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Speaker 1: Good morning, Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo yo jess hilarious. Good morning Charlamagne

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Speaker 2: the God, He's to the planet.

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Speaker 3: Guess what day it is?

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Speaker 2: Guess what day it is?

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Speaker 3: How y'all feel out there? I feel blessed, black and

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Speaker 3: holly favored, happy to be here another day to serve

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Speaker 3: our beautiful listeners. Good morning, that's right.

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Speaker 2: It's Wednesday, It's day. What's up? Just how you feeling?

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Speaker 3: Yess?

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Speaker 4: What's that?

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Speaker 5: What's up? I'm all right. I'm alright, waiting to be

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Speaker 5: let to the zoo, but I'm alright, y'all getting over

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Speaker 5: a strap throat. I did shows over the.

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Speaker 6: Weekend in Baltimore, and I love my hometown, Yes I do.

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Speaker 6: But I got sick after meet and greet. It always

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Speaker 6: happens like that, But that's why I don't do it

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Speaker 6: as much.

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Speaker 5: Got sick.

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Speaker 6: Somebody came out with strap passed it to me, and yeah,

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Speaker 6: I've been home for recovery, recovering for like three days.

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Speaker 2: Okay, And how many shows did you do out there?

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Speaker 5: I did five? I could have edited another one.

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Speaker 6: They were all sold out, but I started not feeling

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Speaker 6: good Sunday.

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Speaker 2: You still out there, bread and strap all around Baltimore.

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Speaker 5: I'm definitely not in Baltimore. I'm home. I haven't been

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Speaker 5: able to be around my child, my husband.

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Speaker 2: Nobody.

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Speaker 3: You look like you was in a dispensary yesterday on Instagram.

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Speaker 5: I was not an dispensary.

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Speaker 2: I was.

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Speaker 5: That was a voiceover and I got paid to do

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Speaker 5: that promo.

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Speaker 2: It looked like hand was.

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Speaker 5: Not my biggest hand.

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Speaker 7: That was the nigger hand.

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Speaker 6: And I got there it was don't play with me

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Speaker 6: like I said. Wow, But yes, I get paid to

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Speaker 6: do promos. So yeah, but I'm good now, thank you?

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Speaker 2: Okay, good good, good good? What I charae man? I

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Speaker 2: feel great. You know, this is a great week.

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Speaker 3: And the reason this is a great week because number

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Speaker 3: one of the NFL is back, right, So it was

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Speaker 3: the NFL Week two regardless of how your team, regardless

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Speaker 3: if your team sucks, okay, like mine, Dallas Cowboys.

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Speaker 5: But that disclaimer had to come, didn't it?

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Speaker 2: Which team?

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Speaker 3: What's your what? You was you Pitchberger Baltimore this year

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Speaker 3: Ravens and you know not this year? They lost last week?

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Speaker 5: They did.

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Speaker 2: Look that was a terrible No, it.

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Speaker 5: Wasn't a terrible laws.

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Speaker 7: It was just stupid.

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Speaker 5: They always do dumb stuff like it. They always do that.

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Speaker 3: Though I was up in the four but like four touchdowns,

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Speaker 3: that's like that was insane. But Terrence Crawford and Canelo

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Speaker 3: Avares this Saturday man dropping the clues bombs of Terns,

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Speaker 3: Crawt and Canelo Avares not enough hype around this fight

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Speaker 3: for me. But I didn't think it would be. And

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Speaker 3: the only reason I didn't think it would be is

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Speaker 3: just simply because, like you know, Connelo is super popular

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Speaker 3: in the Mexican world, Terrence Crawford is not as popular.

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Speaker 3: Unless you're a boxing fan, you know it's gonna be

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Speaker 3: a It should be an amazing fight. I don't know,

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Speaker 3: it's a pick me for me. I know that sounds

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Speaker 3: crazy because the boxer, the boxing fan of me, says

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Speaker 3: it should be Canelo Avarez. But you going I'm going

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Speaker 3: for Bud. I've slept on but before and that's when

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Speaker 3: he washed Earlspince.

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Speaker 2: That's right. But is a special kind of fighter.

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Speaker 3: He got a magic to him that you just never know,

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Speaker 3: that's right, You just never know. Even though he's going

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Speaker 3: up a couple of weight classes. You just never know.

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Speaker 2: I don't know.

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Speaker 8: I'm just gonna enjoy the fighting for bud. All right, Well,

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Speaker 8: we got a big show, a big show for you

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Speaker 8: this morning. We have Shakas and Gore. He'll be joining us.

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Speaker 8: He's an author speaker. Charlemagne was just in right Because

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Speaker 8: Island with him, so we'll break that down what he

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Speaker 8: was doing out there.

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Speaker 2: And he has a new book.

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Speaker 3: Yeah, he got a new book called how to Be

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Speaker 3: Free of proving guy that escaping light hitting prison. Shaki

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Speaker 3: is my man, you know, he comes to my mental

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Speaker 3: Wealth export. He's been to my Mensalpowl a few times.

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Speaker 3: And this week we were at right Beker's Island speaking

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Speaker 3: to the inmates because he does a lot of work

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Speaker 3: with prisons all around the country. And this book is

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Speaker 3: really fantastic because a bunch of us are trapped in

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Speaker 3: a lot of hidden prisons that's right in our lives, and.

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Speaker 8: He gave us a guide on how to get free

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Speaker 8: of them. And also Jermaine Duprie JD will be joining us.

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Speaker 8: He has a new documentary, a new documentary series called

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Speaker 8: Magic City which comes with an album which or a soundtrack.

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Speaker 8: So we'll be talking to JD about everything going on

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Speaker 8: Magic City and everything.

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Speaker 2: That he's worthing.

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Speaker 3: You've never been to Magic City, man, you understand how

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Speaker 3: special this documentary is. And every time I watch this

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Speaker 3: episode of Magic City, I want to go to Magic City.

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Speaker 3: I'm actually mad that I didn't go to Magic City

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Speaker 3: when I was in Atlanta. Fan best best. That's me

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Speaker 3: and my wife have some great times in Magic City.

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Speaker 5: Being around people. First of all, your wife like the strippers.

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Speaker 5: You just like to sit there and eat the wings.

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Speaker 3: I like to go there and uh, empower the women

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Speaker 3: that are in power. Empower, empower, invest into the community

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Speaker 3: of dy.

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Speaker 5: He'd be sitting in the corner.

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Speaker 2: Yep. Yeah, making sure everybody want on Mondays.

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Speaker 3: Yeahinating I being there discriminating like no light skinned women.

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Speaker 3: I want all the melanin place. Hey yeah, we definitely

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Speaker 3: discriminate when we be in there. What's wrong with that?

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Speaker 2: Hey? Nothing?

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Speaker 8: You pick what you like, You pick what you like,

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Speaker 8: all right, And salut to the ladies at Magic City.

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Speaker 2: I'm sure they're just big now.

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Speaker 8: They just finished counting their singles and there ones.

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Speaker 2: Amazing club amazing.

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Speaker 3: Uh.

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Speaker 2: She works at Magic City. She's not a descriptor. She

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Speaker 2: works there La.

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Speaker 8: All right, well, let's get the show crack and we

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Speaker 8: got front page news. Me will be joining us next

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Speaker 8: to the breakfast club. Good morning, let's get in some

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Speaker 8: front page news.

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Speaker 5: Good morning me, Good morning everyone.

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Speaker 6: How y'all doing, Good morning, you look good well, thank you, jess.

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Speaker 5: I hope you feel better, Thank you girl, thank you.

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Speaker 9: All right, well, we start this morning with who draws

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Speaker 9: the line and who gets to keep the power. Politicians

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Speaker 9: in several states are rushing to redo congressional maps before

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Speaker 9: twenty twenty six, but voters they are not buying it.

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Speaker 9: An NBC poll shows most Americans want independent commissions, not

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Speaker 9: parties who are in charge redrawing the maps.

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Speaker 2: Now.

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Speaker 9: This all began in Texas, where Republicans back by President Trump,

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Speaker 9: pushed a mid decade map to lock in more House seats.

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Speaker 9: Texas Governor Greg Abbott signed it into law last week.

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Speaker 9: Civil rights group they sued immediately, saying it dilutes the

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Speaker 9: Black and Latino votes Democrats in California they're also pushing

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Speaker 9: a Newsome backed November ballot measure that, if other states

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Speaker 9: keep redrawing, would temporarily let lawmakers replace the state's independent map.

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Speaker 9: Republicans have already sued to block that. And in Missouri,

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Speaker 9: GOP leaders advance a mid cycle map that deeply splits

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Speaker 9: Kansas City and puts longtime Democratic Congressman Emmanuel Cleaver at risk.

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Speaker 4: And now Utah is jumping in jumping in.

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Speaker 9: A judge there said lawmakers blue pass voter approved anti

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Speaker 9: jerrymanderin rules and ordered a new map before the midterm. So,

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Speaker 9: in other words, voters said guardrails, lawmakers went around them,

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Speaker 9: and now the court is forcing a redo that would

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Speaker 9: keep more of Salt Lake City together and make one

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Speaker 9: district competitive at least now. Appials there are also pending,

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Speaker 9: but the clock is ticking. They have a September twenty

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Speaker 9: fifth deadline to look at that. Now, all of this

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Speaker 9: brings us back to Texas, the state that helped kick

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Speaker 9: this off, which is home to some of the nation's

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Speaker 9: largest black communities, and how those lines are drawn will

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Speaker 9: decide who's heard and who's pushed into the margins. Congresswoman

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Speaker 9: Jasmine Crockett, she spoke earlier this week about those maps

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Speaker 9: and what this now means.

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Speaker 4: Let's listen to that these maps.

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Speaker 10: Racist, the fact that they are trying to silence black

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Speaker 10: and minority voters in a majority minority state racist. I

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Speaker 10: want to give y'all some numbers because I don't think

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Speaker 10: this y'all fully understand how bad this is. Texas, number one,

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Speaker 10: has more African Americans than any other state in this country.

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Speaker 10: Right now, under the proposed maps they want to make

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Speaker 10: it to wear, Texas only has two districts in which

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Speaker 10: African Americans have an opportunity to choose their representation.

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Speaker 5: What does that mean for black voices in Texas?

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Speaker 10: That means that it is approximately one fit the voting

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Speaker 10: strength of their white Texan neighbors.

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Speaker 9: So expect court fights, ballot measures, and confusion over who

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Speaker 9: represents too. But the NBC poll is very clear that

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Speaker 9: eighty two percent of people they want neutral lines from

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Speaker 9: They don't want party lines to be drawn based on

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Speaker 9: if you're Republican or Democrat. And so now to Capitol Hill,

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Speaker 9: where GOP leaders are facing a showdown over healthcare. Speaker

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Speaker 9: Mike Johnson is under growing pressure from within.

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Speaker 4: His own party to extend the.

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Speaker 9: Affordable Care Act tax credits before they expire at the

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Speaker 9: end of the year. So far, eleven Republicans, many from

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Speaker 9: competitive districts, have signed onto a bill that would keep

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Speaker 9: the subsidies in place for another year. Without action, millions

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Speaker 9: of Americans could see their health insurance premiums jump by

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Speaker 9: an average of eighteen percent by January first. This puts

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Speaker 9: Republicans in a tough spot because for years the party

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Speaker 9: has spot against Obamacare, but now with more than twenty

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Speaker 9: four million people enrolled in marketplace plans and more than

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Speaker 9: ninety percent relying on these subsidies, letting them expire could

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Speaker 9: spark political backlash, and so some lawmakers want to fold

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Speaker 9: this into an extension into this month's government funding deal,

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Speaker 9: but Speaker Mike Johnson he hasn't committed, but he does

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Speaker 9: say there are quote thoughtful conversations happening, but says there's

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Speaker 9: a lot of opposition.

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Speaker 4: Meanwhile, Democrats they're.

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Speaker 9: Drawing a red line warning they will not so any

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Speaker 9: budget deal that lets benefits slaps.

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Speaker 4: They argue that without.

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Speaker 9: Action, millions of people will lose coverage while everyone else

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Speaker 9: will pay higher premium, So that fight is far from over.

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Speaker 9: Senate Republicans say they want to compromise, possibly by tightening

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Speaker 9: eligibility requirements rather than eliminating those credits altogether. But with

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Speaker 9: the government funding deadline looming and election season coming up,

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Speaker 9: both parties are under pressure to act or face some

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Speaker 9: political fallout.

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Speaker 3: Yeah, I just don't understand how you sit around thinking

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Speaker 3: on how to make people's life worse, Like it should

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Speaker 3: be an easy call to extend the Affordable you know,

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Speaker 3: Care Act, Like this should be an easy call, Like

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Speaker 3: it makes people's lives better, Like why would you, why

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Speaker 3: do you? Why would you want to cut people's health

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Speaker 3: care in any way, shape or form.

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Speaker 9: But now it's just it's the principle because Republicans have

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Speaker 9: fought for so long against Obamacare that now is just

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Speaker 9: like they don't want to do it, even though millions

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Speaker 9: of Americans are on it and they need it and

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Speaker 9: they will lose their health care.

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Speaker 4: So a lot of people are writing and calling.

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Speaker 9: Into their senators and their congressman and you know, making

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Speaker 9: sure that that is folded into the government shutdown bill.

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Speaker 5: So we'll see, Charlotte, what happens.

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Speaker 3: Well, maybe if Republicans just start calling it the Affordable

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Speaker 3: Care Act and stop calling it Obamacare and understand that,

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Speaker 3: you know, their constituents and people that voted for them

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Speaker 3: also benefit from this, because that's what government should be about, right.

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Speaker 3: It shouldn't matter who you know what party right, what

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Speaker 3: party implemented?

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Speaker 2: What's to people?

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Speaker 11: Right?

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Speaker 3: It shouldn't matter what party implemented, what what politician implemented.

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Speaker 3: What if it helps the American people, that should be

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Speaker 3: what we care about.

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Speaker 2: That's right?

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Speaker 8: All right, Well that is front page news, all right,

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Speaker 8: me and we we'll see you next hour. Everybody else,

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Speaker 8: get it off your chest. Eight hundred five eight five

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Speaker 8: one oh five one. If you need to vent, phone

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Speaker 8: lines wide open again. Eight hundred five eight five one

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Speaker 8: oh five one.

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Speaker 2: Is the Breakfast Club? Good morning, the Breakfast Club?

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Speaker 7: Right right?

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Speaker 2: Ray Yo, charloamac yaf What up are we lost? This

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Speaker 2: is your time to get it off your chest. I

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Speaker 2: got to indoor pull. We want to hear from you

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Speaker 2: on the Breakfast Club.

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Speaker 11: Get on the phone right now.

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Speaker 2: He'll tell you what it is. We lie. Hello, who's this?

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Speaker 11: Good morning my breakfast club family. It's your boy.

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Speaker 2: Love you from the brown love you. What's happening? King?

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Speaker 11: Look, I want to say, Sarlo man, let me give you,

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Speaker 11: Let me give you your crown now for all you

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Speaker 11: do for the Koch. I'm bringing some problems for my

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Speaker 11: second home. Hoping CC to the at Mental Wealth Expo

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Speaker 11: on the eleven. Do you have any information that the

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Speaker 11: pack on as far as that's what he yes.

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Speaker 3: October eleventh, eleven am to four pm at the Joel

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Speaker 3: and Diane Bloom Wellness and Event Center at the New

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Speaker 3: Jersey Institute of Technology in New of New Jersey. You

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Speaker 3: can go to Mentalwealth Expo dot com to register. I

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Speaker 3: mean you don't have to register it. I mean you've

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Speaker 3: been there before. Love, You don't have to register to

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Speaker 3: get in, but you know it's it's recommended that you do.

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Speaker 3: And it's a free event. Like you know, it's a

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Speaker 3: free event, So just pull up like it ain't no

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Speaker 3: screens attached.

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Speaker 11: Okay, Now, I didn't know if we had to register

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Speaker 11: because last year, you know, I've registered it anyway, but

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Speaker 11: I do want to stated, you know, being a Cowboys fan,

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Speaker 11: you didn't tap on the NFC. It's the first black

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Speaker 11: all black quarter back.

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Speaker 2: Yeah right, what happened in the NFL?

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Speaker 3: Yeah, jailing hurts, not jailing, Yeah, jailing hurts.

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Speaker 2: What's doing from the Reskin's name, Jadon Daniels, it's not

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Speaker 2: the Reskins. I said that the other day. They got

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Speaker 2: mad commanders.

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Speaker 3: I'm old, okay, yeah, all right, sure, the commanders and

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Speaker 3: Dak Prescott the Cowboys.

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Speaker 11: Yes, right, and then we go to Rock the Giants.

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Speaker 11: I'm sorry, Envy, but we gotta watch this week.

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Speaker 2: You can dream, dream big level. Are you a Package fan?

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Speaker 3: Oh no, no, no, no, boy, The Package played the Reskins

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Speaker 3: this Thurday number month.

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Speaker 11: You're right, yeah, yeah, but have you watched the Billionaire

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Speaker 11: that that willym below? Have you watched that documentary?

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Speaker 12: No?

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Speaker 7: Oh, yes I have.

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Speaker 2: I'm sorry, my brain is somewhere just wanting.

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Speaker 3: Yes, I watched all eight episodes of the Gambler documentary

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Speaker 3: Cowboys documentary.

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Speaker 11: Yes, it should be more like a billionaire in his emotions.

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Speaker 3: It pissed me off because it showed me that Jerry

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Speaker 3: Jones has been the problem the whole time. Because if

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Speaker 3: he was, if he would have just got out the way,

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Speaker 3: put his ego to the side and let Jimmy Johnson

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Speaker 3: be the great football mind that he is and Jerry

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Speaker 3: just be the billionaire owner, Cowboys would have had tremendous success.

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Speaker 3: He probably would have won four to five Super Bowls.

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Speaker 2: Man during the Night exact want.

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Speaker 11: I want to shout out Law Nations Sports. I want

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Speaker 11: you to tap into him.

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Speaker 5: He blove.

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Speaker 11: He shows you a lot of love. I want you

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Speaker 11: to tap into.

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Speaker 3: What's his name?

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Speaker 2: Law Nation Sport, Law Nation Sport. All Right'm gonna check

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Speaker 2: it out, all right, love you? Hello, who's this?

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Speaker 13: This is Tracy?

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Speaker 2: Hey, Tracy, good morning, Get it off your chest, Tracy.

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Speaker 13: First, Good morning everybody. Thank you for everything that you're doing.

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Speaker 13: The thing that's getting.

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Speaker 5: On my nerves this morning.

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Speaker 13: As the mother of four blessed black and highly favored children,

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Speaker 13: I'm frustrated about this new law that was passed about

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Speaker 13: them taking the cell phones away from kids. I don't

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Speaker 13: think that they fully thought about the safety ramifications of

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Speaker 13: this because with the active shooters and all the shootings

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Speaker 13: that go on, who was calling the police? Most of

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Speaker 13: the time it's the kids with the phones.

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Speaker 11: So you know, when you.

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Speaker 13: Have kids away from their parents and they have no

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Speaker 13: way to get in touch if something happens.

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Speaker 11: Like, nobody thought about that.

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Speaker 13: I mean even at a comedy show, they fall aways

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Speaker 13: to effectively let people keep their phones without taking them away.

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Speaker 11: Now I live in Utica. Just this week they lost

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Speaker 11: I don't.

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Speaker 13: Know how many phones and the lines for the kids

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Speaker 13: to pick up their phones after school with a nightmare.

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Speaker 13: So I really wish that they had thought about this

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Speaker 13: better or think of a better solution to get this thing.

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Speaker 13: So I understand the reasoning why they did it, but

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Speaker 13: I just think that it's putting the kids more at

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Speaker 13: harm than helping.

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Speaker 2: They won't let the kids just keep it in their

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Speaker 2: book bag without using them.

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Speaker 11: No.

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Speaker 13: Now, different schools have an acted it in different ways.

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Speaker 13: I know that one of my friends, she said that

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Speaker 13: their school lets the kids keep them in pouches like

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Speaker 13: they do with the comedy show. When they take them

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Speaker 13: and they lock them up and I guess the teacher

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Speaker 13: can open it whenever they're leaving. But the school, in

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Speaker 13: the high school in Utica, they take their phones all

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Speaker 13: together and then there's a gridlock at the end of

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Speaker 13: the day for the kids trying to get their phones.

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Speaker 13: In the first week of school, I was told by

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Speaker 13: my friends that the line to get their phones were

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Speaker 13: so long kids were missing their bust.

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Speaker 11: It was like forty five minutes.

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Speaker 13: Some of the kids couldn't even get their phones back.

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Speaker 13: It's crazy.

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Speaker 3: I do think that they should restrict student cell phone used,

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Speaker 3: but I agree with like the pouches and if you

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Speaker 3: pull it out, you know, during during class, then it

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Speaker 3: should be some tey you know, I don't think that

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Speaker 3: they should take it and like put it in the

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Speaker 3: desk and everybody got to try to get it afterwards.

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Speaker 8: The pouches is difficult too, because with the pouches you

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Speaker 8: usually you have to wait to outside and they got

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Speaker 8: to scan something to get the pouches open. It should

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Speaker 8: be yeah, to keep your phones, it has to be

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Speaker 8: in your book bag. If it's not in your book bag,

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Speaker 8: you get an attention.

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Speaker 2: And all my tings exactly, and that's what I keep their.

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Speaker 8: Phones in their book bags and they know that, you know,

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Speaker 8: they can only pull it out after class or after school.

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Speaker 2: I should say, but yeah, we can't write, we can't

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Speaker 2: sit here.

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Speaker 13: No.

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Speaker 2: People.

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Speaker 13: There were people that were saying, well, when we were younger,

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Speaker 13: we did we didn't have to do all that I said.

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Speaker 13: But you know what we also didn't have. We didn't

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Speaker 13: have active shooter drills either.

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Speaker 11: That is so if you if you can put these.

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Speaker 13: Kids through these active shooter drills, you you can do

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Speaker 13: the same. Drusy showed them an effective way to be

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Speaker 13: able to.

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Speaker 11: Keep their phones, you know.

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Speaker 13: And again, like you said, if somebody is violating, then

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Speaker 13: take their phone. But I mean to put a whole.

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Speaker 11: School in a rip.

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Speaker 2: But we do, But we do. We got to admit that.

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Speaker 2: You know, phones are a big distraction for these kids.

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Speaker 13: They are, but at what point do you teach them

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Speaker 13: personal responsibility? My kids, my kids would have been worried about,

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Speaker 13: Oh my god, if I get caught with their phone

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Speaker 13: and they got to call my mother, you know what

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Speaker 13: I'm saying. They would have been more worried about that.

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Speaker 3: And by the way, it's not like we were not

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Speaker 3: capable because even when we were in school, like we

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Speaker 3: couldn't have beepers and stuff, like if you got called

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Speaker 3: with at least when South Carolina you got called with

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Speaker 3: the people, you would attention, You would get detention, you

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Speaker 3: might get is so you know, even though a lot

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Speaker 3: of kids would bring their beepers and stuff, anyway, we

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Speaker 3: knew how to keep them hitting back.

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Speaker 8: When Logan was a freshman in high school, there was

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Speaker 8: a robbery across the street and the guy ran across

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Speaker 8: the school property and they shut the school down and

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Speaker 8: they didn't tell any of theppearance. But Logan had it

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Speaker 8: cell phone and was able to call and say, this

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Speaker 8: is what's happening. And I think God, because you a parent,

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Speaker 8: you outside you don't know what's going on. They shut

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Speaker 8: there trying to run.

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Speaker 13: And then and there was the stabbing at the middle

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Speaker 13: school across town from the high school just yesterday. So

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Speaker 13: I'm like, Okay, I wonder who called that.

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Speaker 8: Yeah, you're right, well I would tell my kids to

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Speaker 8: keep it in their backpack, don't say nothing, don't pull

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Speaker 8: it out in BacT school.

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Speaker 2: And you know, if he gets called them to call

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Speaker 2: it their mom.

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Speaker 3: I like, I like that idea because because because like

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Speaker 3: you said, it gives it teaches them personal responsibility.

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Speaker 13: Thank you, thank you.

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Speaker 3: And they got to be They got to be accountable

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Speaker 3: for that, that's right, for that, for their phone or

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Speaker 3: violating that phone room that's in the classroom.

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Speaker 2: Get it off your chest.

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Speaker 8: Eight hundred and five eight five, one oh five one.

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Speaker 8: We got the latest Lawren coming up.

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Speaker 7: We do.

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Speaker 14: Cardi b is talking about why the more kids you have,

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Speaker 14: the better Some more kids might be in her future.

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Speaker 14: We're gonna get on into it, all right. Thank you.

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Speaker 5: Leaving TlCl.

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Speaker 14: We went for that yesterday. I was out, We're gonna

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Speaker 14: talk about it, talk about this too. But I went

435
00:17:54,680 --> 00:17:58,480
Speaker 14: to Harlem Harlem's Fashion Rolls kickoff for fashion Week yesterday

436
00:17:58,640 --> 00:18:01,280
Speaker 14: they honor Usher with the Virgil ablottle Ward and my

437
00:18:01,280 --> 00:18:03,959
Speaker 14: outfit was very tlc Ish black.

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Speaker 5: So this was the hair we did. Okay, all right.

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Speaker 2: There, we'll get into that next. It's the Breakfast Club.

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Speaker 2: Good morning, the Breakfast Club.

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Speaker 3: Good morning.

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Speaker 2: Everybody is DJ.

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Speaker 8: Envy, Jess, Hilarry is Charlamagne the guy. We are the

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Speaker 8: Breakfast Club. Let's get to the latest with Lauren. Lauren

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Speaker 8: becoming a straight fast she gets them somebody that knows somebody.

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Speaker 5: I'm a long girl that knows a little bit about everything.

447
00:18:28,880 --> 00:18:32,359
Speaker 2: She'd be having the latest on you, the la The

448
00:18:32,440 --> 00:18:33,800
Speaker 2: latest with Lauren la Rosa.

449
00:18:33,880 --> 00:18:36,399
Speaker 3: Sometimes you have fact, sometimes you have details, sometimes you

450
00:18:36,400 --> 00:18:37,040
Speaker 3: have a little.

451
00:18:36,840 --> 00:18:39,359
Speaker 2: Bit of everything. It's the latest on the Breakfast Club.

452
00:18:41,640 --> 00:18:44,480
Speaker 14: So Cardi b sat down with Jennifer Hudson and she

453
00:18:44,600 --> 00:18:47,159
Speaker 14: talked about why she would have her want, why she

454
00:18:47,200 --> 00:18:47,880
Speaker 14: wants more kids.

455
00:18:47,960 --> 00:18:50,040
Speaker 5: Let's take a listen. Do you think you're gonna have

456
00:18:50,080 --> 00:18:50,720
Speaker 5: more kids?

457
00:18:50,880 --> 00:18:51,200
Speaker 3: You are?

458
00:18:52,040 --> 00:18:52,240
Speaker 4: Oh?

459
00:18:52,640 --> 00:18:55,640
Speaker 9: Yes, it's like the more kids who have the less

460
00:18:55,680 --> 00:18:57,639
Speaker 9: of a possibility you go to like a home.

461
00:18:58,720 --> 00:19:00,000
Speaker 5: One of them is gonna wipe my butt.

462
00:19:00,440 --> 00:19:02,920
Speaker 13: One of them is gonna like that.

463
00:19:04,520 --> 00:19:06,680
Speaker 3: Yeah, they say that, especially when you've got girls. Yeah,

464
00:19:06,760 --> 00:19:07,919
Speaker 3: you can tell me that all the time. I got

465
00:19:07,920 --> 00:19:09,199
Speaker 3: four girls I'm gonna be taking care of for the

466
00:19:09,200 --> 00:19:09,720
Speaker 3: rest of my life.

467
00:19:09,920 --> 00:19:11,320
Speaker 8: I got four girls, two boys, and that's what I

468
00:19:11,359 --> 00:19:12,880
Speaker 8: always say. One of them is gonna make sure I'm

469
00:19:12,880 --> 00:19:13,760
Speaker 8: good that I'm not known.

470
00:19:13,880 --> 00:19:14,560
Speaker 3: I say that to.

471
00:19:14,520 --> 00:19:16,320
Speaker 2: Them though, like you take care of mommy and Dady

472
00:19:16,320 --> 00:19:17,360
Speaker 2: when we all rady too.

473
00:19:17,520 --> 00:19:20,679
Speaker 14: Yeah, I think the girls are definitely more inclined to

474
00:19:20,680 --> 00:19:23,879
Speaker 14: do NBA. But you got your girls are already like

475
00:19:24,000 --> 00:19:25,639
Speaker 14: they I feel like they take care of y'all or

476
00:19:25,680 --> 00:19:26,040
Speaker 14: try to.

477
00:19:26,200 --> 00:19:28,440
Speaker 2: Madison Guy, Yeah, Madison Man.

478
00:19:28,440 --> 00:19:29,920
Speaker 5: Yeah, Yeah.

479
00:19:29,920 --> 00:19:31,600
Speaker 14: Well, I mean I thought that this was an interesting

480
00:19:31,640 --> 00:19:34,160
Speaker 14: conversation because you know that there have been those rumors

481
00:19:34,160 --> 00:19:36,640
Speaker 14: that Carti is pregnant or she's not pregnant. So hearing

482
00:19:36,680 --> 00:19:38,919
Speaker 14: that she's open to more kids, uh, you know, it's

483
00:19:38,960 --> 00:19:41,080
Speaker 14: definitely things. She also talked about the fact that she

484
00:19:41,119 --> 00:19:42,800
Speaker 14: doesn't she doesn't even have room at this point to

485
00:19:42,800 --> 00:19:45,440
Speaker 14: get more kids tattooed. So she does have more, she's

486
00:19:45,480 --> 00:19:47,119
Speaker 14: gonna have to figure out where the kids are gonna go.

487
00:19:47,560 --> 00:19:50,879
Speaker 14: But at the same time, in La Offset was at

488
00:19:50,880 --> 00:19:53,280
Speaker 14: the airport, he was at LAX and TMZ ran into

489
00:19:53,320 --> 00:19:55,560
Speaker 14: him and asked him about because you know, Cardi is

490
00:19:55,800 --> 00:19:58,760
Speaker 14: promoting am I the Drama and he's running around promoting

491
00:19:58,920 --> 00:20:02,840
Speaker 14: his album Kiri as well. Now off set, Yeah, Offset

492
00:20:02,960 --> 00:20:05,720
Speaker 14: was asked by TMZ if there's competition between him and

493
00:20:05,800 --> 00:20:07,960
Speaker 14: Cardi because both of the albums are are going to

494
00:20:08,000 --> 00:20:09,879
Speaker 14: be or his is good and hers is predicted to

495
00:20:09,880 --> 00:20:10,880
Speaker 14: be really well, let's take a listen.

496
00:20:11,440 --> 00:20:14,120
Speaker 15: Hey, yeah, your kid's gonna have both their parents nominated

497
00:20:14,160 --> 00:20:14,800
Speaker 15: for Album.

498
00:20:14,560 --> 00:20:16,000
Speaker 2: Of the Year for sure.

499
00:20:16,520 --> 00:20:20,080
Speaker 15: That's just that's crazy. You guys gonna go up against

500
00:20:20,080 --> 00:20:23,600
Speaker 15: each other. Maybe no, but maybe you're never right.

501
00:20:24,119 --> 00:20:27,480
Speaker 7: You all piece off for us to win, everybody gotta win.

502
00:20:27,640 --> 00:20:29,120
Speaker 2: You got kid say yeah, we got.

503
00:20:28,880 --> 00:20:32,160
Speaker 15: Touched the totally so Lason, you're gonna support her album

504
00:20:32,200 --> 00:20:33,640
Speaker 15: in some way for sure.

505
00:20:34,200 --> 00:20:35,640
Speaker 3: She's gonna do a big one too.

506
00:20:35,480 --> 00:20:35,719
Speaker 7: All right.

507
00:20:35,840 --> 00:20:37,320
Speaker 15: I love to hear it, man, Hey, and thank you

508
00:20:37,359 --> 00:20:37,840
Speaker 15: for your time.

509
00:20:38,080 --> 00:20:38,920
Speaker 7: You're real good dude.

510
00:20:38,920 --> 00:20:39,080
Speaker 11: Man.

511
00:20:39,520 --> 00:20:42,400
Speaker 3: I appreciate you dropping the glue bum for offsets. Yeah,

512
00:20:42,600 --> 00:20:46,760
Speaker 3: the dodging that messy, nasty ass question. That person who's

513
00:20:46,760 --> 00:20:48,080
Speaker 3: trying to trying to trying to.

514
00:20:48,080 --> 00:20:51,600
Speaker 14: Present shout out to Charlie over that's Charlie from TMZ

515
00:20:51,720 --> 00:20:53,400
Speaker 14: that is the iz over there.

516
00:20:53,440 --> 00:20:55,800
Speaker 3: But Charlie's writ in theory, I think both of them

517
00:20:55,840 --> 00:20:57,399
Speaker 3: could be up for Album of the Year because their

518
00:20:57,440 --> 00:20:59,440
Speaker 3: albums came out in the same year. But he knew

519
00:20:59,440 --> 00:20:59,960
Speaker 3: what he was trying to do.

520
00:21:00,240 --> 00:21:01,080
Speaker 5: Yeah, one hundred percent.

521
00:21:01,080 --> 00:21:02,920
Speaker 14: But I will say too, shout out the Offset because

522
00:21:02,960 --> 00:21:05,960
Speaker 14: I think over this press rollout of his album and

523
00:21:06,040 --> 00:21:07,280
Speaker 14: just some of the things we've seen will go through

524
00:21:07,280 --> 00:21:10,920
Speaker 14: publicly with their divorce situation. He's learned how to have

525
00:21:11,000 --> 00:21:13,600
Speaker 14: conversations about what they're going through in the media from

526
00:21:13,640 --> 00:21:16,280
Speaker 14: the beginning of when we saw them, So now there

527
00:21:16,320 --> 00:21:19,679
Speaker 14: was so much growth in that answer. But speaking of Offset,

528
00:21:19,760 --> 00:21:21,520
Speaker 14: so we remember we were talking a lot about why

529
00:21:21,840 --> 00:21:25,440
Speaker 14: Offset and JEDD's Bodies has not been getting the push

530
00:21:25,480 --> 00:21:27,879
Speaker 14: that we think it should get. So they were on

531
00:21:28,280 --> 00:21:32,400
Speaker 14: filin yesterday and they performed and Drowning Pool, the band

532
00:21:32,480 --> 00:21:34,280
Speaker 14: that originally did Bodies, perform with them.

533
00:21:34,320 --> 00:21:35,359
Speaker 5: Let's take a listen to that.

534
00:21:36,200 --> 00:21:36,440
Speaker 3: Yeah.

535
00:21:37,080 --> 00:21:40,280
Speaker 14: Yes, I didn't really know much about the original song

536
00:21:40,320 --> 00:21:42,880
Speaker 14: that was sampled. I learned that because of this performance.

537
00:21:42,920 --> 00:21:44,680
Speaker 14: But I was watching this interview with Jedd. He was

538
00:21:44,680 --> 00:21:47,119
Speaker 14: talking about how the composition of that song is like

539
00:21:47,160 --> 00:21:49,240
Speaker 14: one of his favorite that he's ever wrapped over.

540
00:21:49,359 --> 00:21:49,879
Speaker 2: He killed it.

541
00:21:50,080 --> 00:21:54,159
Speaker 3: Yeah, he record two individuals who did not get the

542
00:21:54,200 --> 00:21:57,600
Speaker 3: proper promotion for their albums, Jid and Offset.

543
00:21:57,920 --> 00:22:00,520
Speaker 14: What are making the stops now? Seems like with that

544
00:22:00,600 --> 00:22:01,639
Speaker 14: was a great performance.

545
00:22:02,280 --> 00:22:04,280
Speaker 3: Yeah, but it's been a week since their album came out.

546
00:22:04,440 --> 00:22:07,160
Speaker 5: You're right, you're right, you're right.

547
00:22:07,200 --> 00:22:09,720
Speaker 14: Well, speaking of album promotion, you guys have been seeing

548
00:22:10,440 --> 00:22:12,520
Speaker 14: Carti and all the promotions she's been doing.

549
00:22:12,720 --> 00:22:13,840
Speaker 2: So people are taking it back.

550
00:22:13,840 --> 00:22:16,359
Speaker 8: She's taking it back to the essence of when people

551
00:22:16,440 --> 00:22:18,840
Speaker 8: used to run around and really really push.

552
00:22:19,119 --> 00:22:20,600
Speaker 2: We gotta stop doing this. What's that.

553
00:22:20,920 --> 00:22:25,080
Speaker 3: We gotta stop praising people for doing what they're supposed

554
00:22:25,119 --> 00:22:26,760
Speaker 3: to do. Yes, I understand what you could. We did

555
00:22:26,800 --> 00:22:28,320
Speaker 3: the same thing with the Clips. Clips had such a

556
00:22:28,320 --> 00:22:30,040
Speaker 3: genius rollout, and we're doing the same thing with Cardy.

557
00:22:30,080 --> 00:22:33,359
Speaker 3: Carti's having a genius rollout. No, she's actually doing a rollout, correct.

558
00:22:33,440 --> 00:22:34,080
Speaker 5: But here's the thing.

559
00:22:34,119 --> 00:22:36,760
Speaker 8: The rollout stop right because budget stats people stop putting

560
00:22:36,760 --> 00:22:39,480
Speaker 8: money into marketing and they started doing let's just do

561
00:22:39,520 --> 00:22:41,320
Speaker 8: a TikTok dance and that'll sell it. But I think

562
00:22:41,320 --> 00:22:43,840
Speaker 8: these artists are going back to what makes sense talking

563
00:22:43,880 --> 00:22:46,560
Speaker 8: to their I don't know if yes, you need a budget,

564
00:22:46,560 --> 00:22:48,479
Speaker 8: but also you know, it don't really cost to go

565
00:22:48,520 --> 00:22:50,840
Speaker 8: do media, don't really cost to do press, It don't

566
00:22:50,840 --> 00:22:52,440
Speaker 8: really cost to do promo video order.

567
00:22:52,520 --> 00:22:54,520
Speaker 14: Lean into just what your audience knows. You ays, because

568
00:22:54,520 --> 00:22:56,399
Speaker 14: what Carti has been doing, she it looks like you

569
00:22:56,400 --> 00:22:57,840
Speaker 14: could eve shoot that with the iPhone. It looks like

570
00:22:57,880 --> 00:23:00,119
Speaker 14: she's shooting you with the iPhone. So Cardi b you

571
00:23:00,160 --> 00:23:02,359
Speaker 14: guys have not seen it has been like we know

572
00:23:02,400 --> 00:23:05,040
Speaker 14: her for like the skits, and you know that the personality.

573
00:23:04,560 --> 00:23:06,120
Speaker 2: Loss money to move Cardy around.

574
00:23:06,240 --> 00:23:06,600
Speaker 5: It does.

575
00:23:06,680 --> 00:23:10,360
Speaker 6: Don't give me around with Lawrence, but you know she is.

576
00:23:10,760 --> 00:23:12,240
Speaker 6: I mean, she's doing skits.

577
00:23:12,280 --> 00:23:13,800
Speaker 14: She so like the last one she just did. She

578
00:23:13,840 --> 00:23:15,520
Speaker 14: talked about the budget. It does take money to move

579
00:23:15,520 --> 00:23:17,040
Speaker 14: her around. But what I'm saying is you can pull

580
00:23:17,040 --> 00:23:18,959
Speaker 14: out a phone and speak to your audience the way

581
00:23:19,000 --> 00:23:19,880
Speaker 14: they're used to hearing you.

582
00:23:20,040 --> 00:23:22,240
Speaker 2: So they look pull up on the block and on

583
00:23:22,240 --> 00:23:22,520
Speaker 2: the side.

584
00:23:23,080 --> 00:23:25,159
Speaker 8: Yes, but she's also going to Hoiston, She's going to

585
00:23:25,359 --> 00:23:28,000
Speaker 8: la she going to Atlanta, She's in Long Island, She's

586
00:23:28,080 --> 00:23:29,640
Speaker 8: in She's flying all over the place.

587
00:23:29,680 --> 00:23:30,600
Speaker 2: And Cardi don't.

588
00:23:30,400 --> 00:23:32,200
Speaker 14: Fly commercially, No, no, no, but I'm not talking about

589
00:23:32,200 --> 00:23:33,800
Speaker 14: that part of I'm talking about the piece that's promoting,

590
00:23:33,960 --> 00:23:36,280
Speaker 14: like the vehicle that's promoting it, she said. She jokingly

591
00:23:36,280 --> 00:23:38,200
Speaker 14: posted a video saying that Atlantic only gave her fifty

592
00:23:38,240 --> 00:23:40,080
Speaker 14: dollars for the rollout, so that's why she's been doing this,

593
00:23:40,160 --> 00:23:42,800
Speaker 14: and the we have the audio of her right just.

594
00:23:43,040 --> 00:23:45,280
Speaker 5: I think that. I mean, she's being funny, but there.

595
00:23:45,200 --> 00:23:45,560
Speaker 2: Was the.

596
00:23:47,400 --> 00:23:51,879
Speaker 14: Just like they only really gave her fifty No, no, Charlotte,

597
00:23:52,119 --> 00:23:53,000
Speaker 14: if this is Cardi B.

598
00:23:53,160 --> 00:23:55,200
Speaker 5: They don't. They just had that whole article with them

599
00:23:55,200 --> 00:23:56,040
Speaker 5: talking about how.

600
00:23:56,160 --> 00:23:58,040
Speaker 2: They was gonna be spending no money. But continue, I.

601
00:23:58,040 --> 00:23:59,840
Speaker 14: Was just gonna play the audio from when she had

602
00:23:59,840 --> 00:24:01,760
Speaker 14: this laid out. I think she was up telling Harlem

603
00:24:01,760 --> 00:24:02,920
Speaker 14: she had to see these later on the ground. The

604
00:24:02,920 --> 00:24:04,440
Speaker 14: sick Listen, what if.

605
00:24:04,440 --> 00:24:05,200
Speaker 5: Y'all be y'all stable?

606
00:24:05,280 --> 00:24:08,440
Speaker 2: Is that the exclusive party B you album with selling

607
00:24:08,560 --> 00:24:08,879
Speaker 2: right now?

608
00:24:08,960 --> 00:24:13,040
Speaker 9: Looking at right here, you got the vinyls because you got.

609
00:24:13,440 --> 00:24:23,200
Speaker 6: This ninety nine ninety nine.

610
00:24:20,640 --> 00:24:21,920
Speaker 2: And I think what she's doing that's dope.

611
00:24:21,920 --> 00:24:24,600
Speaker 8: And she's making she's getting physical copies right because it

612
00:24:24,600 --> 00:24:25,760
Speaker 8: makes people feel special.

613
00:24:25,800 --> 00:24:27,720
Speaker 2: It's no disrespect. You can download a record or you

614
00:24:27,720 --> 00:24:28,320
Speaker 2: can stream a.

615
00:24:28,320 --> 00:24:30,280
Speaker 8: Record, but the fact I got a CD and it's

616
00:24:30,320 --> 00:24:32,040
Speaker 8: signed by Cardi B, I could get a chance to

617
00:24:32,080 --> 00:24:34,080
Speaker 8: take a picture. I got vinyl and it's signed by

618
00:24:34,080 --> 00:24:36,080
Speaker 8: Cardi B. I think that even makes it even more special.

619
00:24:36,240 --> 00:24:40,040
Speaker 5: And it's affordable. It's nine ninety nine. I love that.

620
00:24:40,520 --> 00:24:42,520
Speaker 3: I'm just happy as a rollout because people don't promote

621
00:24:42,560 --> 00:24:44,880
Speaker 3: their stuff outside of social media correct Like literally, they're

622
00:24:44,920 --> 00:24:47,520
Speaker 3: like posting on Instagram, posting on the Twitter, post it

623
00:24:47,560 --> 00:24:50,159
Speaker 3: on their TikTok, and that's it. I am just happy

624
00:24:50,200 --> 00:24:52,439
Speaker 3: that it is an actual rollout, that she is actually

625
00:24:52,440 --> 00:24:55,280
Speaker 3: out there promoting her album telling people to go by it.

626
00:24:55,320 --> 00:24:57,960
Speaker 14: That's so crazy because rollouts used to look forward to

627
00:24:58,000 --> 00:25:00,240
Speaker 14: see what the rollout with and now it's it's like

628
00:25:00,600 --> 00:25:03,159
Speaker 14: Carty has always been consistent with having rollouts for her

629
00:25:03,200 --> 00:25:05,359
Speaker 14: big projects, but I mean her last album too. But

630
00:25:05,640 --> 00:25:08,199
Speaker 14: it's just crazy that we like have to like be like,

631
00:25:08,240 --> 00:25:09,800
Speaker 14: oh my god, this is a rollout when you used

632
00:25:09,840 --> 00:25:10,879
Speaker 14: to look forward to.

633
00:25:11,000 --> 00:25:13,199
Speaker 8: That artist artists as well. All this got to be

634
00:25:13,200 --> 00:25:14,800
Speaker 8: willing to do it. All this got to be willing to.

635
00:25:14,720 --> 00:25:15,800
Speaker 2: Do work as well. Well.

636
00:25:15,800 --> 00:25:18,960
Speaker 14: Shout out to Carti and the rollouts and all the things.

637
00:25:19,000 --> 00:25:21,680
Speaker 14: I went to a Galore magazine, Tokyo Styles Cardi B

638
00:25:21,880 --> 00:25:25,640
Speaker 14: party last night, celebrating them, but they took they didn't.

639
00:25:25,720 --> 00:25:27,520
Speaker 5: I was there and it was late. They hadn't got there. Yees.

640
00:25:27,520 --> 00:25:29,520
Speaker 14: So I left before they came. But they covered out

641
00:25:29,520 --> 00:25:32,000
Speaker 14: Gaalorre magazine. Yeah, so shout out Tokyo Styles and Cardi B.

642
00:25:32,240 --> 00:25:34,280
Speaker 8: And she does the Boogie issue, she does the Hood issue,

643
00:25:34,640 --> 00:25:36,960
Speaker 8: goes to the club, she does both sides.

644
00:25:37,040 --> 00:25:39,200
Speaker 5: Yesterday it was in the middle. It was in the middle.

645
00:25:39,200 --> 00:25:40,600
Speaker 14: It was like I seen the homies, but it was

646
00:25:40,640 --> 00:25:41,840
Speaker 14: a lot of people in there. I was like, how

647
00:25:41,840 --> 00:25:42,760
Speaker 14: did y'all end up here?

648
00:25:42,920 --> 00:25:45,080
Speaker 2: Okay, yeah, all right, well that's the latest with Laura.

649
00:25:45,119 --> 00:25:47,200
Speaker 8: Now when we come back, we got front page News

650
00:25:47,359 --> 00:25:49,000
Speaker 8: and then Jamaine Dupre will be joining us.

651
00:25:49,000 --> 00:25:50,720
Speaker 2: So don't go anywhere. It's the Breakfast Club. Gome morning.

652
00:25:51,119 --> 00:25:52,760
Speaker 2: You're checking out the Breakfast Club.

653
00:25:53,200 --> 00:25:57,480
Speaker 8: Good morning, everybody. It's j Envy, Jess Hilarious, Charlamagne the guy.

654
00:25:57,520 --> 00:25:59,840
Speaker 8: We are the Breakfast Club. Let's get back in some

655
00:26:00,240 --> 00:26:01,280
Speaker 8: page newles.

656
00:26:01,520 --> 00:26:01,840
Speaker 5: What's up?

657
00:26:02,560 --> 00:26:03,320
Speaker 4: What's up y'all?

658
00:26:03,359 --> 00:26:06,000
Speaker 9: So this is a story that has been having a

659
00:26:06,040 --> 00:26:08,200
Speaker 9: lot of back and forth and then there was another

660
00:26:08,280 --> 00:26:10,919
Speaker 9: ruling that came down yesterday. So a federal judge on

661
00:26:11,000 --> 00:26:14,480
Speaker 9: Tuesday block President Trump's attempt to fire Lisa Cook from

662
00:26:14,520 --> 00:26:18,640
Speaker 9: the Federal Reserves Board of Governors, issuing a temporary restraining

663
00:26:18,720 --> 00:26:21,040
Speaker 9: order that keeps her on the job for now while

664
00:26:21,040 --> 00:26:22,119
Speaker 9: the case proceeds.

665
00:26:22,640 --> 00:26:24,200
Speaker 4: The judge in the case ordered.

666
00:26:24,320 --> 00:26:26,800
Speaker 9: Chair Jerome Powell and the Board not to carry out

667
00:26:26,840 --> 00:26:30,200
Speaker 9: the removal. Cook is one of several Excuse Me seven

668
00:26:30,280 --> 00:26:33,000
Speaker 9: governors who helped run the Central Bank. She sits on

669
00:26:33,040 --> 00:26:36,639
Speaker 9: the Federal Open Market Committee, which votes on interest rates

670
00:26:36,640 --> 00:26:40,760
Speaker 9: and helps the banking rules and financial civility policies decisions

671
00:26:40,800 --> 00:26:41,520
Speaker 9: the Feds make.

672
00:26:41,720 --> 00:26:44,280
Speaker 4: They make mortgage.

673
00:26:43,920 --> 00:26:47,480
Speaker 9: Rates, rules, car loans, credit card applications, and how banks

674
00:26:47,480 --> 00:26:50,919
Speaker 9: are supervised. For months, Trump has pressed the Federal Reserve

675
00:26:51,080 --> 00:26:54,760
Speaker 9: to lower interest rates, arguing that his tariff policies will

676
00:26:54,760 --> 00:26:57,480
Speaker 9: not push up inflation, but central bankers want to see

677
00:26:57,480 --> 00:27:01,120
Speaker 9: how the trade war and other policy affect the US

678
00:27:01,200 --> 00:27:05,280
Speaker 9: economy before resuming cuts now. In the spring, Trump threatened

679
00:27:05,320 --> 00:27:08,679
Speaker 9: to fire Chair Jerome Powell, then backed off as advisors

680
00:27:08,680 --> 00:27:11,680
Speaker 9: warned him this would spark the market volatility.

681
00:27:11,960 --> 00:27:13,880
Speaker 4: So rather than take on Powell, whose.

682
00:27:13,720 --> 00:27:16,280
Speaker 9: Term ends in May of twenty twenty six. It seems

683
00:27:16,280 --> 00:27:19,720
Speaker 9: the focus has shifted to reshaping the board now. If Cook,

684
00:27:20,040 --> 00:27:24,520
Speaker 9: a Biden appointee, were removed, Democratic appointed governors would drop

685
00:27:24,560 --> 00:27:28,040
Speaker 9: to two of the seven member panel now. To do this,

686
00:27:28,080 --> 00:27:31,960
Speaker 9: Trump has gone after Cook on mortgage fraud allegations tied

687
00:27:32,000 --> 00:27:34,920
Speaker 9: to properties that she owns in Georgia and in Michigan.

688
00:27:35,359 --> 00:27:38,640
Speaker 9: Cooke denies any wrongdoing and has not been charged, and.

689
00:27:38,520 --> 00:27:40,000
Speaker 4: She sued to keep her seat.

690
00:27:40,480 --> 00:27:43,640
Speaker 9: During a cabinet meeting, though, Trump was asked if her

691
00:27:43,680 --> 00:27:47,560
Speaker 9: attempt at firing was political and if his administration was

692
00:27:47,640 --> 00:27:51,320
Speaker 9: weaponizing government by digging into the mortgage records of people

693
00:27:51,400 --> 00:27:52,239
Speaker 9: he does not like.

694
00:27:52,800 --> 00:27:54,160
Speaker 4: Let's listen to what he had to say.

695
00:27:54,640 --> 00:27:57,080
Speaker 16: No, they're public. I mean you can find out those records.

696
00:27:57,080 --> 00:27:59,439
Speaker 16: You can go check out the records yourself. And you

697
00:27:59,480 --> 00:28:01,600
Speaker 16: should be doing in that job. Actually, you wouldn't do

698
00:28:01,640 --> 00:28:04,240
Speaker 16: that because that's the kind of reporter you are. But

699
00:28:04,680 --> 00:28:06,600
Speaker 16: you should be doing that job. I shouldn't have to

700
00:28:06,640 --> 00:28:09,399
Speaker 16: be doing And if you did your job properly, we

701
00:28:09,400 --> 00:28:11,560
Speaker 16: wouldn't have problems like Lisa Cook.

702
00:28:11,800 --> 00:28:13,760
Speaker 3: Right then and there, that's when the reporter should be like, Okay,

703
00:28:13,800 --> 00:28:15,919
Speaker 3: mister president, But what about the f Stein Foss Like

704
00:28:15,960 --> 00:28:18,400
Speaker 3: whenever he and sol Shoe, you should bring up exactly

705
00:28:18,440 --> 00:28:21,280
Speaker 3: what you know bothers him.

706
00:28:21,480 --> 00:28:25,680
Speaker 9: Absolutely, And that was a CBS reporter. Presidents don't typically

707
00:28:25,720 --> 00:28:28,560
Speaker 9: fire FED leaders. It's part of a norm that that's

708
00:28:28,600 --> 00:28:31,439
Speaker 9: meant to protect the Central Bank from day to day politics.

709
00:28:31,680 --> 00:28:34,040
Speaker 9: And it's also interesting to mention that Cook is the

710
00:28:34,080 --> 00:28:36,159
Speaker 9: first black woman to serve on the FED board in

711
00:28:36,200 --> 00:28:38,120
Speaker 9: its one hundred and ten year history.

712
00:28:38,440 --> 00:28:40,400
Speaker 3: And you said that was a CBS reporter. So Trump

713
00:28:40,400 --> 00:28:43,000
Speaker 3: owned CBS, so that that person wasn't gonna bug back.

714
00:28:44,760 --> 00:28:46,320
Speaker 4: Okay, all right, Well moving on.

715
00:28:46,440 --> 00:28:50,000
Speaker 9: If you have ever had your flight delayed for hours

716
00:28:50,120 --> 00:28:52,920
Speaker 9: or canceled at the last minute and you sat there

717
00:28:52,960 --> 00:28:55,800
Speaker 9: wondering if the airline owed you anything, this next story

718
00:28:55,880 --> 00:28:59,239
Speaker 9: is for you because the Trump administration is reversing a

719
00:28:59,320 --> 00:29:02,280
Speaker 9: Biden era a plan that would have required airlines to

720
00:29:02,320 --> 00:29:06,520
Speaker 9: pay passengers compensation when flights were delayed or canceled due

721
00:29:06,520 --> 00:29:10,120
Speaker 9: to airline related issues. Now we're talking payouts that range

722
00:29:10,120 --> 00:29:12,720
Speaker 9: from two hundred to seven hundred and seventy five dollars,

723
00:29:12,920 --> 00:29:15,560
Speaker 9: plus coverage for mills and hotel stays. If you were

724
00:29:15,600 --> 00:29:18,640
Speaker 9: stranded because of something like a mechanical failure or a

725
00:29:18,640 --> 00:29:19,720
Speaker 9: system outage.

726
00:29:19,880 --> 00:29:20,000
Speaker 3: Now.

727
00:29:20,040 --> 00:29:23,200
Speaker 9: The plan was first introduced in twenty twenty three under

728
00:29:23,280 --> 00:29:26,120
Speaker 9: the Biden administration as part of an effort to cut

729
00:29:26,160 --> 00:29:29,600
Speaker 9: down on jump fees and push for stronger passenger protections.

730
00:29:29,920 --> 00:29:31,080
Speaker 4: It even made it.

731
00:29:31,040 --> 00:29:33,800
Speaker 9: To final approval the stage earlier this year, and it

732
00:29:33,880 --> 00:29:36,760
Speaker 9: was waiting to take effect, but the Department of Transportation

733
00:29:36,960 --> 00:29:40,800
Speaker 9: under Trump Secretary Sean Duffy says the rule is now

734
00:29:40,840 --> 00:29:44,720
Speaker 9: being withdrawn. The airline industry, of course, is celebrating this move.

735
00:29:45,480 --> 00:29:48,800
Speaker 9: The Airlines for America that's the group that represents Delta

736
00:29:48,960 --> 00:29:50,000
Speaker 9: United in America.

737
00:29:50,080 --> 00:29:50,640
Speaker 4: They called the.

738
00:29:50,600 --> 00:29:54,240
Speaker 9: Reversal a when arguing the rules would have gone beyond

739
00:29:54,280 --> 00:29:59,080
Speaker 9: the Department of Department of Transportation's authority and they're not

740
00:29:59,120 --> 00:30:00,400
Speaker 9: fixing the real issue shoes.

741
00:30:00,400 --> 00:30:01,840
Speaker 4: But here's what you need to know.

742
00:30:02,040 --> 00:30:06,280
Speaker 9: If you are still stranded or if your flight is canceled,

743
00:30:06,960 --> 00:30:09,200
Speaker 9: the airline will refund you, but they do not have

744
00:30:09,280 --> 00:30:12,840
Speaker 9: to compensate you for delays. Some carriers choose to do that,

745
00:30:12,920 --> 00:30:15,640
Speaker 9: but not everyone. It's totally up to the carriers.

746
00:30:15,640 --> 00:30:18,320
Speaker 5: Now that this is so, we still have so we

747
00:30:18,400 --> 00:30:19,600
Speaker 5: still do get the refund.

748
00:30:20,160 --> 00:30:20,760
Speaker 4: You still do.

749
00:30:20,880 --> 00:30:24,920
Speaker 9: If your flight is cancer not delayed, but canceled, you

750
00:30:24,960 --> 00:30:26,800
Speaker 9: get the re Yeah.

751
00:30:26,880 --> 00:30:29,360
Speaker 3: Yet yet again, I don't understand why this administration is

752
00:30:29,360 --> 00:30:30,040
Speaker 3: so hell bent.

753
00:30:30,000 --> 00:30:32,520
Speaker 2: On getting rid of things that actually help people, Like.

754
00:30:32,720 --> 00:30:36,520
Speaker 3: Like, after you've been delayed, you want some type of compensation.

755
00:30:36,680 --> 00:30:41,040
Speaker 6: Yes, yes, I've been lated to shows like what are

756
00:30:41,040 --> 00:30:41,680
Speaker 6: we talking about?

757
00:30:42,360 --> 00:30:44,800
Speaker 9: Especially if it's not your fault, if there's a mechanical

758
00:30:44,800 --> 00:30:48,280
Speaker 9: issue or staffing shortage, they should pay you.

759
00:30:48,440 --> 00:30:51,640
Speaker 8: Yes, something absolutely, not even shows like kids events, Like

760
00:30:51,680 --> 00:30:53,160
Speaker 8: there's been times I have to fly back to make

761
00:30:53,200 --> 00:30:55,320
Speaker 8: it to a kid's games and the flight was delayed

762
00:30:55,360 --> 00:30:56,920
Speaker 8: or didn't happen and I was late or missed the

763
00:30:56,960 --> 00:30:57,320
Speaker 8: kid's game.

764
00:30:57,360 --> 00:30:58,920
Speaker 2: So yeah, it's a lot going on. Yeah, you should

765
00:30:58,920 --> 00:30:59,920
Speaker 2: be compensated. Absolutely.

766
00:31:00,000 --> 00:31:02,080
Speaker 3: The fact that the Trump administration cares more about what

767
00:31:02,120 --> 00:31:06,360
Speaker 3: these airlines think than what everyday people think is part

768
00:31:06,480 --> 00:31:07,640
Speaker 3: of the problem.

769
00:31:07,680 --> 00:31:07,880
Speaker 2: Yeah.

770
00:31:08,080 --> 00:31:10,640
Speaker 3: Like I'm so sick of these politicians that are beholding

771
00:31:10,640 --> 00:31:11,400
Speaker 3: the corporations.

772
00:31:11,920 --> 00:31:15,440
Speaker 6: Yeah, if I'm talking about like me doing shows, I've

773
00:31:15,440 --> 00:31:18,840
Speaker 6: been late to my own comedy shows and people are

774
00:31:18,920 --> 00:31:22,160
Speaker 6: there waiting for me, But my flight is delayed and

775
00:31:22,200 --> 00:31:25,160
Speaker 6: delayed and delayed and it's like, damn, they want their

776
00:31:25,240 --> 00:31:26,840
Speaker 6: money back at the end of the DA you know

777
00:31:26,880 --> 00:31:29,280
Speaker 6: what I'm saying. So people miss work is what I mean,

778
00:31:29,320 --> 00:31:30,320
Speaker 6: not me going to shows.

779
00:31:31,840 --> 00:31:34,720
Speaker 8: I've seen people miss weddings. I've seen people miss funerals.

780
00:31:34,960 --> 00:31:36,680
Speaker 8: I didn't see people miss a whole bunch of things

781
00:31:36,720 --> 00:31:39,360
Speaker 8: because flights are delayed, and they can.

782
00:31:39,280 --> 00:31:41,400
Speaker 3: Imagine you miss your own funeral because the flight delayed,

783
00:31:41,400 --> 00:31:43,120
Speaker 3: because you know, sometimes they got to ship at.

784
00:31:43,160 --> 00:31:47,560
Speaker 8: Your body, the bodies in there a couple of days.

785
00:31:51,160 --> 00:31:55,840
Speaker 9: Right, all right, you're welcome, and that's You're from Page

786
00:31:55,880 --> 00:31:58,760
Speaker 9: News I mean me Brown. Follow me on social at

787
00:31:58,840 --> 00:32:01,680
Speaker 9: Memi Brown TV and for more news coverage, followed the

788
00:32:01,680 --> 00:32:05,680
Speaker 9: Black Information Network, or download the free iHeartRadio app and

789
00:32:05,760 --> 00:32:07,480
Speaker 9: visit binnews dot com.

790
00:32:07,480 --> 00:32:09,880
Speaker 3: Memie. Maybe do you followers go up when you do that?

791
00:32:09,920 --> 00:32:13,240
Speaker 3: And do they be all in your d MS Charlotte.

792
00:32:12,920 --> 00:32:17,320
Speaker 9: That's an offline conversation crazy?

793
00:32:17,760 --> 00:32:19,960
Speaker 2: All right, now we come back.

794
00:32:20,160 --> 00:32:23,080
Speaker 8: Jermaine Dupree will be joining us. JD's Don't go Anywhere.

795
00:32:23,080 --> 00:32:23,960
Speaker 8: It's the Breakfast Club.

796
00:32:23,960 --> 00:32:28,920
Speaker 2: Good Morning, the Breakfast Club Morning.

797
00:32:28,960 --> 00:32:33,160
Speaker 8: Everybody's DJ Envy, Jess, Larry Charlamagne, the God. We are

798
00:32:33,240 --> 00:32:35,640
Speaker 8: the Breakfast club. We got a special guest in the building.

799
00:32:35,720 --> 00:32:39,280
Speaker 2: Yes, indeed JD, Jermaine dupre who's having? How you feeling?

800
00:32:39,320 --> 00:32:40,200
Speaker 3: You're looking at the wall?

801
00:32:40,200 --> 00:32:41,160
Speaker 7: You're looking at the wall.

802
00:32:42,160 --> 00:32:44,000
Speaker 2: We ain't got JD on the wall. I don't know,

803
00:32:44,760 --> 00:32:45,560
Speaker 2: I don't I don't think.

804
00:32:45,640 --> 00:32:47,400
Speaker 7: Yeah, I don't think. I don't think I made the wall.

805
00:32:47,960 --> 00:32:48,520
Speaker 7: That's all right.

806
00:32:49,240 --> 00:32:50,200
Speaker 2: You got JD on the wall?

807
00:32:50,240 --> 00:32:51,440
Speaker 7: Yeah, yeah, they got me up there.

808
00:32:51,640 --> 00:32:56,800
Speaker 3: Well, no, see the wall represents like iconic breakfast club moments.

809
00:32:56,840 --> 00:32:59,360
Speaker 3: Not that you haven't given us great interviews. I haven't

810
00:32:59,400 --> 00:33:00,760
Speaker 3: had you know what I'm saying.

811
00:33:00,840 --> 00:33:02,160
Speaker 7: You have had some you.

812
00:33:02,080 --> 00:33:07,400
Speaker 1: Know, studio don't.

813
00:33:10,720 --> 00:33:12,600
Speaker 7: I'm out of that. I'm not in that conversation.

814
00:33:12,800 --> 00:33:14,600
Speaker 2: But you have always coming in and game giving us

815
00:33:14,600 --> 00:33:15,280
Speaker 2: a great conversation.

816
00:33:15,400 --> 00:33:19,480
Speaker 3: Man. I've been enjoying the Magic City docuseries and it

817
00:33:19,520 --> 00:33:22,320
Speaker 3: got me to thinking about like just Atlanta. Like in

818
00:33:22,360 --> 00:33:24,800
Speaker 3: Atlanta's had a lot of different runs as far as

819
00:33:24,920 --> 00:33:29,000
Speaker 3: music is concerned. But what is Atlanta culture exactly?

820
00:33:29,400 --> 00:33:29,800
Speaker 2: Is this?

821
00:33:29,960 --> 00:33:31,080
Speaker 3: Is it the script clubs?

822
00:33:31,160 --> 00:33:35,000
Speaker 7: Yeah, that that's one of the things skating.

823
00:33:36,160 --> 00:33:38,680
Speaker 1: It's a bunch of different things like the bass music

824
00:33:38,800 --> 00:33:40,560
Speaker 1: and a bunch of different things.

825
00:33:40,600 --> 00:33:41,280
Speaker 7: But we haven't.

826
00:33:41,800 --> 00:33:44,600
Speaker 1: We've never really highlighted these things the way I guess

827
00:33:44,800 --> 00:33:47,360
Speaker 1: I'm trying to do and make sure that people understand

828
00:33:47,360 --> 00:33:49,920
Speaker 1: that that's what it is, because I think like people

829
00:33:49,960 --> 00:33:53,560
Speaker 1: think like even with the strip club situation, it was

830
00:33:53,680 --> 00:33:56,960
Speaker 1: me and whoever else was promoting this from a long

831
00:33:57,000 --> 00:34:00,000
Speaker 1: time ago, just black people trying to promote strip club.

832
00:34:00,680 --> 00:34:01,680
Speaker 7: And you learned from.

833
00:34:01,560 --> 00:34:04,120
Speaker 1: The documentary that this was a law that was passed

834
00:34:04,120 --> 00:34:07,280
Speaker 1: in the city and might be more states in the

835
00:34:07,440 --> 00:34:12,680
Speaker 1: you know South, that nudity was something that they opened

836
00:34:12,719 --> 00:34:15,080
Speaker 1: the floodgates and made it a business right.

837
00:34:15,239 --> 00:34:15,920
Speaker 2: So even me.

838
00:34:15,920 --> 00:34:18,600
Speaker 1: Growing up, I never realized why it was so many

839
00:34:18,600 --> 00:34:21,320
Speaker 1: strip clubs in Atlanta. It was a strip club, damn

840
00:34:21,440 --> 00:34:24,480
Speaker 1: on every corner or in every hood in Atlanta, and

841
00:34:24,520 --> 00:34:25,280
Speaker 1: I never understood.

842
00:34:25,320 --> 00:34:27,520
Speaker 7: I just thought we was just a strip club place.

843
00:34:27,840 --> 00:34:30,440
Speaker 1: But when you look at this documentary, you start going

844
00:34:30,520 --> 00:34:32,839
Speaker 1: outside and looking at all the other places, like in

845
00:34:32,880 --> 00:34:35,839
Speaker 1: Florida and all these other places, you're like, oh, it's

846
00:34:35,920 --> 00:34:37,799
Speaker 1: a law that was passed, right.

847
00:34:38,200 --> 00:34:39,879
Speaker 7: And I used to come to like New York when

848
00:34:39,880 --> 00:34:41,560
Speaker 7: we used to do things and wherever.

849
00:34:41,640 --> 00:34:43,200
Speaker 1: I go to other cities and be like, man, why

850
00:34:43,200 --> 00:34:45,920
Speaker 1: these cities ain't popping like Atlanta with the strip clubs

851
00:34:45,920 --> 00:34:48,960
Speaker 1: and the law. It is a real law that gave

852
00:34:49,080 --> 00:34:52,480
Speaker 1: us the entryway to just have this going. So there,

853
00:34:52,560 --> 00:34:54,359
Speaker 1: that's a that's an Atlanta thing.

854
00:34:54,880 --> 00:34:58,080
Speaker 2: You know, it's Magic City, the biggest strip club and

855
00:34:58,080 --> 00:35:00,880
Speaker 2: the most recognized srip club in the UNA.

856
00:35:01,040 --> 00:35:03,719
Speaker 1: I think, I mean, I think it's been It's been

857
00:35:03,760 --> 00:35:06,640
Speaker 1: a couple you know, over the years. I think Magic

858
00:35:06,719 --> 00:35:10,960
Speaker 1: is in the top three, of course, but like Booby trapping,

859
00:35:11,080 --> 00:35:16,239
Speaker 1: Miami King of Diamonds when I mean, you know, Miami's

860
00:35:16,239 --> 00:35:18,120
Speaker 1: always had you know what I mean, They've always had

861
00:35:18,160 --> 00:35:19,319
Speaker 1: these trip clubs.

862
00:35:19,040 --> 00:35:21,120
Speaker 2: Turnover be Live.

863
00:35:21,160 --> 00:35:24,680
Speaker 1: I think that's Houston. So I think Houston, it's a

864
00:35:24,760 --> 00:35:27,000
Speaker 1: couple of places that's got. But I don't think Houston

865
00:35:27,000 --> 00:35:27,879
Speaker 1: can get naked though.

866
00:35:28,080 --> 00:35:28,560
Speaker 7: That's the thing.

867
00:35:28,600 --> 00:35:31,160
Speaker 1: It's like we're talking about nudy is fla strip clubs,

868
00:35:31,360 --> 00:35:32,760
Speaker 1: it's Miami and.

869
00:35:34,400 --> 00:35:39,319
Speaker 3: Yeah, Atlanta was nudy nudity. Atlanta need that infrastructure. Now,

870
00:35:39,680 --> 00:35:41,400
Speaker 3: That's what when I think about Magic City. I know

871
00:35:41,800 --> 00:35:43,560
Speaker 3: people look at it as just the key ball, but

872
00:35:43,600 --> 00:35:46,000
Speaker 3: when I'm watching The Doctor, even just growing up, I

873
00:35:46,040 --> 00:35:49,480
Speaker 3: think over that infrastructure. People with the break record, I.

874
00:35:49,440 --> 00:35:51,920
Speaker 1: Want I mean, that's the that's the thing, Like I

875
00:35:52,000 --> 00:35:53,799
Speaker 1: was going to answer your question. The reason why I

876
00:35:53,800 --> 00:35:56,640
Speaker 1: wanted to do it is because, you know, we don't

877
00:35:56,719 --> 00:36:01,200
Speaker 1: talk about the places that actually helped us get to

878
00:36:01,280 --> 00:36:03,359
Speaker 1: where we are. You know what I mean, that part

879
00:36:03,360 --> 00:36:07,160
Speaker 1: of hip hop stopped a long time ago. Like when

880
00:36:07,200 --> 00:36:09,200
Speaker 1: you watch like Wild Style, right when there's a person

881
00:36:09,239 --> 00:36:10,080
Speaker 1: that's not from New York.

882
00:36:10,120 --> 00:36:11,879
Speaker 7: I watched Wild Style. You can see like.

883
00:36:12,400 --> 00:36:16,640
Speaker 1: How Grandmaster cast them, what they was doing to become

884
00:36:17,239 --> 00:36:19,440
Speaker 1: and made what made hip hop turn into what it

885
00:36:19,520 --> 00:36:22,280
Speaker 1: was here in New York. And in the later years

886
00:36:22,320 --> 00:36:27,640
Speaker 1: of hip hop, what shows or anything show kids how

887
00:36:27,680 --> 00:36:29,239
Speaker 1: we got you know what I mean, how we got

888
00:36:29,280 --> 00:36:31,360
Speaker 1: to where we are. And I think that you know,

889
00:36:31,440 --> 00:36:35,840
Speaker 1: it's important for black establishments to show like it's a

890
00:36:35,920 --> 00:36:40,240
Speaker 1: forty year old black establishment. The owner went to jail,

891
00:36:40,520 --> 00:36:43,520
Speaker 1: they tried to sell his property, he took it back

892
00:36:43,560 --> 00:36:45,640
Speaker 1: over and now it's back popping in that he got

893
00:36:45,680 --> 00:36:48,920
Speaker 1: a TV show Like that's American dream, you know what

894
00:36:48,960 --> 00:36:52,200
Speaker 1: I mean, Like, regardless of whatever good or bad, it's

895
00:36:52,200 --> 00:36:54,920
Speaker 1: a Black American dream that we don't ever really be talking.

896
00:36:54,719 --> 00:36:58,040
Speaker 3: About infrastructure now, huh is it needed? Now?

897
00:36:58,280 --> 00:37:01,640
Speaker 1: Ye? I mean we need more than any everybody. I mean,

898
00:37:01,960 --> 00:37:04,040
Speaker 1: not just Atlanta, like a bunch of cities need to.

899
00:37:04,320 --> 00:37:06,200
Speaker 1: It's probably a bunch of other cities that's got like

900
00:37:06,480 --> 00:37:09,200
Speaker 1: forty to fifty year old black establishments that don't that

901
00:37:09,239 --> 00:37:10,200
Speaker 1: I don't even know about.

902
00:37:10,680 --> 00:37:13,480
Speaker 2: What do you think ruined strip clubs? Because at one

903
00:37:13,480 --> 00:37:14,920
Speaker 2: time it was a strip club.

904
00:37:14,680 --> 00:37:17,760
Speaker 8: In every city, they were always big. There was fifteen

905
00:37:17,800 --> 00:37:19,960
Speaker 8: in Atlanta, there was ten in New York. What do

906
00:37:20,000 --> 00:37:21,800
Speaker 8: you think ruined the strip club safety?

907
00:37:22,280 --> 00:37:22,440
Speaker 7: Right?

908
00:37:22,800 --> 00:37:25,359
Speaker 1: I think that's why Magic stands out so much because

909
00:37:25,400 --> 00:37:27,319
Speaker 1: you can go in Magic with all your jurey on.

910
00:37:27,840 --> 00:37:29,600
Speaker 1: You can go in Magic and be the biggest star

911
00:37:29,640 --> 00:37:32,280
Speaker 1: in the world and be standing next to the biggest

912
00:37:32,280 --> 00:37:35,960
Speaker 1: criminal in the world. But whatever would happen somewhere else

913
00:37:35,960 --> 00:37:38,359
Speaker 1: ain't getting ready to happen in Magic. And I say

914
00:37:38,360 --> 00:37:41,920
Speaker 1: that proudly because even me, I go to Magic without security,

915
00:37:42,000 --> 00:37:44,520
Speaker 1: like because the security in there gonna take care of

916
00:37:44,560 --> 00:37:47,640
Speaker 1: me like they like if they was working for me.

917
00:37:48,520 --> 00:37:50,320
Speaker 7: And I feel like it's the safest club in Atlanta.

918
00:37:50,360 --> 00:37:52,440
Speaker 7: So I feel like that. I feel like the.

919
00:37:52,440 --> 00:37:55,560
Speaker 1: Safety of strip clubs and how Magic ran the club

920
00:37:56,000 --> 00:37:57,040
Speaker 1: strip club etiquette.

921
00:37:57,040 --> 00:37:59,239
Speaker 7: I think that is that that's what killed.

922
00:37:59,000 --> 00:38:00,480
Speaker 2: Strip clubs for the most part.

923
00:38:00,840 --> 00:38:03,279
Speaker 8: Now, also, I noticed, you know, growing up when we

924
00:38:03,320 --> 00:38:04,880
Speaker 8: used to go to strip clubs, you go with a

925
00:38:04,880 --> 00:38:06,680
Speaker 8: couple of dollars, right, and you would you would be

926
00:38:06,680 --> 00:38:07,279
Speaker 8: fine all night.

927
00:38:07,480 --> 00:38:08,640
Speaker 2: That's totally changed.

928
00:38:08,760 --> 00:38:12,160
Speaker 1: No, that's not that's just your mental okay, right, that's

929
00:38:12,200 --> 00:38:13,360
Speaker 1: just people's mental space.

930
00:38:13,440 --> 00:38:13,600
Speaker 2: Right.

931
00:38:14,080 --> 00:38:17,560
Speaker 1: If Magic City is like overly crowded, I'll go stand

932
00:38:17,600 --> 00:38:20,720
Speaker 1: by the bar and I might spend five one hundred

933
00:38:20,800 --> 00:38:21,800
Speaker 1: to one thousand dollars.

934
00:38:22,320 --> 00:38:22,560
Speaker 7: You know.

935
00:38:23,120 --> 00:38:25,359
Speaker 8: And by the way, Katie, that's a lot of money.

936
00:38:25,360 --> 00:38:28,319
Speaker 8: Talk about a hundred dollars, said a thousand dollars at

937
00:38:28,360 --> 00:38:28,600
Speaker 8: the bar.

938
00:38:28,880 --> 00:38:30,520
Speaker 7: I'm just saying, let me put this perspective.

939
00:38:31,000 --> 00:38:33,600
Speaker 1: I said, what's happened the other night when Chris Brown

940
00:38:33,760 --> 00:38:37,120
Speaker 1: was in Atlanta? They spent two hundred thousand dollars in

941
00:38:37,160 --> 00:38:41,760
Speaker 1: Magic City. So my little five hundred to a thousand

942
00:38:41,800 --> 00:38:48,600
Speaker 1: over there in that corner is like one hundred dollars, mana, because.

943
00:38:48,320 --> 00:38:50,279
Speaker 2: I have when people say those numbers and I'm like,

944
00:38:50,280 --> 00:38:50,920
Speaker 2: I don't believe it.

945
00:38:51,040 --> 00:38:53,840
Speaker 1: I swear to God, I've been on God one hundred thousand,

946
00:38:54,200 --> 00:38:57,400
Speaker 1: God one hundred went to Chris, Right.

947
00:38:58,120 --> 00:38:59,880
Speaker 2: I've seen people wore one hundred thousand singles.

948
00:39:00,160 --> 00:39:02,040
Speaker 1: Yeah, I mean one hundred went to christ without a

949
00:39:02,040 --> 00:39:03,960
Speaker 1: doubt and Magic in Magic they go.

950
00:39:04,080 --> 00:39:06,560
Speaker 7: When you when you order the money, they bring a.

951
00:39:06,640 --> 00:39:09,600
Speaker 1: Magic City bag and backpass for you backpack. So the

952
00:39:09,640 --> 00:39:14,200
Speaker 1: backpack had a hundred in it. Jadea waiter, y'all know ja,

953
00:39:15,160 --> 00:39:18,560
Speaker 1: she got about a dog, right, I think maybe more

954
00:39:19,480 --> 00:39:22,880
Speaker 1: P from QC. I think he ordered forty right then

955
00:39:22,920 --> 00:39:25,279
Speaker 1: and that you know that's that's one sixty right there.

956
00:39:25,600 --> 00:39:27,920
Speaker 7: You know what I'm saying. Chris By himself had one hundred,

957
00:39:27,920 --> 00:39:28,520
Speaker 7: That's what I'm saying.

958
00:39:28,560 --> 00:39:30,680
Speaker 1: So if you start splitting it up, I think Booo

959
00:39:30,800 --> 00:39:32,680
Speaker 1: probably got ten or fifteen twenty.

960
00:39:33,040 --> 00:39:34,800
Speaker 7: You were two hundred fast.

961
00:39:34,960 --> 00:39:36,440
Speaker 3: So when you was in the back of the day

962
00:39:36,440 --> 00:39:38,640
Speaker 3: with BMF, how much did you see them spend that one.

963
00:39:38,920 --> 00:39:39,960
Speaker 7: On my album?

964
00:39:40,280 --> 00:39:42,239
Speaker 1: I have a conversation with Meech and he says he

965
00:39:42,360 --> 00:39:44,160
Speaker 1: spent six hundred thousand dollars one night.

966
00:39:44,280 --> 00:39:47,080
Speaker 3: That's insanity, that's crazy. What's the most you spent? And

967
00:39:47,360 --> 00:39:49,120
Speaker 3: using it with Janet? What did you?

968
00:39:49,600 --> 00:39:52,480
Speaker 1: I mean, had I had a limit, like when everybody

969
00:39:52,520 --> 00:39:54,160
Speaker 1: heard me say I spend ten thousand.

970
00:39:54,040 --> 00:39:54,720
Speaker 7: That was my limit.

971
00:39:54,840 --> 00:39:57,719
Speaker 1: So once I got to that ten, I wasn't trying.

972
00:39:57,800 --> 00:39:59,640
Speaker 1: But by the way, I'm not in there trying to compete.

973
00:39:59,680 --> 00:40:02,360
Speaker 1: I always felt like, you know, at one point in

974
00:40:02,360 --> 00:40:06,759
Speaker 1: time when BMF came or when BMF grew, because I've

975
00:40:06,760 --> 00:40:08,520
Speaker 1: been in the club with Meet for a long time

976
00:40:08,640 --> 00:40:12,719
Speaker 1: before BMF was a crew like that, and we used

977
00:40:12,760 --> 00:40:14,440
Speaker 1: to be at the Gentlemen's Club back and when you

978
00:40:14,480 --> 00:40:18,680
Speaker 1: watched the episode where Magic supposedly was burnt down or

979
00:40:18,680 --> 00:40:22,359
Speaker 1: whatever and everybody went to the Gentlemen's Club, that's back

980
00:40:22,360 --> 00:40:24,440
Speaker 1: in the period of time when I actually met Meech,

981
00:40:24,719 --> 00:40:27,520
Speaker 1: and Meech didn't have the crew, the crew of people

982
00:40:27,520 --> 00:40:29,600
Speaker 1: with him, and we was in the Gentleman's Club, and

983
00:40:29,640 --> 00:40:31,440
Speaker 1: in the Gentleman's Club, it.

984
00:40:31,440 --> 00:40:33,680
Speaker 7: Was like, well he signed. We wasn't really throwing the money.

985
00:40:34,160 --> 00:40:36,239
Speaker 1: We was just like giving the girls the money, right,

986
00:40:36,360 --> 00:40:39,240
Speaker 1: And that's that's where the whole confusion about who started

987
00:40:39,239 --> 00:40:40,560
Speaker 1: throwing the money came from.

988
00:40:40,400 --> 00:40:41,960
Speaker 7: Because I started.

989
00:40:42,000 --> 00:40:44,560
Speaker 1: I started doing this in Money and a Thing video,

990
00:40:44,600 --> 00:40:47,120
Speaker 1: And I know people want to say they did it

991
00:40:47,160 --> 00:40:48,960
Speaker 1: and did it when you find a video that came

992
00:40:49,000 --> 00:40:51,040
Speaker 1: out before Money and any Thing where you see rappers

993
00:40:51,080 --> 00:40:55,680
Speaker 1: owing money like this, right, and that I never had a.

994
00:40:55,719 --> 00:40:58,040
Speaker 7: Like, it wasn't about me trying to challenge nobody.

995
00:40:58,160 --> 00:41:00,879
Speaker 1: It got to be that when we them crew came

996
00:41:01,000 --> 00:41:03,439
Speaker 1: and it was like, oh damn, they throwing more money

997
00:41:03,719 --> 00:41:04,279
Speaker 1: we got to throw.

998
00:41:04,320 --> 00:41:06,480
Speaker 7: It became like a money wore. I was never I

999
00:41:06,520 --> 00:41:07,319
Speaker 7: was never part of that.

1000
00:41:07,760 --> 00:41:09,520
Speaker 2: We're still talking to Jamaine Duprie.

1001
00:41:09,680 --> 00:41:12,200
Speaker 8: The new docu series, Magic City is out right now

1002
00:41:12,239 --> 00:41:14,360
Speaker 8: and the soundtrack comes out this Friday.

1003
00:41:14,600 --> 00:41:15,160
Speaker 2: Charlamagne.

1004
00:41:15,239 --> 00:41:17,759
Speaker 3: When I think about Mariah Carey getting, you know, the

1005
00:41:17,760 --> 00:41:20,239
Speaker 3: accolade she got the other night at the VMA, I

1006
00:41:20,239 --> 00:41:22,200
Speaker 3: don't know if that happens without you. And what I

1007
00:41:22,239 --> 00:41:25,239
Speaker 3: mean by that is Mariah had a fantastic career, but

1008
00:41:25,320 --> 00:41:27,920
Speaker 3: that album was like a comeback album that kind of

1009
00:41:27,960 --> 00:41:29,800
Speaker 3: solidified her forever.

1010
00:41:30,280 --> 00:41:33,920
Speaker 7: I was talking to her about this before yesterday.

1011
00:41:33,920 --> 00:41:36,840
Speaker 1: And I was saying, like, it would have happened without me,

1012
00:41:37,040 --> 00:41:40,759
Speaker 1: but Mariah, listen, Mariah is such a New York hip

1013
00:41:40,800 --> 00:41:45,279
Speaker 1: hop person that she wants to gravitate towards this right

1014
00:41:45,800 --> 00:41:49,799
Speaker 1: as opposed to like promoting the Boys the Men record,

1015
00:41:49,880 --> 00:41:53,719
Speaker 1: which was no song her first song of the decade. Right,

1016
00:41:53,960 --> 00:41:56,440
Speaker 1: she ain't even performed that song the other night, like

1017
00:41:56,800 --> 00:41:59,080
Speaker 1: you know what I'm saying, Like, she got records that's

1018
00:41:59,120 --> 00:42:02,160
Speaker 1: bigger than the records I did. That She just like, yeah,

1019
00:42:02,320 --> 00:42:03,680
Speaker 1: you know we're gonna do this tonight.

1020
00:42:03,719 --> 00:42:04,600
Speaker 7: This is what we're gonna do.

1021
00:42:05,000 --> 00:42:07,000
Speaker 1: I listen. I love it because I'm a part of it.

1022
00:42:07,080 --> 00:42:10,000
Speaker 1: But don't get it twisted. These songs is you know

1023
00:42:10,040 --> 00:42:12,000
Speaker 1: what I mean? She got records that she could do

1024
00:42:12,080 --> 00:42:14,640
Speaker 1: that's like hero, you know what I mean, These songs

1025
00:42:14,680 --> 00:42:18,520
Speaker 1: that's huge, that made her Mariah has sold thirty million

1026
00:42:18,560 --> 00:42:20,920
Speaker 1: records before I even worked with her, you know what

1027
00:42:20,960 --> 00:42:21,719
Speaker 1: I'm saying, Like.

1028
00:42:21,680 --> 00:42:24,319
Speaker 3: That charm Bracelet and then that it was that movie

1029
00:42:24,360 --> 00:42:27,480
Speaker 3: called I don't even remember that that it was a

1030
00:42:27,640 --> 00:42:28,640
Speaker 3: bad it was dark.

1031
00:42:28,760 --> 00:42:31,880
Speaker 1: Yeah, but one one black Eye can't kill you.

1032
00:42:31,880 --> 00:42:32,560
Speaker 2: No, that's true.

1033
00:42:32,680 --> 00:42:34,239
Speaker 3: But then you came back to the mes's vision of

1034
00:42:34,239 --> 00:42:36,560
Speaker 3: me me, and that's that's a nuclear bomb. I mean,

1035
00:42:36,840 --> 00:42:38,200
Speaker 3: that's not a normal album.

1036
00:42:38,960 --> 00:42:39,480
Speaker 7: Yeah.

1037
00:42:39,760 --> 00:42:42,160
Speaker 1: I just I always look at that like, I'm really

1038
00:42:42,239 --> 00:42:43,680
Speaker 1: I can't take credit for Mariah.

1039
00:42:43,760 --> 00:42:45,359
Speaker 7: She's she's who she is.

1040
00:42:45,320 --> 00:42:47,600
Speaker 1: And she was who she was before I you know,

1041
00:42:47,680 --> 00:42:48,960
Speaker 1: I'm just happy.

1042
00:42:48,719 --> 00:42:50,279
Speaker 7: That she let me be a part of the ride.

1043
00:42:50,440 --> 00:42:52,400
Speaker 3: I think that puts more person on you though, And

1044
00:42:52,440 --> 00:42:54,200
Speaker 3: what I mean by that is when you're tasked with

1045
00:42:54,560 --> 00:42:57,840
Speaker 3: going in there with the iconic person already and creating

1046
00:42:57,920 --> 00:43:01,399
Speaker 3: something that gets them, you know, back seeing the way

1047
00:43:01,440 --> 00:43:03,640
Speaker 3: that they were seeing before that you know, last flop.

1048
00:43:03,719 --> 00:43:05,920
Speaker 3: That says a lot that you was able to accomplish that.

1049
00:43:06,120 --> 00:43:08,360
Speaker 3: Then to put pressure on me, I would think so

1050
00:43:08,520 --> 00:43:10,080
Speaker 3: back then, nah, because I don't.

1051
00:43:09,880 --> 00:43:11,719
Speaker 1: Think about it like you know, Like the thing about

1052
00:43:11,760 --> 00:43:13,120
Speaker 1: it is when I go in the studio, people I

1053
00:43:13,120 --> 00:43:14,759
Speaker 1: don't be like, I don't get caught up in what's

1054
00:43:14,840 --> 00:43:17,279
Speaker 1: happening in their life. And I think that that was

1055
00:43:17,320 --> 00:43:19,680
Speaker 1: what was going on in her life outside of the studio.

1056
00:43:20,080 --> 00:43:22,319
Speaker 1: I go in the studio and I'm like, I say

1057
00:43:22,320 --> 00:43:23,880
Speaker 1: this all the time when I when I work with

1058
00:43:23,880 --> 00:43:27,839
Speaker 1: Aretha Franklin, she made me realize, like, listen, if you're

1059
00:43:27,880 --> 00:43:29,920
Speaker 1: gonna be in here working and I'm gonna pay you

1060
00:43:30,640 --> 00:43:33,000
Speaker 1: and we're gonna let you get this credit, you better

1061
00:43:33,040 --> 00:43:36,359
Speaker 1: say what you gotta say. If I sound bad, if

1062
00:43:36,400 --> 00:43:39,399
Speaker 1: I don't even sound halfway good, she was like, tell

1063
00:43:39,440 --> 00:43:40,160
Speaker 1: me to do it again.

1064
00:43:40,200 --> 00:43:42,839
Speaker 7: And I'm like, I can't tell Rita Franklin. Nothing like

1065
00:43:42,920 --> 00:43:43,960
Speaker 7: this will Rita Franklin.

1066
00:43:44,080 --> 00:43:46,239
Speaker 1: But the way she was talking to me, was like,

1067
00:43:46,280 --> 00:43:49,000
Speaker 1: I flew you here to Detroit to cut my vocals,

1068
00:43:49,600 --> 00:43:51,880
Speaker 1: So what you're gonna do. You're gonna sit in the

1069
00:43:51,880 --> 00:43:53,399
Speaker 1: here and there and watch me? Or if if that's

1070
00:43:53,400 --> 00:43:56,280
Speaker 1: I'm going home. That's what she told me. She'says, literally,

1071
00:43:56,320 --> 00:43:58,359
Speaker 1: I'm going home, that's what you're gonna do. And that's

1072
00:43:58,400 --> 00:43:59,759
Speaker 1: when I set that for me, and I'm like, you

1073
00:43:59,840 --> 00:44:02,560
Speaker 1: know what, I gotta do this. I just gotta be

1074
00:44:02,640 --> 00:44:05,719
Speaker 1: brutally honest with artists. And when it came to mancipation

1075
00:44:05,800 --> 00:44:08,200
Speaker 1: of me, me, we belong together. We made the song

1076
00:44:08,320 --> 00:44:10,719
Speaker 1: like listen Rian, if you don't hit the note that

1077
00:44:11,000 --> 00:44:12,759
Speaker 1: at the end of the record, the record ain't gonna

1078
00:44:12,760 --> 00:44:15,319
Speaker 1: be what people want the record to be. They want

1079
00:44:15,360 --> 00:44:18,040
Speaker 1: you to that's that's what they want. We gotta give

1080
00:44:18,080 --> 00:44:20,399
Speaker 1: them what they want. And it was like nobody else

1081
00:44:20,440 --> 00:44:22,359
Speaker 1: wanted to say this. I had to say it, and

1082
00:44:22,400 --> 00:44:24,680
Speaker 1: I have to be like, you know, if you don't

1083
00:44:24,840 --> 00:44:26,360
Speaker 1: like me for saying what is real?

1084
00:44:26,640 --> 00:44:29,080
Speaker 7: Then while we in the room together, what.

1085
00:44:28,960 --> 00:44:30,359
Speaker 2: Was one of the artists that didn't like you being

1086
00:44:30,360 --> 00:44:32,279
Speaker 2: brutally honest? I was like, nah, it's not.

1087
00:44:32,280 --> 00:44:33,520
Speaker 7: For me, nobody.

1088
00:44:33,560 --> 00:44:35,919
Speaker 1: I don't think nobody I mean, I think everybody want

1089
00:44:36,160 --> 00:44:40,239
Speaker 1: they don't want to address it, but when it's right,

1090
00:44:40,320 --> 00:44:41,880
Speaker 1: they're like, oh, okay, you know.

1091
00:44:42,239 --> 00:44:44,000
Speaker 2: But a lot of them.

1092
00:44:43,840 --> 00:44:45,560
Speaker 7: Like you know Bow, I didn't like. Oh, I think

1093
00:44:45,600 --> 00:44:46,120
Speaker 7: they like me.

1094
00:44:47,120 --> 00:44:48,920
Speaker 2: Usher didn't like seem like you wrestled with him every time.

1095
00:44:48,960 --> 00:44:50,320
Speaker 2: You understand that that's what balance.

1096
00:44:50,560 --> 00:44:52,600
Speaker 1: But I'm saying Usher didn't like you make me want them,

1097
00:44:53,520 --> 00:44:55,040
Speaker 1: and you have to sit there and be like, man,

1098
00:44:55,880 --> 00:44:58,600
Speaker 1: why what do you what are you listening to that

1099
00:44:58,760 --> 00:44:59,960
Speaker 1: make you not like this song?

1100
00:45:00,640 --> 00:45:03,319
Speaker 3: What was it about the emancipation of me me that

1101
00:45:03,400 --> 00:45:05,840
Speaker 3: got her back to where she needed to be? Was

1102
00:45:05,840 --> 00:45:08,760
Speaker 3: it the freedom that maybe you provided? Because I started

1103
00:45:08,760 --> 00:45:12,040
Speaker 3: Brat telling this story about how Tommy Matola got guns

1104
00:45:12,040 --> 00:45:14,920
Speaker 3: pulled on you because you let Mariah go to burden.

1105
00:45:15,040 --> 00:45:17,239
Speaker 7: I didn't let them do nothing. They pulled off and

1106
00:45:17,280 --> 00:45:19,439
Speaker 7: went on their own. But yeah, we'll.

1107
00:45:19,360 --> 00:45:21,000
Speaker 2: Tell the story. I don't know the story, Okay.

1108
00:45:21,080 --> 00:45:24,080
Speaker 1: So the first time I started working with Mariah, I

1109
00:45:24,160 --> 00:45:26,600
Speaker 1: decided to do it always be my baby remix, right,

1110
00:45:26,960 --> 00:45:30,440
Speaker 1: So I brought Escape and the Brat to her house

1111
00:45:30,480 --> 00:45:33,680
Speaker 1: that was out in upstate with her and Tommy. And

1112
00:45:34,480 --> 00:45:37,239
Speaker 1: this was the first time me I started bringing my

1113
00:45:37,280 --> 00:45:40,799
Speaker 1: people around Mariah and I brought.

1114
00:45:40,560 --> 00:45:42,000
Speaker 7: Brat her and Brat kicked it.

1115
00:45:42,040 --> 00:45:46,040
Speaker 1: They hit it off, and she convinced Brat or either

1116
00:45:46,120 --> 00:45:49,040
Speaker 1: Bratt convinced her, let's take a trip in the car,

1117
00:45:49,239 --> 00:45:50,880
Speaker 1: just me and you and go to McDonald's or some

1118
00:45:50,960 --> 00:45:52,120
Speaker 1: more together.

1119
00:45:52,320 --> 00:45:53,920
Speaker 7: Security left the ground without.

1120
00:45:53,680 --> 00:45:58,400
Speaker 1: Me knowing and showed up in the studio like what's

1121
00:45:58,480 --> 00:46:01,560
Speaker 1: going on. I'm like, I seen what was running around

1122
00:46:01,719 --> 00:46:04,919
Speaker 1: like and and it always looking at me like JD,

1123
00:46:05,040 --> 00:46:07,840
Speaker 1: this is your person. She done ran off with Mariah

1124
00:46:07,880 --> 00:46:11,120
Speaker 1: and I'm like, what the Like that was a crazy moment.

1125
00:46:11,440 --> 00:46:13,399
Speaker 7: This is my first time being there, this.

1126
00:46:13,400 --> 00:46:16,960
Speaker 1: Is my first time at her house and I bring

1127
00:46:17,040 --> 00:46:17,640
Speaker 1: something over.

1128
00:46:17,719 --> 00:46:18,800
Speaker 7: This was just like a story.

1129
00:46:19,000 --> 00:46:20,960
Speaker 1: You bring something over to the house and this is

1130
00:46:21,000 --> 00:46:23,239
Speaker 1: what happened. And I'm in the house like this, like

1131
00:46:23,280 --> 00:46:24,920
Speaker 1: I'm just trying to make a record. Mand what the

1132
00:46:25,160 --> 00:46:26,960
Speaker 1: is going on where you're at?

1133
00:46:27,080 --> 00:46:27,279
Speaker 2: Yeah?

1134
00:46:27,280 --> 00:46:27,839
Speaker 7: I called her.

1135
00:46:27,960 --> 00:46:29,880
Speaker 1: She's like, we just getting some prize and I'm like

1136
00:46:29,960 --> 00:46:33,920
Speaker 1: what why why? And she was saying that Mariah just

1137
00:46:34,080 --> 00:46:36,319
Speaker 1: like at that period of time, Mariah was, you know,

1138
00:46:36,400 --> 00:46:39,400
Speaker 1: this was a different type of successful life at this

1139
00:46:39,520 --> 00:46:43,040
Speaker 1: point celebrity. She wasn't the artist that could go outside

1140
00:46:43,040 --> 00:46:45,160
Speaker 1: and go to McDonald's, or she wasn't even doing that,

1141
00:46:45,680 --> 00:46:47,560
Speaker 1: Like she was sheltered in the house and she she

1142
00:46:47,680 --> 00:46:50,000
Speaker 1: just wanted to get out, and Brat was her her

1143
00:46:50,000 --> 00:46:52,560
Speaker 1: person that was ready to go escape and do it.

1144
00:46:52,920 --> 00:46:54,879
Speaker 3: So was it that level of freedom you provided her,

1145
00:46:55,160 --> 00:46:57,360
Speaker 3: That's what I called it? A massive patient?

1146
00:46:57,480 --> 00:46:57,680
Speaker 2: Yeah?

1147
00:46:58,320 --> 00:47:02,120
Speaker 1: Nah, Just I just think I think I make Mariah comfortable, right,

1148
00:47:02,320 --> 00:47:02,880
Speaker 1: and I don't.

1149
00:47:02,960 --> 00:47:03,360
Speaker 7: I don't.

1150
00:47:04,000 --> 00:47:06,279
Speaker 1: I don't fake with her about the music that we

1151
00:47:06,320 --> 00:47:09,799
Speaker 1: should make. And I think that's what makes her feel free,

1152
00:47:09,960 --> 00:47:13,320
Speaker 1: you know, free, because I'm telling her, I'm telling anybody,

1153
00:47:13,320 --> 00:47:17,120
Speaker 1: if you sing, make singing records man like and like,

1154
00:47:17,440 --> 00:47:17,920
Speaker 1: I get it.

1155
00:47:18,000 --> 00:47:21,960
Speaker 7: You want to rap. And I'm a rapper at heart.

1156
00:47:21,840 --> 00:47:25,160
Speaker 1: But I learned how to make music, and I learned

1157
00:47:25,560 --> 00:47:28,279
Speaker 1: through the success that I've had that these people want

1158
00:47:28,320 --> 00:47:30,920
Speaker 1: these records to sound like the records that they know.

1159
00:47:31,080 --> 00:47:34,320
Speaker 1: The audience don't change, right, So I just have to

1160
00:47:34,400 --> 00:47:36,880
Speaker 1: keep beating that in people's minds and letting them know, like, listen,

1161
00:47:37,320 --> 00:47:40,280
Speaker 1: you might want to change your stuff, but the person

1162
00:47:40,320 --> 00:47:42,759
Speaker 1: that's listening, they want the new Mariah record to sound

1163
00:47:42,880 --> 00:47:45,120
Speaker 1: like the Mariah record that they heard before.

1164
00:47:45,520 --> 00:47:47,680
Speaker 7: And that's always a hard fight with artists.

1165
00:47:47,680 --> 00:47:48,760
Speaker 3: Did you ever take your mediciny?

1166
00:47:49,160 --> 00:47:49,399
Speaker 2: Yeah?

1167
00:47:49,520 --> 00:47:51,040
Speaker 7: No, no, no, no, she won't.

1168
00:47:51,480 --> 00:47:54,319
Speaker 1: She probably won't go to that saying that ain't her

1169
00:47:53,880 --> 00:47:55,120
Speaker 1: that ain't her bag.

1170
00:47:55,320 --> 00:47:57,520
Speaker 2: Now back to USh. You said she didn't like make

1171
00:47:57,640 --> 00:47:59,959
Speaker 2: make me want to? Yeah? Why not was the problem?

1172
00:48:00,160 --> 00:48:00,600
Speaker 7: I don't know?

1173
00:48:00,640 --> 00:48:02,279
Speaker 2: And how'd you get him? How'd you force them to

1174
00:48:02,280 --> 00:48:02,799
Speaker 2: finally do it?

1175
00:48:02,800 --> 00:48:05,000
Speaker 1: Well, I mean I have to force him, but he

1176
00:48:05,080 --> 00:48:07,719
Speaker 1: also just let me know it wouldn't like that wasn't

1177
00:48:07,719 --> 00:48:10,719
Speaker 1: what he felt he should be coming with. At this

1178
00:48:10,760 --> 00:48:13,560
Speaker 1: point in time, Usher was still not sure where his

1179
00:48:13,600 --> 00:48:14,360
Speaker 1: career was gonna go.

1180
00:48:14,400 --> 00:48:17,120
Speaker 7: So he's still cut the song, luckily, but if.

1181
00:48:17,000 --> 00:48:18,960
Speaker 1: We was in that space right now, he's not gonna

1182
00:48:18,960 --> 00:48:21,319
Speaker 1: cut the song right now.

1183
00:48:21,360 --> 00:48:23,520
Speaker 7: He ain't be like, I don't know that song right now.

1184
00:48:23,520 --> 00:48:24,520
Speaker 2: He don't care if you don't like it.

1185
00:48:25,160 --> 00:48:27,799
Speaker 1: It's not even gonna get cut right now. I would

1186
00:48:27,800 --> 00:48:31,359
Speaker 1: trust you to not he's gonna be like that's right now.

1187
00:48:31,520 --> 00:48:34,799
Speaker 1: I'd be like, yo, Usher, please cut this song. Us

1188
00:48:34,800 --> 00:48:35,960
Speaker 1: should turn his phone off.

1189
00:48:36,040 --> 00:48:39,560
Speaker 3: Like when your name is mentioned fifty years from now,

1190
00:48:39,600 --> 00:48:42,600
Speaker 3: what's the one record or one artist you want to

1191
00:48:42,640 --> 00:48:43,560
Speaker 3: define your legs?

1192
00:48:44,000 --> 00:48:46,240
Speaker 7: I don't know who the artist is, somebody great.

1193
00:48:46,320 --> 00:48:48,760
Speaker 1: I mean I think, you know, I think like watching

1194
00:48:48,840 --> 00:48:54,200
Speaker 1: Mariah get Van Gold Award and her performing in that

1195
00:48:54,719 --> 00:48:57,799
Speaker 1: piece to a records that I did, I think that

1196
00:48:57,880 --> 00:48:59,680
Speaker 1: means that means a lot, you know what I mean? Like,

1197
00:48:59,800 --> 00:49:02,640
Speaker 1: I'm almost like you're saying, it's like my records loud

1198
00:49:02,719 --> 00:49:04,719
Speaker 1: enough to make people damn to believe that I had

1199
00:49:04,719 --> 00:49:07,040
Speaker 1: something to do with her success. To me, that's a

1200
00:49:07,200 --> 00:49:10,640
Speaker 1: mean accomplishment, because I didn't have anything to do with

1201
00:49:10,680 --> 00:49:12,400
Speaker 1: her becoming who she is.

1202
00:49:12,480 --> 00:49:13,239
Speaker 3: No, that's not true.

1203
00:49:13,719 --> 00:49:16,080
Speaker 2: That's not true. I mean it's the second wave.

1204
00:49:16,400 --> 00:49:18,080
Speaker 1: Yeah, but I'm saying I think I think I might

1205
00:49:18,120 --> 00:49:21,920
Speaker 1: have made more black people like her, Yes, but she's.

1206
00:49:21,680 --> 00:49:22,880
Speaker 7: Still Rode Carrett.

1207
00:49:23,080 --> 00:49:25,520
Speaker 3: Yeah, but it says something you me. I mean, I

1208
00:49:25,520 --> 00:49:28,320
Speaker 3: mean about the best album I get its picture me

1209
00:49:28,520 --> 00:49:31,200
Speaker 3: is brock Carey's best album. Absolutely, that's probably the definitive

1210
00:49:31,239 --> 00:49:33,440
Speaker 3: album of her whole career. That's her thriller.

1211
00:49:34,000 --> 00:49:34,640
Speaker 2: It is.

1212
00:49:34,800 --> 00:49:35,839
Speaker 7: I don't know, I don't know.

1213
00:49:36,239 --> 00:49:38,000
Speaker 2: We're still talking to Jamaine Duprie.

1214
00:49:38,160 --> 00:49:40,719
Speaker 8: The new docu series, Magic City is out right now

1215
00:49:40,719 --> 00:49:42,800
Speaker 8: and the soundtrack comes out this Friday.

1216
00:49:43,080 --> 00:49:46,760
Speaker 3: Charlamagne, what's the hardest personal sacrifice you've made for your career.

1217
00:49:47,600 --> 00:49:50,000
Speaker 7: Life. I don't really have no life. I just be

1218
00:49:50,080 --> 00:49:52,160
Speaker 7: making music, you know what I mean?

1219
00:49:52,200 --> 00:49:54,320
Speaker 1: And I have people that tell me this all the time, like,

1220
00:49:54,440 --> 00:49:58,360
Speaker 1: jad you know you don't really you my baby mother's

1221
00:49:58,400 --> 00:49:58,719
Speaker 1: be saying.

1222
00:49:58,760 --> 00:49:59,960
Speaker 7: It's like, you know.

1223
00:50:00,200 --> 00:50:03,239
Speaker 1: You your life is the music. All you do is

1224
00:50:03,280 --> 00:50:05,200
Speaker 1: care about the music. All you care about is putting

1225
00:50:05,200 --> 00:50:07,000
Speaker 1: out records. All you care about doing what you're doing

1226
00:50:07,040 --> 00:50:08,399
Speaker 1: every day. And that's the truth, it is.

1227
00:50:08,480 --> 00:50:09,040
Speaker 2: That's what it is.

1228
00:50:09,080 --> 00:50:10,160
Speaker 7: I don't care about nothing else.

1229
00:50:10,280 --> 00:50:11,920
Speaker 3: You enjoy the money. You don't go on vacation.

1230
00:50:12,080 --> 00:50:13,640
Speaker 7: I mean that come along with it, but it ain't.

1231
00:50:13,760 --> 00:50:15,239
Speaker 7: That's not that's not a chase for me.

1232
00:50:15,800 --> 00:50:18,920
Speaker 1: Like my chase is to be you know, like what

1233
00:50:19,000 --> 00:50:21,279
Speaker 1: they said on the Billboard, I get number one.

1234
00:50:21,200 --> 00:50:23,920
Speaker 7: I feel like I feel like I finally did something

1235
00:50:23,920 --> 00:50:25,719
Speaker 7: by getting number one on that list.

1236
00:50:25,480 --> 00:50:27,320
Speaker 8: But that it's never enough because you want more not

1237
00:50:27,560 --> 00:50:30,320
Speaker 8: but now it's like but it's but it's also like fighting.

1238
00:50:30,360 --> 00:50:34,120
Speaker 1: It's like boxing, you gotta you gotta can you can

1239
00:50:34,160 --> 00:50:35,920
Speaker 1: you stay in that space?

1240
00:50:36,080 --> 00:50:36,279
Speaker 2: Right?

1241
00:50:36,560 --> 00:50:37,160
Speaker 7: You know what I'm saying.

1242
00:50:37,200 --> 00:50:40,520
Speaker 1: It's like watching Floyd and Tyson tug why they gonna fight.

1243
00:50:41,000 --> 00:50:44,440
Speaker 1: It's like Floyd retired, but he still want to be

1244
00:50:44,480 --> 00:50:46,080
Speaker 1: the He wants to be the best.

1245
00:50:46,239 --> 00:50:48,359
Speaker 7: You know what I'm saying. It's like I'm not saying

1246
00:50:48,360 --> 00:50:49,799
Speaker 7: I'm retired. I'm out here.

1247
00:50:50,000 --> 00:50:53,000
Speaker 1: So I just know that, you know, like I also

1248
00:50:53,120 --> 00:50:55,200
Speaker 1: know that it's space in hip hop and R and

1249
00:50:55,239 --> 00:50:59,200
Speaker 1: B that hasn't been touched. What I'm doing, going from

1250
00:50:59,280 --> 00:51:03,239
Speaker 1: ninety two and being becoming the number one producer the

1251
00:51:03,280 --> 00:51:07,200
Speaker 1: twenty first century in twenty twenty five ain't been seen

1252
00:51:07,280 --> 00:51:11,239
Speaker 1: ever ever, Right, So if you start doing it ain't

1253
00:51:11,239 --> 00:51:13,000
Speaker 1: never been seen. You don't have no reasons. I don't

1254
00:51:13,000 --> 00:51:15,040
Speaker 1: have no reason to stop. I just gotta, you know,

1255
00:51:15,760 --> 00:51:17,080
Speaker 1: pray to God that don't stop.

1256
00:51:17,160 --> 00:51:17,520
Speaker 5: You know what I mean.

1257
00:51:17,600 --> 00:51:19,680
Speaker 2: It's funny. I wonder if hip hop had limits you

1258
00:51:19,719 --> 00:51:20,040
Speaker 2: may do.

1259
00:51:20,440 --> 00:51:22,279
Speaker 3: And what I mean by that is when people start

1260
00:51:22,280 --> 00:51:24,600
Speaker 3: talking about, yo, who's the greatest producers of all time,

1261
00:51:24,600 --> 00:51:26,759
Speaker 3: They'll start, you know, naming a bunch of people who

1262
00:51:26,800 --> 00:51:29,759
Speaker 3: do a lot of hip hop records. Right, But you

1263
00:51:29,800 --> 00:51:31,920
Speaker 3: gotta just say Jamaine is a musician. If you if

1264
00:51:31,920 --> 00:51:35,239
Speaker 3: you said Jamaine is just a musical producer, then I

1265
00:51:35,239 --> 00:51:36,920
Speaker 3: think the conversation is a little bit different.

1266
00:51:37,000 --> 00:51:37,960
Speaker 2: Yeah, you know what I mean.

1267
00:51:38,719 --> 00:51:41,759
Speaker 1: I mean it's hard, man, because I feel like I

1268
00:51:41,920 --> 00:51:45,440
Speaker 1: switched from people. I switch up on people so much.

1269
00:51:45,880 --> 00:51:48,279
Speaker 1: When I'm in R and B mode. I'm not talking

1270
00:51:48,320 --> 00:51:50,279
Speaker 1: about no rap, right. I remember one time I came

1271
00:51:50,360 --> 00:51:51,960
Speaker 1: up here and I was so R and BT out

1272
00:51:51,960 --> 00:51:54,680
Speaker 1: and I want, I'm waving the flag for R and

1273
00:51:54,680 --> 00:51:57,479
Speaker 1: B and I ain't talking about nothing rap. I think

1274
00:51:57,520 --> 00:52:03,160
Speaker 1: that confuses the podcast and the guys that usually talk

1275
00:52:03,239 --> 00:52:05,759
Speaker 1: to me about they like, wait a minute, I thought

1276
00:52:05,800 --> 00:52:08,880
Speaker 1: this is money anything and you you know what I mean,

1277
00:52:09,080 --> 00:52:12,719
Speaker 1: Magic city, So you want to make division records, you

1278
00:52:12,760 --> 00:52:15,440
Speaker 1: know what I mean. I think that that that throws

1279
00:52:15,480 --> 00:52:17,600
Speaker 1: the whole thing off because I do switch.

1280
00:52:17,800 --> 00:52:19,440
Speaker 7: I mean, that's how that's the only way I can

1281
00:52:19,480 --> 00:52:19,719
Speaker 7: do it.

1282
00:52:19,719 --> 00:52:21,480
Speaker 1: That's the only way I can make it is to

1283
00:52:21,520 --> 00:52:24,120
Speaker 1: get away from, you know, from one thing for a

1284
00:52:24,160 --> 00:52:26,280
Speaker 1: minute and go into that space and be one hundred

1285
00:52:26,280 --> 00:52:27,160
Speaker 1: percent in that space.

1286
00:52:27,320 --> 00:52:30,440
Speaker 3: Is there a media bias even towards the South, But

1287
00:52:30,680 --> 00:52:32,760
Speaker 3: I think about that with the producers and the artists.

1288
00:52:33,040 --> 00:52:34,680
Speaker 3: So there's some artists from the South who should be

1289
00:52:34,680 --> 00:52:36,799
Speaker 3: getting mentioned. It's top lyricists all the time, and some

1290
00:52:36,840 --> 00:52:38,560
Speaker 3: producers from the South we should be getting mentioned the top.

1291
00:52:39,000 --> 00:52:40,799
Speaker 1: I just think that and I want to I want

1292
00:52:40,800 --> 00:52:44,640
Speaker 1: to get I want to show Bank a shout out

1293
00:52:44,680 --> 00:52:46,200
Speaker 1: because I feel like it's an interview.

1294
00:52:45,920 --> 00:52:48,680
Speaker 3: With thug fantastic pushes brilliant.

1295
00:52:48,840 --> 00:52:53,919
Speaker 1: Finally somebody in Atlanta to the forefront of hip hop

1296
00:52:53,960 --> 00:52:55,600
Speaker 1: media in the city of Atlanta.

1297
00:52:55,600 --> 00:52:57,120
Speaker 7: And I think it's taken.

1298
00:52:57,800 --> 00:53:01,239
Speaker 1: Thirty years for somebody in the city of Atlanta to

1299
00:53:01,280 --> 00:53:03,880
Speaker 1: be the person that you have to sit down and

1300
00:53:03,960 --> 00:53:06,680
Speaker 1: talk to if you that guy in hip hop, and

1301
00:53:06,719 --> 00:53:10,440
Speaker 1: he just made himself that person if you ask.

1302
00:53:10,640 --> 00:53:14,279
Speaker 3: I'm glad I said it on the air. Regional identity

1303
00:53:14,480 --> 00:53:18,080
Speaker 3: matters in media and everything, and Atlanta has been the

1304
00:53:18,520 --> 00:53:21,000
Speaker 3: hip hop capital for so long, but have never had

1305
00:53:21,040 --> 00:53:23,319
Speaker 3: that meeting christ Luther Gray screening on but they've never

1306
00:53:23,360 --> 00:53:25,560
Speaker 3: had that, And I.

1307
00:53:25,560 --> 00:53:28,480
Speaker 7: Think that's the problem, is like every time somebody from Atlanta.

1308
00:53:28,160 --> 00:53:30,560
Speaker 1: That's popped, they always had to come to New York

1309
00:53:30,760 --> 00:53:34,160
Speaker 1: and no disrespect, but I've been saying it should have

1310
00:53:34,200 --> 00:53:38,520
Speaker 1: been somebody that did what he did with future Luther

1311
00:53:38,640 --> 00:53:41,719
Speaker 1: Chris Ti I got out of jail. We know had

1312
00:53:41,760 --> 00:53:44,640
Speaker 1: so many artists that had so many stories or they

1313
00:53:44,719 --> 00:53:47,319
Speaker 1: missed the opportunity like what just happened with Doug because

1314
00:53:47,320 --> 00:53:48,880
Speaker 1: we don't have that person in the city, and that

1315
00:53:49,000 --> 00:53:52,160
Speaker 1: just that goes to the culture like people should like

1316
00:53:52,239 --> 00:53:53,800
Speaker 1: I just saw the magazine out there with you on

1317
00:53:53,840 --> 00:53:55,920
Speaker 1: the front cover of Variety. I've never seen that before

1318
00:53:56,200 --> 00:53:59,840
Speaker 1: right in Atlanta. I don't think young people read and

1319
00:54:00,120 --> 00:54:03,279
Speaker 1: see things like that to push them to say, you

1320
00:54:03,320 --> 00:54:05,880
Speaker 1: know what, I'm wanna do what Charllemagne doing, Man, I

1321
00:54:05,920 --> 00:54:07,319
Speaker 1: want to do what Envy doing. He got a call

1322
00:54:07,400 --> 00:54:11,799
Speaker 1: show Like, they don't see that enough to distract them.

1323
00:54:11,840 --> 00:54:13,880
Speaker 1: All they see is JD throwing money and this is

1324
00:54:14,120 --> 00:54:15,840
Speaker 1: doing money rapping.

1325
00:54:16,400 --> 00:54:18,440
Speaker 7: I'm gonna be a rapper. Nah, you ain't gotta be

1326
00:54:18,520 --> 00:54:19,920
Speaker 7: no rapper. You know what I mean?

1327
00:54:20,360 --> 00:54:22,759
Speaker 1: Bank getting ready to hit the bank absolutely, you know

1328
00:54:22,800 --> 00:54:25,040
Speaker 1: what I'm saying based on what he just did that

1329
00:54:25,080 --> 00:54:27,319
Speaker 1: one interview. Far as I'm concerned, if he do what

1330
00:54:27,360 --> 00:54:29,920
Speaker 1: he gotta do and he keep it at that level

1331
00:54:30,480 --> 00:54:32,920
Speaker 1: and the way he talked to him, it makes you

1332
00:54:33,040 --> 00:54:35,000
Speaker 1: gonna have people that really want to sit down and like,

1333
00:54:35,080 --> 00:54:36,759
Speaker 1: let you interview him the same way you did.

1334
00:54:36,840 --> 00:54:38,960
Speaker 3: And Big Facts has already been that platform to me.

1335
00:54:39,160 --> 00:54:40,840
Speaker 3: Yea right, and then now to see Bank doing the

1336
00:54:40,880 --> 00:54:41,960
Speaker 3: perspective with Banks.

1337
00:54:42,360 --> 00:54:44,920
Speaker 1: Yeah, I agree, but it took thirty years, That's what

1338
00:54:44,920 --> 00:54:48,720
Speaker 1: I'm saying. It took thirty years for somebody to say,

1339
00:54:49,719 --> 00:54:52,000
Speaker 1: this is what we need. I'm gonna do it like this, right,

1340
00:54:52,120 --> 00:54:54,960
Speaker 1: And I'm really happy to see that. I feel like

1341
00:54:55,000 --> 00:54:58,120
Speaker 1: that's gonna turn. That's gonna change the city, because that's

1342
00:54:58,120 --> 00:55:02,000
Speaker 1: gonna people. Somebody gonna that and they gonna create another one, right,

1343
00:55:02,000 --> 00:55:04,440
Speaker 1: and at that point that world will open up.

1344
00:55:04,440 --> 00:55:07,879
Speaker 7: Because when I came here, I think the beginning of.

1345
00:55:07,840 --> 00:55:10,400
Speaker 1: Me talking about Magic City, I was like, Yo, everybody

1346
00:55:10,440 --> 00:55:12,360
Speaker 1: in New York got a podcast.

1347
00:55:12,800 --> 00:55:15,960
Speaker 7: I mean everywhere I went. Everybody got podcasts, cluing them,

1348
00:55:16,040 --> 00:55:19,880
Speaker 7: got one across the street in a little bar, everybody

1349
00:55:19,880 --> 00:55:20,600
Speaker 7: fat Joe them.

1350
00:55:20,719 --> 00:55:22,800
Speaker 1: I was going to all of them, I mean, Carmelo

1351
00:55:22,920 --> 00:55:23,920
Speaker 1: them out in Brooklyn.

1352
00:55:24,080 --> 00:55:25,480
Speaker 7: It's a podcast everywhere.

1353
00:55:25,480 --> 00:55:28,239
Speaker 1: And I was just like this, this this bug ain't

1354
00:55:28,280 --> 00:55:29,040
Speaker 1: hit Atlanta yet.

1355
00:55:29,200 --> 00:55:31,160
Speaker 3: N They got them in Atlanta because you got big Facts,

1356
00:55:31,200 --> 00:55:33,720
Speaker 3: you got Bank got eighty five South shows in Atlanta.

1357
00:55:33,760 --> 00:55:35,840
Speaker 3: You got Poor Mind podcasts based out of Atlanta.

1358
00:55:36,160 --> 00:55:36,840
Speaker 2: It's four.

1359
00:55:38,320 --> 00:55:39,640
Speaker 7: Y'all want about twenty out there?

1360
00:55:40,640 --> 00:55:41,080
Speaker 2: You know what I mean?

1361
00:55:41,320 --> 00:55:41,759
Speaker 7: You know what I mean?

1362
00:55:41,760 --> 00:55:44,480
Speaker 1: It's just and they moving. Y'all got y'all got twenty

1363
00:55:44,480 --> 00:55:47,040
Speaker 1: out here, that's moving. I'm just saying, these guys that

1364
00:55:47,120 --> 00:55:49,120
Speaker 1: you like the eighty five South Show, I think that's

1365
00:55:49,120 --> 00:55:52,200
Speaker 1: probably the closest next. But after that, it ain't no

1366
00:55:52,320 --> 00:55:54,759
Speaker 1: real Like, ain't nobody you gotta talk to?

1367
00:55:55,000 --> 00:55:57,600
Speaker 3: Poor mind is big? You sit down, you ain't got to.

1368
00:55:57,640 --> 00:56:00,239
Speaker 7: Talk to them. That's what I'm saying about.

1369
00:56:00,239 --> 00:56:02,560
Speaker 1: As far as like if you want of these people,

1370
00:56:02,920 --> 00:56:06,280
Speaker 1: I feel like we don't have We ain't had nobody.

1371
00:56:05,880 --> 00:56:07,040
Speaker 7: That you have to talk to.

1372
00:56:07,120 --> 00:56:09,359
Speaker 1: Like if they was like call me cal the rec coming,

1373
00:56:09,400 --> 00:56:11,000
Speaker 1: they like jo Ju Man, who you want to have

1374
00:56:11,040 --> 00:56:14,000
Speaker 1: an in depth conversation with your name?

1375
00:56:14,200 --> 00:56:15,359
Speaker 7: Your name is gonna come up?

1376
00:56:15,520 --> 00:56:23,680
Speaker 1: And then who's the competitor to Charlemagne in Atlanta? So

1377
00:56:23,760 --> 00:56:26,040
Speaker 1: I just feel like I feel like Bank put himself

1378
00:56:26,040 --> 00:56:29,880
Speaker 1: in the category to get you know, the Gucci mans,

1379
00:56:29,960 --> 00:56:30,799
Speaker 1: all of these people that.

1380
00:56:30,760 --> 00:56:34,319
Speaker 3: We want to hear right now, Gunna should be calling

1381
00:56:34,360 --> 00:56:36,800
Speaker 3: Bank like I need to come sit down with you

1382
00:56:36,320 --> 00:56:38,640
Speaker 3: and and just three reply.

1383
00:56:39,080 --> 00:56:41,120
Speaker 7: But yeah, I mean, but it ain't even like.

1384
00:56:43,080 --> 00:56:45,280
Speaker 1: It's just like I said, he just made it where

1385
00:56:46,040 --> 00:56:48,799
Speaker 1: like Oprah Winfrey, like you want to watch it, you

1386
00:56:48,840 --> 00:56:50,920
Speaker 1: want to hear it. And he's not gonna hold back

1387
00:56:50,960 --> 00:56:55,759
Speaker 1: on the questions. And he's creditable in that category to

1388
00:56:55,840 --> 00:56:57,160
Speaker 1: where you can't run no.

1389
00:56:57,200 --> 00:56:59,880
Speaker 7: Bullsh on him. Is he gonna let you know you

1390
00:57:00,080 --> 00:57:01,319
Speaker 7: running some boy that I love?

1391
00:57:01,440 --> 00:57:01,640
Speaker 17: He was.

1392
00:57:01,760 --> 00:57:02,879
Speaker 2: He wasn't afraid to push back.

1393
00:57:02,960 --> 00:57:03,160
Speaker 3: Nah.

1394
00:57:03,200 --> 00:57:05,680
Speaker 7: But I mean, but he don't have no that's him,

1395
00:57:06,080 --> 00:57:06,719
Speaker 7: you know what I'm saying.

1396
00:57:06,760 --> 00:57:07,120
Speaker 2: He wanted.

1397
00:57:07,239 --> 00:57:09,080
Speaker 1: He the guy that told me when I said, he's

1398
00:57:09,120 --> 00:57:10,920
Speaker 1: like JD, we thought you you want you want to

1399
00:57:10,960 --> 00:57:13,239
Speaker 1: be from New York. That's who told me that, right,

1400
00:57:13,239 --> 00:57:15,120
Speaker 1: And I'm like, Nah, I wasn't trying to be from

1401
00:57:15,160 --> 00:57:17,680
Speaker 1: New York. I'm trying to just push my music. And

1402
00:57:17,720 --> 00:57:19,760
Speaker 1: I just feel like, like I said, I applaud him

1403
00:57:19,800 --> 00:57:20,720
Speaker 1: on that interview.

1404
00:57:20,440 --> 00:57:22,240
Speaker 2: He did it. You got to run?

1405
00:57:22,280 --> 00:57:22,400
Speaker 3: Well?

1406
00:57:22,440 --> 00:57:23,720
Speaker 7: Yeah, I mean before I.

1407
00:57:23,680 --> 00:57:24,439
Speaker 2: Go, I got an album.

1408
00:57:24,440 --> 00:57:26,400
Speaker 7: I think my album's coming out on Friday.

1409
00:57:26,280 --> 00:57:28,000
Speaker 1: They got yeah, I think cause I've been I had

1410
00:57:28,000 --> 00:57:30,440
Speaker 1: a lot of sample clearance issues. He was supposed to

1411
00:57:30,440 --> 00:57:33,320
Speaker 1: come out last Friday to go with the doc, but

1412
00:57:33,600 --> 00:57:35,520
Speaker 1: I'm hoping it comes out this Friday because this is

1413
00:57:35,520 --> 00:57:39,840
Speaker 1: the last episode of Magic City this Friday, So we're

1414
00:57:39,840 --> 00:57:41,320
Speaker 1: trying to make sure the album comes out and I'm

1415
00:57:41,320 --> 00:57:42,960
Speaker 1: suposed to turn it in by four o'clock.

1416
00:57:43,040 --> 00:57:45,920
Speaker 7: So that's what my running is, right, that's what my

1417
00:57:45,960 --> 00:57:47,000
Speaker 7: phone is through, all right.

1418
00:57:47,040 --> 00:57:49,400
Speaker 8: Well, JD, you main do pre may pure check out

1419
00:57:49,400 --> 00:57:51,040
Speaker 8: the Magic City Dock and of course the album.

1420
00:57:51,120 --> 00:57:52,680
Speaker 2: Appreciate you always for joining us.

1421
00:57:52,880 --> 00:57:53,160
Speaker 7: Thank you.

1422
00:57:53,280 --> 00:57:54,920
Speaker 2: It's the Breakfast clubs Jay and.

1423
00:57:55,040 --> 00:57:57,200
Speaker 3: Always a great time having a conversation. What you may

1424
00:57:57,280 --> 00:57:58,280
Speaker 3: do pre So JD.

1425
00:57:58,880 --> 00:58:01,920
Speaker 8: Guy has done a lot business show has continues to

1426
00:58:01,920 --> 00:58:04,680
Speaker 8: do more. Warning everybody, we all to Breakfast Club. Let's

1427
00:58:04,680 --> 00:58:05,640
Speaker 8: get to the latest with Lauren.

1428
00:58:06,160 --> 00:58:07,800
Speaker 5: Lauren becoming a straight fast.

1429
00:58:09,320 --> 00:58:12,200
Speaker 2: She gets somebody that knows somebody detail.

1430
00:58:12,560 --> 00:58:14,959
Speaker 5: I'm the homegirl that knows a little bit about everything.

1431
00:58:14,800 --> 00:58:18,720
Speaker 2: And she'd be having the latest on you, the laws,

1432
00:58:18,920 --> 00:58:20,480
Speaker 2: the latest with Laura la Rosa.

1433
00:58:20,600 --> 00:58:23,000
Speaker 3: Sometimes you have fact, sometimes you have details, sometimes you

1434
00:58:23,080 --> 00:58:24,000
Speaker 3: have a little bit of everything.

1435
00:58:24,160 --> 00:58:26,040
Speaker 2: It's the latest on the Breakfast Club.

1436
00:58:26,440 --> 00:58:28,400
Speaker 11: Something So.

1437
00:58:28,520 --> 00:58:32,880
Speaker 14: Derek Dixon, who is the man who accused Tyler Perry

1438
00:58:32,920 --> 00:58:36,440
Speaker 14: of sexual assought, sat down for his first interview after

1439
00:58:36,440 --> 00:58:39,440
Speaker 14: the filing with NBC News and in this interview he

1440
00:58:39,480 --> 00:58:41,640
Speaker 14: went over just basically and recounted like you know what

1441
00:58:41,720 --> 00:58:44,560
Speaker 14: he filed in the lawsuit. So they have a conversation

1442
00:58:44,600 --> 00:58:46,480
Speaker 14: about what he allegedes happen. You guys, remember that's the

1443
00:58:46,520 --> 00:58:49,600
Speaker 14: lawsuit for like two hundred and sixty million dollars. That's

1444
00:58:49,600 --> 00:58:52,280
Speaker 14: the white dude right, yes, yep, who was an actor

1445
00:58:52,400 --> 00:58:54,680
Speaker 14: on you know, some of Tyler Perry's shows.

1446
00:58:54,960 --> 00:58:56,840
Speaker 5: So they talk about a bunch of different things.

1447
00:58:56,920 --> 00:58:59,560
Speaker 14: So they get into what some of the instances that

1448
00:58:59,600 --> 00:59:01,880
Speaker 14: he alleged happens. And one of the things he goes

1449
00:59:01,880 --> 00:59:03,840
Speaker 14: into is him a legend that Tyler Perry touched his

1450
00:59:03,880 --> 00:59:04,800
Speaker 14: But let's listen.

1451
00:59:05,000 --> 00:59:08,920
Speaker 18: Twenty twenty another alleged incident that you outline in your

1452
00:59:08,960 --> 00:59:12,880
Speaker 18: lawsuit where you're again at Tyler Perry's home in Atlanta

1453
00:59:13,160 --> 00:59:15,480
Speaker 18: and it ends up with you locking yourself in a bathroom.

1454
00:59:15,680 --> 00:59:18,080
Speaker 12: We started out having drinks in the living room like

1455
00:59:18,120 --> 00:59:20,919
Speaker 12: we have done before, and it got to a point

1456
00:59:20,920 --> 00:59:22,960
Speaker 12: in the night where you know, we were both kind

1457
00:59:23,000 --> 00:59:25,960
Speaker 12: of feeling drunk, and I remember we were walking back

1458
00:59:26,000 --> 00:59:29,360
Speaker 12: to the guest area where I've stayed before and there

1459
00:59:29,480 --> 00:59:32,640
Speaker 12: was this health monitor scale on the way and I

1460
00:59:32,680 --> 00:59:34,360
Speaker 12: was like, what is that? And he said, well, you

1461
00:59:34,520 --> 00:59:36,880
Speaker 12: have to be in an underwear to measure, you know whatever,

1462
00:59:36,960 --> 00:59:39,120
Speaker 12: so you should you should do it. He reached down

1463
00:59:39,160 --> 00:59:42,560
Speaker 12: and pulled my underwear down and grabbed my my ass

1464
00:59:42,560 --> 00:59:45,200
Speaker 12: and I, you know, tried to stop him and pulled

1465
00:59:45,200 --> 00:59:47,160
Speaker 12: back my underwear up and he kind of grabbed my

1466
00:59:47,240 --> 00:59:48,400
Speaker 12: arms and said no, no, no.

1467
00:59:48,280 --> 00:59:49,920
Speaker 2: It's okay, just go with it.

1468
00:59:50,080 --> 00:59:53,560
Speaker 12: And I said, you know, stop, I don't want to

1469
00:59:53,600 --> 00:59:56,680
Speaker 12: be naked. I don't want this, and he was just like, no, no, no,

1470
00:59:56,520 --> 00:59:58,000
Speaker 12: I'm not going to hurt you, and just.

1471
00:59:57,960 --> 01:00:02,480
Speaker 14: Continued, Yeah. So he talks about that a bit. What

1472
01:00:02,680 --> 01:00:04,480
Speaker 14: why are you looking at envy like that charlamage, I'm

1473
01:00:04,480 --> 01:00:05,000
Speaker 14: not looking at it.

1474
01:00:06,640 --> 01:00:11,400
Speaker 3: You weren't looking at envy, not looking at.

1475
01:00:11,000 --> 01:00:13,760
Speaker 5: Road saying I will continue to do what.

1476
01:00:15,360 --> 01:00:19,560
Speaker 6: But you mean with Tyler Perry continue to the audio.

1477
01:00:19,680 --> 01:00:22,440
Speaker 5: Yes, yeah, story he said, and then he continues continued

1478
01:00:22,440 --> 01:00:22,880
Speaker 5: to do it.

1479
01:00:23,200 --> 01:00:26,000
Speaker 14: So basically because he talks about another time to where

1480
01:00:26,040 --> 01:00:29,880
Speaker 14: he stayed at or that basically he was saying that

1481
01:00:29,920 --> 01:00:32,760
Speaker 14: despite him not wanting Tyler or showing allegedly that he

1482
01:00:32,760 --> 01:00:35,480
Speaker 14: didn't want Tyler Perry's advances, Tyler Perry still continue to

1483
01:00:35,680 --> 01:00:37,840
Speaker 14: you know, throw advances his way allegedly and things of

1484
01:00:37,880 --> 01:00:45,080
Speaker 14: that nature. Now, No, I'm laughing at you, Charlemagne. You're

1485
01:00:45,120 --> 01:00:48,080
Speaker 14: getting on my notes. I'm going back to my story now.

1486
01:00:48,160 --> 01:00:52,240
Speaker 14: He also talks about some of the text messages that

1487
01:00:52,320 --> 01:00:56,040
Speaker 14: they exchanged. Because Tyler Perry's team is denying all of this,

1488
01:00:56,120 --> 01:00:58,480
Speaker 14: Tiler Paris attorney Matthew Boyd is saying that this is

1489
01:00:58,480 --> 01:01:00,560
Speaker 14: someone who obviously got close to Tyler, but it was

1490
01:01:00,760 --> 01:01:02,960
Speaker 14: because this was all a skin more a shakedown. Now,

1491
01:01:03,000 --> 01:01:05,480
Speaker 14: let's Tay go listen to him on what the text

1492
01:01:05,520 --> 01:01:06,800
Speaker 14: message conversations they had.

1493
01:01:07,360 --> 01:01:11,760
Speaker 18: The complaint includes multiple screenshots of text messages allegedly between

1494
01:01:11,800 --> 01:01:12,640
Speaker 18: Dixon and Perry.

1495
01:01:12,880 --> 01:01:15,400
Speaker 12: Picture where he's on the jets ski. I said, next

1496
01:01:15,400 --> 01:01:17,600
Speaker 12: picture and he said, yell, the water looks calm. He said,

1497
01:01:17,680 --> 01:01:19,680
Speaker 12: nice picture. You don't see that stud in that picture?

1498
01:01:20,040 --> 01:01:20,360
Speaker 2: Rude?

1499
01:01:20,880 --> 01:01:23,520
Speaker 12: And I said, lo l, yes, that's a stud. And

1500
01:01:23,560 --> 01:01:26,680
Speaker 12: all these texts. I tried to de escalate them and

1501
01:01:26,720 --> 01:01:28,000
Speaker 12: make a joke out of them.

1502
01:01:28,120 --> 01:01:30,600
Speaker 5: Some of the messages more sexual in nature.

1503
01:01:30,800 --> 01:01:32,360
Speaker 12: One of them says, what what's it going to take

1504
01:01:32,360 --> 01:01:34,520
Speaker 12: for you to have guiltless sex? Have y'all found that

1505
01:01:34,560 --> 01:01:35,120
Speaker 12: in therapy?

1506
01:01:35,200 --> 01:01:35,400
Speaker 2: Yet?

1507
01:01:35,640 --> 01:01:37,760
Speaker 12: I would hope that you would let someone hold you

1508
01:01:37,800 --> 01:01:40,800
Speaker 12: and make love to you just.

1509
01:01:40,800 --> 01:01:43,400
Speaker 5: I wish you. Who was the stood in the picture?

1510
01:01:43,440 --> 01:01:45,480
Speaker 14: He said, Tyler Perry was stud Yeah, so it was

1511
01:01:45,480 --> 01:01:50,320
Speaker 14: a photo in the text message of Tyler Perry on side. No,

1512
01:01:50,400 --> 01:01:52,840
Speaker 14: like not that type of stud jest like like a

1513
01:01:52,920 --> 01:01:54,840
Speaker 14: hint soum like you know, like a like a.

1514
01:01:54,920 --> 01:01:55,880
Speaker 3: Like me I got dead.

1515
01:01:55,960 --> 01:01:58,360
Speaker 2: Definitely not you like you know.

1516
01:01:58,840 --> 01:02:01,800
Speaker 6: So they call it. That's the new term. They called

1517
01:02:02,280 --> 01:02:03,400
Speaker 6: handsome men studs.

1518
01:02:03,720 --> 01:02:05,160
Speaker 3: Yes, always been that way.

1519
01:02:05,280 --> 01:02:07,680
Speaker 2: May have always been, like I said, stud man.

1520
01:02:08,560 --> 01:02:13,960
Speaker 3: That don't sound right, but that's like an eighties term.

1521
01:02:14,960 --> 01:02:15,680
Speaker 2: It's older term.

1522
01:02:17,000 --> 01:02:17,640
Speaker 5: Yes.

1523
01:02:18,400 --> 01:02:18,520
Speaker 3: Now.

1524
01:02:18,560 --> 01:02:21,200
Speaker 14: They also talked about the fact that this lawsuit is

1525
01:02:21,400 --> 01:02:24,120
Speaker 14: worth he's asking for two hundred and sixty million dollars.

1526
01:02:24,120 --> 01:02:25,320
Speaker 5: They want to know, how did you even get to

1527
01:02:25,320 --> 01:02:25,720
Speaker 5: this number?

1528
01:02:25,920 --> 01:02:27,760
Speaker 2: But what right?

1529
01:02:27,800 --> 01:02:30,760
Speaker 5: That's why I say, what else did the conversation.

1530
01:02:30,600 --> 01:02:32,120
Speaker 3: I've seen a man grab your butt before.

1531
01:02:32,760 --> 01:02:33,120
Speaker 9: It was you.

1532
01:02:33,720 --> 01:02:34,280
Speaker 3: That's a lie.

1533
01:02:34,880 --> 01:02:38,360
Speaker 2: That's my story. That's my story. How did he get

1534
01:02:38,400 --> 01:02:38,919
Speaker 2: to that number?

1535
01:02:39,120 --> 01:02:41,600
Speaker 5: Right, let's take a listen to in.

1536
01:02:41,560 --> 01:02:45,240
Speaker 18: Your lawsuit for damages totally two hundred and sixty million dollars.

1537
01:02:45,480 --> 01:02:47,160
Speaker 5: How did you arrive at that number?

1538
01:02:47,520 --> 01:02:47,760
Speaker 2: Yeah?

1539
01:02:48,200 --> 01:02:51,920
Speaker 12: Part of that number is my lost job, I lost income,

1540
01:02:52,200 --> 01:02:54,360
Speaker 12: the loss of the show. The other part of that

1541
01:02:54,560 --> 01:02:57,520
Speaker 12: is a deterrent for you know, how do you stop

1542
01:02:57,560 --> 01:03:00,919
Speaker 12: a billionaire who won't stop themselves from I'm doing from

1543
01:03:00,960 --> 01:03:01,360
Speaker 12: doing this.

1544
01:03:02,920 --> 01:03:03,400
Speaker 2: That's a lie.

1545
01:03:04,040 --> 01:03:07,400
Speaker 6: So he was gonna make two sixty Listen, they said

1546
01:03:07,520 --> 01:03:11,120
Speaker 6: to sixty for two hundred and sixty million dollars.

1547
01:03:11,320 --> 01:03:12,920
Speaker 2: Half of that one was gonna make one thirty for

1548
01:03:12,960 --> 01:03:13,280
Speaker 2: the show.

1549
01:03:13,280 --> 01:03:14,320
Speaker 5: And then what show was he on?

1550
01:03:14,680 --> 01:03:14,880
Speaker 2: Hey?

1551
01:03:15,000 --> 01:03:17,280
Speaker 5: Lost his job? What show was he on with Tyler?

1552
01:03:17,640 --> 01:03:18,080
Speaker 2: Was paying him?

1553
01:03:20,240 --> 01:03:20,800
Speaker 3: What is it?

1554
01:03:21,720 --> 01:03:21,800
Speaker 11: No?

1555
01:03:21,960 --> 01:03:22,280
Speaker 7: He was?

1556
01:03:22,640 --> 01:03:24,280
Speaker 6: He was he got a Beauty in the black because

1557
01:03:24,280 --> 01:03:26,560
Speaker 6: I watched that he was starring on the Oval?

1558
01:03:27,960 --> 01:03:29,920
Speaker 5: Oh yeah, hey, man.

1559
01:03:29,880 --> 01:03:32,080
Speaker 2: Let the record show. I don't believe this man. Okay,

1560
01:03:32,240 --> 01:03:34,080
Speaker 2: I don't believe me. I don't care what y'all think.

1561
01:03:34,360 --> 01:03:34,760
Speaker 2: Be mad.

1562
01:03:34,840 --> 01:03:35,760
Speaker 3: I don't believe this guy.

1563
01:03:35,880 --> 01:03:38,320
Speaker 8: I just hate the fact that somebody who accused that

1564
01:03:38,360 --> 01:03:39,560
Speaker 8: somebody could do interviews.

1565
01:03:39,760 --> 01:03:43,160
Speaker 3: Why exactly for the actual court case that makes no Like,

1566
01:03:43,160 --> 01:03:44,680
Speaker 3: why is why is this who?

1567
01:03:44,720 --> 01:03:46,200
Speaker 5: The interview he sat down with ABC?

1568
01:03:46,440 --> 01:03:49,240
Speaker 3: Why is ABC supposed to be a reputable news even

1569
01:03:49,360 --> 01:03:51,080
Speaker 3: organization even entertaining this?

1570
01:03:51,600 --> 01:03:51,680
Speaker 13: Like?

1571
01:03:51,720 --> 01:03:54,680
Speaker 3: What what what has he presented for y'all? To entertain

1572
01:03:54,680 --> 01:03:55,360
Speaker 3: this and give him an.

1573
01:03:55,440 --> 01:03:57,680
Speaker 8: It doesn't it doesn't make sense. Before they go to

1574
01:03:57,720 --> 01:04:00,160
Speaker 8: actual trial they're able to do that. And if there's

1575
01:04:00,160 --> 01:04:02,720
Speaker 8: a jury, the jury, he has one side. Tyler Perry

1576
01:04:02,760 --> 01:04:05,080
Speaker 8: will never be able to do that because he's being sued,

1577
01:04:05,120 --> 01:04:06,800
Speaker 8: So his lawyer's gonna advise him to shut the f

1578
01:04:06,880 --> 01:04:09,440
Speaker 8: up to the trial, So you're only gonna hear one side.

1579
01:04:09,560 --> 01:04:11,160
Speaker 8: I just think the whole thing is fed up. But

1580
01:04:11,200 --> 01:04:13,120
Speaker 8: if he does get to sixty four, but.

1581
01:04:13,280 --> 01:04:15,760
Speaker 2: Grab, I'm coming for you. He's not giving.

1582
01:04:16,600 --> 01:04:20,560
Speaker 6: Because maybe it's because he's white as well that this

1583
01:04:20,640 --> 01:04:23,120
Speaker 6: is happening. I can see that maybe they thought the

1584
01:04:23,200 --> 01:04:25,360
Speaker 6: story would be better and it would stick more because

1585
01:04:25,360 --> 01:04:25,840
Speaker 6: he's white.

1586
01:04:25,880 --> 01:04:27,880
Speaker 2: So I can see that's why. Well, that's what I

1587
01:04:27,920 --> 01:04:28,800
Speaker 2: don't believe any of it.

1588
01:04:29,080 --> 01:04:31,280
Speaker 14: Yeah, And Tyler Paris attorney Matthew Boy also said that

1589
01:04:31,520 --> 01:04:33,840
Speaker 14: Tyler Perry refuses to be shaken down and that they

1590
01:04:33,840 --> 01:04:37,040
Speaker 14: are confident these fabricated claims of harassment will fail.

1591
01:04:37,160 --> 01:04:39,080
Speaker 5: In response to this sit down interview.

1592
01:04:40,600 --> 01:04:42,760
Speaker 8: Yes, and I just want to say one last thing.

1593
01:04:43,040 --> 01:04:45,000
Speaker 8: I just said, Charlemagne, it gives me too sixty four

1594
01:04:45,120 --> 01:04:47,080
Speaker 8: for grabbing my butt. Charlemage didn't say he didn't grab

1595
01:04:47,120 --> 01:04:48,439
Speaker 8: my butt. He just said he don't have too sixty.

1596
01:04:48,440 --> 01:04:49,760
Speaker 5: But I don't know why he gonna.

1597
01:04:49,560 --> 01:04:51,280
Speaker 14: Say to me, why I can't get through the story

1598
01:04:51,320 --> 01:04:53,160
Speaker 14: and he here giving you all these faces, why this

1599
01:04:53,240 --> 01:04:57,760
Speaker 14: story has happened. There's cameras in here, Charlemagne, Like, who

1600
01:04:57,880 --> 01:04:58,800
Speaker 14: got cameras?

1601
01:05:00,120 --> 01:05:02,680
Speaker 3: You just be talking. I don't understand that one of the.

1602
01:05:02,720 --> 01:05:05,240
Speaker 5: Envy is a time victim. He like to be a

1603
01:05:05,320 --> 01:05:05,840
Speaker 5: victim when.

1604
01:05:05,760 --> 01:05:07,960
Speaker 3: He so bad.

1605
01:05:08,080 --> 01:05:12,880
Speaker 6: Yeah, ABC, I've seen you coming and grabbed charlemagne nipples.

1606
01:05:13,080 --> 01:05:15,800
Speaker 14: Now now we're talking him from the back line to NB. Yeah,

1607
01:05:15,800 --> 01:05:17,040
Speaker 14: you do hug him from the back of line.

1608
01:05:17,560 --> 01:05:19,520
Speaker 2: Got weirdness, this nippling, But it's not the same thing.

1609
01:05:20,040 --> 01:05:23,480
Speaker 5: Who says Diddy's nipples got brought into course.

1610
01:05:24,000 --> 01:05:27,960
Speaker 3: Damn you on a road this morning. You just notting serious?

1611
01:05:28,040 --> 01:05:28,280
Speaker 3: No more?

1612
01:05:28,360 --> 01:05:28,560
Speaker 4: Do you?

1613
01:05:28,800 --> 01:05:30,160
Speaker 2: You've been in this room way too long.

1614
01:05:30,520 --> 01:05:32,600
Speaker 3: Okay, I've told you a million times I'm not mature

1615
01:05:32,680 --> 01:05:33,760
Speaker 3: enough to have certain conversations.

1616
01:05:33,760 --> 01:05:35,240
Speaker 2: I think it's starting to rub off on you used

1617
01:05:35,280 --> 01:05:35,960
Speaker 2: to be the mature one.

1618
01:05:36,080 --> 01:05:37,920
Speaker 5: Diddy nipples did make it into court. I'm trying to

1619
01:05:37,960 --> 01:05:38,920
Speaker 5: give envy some everybody.

1620
01:05:39,040 --> 01:05:39,800
Speaker 2: Nipples make it in the court.

1621
01:05:39,800 --> 01:05:40,920
Speaker 3: How can you leave your nipples in the car?

1622
01:05:42,120 --> 01:05:50,160
Speaker 5: Yo, please, Dixons I like that.

1623
01:05:50,640 --> 01:05:53,680
Speaker 14: Dixon said, it's been humiliation and all of that from

1624
01:05:53,760 --> 01:05:55,280
Speaker 14: him coming out. And now look at you up here

1625
01:05:56,520 --> 01:05:57,880
Speaker 14: talking about these alleged.

1626
01:05:57,560 --> 01:05:59,480
Speaker 2: Claims I haven't made, all said, I don't believe.

1627
01:05:59,320 --> 01:06:05,360
Speaker 19: You're talking about and your all right, humiliation, But you

1628
01:06:06,040 --> 01:06:09,720
Speaker 19: at tyler probably house having glasses of wine that night,

1629
01:06:09,920 --> 01:06:12,800
Speaker 19: and y'all walking to the walk into a guest area

1630
01:06:13,080 --> 01:06:15,320
Speaker 19: like you've did many times before, and you get a

1631
01:06:15,320 --> 01:06:17,760
Speaker 19: little ass grab and now you want to sixty all.

1632
01:06:17,840 --> 01:06:19,560
Speaker 2: We don't know, we don't know if he got it,

1633
01:06:19,600 --> 01:06:21,880
Speaker 2: ask grap Well, yeah, that's but.

1634
01:06:22,080 --> 01:06:25,160
Speaker 5: From his story, and we've done this before many of times.

1635
01:06:25,360 --> 01:06:27,400
Speaker 5: All right, So what happened on the other nights? Goofy?

1636
01:06:27,760 --> 01:06:32,160
Speaker 2: I don't believe him. I don't either, Okay, all right,

1637
01:06:32,240 --> 01:06:34,960
Speaker 2: Well that to me, I.

1638
01:06:34,960 --> 01:06:41,320
Speaker 5: Believe, all right, So you are kind of childish because.

1639
01:06:42,800 --> 01:06:45,200
Speaker 2: Like that, you can't.

1640
01:06:48,960 --> 01:06:51,680
Speaker 3: A young lady named Erica Harper. She is disgusting as well. Okay,

1641
01:06:51,720 --> 01:06:53,040
Speaker 3: she needs to come to the front of the congregation.

1642
01:06:53,120 --> 01:06:54,480
Speaker 3: We would like to have a word with her. Our

1643
01:06:54,560 --> 01:06:56,760
Speaker 3: elders deserve better, all right, we'll get to that next.

1644
01:06:56,760 --> 01:06:57,520
Speaker 3: It's the Breakfast Club.

1645
01:06:57,560 --> 01:06:57,880
Speaker 2: Good morning.

1646
01:06:58,080 --> 01:07:00,120
Speaker 11: We wanted to know how you came up with and

1647
01:07:00,200 --> 01:07:01,160
Speaker 11: don't be a name.

1648
01:07:02,800 --> 01:07:08,800
Speaker 3: Because today there's a bunch of donkeys out the street.

1649
01:07:09,000 --> 01:07:12,200
Speaker 3: That is why, Charlemagne, we live a life where we

1650
01:07:12,320 --> 01:07:13,960
Speaker 3: right are tongue based on Coolie maya finger.

1651
01:07:14,040 --> 01:07:22,040
Speaker 2: We never would say anything on the Breakfast Club. The

1652
01:07:22,080 --> 01:07:29,200
Speaker 2: words of charlemagnea god, he's a donkey, oh man, Charlamagne,

1653
01:07:29,200 --> 01:07:30,760
Speaker 2: he's giving donkey to day to who.

1654
01:07:30,720 --> 01:07:34,600
Speaker 3: Now well buster rhymes donkey today for Wednesday, September tenth

1655
01:07:34,680 --> 01:07:37,360
Speaker 3: goes to Erica Hopper of Washington, d C. She is

1656
01:07:37,440 --> 01:07:38,480
Speaker 3: forty five years.

1657
01:07:38,320 --> 01:07:40,600
Speaker 2: Old and she's accused of base scamming.

1658
01:07:40,920 --> 01:07:44,280
Speaker 3: Okay, I'm talking wham bam, thank you scam all right,

1659
01:07:44,400 --> 01:07:47,120
Speaker 3: super sayan scamming. And let me tell you something. If

1660
01:07:47,160 --> 01:07:50,120
Speaker 3: there's two things that grind my gifts, it's when people

1661
01:07:50,160 --> 01:07:53,760
Speaker 3: take advantage of kids and the elderly. Funny how life works. Okay,

1662
01:07:53,840 --> 01:07:56,720
Speaker 3: we start off as kids that need their asses white

1663
01:07:56,760 --> 01:07:58,960
Speaker 3: by others, and then grow to be eldest that need

1664
01:07:59,040 --> 01:08:02,480
Speaker 3: their asses white by But either way, neither version deserves

1665
01:08:02,520 --> 01:08:06,080
Speaker 3: to be taken advantage of. And nothing hurts worse than

1666
01:08:06,160 --> 01:08:09,680
Speaker 3: watching kids, all the elderly getting taken advantage of by

1667
01:08:09,720 --> 01:08:12,880
Speaker 3: their own family. And that's exactly what Erica Hopper did.

1668
01:08:13,000 --> 01:08:15,880
Speaker 3: She is accused of making more than two hundred and

1669
01:08:16,080 --> 01:08:21,559
Speaker 3: sixty six thousand dallas and unauthorized purchases from an old

1670
01:08:21,640 --> 01:08:22,200
Speaker 3: man's account.

1671
01:08:22,280 --> 01:08:23,920
Speaker 2: Would you like to know who the old man was?

1672
01:08:24,200 --> 01:08:25,880
Speaker 2: Let's go to NBC four for the report. Police.

1673
01:08:26,320 --> 01:08:29,719
Speaker 20: Montgomery County Police accused forty five year old Erika Hopper

1674
01:08:29,840 --> 01:08:33,560
Speaker 20: of embezzlement, theft, and fraud. When her grandfather went to

1675
01:08:33,600 --> 01:08:36,559
Speaker 20: an assisted living home in Silver Spring following the death

1676
01:08:36,640 --> 01:08:39,759
Speaker 20: of his wife of sixty plus years, Hopper gained power

1677
01:08:39,840 --> 01:08:43,080
Speaker 20: of attorney in the statement of charges against her. Police

1678
01:08:43,120 --> 01:08:46,439
Speaker 20: accuse her of using that to spend her grandfather's money,

1679
01:08:46,560 --> 01:08:49,880
Speaker 20: including from the sale of his house, on herself, from

1680
01:08:49,960 --> 01:08:52,840
Speaker 20: November of twenty twenty one until June of this year.

1681
01:08:53,439 --> 01:08:57,559
Speaker 20: Expenditures listed include payments on a twenty twenty two Kia Stinger,

1682
01:08:57,920 --> 01:09:01,439
Speaker 20: the payoff of credit card balances on two cards, stage

1683
01:09:01,479 --> 01:09:04,920
Speaker 20: area seats at an Usher concert, elective cosmetic surgery, trips

1684
01:09:04,960 --> 01:09:08,520
Speaker 20: to New Orleans and Las Vegas, designer clothing and accessories,

1685
01:09:08,560 --> 01:09:12,920
Speaker 20: and rent payments totaling more than two hundred and sixty

1686
01:09:13,000 --> 01:09:16,880
Speaker 20: six thousand dollars. Charging documents accused Hopper of listing her

1687
01:09:16,960 --> 01:09:20,360
Speaker 20: grandfather's pension and Social Security, making him a co tenant

1688
01:09:20,640 --> 01:09:23,599
Speaker 20: to qualify for an apartment at a luxury building steps

1689
01:09:23,600 --> 01:09:26,639
Speaker 20: from Union Market in Northeast DC. Police say he remained

1690
01:09:26,680 --> 01:09:28,080
Speaker 20: in the nursing home during that time.

1691
01:09:28,800 --> 01:09:31,960
Speaker 2: Really, Erica, your ninety five year old grandfather.

1692
01:09:32,080 --> 01:09:34,960
Speaker 3: If your grandfather touching that kind of paper, he probably

1693
01:09:35,040 --> 01:09:38,360
Speaker 3: got you in the will. Anyway, if your grandfather touching

1694
01:09:38,400 --> 01:09:39,880
Speaker 3: that kind of paper, you could have.

1695
01:09:39,880 --> 01:09:41,760
Speaker 2: Probably just asked them for what you want.

1696
01:09:42,200 --> 01:09:43,800
Speaker 3: Then you get the money and spend it on a

1697
01:09:43,880 --> 01:09:48,160
Speaker 3: new car, luxury apartment, cosmetic surgery. But you got a

1698
01:09:48,200 --> 01:09:53,400
Speaker 3: BBL luxury clothing, concert tickets, concert tickets. Who did you

1699
01:09:53,479 --> 01:09:54,280
Speaker 3: go see the Wratchet?

1700
01:09:54,600 --> 01:09:54,720
Speaker 4: Oh?

1701
01:09:54,800 --> 01:09:58,040
Speaker 3: You wanted to have big fun on your grandfather's dime.

1702
01:09:58,800 --> 01:10:01,080
Speaker 3: She actually went to go see Usher and didn't even

1703
01:10:01,080 --> 01:10:05,800
Speaker 3: get no cherries. Now, I know you had power of

1704
01:10:05,840 --> 01:10:08,320
Speaker 3: attorney for your grandfather, Erica, but that doesn't mean power

1705
01:10:08,400 --> 01:10:11,240
Speaker 3: to exploit. Okay, we was just talking about this earlier

1706
01:10:11,400 --> 01:10:13,920
Speaker 3: because Cardi b was on Jennifer Hudson saying how your

1707
01:10:14,000 --> 01:10:16,960
Speaker 3: kids are gonna take care of you when you get older.

1708
01:10:16,960 --> 01:10:19,600
Speaker 3: They're supposed to. You should be able to rely on

1709
01:10:19,800 --> 01:10:22,360
Speaker 3: family when you get older. But you can't change a

1710
01:10:22,400 --> 01:10:24,960
Speaker 3: player's game in the nine inning. Okay, once the scammer,

1711
01:10:25,040 --> 01:10:28,400
Speaker 3: always a scammer. And know Erica is not Nigerian. I

1712
01:10:28,560 --> 01:10:31,040
Speaker 3: know you were thinking it, but a Nigerian would never

1713
01:10:31,400 --> 01:10:35,040
Speaker 3: do their grandfather like this because Nigerians understand those who

1714
01:10:35,120 --> 01:10:39,320
Speaker 3: respect the elderly paid their own road towards success. The

1715
01:10:39,439 --> 01:10:43,000
Speaker 3: Bible even says you should submit to your elders with humility.

1716
01:10:43,160 --> 01:10:45,840
Speaker 3: That's first Pter five to five. Erica, you was not humble,

1717
01:10:46,000 --> 01:10:49,240
Speaker 3: You was arrogant. Crazy thing is you wasn't scamming your grandfather,

1718
01:10:49,600 --> 01:10:53,200
Speaker 3: You were scamming yourself. Okay, what kind of soulless person

1719
01:10:53,479 --> 01:10:56,280
Speaker 3: steals from a ninety five year old, especially a person

1720
01:10:56,600 --> 01:11:01,479
Speaker 3: who was probably gonna leave you something anyway, Hey, elders

1721
01:11:01,520 --> 01:11:04,240
Speaker 3: are supposed to pass down blessings, not get blood dry

1722
01:11:04,680 --> 01:11:07,240
Speaker 3: by their own bloodlines. Okay, I don't know who needs

1723
01:11:07,280 --> 01:11:09,479
Speaker 3: to hear this this morning, but please listen to you,

1724
01:11:09,640 --> 01:11:14,439
Speaker 3: Uncle Shawla. Taking advantage of old folks ain't hustling. That's heartless. Okay,

1725
01:11:14,560 --> 01:11:17,680
Speaker 3: if you'll rob your own grandfather, you'll rob anybody, and

1726
01:11:17,760 --> 01:11:20,200
Speaker 3: that's why you have to you, Erica should have to

1727
01:11:20,280 --> 01:11:23,080
Speaker 3: deal with maximum consequences. They need to make an example

1728
01:11:23,120 --> 01:11:26,120
Speaker 3: of you. That man is ninety five. He fought through

1729
01:11:26,160 --> 01:11:29,479
Speaker 3: segregation and probably two hip replacements. Okay, he should not

1730
01:11:29,600 --> 01:11:32,280
Speaker 3: have to fight his own granddaughter for his bank account.

1731
01:11:32,960 --> 01:11:35,600
Speaker 3: Please give Erica Hoffer the sweet sounds of the Hamiltons.

1732
01:11:35,840 --> 01:11:37,200
Speaker 7: Oh no, you are.

1733
01:11:40,280 --> 01:11:48,120
Speaker 2: Of the day, the dogee all the day.

1734
01:11:49,240 --> 01:11:54,599
Speaker 3: Yet gotta make an example of her.

1735
01:11:54,800 --> 01:11:59,639
Speaker 8: Now, I was thinking, I was thinking, mask your question. Boy,

1736
01:12:00,040 --> 01:12:04,880
Speaker 8: that's your granddaughter. She stole from me. It's wrong, it's foul.

1737
01:12:05,600 --> 01:12:07,479
Speaker 8: But do you press charges on your granddaughter?

1738
01:12:07,640 --> 01:12:07,720
Speaker 9: Now?

1739
01:12:07,760 --> 01:12:09,160
Speaker 2: I got to mention, I don't even remember.

1740
01:12:09,600 --> 01:12:11,000
Speaker 3: Y'all do what y'all do, but I don't know nothing.

1741
01:12:11,040 --> 01:12:12,400
Speaker 3: Make sure my money back on my account.

1742
01:12:12,520 --> 01:12:14,439
Speaker 2: That should makes your my money back in my count

1743
01:12:14,479 --> 01:12:15,000
Speaker 2: I don't remember.

1744
01:12:15,200 --> 01:12:19,480
Speaker 8: Foul, it's horrible, But do you puss charges on your granddaughter?

1745
01:12:19,479 --> 01:12:21,519
Speaker 3: It's not about whether or not he present charges on

1746
01:12:21,920 --> 01:12:23,880
Speaker 3: some other family. Getting charges pressed on her because she

1747
01:12:23,920 --> 01:12:25,320
Speaker 3: committed a crime was some other family.

1748
01:12:25,720 --> 01:12:29,920
Speaker 6: You need some type of consequence, Like you said, I mean, yeah,

1749
01:12:30,000 --> 01:12:32,200
Speaker 6: you pressed charges on the law as man and then

1750
01:12:32,560 --> 01:12:36,519
Speaker 6: like right, but she was probably in the will anyway.

1751
01:12:36,600 --> 01:12:38,719
Speaker 5: If you're touching that type of paper like you don't

1752
01:12:38,760 --> 01:12:39,960
Speaker 5: even know, that's crazy.

1753
01:12:40,800 --> 01:12:42,639
Speaker 8: You don't know because she probably gonna go to jail

1754
01:12:42,640 --> 01:12:44,840
Speaker 8: for some time time like this, ain't no thirty days.

1755
01:12:44,880 --> 01:12:49,080
Speaker 3: She made a choice, but forty she's a forty five

1756
01:12:49,160 --> 01:12:51,400
Speaker 3: year old woman who made a choice. Still, your grand

1757
01:12:51,520 --> 01:12:54,000
Speaker 3: choices have consequences, I agree, But still your granddaughter, I

1758
01:12:54,040 --> 01:12:56,599
Speaker 3: don't care no better you're talking about does she care

1759
01:12:56,640 --> 01:12:58,760
Speaker 3: about me as the grandfather? What she was feeling for me?

1760
01:12:59,320 --> 01:13:01,600
Speaker 2: No, it was wrong. But you still don't want you

1761
01:13:01,720 --> 01:13:02,120
Speaker 2: what you do.

1762
01:13:02,280 --> 01:13:06,240
Speaker 5: At ninety years old and your in Madison's daughter do

1763
01:13:06,439 --> 01:13:07,759
Speaker 5: this to you? You ninety?

1764
01:13:08,520 --> 01:13:09,880
Speaker 2: I don't want her to go to jail.

1765
01:13:10,680 --> 01:13:11,280
Speaker 7: What's fat?

1766
01:13:11,360 --> 01:13:11,720
Speaker 2: It's wrong.

1767
01:13:11,760 --> 01:13:13,880
Speaker 8: I'm not saying I'm not saying it's right, But you

1768
01:13:14,320 --> 01:13:16,440
Speaker 8: don't want your granddaughter your granddaughter?

1769
01:13:17,120 --> 01:13:17,960
Speaker 2: All Right, we'll forget it.

1770
01:13:18,960 --> 01:13:21,320
Speaker 5: And Dan, first of all, Charlamaine, who was thinking that

1771
01:13:21,400 --> 01:13:22,720
Speaker 5: they was Naigerian? Why you had to say that?

1772
01:13:22,840 --> 01:13:25,439
Speaker 2: Who said that you tied y'all accused me of things

1773
01:13:25,479 --> 01:13:26,680
Speaker 2: I didn't say, No, you did?

1774
01:13:26,800 --> 01:13:29,400
Speaker 5: You say, and I know everybody thinking it's not Jerry,

1775
01:13:29,439 --> 01:13:30,160
Speaker 5: and nobody thought.

1776
01:13:30,200 --> 01:13:32,200
Speaker 2: I had somebody thinking never happened.

1777
01:13:32,520 --> 01:13:33,000
Speaker 3: Roll the tape.

1778
01:13:33,080 --> 01:13:36,360
Speaker 2: Never happened, never said the clown, never said that.

1779
01:13:36,479 --> 01:13:38,080
Speaker 8: All right, well, thank you for that donkey at the

1780
01:13:38,120 --> 01:13:42,560
Speaker 8: Ache News. Now, when we come back, Larious Oaks, I

1781
01:13:42,560 --> 01:13:45,760
Speaker 8: wouldn't say that. When we come back, Shakas is joining

1782
01:13:45,840 --> 01:13:48,800
Speaker 8: us a book how to be Free, A proven guy

1783
01:13:48,840 --> 01:13:50,599
Speaker 8: to escape in life's hidden prison.

1784
01:13:50,720 --> 01:13:51,280
Speaker 2: This is my guy.

1785
01:13:51,320 --> 01:13:53,280
Speaker 3: He's also the he's the New York Times best selling author.

1786
01:13:53,320 --> 01:13:55,479
Speaker 3: I'm sure you've read some much Shaka's work before me.

1787
01:13:55,520 --> 01:13:57,960
Speaker 3: And Shaka was actually at right Because Island a couple

1788
01:13:58,000 --> 01:13:59,640
Speaker 3: of days ago, talking to the inmates, because you know,

1789
01:13:59,680 --> 01:14:01,320
Speaker 3: that's what he does a lot of his work.

1790
01:14:01,400 --> 01:14:03,599
Speaker 2: And he always shows up for me for my mental wealth. Ex.

1791
01:14:03,640 --> 01:14:05,679
Speaker 3: Bolls Man, just a really good brother. In this book

1792
01:14:05,760 --> 01:14:08,800
Speaker 3: right here is really good because so many of us

1793
01:14:09,000 --> 01:14:13,040
Speaker 3: are trapped in hidden prisons that we cannot get out of,

1794
01:14:13,160 --> 01:14:15,439
Speaker 3: and he has created a guide to help us get

1795
01:14:15,439 --> 01:14:15,800
Speaker 3: out of them.

1796
01:14:15,920 --> 01:14:17,840
Speaker 8: All right, we'll get to that next. It's the Breakfast Club.

1797
01:14:17,880 --> 01:14:24,759
Speaker 8: Good Morning, The Breakfast Club Owning Everybody is DJ Envy

1798
01:14:24,920 --> 01:14:27,599
Speaker 8: Jess hilarious Charlamage the guy. We are the Breakfast Club.

1799
01:14:27,640 --> 01:14:29,679
Speaker 8: We got a special guest in the building. Yes, indeed,

1800
01:14:29,840 --> 01:14:31,960
Speaker 8: Shakas and welcome back by Man.

1801
01:14:32,040 --> 01:14:34,000
Speaker 2: I'm blessed. I'm blessed. Thank y'all so much for having

1802
01:14:34,040 --> 01:14:34,880
Speaker 2: me back. Man.

1803
01:14:35,000 --> 01:14:37,880
Speaker 3: Shaka just put out an amazing new body of work, Man,

1804
01:14:38,040 --> 01:14:40,559
Speaker 3: a new book, How to Be Free, A Proving gud

1805
01:14:40,640 --> 01:14:46,000
Speaker 3: The Escaping Life's Hidden Prisons. Man, what is a hidden prison?

1806
01:14:46,680 --> 01:14:49,040
Speaker 21: It's the things that you don't see that standing away

1807
01:14:49,280 --> 01:14:51,000
Speaker 21: of you living the best life for yourself.

1808
01:14:51,120 --> 01:14:51,240
Speaker 2: Right.

1809
01:14:51,360 --> 01:14:53,880
Speaker 21: So what I've thought about this this big idea and

1810
01:14:54,080 --> 01:14:56,720
Speaker 21: created this kind of blueprint to help people live the.

1811
01:14:56,800 --> 01:14:59,759
Speaker 2: Life that they're fully capable of, fully deserving.

1812
01:15:00,520 --> 01:15:02,760
Speaker 21: I recognized that we all had these hidden prisons, you know,

1813
01:15:02,920 --> 01:15:06,400
Speaker 21: self doubt, negative self talk. You know, that's one of

1814
01:15:06,479 --> 01:15:08,880
Speaker 21: the big things that kind of standing away. There's also

1815
01:15:09,000 --> 01:15:13,080
Speaker 21: things like anger, grief, shame, things from our childhood that

1816
01:15:13,600 --> 01:15:16,120
Speaker 21: really doesn't allow us to show up fully and authentically

1817
01:15:16,920 --> 01:15:17,879
Speaker 21: in our full potential.

1818
01:15:18,640 --> 01:15:19,479
Speaker 2: You know, I wanted to.

1819
01:15:19,720 --> 01:15:21,160
Speaker 8: I know you got the book out, but there's a

1820
01:15:21,280 --> 01:15:23,439
Speaker 8: lot that's been going on, and I figured you would

1821
01:15:23,439 --> 01:15:27,160
Speaker 8: be the right person to ask some questions about everything

1822
01:15:27,240 --> 01:15:30,559
Speaker 8: going on in Atlanta. It seems like people, I wouldn't say,

1823
01:15:30,680 --> 01:15:35,400
Speaker 8: glorify the street and glorify things that happen in the street.

1824
01:15:35,840 --> 01:15:37,920
Speaker 8: And I feel like sometimes people don't know how to

1825
01:15:38,000 --> 01:15:39,679
Speaker 8: get out of it. Right, you see what happened in Atlanta.

1826
01:15:39,680 --> 01:15:41,160
Speaker 8: Everybody's this person's a rat.

1827
01:15:41,840 --> 01:15:43,560
Speaker 2: When do you get to an age or what do

1828
01:15:43,640 --> 01:15:45,360
Speaker 2: you tell those young as it says, hey, it's not

1829
01:15:45,600 --> 01:15:45,880
Speaker 2: worth it.

1830
01:15:45,960 --> 01:15:47,960
Speaker 8: We see what's happening. But it seems like they don't

1831
01:15:48,080 --> 01:15:50,160
Speaker 8: learn their lessons. So what do you tell one of

1832
01:15:50,200 --> 01:15:52,240
Speaker 8: those little young those little young brothers out there.

1833
01:15:52,479 --> 01:15:54,360
Speaker 2: That's a prison that's not hidden.

1834
01:15:54,880 --> 01:15:57,600
Speaker 21: But I think one of the things with our with

1835
01:15:57,720 --> 01:16:00,840
Speaker 21: our culture, specifically like hip hop culture, is we've kind

1836
01:16:00,880 --> 01:16:03,519
Speaker 21: of intermingled the idea that these guys are really street

1837
01:16:03,600 --> 01:16:06,519
Speaker 21: guys and really they artists. They're kids who are trying

1838
01:16:06,520 --> 01:16:08,840
Speaker 21: to figure out how to make money using the talent,

1839
01:16:09,200 --> 01:16:12,639
Speaker 21: but also using the stories from a background that society

1840
01:16:12,720 --> 01:16:14,880
Speaker 21: has sold us on as being like the way to

1841
01:16:14,920 --> 01:16:16,519
Speaker 21: show up in the world, right, like the only way

1842
01:16:16,560 --> 01:16:18,240
Speaker 21: we can make it. And what I tell the young

1843
01:16:18,280 --> 01:16:21,799
Speaker 21: people is that it's made way more money in legitimate enterprise.

1844
01:16:22,040 --> 01:16:25,360
Speaker 21: And like I was pretty decent with street sales, but

1845
01:16:25,479 --> 01:16:29,360
Speaker 21: I can tell you make way more money in legitimate enterprise,

1846
01:16:29,520 --> 01:16:32,840
Speaker 21: and the accessibility to it now is something we see.

1847
01:16:32,960 --> 01:16:35,120
Speaker 21: I mean, like you can take a phone and build

1848
01:16:35,160 --> 01:16:37,519
Speaker 21: a whole career, right, And so I think we have

1849
01:16:37,640 --> 01:16:40,639
Speaker 21: to separate like what's really the streets from like what's

1850
01:16:40,800 --> 01:16:44,360
Speaker 21: music culture and these kids pretending to be street guys,

1851
01:16:44,400 --> 01:16:46,479
Speaker 21: because it's kind of ridiculous if you think about it.

1852
01:16:46,680 --> 01:16:49,599
Speaker 21: If you're making all this money and music, then why

1853
01:16:49,640 --> 01:16:52,240
Speaker 21: are you going backwards? Because it's not many guys that's

1854
01:16:52,400 --> 01:16:55,640
Speaker 21: really financially successful coming for the streets, like and I mean,

1855
01:16:55,760 --> 01:16:58,439
Speaker 21: you talk to any of the guys that actually are

1856
01:16:58,880 --> 01:17:02,080
Speaker 21: you know, recognized from being in that environment, they tell

1857
01:17:02,120 --> 01:17:04,840
Speaker 21: you most guys don't make real money industries. Most guys

1858
01:17:04,880 --> 01:17:09,639
Speaker 21: are basically minimum wage, you know workers. So if you're

1859
01:17:09,640 --> 01:17:12,320
Speaker 21: making all this legitimate money in music, why would you

1860
01:17:12,520 --> 01:17:14,840
Speaker 21: kind of try to intermingle that with this identity that's

1861
01:17:14,880 --> 01:17:15,240
Speaker 21: not real?

1862
01:17:15,600 --> 01:17:17,439
Speaker 3: Man? That's a great point. And what do you say

1863
01:17:17,479 --> 01:17:19,639
Speaker 3: to people who act like the screech is a industry?

1864
01:17:19,920 --> 01:17:21,679
Speaker 3: And what I mean by that is you'll have folks

1865
01:17:21,720 --> 01:17:24,240
Speaker 3: that will say things to you like, well, who determines

1866
01:17:24,280 --> 01:17:27,000
Speaker 3: what's legal and illegal, or who determines what's right and

1867
01:17:27,120 --> 01:17:29,439
Speaker 3: what's wrong. Because they'll say there's people out here that

1868
01:17:29,520 --> 01:17:32,200
Speaker 3: make money selling alcohol. The people that say here that's

1869
01:17:32,240 --> 01:17:36,200
Speaker 3: making money selling marijuana. Now, I'm like, that's not the same.

1870
01:17:36,360 --> 01:17:37,839
Speaker 3: Like the screech is not a real industry.

1871
01:17:38,280 --> 01:17:41,040
Speaker 21: Yeah, no, I mean it's a kind of dispersed industry. Right,

1872
01:17:41,080 --> 01:17:45,160
Speaker 21: It's like anything goes. But when you look at how

1873
01:17:45,840 --> 01:17:48,400
Speaker 21: you know, for example, the marijuana industry, right, how that's

1874
01:17:48,439 --> 01:17:52,000
Speaker 21: evolved to become legitimate enterprise. Right, Like that's where we

1875
01:17:52,040 --> 01:17:55,200
Speaker 21: should be focusing. How do we change laws and policies

1876
01:17:55,280 --> 01:17:59,560
Speaker 21: to work for advantage insteady being victimized by these policies

1877
01:18:00,000 --> 01:18:02,120
Speaker 21: and then somebody else reaps all the benefits. And so

1878
01:18:02,720 --> 01:18:05,320
Speaker 21: you know, I'm always telling you know, the young people

1879
01:18:05,360 --> 01:18:07,720
Speaker 21: that I mentor is really think about how do you

1880
01:18:07,800 --> 01:18:10,280
Speaker 21: get ownership and whatever it is you're interested in. Like

1881
01:18:10,400 --> 01:18:13,360
Speaker 21: that's I've been in SILICONMB Valley for three years, which

1882
01:18:13,400 --> 01:18:15,479
Speaker 21: actually is one of the inspirations for writing this book

1883
01:18:15,920 --> 01:18:19,800
Speaker 21: because I work with people that's like ultra wealthy, and

1884
01:18:19,960 --> 01:18:21,640
Speaker 21: yet I see them have kind of like some of

1885
01:18:21,720 --> 01:18:24,560
Speaker 21: the same prisons that you know, I see people in

1886
01:18:24,640 --> 01:18:27,280
Speaker 21: the neighborhood. I've seen people who is actually in real

1887
01:18:27,400 --> 01:18:30,160
Speaker 21: prison have that same kind of mental blocks that doesn't

1888
01:18:30,160 --> 01:18:33,200
Speaker 21: allow them to show up authentically. Even though it looks

1889
01:18:33,240 --> 01:18:35,080
Speaker 21: like they got all the traps of success, they're still

1890
01:18:35,160 --> 01:18:38,160
Speaker 21: not happy and fulfilled. So that's to me, it's more like,

1891
01:18:38,280 --> 01:18:40,680
Speaker 21: how are you getting equity, but also how are you

1892
01:18:40,800 --> 01:18:43,120
Speaker 21: creating like the mental equity to really live a life

1893
01:18:43,160 --> 01:18:43,920
Speaker 21: that you want to live.

1894
01:18:44,040 --> 01:18:45,040
Speaker 2: I got one more question with that.

1895
01:18:46,000 --> 01:18:47,719
Speaker 8: Is there a cold when it comes to the street

1896
01:18:47,760 --> 01:18:50,240
Speaker 8: in your opinion, But we had a conversation about cold.

1897
01:18:50,520 --> 01:18:52,160
Speaker 2: Is there a cold? Is there a cold that you're

1898
01:18:52,160 --> 01:18:53,960
Speaker 2: supposed to follow or is.

1899
01:18:53,960 --> 01:18:55,920
Speaker 8: It just is it legal activity, you know, I mean,

1900
01:18:56,000 --> 01:18:59,200
Speaker 8: or is there something that guidelines that should be followed.

1901
01:18:59,439 --> 01:19:00,880
Speaker 21: I mean, I grew up in the air of like

1902
01:19:01,000 --> 01:19:03,920
Speaker 21: crack cocaine, so I can't speak to with their's codes.

1903
01:19:04,000 --> 01:19:05,559
Speaker 21: Now I haven't been in the streets in like thirty

1904
01:19:05,640 --> 01:19:08,680
Speaker 21: some years, and I'm fifty three years old. Man, successful

1905
01:19:09,160 --> 01:19:13,200
Speaker 21: business man. I'm an entrepreneur, man, I got a kid,

1906
01:19:13,280 --> 01:19:16,000
Speaker 21: I got investments. But I do you know, I mean,

1907
01:19:16,040 --> 01:19:18,160
Speaker 21: I still do a lot of work with people in

1908
01:19:18,240 --> 01:19:20,280
Speaker 21: prison and in the neighborhoods. And you know, I kind

1909
01:19:20,320 --> 01:19:24,000
Speaker 21: of know that the codes are really your personal values, right,

1910
01:19:24,040 --> 01:19:26,400
Speaker 21: everybody can say that they're real and to them handcuffs

1911
01:19:26,439 --> 01:19:28,680
Speaker 21: going up to you in that terrogation room, and you're

1912
01:19:28,720 --> 01:19:31,840
Speaker 21: really facing a life sentence. And that's what we don't

1913
01:19:31,880 --> 01:19:35,080
Speaker 21: talk about is how many different ways you can end

1914
01:19:35,160 --> 01:19:39,160
Speaker 21: up serving life without actually even really doing anything meaningful,

1915
01:19:39,280 --> 01:19:40,320
Speaker 21: just by associations.

1916
01:19:40,439 --> 01:19:40,559
Speaker 2: Right.

1917
01:19:41,000 --> 01:19:43,600
Speaker 21: You know, when you're talking about those rico charges, a

1918
01:19:43,640 --> 01:19:45,920
Speaker 21: lot of these guys not making real money. They just

1919
01:19:46,080 --> 01:19:48,640
Speaker 21: around and then you get swooped up and the way

1920
01:19:48,680 --> 01:19:51,200
Speaker 21: the farest players, they gonna load up everything they could

1921
01:19:51,280 --> 01:19:53,760
Speaker 21: charge you with, and then most likely you will plead out,

1922
01:19:53,800 --> 01:19:55,479
Speaker 21: which is like ninety five percent of people do.

1923
01:19:56,400 --> 01:19:58,400
Speaker 2: But yeah, I don't. I stay out the streets, Andy,

1924
01:19:58,479 --> 01:20:01,200
Speaker 2: I'm out here just being a grown We try to

1925
01:20:01,240 --> 01:20:04,120
Speaker 2: tell the younger that to stay out the streets, absolutely,

1926
01:20:04,960 --> 01:20:05,600
Speaker 2: it ain't worth it.

1927
01:20:05,840 --> 01:20:07,519
Speaker 8: And any little bit of money you were gonna make,

1928
01:20:07,600 --> 01:20:09,040
Speaker 8: or any little bit of cloud that you're gonna make,

1929
01:20:09,120 --> 01:20:12,640
Speaker 8: ain't worth the ten life sentences, two life sentences, or

1930
01:20:12,640 --> 01:20:13,640
Speaker 8: one life sentence, you know what I mean.

1931
01:20:13,640 --> 01:20:16,680
Speaker 2: It ain't worth missing your family life, your kids. It

1932
01:20:16,720 --> 01:20:17,439
Speaker 2: ain't worth it, man.

1933
01:20:17,600 --> 01:20:19,960
Speaker 21: You know, the nineteen years in prison that I serve,

1934
01:20:20,280 --> 01:20:23,040
Speaker 21: I watched life go by. You know, I came home,

1935
01:20:23,240 --> 01:20:27,120
Speaker 21: my younger siblings were adults. My nephews and nieces didn't

1936
01:20:27,160 --> 01:20:28,640
Speaker 21: even know me. You know, they had to get to

1937
01:20:28,760 --> 01:20:31,960
Speaker 21: know me. And so you can't you can't replace those years.

1938
01:20:32,040 --> 01:20:33,560
Speaker 21: You know, there's nothing you can do to get that

1939
01:20:33,720 --> 01:20:35,680
Speaker 21: time back. And this is what I can tell you

1940
01:20:35,840 --> 01:20:39,599
Speaker 21: for sure about about prison. Life is the toughest break

1941
01:20:39,800 --> 01:20:43,760
Speaker 21: under those circumstances. Everybody when they when they hit that

1942
01:20:43,840 --> 01:20:46,439
Speaker 21: pillar at night, they're wishing that they would have made

1943
01:20:46,520 --> 01:20:48,200
Speaker 21: different life choices, you know what I mean. So I

1944
01:20:48,400 --> 01:20:51,240
Speaker 21: wouldn't wish that on anybody, and I try to discourage guys.

1945
01:20:51,320 --> 01:20:52,840
Speaker 21: I think one of the things I will say that

1946
01:20:52,920 --> 01:20:55,360
Speaker 21: I'm proud of that I'm starting to see in our

1947
01:20:55,479 --> 01:20:59,320
Speaker 21: culture it's more interest being, you know, placed on actually

1948
01:20:59,320 --> 01:21:01,760
Speaker 21: the legitimate financial investments.

1949
01:21:01,800 --> 01:21:04,040
Speaker 2: You know. I think about what the young brother's doing.

1950
01:21:04,280 --> 01:21:04,960
Speaker 2: Are your leisure?

1951
01:21:05,040 --> 01:21:07,200
Speaker 21: You know, I think about Willow and some of the

1952
01:21:07,240 --> 01:21:10,400
Speaker 21: brothers I've been able to interact with, and I'm like, Yo,

1953
01:21:10,560 --> 01:21:12,679
Speaker 21: that's that's a move right there, because it's still cool.

1954
01:21:12,840 --> 01:21:13,479
Speaker 2: At the end of the day.

1955
01:21:13,479 --> 01:21:16,559
Speaker 21: If it's really about making money, investments is a way

1956
01:21:16,560 --> 01:21:18,280
Speaker 21: to make a lot of money, you know, And that's

1957
01:21:18,320 --> 01:21:20,240
Speaker 21: the freedom that I even talk about in the books

1958
01:21:20,320 --> 01:21:24,000
Speaker 21: like financial freedom. You know, how are you taking advantage

1959
01:21:24,120 --> 01:21:26,920
Speaker 21: of these opportunities that's really right in front of you?

1960
01:21:27,000 --> 01:21:30,000
Speaker 21: And you know, my philosophy is simple. I came from

1961
01:21:30,120 --> 01:21:33,240
Speaker 21: nineteen years in prison, seven years in solitary confinement, to

1962
01:21:33,360 --> 01:21:36,439
Speaker 21: becoming really really successful, not only as an author but

1963
01:21:36,600 --> 01:21:39,000
Speaker 21: also as an investor. So my philosophy is like, if

1964
01:21:39,000 --> 01:21:42,439
Speaker 21: I can do it coming from those circumstances, what excuse

1965
01:21:42,479 --> 01:21:42,760
Speaker 21: you got?

1966
01:21:42,880 --> 01:21:43,360
Speaker 2: You know what I mean?

1967
01:21:43,479 --> 01:21:45,519
Speaker 21: So I tell my mentees, you got to take every

1968
01:21:45,600 --> 01:21:47,320
Speaker 21: excuse off the table because I've done.

1969
01:21:47,160 --> 01:21:48,080
Speaker 2: All the hard work for you.

1970
01:21:48,600 --> 01:21:50,320
Speaker 21: And that's you know, That's what I've done in this

1971
01:21:50,400 --> 01:21:53,040
Speaker 21: book is like, here's a framework and a blueprint for

1972
01:21:53,160 --> 01:21:55,439
Speaker 21: you to literally live the freeest life possible.

1973
01:21:55,560 --> 01:21:57,720
Speaker 8: Who's still kicking it with shot that's to go Up's

1974
01:21:57,840 --> 01:22:00,799
Speaker 8: new book, How to Be Free, Approven God to Escaping

1975
01:22:00,880 --> 01:22:02,400
Speaker 8: Life's Hidden Prisons.

1976
01:22:03,240 --> 01:22:05,280
Speaker 3: One of the biggest hitting prisoners I see is people,

1977
01:22:05,880 --> 01:22:09,519
Speaker 3: you know, being defined by their past mistakes, are not

1978
01:22:09,640 --> 01:22:11,760
Speaker 3: knowing how to let go of their past mistakes. So

1979
01:22:11,800 --> 01:22:13,760
Speaker 3: how do you keep from being defined by your past

1980
01:22:13,800 --> 01:22:16,280
Speaker 3: mistakes when the system is sometimes even your own people

1981
01:22:16,640 --> 01:22:18,120
Speaker 3: want to keep you stuck there.

1982
01:22:18,320 --> 01:22:19,679
Speaker 2: Man, I stay out the comments section.

1983
01:22:21,560 --> 01:22:24,960
Speaker 21: It's brutal out there, man. No, but but but really

1984
01:22:25,000 --> 01:22:28,160
Speaker 21: it's a lot of self affirming care right. It's like

1985
01:22:28,320 --> 01:22:31,200
Speaker 21: negative self talk is one of the biggest self imposed

1986
01:22:31,240 --> 01:22:34,879
Speaker 21: prisons I've found where even successful people are doubting themselves

1987
01:22:35,080 --> 01:22:38,599
Speaker 21: or you know, dealing with imposter syndrome, like why.

1988
01:22:38,000 --> 01:22:39,640
Speaker 2: Am I in this room? Do I really belong in

1989
01:22:39,720 --> 01:22:40,120
Speaker 2: this room?

1990
01:22:40,640 --> 01:22:42,400
Speaker 21: And so for me, you know, the way that I've

1991
01:22:42,479 --> 01:22:45,360
Speaker 21: kind of mapped my life out is really through writing

1992
01:22:45,400 --> 01:22:47,800
Speaker 21: it down. Like journalists, one of the greatest hacks in

1993
01:22:47,960 --> 01:22:50,040
Speaker 21: life is like when you see it, you can be

1994
01:22:50,200 --> 01:22:52,680
Speaker 21: super clear on Hey, here's who I actually am, not

1995
01:22:52,800 --> 01:22:55,120
Speaker 21: who they say I am. I get judged all the time,

1996
01:22:55,280 --> 01:22:57,599
Speaker 21: like why are you able to do some of these things?

1997
01:22:57,720 --> 01:22:59,240
Speaker 21: You know, you went to pro I went to prison

1998
01:22:59,360 --> 01:23:01,240
Speaker 21: for I'm a side. You know, it's one of the

1999
01:23:01,680 --> 01:23:04,439
Speaker 21: most regrettable actions in my life, and it's something I

2000
01:23:04,479 --> 01:23:08,000
Speaker 21: could never undo, which is why I'm so conscious about

2001
01:23:08,080 --> 01:23:10,519
Speaker 21: talking to the young guys about the decisions that they

2002
01:23:10,600 --> 01:23:15,040
Speaker 21: make and I've also lived fifteen years of freedom where

2003
01:23:15,240 --> 01:23:17,800
Speaker 21: I've been able to create, you know, a lot of

2004
01:23:17,960 --> 01:23:19,920
Speaker 21: value for communities that I'm in.

2005
01:23:20,000 --> 01:23:21,640
Speaker 2: I've invested in the community.

2006
01:23:21,240 --> 01:23:23,280
Speaker 21: In the real way, and so I've done way more

2007
01:23:23,360 --> 01:23:26,000
Speaker 21: good than i've done bad. But the reality is people

2008
01:23:26,000 --> 01:23:27,800
Speaker 21: are gonna bring that up. You know, they're gonna judge

2009
01:23:27,840 --> 01:23:30,160
Speaker 21: you for that. And so that's why that self talk

2010
01:23:30,280 --> 01:23:33,599
Speaker 21: is so important, and journaling and really writing it down

2011
01:23:33,640 --> 01:23:35,960
Speaker 21: and getting super clear about who you are really is

2012
01:23:36,000 --> 01:23:37,160
Speaker 21: what makes the world different.

2013
01:23:37,360 --> 01:23:39,200
Speaker 3: Do you feel like trauma is the root of all

2014
01:23:39,280 --> 01:23:39,920
Speaker 3: hidden prisons.

2015
01:23:40,280 --> 01:23:45,040
Speaker 21: I think trauma is one of the core anchoring pieces

2016
01:23:45,160 --> 01:23:47,240
Speaker 21: of the hidden prisons. You know, a lot of how

2017
01:23:47,320 --> 01:23:50,520
Speaker 21: we see our lives has been shaped by our childhood,

2018
01:23:50,720 --> 01:23:54,040
Speaker 21: and there's like big trauma and small trauma, right, but

2019
01:23:54,160 --> 01:23:59,040
Speaker 21: I think it's really shaped by just negative experiences because

2020
01:23:59,080 --> 01:24:02,000
Speaker 21: some don't quite rise to the level of trauma, but

2021
01:24:02,120 --> 01:24:04,320
Speaker 21: they do rise to the level of like making you

2022
01:24:04,439 --> 01:24:07,320
Speaker 21: think about something in a way that's unpleasant. And I

2023
01:24:07,439 --> 01:24:09,720
Speaker 21: think that's where a lot of the negative self talk

2024
01:24:09,800 --> 01:24:12,160
Speaker 21: comes from. Is like, you know, you're an environment s

2025
01:24:12,240 --> 01:24:14,439
Speaker 21: might it's like, oh, you can't accomplish that, and now

2026
01:24:14,520 --> 01:24:18,160
Speaker 21: you've adopted that's not necessarily trauma. It's just negative input.

2027
01:24:18,560 --> 01:24:20,240
Speaker 21: But now it has you questioned and whether you can

2028
01:24:20,240 --> 01:24:23,240
Speaker 21: accomplish a thing or not. Right, And so I think

2029
01:24:23,320 --> 01:24:26,760
Speaker 21: there's like the kind of big trauma, then there's like

2030
01:24:26,800 --> 01:24:29,000
Speaker 21: this kind of small negative inputs.

2031
01:24:29,160 --> 01:24:31,679
Speaker 3: How do we use your new book How to Be Free,

2032
01:24:32,240 --> 01:24:36,840
Speaker 3: to shift from telling young people, especially young brothers, to

2033
01:24:36,960 --> 01:24:40,519
Speaker 3: do better to actually creating healing spaces that deal with

2034
01:24:40,680 --> 01:24:41,160
Speaker 3: that trauma.

2035
01:24:41,760 --> 01:24:43,639
Speaker 21: That's a great question. I think we saw a lot

2036
01:24:43,680 --> 01:24:46,040
Speaker 21: of that yesterday when we was at Riker. So one

2037
01:24:46,080 --> 01:24:47,720
Speaker 21: of the things that I've done with this book is

2038
01:24:47,760 --> 01:24:50,479
Speaker 21: I started the largest book club in prisons. So we

2039
01:24:50,640 --> 01:24:53,719
Speaker 21: gave the book away to thirteen hundred prisons, to about

2040
01:24:53,720 --> 01:24:56,560
Speaker 21: a million people who are incarcerated, because I want to

2041
01:24:56,560 --> 01:24:58,640
Speaker 21: make sure that they had access to this information and

2042
01:24:58,720 --> 01:25:01,080
Speaker 21: this framework so that they can live the most free

2043
01:25:01,120 --> 01:25:04,960
Speaker 21: life possible, even though their circumstances doesn't look look free.

2044
01:25:05,000 --> 01:25:07,320
Speaker 21: And I think what we do is we start study groups,

2045
01:25:07,400 --> 01:25:10,280
Speaker 21: you know, we start to really have these deep conversations,

2046
01:25:10,400 --> 01:25:13,640
Speaker 21: and like, it was mind blowing to see how the

2047
01:25:13,760 --> 01:25:17,880
Speaker 21: people who are incarcerated leaned into this book. Specifically, they

2048
01:25:17,960 --> 01:25:21,280
Speaker 21: had questions, they had thoughts, they had all these things

2049
01:25:21,320 --> 01:25:23,559
Speaker 21: because we did create a real framework within the book

2050
01:25:23,600 --> 01:25:26,000
Speaker 21: for them to kind of, you know, guide the conversation.

2051
01:25:26,520 --> 01:25:28,160
Speaker 21: And it was amazing, you know what I'm saying, to

2052
01:25:28,280 --> 01:25:30,519
Speaker 21: really see how that played out. And I would love

2053
01:25:30,600 --> 01:25:32,439
Speaker 21: to do that out here where we started to connect

2054
01:25:32,479 --> 01:25:34,920
Speaker 21: the dots, you know, especially in our culture where it's

2055
01:25:35,000 --> 01:25:37,640
Speaker 21: like it's wild sometime when I think about wrapping all

2056
01:25:37,680 --> 01:25:39,080
Speaker 21: the things that they're rapping about, and I'm like, I

2057
01:25:39,240 --> 01:25:42,240
Speaker 21: really lived that life, and but I may not be

2058
01:25:42,360 --> 01:25:45,360
Speaker 21: the person that they see as being accessible because I'm

2059
01:25:45,400 --> 01:25:49,000
Speaker 21: not over indexing on my past. I'm like, listen, I'm

2060
01:25:49,040 --> 01:25:50,800
Speaker 21: living a whole different life and I want to bring

2061
01:25:50,920 --> 01:25:53,200
Speaker 21: you to this part of it, not that old life,

2062
01:25:53,240 --> 01:25:54,400
Speaker 21: you know what I mean. But I think this is

2063
01:25:54,439 --> 01:25:57,040
Speaker 21: a book opportunity that you know, I would love to

2064
01:25:57,080 --> 01:26:00,320
Speaker 21: see more brothers and sisters in the culture like starting

2065
01:26:00,400 --> 01:26:02,960
Speaker 21: study groups and think tanks around this framework, because it

2066
01:26:03,080 --> 01:26:05,120
Speaker 21: really is one of those problems and we don't have

2067
01:26:05,280 --> 01:26:06,599
Speaker 21: nothing like it in our culture.

2068
01:26:06,680 --> 01:26:06,800
Speaker 2: Right.

2069
01:26:06,960 --> 01:26:09,800
Speaker 21: Like you know, when I was when I was set

2070
01:26:09,840 --> 01:26:12,679
Speaker 21: out to write this particular book, I really was like, Man,

2071
01:26:13,200 --> 01:26:14,920
Speaker 21: I thought about the books that helped me in my

2072
01:26:15,040 --> 01:26:18,320
Speaker 21: life while I was incarcerated as a man, think of

2073
01:26:18,400 --> 01:26:21,439
Speaker 21: the secret man searchs for meaning all these books and

2074
01:26:21,520 --> 01:26:23,880
Speaker 21: I didn't see any book that was authored by somebody

2075
01:26:23,920 --> 01:26:27,559
Speaker 21: who really had lived and experience that I had lived,

2076
01:26:27,960 --> 01:26:29,240
Speaker 21: and so I was like, oh, it's up to me

2077
01:26:29,320 --> 01:26:29,800
Speaker 21: to create that.

2078
01:26:29,920 --> 01:26:31,880
Speaker 2: And that's how we ended up with this book.

2079
01:26:31,920 --> 01:26:34,920
Speaker 21: And shout out to my brother being Horowitz, who actually

2080
01:26:35,080 --> 01:26:38,960
Speaker 21: encouraged me to write a lesson book which was really

2081
01:26:39,360 --> 01:26:40,360
Speaker 21: powerful and and pathful.

2082
01:26:40,720 --> 01:26:44,400
Speaker 2: Is a desire to be accepted a hidden prisons? Oh? Absolutely, yeah.

2083
01:26:44,560 --> 01:26:46,160
Speaker 21: I think it's one of the one of the biggest

2084
01:26:46,200 --> 01:26:49,439
Speaker 21: hidden prisons is that we're uh and it's really who

2085
01:26:49,479 --> 01:26:51,920
Speaker 21: are you trying to be accepted by? And what do

2086
01:26:52,000 --> 01:26:54,400
Speaker 21: you think that they have that you don't have inside yourself?

2087
01:26:54,880 --> 01:26:57,439
Speaker 21: And I think when you when you begin to strengthen

2088
01:26:57,520 --> 01:26:59,880
Speaker 21: your sense of who you are as a human being,

2089
01:27:00,680 --> 01:27:02,880
Speaker 21: then you are draw to you what you need. But

2090
01:27:03,040 --> 01:27:06,360
Speaker 21: you won't go out seeking acceptance from any and everybody.

2091
01:27:08,080 --> 01:27:09,200
Speaker 21: The book is out right now.

2092
01:27:09,400 --> 01:27:12,160
Speaker 3: And then inviting me the Rikers yesterday, man was climing

2093
01:27:12,160 --> 01:27:13,559
Speaker 3: to me because I take the security of the king.

2094
01:27:16,439 --> 01:27:20,080
Speaker 21: He took a security personnel in an environment I didn't

2095
01:27:20,120 --> 01:27:21,400
Speaker 21: think about it eight thousand.

2096
01:27:21,520 --> 01:27:24,360
Speaker 2: Yo, it was wild. I don't practice bad It was

2097
01:27:24,439 --> 01:27:24,840
Speaker 2: that weird.

2098
01:27:25,080 --> 01:27:25,680
Speaker 5: I I was.

2099
01:27:25,880 --> 01:27:27,679
Speaker 21: I was laughing the whole way as I was thinking

2100
01:27:27,680 --> 01:27:29,760
Speaker 21: about what is going to happen when it's security walk

2101
01:27:29,800 --> 01:27:33,519
Speaker 21: in and it's like literally hundreds of officers that are.

2102
01:27:33,560 --> 01:27:36,080
Speaker 2: Armed, and I'm like, Charlimne, you're rolling in here with me? Man,

2103
01:27:36,120 --> 01:27:36,720
Speaker 2: what are you doing?

2104
01:27:36,840 --> 01:27:37,200
Speaker 3: You can't.

2105
01:27:37,360 --> 01:27:39,080
Speaker 2: I didn't even think about it. You good in any hood,

2106
01:27:39,320 --> 01:27:41,720
Speaker 2: any prison. When you rolling with me, I.

2107
01:27:41,880 --> 01:27:44,240
Speaker 3: Understand that I didn't the practice bad habits. You know

2108
01:27:44,280 --> 01:27:47,519
Speaker 3: what I'm saying the movie, Yeah, that's right, but that

2109
01:27:47,760 --> 01:27:50,679
Speaker 3: was stupid. And then just make he took his firearm

2110
01:27:50,680 --> 01:27:52,080
Speaker 3: when he came. They made him say, and you know,

2111
01:27:52,160 --> 01:27:53,559
Speaker 3: he used to be a cop. So I was like, Yo,

2112
01:27:53,640 --> 01:27:55,160
Speaker 3: you ever wanted to be a CEO Riker.

2113
01:27:55,240 --> 01:28:01,600
Speaker 2: He was like, he's also doing your XBO Yeah no,

2114
01:28:01,840 --> 01:28:06,599
Speaker 2: not this this year. I'm a Missing Man's I've done

2115
01:28:06,600 --> 01:28:09,080
Speaker 2: it a couple of years. Man.

2116
01:28:09,160 --> 01:28:11,400
Speaker 21: It's one of the best best experience. So I really

2117
01:28:11,520 --> 01:28:13,679
Speaker 21: encourage everybody to go check it out. And we're gonna

2118
01:28:13,720 --> 01:28:17,320
Speaker 21: do one on Rikers Island. Gonna make that happen.

2119
01:28:17,360 --> 01:28:19,000
Speaker 3: But you know, I'm glad you did bring that up, though,

2120
01:28:19,040 --> 01:28:21,080
Speaker 3: because even though Shaka is not doing it this year,

2121
01:28:21,360 --> 01:28:23,559
Speaker 3: the years he's done it, it was such an important

2122
01:28:24,160 --> 01:28:26,400
Speaker 3: It was so important to have you there as well

2123
01:28:26,439 --> 01:28:29,280
Speaker 3: as Wallow because to your point, every year that we

2124
01:28:29,400 --> 01:28:32,320
Speaker 3: did it, there was always people there who had either

2125
01:28:32,560 --> 01:28:34,920
Speaker 3: just got out of prison or got people who are

2126
01:28:35,120 --> 01:28:37,760
Speaker 3: in prison right now and we don't understand how that

2127
01:28:37,920 --> 01:28:42,080
Speaker 3: impacts their mental especially brothers that just came home. It's

2128
01:28:42,080 --> 01:28:45,680
Speaker 3: still institutionalized, and they were people like literally saying you,

2129
01:28:45,800 --> 01:28:48,000
Speaker 3: y'all need to add this component to the mental wealth

2130
01:28:48,160 --> 01:28:50,000
Speaker 3: XBO because those are the people that are dealing with it.

2131
01:28:50,520 --> 01:28:53,720
Speaker 2: Absolutely absolutely, and I'll definitely be there next year.

2132
01:28:53,920 --> 01:28:56,439
Speaker 21: I'm so sad to be missing this one, but I'm

2133
01:28:56,479 --> 01:28:58,679
Speaker 21: super excited to be out on tour with the book

2134
01:28:58,760 --> 01:28:59,920
Speaker 21: and celebrating.

2135
01:29:00,360 --> 01:29:00,479
Speaker 2: Man.

2136
01:29:00,520 --> 01:29:03,799
Speaker 21: This book number three. Man, So this is it's actually

2137
01:29:03,880 --> 01:29:06,720
Speaker 21: so real. You know, to to and you know you've

2138
01:29:06,760 --> 01:29:08,400
Speaker 21: written books. You know how hard it is to get

2139
01:29:08,439 --> 01:29:10,160
Speaker 21: a book, book up, book out in the world. So

2140
01:29:10,800 --> 01:29:12,320
Speaker 21: super a few weeks ago.

2141
01:29:12,439 --> 01:29:15,840
Speaker 3: Man, So y'all you have your hand braided.

2142
01:29:15,600 --> 01:29:20,160
Speaker 21: On you know, you know, the wild thing about about

2143
01:29:20,160 --> 01:29:23,320
Speaker 21: the relationship with Oprah's we're genuinely friends, man. And like

2144
01:29:23,439 --> 01:29:24,920
Speaker 21: when I when I first wrote my book, I don't

2145
01:29:24,920 --> 01:29:26,439
Speaker 21: know if I told you the story, but I wrote

2146
01:29:26,720 --> 01:29:29,120
Speaker 21: my first book in solitary and I was like, Yo,

2147
01:29:29,200 --> 01:29:31,880
Speaker 21: anybody want to read this book? And the guy was like, man,

2148
01:29:31,920 --> 01:29:34,400
Speaker 21: it ain't open. Don't nobody want to read this? And

2149
01:29:34,520 --> 01:29:36,519
Speaker 21: I was like, damn. I was like that was cold.

2150
01:29:36,880 --> 01:29:38,000
Speaker 2: But then I wrote it down.

2151
01:29:37,880 --> 01:29:40,639
Speaker 21: As a goal, opened and read three of my books

2152
01:29:40,720 --> 01:29:42,959
Speaker 21: and invited me to her home multiple times.

2153
01:29:42,760 --> 01:29:46,280
Speaker 3: And said that you were her greatest interview ever. Imagine

2154
01:29:46,320 --> 01:29:49,800
Speaker 3: open saying that about you, just my greatest interview ever.

2155
01:29:50,000 --> 01:29:52,519
Speaker 2: Yeah, wow, yeah, And then we became real friends. Man.

2156
01:29:52,560 --> 01:29:55,080
Speaker 21: So that's that's my girl. And I shout her out

2157
01:29:55,080 --> 01:29:57,200
Speaker 21: all the time and she always reaches out show. I'm

2158
01:29:57,200 --> 01:29:59,920
Speaker 21: sure she'll be like Congrand's on pub day, shaka, you know.

2159
01:30:00,160 --> 01:30:03,080
Speaker 21: So she's genuinely she's who she said she is.

2160
01:30:03,960 --> 01:30:10,679
Speaker 2: She didn't cook. We didn't note that time we was working.

2161
01:30:10,720 --> 01:30:12,479
Speaker 2: It was it was it was great. You know what

2162
01:30:12,479 --> 01:30:12,800
Speaker 2: I'm saying.

2163
01:30:12,840 --> 01:30:13,160
Speaker 7: She likes.

2164
01:30:14,240 --> 01:30:16,200
Speaker 21: She actually sent me a few bottles though that she

2165
01:30:16,360 --> 01:30:18,639
Speaker 21: she she uped my game on the tequilas years ago.

2166
01:30:18,960 --> 01:30:20,680
Speaker 2: She asked me what my favorite was. I told her.

2167
01:30:20,720 --> 01:30:24,439
Speaker 21: She was like, let me send you, let me send

2168
01:30:24,479 --> 01:30:27,680
Speaker 21: you something, and she sent me three bottles with my

2169
01:30:27,800 --> 01:30:32,439
Speaker 21: name absolutely and I drunk all three of them. Jesus

2170
01:30:32,520 --> 01:30:35,759
Speaker 21: all right. Not At the same time, I figured that we'll.

2171
01:30:35,640 --> 01:30:37,599
Speaker 2: Pick up the book How to Be Free, Shot.

2172
01:30:37,800 --> 01:30:40,960
Speaker 3: Proving God, the Escaping Life, Hitting Prisoner. Don't get that part.

2173
01:30:41,000 --> 01:30:43,680
Speaker 3: That's everybody got hit in prison. That's right, for every

2174
01:30:43,760 --> 01:30:45,600
Speaker 3: hitting prison. There is a door and this book is

2175
01:30:45,640 --> 01:30:49,559
Speaker 3: the key. It's the breakfast Club. Good morning, the breakfast Club.

2176
01:30:52,560 --> 01:30:56,200
Speaker 8: Everybody is d j en Vy, Jesse, Hilariy, Charlamage the guy.

2177
01:30:56,280 --> 01:30:58,240
Speaker 8: We are the breakfast Club. Let's get to the latest

2178
01:30:58,240 --> 01:31:03,120
Speaker 8: with Lauren Hume of the Street Fast. She gets them

2179
01:31:03,320 --> 01:31:05,519
Speaker 8: somebody that knows, somebody to detail.

2180
01:31:05,920 --> 01:31:08,240
Speaker 5: I'm the homegirl that knows a little bit about everything, and.

2181
01:31:08,920 --> 01:31:12,200
Speaker 2: She'd be having the latest on the big, the largest,

2182
01:31:12,240 --> 01:31:13,760
Speaker 2: the latest with Lauren la Rose.

2183
01:31:13,920 --> 01:31:16,559
Speaker 3: Sometimes you have sometimes you have details, sometimes you have.

2184
01:31:16,600 --> 01:31:18,640
Speaker 2: A little bit of everything. It's the latest on the

2185
01:31:18,720 --> 01:31:19,360
Speaker 2: breakfast Club.

2186
01:31:19,840 --> 01:31:20,439
Speaker 7: Talk to me.

2187
01:31:21,840 --> 01:31:25,120
Speaker 5: So yesterday, yeah, I saw with this.

2188
01:31:25,240 --> 01:31:29,360
Speaker 14: Yesterday I went to Harlem Fashion Harlem's Fashion Rose kick

2189
01:31:29,400 --> 01:31:31,720
Speaker 14: off to New York Fashion Week. It was a mini

2190
01:31:31,800 --> 01:31:34,439
Speaker 14: fashion show, but there were It was also the Style

2191
01:31:34,479 --> 01:31:38,760
Speaker 14: Awards and they honored Ruth E. Carter a ton of

2192
01:31:38,800 --> 01:31:41,400
Speaker 14: different people, but they also took the time to honor Usher.

2193
01:31:41,560 --> 01:31:45,120
Speaker 14: He received the Virtual Ablow Award, which was a huge award.

2194
01:31:44,880 --> 01:31:46,960
Speaker 5: Of the evening. Let's take a listen to Usher as

2195
01:31:47,000 --> 01:31:47,759
Speaker 5: he accepts the award.

2196
01:31:49,600 --> 01:31:52,320
Speaker 17: It's a philosophy that, believe it or not, I don't

2197
01:31:52,360 --> 01:31:55,080
Speaker 17: know that I meant to adopt it, but Oragel had

2198
01:31:55,120 --> 01:32:01,960
Speaker 17: the sid you got your three and that innovation really

2199
01:32:02,080 --> 01:32:07,600
Speaker 17: starts altering something that is familiar three percent. So that

2200
01:32:07,760 --> 01:32:11,000
Speaker 17: right there became kind of a model for how I

2201
01:32:11,439 --> 01:32:15,680
Speaker 17: use what I was introducing again, what I introduced with

2202
01:32:16,680 --> 01:32:18,960
Speaker 17: what many of the people in my team called my

2203
01:32:19,160 --> 01:32:21,960
Speaker 17: ambition of just looking up while they look right in

2204
01:32:22,040 --> 01:32:24,559
Speaker 17: this and always have my best interest in my back.

2205
01:32:25,200 --> 01:32:27,439
Speaker 2: I just dream and I see something that I think

2206
01:32:27,600 --> 01:32:30,080
Speaker 2: is a little bit better. Yeah.

2207
01:32:30,200 --> 01:32:32,800
Speaker 14: So the reason why this award is saw on pack

2208
01:32:32,880 --> 01:32:36,320
Speaker 14: polls because Harlem's Fashion Row for years now and they've

2209
01:32:36,360 --> 01:32:38,519
Speaker 14: grown into such a big business and big company. They've

2210
01:32:38,520 --> 01:32:42,960
Speaker 14: been spotlighting black artists, creatives, influencers, just people who are black.

2211
01:32:43,000 --> 01:32:45,240
Speaker 14: And you know, when it comes to fashion people always

2212
01:32:45,240 --> 01:32:46,800
Speaker 14: say we need to have a seat at the table.

2213
01:32:47,000 --> 01:32:48,519
Speaker 14: Their thing has always been, we don't need to see

2214
01:32:48,560 --> 01:32:50,000
Speaker 14: at the table. We're building the table, so I can

2215
01:32:50,040 --> 01:32:52,400
Speaker 14: come because this is the table. And they spotlight the

2216
01:32:52,479 --> 01:32:54,320
Speaker 14: Usher because of all the strides that used to made

2217
01:32:54,360 --> 01:32:56,639
Speaker 14: the music. But Virtual Ablow, as we know, was such

2218
01:32:56,680 --> 01:32:59,800
Speaker 14: a big force in fashion as a black creative. So

2219
01:33:00,040 --> 01:33:03,120
Speaker 14: they honor him with this award now and Usher received it.

2220
01:33:03,360 --> 01:33:05,080
Speaker 14: But one of the things, uh, that was big that

2221
01:33:05,160 --> 01:33:08,080
Speaker 14: Usher talked about wash why it meant so much to

2222
01:33:08,200 --> 01:33:08,800
Speaker 14: him to.

2223
01:33:08,920 --> 01:33:11,360
Speaker 5: Receive the award in Virgil's name and Virgil's three percent rule.

2224
01:33:11,400 --> 01:33:12,160
Speaker 5: Let's say to listen to that.

2225
01:33:12,680 --> 01:33:17,000
Speaker 17: My pop, my nanny, my nanny nanny, my aunt Holly,

2226
01:33:17,360 --> 01:33:21,360
Speaker 17: and Uncle George and all of these people who were really.

2227
01:33:21,240 --> 01:33:27,040
Speaker 2: Significant parts of my ambitions. Tenacious little kid who.

2228
01:33:27,040 --> 01:33:31,120
Speaker 17: Wasn't raised with the father, but they taught me to dream,

2229
01:33:31,160 --> 01:33:34,680
Speaker 17: They taught me to run a wild and use my

2230
01:33:34,760 --> 01:33:38,000
Speaker 17: imagination in fashion and all of those things. And although

2231
01:33:38,040 --> 01:33:39,840
Speaker 17: I didn't know that's what I was doing, I found

2232
01:33:40,160 --> 01:33:43,280
Speaker 17: by being around them understanding the culture of the.

2233
01:33:43,360 --> 01:33:47,679
Speaker 2: South, and you know what it is to be proud

2234
01:33:47,680 --> 01:33:48,200
Speaker 2: of something.

2235
01:33:48,760 --> 01:33:51,519
Speaker 4: I'm happy that the Lord has an evenmedience.

2236
01:33:51,040 --> 01:33:52,519
Speaker 7: Opportunity to do what I do.

2237
01:33:53,560 --> 01:33:58,640
Speaker 17: I recognize him over more than anything for being saving.

2238
01:33:58,400 --> 01:34:02,519
Speaker 5: To me and my heartest moments time that switched to Artie.

2239
01:34:02,520 --> 01:34:05,040
Speaker 14: Oh sorry y'all, but yeah, so us you're talking about

2240
01:34:05,040 --> 01:34:06,640
Speaker 14: the South Andy and what this ment in him was

2241
01:34:06,640 --> 01:34:09,000
Speaker 14: also important too because they talked a lot about HBCUs

2242
01:34:09,000 --> 01:34:10,200
Speaker 14: and you guys know, I was just at Dell State

2243
01:34:10,280 --> 01:34:13,280
Speaker 14: yesterday and how in the South, but also just you

2244
01:34:13,320 --> 01:34:16,040
Speaker 14: know here on the East coast putting money into black students,

2245
01:34:16,400 --> 01:34:18,479
Speaker 14: which Harlem's Fashion Road is doing a lot of. They

2246
01:34:18,520 --> 01:34:21,360
Speaker 14: have a huge investment fund that they do is important.

2247
01:34:21,400 --> 01:34:24,040
Speaker 14: So wanting to give Usher, you know, congratulations there. I

2248
01:34:24,160 --> 01:34:26,840
Speaker 14: was there, Harlem's Fashion Road take took really good care

2249
01:34:26,880 --> 01:34:28,680
Speaker 14: of me. Shout out to Brandi's and all of her

2250
01:34:28,760 --> 01:34:31,519
Speaker 14: team last night. Slick Rick was there as well too.

2251
01:34:31,600 --> 01:34:33,200
Speaker 14: There were so many people in the building last night

2252
01:34:33,240 --> 01:34:34,120
Speaker 14: to support the organization.

2253
01:34:34,200 --> 01:34:35,439
Speaker 2: So Ronkluz BOMs for Usher.

2254
01:34:35,520 --> 01:34:37,439
Speaker 3: Usher can't never get enough flowers if you asked me,

2255
01:34:38,120 --> 01:34:40,240
Speaker 3: that man of the icon living And you know, when

2256
01:34:40,280 --> 01:34:43,400
Speaker 3: people have achieved everything that you know, guys like USh

2257
01:34:43,520 --> 01:34:45,200
Speaker 3: have achieved, they should be celebrated.

2258
01:34:45,320 --> 01:34:47,840
Speaker 14: Oh yeah, often every chance they gave, every single chance

2259
01:34:47,840 --> 01:34:49,160
Speaker 14: they get. And I think it's fired too, because he's

2260
01:34:49,160 --> 01:34:51,880
Speaker 14: been supporting this organization before it was even a huge

2261
01:34:52,000 --> 01:34:56,599
Speaker 14: organization to support, which always means a lot now shifting gears.

2262
01:34:57,160 --> 01:35:01,960
Speaker 14: Speaking of creators, Ky Sinett, guys, remember he reviewed Drake.

2263
01:35:02,040 --> 01:35:03,519
Speaker 2: I'm glad that we're finally saying his name right.

2264
01:35:05,160 --> 01:35:06,519
Speaker 14: For so long, I know, and i'd be trying to

2265
01:35:06,800 --> 01:35:08,280
Speaker 14: sometimes I still slip up and do it, but then

2266
01:35:08,320 --> 01:35:10,200
Speaker 14: I try to make sure I don't. But yeah, we've

2267
01:35:10,200 --> 01:35:12,160
Speaker 14: been saying for a very long time. But Kay Sinet,

2268
01:35:12,800 --> 01:35:17,479
Speaker 14: he's responding to Drake. So Drake posted Kay Senet's top

2269
01:35:17,560 --> 01:35:20,200
Speaker 14: of his head right ahead. Yeah it was his forehead,

2270
01:35:20,240 --> 01:35:22,120
Speaker 14: but more so it was the fact that he has

2271
01:35:22,200 --> 01:35:26,880
Speaker 14: dreads with a low cut. So there's this photo posting online.

2272
01:35:26,920 --> 01:35:28,080
Speaker 14: Make sure you guys go take a look at it

2273
01:35:28,120 --> 01:35:30,280
Speaker 14: interval so you can see that as well that Drake

2274
01:35:30,360 --> 01:35:33,080
Speaker 14: posted on his like swipe through and Kai's hair is

2275
01:35:33,080 --> 01:35:34,559
Speaker 14: like low in the middle, but then he has dreads

2276
01:35:34,600 --> 01:35:36,800
Speaker 14: coming out the side and he sees this. And this

2277
01:35:36,920 --> 01:35:39,160
Speaker 14: is because remember Kai got on stream and said he

2278
01:35:39,240 --> 01:35:41,880
Speaker 14: felt like the Iceman Part three episode was trash.

2279
01:35:42,680 --> 01:35:44,040
Speaker 5: He's been a huge Drake fan.

2280
01:35:44,000 --> 01:35:44,360
Speaker 3: That we know of.

2281
01:35:44,520 --> 01:35:45,439
Speaker 2: So this is Drake.

2282
01:35:45,479 --> 01:35:47,200
Speaker 3: Because you're a fan of somebody when they put out

2283
01:35:47,240 --> 01:35:49,080
Speaker 3: something that's whack, you can't say it's trash.

2284
01:35:49,200 --> 01:35:52,000
Speaker 5: And you can't be honest, not these days.

2285
01:35:52,120 --> 01:35:53,680
Speaker 8: I mean now, oh you're a drink had No, you

2286
01:35:53,680 --> 01:35:55,200
Speaker 8: should be able to say if I like a record,

2287
01:35:55,240 --> 01:35:56,720
Speaker 8: off I don't like a record, I'm still a fan

2288
01:35:56,800 --> 01:35:57,280
Speaker 8: of that artist.

2289
01:35:57,320 --> 01:35:58,360
Speaker 2: I just don't like that song.

2290
01:35:58,520 --> 01:36:00,720
Speaker 14: Yes, I do think people were called him a Drake hater,

2291
01:36:00,840 --> 01:36:03,320
Speaker 14: but I think it's ka. But Kai is always very

2292
01:36:03,479 --> 01:36:05,240
Speaker 14: like neutral. If he likes something, he like it. If

2293
01:36:05,280 --> 01:36:08,200
Speaker 14: he don't, he don't, and whatever. But his response to

2294
01:36:08,320 --> 01:36:11,840
Speaker 14: Drake posting him in response to him responding to Drake

2295
01:36:11,920 --> 01:36:12,240
Speaker 14: was funny.

2296
01:36:12,280 --> 01:36:13,120
Speaker 5: Let's say, listen to Kai.

2297
01:36:16,120 --> 01:36:18,000
Speaker 7: Why would he post this up?

2298
01:36:21,080 --> 01:36:23,519
Speaker 3: Drake? I'm calling him right now.

2299
01:36:23,680 --> 01:36:24,280
Speaker 5: I'm so like that.

2300
01:36:24,360 --> 01:36:25,360
Speaker 2: I'm calling him right now.

2301
01:36:25,720 --> 01:36:27,120
Speaker 7: I haven't supposed to him for so long.

2302
01:36:28,560 --> 01:36:30,880
Speaker 5: It's not your calling forward.

2303
01:36:31,840 --> 01:36:34,160
Speaker 2: I don't be for Drake, But why is he posting

2304
01:36:34,240 --> 01:36:34,960
Speaker 2: my like this?

2305
01:36:36,040 --> 01:36:36,320
Speaker 5: Come on?

2306
01:36:37,760 --> 01:36:42,760
Speaker 2: That's why even think bodies it don't matter.

2307
01:36:43,120 --> 01:36:45,840
Speaker 1: People already see the picture and be like, wow, this

2308
01:36:46,240 --> 01:36:50,479
Speaker 1: is a retwist and never even know where after they

2309
01:36:50,560 --> 01:36:51,799
Speaker 1: see this, bro, they don't.

2310
01:36:51,600 --> 01:36:53,040
Speaker 2: Know why you didn't have to reach get a retwist

2311
01:36:53,040 --> 01:36:53,599
Speaker 2: because it was work.

2312
01:36:56,360 --> 01:36:58,000
Speaker 5: It was funny. You got to see the picture, did

2313
01:36:58,040 --> 01:36:58,400
Speaker 5: you do you?

2314
01:36:59,560 --> 01:37:02,840
Speaker 14: It was fun because right, Jess, thank you for the

2315
01:37:02,880 --> 01:37:04,760
Speaker 14: face because if you listen, you know it's funny. And

2316
01:37:04,840 --> 01:37:06,240
Speaker 14: his friend is sitting next to him trying to make

2317
01:37:06,280 --> 01:37:08,080
Speaker 14: him feel better, but low Ki, he's making her feel worse.

2318
01:37:08,560 --> 01:37:11,640
Speaker 8: He called Drake first, ran international. Drake didn't answer, so

2319
01:37:11,800 --> 01:37:13,560
Speaker 8: somebody on the chest to call him FaceTime, so he

2320
01:37:13,640 --> 01:37:14,360
Speaker 8: FaceTime audio.

2321
01:37:14,479 --> 01:37:15,439
Speaker 2: He still didn't ancy yet.

2322
01:37:15,520 --> 01:37:17,439
Speaker 3: All I know is I know that hurt Drake's soul

2323
01:37:17,479 --> 01:37:20,160
Speaker 3: because Drake want the validation that them young stream is

2324
01:37:20,240 --> 01:37:23,240
Speaker 3: so bad. So you got one of the biggest guys

2325
01:37:23,360 --> 01:37:27,080
Speaker 3: Kai Sette saying that Iceman was trash. Oh I know

2326
01:37:27,160 --> 01:37:28,160
Speaker 3: that ice melted quicker.

2327
01:37:28,640 --> 01:37:29,600
Speaker 2: I don't. I don't understand it.

2328
01:37:29,640 --> 01:37:31,559
Speaker 8: You're an artist, right, You're gonna put out a lot

2329
01:37:31,640 --> 01:37:34,160
Speaker 8: of records and everybody's not gonna connect with he.

2330
01:37:34,200 --> 01:37:35,800
Speaker 3: Told us a long time ago, just because you're you're

2331
01:37:35,800 --> 01:37:37,880
Speaker 3: an artist, and I'm sensitive about but.

2332
01:37:37,880 --> 01:37:39,160
Speaker 2: I love you as an artist. I just don't like

2333
01:37:39,200 --> 01:37:39,519
Speaker 2: this record.

2334
01:37:39,560 --> 01:37:41,479
Speaker 14: But why can't this just be Drake just responding he

2335
01:37:41,520 --> 01:37:44,280
Speaker 14: ain't blocked. Kai said he wasn't blocked right, And then.

2336
01:37:44,240 --> 01:37:45,800
Speaker 6: To be honest with you, I thought it was like

2337
01:37:45,920 --> 01:37:47,840
Speaker 6: some type of promo. Maybe Drake will end up on

2338
01:37:48,120 --> 01:37:52,240
Speaker 6: the marathon that Kay is probably that would be sorry

2339
01:37:52,400 --> 01:37:52,600
Speaker 6: was that?

2340
01:37:53,040 --> 01:37:53,200
Speaker 12: You know?

2341
01:37:54,360 --> 01:37:56,559
Speaker 5: It just does the same delicious, nothing crazy, just.

2342
01:37:58,680 --> 01:37:59,120
Speaker 2: That would be.

2343
01:37:59,120 --> 01:38:01,960
Speaker 3: Surprised promote Nakai and Drake scream. It seemed like, oh yeah,

2344
01:38:02,000 --> 01:38:02,599
Speaker 3: that never happened.

2345
01:38:02,720 --> 01:38:04,719
Speaker 5: It doesn't happen, so we'll see what happens.

2346
01:38:04,760 --> 01:38:07,240
Speaker 14: But I also too wanted to talk about Marlon Wayne's

2347
01:38:07,360 --> 01:38:11,160
Speaker 14: on Kyson stream hilarious. Oh my god, I love to

2348
01:38:11,280 --> 01:38:14,599
Speaker 14: watch the marrying of the two. He is m VP

2349
01:38:14,880 --> 01:38:17,600
Speaker 14: of Mafia done. In my opinion, here, there are so

2350
01:38:17,640 --> 01:38:19,080
Speaker 14: many different moments we could have pulled from this that

2351
01:38:19,120 --> 01:38:21,240
Speaker 14: were hilarious. But let's take a listen to Uh they

2352
01:38:21,280 --> 01:38:23,760
Speaker 14: were freestyling. It was Reggie and Marlon Wayn's going back

2353
01:38:23,880 --> 01:38:24,160
Speaker 14: front of.

2354
01:38:26,520 --> 01:38:31,559
Speaker 7: I touched it on a thigh, cry do this Sydney streets.

2355
01:38:32,000 --> 01:38:33,360
Speaker 2: That's who send them red.

2356
01:38:43,600 --> 01:38:45,880
Speaker 3: You know why people like Marlon Wayns and Kevin Hart

2357
01:38:46,000 --> 01:38:48,759
Speaker 3: going there and actually Keki Palma going there and actually

2358
01:38:48,840 --> 01:38:52,080
Speaker 3: do well, because they got talent, because they're funny, because

2359
01:38:52,200 --> 01:38:54,840
Speaker 3: they've been in movies, they've been on TV, and they've

2360
01:38:54,840 --> 01:38:57,960
Speaker 3: been doing this for a long, long, long, long, long,

2361
01:38:58,040 --> 01:38:58,639
Speaker 3: long long time.

2362
01:38:58,920 --> 01:39:01,400
Speaker 14: And also to think when you see regular guests, like

2363
01:39:01,479 --> 01:39:03,760
Speaker 14: other music artists come, even though they watch the stream

2364
01:39:03,800 --> 01:39:05,120
Speaker 14: and they know the segments guy is going to do,

2365
01:39:05,160 --> 01:39:06,720
Speaker 14: they always act like they don't know how to jump

2366
01:39:06,760 --> 01:39:07,440
Speaker 14: in and participate.

2367
01:39:07,640 --> 01:39:10,360
Speaker 5: Marlin, they come from the Variety show.

2368
01:39:10,400 --> 01:39:13,280
Speaker 6: It was the best wis thus far. Now he had

2369
01:39:13,560 --> 01:39:16,439
Speaker 6: other bomb guests and all of that. Yeah, like Marlon

2370
01:39:16,920 --> 01:39:19,160
Speaker 6: is just just belongs to right, you know what I mean?

2371
01:39:19,479 --> 01:39:20,400
Speaker 5: Like that was so funny.

2372
01:39:20,800 --> 01:39:24,120
Speaker 6: I do think it was rather random how Marlon was

2373
01:39:24,200 --> 01:39:27,040
Speaker 6: there with Kaylani, Like kay Lanny came in.

2374
01:39:27,320 --> 01:39:29,240
Speaker 5: I thought that Marlon was there. I thought that was

2375
01:39:29,360 --> 01:39:29,960
Speaker 5: random as well.

2376
01:39:30,400 --> 01:39:32,320
Speaker 3: And also to those artists and athletes can't do what

2377
01:39:32,439 --> 01:39:35,519
Speaker 3: the actors and comedians do, like but an artists ain't

2378
01:39:35,520 --> 01:39:37,080
Speaker 3: gonna never be on the level of talent as a

2379
01:39:37,160 --> 01:39:43,480
Speaker 3: Marlin Kevin Palmer the artist think you could rap and sing, dance.

2380
01:39:43,400 --> 01:39:46,680
Speaker 5: Like if in living color could meet stream like it was.

2381
01:39:47,040 --> 01:39:50,160
Speaker 5: It was really good. It was I watch it, Yeah, right, like.

2382
01:39:50,200 --> 01:39:53,320
Speaker 6: You said, if the Living Color could have met streamed,

2383
01:39:53,400 --> 01:39:54,200
Speaker 6: that would be funny.

2384
01:39:54,400 --> 01:39:57,360
Speaker 2: Yeah, well that is the latest with Lauren. Let's get

2385
01:39:57,400 --> 01:39:58,680
Speaker 2: to the mix. It's the Breakfast Club.

2386
01:39:58,720 --> 01:40:03,200
Speaker 8: Good morning everybody, j V Jess Hilaris, charlamagnea god. We

2387
01:40:03,360 --> 01:40:05,720
Speaker 8: are the breakfast Club. We had a lot of people

2388
01:40:05,760 --> 01:40:07,400
Speaker 8: that stopped to we at our Jermain Upree that stopped

2389
01:40:07,439 --> 01:40:07,840
Speaker 8: through earlier.

2390
01:40:08,120 --> 01:40:11,479
Speaker 3: Yes, indeed, saluted Jermaine dupri Man. Listen, Jermaine dupri is

2391
01:40:11,479 --> 01:40:14,680
Speaker 3: one of those individuals that you're not going to appreciate

2392
01:40:15,160 --> 01:40:19,280
Speaker 3: talking to until a long, long, long long time from now,

2393
01:40:19,320 --> 01:40:23,160
Speaker 3: because people don't realize how legendary Jermaine Duprix actually is.

2394
01:40:23,840 --> 01:40:26,080
Speaker 3: We're such a prisoner of the moment people that we

2395
01:40:26,160 --> 01:40:28,839
Speaker 3: forget what people have accomplished, what he's done in this industry.

2396
01:40:28,840 --> 01:40:29,160
Speaker 2: That's right.

2397
01:40:29,360 --> 01:40:31,639
Speaker 3: So when they get celebrated and Billboard says yo Jamain

2398
01:40:31,680 --> 01:40:34,040
Speaker 3: Dupria is the number one producer of the twenty first century,

2399
01:40:34,400 --> 01:40:36,560
Speaker 3: people might look at him like what like, no, go

2400
01:40:36,640 --> 01:40:37,400
Speaker 3: look at his resume?

2401
01:40:38,160 --> 01:40:38,519
Speaker 2: Stupid?

2402
01:40:39,680 --> 01:40:42,320
Speaker 6: No, did y'all ask him? I say something that what

2403
01:40:42,560 --> 01:40:44,120
Speaker 6: viral like a couple of weeks ago. Did y'all get

2404
01:40:44,160 --> 01:40:47,600
Speaker 6: to ask him? Did he really say that Escape was

2405
01:40:48,200 --> 01:40:50,559
Speaker 6: a hard group to develop because they was ugly.

2406
01:40:50,960 --> 01:40:52,040
Speaker 2: Oh we talked about that before.

2407
01:40:52,160 --> 01:40:54,960
Speaker 8: Yeah, now that wasn't We didn't talk about this interview,

2408
01:40:55,000 --> 01:40:56,800
Speaker 8: but we didn't say ugly though.

2409
01:40:56,880 --> 01:40:58,600
Speaker 2: But yeah, but he's no, he said no, no, no, no,

2410
01:40:58,840 --> 01:41:00,519
Speaker 2: I said that.

2411
01:41:00,640 --> 01:41:01,120
Speaker 5: He said it.

2412
01:41:01,320 --> 01:41:04,479
Speaker 3: He did. He's always said stuff like that because you know,

2413
01:41:04,560 --> 01:41:06,720
Speaker 3: they like what he had three dogs give members of

2414
01:41:06,840 --> 01:41:08,040
Speaker 3: Escape in the in the nineties.

2415
01:41:08,439 --> 01:41:10,679
Speaker 2: So he's even he's talking.

2416
01:41:10,520 --> 01:41:13,000
Speaker 5: About Okay, cool. I just never heard him speak on

2417
01:41:13,080 --> 01:41:13,840
Speaker 5: I just heard that he said it.

2418
01:41:14,000 --> 01:41:16,040
Speaker 3: Remember Biggie said Biggie said in the song back in

2419
01:41:16,120 --> 01:41:18,160
Speaker 3: the day, he would have sexual rue Paul before he

2420
01:41:18,240 --> 01:41:20,439
Speaker 3: had sex with them ugly ass Escape girl. Wow, you

2421
01:41:20,560 --> 01:41:21,360
Speaker 3: know he did not know?

2422
01:41:21,520 --> 01:41:26,960
Speaker 8: He did not what definitely? Yes, yes, wow, okay, I'm

2423
01:41:27,000 --> 01:41:28,720
Speaker 8: gonna send you the song let's call Dreams. I'm gonna

2424
01:41:28,720 --> 01:41:29,720
Speaker 8: send you the song the song.

2425
01:41:30,120 --> 01:41:30,439
Speaker 18: Wow.

2426
01:41:31,280 --> 01:41:33,800
Speaker 2: Nobody said nothing, not back then.

2427
01:41:33,960 --> 01:41:36,120
Speaker 3: I mean, but but we didn't realize how much that

2428
01:41:36,320 --> 01:41:38,200
Speaker 3: impacted them back then, because you know, you didn't have

2429
01:41:38,240 --> 01:41:41,200
Speaker 3: the Internet and all that kind of stuff. Yes, no, no, no, no, no, no, no.

2430
01:41:41,280 --> 01:41:43,920
Speaker 5: Nobody saying nothing about him wanting to have sexual RuPaul.

2431
01:41:45,280 --> 01:41:49,320
Speaker 3: No, this was the nineties, different times, all right.

2432
01:41:49,800 --> 01:41:51,880
Speaker 2: Also shockus and Golf for joining us to man.

2433
01:41:51,920 --> 01:41:53,680
Speaker 3: Make sure you go pick up Shaka's book How to

2434
01:41:53,760 --> 01:41:56,599
Speaker 3: Be Free of Proving Gud, The Escaping Lights, Hidden Prisons

2435
01:41:56,640 --> 01:41:58,920
Speaker 3: Man for everybody out there who feels like they trapped

2436
01:41:58,960 --> 01:41:59,679
Speaker 3: in a hidden prison.

2437
01:42:00,160 --> 01:42:02,080
Speaker 2: Shaka's book is for you, all right.

2438
01:42:02,479 --> 01:42:05,599
Speaker 6: Cannot promote Cleveland, Cleveland, Oh Hio, your girl Just Larious

2439
01:42:05,640 --> 01:42:08,320
Speaker 6: will be there this Friday and this Saturday. We got

2440
01:42:08,360 --> 01:42:11,280
Speaker 6: four shows. Two shows this Friday, two shows Saturday at

2441
01:42:11,360 --> 01:42:12,679
Speaker 6: the Cleveland Funny Bone.

2442
01:42:12,720 --> 01:42:14,880
Speaker 5: Y'all get your tickets at just Solarious official dot com

2443
01:42:15,160 --> 01:42:17,040
Speaker 5: if you have not yet. I will not be doing

2444
01:42:17,120 --> 01:42:19,240
Speaker 5: meet and greet. I don't want to get sick two

2445
01:42:19,520 --> 01:42:20,920
Speaker 5: times in a row. Not doing it.

2446
01:42:21,040 --> 01:42:23,599
Speaker 6: So Cleveland, get your tickets. The shows are actually almost

2447
01:42:23,640 --> 01:42:24,840
Speaker 6: sold out. Love y'all so much.

2448
01:42:24,880 --> 01:42:25,560
Speaker 5: Can't wait to see you.

2449
01:42:25,760 --> 01:42:28,679
Speaker 2: Charlamane. You got a positive note. I do, man, It's simple.

2450
01:42:29,160 --> 01:42:33,400
Speaker 3: Not confuse motion and progress, okay, because a rocking horse

2451
01:42:33,640 --> 01:42:35,960
Speaker 3: keeps moving but does not make any progress.

2452
01:42:36,520 --> 01:42:37,160
Speaker 2: Have a great day.

2453
01:42:38,040 --> 01:42:40,880
Speaker 5: That was the dumbest that No find another one.

2454
01:42:42,520 --> 01:42:44,479
Speaker 2: You'll get it. You'll get it one day, You'll get it.

2455
01:42:44,760 --> 01:42:46,840
Speaker 2: Rocking horse don't move, So I didn't say that. I

2456
01:42:46,880 --> 01:42:48,800
Speaker 2: said a rocking horse keeps moving, but it's not making

2457
01:42:48,800 --> 01:42:49,320
Speaker 2: any progress.

2458
01:42:49,360 --> 01:42:51,080
Speaker 3: It don't go nowhere. It's like being on a treadmill

2459
01:42:51,200 --> 01:42:53,200
Speaker 3: running in place. You think you're getting somewhere, but you ain't.

2460
01:42:53,240 --> 01:42:56,960
Speaker 3: You're going to nowhere fast, but you working out. You're

2461
01:42:57,000 --> 01:42:57,920
Speaker 3: not going nowhere.

2462
01:42:58,160 --> 01:43:00,760
Speaker 2: Breakfast club, So you're done.