WEBVTT - Joan Baez

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is the one and only legendary Joan Bias. Joan,

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<v Speaker 1>the new movie is out. I am a noise. Now

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<v Speaker 1>that it's out, how do you feel about it?

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<v Speaker 2>Well, the response has been absolutely extraordinary and wonderful. But

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<v Speaker 2>even before that, I recognize it as a superb work

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<v Speaker 2>of art. And that doesn't even have that much to

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<v Speaker 2>do with me. It's the filmmaking. I mean, I'm glad

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<v Speaker 2>they were making it about me, but it is really

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<v Speaker 2>a work of art, and it was meant to be

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<v Speaker 2>an honest legacy, and it did turn out to be that.

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<v Speaker 1>Well, it's one thing to have private conversations, is another

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<v Speaker 1>thing to hear your see your story depicted on the

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<v Speaker 1>big screen for everybody. You talk about a lot of

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<v Speaker 1>personal elements, depression, relationships. Do you squirm a little bit

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<v Speaker 1>seeing that up there? Or do you say, no, that's me,

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<v Speaker 1>that's fine.

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<v Speaker 2>The funny thing is what I squirm about is something

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<v Speaker 2>like a vocal lesson the other You know, it's me,

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<v Speaker 2>It's fine. I didn't know how i'd feel. Plus I

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<v Speaker 2>wasn't there when I made it. I had nothing to

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<v Speaker 2>say about it at the very very end, they do.

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<v Speaker 2>You want to have a look, but it's too mad

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<v Speaker 2>to do anything about it. So I didn't know what

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<v Speaker 2>extent of it would be cringe worthy, But the little

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<v Speaker 2>parts that are now just make me laugh. And I

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<v Speaker 2>know that as a whole, whatever is in there is

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<v Speaker 2>in there for a reason. And you know, I mean,

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<v Speaker 2>I've got nothing to lose now, really, Famili's gone. I'm

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<v Speaker 2>eighty two, and if I want to be honest, let's

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<v Speaker 2>just let it all hang out. So that's what we did.

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<v Speaker 1>So you talk a lot about depression in the movie.

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<v Speaker 1>When did you first feel that you were different from

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<v Speaker 1>other people that you felt depressed?

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<v Speaker 2>Well, it's funny about depression. My mother was depressed her

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<v Speaker 2>whole life, but didn't know it until she took any

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<v Speaker 2>depression when she was in her eighties. So you don't know,

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<v Speaker 2>you just know, I mean, for me, speaking for me,

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<v Speaker 2>I didn't know that word. I didn't know. I just

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<v Speaker 2>knew I was different. I knew other kids didn't feel

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<v Speaker 2>sick in the morning, didn't you know? Those are the

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<v Speaker 2>things that made me feel different, you know, in another

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<v Speaker 2>world from my classmates.

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<v Speaker 1>So do you take medication now?

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<v Speaker 2>Yes, I do for the deep work that I did

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<v Speaker 2>to really go through the tunnel and come out what

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<v Speaker 2>I considered to be healthy human being. We had to

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<v Speaker 2>find the appropriate medication that would allow me to work.

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<v Speaker 2>If I was working from a place of depression and

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<v Speaker 2>I didn't have really didn't have my faculties available to me,

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<v Speaker 2>I don't think it could have worked, or it would

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<v Speaker 2>have been really really painful. So to find that takes

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<v Speaker 2>some experimenting, you know. And then we came up and

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<v Speaker 2>I still it's different now because it internally one changes

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<v Speaker 2>and periodically something will go off and I'll review the

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<v Speaker 2>medication see what Maybe you know I need less of

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<v Speaker 2>or more of, et cetera. But I know I'm still

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<v Speaker 2>on it. It's a steady I'm joking about it in

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<v Speaker 2>the film, you know. I say I'm taking sea sick

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<v Speaker 2>pills and nausea pills, up and down pills, and then

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<v Speaker 2>on top of that, I take my own stuff, So

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<v Speaker 2>my own stuff is what's concerned.

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<v Speaker 1>Yeah, So how is your outlook and feeling differently different

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<v Speaker 1>now that you're on medication.

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<v Speaker 2>I don't think that's the question. I think the question

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<v Speaker 2>is how is it different from the work that I did?

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<v Speaker 2>I think, well, okay, do this way. If I stopped

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<v Speaker 2>all on medication, I think I would be in pretty

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<v Speaker 2>big trouble. But that isn't the issue because I'm I

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<v Speaker 2>found what's appropriate to keep the highest from being too

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<v Speaker 2>high and the lows from being too low. And then

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<v Speaker 2>it's more about the work that I have done and

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<v Speaker 2>to some degree still do. But I don't see a

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<v Speaker 2>therapist anymore. No, I'm really free of that. So no,

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<v Speaker 2>it is it's about the work. It's about having done

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<v Speaker 2>the work.

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<v Speaker 1>Okay. In the film, you say that you ultimately do

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<v Speaker 1>this deep work at a relatively advanced age, inspired by

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<v Speaker 1>your system. Me me, can you tell us a little

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<v Speaker 1>bit more how that comes to be?

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<v Speaker 2>Well, she was She and I always knew there was

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<v Speaker 2>something wrong. I mean, there's something wrong with our relationship,

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<v Speaker 2>but we never understood why. And then but she was

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<v Speaker 2>the first one to think, whoopsie, you know, maybe it

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<v Speaker 2>was something that we really that was really buried and

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<v Speaker 2>did I was I understood in going investigating that with her,

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<v Speaker 2>and so we both embarked on this journey and came

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<v Speaker 2>up with very similar stories and supported each other through

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<v Speaker 2>it in spite of our difficulties. Together, You know, we

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<v Speaker 2>really were there to support each other on their mutual journeys.

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<v Speaker 1>Well, in the movie, there's issues of abuse, which your

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<v Speaker 1>father denies and the two of you believe happened. Uh,

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<v Speaker 1>how did you reconcile your father's deniy was what you felt?

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<v Speaker 2>You know? I read him. I was reading a book

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<v Speaker 2>of a famous actor who I willed that name, but

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<v Speaker 2>he he discovered that he was abused by a priest

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<v Speaker 2>when he was eight, and he struggled with that for

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<v Speaker 2>his entire lifetime, and at one point decided he was

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<v Speaker 2>going to call this old man you know who had

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<v Speaker 2>abused him and other kids. And he called him, ready

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<v Speaker 2>to just say, you know, you sort of a bitch,

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<v Speaker 2>you whatever, and he realized he couldn't say anything. This

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<v Speaker 2>old guy was a pleasant old man who was living

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<v Speaker 2>probably a fairly decent life, having passed the stage where

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<v Speaker 2>he had to do all the shenanigans, and he didn't.

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<v Speaker 2>And he realized I didn't remember. I mean, he buried it.

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<v Speaker 2>And I don't know how that happens, but obviously it

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<v Speaker 2>happened to me. So I the reason I could forgive

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<v Speaker 2>my parents is that I I knew they didn't remember anything,

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<v Speaker 2>and that that's one of the hardest things for people

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<v Speaker 2>to understand, because I mean, just the expression on your face,

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<v Speaker 2>for instance, on the zoom is what what what the

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<v Speaker 2>fuck is that about?

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<v Speaker 1>Okay, So, how do you find a box to put

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<v Speaker 1>that in? All these years later?

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<v Speaker 2>I guess the process of discovering who did what to

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<v Speaker 2>whom is a long process and a deep process, and

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<v Speaker 2>I guess the best answer to that is putting in

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<v Speaker 2>my little multiple helpers, and that's what they're there for,

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<v Speaker 2>and just somebody helps take the take the load off

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<v Speaker 2>each You know, each time there's a fresh realization, there

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<v Speaker 2>are different ways, there are different places to put it in,

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<v Speaker 2>different ways to deal with it. And it's ongoing, No,

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<v Speaker 2>it's it's constant through that time period of discovery.

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<v Speaker 1>In the movie, you say a number of times you're

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<v Speaker 1>not good at relationships. Do you think that's as a

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<v Speaker 1>result of the abuse?

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<v Speaker 2>I think that from when I talk to people, everybody

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<v Speaker 2>goes ha ha ha ha, yam too, So I don't.

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<v Speaker 2>I think one to one, one on one relationships are

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<v Speaker 2>probably the hardest things for us, the human beings, to tackle.

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<v Speaker 2>I think that it's exacerbated by the fact that we

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<v Speaker 2>once trusted and that trust was taken away, you know,

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<v Speaker 2>so who do you trust? You don't to be intimate

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<v Speaker 2>means you have to trust the other person to open

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<v Speaker 2>yourself up to the other person. So I'm kind of

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<v Speaker 2>joking when I say I'm I mean, I'm really good

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<v Speaker 2>one on two thousand, because I am, and I never

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<v Speaker 2>I mean. Towards the end of the time period that

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<v Speaker 2>I was really working on this stuff, I reached a

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<v Speaker 2>level of wholeness that I couldn't have imagined before. And

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<v Speaker 2>my therapis said he started hinting around about, well, you know,

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<v Speaker 2>maybe the next step is to try and find somebody,

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<v Speaker 2>to find a partner, and I didn't know. I'm happy here.

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<v Speaker 2>I don't want to take on that load, which you'd

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<v Speaker 2>take another ten years. So that was just a decision

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<v Speaker 2>I made because I know that I don't have the

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<v Speaker 2>patients to disrupt my life again when it's reached this really,

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<v Speaker 2>really happy level.

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<v Speaker 1>Now we've had COVID the last handful of years really

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<v Speaker 1>been crazy. But what does your everyday life look like?

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<v Speaker 1>Are you more of a homebody? Do you go out?

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<v Speaker 2>I am homebody. I would say those two choices very much.

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<v Speaker 2>Your homebody, I guess I've been out enough for sixty

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<v Speaker 2>years traveling around, and I thought, oh, you know, when

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<v Speaker 2>I'm through with that, and I can go visit these

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<v Speaker 2>places and just hang out and see stuff, all things

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<v Speaker 2>I didn't do while I was traveling. But I haven't

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<v Speaker 2>really had any interest in getting back on a plane.

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<v Speaker 2>The only thing I've been doing is hopping around the

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<v Speaker 2>country talking about this film. And you know, at some

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<v Speaker 2>point that might change, because because right now it's I

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<v Speaker 2>don't have a what's a normal day for Joan? You know,

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<v Speaker 2>when I'm not working on something. A normal day for

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<v Speaker 2>Joan is more time on the property. There's a creek

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<v Speaker 2>on this property where I spend a lot of time.

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<v Speaker 2>It's my one of my happy places. I collect rocks,

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<v Speaker 2>I mean I do. I talk to trees. I live

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<v Speaker 2>a life full of nature, as much as a much

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<v Speaker 2>nature as I can fit in there.

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<v Speaker 1>Okay, you're someone who is attractive, outspoken, in legendary famous.

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<v Speaker 1>I have to believe when you're out and about to

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<v Speaker 1>use the vernacular, men are hitting on you.

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<v Speaker 2>But a nice thought, I mean son thought, because at

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<v Speaker 2>this age it's a question of sensuality, sexuality. Where is that?

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<v Speaker 2>When I was talking to Jane fondo. She said, oh,

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<v Speaker 2>I closed up shop a couple of years ago, and

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<v Speaker 2>I said, well, I don't know what's what is here

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<v Speaker 2>at this point to be hit upon. I feel very

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<v Speaker 2>vibrant and I would be delighteders. No men were hitting

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<v Speaker 2>on me as long as I don't have to hit back.

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<v Speaker 1>So if a man is warm and congenial, you basically

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<v Speaker 1>send a vibe. At best, we're on the friend level.

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<v Speaker 2>Probably probably yeah.

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<v Speaker 1>And when we were young, person, what vibe did you send?

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<v Speaker 2>Oh? I think really confused messages. I mean really, I

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<v Speaker 2>look back at myself and my schoolmates. They couldn't understand me.

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<v Speaker 2>I mean I didn't understand me, but it was very

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<v Speaker 2>confusing message that I sent out. And I'm thinking also

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<v Speaker 2>when we moved to Baghdad, for we were there for

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<v Speaker 2>a year, my family and I would write my classmates

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<v Speaker 2>and they never responded. And I was telling them all

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<v Speaker 2>about Baghdad. Well, they had no point of reference. It

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<v Speaker 2>wasn't interesting to them that or not I was talking about.

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<v Speaker 2>So it was just one more I guess what I'm

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<v Speaker 2>saying is that when we moved a lot and so

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<v Speaker 2>I never really did have time to hang out and

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<v Speaker 2>get friends. So I don't know whether I really was

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<v Speaker 2>capable of doing that or not, but the messages a

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<v Speaker 2>girlfriend from those days, there were a few people who

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<v Speaker 2>were really kind to me, and this girl was so

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<v Speaker 2>sweet and would go through the when I was having

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<v Speaker 2>a panic attack. She'd be helpful and she would be there.

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<v Speaker 2>Then years and years later, decades later, I got a

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<v Speaker 2>letter of her from her saying, oh, now I get it.

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<v Speaker 2>She had developed a phobia of bridges, going over a

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<v Speaker 2>bridge and that, you know, all of a sudden, Oh,

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<v Speaker 2>is that's what my strange friend Joan was going through.

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<v Speaker 1>When did you have your first panic attack?

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<v Speaker 2>Oh, Jesus, I don't know. I mean depends probably on

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<v Speaker 2>how you define it. When you're really little, pretty little, And.

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<v Speaker 1>If you told your mother you were feeling this way,

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<v Speaker 1>what would she say?

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<v Speaker 2>Oh? She I wanted to be with my mom because

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<v Speaker 2>she would say, oh, let's have a cup of tea.

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<v Speaker 2>I mean, I've run home from school in kindergarten. That

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<v Speaker 2>my first day of kindergarten, I remember, and I found

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<v Speaker 2>my way back home because I couldn't. I was too

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<v Speaker 2>scared to be there. And instead of saying, well, we're

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<v Speaker 2>going to take your back and talk to the teacher.

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<v Speaker 2>She said, oh, let's have a cup of tea. You know,

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<v Speaker 2>so that did two things. It was my comfort zone

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<v Speaker 2>but also helped keep me from dealing with the reality

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<v Speaker 2>out there. I'm still glad she did it.

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<v Speaker 1>Okay, so you live this tenoran lifestyle and you talk

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<v Speaker 1>about not being able to make friends. How much of

0:14:39.760 --> 0:14:42.560
<v Speaker 1>that was situational and how much of that was you.

0:14:43.480 --> 0:14:45.440
<v Speaker 2>Well, yeah, that's what I was trying to say just

0:14:45.560 --> 0:14:50.480
<v Speaker 2>now that because we traveled like that, and I don't

0:14:50.480 --> 0:14:53.600
<v Speaker 2>know if we'd ended up somewhere for ten years, would

0:14:53.680 --> 0:14:58.000
<v Speaker 2>I have developed, you know, relationships, would they have been healthy?

0:14:58.640 --> 0:15:02.080
<v Speaker 2>Would they have been healthy relationship? I mean this first

0:15:02.080 --> 0:15:04.640
<v Speaker 2>time I thought of it in those terms. But if

0:15:04.640 --> 0:15:07.560
<v Speaker 2>I had stayed somewhere, I really don't know. I can't

0:15:07.600 --> 0:15:10.960
<v Speaker 2>imagine that I would really develop, you know, a healthy

0:15:11.520 --> 0:15:14.720
<v Speaker 2>bunch of friends around me that I wanted to hang

0:15:14.760 --> 0:15:18.360
<v Speaker 2>out with and you do whatever normal kids do.

0:15:19.920 --> 0:15:24.400
<v Speaker 1>So at this late date, how integrated? How mean you

0:15:24.480 --> 0:15:26.160
<v Speaker 1>talk to other people on the phone? Do you hear

0:15:26.200 --> 0:15:28.920
<v Speaker 1>from email or you're more of an ice, You're more

0:15:28.920 --> 0:15:31.120
<v Speaker 1>of an isolated person with your team.

0:15:31.760 --> 0:15:36.280
<v Speaker 2>No, No, I have the emails and the text coming

0:15:36.320 --> 0:15:40.720
<v Speaker 2>and going, and yeah, no, I'm not isolated in that sense. Really,

0:15:40.960 --> 0:15:44.600
<v Speaker 2>it's just not I just really don't want to go anywhere.

0:15:45.000 --> 0:15:48.520
<v Speaker 2>I don't want to. I don't go to many concerts.

0:15:48.920 --> 0:15:52.480
<v Speaker 2>It's just like, you know, I'm stay home and I

0:15:52.480 --> 0:15:54.960
<v Speaker 2>have lots of friends. Now I have good friends.

0:15:55.680 --> 0:15:56.520
<v Speaker 1>Okay, I move.

0:15:56.640 --> 0:15:59.400
<v Speaker 2>We have movie night and there are six women who

0:15:59.440 --> 0:16:02.720
<v Speaker 2>watch it. This happened when my mom was still alive

0:16:02.800 --> 0:16:05.760
<v Speaker 2>for ten years in her little house, we'd have movie

0:16:05.880 --> 0:16:09.040
<v Speaker 2>Night the first Tuesday of every month. Well I'm still

0:16:09.080 --> 0:16:11.560
<v Speaker 2>doing that. And then I have another group of friends.

0:16:11.560 --> 0:16:14.320
<v Speaker 2>We dance together. We used to dance in the city

0:16:14.360 --> 0:16:17.600
<v Speaker 2>and now we just dance on Zoom once a week

0:16:18.880 --> 0:16:21.320
<v Speaker 2>and that's and then I have a group I call

0:16:21.400 --> 0:16:24.360
<v Speaker 2>the Gang of Eight. And there are people I refer

0:16:24.480 --> 0:16:28.520
<v Speaker 2>to for anything political, to discuss with them and ask

0:16:28.600 --> 0:16:32.280
<v Speaker 2>their suggestions and their thoughts. So some of those overlap.

0:16:32.400 --> 0:16:33.640
<v Speaker 2>But I have a lot of friends.

0:16:33.920 --> 0:16:36.480
<v Speaker 1>So how do you pick the movies? And what are

0:16:36.520 --> 0:16:37.880
<v Speaker 1>some good movies you've seen?

0:16:39.320 --> 0:16:42.000
<v Speaker 2>How do you pick the movies? Oh, usually it's somebody

0:16:42.040 --> 0:16:45.120
<v Speaker 2>has a plan and then we start talking about it

0:16:45.120 --> 0:16:47.320
<v Speaker 2>and the planet switches and then we just turn on

0:16:47.440 --> 0:16:50.440
<v Speaker 2>TV and see whatever comes up. We turn on the

0:16:50.600 --> 0:16:54.880
<v Speaker 2>Prime one night and on the Waterfront was on, and

0:16:54.920 --> 0:16:58.800
<v Speaker 2>it was it was an old brainer. It was so wonderful,

0:16:59.120 --> 0:17:02.960
<v Speaker 2>especially compared to so much of the trashism that's out now,

0:17:03.360 --> 0:17:06.120
<v Speaker 2>to see, you know, really good. Sometimes you just want

0:17:06.119 --> 0:17:08.560
<v Speaker 2>to be silly. I think the next one I have

0:17:08.640 --> 0:17:11.240
<v Speaker 2>in my mind for us to watch is TUTSI. I

0:17:11.240 --> 0:17:13.520
<v Speaker 2>haven't seen it for years, you know, it would make

0:17:13.640 --> 0:17:18.200
<v Speaker 2>us laugh. And then their serious nights, in their nights

0:17:18.240 --> 0:17:20.840
<v Speaker 2>when there's political stuff going on, and we'll brave it,

0:17:21.520 --> 0:17:23.520
<v Speaker 2>you know, I'll watch something it's hard to watch.

0:17:24.320 --> 0:17:27.119
<v Speaker 1>And this group of eight that you check in with

0:17:27.280 --> 0:17:30.840
<v Speaker 1>political stuff on what kind of topics have you been

0:17:30.920 --> 0:17:31.920
<v Speaker 1>broaching recently?

0:17:33.320 --> 0:17:37.840
<v Speaker 2>Well, you know, obviously the most recent is the Middle East,

0:17:38.400 --> 0:17:42.160
<v Speaker 2>where we all pretty much decide the exception of few things,

0:17:42.200 --> 0:17:43.640
<v Speaker 2>I wish they had them in front of me, because

0:17:43.680 --> 0:17:46.040
<v Speaker 2>there are a few things that you can do and

0:17:46.080 --> 0:17:51.879
<v Speaker 2>go and be with. It's such an agonizing situation. And

0:17:51.920 --> 0:17:56.760
<v Speaker 2>we're all, you know, and have been non violent activists

0:17:56.800 --> 0:17:59.880
<v Speaker 2>for most of our lives, and there comes a point

0:18:00.440 --> 0:18:06.720
<v Speaker 2>when things aren't such full flow. There's very little room

0:18:07.000 --> 0:18:09.600
<v Speaker 2>for non violent action, although there is some and you know,

0:18:09.680 --> 0:18:13.240
<v Speaker 2>it's non violent action. There's those wonderful women who are

0:18:13.280 --> 0:18:18.960
<v Speaker 2>thanking their captors and getting hell for it because they're

0:18:19.000 --> 0:18:25.439
<v Speaker 2>supposed to be resentful and shabby. And this woman, I

0:18:25.440 --> 0:18:30.400
<v Speaker 2>guess shaking hands with her abductor, with her kidnapper as

0:18:30.400 --> 0:18:34.760
<v Speaker 2>he treated her well, she's saying thank you. That is

0:18:34.800 --> 0:18:38.520
<v Speaker 2>an act of strength, and real strength.

0:18:40.600 --> 0:18:44.440
<v Speaker 1>You're a cent in your career coincided with the advent

0:18:44.680 --> 0:18:50.160
<v Speaker 1>of the sixties, youth quake blowing up. Politics was everything.

0:18:50.840 --> 0:18:54.600
<v Speaker 1>The younger generation was a great percentage of the population.

0:18:55.400 --> 0:18:58.679
<v Speaker 1>There was the Vietnam War in nineteen seventy, there was

0:18:58.800 --> 0:19:04.240
<v Speaker 1>Kent State, there was a so called returned to the land,

0:19:04.800 --> 0:19:07.560
<v Speaker 1>people looking their wounds, and then we had the Iran

0:19:08.320 --> 0:19:10.720
<v Speaker 1>crisis in the next decade, and people were talking about

0:19:10.760 --> 0:19:17.119
<v Speaker 1>bombing Iran. With the perspective you have, it's like, is

0:19:17.160 --> 0:19:19.879
<v Speaker 1>there any hope can we you know? Or is this

0:19:20.119 --> 0:19:21.760
<v Speaker 1>just endemic to society.

0:19:24.320 --> 0:19:28.359
<v Speaker 2>I don't really know. I know that, you know, people

0:19:28.359 --> 0:19:31.200
<v Speaker 2>would assume that I'm an optimist. I never have been.

0:19:32.119 --> 0:19:35.879
<v Speaker 2>I struggle to not be a pessimist. Somebody suggested it

0:19:35.920 --> 0:19:38.159
<v Speaker 2>was a waste of time, and I think that's true.

0:19:39.240 --> 0:19:44.879
<v Speaker 2>I struggle with hope. Somebody said, hope is a discipline,

0:19:46.240 --> 0:19:49.520
<v Speaker 2>and it's like a muscle. It has to be exercised

0:19:49.640 --> 0:19:53.840
<v Speaker 2>for me, for somebody who's glass half empty and sometimes

0:19:53.880 --> 0:19:57.240
<v Speaker 2>all the way empty. I think the trick is that

0:19:57.640 --> 0:20:00.680
<v Speaker 2>I've always done what I've done anyway, whether I was

0:20:00.800 --> 0:20:05.800
<v Speaker 2>optimistic about it or not. The moral compass would just

0:20:06.600 --> 0:20:08.159
<v Speaker 2>dictate what I did next.

0:20:16.040 --> 0:20:18.320
<v Speaker 1>In the movie, it hints at the fact that you

0:20:18.600 --> 0:20:23.080
<v Speaker 1>always knew you were different, you were charismatic, you were

0:20:23.119 --> 0:20:27.800
<v Speaker 1>going to be successful. When did you internally recognize that.

0:20:30.400 --> 0:20:32.639
<v Speaker 2>I don't know about being successful. I don't think that

0:20:32.680 --> 0:20:36.320
<v Speaker 2>word was in my vocabulary. I had total faith in

0:20:36.359 --> 0:20:40.200
<v Speaker 2>my voice. I might have been, you know, had squeamish

0:20:40.240 --> 0:20:42.879
<v Speaker 2>about everything else, or thought I wasn't good enough, or

0:20:43.280 --> 0:20:46.800
<v Speaker 2>thought I was a dumb Mexican whatever, But once that

0:20:46.920 --> 0:20:52.080
<v Speaker 2>voice started to I'd say by sixteen, I was sure

0:20:52.119 --> 0:20:54.400
<v Speaker 2>that it was special. By the time I was twenty,

0:20:54.720 --> 0:21:00.439
<v Speaker 2>and there was nothing could have could have inter feared

0:21:00.560 --> 0:21:04.320
<v Speaker 2>with my feelings about my own voice. So I don't

0:21:04.320 --> 0:21:05.199
<v Speaker 2>know what your question was.

0:21:05.240 --> 0:21:08.960
<v Speaker 1>Now, Well, okay, well you felt that voice to be successful.

0:21:09.000 --> 0:21:13.080
<v Speaker 1>In the world of entertainment, talent, is it most fifty percent.

0:21:13.840 --> 0:21:20.040
<v Speaker 1>The other fifty percent is dry and need, etc. So

0:21:20.240 --> 0:21:24.960
<v Speaker 1>where did that drive and need come from?

0:21:25.119 --> 0:21:30.119
<v Speaker 2>I think I don't seize myself as ambitious, and I

0:21:30.160 --> 0:21:33.040
<v Speaker 2>think it's probably because I didn't have to be. I

0:21:33.119 --> 0:21:37.040
<v Speaker 2>had to get ambitious enough to keep going when the

0:21:37.280 --> 0:21:40.399
<v Speaker 2>career fell apart. And that's all in the film is

0:21:40.480 --> 0:21:45.320
<v Speaker 2>pretty clear. But at the beginning, my idea of the

0:21:45.359 --> 0:21:49.840
<v Speaker 2>future was the following Wednesday. You know I didn't have

0:21:50.000 --> 0:21:52.760
<v Speaker 2>Some kid asked me once I was about seventeen, I

0:21:52.800 --> 0:21:55.600
<v Speaker 2>thought I was going to be famous, and I hadn't

0:21:55.600 --> 0:21:58.359
<v Speaker 2>even thought about it. It seemed like a fun idea.

0:21:58.440 --> 0:22:00.679
<v Speaker 2>Once he said it, I didn't me. I thought that

0:22:00.720 --> 0:22:05.480
<v Speaker 2>would be kind of cool. And once I was seeing

0:22:05.480 --> 0:22:09.239
<v Speaker 2>any chiatrist when I was twenty, and I told him

0:22:09.240 --> 0:22:11.080
<v Speaker 2>I'd had a dream that I was singing with Harry

0:22:11.160 --> 0:22:14.119
<v Speaker 2>Bellafai and he said, don't you think you're having delusions

0:22:14.200 --> 0:22:14.879
<v Speaker 2>in grandeur?

0:22:15.280 --> 0:22:19.760
<v Speaker 1>And I said, no, that begs the question. Did you

0:22:19.840 --> 0:22:21.359
<v Speaker 1>ever sing with Harry Bellefanie?

0:22:21.480 --> 0:22:25.320
<v Speaker 2>Yes? I did, Yeah, I did on Marches. Yeah, what

0:22:25.520 --> 0:22:26.360
<v Speaker 2>a wonderful guy.

0:22:27.680 --> 0:22:31.520
<v Speaker 1>Okay, so your family moves to Boston. How do you

0:22:31.680 --> 0:22:33.560
<v Speaker 1>end up playing at club forty seven.

0:22:34.680 --> 0:22:37.720
<v Speaker 2>Well, I have to say, good old Dad took his

0:22:38.520 --> 0:22:42.080
<v Speaker 2>three daughters and his wife into Cambridge because he'd seen

0:22:43.440 --> 0:22:48.720
<v Speaker 2>with his own eyes these coffee shops and he knew that,

0:22:49.000 --> 0:22:51.520
<v Speaker 2>you know, I was starting to play guitar and starting

0:22:51.560 --> 0:22:54.240
<v Speaker 2>to learn folk music. And he took us into Cambridge,

0:22:54.520 --> 0:22:57.320
<v Speaker 2>and he took us into the Harbor Square. He walked around.

0:22:57.760 --> 0:22:59.919
<v Speaker 2>I remember looking in the door of one of these

0:23:00.040 --> 0:23:05.280
<v Speaker 2>coffee shops sing a guy playing guitar, singing, sitting under

0:23:05.320 --> 0:23:09.159
<v Speaker 2>his yellow light. Everybody's smoking, and all these students, you know,

0:23:09.920 --> 0:23:14.720
<v Speaker 2>discussing whatever, and that kind of was. It was a bingo,

0:23:15.240 --> 0:23:19.840
<v Speaker 2>you know. That's what I wanted to do. I wanted

0:23:19.880 --> 0:23:22.080
<v Speaker 2>to go and beg every song off of him and

0:23:22.200 --> 0:23:26.960
<v Speaker 2>everybody I knew, everybody I met, and have them teach me,

0:23:27.760 --> 0:23:28.639
<v Speaker 2>teach me the guitar.

0:23:30.000 --> 0:23:33.960
<v Speaker 1>Okay, So what happened first the learning process? Did you

0:23:34.080 --> 0:23:36.359
<v Speaker 1>would shed for a while or at what point did

0:23:36.440 --> 0:23:38.840
<v Speaker 1>you get up on stage and then perform for others?

0:23:39.760 --> 0:23:46.080
<v Speaker 2>Oh? Very fast, Because I was eighteen or nineteen at Newport,

0:23:47.760 --> 0:23:53.080
<v Speaker 2>I had already sung. I sang this thing for the Shriners.

0:23:53.160 --> 0:23:55.639
<v Speaker 2>I mean I would go where somebody said, hey, I

0:23:55.720 --> 0:23:58.000
<v Speaker 2>was sixteen. I'm in high school. So and so wanted

0:23:58.000 --> 0:23:59.720
<v Speaker 2>you to come and sing for their class. Okay, I

0:23:59.880 --> 0:24:02.359
<v Speaker 2>go singing to their class. Some of his dad was

0:24:02.440 --> 0:24:04.600
<v Speaker 2>with the Shriners. They wanted me to come and sing

0:24:04.720 --> 0:24:09.040
<v Speaker 2>with the Shriners. And I went and I sang in

0:24:09.200 --> 0:24:12.879
<v Speaker 2>his drunken old shriner came over and he said, honey,

0:24:13.800 --> 0:24:14.920
<v Speaker 2>don't sign cheap.

0:24:17.160 --> 0:24:19.640
<v Speaker 1>It's that great phenomenal.

0:24:20.920 --> 0:24:21.960
<v Speaker 2>That was really funny.

0:24:22.040 --> 0:24:26.880
<v Speaker 1>Yeah, okay, was your first public outing club forty seven

0:24:26.960 --> 0:24:28.560
<v Speaker 1>or did you play another clubs before that?

0:24:29.640 --> 0:24:32.320
<v Speaker 2>No, that was the first one and almost the only one.

0:24:32.440 --> 0:24:35.400
<v Speaker 2>I mean it was became home and I started off

0:24:35.600 --> 0:24:38.159
<v Speaker 2>on every two I think it was every Tuesday, and

0:24:38.240 --> 0:24:40.879
<v Speaker 2>had ten dollars. That was a big deal. Then they

0:24:40.960 --> 0:24:44.280
<v Speaker 2>added a probably it was Tuesdays and Fridays. Then it

0:24:44.320 --> 0:24:47.600
<v Speaker 2>went up to fifteen dollars, and I really felt he

0:24:47.720 --> 0:24:51.280
<v Speaker 2>felt like a rich girl. And I had had two jobs.

0:24:51.359 --> 0:24:55.040
<v Speaker 2>I had had one job at Boston Vespa company, where

0:24:55.080 --> 0:24:57.439
<v Speaker 2>I taught people how to drive vestpro.

0:24:58.640 --> 0:25:00.879
<v Speaker 1>So I had to if you're driving investment was did

0:25:00.960 --> 0:25:01.679
<v Speaker 1>you ever crash?

0:25:02.359 --> 0:25:05.440
<v Speaker 2>Yes? I did once, but it was on a motorcycle.

0:25:05.480 --> 0:25:07.840
<v Speaker 2>It was on a little tiny, stupid motorcycle. But yes,

0:25:07.960 --> 0:25:10.359
<v Speaker 2>I did fall over once as on my way to

0:25:10.440 --> 0:25:13.520
<v Speaker 2>my psychiatrist, and I told what happened. He said, are

0:25:13.560 --> 0:25:19.480
<v Speaker 2>you crazy? That's a stupid question. Anyway, where did I

0:25:19.800 --> 0:25:20.840
<v Speaker 2>Where did I veer off?

0:25:21.040 --> 0:25:23.920
<v Speaker 1>Just now you were talking about playing Club forty seven,

0:25:24.040 --> 0:25:25.520
<v Speaker 1>working your way up the ladder.

0:25:26.880 --> 0:25:32.520
<v Speaker 2>Yeah, I played the one week. The first night I played,

0:25:32.560 --> 0:25:37.720
<v Speaker 2>there was my mother and father, two sisters, and one

0:25:37.800 --> 0:25:40.520
<v Speaker 2>other person. I don't remember who that was. That was it,

0:25:40.920 --> 0:25:44.320
<v Speaker 2>probably the owners of the club. And then whatever happened

0:25:44.840 --> 0:25:47.760
<v Speaker 2>between that and the following week, it was then full,

0:25:48.240 --> 0:25:49.679
<v Speaker 2>and I don't remember what happened.

0:25:50.600 --> 0:25:53.840
<v Speaker 1>And then if there were only your family members there,

0:25:54.920 --> 0:25:56.560
<v Speaker 1>why did everybody show up a week later?

0:25:58.160 --> 0:26:01.760
<v Speaker 2>I don't know. And I don't know if anybody knew

0:26:01.840 --> 0:26:04.320
<v Speaker 2>on that first night, or if the word got out

0:26:04.680 --> 0:26:07.760
<v Speaker 2>or I don't know, but it was really fast. And

0:26:07.840 --> 0:26:13.480
<v Speaker 2>then shortly after that, Albert Grossman, who handled just about

0:26:13.520 --> 0:26:18.760
<v Speaker 2>everybody in the folk world, invited me to come to Newport.

0:26:19.240 --> 0:26:21.480
<v Speaker 2>Wanted me to go to Newport, and so.

0:26:24.000 --> 0:26:24.560
<v Speaker 1>So I went.

0:26:24.640 --> 0:26:26.720
<v Speaker 2>And that was the You know what I'm thinking when

0:26:26.720 --> 0:26:29.359
<v Speaker 2>I'm going through this, I had already been to Chicago,

0:26:29.760 --> 0:26:33.520
<v Speaker 2>to the Gate of Horn to sing itub It was

0:26:33.640 --> 0:26:37.080
<v Speaker 2>his club and it was a real club and people

0:26:37.240 --> 0:26:39.280
<v Speaker 2>drank and stuff. It was a big deal for me

0:26:39.680 --> 0:26:44.120
<v Speaker 2>because I didn't think that was appropriate. Man, people drank anywhere.

0:26:44.920 --> 0:26:47.320
<v Speaker 2>So and I was there for a couple of weeks

0:26:47.600 --> 0:26:50.680
<v Speaker 2>opening for Bob Gibson. That's okay, that's how it goes.

0:26:50.720 --> 0:26:55.639
<v Speaker 2>And then Gibson was singing at Newport and he invited me,

0:26:55.960 --> 0:27:00.159
<v Speaker 2>an Odette invited me, and that's where that's we were

0:27:00.200 --> 0:27:00.840
<v Speaker 2>all kind of pop.

0:27:01.680 --> 0:27:05.440
<v Speaker 1>Let's go a little bit slower. You're playing club forty seven,

0:27:06.000 --> 0:27:09.159
<v Speaker 1>you're going to college. How do you end up dropping

0:27:09.200 --> 0:27:09.920
<v Speaker 1>out of college?

0:27:10.760 --> 0:27:14.040
<v Speaker 2>Oh? That was easy, that was the easy part. I

0:27:14.240 --> 0:27:17.080
<v Speaker 2>literally I was there for about six weeks. I mean

0:27:17.160 --> 0:27:21.359
<v Speaker 2>after that it was just pretending to my parents that

0:27:21.440 --> 0:27:24.920
<v Speaker 2>I was in school. I don't think there was I

0:27:24.960 --> 0:27:28.120
<v Speaker 2>didn't know there are that many ways to flunk. There

0:27:28.240 --> 0:27:31.920
<v Speaker 2>was you know, there was a zero, there was an F,

0:27:32.240 --> 0:27:35.600
<v Speaker 2>there was a missing an action, whatever they are. But

0:27:36.040 --> 0:27:39.840
<v Speaker 2>the only grade I got that was decent was art class,

0:27:40.600 --> 0:27:43.520
<v Speaker 2>and it was because they studied Alasco caves. And I

0:27:43.720 --> 0:27:46.240
<v Speaker 2>was so enthralled with that that I actually paid attention.

0:27:46.800 --> 0:27:50.920
<v Speaker 1>Okay, but your your father's academic how does he feel

0:27:50.960 --> 0:27:52.720
<v Speaker 1>about you dripping out of college?

0:27:53.560 --> 0:27:59.040
<v Speaker 2>Horrible? But he knew. I mean, my opalling went to

0:27:59.160 --> 0:28:02.879
<v Speaker 2>college just really for him. She had no desire to

0:28:02.960 --> 0:28:07.960
<v Speaker 2>go and she didn't last there. And I was so

0:28:09.040 --> 0:28:12.560
<v Speaker 2>out of it. By the end of high school. Everybody's

0:28:12.640 --> 0:28:16.000
<v Speaker 2>talking about college boards. I didn't know what a college

0:28:16.080 --> 0:28:18.639
<v Speaker 2>board was, and I was too embarrassed to ask, And

0:28:18.760 --> 0:28:22.119
<v Speaker 2>anytime anybody said it, I just pictured a two x

0:28:22.200 --> 0:28:27.080
<v Speaker 2>four plank a board that and I wouldn't go be

0:28:27.200 --> 0:28:30.480
<v Speaker 2>I wouldn't ask any questions beyond that. And then my

0:28:31.000 --> 0:28:33.000
<v Speaker 2>mother was trying to get me interested in one of

0:28:33.040 --> 0:28:36.480
<v Speaker 2>the East Coast girls schools, you know, Bennington, where it's

0:28:37.359 --> 0:28:42.000
<v Speaker 2>free for the arts and encouraged arts and music. And

0:28:42.160 --> 0:28:46.200
<v Speaker 2>I went to the interview with Mimi and my parents

0:28:46.320 --> 0:28:49.880
<v Speaker 2>and it was a complete disaster. She'd say something like, well,

0:28:49.920 --> 0:28:52.080
<v Speaker 2>what are your study habits like, and I'd say, I

0:28:52.120 --> 0:28:56.360
<v Speaker 2>don't have any you know. It was just horrible, and

0:28:56.480 --> 0:28:58.720
<v Speaker 2>I didn't get in. And the only place I got

0:28:58.760 --> 0:29:01.320
<v Speaker 2>into was Boston University. Fine Arts.

0:29:02.720 --> 0:29:07.240
<v Speaker 1>Okay, so you're at Club forty seven. You obviously are

0:29:07.320 --> 0:29:12.800
<v Speaker 1>feeling good that there's an audience, you're making money. What

0:29:13.240 --> 0:29:15.760
<v Speaker 1>At what point do professionals say, hey, kid, you know

0:29:15.840 --> 0:29:17.360
<v Speaker 1>you should come here and make a deal with me.

0:29:18.680 --> 0:29:21.080
<v Speaker 2>Well, actually that happened when I was in high school,

0:29:21.280 --> 0:29:25.080
<v Speaker 2>and these two they remind me of the of those

0:29:25.320 --> 0:29:28.360
<v Speaker 2>sneaky guys in Pinocchio. They kind of came in, they said,

0:29:28.400 --> 0:29:30.040
<v Speaker 2>come on, little girl, we're going to make an album.

0:29:30.800 --> 0:29:32.680
<v Speaker 2>And all I had was stuff like Annie had a

0:29:32.760 --> 0:29:40.440
<v Speaker 2>baby and work with me, Annie and six Bellefontie songs.

0:29:41.720 --> 0:29:44.400
<v Speaker 2>So I went and did everything I knew and they

0:29:45.240 --> 0:29:50.480
<v Speaker 2>pressed it and it was one that we banned. I

0:29:50.560 --> 0:29:52.640
<v Speaker 2>can't remember the name of it, but it was really

0:29:52.760 --> 0:29:54.640
<v Speaker 2>really early. And then it was that come on, honey,

0:29:54.920 --> 0:30:01.880
<v Speaker 2>we're going to make you famous. And then oh it

0:30:02.040 --> 0:30:06.000
<v Speaker 2>happened in an ice way. That all at grossman time period.

0:30:07.400 --> 0:30:11.360
<v Speaker 2>I was in twenty nineteen, I think, and he wanted

0:30:11.440 --> 0:30:14.360
<v Speaker 2>me to sign with Columbia, which is where everybody was going,

0:30:14.880 --> 0:30:18.720
<v Speaker 2>and I was just leary of the size of it,

0:30:18.880 --> 0:30:21.160
<v Speaker 2>you know, the gold records on the walls, and I

0:30:21.280 --> 0:30:24.600
<v Speaker 2>wanted to talk to Vanguard, which is basically a classical

0:30:24.720 --> 0:30:29.080
<v Speaker 2>music company. And first I went to Columbia with Grossman,

0:30:30.160 --> 0:30:33.520
<v Speaker 2>and I literally developed a cold while I was sitting

0:30:33.560 --> 0:30:36.440
<v Speaker 2>there and he's over my shoulder saying sign here, and

0:30:36.600 --> 0:30:38.680
<v Speaker 2>I said, no, I had to fight it. No, I

0:30:38.760 --> 0:30:42.040
<v Speaker 2>want to go talk to Vanguard first. And of course

0:30:42.080 --> 0:30:44.480
<v Speaker 2>I was more comfortable at Vanguard. And it was a

0:30:44.520 --> 0:30:45.440
<v Speaker 2>wonderful decision.

0:30:47.400 --> 0:30:51.120
<v Speaker 1>It was a wonderful decision because because it.

0:30:51.200 --> 0:30:55.680
<v Speaker 2>Was the right company for me. The Maynard Solomon owned

0:30:55.720 --> 0:30:59.960
<v Speaker 2>the company, and he produced my albums, and he understood

0:31:00.360 --> 0:31:03.920
<v Speaker 2>and loved folk music and he, you know, we helped

0:31:03.960 --> 0:31:07.440
<v Speaker 2>me with always with the songs I was going to choose,

0:31:08.240 --> 0:31:11.280
<v Speaker 2>And yeah, I don't know what the path would have been.

0:31:11.360 --> 0:31:14.800
<v Speaker 2>If I'd gone on Columbia, probably fine, Probably would have

0:31:14.880 --> 0:31:19.560
<v Speaker 2>been fine. But I think for me to stay oriented,

0:31:20.000 --> 0:31:23.000
<v Speaker 2>for me to not tip over, it's probably safer to

0:31:23.080 --> 0:31:23.840
<v Speaker 2>be with that guard.

0:31:25.080 --> 0:31:29.040
<v Speaker 1>Okay, you start to have the success very quickly. How

0:31:29.120 --> 0:31:31.680
<v Speaker 1>do you cope with the attention? Very few people are

0:31:31.720 --> 0:31:34.640
<v Speaker 1>in this situation, yeah, and very few people in this

0:31:34.680 --> 0:31:38.720
<v Speaker 1>situation that quickly. Yeah, but there's a lot of tumult.

0:31:39.160 --> 0:31:41.680
<v Speaker 1>There's no one from your regular life who understands what

0:31:41.760 --> 0:31:45.480
<v Speaker 1>you're going through. Yeah, So what was it like for you?

0:31:47.640 --> 0:31:51.480
<v Speaker 2>Well, as part of it was really exciting because there

0:31:51.520 --> 0:31:53.640
<v Speaker 2>I was with an identity, and there I was with

0:31:53.760 --> 0:31:58.520
<v Speaker 2>people paying attention to me, and I had value and worths.

0:32:01.160 --> 0:32:06.320
<v Speaker 2>And then so that would It's like reading reviews. If

0:32:06.360 --> 0:32:08.680
<v Speaker 2>you read good reviews, you get all puffed up. If

0:32:08.680 --> 0:32:11.760
<v Speaker 2>you read bad ones, you get miserable. You know, So

0:32:12.560 --> 0:32:14.120
<v Speaker 2>what do you do with your life? And that do

0:32:14.160 --> 0:32:17.160
<v Speaker 2>you believe everybody was saying wonderful things about you? I

0:32:17.320 --> 0:32:21.280
<v Speaker 2>know that my Quaker background was helpful because I understood

0:32:21.280 --> 0:32:24.640
<v Speaker 2>about being quiet, and I understood about meditation, and I

0:32:24.800 --> 0:32:29.440
<v Speaker 2>understood about you know that I was just so small

0:32:29.640 --> 0:32:32.200
<v Speaker 2>in this, in the greater scheme of things, and so

0:32:32.520 --> 0:32:37.120
<v Speaker 2>I did a lot of meditation and prayer back then

0:32:37.240 --> 0:32:39.160
<v Speaker 2>to sort of try and keep me on the right path.

0:32:40.200 --> 0:32:42.200
<v Speaker 2>And not that I was always on the right path,

0:32:42.840 --> 0:32:46.680
<v Speaker 2>but I but I tried. At an early age. I tried,

0:32:47.480 --> 0:32:49.239
<v Speaker 2>and I was a little neurotic. I didn't. I mean,

0:32:49.600 --> 0:32:51.920
<v Speaker 2>I didn't want anything on the stage. I want to

0:32:52.040 --> 0:32:56.400
<v Speaker 2>pitch black. I wanted no frills, and I thought it

0:32:56.440 --> 0:32:59.600
<v Speaker 2>would be easier for everybody, and it wasn't. It was

0:32:59.680 --> 0:33:02.200
<v Speaker 2>just as difficult. People had planned to pour roses on

0:33:02.280 --> 0:33:06.880
<v Speaker 2>the stage, you know. And then once I said no

0:33:07.000 --> 0:33:09.880
<v Speaker 2>more limousines for me, I don't want any more limousines

0:33:10.000 --> 0:33:14.960
<v Speaker 2>because I felt too privileged. And that lasted a couple

0:33:15.040 --> 0:33:18.720
<v Speaker 2>of months. If somebody showed up has broken down, Volkswagen Bus,

0:33:19.800 --> 0:33:23.240
<v Speaker 2>give me the limousines back, and I've been happy in

0:33:23.320 --> 0:33:25.520
<v Speaker 2>them ever since. I wish they didn't need so much gas.

0:33:26.520 --> 0:33:28.720
<v Speaker 1>What about the me too moments?

0:33:31.240 --> 0:33:35.440
<v Speaker 2>I was not not active in that, and you know,

0:33:35.800 --> 0:33:39.520
<v Speaker 2>I wasn't speaking about myself at that point.

0:33:40.880 --> 0:33:44.320
<v Speaker 1>So I guess what I'm saying is, you're a young girl,

0:33:44.440 --> 0:33:47.760
<v Speaker 1>twenty years old, you're in business, You're a hot commodity.

0:33:48.480 --> 0:33:50.200
<v Speaker 2>Anyway, I see any.

0:33:50.120 --> 0:33:52.640
<v Speaker 1>Woman who's twenty years old, even at this late date,

0:33:52.680 --> 0:33:56.120
<v Speaker 1>with new consciousness, it's a volatile situation.

0:33:57.960 --> 0:33:58.840
<v Speaker 2>Say which situation?

0:33:58.960 --> 0:34:03.360
<v Speaker 1>Sorry, sexually charged with men trying to take advantage of you.

0:34:04.200 --> 0:34:08.560
<v Speaker 2>Oh I see, well, I think it was in some

0:34:08.680 --> 0:34:12.319
<v Speaker 2>ways too puritanical at some point, and then they didn't

0:34:12.320 --> 0:34:17.640
<v Speaker 2>take advantage when I hadn't slept with them. Okay, this

0:34:17.840 --> 0:34:20.400
<v Speaker 2>isn't I don't know if it's okay or not, but

0:34:20.480 --> 0:34:21.640
<v Speaker 2>I'm just trying to be honest.

0:34:21.840 --> 0:34:24.960
<v Speaker 1>Oh died great, But this is an era with the

0:34:25.080 --> 0:34:27.520
<v Speaker 1>folk music scene. We even end up with a TV

0:34:27.680 --> 0:34:31.280
<v Speaker 1>show about folk music Kot and Nanny prior to the Beatles,

0:34:31.880 --> 0:34:35.440
<v Speaker 1>but Dylan comes along in the early sixties. First album

0:34:35.520 --> 0:34:39.719
<v Speaker 1>is Covers, but then he starts to write did you

0:34:40.040 --> 0:34:43.759
<v Speaker 1>feel any pressure to write? Did you feel different from

0:34:43.800 --> 0:34:44.680
<v Speaker 1>the people who wrote?

0:34:45.960 --> 0:34:48.719
<v Speaker 2>You know what, I never even considered it, because I

0:34:48.880 --> 0:34:52.560
<v Speaker 2>just considered that I was an interpreter of folk balance

0:34:52.680 --> 0:34:56.560
<v Speaker 2>folk music. And it was somebody after ten years in

0:34:56.719 --> 0:34:59.200
<v Speaker 2>said well, are you ever going to write anything? And

0:34:59.280 --> 0:35:02.080
<v Speaker 2>that's the first time I'd really thought about her. And

0:35:02.200 --> 0:35:07.080
<v Speaker 2>that's when I I wrote Sweetster Galahad, and so I

0:35:07.200 --> 0:35:09.360
<v Speaker 2>sort of proved to myself that yeah, I could write.

0:35:10.040 --> 0:35:12.960
<v Speaker 2>And then after that I enjoyed it. I mean, I

0:35:13.040 --> 0:35:14.040
<v Speaker 2>wrote a bunch of things.

0:35:15.280 --> 0:35:17.960
<v Speaker 1>And what did you feel when the Beatles came along?

0:35:19.760 --> 0:35:23.360
<v Speaker 2>Oh? I loved the Beatles. I was in there. I

0:35:23.600 --> 0:35:25.920
<v Speaker 2>was when they might have been their first show in

0:35:26.000 --> 0:35:28.320
<v Speaker 2>the States. It is certainly the first tour. I was

0:35:28.400 --> 0:35:31.520
<v Speaker 2>in Denver and they were I'd been at Red Rocks

0:35:31.760 --> 0:35:36.399
<v Speaker 2>and they were there the next night, and I met

0:35:36.480 --> 0:35:41.399
<v Speaker 2>them out there, absolutely charming and funny, and they were

0:35:41.880 --> 0:35:44.799
<v Speaker 2>so thrilled in that hotel room. They had a whole

0:35:44.840 --> 0:35:49.160
<v Speaker 2>floor to themselves. What got them most excited was the

0:35:49.280 --> 0:35:51.719
<v Speaker 2>fact that there was a Coca Cola machine. You didn't

0:35:51.719 --> 0:35:58.120
<v Speaker 2>have to put any money in. It looked ludn't put

0:35:58.200 --> 0:36:00.200
<v Speaker 2>the co in, and then you get to Coca Colo.

0:36:01.600 --> 0:36:03.000
<v Speaker 2>They were happy.

0:36:03.480 --> 0:36:06.440
<v Speaker 1>Did you have any idea that the British invasion was

0:36:06.480 --> 0:36:09.080
<v Speaker 1>coming and this might negatively impact your career?

0:36:11.040 --> 0:36:18.480
<v Speaker 2>Neither I learned, as as everybody else did. They started,

0:36:18.560 --> 0:36:22.640
<v Speaker 2>you know, just one hit after another in this massive phenomenon,

0:36:23.480 --> 0:36:26.279
<v Speaker 2>and you know, I was fortunate enough to spend a

0:36:26.280 --> 0:36:27.080
<v Speaker 2>little time with them.

0:36:28.040 --> 0:36:31.160
<v Speaker 1>Well did you wake up in the later years and say,

0:36:31.239 --> 0:36:33.239
<v Speaker 1>wait a second. You know, you talk about the seventies

0:36:33.600 --> 0:36:36.080
<v Speaker 1>in the movie, but even the sixties you'd say, wait

0:36:36.120 --> 0:36:38.320
<v Speaker 1>a second. You know, I'm not the hot thing, and

0:36:38.440 --> 0:36:40.480
<v Speaker 1>the direction seems to be going somewhere else.

0:36:41.760 --> 0:36:44.080
<v Speaker 2>Yeah, that was a little later, because I was a

0:36:44.160 --> 0:36:47.600
<v Speaker 2>hot thing for maybe fifteen years or something, and then

0:36:47.640 --> 0:36:51.080
<v Speaker 2>I was, you know, still more than tepid for the

0:36:51.160 --> 0:36:57.040
<v Speaker 2>next five or six years. Okay, question again, Well.

0:36:57.080 --> 0:37:01.080
<v Speaker 1>Let me let me back into it. You are famously

0:37:01.239 --> 0:37:05.520
<v Speaker 1>in the Woodstock movie. Okay, no one else is like you.

0:37:06.120 --> 0:37:10.040
<v Speaker 1>You're pregnant. You're talking about your husband in jail when

0:37:10.120 --> 0:37:13.200
<v Speaker 1>you see that or when you're reminded of that, do

0:37:13.239 --> 0:37:15.560
<v Speaker 1>you feel comfortable or do you feel you're being so

0:37:15.760 --> 0:37:17.719
<v Speaker 1>authentic that you WinCE in some way?

0:37:19.160 --> 0:37:21.320
<v Speaker 2>No, I you know, I don't WinCE much in this.

0:37:21.600 --> 0:37:24.080
<v Speaker 2>I was young, Dylan was young, We still had our

0:37:24.160 --> 0:37:28.680
<v Speaker 2>baby fat. We got to forgive ourselves for some things. No,

0:37:29.840 --> 0:37:32.000
<v Speaker 2>there are a couple of times when I laugh. The

0:37:32.280 --> 0:37:35.000
<v Speaker 2>goal I had we're going to start a peace movement

0:37:37.000 --> 0:37:40.719
<v Speaker 2>and talking it was just rolling off the tongue. No,

0:37:41.160 --> 0:37:43.640
<v Speaker 2>and that's what I felt that it's kind of it's

0:37:43.719 --> 0:37:47.680
<v Speaker 2>not cringe eorthy, just sort of amazing and slightly funny.

0:37:48.000 --> 0:37:49.920
<v Speaker 2>And then I went on and did as much of

0:37:50.000 --> 0:37:52.080
<v Speaker 2>that as I could in my lifetime.

0:37:53.840 --> 0:37:56.600
<v Speaker 1>Okay, so tell me about the realization in the seventies

0:37:57.239 --> 0:37:59.680
<v Speaker 1>that you're talking about after fifteen years in the business.

0:38:00.200 --> 0:38:02.279
<v Speaker 1>A second, I seem to be in my own little

0:38:02.400 --> 0:38:05.799
<v Speaker 1>eddie and it seems to be a have passed me by.

0:38:07.400 --> 0:38:11.279
<v Speaker 2>Well, I think it does. A realization doesn't come that fast. First,

0:38:11.360 --> 0:38:13.920
<v Speaker 2>it's how come this hall isn't full? They must not

0:38:14.040 --> 0:38:21.000
<v Speaker 2>have gotten the advertisements out in time? You everything, it's

0:38:21.080 --> 0:38:24.680
<v Speaker 2>finger pointing time, And couldn't never dawned on me that

0:38:25.080 --> 0:38:27.399
<v Speaker 2>I would have anything but a full house, because that's

0:38:27.440 --> 0:38:30.360
<v Speaker 2>how it started out, and that's how it was. So

0:38:30.640 --> 0:38:34.200
<v Speaker 2>that was the beginning, just the very beginning, because it

0:38:34.280 --> 0:38:39.680
<v Speaker 2>took years really to catch up with my life as

0:38:39.680 --> 0:38:44.279
<v Speaker 2>a musician. I was way steadier with the politics. I mean,

0:38:44.360 --> 0:38:50.480
<v Speaker 2>that was I was on solid ground with that. So yeah,

0:38:50.560 --> 0:38:54.040
<v Speaker 2>I think, And I start the film off by saying,

0:38:54.040 --> 0:38:57.160
<v Speaker 2>I don't think anybody who's ever been famous thinks it's

0:38:57.160 --> 0:39:00.320
<v Speaker 2>ever going to stop, especially if you're that young. No,

0:39:01.080 --> 0:39:04.359
<v Speaker 2>there's no frame of reference except you know, there.

0:39:04.320 --> 0:39:07.520
<v Speaker 1>Was my own. So you know, you talk in the

0:39:07.680 --> 0:39:11.440
<v Speaker 1>movie about having success with diamonds and rust and then

0:39:11.560 --> 0:39:15.360
<v Speaker 1>switching managers. It was a bad decision. Now, if you

0:39:15.880 --> 0:39:18.800
<v Speaker 1>many musicians from that era will tell you they're living

0:39:19.040 --> 0:39:23.440
<v Speaker 1>off the publishing and the performing rights money that you

0:39:23.560 --> 0:39:26.400
<v Speaker 1>can get mailbox money when you're sitting at home. But

0:39:26.600 --> 0:39:31.160
<v Speaker 1>you didn't write that many songs, that's true. How's it

0:39:31.280 --> 0:39:32.839
<v Speaker 1>worked out for you financially?

0:39:34.160 --> 0:39:37.480
<v Speaker 2>I had some really good people around me, Otherwise I'd

0:39:37.520 --> 0:39:42.600
<v Speaker 2>be a mess that I had. I did pick wonderful people,

0:39:43.160 --> 0:39:48.680
<v Speaker 2>and they worked me through that quagmire because they knew

0:39:48.680 --> 0:39:52.279
<v Speaker 2>what they were doing. And I'm fine. I am not.

0:39:52.840 --> 0:39:56.839
<v Speaker 2>You know, I am not a millionaires. I never will

0:39:56.880 --> 0:40:03.000
<v Speaker 2>be that interested in making that kind of money. So

0:40:03.120 --> 0:40:03.480
<v Speaker 2>I'm good.

0:40:10.440 --> 0:40:14.840
<v Speaker 1>Okay, you write Diamonds and Rust. It ends up becoming

0:40:15.120 --> 0:40:20.320
<v Speaker 1>very successful, even on FM radio, which is getting harder

0:40:20.480 --> 0:40:24.600
<v Speaker 1>and more corporate. At the time. You're writing about the

0:40:25.280 --> 0:40:29.520
<v Speaker 1>ten years before twelve years before Bob Dylan, did this

0:40:30.360 --> 0:40:33.239
<v Speaker 1>cause any Let me put it this way. Did you

0:40:33.280 --> 0:40:35.359
<v Speaker 1>say I'm going to do this or did you say, hmm,

0:40:35.800 --> 0:40:38.400
<v Speaker 1>you know, I'm trading on the past. I'm trading on Dylan.

0:40:38.480 --> 0:40:40.000
<v Speaker 1>This might not be the right thing to do.

0:40:41.440 --> 0:40:43.839
<v Speaker 2>No, I wasn't trading on anybody. I just wrote the song.

0:40:43.880 --> 0:40:47.400
<v Speaker 2>I had no idea that it was going to become popular.

0:40:48.080 --> 0:40:51.560
<v Speaker 2>In fact, I was writing another song to that melody.

0:40:52.360 --> 0:40:55.640
<v Speaker 2>And it's true Bob called from the phone booth in

0:40:55.640 --> 0:40:59.280
<v Speaker 2>the Midwest and they read me one of his songs,

0:41:00.000 --> 0:41:03.800
<v Speaker 2>and that's where the whole song was triggered. That I

0:41:03.960 --> 0:41:07.319
<v Speaker 2>just had written a song. And anyway, if you didn't

0:41:07.400 --> 0:41:11.800
<v Speaker 2>know the history of Bob and me to some degree,

0:41:12.680 --> 0:41:14.760
<v Speaker 2>fortunately it still holds up as a song.

0:41:15.520 --> 0:41:18.839
<v Speaker 1>It absolutely does. But there was so much information back then.

0:41:19.200 --> 0:41:21.560
<v Speaker 1>So this phone call took place when.

0:41:22.719 --> 0:41:24.680
<v Speaker 2>Oh, I'm not going to remember. Please don't ask me

0:41:24.800 --> 0:41:25.120
<v Speaker 2>date you No.

0:41:25.200 --> 0:41:27.480
<v Speaker 1>What I'm trying to say is was this a memory

0:41:27.560 --> 0:41:29.600
<v Speaker 1>of a phone call in the sixties or was this

0:41:30.040 --> 0:41:31.520
<v Speaker 1>just before you wrote the song?

0:41:32.080 --> 0:41:33.480
<v Speaker 2>It was just before I wrote the song.

0:41:34.200 --> 0:41:38.560
<v Speaker 1>Yeah, so you had maintained contact with Bob Dylan over

0:41:38.680 --> 0:41:39.280
<v Speaker 1>these years?

0:41:42.719 --> 0:41:45.320
<v Speaker 2>Not really, I mean it was sort of out of

0:41:45.400 --> 0:41:48.440
<v Speaker 2>the blue that Betty called. Yeah, it was nine. You know,

0:41:48.560 --> 0:41:52.759
<v Speaker 2>we weren't buddies all that time, and you talked of

0:41:52.840 --> 0:41:56.919
<v Speaker 2>it all now. I don't know if anybody does.

0:41:58.840 --> 0:42:01.359
<v Speaker 1>He's busy on tour than going back to the bus.

0:42:01.960 --> 0:42:06.200
<v Speaker 1>So you meet him when his career is very nascent,

0:42:06.400 --> 0:42:09.200
<v Speaker 1>and then in sixty five, as a giant radio hit

0:42:09.800 --> 0:42:13.440
<v Speaker 1>like a Rolling Stone, you go to England with him.

0:42:13.920 --> 0:42:16.840
<v Speaker 1>Did you see him change? This is you know in

0:42:16.920 --> 0:42:18.279
<v Speaker 1>the movie you talk about the fact you wake up

0:42:18.280 --> 0:42:19.840
<v Speaker 1>one day, what am I doing here? This is not

0:42:20.000 --> 0:42:24.600
<v Speaker 1>my world? Okay? Did he change with success? Was that

0:42:24.760 --> 0:42:25.160
<v Speaker 1>part of it?

0:42:26.800 --> 0:42:31.399
<v Speaker 2>I think so? I think so. And it was also

0:42:31.480 --> 0:42:34.240
<v Speaker 2>says that the film had happened very quickly, that suddenly

0:42:34.320 --> 0:42:38.560
<v Speaker 2>there was this crush of people around him. It started

0:42:38.680 --> 0:42:44.360
<v Speaker 2>but just kids, you know, fans wanted to be around

0:42:44.480 --> 0:42:48.680
<v Speaker 2>him and adore him. And then it was a slightly

0:42:48.719 --> 0:42:52.200
<v Speaker 2>different scene going to Europe. Yes, there were all those fans,

0:42:52.239 --> 0:42:54.840
<v Speaker 2>but then there was his sort of cluster of in

0:42:55.040 --> 0:42:58.880
<v Speaker 2>house people, of the in crowd, and that's where I

0:42:59.640 --> 0:43:03.440
<v Speaker 2>was not comfortable. I think I was welcomed, but I

0:43:03.600 --> 0:43:07.480
<v Speaker 2>wasn't comfortable. And in the end, you know, those that

0:43:08.040 --> 0:43:13.880
<v Speaker 2>group of people, it was really a druggy group, and

0:43:14.040 --> 0:43:19.120
<v Speaker 2>I didn't. I didn't fit in. I didn't. It wasn't

0:43:19.160 --> 0:43:21.080
<v Speaker 2>part of my circles.

0:43:22.040 --> 0:43:24.839
<v Speaker 1>So in terms of your own drug, as we said

0:43:24.880 --> 0:43:28.960
<v Speaker 1>back then, experimentation, we did you go through that? Was

0:43:29.000 --> 0:43:30.760
<v Speaker 1>it never your thing? Or you dabbled?

0:43:31.920 --> 0:43:34.000
<v Speaker 2>No. The only thing ever, and it's also in the

0:43:34.080 --> 0:43:38.799
<v Speaker 2>film was many years later fet Onto Coaylude and took

0:43:38.800 --> 0:43:40.680
<v Speaker 2>a lot of coyluded for about eight years. But well,

0:43:40.719 --> 0:43:44.000
<v Speaker 2>everybody else was doing all this stuff. They were leaving

0:43:44.120 --> 0:43:48.520
<v Speaker 2>these pills on the stool by their microphone, and you know,

0:43:48.840 --> 0:43:51.440
<v Speaker 2>it probably was great stuff, but I just didn't relate

0:43:51.520 --> 0:43:53.240
<v Speaker 2>to it. I throw it in my purse and return

0:43:53.320 --> 0:43:58.120
<v Speaker 2>to powder. So I wasn't. I just didn't relate to it.

0:43:58.320 --> 0:44:00.839
<v Speaker 2>For whatever. I don't think they're virtue reasons. I think

0:44:00.880 --> 0:44:02.000
<v Speaker 2>I've probably just scared.

0:44:04.120 --> 0:44:07.399
<v Speaker 1>So quayludes and soapers, which are the same things, start

0:44:07.520 --> 0:44:09.840
<v Speaker 1>to happen in the early seventies. So how do you

0:44:10.520 --> 0:44:12.400
<v Speaker 1>first start taking quayludes?

0:44:13.280 --> 0:44:16.080
<v Speaker 2>I can't remember. I can't remember because I was so

0:44:16.200 --> 0:44:18.600
<v Speaker 2>scared of taking anything. I must have taken an eighth

0:44:18.800 --> 0:44:21.399
<v Speaker 2>of it or something, and that a sixth of one,

0:44:22.800 --> 0:44:25.399
<v Speaker 2>and I never took Mommy the half of them. Half

0:44:25.520 --> 0:44:29.160
<v Speaker 2>one was probably the most I ever took at a time.

0:44:30.719 --> 0:44:34.200
<v Speaker 1>So what was the motivation to continue to take them

0:44:34.239 --> 0:44:35.000
<v Speaker 1>all those years?

0:44:36.160 --> 0:44:42.640
<v Speaker 2>Comfort zone? It was made my life easier, made meeting people, laughing,

0:44:43.000 --> 0:44:46.560
<v Speaker 2>going to restaurants, all things that had a lot of anxiety.

0:44:46.640 --> 0:44:48.920
<v Speaker 2>It took away to anxiety. That's the real answer to

0:44:48.960 --> 0:44:49.480
<v Speaker 2>your question.

0:44:50.600 --> 0:44:54.040
<v Speaker 1>So, even at this late date, although we're all older,

0:44:54.640 --> 0:44:57.960
<v Speaker 1>did you have a level of social anxiety? Like as

0:44:57.960 --> 0:44:59.200
<v Speaker 1>someone called you up, Oh, we're going to go to

0:44:59.280 --> 0:45:00.840
<v Speaker 1>dann there's going to be s having people there you

0:45:00.920 --> 0:45:03.680
<v Speaker 1>don't know, would say, oh, sounds great. When I show up,

0:45:03.719 --> 0:45:05.200
<v Speaker 1>you say, well, you know, I really have something I

0:45:05.239 --> 0:45:06.640
<v Speaker 1>want to do at home. I'd rather not.

0:45:08.400 --> 0:45:13.600
<v Speaker 2>No, when you're saying that, I don't go to dinner

0:45:13.719 --> 0:45:16.279
<v Speaker 2>that much. But when I go with my pals. We

0:45:16.360 --> 0:45:20.040
<v Speaker 2>have a wonderful time. No, I think it's boiling down

0:45:20.120 --> 0:45:21.759
<v Speaker 2>to it. And I hadn't thought about all this till

0:45:21.840 --> 0:45:26.160
<v Speaker 2>we started talking. I don't know how many friends one

0:45:26.280 --> 0:45:31.320
<v Speaker 2>really needs. I know, I'm not interested in going to parties.

0:45:31.880 --> 0:45:34.759
<v Speaker 2>I'm not interested in going to places where the leaves

0:45:34.840 --> 0:45:37.640
<v Speaker 2>look like really nice people. And then somebody says, oh,

0:45:37.719 --> 0:45:39.960
<v Speaker 2>I saw you in nineteen seventy two and I was

0:45:40.040 --> 0:45:42.480
<v Speaker 2>wearing a plaid shirt, sitting in the front row. I think, yeah,

0:45:44.520 --> 0:45:48.880
<v Speaker 2>not interested, you know, but I try to be nice

0:45:49.040 --> 0:45:52.640
<v Speaker 2>because that meant something in that person's life. Somebody gave

0:45:52.680 --> 0:45:54.719
<v Speaker 2>me a great T shirt wanted to said please, don't

0:45:54.760 --> 0:45:58.359
<v Speaker 2>tell me your story, and then he proceeded to tell

0:45:58.400 --> 0:46:02.200
<v Speaker 2>me his long story about how he found the T shirt. Anyway,

0:46:02.320 --> 0:46:06.240
<v Speaker 2>it's about people wanting to place themselves in your life

0:46:06.719 --> 0:46:09.200
<v Speaker 2>or place you, and what it meant to them so

0:46:09.880 --> 0:46:12.480
<v Speaker 2>and it meant a lots. So I think treating them

0:46:12.560 --> 0:46:15.520
<v Speaker 2>decently is the you know what I can do.

0:46:16.000 --> 0:46:18.720
<v Speaker 1>Okay, So you're a famous person, you're out and about

0:46:18.760 --> 0:46:22.040
<v Speaker 1>on tour, you're in an airport, whatever. Everybody who comes

0:46:22.120 --> 0:46:23.320
<v Speaker 1>up to you tells you a story.

0:46:23.880 --> 0:46:26.719
<v Speaker 2>They want to do you travel with me someday and

0:46:26.840 --> 0:46:28.920
<v Speaker 2>it's just you. I see it in their eyes and

0:46:29.040 --> 0:46:33.480
<v Speaker 2>they take a big breath they say I saw you

0:46:34.000 --> 0:46:38.360
<v Speaker 2>as they go fuck do. And I was in the

0:46:38.480 --> 0:46:42.120
<v Speaker 2>front row. And almost a lot of people will start

0:46:42.200 --> 0:46:46.840
<v Speaker 2>with you may not remember me, but I think you know,

0:46:47.000 --> 0:46:49.760
<v Speaker 2>the chances that I remembering you I want in a million.

0:46:50.400 --> 0:46:53.560
<v Speaker 2>But how do I you know, let that person know

0:46:53.760 --> 0:46:57.520
<v Speaker 2>that they count as a person and try to avoid it.

0:46:57.640 --> 0:47:01.000
<v Speaker 2>Sometimes I'll just say no stories, no stories please.

0:47:03.160 --> 0:47:04.640
<v Speaker 1>Well that's one of the reasons I don't talk on

0:47:04.680 --> 0:47:08.240
<v Speaker 1>the phone people bull It's like, get to the ask

0:47:08.560 --> 0:47:10.440
<v Speaker 1>what do you want? So I can say no, so

0:47:10.560 --> 0:47:11.200
<v Speaker 1>I can hang.

0:47:11.160 --> 0:47:15.080
<v Speaker 2>Up perfect because we're get to the ask. When I

0:47:15.120 --> 0:47:17.520
<v Speaker 2>do Q and A after the film and you have

0:47:17.640 --> 0:47:21.480
<v Speaker 2>to say, please just ask a question. I am not

0:47:21.920 --> 0:47:25.759
<v Speaker 2>interested in here. Yeah, gotta say it. Sometimes they actually do.

0:47:26.680 --> 0:47:28.600
<v Speaker 1>That drives me crazy. Have Q and A and somebody

0:47:28.640 --> 0:47:30.400
<v Speaker 1>stands up to make a company. We don't give a

0:47:30.440 --> 0:47:32.560
<v Speaker 1>shit what you have to say. The people of the

0:47:32.680 --> 0:47:36.239
<v Speaker 1>stage are the ones. But just to drill down a

0:47:36.239 --> 0:47:39.719
<v Speaker 1>little bit further on this, not now, but when you

0:47:40.160 --> 0:47:45.120
<v Speaker 1>were throughout your life brought into situations well, you may

0:47:45.200 --> 0:47:47.080
<v Speaker 1>or may not have been the focus, and there were

0:47:47.160 --> 0:47:51.439
<v Speaker 1>people you didn't know. Did that cause extreme anxiety?

0:47:53.200 --> 0:47:55.800
<v Speaker 2>You know, as you're saying that, I sort of picture myself.

0:47:56.640 --> 0:48:01.600
<v Speaker 2>I was pretty. I was protected somehow because I was

0:48:01.719 --> 0:48:05.600
<v Speaker 2>already separate from them. I wasn't vying for a friendship

0:48:05.680 --> 0:48:10.120
<v Speaker 2>position or I knew I looked okay. You know, I

0:48:10.360 --> 0:48:14.239
<v Speaker 2>was established in myself. I might not have been very interested,

0:48:15.160 --> 0:48:17.839
<v Speaker 2>and I might have been, I might have gotten more

0:48:17.880 --> 0:48:19.880
<v Speaker 2>out of it. And if I'd been more interested and

0:48:20.040 --> 0:48:22.680
<v Speaker 2>more open, but I was okay for the most part.

0:48:22.719 --> 0:48:23.280
<v Speaker 2>I was okay.

0:48:24.320 --> 0:48:27.640
<v Speaker 1>And living is a famous person. Where people treat you

0:48:27.840 --> 0:48:32.600
<v Speaker 1>differently your whole life, good, bad or otherwise, How would

0:48:32.600 --> 0:48:37.160
<v Speaker 1>I know? Well? Sometimes, I mean everybody can tell. You

0:48:37.239 --> 0:48:39.200
<v Speaker 1>can perceive that when you're in a group of people,

0:48:39.719 --> 0:48:42.719
<v Speaker 1>they're treating you differently from the other people in the room.

0:48:43.360 --> 0:48:45.560
<v Speaker 2>No, But what I mean is that's gone on more

0:48:45.600 --> 0:48:49.080
<v Speaker 2>of my life than not, you see, So that's what

0:48:49.200 --> 0:48:53.320
<v Speaker 2>I mean. How would I know? I wouldn't.

0:48:54.040 --> 0:48:56.759
<v Speaker 1>Well, I understand your point of your life. You're the phone.

0:48:56.800 --> 0:48:59.000
<v Speaker 1>But you can tell when someone's being as sick a fan,

0:49:00.160 --> 0:49:01.440
<v Speaker 1>Oh yeah, I can.

0:49:02.440 --> 0:49:07.640
<v Speaker 2>And the clearest I've ever had to be was just say,

0:49:07.719 --> 0:49:11.640
<v Speaker 2>get the fuck out of here. I get what you're

0:49:11.680 --> 0:49:14.880
<v Speaker 2>trying to say. I am not interested. Stop saying it now.

0:49:15.480 --> 0:49:17.360
<v Speaker 2>I'm going to call a tour manager and get the

0:49:17.400 --> 0:49:18.040
<v Speaker 2>fuck out of here.

0:49:19.320 --> 0:49:21.800
<v Speaker 1>And in your everyday life, when somebody calls you on

0:49:21.920 --> 0:49:24.759
<v Speaker 1>your shit, are you good with that or not good

0:49:24.840 --> 0:49:25.040
<v Speaker 1>with that?

0:49:25.360 --> 0:49:27.759
<v Speaker 2>I'm pretty good with that. I don't have therapy to

0:49:27.840 --> 0:49:31.400
<v Speaker 2>be pretty good with that. In fact, you know you

0:49:31.600 --> 0:49:34.400
<v Speaker 2>asked to be called on your shit. You have to

0:49:34.520 --> 0:49:37.520
<v Speaker 2>ask because it's hard for people to. You know, somebody's

0:49:37.760 --> 0:49:41.520
<v Speaker 2>standing there buttoned up, wishing that you would change or

0:49:42.680 --> 0:49:46.000
<v Speaker 2>you have to unbutton and I have to hear it.

0:49:47.239 --> 0:49:50.320
<v Speaker 1>Okay. In the movie we do see Richard Ferina, it

0:49:50.440 --> 0:49:53.600
<v Speaker 1>does not mention the book he wrote, which is one

0:49:53.600 --> 0:49:56.719
<v Speaker 1>of the most impactful books I've ever read. Been down

0:49:56.800 --> 0:49:59.000
<v Speaker 1>so long it looks like up to me right as

0:49:59.040 --> 0:50:02.320
<v Speaker 1>a freshman in college. What can you tell us about Richard?

0:50:04.160 --> 0:50:08.440
<v Speaker 2>Richard was an interesting guy. He fancied himself a man

0:50:08.520 --> 0:50:11.440
<v Speaker 2>about the world, and in some ways he was. In

0:50:11.560 --> 0:50:15.319
<v Speaker 2>some ways he was a big blowhard. I can tell

0:50:15.400 --> 0:50:18.600
<v Speaker 2>you that he and I for a while would get

0:50:18.640 --> 0:50:24.040
<v Speaker 2>into these we'd have these dinners with Mimi and some friends,

0:50:24.160 --> 0:50:27.560
<v Speaker 2>and Dick and I would get into some goofy story

0:50:27.800 --> 0:50:33.359
<v Speaker 2>being East Indians or being whatever, and we go back

0:50:33.440 --> 0:50:36.040
<v Speaker 2>and forth and creating this play, and we realized everybody

0:50:36.080 --> 0:50:38.520
<v Speaker 2>had left because they were bored. It was just Stick

0:50:38.600 --> 0:50:42.520
<v Speaker 2>and me. And then at a certain point, I, you know,

0:50:42.600 --> 0:50:46.040
<v Speaker 2>I sort of got tired of it because Mimi wasn't growing,

0:50:46.320 --> 0:50:52.480
<v Speaker 2>she wasn't happy. And then you know, after he died,

0:50:53.080 --> 0:50:56.640
<v Speaker 2>he lived on with her forever. I mean, she couldn't

0:50:56.680 --> 0:50:59.279
<v Speaker 2>let go o him and he couldn't let go her.

0:51:00.719 --> 0:51:05.600
<v Speaker 1>Now, Mimi had a singing career. To what degree could

0:51:05.640 --> 0:51:09.120
<v Speaker 1>your sisters accept or resent your incredible success?

0:51:10.520 --> 0:51:12.080
<v Speaker 2>Well, I think a lot of that is in the

0:51:12.160 --> 0:51:17.040
<v Speaker 2>film that there were two different reactions Paulling. The older

0:51:17.120 --> 0:51:21.880
<v Speaker 2>sister had to just leave. I mean, the closest I

0:51:22.000 --> 0:51:24.680
<v Speaker 2>ever heard her come to saying what she was able

0:51:24.719 --> 0:51:28.840
<v Speaker 2>to say in the film was that I sucked up

0:51:28.880 --> 0:51:32.120
<v Speaker 2>the oxygen in the room, and that's why she would

0:51:32.880 --> 0:51:35.799
<v Speaker 2>sometimes not be able to share in whatever time they

0:51:35.840 --> 0:51:40.560
<v Speaker 2>were having. And then Mimi was more complicated because Mimi

0:51:40.680 --> 0:51:43.640
<v Speaker 2>really wanted to be me in some ways, and she

0:51:43.800 --> 0:51:47.040
<v Speaker 2>wanted to be a singer, and it's true. And she

0:51:47.200 --> 0:51:49.480
<v Speaker 2>asked me, and I'll never know whether I should have

0:51:49.600 --> 0:51:53.279
<v Speaker 2>said absolutely, Mimi, and just back to the whole way.

0:51:54.280 --> 0:51:58.040
<v Speaker 2>I don't even know what that would have meant. But

0:51:58.160 --> 0:52:01.080
<v Speaker 2>I told her what I thought was the truth, which

0:52:01.160 --> 0:52:02.799
<v Speaker 2>is that it was going to be a rough road

0:52:03.040 --> 0:52:06.520
<v Speaker 2>with big sister, and it was.

0:52:08.120 --> 0:52:11.040
<v Speaker 1>You're talking about Pauline, your oldest sister, saying you sucked

0:52:11.080 --> 0:52:14.840
<v Speaker 1>up the oxygen before you were famous, before you played

0:52:14.880 --> 0:52:17.239
<v Speaker 1>at Club forty seven. Did you suck up all the

0:52:17.320 --> 0:52:18.480
<v Speaker 1>oxygen in the family.

0:52:19.719 --> 0:52:21.279
<v Speaker 2>I think that's a very good question.

0:52:21.480 --> 0:52:21.640
<v Speaker 1>Yes.

0:52:21.719 --> 0:52:27.000
<v Speaker 2>I think the answer is yes. I because Pauline's feelings

0:52:27.040 --> 0:52:31.239
<v Speaker 2>would get hurt and I didn't understand why. And then

0:52:31.320 --> 0:52:33.680
<v Speaker 2>later on, as we moved through life, I would see

0:52:33.719 --> 0:52:37.400
<v Speaker 2>that I would get the attention. For instance, when I

0:52:37.560 --> 0:52:43.160
<v Speaker 2>was thirteen, somebody gave me, gave us each a ukulele,

0:52:44.200 --> 0:52:47.360
<v Speaker 2>and Pauline went to a room to learn how to

0:52:47.440 --> 0:52:51.680
<v Speaker 2>play that because she was, you know, she was a perfectionist.

0:52:52.640 --> 0:52:55.040
<v Speaker 2>And I learned two chords with flying downstairs and sang

0:52:55.080 --> 0:52:59.680
<v Speaker 2>a song for everybody. So where does that leave Pauline. No,

0:53:00.600 --> 0:53:04.640
<v Speaker 2>there were things like that that happened constantly and I

0:53:04.840 --> 0:53:08.000
<v Speaker 2>wasn't really aware of them. I was just aware. I

0:53:08.120 --> 0:53:11.120
<v Speaker 2>might have been you know, it might have been competitive

0:53:11.840 --> 0:53:13.960
<v Speaker 2>saying well, hah, I did this before she did. But

0:53:14.080 --> 0:53:17.120
<v Speaker 2>I think it was more I could now go and

0:53:17.239 --> 0:53:19.240
<v Speaker 2>get you know, and get people's attention.

0:53:22.120 --> 0:53:25.360
<v Speaker 1>So what was it about you that you were the

0:53:25.520 --> 0:53:28.520
<v Speaker 1>charismatic one and you wanted all the attention. You're the

0:53:28.560 --> 0:53:31.400
<v Speaker 1>middle child. Usually the oldest child is that person.

0:53:32.800 --> 0:53:34.680
<v Speaker 2>I don't know. I mean, I don't know how the

0:53:34.800 --> 0:53:39.800
<v Speaker 2>stars lined up for the any of it. It's just

0:53:40.680 --> 0:53:44.040
<v Speaker 2>I think that there are genetics. There are the situations

0:53:44.080 --> 0:53:46.640
<v Speaker 2>you've I mean, there was Bagdad. We all had this

0:53:47.040 --> 0:53:52.040
<v Speaker 2>huge reaction to Bagdad, which was Mimi was one of

0:53:52.120 --> 0:53:57.240
<v Speaker 2>the sisters. Through her taper, she struggled through some papers

0:53:57.320 --> 0:53:59.920
<v Speaker 2>supposed to write and wanted it up and threw it out.

0:54:00.160 --> 0:54:05.160
<v Speaker 2>So this is how Americans think or do their homework.

0:54:05.239 --> 0:54:09.480
<v Speaker 2>And Mimi said that that never left her that kind

0:54:09.520 --> 0:54:16.120
<v Speaker 2>of shattering, and I was just And that's the pictures

0:54:16.160 --> 0:54:18.759
<v Speaker 2>in there in the film, or pictures I did back then,

0:54:19.200 --> 0:54:23.520
<v Speaker 2>beggars and poverty, and that impacted me in a way

0:54:23.640 --> 0:54:26.200
<v Speaker 2>that when I went through my life with those images

0:54:26.280 --> 0:54:28.080
<v Speaker 2>and as part of what I ended up doing what

0:54:28.200 --> 0:54:33.919
<v Speaker 2>I was doing, and Mimi and then Pauline, I don't

0:54:33.960 --> 0:54:37.440
<v Speaker 2>even really know. Pauline used to find a way to

0:54:38.239 --> 0:54:43.759
<v Speaker 2>say something good about everything, and in the film, I'm saying, yeah,

0:54:43.800 --> 0:54:45.960
<v Speaker 2>I don't think I was that easy for me to

0:54:46.040 --> 0:54:48.120
<v Speaker 2>be so jolly about our lives.

0:54:49.760 --> 0:54:52.040
<v Speaker 1>And when you reach a level of success. I was

0:54:52.160 --> 0:54:54.319
<v Speaker 1>just reading the paper before we started. The woman who

0:54:54.360 --> 0:54:57.520
<v Speaker 1>wrote the book made turned into a Netflix series. How

0:54:57.640 --> 0:55:01.080
<v Speaker 1>everybody hit her up for money? What deg we do

0:55:01.160 --> 0:55:04.080
<v Speaker 1>you become the family breadwinner? Do you have to take

0:55:04.120 --> 0:55:06.040
<v Speaker 1>care of your family? Or was it clear of this

0:55:06.239 --> 0:55:08.120
<v Speaker 1>was your money, your life, do your thing.

0:55:09.920 --> 0:55:14.360
<v Speaker 2>Oh, I think whenever anybody needed it now, of course

0:55:14.400 --> 0:55:17.920
<v Speaker 2>would be there with it. But it's also funny in

0:55:18.000 --> 0:55:21.480
<v Speaker 2>the film, and I'm talking about I made that money

0:55:22.520 --> 0:55:25.040
<v Speaker 2>at the Vespa company, you know, and I came home

0:55:25.239 --> 0:55:29.160
<v Speaker 2>not with just the fifteen dollars of my singing, with

0:55:30.120 --> 0:55:33.160
<v Speaker 2>a fist full of money and thinking that was, you know,

0:55:33.320 --> 0:55:36.360
<v Speaker 2>to make everybody happen through it in the air and

0:55:36.480 --> 0:55:40.000
<v Speaker 2>people could take what they wanted. And of course this

0:55:40.160 --> 0:55:42.840
<v Speaker 2>is stupid, you know, But I didn't know that, and

0:55:42.920 --> 0:55:48.440
<v Speaker 2>everybody resented me for it. I don't blame them.

0:55:50.080 --> 0:55:53.920
<v Speaker 1>So it's kind of like Brian Wilson that he was

0:55:54.000 --> 0:55:56.800
<v Speaker 1>the one in the Maelstrom. He has mental problems, but

0:55:56.920 --> 0:56:01.440
<v Speaker 1>he still lives and the brothers are dead. And is

0:56:01.480 --> 0:56:03.600
<v Speaker 1>it just luck of the draw that you're the last

0:56:03.640 --> 0:56:04.400
<v Speaker 1>one standing?

0:56:05.719 --> 0:56:09.759
<v Speaker 2>Oh, I don't know. You mean out of the whole family, right, Yeah,

0:56:11.640 --> 0:56:15.200
<v Speaker 2>I don't know. Because you're all strong, We're all physically strong,

0:56:17.400 --> 0:56:19.480
<v Speaker 2>and I am physically strong. And it ain't over it

0:56:19.520 --> 0:56:22.880
<v Speaker 2>till it's over. No, I have so many relatives who

0:56:22.920 --> 0:56:26.760
<v Speaker 2>died to cancer. So far, I've just been lucky.

0:56:27.840 --> 0:56:31.000
<v Speaker 1>One of the points you make in the movie, which

0:56:31.080 --> 0:56:36.040
<v Speaker 1>resonates so much, is with all these people gone, you

0:56:36.200 --> 0:56:38.840
<v Speaker 1>have all these memories no one can connect with that

0:56:38.920 --> 0:56:39.760
<v Speaker 1>no one knows about.

0:56:40.400 --> 0:56:43.720
<v Speaker 2>Yeah, I know. It's a strange feeling. It's very strange.

0:56:44.080 --> 0:56:47.520
<v Speaker 2>You sort of look around and realize nobody is going

0:56:47.600 --> 0:56:50.880
<v Speaker 2>to remember that but me. Maybe it's free. I can

0:56:51.000 --> 0:56:53.440
<v Speaker 2>remember it the way I want to remember it, and

0:56:53.520 --> 0:56:58.480
<v Speaker 2>nobody's going to contest that. In fact, I've written writing

0:56:58.520 --> 0:57:02.400
<v Speaker 2>a book of poetry, I've written a couple of things

0:57:02.480 --> 0:57:06.600
<v Speaker 2>that relate to that that you each of us has

0:57:06.680 --> 0:57:10.320
<v Speaker 2>our own perception of whatever happened, and it can be.

0:57:10.520 --> 0:57:13.640
<v Speaker 2>You know that dress was blue? No, I remember exactly.

0:57:13.760 --> 0:57:17.120
<v Speaker 2>It was pink? No, and you do you remember exactly,

0:57:17.280 --> 0:57:19.480
<v Speaker 2>And it does nothing to do with what color the

0:57:19.560 --> 0:57:22.200
<v Speaker 2>dress was. It was probably white.

0:57:23.560 --> 0:57:26.919
<v Speaker 1>But talking about these people passing, my mother died three

0:57:27.000 --> 0:57:30.360
<v Speaker 1>years ago about this time. My father died long before that.

0:57:32.240 --> 0:57:34.320
<v Speaker 1>But as much as she was an influence on me,

0:57:34.840 --> 0:57:38.840
<v Speaker 1>there was a sense of liberation. So to what degree

0:57:38.960 --> 0:57:42.840
<v Speaker 1>with your parents and your sisters passing, do you feel

0:57:42.960 --> 0:57:45.760
<v Speaker 1>you can be more yourself as opposed to have thinking

0:57:45.840 --> 0:57:47.400
<v Speaker 1>about what their judgment might be.

0:57:48.640 --> 0:57:54.120
<v Speaker 2>Oh, it's absolutely For instance, couldn't have made this film

0:57:55.520 --> 0:58:02.080
<v Speaker 2>if they were there. It was too hurtful, too confusing. Yeah,

0:58:03.560 --> 0:58:06.720
<v Speaker 2>I'm sure. I'm sure liberated in a lot of ways.

0:58:08.440 --> 0:58:11.440
<v Speaker 2>You know, they don't have to worry about you know.

0:58:12.000 --> 0:58:14.720
<v Speaker 2>I mean, as I went, I didn't take the film

0:58:15.120 --> 0:58:18.600
<v Speaker 2>to show me what my sisters felt. It took it

0:58:18.720 --> 0:58:22.240
<v Speaker 2>to really define it. I've never heard them say because

0:58:22.240 --> 0:58:24.400
<v Speaker 2>they would never Pauline would never get in front of

0:58:24.440 --> 0:58:27.760
<v Speaker 2>a camera. It was only because she trusted Karen O'Connor.

0:58:30.400 --> 0:58:36.360
<v Speaker 2>They'd say, I keep getting the end of the conversation.

0:58:36.520 --> 0:58:37.440
<v Speaker 2>What was the question.

0:58:38.880 --> 0:58:42.840
<v Speaker 1>The question was, to what degree was it liberating with you?

0:58:42.960 --> 0:58:47.960
<v Speaker 2>Liberating? Yeah, yeah, I'm sure it was. I'm sure it

0:58:48.040 --> 0:58:51.000
<v Speaker 2>was liberating, and I hadn't thought of it in those terms,

0:58:52.400 --> 0:58:55.440
<v Speaker 2>miss said, and then it is. There's a piece that

0:58:55.560 --> 0:58:59.880
<v Speaker 2>I didn't have to put the time and energy into

0:59:00.480 --> 0:59:01.680
<v Speaker 2>knowing it was a conflict.

0:59:03.840 --> 0:59:07.400
<v Speaker 1>So how has all this family stuff affected your relationship

0:59:07.520 --> 0:59:08.120
<v Speaker 1>with your son?

0:59:10.280 --> 0:59:14.120
<v Speaker 2>I was just thinking about him. We worked so hard. No.

0:59:14.600 --> 0:59:18.360
<v Speaker 2>I thought he was so generous and forgiving and eloquent

0:59:18.520 --> 0:59:22.840
<v Speaker 2>in the film, No saying really what it felt like

0:59:23.200 --> 0:59:30.400
<v Speaker 2>to be a lonely little kid. And I what I

0:59:30.560 --> 0:59:34.400
<v Speaker 2>learned from my family is that I wasn't nurtured properly,

0:59:35.360 --> 0:59:39.000
<v Speaker 2>and so how would I really know? How would I

0:59:39.200 --> 0:59:43.120
<v Speaker 2>know how lonely he felt. I thought I was a

0:59:43.160 --> 0:59:46.360
<v Speaker 2>great mom, you know, I thought everything was hunky Dori,

0:59:46.520 --> 0:59:51.200
<v Speaker 2>and that's what happens. And then and then it wasn't.

0:59:52.160 --> 0:59:55.400
<v Speaker 2>And we've had time to make up for that as

0:59:55.520 --> 0:59:58.960
<v Speaker 2>much as possible. After the film, I decided I was

0:59:59.000 --> 1:00:04.560
<v Speaker 2>going to start a bad mothers club, because seriously, I mean,

1:00:04.680 --> 1:00:08.720
<v Speaker 2>every mother thinks she was could have done more, did

1:00:08.840 --> 1:00:12.640
<v Speaker 2>wrong or so that guilt is something to deal with

1:00:13.000 --> 1:00:17.200
<v Speaker 2>for the rest of my life. Forgiving oneself seems to really,

1:00:17.280 --> 1:00:22.320
<v Speaker 2>by far the hardest thing to do. But Dave, you know,

1:00:22.640 --> 1:00:25.240
<v Speaker 2>he helps me with that. We have a wonderful therapist.

1:00:25.320 --> 1:00:27.920
<v Speaker 2>And we hit a snag, we just go back, go

1:00:28.080 --> 1:00:29.880
<v Speaker 2>back and say can you help us straighten the sound.

1:00:31.240 --> 1:00:34.160
<v Speaker 1>So you married David Harris, you're involved with him, you

1:00:34.280 --> 1:00:37.280
<v Speaker 1>marry him, you're pregnant. He goes to jail for a

1:00:37.400 --> 1:00:42.440
<v Speaker 1>long time. He comes out of jail. How do you

1:00:42.560 --> 1:00:44.680
<v Speaker 1>pick up the relationship and what was it like?

1:00:46.600 --> 1:00:49.400
<v Speaker 2>Well, first thing comes in my mind is that somebody

1:00:49.440 --> 1:00:55.640
<v Speaker 2>who was, say, for instance, a Quaker type, who has

1:00:57.160 --> 1:01:04.960
<v Speaker 2>known themselves and seen the world in an open sense

1:01:05.000 --> 1:01:11.160
<v Speaker 2>of seeing how unimportant we are as individuals, goes into

1:01:11.280 --> 1:01:15.640
<v Speaker 2>jail with a certain mentality. And some guys would just

1:01:15.840 --> 1:01:18.440
<v Speaker 2>do it. They'd do their time and come out and

1:01:18.640 --> 1:01:22.200
<v Speaker 2>they were okay. For David, it was really, really difficult.

1:01:22.800 --> 1:01:27.360
<v Speaker 2>He had no idea. But he was macho, he was

1:01:27.400 --> 1:01:31.080
<v Speaker 2>a guy, this Fresno's Boy of the Year and all

1:01:31.120 --> 1:01:34.320
<v Speaker 2>of that was in there. Plus when he was in jail,

1:01:34.760 --> 1:01:38.760
<v Speaker 2>they picked on him, you know, because he was a magitator, etc.

1:01:39.160 --> 1:01:41.360
<v Speaker 2>And he would be in a strike they throw him

1:01:41.400 --> 1:01:46.760
<v Speaker 2>in solitary confinement, and it was very hard for him

1:01:46.800 --> 1:01:50.680
<v Speaker 2>to not resent all that after he came out. So

1:01:50.920 --> 1:01:54.520
<v Speaker 2>he had a really hard He had a really hard

1:01:54.600 --> 1:01:58.200
<v Speaker 2>go of it when he was in prison, and equally

1:01:58.360 --> 1:02:02.000
<v Speaker 2>is hard when he came out and we did. We

1:02:02.200 --> 1:02:02.960
<v Speaker 2>had a hard time.

1:02:04.040 --> 1:02:07.480
<v Speaker 1>But inherently does that separation mean it's hard to pick

1:02:07.560 --> 1:02:07.960
<v Speaker 1>back up?

1:02:09.760 --> 1:02:12.600
<v Speaker 2>It was for me. I mean, I'm sure for the

1:02:12.720 --> 1:02:17.560
<v Speaker 2>most stable couple, the most quakerly meditative type, it would

1:02:17.600 --> 1:02:20.800
<v Speaker 2>not be easy. But I don't think it had to

1:02:20.880 --> 1:02:25.360
<v Speaker 2>be as difficult as it was with David's nature.

1:02:25.440 --> 1:02:29.120
<v Speaker 1>Mean what it was now, David was younger than you.

1:02:30.000 --> 1:02:33.920
<v Speaker 1>Steve Jobs was younger than you. Is that just luck

1:02:33.960 --> 1:02:37.240
<v Speaker 1>of the drawer? You like younger men, I like younger men.

1:02:39.800 --> 1:02:41.360
<v Speaker 1>Can you tell me anything about that?

1:02:43.440 --> 1:02:45.160
<v Speaker 2>Oh, I'll leave it to your imagination.

1:02:47.720 --> 1:02:51.400
<v Speaker 1>Okay, then let's just go to the crux of the

1:02:51.480 --> 1:02:56.040
<v Speaker 1>movie is its retirement tour. Most people are never on

1:02:56.280 --> 1:02:58.320
<v Speaker 1>stage in front of thousands of people, that are not

1:02:58.400 --> 1:03:02.120
<v Speaker 1>in stage in front of tens of people, And what

1:03:02.320 --> 1:03:07.240
<v Speaker 1>they don't understand is this incredible adrenaline hit that the

1:03:07.480 --> 1:03:11.240
<v Speaker 1>money is good, but a lot of people they need

1:03:11.400 --> 1:03:15.160
<v Speaker 1>that hit, so you're on the road for decades and

1:03:15.360 --> 1:03:17.680
<v Speaker 1>now you're off. Do you miss that?

1:03:18.480 --> 1:03:22.280
<v Speaker 2>Absolutely? Not for a second? Is that interesting? I didn't know.

1:03:23.080 --> 1:03:25.720
<v Speaker 2>I had no idea, and that reflect on that in

1:03:25.800 --> 1:03:29.160
<v Speaker 2>the films thing. I don't know what I'll feel like,

1:03:29.280 --> 1:03:32.080
<v Speaker 2>and from what I hear, everybody who quit starts up again.

1:03:33.080 --> 1:03:36.280
<v Speaker 2>But I had a feeling inside that this was it,

1:03:36.480 --> 1:03:39.360
<v Speaker 2>and I managed, I manager, and I planned. It took

1:03:39.440 --> 1:03:42.240
<v Speaker 2>three years to do this properly, and I had a

1:03:42.320 --> 1:03:44.760
<v Speaker 2>strong feeling that that was going to be it. What

1:03:44.920 --> 1:03:50.200
<v Speaker 2>I didn't know is how calm it was to stop.

1:03:50.920 --> 1:03:54.720
<v Speaker 2>And I didn't know how hard I was working until

1:03:54.760 --> 1:03:58.000
<v Speaker 2>I stopped. And as soon as I stopped, I thought,

1:03:58.160 --> 1:04:01.440
<v Speaker 2>how did I do that? I mean in the film,

1:04:01.560 --> 1:04:05.880
<v Speaker 2>how did I do that? Traveling like that? But no,

1:04:06.280 --> 1:04:08.960
<v Speaker 2>I haven't missed it, and I haven't missed the bus either,

1:04:09.200 --> 1:04:11.840
<v Speaker 2>which I thought I would do well.

1:04:11.880 --> 1:04:13.280
<v Speaker 1>I know people have been on the road for a

1:04:13.360 --> 1:04:15.080
<v Speaker 1>year and a half and it takes them six months

1:04:15.120 --> 1:04:19.280
<v Speaker 1>to recover. So how long did it take you to

1:04:19.440 --> 1:04:22.600
<v Speaker 1>find your new normal after you ended?

1:04:24.440 --> 1:04:27.720
<v Speaker 2>Not long. I was already in the studio painting before

1:04:27.760 --> 1:04:32.600
<v Speaker 2>it ended for number of years. So I just as

1:04:32.680 --> 1:04:35.800
<v Speaker 2>though I just took a deep breath and shifted over

1:04:35.840 --> 1:04:36.680
<v Speaker 2>to the art studio.

1:04:37.960 --> 1:04:40.120
<v Speaker 1>If someone called you and said, oh, we're doing a

1:04:40.200 --> 1:04:43.040
<v Speaker 1>big piece festival, come out and sing a song, you

1:04:43.080 --> 1:04:45.640
<v Speaker 1>would say, My.

1:04:45.760 --> 1:04:49.080
<v Speaker 2>Only regret is that I the facility to just get

1:04:49.160 --> 1:04:52.040
<v Speaker 2>up and sing a song is much more limited. So

1:04:53.680 --> 1:04:56.680
<v Speaker 2>yes I can. I'm not really interested to do that,

1:04:56.920 --> 1:04:59.360
<v Speaker 2>but if it's something that really tugs at me, then

1:04:59.400 --> 1:05:01.200
<v Speaker 2>I'll do it. I mean, I went to the Ukraine

1:05:01.240 --> 1:05:04.560
<v Speaker 2>and just sang for kids because it tugged at me,

1:05:04.920 --> 1:05:10.680
<v Speaker 2>you know. But to really join in a musical sense

1:05:10.880 --> 1:05:12.040
<v Speaker 2>takes a lot of work for me.

1:05:13.520 --> 1:05:15.320
<v Speaker 1>And do you care about legacy or not?

1:05:16.400 --> 1:05:19.800
<v Speaker 2>No? Oh, well the honest legacy. Yeah. Do I care

1:05:19.800 --> 1:05:21.560
<v Speaker 2>about archiving my life? No?

1:05:24.280 --> 1:05:26.920
<v Speaker 1>Okay, Joan. I want to thank you for taking this

1:05:27.120 --> 1:05:29.880
<v Speaker 1>time to speak to my audience and being so honest.

1:05:30.720 --> 1:05:32.840
<v Speaker 2>Hey, thank you. It was fun. I like to make

1:05:32.880 --> 1:05:34.760
<v Speaker 2>you laugh, but.

1:05:34.840 --> 1:05:38.720
<v Speaker 1>I'm laughing now until next time. This is Bob left

1:05:38.760 --> 1:05:39.120
<v Speaker 1>stets