1
00:00:01,040 --> 00:00:05,000
Speaker 1: Look may oh, I see you my own look over

2
00:00:05,040 --> 00:00:12,160
Speaker 1: there is that culture? Yes, goodness, lost culture ding, Lost

3
00:00:12,160 --> 00:00:13,400
Speaker 1: Culturesa's calling.

4
00:00:14,000 --> 00:00:17,280
Speaker 2: Before we got on, I said lost culture, like as

5
00:00:17,320 --> 00:00:18,760
Speaker 2: if we had to snap into it.

6
00:00:18,840 --> 00:00:21,360
Speaker 3: I feel like we've never had to really hit the

7
00:00:21,360 --> 00:00:23,320
Speaker 3: dials before in that way. But we were coming off

8
00:00:23,360 --> 00:00:26,360
Speaker 3: of like a spirited discussion about what we will never tell.

9
00:00:26,560 --> 00:00:29,400
Speaker 2: We will never tell what we just told. It's actually

10
00:00:29,480 --> 00:00:32,280
Speaker 2: the culture number nine. We will never tell what we

11
00:00:32,479 --> 00:00:36,199
Speaker 2: just told. And I'm also in my like literal morning showbag.

12
00:00:36,400 --> 00:00:39,840
Speaker 2: You are you are warmed up chatterbox. You are doing

13
00:00:39,880 --> 00:00:42,480
Speaker 2: a great job. You look so good on that TV.

14
00:00:42,960 --> 00:00:46,080
Speaker 3: Thank you when those cameras is really I gotta say,

15
00:00:46,440 --> 00:00:47,040
Speaker 3: really good.

16
00:00:46,920 --> 00:00:50,600
Speaker 2: So snatched and you wore like a blue moment. Yeah,

17
00:00:50,680 --> 00:00:55,560
Speaker 2: blue is the warmest color. Actually, Culture number ten, blue

18
00:00:55,960 --> 00:00:57,400
Speaker 2: is the warmest color.

19
00:00:58,000 --> 00:00:59,680
Speaker 1: How has it been so before? You just finished day

20
00:00:59,680 --> 00:01:02,360
Speaker 1: two five? I'm having the best time. Isn't it wonderful?

21
00:01:02,520 --> 00:01:04,920
Speaker 1: I told matthis we checked in yesterday. I was like,

22
00:01:04,959 --> 00:01:06,840
Speaker 1: how was it? He was like, it's great, it was, It's.

23
00:01:06,680 --> 00:01:09,280
Speaker 3: So fun, And I go, I like, totally get white

24
00:01:09,280 --> 00:01:11,400
Speaker 3: people did this is a nice gig.

25
00:01:11,560 --> 00:01:14,160
Speaker 2: It's so much fun. And by the way, the sound

26
00:01:14,280 --> 00:01:16,880
Speaker 2: dude who's an icon loves you. Oh, I love him

27
00:01:16,920 --> 00:01:19,520
Speaker 2: and you beloved. Get this bowe Yang beloved in thirty rock.

28
00:01:19,520 --> 00:01:22,440
Speaker 2: It's actually a real culture number eleven. Get this bow Yang

29
00:01:22,560 --> 00:01:23,760
Speaker 2: beloved in thirty rock.

30
00:01:24,440 --> 00:01:25,360
Speaker 1: And you know thirty.

31
00:01:25,440 --> 00:01:28,120
Speaker 2: Rockefeller Center is in the heart of one of the

32
00:01:28,160 --> 00:01:31,280
Speaker 2: greatest cities in the world, New York City, and there

33
00:01:31,440 --> 00:01:35,039
Speaker 2: has been an off Broadway musical You're never gonna believe this.

34
00:01:35,120 --> 00:01:36,920
Speaker 1: I really do feel like I'm doing the morning show.

35
00:01:37,760 --> 00:01:38,720
Speaker 1: You're gonna believe that.

36
00:01:38,760 --> 00:01:40,679
Speaker 2: You're never gonna believe you need to.

37
00:01:40,920 --> 00:01:42,959
Speaker 3: There has to be a list somewhere of like little

38
00:01:43,120 --> 00:01:47,160
Speaker 3: filler phrases for talk shows in journal but especially morning

39
00:01:47,160 --> 00:01:47,880
Speaker 3: shows were.

40
00:01:47,640 --> 00:01:51,480
Speaker 1: Like this, you at this? Yet I found myself doing it.

41
00:01:51,560 --> 00:01:55,320
Speaker 3: Coming up, we have a cooking demo from No, No,

42
00:01:55,320 --> 00:01:59,720
Speaker 3: No No. My segments were makeover. Loved that we're getting

43
00:01:59,760 --> 00:02:02,120
Speaker 3: a make over on Friday. I love the makeovers. Yeah,

44
00:02:02,160 --> 00:02:05,440
Speaker 3: this is gonna be funny. And then guy who showed

45
00:02:05,520 --> 00:02:07,200
Speaker 3: us how to properly use a plunger.

46
00:02:07,160 --> 00:02:08,839
Speaker 1: That's actually really good.

47
00:02:08,800 --> 00:02:11,600
Speaker 3: And you know what I asked him, Guys, listen up,

48
00:02:12,080 --> 00:02:15,200
Speaker 3: you can wash the plunger with your toilet water. What

49
00:02:15,760 --> 00:02:18,519
Speaker 3: after you plunge, make sure you flush, obviously, put a

50
00:02:18,560 --> 00:02:20,520
Speaker 3: little bit of bleacher whatever toiletowle cleaner you have in there,

51
00:02:20,520 --> 00:02:22,280
Speaker 3: and then just like you just dip it in, kind

52
00:02:22,280 --> 00:02:23,880
Speaker 3: of rinse it out, and then that that's all you

53
00:02:23,880 --> 00:02:25,880
Speaker 3: have to do. I always got so stressed out after

54
00:02:26,320 --> 00:02:29,440
Speaker 3: my shit covered plungers would come out the toy.

55
00:02:29,280 --> 00:02:30,920
Speaker 2: And now thinking, I just want to apologize. I just

56
00:02:30,919 --> 00:02:32,760
Speaker 2: moved out of my apartment that I had been renting

57
00:02:32,800 --> 00:02:36,080
Speaker 2: from one Matt Rish and I apologies.

58
00:02:36,160 --> 00:02:39,519
Speaker 1: Dude, that plunger is covered in poop. You could have

59
00:02:39,600 --> 00:02:40,160
Speaker 1: rinsed it.

60
00:02:40,400 --> 00:02:43,840
Speaker 2: No, I couldn't have because I didn't I didn't know.

61
00:02:44,000 --> 00:02:47,160
Speaker 2: I didn't have you here to tell me what to do.

62
00:02:47,280 --> 00:02:49,480
Speaker 1: Morning TV is so important.

63
00:02:49,200 --> 00:02:52,040
Speaker 2: But I could never talk about poop covered plunge on TV.

64
00:02:52,520 --> 00:02:54,280
Speaker 2: You know what I'm saying. This is why I'm so

65
00:02:54,320 --> 00:02:56,040
Speaker 2: happy to be here. I feel like I can only

66
00:02:56,120 --> 00:02:58,440
Speaker 2: breathe because I'm with my sister and this is not

67
00:02:58,560 --> 00:02:59,120
Speaker 2: morning TV.

68
00:02:59,320 --> 00:03:02,280
Speaker 1: Although people do listen to it in the morning. Can

69
00:03:02,320 --> 00:03:05,480
Speaker 1: you imagine listening to us in the morning. No, No,

70
00:03:06,240 --> 00:03:06,519
Speaker 1: I would.

71
00:03:06,720 --> 00:03:08,960
Speaker 2: I would say, well, I guess maybe if you want

72
00:03:09,000 --> 00:03:10,280
Speaker 2: to be like shocked, into the day.

73
00:03:10,720 --> 00:03:12,520
Speaker 1: I mean, get the fag off the rays. I'm not

74
00:03:12,919 --> 00:03:13,720
Speaker 1: listening to that.

75
00:03:14,040 --> 00:03:15,359
Speaker 2: You know what I almost did today is my I

76
00:03:15,360 --> 00:03:17,600
Speaker 2: don't think so honey. I don't think so honey that

77
00:03:17,639 --> 00:03:21,120
Speaker 2: this podcast has become popular. M I just feel like,

78
00:03:21,760 --> 00:03:23,680
Speaker 2: maybe I will do it later, do it later, because

79
00:03:23,680 --> 00:03:25,760
Speaker 2: then people are like, why are they screaming during I

80
00:03:25,760 --> 00:03:28,520
Speaker 2: don't think so honey, And I'm like, babe, you're joining

81
00:03:28,639 --> 00:03:29,320
Speaker 2: us in progress.

82
00:03:29,360 --> 00:03:31,120
Speaker 1: It's in mediares.

83
00:03:31,160 --> 00:03:33,519
Speaker 2: We scream during that part of the podcast and during

84
00:03:33,560 --> 00:03:34,880
Speaker 2: a lot of the other parts of it too.

85
00:03:35,000 --> 00:03:36,960
Speaker 3: Here's what I screamed for. Oh wait, I just cut

86
00:03:36,960 --> 00:03:38,280
Speaker 3: you off. I'm never gonna believe this. She was an

87
00:03:38,280 --> 00:03:39,440
Speaker 3: off Broadway show in New York.

88
00:03:39,600 --> 00:03:41,560
Speaker 1: Can I say you literally did not cut me off?

89
00:03:41,800 --> 00:03:44,960
Speaker 2: I feel like I diverted. Well, your feelings are in facts, bitch? Okay,

90
00:03:45,520 --> 00:03:46,560
Speaker 2: Hey Trump.

91
00:03:48,000 --> 00:03:48,760
Speaker 1: Anyway?

92
00:03:49,920 --> 00:03:53,080
Speaker 2: That's hey Trump, your feelings aren't fact. That's really close

93
00:03:53,160 --> 00:03:55,800
Speaker 2: roun Bird twelve, Hey Trump, your feelings.

94
00:03:55,440 --> 00:03:58,279
Speaker 1: Aren't fast bitch? Watch that be the headline.

95
00:03:58,440 --> 00:04:00,760
Speaker 2: I would love that. Yeah, I mean, should lost coach

96
00:04:00,800 --> 00:04:03,440
Speaker 2: start a feud with Trump? We have to move to

97
00:04:03,480 --> 00:04:05,080
Speaker 2: Ireland like Rosie m m.

98
00:04:05,320 --> 00:04:07,160
Speaker 1: Well, listen, so what are you scream for?

99
00:04:07,440 --> 00:04:09,920
Speaker 3: I screamed for this off Broadway show that's been in

100
00:04:09,920 --> 00:04:12,200
Speaker 3: New York for a few years now. It has been

101
00:04:12,720 --> 00:04:17,960
Speaker 3: truly a community building, cornerstone for theater, for theater goers,

102
00:04:18,200 --> 00:04:21,120
Speaker 3: for people in the community, for tourists from all over

103
00:04:21,160 --> 00:04:24,200
Speaker 3: the world. My own mother saw this show, and I

104
00:04:24,960 --> 00:04:28,160
Speaker 3: would never take my mom to any Broadway show.

105
00:04:28,240 --> 00:04:31,159
Speaker 1: She slept through Hamilton. See, I don't get that because

106
00:04:31,160 --> 00:04:31,880
Speaker 1: it's so loud.

107
00:04:31,960 --> 00:04:33,800
Speaker 3: It's a loud show. But we went on a Sunday

108
00:04:33,800 --> 00:04:35,400
Speaker 3: after an SNL and we were all tired.

109
00:04:35,440 --> 00:04:37,720
Speaker 2: Lyn manwel this has nothing, has nothing to do with you,

110
00:04:38,800 --> 00:04:41,240
Speaker 2: So you did amazing work on Hamilton. It's actually really

111
00:04:41,240 --> 00:04:44,640
Speaker 2: close to number thirteen. Did amazing on Hamilton.

112
00:04:44,760 --> 00:04:46,840
Speaker 1: Has nothing to do with you that his mom fall asleep.

113
00:04:48,040 --> 00:04:50,560
Speaker 2: But listen, I think I know what all you're talking about,

114
00:04:50,600 --> 00:04:54,039
Speaker 2: and that show is Titanique. And I know that because well,

115
00:04:54,120 --> 00:04:57,159
Speaker 2: our guest is not only one of the original stars

116
00:04:57,200 --> 00:05:00,440
Speaker 2: of it, but also the co creator, co writer. And

117
00:05:00,800 --> 00:05:03,479
Speaker 2: I feel as though I have to harken back to

118
00:05:03,520 --> 00:05:05,960
Speaker 2: the very first time I saw Our Guests, which was

119
00:05:06,000 --> 00:05:11,839
Speaker 2: at La Poison Rouge in a iconic production of Crewe

120
00:05:11,920 --> 00:05:16,240
Speaker 2: Intentions to the musical Unauthorized, which also starred Amanda Schecktman.

121
00:05:17,040 --> 00:05:19,440
Speaker 2: She was playing Sarah Michelle Geller and our guest was

122
00:05:19,440 --> 00:05:22,520
Speaker 2: playing Ryan Phillippi. And one of the first things I

123
00:05:22,520 --> 00:05:25,960
Speaker 2: ever saw was your bare ass, And now he shows

124
00:05:26,000 --> 00:05:27,000
Speaker 2: his ass.

125
00:05:26,720 --> 00:05:30,520
Speaker 1: Every guy, damn night night out in public.

126
00:05:30,880 --> 00:05:33,880
Speaker 2: But no, this is like truly a moment in time

127
00:05:33,960 --> 00:05:36,919
Speaker 2: because we saw this show Titanique, and we were literally

128
00:05:36,960 --> 00:05:39,360
Speaker 2: took to the mics and just let everybody know. And

129
00:05:39,440 --> 00:05:42,400
Speaker 2: I've been so proud to see what it's done. I

130
00:05:42,560 --> 00:05:45,160
Speaker 2: just saw it in the West End, It's in Australia,

131
00:05:45,200 --> 00:05:48,200
Speaker 2: it's in Canada. It's like it's all over the place.

132
00:05:48,279 --> 00:05:50,160
Speaker 2: I mean, this is a true success story. It's now

133
00:05:50,200 --> 00:05:54,240
Speaker 2: an Olivier Award winning musical. Our guest is an Olivier

134
00:05:54,279 --> 00:05:55,840
Speaker 2: Award winner drama desk.

135
00:05:55,960 --> 00:05:57,240
Speaker 1: Lucia Ortelle.

136
00:05:58,560 --> 00:06:01,240
Speaker 3: The one except Tony's so I get there until get

137
00:06:01,240 --> 00:06:02,080
Speaker 3: their ship together.

138
00:06:02,240 --> 00:06:03,599
Speaker 1: But they kind of just nailed it on some of

139
00:06:03,600 --> 00:06:04,960
Speaker 1: the nominations. They just say, we.

140
00:06:04,880 --> 00:06:07,120
Speaker 3: Can talk about that, we can talk about that. He's

141
00:06:07,200 --> 00:06:13,680
Speaker 3: so wonderful. What a funny writer, performer, talent, friend traveler,

142
00:06:13,720 --> 00:06:15,960
Speaker 3: world traveler. We're talking about that always around the world,

143
00:06:16,000 --> 00:06:19,599
Speaker 3: always around the world with his hot little friends everyone.

144
00:06:22,279 --> 00:06:26,640
Speaker 1: Result, Oh my god, first of all, all to that introduction,

145
00:06:26,920 --> 00:06:30,359
Speaker 1: I am so gooped and gagged to be here with

146
00:06:30,400 --> 00:06:31,000
Speaker 1: my girls.

147
00:06:31,160 --> 00:06:33,240
Speaker 2: We've got to say the big news, which is yes,

148
00:06:33,279 --> 00:06:35,520
Speaker 2: oh my god, titany you can see it in New

149
00:06:35,560 --> 00:06:36,640
Speaker 2: York until June fifteenth.

150
00:06:36,680 --> 00:06:37,839
Speaker 1: And then do you want to tell them what's so

151
00:06:37,880 --> 00:06:41,760
Speaker 1: special about those final weeks? Yeah? Hot, off the press, everyone, press,

152
00:06:42,240 --> 00:06:44,159
Speaker 1: Marlon and Della and I will be coming back into

153
00:06:44,160 --> 00:06:46,800
Speaker 1: the show for the final two weeks. And if we,

154
00:06:47,279 --> 00:06:49,640
Speaker 1: you know, sell out lots and lots and lots of tickets,

155
00:06:49,680 --> 00:06:51,799
Speaker 1: maybe we'll pull a Fantom of the Opera and extend

156
00:06:51,839 --> 00:06:55,039
Speaker 1: for another say that on this show. I don't know,

157
00:06:55,080 --> 00:06:57,480
Speaker 1: we'll see maybe, you know, all of these last cult

158
00:06:57,920 --> 00:07:02,240
Speaker 1: people there figured out there's now.

159
00:07:02,200 --> 00:07:05,560
Speaker 2: So many readers, Katie's publicists and finalists like and I

160
00:07:05,600 --> 00:07:08,400
Speaker 2: think that Ken Kyle's you have an opportunity here, You

161
00:07:08,440 --> 00:07:11,120
Speaker 2: have a big opportunity. Yes, because how many times did

162
00:07:11,160 --> 00:07:11,520
Speaker 2: you do.

163
00:07:11,560 --> 00:07:13,920
Speaker 1: It in the in the new space, the bigger space,

164
00:07:13,960 --> 00:07:17,160
Speaker 1: the bigger space, like a year? A year? Yeah, because

165
00:07:17,160 --> 00:07:18,400
Speaker 1: it was like half a year. It was like six

166
00:07:18,440 --> 00:07:21,840
Speaker 1: months at the old UCB space. That you guys know

167
00:07:21,880 --> 00:07:24,640
Speaker 1: the asylum, you know, in the basement of a Gristides,

168
00:07:24,920 --> 00:07:28,640
Speaker 1: which was wild, just moulled rats and it smelled awful.

169
00:07:28,720 --> 00:07:31,040
Speaker 1: It was just really bad. But you know what it

170
00:07:31,120 --> 00:07:32,920
Speaker 1: was like our favorite time.

171
00:07:33,200 --> 00:07:35,559
Speaker 3: Yeah, where were your dress? Like where did you guys

172
00:07:35,640 --> 00:07:38,400
Speaker 3: do changes? And where was what was the dress behind

173
00:07:38,400 --> 00:07:42,240
Speaker 3: the literally or in like a close But there's no space.

174
00:07:42,000 --> 00:07:44,679
Speaker 1: No, there's not, absolutely nothing. It was those two rooms

175
00:07:44,960 --> 00:07:46,880
Speaker 1: and we split all the boys in one and all

176
00:07:46,880 --> 00:07:48,120
Speaker 1: the girls. Huh right.

177
00:07:48,200 --> 00:07:51,080
Speaker 3: And then there were the guts, like those gray brick hallways,

178
00:07:51,080 --> 00:07:53,440
Speaker 3: not brick even, it was just like those but those

179
00:07:53,520 --> 00:07:54,520
Speaker 3: were the smelly part.

180
00:07:54,440 --> 00:07:57,040
Speaker 1: That was gress. There was always an water on the floor.

181
00:07:57,080 --> 00:07:59,920
Speaker 1: Oh absolutely, it was the actual Titanic. I was like,

182
00:08:00,160 --> 00:08:02,760
Speaker 1: this is very on brand. Let's go here.

183
00:08:02,800 --> 00:08:06,360
Speaker 3: Were there like Grissdi's basement specific jokes in the original show?

184
00:08:06,520 --> 00:08:08,360
Speaker 1: Yes, we at the end of the show, while I

185
00:08:08,480 --> 00:08:11,080
Speaker 1: was saying thank you for coming tonight in the basement

186
00:08:11,320 --> 00:08:14,120
Speaker 1: of a And then we had to switch it. You

187
00:08:14,120 --> 00:08:16,360
Speaker 1: know when we left, when you moved, when we moved

188
00:08:16,400 --> 00:08:19,240
Speaker 1: to the theater which is in Union Square, Yes, I

189
00:08:19,320 --> 00:08:23,840
Speaker 1: knew where Oh my god, just.

190
00:08:25,520 --> 00:08:29,080
Speaker 2: My god, thee where's that is watching the ghost the

191
00:08:29,120 --> 00:08:31,160
Speaker 2: ghost of what is?

192
00:08:31,760 --> 00:08:34,600
Speaker 1: I don't remember. All I remember is taking a gummy

193
00:08:34,679 --> 00:08:39,920
Speaker 1: and I was so yeah heart radio. I was so

194
00:08:40,040 --> 00:08:42,360
Speaker 1: fucking high that I looked up and remember that they

195
00:08:42,360 --> 00:08:45,440
Speaker 1: had this like water crazy and I saw it. Okay, well, anyway,

196
00:08:45,480 --> 00:08:47,679
Speaker 1: there was this immersive crazy. No one knows what it is.

197
00:08:48,720 --> 00:08:51,200
Speaker 1: They're they're up in the rafters in this water thing,

198
00:08:51,240 --> 00:08:55,200
Speaker 1: and I thought I was a drowning the panic attack. See.

199
00:08:55,440 --> 00:08:59,720
Speaker 1: Immediately left and got food and got food and put

200
00:08:59,720 --> 00:09:02,959
Speaker 1: myself because I was like, I've got to get got

201
00:09:02,960 --> 00:09:05,439
Speaker 1: to get the fuck out of drowned before I drown

202
00:09:05,520 --> 00:09:08,640
Speaker 1: and die. Yeah, I'm on the floor, like, get it

203
00:09:08,640 --> 00:09:09,640
Speaker 1: together quick, it happens.

204
00:09:10,080 --> 00:09:11,840
Speaker 2: I remember one time I was too high in the

205
00:09:11,840 --> 00:09:13,800
Speaker 2: pool and I had to get out because I was

206
00:09:13,800 --> 00:09:15,600
Speaker 2: positive I was going to be attacked by a shark.

207
00:09:16,640 --> 00:09:19,080
Speaker 1: That's these gummies, babe. I think that was myth. That

208
00:09:19,160 --> 00:09:22,200
Speaker 1: was math right, That was as gum. That was a

209
00:09:22,240 --> 00:09:28,680
Speaker 1: myth attacked with a vivance pilled little rainbow sprinkles.

210
00:09:28,840 --> 00:09:31,600
Speaker 3: Y'all don't y'all don't fuck with water though, but y'all

211
00:09:31,640 --> 00:09:33,599
Speaker 3: are y'all are so tied to water.

212
00:09:33,400 --> 00:09:35,880
Speaker 1: In so many ways being Greek.

213
00:09:39,000 --> 00:09:42,079
Speaker 2: Wait, though, we mean you're I I do think I'm

214
00:09:42,080 --> 00:09:44,400
Speaker 2: a pisces person, you know what I mean Greek.

215
00:09:44,600 --> 00:09:47,439
Speaker 1: Also, you're a titaniumque water. I mean I'm an Aries.

216
00:09:47,520 --> 00:09:52,120
Speaker 1: So she's fire as hell? Is that custo full Aries? Okay,

217
00:09:52,160 --> 00:09:55,320
Speaker 1: full Aries? No, custop is the twenty first, which is

218
00:09:55,640 --> 00:09:58,440
Speaker 1: pisces aries? Okay, because my sister's a twenty first, So

219
00:09:58,480 --> 00:10:01,760
Speaker 1: she's she's a cuspy Yeah, cuspy, but we love her.

220
00:10:01,800 --> 00:10:08,400
Speaker 1: Hyrne him you cuspy, asked shady bits? Are there the sis?

221
00:10:09,160 --> 00:10:12,440
Speaker 1: She's two years older, best friend. Amazing you kind of

222
00:10:12,480 --> 00:10:14,960
Speaker 1: give a little brother. Oh, I'm the child baby, No,

223
00:10:15,120 --> 00:10:17,400
Speaker 1: I mean it's perfect Aries. I'm the baby of the zodiac,

224
00:10:18,679 --> 00:10:20,280
Speaker 1: as the baby of the d Yeah, you can either

225
00:10:20,280 --> 00:10:22,080
Speaker 1: look at it as like baby of the zodiac or

226
00:10:22,120 --> 00:10:25,560
Speaker 1: like the super like grandmother. Who's whose grandmother?

227
00:10:25,640 --> 00:10:27,800
Speaker 3: Then's who's on the other side of areas that it's

228
00:10:27,840 --> 00:10:29,360
Speaker 3: supposed to like be like the end.

229
00:10:29,240 --> 00:10:33,800
Speaker 1: Of I don't know, well that's oh, yeah, I'm last,

230
00:10:34,000 --> 00:10:36,200
Speaker 1: So you're I am the grandmother.

231
00:10:36,840 --> 00:10:41,320
Speaker 2: Jima, Hi, baby, my baby boy, proud of you.

232
00:10:41,320 --> 00:10:42,040
Speaker 1: You've done well.

233
00:10:42,200 --> 00:10:48,880
Speaker 2: I die, God, death, it's so awful.

234
00:10:49,360 --> 00:10:51,120
Speaker 1: And so why did you want to capitalize on it

235
00:10:51,160 --> 00:10:54,440
Speaker 1: with Titanic Death on death? Because you know what, it's

236
00:10:54,480 --> 00:10:56,480
Speaker 1: going to be a brutal death when we leave New

237
00:10:56,559 --> 00:10:58,360
Speaker 1: York City. And that's because you people didn't want to

238
00:10:58,360 --> 00:11:03,640
Speaker 1: buy tickets. So I'm kidding. I mean, it's listen, we've

239
00:11:03,679 --> 00:11:06,880
Speaker 1: lasted three years, which is yeah in these in dem

240
00:11:07,000 --> 00:11:09,400
Speaker 1: streets now and in dem times.

241
00:11:09,640 --> 00:11:09,920
Speaker 2: Yeah.

242
00:11:10,320 --> 00:11:13,040
Speaker 1: Can you believe that off, a little tiny ass off

243
00:11:13,080 --> 00:11:16,520
Speaker 1: Broadway show could literally survive three years of a pandemic

244
00:11:17,200 --> 00:11:22,280
Speaker 1: into Trump? Yeah, it's just absolutely mind boggling that we

245
00:11:22,360 --> 00:11:24,960
Speaker 1: still have been here and we've you know, now gone

246
00:11:24,960 --> 00:11:26,680
Speaker 1: all over the world. And I have to say I

247
00:11:26,720 --> 00:11:29,480
Speaker 1: have to say, and I always say this, it's literally

248
00:11:30,040 --> 00:11:34,800
Speaker 1: because of you too. No, yes, I'm sorry, it's true.

249
00:11:34,840 --> 00:11:37,520
Speaker 3: If you're okay, let's assume that's true. What is not

250
00:11:37,559 --> 00:11:39,440
Speaker 3: true is that it's both of us. I think it

251
00:11:39,520 --> 00:11:43,640
Speaker 3: does squarely fallen. Now listen to me, both of you.

252
00:11:43,800 --> 00:11:46,280
Speaker 3: All I know is and we're both gonna take this.

253
00:11:46,800 --> 00:11:50,120
Speaker 3: We saw the show and it was like it just

254
00:11:50,280 --> 00:11:55,320
Speaker 3: reminded me. It actually literally inspired me because I was like, a,

255
00:11:55,440 --> 00:11:58,640
Speaker 3: I'm not dragging what goes on on Broadway in fact,

256
00:11:58,679 --> 00:12:00,440
Speaker 3: I think it's been a great few cut last couple

257
00:12:00,440 --> 00:12:00,719
Speaker 3: of years.

258
00:12:01,040 --> 00:12:04,079
Speaker 1: But I also think that the influence of.

259
00:12:04,040 --> 00:12:06,280
Speaker 2: That show and how much joy it brought and how

260
00:12:06,360 --> 00:12:09,480
Speaker 2: much real comedy it brought, as well as like the

261
00:12:09,520 --> 00:12:13,160
Speaker 2: incredible music obviously of Sline Deon, it just feels like

262
00:12:13,640 --> 00:12:17,400
Speaker 2: it was a joyful idea that then became a joyful

263
00:12:17,440 --> 00:12:20,400
Speaker 2: process that then became a joyful performance that then resulted

264
00:12:20,440 --> 00:12:24,320
Speaker 2: in all this like joyful like discussion and consumption of it.

265
00:12:24,480 --> 00:12:28,240
Speaker 1: Yeah, it was I mean, listen, joyful consumption front runner

266
00:12:28,240 --> 00:12:31,559
Speaker 1: for time. Thank you, thank you, joyful, joyful sisteract too,

267
00:12:32,160 --> 00:12:34,439
Speaker 1: go into it really good. It was easy to talk about.

268
00:12:34,480 --> 00:12:37,520
Speaker 1: So you guys were so wonderful, I mean granted, like

269
00:12:37,559 --> 00:12:39,720
Speaker 1: I had known of you, we had met a couple

270
00:12:39,760 --> 00:12:42,439
Speaker 1: of times, and then you guys were just so lovely

271
00:12:42,480 --> 00:12:46,160
Speaker 1: and you really like champions this little tiny baby project

272
00:12:46,240 --> 00:12:49,640
Speaker 1: in the bottom of Grisid's and you got you put

273
00:12:49,640 --> 00:12:51,280
Speaker 1: the word out there, so like we are so grateful.

274
00:12:51,280 --> 00:12:52,880
Speaker 1: I am so grateful. I love you. I mean, I

275
00:12:53,240 --> 00:12:54,400
Speaker 1: just want to reiterate that.

276
00:12:54,440 --> 00:12:58,280
Speaker 2: To the listeners because it's really true, like you have

277
00:12:58,360 --> 00:13:00,880
Speaker 2: people who champion you and like push you forward and

278
00:13:00,880 --> 00:13:03,840
Speaker 2: and you guys are so incredible at that and always

279
00:13:04,280 --> 00:13:06,320
Speaker 2: paving the way for other people.

280
00:13:06,400 --> 00:13:09,400
Speaker 1: And it's not just one sided. You're just uplifting and

281
00:13:09,920 --> 00:13:11,719
Speaker 1: I'm so inspired by both of you and I love

282
00:13:11,720 --> 00:13:17,920
Speaker 1: you to death. That is my I don't think, I

283
00:13:17,960 --> 00:13:21,720
Speaker 1: don't think. Sorry, I mean I always I always tell you,

284
00:13:21,760 --> 00:13:24,439
Speaker 1: but I really need everybody to know that, like everybody

285
00:13:24,440 --> 00:13:26,280
Speaker 1: has their own path and like people can be nice

286
00:13:26,280 --> 00:13:28,480
Speaker 1: and help each other out in this crazy ass business

287
00:13:28,520 --> 00:13:32,000
Speaker 1: in the world. Everybody just be kind and be nice. Yeah, absolutely,

288
00:13:32,040 --> 00:13:33,520
Speaker 1: and it really just goes a long way. And we

289
00:13:33,559 --> 00:13:35,760
Speaker 1: are you know, we're just we love you and we're

290
00:13:35,760 --> 00:13:36,319
Speaker 1: so thankful.

291
00:13:36,480 --> 00:13:39,560
Speaker 3: Well, we have always I've seen the show. I can

292
00:13:39,600 --> 00:13:41,600
Speaker 3: count on two hands now the number of times I've

293
00:13:41,679 --> 00:13:42,000
Speaker 3: seen it.

294
00:13:42,000 --> 00:13:42,760
Speaker 1: But I think.

295
00:13:43,160 --> 00:13:46,800
Speaker 2: Across the world on the weekend, I literally we were

296
00:13:46,800 --> 00:13:48,720
Speaker 2: in London for how many days.

297
00:13:51,760 --> 00:13:53,480
Speaker 1: We had to see what it was giving you and

298
00:13:53,840 --> 00:13:57,280
Speaker 1: you have to giving our babies are giving. I love

299
00:13:57,400 --> 00:14:00,880
Speaker 1: really good and vocal. The vocal, I mean, everybody's vocals

300
00:14:00,880 --> 00:14:03,560
Speaker 1: are insane in the show, like truly unbelievable, but like

301
00:14:03,600 --> 00:14:07,240
Speaker 1: the vocals in London, I'm like, you monsters know how

302
00:14:07,280 --> 00:14:07,640
Speaker 1: to sing.

303
00:14:07,840 --> 00:14:10,840
Speaker 2: Yeah, it's giving Olivier Award winning and nominated performers.

304
00:14:11,120 --> 00:14:17,600
Speaker 1: All yeah, but uh an Iceberg, bitch one Olivier. Yeah,

305
00:14:19,520 --> 00:14:23,600
Speaker 1: congratulating Lane is truly unbelievable. Yeah, I mean the whole

306
00:14:23,600 --> 00:14:26,000
Speaker 1: cast is unbelievable. I love them to death. I just

307
00:14:26,080 --> 00:14:27,920
Speaker 1: saw them. I was in London last night. I got back.

308
00:14:28,480 --> 00:14:38,000
Speaker 1: I can't believe. Traveler Paris, then London, London, Milan. Yeah, yeah, anyway,

309
00:14:38,040 --> 00:14:39,840
Speaker 1: but yeah, the London production is unbelievable.

310
00:14:39,840 --> 00:14:41,680
Speaker 2: It's at the Criterion. Go see it if you're in London,

311
00:14:42,240 --> 00:14:43,160
Speaker 2: and that's ongoing.

312
00:14:43,560 --> 00:14:46,600
Speaker 1: That is running until as of now, I think January

313
00:14:46,640 --> 00:14:50,280
Speaker 1: of twenty twenty six, so work work and now it's

314
00:14:50,280 --> 00:14:52,920
Speaker 1: in Paris as well. Work Unbelieved. Went to the theater

315
00:14:53,000 --> 00:14:54,960
Speaker 1: in Paris, went to the theater in Paris, the Leedo Theater.

316
00:14:55,040 --> 00:14:57,840
Speaker 1: It's at the Champs de in the Fierce area. The

317
00:15:00,000 --> 00:15:00,560
Speaker 1: Crazy Horse.

318
00:15:00,760 --> 00:15:02,960
Speaker 2: Oh my god, can you talk about that crazy I

319
00:15:02,960 --> 00:15:04,760
Speaker 2: think I think I think we should go.

320
00:15:04,960 --> 00:15:06,960
Speaker 1: You guys, let's go. No, no, no, no, it's you. We're

321
00:15:06,960 --> 00:15:09,080
Speaker 1: going to Friends next one. Okay, well, period, it has

322
00:15:09,080 --> 00:15:10,280
Speaker 1: to be first on your list. It's one of the

323
00:15:10,280 --> 00:15:12,480
Speaker 1: best shows I've ever seen in my life. Wow. The

324
00:15:12,480 --> 00:15:15,240
Speaker 1: women are I'm gay as hell. The women are the

325
00:15:15,240 --> 00:15:18,160
Speaker 1: hottest things I've ever seen. I got it truly like

326
00:15:18,360 --> 00:15:21,840
Speaker 1: stunning tits, good tits, but like not fake. It's just

327
00:15:21,880 --> 00:15:26,160
Speaker 1: like natural gorgeous bodies. Okay, and I heard that from

328
00:15:26,200 --> 00:15:29,360
Speaker 1: their tit to their navel. They all have to have

329
00:15:29,400 --> 00:15:32,040
Speaker 1: the exact same inches, but they can have like little

330
00:15:32,080 --> 00:15:36,240
Speaker 1: like kitten heels and like, I don't sorry, best half

331
00:15:36,240 --> 00:15:41,000
Speaker 1: an inch off. It's the road. Literally you can choke best. Wow,

332
00:15:41,360 --> 00:15:43,960
Speaker 1: you'll never get this job, but you know it's unbelievable.

333
00:15:44,200 --> 00:15:47,000
Speaker 1: But it's it's so precise in the lightning. It's the art.

334
00:15:47,480 --> 00:15:49,720
Speaker 1: It is art. It is art. It's like Picasso. I'm like,

335
00:15:49,720 --> 00:15:53,120
Speaker 1: what the fuck am I seeing? It is crazy? The

336
00:15:53,200 --> 00:15:57,080
Speaker 1: most unreal horse I've ever seen? Do they bring out

337
00:15:57,080 --> 00:15:57,840
Speaker 1: a horse? No?

338
00:15:57,920 --> 00:16:01,560
Speaker 2: I wish look at that that horse?

339
00:16:02,000 --> 00:16:04,000
Speaker 3: We should We should see Cowboy Carter in Paris and

340
00:16:04,040 --> 00:16:06,440
Speaker 3: then we are we are you making a horse?

341
00:16:06,480 --> 00:16:06,920
Speaker 1: There? We have?

342
00:16:07,960 --> 00:16:11,360
Speaker 2: We were told someone was getting the tickets Matt supposed

343
00:16:11,360 --> 00:16:13,800
Speaker 2: to buy us tickets are so okay, what yes, okay,

344
00:16:13,840 --> 00:16:18,200
Speaker 2: so our plan you we're gonna be can from the

345
00:16:18,200 --> 00:16:21,920
Speaker 2: fifth the nineteenth because we're promoting our Cultural Awards which

346
00:16:22,040 --> 00:16:25,280
Speaker 2: you have performed on. We won we Want the Best

347
00:16:25,320 --> 00:16:30,040
Speaker 2: Indoor Live performance went to Tights two years ago.

348
00:16:30,160 --> 00:16:31,520
Speaker 1: Best night in my life, by the way, that was.

349
00:16:31,560 --> 00:16:33,680
Speaker 1: That was so much you guys. If you can ever

350
00:16:33,720 --> 00:16:39,360
Speaker 1: get to a live taping, life taping, live taping, live taping,

351
00:16:39,400 --> 00:16:41,800
Speaker 1: I know, isn't it crazy? I felt like it was

352
00:16:41,840 --> 00:16:44,280
Speaker 1: like the gay super Bowl. I came out and they

353
00:16:44,280 --> 00:16:47,760
Speaker 1: were like, and I was like, wait, you have no

354
00:16:47,840 --> 00:16:49,720
Speaker 1: idea who I am, but I love this and I

355
00:16:49,800 --> 00:16:54,440
Speaker 1: was eating it up. But they did know. Our audience was.

356
00:16:54,440 --> 00:16:56,640
Speaker 2: Just as excited for Titanique as they were for like

357
00:16:56,640 --> 00:16:57,960
Speaker 2: when Julia Fox came.

358
00:16:57,840 --> 00:17:00,400
Speaker 1: Out exactly you guys. I felt it. I mean, my

359
00:17:00,680 --> 00:17:02,840
Speaker 1: my pussy fell out. I was like, oh my god,

360
00:17:02,880 --> 00:17:05,359
Speaker 1: this is what it's like to like be Lady Gaga

361
00:17:05,359 --> 00:17:06,719
Speaker 1: in front of like everybody.

362
00:17:06,720 --> 00:17:08,160
Speaker 3: There were at least two hundred people in that crowd

363
00:17:08,200 --> 00:17:11,560
Speaker 3: Who've seen you be Fierro, seen you be you know

364
00:17:11,600 --> 00:17:13,159
Speaker 3: what I mean, have seen you on COLT.

365
00:17:13,560 --> 00:17:14,840
Speaker 1: Wait literally, let's talk about this.

366
00:17:14,880 --> 00:17:18,920
Speaker 2: So you've been Fierro and Link and Jack and Jack

367
00:17:19,040 --> 00:17:21,960
Speaker 2: and Ryan Phillippi, Wow, and I'm gay as hell.

368
00:17:22,200 --> 00:17:24,879
Speaker 1: Yeah, look that you can do it. You can do

369
00:17:24,920 --> 00:17:26,960
Speaker 1: it too. I mean gay actors work.

370
00:17:27,359 --> 00:17:29,600
Speaker 2: First of all, let's talk about that Fierro, which is

371
00:17:29,680 --> 00:17:32,440
Speaker 2: Jonathan Bailly in the movie. Then we got Link who's

372
00:17:32,560 --> 00:17:35,760
Speaker 2: zach Efron in the movie. Then we have Leo DiCaprio

373
00:17:35,880 --> 00:17:37,879
Speaker 2: heard of him, who's Jack in the film. And then

374
00:17:37,880 --> 00:17:40,200
Speaker 2: we have Ryan Phillippy. That's a bang off if I've

375
00:17:40,400 --> 00:17:42,719
Speaker 2: ever that is a demon twink.

376
00:17:42,800 --> 00:17:46,240
Speaker 1: That is a demon twins dream come true, like lollapaloose. Listen,

377
00:17:46,280 --> 00:17:49,000
Speaker 1: I don't take it for granted. Honey, Okay, it's come

378
00:17:49,840 --> 00:17:52,960
Speaker 1: you were tying it all together. Yeah, that mentally ill

379
00:17:53,080 --> 00:17:58,520
Speaker 1: broke as version. Cool. Stop holler at me at Constantine Zulia.

380
00:17:59,200 --> 00:18:02,680
Speaker 1: You know they will, they will, they holler, they holler

381
00:18:02,880 --> 00:18:04,720
Speaker 1: you come up on my hinge a lot, because it's

382
00:18:04,720 --> 00:18:07,680
Speaker 1: like these are like these are the hot guys hop

383
00:18:07,800 --> 00:18:10,320
Speaker 1: top shelves. I don't want to say hello well because

384
00:18:10,480 --> 00:18:12,280
Speaker 1: I'm like, first of all, someone I know, it's like

385
00:18:12,720 --> 00:18:15,760
Speaker 1: it's so weird, it's weird, and it's a weird thing

386
00:18:15,800 --> 00:18:18,800
Speaker 1: because some people then take it because you've done this before,

387
00:18:19,119 --> 00:18:21,120
Speaker 1: when you like see a friend and you're like, hey, stupid,

388
00:18:21,400 --> 00:18:23,479
Speaker 1: I see you, and you're like whatever, and then it

389
00:18:23,560 --> 00:18:26,000
Speaker 1: says that. Then there's other people who take it too

390
00:18:26,000 --> 00:18:29,159
Speaker 1: far and like, wow, actually man is really into me.

391
00:18:29,720 --> 00:18:31,280
Speaker 1: And then you're like, wait, actually that was a joke.

392
00:18:31,320 --> 00:18:35,600
Speaker 1: I'm achsicle. And then you have to know.

393
00:18:36,520 --> 00:18:38,879
Speaker 3: You can't even be like too clear about it. You

394
00:18:38,880 --> 00:18:42,320
Speaker 3: can't clarify by the way I am attracted to you,

395
00:18:42,359 --> 00:18:43,560
Speaker 3: but I don't think we would be a good man.

396
00:18:43,560 --> 00:18:45,960
Speaker 1: It's like, but why would you like would give you later?

397
00:18:46,040 --> 00:18:47,840
Speaker 2: Hey, I know that we just did this crazy bit

398
00:18:47,960 --> 00:18:51,680
Speaker 2: on a hinge, but calling to say i'd be down

399
00:18:51,960 --> 00:18:55,160
Speaker 2: that I'm I get less crazy, I get less demisexual

400
00:18:55,200 --> 00:18:57,400
Speaker 2: as I get older, because I just value my friendship

401
00:18:57,480 --> 00:18:57,840
Speaker 2: so much.

402
00:18:58,400 --> 00:19:00,560
Speaker 1: You know what I'm saying. It's like, but it's hard.

403
00:19:00,560 --> 00:19:02,639
Speaker 2: It's a hard thing to figure out when you're a

404
00:19:02,680 --> 00:19:06,480
Speaker 2: gay guy with fun, cool, attractive friends, because of course.

405
00:19:06,200 --> 00:19:08,040
Speaker 1: It's really hard to be a gay guy with attractor

406
00:19:09,200 --> 00:19:09,760
Speaker 1: look at us.

407
00:19:09,880 --> 00:19:11,879
Speaker 2: What I mean is like, it's what I mean is

408
00:19:11,920 --> 00:19:14,040
Speaker 2: it's like, it's a difficult thing mentally because it's like

409
00:19:14,280 --> 00:19:15,720
Speaker 2: you short of get in your head of like okay,

410
00:19:15,760 --> 00:19:19,160
Speaker 2: well why not. Well then it's like and friendships are important,

411
00:19:19,280 --> 00:19:20,520
Speaker 2: of course, you know what I mean. And I'm like

412
00:19:20,960 --> 00:19:23,320
Speaker 2: It's like I said to a friend recently, I was

413
00:19:23,359 --> 00:19:25,439
Speaker 2: talking about like a mutual friend of ours, and I

414
00:19:25,440 --> 00:19:27,000
Speaker 2: was like, yeah, I don't know. I just had kind

415
00:19:27,040 --> 00:19:29,439
Speaker 2: of a thought and my friend goes, you know what

416
00:19:29,480 --> 00:19:33,720
Speaker 2: that is friendship? That's actually okay, And I was like, okay, yeah,

417
00:19:33,840 --> 00:19:36,480
Speaker 2: it doesn't have to be a thing. I do gymnastics

418
00:19:36,520 --> 00:19:38,000
Speaker 2: in my head about you know what I mean. Sometimes

419
00:19:38,040 --> 00:19:39,960
Speaker 2: it's like, yeah, I have a friend that I'm like

420
00:19:40,000 --> 00:19:41,879
Speaker 2: a little attracted to, and it's my friends, and I

421
00:19:41,920 --> 00:19:43,400
Speaker 2: can have that boundary absolutely.

422
00:19:43,400 --> 00:19:44,040
Speaker 1: How long.

423
00:19:44,160 --> 00:19:46,119
Speaker 3: What's the tradition of you and Jake and Gus and

424
00:19:46,119 --> 00:19:47,560
Speaker 3: like and like those pals.

425
00:19:47,240 --> 00:19:52,040
Speaker 1: On my besties, your best You guys are always I

426
00:19:52,080 --> 00:19:55,640
Speaker 1: know we are. It's just they're monsters. They're truly absolute monsters,

427
00:19:55,680 --> 00:20:01,120
Speaker 1: and I wish them nothing but negativity. That's a shout

428
00:20:01,119 --> 00:20:04,679
Speaker 1: out to my girls, my my ed man nas. We

429
00:20:04,720 --> 00:20:07,800
Speaker 1: have a we have our threat as mommesters. We're all

430
00:20:07,840 --> 00:20:10,600
Speaker 1: getting tattoos, I say, ermanas, but like one's getting her

431
00:20:11,080 --> 00:20:16,800
Speaker 1: I'm and I think Gus is not not together like

432
00:20:16,920 --> 00:20:19,919
Speaker 1: you guys. Okay, someone's taking a side in the battle.

433
00:20:21,359 --> 00:20:25,520
Speaker 1: Please welcome the same. Yeah, they're the best. I mean

434
00:20:25,560 --> 00:20:28,040
Speaker 1: they're my brothers, Like they're the brothers I never had.

435
00:20:28,560 --> 00:20:31,160
Speaker 1: I've known Jake for like twenty years now, which is insane.

436
00:20:31,200 --> 00:20:34,720
Speaker 1: We met on Facebook because everybody said we used to

437
00:20:34,760 --> 00:20:37,360
Speaker 1: look alike, which we do. We have the same hair,

438
00:20:37,400 --> 00:20:40,199
Speaker 1: We're like very twinning twinning. But back in the day

439
00:20:40,240 --> 00:20:43,280
Speaker 1: when we were actual twinks, people would stop me on

440
00:20:43,280 --> 00:20:46,000
Speaker 1: the street and be like, are you Jake Wilson go

441
00:20:46,080 --> 00:20:48,000
Speaker 1: be Blue And I'm like, what are you talking about?

442
00:20:48,240 --> 00:20:49,280
Speaker 1: And then they go to him and like are you

443
00:20:49,280 --> 00:20:51,439
Speaker 1: constant mud? And he was like who is that? And

444
00:20:51,440 --> 00:20:53,280
Speaker 1: then he found me on Facebook and he was like, whoa,

445
00:20:53,680 --> 00:20:55,560
Speaker 1: I think we should go out for a drink. And

446
00:20:55,600 --> 00:21:00,239
Speaker 1: then he my MySpace, my Space stroke. Then he then

447
00:21:00,240 --> 00:21:01,639
Speaker 1: he facebooks me and he's like, let's go out for

448
00:21:01,640 --> 00:21:03,880
Speaker 1: a drink. And I'm like okay. As like everybody says

449
00:21:03,880 --> 00:21:05,520
Speaker 1: we look alike doppelganger, I met him.

450
00:21:05,560 --> 00:21:09,720
Speaker 2: We go to wait for this Bourbon Street forty sixth Street,

451
00:21:09,760 --> 00:21:10,520
Speaker 2: remember that place?

452
00:21:10,560 --> 00:21:15,400
Speaker 1: Wow, back in the day dating in that area. Why

453
00:21:15,640 --> 00:21:17,439
Speaker 1: I used to live on fifty second and ninth Like

454
00:21:17,560 --> 00:21:21,640
Speaker 1: above therapy, which is hushning, wow, good luck with my project.

455
00:21:21,720 --> 00:21:25,359
Speaker 1: Go to sleep, like literally, go to sleep. Sleep, no,

456
00:21:25,640 --> 00:21:28,760
Speaker 1: can't too much, too much thumping. So yeah, that's how

457
00:21:28,800 --> 00:21:31,240
Speaker 1: we met and I was like, l you are rich

458
00:21:31,400 --> 00:21:35,160
Speaker 1: and we'll never date. And then years later we crossed passing,

459
00:21:35,359 --> 00:21:37,880
Speaker 1: so wait you went on a date though initially initially

460
00:21:37,880 --> 00:21:39,720
Speaker 1: and I was like hah, this is fun. Cool bye.

461
00:21:40,119 --> 00:21:42,000
Speaker 1: So there was no smooth ring nothing. And then two

462
00:21:42,080 --> 00:21:44,680
Speaker 1: years later I'm on tour with Legally Blonde in La.

463
00:21:45,200 --> 00:21:48,400
Speaker 1: Were you in Legally Blonde? I was nkos that one,

464
00:21:48,440 --> 00:21:56,080
Speaker 1: and then I warner after so yeah vibes wo yeah

465
00:21:56,119 --> 00:22:01,080
Speaker 1: with no career way to the middle.

466
00:22:01,640 --> 00:22:03,760
Speaker 2: Well then I was like because wait, okay, so so

467
00:22:03,840 --> 00:22:05,040
Speaker 2: you guys meet up two years later.

468
00:22:05,119 --> 00:22:07,080
Speaker 1: Two years later in my roommate at a time and

469
00:22:07,119 --> 00:22:08,800
Speaker 1: another like very good friend coordination, she was like, hey,

470
00:22:08,800 --> 00:22:10,760
Speaker 1: my best friend from college is coming and I was like, yeah, cool, whatever,

471
00:22:10,800 --> 00:22:12,359
Speaker 1: he can stay in our apartment and she goes, well,

472
00:22:12,400 --> 00:22:14,400
Speaker 1: there's no bed, so like you have the king size

473
00:22:14,400 --> 00:22:15,800
Speaker 1: best food, I guess he's gonna have to stay in

474
00:22:15,840 --> 00:22:21,320
Speaker 1: your room. And I was like, Corney, that's literally and

475
00:22:21,320 --> 00:22:22,600
Speaker 1: then she was like I was like who is and

476
00:22:22,600 --> 00:22:23,959
Speaker 1: she's like, oh, it's Jake Wilson. And I was like,

477
00:22:24,480 --> 00:22:26,520
Speaker 1: are you hitting me? I was like that guy who's

478
00:22:26,560 --> 00:22:29,800
Speaker 1: like my doppelganger and since the last time two years okay, okay.

479
00:22:30,040 --> 00:22:32,080
Speaker 1: Then she shows up to La like a bat out

480
00:22:32,080 --> 00:22:34,680
Speaker 1: of hell, comes into like into the fucking oak Wood

481
00:22:34,680 --> 00:22:37,679
Speaker 1: Sweet Apartments, and I was like, hon what is happening?

482
00:22:37,880 --> 00:22:40,960
Speaker 1: And then you know, bestie's ever since slept in my bed.

483
00:22:40,960 --> 00:22:42,800
Speaker 1: We like turned. It was like one of those movies,

484
00:22:42,840 --> 00:22:46,119
Speaker 1: and I was like, I think we're gonna be and

485
00:22:46,160 --> 00:22:48,119
Speaker 1: then we're like kickle like key key gaggle.

486
00:22:48,240 --> 00:22:48,359
Speaker 2: Oh.

487
00:22:48,400 --> 00:22:50,160
Speaker 1: I love that. It was the best ever. And then

488
00:22:50,200 --> 00:22:53,119
Speaker 1: Gus came in, you know, ten years later and just

489
00:22:53,320 --> 00:22:55,520
Speaker 1: wreaked havoc. Yes, sure, yeah, y'all.

490
00:22:55,680 --> 00:22:58,760
Speaker 3: Three of y'all are the best, and there's but there's

491
00:22:58,800 --> 00:23:01,040
Speaker 3: like the right men of chaos there from.

492
00:23:00,960 --> 00:23:02,639
Speaker 1: Each of you, oh beyond you know what I mean.

493
00:23:02,760 --> 00:23:06,879
Speaker 1: And I think like, yeah, buddy system three great, you

494
00:23:06,920 --> 00:23:09,000
Speaker 1: know what I mean. I can never travel with anybody else.

495
00:23:09,000 --> 00:23:10,000
Speaker 1: There's three of us. That's it.

496
00:23:10,359 --> 00:23:14,600
Speaker 2: Wait, but did you feel seen by White Lotus.

497
00:23:14,000 --> 00:23:18,480
Speaker 1: We were just in Paris and London and I brought

498
00:23:18,520 --> 00:23:20,880
Speaker 1: them and I brought them as my dates opening and

499
00:23:20,920 --> 00:23:22,840
Speaker 1: we were like we are the basic pitches from White

500
00:23:22,880 --> 00:23:24,439
Speaker 1: Lotus and I was like, which ones are you?

501
00:23:24,560 --> 00:23:26,760
Speaker 3: I was like, go, we just did that last week

502
00:23:26,800 --> 00:23:30,199
Speaker 3: with told Kim. Yeah, we cast ourselves. Who are you

503
00:23:30,240 --> 00:23:30,880
Speaker 3: in the in the three?

504
00:23:31,080 --> 00:23:37,040
Speaker 1: I'm I would probably be Michelle. Yeah you're Michelle. I'm Michelle.

505
00:23:37,040 --> 00:23:40,320
Speaker 1: I'm Michelle to I'm a Michelle? And then who are you?

506
00:23:40,400 --> 00:23:43,399
Speaker 1: Who are you? I think I'm carrying on.

507
00:23:46,680 --> 00:23:51,560
Speaker 2: Yeah. I think Joel is just so Leslie Bib big

508
00:23:51,600 --> 00:23:55,600
Speaker 2: trumper that you got a fan and Joel Kim Booster

509
00:23:56,400 --> 00:23:59,920
Speaker 2: t are you MP? More like JK b es actually remember,

510
00:24:02,440 --> 00:24:03,600
Speaker 2: more like j k B.

511
00:24:04,200 --> 00:24:08,080
Speaker 1: He's gonna he is going to punch all of us.

512
00:24:09,240 --> 00:24:19,439
Speaker 1: I feel like it, love it totally. Ye are you

513
00:24:19,520 --> 00:24:22,960
Speaker 1: dating now? M m? He's on him? Jingle as hell?

514
00:24:23,520 --> 00:24:23,680
Speaker 2: Hell?

515
00:24:24,320 --> 00:24:25,680
Speaker 1: What do you want? What's what's on the load? What

516
00:24:25,720 --> 00:24:26,800
Speaker 1: do you want? What you want?

517
00:24:27,000 --> 00:24:28,359
Speaker 3: I need to do a pros and cons list, and

518
00:24:28,400 --> 00:24:30,360
Speaker 3: I feel like I've been told it's like the thing

519
00:24:30,359 --> 00:24:32,240
Speaker 3: you're supposed to do and I still haven't gone around

520
00:24:32,240 --> 00:24:32,520
Speaker 3: to doing it.

521
00:24:32,560 --> 00:24:36,040
Speaker 1: So give us yours pros. Be an actual human, be

522
00:24:36,119 --> 00:24:38,680
Speaker 1: a legit person. I need you to do the fucking work.

523
00:24:39,359 --> 00:24:41,720
Speaker 1: Get up every day, meditate, go to therapy. I mean,

524
00:24:41,960 --> 00:24:44,800
Speaker 1: know who you are, have a great relationship with your

525
00:24:44,880 --> 00:24:49,879
Speaker 1: family and friends, and just like respect yourself and respect people,

526
00:24:50,000 --> 00:24:53,240
Speaker 1: love people, care about people. I don't know, have something

527
00:24:54,119 --> 00:24:59,399
Speaker 1: that makes you wake up every morning. And I want gratitude.

528
00:24:59,400 --> 00:25:02,879
Speaker 1: I want a funny person. I want a kind, respectful

529
00:25:02,920 --> 00:25:07,200
Speaker 1: human gets it. Just don't play games like these. These

530
00:25:07,240 --> 00:25:11,399
Speaker 1: fucking gays are wild. They're wild, and it's always like

531
00:25:11,440 --> 00:25:13,879
Speaker 1: what's what's you know around the corner? It's like, you

532
00:25:13,920 --> 00:25:15,399
Speaker 1: know what, how about you just look in front of

533
00:25:15,440 --> 00:25:17,440
Speaker 1: you and get to know a human and like pull

534
00:25:17,520 --> 00:25:20,320
Speaker 1: back a fucking layer instead of sitting there and being

535
00:25:20,359 --> 00:25:22,399
Speaker 1: like you're really cool for the moment and then but

536
00:25:22,760 --> 00:25:25,680
Speaker 1: I'm completely looking around the corner. Well that's like all

537
00:25:25,680 --> 00:25:26,800
Speaker 1: of la, which is why I moved.

538
00:25:26,880 --> 00:25:29,280
Speaker 3: Well that's why I had to leave you to You're

539
00:25:29,320 --> 00:25:30,560
Speaker 3: you're a little incensed about this.

540
00:25:30,760 --> 00:25:32,879
Speaker 1: I am. I'm pissed. Yeah, no, okay, so talk about this.

541
00:25:33,119 --> 00:25:37,160
Speaker 1: Have you been run around? Oh for years? Time? For years?

542
00:25:37,280 --> 00:25:39,439
Speaker 1: Run around? Or the ghosting is actually, can we not

543
00:25:39,520 --> 00:25:42,240
Speaker 1: ghost me anymore? Why would Why would someone ghost you?

544
00:25:42,320 --> 00:25:45,679
Speaker 1: Because I feel like people they think that they know

545
00:25:45,760 --> 00:25:47,520
Speaker 1: what they want, they think that they're ready for a

546
00:25:47,560 --> 00:25:49,480
Speaker 1: relationship where they're ready to, you know, open up and

547
00:25:49,480 --> 00:25:52,280
Speaker 1: they have It's no idea, it's all bullshit, and you know,

548
00:25:52,320 --> 00:25:55,920
Speaker 1: it's like it's face value, it's it's a facade. It's like, Okay,

549
00:25:56,560 --> 00:25:59,480
Speaker 1: I get it, you're insecure, and this is how you

550
00:25:59,520 --> 00:26:01,560
Speaker 1: go about doing that. But you should also be a

551
00:26:01,560 --> 00:26:04,399
Speaker 1: respectful human and say, I don't know, it's communication if

552
00:26:04,440 --> 00:26:06,520
Speaker 1: you're not feeling it, if you're asking me out and

553
00:26:06,560 --> 00:26:09,760
Speaker 1: you're pursuing me and you've DMed me and slid into

554
00:26:09,760 --> 00:26:12,880
Speaker 1: my fucking DMS and found my phone number and sent

555
00:26:12,920 --> 00:26:15,679
Speaker 1: a letter by stork, and then then you have the

556
00:26:15,720 --> 00:26:20,520
Speaker 1: audacity to not even respond. After we go out on

557
00:26:20,520 --> 00:26:21,960
Speaker 1: a date and it was actually good and you're telling

558
00:26:22,000 --> 00:26:24,160
Speaker 1: me these things like, wow, this was incredible. You're really

559
00:26:24,240 --> 00:26:26,320
Speaker 1: an amazing person. I'm so happy we met, and then

560
00:26:26,359 --> 00:26:29,560
Speaker 1: a full on ghost. At least grow the fucking balls.

561
00:26:29,640 --> 00:26:32,240
Speaker 1: We are too old. We are too old. You can

562
00:26:32,280 --> 00:26:35,439
Speaker 1: easily I would respect you when so much more if

563
00:26:35,480 --> 00:26:38,359
Speaker 1: you came to me and said, hey, that was incredible,

564
00:26:38,600 --> 00:26:41,080
Speaker 1: You're an amazing person. I just don't think we're a match.

565
00:26:41,400 --> 00:26:42,960
Speaker 1: I would love to be friends, and i's not.

566
00:26:43,480 --> 00:26:45,879
Speaker 2: You know, I'm happy we got to do that, and

567
00:26:45,920 --> 00:26:48,800
Speaker 2: I'm like, you know what, incredible, thank you, And I

568
00:26:48,840 --> 00:26:52,000
Speaker 2: have to say, like, I think people are doing it

569
00:26:52,200 --> 00:26:55,120
Speaker 2: more than they were, But I get I get those

570
00:26:55,160 --> 00:26:58,200
Speaker 2: messages and I'm not upset me neither. All I feel

571
00:26:58,480 --> 00:27:01,240
Speaker 2: is fine about it. Wow, that's awesome. Maybe we could

572
00:27:01,240 --> 00:27:03,600
Speaker 2: be friends. I do have a lot of friends.

573
00:27:03,640 --> 00:27:06,960
Speaker 1: But I'm happy you're honest and open totally instead of well,

574
00:27:06,960 --> 00:27:09,560
Speaker 1: that's also coming from people who actually, you know, are

575
00:27:09,600 --> 00:27:12,680
Speaker 1: not going to freak out and go insane because we're

576
00:27:12,680 --> 00:27:15,119
Speaker 1: not insecure totally. So it's like, like, you do the

577
00:27:15,119 --> 00:27:17,239
Speaker 1: work whatever, I would love to I'd rather hear that.

578
00:27:17,280 --> 00:27:19,560
Speaker 1: And I feel like the other people who are ghosting

579
00:27:19,640 --> 00:27:22,119
Speaker 1: are so insecure that they're probably afraid of the other

580
00:27:22,160 --> 00:27:24,560
Speaker 1: person's that's gonna they're gonna yell out in confrontation, and

581
00:27:25,320 --> 00:27:27,720
Speaker 1: I get it, but like, you will be better off,

582
00:27:28,560 --> 00:27:30,440
Speaker 1: trust me, because I'm going to see your ass at

583
00:27:30,440 --> 00:27:33,000
Speaker 1: a fucking party and I'm going to say all over

584
00:27:33,080 --> 00:27:35,240
Speaker 1: New York City and or all over the world. Yeah,

585
00:27:35,359 --> 00:27:38,920
Speaker 1: so why make it awkward? That's what sucks. Sometimes.

586
00:27:38,960 --> 00:27:41,920
Speaker 2: The thing that chraps my ass is like how small

587
00:27:42,000 --> 00:27:45,480
Speaker 2: the gay community is where it's like, yeah, I did

588
00:27:45,480 --> 00:27:47,720
Speaker 2: it this person? And I did not well or whatever,

589
00:27:47,800 --> 00:27:49,680
Speaker 2: I'm dealing with this, and someone was like, well, who

590
00:27:49,760 --> 00:27:50,000
Speaker 2: is it.

591
00:27:50,119 --> 00:27:52,479
Speaker 1: I'm like, you don't know them? They do who is it?

592
00:27:52,760 --> 00:27:54,920
Speaker 1: And then I say the name and it's like, oh yeah,

593
00:27:55,240 --> 00:27:55,680
Speaker 1: this person.

594
00:27:56,320 --> 00:27:58,960
Speaker 2: And I'm just like I'm in hell because I'm just like,

595
00:27:59,200 --> 00:28:02,240
Speaker 2: it makes you feel like you're in like a rat maze,

596
00:28:02,320 --> 00:28:03,920
Speaker 2: you know what I mean, Like, no matter what, you're

597
00:28:03,960 --> 00:28:05,640
Speaker 2: gonna end up at like a dead end, like you're

598
00:28:05,640 --> 00:28:08,680
Speaker 2: gonna run out of like which is a crazy thought.

599
00:28:09,080 --> 00:28:11,120
Speaker 2: But I do think it's worse in LA than New York.

600
00:28:11,200 --> 00:28:13,800
Speaker 2: Like my bit is like there's like six million gays

601
00:28:13,800 --> 00:28:16,480
Speaker 2: in New York and thirty three in Los Angeles. Like, so,

602
00:28:16,560 --> 00:28:19,760
Speaker 2: like broadening scope in terms of dating has become like

603
00:28:19,880 --> 00:28:22,639
Speaker 2: important to me because I kind of do want ultimately

604
00:28:22,840 --> 00:28:25,919
Speaker 2: my partner to be someone that's like my partner, Like

605
00:28:25,960 --> 00:28:28,680
Speaker 2: I don't really want to hear about their history, you

606
00:28:28,720 --> 00:28:29,240
Speaker 2: know what I'm saying.

607
00:28:29,280 --> 00:28:31,119
Speaker 1: Totally yeah, because there could be one hundred days in

608
00:28:31,119 --> 00:28:36,280
Speaker 1: a room and ninety nine and ninety nine I fucked

609
00:28:36,320 --> 00:28:41,800
Speaker 1: each other, literally all fucked each other. That's a river fifteen.

610
00:28:41,840 --> 00:28:43,480
Speaker 1: There could be on launch days.

611
00:28:44,840 --> 00:28:47,000
Speaker 2: Fucked each other. But only takes one to believe in you.

612
00:28:47,040 --> 00:28:51,080
Speaker 2: And that's about the Cooper. Well, yes, wait, hard lunch

613
00:28:51,080 --> 00:28:54,040
Speaker 2: with GG. Though hard Lunch with GG, we dispel the rumors.

614
00:28:54,200 --> 00:28:57,720
Speaker 2: They hard launched their relationship on one of those. So

615
00:28:57,840 --> 00:29:01,360
Speaker 2: she posted a carousel and it was number in the carousel.

616
00:29:01,360 --> 00:29:03,120
Speaker 2: We just talked about carousel.

617
00:29:05,520 --> 00:29:09,040
Speaker 1: Hey you good? Are you good? Carousel?

618
00:29:08,560 --> 00:29:11,480
Speaker 2: I'm having a full blown stroke, both of you.

619
00:29:12,160 --> 00:29:14,480
Speaker 1: I had strokes today this morning. I mean, God forbid,

620
00:29:14,520 --> 00:29:16,400
Speaker 1: but literally you just got We just gone for a plane.

621
00:29:16,400 --> 00:29:18,800
Speaker 1: I'm still jet lagged as hell. Yeah, well I understand.

622
00:29:18,840 --> 00:29:23,960
Speaker 1: We just did the best carousel at the Universe in Orlando.

623
00:29:24,040 --> 00:29:26,280
Speaker 1: You have to go. It's in Celestial Park. Can't wait.

624
00:29:27,120 --> 00:29:32,640
Speaker 1: You Hermona should go to Caramana should go to Orlando, Orlando.

625
00:29:34,400 --> 00:29:37,400
Speaker 1: Why haven't you been on that show? I originally auditioned

626
00:29:37,400 --> 00:29:41,360
Speaker 1: for it the What's His Faces? Stand by and rentals

627
00:29:41,520 --> 00:29:44,080
Speaker 1: and you actually got me the audition. Oh I love that.

628
00:29:44,160 --> 00:29:45,800
Speaker 1: And then I went in but it was or he

629
00:29:45,800 --> 00:29:47,080
Speaker 1: had told them he was like, you should really see

630
00:29:47,080 --> 00:29:49,040
Speaker 1: Connie for this. But it was like back in the

631
00:29:49,080 --> 00:29:51,880
Speaker 1: day when I was so young, and it was the

632
00:29:51,920 --> 00:29:54,560
Speaker 1: time when they weren't giving scripts out to anybody. I

633
00:29:54,600 --> 00:29:56,480
Speaker 1: don't like that. So I had to go in at

634
00:29:56,520 --> 00:30:00,000
Speaker 1: ten am learn that crazy songs. And then they're like,

635
00:30:00,200 --> 00:30:03,600
Speaker 1: by see you at noon or two. When you auditioned

636
00:30:03,640 --> 00:30:05,800
Speaker 1: in front of the whole team without knowing any material,

637
00:30:05,840 --> 00:30:08,160
Speaker 1: you're just like have fun like sight read this and

638
00:30:08,160 --> 00:30:10,840
Speaker 1: then here's here's the side and just cold read. I

639
00:30:10,880 --> 00:30:13,080
Speaker 1: was like, are you kidding me? And then they were like,

640
00:30:13,440 --> 00:30:15,120
Speaker 1: you're not the right type of funny, and I said,

641
00:30:15,560 --> 00:30:18,280
Speaker 1: that's the right type of funny. I am comedy. It's

642
00:30:18,280 --> 00:30:24,000
Speaker 1: like you've become Fanny Bryce. Yeah, I'll show you, like,

643
00:30:24,240 --> 00:30:25,320
Speaker 1: why would you?

644
00:30:25,360 --> 00:30:27,480
Speaker 3: Why would you see that's a devastating thing. Maybe told

645
00:30:27,480 --> 00:30:28,840
Speaker 3: her that you're not the right kind of funny.

646
00:30:28,920 --> 00:30:30,600
Speaker 1: I know, is that sad? Do you? That was the

647
00:30:30,600 --> 00:30:34,480
Speaker 1: Book of Mormon who we missed If they did miss

648
00:30:34,560 --> 00:30:37,680
Speaker 1: of course it was too.

649
00:30:37,960 --> 00:30:41,120
Speaker 2: Andrew was incredible. All of them were incredible. Too fucking high.

650
00:30:41,160 --> 00:30:42,200
Speaker 2: I am a high baritone.

651
00:30:42,240 --> 00:30:44,880
Speaker 1: Okay, I'm not going to pussy pop these notes and

652
00:30:44,960 --> 00:30:48,160
Speaker 1: have a mental breakdown. Yehows a week on.

653
00:30:48,120 --> 00:30:52,800
Speaker 2: Stage to be like, I believe I'm not gonna it's

654
00:30:52,840 --> 00:30:56,760
Speaker 2: too I'm like, also, can we lower the keys for men.

655
00:30:56,960 --> 00:30:58,479
Speaker 1: That's an I don't think so that. I'm gonna get

656
00:30:58,480 --> 00:31:01,080
Speaker 1: to you later. Yeah, yeah, the jig is up. We

657
00:31:01,120 --> 00:31:05,160
Speaker 1: all do not have to be screaming, fucking like mixy

658
00:31:05,280 --> 00:31:10,080
Speaker 1: Bitchesen just said. Bowen is a countertemer. No.

659
00:31:11,800 --> 00:31:13,880
Speaker 2: First of all, you said something so press on the

660
00:31:13,960 --> 00:31:15,800
Speaker 2: other day, which is being born with an a mab

661
00:31:15,920 --> 00:31:16,720
Speaker 2: voice as a curse.

662
00:31:17,720 --> 00:31:21,160
Speaker 1: It's true, it's true. It's true. Culture didn't not make

663
00:31:21,200 --> 00:31:25,720
Speaker 1: that a rule. Being born with a voice is a curse.

664
00:31:25,760 --> 00:31:28,320
Speaker 1: We're off to the races on rules today. Absolutely, rules

665
00:31:28,360 --> 00:31:30,640
Speaker 1: are coming in hot. Can I say something though?

666
00:31:31,000 --> 00:31:33,760
Speaker 3: Someone commented, and I just I I made a mistake

667
00:31:33,760 --> 00:31:35,800
Speaker 3: of reading the comments on the sketch I did with

668
00:31:35,840 --> 00:31:38,680
Speaker 3: Gaga where we sang Wonderful Tonight and someone was like,

669
00:31:38,840 --> 00:31:42,040
Speaker 3: Bone's only a Bone's only a scream singer. And I'm like, oh,

670
00:31:44,160 --> 00:31:46,600
Speaker 3: I just can I just pull back the curtain and

671
00:31:46,680 --> 00:31:49,240
Speaker 3: say that I am proud of myself for just being

672
00:31:49,320 --> 00:31:53,520
Speaker 3: present with one of our great rehearsals, Lady Gaga. She

673
00:31:53,560 --> 00:31:56,480
Speaker 3: wanted to run that song a bajillion times, and we

674
00:31:56,640 --> 00:31:58,560
Speaker 3: delayed rehearsals for it because I was like, no, we're

675
00:31:58,600 --> 00:31:59,960
Speaker 3: getting this right. Because she looks at me to go,

676
00:32:00,400 --> 00:32:02,360
Speaker 3: I think it'll be funnier if we're really good at it,

677
00:32:02,400 --> 00:32:03,200
Speaker 3: And I said.

678
00:32:03,120 --> 00:32:05,720
Speaker 2: Absolutely, I always think that about musical comedy.

679
00:32:05,760 --> 00:32:08,160
Speaker 1: If it's absolutely so much funnier, I agree.

680
00:32:08,200 --> 00:32:09,480
Speaker 3: And then we were just we had to find that

681
00:32:09,560 --> 00:32:15,680
Speaker 3: we like auditioned like seven different keys, and I somehow

682
00:32:16,280 --> 00:32:19,480
Speaker 3: kept my shit together next to Stephanie Germanada, and I

683
00:32:19,520 --> 00:32:21,560
Speaker 3: was like, I'm with you wherever you want to go

684
00:32:22,080 --> 00:32:25,000
Speaker 3: and whatever. I'm not like, I'm only bringing this up

685
00:32:25,040 --> 00:32:29,040
Speaker 3: because the keys are hard, and any any a mab

686
00:32:29,120 --> 00:32:31,360
Speaker 3: voice that has to adapt to a key is doing

687
00:32:31,960 --> 00:32:34,080
Speaker 3: a lot of a lot of emotional labor just for

688
00:32:34,080 --> 00:32:35,240
Speaker 3: for themselves in the audience.

689
00:32:35,240 --> 00:32:37,840
Speaker 1: And I'm just saying that Gaga was fucking incredible. All

690
00:32:38,200 --> 00:32:40,880
Speaker 1: that was not. That was not screamsing easy, and it

691
00:32:40,960 --> 00:32:41,800
Speaker 1: was not screamsaying it.

692
00:32:41,960 --> 00:32:45,200
Speaker 2: I actually was impressed by how effortless it felt like

693
00:32:45,320 --> 00:32:47,040
Speaker 2: you were kind of just like tossing it up there,

694
00:32:47,080 --> 00:32:48,840
Speaker 2: and I was just like, really proud of you.

695
00:32:48,920 --> 00:32:50,640
Speaker 3: But the last time I felt that way that I

696
00:32:50,640 --> 00:32:52,360
Speaker 3: was like tossing up was at Chremanica Ball.

697
00:32:52,720 --> 00:32:54,200
Speaker 2: Well, you want to know why, because when you're on

698
00:32:54,280 --> 00:32:56,520
Speaker 2: mushrooms for the best thing the world. It's actually location

699
00:32:56,640 --> 00:32:58,760
Speaker 2: number sixteen when you're in the mushrooms to the best

700
00:32:58,760 --> 00:32:59,520
Speaker 2: singer in the world.

701
00:33:00,400 --> 00:33:03,440
Speaker 3: Yeah, what so you'r would you say counter baritone? No,

702
00:33:03,520 --> 00:33:05,680
Speaker 3: I'm a high bar high baritone. Sorry, sorry, I mean

703
00:33:05,720 --> 00:33:07,400
Speaker 3: I can like with a fierce mix. That why my

704
00:33:07,480 --> 00:33:08,520
Speaker 3: mix is unbelievable.

705
00:33:09,040 --> 00:33:13,560
Speaker 1: But yeah. But like everybody's like screaming now and they're like,

706
00:33:13,640 --> 00:33:15,320
Speaker 1: can you full voice that, I'm like, how about you

707
00:33:15,360 --> 00:33:19,760
Speaker 1: full voice? Your Yeah? Yeah, you shut up.

708
00:33:19,840 --> 00:33:22,000
Speaker 2: I wrote a lot of my Christmas music when I

709
00:33:22,040 --> 00:33:23,440
Speaker 2: was twenty seven, and.

710
00:33:25,000 --> 00:33:26,640
Speaker 1: Hell, you can fucking.

711
00:33:26,400 --> 00:33:29,480
Speaker 2: Tell me because like Lube for the sleigh, my song

712
00:33:30,480 --> 00:33:34,400
Speaker 2: the bridge is a belted like ooh vowel on live,

713
00:33:34,960 --> 00:33:35,480
Speaker 2: it's just.

714
00:33:35,400 --> 00:33:37,959
Speaker 1: Like it's trasy totally.

715
00:33:38,200 --> 00:33:39,880
Speaker 2: And you know what's funny is it's like I didn't

716
00:33:40,040 --> 00:33:42,720
Speaker 2: realize I didn't know how to sing my own music

717
00:33:42,800 --> 00:33:45,760
Speaker 2: until I started with a voice coach, and.

718
00:33:45,800 --> 00:33:47,520
Speaker 1: It broke it all open for me.

719
00:33:47,640 --> 00:33:50,920
Speaker 2: Now I like love going there like warming up your voice,

720
00:33:51,040 --> 00:33:53,040
Speaker 2: Like good, do you stay on top of your vocal health?

721
00:33:53,120 --> 00:33:55,160
Speaker 1: I do? I mean yes? And no, I mean I

722
00:33:55,160 --> 00:33:58,560
Speaker 1: feel like after doing eighths a week is is insane

723
00:33:59,280 --> 00:34:02,200
Speaker 1: and you're just like men and physically drained. So you're like,

724
00:34:02,240 --> 00:34:04,160
Speaker 1: I need like a month or two off, like between

725
00:34:04,200 --> 00:34:07,000
Speaker 1: gigs or like whatever. But yeah, I mean there's definitely

726
00:34:07,040 --> 00:34:09,480
Speaker 1: those moments where you have to be on it, like

727
00:34:09,520 --> 00:34:11,920
Speaker 1: I'll always check. It's like a sick and sick and

728
00:34:11,960 --> 00:34:14,440
Speaker 1: twisted like space that you wake up and you're like

729
00:34:14,560 --> 00:34:18,040
Speaker 1: hm hm hmmm. Yeah. You wake up every day and

730
00:34:18,040 --> 00:34:20,200
Speaker 1: you're like I have to check. Even it's like three

731
00:34:20,239 --> 00:34:21,799
Speaker 1: months the show's done and you're like, oh, I'm still

732
00:34:21,880 --> 00:34:24,000
Speaker 1: checking to see if my voice is there. It's just

733
00:34:24,040 --> 00:34:26,319
Speaker 1: a met It's crazy if we call it musical theater

734
00:34:26,320 --> 00:34:29,759
Speaker 1: mental illness, but it's wonderful. It's not mentally. It's not

735
00:34:29,800 --> 00:34:32,440
Speaker 1: mental illness. It's no, it's you got to stay on

736
00:34:32,480 --> 00:34:35,680
Speaker 1: it for sure. You're keeping your chops up. Yeah, I

737
00:34:35,680 --> 00:34:38,680
Speaker 1: mean you don't know when you know Broadway is gonna

738
00:34:38,719 --> 00:34:41,440
Speaker 1: call and say, hey, you're you're on. It's time to

739
00:34:41,480 --> 00:34:43,720
Speaker 1: shred bitch. I just shread bitch. I mean this literally

740
00:34:43,760 --> 00:34:46,680
Speaker 1: just happened after pandemic. Do you remember like the height

741
00:34:46,680 --> 00:34:49,600
Speaker 1: of Broadway coming back and everything was canceled. Everybody was

742
00:34:49,640 --> 00:34:53,200
Speaker 1: getting COVID for the eighth time, right, trying to get

743
00:34:53,280 --> 00:34:55,640
Speaker 1: these shows back open and blah blah blah. I hadn't

744
00:34:55,640 --> 00:34:59,439
Speaker 1: done Wicked for seven years. And I got a phone call.

745
00:34:59,680 --> 00:35:02,719
Speaker 1: It's Christmas Eve, like two days before Christmas Eve, and

746
00:35:02,800 --> 00:35:05,839
Speaker 1: I'm back in Jersey at my mom's and I'm at

747
00:35:05,840 --> 00:35:07,600
Speaker 1: the gym because you know, got to get the work

748
00:35:07,600 --> 00:35:10,200
Speaker 1: out and before the Christmas spirit. So I go to

749
00:35:10,239 --> 00:35:12,080
Speaker 1: the gym up the street and I get a phone

750
00:35:12,120 --> 00:35:14,720
Speaker 1: call from my stage manager from Wicked, who I hadn't

751
00:35:14,719 --> 00:35:17,640
Speaker 1: spoken to in forever, Mary beth Abel, who I love,

752
00:35:18,239 --> 00:35:21,200
Speaker 1: and she was like a she calls me Stan Constantine.

753
00:35:22,680 --> 00:35:26,680
Speaker 1: If you guys didn't catch that, So then she literally

754
00:35:26,680 --> 00:35:31,960
Speaker 1: calls me. She goes, mmm, Stan, I go mb. She goes,

755
00:35:31,960 --> 00:35:34,279
Speaker 1: what are you doing? I was like, what are you doing?

756
00:35:34,520 --> 00:35:36,880
Speaker 1: She's like, well, what are you doing? I was like,

757
00:35:36,880 --> 00:35:39,799
Speaker 1: I'm at the gym. She's like, so, do you want

758
00:35:39,800 --> 00:35:41,759
Speaker 1: to come back into the show tomorrow night? And I

759
00:35:41,800 --> 00:35:44,520
Speaker 1: was like to tomorrow night? I was like what, No,

760
00:35:44,560 --> 00:35:46,359
Speaker 1: not even to be Viera because I first started as

761
00:35:46,440 --> 00:35:50,880
Speaker 1: the understudy. And she goes, in your original track from No.

762
00:35:51,000 --> 00:35:54,399
Speaker 1: Twelve years twelve twelve, it had been like twelve years,

763
00:35:54,400 --> 00:35:55,680
Speaker 1: but I hadn't been back in the show for like

764
00:35:55,719 --> 00:35:58,319
Speaker 1: seven got it and I was like, ma'am, you want

765
00:35:58,320 --> 00:36:00,520
Speaker 1: me to put that skirt track on and you want

766
00:36:00,560 --> 00:36:03,880
Speaker 1: me to, like, I don't know, lift a bitch stage

767
00:36:03,960 --> 00:36:06,760
Speaker 1: right four in the dark and be a Coggona wheel

768
00:36:06,920 --> 00:36:09,480
Speaker 1: And she was like yeah, yeah, basically she's like you

769
00:36:09,520 --> 00:36:11,200
Speaker 1: remember it right. I was like, are you kidding me?

770
00:36:11,200 --> 00:36:13,719
Speaker 1: She goes, You'll be fine. I marched my ass to

771
00:36:13,760 --> 00:36:16,239
Speaker 1: that theater, got back into my old costumes because the

772
00:36:16,280 --> 00:36:19,920
Speaker 1: best thing about Wicked is these motherfuckers have your costumes

773
00:36:19,920 --> 00:36:23,680
Speaker 1: in crazy ziploc bags in a warehouse and they just

774
00:36:23,800 --> 00:36:26,480
Speaker 1: call and assistant and they're like, get Knnie Rousilli's costume

775
00:36:26,480 --> 00:36:29,520
Speaker 1: from circa twenty ten, blah blah blah, shoes and all

776
00:36:29,760 --> 00:36:33,359
Speaker 1: literally in a beautiful package, Oh my gosh, blaid out

777
00:36:33,400 --> 00:36:35,839
Speaker 1: on this dressing room table. And you're like, wait, this

778
00:36:35,920 --> 00:36:37,560
Speaker 1: is loll am I going to fit into this because

779
00:36:37,560 --> 00:36:40,080
Speaker 1: I was a twink back then, you did you know what?

780
00:36:40,120 --> 00:36:42,200
Speaker 1: I have a fat ass and a bad attitude and

781
00:36:42,239 --> 00:36:46,279
Speaker 1: I went right into it. Wow, great attitude, great attitude. No,

782
00:36:46,320 --> 00:36:47,759
Speaker 1: it was great, but it was crazy. I was like,

783
00:36:47,800 --> 00:36:51,919
Speaker 1: this is psychotic speaking of you know, just getting random

784
00:36:51,960 --> 00:36:53,640
Speaker 1: phone calls and having to be ready.

785
00:36:53,680 --> 00:36:57,839
Speaker 3: Well, oh my god, you're describing two impossible situations, one

786
00:36:57,880 --> 00:37:00,520
Speaker 3: involving site reading, which is that and that.

787
00:37:00,600 --> 00:37:03,120
Speaker 1: Was crazy true. I don't read music, so I just like,

788
00:37:03,239 --> 00:37:05,120
Speaker 1: I know, I don't.

789
00:37:04,920 --> 00:37:07,560
Speaker 2: Even understand what they like. My thing is like okay,

790
00:37:07,560 --> 00:37:10,200
Speaker 2: so and probably this is a little bit the deal.

791
00:37:10,280 --> 00:37:12,839
Speaker 2: But it's like do you want it to be good

792
00:37:12,920 --> 00:37:14,480
Speaker 2: or do you want it to be not good? And

793
00:37:14,520 --> 00:37:16,239
Speaker 2: maybe sometimes they want it to be not good so

794
00:37:16,280 --> 00:37:19,280
Speaker 2: they can just like like invalidate people. But like that's

795
00:37:19,320 --> 00:37:21,280
Speaker 2: so often you speak a little bit. What the fuck

796
00:37:21,400 --> 00:37:24,399
Speaker 2: is auditioning for musical theater? I did it twice.

797
00:37:24,160 --> 00:37:26,879
Speaker 1: And it is little. It's hell.

798
00:37:27,239 --> 00:37:30,480
Speaker 2: They give you like eighty seven fucking packets of material

799
00:37:30,760 --> 00:37:33,400
Speaker 2: and like haha, learn this in one day, and you're like,

800
00:37:33,440 --> 00:37:35,239
Speaker 2: wait a second, I have to now back in the

801
00:37:35,320 --> 00:37:38,040
Speaker 2: day when we started, I had to hire a pianist.

802
00:37:38,560 --> 00:37:41,920
Speaker 1: Get yeah, put it down on a stupid like voice,

803
00:37:42,680 --> 00:37:46,480
Speaker 1: which is money by the CEO. Yeah yeah, money and

804
00:37:46,520 --> 00:37:48,760
Speaker 1: time and like you know, going to just higher penis

805
00:37:48,760 --> 00:37:50,759
Speaker 1: is like at least one hundred dollars and I'm like, cool,

806
00:37:50,800 --> 00:37:52,239
Speaker 1: can you just play this for me? And like plunk

807
00:37:52,280 --> 00:37:54,840
Speaker 1: this out? So I can learn it within four hours.

808
00:37:55,360 --> 00:37:57,319
Speaker 1: I mean, it's crazy. They give you the stuff and

809
00:37:57,360 --> 00:37:59,160
Speaker 1: then they want you to be as off book as possible,

810
00:37:59,360 --> 00:38:03,320
Speaker 1: so it's like you're going in and failing so challenging.

811
00:38:03,560 --> 00:38:06,160
Speaker 1: So that's such a setup, and then it's like you're like, wow,

812
00:38:06,200 --> 00:38:08,320
Speaker 1: I'm really good for this part. I remember being like,

813
00:38:08,360 --> 00:38:10,440
Speaker 1: oh wow, this is really something that I'm dying to do,

814
00:38:10,520 --> 00:38:12,920
Speaker 1: and I'm really good for it. And it's just written

815
00:38:13,000 --> 00:38:16,239
Speaker 1: musically a little bit too high because the person who

816
00:38:16,239 --> 00:38:18,400
Speaker 1: did it in the fucking workshop or the reading, you know,

817
00:38:18,480 --> 00:38:20,879
Speaker 1: has a higher voice than you. And there's this thing

818
00:38:20,920 --> 00:38:23,520
Speaker 1: in musical theater that the higher you sing, the better

819
00:38:23,600 --> 00:38:26,840
Speaker 1: vocalist you are. And we have to stop that narrabi. Yeah,

820
00:38:26,960 --> 00:38:29,239
Speaker 1: and it makes me crazy because like, well, all these

821
00:38:29,239 --> 00:38:32,120
Speaker 1: little like now mixy girls who are like screaming tits,

822
00:38:32,239 --> 00:38:33,799
Speaker 1: They're like, oh, she's the best voice in the world.

823
00:38:33,840 --> 00:38:37,200
Speaker 1: I'm like, she sounds generic as hell. You sound basic,

824
00:38:37,520 --> 00:38:40,680
Speaker 1: sound like mixed a lot, Mighty Mouse. I don't want

825
00:38:40,680 --> 00:38:43,760
Speaker 1: to hear that mix, Like where's give me a Bernadette Peters,

826
00:38:43,800 --> 00:38:47,719
Speaker 1: give me? Like give me a.

827
00:38:47,160 --> 00:38:51,000
Speaker 2: Give me a give me like Carol Channing.

828
00:38:51,000 --> 00:38:53,000
Speaker 1: I don't know give me a fucking actor again, Like,

829
00:38:53,040 --> 00:38:55,279
Speaker 1: give me somebody who can act the fuck out of

830
00:38:55,320 --> 00:38:57,399
Speaker 1: something and then be able to sing and then put

831
00:38:57,400 --> 00:39:00,520
Speaker 1: it in their key. So that's why when I wrote Titanic,

832
00:39:00,600 --> 00:39:04,479
Speaker 1: I said, I never want anybody in this business. I'm

833
00:39:04,560 --> 00:39:06,799
Speaker 1: looking at you, Okay, to come in for me. If

834
00:39:06,800 --> 00:39:09,000
Speaker 1: I ever read another musical again, I want you to

835
00:39:09,000 --> 00:39:11,120
Speaker 1: do it. I want I want them to feel as

836
00:39:11,160 --> 00:39:14,000
Speaker 1: comfortable as possible, because I never want that feeling of

837
00:39:14,040 --> 00:39:16,160
Speaker 1: like I am so right for this, but I just

838
00:39:16,239 --> 00:39:18,600
Speaker 1: can't standing what key do you want it in? I'd

839
00:39:18,600 --> 00:39:21,719
Speaker 1: be like, hey, you're incredible. I want you so what

840
00:39:21,800 --> 00:39:23,000
Speaker 1: is going to be? What is going to be so

841
00:39:23,040 --> 00:39:24,840
Speaker 1: comfortable for you? Ehows a week? I want you to

842
00:39:24,920 --> 00:39:27,080
Speaker 1: be able to sing that. I could cry literally, I

843
00:39:27,200 --> 00:39:29,799
Speaker 1: was like and people would be like, I've never been

844
00:39:29,800 --> 00:39:31,279
Speaker 1: in a room like this before, and I was like,

845
00:39:31,560 --> 00:39:34,239
Speaker 1: I know, I've been there, and I've had like full

846
00:39:34,280 --> 00:39:37,440
Speaker 1: on crazy panic attacks after being like, you know, I

847
00:39:37,440 --> 00:39:39,800
Speaker 1: fucked myself and I'll never get seen for this casting

848
00:39:39,840 --> 00:39:43,640
Speaker 1: director again. And they saw the worst of me because

849
00:39:43,680 --> 00:39:45,399
Speaker 1: I was too high and I cracked, and like then

850
00:39:45,440 --> 00:39:47,279
Speaker 1: you just go through a spiral and then you hate

851
00:39:47,320 --> 00:39:49,000
Speaker 1: your instrument, and you're like, no, no, no, you should love

852
00:39:49,040 --> 00:39:52,319
Speaker 1: your instrument. This is what you were like blessed with.

853
00:39:52,880 --> 00:39:54,200
Speaker 1: So like, I don't know, I want to show you

854
00:39:54,280 --> 00:39:57,319
Speaker 1: the actual true self of my of you know, my

855
00:39:57,400 --> 00:40:00,719
Speaker 1: voice and my talent. So like having a fuck key

856
00:40:00,960 --> 00:40:04,479
Speaker 1: and changing it is not a big deal, I don't think.

857
00:40:04,520 --> 00:40:08,920
Speaker 1: So that's like reight off applause. I mean that was

858
00:40:09,120 --> 00:40:09,800
Speaker 1: really important.

859
00:40:10,400 --> 00:40:13,200
Speaker 2: I remember, like like Henry is so in like these

860
00:40:13,239 --> 00:40:16,480
Speaker 2: these musical directors are they can do it.

861
00:40:15,120 --> 00:40:17,920
Speaker 1: They can, but it's their ego too, like no, it's

862
00:40:17,960 --> 00:40:20,240
Speaker 1: gonna sound better like that, and they just then they

863
00:40:20,840 --> 00:40:24,439
Speaker 1: fight you, and I'm like, hey, actually the naked ear,

864
00:40:25,160 --> 00:40:28,120
Speaker 1: sorry babe, No one's going to know the difference. You know,

865
00:40:28,440 --> 00:40:31,120
Speaker 1: if you lower this half a step, no one's going

866
00:40:31,160 --> 00:40:34,160
Speaker 1: to know because in your voice, in your voice, whatever

867
00:40:34,239 --> 00:40:37,080
Speaker 1: key is going to be your climactic belt or like

868
00:40:37,160 --> 00:40:41,080
Speaker 1: the climax of the song is going to sound unbelievable

869
00:40:41,239 --> 00:40:44,520
Speaker 1: because it's in your line, in context of concept of

870
00:40:44,520 --> 00:40:46,760
Speaker 1: the song, and it's in context of your of your

871
00:40:46,800 --> 00:40:50,480
Speaker 1: talent and of your gift. It's like, hello, no one

872
00:40:50,520 --> 00:40:53,800
Speaker 1: knows if I'm hitting a fucking A or a D.

873
00:40:53,560 --> 00:40:56,239
Speaker 2: Unless they're like those those people with like perfect pitch

874
00:40:56,280 --> 00:40:58,000
Speaker 2: that are like that want to tell you about.

875
00:40:58,719 --> 00:41:00,799
Speaker 1: I don't need to know, Yeah, I don't. Can I

876
00:41:00,800 --> 00:41:02,279
Speaker 1: say something, Yeah, I don't need to know. I don't

877
00:41:02,280 --> 00:41:03,920
Speaker 1: need to know that you have perfect pitch. It's actually

878
00:41:03,960 --> 00:41:07,840
Speaker 1: the culture number seventeen. I don't need to know the pitch.

879
00:41:08,640 --> 00:41:12,880
Speaker 1: That's great and that's on period and that's on period

880
00:41:12,920 --> 00:41:20,520
Speaker 1: and culture. We should ask the question.

881
00:41:20,440 --> 00:41:23,000
Speaker 3: Yeah, constantin Brazil, what is the culture that made you say?

882
00:41:23,040 --> 00:41:25,000
Speaker 3: Culture is for me the formative culture that made you

883
00:41:25,040 --> 00:41:29,760
Speaker 3: movement of the formative culture. Okay, Gay, many answers, there's there's,

884
00:41:29,840 --> 00:41:30,359
Speaker 3: there's many.

885
00:41:30,560 --> 00:41:35,160
Speaker 1: Yeah. I just will always remember, I mean clearly trl. Oh.

886
00:41:35,719 --> 00:41:38,280
Speaker 2: I saw Carson Dilly this morning and I was so gagged,

887
00:41:38,280 --> 00:41:40,400
Speaker 2: Like he just walks around today's show like that's what

888
00:41:40,400 --> 00:41:42,520
Speaker 2: he's doing now, and I'm like, that's Carson.

889
00:41:43,120 --> 00:41:45,239
Speaker 1: I know. That was like for me. I remember coming

890
00:41:45,280 --> 00:41:48,279
Speaker 1: up rushing home, getting off the bus, yeah, throwing my

891
00:41:48,280 --> 00:41:50,520
Speaker 1: backpack on the counter and being like here's the sandwich, ma,

892
00:41:51,120 --> 00:41:54,000
Speaker 1: and then grabbing like a diet coke and sitting my

893
00:41:54,280 --> 00:41:57,080
Speaker 1: fat ass on the couch with a bag of chips.

894
00:41:58,640 --> 00:42:01,279
Speaker 2: Oh. I was a fat hit growing up. Oh really yeah,

895
00:42:01,280 --> 00:42:04,360
Speaker 2: she was a husky mama. Yes, we shopped at the

896
00:42:04,440 --> 00:42:07,880
Speaker 2: husky section, drink.

897
00:42:07,640 --> 00:42:13,920
Speaker 1: A diet coke chips and like number one again and

898
00:42:13,960 --> 00:42:16,680
Speaker 1: I'd be like learning choreo, putting in the vhs to

899
00:42:16,680 --> 00:42:17,800
Speaker 1: be like, oh my god, my god, the video is

900
00:42:17,800 --> 00:42:19,279
Speaker 1: gonna play, and then my sister sort of come in

901
00:42:19,440 --> 00:42:20,719
Speaker 1: and then she would annoy me and I'm like, shut

902
00:42:20,760 --> 00:42:25,239
Speaker 1: up the videos playing. It's Britney. I mean, yeah, the

903
00:42:25,239 --> 00:42:27,920
Speaker 1: same person that's sick like he's number one Britney fan.

904
00:42:27,960 --> 00:42:29,799
Speaker 1: Of course, like I'm not going to take that. You

905
00:42:29,800 --> 00:42:33,840
Speaker 1: can't even you can't. I mean it's she'll literally blow

906
00:42:33,920 --> 00:42:37,400
Speaker 1: me up and throw poop at my face. Oh my god. Okay,

907
00:42:37,400 --> 00:42:47,600
Speaker 1: So on the Carousel t r L Rock t r

908
00:42:47,719 --> 00:42:51,719
Speaker 1: L was like that, let me have it, truly, let

909
00:42:51,800 --> 00:42:53,440
Speaker 1: me have it, and it like shaped everything. I mean,

910
00:42:53,480 --> 00:42:57,360
Speaker 1: I wanted, you know, highlights, and I went to the

911
00:42:57,560 --> 00:43:00,840
Speaker 1: local cvs and like had this whole hair dying fiasco

912
00:43:00,880 --> 00:43:01,800
Speaker 1: in mythroom.

913
00:43:01,960 --> 00:43:04,440
Speaker 2: Who was the who was the person that inspired that

914
00:43:04,520 --> 00:43:06,520
Speaker 2: the most? Was there like a because there was JT

915
00:43:06,680 --> 00:43:08,040
Speaker 2: doing his like frosted girls.

916
00:43:08,160 --> 00:43:11,480
Speaker 1: I think it was. I think it was. It was

917
00:43:11,600 --> 00:43:15,279
Speaker 1: Nick Backstreet Boys, Nick Carter, Wow, that was the first

918
00:43:15,320 --> 00:43:18,400
Speaker 1: concert I ever saw. It was Backstreet Boys. Great one,

919
00:43:18,600 --> 00:43:21,000
Speaker 1: but they let me have it. Yeah, they sing. They

920
00:43:21,040 --> 00:43:25,160
Speaker 1: were fantastic. They sing down and choo and choreo.

921
00:43:25,560 --> 00:43:27,480
Speaker 3: We'd have to explain something to because I guess there

922
00:43:27,520 --> 00:43:30,520
Speaker 3: are younger listeners who don't understand the impact of Backstreet Boys.

923
00:43:30,480 --> 00:43:32,000
Speaker 1: Oh, the boy bands, like it was. It was a

924
00:43:32,040 --> 00:43:35,040
Speaker 1: girl band. It was girl girl bands. Boy bands. Yeah,

925
00:43:35,160 --> 00:43:37,319
Speaker 1: you guys have no idea what it did to us.

926
00:43:37,840 --> 00:43:42,560
Speaker 3: First email I ever sent from a computer in the

927
00:43:42,560 --> 00:43:44,880
Speaker 3: business center of like some strangers apartment building that we

928
00:43:44,920 --> 00:43:47,799
Speaker 3: went to for like a family dinner in Canada was

929
00:43:47,880 --> 00:43:52,080
Speaker 3: to the official Backstreet Boys fan site account, like Hi,

930
00:43:52,440 --> 00:43:54,040
Speaker 3: I want to say hi to Nick Carter.

931
00:43:54,160 --> 00:43:57,320
Speaker 1: I love you. This is Bowen and my first email

932
00:43:57,560 --> 00:44:01,200
Speaker 1: you sent a little gay little game Nick. He really

933
00:44:01,320 --> 00:44:02,480
Speaker 1: was the He was the one.

934
00:44:02,560 --> 00:44:06,640
Speaker 2: And then as you get old Kevin, Kevin Kelevin, you

935
00:44:06,680 --> 00:44:07,040
Speaker 2: can get it.

936
00:44:07,840 --> 00:44:10,520
Speaker 1: Howie I met back stage at SNL fifty, the.

937
00:44:10,680 --> 00:44:15,520
Speaker 2: Sweetest guy I wanted to funk bad aj Oh he's

938
00:44:15,800 --> 00:44:17,839
Speaker 2: bad boy a J could get.

939
00:44:18,000 --> 00:44:21,040
Speaker 1: He had little beanie and his goatee and his tattoos.

940
00:44:21,160 --> 00:44:25,560
Speaker 1: Also the also that the vocals on AJ. Yeah, he

941
00:44:25,719 --> 00:44:28,200
Speaker 1: was the he was kind of the sound of that group.

942
00:44:28,360 --> 00:44:30,520
Speaker 1: It was not Nick. It was Mick would float in

943
00:44:30,560 --> 00:44:33,520
Speaker 1: with his little nasally tenor what it's like justin Timmerlake. Yeah,

944
00:44:33,719 --> 00:44:38,200
Speaker 1: the same thing has the boys. J C taught me

945
00:44:38,239 --> 00:44:39,239
Speaker 1: everything I know. Same.

946
00:44:39,560 --> 00:44:41,320
Speaker 3: Kevin was mysterious. Oh no, I'm sorry, I need to

947
00:44:41,320 --> 00:44:43,160
Speaker 3: correct it. It was not Howie that my backstage. It was

948
00:44:43,200 --> 00:44:43,520
Speaker 3: a Jane.

949
00:44:43,560 --> 00:44:46,640
Speaker 1: A j was so sweet. Yeah, a j is a doll.

950
00:44:46,880 --> 00:44:49,799
Speaker 1: Age is a doll. But Kevin. I think Kevin is hot.

951
00:44:49,880 --> 00:44:54,719
Speaker 1: Kevin Kevin's gorge like stunning, stunning like hasn't changed at all. Yeah,

952
00:44:55,160 --> 00:44:59,839
Speaker 1: h boy is TRL was and Ricky Martin al let

953
00:44:59,880 --> 00:45:03,440
Speaker 1: me have it? Who Yeah? Did he do something to

954
00:45:03,520 --> 00:45:08,040
Speaker 1: his face because she looks unbelievable. He's always been beautiful. No,

955
00:45:08,120 --> 00:45:12,120
Speaker 1: I mean he's a vibe. He was my vibe live

956
00:45:12,120 --> 00:45:16,600
Speaker 1: in La Vita, fucking Loca fucking punched me in the clowns. Yeah,

957
00:45:16,760 --> 00:45:18,759
Speaker 1: so hard back in the day, and I could only

958
00:45:18,760 --> 00:45:21,200
Speaker 1: go to Coconuts and or Sam Goody if you remember

959
00:45:21,239 --> 00:45:23,960
Speaker 1: that where we had to I don't know, go to

960
00:45:24,040 --> 00:45:28,400
Speaker 1: a place to receive music. Everybody you know jen a

961
00:45:28,640 --> 00:45:31,440
Speaker 1: who there, you just get it on your phone. I

962
00:45:31,440 --> 00:45:33,440
Speaker 1: had to wait, and I would be pissed. I would

963
00:45:33,480 --> 00:45:36,960
Speaker 1: go to every like CD store to like try and

964
00:45:37,000 --> 00:45:39,080
Speaker 1: get this album when Ricky Martin came out and.

965
00:45:39,000 --> 00:45:42,800
Speaker 2: It could be sold out. This is like US was

966
00:45:42,880 --> 00:45:44,960
Speaker 2: streaming now where it's like, oh, I can pre save it.

967
00:45:45,080 --> 00:45:48,680
Speaker 2: There's like leaks early, It's like no whiz. Truly, I

968
00:45:48,680 --> 00:45:52,360
Speaker 2: remember like needing desperately to get there on the day Oops,

969
00:45:52,400 --> 00:45:54,160
Speaker 2: I did it again came out of the album because

970
00:45:54,160 --> 00:45:56,680
Speaker 2: I was like, it might not be there for a week.

971
00:45:56,600 --> 00:45:59,240
Speaker 3: It's gonna be gone in their line, wait in line.

972
00:45:59,400 --> 00:46:01,399
Speaker 3: You had to drive to Borders and yeah, the CD

973
00:46:01,440 --> 00:46:04,320
Speaker 3: wouldn't be there. You could go to another Sam Goodie

974
00:46:04,320 --> 00:46:07,560
Speaker 3: you fucking yeah. It was coconuts coke. What's is that

975
00:46:07,600 --> 00:46:08,040
Speaker 3: a Jersey thing?

976
00:46:08,040 --> 00:46:10,000
Speaker 1: I think that's a Jersey thing or maybe it's tritate.

977
00:46:10,480 --> 00:46:14,120
Speaker 1: I don't remember, but I'm a store. I love it

978
00:46:14,200 --> 00:46:16,040
Speaker 1: was crazy, but yeah, I would be pissed. And the

979
00:46:16,080 --> 00:46:19,400
Speaker 1: only thing that I my scroungy little hands got up

980
00:46:19,560 --> 00:46:23,360
Speaker 1: got on was Ricky Martin's living ly Via look on cassette.

981
00:46:23,480 --> 00:46:25,479
Speaker 1: So I had to then wait, Okay, then you guys,

982
00:46:25,719 --> 00:46:29,560
Speaker 1: we got to wait. Cassette ended you to rewind, rewind,

983
00:46:32,239 --> 00:46:34,560
Speaker 1: having to flip it and reverse it. Wait, and then

984
00:46:34,560 --> 00:46:36,160
Speaker 1: the other side was like the Spanish side. So I

985
00:46:36,239 --> 00:46:38,520
Speaker 1: was like, okay, nowish, do you.

986
00:46:38,600 --> 00:46:41,520
Speaker 2: Think I'm not off? Book on No Miamis by Jennifer

987
00:46:41,560 --> 00:46:43,920
Speaker 2: Lopez and Mark Antony, I have news for you.

988
00:46:44,360 --> 00:46:47,200
Speaker 1: I'm kind of not, but I was at one point, guys,

989
00:46:47,280 --> 00:46:52,800
Speaker 1: now that's comedy. That's called it's you know, it's everything.

990
00:46:53,480 --> 00:46:57,719
Speaker 2: My favorite Rickey Martin song. It's a ballad, which one

991
00:46:57,960 --> 00:47:03,280
Speaker 2: Jesus that one you guys vocals.

992
00:47:03,520 --> 00:47:06,040
Speaker 1: It is twelve fifty five and we are singing down.

993
00:47:06,320 --> 00:47:08,480
Speaker 1: I'm not singing the y'all are, but you could be.

994
00:47:08,680 --> 00:47:10,520
Speaker 1: I could be. Yeah, I got I gotta luba up.

995
00:47:10,560 --> 00:47:12,760
Speaker 1: But wait, she's all I ever had. That was everything.

996
00:47:12,880 --> 00:47:16,600
Speaker 3: Titanique Dukebox Musical for Ricky. Would you do a duke

997
00:47:16,640 --> 00:47:17,520
Speaker 3: Box musical again?

998
00:47:17,719 --> 00:47:22,200
Speaker 1: Or yeah? No, write write your own Yeah, I mean

999
00:47:22,200 --> 00:47:23,680
Speaker 1: I'm not gonna write my own music. That's We'll do

1000
00:47:23,760 --> 00:47:25,560
Speaker 1: the book, that's what. Yeah, we'll do the book for sure.

1001
00:47:25,640 --> 00:47:29,040
Speaker 1: I mean, yeah, MGM Fox, everybody come to us. We

1002
00:47:29,160 --> 00:47:32,000
Speaker 1: have guru. I mean, just hire us. But kinds of question.

1003
00:47:32,280 --> 00:47:34,960
Speaker 1: How can Titanique be on the West End but not Broadway?

1004
00:47:36,080 --> 00:47:39,080
Speaker 1: Good question, Yeah, but I'll get it. Tell us I

1005
00:47:39,120 --> 00:47:41,480
Speaker 1: don't know. I think here's the thing, you know, you

1006
00:47:42,640 --> 00:47:45,400
Speaker 1: there's different models. Sure, I would say there's different models

1007
00:47:45,520 --> 00:47:46,879
Speaker 1: for every show.

1008
00:47:47,360 --> 00:47:51,799
Speaker 2: You know. We were this random jukebox musical that came

1009
00:47:51,840 --> 00:47:53,400
Speaker 2: out right after pandemic.

1010
00:47:53,840 --> 00:47:56,000
Speaker 1: So I think our producers, you know, trying to keep

1011
00:47:56,040 --> 00:47:57,640
Speaker 1: it small in the sense of like, let's build the

1012
00:47:57,680 --> 00:48:01,600
Speaker 1: brand and not go too hard, you know, and then

1013
00:48:01,640 --> 00:48:04,120
Speaker 1: it started like really picking up speed and momentum, and

1014
00:48:04,200 --> 00:48:07,759
Speaker 1: I think we had an opportunity in the height of it,

1015
00:48:07,960 --> 00:48:10,920
Speaker 1: like when we when Marlon and I were gonna leave,

1016
00:48:10,960 --> 00:48:13,880
Speaker 1: it was like June of twenty twenty three. I mean

1017
00:48:13,920 --> 00:48:15,200
Speaker 1: it was like I looked at in the audience and

1018
00:48:15,239 --> 00:48:17,960
Speaker 1: it was like you guys again, and like that's it,

1019
00:48:18,360 --> 00:48:21,040
Speaker 1: you guys again again, and it was like, you know, Marco,

1020
00:48:21,200 --> 00:48:24,279
Speaker 1: Robbie and Matt Boehmer, who is the hottest person I've

1021
00:48:24,280 --> 00:48:30,319
Speaker 1: ever seen that Matt Connie from Titanic. We never met

1022
00:48:30,360 --> 00:48:32,880
Speaker 1: backstage because you left and I was pissed. But you

1023
00:48:33,640 --> 00:48:36,840
Speaker 1: made me so nervous and nobody ever does. So I

1024
00:48:36,920 --> 00:48:40,200
Speaker 1: love you he's pretty beautiful, yah, gorge. And then it

1025
00:48:40,280 --> 00:48:41,799
Speaker 1: was like you know, Lauren, and then Lauren was there,

1026
00:48:41,960 --> 00:48:44,920
Speaker 1: I ru Paul and just like all these people, and

1027
00:48:44,960 --> 00:48:47,040
Speaker 1: You're like looking on the audience, You're like, what the

1028
00:48:47,320 --> 00:48:51,200
Speaker 1: fuck is happening? Yeah, like this was we never expected

1029
00:48:51,239 --> 00:48:52,880
Speaker 1: any of that to happen. So you're sitting there and

1030
00:48:52,960 --> 00:48:56,880
Speaker 1: you're just like, Okay, maybe this is going to transfer

1031
00:48:56,960 --> 00:48:59,800
Speaker 1: and this is going to go to Broadway and I

1032
00:49:00,120 --> 00:49:02,200
Speaker 1: just you know, I don't know what happened. You know,

1033
00:49:02,320 --> 00:49:06,520
Speaker 1: there's never a it could possibly happen again. I think

1034
00:49:06,520 --> 00:49:08,520
Speaker 1: we were we were fighting the parody of it all,

1035
00:49:09,040 --> 00:49:12,320
Speaker 1: you know, and especially in the business, are like, oh, snooty,

1036
00:49:12,560 --> 00:49:15,080
Speaker 1: this is Broadway. We don't do parodies. And I'm like,

1037
00:49:15,200 --> 00:49:18,720
Speaker 1: I know, it's but it's a new comedy and clearly

1038
00:49:18,760 --> 00:49:21,080
Speaker 1: the world loves it and we just want an Olivier

1039
00:49:21,480 --> 00:49:23,800
Speaker 1: which is like the Tony's of London. Yeah, and for

1040
00:49:24,160 --> 00:49:27,080
Speaker 1: you know, it's bringing theater back, and I'm like, can't

1041
00:49:27,080 --> 00:49:30,160
Speaker 1: we just like have fun again and just laugh and

1042
00:49:30,400 --> 00:49:32,600
Speaker 1: we don't have to always learn lessons when we go

1043
00:49:32,640 --> 00:49:35,120
Speaker 1: to the theater and it doesn't have to be this

1044
00:49:35,320 --> 00:49:45,440
Speaker 1: like highbrow crazy story about mental illness and pills and exactly.

1045
00:49:45,719 --> 00:49:52,880
Speaker 1: So it's I mean, Alice, Lauren, Hello, it's really pertinent.

1046
00:49:53,800 --> 00:49:56,279
Speaker 1: So I just think there's there's room for everything. There's

1047
00:49:56,360 --> 00:49:59,280
Speaker 1: room for everything on Broadway, and I and I wish

1048
00:49:59,640 --> 00:50:02,799
Speaker 1: sometimes tis the big wigs of Broadway didn't like, look

1049
00:50:02,880 --> 00:50:05,120
Speaker 1: down to a comedy that is just like, oh, this

1050
00:50:05,239 --> 00:50:08,120
Speaker 1: is a dumb comedy. Meanwhile, comedy is harder than dramas

1051
00:50:08,160 --> 00:50:12,600
Speaker 1: you guys, O. Mary is like, I mean look at

1052
00:50:12,800 --> 00:50:17,200
Speaker 1: I mean example, Cole. I am so beyond and inspired

1053
00:50:17,239 --> 00:50:20,640
Speaker 1: by them. That was one of the craziest things and

1054
00:50:20,760 --> 00:50:24,640
Speaker 1: most incredible things I've ever seen. The cast everything, so

1055
00:50:24,760 --> 00:50:31,400
Speaker 1: it's like, yes, cool, fun, crazy, weird, new work is allowed,

1056
00:50:31,920 --> 00:50:35,320
Speaker 1: We're allowed to play and clearly it's working. The people

1057
00:50:35,400 --> 00:50:39,160
Speaker 1: want it, so yeah, I don't know. Hopefully, maybe we

1058
00:50:39,360 --> 00:50:40,640
Speaker 1: will one day get there.

1059
00:50:40,760 --> 00:50:43,040
Speaker 2: But I think right now is just we we kept

1060
00:50:43,080 --> 00:50:45,080
Speaker 2: it as an off Broadway show, and I think it

1061
00:50:45,200 --> 00:50:47,880
Speaker 2: just sat there and I think we were building the

1062
00:50:47,960 --> 00:50:49,719
Speaker 2: brand and it just was like our little baby that

1063
00:50:49,880 --> 00:50:51,840
Speaker 2: just is waiting, you.

1064
00:50:51,840 --> 00:50:52,200
Speaker 1: Know what I mean.

1065
00:50:52,520 --> 00:50:54,200
Speaker 2: I feel like it's like there's something about it that

1066
00:50:54,320 --> 00:50:56,320
Speaker 2: felt like you got it, especially when it is a

1067
00:50:56,360 --> 00:50:56,960
Speaker 2: cool underground.

1068
00:50:57,040 --> 00:50:59,480
Speaker 3: Yeah, it was a cool underground thing. Yeah, if you

1069
00:50:59,560 --> 00:51:02,719
Speaker 3: saw it, it will always be a unicorn. Yeah, it's

1070
00:51:02,760 --> 00:51:04,960
Speaker 3: a magical unicorn, like the like whatever. Like this is

1071
00:51:05,000 --> 00:51:08,040
Speaker 3: the what Katherine O'Hara says in about movies. It's like

1072
00:51:08,400 --> 00:51:10,399
Speaker 3: a great movie is great forever, Like a great show

1073
00:51:10,480 --> 00:51:12,360
Speaker 3: like that is literally great forever, and you are it

1074
00:51:12,440 --> 00:51:14,359
Speaker 3: is literally around the world.

1075
00:51:14,800 --> 00:51:15,320
Speaker 1: You should be.

1076
00:51:15,400 --> 00:51:17,920
Speaker 2: So that's so beautiful, like to have an extension of you,

1077
00:51:18,440 --> 00:51:22,920
Speaker 2: like I always this is the stupidest, dumbest comparison that

1078
00:51:22,960 --> 00:51:23,480
Speaker 2: I'm gonna make.

1079
00:51:23,520 --> 00:51:25,960
Speaker 1: And I'm looking in the camera. I know how dumb

1080
00:51:26,000 --> 00:51:28,480
Speaker 1: I am. Okay, I know. I don't need you to

1081
00:51:28,560 --> 00:51:28,800
Speaker 1: tell me.

1082
00:51:29,239 --> 00:51:31,200
Speaker 2: I think that this podcast is popular because I had

1083
00:51:31,200 --> 00:51:32,400
Speaker 2: people telling me how dumb I am.

1084
00:51:32,520 --> 00:51:34,640
Speaker 1: I know that I am for years. Person.

1085
00:51:34,719 --> 00:51:36,600
Speaker 2: I know what I'm gonna say is it's like when

1086
00:51:36,640 --> 00:51:39,040
Speaker 2: you book a pre show at a theme park and

1087
00:51:39,320 --> 00:51:42,440
Speaker 2: you live forever hundreds of times a day and you

1088
00:51:42,480 --> 00:51:45,480
Speaker 2: don't even know it. Ye, Like Titanique is every night

1089
00:51:45,640 --> 00:51:48,440
Speaker 2: around the world, sometimes twice a day, is making people happy.

1090
00:51:48,800 --> 00:51:52,439
Speaker 2: You are like writing and performing all the time without

1091
00:51:52,440 --> 00:51:54,799
Speaker 2: even doing that, And that is such a beautiful thing

1092
00:51:55,239 --> 00:51:55,920
Speaker 2: about our and.

1093
00:51:56,040 --> 00:51:59,759
Speaker 1: Theme barks, thank you. Honestly, that is the best woman ever.

1094
00:52:00,200 --> 00:52:02,520
Speaker 1: I am so like I was watching I went to

1095
00:52:02,600 --> 00:52:03,879
Speaker 1: the Universal when we were there.

1096
00:52:04,040 --> 00:52:06,080
Speaker 2: I was there the day before with my sister, and

1097
00:52:06,200 --> 00:52:08,920
Speaker 2: they have the Bourne Stunt Tacular, which is yes, a

1098
00:52:09,040 --> 00:52:12,120
Speaker 2: Jason Bourne stunt show, and Julius Stiles does the pre

1099
00:52:12,239 --> 00:52:16,520
Speaker 2: show serving Jacket and Julius Stiles serves this pre show

1100
00:52:16,640 --> 00:52:20,240
Speaker 2: so hard, and I'm like, she has to know, Julia,

1101
00:52:20,760 --> 00:52:22,760
Speaker 2: you have to know you're giving.

1102
00:52:22,600 --> 00:52:27,480
Speaker 1: Into the Girls of Times for twenty minutes.

1103
00:52:28,000 --> 00:52:31,680
Speaker 2: You're up there giving the Jacket of a lifetime. My

1104
00:52:31,719 --> 00:52:33,319
Speaker 2: favorite part of it. And then we don't talk about

1105
00:52:33,320 --> 00:52:36,000
Speaker 2: this anymore. Is she's dead in the movie series like spoiler,

1106
00:52:36,200 --> 00:52:38,960
Speaker 2: Like Julia Styles fully she gets blown up and she

1107
00:52:39,000 --> 00:52:41,239
Speaker 2: gets blown up and like literally lays in the street

1108
00:52:41,320 --> 00:52:44,600
Speaker 2: like this. And then in the pre show she goes

1109
00:52:44,920 --> 00:52:47,400
Speaker 2: Jason believes I'm dead and they show her death like

1110
00:52:48,160 --> 00:52:52,040
Speaker 2: and I'm like, cause you are. She's alive though, I

1111
00:52:52,160 --> 00:52:54,120
Speaker 2: guess now, so if you were a huge fan of

1112
00:52:54,160 --> 00:52:57,640
Speaker 2: the Julia Styles character in the Bourne movies, She's alive.

1113
00:52:58,600 --> 00:53:01,960
Speaker 1: Alive. Also, bring back Save the Last Stamp? Can I

1114
00:53:02,000 --> 00:53:05,000
Speaker 1: tell you something? Yes, I think that might be our

1115
00:53:05,040 --> 00:53:08,320
Speaker 1: next musical. Why not? Okay, we are coming over with

1116
00:53:08,360 --> 00:53:10,000
Speaker 1: that idea right now. I'm coming with that idea right

1117
00:53:10,000 --> 00:53:12,319
Speaker 1: now because you know what they're literally doing ten things

1118
00:53:12,320 --> 00:53:14,080
Speaker 1: I hate about you. Yeah, I know, you know what

1119
00:53:14,120 --> 00:53:15,400
Speaker 1: else is gonna be good? And I'm gonna throw it

1120
00:53:15,440 --> 00:53:20,880
Speaker 1: out there center stage. Oh full parody of center stage.

1121
00:53:21,080 --> 00:53:23,920
Speaker 1: Really that's me. That's a niche market. Everybody, go watch it.

1122
00:53:24,200 --> 00:53:27,480
Speaker 1: Go watch it. Niche is over. It doesn't matter. It's everything.

1123
00:53:27,520 --> 00:53:30,360
Speaker 1: That's everything. Yeah, it's everything. It's it was that shaped

1124
00:53:30,400 --> 00:53:32,200
Speaker 1: me back in the day to talk about culture. Okay,

1125
00:53:32,239 --> 00:53:33,520
Speaker 1: so let's go. Let's go back to this t r

1126
00:53:33,680 --> 00:53:34,920
Speaker 1: L center stage.

1127
00:53:35,520 --> 00:53:38,200
Speaker 2: It's always tell Donya's that like sort of like entrance

1128
00:53:38,280 --> 00:53:40,239
Speaker 2: into the main the mainstream.

1129
00:53:40,400 --> 00:53:41,880
Speaker 1: We like where we did. We put it on on

1130
00:53:41,960 --> 00:53:43,520
Speaker 1: Fire Island one year. We just like had it play

1131
00:53:43,520 --> 00:53:44,960
Speaker 1: in the backgroum where we were like making it and

1132
00:53:45,040 --> 00:53:48,279
Speaker 1: like Donna Murphy like co. I was just talking about

1133
00:53:48,320 --> 00:53:50,879
Speaker 1: this with Christopher Wielden, who is a very good friend,

1134
00:53:50,920 --> 00:53:54,560
Speaker 1: who's you know, our girl from MJ you know, ballet

1135
00:53:54,680 --> 00:53:57,560
Speaker 1: down such as the Stars, and we were chatting about

1136
00:53:57,560 --> 00:53:58,880
Speaker 1: it and he was just like, yeah, he worked on

1137
00:53:58,920 --> 00:54:03,000
Speaker 1: that movie told me all the tea we'll talk about after.

1138
00:54:03,360 --> 00:54:06,200
Speaker 1: Honestly unbelievable.

1139
00:54:06,680 --> 00:54:10,200
Speaker 2: I believes the beginning of her career was literally center

1140
00:54:10,239 --> 00:54:11,240
Speaker 2: Stage and then cross.

1141
00:54:11,520 --> 00:54:14,800
Speaker 1: Roads when she was she pregnant in it? In Crossroad?

1142
00:54:14,960 --> 00:54:17,000
Speaker 1: Was she was she the pregnant won or was that

1143
00:54:17,040 --> 00:54:25,239
Speaker 1: Taron Mannings think about that trio Kim ConTroll and Kim

1144
00:54:25,840 --> 00:54:30,719
Speaker 1: was the mom. I mean that is crazy. And then

1145
00:54:30,800 --> 00:54:33,280
Speaker 1: Coyote Ugly. This is like the year of movies.

1146
00:54:33,719 --> 00:54:36,360
Speaker 2: Coyote Ugly is something I watch whenever it's on and

1147
00:54:36,400 --> 00:54:38,560
Speaker 2: also is one of the hottest sex scenes ever if

1148
00:54:38,600 --> 00:54:39,759
Speaker 2: you watched the extended version.

1149
00:54:40,120 --> 00:54:42,680
Speaker 1: Okay, wait, do you remember that my favorite scene? What?

1150
00:54:43,000 --> 00:54:45,400
Speaker 1: What's your favorite scene from Coyote Ugly? I'm about to

1151
00:54:45,440 --> 00:54:49,440
Speaker 1: blow your damn mind? Is it? I don't know what

1152
00:54:49,560 --> 00:54:51,719
Speaker 1: is it? It's mine? Is the sex scene? No, I'm

1153
00:54:51,719 --> 00:54:55,000
Speaker 1: asking you what your mine is the scene? It's like.

1154
00:54:55,800 --> 00:54:57,920
Speaker 1: His name is Adam Garcia. He was also a fierro.

1155
00:54:58,239 --> 00:55:02,680
Speaker 1: He was in London. Yes, this very he is the hottest.

1156
00:55:03,080 --> 00:55:05,480
Speaker 1: Look him up, I ever he was beautiful hair.

1157
00:55:05,600 --> 00:55:08,320
Speaker 2: He was a beautiful beautiful like dark like black hair. Honestly,

1158
00:55:08,400 --> 00:55:09,360
Speaker 2: kind of looks like Matt Bohmer.

1159
00:55:09,760 --> 00:55:12,160
Speaker 1: Yes, but like a little bit more like you. No,

1160
00:55:12,280 --> 00:55:13,960
Speaker 1: he had curly like those did you have like the

1161
00:55:14,080 --> 00:55:18,080
Speaker 1: curly locks? I almost used the word supple supple. Yeah,

1162
00:55:18,160 --> 00:55:22,600
Speaker 1: this one everything the camera, show the camera like, get

1163
00:55:22,680 --> 00:55:24,440
Speaker 1: into it, hold on, hold on, got okay. Yeah, And

1164
00:55:24,480 --> 00:55:26,080
Speaker 1: there was a whole scene where he did the strip tease.

1165
00:55:26,760 --> 00:55:29,759
Speaker 1: This is the best thing body. Yes, yes, what's what's

1166
00:55:29,760 --> 00:55:31,799
Speaker 1: the favorite? Do you remember when? Do you have ever

1167
00:55:31,880 --> 00:55:39,759
Speaker 1: seen it? Okay? Track off? Yeah, go home now sorry, Tyra,

1168
00:55:40,360 --> 00:55:42,520
Speaker 1: Do you remember when she when she goes and brings

1169
00:55:42,600 --> 00:55:44,360
Speaker 1: her cassette tape to like the label, Yes, I do,

1170
00:55:44,520 --> 00:55:46,680
Speaker 1: and it's the and it's that fierce black woman who's

1171
00:55:46,680 --> 00:55:49,359
Speaker 1: sitting there and she's like on her phone and then

1172
00:55:49,400 --> 00:55:51,040
Speaker 1: she gives it and she goes, hey, I'm sorry, I

1173
00:55:51,239 --> 00:55:53,600
Speaker 1: can I leave this for you? And she was like, honey,

1174
00:55:54,280 --> 00:55:55,080
Speaker 1: let me tell you something.

1175
00:55:55,840 --> 00:55:58,080
Speaker 2: My daughter tells me that she's a beast sexual and

1176
00:55:58,160 --> 00:55:59,600
Speaker 2: that she hates me more than anybody else in the

1177
00:55:59,640 --> 00:56:01,279
Speaker 2: home of the fucking world. Now let me tell you

1178
00:56:02,200 --> 00:56:04,320
Speaker 2: how can I make your dreams come true? Because I

1179
00:56:04,520 --> 00:56:08,719
Speaker 2: am dying to know Monologue for the Stars.

1180
00:56:08,640 --> 00:56:11,960
Speaker 1: Oh my god, that's part of the whole movie TikTok

1181
00:56:12,120 --> 00:56:15,040
Speaker 1: let me have it. I need to find her daughter

1182
00:56:15,280 --> 00:56:17,759
Speaker 1: unbelievable tells me she hates me more than anyone else

1183
00:56:17,800 --> 00:56:20,279
Speaker 1: in the world. Yeah, now let me tell you. Now,

1184
00:56:20,320 --> 00:56:22,920
Speaker 1: tell me how I can make your dreams. I'm dying

1185
00:56:23,400 --> 00:56:26,239
Speaker 1: to know. Where is the for that? Isn't that?

1186
00:56:26,400 --> 00:56:29,000
Speaker 3: It was the best monologue I have ever seen in

1187
00:56:29,080 --> 00:56:31,640
Speaker 3: a movie. That's like one of those like doubt style

1188
00:56:31,760 --> 00:56:33,120
Speaker 3: like actors pops.

1189
00:56:32,880 --> 00:56:33,719
Speaker 2: In she.

1190
00:56:35,320 --> 00:56:38,400
Speaker 1: Needed Aron. It was my I mean I still remember it.

1191
00:56:38,480 --> 00:56:41,640
Speaker 1: That was like twenty five years ago. Something is just.

1192
00:56:41,680 --> 00:56:44,120
Speaker 2: Something wrong with me from that era though, from this

1193
00:56:44,280 --> 00:56:48,080
Speaker 2: era that we're specifically talking about, like our brains being

1194
00:56:48,320 --> 00:56:51,200
Speaker 2: like truly spongy in a way where it's like now

1195
00:56:51,320 --> 00:56:53,520
Speaker 2: I can put on movies from that time or movies

1196
00:56:53,560 --> 00:56:55,839
Speaker 2: that I was watching at that time, like Grease.

1197
00:56:56,160 --> 00:57:00,000
Speaker 1: Off book, off book, off book, Yeah, off book on, Clueless,

1198
00:57:00,160 --> 00:57:05,600
Speaker 1: off book on, like Bringing On. You can quote anything

1199
00:57:05,640 --> 00:57:09,879
Speaker 1: from Bringing On truly anything we met but Red before

1200
00:57:10,160 --> 00:57:11,799
Speaker 1: Still we did meet a Big Red.

1201
00:57:12,120 --> 00:57:18,400
Speaker 2: We literally Big Red who's also the tea. Yes she was, Lindsay.

1202
00:57:18,920 --> 00:57:22,160
Speaker 2: She came up and she we're at coach Helly were leaving.

1203
00:57:22,200 --> 00:57:25,080
Speaker 2: I think Charlie X and she came up, and this

1204
00:57:25,200 --> 00:57:26,880
Speaker 2: woman comes up and she's so kind, and she goes,

1205
00:57:26,920 --> 00:57:28,880
Speaker 2: oh my god, I just want to say, I listened

1206
00:57:28,920 --> 00:57:31,240
Speaker 2: to your podcast with my daughter. She's right over here,

1207
00:57:31,320 --> 00:57:33,040
Speaker 2: and the daughter is so cute in waves and they

1208
00:57:33,040 --> 00:57:33,320
Speaker 2: we're like.

1209
00:57:33,320 --> 00:57:35,000
Speaker 1: Oh my god, thank you so much. And then she goes,

1210
00:57:35,720 --> 00:57:37,720
Speaker 1: she goes, I played big Red and then we bring

1211
00:57:37,800 --> 00:57:43,200
Speaker 1: it on and we both she looks the girl we know.

1212
00:57:44,640 --> 00:57:46,480
Speaker 2: In fact, I think it was a little dark or whatever.

1213
00:57:46,800 --> 00:57:49,960
Speaker 2: But I'm so happy, she said, because the second she did,

1214
00:57:50,360 --> 00:57:51,360
Speaker 2: I literally.

1215
00:57:51,160 --> 00:57:54,600
Speaker 1: Like, You're like torch, and now I pass the torch.

1216
00:57:54,880 --> 00:57:57,480
Speaker 1: The ballots are in and one girl has to win.

1217
00:57:57,840 --> 00:58:03,480
Speaker 2: She's she's fun and now she's one to toss the

1218
00:58:03,600 --> 00:58:04,160
Speaker 2: whole thing.

1219
00:58:05,680 --> 00:58:07,760
Speaker 1: We've done it on this podcast before, and these very

1220
00:58:07,800 --> 00:58:09,600
Speaker 1: we are gay as hell.

1221
00:58:11,080 --> 00:58:13,600
Speaker 2: She was so nice and then I had this like

1222
00:58:13,720 --> 00:58:16,200
Speaker 2: lovely dam exchange of her after where I really because

1223
00:58:16,200 --> 00:58:18,360
Speaker 2: I didn't realize in the moment that she was also

1224
00:58:18,440 --> 00:58:20,280
Speaker 2: on Sabrina, which I watched.

1225
00:58:21,440 --> 00:58:27,200
Speaker 1: I wore that show out. My first Harvey friend. You

1226
00:58:27,400 --> 00:58:31,919
Speaker 1: kind of you Harvey? Okay, your where is Harvey? Where

1227
00:58:32,040 --> 00:58:34,800
Speaker 1: is Harvey? Handsome boy? There? Harve Well you know what

1228
00:58:34,840 --> 00:58:40,200
Speaker 1: happened to Generali Green h Also, she was I think

1229
00:58:40,840 --> 00:58:43,800
Speaker 1: she understudied alphabat when we were friends in l A

1230
00:58:46,840 --> 00:58:51,920
Speaker 1: talent like But do you remember when she was in

1231
00:58:52,080 --> 00:58:55,120
Speaker 1: what was that? Oh my god, I'm having a blank

1232
00:58:55,240 --> 00:58:59,840
Speaker 1: off Broadway show with John Hill and Michael Arden and

1233
00:59:00,000 --> 00:59:03,000
Speaker 1: Atalie Joy Johnson and oh my god, this is a

1234
00:59:03,040 --> 00:59:05,440
Speaker 1: great grip. It was today. I would bout like the

1235
00:59:05,480 --> 00:59:07,280
Speaker 1: two gay boys in Catholic High School and they fall

1236
00:59:07,320 --> 00:59:09,520
Speaker 1: in love. Oh my god, what is it called? I

1237
00:59:09,560 --> 00:59:12,080
Speaker 1: don't remember it either, boys and Catholic High School? And

1238
00:59:12,360 --> 00:59:15,200
Speaker 1: I like that as a title, Wicked Wicked. I like

1239
00:59:15,240 --> 00:59:19,280
Speaker 1: it as the title is remember anyway. But Jenna wasn't

1240
00:59:19,280 --> 00:59:23,280
Speaker 1: that she was She was leading that vocals down sometimes

1241
00:59:23,360 --> 00:59:27,520
Speaker 1: watch I'm sure I'm with the right people to share Alpha.

1242
00:59:27,880 --> 00:59:30,439
Speaker 2: Just a compilation of Wicked Witch of the East, which

1243
00:59:30,440 --> 00:59:35,440
Speaker 2: I think is the is the best, gives you a

1244
00:59:35,560 --> 00:59:37,880
Speaker 2: big full belt run for her money.

1245
00:59:38,200 --> 00:59:42,560
Speaker 1: Jenna's incredible. I love it. It's the best. Why is

1246
00:59:42,600 --> 00:59:45,000
Speaker 1: it it on the album? That's why I don't think so, Honey,

1247
00:59:45,240 --> 00:59:48,840
Speaker 1: Sla tutorial is of uh which the East? That is

1248
00:59:49,120 --> 00:59:53,880
Speaker 1: that ignored territory? That what is slime? Tutorial. That's territory.

1249
00:59:54,000 --> 00:59:58,000
Speaker 1: Oh yeah, does that count as slame tutorial? Yeah? What's

1250
00:59:58,040 --> 01:00:01,200
Speaker 1: slime tutorial? It's like it's just like a it's like bootlegs.

1251
01:00:01,360 --> 01:00:03,840
Speaker 3: Yeah, cuts of things, but it's like Chris, it's like

1252
01:00:03,920 --> 01:00:08,600
Speaker 3: Christmas haunting you. Oh shirt, I might be I might

1253
01:00:08,640 --> 01:00:09,840
Speaker 3: be misusing the term.

1254
01:00:10,440 --> 01:00:13,400
Speaker 1: I like it. I could use it speaking of slime.

1255
01:00:13,480 --> 01:00:16,160
Speaker 2: This was Nickelodeon culture. This is also around that time

1256
01:00:16,600 --> 01:00:19,920
Speaker 2: the TRL Nickelodeon. This was nineteen ninety nine, two thousand.

1257
01:00:20,240 --> 01:00:21,240
Speaker 2: This was the millennium.

1258
01:00:21,360 --> 01:00:24,200
Speaker 1: Yeah, this was the time. What was Sabrina? Sabrina was on?

1259
01:00:25,520 --> 01:00:26,000
Speaker 2: Or No?

1260
01:00:26,640 --> 01:00:27,160
Speaker 1: Was it ABC?

1261
01:00:27,800 --> 01:00:30,720
Speaker 2: Was it part of t G I F it was? Yeah,

1262
01:00:30,840 --> 01:00:33,440
Speaker 2: t g IF went so hard. I know, I couldn't

1263
01:00:33,480 --> 01:00:35,200
Speaker 2: wait because what were we going to do on a Friday.

1264
01:00:35,280 --> 01:00:36,480
Speaker 2: Let's go to our friend's house.

1265
01:00:36,280 --> 01:00:37,800
Speaker 1: And now not me. No.

1266
01:00:38,040 --> 01:00:40,120
Speaker 2: I would get on the bus on Friday and my mom,

1267
01:00:40,160 --> 01:00:41,640
Speaker 2: who would just walk me to the bus. I would

1268
01:00:41,760 --> 01:00:43,400
Speaker 2: I would look out the window because I was this

1269
01:00:43,560 --> 01:00:45,800
Speaker 2: is a weird thing. I was really afraid of the bus.

1270
01:00:46,240 --> 01:00:48,479
Speaker 2: I used to get I have anxiety attacks about getting

1271
01:00:48,480 --> 01:00:49,960
Speaker 2: on the bus and not having anyone to sit with.

1272
01:00:50,720 --> 01:00:53,080
Speaker 2: So I would get on the bus through middle school

1273
01:00:53,120 --> 01:00:55,800
Speaker 2: and high school, not not through high school through elementary school.

1274
01:00:55,800 --> 01:00:56,760
Speaker 1: In middle school, this was the thing.

1275
01:00:57,040 --> 01:00:58,320
Speaker 2: So I'd get on the bus and look out the

1276
01:00:58,360 --> 01:01:01,280
Speaker 2: window like terrified, like me like dying, shaking, and my

1277
01:01:01,360 --> 01:01:06,240
Speaker 2: mom would go to remind me that it was coming

1278
01:01:06,280 --> 01:01:09,560
Speaker 2: on later. It would make it would make me feel

1279
01:01:09,600 --> 01:01:11,880
Speaker 2: so much better because I knew that if I just

1280
01:01:11,920 --> 01:01:14,440
Speaker 2: could get through school, I could watch t G I

1281
01:01:14,640 --> 01:01:16,280
Speaker 2: F Meets.

1282
01:01:16,080 --> 01:01:21,120
Speaker 1: World, Boy meets World. Topanga hair those tits? Can you

1283
01:01:21,240 --> 01:01:25,520
Speaker 1: imagine a woman named Topanga? Literally like get out of here?

1284
01:01:26,760 --> 01:01:30,280
Speaker 1: I love that. I love to Pango? Like, who thought

1285
01:01:30,320 --> 01:01:34,880
Speaker 1: that was a good idea? Obviously someone genius? To a

1286
01:01:34,920 --> 01:01:37,880
Speaker 1: canyon the lived Do you think she was named after

1287
01:01:37,920 --> 01:01:39,880
Speaker 1: the canyon in which she was? Where else are they

1288
01:01:40,000 --> 01:01:40,400
Speaker 1: pulling that?

1289
01:01:40,840 --> 01:01:41,000
Speaker 2: Where?

1290
01:01:41,400 --> 01:01:44,440
Speaker 1: Because it was a slut from the pang from the

1291
01:01:44,600 --> 01:01:49,240
Speaker 1: canyon to Panga that was there were the first power

1292
01:01:49,280 --> 01:01:55,240
Speaker 1: company were? And then Dawson's Creek came after, Oh my god,

1293
01:01:55,400 --> 01:01:57,800
Speaker 1: all of it, and then Buffy and Charmed. Would you

1294
01:01:57,840 --> 01:01:59,960
Speaker 1: a Buffy gay? Oh my god? Was I a Buffy?

1295
01:02:00,120 --> 01:02:01,920
Speaker 1: So when Sarah Michelle Geller came to see the show,

1296
01:02:01,960 --> 01:02:03,680
Speaker 1: were you dead? Oh my god, I'm so I was

1297
01:02:03,720 --> 01:02:05,720
Speaker 1: so dead. I mean, and Sarah came like three times.

1298
01:02:05,800 --> 01:02:09,480
Speaker 1: Oh really it was so nice? Yeah, Sarah realma Reese.

1299
01:02:09,640 --> 01:02:12,400
Speaker 1: Did Brian come? Yes? Ryan came out. He was the best,

1300
01:02:12,600 --> 01:02:15,200
Speaker 1: of course, he were so the most. She was really nice,

1301
01:02:15,320 --> 01:02:17,000
Speaker 1: lovely person. He came up to me after and he's like,

1302
01:02:17,000 --> 01:02:18,920
Speaker 1: way to keep the val Mountain name alive? Man, And

1303
01:02:19,000 --> 01:02:20,880
Speaker 1: I was like, I'm going to make out with you now.

1304
01:02:20,880 --> 01:02:24,640
Speaker 1: I'm literally obsessed. Oh my god's so wonderful. Sarah is

1305
01:02:24,800 --> 01:02:27,320
Speaker 1: so wonderful. Only were the best things about Sarah Michelle

1306
01:02:27,360 --> 01:02:30,919
Speaker 1: same Michell Geller is it also looks exactly the same.

1307
01:02:31,080 --> 01:02:34,720
Speaker 1: She's having like she's having renaissance. Yeah, she's the best.

1308
01:02:34,800 --> 01:02:35,920
Speaker 1: I love her so much.

1309
01:02:36,040 --> 01:02:37,640
Speaker 2: You know what I would like to see I would

1310
01:02:37,640 --> 01:02:39,360
Speaker 2: like to I know they're doing a new season of Buffy.

1311
01:02:39,480 --> 01:02:42,120
Speaker 2: I would like to see SMG in the new season

1312
01:02:42,200 --> 01:02:45,040
Speaker 2: of White Lotus. I feel like Sarah Michelle Geller she

1313
01:02:45,080 --> 01:02:48,520
Speaker 2: will let you have It would tear up some because

1314
01:02:48,600 --> 01:02:52,400
Speaker 2: people forget how dramatically good she is. Ye Oh, I

1315
01:02:52,480 --> 01:02:55,280
Speaker 2: feel like people don't remember that she was giving you versatility.

1316
01:02:55,360 --> 01:02:56,400
Speaker 2: I'm sorry, cruel intentions.

1317
01:02:56,440 --> 01:03:00,560
Speaker 1: She was like what twenty one iconic, the best performance

1318
01:03:00,640 --> 01:03:02,720
Speaker 1: I have still to this day, one of the best

1319
01:03:02,760 --> 01:03:05,640
Speaker 1: performances I've ever seen on film, all three of them.

1320
01:03:05,600 --> 01:03:07,760
Speaker 2: When they signed her Coke Vial at the end and

1321
01:03:07,880 --> 01:03:10,120
Speaker 2: just a single tear comes down her face because she

1322
01:03:10,200 --> 01:03:11,440
Speaker 2: knows her up.

1323
01:03:11,560 --> 01:03:11,760
Speaker 1: Yeah.

1324
01:03:13,040 --> 01:03:16,120
Speaker 2: She there's a new season about you, or new it's

1325
01:03:16,560 --> 01:03:18,440
Speaker 2: think it's I think it's just I think they're rebooting

1326
01:03:18,480 --> 01:03:19,240
Speaker 2: it as a show.

1327
01:03:19,080 --> 01:03:21,200
Speaker 1: Right, I thought, I know what you did last summer,

1328
01:03:21,800 --> 01:03:24,400
Speaker 1: same same thing. I still know what you're doing. Remember

1329
01:03:24,440 --> 01:03:27,280
Speaker 1: the thrillers, like when we were in the Scary Movies

1330
01:03:27,400 --> 01:03:31,360
Speaker 1: and screamed, yes Kate and Robertson is j Robinson? Did

1331
01:03:31,400 --> 01:03:33,960
Speaker 1: I still know? She did? Someone great? Et cetera. Those

1332
01:03:34,000 --> 01:03:36,760
Speaker 1: were guys. We lived in great times. Did you know

1333
01:03:37,600 --> 01:03:44,640
Speaker 1: Apster God? Remember Lime? Do you remember that Rhapsody? Of

1334
01:03:44,720 --> 01:03:46,520
Speaker 1: course I had all of them. They would all go

1335
01:03:46,840 --> 01:03:49,600
Speaker 1: I would. I would completely fuck up my mother's computer

1336
01:03:49,680 --> 01:03:52,680
Speaker 1: every five minutes, take its to Toshiba, and she'd be like,

1337
01:03:53,040 --> 01:03:56,439
Speaker 1: you crashed the computer again, con But I was like, sorry, girl,

1338
01:03:56,640 --> 01:03:59,600
Speaker 1: I had to download that song that took forty eight hours. Wow.

1339
01:03:59,800 --> 01:04:03,000
Speaker 1: Are you deeply connected to your Greek roots? Yes?

1340
01:04:03,160 --> 01:04:05,880
Speaker 2: I am the greekest person ever. Yeah, because I don't

1341
01:04:05,920 --> 01:04:08,560
Speaker 2: have like Greek culture in my life, but.

1342
01:04:08,560 --> 01:04:10,440
Speaker 1: I feel like you do. Here you go, I'm right

1343
01:04:10,480 --> 01:04:13,160
Speaker 1: in front of you. She is. I am the epitome

1344
01:04:13,280 --> 01:04:15,640
Speaker 1: of my big fact Greek wedding. Yeah, there are there

1345
01:04:15,640 --> 01:04:19,640
Speaker 1: are good I am Joey Fitzton. No, I'm near Virdallos.

1346
01:04:21,080 --> 01:04:24,080
Speaker 1: There are columns in front of my house, so this day,

1347
01:04:24,200 --> 01:04:27,080
Speaker 1: Greek columns. There was plastic on the furniture of my

1348
01:04:27,200 --> 01:04:29,600
Speaker 1: entire fucking life in that room that nobody can go

1349
01:04:29,680 --> 01:04:33,200
Speaker 1: inst on the remote. No, No, that's crazy, but that's

1350
01:04:33,200 --> 01:04:39,000
Speaker 1: an Asian thing. Maybe there is more germs on the platform. No,

1351
01:04:39,080 --> 01:04:41,600
Speaker 1: we would we still to this day there's a baby

1352
01:04:41,720 --> 01:04:44,720
Speaker 1: lamb for Easter that's on a spit roasted outside of

1353
01:04:44,880 --> 01:04:47,320
Speaker 1: my fucking house in the backyard beautiful, And people are like,

1354
01:04:47,440 --> 01:04:50,000
Speaker 1: what is that smell? And I'm like, it's just allowed.

1355
01:04:53,120 --> 01:04:55,680
Speaker 1: My mom's just like making stew from like the insides

1356
01:04:55,680 --> 01:04:57,720
Speaker 1: of the lamb. And I'm like, girl, are you okay?

1357
01:04:58,600 --> 01:05:01,440
Speaker 1: Like what is happening? We are the creak. I mean,

1358
01:05:01,480 --> 01:05:05,000
Speaker 1: it's sick. My sister lives behind my parents house. That's

1359
01:05:05,040 --> 01:05:11,480
Speaker 1: because you amazing. And also what name ran oh that's right, yeah, okay,

1360
01:05:11,480 --> 01:05:14,000
Speaker 1: And also I cut you off what oh no? Also

1361
01:05:14,160 --> 01:05:16,040
Speaker 1: just that where I'm so Greek, like I went to

1362
01:05:16,080 --> 01:05:20,200
Speaker 1: Greek school. Every do Greek Orthodox, Greek Orthodox to holler,

1363
01:05:20,560 --> 01:05:22,440
Speaker 1: so I only it was the first eight years of

1364
01:05:22,480 --> 01:05:23,280
Speaker 1: my life. I've told you this.

1365
01:05:23,360 --> 01:05:25,800
Speaker 2: We were Greek Orthodox and we moved to a different

1366
01:05:25,880 --> 01:05:29,800
Speaker 2: town and we switched to Roman Catholicism because my dad

1367
01:05:29,880 --> 01:05:34,080
Speaker 2: goes it's basically the same, and it was the Greek.

1368
01:05:34,520 --> 01:05:37,760
Speaker 1: It's all in Greek and it's three hours long. You

1369
01:05:37,840 --> 01:05:39,280
Speaker 1: want to go to church for three hours every summer

1370
01:05:39,320 --> 01:05:42,240
Speaker 1: and I don't think so hard. That was cray crazy.

1371
01:05:42,240 --> 01:05:43,840
Speaker 1: I would have to sit there and be like yeah,

1372
01:05:44,120 --> 01:05:46,160
Speaker 1: dozing off, and my mom's like pay attention. I'm like

1373
01:05:46,440 --> 01:05:48,080
Speaker 1: to what I can't even.

1374
01:05:48,000 --> 01:05:51,200
Speaker 2: Understand because it was all in Greek. I didn't understand it.

1375
01:05:51,280 --> 01:05:53,240
Speaker 2: And then they were like basically the same. We became

1376
01:05:53,320 --> 01:05:54,960
Speaker 2: Roman Catholic and then I could hear what they were saying,

1377
01:05:55,000 --> 01:05:57,920
Speaker 2: and I'm like, oh fuck, this this sucks.

1378
01:05:58,240 --> 01:06:00,520
Speaker 1: Well because also like there's something to full about, like

1379
01:06:00,520 --> 01:06:02,920
Speaker 1: going to a Greek church. It's like stunning, like Byzantine

1380
01:06:03,080 --> 01:06:05,760
Speaker 1: art like things and art I love next to us.

1381
01:06:05,760 --> 01:06:09,240
Speaker 1: I mean it's donningfully, that's the church next to me. Oh,

1382
01:06:09,240 --> 01:06:12,240
Speaker 1: that's that's a Greek Orthodoxy ur huh. Yeah. And then

1383
01:06:12,480 --> 01:06:17,720
Speaker 1: my parents, speaking of when you transferred to Catholicism, my

1384
01:06:17,920 --> 01:06:19,920
Speaker 1: parents when we were going to high school, we had

1385
01:06:19,960 --> 01:06:21,520
Speaker 1: no high school in our town. You would have to

1386
01:06:21,600 --> 01:06:24,480
Speaker 1: like go private or go somewhere else. And so they

1387
01:06:24,520 --> 01:06:26,400
Speaker 1: were like, we're gonna put you in Catholic school. And

1388
01:06:26,480 --> 01:06:28,600
Speaker 1: I was like wait what I was like, but I'm

1389
01:06:28,640 --> 01:06:31,840
Speaker 1: not Catholic, Like same thing, same thing. So then me

1390
01:06:32,600 --> 01:06:36,640
Speaker 1: like having to go to Mass every whatever Friday, and

1391
01:06:36,720 --> 01:06:38,760
Speaker 1: then I was like okay, and then I got bamboozled

1392
01:06:38,760 --> 01:06:41,040
Speaker 1: into singing in the choir. So then everybody called me

1393
01:06:41,120 --> 01:06:43,200
Speaker 1: the gay singing kid, and they're like, hey, gay singing kid,

1394
01:06:43,280 --> 01:06:45,120
Speaker 1: great job on our God is an awesome god. And

1395
01:06:45,160 --> 01:06:47,200
Speaker 1: I'm like, cool, don't even know that song. And I'm

1396
01:06:47,240 --> 01:06:52,480
Speaker 1: sitting here like singing like McDonald's fucking songs. That's what

1397
01:06:52,600 --> 01:06:54,480
Speaker 1: it felt like, because I was like, I remember in

1398
01:06:54,520 --> 01:06:56,280
Speaker 1: the Greek church, which it was like all like Byzantine,

1399
01:06:56,360 --> 01:06:59,840
Speaker 1: ancient Greeks, the best one ever.

1400
01:07:00,080 --> 01:07:04,800
Speaker 2: Hosanna in the highest of course, hosaninan high actually kind

1401
01:07:04,800 --> 01:07:08,320
Speaker 2: of country blessed is he who comes from the name

1402
01:07:08,480 --> 01:07:09,280
Speaker 2: of the Lord.

1403
01:07:11,160 --> 01:07:12,560
Speaker 1: No, it's actually they need to put it in a

1404
01:07:12,600 --> 01:07:16,680
Speaker 1: pop song. I think Lord should do with a mashup

1405
01:07:16,680 --> 01:07:19,560
Speaker 1: with Charlie. Actually should be on their album. Yes. Absolutely.

1406
01:07:19,800 --> 01:07:22,480
Speaker 1: Did you ever remember Sweet Redeemer? That song was a banger,

1407
01:07:22,600 --> 01:07:27,240
Speaker 1: give it to Us. I don't go Sweet Redeemer, ah surrender,

1408
01:07:27,600 --> 01:07:29,200
Speaker 1: Oh I Am to you?

1409
01:07:30,360 --> 01:07:30,560
Speaker 2: Yeah?

1410
01:07:31,000 --> 01:07:35,280
Speaker 1: It was wowwas wild. And then I used to get

1411
01:07:35,320 --> 01:07:39,000
Speaker 1: in trouble by the priest because my like mentor in

1412
01:07:39,080 --> 01:07:41,720
Speaker 1: high school, two guys Frank and Ed who I fucking

1413
01:07:41,800 --> 01:07:44,480
Speaker 1: love still to the say, they would always like make

1414
01:07:44,560 --> 01:07:47,280
Speaker 1: me just like go off like American idol style, and

1415
01:07:47,400 --> 01:07:49,240
Speaker 1: I was like okay, and then the priest would be

1416
01:07:49,280 --> 01:07:52,960
Speaker 1: like listen, son, this isn't American idol. Stop singing like that,

1417
01:07:53,080 --> 01:07:55,480
Speaker 1: this is church. And I was like okay. I was like,

1418
01:07:55,800 --> 01:07:59,480
Speaker 1: I'm an extended belt. Oh i U. I used to hole.

1419
01:07:59,640 --> 01:08:02,200
Speaker 1: I would hold things out. People would be like, okay,

1420
01:08:02,280 --> 01:08:04,560
Speaker 1: singing kid, that was so fierce today, and I'm like,

1421
01:08:04,640 --> 01:08:07,720
Speaker 1: thanks man, that was so and I was like, well,

1422
01:08:07,760 --> 01:08:10,080
Speaker 1: I'm actually not gay and they're like, ah, sure, and

1423
01:08:10,480 --> 01:08:12,880
Speaker 1: but yeah, I would just like go off at mass

1424
01:08:12,960 --> 01:08:14,560
Speaker 1: because I was like, I'm not coughlic what is this

1425
01:08:15,200 --> 01:08:18,680
Speaker 1: fun crazy music? We're all just goofing off, groving off. Yeah, church, But.

1426
01:08:18,720 --> 01:08:20,920
Speaker 3: Don't you love that you have the sort of pop

1427
01:08:20,960 --> 01:08:24,080
Speaker 3: star narrative of you got to start singing in the

1428
01:08:24,200 --> 01:08:25,360
Speaker 3: church in church choir.

1429
01:08:25,479 --> 01:08:27,920
Speaker 1: I sure did. I mean in the church choir in

1430
01:08:28,320 --> 01:08:30,760
Speaker 1: Greek church too, So like that was like, you know,

1431
01:08:31,000 --> 01:08:31,639
Speaker 1: hymns and ship.

1432
01:08:31,760 --> 01:08:34,040
Speaker 2: So that was one of the speaking of all these

1433
01:08:34,080 --> 01:08:36,360
Speaker 2: movies that I remember every line remember says track too,

1434
01:08:36,479 --> 01:08:40,120
Speaker 2: where there's that iconic scene where Lauren Hill and her

1435
01:08:40,160 --> 01:08:41,280
Speaker 2: friend are singing.

1436
01:08:41,520 --> 01:08:43,040
Speaker 1: See because.

1437
01:08:44,840 --> 01:08:49,439
Speaker 2: And so then at the end they're singing and the

1438
01:08:49,520 --> 01:08:52,720
Speaker 2: one girl goes to Laurent Hill goes to the one girl, girl,

1439
01:08:52,920 --> 01:08:53,880
Speaker 2: you could really make.

1440
01:08:53,760 --> 01:08:56,599
Speaker 1: It, and she goes, mm hmm, this is for church.

1441
01:08:57,840 --> 01:09:00,400
Speaker 1: When she was like she was like, uh or you

1442
01:09:00,520 --> 01:09:02,840
Speaker 1: clearly know that she has a better voice in Lauren Hill. Sorry,

1443
01:09:03,160 --> 01:09:05,960
Speaker 1: she literally and then she was like girl, She's like

1444
01:09:06,040 --> 01:09:08,560
Speaker 1: I just can't I can't get that you have it.

1445
01:09:08,880 --> 01:09:11,519
Speaker 1: I can't get that low No. And she's like no, no, no, no, no,

1446
01:09:11,800 --> 01:09:14,360
Speaker 1: this is this is for Yeah, you could really make it,

1447
01:09:14,479 --> 01:09:19,040
Speaker 1: could really make it. That movie is readA Marie Watkins.

1448
01:09:19,400 --> 01:09:23,799
Speaker 1: Get your behind upstairs, get and your head in the clouds?

1449
01:09:24,080 --> 01:09:26,519
Speaker 1: Aren't they making the third one? What's the okay?

1450
01:09:26,680 --> 01:09:28,760
Speaker 2: So we need to sit whooll be down in that chair?

1451
01:09:28,800 --> 01:09:31,479
Speaker 2: Actually we need to get here first of all, why

1452
01:09:31,520 --> 01:09:33,599
Speaker 2: hasn't that happened? You guys need to get that immediately.

1453
01:09:33,840 --> 01:09:37,800
Speaker 1: Then we can By the way, whoop, we tore up

1454
01:09:37,840 --> 01:09:41,400
Speaker 1: the magdala. Yeah. Can we talk about the fashions, yes,

1455
01:09:42,560 --> 01:09:46,680
Speaker 1: because you know it's current highlights highlights. Who let me

1456
01:09:46,800 --> 01:09:48,679
Speaker 1: have it? Yes?

1457
01:09:48,800 --> 01:09:56,719
Speaker 2: Tana Taylor, Tana Taylor, everything always period, always bad bunny

1458
01:09:57,800 --> 01:10:00,519
Speaker 2: looking like looking like the scarecrow for the Whiz and

1459
01:10:00,600 --> 01:10:03,040
Speaker 2: I was so here for it. Absolutely with a Michael

1460
01:10:03,080 --> 01:10:05,960
Speaker 2: Jackson glove, I was like, bitch, go off. What did

1461
01:10:06,000 --> 01:10:09,880
Speaker 2: you feel about Zendaya and being in the same look?

1462
01:10:10,880 --> 01:10:15,599
Speaker 3: Was it the same exact I don't know. I thought

1463
01:10:15,600 --> 01:10:17,960
Speaker 3: it was different takes on this. I'm okay, yeah, but

1464
01:10:19,000 --> 01:10:19,679
Speaker 3: by side.

1465
01:10:20,240 --> 01:10:23,880
Speaker 1: I will she can wear anything. I mean today is

1466
01:10:24,360 --> 01:10:27,799
Speaker 1: the motion stunning human in the world. But it reminded

1467
01:10:27,840 --> 01:10:35,080
Speaker 1: me of like you know, old Selene was backwards suit,

1468
01:10:35,680 --> 01:10:37,600
Speaker 1: which was iconic. But I'm like, okay, we've seen it.

1469
01:10:37,680 --> 01:10:42,120
Speaker 1: Let's maybe do something else for sure. Announcing baby number

1470
01:10:42,120 --> 01:10:46,679
Speaker 1: three Marina, baby number three, pregnant zero fox, I said

1471
01:10:47,000 --> 01:10:50,240
Speaker 1: n or like R three on the third d. Also,

1472
01:10:50,320 --> 01:10:52,280
Speaker 1: is that album actually gonna happen? I don't think so.

1473
01:10:52,760 --> 01:10:56,120
Speaker 1: I hate that, I hate that. I hate here, don't.

1474
01:10:56,280 --> 01:11:00,040
Speaker 2: What the streets are saying is that she really he

1475
01:11:00,680 --> 01:11:02,960
Speaker 2: just likes to smoke weed and watch housewives and do

1476
01:11:03,080 --> 01:11:04,120
Speaker 2: the and do the fashion thing.

1477
01:11:04,520 --> 01:11:06,840
Speaker 1: That's what the streets I mean, we're here for that.

1478
01:11:07,240 --> 01:11:08,880
Speaker 1: But also, I just need one more, Just give me

1479
01:11:08,920 --> 01:11:13,240
Speaker 1: one more. Course, one more is pretty pretty cool. Here's

1480
01:11:13,280 --> 01:11:13,479
Speaker 1: the thing.

1481
01:11:13,560 --> 01:11:15,560
Speaker 2: I don't think it's that she doesn't want to. I

1482
01:11:15,960 --> 01:11:19,280
Speaker 2: just think she feels she set a really high fucking

1483
01:11:19,360 --> 01:11:23,880
Speaker 2: bar with Anti. I also think she genuinely enjoys these

1484
01:11:23,920 --> 01:11:26,840
Speaker 2: other aspects of her life and if it's coming, it

1485
01:11:27,000 --> 01:11:28,000
Speaker 2: is on her time.

1486
01:11:27,960 --> 01:11:32,519
Speaker 1: Which is as we know late. Yeah. Yeah, the way she.

1487
01:11:32,640 --> 01:11:34,840
Speaker 2: Rolled up, she made everyone on that carpet wait forty

1488
01:11:34,840 --> 01:11:37,360
Speaker 2: five minutes after the last person to make take her

1489
01:11:37,439 --> 01:11:38,080
Speaker 2: fucking picture.

1490
01:11:38,760 --> 01:11:43,639
Speaker 1: Unreal, good good, unreal. Do we like do Alipa's look? Yes?

1491
01:11:43,760 --> 01:11:44,960
Speaker 1: I did like look.

1492
01:11:45,280 --> 01:11:51,120
Speaker 2: I liked Coleman obviously com wrong, it's amazing wrong. Also

1493
01:11:51,240 --> 01:11:57,280
Speaker 2: shout out Hunter Schaeffer. Yeah, crush, I always section and

1494
01:11:57,360 --> 01:12:01,960
Speaker 2: who else Lord looked amazing too? Looks is like really,

1495
01:12:02,240 --> 01:12:04,840
Speaker 2: I think making like a like an announcement about their gender.

1496
01:12:05,280 --> 01:12:07,760
Speaker 3: I feel like it's saying they feel like a man

1497
01:12:07,840 --> 01:12:10,280
Speaker 3: and a woman but not but not but not not

1498
01:12:10,439 --> 01:12:12,000
Speaker 3: like dropping the pronouns just yet.

1499
01:12:12,360 --> 01:12:16,240
Speaker 1: Right. Yeah. I love the new song. It grew on me.

1500
01:12:16,640 --> 01:12:17,960
Speaker 1: It's like the first time I heard it, I was like,

1501
01:12:18,280 --> 01:12:20,559
Speaker 1: come on, and then like the second or third time

1502
01:12:20,560 --> 01:12:23,560
Speaker 1: I heard it, I was like, what was I love it?

1503
01:12:23,640 --> 01:12:27,240
Speaker 1: Miss it? I missed that crazy voice me too, crazy voice.

1504
01:12:27,320 --> 01:12:32,120
Speaker 1: I saw Charlie again at Barclay's Amazing Yes and full

1505
01:12:32,200 --> 01:12:33,519
Speaker 1: Range on stage. I was dead.

1506
01:12:33,800 --> 01:12:35,920
Speaker 2: I think it's my third a month seeing her because

1507
01:12:36,040 --> 01:12:38,680
Speaker 2: both times at Coach and then now this and I

1508
01:12:38,800 --> 01:12:43,840
Speaker 2: saw sweat. When the girl so confusing Lord verse comes on,

1509
01:12:44,840 --> 01:12:49,679
Speaker 2: it's like Hosanna in the highest it is it's sweet Redeemer.

1510
01:12:50,080 --> 01:12:55,519
Speaker 1: Wow, it's by the time she gets to say the

1511
01:12:55,600 --> 01:12:57,639
Speaker 1: same half, by the time that part is going, you're

1512
01:12:57,680 --> 01:13:00,760
Speaker 1: just like you're jumping. Yeah, you're a full car correct. Yes,

1513
01:13:00,880 --> 01:13:04,040
Speaker 1: It's it's so good. And guess let me tell you

1514
01:13:04,040 --> 01:13:05,840
Speaker 1: something about Guess. And I told you this.

1515
01:13:06,680 --> 01:13:09,640
Speaker 2: I guess people thought, and this is no disrespect to

1516
01:13:09,760 --> 01:13:12,439
Speaker 2: rain on me by Ariana Grande and Lady Gaga. That

1517
01:13:12,560 --> 01:13:16,000
Speaker 2: is a classic. People thought that that was like the

1518
01:13:16,120 --> 01:13:18,680
Speaker 2: female duet of our time to rival. Enough is enough,

1519
01:13:18,760 --> 01:13:23,160
Speaker 2: No More Tears, Donna Summer, Barbara Streisan. It's guests. Guests

1520
01:13:23,400 --> 01:13:28,920
Speaker 2: is so powerful statement. There's room for everything. I'm just saying,

1521
01:13:29,400 --> 01:13:33,160
Speaker 2: the feeling that you get during guests, there's nothing like that.

1522
01:13:33,520 --> 01:13:35,360
Speaker 1: Also, I don't know if I told you this. Maybe

1523
01:13:35,360 --> 01:13:37,479
Speaker 1: I've told you this before on my you know, world

1524
01:13:37,520 --> 01:13:42,720
Speaker 1: traveling Extravaganzas we went to the boiler room set. I

1525
01:13:42,920 --> 01:13:49,400
Speaker 1: was there with Armana's with Armana boiler Rooms and we

1526
01:13:49,640 --> 01:13:55,240
Speaker 1: were there. I lost my I was so high. It

1527
01:13:55,479 --> 01:14:00,200
Speaker 1: was crazy. I mean, that was gorgeous, hot man from As.

1528
01:14:00,360 --> 01:14:02,400
Speaker 1: I was like, cool, I'll never see you again. But also,

1529
01:14:02,840 --> 01:14:04,360
Speaker 1: let's make it for you have to do that all

1530
01:14:04,400 --> 01:14:07,559
Speaker 1: around the world. Oh Sam, just grab the man, come

1531
01:14:07,640 --> 01:14:12,960
Speaker 1: over here. Yeah. It was wild, Wow, crazy, that's like

1532
01:14:13,000 --> 01:14:15,360
Speaker 1: a historic It's a historic moment. People were like, I

1533
01:14:15,439 --> 01:14:17,960
Speaker 1: still listened to that, and I'm like, I was there there.

1534
01:14:18,680 --> 01:14:20,679
Speaker 1: I can't believe it. I still can't believe it. Thanks,

1535
01:14:20,800 --> 01:14:22,960
Speaker 1: I mean that was all Gus. Gus made it happen. Yeah,

1536
01:14:23,120 --> 01:14:25,360
Speaker 1: thank god to our girl, our baby girl, baby breade,

1537
01:14:25,840 --> 01:14:30,120
Speaker 1: baby bread. No he's not married, but that's what it's like.

1538
01:14:30,240 --> 01:14:33,439
Speaker 2: Breaking news, breaking she's married, breaking gay news on a

1539
01:14:33,479 --> 01:14:39,400
Speaker 2: gay podcast. Yes, ken Worthy a baby bride, more informats.

1540
01:14:39,560 --> 01:14:44,439
Speaker 1: Yeah, you're slaying the transitions into the news. You know

1541
01:14:44,479 --> 01:14:46,360
Speaker 1: what they did tell me on today, They were like,

1542
01:14:46,520 --> 01:14:50,680
Speaker 1: you're so good at transitions. I was like, we're used

1543
01:14:50,720 --> 01:14:54,599
Speaker 1: to doing to doing that. Well, that's because they don't.

1544
01:14:54,680 --> 01:14:58,280
Speaker 1: They feel they don't need to, because you know, I was.

1545
01:14:58,360 --> 01:15:00,519
Speaker 2: I did slay. Are you doing prompt war? By the way,

1546
01:15:00,920 --> 01:15:02,639
Speaker 2: I asked to do prompter wars? And I don't think

1547
01:15:02,640 --> 01:15:03,559
Speaker 2: we're doing it because.

1548
01:15:03,360 --> 01:15:04,080
Speaker 1: Tina just did it.

1549
01:15:04,760 --> 01:15:06,560
Speaker 3: But I'm gonna ask again you need to do I

1550
01:15:06,640 --> 01:15:10,760
Speaker 3: need I want to do the teleprompter is So, did

1551
01:15:10,800 --> 01:15:12,280
Speaker 3: you like tong twisters on the teleprompter? And they go

1552
01:15:12,360 --> 01:15:14,200
Speaker 3: really really fast. It's like it's it's like it's like

1553
01:15:14,200 --> 01:15:16,280
Speaker 3: a battle with like Jenna and like whoever.

1554
01:15:16,320 --> 01:15:21,800
Speaker 1: Well, my dislex I would really kick in hark what tho?

1555
01:15:21,960 --> 01:15:24,160
Speaker 1: Who's to say that's on the board. So what do

1556
01:15:24,320 --> 01:15:28,920
Speaker 1: cares have fun. Let them, let them b f g

1557
01:15:29,280 --> 01:15:32,759
Speaker 1: W Big fact Greek wedding wedding movies.

1558
01:15:32,880 --> 01:15:36,160
Speaker 3: One of the great a comedy breakthrough moment for me

1559
01:15:36,280 --> 01:15:39,000
Speaker 3: was Andrew Martin talking about her the lump on her neck. Yes,

1560
01:15:39,280 --> 01:15:41,639
Speaker 3: that is one of the funniest things in movie history.

1561
01:15:41,920 --> 01:15:53,760
Speaker 1: There was a spider spin inside the lump. What's my twin? Yeah,

1562
01:15:55,080 --> 01:16:04,519
Speaker 1: my twin, Like this is so forever, it's not it's

1563
01:16:04,720 --> 01:16:05,160
Speaker 1: so good.

1564
01:16:05,200 --> 01:16:06,760
Speaker 2: It's good every single time. I remember I went with

1565
01:16:06,840 --> 01:16:10,439
Speaker 2: my Greek grandmother and your mom's side or dad'side. So

1566
01:16:10,520 --> 01:16:11,520
Speaker 2: this is the controversy.

1567
01:16:11,600 --> 01:16:13,439
Speaker 1: Oh yeah, no one, no, no, no, no, but you

1568
01:16:13,479 --> 01:16:13,760
Speaker 1: heard this.

1569
01:16:14,439 --> 01:16:18,479
Speaker 2: So I live my entire life thinking like almost fifty

1570
01:16:18,479 --> 01:16:20,600
Speaker 2: percent Greek, Like that's kind of what the vibe is

1571
01:16:20,680 --> 01:16:22,680
Speaker 2: like my mother's side of the family, Like there's a

1572
01:16:22,720 --> 01:16:24,559
Speaker 2: lot of Greek there. In fact, we had even seen

1573
01:16:24,840 --> 01:16:28,760
Speaker 2: the movie and my my nana, who's now passed, she.

1574
01:16:28,960 --> 01:16:30,040
Speaker 1: Was like, this is my culture.

1575
01:16:30,080 --> 01:16:31,519
Speaker 2: I'm so happy they made a movie about this and

1576
01:16:31,520 --> 01:16:34,439
Speaker 2: it was just a huge success, like et cetera. So

1577
01:16:34,560 --> 01:16:37,280
Speaker 2: then I think, like two years ago, I do the

1578
01:16:37,320 --> 01:16:40,160
Speaker 2: twenty three in me spit in the tube, send it

1579
01:16:40,280 --> 01:16:46,400
Speaker 2: in comes back zero point zero percent Greek, almost forty Turkish.

1580
01:16:47,360 --> 01:16:50,320
Speaker 2: But it's giving me are it's giving right next door, given,

1581
01:16:50,400 --> 01:16:52,479
Speaker 2: right next door, it's giving. Let's just call it a

1582
01:16:52,520 --> 01:16:53,240
Speaker 2: culture clash.

1583
01:16:54,680 --> 01:16:57,720
Speaker 1: Grandma grew up in Greece and my mother's maiden name

1584
01:16:57,800 --> 01:17:05,320
Speaker 1: is Clarita's. Yeah, so it's like very bad diet there, right.

1585
01:17:06,960 --> 01:17:11,240
Speaker 1: But Drew Barrymore hit show, I Love You, You Love Drew.

1586
01:17:12,000 --> 01:17:13,680
Speaker 1: But you know that was so that was like I

1587
01:17:13,720 --> 01:17:16,880
Speaker 1: was gonna, like, thank God that she passed before. I

1588
01:17:16,960 --> 01:17:19,400
Speaker 1: don't think she would have loved the news. Wouldn't have

1589
01:17:19,520 --> 01:17:22,320
Speaker 1: loved it. No, she is Greek. You are Greek though,

1590
01:17:22,400 --> 01:17:24,760
Speaker 1: like that you you come from Greece, That that you,

1591
01:17:25,280 --> 01:17:26,679
Speaker 1: I mean, it's you're there. It's fine.

1592
01:17:26,720 --> 01:17:28,240
Speaker 2: But then so then I looked at a picture of

1593
01:17:28,320 --> 01:17:31,920
Speaker 2: like a Turkish person like Google, like Turkish man, and

1594
01:17:32,080 --> 01:17:35,200
Speaker 2: everything that came was like it was kind of like

1595
01:17:35,479 --> 01:17:37,479
Speaker 2: I got it. I was like, yeah, I think I am.

1596
01:17:38,360 --> 01:17:40,760
Speaker 2: You see it a little bit, you know what I'm saying.

1597
01:17:40,880 --> 01:17:42,599
Speaker 2: I mean, it's so they're so close.

1598
01:17:42,760 --> 01:17:44,960
Speaker 1: I mean it is like my father's village where he

1599
01:17:45,000 --> 01:17:47,559
Speaker 1: grew up is like this tiny little place called cast

1600
01:17:48,120 --> 01:17:51,240
Speaker 1: which is right next to you. Know Albania and Turkey

1601
01:17:51,320 --> 01:17:54,000
Speaker 1: and everything, so it's like do you speak it? Yeah?

1602
01:17:54,120 --> 01:17:59,160
Speaker 1: Oh well that was the best part, A great part

1603
01:17:59,240 --> 01:18:01,600
Speaker 1: now knowing that you like, okay, cool, we're past like

1604
01:18:01,720 --> 01:18:04,080
Speaker 1: Greek school and like totally ship that I had to

1605
01:18:04,160 --> 01:18:06,120
Speaker 1: go through my whole life is that every Sunday, no, no, no,

1606
01:18:06,320 --> 01:18:09,519
Speaker 1: every Tuesday and Thursday now for three hours after America

1607
01:18:09,560 --> 01:18:13,400
Speaker 1: No talk about then having to study for American school,

1608
01:18:13,439 --> 01:18:16,559
Speaker 1: do your homework, and then do Greek homework. I had

1609
01:18:16,600 --> 01:18:18,240
Speaker 1: to tap it. You had to tape it.

1610
01:18:18,800 --> 01:18:22,360
Speaker 3: Well, we had to be depressed record on a VCR

1611
01:18:22,560 --> 01:18:24,920
Speaker 3: for that anyway, No, manually I depressed it.

1612
01:18:25,600 --> 01:18:29,600
Speaker 2: Wow, DHS actually to this I was talking about. This

1613
01:18:29,680 --> 01:18:31,080
Speaker 2: makes me realize I do know my I don't think

1614
01:18:31,120 --> 01:18:41,880
Speaker 2: so honey. Great, okay, I think it's time. I think

1615
01:18:41,920 --> 01:18:43,960
Speaker 2: it's time for I don't think so honey, And this

1616
01:18:44,120 --> 01:18:46,400
Speaker 2: is going to be a throwback. It actually is applicable

1617
01:18:46,439 --> 01:18:48,360
Speaker 2: to all times. By the way, I don't think so

1618
01:18:48,439 --> 01:18:50,240
Speaker 2: honey is our sixty seconds second more we take a

1619
01:18:50,320 --> 01:18:53,599
Speaker 2: minute to rants rail and more against something in culture

1620
01:18:53,680 --> 01:18:54,760
Speaker 2: that deserves.

1621
01:18:54,360 --> 01:18:59,040
Speaker 1: It, and I have that thing. Okay, this is Matt Rogers.

1622
01:18:59,160 --> 01:19:00,960
Speaker 1: I don't think so honey. And as time starts now,

1623
01:19:01,080 --> 01:19:01,840
Speaker 1: I don't think so, honey.

1624
01:19:01,880 --> 01:19:04,360
Speaker 2: People who fast forward and cannot start it on time,

1625
01:19:04,600 --> 01:19:06,759
Speaker 2: and like and when when it comes back from commercial,

1626
01:19:07,520 --> 01:19:11,400
Speaker 2: You've had years now to understand the timing on this

1627
01:19:12,000 --> 01:19:14,080
Speaker 2: and it happened back in the day and it's years

1628
01:19:14,120 --> 01:19:16,080
Speaker 2: and years and years. Because I'm saying it's not just

1629
01:19:16,720 --> 01:19:21,479
Speaker 2: the DVR, it's also rewind culture from from VCR culture.

1630
01:19:21,880 --> 01:19:26,120
Speaker 1: You know, you hit the button to resume a little before.

1631
01:19:28,000 --> 01:19:31,360
Speaker 1: I hate going back, going forth, going back, going forth.

1632
01:19:31,600 --> 01:19:35,280
Speaker 1: I hate it. You know when it's over, I guess

1633
01:19:35,320 --> 01:19:37,000
Speaker 1: you wouldn't know because you have to guess.

1634
01:19:37,400 --> 01:19:40,960
Speaker 2: But like we develop your instincts, developed your internal clock

1635
01:19:41,600 --> 01:19:44,719
Speaker 2: and then like just get it right. Like I hate

1636
01:19:44,840 --> 01:19:48,080
Speaker 2: this about fast forwarding through things. I would rather watch

1637
01:19:48,120 --> 01:19:53,559
Speaker 2: a commercial. Sorry, fuck you. I don't think so, honey.

1638
01:19:54,640 --> 01:19:56,800
Speaker 2: This is Bowen Yang's I don't think so, honey. As

1639
01:19:56,840 --> 01:19:57,720
Speaker 2: time starts now, I.

1640
01:19:57,680 --> 01:20:00,519
Speaker 3: Don't think so, honey. What are the lotions the world

1641
01:20:00,680 --> 01:20:03,599
Speaker 3: doing to help us in any city?

1642
01:20:03,720 --> 01:20:06,519
Speaker 1: Like? Why why can't we have lotions that just work?

1643
01:20:06,720 --> 01:20:10,080
Speaker 1: I'm putting hand cream on and I still have cracked palms.

1644
01:20:10,320 --> 01:20:13,240
Speaker 1: I'm putting lipball, mom, I still have cracked lips.

1645
01:20:13,800 --> 01:20:17,519
Speaker 3: There's there's nothing there's My body is a sponge and

1646
01:20:17,600 --> 01:20:20,519
Speaker 3: there's nothing in the world that can actually hydrate me

1647
01:20:20,560 --> 01:20:24,000
Speaker 3: into its fullest potential. I think this is something that

1648
01:20:24,240 --> 01:20:26,800
Speaker 3: is that is accelerating my age. I think this is

1649
01:20:26,880 --> 01:20:28,680
Speaker 3: something that I thirty seconds, I can't stay on top

1650
01:20:28,720 --> 01:20:32,040
Speaker 3: of it, and then it will eventually it will show

1651
01:20:32,080 --> 01:20:34,160
Speaker 3: in my hands. I there are people out there, you know,

1652
01:20:34,360 --> 01:20:36,400
Speaker 3: you know, the stars out there who are aging from

1653
01:20:36,439 --> 01:20:37,920
Speaker 3: their hands first, and.

1654
01:20:38,000 --> 01:20:40,880
Speaker 1: I think I think I will be one of those people.

1655
01:20:41,160 --> 01:20:43,560
Speaker 1: Want to be one of those stars. You know what

1656
01:20:43,600 --> 01:20:46,400
Speaker 1: I'm talking about. You know who I'm talking about. Don't

1657
01:20:46,439 --> 01:20:49,439
Speaker 1: you know who I'm talking about? Not really aging from

1658
01:20:49,479 --> 01:20:54,920
Speaker 1: their hands first? Marl five second? Sorry life, that's actually

1659
01:20:54,920 --> 01:20:56,760
Speaker 1: a great company. B and I would if I get

1660
01:20:56,840 --> 01:20:59,920
Speaker 1: any closer to being like Marlon Mindel, then you know what, Buffalo?

1661
01:21:00,280 --> 01:21:04,760
Speaker 3: You never help me anyway? Am I the only person

1662
01:21:04,800 --> 01:21:07,679
Speaker 3: who's like, what's the point? Let me see your gorgeous

1663
01:21:07,680 --> 01:21:10,320
Speaker 3: soft Yet first, I don't look at this.

1664
01:21:10,400 --> 01:21:13,439
Speaker 1: Look at how beautiful is hands by. I have a

1665
01:21:13,479 --> 01:21:16,040
Speaker 1: little baby hands like t X hands, the largest hands

1666
01:21:17,000 --> 01:21:23,560
Speaker 1: hands and you you're your cheating my hands. I have

1667
01:21:23,640 --> 01:21:26,920
Speaker 1: the biggest hands here. That means you got hees, he

1668
01:21:27,000 --> 01:21:30,120
Speaker 1: goes have huge chance. What does that mean? Big show

1669
01:21:31,600 --> 01:21:33,360
Speaker 1: and toes. That's what I said about the Greeks.

1670
01:21:35,920 --> 01:21:38,960
Speaker 3: Show it now you know what I mean? Like, what's

1671
01:21:39,040 --> 01:21:42,240
Speaker 3: the point I'm saying? What's I just I put on today?

1672
01:21:42,360 --> 01:21:43,360
Speaker 3: I'm still dry?

1673
01:21:43,560 --> 01:21:46,880
Speaker 1: Yeah talking about look at that and no, you have

1674
01:21:46,960 --> 01:21:51,560
Speaker 1: a gorgeous I just I can't. I don't know what

1675
01:21:53,120 --> 01:21:56,599
Speaker 1: humidity means in terms of like how it affects my body.

1676
01:21:57,000 --> 01:22:00,080
Speaker 2: I I feel like I do think sometimes, like with

1677
01:22:00,160 --> 01:22:02,960
Speaker 2: hand cream and stuff, it's like I wonder if it's

1678
01:22:02,960 --> 01:22:06,840
Speaker 2: a little bit of like once you start using it,

1679
01:22:07,000 --> 01:22:09,240
Speaker 2: you need it right, and that to me makes it

1680
01:22:09,240 --> 01:22:11,720
Speaker 2: feel like a scam. Like sometimes I've been using skincare,

1681
01:22:11,760 --> 01:22:14,840
Speaker 2: it's like sitty. People will compliment me on my skin

1682
01:22:15,000 --> 01:22:16,720
Speaker 2: and I'll be like, oh, I haven't used anything in

1683
01:22:16,800 --> 01:22:19,080
Speaker 2: weeks and months, and then I'll like break out or

1684
01:22:19,080 --> 01:22:20,759
Speaker 2: I'll have skin because I've.

1685
01:22:20,600 --> 01:22:23,040
Speaker 1: Been using like the best products. I don't do anything

1686
01:22:23,080 --> 01:22:26,639
Speaker 1: but put my face under hot water and hot water.

1687
01:22:28,960 --> 01:22:31,439
Speaker 1: I don't do anything but burn off off my face. No,

1688
01:22:31,600 --> 01:22:34,439
Speaker 1: I have I've no in the shower, I literally have.

1689
01:22:34,760 --> 01:22:39,559
Speaker 1: I mean I have a like a washer wash. Because

1690
01:22:39,560 --> 01:22:44,560
Speaker 1: we're Creek. We have skin olive skin tones like a

1691
01:22:44,640 --> 01:22:47,960
Speaker 1: mother like a motherfucker. But I can get pasty as

1692
01:22:48,120 --> 01:22:51,519
Speaker 1: hell during the winter. Everyone's like you, okay the answer

1693
01:22:51,600 --> 01:22:53,320
Speaker 1: is no, and I'm like, yes, I am. I have

1694
01:22:53,439 --> 01:22:58,160
Speaker 1: like gang face, like October through December green. Yeah, that's

1695
01:23:00,080 --> 01:23:02,400
Speaker 1: then like I get you know, go in that sun

1696
01:23:02,479 --> 01:23:04,720
Speaker 1: and yeah, but then what because if you go in

1697
01:23:04,800 --> 01:23:07,200
Speaker 1: the sun too much, that's when. Yeah, but that's when

1698
01:23:07,240 --> 01:23:09,479
Speaker 1: we're gonna get the Lindsay Lohan. I know. I can't wait.

1699
01:23:09,560 --> 01:23:11,640
Speaker 1: Who do we have to We have to find out

1700
01:23:11,680 --> 01:23:14,080
Speaker 1: all this information, so if anybody has information to say,

1701
01:23:14,080 --> 01:23:19,880
Speaker 1: who we have to fuck to get loan face? Jesus Christ,

1702
01:23:20,000 --> 01:23:21,559
Speaker 1: I am going. I'm getting up there and I want

1703
01:23:21,920 --> 01:23:23,280
Speaker 1: I want to be revealed.

1704
01:23:23,280 --> 01:23:25,040
Speaker 2: I don't think you, if you out there know who

1705
01:23:25,120 --> 01:23:26,960
Speaker 2: we have to funk to get the Lindsay Lohan face

1706
01:23:27,080 --> 01:23:30,720
Speaker 2: dial in one eight six six six three.

1707
01:23:31,240 --> 01:23:34,400
Speaker 1: I don't think you. I think you. I think you, like,

1708
01:23:34,640 --> 01:23:38,439
Speaker 1: get into the get into the daddy identity. Okay, we're

1709
01:23:38,439 --> 01:23:39,080
Speaker 1: gonna get you. You.

1710
01:23:39,200 --> 01:23:41,040
Speaker 3: I think out of anybody that I know, has had

1711
01:23:41,080 --> 01:23:44,000
Speaker 3: the best twink to twink death to daddy hood.

1712
01:23:44,439 --> 01:23:47,840
Speaker 1: Honestly, do you remember your twin death? Yeah, it was

1713
01:23:48,600 --> 01:23:51,719
Speaker 1: like a little trauma. Yeah I do. People are posting

1714
01:23:51,760 --> 01:23:54,559
Speaker 1: the twin death photos. The Twink death was. I want

1715
01:23:54,600 --> 01:23:58,519
Speaker 1: to say, when was that? Like right, there's a there's

1716
01:23:58,520 --> 01:24:01,479
Speaker 1: a picture of hairspran Broadway after like after we close

1717
01:24:01,479 --> 01:24:02,960
Speaker 1: and then I did legally blond. Then something happened. I

1718
01:24:03,000 --> 01:24:07,519
Speaker 1: moved to LA and the Twink death was was really

1719
01:24:07,640 --> 01:24:10,760
Speaker 1: hard and I was like bye girl, but like it

1720
01:24:10,920 --> 01:24:11,360
Speaker 1: was wild.

1721
01:24:11,600 --> 01:24:14,800
Speaker 2: The Twink death is the return to Saturn. Yeah, it's

1722
01:24:14,800 --> 01:24:18,320
Speaker 2: your culture number seventeen. Yes, the Twink death isturday and

1723
01:24:18,400 --> 01:24:20,679
Speaker 2: side because I remember mine was also when I moved

1724
01:24:20,680 --> 01:24:24,200
Speaker 2: to La twenty seven, twenty eight. I got to LA

1725
01:24:24,360 --> 01:24:26,639
Speaker 2: and was trying to like do that thing, that twinkie

1726
01:24:26,720 --> 01:24:29,320
Speaker 2: thing of like I tuck my ring or T shirt

1727
01:24:29,400 --> 01:24:31,720
Speaker 2: into my jeans and all of a sudden, it was like, oh,

1728
01:24:32,520 --> 01:24:35,439
Speaker 2: that's not looking like it used to like and then

1729
01:24:35,479 --> 01:24:36,679
Speaker 2: you're like, it's cuz.

1730
01:24:36,880 --> 01:24:39,679
Speaker 1: You're not a dwink anymore. Yeah, it's okay, it's okay.

1731
01:24:40,360 --> 01:24:43,560
Speaker 1: We all have to like a fine wine, yeah, like

1732
01:24:43,640 --> 01:24:45,120
Speaker 1: a fine wine wine wine.

1733
01:24:45,200 --> 01:24:48,439
Speaker 2: All right, so listen, this is speaking of fine wine.

1734
01:24:49,280 --> 01:24:50,840
Speaker 2: We're about to have a fine I don't think so

1735
01:24:50,920 --> 01:24:55,720
Speaker 2: any from kind Oh my god, I'm nervous. Don't have

1736
01:24:55,840 --> 01:24:56,320
Speaker 2: you ever done this?

1737
01:24:56,400 --> 01:24:57,280
Speaker 1: Have have you done a lot?

1738
01:24:57,360 --> 01:24:57,439
Speaker 2: Did?

1739
01:24:57,560 --> 01:24:59,120
Speaker 1: We didn't know you back when we did live show. No,

1740
01:25:00,600 --> 01:25:02,400
Speaker 1: this would have been one for the books.

1741
01:25:02,520 --> 01:25:05,960
Speaker 2: Okay, live, Yeah, that was honestly, Maybe we should bring

1742
01:25:06,000 --> 01:25:07,360
Speaker 2: it back like a special big thing.

1743
01:25:08,120 --> 01:25:11,639
Speaker 1: Maybe that's our Radio City show. Oh yeah, you guys

1744
01:25:11,800 --> 01:25:12,599
Speaker 1: one thousand percent.

1745
01:25:12,680 --> 01:25:14,600
Speaker 2: We don't have a booked anymore, believe Okay, so you

1746
01:25:14,640 --> 01:25:17,200
Speaker 2: want to know the tea We had Radio City Music

1747
01:25:17,280 --> 01:25:20,120
Speaker 2: Hall booked for the Cultural Awards, but because we're doing

1748
01:25:20,120 --> 01:25:21,360
Speaker 2: it on teacocks.

1749
01:25:20,920 --> 01:25:24,560
Speaker 1: It's just like too like cooks in the kitchen. I

1750
01:25:24,600 --> 01:25:24,800
Speaker 1: get it.

1751
01:25:24,960 --> 01:25:26,760
Speaker 2: We're doing it in La at the Orpheum. But we

1752
01:25:26,960 --> 01:25:29,200
Speaker 2: literally had a date for it would have been next month.

1753
01:25:29,680 --> 01:25:31,560
Speaker 2: We were doing it at Radio City Music Hall, And

1754
01:25:31,640 --> 01:25:34,720
Speaker 2: now I'm thinking, let's do I don't think so, honey,

1755
01:25:34,760 --> 01:25:38,040
Speaker 2: of that radio It's fifty people that would and there's

1756
01:25:38,120 --> 01:25:39,479
Speaker 2: not they can all fit on stage.

1757
01:25:40,520 --> 01:25:43,519
Speaker 1: Oh my god, they can all fit on that stage

1758
01:25:43,560 --> 01:25:46,439
Speaker 1: is huge. It's a humongous stage. And also it's Radio City.

1759
01:25:46,439 --> 01:25:47,960
Speaker 1: It's the most iconic place in the world.

1760
01:25:48,320 --> 01:25:50,960
Speaker 2: Well, you know, Giggly Squad sold it out twice and

1761
01:25:51,080 --> 01:25:53,920
Speaker 2: I'm like, okay, so it's possible for two girls that.

1762
01:25:54,000 --> 01:25:56,599
Speaker 1: Have a podcast to do that. That's true, and we're

1763
01:25:56,600 --> 01:26:00,439
Speaker 1: almost that. Yeah, you guys are too fantastic girls.

1764
01:26:01,360 --> 01:26:06,559
Speaker 3: Hey, thanks, Wait a minute, we have one fantastic girl

1765
01:26:06,680 --> 01:26:07,240
Speaker 3: before us.

1766
01:26:07,760 --> 01:26:11,160
Speaker 1: He's about to do it. Any girl stands before me.

1767
01:26:11,720 --> 01:26:13,960
Speaker 1: I only have one phone in my hands. We have

1768
01:26:14,240 --> 01:26:15,520
Speaker 1: ma from hermanas.

1769
01:26:15,520 --> 01:26:20,120
Speaker 2: We have Octavias Spencer in the best of all time,

1770
01:26:20,280 --> 01:26:22,360
Speaker 2: Best of all time, Great Fire Island movie.

1771
01:26:23,040 --> 01:26:25,280
Speaker 1: Honestly, put it on. Put it on the summer. And

1772
01:26:25,840 --> 01:26:27,400
Speaker 1: when are you going? I don't know. We have to

1773
01:26:27,439 --> 01:26:30,759
Speaker 1: figure out in August should we all go together? So August?

1774
01:26:30,880 --> 01:26:33,000
Speaker 1: Anybody want to give us? Do we have something for August?

1775
01:26:33,720 --> 01:26:35,760
Speaker 1: We gave it up because we're going to Petown for

1776
01:26:36,000 --> 01:26:38,880
Speaker 1: a carnival. Wait, we gave it up because it's the

1777
01:26:38,920 --> 01:26:41,840
Speaker 1: same week as the town House. What about July? Maybe

1778
01:26:41,880 --> 01:26:44,360
Speaker 1: I'll go to town I have to just let's just well,

1779
01:26:44,400 --> 01:26:47,599
Speaker 1: well we need to. Yeah, we have to be there again.

1780
01:26:47,760 --> 01:26:49,439
Speaker 1: We have to. It's a must. That would be so fun.

1781
01:26:49,479 --> 01:26:50,160
Speaker 1: It'd be very fun.

1782
01:26:51,080 --> 01:26:54,720
Speaker 3: This I don't think so, honey, I can't wait for

1783
01:26:54,800 --> 01:26:59,639
Speaker 3: that is constantine zulies. I don't think so many time starts. Now, okay,

1784
01:26:59,640 --> 01:27:02,360
Speaker 3: you know what I don't think so honey? Being private

1785
01:27:02,479 --> 01:27:03,120
Speaker 3: on Instagram?

1786
01:27:03,200 --> 01:27:05,559
Speaker 1: Yeah, okay, we're gonna talk about this right now, because

1787
01:27:05,560 --> 01:27:08,160
Speaker 1: if I see you DM me and then I click

1788
01:27:08,200 --> 01:27:10,679
Speaker 1: on your fucking picture and that tiny little fucking picture

1789
01:27:10,840 --> 01:27:13,040
Speaker 1: and there's nothing to go to, and you have eight

1790
01:27:13,160 --> 01:27:15,600
Speaker 1: hundred followers. What are you a Quaker? You can't you

1791
01:27:15,680 --> 01:27:18,920
Speaker 1: can't just be out in public? Then why you on Instagram?

1792
01:27:18,960 --> 01:27:21,479
Speaker 1: I need you to share your life, share everything, Sara.

1793
01:27:21,520 --> 01:27:23,360
Speaker 1: I'm keeping it from my close friends and family. What

1794
01:27:23,600 --> 01:27:25,519
Speaker 1: the two hundred people that you know, why don't you

1795
01:27:25,600 --> 01:27:27,840
Speaker 1: fucking text them? I want to. I want to scan

1796
01:27:28,000 --> 01:27:30,040
Speaker 1: your pictures. I want to creep on you. I want

1797
01:27:30,040 --> 01:27:32,599
Speaker 1: to see exactly who you are. I wanna hear your voice.

1798
01:27:32,760 --> 01:27:35,479
Speaker 1: I want to get the fucking tea because if we're

1799
01:27:35,520 --> 01:27:38,280
Speaker 1: gonna bone, I want to see if you're man enough. Yes,

1800
01:27:38,880 --> 01:27:43,920
Speaker 1: it wasn't mad enough for me. Also, best song I ever? Yeah, yeah,

1801
01:27:43,920 --> 01:27:45,360
Speaker 1: I'm mix house. I know the best section in the

1802
01:27:45,400 --> 01:27:48,360
Speaker 1: world fifteen seconds, but like, seriously, I and then I

1803
01:27:48,400 --> 01:27:50,799
Speaker 1: click on another picture and then it's like this gorgeous

1804
01:27:50,840 --> 01:27:52,559
Speaker 1: group of people and you fucking private and we're never

1805
01:27:52,600 --> 01:27:54,960
Speaker 1: gonna meet because you're never gonna see my DM or

1806
01:27:55,040 --> 01:27:58,280
Speaker 1: my or the message. So it's a lost cause. Okay,

1807
01:27:58,479 --> 01:28:01,439
Speaker 1: so you can choke, get that ship off private and

1808
01:28:01,560 --> 01:28:04,519
Speaker 1: fucking DM me. Thank you so much. And that's one minute.

1809
01:28:04,840 --> 01:28:08,120
Speaker 2: You're so right, Yeah right, I don't I don't know

1810
01:28:08,160 --> 01:28:10,320
Speaker 2: how people expect something to get going when it's like

1811
01:28:10,600 --> 01:28:13,320
Speaker 2: all I can do is like click your little and.

1812
01:28:13,360 --> 01:28:15,960
Speaker 1: It doesn't even Also when it's private, another I don't think,

1813
01:28:16,000 --> 01:28:19,680
Speaker 1: so it doesn't expand no, don't expand see the so

1814
01:28:20,000 --> 01:28:22,160
Speaker 1: and I'm not giving you the follow right away. I

1815
01:28:22,280 --> 01:28:23,920
Speaker 1: gotta see. I gotta see what I'm saying. I got

1816
01:28:24,000 --> 01:28:25,559
Speaker 1: it to the creep of like I'm gonna like two

1817
01:28:25,640 --> 01:28:28,160
Speaker 1: pictures and then you're gonna see it because you're gonna scan.

1818
01:28:28,640 --> 01:28:30,880
Speaker 1: You're gonna make meb to pick me when you're the

1819
01:28:31,600 --> 01:28:33,439
Speaker 1: exactly no way, no way.

1820
01:28:33,680 --> 01:28:36,280
Speaker 2: First of all, just be aware of the pigmies because

1821
01:28:36,360 --> 01:28:38,080
Speaker 2: even if they seem cool, that's what.

1822
01:28:38,439 --> 01:28:40,160
Speaker 1: Yeah, they alway they think they're so cool. I'm like,

1823
01:28:40,439 --> 01:28:43,439
Speaker 1: you're not cool because you're a private. Yeah.

1824
01:28:44,120 --> 01:28:46,200
Speaker 2: Well, here's the thing if you want whatever, If you

1825
01:28:46,280 --> 01:28:47,880
Speaker 2: want to be private, fine you're being I don't think

1826
01:28:47,880 --> 01:28:50,080
Speaker 2: so wady, but whatever. There's also this and a lot

1827
01:28:50,160 --> 01:28:53,080
Speaker 2: of gays that I truly respect. These girls, they'll have

1828
01:28:53,160 --> 01:28:56,000
Speaker 2: a private profile, but then pretty much all of their

1829
01:28:56,080 --> 01:28:57,360
Speaker 2: stories will be close friends.

1830
01:28:57,560 --> 01:28:59,800
Speaker 1: Right, so do that have like your.

1831
01:28:59,720 --> 01:29:03,080
Speaker 2: Little whatever like it can be nothing, but then just

1832
01:29:03,200 --> 01:29:05,880
Speaker 2: like engage with because you can also do grid close.

1833
01:29:05,920 --> 01:29:08,640
Speaker 3: We can do grig exactly, but I keep all the

1834
01:29:08,920 --> 01:29:10,680
Speaker 3: grid posts close friends. If you don't want anyone to

1835
01:29:10,680 --> 01:29:10,960
Speaker 3: see you.

1836
01:29:11,320 --> 01:29:15,200
Speaker 1: Literally private, is I mean in this context, then don't

1837
01:29:15,360 --> 01:29:18,439
Speaker 1: then don't be on Instagram. Then don't be just don't

1838
01:29:18,479 --> 01:29:21,120
Speaker 1: be flirting, don't be suggestive in the d ms with

1839
01:29:21,200 --> 01:29:21,840
Speaker 1: a private.

1840
01:29:21,880 --> 01:29:27,360
Speaker 3: Exactly, very dare this is not quite the same. That

1841
01:29:27,520 --> 01:29:29,439
Speaker 3: is very This is all very justified. My original I

1842
01:29:29,439 --> 01:29:30,880
Speaker 3: don't think the money before I blinked on it and

1843
01:29:31,800 --> 01:29:33,360
Speaker 3: went to oceans because I saw a bottle of.

1844
01:29:33,360 --> 01:29:34,040
Speaker 1: Lotion right there.

1845
01:29:35,880 --> 01:29:37,880
Speaker 3: My god, that I'll give you the idea that would

1846
01:29:38,080 --> 01:29:41,840
Speaker 3: give me the idea because I'm stroking. But my original,

1847
01:29:41,840 --> 01:29:43,599
Speaker 3: I don't think your money was you're on a dating

1848
01:29:43,600 --> 01:29:46,960
Speaker 3: appany of a LinkedIn de private that because I see

1849
01:29:47,000 --> 01:29:48,559
Speaker 3: what you do when where you went to school because

1850
01:29:48,600 --> 01:29:49,439
Speaker 3: it's it's good for me.

1851
01:29:50,240 --> 01:29:52,200
Speaker 1: I'm not going to judge you. What sucks about LinkedIn,

1852
01:29:52,240 --> 01:29:54,599
Speaker 1: which I learned the hard way. People can see when

1853
01:29:54,680 --> 01:29:56,040
Speaker 1: you go look no but you don't know.

1854
01:29:57,360 --> 01:29:59,840
Speaker 3: You log off your linked open a private browser, go

1855
01:30:00,040 --> 01:30:01,560
Speaker 3: their LinkedIn and if if it blocks you, if you

1856
01:30:01,600 --> 01:30:02,960
Speaker 3: have to log it and you got I'm not going

1857
01:30:03,160 --> 01:30:05,439
Speaker 3: that far. I'm not going to like have them see

1858
01:30:05,479 --> 01:30:08,000
Speaker 3: that I viewed their profile, but I wouldn't.

1859
01:30:07,680 --> 01:30:09,840
Speaker 1: Hate that, you know what I mean? Why can't I?

1860
01:30:09,920 --> 01:30:13,320
Speaker 1: Why can't I? Just like I like to do a

1861
01:30:13,360 --> 01:30:15,840
Speaker 1: little stalking. Yeah, I like to creep in like a

1862
01:30:15,920 --> 01:30:17,240
Speaker 1: creepy Cuala as we like to.

1863
01:30:17,240 --> 01:30:20,560
Speaker 2: Call online creepy Crawley. And I love that when you

1864
01:30:20,640 --> 01:30:23,920
Speaker 2: get like fucking busted on by like.

1865
01:30:24,400 --> 01:30:27,800
Speaker 1: Oh okay, I'm sorry, Wow, I don't mind that. I

1866
01:30:27,880 --> 01:30:29,840
Speaker 1: would love to busted on. I say that with Donn

1867
01:30:29,880 --> 01:30:30,559
Speaker 1: bush Hagger tomorrow.

1868
01:30:30,560 --> 01:30:32,519
Speaker 2: You know, when you get busted on, She's like, hey,

1869
01:30:34,720 --> 01:30:36,599
Speaker 2: well I could bust all over this episode.

1870
01:30:37,120 --> 01:30:43,920
Speaker 1: I love you guys, Day one, love you Day day five,

1871
01:30:44,160 --> 01:30:48,360
Speaker 1: Day five, Day five, hate day six, six, maybe day seven?

1872
01:30:48,479 --> 01:30:51,000
Speaker 1: So who cares? Who cares?

1873
01:30:51,160 --> 01:30:56,400
Speaker 2: What this has been fabulous, you're the best Listen June third,

1874
01:30:57,080 --> 01:30:59,840
Speaker 2: he goes back in June fifteenth, they all go out.

1875
01:31:00,400 --> 01:31:05,080
Speaker 2: Unless you make this undeniable, it must continue. You could

1876
01:31:05,880 --> 01:31:08,880
Speaker 2: not see a better show. And the good news for

1877
01:31:08,960 --> 01:31:10,880
Speaker 2: you if you are international is.

1878
01:31:11,200 --> 01:31:12,320
Speaker 1: Trump's not your president.

1879
01:31:12,600 --> 01:31:16,759
Speaker 2: And also you can probably see tight Sandney Harris London

1880
01:31:18,080 --> 01:31:19,400
Speaker 2: where in Australia, Sydney.

1881
01:31:19,160 --> 01:31:23,639
Speaker 1: Sydney, And we're gonna we're going to Brazil in October.

1882
01:31:26,479 --> 01:31:34,320
Speaker 1: Baby yeah, performer the COPA like I hope soon two

1883
01:31:34,320 --> 01:31:37,639
Speaker 1: point five million. I would love to see that. We're

1884
01:31:37,680 --> 01:31:39,360
Speaker 1: going to be in some polo and then we're going

1885
01:31:39,400 --> 01:31:41,000
Speaker 1: to take a trip to Rio. So just maybe come

1886
01:31:41,200 --> 01:31:45,559
Speaker 1: where you guys? When when? When? When? October? Something early October.

1887
01:31:50,320 --> 01:31:54,320
Speaker 3: I know there's like so much gay ship to talk about,

1888
01:31:54,320 --> 01:31:56,559
Speaker 3: a gay ship to talk about. A Seleen song came

1889
01:31:56,640 --> 01:31:58,240
Speaker 3: on on my way here and I can't believe it

1890
01:31:58,360 --> 01:31:58,840
Speaker 3: even tell.

1891
01:31:58,720 --> 01:32:00,679
Speaker 1: You which wanted to be this? Let me said, okay,

1892
01:32:00,760 --> 01:32:06,880
Speaker 1: let's go. I surrender a surrener remy.

1893
01:32:11,000 --> 01:32:11,760
Speaker 2: H reach you.

1894
01:32:13,280 --> 01:32:22,879
Speaker 1: Hallo, you and me A thousand dreams Henri Uni.

1895
01:32:25,160 --> 01:32:26,240
Speaker 2: Oh d m.

1896
01:32:31,160 --> 01:32:36,360
Speaker 1: Hi Serrano Wow to hear that song. Go to Titanique

1897
01:32:36,560 --> 01:32:46,320
Speaker 1: close in June fifteenth. Maybe Bye, Last Culturists is the

1898
01:32:46,320 --> 01:32:48,719
Speaker 1: production by Will Ferrell's Big Money Players in My Heart Radio.

1899
01:32:48,560 --> 01:32:51,960
Speaker 2: Podcasts, Created and hosted by Matt Rogers and Bowen Ye,

1900
01:32:52,240 --> 01:32:55,080
Speaker 2: executive produced by Anna Hasnier and produced.

1901
01:32:54,760 --> 01:32:57,439
Speaker 3: By Beck Ramos, Edited mixed by Doug Bamm and Niko

1902
01:32:57,520 --> 01:32:59,839
Speaker 3: Board and our music is by Henry Komirski.

1903
01:33:01,640 --> 01:33:02,519
Speaker 1: I'm Still Looking