kind of funny considering what we're

0:13:08.520 --> 0:13:11.840
<v Speaker 1>about to talk about. You know, we're talking about Okay,

0:13:11.880 --> 0:13:13.720
<v Speaker 1>you have mortal body. You know it's going to decay

0:13:13.760 --> 0:13:15.719
<v Speaker 1>and die and decay and all that. So you put

0:13:15.760 --> 0:13:20.560
<v Speaker 1>a stone marker because the stone is gonna last forever, right, Yeah,

0:13:20.800 --> 0:13:24.160
<v Speaker 1>because you have like a marble slab. It may it's

0:13:24.160 --> 0:13:26.800
<v Speaker 1>gonna last longer than a human lifetime, you know, but

0:13:26.840 --> 0:13:30.000
<v Speaker 1>it's still gonna decay. We've all seen, you know, cemetery.

0:13:30.040 --> 0:13:32.120
<v Speaker 1>You know, cemetery upkeep is a you know, a constant

0:13:32.120 --> 0:13:35.120
<v Speaker 1>effort because you have tombstones are falling over, their crumbling,

0:13:35.240 --> 0:13:39.840
<v Speaker 1>they're flaking. And what's the reason for that? Acid rain? Well, yeah,

0:13:40.000 --> 0:13:43.400
<v Speaker 1>or just rain in general. Yeah, weathering, the weathering process,

0:13:43.760 --> 0:13:46.280
<v Speaker 1>what happens to us. All. Well, there's a certain acidity

0:13:46.320 --> 0:13:48.839
<v Speaker 1>to rain as it is, Um, I think the way

0:13:48.840 --> 0:13:51.920
<v Speaker 1>it breaks down. Rainwater is about a five point six

0:13:52.040 --> 0:13:55.720
<v Speaker 1>on the pH scale and that depends on area. Though, yeah,

0:13:55.920 --> 0:13:58.240
<v Speaker 1>go on, this is this is roughly but and to

0:13:58.280 --> 0:14:01.560
<v Speaker 1>put that in context, a pH zero row is essentially

0:14:01.600 --> 0:14:04.360
<v Speaker 1>battery acid and so the so each step up from

0:14:04.400 --> 0:14:09.040
<v Speaker 1>zero is less acidic, right, Okay, so rainwater five point six,

0:14:09.160 --> 0:14:14.439
<v Speaker 1>cup of coffee is five. Um. Stomach acid is like

0:14:14.480 --> 0:14:17.160
<v Speaker 1>a two. That's pretty strong. Acid rain is more like

0:14:17.200 --> 0:14:20.800
<v Speaker 1>a four. So acid rain is like one whole number, um,

0:14:20.840 --> 0:14:24.200
<v Speaker 1>you know, or over one whole number. Right, So acid

0:14:24.280 --> 0:14:28.000
<v Speaker 1>rain is a relatively weak acid on the whole. Yeah.

0:14:28.160 --> 0:14:29.960
<v Speaker 1>But but of course the thing is you have the

0:14:30.000 --> 0:14:32.440
<v Speaker 1>tombstone is out there in the open since the day

0:14:32.480 --> 0:14:35.400
<v Speaker 1>that it's you know, been planted, probably a little before,

0:14:35.920 --> 0:14:39.040
<v Speaker 1>and uh, and it's constantly getting hit with this stuff. Right.

0:14:39.080 --> 0:14:41.720
<v Speaker 1>So you looked up a pretty cool article um that

0:14:41.960 --> 0:14:46.440
<v Speaker 1>ran in Science World, and there's an. The author was

0:14:46.440 --> 0:14:50.240
<v Speaker 1>talking about how cemeteries wind up being this really great

0:14:50.600 --> 0:14:54.360
<v Speaker 1>unintentional geological experiment in which we can measure the effects

0:14:54.440 --> 0:14:57.520
<v Speaker 1>of acid rain um in a particular area. Yeah. I

0:14:57.520 --> 0:15:01.080
<v Speaker 1>think specifically they mentioned the Graveyard Project, and they've been around,

0:15:01.080 --> 0:15:05.280
<v Speaker 1>they have Great Stone Project. Yes, Uh, they've they've gone

0:15:05.280 --> 0:15:09.400
<v Speaker 1>around until just like hundreds and you know, hundreds of

0:15:09.440 --> 0:15:13.400
<v Speaker 1>cemeteries and looked at thousands of tombstones and U and

0:15:13.520 --> 0:15:15.200
<v Speaker 1>one of the things they look for is when you

0:15:15.240 --> 0:15:19.960
<v Speaker 1>have the letters you know, um, John Smith lies here, Yeah, exactly,

0:15:20.360 --> 0:15:22.080
<v Speaker 1>you know, when those are indented in the tombstone. There's

0:15:22.120 --> 0:15:25.880
<v Speaker 1>often lead in there too. The lead doesn't break down

0:15:26.080 --> 0:15:29.480
<v Speaker 1>under you know, all the rain and the weathering, so

0:15:29.520 --> 0:15:31.640
<v Speaker 1>that stays in place, so they can use that as

0:15:31.680 --> 0:15:34.320
<v Speaker 1>a frame of reference. He has a gauge to how

0:15:34.400 --> 0:15:38.080
<v Speaker 1>how much of the marble and stone has has been

0:15:38.080 --> 0:15:40.360
<v Speaker 1>eating a way by the rain. Yeah. And and of

0:15:40.400 --> 0:15:42.920
<v Speaker 1>course it's a tombstone, so it has a date on

0:15:42.960 --> 0:15:45.640
<v Speaker 1>it right there, so that that also helps. It's handy

0:15:45.640 --> 0:15:48.640
<v Speaker 1>for measurements. Yeah. Yeah, like you said, I think they're um,

0:15:48.960 --> 0:15:51.480
<v Speaker 1>they've gotten like hundreds of measurements from different cemeteries, so

0:15:51.480 --> 0:15:53.680
<v Speaker 1>it's pretty neat. Yeah, they can. They can study like

0:15:53.840 --> 0:15:57.840
<v Speaker 1>how the local weathering conditions work, you know, and and

0:15:57.840 --> 0:15:59.760
<v Speaker 1>then you know, compare them to what they might have

0:15:59.760 --> 0:16:02.000
<v Speaker 1>seen to be in the past, and then you know

0:16:02.080 --> 0:16:05.000
<v Speaker 1>analyze use that to analyze how how the atmosphere has

0:16:05.080 --> 0:16:07.560
<v Speaker 1>changed in the area. Right, And they can also compose

0:16:07.600 --> 0:16:10.240
<v Speaker 1>a worldwide weathering map to see what's going on different

0:16:10.280 --> 0:16:13.520
<v Speaker 1>patterns of acid rain in different areas, so you can

0:16:13.520 --> 0:16:15.560
<v Speaker 1>figure out what climate change is doing, figure out what

0:16:15.560 --> 0:16:18.520
<v Speaker 1>pollution is doing. Yeah, it's pretty cool. Let's talk of

0:16:18.560 --> 0:16:20.560
<v Speaker 1>a little bit about the high chech grades going on.

0:16:20.640 --> 0:16:23.520
<v Speaker 1>This fascinated me. Yeah. Yeah, we've talked a lot about

0:16:23.640 --> 0:16:26.560
<v Speaker 1>old crumby stuff and now we're talking about sort of

0:16:26.600 --> 0:16:29.360
<v Speaker 1>new fangled stuff. But I mean we've always kind of

0:16:29.400 --> 0:16:33.480
<v Speaker 1>been fascinated with graveyard technology. I mean, back in the day,

0:16:33.800 --> 0:16:37.520
<v Speaker 1>we would build mazes and pyramids to confuse grave robbers.

0:16:38.320 --> 0:16:40.680
<v Speaker 1>Um You even mentioned that there were bells to ring

0:16:40.800 --> 0:16:44.720
<v Speaker 1>from your casket, so that, yeah, well, because they had that,

0:16:44.880 --> 0:16:46.800
<v Speaker 1>there was always that fear that you're gonna be buried alive.

0:16:46.840 --> 0:16:48.480
<v Speaker 1>So you needed a little line out right, and you

0:16:48.520 --> 0:16:51.040
<v Speaker 1>couldn't just have a cell phone on you right right

0:16:51.280 --> 0:16:53.720
<v Speaker 1>that movie. It's up now. But in the old days

0:16:53.720 --> 0:16:56.120
<v Speaker 1>you would have like a string and you would hey, hey, guys,

0:16:56.200 --> 0:16:58.440
<v Speaker 1>don't don't bury me yet, she's gonna ring this spell

0:16:58.480 --> 0:17:00.680
<v Speaker 1>in case you haven't heard me screaming. Yeah, So that

0:17:00.800 --> 0:17:06.440
<v Speaker 1>that's graveyard technology right there. In action also had the locks, right, yeah,

0:17:06.520 --> 0:17:09.200
<v Speaker 1>because they especially in Victorian era, you had all the

0:17:09.640 --> 0:17:13.840
<v Speaker 1>corpse um body snatching going on. You know, you needed corpses,

0:17:14.119 --> 0:17:17.520
<v Speaker 1>you know, cadavers for for surgical studies and science. But

0:17:17.920 --> 0:17:18.960
<v Speaker 1>that was the only way to get him. You had

0:17:19.000 --> 0:17:20.240
<v Speaker 1>to hire some drunk guy to go out to the

0:17:20.240 --> 0:17:23.480
<v Speaker 1>cemetery and bus one open for you. But now we

0:17:23.560 --> 0:17:26.560
<v Speaker 1>have GPS going on in our graves. Yeah, this is

0:17:26.640 --> 0:17:29.800
<v Speaker 1>this is pretty cool. Um. I've read about this in

0:17:29.800 --> 0:17:31.480
<v Speaker 1>a number of places. There was a cool article on

0:17:31.560 --> 0:17:35.680
<v Speaker 1>Wired um and the idea is, like, you know, increasingly

0:17:35.720 --> 0:17:38.040
<v Speaker 1>green burials the thing. I think we've talked about this.

0:17:38.119 --> 0:17:39.640
<v Speaker 1>We have talked about it a little bit, but green

0:17:39.680 --> 0:17:42.640
<v Speaker 1>burial essentially just means that there's a whole being dug

0:17:42.640 --> 0:17:46.119
<v Speaker 1>in the ground. Um, I think you're the body is

0:17:46.160 --> 0:17:48.919
<v Speaker 1>placed in a shroud of some sort. Yeah, there's no

0:17:49.080 --> 0:17:51.520
<v Speaker 1>like embalming the body with a bunch of chemicals to

0:17:51.560 --> 0:17:53.919
<v Speaker 1>make it last a little longer. There's no like, you know,

0:17:54.040 --> 0:17:57.400
<v Speaker 1>giant metal casket. You know, is there even an exterior barrier?

0:17:57.440 --> 0:17:59.680
<v Speaker 1>I thought, I literally thought it was just the body

0:17:59.720 --> 0:18:01.119
<v Speaker 1>that is going in. I think I think a lot

0:18:01.119 --> 0:18:04.520
<v Speaker 1>of it is shrouds. Yeah, yeah, definitely no giant metal casket,

0:18:05.160 --> 0:18:08.320
<v Speaker 1>that's for sure. Right. So the problem with this, if

0:18:08.320 --> 0:18:10.560
<v Speaker 1>you can call it a problem, is that, um, it's

0:18:10.560 --> 0:18:14.280
<v Speaker 1>it's pretty inconspicuous. I mean, you could certainly place a

0:18:14.280 --> 0:18:16.120
<v Speaker 1>headstone there, but a lot of people are even moving

0:18:16.160 --> 0:18:19.720
<v Speaker 1>away from uh, putting a headstone. Yeah, because like the

0:18:19.760 --> 0:18:21.359
<v Speaker 1>idea of being, you want the body to return to

0:18:21.400 --> 0:18:25.439
<v Speaker 1>nature and you know, um, a graveyard is often a

0:18:25.520 --> 0:18:28.240
<v Speaker 1>very unnatural environment. Though I think it's the there's like

0:18:28.240 --> 0:18:32.679
<v Speaker 1>a really good um Unitarian cemetery, I think in Savannah.

0:18:33.000 --> 0:18:34.720
<v Speaker 1>Have you seen that, they let they let everything that

0:18:34.800 --> 0:18:37.560
<v Speaker 1>grow up. It's still a graveyard, they're still tombstones, but

0:18:37.640 --> 0:18:39.639
<v Speaker 1>they let the nature kind of take over. It's pretty

0:18:39.880 --> 0:18:43.800
<v Speaker 1>pretty swank. Well. So the tricky thing here is that's great,

0:18:43.920 --> 0:18:46.239
<v Speaker 1>you know about being one with nature and all that,

0:18:46.320 --> 0:18:48.720
<v Speaker 1>but it can be hard for a family member, say

0:18:48.800 --> 0:18:51.760
<v Speaker 1>to locate a body of a loved one, right and

0:18:51.800 --> 0:18:55.880
<v Speaker 1>again graves burial all that it's about the survivors. So

0:18:56.280 --> 0:18:59.280
<v Speaker 1>how do you extend the olive branch of them? Right?

0:18:59.320 --> 0:19:01.520
<v Speaker 1>So you send a little tag down with them when

0:19:01.560 --> 0:19:03.320
<v Speaker 1>you bury them, so that you can make sure that

0:19:03.480 --> 0:19:05.480
<v Speaker 1>you can locate the body in the future. Everything else

0:19:05.520 --> 0:19:07.840
<v Speaker 1>breaks down, you'll have this one little like radio dally

0:19:07.920 --> 0:19:09.920
<v Speaker 1>down there sending off the signal to tell you where

0:19:10.119 --> 0:19:13.359
<v Speaker 1>you know, uncle greg Um, you know, became one with nature,

0:19:14.200 --> 0:19:16.439
<v Speaker 1>so then you would use a little device to find it.

0:19:16.480 --> 0:19:18.560
<v Speaker 1>But it but it as cool as that is. I

0:19:18.560 --> 0:19:20.960
<v Speaker 1>can't help but think. You know, our our geo tagging

0:19:21.520 --> 0:19:24.920
<v Speaker 1>is so advanced now, and you know this technology is everywhere,

0:19:25.240 --> 0:19:28.159
<v Speaker 1>Like what's stopping someone now from just going out? You

0:19:28.200 --> 0:19:30.600
<v Speaker 1>know they have the natural barrier and just mark the

0:19:30.680 --> 0:19:33.800
<v Speaker 1>exact location and then just you know, find it with

0:19:34.160 --> 0:19:39.120
<v Speaker 1>you know, with that GPS device. That's true, you make

0:19:39.160 --> 0:19:41.919
<v Speaker 1>a good point there or a lambor. And what are

0:19:41.920 --> 0:19:44.439
<v Speaker 1>the Japanese doing? Well, Yeah, the Japanese are in a

0:19:44.480 --> 0:19:48.240
<v Speaker 1>situation where they have far less room to bury people.

0:19:48.359 --> 0:19:51.400
<v Speaker 1>I think about this a lot with New Orleans too. Yeah, yeah,

0:19:51.440 --> 0:19:53.400
<v Speaker 1>there's yeah, there's not not a lot of places there too,

0:19:53.440 --> 0:19:55.480
<v Speaker 1>but unless you want to rise and back up right well.

0:19:56.160 --> 0:19:58.000
<v Speaker 1>And and in Japan it's also big just to have

0:19:58.040 --> 0:20:01.000
<v Speaker 1>a place for like cremated ashes to go. But but

0:20:01.080 --> 0:20:03.280
<v Speaker 1>they also have a you know, a long standing tradition

0:20:03.320 --> 0:20:05.080
<v Speaker 1>of honoring you know, the dead being. You want to

0:20:05.080 --> 0:20:07.720
<v Speaker 1>be able to visit your your you know, your your

0:20:08.000 --> 0:20:10.640
<v Speaker 1>dead father, grandfather's grave and you know, and honor them

0:20:10.800 --> 0:20:12.960
<v Speaker 1>when you want. Sure, it's a big deal. And it's

0:20:13.119 --> 0:20:15.400
<v Speaker 1>very expensive though, if you if you're trying to keep

0:20:15.440 --> 0:20:17.600
<v Speaker 1>that amount of you know, that little space on a

0:20:17.640 --> 0:20:20.760
<v Speaker 1>shelf or that you know, that little plot somewhere going

0:20:20.840 --> 0:20:23.000
<v Speaker 1>you know, all the time. It's it's really pricing and

0:20:23.040 --> 0:20:26.920
<v Speaker 1>people think some serious dough into it. So the Japanese

0:20:26.960 --> 0:20:29.320
<v Speaker 1>is always very efficient when it comes to space. Have

0:20:29.400 --> 0:20:34.120
<v Speaker 1>created these high rise columbariums. Yeah, and that's uh, it's

0:20:34.200 --> 0:20:39.120
<v Speaker 1>kind of like a giant death vending machine essentially. It is. Yeah,

0:20:39.119 --> 0:20:43.880
<v Speaker 1>in Japanese Buddhism, the columbarium is called a no pseudo,

0:20:43.960 --> 0:20:47.520
<v Speaker 1>I believe, and uh, yeah, and it is this version

0:20:47.520 --> 0:20:49.840
<v Speaker 1>of it is like a giant vending machine with the

0:20:49.880 --> 0:20:54.919
<v Speaker 1>like robotic retrieval. Yeah, so you go to see Uncle Greg. Right,

0:20:55.359 --> 0:20:57.520
<v Speaker 1>Uncle Greg. Do you have an Uncle Greg? By the way,

0:20:58.119 --> 0:21:02.520
<v Speaker 1>I hope not, because poor Uncle Greg. Okay, Yeah, so

0:21:02.520 --> 0:21:04.960
<v Speaker 1>so Uncle Greg is actually like up on a like

0:21:05.000 --> 0:21:07.240
<v Speaker 1>a shelf and like the you know, the third floor

0:21:07.359 --> 0:21:12.040
<v Speaker 1>of this big um you know, necropolis condo deal, you know.

0:21:12.480 --> 0:21:17.520
<v Speaker 1>So so you go into a little little altar area. Yeah,

0:21:17.600 --> 0:21:21.000
<v Speaker 1>and if you shut a card, swipe it and that

0:21:21.040 --> 0:21:23.959
<v Speaker 1>tells the machine where Uncle Greg is stored. So then

0:21:24.000 --> 0:21:27.800
<v Speaker 1>the robotic retrieval system grabs Uncle Greg zips him down there.

0:21:28.040 --> 0:21:30.840
<v Speaker 1>Then the little doors open and voila, there's Uncle Greg

0:21:31.040 --> 0:21:34.680
<v Speaker 1>right there for you. That's pretty cool, it's pretty ingenious. Yeah,

0:21:34.720 --> 0:21:37.399
<v Speaker 1>it's a high tech solution to u, you know, a

0:21:37.520 --> 0:21:40.640
<v Speaker 1>very real problem. But there's one final thing we're gonna

0:21:40.680 --> 0:21:42.920
<v Speaker 1>cover that you can do with your ashes, which I'm

0:21:42.920 --> 0:21:44.560
<v Speaker 1>not surprised that you brought up because you are kind

0:21:44.560 --> 0:21:46.840
<v Speaker 1>of a music buff. I do like music, I'm not

0:21:46.840 --> 0:21:49.399
<v Speaker 1>as int like I have friends that are DJs and

0:21:49.400 --> 0:21:52.160
<v Speaker 1>they're super into vinyl. You know, friend of mine has

0:21:52.160 --> 0:21:54.639
<v Speaker 1>a basement just full of vinyl. So does death have

0:21:54.720 --> 0:21:57.720
<v Speaker 1>something to do with vinyl? Yes? It does. And there's

0:21:57.760 --> 0:22:02.440
<v Speaker 1>actually a company and the UK called and vinylly. It's

0:22:02.480 --> 0:22:05.600
<v Speaker 1>like and finally and vinyl, you know, and uh, and

0:22:05.640 --> 0:22:09.440
<v Speaker 1>what they'll do is pretty amazing. They will, um, they

0:22:09.440 --> 0:22:12.440
<v Speaker 1>will take your ashes and they will press them into

0:22:12.480 --> 0:22:16.960
<v Speaker 1>a vinyl record. I'm curious about the whole integration process

0:22:17.000 --> 0:22:20.320
<v Speaker 1>and how that works. Well, apparently they have to spread

0:22:20.320 --> 0:22:22.880
<v Speaker 1>the ashes have to be sprinkled onto the raw piece

0:22:22.920 --> 0:22:25.399
<v Speaker 1>of vinyl, which in the industry is known as like

0:22:25.440 --> 0:22:28.159
<v Speaker 1>a biscuit or a puck, and then they press it

0:22:28.200 --> 0:22:30.840
<v Speaker 1>into the plates. So it's you know, it's it's in there,

0:22:30.880 --> 0:22:33.320
<v Speaker 1>just pressed, you know, into it. So it's not just

0:22:33.400 --> 0:22:36.399
<v Speaker 1>the ashes being made into a record. And uh, and

0:22:36.440 --> 0:22:38.600
<v Speaker 1>it's you can actually play this, um, you know, on

0:22:38.680 --> 0:22:40.560
<v Speaker 1>a record player. They say that each one will be

0:22:40.840 --> 0:22:44.040
<v Speaker 1>like a twenty four minute track and for about two

0:22:44.040 --> 0:22:46.680
<v Speaker 1>thousand pounds, you know, you can get artwork and everything

0:22:46.760 --> 0:22:51.320
<v Speaker 1>and up to thirty discs with your ashes inside them. Okay,

0:22:51.359 --> 0:22:55.639
<v Speaker 1>so here's the thing. What song? Oh yeah, is this

0:22:55.640 --> 0:22:58.240
<v Speaker 1>a curious question. Actually, when I first found the story,

0:22:58.280 --> 0:23:00.560
<v Speaker 1>I threw it out on Twitter and ask a few people,

0:23:00.600 --> 0:23:03.520
<v Speaker 1>and I also threw it to d J Chiba in

0:23:03.560 --> 0:23:08.000
<v Speaker 1>the UK. Is a really cool DJ interview heading for

0:23:08.000 --> 0:23:10.120
<v Speaker 1>the blogs, and he said that he would go with

0:23:10.440 --> 0:23:14.879
<v Speaker 1>the end by the doors. That was really so it's

0:23:15.359 --> 0:23:17.639
<v Speaker 1>that's a that's a tough one to top. I would

0:23:17.640 --> 0:23:21.520
<v Speaker 1>probably personally go with something really beautiful and serene off

0:23:21.560 --> 0:23:24.520
<v Speaker 1>of one of one of the boards of Canada albums.

0:23:24.720 --> 0:23:27.720
<v Speaker 1>But that's just because you know, I like the serenity

0:23:27.760 --> 0:23:30.359
<v Speaker 1>of the sound, you know. But I think also people

0:23:30.359 --> 0:23:32.560
<v Speaker 1>would often do like some the ideas that you would do,

0:23:32.600 --> 0:23:36.360
<v Speaker 1>like a personal message on these see but I would

0:23:36.400 --> 0:23:38.719
<v Speaker 1>rather do the music I can well. And so I've

0:23:38.720 --> 0:23:42.080
<v Speaker 1>thought about my death mix. Have you not? Have you here?

0:23:42.680 --> 0:23:44.680
<v Speaker 1>Have you done this exercise? You know? People like to

0:23:44.720 --> 0:23:46.719
<v Speaker 1>imagine who's going to be at their funeral or service

0:23:46.840 --> 0:23:49.640
<v Speaker 1>or what have you. Um, sometimes I've thought about what

0:23:49.880 --> 0:23:53.400
<v Speaker 1>music I want to play at my funeral. I haven't

0:23:53.400 --> 0:23:57.320
<v Speaker 1>put together an actual set list, contemplated some songs that

0:23:57.400 --> 0:23:59.520
<v Speaker 1>I want, um a set list, and there's some by

0:23:59.560 --> 0:24:02.120
<v Speaker 1>Peter gay Real, but I cannot think of the song

0:24:02.200 --> 0:24:05.040
<v Speaker 1>by Peter Gabriel. The one that definitely comes to mind

0:24:05.119 --> 0:24:08.040
<v Speaker 1>is digging in the Dirt. But oh that's a good one. Um,

0:24:08.080 --> 0:24:09.919
<v Speaker 1>oh wait, I know a lot of Gabriel tints. Or

0:24:09.920 --> 0:24:14.560
<v Speaker 1>maybe you're thinking of Mercy Street. I love Mercy Street. Yeah,

0:24:14.560 --> 0:24:17.919
<v Speaker 1>Peter Gabriel, fine, fine man. Especially perhaps do you have

0:24:18.000 --> 0:24:21.520
<v Speaker 1>on Era your final album? Yeah? I would probably just

0:24:21.520 --> 0:24:23.960
<v Speaker 1>go to the boards of Canada album or if I

0:24:24.000 --> 0:24:26.120
<v Speaker 1>die before DJ ch that he can come in DJ

0:24:26.280 --> 0:24:29.119
<v Speaker 1>my my funeral. So I think that's all we have

0:24:29.240 --> 0:24:31.639
<v Speaker 1>for death in Cemeteries. I'm sure we've cheered you up

0:24:31.640 --> 0:24:34.240
<v Speaker 1>immensely today, but you know, we gotta get you guys

0:24:34.240 --> 0:24:36.240
<v Speaker 1>in the mood for Halloween. What do you what are

0:24:36.240 --> 0:24:38.400
<v Speaker 1>you hearing out there? Robert, You've got some We got

0:24:38.400 --> 0:24:42.639
<v Speaker 1>some really cool listener mail from Jeremy and uh. And

0:24:42.640 --> 0:24:44.240
<v Speaker 1>he sent us a lot of stuff and I don't

0:24:44.280 --> 0:24:46.440
<v Speaker 1>have time to go over a lot of it um here,

0:24:46.480 --> 0:24:49.000
<v Speaker 1>but he sent us like a really cool how dangerous

0:24:49.040 --> 0:24:52.719
<v Speaker 1>a Zombie um poster to kind of inform you. He

0:24:52.760 --> 0:24:56.600
<v Speaker 1>was responding to our Science Versus Monsters podcast, which was

0:24:56.640 --> 0:25:00.080
<v Speaker 1>the the other Halloween when we did well it have

0:25:00.200 --> 0:25:03.120
<v Speaker 1>been too back from from now along with the mad scientists,

0:25:03.160 --> 0:25:05.760
<v Speaker 1>right and uh and so he shared some thoughts on

0:25:05.880 --> 0:25:08.680
<v Speaker 1>monsters and all that tells. Here'll share something he said

0:25:08.680 --> 0:25:12.359
<v Speaker 1>about vampires, m vampires and the quote where the mathematician

0:25:12.400 --> 0:25:15.000
<v Speaker 1>talked about turning the population into vampires and dying out

0:25:15.040 --> 0:25:18.879
<v Speaker 1>in three years. Well, I'm a vampire buff love movies

0:25:18.880 --> 0:25:21.040
<v Speaker 1>and Laura, I watch about every movie that comes out

0:25:21.080 --> 0:25:24.040
<v Speaker 1>just to see the director, writer's take on vampires. I

0:25:24.119 --> 0:25:27.000
<v Speaker 1>even watched the horrible Twilight movies because of this and

0:25:27.040 --> 0:25:29.680
<v Speaker 1>everything that I've reached. And that's why you watched him.

0:25:30.640 --> 0:25:33.520
<v Speaker 1>It was that dude's hair. That's why I watched it. Um,

0:25:33.560 --> 0:25:38.040
<v Speaker 1>that's amazing anyway, that that was me, he says, Um,

0:25:38.440 --> 0:25:41.480
<v Speaker 1>vampires do not change someone just by biting them. There's

0:25:41.480 --> 0:25:45.000
<v Speaker 1>always more work involved. The reason being is that vampiresm

0:25:45.080 --> 0:25:48.480
<v Speaker 1>is not a disease, unlike lecanthropy, where wolves shape shifters.

0:25:48.880 --> 0:25:51.440
<v Speaker 1>I can see the point that the mathematician is trying

0:25:51.440 --> 0:25:54.199
<v Speaker 1>to make, but his point only would would work with

0:25:54.240 --> 0:25:57.600
<v Speaker 1>a very limited scope if any of the vampire legends.

0:25:57.680 --> 0:25:59.439
<v Speaker 1>I know you guys mentioned this after the fact, but

0:25:59.440 --> 0:26:03.320
<v Speaker 1>I wanted to reiterate this. Um. So that's cool. He's

0:26:03.600 --> 0:26:06.200
<v Speaker 1>you know, he's standing up for the vampire myths and

0:26:06.400 --> 0:26:10.040
<v Speaker 1>you know, pointing out that that study indeed, Um sort

0:26:10.080 --> 0:26:12.760
<v Speaker 1>of sort of tongue in cheek, but yeah, but they

0:26:12.800 --> 0:26:16.120
<v Speaker 1>still picked and shows exactly what version of the mythos

0:26:16.160 --> 0:26:18.520
<v Speaker 1>they were going to go with for that study, which

0:26:18.600 --> 0:26:22.840
<v Speaker 1>isn't very scientific very scientific. So if you guys want

0:26:22.840 --> 0:26:27.520
<v Speaker 1>to send us your thoughts and monsters, science or spooky stuff,

0:26:28.040 --> 0:26:30.480
<v Speaker 1>um send us Anino science stuff at how stuff worst

0:26:30.480 --> 0:26:33.280
<v Speaker 1>dot com yep, and but us visit us on Twitter

0:26:33.600 --> 0:26:37.240
<v Speaker 1>where we are lab stuff, or on Facebook career stuff

0:26:37.280 --> 0:26:46.880
<v Speaker 1>from the Science Lab. Thanks for listening, guys. For more

0:26:46.920 --> 0:26:49.199
<v Speaker 1>on this and thousands of other topics, is it how

0:26:49.280 --> 0:26:52.960
<v Speaker 1>stuff works dot com. Want more how stuff works, check

0:26:52.960 --> 0:26:55.120
<v Speaker 1>out our blogs on the house stuff works dot com

0:26:55.160 --> 0:27:09.800
<v Speaker 1>home page