1 00:00:00,240 --> 00:00:02,000 Speaker 1: The Day in History Class is a production of I 2 00:00:02,080 --> 00:00:09,200 Speaker 1: Heart Radio. Hello and welcome to this Day in History Class, 3 00:00:09,240 --> 00:00:12,320 Speaker 1: a show that charts a course through history one day 4 00:00:12,360 --> 00:00:16,520 Speaker 1: at a time. I'm Gabe Luzier, and today we're looking 5 00:00:16,560 --> 00:00:19,959 Speaker 1: at the story behind the story of Treasure Island, a 6 00:00:20,040 --> 00:00:24,079 Speaker 1: classic work of children's literature that helped establish pretty much 7 00:00:24,120 --> 00:00:34,000 Speaker 1: every pirate cliche you can think of. The day was 8 00:00:34,080 --> 00:00:40,800 Speaker 1: November eighteen eighty three, Robert Louis Stevenson's Treasure Island was 9 00:00:40,880 --> 00:00:45,160 Speaker 1: published as a single volume book. The tale of swashbuckling 10 00:00:45,200 --> 00:00:48,559 Speaker 1: pirates and their hunt for buried treasure had first appeared 11 00:00:48,560 --> 00:00:52,920 Speaker 1: in a weekly literary magazine called Young Folks. The story 12 00:00:53,040 --> 00:00:56,120 Speaker 1: was published one chapter at a time over the course 13 00:00:56,200 --> 00:01:00,520 Speaker 1: of eighteen weekly installments between eighteen eighty one in eighteen 14 00:01:00,600 --> 00:01:05,600 Speaker 1: eighty two. That staggered format didn't do the story any favors, 15 00:01:05,800 --> 00:01:09,800 Speaker 1: with many young readers complaining it was too slow. However, 16 00:01:10,120 --> 00:01:14,160 Speaker 1: in book form, the Scottish author's vivid prose and morally 17 00:01:14,200 --> 00:01:19,400 Speaker 1: complex characters proved much easier to appreciate. Treasure Island quickly 18 00:01:19,440 --> 00:01:22,319 Speaker 1: became a best seller and is now considered one of 19 00:01:22,319 --> 00:01:26,319 Speaker 1: the defining works of the adventure genre. The story has 20 00:01:26,400 --> 00:01:30,440 Speaker 1: also left a lasting mark on popular culture, spawning countless 21 00:01:30,480 --> 00:01:35,560 Speaker 1: adaptations and imitations, and coloring the mainstream conception of pirates 22 00:01:35,800 --> 00:01:39,880 Speaker 1: for more than a century and counting. Treasure Island was 23 00:01:39,920 --> 00:01:43,959 Speaker 1: Stevenson's first great success as an author, and eventually became 24 00:01:44,000 --> 00:01:46,600 Speaker 1: one of his best loved books, right up there with 25 00:01:46,800 --> 00:01:51,720 Speaker 1: Dr Jekyll and Mr Hyde and Kidnapped. It's a little surprising, then, 26 00:01:51,920 --> 00:01:54,720 Speaker 1: that the story only came about because of a reined 27 00:01:54,720 --> 00:01:58,440 Speaker 1: out family vacation. In the summer of eighteen eighty one, 28 00:01:58,760 --> 00:02:01,320 Speaker 1: the thirty one year old writer and his family went 29 00:02:01,360 --> 00:02:05,320 Speaker 1: on holiday in the Scottish Highlands. It was especially rainy 30 00:02:05,440 --> 00:02:08,040 Speaker 1: that season, and they were forced to spend much of 31 00:02:08,040 --> 00:02:12,480 Speaker 1: their time indoors. To keep from going stir crazy, Stevenson 32 00:02:12,520 --> 00:02:15,919 Speaker 1: borrowed some art supplies from his stepson and began painting 33 00:02:15,960 --> 00:02:19,679 Speaker 1: an island. He gradually turned the picture into a kind 34 00:02:19,720 --> 00:02:23,760 Speaker 1: of map, adding and naming the islands various harbors, hills 35 00:02:23,840 --> 00:02:29,000 Speaker 1: and bays. Then, captivated by his own illustration, Stevenson started 36 00:02:29,000 --> 00:02:32,000 Speaker 1: to imagine what kind of adventures might play out there. 37 00:02:32,680 --> 00:02:36,880 Speaker 1: The author later described that fit of inspiration, saying quote 38 00:02:37,280 --> 00:02:40,360 Speaker 1: as I paused upon my map of Treasure Island. The 39 00:02:40,440 --> 00:02:43,919 Speaker 1: future characters of the book began to appear there, visibly 40 00:02:43,960 --> 00:02:48,120 Speaker 1: among imaginary woods, and their brown faces and bright weapons 41 00:02:48,320 --> 00:02:52,200 Speaker 1: peeped out upon me from unexpected quarters as they passed 42 00:02:52,280 --> 00:02:56,160 Speaker 1: to and fro, fighting and hunting treasure on those few 43 00:02:56,200 --> 00:02:59,680 Speaker 1: square inches of a flat projection. The next thing I 44 00:02:59,760 --> 00:03:03,040 Speaker 1: knew I had some papers before me and was writing 45 00:03:03,080 --> 00:03:08,080 Speaker 1: out a list of chapters. Stevenson wrote ferociously at first, 46 00:03:08,360 --> 00:03:11,880 Speaker 1: finishing a new chapter every morning for about two weeks straight. 47 00:03:12,520 --> 00:03:14,880 Speaker 1: In the afternoons, he would share what he'd written with 48 00:03:14,919 --> 00:03:19,520 Speaker 1: his wife, Fanny and stepson Lloyd. Fanny wasn't a big fan, 49 00:03:19,880 --> 00:03:23,440 Speaker 1: but Lloyd was entranced by each chapter, and his positive 50 00:03:23,440 --> 00:03:26,560 Speaker 1: feedback kept Stevenson writing for as long as the rain 51 00:03:26,760 --> 00:03:31,320 Speaker 1: kept falling. Another family member key to the story's success 52 00:03:31,600 --> 00:03:35,960 Speaker 1: was the author's own father, Thomas Stevenson. He adored pirate 53 00:03:36,080 --> 00:03:38,840 Speaker 1: stories and gave his son a lot of useful advice 54 00:03:38,920 --> 00:03:42,400 Speaker 1: for how to tell his own that included everything from names, 55 00:03:42,480 --> 00:03:45,880 Speaker 1: to character traits to plot points. He even came up 56 00:03:45,920 --> 00:03:48,520 Speaker 1: with one of the book's most crucial scenes, the one 57 00:03:48,560 --> 00:03:51,920 Speaker 1: where Jim Hawkins hides in an apple barrel and overhears 58 00:03:52,000 --> 00:03:56,480 Speaker 1: Long John Silver's mutinous plans. Thomas left his mark on 59 00:03:56,520 --> 00:03:59,640 Speaker 1: Treasure Island in a literal sense as well. When the 60 00:03:59,680 --> 00:04:03,360 Speaker 1: story he was first released in book form, Stevenson's original 61 00:04:03,440 --> 00:04:07,000 Speaker 1: map was included along with the signature of fictional pirate 62 00:04:07,120 --> 00:04:11,800 Speaker 1: Captain Flint in reality, though the signature belonged to Thomas Stevenson. 63 00:04:12,600 --> 00:04:16,320 Speaker 1: In addition to made up pirates like Captain Flint, Stevenson 64 00:04:16,400 --> 00:04:20,120 Speaker 1: also included references to real life ones such as Blackbeard, 65 00:04:20,240 --> 00:04:24,440 Speaker 1: William Kidd and Bartholomew Roberts a k a. Black Bart 66 00:04:24,800 --> 00:04:27,919 Speaker 1: no relation to the stagecoach Robbert. But it was the 67 00:04:27,960 --> 00:04:32,000 Speaker 1: original character of Long John Silver who really stole the show. 68 00:04:32,560 --> 00:04:36,160 Speaker 1: The one Legged pirate was more nuanced and more compelling 69 00:04:36,200 --> 00:04:40,400 Speaker 1: than most adventure story villains. He was greedy and self serving, 70 00:04:40,520 --> 00:04:44,560 Speaker 1: no question, but also displayed a seemingly genuine affection for 71 00:04:44,640 --> 00:04:47,800 Speaker 1: Jim Hawkins, the young protagonist with whom he forms an 72 00:04:47,839 --> 00:04:52,560 Speaker 1: unlikely bond. Silver was such a pivotal character that Stevenson 73 00:04:52,600 --> 00:04:56,160 Speaker 1: initially named the book after him. The original title was 74 00:04:56,480 --> 00:04:59,720 Speaker 1: The Sea Cook, a reference to Silver's role as cook 75 00:05:00,000 --> 00:05:03,880 Speaker 1: on board the Hispaniola. The author's publisher later convinced him 76 00:05:03,880 --> 00:05:06,440 Speaker 1: to change the name, but it's still a testament to 77 00:05:06,520 --> 00:05:10,520 Speaker 1: Silver's importance to the story. After all, Treasure Island is 78 00:05:10,640 --> 00:05:13,719 Speaker 1: at its heart a coming of age tale, and Long 79 00:05:13,839 --> 00:05:18,440 Speaker 1: John Silver's friendship, deception, and ultimate betrayal play a formative 80 00:05:18,560 --> 00:05:22,599 Speaker 1: role in Jim hawkins Journey to self assurance. Although a 81 00:05:22,600 --> 00:05:27,160 Speaker 1: fictional character, Long John Silver did have a real world inspiration. 82 00:05:27,720 --> 00:05:31,440 Speaker 1: Stevenson based him on his longtime friend William Henley, who 83 00:05:31,520 --> 00:05:34,960 Speaker 1: was tall, talkative, and charming, just like Silver, and who 84 00:05:35,040 --> 00:05:38,720 Speaker 1: also had a wooden leg. Speaking of which, did you know? 85 00:05:38,800 --> 00:05:42,320 Speaker 1: It was Treasure Island that popularized the idea of pirates 86 00:05:42,400 --> 00:05:46,360 Speaker 1: having peg legs. There's no historical record of real pirates 87 00:05:46,440 --> 00:05:49,719 Speaker 1: using them, but the prosthetics appearance in books like Treasure 88 00:05:49,760 --> 00:05:52,599 Speaker 1: Island and Peter Pan cemented them as one of the 89 00:05:52,720 --> 00:05:57,360 Speaker 1: visual icons of piracy. It's a similar story for now 90 00:05:57,440 --> 00:06:01,679 Speaker 1: familiar tropes like pirates keeping parrot as pets or forcing 91 00:06:01,720 --> 00:06:05,880 Speaker 1: captured sailors to walk the plank. Both of those customs 92 00:06:05,920 --> 00:06:10,080 Speaker 1: had some historical precedents, but Treasure Island made them far 93 00:06:10,160 --> 00:06:13,200 Speaker 1: more prevalent in fiction than they were in real life. 94 00:06:13,880 --> 00:06:17,640 Speaker 1: In reality, monkeys where the exotic pet of choice among pirates, 95 00:06:17,839 --> 00:06:21,440 Speaker 1: and plank walking was a decidedly rare form of punishment, 96 00:06:21,880 --> 00:06:25,640 Speaker 1: a grizzly practice known as keel hauling was much more common, 97 00:06:26,040 --> 00:06:29,119 Speaker 1: but thankfully Stevenson left that part out of his book 98 00:06:29,279 --> 00:06:32,679 Speaker 1: so we don't have to talk about it. Another pirate 99 00:06:32,760 --> 00:06:36,000 Speaker 1: stereotype that owes more to fiction than fact is the 100 00:06:36,040 --> 00:06:40,200 Speaker 1: notion of buried treasure. Real pirates were much more interested 101 00:06:40,240 --> 00:06:42,800 Speaker 1: in spending their loot than they were in burying it, 102 00:06:42,880 --> 00:06:47,279 Speaker 1: and hard to remember locations. Nonetheless, in Treasure Island, long 103 00:06:47,400 --> 00:06:49,680 Speaker 1: John Silver is on the hunt for a stash of 104 00:06:49,720 --> 00:06:52,720 Speaker 1: gold hidden by his former captain, and of course a 105 00:06:52,839 --> 00:06:55,800 Speaker 1: secret treasure map is the key to finding it. And 106 00:06:55,839 --> 00:06:59,640 Speaker 1: while Robert Louis Stevenson didn't base that idea on real life, 107 00:07:00,040 --> 00:07:03,159 Speaker 1: he didn't invent it on his own either. Instead, he 108 00:07:03,240 --> 00:07:07,760 Speaker 1: borrowed it from another nineteenth century author, Edgar Allan Poe. 109 00:07:07,880 --> 00:07:11,320 Speaker 1: In post short story The Gold Bug, the main characters 110 00:07:11,400 --> 00:07:15,040 Speaker 1: hunt down Captain Kidd's treasure using a cipher that's based 111 00:07:15,040 --> 00:07:18,480 Speaker 1: on how frequently certain letters appear in the English language. 112 00:07:18,960 --> 00:07:22,400 Speaker 1: That's essentially the same premise as in Treasure Island. Except 113 00:07:22,480 --> 00:07:26,240 Speaker 1: Stevenson substituted a map in place of a cipher. He 114 00:07:26,320 --> 00:07:29,920 Speaker 1: admitted as much himself in the book's preface, saying, quote, 115 00:07:30,320 --> 00:07:33,000 Speaker 1: the map was the chief part of my plot, and 116 00:07:33,040 --> 00:07:36,600 Speaker 1: for that I broke into the gallery of Mr Poe. 117 00:07:37,160 --> 00:07:40,320 Speaker 1: Treasure Island didn't only fuel the modern view of how 118 00:07:40,400 --> 00:07:44,880 Speaker 1: pirates looked and behaved. It also influenced how we imagine 119 00:07:44,920 --> 00:07:48,320 Speaker 1: they spoke and sounded. That's because a lot of the 120 00:07:48,360 --> 00:07:52,240 Speaker 1: phrases we connect with pirates first appeared in Stevenson's book, 121 00:07:52,600 --> 00:07:55,720 Speaker 1: including Yo Ho ho and a bottle of rum and 122 00:07:55,800 --> 00:07:59,640 Speaker 1: shiver me timbers, a favorite expression of Long John Silver. 123 00:08:00,560 --> 00:08:03,880 Speaker 1: The sound of pirates was further defined by Walt Disney's 124 00:08:03,920 --> 00:08:07,760 Speaker 1: film version of Treasure Island, first released in nineteen fifty. 125 00:08:08,120 --> 00:08:12,720 Speaker 1: We now associate pirates with gruff, vaguely Scottish accents because 126 00:08:12,720 --> 00:08:16,960 Speaker 1: of actor Robert Newman's performance as Long John Silver. Newman 127 00:08:17,080 --> 00:08:19,840 Speaker 1: was a native of southwest England, and as such he 128 00:08:19,920 --> 00:08:24,280 Speaker 1: spoke with a distinctive regional dialect called West Country English. 129 00:08:24,920 --> 00:08:28,240 Speaker 1: Some features of that dialect line up exactly with how 130 00:08:28,320 --> 00:08:31,560 Speaker 1: most of us imagine pirates to have talked. For example, 131 00:08:31,840 --> 00:08:35,520 Speaker 1: West Country speakers tend to emphasize their rs, and they 132 00:08:35,559 --> 00:08:39,760 Speaker 1: also replace the verbs is and are with b, which 133 00:08:39,840 --> 00:08:44,080 Speaker 1: is a decidedly pirate move when ye be thinking about it. Still, 134 00:08:44,120 --> 00:08:47,920 Speaker 1: if that weren't enough, West Country speakers are also known 135 00:08:47,960 --> 00:08:52,720 Speaker 1: to use the word are in place of yes. Of course, 136 00:08:52,920 --> 00:08:56,119 Speaker 1: Robert Lewis Stevenson had no way of knowing the impact 137 00:08:56,200 --> 00:08:59,079 Speaker 1: his story would have on the modern conception of pirates. 138 00:08:59,520 --> 00:09:02,040 Speaker 1: In fact, he wasn't sure the public would care for 139 00:09:02,080 --> 00:09:05,240 Speaker 1: the book at all. When the publisher of Young Folks 140 00:09:05,280 --> 00:09:08,480 Speaker 1: magazine agreed to print it, Stevenson opted to use a 141 00:09:08,520 --> 00:09:13,080 Speaker 1: pen name, calling himself Captain George North. His reasoning was 142 00:09:13,200 --> 00:09:16,280 Speaker 1: never clearly stated, but the common assumption is that he 143 00:09:16,320 --> 00:09:19,400 Speaker 1: worried the story would be poorly received and might damage 144 00:09:19,440 --> 00:09:22,760 Speaker 1: his family's reputation, and for a time it looked like 145 00:09:22,800 --> 00:09:26,480 Speaker 1: Stevenson made the right call. Subscribers thought the story was 146 00:09:26,559 --> 00:09:29,319 Speaker 1: drawn out in a little boring, but to be fair, 147 00:09:29,520 --> 00:09:32,000 Speaker 1: most of them were young children reading just a few 148 00:09:32,040 --> 00:09:35,400 Speaker 1: pages a week. Once Treasure Island came out as a 149 00:09:35,480 --> 00:09:39,000 Speaker 1: full collected work in eight eighty three, the story found 150 00:09:39,000 --> 00:09:43,440 Speaker 1: a much wider and more patient audience. Of course, for 151 00:09:43,520 --> 00:09:46,880 Speaker 1: anyone who still finds the story a bit too dry. 152 00:09:47,040 --> 00:09:51,360 Speaker 1: There's always Disney's second big screen adaptation, a little film 153 00:09:51,400 --> 00:09:55,440 Speaker 1: called Muppet Treasure Island. It may not be entirely in 154 00:09:55,520 --> 00:09:58,840 Speaker 1: line with Stevenson's original vision, but it's hard to argue 155 00:09:58,880 --> 00:10:01,840 Speaker 1: with Tim Curry and a bunch of dancing puppets, Or 156 00:10:01,840 --> 00:10:19,920 Speaker 1: at least it is in my experienced that in the end, 157 00:10:21,000 --> 00:10:24,440 Speaker 1: I'm Gabe Louisier and hopefully you now know a little 158 00:10:24,480 --> 00:10:28,400 Speaker 1: more about history today than you did yesterday. If you 159 00:10:28,480 --> 00:10:32,479 Speaker 1: enjoy today's episode, consider keeping up with us on Twitter, Facebook, 160 00:10:32,520 --> 00:10:36,760 Speaker 1: and Instagram at t d i HC Show. You can 161 00:10:36,800 --> 00:10:39,840 Speaker 1: also rate and review the show on Apple Podcasts, or 162 00:10:39,920 --> 00:10:42,200 Speaker 1: you can reach out to me directly by writing to 163 00:10:42,320 --> 00:10:45,960 Speaker 1: This Day at I heart media dot com. Thanks to 164 00:10:46,040 --> 00:10:48,600 Speaker 1: Chandler Mays for producing the show, and thanks to you 165 00:10:48,679 --> 00:10:51,720 Speaker 1: for listening. I'll see you back here again tomorrow for 166 00:10:51,760 --> 00:10:55,880 Speaker 1: another day in History class. So