1 00:00:01,200 --> 00:00:05,520 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:06,000 --> 00:00:15,200 Speaker 1: Bobby Bone. So I'm assuming that people are doing this 3 00:00:15,240 --> 00:00:16,840 Speaker 1: the right way and they're here listening to this after 4 00:00:16,880 --> 00:00:19,800 Speaker 1: the post after the regular show, right, yeah, Eddi's Mike's 5 00:00:19,840 --> 00:00:22,640 Speaker 1: not on yellow. Don't you have a button over there? 6 00:00:22,640 --> 00:00:25,120 Speaker 1: You can It doesn't work. I've tried it. I think 7 00:00:25,160 --> 00:00:29,960 Speaker 1: it's Mike's way of just controlling me. Lunchbox is hopefully 8 00:00:30,040 --> 00:00:32,279 Speaker 1: going to be on Jerry duty. What do we have 9 00:00:32,520 --> 00:00:35,760 Speaker 1: an update from him? Scooba Steve So, last I talked 10 00:00:35,760 --> 00:00:38,640 Speaker 1: to him, they were trying. They were, I guess casting 11 00:00:38,640 --> 00:00:44,280 Speaker 1: for six different casting it's a show for six different trials, 12 00:00:44,600 --> 00:00:47,960 Speaker 1: and then they downed do four different trials. And last 13 00:00:47,960 --> 00:00:50,199 Speaker 1: time I spoke with him, he hasn't been picked yet, 14 00:00:50,200 --> 00:00:54,040 Speaker 1: but they're still in the selection process. I mean, you 15 00:00:54,080 --> 00:00:57,320 Speaker 1: have to get picked, right. No, you don't always have 16 00:00:57,400 --> 00:01:00,200 Speaker 1: to get picked right. I'm saying odds are like you 17 00:01:00,240 --> 00:01:03,160 Speaker 1: have to get picked. You probably most of the time 18 00:01:03,200 --> 00:01:04,720 Speaker 1: don't want to get picked. I remember I wasn't there. 19 00:01:04,760 --> 00:01:06,280 Speaker 1: There were like number twenty two and I was like, 20 00:01:06,560 --> 00:01:09,120 Speaker 1: son of a gun. And that's because what it's just 21 00:01:09,160 --> 00:01:11,400 Speaker 1: gonna like you could be gone for a week. Yeah, 22 00:01:11,440 --> 00:01:14,280 Speaker 1: you could be gone for a day, two day, three day. 23 00:01:14,440 --> 00:01:17,520 Speaker 1: You could even do four days, possibly five, there's a 24 00:01:17,600 --> 00:01:20,200 Speaker 1: chance six. But that's a good mix in your life though, right, 25 00:01:20,200 --> 00:01:22,319 Speaker 1: like maybe a week. What do you mean a mix? Well, 26 00:01:22,360 --> 00:01:23,679 Speaker 1: you know, you got to work every day, you do 27 00:01:23,720 --> 00:01:26,039 Speaker 1: the same things, but all of a sudden it's changing. 28 00:01:26,080 --> 00:01:28,200 Speaker 1: I want to be a juror. Sometimes you got work 29 00:01:28,200 --> 00:01:31,000 Speaker 1: you have to do. Yeah, it's a big eddie. If 30 00:01:31,040 --> 00:01:33,679 Speaker 1: you had to be a juror and we just did 31 00:01:33,760 --> 00:01:35,280 Speaker 1: none of your work and we were like, Okay, i'll 32 00:01:35,280 --> 00:01:37,160 Speaker 1: meet you when you get back. No, No, that'd be tough. 33 00:01:37,480 --> 00:01:39,399 Speaker 1: I wouldn't want to do that. I understand that. But 34 00:01:39,560 --> 00:01:41,600 Speaker 1: a little little spice in your life and you're a 35 00:01:41,640 --> 00:01:46,040 Speaker 1: juror for a week kind of sounds interesting. Boring his 36 00:01:46,120 --> 00:01:48,480 Speaker 1: crap and you've never enjoyed it. Never, I've never been 37 00:01:48,520 --> 00:01:51,160 Speaker 1: asked to do me neither. Never did you guys check 38 00:01:51,200 --> 00:01:55,280 Speaker 1: your mail? Yes? Non, says no Mike. Of you, I've 39 00:01:55,320 --> 00:01:57,200 Speaker 1: been selected, but I was in college. I got out 40 00:01:57,240 --> 00:01:59,600 Speaker 1: of it, So none of you guys have ever done Wow, 41 00:02:00,800 --> 00:02:03,000 Speaker 1: And I tried to use the whole card. Oh no, 42 00:02:03,080 --> 00:02:07,680 Speaker 1: you want to do it? So that's what we have, Scoop, 43 00:02:07,720 --> 00:02:11,280 Speaker 1: But he hasn't been cast for a show yet. He's 44 00:02:11,280 --> 00:02:14,440 Speaker 1: actually calling me right now, so hold on one second. Okay, 45 00:02:14,680 --> 00:02:16,640 Speaker 1: we'll get it out. I'm sure you can hear him 46 00:02:16,639 --> 00:02:19,519 Speaker 1: in the background beaking of shows. Hasn't even watched Outer Banks, 47 00:02:19,760 --> 00:02:22,800 Speaker 1: not yet? Yes, that's what I'm saying. Have you watched 48 00:02:22,840 --> 00:02:26,320 Speaker 1: it at all? Yes? Did you like it? Here's the thing, 49 00:02:26,800 --> 00:02:29,360 Speaker 1: I'm not I gauge it whether I liked it at 50 00:02:29,360 --> 00:02:32,320 Speaker 1: the time, but I'm not super excited about jumping into 51 00:02:32,360 --> 00:02:34,359 Speaker 1: the new season that's come out, So I'm like, did 52 00:02:34,400 --> 00:02:36,200 Speaker 1: I even really like it or did I like it 53 00:02:36,200 --> 00:02:39,160 Speaker 1: because of all the hype surrounding it? Let me tell 54 00:02:39,160 --> 00:02:41,919 Speaker 1: you I enjoyed it. You know, it was one of 55 00:02:41,960 --> 00:02:44,800 Speaker 1: those it's dumb, dude, It's it's dumb as crap. It's cheesy, 56 00:02:45,000 --> 00:02:48,079 Speaker 1: but it's a mystery, and so it would be like 57 00:02:48,120 --> 00:02:50,520 Speaker 1: a Gooney, a modern day Goonies where these kids are 58 00:02:50,560 --> 00:02:53,240 Speaker 1: trying to solve a mystery and find something. I'm just 59 00:02:53,240 --> 00:02:54,679 Speaker 1: wondering if I should get into it or if I 60 00:02:54,720 --> 00:02:56,880 Speaker 1: would hate it because Kayl and I are looking for 61 00:02:56,919 --> 00:03:00,680 Speaker 1: a show right now. It wouldn't like I enjoyed it, 62 00:03:01,360 --> 00:03:03,320 Speaker 1: but I wouldn't recommend it to anybody. And I just 63 00:03:03,360 --> 00:03:05,720 Speaker 1: finished season two, but I enjoyed it. He said, did 64 00:03:05,720 --> 00:03:09,880 Speaker 1: you like season two? It goes away? I like season 65 00:03:09,919 --> 00:03:13,960 Speaker 1: one better. Okay, it's very like teenage drama. Oh I 66 00:03:13,960 --> 00:03:16,280 Speaker 1: don't like that, you know, I feel creepy watching that stuff. 67 00:03:16,360 --> 00:03:18,919 Speaker 1: I agree, I agree, But after a while you forget 68 00:03:18,919 --> 00:03:20,880 Speaker 1: about all that. You're just you're just trying to find 69 00:03:20,919 --> 00:03:22,920 Speaker 1: out what's going to happen next. And we give Lunchbox 70 00:03:23,000 --> 00:03:27,119 Speaker 1: such a hard time for liking Teen Mom because we're like, hey, 71 00:03:27,120 --> 00:03:29,040 Speaker 1: that's creepy. And I watched an episode of Team Mom 72 00:03:29,040 --> 00:03:31,400 Speaker 1: are sixteen and pregnant and I felt weird about it. 73 00:03:31,520 --> 00:03:35,080 Speaker 1: Did you know what you would love about it? Chip Eston? Yeah, 74 00:03:35,320 --> 00:03:38,680 Speaker 1: is in it, and he plays the meanest dude he's 75 00:03:39,080 --> 00:03:42,360 Speaker 1: ever and it's so unlike him because we know him 76 00:03:42,360 --> 00:03:44,600 Speaker 1: as a person. You watch it, you're like, whoa, he's 77 00:03:44,640 --> 00:03:47,320 Speaker 1: freaking me out right now? Really? Yes, he plays a 78 00:03:47,360 --> 00:03:52,160 Speaker 1: bad guy, a mean, mean, mean person. On Movie Mike's 79 00:03:52,200 --> 00:03:56,000 Speaker 1: movie podcast, It's Up Today, Mike's topic is what's a 80 00:03:56,040 --> 00:04:01,280 Speaker 1: movie you love but only needed to watch once? A movie? 81 00:04:02,000 --> 00:04:04,800 Speaker 1: What is yours? Curious? Case of Benjamin Button. It's a 82 00:04:04,800 --> 00:04:07,080 Speaker 1: good one. I love that movie. But there's no way 83 00:04:07,080 --> 00:04:09,720 Speaker 1: I'm gonna watch against three hours long. It's too much. 84 00:04:10,040 --> 00:04:12,800 Speaker 1: You well, now I'm thinking I would go with her. 85 00:04:14,360 --> 00:04:17,200 Speaker 1: The GAF falls in Love the Operating System. Loved it? 86 00:04:17,680 --> 00:04:19,760 Speaker 1: Did I just I thought it was so good. I 87 00:04:19,800 --> 00:04:21,680 Speaker 1: don't need to watch it again. Loved it. There are 88 00:04:21,720 --> 00:04:23,560 Speaker 1: a lot of movies I liked don't want to watch again. 89 00:04:23,760 --> 00:04:26,760 Speaker 1: You know. Calin started watching that, the old movie The 90 00:04:26,880 --> 00:04:34,360 Speaker 1: Queen That Yeah, and I had seen it a long 91 00:04:34,360 --> 00:04:35,840 Speaker 1: time ago, but she had it on yesterday we got 92 00:04:35,839 --> 00:04:38,120 Speaker 1: back from Arkansas and she was watching to say, this 93 00:04:38,160 --> 00:04:40,120 Speaker 1: is really good. I remember it being really good, but 94 00:04:40,160 --> 00:04:42,160 Speaker 1: I don't want to watch it again. I guess I 95 00:04:42,200 --> 00:04:43,880 Speaker 1: don't know if she popped in my head Saving Private 96 00:04:43,960 --> 00:04:46,080 Speaker 1: Ryan really good, but I don't need to see it again. 97 00:04:46,960 --> 00:04:49,159 Speaker 1: I'll watch it if it's on TV, I'll watch it. Mike, 98 00:04:49,200 --> 00:04:51,680 Speaker 1: do you have one? Yeah, joker. I saw it once 99 00:04:51,680 --> 00:04:54,040 Speaker 1: in theaters. Loved it, but we'll never watch it again. 100 00:04:54,320 --> 00:04:56,760 Speaker 1: Some of the listeners sent in stuff like a Star 101 00:04:56,920 --> 00:05:00,600 Speaker 1: is Born, Passion of the Christ, Dear Zachary, Oh yeah, 102 00:05:00,600 --> 00:05:03,159 Speaker 1: you're Zachary, watch that again? To see that one. Don't 103 00:05:03,160 --> 00:05:06,400 Speaker 1: ever watch just watch it, watch it, don't watch it, 104 00:05:06,480 --> 00:05:10,520 Speaker 1: don't watch that. Yeah, that is a rough one. The 105 00:05:10,680 --> 00:05:14,560 Speaker 1: Queen has a ninety six percent rating by the critics 106 00:05:14,560 --> 00:05:18,080 Speaker 1: and a seventy percent rating by the audience with Helen Mirren. 107 00:05:18,640 --> 00:05:21,320 Speaker 1: So if that's the Queen, what's the show on Netflix 108 00:05:21,360 --> 00:05:25,480 Speaker 1: that I've watched? Some of The Crown, The Crown, got It, 109 00:05:26,279 --> 00:05:30,200 Speaker 1: got It, got It about the same royal family. Well, yeah, 110 00:05:30,200 --> 00:05:33,560 Speaker 1: thank you, Yeah, Scuba. Is there anything you want to 111 00:05:33,560 --> 00:05:35,920 Speaker 1: share or no, he's on recess. That's all I can 112 00:05:35,960 --> 00:05:40,520 Speaker 1: say at the moment he's in. That's all you can 113 00:05:40,680 --> 00:05:43,400 Speaker 1: That's all you're allowed to say. You know more, but 114 00:05:43,520 --> 00:05:45,719 Speaker 1: you can't say I have a little more information, but 115 00:05:45,760 --> 00:05:48,640 Speaker 1: I can't say text it to me. Okay, can you 116 00:05:48,680 --> 00:05:52,120 Speaker 1: text it to me? Yeah, just don't say anything. Okay 117 00:05:54,480 --> 00:06:00,560 Speaker 1: has been arrested. Oh did he tell the judge that thing? Never? Yeah, 118 00:06:00,839 --> 00:06:10,159 Speaker 1: you know, you're dismissed. Let's see. Amy has suggested a 119 00:06:10,160 --> 00:06:13,320 Speaker 1: bit of a pet peeve off where we submit pet 120 00:06:13,360 --> 00:06:16,600 Speaker 1: peeves about people on the show anonymously and we all 121 00:06:16,600 --> 00:06:21,559 Speaker 1: guess the pet peeves about I mean, sounds fun until 122 00:06:21,560 --> 00:06:23,719 Speaker 1: it's you. I say, we just do it. What's okay? 123 00:06:23,760 --> 00:06:25,719 Speaker 1: I think you probably know I know something I do 124 00:06:25,800 --> 00:06:28,480 Speaker 1: that's super annoying to all of y'all. Let's let's do 125 00:06:28,520 --> 00:06:34,920 Speaker 1: it not anonymously. What so you just come up and say, yeah, 126 00:06:35,040 --> 00:06:38,600 Speaker 1: like with Eddie. Eddie will start with you. Well, I 127 00:06:38,640 --> 00:06:40,320 Speaker 1: have to have a note. We'll go, we'll do our 128 00:06:40,320 --> 00:06:42,640 Speaker 1: pet peeves about you, everyone around the room about me. 129 00:06:42,920 --> 00:06:45,000 Speaker 1: Oh great, this is gonna make me feel really good. 130 00:06:45,120 --> 00:06:46,360 Speaker 1: You get to be first and get it over with 131 00:06:48,000 --> 00:06:50,760 Speaker 1: pet peeves about Eddie. Amy, go ahead. Well, I don't 132 00:06:50,800 --> 00:06:53,120 Speaker 1: know how to sum it up, but I feel like 133 00:06:53,160 --> 00:06:55,640 Speaker 1: maybe Bobby you'll know. No, it's just that I don't 134 00:06:55,680 --> 00:06:57,640 Speaker 1: know how to say it, but maybe Bobby you will. 135 00:06:57,920 --> 00:07:00,800 Speaker 1: But it's like he always he always that's something that's 136 00:07:00,960 --> 00:07:04,159 Speaker 1: or like stop that is not the truth, Like he 137 00:07:04,240 --> 00:07:06,719 Speaker 1: just puts a spin on it in like a positive 138 00:07:06,720 --> 00:07:10,800 Speaker 1: way start football recruit sometimes that or just kind of 139 00:07:10,840 --> 00:07:13,120 Speaker 1: how I don't know how to explain it, but I 140 00:07:13,120 --> 00:07:14,520 Speaker 1: feel like we have to call him out a lot 141 00:07:14,560 --> 00:07:20,800 Speaker 1: for being like okay, stops being he exaggerated and a 142 00:07:20,960 --> 00:07:27,000 Speaker 1: positive like feel good better than I really am. Okay, Okay, 143 00:07:27,120 --> 00:07:33,440 Speaker 1: there's something what about you I don't want to be 144 00:07:33,480 --> 00:07:37,840 Speaker 1: involved in this. Um. Sorry, I was going to be 145 00:07:37,880 --> 00:07:42,080 Speaker 1: constructive criticism Eddie. Whenever I ask him to do videos 146 00:07:42,240 --> 00:07:44,280 Speaker 1: sometimes he gets sassy with me and doesn't want to 147 00:07:44,280 --> 00:07:48,320 Speaker 1: do the videos. Do I do them? You do them, 148 00:07:48,320 --> 00:07:51,960 Speaker 1: but you're still sassy with me. So that's what you're like. 149 00:07:51,960 --> 00:07:54,640 Speaker 1: I don't want to do that today, Raymond. Don't watch 150 00:07:54,640 --> 00:07:57,680 Speaker 1: you pet people with Eddie. I would say. His texting 151 00:07:57,680 --> 00:08:01,080 Speaker 1: in the past couple of years has become lower to aware. 152 00:08:01,200 --> 00:08:03,760 Speaker 1: I mean it's for maybe sometimes for our podcast or whatever. 153 00:08:03,920 --> 00:08:06,480 Speaker 1: He won't respond for three days if it's a weekend, 154 00:08:06,680 --> 00:08:08,200 Speaker 1: good luck trying to get a hold of him. So 155 00:08:08,480 --> 00:08:10,920 Speaker 1: most people can do texts every day for Eddie, I 156 00:08:10,920 --> 00:08:14,120 Speaker 1: guess that's too much. I don't know. It's a work thing. 157 00:08:14,200 --> 00:08:16,840 Speaker 1: Like if it's the weekend and there's no really work 158 00:08:16,880 --> 00:08:18,440 Speaker 1: that needs to be done at that moment, I'm not 159 00:08:18,440 --> 00:08:21,360 Speaker 1: going to respond. I'll respond to that on Monday. Mine 160 00:08:21,360 --> 00:08:24,240 Speaker 1: to you is sometimes you're just too good of a friend, Bud. Okay, 161 00:08:24,920 --> 00:08:29,080 Speaker 1: that doesn't count. Sometimes it is. But what's your pet 162 00:08:29,120 --> 00:08:33,440 Speaker 1: peeve with me? Eddie? Argumentative? No, I just gave you 163 00:08:33,480 --> 00:08:36,319 Speaker 1: a good one. Why did you do that though, give 164 00:08:36,360 --> 00:08:39,559 Speaker 1: a real one, give a real one. I don't know 165 00:08:39,600 --> 00:08:44,719 Speaker 1: that I have a pet peeve for this. No, he 166 00:08:44,760 --> 00:08:49,360 Speaker 1: does think about this. Then Eddie's characteristic traits. I think 167 00:08:49,600 --> 00:08:53,400 Speaker 1: Eddie and I for the most part, when he gets cranky, 168 00:08:53,400 --> 00:08:59,600 Speaker 1: he gets mean mean. Yeah, I would call that just cranky. Yeah, 169 00:08:59,640 --> 00:09:05,280 Speaker 1: but because I'm always happy, Hey, don't fight back. I'm 170 00:09:05,320 --> 00:09:10,920 Speaker 1: searching for something here. Let me see Eddie's characteristic traits again. 171 00:09:10,960 --> 00:09:14,319 Speaker 1: I've said this before. I think that we get along well, 172 00:09:14,440 --> 00:09:16,040 Speaker 1: especially on the road all the time, because he's just 173 00:09:16,080 --> 00:09:18,280 Speaker 1: a tight bee hang loose kind of guy. I'll go 174 00:09:18,280 --> 00:09:20,840 Speaker 1: with the flow, and I am not I am this 175 00:09:20,920 --> 00:09:22,599 Speaker 1: is what we're doing. This is the schedule, this is 176 00:09:22,600 --> 00:09:23,880 Speaker 1: what we need to be have done by by bad 177 00:09:23,920 --> 00:09:26,760 Speaker 1: bad dah badah boo. And that works because that's how 178 00:09:26,800 --> 00:09:31,880 Speaker 1: we naturally are. You're not late anymore. Nope, that's done. 179 00:09:31,880 --> 00:09:35,520 Speaker 1: He used to be a thing. Sometimes you answer the 180 00:09:35,520 --> 00:09:38,280 Speaker 1: phone on the toilet, which is gross. Would that be one? 181 00:09:38,360 --> 00:09:42,439 Speaker 1: He answer his FaceTime on the work stuff? But oh, 182 00:09:42,760 --> 00:09:45,640 Speaker 1: but I don't have anything. He's here. Oh ye, Eddie, 183 00:09:45,640 --> 00:09:49,640 Speaker 1: you're the perfect person to work. He's here. In the 184 00:09:49,679 --> 00:09:52,880 Speaker 1: first half of people that get here, like in the 185 00:09:53,000 --> 00:09:56,080 Speaker 1: room in the morning. Me Morgan number two are often 186 00:09:56,120 --> 00:09:59,040 Speaker 1: here than Eddie's the next one in. I feel like 187 00:09:59,120 --> 00:10:00,680 Speaker 1: Eddie and I get there at this same time. No, 188 00:10:00,800 --> 00:10:03,960 Speaker 1: Eddie beats nine percent of the time. Yeah, with you, 189 00:10:04,600 --> 00:10:06,640 Speaker 1: I see you on the road a lot, so I 190 00:10:06,720 --> 00:10:11,080 Speaker 1: roll in with you all the time. Um, So I 191 00:10:11,080 --> 00:10:12,760 Speaker 1: don't know, So I don't have anything, all right, I'll 192 00:10:12,760 --> 00:10:14,559 Speaker 1: try moving on. Thank you. Go to me. Yeah, I 193 00:10:14,559 --> 00:10:17,760 Speaker 1: already told you you you're just argumentative. I mean, if 194 00:10:17,800 --> 00:10:19,760 Speaker 1: I'm going to get into a deep discussion with you, 195 00:10:19,920 --> 00:10:22,640 Speaker 1: I'm prepared. Like, here we go. He's gonna counter with 196 00:10:22,720 --> 00:10:25,280 Speaker 1: like five five things coming back at me. So I 197 00:10:25,320 --> 00:10:27,120 Speaker 1: just gotta be prepared with that. And that's it. It's 198 00:10:27,160 --> 00:10:31,079 Speaker 1: not it's not like a just an easy going conversation. 199 00:10:31,120 --> 00:10:32,560 Speaker 1: Usually it's gonna be like all right, and get ready 200 00:10:32,559 --> 00:10:34,560 Speaker 1: because there's gonna be a counter not all the time, 201 00:10:34,640 --> 00:10:36,679 Speaker 1: not all the time, but whenever we're getting into a 202 00:10:36,760 --> 00:10:39,080 Speaker 1: deep conversation that I know that we have some kind 203 00:10:39,120 --> 00:10:42,320 Speaker 1: of disagreement on, that's it. But it's not that bad. 204 00:10:42,480 --> 00:10:44,240 Speaker 1: So you're pet peeple with me as I speak my mind, 205 00:10:44,280 --> 00:10:47,960 Speaker 1: your argumentative. That's it. Go ahead, Amy, um, right, now 206 00:10:48,000 --> 00:10:52,400 Speaker 1: it would be you say fantastic a lot. It's it's 207 00:10:52,400 --> 00:10:54,120 Speaker 1: your new words. So that's fine. I mean, that's not 208 00:10:54,160 --> 00:10:56,840 Speaker 1: really a pet peeve. But I just noticed that the 209 00:10:57,000 --> 00:11:03,520 Speaker 1: fan fantastic. But other than that fantastic one, it's fantastic. Yeah, 210 00:11:03,840 --> 00:11:05,480 Speaker 1: but I do that too. When I get a new word, 211 00:11:05,520 --> 00:11:09,000 Speaker 1: I'm like using it. Ray. Yeah, these are gonna be 212 00:11:09,000 --> 00:11:10,760 Speaker 1: really petty, but I don't think you'll take offense to 213 00:11:10,800 --> 00:11:12,760 Speaker 1: either one of them. It's just too phrase yet too. 214 00:11:16,480 --> 00:11:18,439 Speaker 1: Let's be real, you talk for five hours a day. 215 00:11:18,520 --> 00:11:20,959 Speaker 1: I probably have a million things that arenoying that I say, 216 00:11:20,960 --> 00:11:23,600 Speaker 1: but yours. The two that just to me personally is 217 00:11:23,600 --> 00:11:25,880 Speaker 1: when you say right. I get like it's just more 218 00:11:25,920 --> 00:11:28,600 Speaker 1: of like a upper management type thing where it's like, hey, so, 219 00:11:28,800 --> 00:11:30,240 Speaker 1: I mean, so this is how the company needs to 220 00:11:30,240 --> 00:11:32,200 Speaker 1: be run. Right. I don't know. I just I hate 221 00:11:32,200 --> 00:11:34,600 Speaker 1: when people add the right. It ends the sentences. But 222 00:11:34,600 --> 00:11:36,960 Speaker 1: but it's fine, you use it, Please continue to use it. 223 00:11:37,000 --> 00:11:39,560 Speaker 1: I've never noticed that. I'll work on that though. That's 224 00:11:39,600 --> 00:11:41,560 Speaker 1: a good one. I'll work on that. And then the 225 00:11:41,600 --> 00:11:43,960 Speaker 1: other one is very small as well. Um, for whatever reason, 226 00:11:44,000 --> 00:11:46,439 Speaker 1: this isn't even a real thing. It's just in my head. 227 00:11:46,480 --> 00:11:49,280 Speaker 1: Whenever people say the phrase, does that make sense? It 228 00:11:49,640 --> 00:11:54,080 Speaker 1: kind of seems kind of semo, does that? Does that 229 00:11:54,080 --> 00:11:57,160 Speaker 1: make sense? You got to make sense? Now. Sometimes it doesn't, though, 230 00:11:57,160 --> 00:11:58,439 Speaker 1: and I feel like I need to explain it in 231 00:11:58,440 --> 00:12:01,560 Speaker 1: a different way. No, it's for you. It works, but 232 00:12:01,720 --> 00:12:04,199 Speaker 1: in my head, for whatever reason, whenever somebody maybe it's 233 00:12:04,200 --> 00:12:06,400 Speaker 1: not even you specifically, but just that phrase gets to 234 00:12:06,400 --> 00:12:08,280 Speaker 1: me when it's it sounds like somebody's talking down to 235 00:12:08,320 --> 00:12:10,880 Speaker 1: you a little bit, but it's really not, because you're 236 00:12:10,880 --> 00:12:13,559 Speaker 1: really just a sense. Oh. I never saw it a 237 00:12:13,600 --> 00:12:16,199 Speaker 1: condescending but I don't, right, but that, but that does 238 00:12:16,280 --> 00:12:19,760 Speaker 1: make sense to me that it could feel condescending. I agree. Now, 239 00:12:20,320 --> 00:12:23,400 Speaker 1: I've never thought of that being a condescending phrase. I've 240 00:12:23,440 --> 00:12:25,439 Speaker 1: always been it like, am I explaining it in such 241 00:12:25,440 --> 00:12:28,120 Speaker 1: a stupid way that it doesn't make sense too? And 242 00:12:28,200 --> 00:12:31,920 Speaker 1: I probably am. But that's an interesting perspective because being 243 00:12:32,000 --> 00:12:37,719 Speaker 1: condescending is that is easily interpreted as that. That's good 244 00:12:37,720 --> 00:12:40,800 Speaker 1: for me to know that make sense? Does that make sense? 245 00:12:42,000 --> 00:12:45,760 Speaker 1: I think it's inflection because you know, maybe because hey, 246 00:12:45,960 --> 00:12:48,120 Speaker 1: does that make sense? Are you being condescending? No? Not 247 00:12:48,160 --> 00:12:49,959 Speaker 1: at all. Yeah, I'm like, did I just explain it 248 00:12:50,000 --> 00:12:52,040 Speaker 1: in a way where only because because Caitlin tells me 249 00:12:52,080 --> 00:12:54,600 Speaker 1: all the time. Hey, sometimes you have a conversation and 250 00:12:54,640 --> 00:12:57,120 Speaker 1: then you say the second half out loud or a 251 00:12:57,200 --> 00:12:59,600 Speaker 1: sentence when my head I've gone through half of it already. 252 00:12:59,600 --> 00:13:01,400 Speaker 1: Then I'm like, yeah, and so it's blue. What do 253 00:13:01,400 --> 00:13:03,280 Speaker 1: you think? And She's like, what are you talking about? 254 00:13:04,160 --> 00:13:06,120 Speaker 1: And so I know I do that. Sometimes my mind 255 00:13:06,200 --> 00:13:09,360 Speaker 1: raises a bit too fast. I talked to you fast, huh. 256 00:13:09,400 --> 00:13:16,319 Speaker 1: But I will work on that, fantastic Morgan, go ahead, um, 257 00:13:16,360 --> 00:13:20,760 Speaker 1: I would say, you will. You will tell me something, 258 00:13:21,400 --> 00:13:24,280 Speaker 1: but then you'll forget about it, and then you'll tell 259 00:13:24,280 --> 00:13:27,839 Speaker 1: me something different, like you forgot about what you had 260 00:13:27,840 --> 00:13:31,280 Speaker 1: said at first. Then I'm like, which one is it? 261 00:13:31,440 --> 00:13:34,360 Speaker 1: I don't know because you'll forget which one. But most 262 00:13:34,400 --> 00:13:37,640 Speaker 1: of the time it's the later one. Yeah, I don't 263 00:13:37,640 --> 00:13:40,480 Speaker 1: remember any of that stuff. I had a bad memory 264 00:13:40,559 --> 00:13:44,720 Speaker 1: these days. All right, let's go to Amy. I feel 265 00:13:44,760 --> 00:13:46,480 Speaker 1: like Scoopa would have good ones about all of us. 266 00:13:46,520 --> 00:13:49,920 Speaker 1: By the way, this is your bit that you suggested. 267 00:13:49,960 --> 00:13:52,240 Speaker 1: I know, and I'm ready for it. But scupa, he 268 00:13:52,280 --> 00:13:55,520 Speaker 1: has to oh you mean good ones? Not good ones. Yeah, yeah, 269 00:13:55,960 --> 00:13:57,800 Speaker 1: he would have good pet pete. You would have of 270 00:13:57,840 --> 00:14:02,600 Speaker 1: us quality content pet pete. Not nice things to say exactly. Okay, 271 00:14:02,600 --> 00:14:03,920 Speaker 1: we'll go to scoop at the end to go around 272 00:14:03,920 --> 00:14:06,440 Speaker 1: the room. Okay, all right, what about what's what's your pet? People? 273 00:14:06,440 --> 00:14:09,400 Speaker 1: With Amy? Me? Uh, just that Sometimes I talked to her, 274 00:14:09,440 --> 00:14:11,839 Speaker 1: have a whole whole thing, and then she didn't hear anything. 275 00:14:11,840 --> 00:14:14,800 Speaker 1: I said. That's it. Like I'll be talking and right Amy, 276 00:14:14,800 --> 00:14:18,720 Speaker 1: and she's like, huh okay, I happened with me too. 277 00:14:19,240 --> 00:14:22,120 Speaker 1: It's not my most pet peep. Mostly it's you just 278 00:14:22,160 --> 00:14:25,200 Speaker 1: can't get her attention sometimes, like we're working and we're 279 00:14:25,240 --> 00:14:28,200 Speaker 1: all on and you just get she's just checked out completely. 280 00:14:29,200 --> 00:14:33,640 Speaker 1: Or we'll be doing like today, you didn't do this 281 00:14:33,720 --> 00:14:35,120 Speaker 1: over the first time Ember in the history of I 282 00:14:35,120 --> 00:14:37,800 Speaker 1: think our our being together. We'll do the countdown and 283 00:14:37,800 --> 00:14:39,200 Speaker 1: we have a joke to doing the countown every time. 284 00:14:39,280 --> 00:14:41,200 Speaker 1: She's never ready for it. Yeah, she's like to hold on. 285 00:14:41,360 --> 00:14:44,000 Speaker 1: I see her scrolling, hold on, Hanickey, and I'm like, 286 00:14:44,000 --> 00:14:45,480 Speaker 1: we've only done this kind of up for eight years. 287 00:14:46,560 --> 00:14:49,640 Speaker 1: But oddly today she was ready for it. It was 288 00:14:49,840 --> 00:14:52,920 Speaker 1: she nailed it. Amy, don't get offended. I'm not you 289 00:14:52,960 --> 00:14:55,160 Speaker 1: look offended, no, because Bobby had none for you and 290 00:14:55,200 --> 00:14:57,000 Speaker 1: he had two for me, and he's probably not done 291 00:14:58,640 --> 00:15:01,240 Speaker 1: like but I but you and I work a lot 292 00:15:01,280 --> 00:15:05,000 Speaker 1: more together than Eddie. What. Yeah, Eddie's ever doing videos 293 00:15:05,000 --> 00:15:09,640 Speaker 1: for the most part, Morgan. Sometimes it's hard to get 294 00:15:09,640 --> 00:15:12,680 Speaker 1: ahold of Amy. If I ever need her and I 295 00:15:12,720 --> 00:15:14,480 Speaker 1: text her, I may not hear from her for like 296 00:15:14,480 --> 00:15:16,200 Speaker 1: two days. But she does typically get back to me. 297 00:15:16,240 --> 00:15:21,320 Speaker 1: It just might not be when I needed it. Raymundo. Yeah, 298 00:15:21,400 --> 00:15:25,200 Speaker 1: so let me preface it by saying very petty. Um. 299 00:15:25,440 --> 00:15:28,520 Speaker 1: But and it's also because of the amount of water 300 00:15:28,560 --> 00:15:31,160 Speaker 1: that she drinks. But she goes the bathroom all the time, 301 00:15:31,200 --> 00:15:34,400 Speaker 1: and it's always a rush. It's always okay. I mean 302 00:15:34,400 --> 00:15:35,840 Speaker 1: you can just like walk to it, but she goes 303 00:15:35,840 --> 00:15:38,320 Speaker 1: to the bathroom millions every fifteen minutes. I've never seen 304 00:15:38,320 --> 00:15:40,400 Speaker 1: anything like it in my life. And I'll hang it. Okay, 305 00:15:41,160 --> 00:15:42,880 Speaker 1: we have two and more to go. This is Amy's bit, 306 00:15:42,960 --> 00:15:50,000 Speaker 1: by the way, let's do Raymundo, Eddie me, Ray, Oh, 307 00:15:50,360 --> 00:15:54,640 Speaker 1: I didn't think about this. Um. I feel like with 308 00:15:54,760 --> 00:15:58,240 Speaker 1: the Ray just in the last two years, I feel 309 00:15:58,240 --> 00:16:00,840 Speaker 1: like he's always trying to sell me something like every 310 00:16:00,840 --> 00:16:03,240 Speaker 1: time I talk to Ray, I feel like I'm being 311 00:16:03,280 --> 00:16:05,400 Speaker 1: conn into buying something I was gonna be He's got 312 00:16:05,400 --> 00:16:10,600 Speaker 1: too many promo codes. And love Ray, but I feel 313 00:16:10,600 --> 00:16:12,520 Speaker 1: like after a conversation, I gotta check my wall, like 314 00:16:12,560 --> 00:16:14,280 Speaker 1: did I buy something from Ray? Because I feel like 315 00:16:14,280 --> 00:16:16,240 Speaker 1: he told me something. Well, even in some stuff he 316 00:16:16,280 --> 00:16:18,440 Speaker 1: sent me last night about today's show, he was like, 317 00:16:18,480 --> 00:16:20,760 Speaker 1: there's a new app. Hey, let's say promo codes. Isn't 318 00:16:21,200 --> 00:16:24,920 Speaker 1: put that in there because that wasn't gonna be mine too? 319 00:16:24,920 --> 00:16:27,120 Speaker 1: With Ray got too many promo codes all the time, 320 00:16:27,160 --> 00:16:30,520 Speaker 1: it's always something, Um, maybe I don't know that I 321 00:16:30,560 --> 00:16:34,360 Speaker 1: have one for Ray. I don't. I'm trying to think, 322 00:16:34,480 --> 00:16:37,680 Speaker 1: and I don't know. There's nothing really that he can do. 323 00:16:37,720 --> 00:16:42,400 Speaker 1: The annoys me, Morgan. When Ray talks sometimes I have 324 00:16:42,440 --> 00:16:44,640 Speaker 1: no idea what he said. Like he'll tell a story 325 00:16:44,640 --> 00:16:47,480 Speaker 1: and I'll be like, what were you trying to What 326 00:16:47,640 --> 00:16:49,360 Speaker 1: was the point you were trying to get across to me? 327 00:16:49,360 --> 00:16:51,560 Speaker 1: Because I have no idea what you just told me? 328 00:16:52,520 --> 00:16:56,200 Speaker 1: And then finally we'll do Morgan number two. Morgan number two, Eddie, 329 00:16:56,240 --> 00:16:59,000 Speaker 1: you weren't probably closest with her, Yeah, because you gotta 330 00:16:59,000 --> 00:17:01,160 Speaker 1: sit by each other. You kind of your your your 331 00:17:01,240 --> 00:17:05,680 Speaker 1: VENN diagram crosses, yes, your jobs. We do work together, well, 332 00:17:05,720 --> 00:17:09,280 Speaker 1: I would say that. I feel like, okay, I think 333 00:17:09,320 --> 00:17:12,000 Speaker 1: the only pet peeves. She gets frustrated with me, and 334 00:17:12,400 --> 00:17:14,200 Speaker 1: she shows it when you say you don't want to 335 00:17:14,240 --> 00:17:17,040 Speaker 1: make a video. She just gets frustrated with certain things 336 00:17:17,040 --> 00:17:18,960 Speaker 1: that I do. And I'm just like, get over it, like, 337 00:17:18,960 --> 00:17:21,119 Speaker 1: don't get frustrated with me. Like we work together. I 338 00:17:21,200 --> 00:17:23,560 Speaker 1: get stuff to you when I can get it. But 339 00:17:23,640 --> 00:17:26,879 Speaker 1: I can sense her frustration not through text. Oh I 340 00:17:26,920 --> 00:17:29,040 Speaker 1: got another one too. When she texts, she always does 341 00:17:29,119 --> 00:17:31,879 Speaker 1: the very end with like thank you, you're the best, 342 00:17:32,040 --> 00:17:35,000 Speaker 1: like you rock, You're And I'm like, are you being sarcastic? 343 00:17:35,000 --> 00:17:39,960 Speaker 1: Because I know this video is late? So I'll go 344 00:17:41,600 --> 00:17:44,959 Speaker 1: whenever we're doing and I have an example today whenever 345 00:17:45,000 --> 00:17:47,480 Speaker 1: we're doing show stuff and this is her just doing 346 00:17:47,480 --> 00:17:51,399 Speaker 1: her job. But I was talking about going to the 347 00:17:51,440 --> 00:17:57,800 Speaker 1: Governor's mansion and it's cool and show. It's like she 348 00:17:57,920 --> 00:18:00,800 Speaker 1: picks the most negative thing to it up so it 349 00:18:00,800 --> 00:18:03,280 Speaker 1: will get the most clicks. And I'm always like, I 350 00:18:03,359 --> 00:18:06,240 Speaker 1: get what you're doing, but did you have to pick that? 351 00:18:06,640 --> 00:18:09,680 Speaker 1: For example? It was I was like, Hey, what the 352 00:18:09,680 --> 00:18:12,040 Speaker 1: governor's mansion got tapped inner with the governor and then 353 00:18:12,080 --> 00:18:14,760 Speaker 1: it was, oh, where did it go? It was something 354 00:18:14,800 --> 00:18:16,639 Speaker 1: about the Bobby Jones thing. That might not even a 355 00:18:16,640 --> 00:18:19,560 Speaker 1: good example, but I don't have one. I guess Morgan, 356 00:18:19,600 --> 00:18:24,159 Speaker 1: you win. She does pick the most salacious part of 357 00:18:24,200 --> 00:18:26,080 Speaker 1: any story to put up as a click and I 358 00:18:26,080 --> 00:18:28,560 Speaker 1: get as part of her job. And sometimes I'm like, uh, 359 00:18:28,880 --> 00:18:31,239 Speaker 1: because I know people are gonna yell at me. I 360 00:18:31,320 --> 00:18:33,120 Speaker 1: know people. And I got a text after she put 361 00:18:33,119 --> 00:18:34,800 Speaker 1: that from the people at the governor's mansion going do 362 00:18:34,840 --> 00:18:37,280 Speaker 1: we really do that? Because they saw that? So that's 363 00:18:37,280 --> 00:18:38,760 Speaker 1: not a bad thing. That's just how trying to get 364 00:18:38,800 --> 00:18:41,040 Speaker 1: clicks for the website. Yeah. I do try to find 365 00:18:41,040 --> 00:18:43,399 Speaker 1: the positive things though, I will tell you I really 366 00:18:43,440 --> 00:18:46,120 Speaker 1: do try. But sometimes I only have like so many 367 00:18:46,200 --> 00:18:48,720 Speaker 1: characters on Twitter, so I have to tell the whole 368 00:18:48,800 --> 00:18:52,840 Speaker 1: story and like very small words. Amy, Well, I know 369 00:18:52,920 --> 00:18:56,200 Speaker 1: she I don't can't help this, and it's not like bad. 370 00:18:56,240 --> 00:18:58,840 Speaker 1: I get I have a swallow lous like and I 371 00:18:58,880 --> 00:19:02,960 Speaker 1: know that's annoying. I'd like to go back and do 372 00:19:03,000 --> 00:19:13,160 Speaker 1: that one here she goes, She's like what but it's 373 00:19:13,160 --> 00:19:17,720 Speaker 1: like it's her allergies or something. Ray. Um, she's gonna 374 00:19:17,760 --> 00:19:20,159 Speaker 1: deny this one, but it's totally true. Sometimes when I'm 375 00:19:20,200 --> 00:19:22,879 Speaker 1: just off Mike, when I'm having conversations with her, she 376 00:19:23,000 --> 00:19:27,280 Speaker 1: talks like a baby. I don't. She'll be like, did 377 00:19:27,280 --> 00:19:34,840 Speaker 1: you have a good weekend? It's very true. I do. 378 00:19:35,280 --> 00:19:37,679 Speaker 1: I do. I try to spend things more positive and 379 00:19:37,720 --> 00:19:40,080 Speaker 1: that just makes people laugh. So that's my way of 380 00:19:40,119 --> 00:19:44,520 Speaker 1: like making things less awkward sometimes. Okay, Scooba, you're up. 381 00:19:45,400 --> 00:19:48,320 Speaker 1: We'll do one at a time. Let's let's go with 382 00:19:48,320 --> 00:19:51,080 Speaker 1: me first. I want to take the shots first. I 383 00:19:51,119 --> 00:19:53,119 Speaker 1: would need a lot more time to think about each 384 00:19:53,160 --> 00:19:55,080 Speaker 1: and every individual person. I think the one that struck 385 00:19:55,119 --> 00:19:56,800 Speaker 1: a chord for me when Ray mentioned that, does that 386 00:19:56,840 --> 00:19:59,000 Speaker 1: make sense? I feel like that's the overall theme of 387 00:19:59,000 --> 00:20:01,159 Speaker 1: everyone on the show, where if you say something and 388 00:20:01,320 --> 00:20:03,040 Speaker 1: before you even give a chance to even think about 389 00:20:03,080 --> 00:20:05,000 Speaker 1: what it is, it's fall by. Does that make sense? 390 00:20:05,000 --> 00:20:07,120 Speaker 1: Which I feel like it's condescending because if I had questions, 391 00:20:07,280 --> 00:20:08,720 Speaker 1: I would ask it. I don't need you to tell me. 392 00:20:08,800 --> 00:20:10,800 Speaker 1: Do you have questions after the fact when it's a 393 00:20:10,840 --> 00:20:14,480 Speaker 1: simple command? Um, But I think that's an overarc theme 394 00:20:14,520 --> 00:20:18,280 Speaker 1: for the show is that and overaccessive use of exclamation points. 395 00:20:19,440 --> 00:20:22,359 Speaker 1: Who me? I think just people in general? No, I 396 00:20:22,400 --> 00:20:24,679 Speaker 1: want one for everybody. Oh, one for every single person 397 00:20:25,200 --> 00:20:28,800 Speaker 1: written things? Yeah yeah yeah yeah yeah yeah for every 398 00:20:28,800 --> 00:20:30,720 Speaker 1: single person. Do you have other things on the on 399 00:20:30,760 --> 00:20:32,040 Speaker 1: the post show? I can we can come back to 400 00:20:32,080 --> 00:20:33,720 Speaker 1: me so I can think about everybody. Yeah, I will 401 00:20:33,760 --> 00:20:35,640 Speaker 1: do that. I'll come back to it. Scoob will knock 402 00:20:35,720 --> 00:20:37,399 Speaker 1: us all down with the one big slug to the 403 00:20:37,440 --> 00:20:40,719 Speaker 1: head um because he does have to kind of manage 404 00:20:40,720 --> 00:20:44,479 Speaker 1: every single to do with everyone. Yeah. Oh, let's see. 405 00:20:44,800 --> 00:20:46,520 Speaker 1: I can do this too. I'll do this story in 406 00:20:46,560 --> 00:20:51,560 Speaker 1: the NAT I'm staying the airline story where the pilot 407 00:20:51,600 --> 00:20:54,520 Speaker 1: gets on the yeah probably and just goes kind of weird. 408 00:20:56,320 --> 00:20:59,560 Speaker 1: It's just he just talked about stuff. Um, okay, how 409 00:20:59,600 --> 00:21:01,639 Speaker 1: about this Bobby Cast. There's a new episode of the 410 00:21:01,640 --> 00:21:05,040 Speaker 1: Bobby Cast that went up on Friday, and Shy Carter 411 00:21:05,240 --> 00:21:09,040 Speaker 1: is on, who is a fantastic artist and songwriter. And 412 00:21:09,160 --> 00:21:12,000 Speaker 1: you may ask, why would I know him? Actually, he's 413 00:21:12,040 --> 00:21:16,080 Speaker 1: written so many songs like Heaven by Kane Brown. Everybody's 414 00:21:16,119 --> 00:21:20,680 Speaker 1: talking about like they just can't wait to go Sugarland, 415 00:21:20,760 --> 00:21:26,800 Speaker 1: Stuck like glue, you know me Hot, Beat again, Beat Again, 416 00:21:27,240 --> 00:21:33,920 Speaker 1: He wrote Billy Currington, it Don't hurt like it used to. 417 00:21:40,800 --> 00:21:43,160 Speaker 1: He also wrote a number one pop song for Charlie Pooth, 418 00:21:43,240 --> 00:21:48,919 Speaker 1: the one that goes I'm Only one call and he 419 00:21:49,000 --> 00:21:51,560 Speaker 1: told the story about how the chorus for the song 420 00:21:51,600 --> 00:21:53,200 Speaker 1: came together as they were just sitting around a fire. 421 00:21:54,440 --> 00:21:56,400 Speaker 1: He was sitting there and he said, I got ideas, 422 00:21:56,400 --> 00:21:57,879 Speaker 1: just want to write one call away. He said, I 423 00:21:57,880 --> 00:22:00,320 Speaker 1: got this much. I'm only one call away, and he 424 00:22:00,359 --> 00:22:02,280 Speaker 1: had that much, and I had the guitar and I said, 425 00:22:02,280 --> 00:22:04,720 Speaker 1: I'll be there to say the day, and I just 426 00:22:04,720 --> 00:22:07,400 Speaker 1: started playing the chords. And Mozilla is another great writer. 427 00:22:07,520 --> 00:22:10,080 Speaker 1: She says Superman got nothing on me. And then I 428 00:22:10,240 --> 00:22:12,520 Speaker 1: just booke ended it. I'm only one call away. There's 429 00:22:12,520 --> 00:22:18,679 Speaker 1: the look like instantly man. That was the song. He 430 00:22:18,720 --> 00:22:20,919 Speaker 1: made a lot of money off that. I bet he did. Yeah, 431 00:22:21,040 --> 00:22:24,719 Speaker 1: that's the only three writers for that song. I don't know, 432 00:22:24,760 --> 00:22:28,040 Speaker 1: because sometimes in the pop world they do so many more, 433 00:22:28,040 --> 00:22:30,000 Speaker 1: but they don't know all get the same percentage. Okay, 434 00:22:30,000 --> 00:22:32,440 Speaker 1: where if there's three riders in Nashville, they all get 435 00:22:32,480 --> 00:22:34,600 Speaker 1: thirty three percent. Yeah, and the pop world you can 436 00:22:34,640 --> 00:22:37,240 Speaker 1: get five percent, and so there may be ten riders, 437 00:22:37,320 --> 00:22:39,719 Speaker 1: but the writers that did the most of it are 438 00:22:39,720 --> 00:22:42,439 Speaker 1: still getting, you know, a significant share of that. But 439 00:22:42,560 --> 00:22:44,600 Speaker 1: check it out. We do new music releases for the week. 440 00:22:44,640 --> 00:22:46,880 Speaker 1: All that's up on the Bobbycast this week. How many 441 00:22:46,920 --> 00:22:50,080 Speaker 1: are listed? There? Six writers, six are listed, so three 442 00:22:50,160 --> 00:22:51,760 Speaker 1: probably did most of it and the other three came 443 00:22:51,800 --> 00:22:54,880 Speaker 1: in with music and uh uh well put that in there. 444 00:22:55,720 --> 00:23:01,000 Speaker 1: Uh one percent? Um, let's see. You know something we 445 00:23:01,040 --> 00:23:03,639 Speaker 1: never talked about with my bachelor party and Mike d 446 00:23:03,720 --> 00:23:05,760 Speaker 1: had made a list because we just got caught up 447 00:23:05,800 --> 00:23:07,760 Speaker 1: in the wedding and then I felt like it was 448 00:23:07,760 --> 00:23:11,160 Speaker 1: too much. And do you want to read your bachelor 449 00:23:11,200 --> 00:23:14,120 Speaker 1: party list, Mike? Yeah, three things that we did. The 450 00:23:14,160 --> 00:23:17,200 Speaker 1: top three things that we did at the bachelor party 451 00:23:17,240 --> 00:23:19,200 Speaker 1: before my wedding go ahead. And number three was the 452 00:23:19,240 --> 00:23:21,600 Speaker 1: whiffleball game that we all played, which was a lot 453 00:23:21,640 --> 00:23:23,720 Speaker 1: of it was a lot of fun. We went up 454 00:23:24,280 --> 00:23:28,040 Speaker 1: and we were in Fateville, Arkansas. We we airbnbad a 455 00:23:28,119 --> 00:23:31,840 Speaker 1: big old house. Anybody have to share a bed? I 456 00:23:31,880 --> 00:23:35,320 Speaker 1: don't think. Yeah, yeah, I think somebody did. Oh really yeah? 457 00:23:35,640 --> 00:23:38,160 Speaker 1: We had like nine eight or nine people staying there. 458 00:23:38,480 --> 00:23:41,159 Speaker 1: Mike de slep on the couch. People two got they 459 00:23:41,160 --> 00:23:44,080 Speaker 1: shared a bed. Yeah, one of our friends. Uh, he's 460 00:23:44,440 --> 00:23:46,080 Speaker 1: for for some reason. The first day he's like, I 461 00:23:46,119 --> 00:23:48,000 Speaker 1: like the closet. I liked to sleep in the closets. 462 00:23:48,000 --> 00:23:49,760 Speaker 1: It's just it's been cool with it. Then after the 463 00:23:49,760 --> 00:23:51,800 Speaker 1: first day, it's like, screw this, I'm not sleep in 464 00:23:51,840 --> 00:23:53,640 Speaker 1: the closet. So you shared a bed with someone else, 465 00:23:53,720 --> 00:23:56,560 Speaker 1: got it? Okay, So we're in Fatville. We did play 466 00:23:56,680 --> 00:23:58,280 Speaker 1: this big whiffleball game that was a lot of fun, 467 00:23:58,280 --> 00:23:59,720 Speaker 1: although it was like one hundred and ten degrees. That 468 00:23:59,760 --> 00:24:01,600 Speaker 1: was it's really hot, all right. Number number two and 469 00:24:01,800 --> 00:24:04,840 Speaker 1: number two was the dinner on the last night. I 470 00:24:04,880 --> 00:24:07,040 Speaker 1: think that was like the biggest bonding moment of the trip. 471 00:24:07,240 --> 00:24:10,040 Speaker 1: I was just heard stories from everybody, and we're there 472 00:24:10,080 --> 00:24:12,560 Speaker 1: for like three hours, felt like twenty minutes. Eddie gave 473 00:24:12,600 --> 00:24:17,159 Speaker 1: a great speech. It's see here we go, Here we go. 474 00:24:17,320 --> 00:24:24,080 Speaker 1: I wasn't even supposed to do his speech. I didn't, okay, 475 00:24:24,080 --> 00:24:27,240 Speaker 1: but and this is what happened. We're sitting at I 476 00:24:27,240 --> 00:24:29,400 Speaker 1: don't even know the name of the place we went to. Anybody, No, 477 00:24:29,440 --> 00:24:31,760 Speaker 1: I don't remember we're sitting there and Eddie goes, all right, 478 00:24:31,800 --> 00:24:35,159 Speaker 1: guess it like hits his cup. He didn't even do that. 479 00:24:36,400 --> 00:24:38,280 Speaker 1: He did. He goes, hey, guys, I just want to 480 00:24:38,280 --> 00:24:40,680 Speaker 1: say something here. We're all we're all here for a reason. 481 00:24:41,200 --> 00:24:43,800 Speaker 1: Says you can tell a lot about somebody by you know, 482 00:24:44,000 --> 00:24:45,919 Speaker 1: the company they keep and the friends that that are 483 00:24:45,920 --> 00:24:48,760 Speaker 1: around them, and um, it's a pretty good group here. 484 00:24:50,600 --> 00:24:52,280 Speaker 1: And then he sat down and that was it. And 485 00:24:52,320 --> 00:24:54,320 Speaker 1: I was like, you just complimented all the friends and 486 00:24:54,359 --> 00:24:57,359 Speaker 1: not me, No, finish what I say. Is that not 487 00:24:57,440 --> 00:25:01,879 Speaker 1: what he said? It's exactly what he said. Thank you. 488 00:25:01,960 --> 00:25:04,879 Speaker 1: My point was your point was you complin to me 489 00:25:04,920 --> 00:25:07,760 Speaker 1: by coupling everybody around around me. My point was, it's 490 00:25:07,840 --> 00:25:10,080 Speaker 1: it's the cool thing about a bachelor party like that 491 00:25:10,240 --> 00:25:13,000 Speaker 1: is that you get people from all these different like 492 00:25:13,240 --> 00:25:16,040 Speaker 1: parts of your life together. And someone didn't even know 493 00:25:16,080 --> 00:25:19,120 Speaker 1: each other, they'd never met, but everyone bonded like there 494 00:25:19,119 --> 00:25:22,040 Speaker 1: were conversations at the at the dinner table, at the 495 00:25:22,359 --> 00:25:24,720 Speaker 1: breakfast table, in the mornings with people that never met 496 00:25:24,760 --> 00:25:26,720 Speaker 1: each other. And I think at the end of the weekend, 497 00:25:26,720 --> 00:25:29,240 Speaker 1: which this was the last night, is everyone felt really 498 00:25:29,280 --> 00:25:32,159 Speaker 1: close to each other all because of you, and we 499 00:25:32,160 --> 00:25:34,639 Speaker 1: were all there because of you, and that's what we 500 00:25:34,680 --> 00:25:36,600 Speaker 1: all have in common is you, and I think that's 501 00:25:36,600 --> 00:25:39,119 Speaker 1: really cool and that's what made the Bachelor party special. 502 00:25:39,320 --> 00:25:43,960 Speaker 1: Well you said that, I think that's what I said. Judges. No, 503 00:25:44,600 --> 00:25:47,680 Speaker 1: oh my gosh, not at all. That's number two and 504 00:25:47,720 --> 00:25:49,800 Speaker 1: the number one moment getting to play basketball on the 505 00:25:49,880 --> 00:25:52,239 Speaker 1: Razor back court. That was awesome. And he put up 506 00:25:52,240 --> 00:25:54,560 Speaker 1: that screen you know it said congrats Bobby and Kaitlin. Yeah, 507 00:25:54,600 --> 00:25:57,000 Speaker 1: we had the whole arena. It was awesome, amazing, and 508 00:25:57,040 --> 00:25:59,160 Speaker 1: then we decided we're adult, man, but we still want 509 00:25:59,160 --> 00:26:02,800 Speaker 1: to play full court jump balls and pretty much blew 510 00:26:02,840 --> 00:26:05,840 Speaker 1: up my shoulder for a few weeks. I read listen 511 00:26:05,960 --> 00:26:08,080 Speaker 1: that it was the greatest. That was like one of 512 00:26:08,080 --> 00:26:10,000 Speaker 1: the coolest thing I've ever got to do. So it's 513 00:26:10,040 --> 00:26:13,120 Speaker 1: just having the arena where because ill plays basketball. But 514 00:26:13,320 --> 00:26:15,760 Speaker 1: I think everybody was hurting a little bit the next day. Yeah, Amy, 515 00:26:15,880 --> 00:26:18,840 Speaker 1: so like, we don't play basketball every day and this 516 00:26:18,880 --> 00:26:21,399 Speaker 1: guy wants to do full on like jump ball in 517 00:26:21,400 --> 00:26:24,960 Speaker 1: the middle, like and it's five on five, full core 518 00:26:25,119 --> 00:26:28,680 Speaker 1: like idiots, like we did. It was awesome. It wasn't great, Yes, yeah, 519 00:26:28,760 --> 00:26:30,960 Speaker 1: good memory Um, no, it was fun. It was actually 520 00:26:30,960 --> 00:26:31,960 Speaker 1: a lot of fun. I mean more than a memory. 521 00:26:31,960 --> 00:26:33,320 Speaker 1: It was just a lot of fun to do. But 522 00:26:33,400 --> 00:26:36,840 Speaker 1: when it was over, people's feet were hurting pretty bad legs, 523 00:26:36,880 --> 00:26:39,240 Speaker 1: but nobody blew any sort of ligaments or anything. No, 524 00:26:39,400 --> 00:26:41,840 Speaker 1: I think you had the worst injury, which was the shoulder. Yeah. 525 00:26:41,960 --> 00:26:45,360 Speaker 1: I was talking to Scottie, who's my friend who came 526 00:26:45,480 --> 00:26:47,040 Speaker 1: up for a night and he was there for that 527 00:26:47,040 --> 00:26:48,960 Speaker 1: that part of it. We were in Arkansas, went and 528 00:26:49,080 --> 00:26:51,000 Speaker 1: hung out with him and he was like, I didn't 529 00:26:51,040 --> 00:26:52,320 Speaker 1: know it was three nights. We came for one night 530 00:26:52,359 --> 00:26:54,760 Speaker 1: and we kept seeing stuff pop up on the internet. Oh. 531 00:26:54,800 --> 00:26:56,000 Speaker 1: He was like, who knew it was three nights. We 532 00:26:56,080 --> 00:26:57,560 Speaker 1: just stayed the whole time. Oh, I thought they just 533 00:26:57,560 --> 00:26:59,479 Speaker 1: wanted to leave. Yeah, so I thought lead the next 534 00:26:59,560 --> 00:27:02,360 Speaker 1: day too. Um, all right, anything else, Mike, you want 535 00:27:02,359 --> 00:27:06,040 Speaker 1: to it? All right? Although Ray needed to go out. 536 00:27:06,720 --> 00:27:09,000 Speaker 1: I never went out. We went out to have dinner, 537 00:27:09,040 --> 00:27:11,679 Speaker 1: but not go out out. And Ray was like, I 538 00:27:11,720 --> 00:27:12,879 Speaker 1: need to go out. I need to get dressed and 539 00:27:12,880 --> 00:27:13,919 Speaker 1: go out, and I need to go to the bars. 540 00:27:14,200 --> 00:27:16,720 Speaker 1: And so him and a mod would like go downtown. 541 00:27:17,640 --> 00:27:19,480 Speaker 1: It's like a bachelor party. But they did like their 542 00:27:19,800 --> 00:27:23,400 Speaker 1: their spin off like Friends ended and then Joey happened. 543 00:27:24,560 --> 00:27:26,520 Speaker 1: Ray and I wanted to have their own party. But 544 00:27:26,560 --> 00:27:28,399 Speaker 1: the second night I went to bed. I went to 545 00:27:28,440 --> 00:27:31,440 Speaker 1: bed early every night. Eddie. I was like, I'm gonna 546 00:27:31,440 --> 00:27:34,840 Speaker 1: go out the last night. Yeah, me and four other 547 00:27:34,960 --> 00:27:37,840 Speaker 1: three other guys. That's when Eddie lost his wallet. We 548 00:27:37,880 --> 00:27:41,240 Speaker 1: couldn't leave because Eddie couldn't find his wallet, but I 549 00:27:41,280 --> 00:27:44,399 Speaker 1: found it on the same park benches, Scuba. Do you 550 00:27:44,440 --> 00:27:47,480 Speaker 1: want to book in this? Yeah, let's go all right. 551 00:27:47,600 --> 00:27:49,359 Speaker 1: What do you want to start with? Go start with me, 552 00:27:49,400 --> 00:27:52,320 Speaker 1: get it over with Okay. So for you, I will 553 00:27:52,359 --> 00:27:54,680 Speaker 1: say that I'll preface this. You're really great at getting 554 00:27:54,720 --> 00:27:57,960 Speaker 1: back to me on the voice and UM endorsement request. 555 00:27:58,000 --> 00:27:59,800 Speaker 1: You're actually the person that gets back to the fastest, 556 00:27:59,800 --> 00:28:02,560 Speaker 1: which is unbelievable. But the one thing that I do 557 00:28:02,600 --> 00:28:05,000 Speaker 1: when I send these requests for clients that are pitching 558 00:28:05,000 --> 00:28:06,720 Speaker 1: for the show is there's usually a part that's like 559 00:28:06,760 --> 00:28:09,080 Speaker 1: in bold and yellow that has a question next to it, 560 00:28:09,280 --> 00:28:12,440 Speaker 1: and it's usually very specific if there's like a certain 561 00:28:12,520 --> 00:28:14,520 Speaker 1: question they're asking about it and usually just say hey, 562 00:28:14,560 --> 00:28:16,680 Speaker 1: all good, but which is fine. But there are a 563 00:28:16,680 --> 00:28:18,439 Speaker 1: lot of times there's questions to them and they're not 564 00:28:18,520 --> 00:28:20,119 Speaker 1: responded by you, So I then ask you, and I 565 00:28:20,119 --> 00:28:22,720 Speaker 1: feel terrible asking you again. And then sometimes you don't 566 00:28:22,720 --> 00:28:24,680 Speaker 1: respond to that question still again, and I have to 567 00:28:24,720 --> 00:28:27,359 Speaker 1: ask again, and I feel terrible bugging you. Yeah I 568 00:28:27,400 --> 00:28:32,080 Speaker 1: get it, Yeah, yeah, I just want to answer them 569 00:28:32,119 --> 00:28:34,119 Speaker 1: these questions. Sometimes I know it's like, will you use 570 00:28:34,200 --> 00:28:36,840 Speaker 1: this aunt repellent four days a week and talk about 571 00:28:36,920 --> 00:28:39,000 Speaker 1: it on the air if you feel like you're aunt? 572 00:28:39,480 --> 00:28:45,520 Speaker 1: I just like, all good, yeah, okay, Eddie for Eddie. 573 00:28:46,080 --> 00:28:48,640 Speaker 1: I have a couple of things, but I think the 574 00:28:50,040 --> 00:28:52,480 Speaker 1: I think the overall theme is what Morgan said is 575 00:28:52,680 --> 00:28:54,760 Speaker 1: you're It's almost kind of like an inside joke. Mike 576 00:28:54,760 --> 00:28:57,080 Speaker 1: Buckner used to work here. We're not happy about having 577 00:28:57,080 --> 00:28:58,680 Speaker 1: to do it at first, but eventually we'll do it. 578 00:28:58,920 --> 00:29:00,680 Speaker 1: So it's it's the it's the getting you to do 579 00:29:00,760 --> 00:29:06,200 Speaker 1: it kind of thing. I'll work on that. Mike Buckler 580 00:29:06,280 --> 00:29:07,680 Speaker 1: used to come in here as an engineer. Whenever he 581 00:29:07,720 --> 00:29:10,600 Speaker 1: tells me it was a problem, like oh, gop dopepetep beep, 582 00:29:10,600 --> 00:29:13,640 Speaker 1: beep beep, But I'll do it for you. Don't worry. 583 00:29:14,560 --> 00:29:16,720 Speaker 1: I'm not that bad. Though not that bad, not nearly 584 00:29:16,720 --> 00:29:17,760 Speaker 1: as bad. But that was the one thing I could 585 00:29:17,800 --> 00:29:23,719 Speaker 1: find about you. Let's see who next. Amy attention to detail. 586 00:29:25,080 --> 00:29:27,680 Speaker 1: So like, for example, if we send out an email 587 00:29:27,720 --> 00:29:29,880 Speaker 1: or a text, and I just want to preface this 588 00:29:29,880 --> 00:29:32,280 Speaker 1: with everybody, I perspective on everyone, and I understand what 589 00:29:32,280 --> 00:29:34,560 Speaker 1: everyone's going through. So that's why I'm very patient, and 590 00:29:34,600 --> 00:29:36,920 Speaker 1: I'll wait and i'll be kind and I'll eventually get 591 00:29:36,920 --> 00:29:40,080 Speaker 1: what I need. But if you're asking attention to detail, 592 00:29:40,120 --> 00:29:42,800 Speaker 1: like if you send something to her that's information, she 593 00:29:42,840 --> 00:29:44,560 Speaker 1: won't get it. And then days later I go, hey, 594 00:29:44,600 --> 00:29:47,120 Speaker 1: I'm x y Z, and I'll go I set you 595 00:29:47,160 --> 00:29:48,520 Speaker 1: a text a couple of days ago, and then she'll go, oh, 596 00:29:48,560 --> 00:29:53,360 Speaker 1: I just now saw it. Yeah, that happened the other day. 597 00:29:53,360 --> 00:29:56,200 Speaker 1: We're working well. I mean I was a Sunday. We 598 00:29:56,240 --> 00:29:58,120 Speaker 1: had been on vacation though, and I was like, oh, 599 00:29:58,160 --> 00:29:59,640 Speaker 1: there's something and he's like, oh, I sent that on 600 00:29:59,680 --> 00:30:01,680 Speaker 1: Thursday day and I was like, oh, shoot, I guess 601 00:30:01,680 --> 00:30:03,800 Speaker 1: you did. But technically we were on vacation so I 602 00:30:03,840 --> 00:30:06,120 Speaker 1: wasn't really dialed in. But yeah, yeah, and I feel 603 00:30:06,200 --> 00:30:08,320 Speaker 1: terrible because I'm trying to make sure but it's not 604 00:30:08,360 --> 00:30:13,960 Speaker 1: your fault. It's mine. Yeah, everybody's said no, she's the 605 00:30:14,000 --> 00:30:16,320 Speaker 1: one that's taken at the hardest. I feel awful doing this. 606 00:30:17,520 --> 00:30:21,800 Speaker 1: It's okay Morgan. For Morgan, almost all on the same 607 00:30:21,840 --> 00:30:23,560 Speaker 1: lines of Eddie, which kind of makes sense. Why they're 608 00:30:23,560 --> 00:30:26,360 Speaker 1: paired together. Is telling her something and she'll kind of 609 00:30:26,360 --> 00:30:28,000 Speaker 1: give me a whole book of why she doesn't want 610 00:30:28,000 --> 00:30:29,240 Speaker 1: to do it or does want to do it, and 611 00:30:29,280 --> 00:30:32,920 Speaker 1: then eventually just does it anyways. And then Ray, Ray, 612 00:30:33,200 --> 00:30:34,719 Speaker 1: you gotta I mean to be fair with Ray, he's 613 00:30:34,720 --> 00:30:36,320 Speaker 1: got a lot going on in his ear, but man, 614 00:30:36,560 --> 00:30:38,600 Speaker 1: you gotta repeat things multiple times to him for it 615 00:30:38,600 --> 00:30:44,120 Speaker 1: before he finally before he finally understands. Did make sense? 616 00:30:44,120 --> 00:30:45,920 Speaker 1: Does that make sense? YEA happy to say, does that 617 00:30:45,960 --> 00:30:49,800 Speaker 1: make sense? You're all good? First time? You got it? Okay, 618 00:30:49,880 --> 00:30:52,800 Speaker 1: So at least now we all know what to work on. Yeah, 619 00:30:52,920 --> 00:30:57,560 Speaker 1: that's cool. We are I guess we are done. We're done. 620 00:30:57,560 --> 00:30:59,880 Speaker 1: We're done. I have a good day, everybody, thank you 621 00:30:59,920 --> 00:31:02,080 Speaker 1: for listening, and now we will see tomorrow on the 622 00:31:02,080 --> 00:31:02,640 Speaker 1: show By Guess