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Speaker 1: He is Drink Chants, mother fucking podcast man.

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Speaker 2: He's a legends every Queens rapper. He's a great as

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Speaker 2: your boy in O r E. He's a Miami Hill

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Speaker 2: Pomonam put up as DJ E f N. Together they

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Speaker 2: drink it up with some of the biggest players, you

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Speaker 2: know what I mean in.

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Speaker 3: The most professional unprofessional podcast and your number one source

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Speaker 3: for drunk.

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Speaker 2: Fast Drink Chants mo every day is New Year's e. Listen,

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Speaker 2: it's time for Drink Champs. Drink up for the fucking mother.

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Speaker 2: What's that? Revolts?

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Speaker 4: How many of y'all wist to Breakfast Club on Revolt

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Speaker 4: every morning? Or maybe you listen to us on iHeart. Well,

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Speaker 4: first of all, I'm honored to be here because Nora

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Speaker 4: is my brother DJ E f N. I think I've

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Speaker 4: done a lot of provocative interviews, but for some reason,

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Speaker 4: everybody cares the most about Drink Champs, So I'm honed

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Speaker 4: to be here today. Now, we got some very special guests.

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Speaker 5: Can y'all hear me?

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Speaker 4: Okay? Oh you meet me up here, all right, So

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Speaker 4: we're gonna have a good time. Everybody got a drink

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Speaker 4: in their hand because you guys are you said no?

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Speaker 4: Because you guys are participating to This is the Drink

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Speaker 4: Champs podcast, So y'all gotta be drink Champs with us

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Speaker 4: and be enthusiastic now. Drink Drink Champs has had many

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Speaker 4: special guests on, including Llo Cool j y Clup of course,

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Speaker 4: Dady's been on there. I've been on there, DJ and

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Speaker 4: Charlotmage in the whole breakfast club. So let me bring

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Speaker 4: to the stage DJ e f N. We don't get

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Speaker 4: no theme music, okay, I.

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Speaker 2: Hain't got no theme where's that music? Where's the rocky

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Speaker 2: music game?

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Speaker 5: And Norrie.

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Speaker 2: Tall l ass mikes?

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Speaker 4: You gotta relax, you guys, don't relax, Okay, y'all, there's

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Speaker 4: no relaxing today.

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Speaker 2: I don't want here.

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Speaker 6: I don't like that, all right, you got it right.

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Speaker 4: We gotta feel the energy.

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Speaker 7: Hope.

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Speaker 2: There's no children here. This is not a children friendly show.

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Speaker 4: Yeah, on over boat music conferences a children friendly events?

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Speaker 2: Oh no, I saw like two year olds walking around earlier.

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Speaker 2: But that is and ship.

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Speaker 1: Where's my Marijuani artist's?

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Speaker 2: Yeah? You see, I got a bogie baby. We're gonna

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Speaker 2: do it? Are we gonna set it off? How were

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Speaker 2: you set it off? Let's do it. Let's go hang

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Speaker 2: Hank Sagreen, Hop Safia, it's your boy in all e

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Speaker 2: what ups dj E f fan and.

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Speaker 1: It's Drake Chance motherfucking happy album.

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Speaker 2: Make something I don't got. I don't got the joint doing.

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Speaker 2: We don't got the joint. Right now tonight we're doing

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Speaker 2: a live event.

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Speaker 1: We got our good friend Angela Ye as a co

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Speaker 1: host because they always say it's not enough females on

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Speaker 1: the show. I was the first woman on the first

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Speaker 1: you were, And we also got a good friend of

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Speaker 1: all t K Kirkley, who raised you come out, make

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Speaker 1: some more noise or he can't got on.

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Speaker 2: Sit there, go over that because you know you yeah listen,

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Speaker 2: Oh yeah, take a bottle. God damn take the line.

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Speaker 1: Take the line, yo, Yeah, you give him a bottle.

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Speaker 2: Give him a bottle. I hope, I hope you have

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Speaker 2: age shout out to in the building. You look and

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Speaker 2: they shut you.

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Speaker 4: Share that bottle. That's not just for you.

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Speaker 2: Don't take that to the head.

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Speaker 1: So t K let me ask you, t casting one too,

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Speaker 1: what has been your your experience to drink champs?

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Speaker 2: Yo, it's been an awesome experience.

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Speaker 1: Excuse me, fellas yo, I said a fella is a

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Speaker 1: fellas your calm down.

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Speaker 2: You can rank on them. G T he got men

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Speaker 2: in here. Yeah yeah, listen.

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Speaker 1: The last time I was there, these brothers gave me

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Speaker 1: a five thousand dollars bottle of champagne, the only one

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Speaker 1: I got for you. So I got who Raised your shirts?

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Speaker 1: God damn, yo, here you go, fan.

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Speaker 2: Everybody got everybody.

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Speaker 1: Gotta who you and your ship just went against from

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Speaker 1: number ten?

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Speaker 2: Right, we got something else?

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Speaker 1: Okay, t K oh, you always bring a gifts, nigga,

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Speaker 1: I got just raised, right, I can tell you to

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Speaker 1: steal before.

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Speaker 2: People who give gifts they used to steal back.

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Speaker 1: In the day, so they got to make things up,

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Speaker 1: you know what I man? Yeah, So your nt K

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Speaker 1: every time he comes to the breakfast club, he brings

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Speaker 1: our gift to right, that's right.

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Speaker 4: I get flowers, You get flowers.

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Speaker 2: He gets flowers. That's great.

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Speaker 1: So make sure you get your who Raised his t

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Speaker 1: shirts later, make sure you downloaded on iTunes and number

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Speaker 1: ten his merchant on album in the country. I'm too

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Speaker 1: proud of it. Thank you guys so much. Yeah, yo,

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Speaker 1: so listen, this is what we're doing. I don't know

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Speaker 1: if y'all know but Revault is a black owned television show,

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Speaker 1: you know.

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Speaker 2: Yeah, you can make some noise for that, goddamn it.

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Speaker 1: And the thing about it is, it's about time hip

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Speaker 1: hop starts controlling hip hop, uh you know. And so

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Speaker 1: we came up with this show called Drink Chance, where

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Speaker 1: we actually just get our artists just drunk.

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Speaker 2: We support them, we salute them.

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Speaker 1: I don't know why I'm hearing mister Lee out of everybody,

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Speaker 1: all these people in the crowd, I hear mister Lee.

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Speaker 2: And Spanish, and yeah, you know, damn it, mister Lee.

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Speaker 2: Mister leis Spanish.

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Speaker 1: He texting Reggaeton, like when he texts you, it's reggae

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Speaker 1: thon right, sometitled let me get the bront So we

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Speaker 1: got who we got coming up? Okay, we got grand

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Speaker 1: Hustle Humsue Gang King t I. I'm so proud of

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Speaker 1: him what he's doing with the Houston, with Houston's because

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Speaker 1: they let some black people in and he was out

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Speaker 1: there marching. I gotta respect this guy. Let's pick up

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Speaker 1: the King, Let's give it up and thank you for

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Speaker 1: coming back, thank you for coming head haveing Steed over there, brother,

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Speaker 1: yeah mm hmmm, man, okay r ro Okay, then he

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Speaker 1: got the gang with him. Now this is what's some gang?

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Speaker 2: What's going on?

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Speaker 5: What's going on?

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Speaker 2: It's going on around? Get around on how you're doing.

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Speaker 2: What's the guys? Now? He's an all new art Actia

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Speaker 2: welcome back to the show. What's going on? Boss? Welcome back? Yeah,

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Speaker 2: he's an all new.

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Speaker 1: Artists like there's are all new artists.

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Speaker 8: Yeah, these these artists are you know, mostly new.

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Speaker 2: We have something that have.

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Speaker 1: High stuff already see the icy out already again.

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Speaker 8: You know what I mean. They have hustled their way

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Speaker 8: to a certain position, you know what I'm saying, you know,

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Speaker 8: which would allow them to have certain perks right now,

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Speaker 8: the work right Yeah, I'm with you.

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Speaker 1: Now recently you've been doing a lot of black activated

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Speaker 1: active activism, activism like he's activating the act. I love

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Speaker 1: I love what you did because what happened in Houston's

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Speaker 1: exactly and you let you led like, well, it wasn't

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Speaker 1: the one thing that happened, Man, a lot of things

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Speaker 1: going on.

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Speaker 8: That's the thing. You can't have just one thing that happen.

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Speaker 8: They got they got chairs.

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Speaker 2: Come on, sit down. We heard we heard this heat drink.

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Speaker 2: Yeah yeah, yeah, we found it would be.

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Speaker 8: Yeah, So it isn't just it isn't just one thing

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Speaker 8: that happened, you know, it's a series of incidents. You

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Speaker 8: know what I'm saying. Houston's and Heilstone's Corporation man have

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Speaker 8: proved that they have a culture of discrimination. And I've

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Speaker 8: heard from different people at different times, at different locations,

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Speaker 8: by different levels of discrimination. Even people like Rick Ross,

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Speaker 8: you know what I'm saying, he experienced it. Uh walk

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Speaker 8: a flock Obama, miss deal, wow mile lady to mikul

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Speaker 8: you know what I'm saying. Like you know, they they

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Speaker 8: have this uh loose, broad based policy of things that

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Speaker 8: they choose to enforce when they're dealing with us, you

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Speaker 8: know what I mean. But like fantas, let's just say

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Speaker 8: no hats. If it's no hats. But I go in

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Speaker 8: there and that's the other people that don't look like

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Speaker 8: me with hats on. But you just turned somebody who

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Speaker 8: did look like me away for a hat. You know

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Speaker 8: what I'm saying. That's that's systemic discrimination.

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Speaker 2: Right right, let's make some noise with t I standing

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Speaker 2: up for goddamn it.

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Speaker 1: So now, how how does it works?

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Speaker 2: Start with you?

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Speaker 1: You start the ladies first here get So how is

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Speaker 1: it working with them?

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Speaker 2: Nothing like t I.

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Speaker 5: I mean it's a competition.

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Speaker 1: What you're trying. You're trying to take him out. You

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Speaker 1: get on the track with him, burning them down. You

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Speaker 1: got okay, okay, okay.

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Speaker 2: And you enjoy that. You enjoy being in competition.

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Speaker 5: Yeah, I enjoy it because I do it well.

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Speaker 2: Okay. And you from Atlanta? No, no, no, no, I'm sorry.

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Speaker 1: Okay in Florida?

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Speaker 7: Is that?

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Speaker 2: Yeah? Yeah, I'm from New New York. I'm so sorry. Yeah.

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Speaker 2: So how about you brothers? How about your brothers working

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Speaker 2: with TI I?

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Speaker 9: Yeah, yeah, you bought translated. Man, were in the building,

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Speaker 9: Alabama is in the building.

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Speaker 2: We made it.

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Speaker 6: But it's just it's an honor, man.

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Speaker 9: Whenever you get to work with the King, man, you know,

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Speaker 9: you really want to go in there and do your best.

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Speaker 9: And this man is the greatest of what he does,

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Speaker 9: so he make everybody else be the greatest of what

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Speaker 9: they do, you know what I'm saying.

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Speaker 6: So it's a blessing. Man, We're blessed. The blessings stand

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Speaker 6: in front of y'all today.

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Speaker 9: Right, hu's the game. We won't smokes out right now, man,

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Speaker 9: So let's get it.

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Speaker 2: That's why you're smoking marijuana, y'all.

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Speaker 8: Good smoke, every kind of smoke, not j marijuana smoke.

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Speaker 8: We want all the smoke. Okay, we will broke stove smoke.

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Speaker 8: You know what I'm saying. Five place smoke. We will

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Speaker 8: busted manifold cracked, the exaut smoke. We will train smoke.

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Speaker 8: We want all the smoke. Man, we want the bird

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Speaker 8: we've smoked. We won't all love.

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Speaker 2: We all love.

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Speaker 8: You know when the girl man, when they've been in birthday,

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Speaker 8: we got it caught in the in the hot kural. Yeah,

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Speaker 8: we won't that smoke too, bring it on, we won't that.

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Speaker 2: To bring it to y'all. Quick question.

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Speaker 1: I want to share with you what I like about

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Speaker 1: what the South is doing is how y'all always put

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Speaker 1: people on.

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Speaker 2: It's like no hating. You're always showing successful other artists.

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Speaker 2: And can you explain the success of that on?

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Speaker 1: What gives you all the motivation to keep putting people on,

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Speaker 1: because everybody needs to understand that once you get to

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Speaker 1: a certain level, you got to give back put other

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Speaker 1: people on to just a build an empire.

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Speaker 8: Well, I mean I do agree that you know you're

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Speaker 8: only gonna be remembered for the amount of opportunities you

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Speaker 8: created for other people, you know what I'm saying, more

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Speaker 8: so than you remember for the amount of opportunities that

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Speaker 8: you created for yourself.

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Speaker 2: Right.

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Speaker 8: I think that's anyway, not just the South, but it's

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Speaker 8: just that we we have so much talent around us

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Speaker 8: people that like, it's just it it flows through us.

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Speaker 8: Like you can't be in Atlanta and not meet somebody

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Speaker 8: who dope, right, you know what I'm saying. And if

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Speaker 8: we meet somebody who dope and we have a platform

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Speaker 8: or a connect where we can introduce to someone who

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Speaker 8: we know this is dope, to someone who can you know,

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Speaker 8: help create opportunities and expand they expand their horizons and

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Speaker 8: let them cultivate their talent.

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Speaker 2: Right, I just think it's a blessing. So I just

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Speaker 2: want to give heads.

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Speaker 7: Up there in Atlanta's say so, I've always been that

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Speaker 7: way and it's been a great example for everybody else

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Speaker 7: around the country the industry.

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Speaker 2: Right, I totally agree.

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Speaker 4: Does this mean there's a Hustle Game compilation album?

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Speaker 8: It does. It's already out, It's not We Won't Smoke.

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Speaker 8: It came out yesterday and it's still grand Hustle. It's

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Speaker 8: still a grand hustle. You know what I'm saying, Uh,

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Speaker 8: Hustle gang, the game, Grandhouse, Hulson Gang, Grand Hustle is

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Speaker 8: one in the same. Yeah.

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Speaker 2: Okay, well that said I'm talking about man Yo.

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Speaker 8: I said, I have to put my whole joint.

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Speaker 1: No, no, like we were scared because last.

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Speaker 2: Time, you know, you won't what you were saying. I

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Speaker 2: didn't want to drink that.

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Speaker 1: Let's talking about I didn't do whatever.

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Speaker 2: Man, We could do whatever.

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Speaker 1: Man, we we we support our artists over head.

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Speaker 2: Baby.

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Speaker 1: So you just was on that panel hip hop versus

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Speaker 1: Tonald Trump. He was just on that pan.

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Speaker 8: Yeah, we was just on that panel. Just by the way,

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Speaker 8: Man Puff and French and French Vanilla Rock is a problem.

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Speaker 2: This is Dame Vanila be blowing.

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Speaker 1: Up that I was coming to the Vanilla.

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Speaker 8: I'm saying, you haven't. You ain't had nothing, man, you should.

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Speaker 4: Where's Tokyo chats? I gotta ask you what's the male

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Speaker 4: group is like for you?

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Speaker 2: Said?

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Speaker 4: What's the male group is like for you? You got

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Speaker 4: any good stories for us?

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Speaker 5: I have like stalkers.

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Speaker 10: We we went on a Hustle game tour and this

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Speaker 10: guy just kept telling me he was in love me.

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Speaker 5: Then he started posting pictures of me that I've never seen.

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Speaker 5: So he was like at six or seven of our

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Speaker 5: shows and I never seen him. He never he heres somewhere.

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Speaker 5: I see you all.

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Speaker 4: They don't be scared because of all the guys around.

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Speaker 5: Nah, they protect me.

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Speaker 2: Okay, that's what's up. That's what's up. How about y'all, y'all,

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Speaker 2: y'all smashing groupies, Yet.

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Speaker 8: We don't play no game. We don't play no game

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Speaker 8: by top, but we don't play no game. I'm gonna

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Speaker 8: come clean for real. For she's doing all right, pardon

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Speaker 8: it's okay, she's to be offensive, but I am scared.

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Speaker 2: You know what, You're good. It's a rough world. I'm

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Speaker 2: just working. I don't know what's going on. How we were.

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Speaker 2: It's a rough world out there. But to be be careful, man,

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Speaker 2: be careful.

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Speaker 8: Man, hey man, But you know what, man, One thing

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Speaker 8: I can say about everybody up here on this state, man,

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Speaker 8: they all dope in different ways.

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Speaker 2: You did what I'm saying.

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Speaker 8: And that's one thing about about hustle game.

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Speaker 10: Man.

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Speaker 8: What I what I always envisioned, was like an institutional culture,

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Speaker 8: not just like a record label. You know what I'm saying.

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Speaker 8: So you can come here, man, whatever it is that

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Speaker 8: you have it in your eyes, in your heart, in

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Speaker 8: your mind to do, whether it's fashion, whether it's film

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Speaker 8: with television, you know, whether it's technology or whatever it is,

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Speaker 8: you can come here and we're gonna find a way

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Speaker 8: to do even real estate. You know, whatever it is

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Speaker 8: in your in your in your mind and your heart

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Speaker 8: that you like to do. You know, we want to create.

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Speaker 8: We want to create a platform and a connection for it.

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Speaker 1: Now another artist that you worked with, you work with

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Speaker 1: right now. Still trade the truth like I'm sold a

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Speaker 1: big bro VP. He he by president President to know

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Speaker 1: him to be involved with man yo, because because like

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Speaker 1: like immediately when I see the disaster strike, he was

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Speaker 1: immediately on the front.

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Speaker 2: It wasn't like nobody called him like you mean.

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Speaker 8: Hen for and you and been in it ever since.

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Speaker 2: You knew that about him prior to this. Yeah, you

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Speaker 2: knew that.

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Speaker 8: He had a heart absolutely okay, absolutely.

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Speaker 2: Okay, free b Yeah, did you want another bottle? Nigga?

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Speaker 2: You gotta realize it's all good man, Yea.

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Speaker 4: Now, this is a Revote music conference, so I know

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Speaker 4: there's a lot of aspiring artists out there. What makes

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Speaker 4: somebody stand out enough for you to say, okay, I

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Speaker 4: want them to be part of the game.

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Speaker 8: I mean it's like, give me some.

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Speaker 4: Examples of some of the artists up here and how

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Speaker 4: they stood out to you.

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Speaker 8: I mean, it's vision. It's vision. I can go from

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Speaker 8: how I saw Tokyo Jets of Freestyle and her call

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Speaker 8: on Instagram and that's where it created. You know, our

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Speaker 8: relationship to when I saw ra Rod you know what

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Speaker 8: I'm saying, kicking here flame, when I found out he

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Speaker 8: was a producer as well as a rapper, and we all,

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Speaker 8: you know, we all just jailed so well together, man

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Speaker 8: London j Young Boot translated. I mean, it's a lot

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Speaker 8: of us because we all do so many things. You

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Speaker 8: know what I'm saying. I think that if you listen

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Speaker 8: to the album, it's gonna be real hard to not

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Speaker 8: find something that you relate to it, that you gravitate to.

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Speaker 2: Can we introduce everybody on stage? Yeah? Yeah, yeah, let's

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Speaker 2: go ahead.

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Speaker 7: And make sure that they introduce themselves.

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Speaker 8: Kid let it ja Man what I'm saying, Hey man, it's.

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Speaker 2: Your boy dope. Yeah yeah, Yo, what's good?

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Speaker 8: This is the boy JFN Brightce from from the Bronx,

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Speaker 8: New York.

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Speaker 7: All right, turned out, okay, now right, yeah, this is

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Speaker 7: the boy boot Man straight day.

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Speaker 8: Yeah with out without Brandon Roster Decater George.

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Speaker 6: Translate, straight out of Alabama. What's handing?

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Speaker 10: Yeah, Tokyo James, I'm from Duval, of course.

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Speaker 2: T K.

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Speaker 1: Kirk from Jersey City.

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Speaker 2: You yourself your regulation.

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Speaker 8: Out first, look right, share this out. You think this

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Speaker 8: a lot, but this ain't even all of us. Your

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Speaker 8: draw ain't here, You ain't here, The truth ain't here.

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Speaker 8: You know what I'm saying.

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Speaker 2: That's awesome.

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Speaker 8: And the comedy in the comedy that this year we

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Speaker 8: got duvall KDB. You know what I'm saying. Oh, five

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Speaker 8: mics in here like we got.

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Speaker 2: We got you bad boy, y'all.

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Speaker 8: We deep, We won't smoke. So anybody you know whatever

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Speaker 8: it is you do, man, you know what I'm saying.

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Speaker 1: Whatever it is you're doing, I gonna sign you got

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Speaker 1: some ship.

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Speaker 2: Sorry I missed that one.

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Speaker 4: Allry, I'm getting some notes from your volte First of all,

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Speaker 4: shout out just to Rob Hustle Hour for that open

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Speaker 4: bar and for all of Revote Music Conference. You guys

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Speaker 4: can answer this. What's your biggest tip to keep y'all

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Speaker 4: hustle going.

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Speaker 8: Oh man, you gotta be willing to you gotta be

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Speaker 8: willing to put in the work you know you got.

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Speaker 8: You gotta you gotta not not complain about how long

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Speaker 8: you've been grinding before you get paid. You know what

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Speaker 8: I'm saying. That's that's the that's the first thing you gotta.

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Speaker 8: You just gotta work with your head down to be

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Speaker 8: doing so much work that you don't even notice that

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Speaker 8: the money is coming in yet. You know what I'm saying,

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Speaker 8: You don't even know you got the words on to

376
00:17:04,920 --> 00:17:06,920
Speaker 8: the money coming in so fast you ain't got time

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Speaker 8: to spend it, you know. And don't celebrate success so long.

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00:17:13,320 --> 00:17:15,920
Speaker 8: Take some time, thank god, you know what I'm saying,

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Speaker 8: Have a good meal about it, turn up a night

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Speaker 8: and get back to it. It's trying to prepare for

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Speaker 8: the celebration of the success of tomorrow. Uh. And you know,

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Speaker 8: you just got to remain true to who you are.

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Speaker 2: Now, what's the hustle TV game? What you mean? I

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00:17:32,000 --> 00:17:32,920
Speaker 2: heard you got hustle TV?

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00:17:33,240 --> 00:17:35,520
Speaker 8: Yeah, television, film and television.

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Speaker 1: Okay, yeah, in particular projects that's on that right now.

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00:17:40,000 --> 00:17:42,399
Speaker 1: It's a mouthful let me see, because then you do

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Speaker 1: a movie with Mike Apps something.

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Speaker 8: Yeah, yeah, absolutely on the game, on the film side.

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00:17:47,320 --> 00:17:50,680
Speaker 8: Absolutely on the film side, that's actually the Grand Hustle Films. Uh,

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Speaker 8: it's called The Trap myself, Mike Yels, Tianna Taylor, Uh,

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Speaker 8: Duba Queen. You know what I'm saying, big budget kub

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Speaker 8: so many people man and DC Young Fly, Well you

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00:18:04,800 --> 00:18:07,560
Speaker 8: know what I mean. And it's basically me and Mike

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Speaker 8: play brothers and we own a chicken a chicken shit.

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Speaker 8: Our family own a chicken shit. Mike ain't doing but

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Speaker 8: sell a weed out of it. So you know what

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Speaker 8: I'm saying. How mama end up in a position where

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Speaker 8: we need some money, we gotta figure it out right,

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Speaker 8: So you know, you know, just seeing all us man

401
00:18:22,240 --> 00:18:24,119
Speaker 8: that I could have did that for ten years if

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00:18:24,119 --> 00:18:26,800
Speaker 8: that was a TV show we did continue. Wow, that's

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Speaker 8: the most fun I had on set.

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00:18:28,200 --> 00:18:32,159
Speaker 1: Evan, Like, now, now being in this game all these years,

405
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Speaker 1: what's what's the motivation.

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Speaker 2: To keep going? Besides the money? Like, the money is

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Speaker 2: one there.

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00:18:37,920 --> 00:18:40,359
Speaker 1: We know the money feeds our family, but when you

409
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Speaker 1: in this game for as long as you've been in there,

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Speaker 1: it has to be something more than money.

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Speaker 2: What keeps what keeps TA going?

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Speaker 8: I mean, it's the passion. It's the passion of wanting

413
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Speaker 8: to to create something great and just push the culture forward,

414
00:18:55,760 --> 00:18:59,479
Speaker 8: contribute to the contribute to the to the generation, like

415
00:18:59,640 --> 00:19:04,680
Speaker 8: create opportunities, and you know, being the example, I think

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00:19:04,720 --> 00:19:06,440
Speaker 8: it got to be a bigger It gotta get bigger

417
00:19:06,440 --> 00:19:09,200
Speaker 8: than music at some point it got It can't yet

418
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Speaker 8: beer about rapping and dropping an album every you know,

419
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Speaker 8: because I've had so many platinum ams, so many number ones,

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Speaker 8: and so many award. I mean, I'm just saying, like,

421
00:19:21,280 --> 00:19:24,639
Speaker 8: you can only do that for so long until it's like,

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00:19:24,680 --> 00:19:27,159
Speaker 8: all right, come on man, Okay, it's another album. Okay,

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00:19:27,200 --> 00:19:29,520
Speaker 8: he's gonna You know what I'm saying, in order for

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00:19:29,560 --> 00:19:32,520
Speaker 8: you to remain relevant to the culture, you gotta create

425
00:19:32,560 --> 00:19:35,120
Speaker 8: opportunities for the people around you. You know what I'm saying.

426
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Speaker 8: You got to career, You got to introduce something to

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Speaker 8: the game. It's bigger than you.

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Speaker 7: Based on what you're saying, though, do you think the

429
00:19:40,600 --> 00:19:42,960
Speaker 7: South is obviously making its money? Do you think it

430
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Speaker 7: got its respect that it was always trying to vibe

431
00:19:45,880 --> 00:19:48,119
Speaker 7: for and within hip hop specifically.

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Speaker 8: I mean, I think that I think I think that

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Speaker 8: that comes with performance. You know, like if you perform

434
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Speaker 8: at a high level, then you you cannot you refuse

435
00:19:58,800 --> 00:20:01,359
Speaker 8: to be ignored. You can't. You can't ignore something that

436
00:20:01,480 --> 00:20:06,240
Speaker 8: is clearly dominating a feel continuously over and over, year

437
00:20:06,280 --> 00:20:09,520
Speaker 8: after year after year. You must respect it because you

438
00:20:09,560 --> 00:20:11,359
Speaker 8: look like the fool at this point.

439
00:20:11,400 --> 00:20:14,240
Speaker 4: If not, you know, would you watch your son to

440
00:20:14,320 --> 00:20:15,600
Speaker 4: money to sign the Grand Hustle.

441
00:20:17,760 --> 00:20:20,520
Speaker 8: I mean, he don't. And me and him had this discussion.

442
00:20:20,520 --> 00:20:22,439
Speaker 8: By the way, I gave him a chain and he

443
00:20:22,600 --> 00:20:25,399
Speaker 8: was like, I don't know what does this mean? You

444
00:20:25,440 --> 00:20:30,080
Speaker 8: know what I'm saying? And I told him, I said, man,

445
00:20:30,200 --> 00:20:34,000
Speaker 8: I don't care what you do with your music. You

446
00:20:34,080 --> 00:20:37,800
Speaker 8: still own a piece of it. So you a boy,

447
00:20:37,840 --> 00:20:41,199
Speaker 8: it's yours by right, you choose. You know, you can

448
00:20:41,280 --> 00:20:43,920
Speaker 8: put your music out wherever you want to, but you

449
00:20:44,040 --> 00:20:46,919
Speaker 8: still own a piece of this. So man, we're a

450
00:20:46,960 --> 00:20:47,560
Speaker 8: rep both.

451
00:20:48,119 --> 00:20:48,320
Speaker 2: Well.

452
00:20:48,440 --> 00:20:50,399
Speaker 1: They tell him, they giving us a text telling us

453
00:20:50,440 --> 00:20:51,639
Speaker 1: that the Hustle Gang gotta go.

454
00:20:51,960 --> 00:20:53,240
Speaker 2: I want everybody to show them some.

455
00:20:53,320 --> 00:21:01,600
Speaker 1: Love yo, y'all yo, man, and listen, man, we're gonna

456
00:21:01,600 --> 00:21:02,600
Speaker 1: continue to support you.

457
00:21:02,760 --> 00:21:04,359
Speaker 2: This is a hip hop format. We want to keep

458
00:21:04,400 --> 00:21:04,880
Speaker 2: it hip hop.

459
00:21:04,920 --> 00:21:06,360
Speaker 1: So we want to throw that out there and thank

460
00:21:06,359 --> 00:21:08,840
Speaker 1: you for coming again because it was because it was

461
00:21:08,840 --> 00:21:10,920
Speaker 1: awkward the last time, because we just wasn't ready.

462
00:21:11,119 --> 00:21:12,120
Speaker 2: No, man, it was okay.

463
00:21:12,119 --> 00:21:14,399
Speaker 8: I think I think it was the alcomness and played.

464
00:21:14,119 --> 00:21:17,880
Speaker 2: Out way out, everybody entertaining.

465
00:21:19,600 --> 00:21:20,560
Speaker 8: We got well for both.

466
00:21:21,400 --> 00:21:21,760
Speaker 2: Thank you, ver.

467
00:21:25,000 --> 00:21:31,160
Speaker 1: Y'all as hot as hell out is.

468
00:21:31,640 --> 00:21:32,040
Speaker 2: It's hot.

469
00:21:32,200 --> 00:21:34,800
Speaker 1: The devil is right there. That's how hot it is.

470
00:21:34,840 --> 00:21:36,960
Speaker 1: The devil just go over there, chilling smoking weed. He

471
00:21:37,040 --> 00:21:37,719
Speaker 1: gotta relax.

472
00:21:38,600 --> 00:21:41,720
Speaker 2: They got a go ahead, nigga, what we're doing you

473
00:21:41,760 --> 00:21:49,600
Speaker 2: always did he You're always dealing that, yo. My brother.

474
00:21:49,640 --> 00:21:52,879
Speaker 1: Always good to see you, my brother. So right now, okay,

475
00:21:54,119 --> 00:21:56,560
Speaker 1: right now, we're gonna we're gonna do something a little

476
00:21:56,560 --> 00:21:58,800
Speaker 1: different for y'all to meet you, my brother. We're gonna

477
00:21:58,800 --> 00:22:01,240
Speaker 1: do something a little different for y'all. We're gonna bring

478
00:22:01,240 --> 00:22:04,080
Speaker 1: an executive from Atlantic Records.

479
00:22:04,600 --> 00:22:05,000
Speaker 2: All right.

480
00:22:05,720 --> 00:22:09,480
Speaker 1: He signed, Oh ship, my bad you Why are you

481
00:22:09,480 --> 00:22:09,800
Speaker 1: telling me?

482
00:22:09,840 --> 00:22:13,119
Speaker 2: Then? Don't why you're trying to depot angel? Wait? How's that?

483
00:22:14,000 --> 00:22:19,560
Speaker 4: No, it makes some noise for Nori. We're you gonna

484
00:22:19,600 --> 00:22:21,040
Speaker 4: do something a little different right now?

485
00:22:21,160 --> 00:22:23,840
Speaker 2: Yeah, Angels trying to make us professional and thank you.

486
00:22:24,840 --> 00:22:26,800
Speaker 2: Always take a woman to get you get your ask.

487
00:22:26,960 --> 00:22:29,000
Speaker 4: Now we got my guy, DJ Clark Kent.

488
00:22:29,440 --> 00:22:31,520
Speaker 2: Well, we're clarking at Legendary Clark.

489
00:22:31,720 --> 00:22:35,240
Speaker 4: Legendary DJ Clark Kent. We got Tuma Bass and where's

490
00:22:35,240 --> 00:22:35,800
Speaker 4: Tuma at?

491
00:22:37,040 --> 00:22:38,840
Speaker 5: And we got Orlando.

492
00:22:38,480 --> 00:22:42,240
Speaker 1: Ak executive ship right now, y'all all right, you got

493
00:22:42,240 --> 00:22:44,879
Speaker 1: the whole click. I'm gonna tell y'all. Right now, I'm

494
00:22:44,920 --> 00:22:49,040
Speaker 1: gonna tell y'all. Right now, y'all inspiring artists. When you

495
00:22:49,080 --> 00:22:51,040
Speaker 1: see an artist and you come up to an artist,

496
00:22:51,119 --> 00:22:53,640
Speaker 1: this is where you're fucking up. These are the motherfuckers

497
00:22:53,680 --> 00:22:56,320
Speaker 1: you gotta come up to. These motherfuckers right here. Who

498
00:22:56,320 --> 00:22:59,800
Speaker 1: you yeah, listen, listen who you signed? Tell them who

499
00:22:59,800 --> 00:23:04,440
Speaker 1: you on? Freddie Freddie Wak makes him noise, Freddie walk Yeah?

500
00:23:05,000 --> 00:23:10,000
Speaker 1: Who else you signed? Kodako Botak Black, Kodak Black, you got,

501
00:23:10,200 --> 00:23:12,639
Speaker 1: you got CARDI B got me fucked up, sorry, Kodak

502
00:23:12,680 --> 00:23:16,120
Speaker 1: blacks A P and B P and B Rock. Listen, man,

503
00:23:16,400 --> 00:23:18,680
Speaker 1: this guy got the hot hand in the industry right now,

504
00:23:19,040 --> 00:23:20,120
Speaker 1: make some noise for a land.

505
00:23:23,920 --> 00:23:25,440
Speaker 2: This is the legendary DJ Clark.

506
00:23:25,480 --> 00:23:28,639
Speaker 1: Can't he got every pair of sneakers, every pair of

507
00:23:28,640 --> 00:23:32,480
Speaker 1: sneakers everywhere. I go on his gram just to hate sometimes,

508
00:23:33,160 --> 00:23:34,439
Speaker 1: you know, I just go on your grams just to

509
00:23:34,480 --> 00:23:39,800
Speaker 1: be like he's disgusting with it. You're allowed, yo yo yo. Clark,

510
00:23:39,840 --> 00:23:42,840
Speaker 1: You've worked with so many people. What was your what

511
00:23:42,960 --> 00:23:46,840
Speaker 1: was your favorite session? You ever had? Favorite session? I

512
00:23:46,880 --> 00:23:48,600
Speaker 1: know what's a bigger Jason? I know we're going to

513
00:23:48,760 --> 00:23:50,720
Speaker 1: you gonna keep it BK and it's a bigger j.

514
00:23:51,760 --> 00:23:52,880
Speaker 2: Don't put words in his mouth.

515
00:23:53,320 --> 00:23:55,960
Speaker 3: I'm actually gonna I'm not gonna say bigger or Jay.

516
00:23:56,000 --> 00:23:57,760
Speaker 2: I'm gonna that because.

517
00:23:58,480 --> 00:24:03,640
Speaker 1: When we made Closer, I'm gonna where.

518
00:24:04,600 --> 00:24:07,199
Speaker 3: But the reason why is because big and Jay we

519
00:24:07,200 --> 00:24:09,880
Speaker 3: were all made making records, but me and you never

520
00:24:09,960 --> 00:24:13,320
Speaker 3: made a record right, and you did not know how

521
00:24:13,359 --> 00:24:14,240
Speaker 3: to make record.

522
00:24:14,000 --> 00:24:15,680
Speaker 2: Did not know how to make a record. No, it's

523
00:24:15,720 --> 00:24:18,520
Speaker 2: a fact. But you listened and we made a great record.

524
00:24:18,560 --> 00:24:20,440
Speaker 1: I think I think it was like the first time

525
00:24:20,480 --> 00:24:23,919
Speaker 1: I listened to because probably back then producers would they

526
00:24:23,960 --> 00:24:25,600
Speaker 1: would have to come and have to lay the beat.

527
00:24:26,119 --> 00:24:28,440
Speaker 1: I thought that was super dub about to play.

528
00:24:28,320 --> 00:24:29,880
Speaker 2: The producers would.

529
00:24:29,640 --> 00:24:32,040
Speaker 1: Have to come and play the beat and they would

530
00:24:32,200 --> 00:24:35,720
Speaker 1: usually leave. You came, made the beat, did it there

531
00:24:35,800 --> 00:24:38,919
Speaker 1: and you stayed. So I figured if this nigga stayed,

532
00:24:38,960 --> 00:24:41,080
Speaker 1: if I had like forty five niggas did, he would just.

533
00:24:41,040 --> 00:24:47,040
Speaker 3: Say different beat makers later, beat and producers make the record, make.

534
00:24:47,040 --> 00:24:50,199
Speaker 2: Some noise, but that god damn it. Now when you

535
00:24:51,760 --> 00:24:55,120
Speaker 2: we got my good friend drop it. This is this now,

536
00:24:55,600 --> 00:24:55,920
Speaker 2: if you.

537
00:24:55,880 --> 00:24:58,320
Speaker 1: Got to get on Spotify, you gotta get your ship.

538
00:24:58,480 --> 00:25:01,639
Speaker 1: Let me tell y'all something becoming artists up and coming exists.

539
00:25:02,240 --> 00:25:06,240
Speaker 1: I haven't throw out a record legitimate, legitimately, legitimately. You

540
00:25:06,280 --> 00:25:10,840
Speaker 1: know what I mean, legitimately years right, So we called

541
00:25:10,880 --> 00:25:13,199
Speaker 1: it all the top radio guys, right, because that's what

542
00:25:13,240 --> 00:25:14,879
Speaker 1: you gotta do. When you're coming out of the record.

543
00:25:14,880 --> 00:25:17,560
Speaker 1: You call we not on no label, So we call ourselves.

544
00:25:17,560 --> 00:25:19,879
Speaker 1: We got a couple, we're gonna get the bag. The

545
00:25:19,960 --> 00:25:24,280
Speaker 1: first thing they said is I said, uh, we want

546
00:25:24,280 --> 00:25:26,200
Speaker 1: to attack this record. We want to get you know,

547
00:25:26,240 --> 00:25:28,520
Speaker 1: the street teams. The first thing they said is you

548
00:25:28,600 --> 00:25:31,119
Speaker 1: got to get your Spotify right. And in case I

549
00:25:31,200 --> 00:25:33,280
Speaker 1: don't know who this man is right here when it

550
00:25:33,359 --> 00:25:35,080
Speaker 1: comes to Spotify and it comes to hip hop, and

551
00:25:35,080 --> 00:25:37,359
Speaker 1: they got serial as Spotify for no reason, like you.

552
00:25:37,440 --> 00:25:38,719
Speaker 2: Just walk in to Spotify office.

553
00:25:38,840 --> 00:25:43,600
Speaker 1: They got serial. Everything is so fly, but this is

554
00:25:43,600 --> 00:25:48,760
Speaker 1: a ture makes now now Tuma you worked from MTV

555
00:25:49,000 --> 00:25:53,840
Speaker 1: b TA. How different is it Revolt Volte Yeah, big

556
00:25:53,920 --> 00:25:57,080
Speaker 1: up vault definitely. Always How different is that from going

557
00:25:57,119 --> 00:25:59,960
Speaker 1: from that to h Spotify type of style.

558
00:26:00,960 --> 00:26:04,879
Speaker 11: It's different because of the access to like information that

559
00:26:04,960 --> 00:26:08,399
Speaker 11: we have, Like in Spotify, we can see what people

560
00:26:08,400 --> 00:26:11,480
Speaker 11: are searching for, what people are saving, when people added

561
00:26:11,480 --> 00:26:15,360
Speaker 11: to their own playlist. We can see people are skipping records.

562
00:26:15,640 --> 00:26:20,000
Speaker 11: So so the serious analytics, yeah, exactly, exactly. So the

563
00:26:20,080 --> 00:26:22,760
Speaker 11: other places, Yeah, you had like call out research and

564
00:26:22,840 --> 00:26:25,679
Speaker 11: you know, you can look at bds, but it was

565
00:26:25,800 --> 00:26:26,639
Speaker 11: what was happening.

566
00:26:26,440 --> 00:26:29,800
Speaker 2: Now outside, this is happening inside. So it's very very

567
00:26:29,840 --> 00:26:33,000
Speaker 2: accurate an instant. I would assume it's like real time

568
00:26:33,040 --> 00:26:33,600
Speaker 2: you no no.

569
00:26:33,440 --> 00:26:35,800
Speaker 11: No, no asknor it when when you can look at

570
00:26:35,800 --> 00:26:37,800
Speaker 11: your fan insights, you can even see like how many

571
00:26:37,840 --> 00:26:38,359
Speaker 11: people listen to.

572
00:26:38,359 --> 00:26:38,960
Speaker 2: You in that moment.

573
00:26:39,480 --> 00:26:42,160
Speaker 11: It's like a stop ticker, changing, changing, changing changing.

574
00:26:42,240 --> 00:26:44,719
Speaker 1: Yeah, I'm gonna tell you something. I went to Spotify office.

575
00:26:44,880 --> 00:26:47,200
Speaker 2: It was so rich. They had benchs there.

576
00:26:47,440 --> 00:26:49,880
Speaker 1: You would get a massage, you get your nails done,

577
00:26:50,760 --> 00:26:52,480
Speaker 1: roll dice and get a haircut.

578
00:26:52,800 --> 00:26:53,800
Speaker 2: It was crazy, Like.

579
00:26:54,880 --> 00:26:57,800
Speaker 1: I said, you know, I said work, you know what

580
00:26:57,840 --> 00:27:00,720
Speaker 1: I'm saying. So with that being said, on you being

581
00:27:01,240 --> 00:27:04,040
Speaker 1: got out Atlantic, and I seen how I've seen how

582
00:27:04,240 --> 00:27:05,919
Speaker 1: when you first was there, and then I've seen how

583
00:27:05,960 --> 00:27:08,679
Speaker 1: you are now, Like it's it's you right there like

584
00:27:09,040 --> 00:27:12,560
Speaker 1: the top people getting it. You're getting it, goddamn it.

585
00:27:12,520 --> 00:27:14,240
Speaker 2: It's like you got makes you know you're getting it,

586
00:27:14,280 --> 00:27:17,520
Speaker 2: goddamn it. But how is that working in the office?

587
00:27:17,600 --> 00:27:20,399
Speaker 1: How how how is that just you know, going from

588
00:27:20,440 --> 00:27:22,919
Speaker 1: a street dude because they don't know, but I know,

589
00:27:23,080 --> 00:27:25,359
Speaker 1: but ahead breaking that vibe, you know, nice little you

590
00:27:25,400 --> 00:27:29,520
Speaker 1: know you like to relax, you know you relax.

591
00:27:29,640 --> 00:27:32,680
Speaker 2: Okay, okay, okay, smoking room. You gotta smoke room.

592
00:27:33,119 --> 00:27:35,000
Speaker 1: Jez Louise, Like I get signed to Atlantic, somebody come

593
00:27:35,000 --> 00:27:36,040
Speaker 1: in here check Atlanta.

594
00:27:36,720 --> 00:27:38,920
Speaker 2: I gotta be like the major nice life.

595
00:27:39,119 --> 00:27:41,840
Speaker 1: Let me tell you something about hip hop office offices

596
00:27:41,880 --> 00:27:42,879
Speaker 1: and studios.

597
00:27:43,800 --> 00:27:44,520
Speaker 2: A lot of hip.

598
00:27:44,359 --> 00:27:48,240
Speaker 1: Hop artists owe so much to offices and studios because

599
00:27:48,560 --> 00:27:50,760
Speaker 1: we would hang out there just not to be on

600
00:27:50,800 --> 00:27:53,119
Speaker 1: the street, you know what I'm saying, just not to

601
00:27:53,119 --> 00:27:55,840
Speaker 1: be on the street. So I pick you up. So Clark,

602
00:27:55,840 --> 00:27:58,399
Speaker 1: can't you get you all right, what do you enjoy

603
00:27:58,520 --> 00:28:01,800
Speaker 1: more producing on DJing DJing?

604
00:28:02,560 --> 00:28:03,639
Speaker 2: You said that very fast.

605
00:28:03,920 --> 00:28:08,320
Speaker 3: Yeah, I enjoy DJing way better because it's instinct.

606
00:28:08,560 --> 00:28:10,240
Speaker 2: I was about to say that he was a DJ first.

607
00:28:10,240 --> 00:28:12,359
Speaker 2: I was a DJ first. I mean, you know, I've

608
00:28:12,400 --> 00:28:15,440
Speaker 2: been in DJ for a long time. Producing is cool.

609
00:28:16,040 --> 00:28:19,080
Speaker 3: But for me to produce now, I have to be inspired,

610
00:28:19,119 --> 00:28:21,919
Speaker 3: and there's so much that's not inspiring that you know,

611
00:28:21,960 --> 00:28:23,240
Speaker 3: I'd rather play the records.

612
00:28:23,359 --> 00:28:25,080
Speaker 7: And you think the DJ is always going to be

613
00:28:25,080 --> 00:28:26,920
Speaker 7: a better producer than someone that wasn't a DJ.

614
00:28:27,000 --> 00:28:28,720
Speaker 3: I would like to hope so, I would think, and

615
00:28:28,720 --> 00:28:31,440
Speaker 3: I would like to say so. But Leon Way wasn't

616
00:28:31,480 --> 00:28:34,760
Speaker 3: a producer. I mean, wasn't a DJ. Quincy Jones wasn't

617
00:28:34,760 --> 00:28:40,160
Speaker 3: the DJ. Parrell's not a DJ, and Forrell's top two

618
00:28:40,200 --> 00:28:44,320
Speaker 3: and he's not number two, okay, And me.

619
00:28:44,240 --> 00:28:47,680
Speaker 1: And Farrell got a record outs. Me and Forrell got

620
00:28:47,720 --> 00:28:49,600
Speaker 1: a record out. I don't know why, shameless fuck. I

621
00:28:49,600 --> 00:28:51,440
Speaker 1: felt like Clark gave me the al I just had

622
00:28:51,440 --> 00:28:51,880
Speaker 1: the junky.

623
00:28:51,960 --> 00:28:52,560
Speaker 2: What's the remix?

624
00:28:53,280 --> 00:28:56,719
Speaker 3: W Wait, if you think about it, you gave Pharrell

625
00:28:56,800 --> 00:28:58,680
Speaker 3: all of you that fact.

626
00:28:58,720 --> 00:29:03,960
Speaker 1: I think that's a fact. What's your favorite place to

627
00:29:04,040 --> 00:29:06,840
Speaker 1: DJ Japan. I just feel like you're gonna go say

628
00:29:06,880 --> 00:29:09,080
Speaker 1: say Japan. I don't know what to say. Any club

629
00:29:09,160 --> 00:29:12,920
Speaker 1: that's full, I don't care where it's at. If it's full,

630
00:29:12,960 --> 00:29:14,400
Speaker 1: i'm gonna beat the club down.

631
00:29:15,200 --> 00:29:16,920
Speaker 2: But say that again. I'm sorry. If it's full, I'm

632
00:29:16,920 --> 00:29:19,440
Speaker 2: gonna beat the club down. Bottom line, you ain't with

633
00:29:19,480 --> 00:29:21,440
Speaker 2: the three if there's just three people in the room. Now,

634
00:29:21,440 --> 00:29:22,040
Speaker 2: if it's three.

635
00:29:21,880 --> 00:29:23,480
Speaker 3: People in the room, they're gonna walk away and say

636
00:29:23,520 --> 00:29:25,200
Speaker 3: I did my thing. But if it's a if it's

637
00:29:25,200 --> 00:29:27,160
Speaker 3: a club and it's packed, I don't care where it's at.

638
00:29:27,560 --> 00:29:28,720
Speaker 2: It could be a hotel room.

639
00:29:28,760 --> 00:29:30,080
Speaker 8: If it's packed, I'm a murdered.

640
00:29:30,080 --> 00:29:33,320
Speaker 2: That shit. Wow. Wow, that's the real DJ ship. That's

641
00:29:33,360 --> 00:29:37,560
Speaker 2: real DJ ship. Pop. You gotta relax. That's my friend

642
00:29:38,000 --> 00:29:39,600
Speaker 2: from left right. He's from left fright. I don't know

643
00:29:39,640 --> 00:29:42,360
Speaker 2: if you know that's left rack right there. Like I'm

644
00:29:42,400 --> 00:29:42,520
Speaker 2: not a.

645
00:29:42,560 --> 00:29:45,240
Speaker 1: Little bit, I'm a little bit before his era, right.

646
00:29:45,360 --> 00:29:48,120
Speaker 1: So my name is Poppy in left Frack. So every

647
00:29:48,120 --> 00:29:50,040
Speaker 1: time I come around and make sure that he knows

648
00:29:50,080 --> 00:29:53,120
Speaker 1: your little Poppy, you understand he's my man though, not

649
00:29:53,280 --> 00:29:55,360
Speaker 1: just no disrespect, but you know, I come first, you

650
00:29:55,400 --> 00:29:57,600
Speaker 1: know you still my nigga. I love you, man, So

651
00:29:57,760 --> 00:30:01,160
Speaker 1: listen to as an artist ever came up there plays

652
00:30:01,200 --> 00:30:04,080
Speaker 1: you some ship. It was trash and you had to

653
00:30:04,080 --> 00:30:05,640
Speaker 1: tell them it's not gonna happen.

654
00:30:05,800 --> 00:30:08,960
Speaker 2: No, no, no, it's all good music. No, it's not

655
00:30:09,000 --> 00:30:11,640
Speaker 2: all good music. But you can't you can't. Yeah, it's

656
00:30:11,640 --> 00:30:13,720
Speaker 2: not it's not it's not about me. It's about audience.

657
00:30:14,680 --> 00:30:18,160
Speaker 1: Let's say that it's not good. But how do you

658
00:30:18,200 --> 00:30:19,280
Speaker 1: approach that it's not good?

659
00:30:19,400 --> 00:30:21,600
Speaker 2: What do you do? You don't nuts.

660
00:30:21,720 --> 00:30:25,080
Speaker 11: Basic, if you like what mothers tell you, if you

661
00:30:25,080 --> 00:30:26,959
Speaker 11: don't have nothing nice to say, don't say anything at all.

662
00:30:27,040 --> 00:30:32,400
Speaker 2: Goddamn it, goddamn it, goddamn it, goddamn my mom.

663
00:30:33,680 --> 00:30:37,200
Speaker 1: So uh yo, yo, listen, buddy, buddy, come on, man,

664
00:30:37,400 --> 00:30:41,840
Speaker 1: I get your mom. We got guess listen Yo, all right, cool,

665
00:30:41,840 --> 00:30:42,959
Speaker 1: I don't even know what's going on.

666
00:30:43,040 --> 00:30:46,240
Speaker 2: We all here clog and everybody listen. Everybody who didn't

667
00:30:46,320 --> 00:30:47,360
Speaker 2: drink that much before.

668
00:30:48,080 --> 00:30:53,000
Speaker 3: Stop it, Pobby, Bobby, Okay, Bobby, stop it about the drinking.

669
00:30:53,080 --> 00:30:55,400
Speaker 2: Okay, yes, yes, yes, yeah, we got to rock for you.

670
00:30:55,440 --> 00:30:56,200
Speaker 2: I don't know you know.

671
00:30:56,440 --> 00:30:58,960
Speaker 1: So rock is the best vodka on the planet.

672
00:30:59,320 --> 00:31:00,880
Speaker 2: Yes, you you win and everything.

673
00:31:00,880 --> 00:31:02,440
Speaker 1: And we got Deli on here, and we got Deli

674
00:31:02,480 --> 00:31:05,520
Speaker 1: on the ULTR smooth to killer. Yeah yeah yeah, olr

675
00:31:05,560 --> 00:31:08,280
Speaker 1: smooth killer. So we got more coming on right now.

676
00:31:08,400 --> 00:31:10,880
Speaker 1: Money love, God damn it, got legends in the building.

677
00:31:10,920 --> 00:31:16,280
Speaker 1: Money love love ain't so yeah, let's do it, Holy Moly,

678
00:31:16,360 --> 00:31:19,440
Speaker 1: block of Molly. And she looked younger and younger every

679
00:31:19,520 --> 00:31:21,640
Speaker 1: only does an age at all every time?

680
00:31:23,760 --> 00:31:25,680
Speaker 4: All right, where's all the ladies at?

681
00:31:25,880 --> 00:31:27,160
Speaker 2: Yeah?

682
00:31:27,280 --> 00:31:30,840
Speaker 4: Yeah, because we're about to have some ladies up here.

683
00:31:32,200 --> 00:31:32,840
Speaker 2: That's what's up.

684
00:31:33,480 --> 00:31:37,520
Speaker 4: We got money love and y'all really gotta make some

685
00:31:37,600 --> 00:31:44,320
Speaker 4: noise for mony love. Okay, yeah, and Karen Siba, where's

686
00:31:44,360 --> 00:31:45,280
Speaker 4: my girl caring at?

687
00:31:45,440 --> 00:31:46,360
Speaker 2: Ladies in the buildings?

688
00:31:47,640 --> 00:31:48,480
Speaker 4: Are we taking over?

689
00:31:49,080 --> 00:31:51,200
Speaker 2: I got, I got, I got a question. Three chimps

690
00:31:51,280 --> 00:31:53,640
Speaker 2: loga is here? Yo, thank you, my brother, thank you.

691
00:31:53,840 --> 00:31:55,280
Speaker 2: I got a question immediately.

692
00:31:55,600 --> 00:31:57,840
Speaker 4: Okay, wait, hold, let's go down nor, let's let the

693
00:31:58,120 --> 00:31:59,320
Speaker 4: let's let carrer and get up here.

694
00:31:59,760 --> 00:32:06,320
Speaker 2: Okay, have that guys, mo, gentlemen, powerful.

695
00:32:05,880 --> 00:32:08,120
Speaker 4: People that the women take over there?

696
00:32:08,280 --> 00:32:10,640
Speaker 2: Yeah yeah, my brother drink champs need y'all.

697
00:32:10,480 --> 00:32:13,760
Speaker 4: Holy Moy'll gott to offer them a drink of course, please,

698
00:32:14,520 --> 00:32:16,520
Speaker 4: we have Kirkley who raised you.

699
00:32:16,520 --> 00:32:18,680
Speaker 2: Got to offer the ladies to drink you was you

700
00:32:18,720 --> 00:32:20,600
Speaker 2: were about to go somewhere else. Put that back. Put

701
00:32:20,600 --> 00:32:20,920
Speaker 2: that back.

702
00:32:21,040 --> 00:32:26,760
Speaker 7: You can come on and look at look at that's

703
00:32:26,800 --> 00:32:28,040
Speaker 7: an awkward time to bring him up.

704
00:32:28,040 --> 00:32:31,560
Speaker 2: To be honest, all you guys raised raised you, who

705
00:32:31,680 --> 00:32:32,360
Speaker 2: raised him.

706
00:32:32,360 --> 00:32:36,000
Speaker 1: It's an awkward time to bring that up. But listen, money, Yeah,

707
00:32:36,680 --> 00:32:39,680
Speaker 1: I see that. I've seen you with a drink Champ shirt. Okay,

708
00:32:40,080 --> 00:32:44,200
Speaker 1: always and but you you definitely critiqued us about a

709
00:32:44,360 --> 00:32:45,240
Speaker 1: Barrowe I did?

710
00:32:45,520 --> 00:32:48,640
Speaker 5: You did because that was your that was your first.

711
00:32:48,400 --> 00:32:50,880
Speaker 2: Right The first female was Angela.

712
00:32:50,960 --> 00:32:54,080
Speaker 12: No, it was it was tagged as the first.

713
00:32:55,400 --> 00:32:57,280
Speaker 1: People were saying that because she was the first by herself.

714
00:32:57,480 --> 00:32:59,120
Speaker 5: Okay, right right, So I was.

715
00:32:59,200 --> 00:33:01,520
Speaker 2: I was just like, right right, I think we had

716
00:33:01,520 --> 00:33:03,800
Speaker 2: a conversation. Oh yeah, we did. We went.

717
00:33:03,880 --> 00:33:06,880
Speaker 5: We went back and forth a bit absolutely friendly.

718
00:33:07,400 --> 00:33:11,000
Speaker 12: I was like, I don't know, I expected to see laughers.

719
00:33:10,960 --> 00:33:12,760
Speaker 2: Which she we we've been wanting to have.

720
00:33:13,800 --> 00:33:18,360
Speaker 1: Yeah, yeah, we wanted one died you on I move.

721
00:33:19,400 --> 00:33:21,320
Speaker 2: We wanted her here. Wait.

722
00:33:21,440 --> 00:33:24,200
Speaker 12: I need to allow everybody to understand this.

723
00:33:24,200 --> 00:33:26,360
Speaker 5: This is my family. I lived in my end.

724
00:33:26,400 --> 00:33:28,400
Speaker 2: That's right, that's right, that's right, and.

725
00:33:28,920 --> 00:33:29,840
Speaker 5: This is my family.

726
00:33:30,000 --> 00:33:33,480
Speaker 12: Right before you guys kicked off the podcast, I moved.

727
00:33:33,680 --> 00:33:34,840
Speaker 5: And I was so upset.

728
00:33:35,720 --> 00:33:38,480
Speaker 12: So that's that's another reason why I rep you constantly.

729
00:33:39,120 --> 00:33:42,720
Speaker 2: You know, her accident is still and you're looking younger

730
00:33:42,720 --> 00:33:43,200
Speaker 2: and younger.

731
00:33:43,480 --> 00:33:45,120
Speaker 5: Tell that to my knee.

732
00:33:45,720 --> 00:33:48,240
Speaker 7: Okay, because it's cracking.

733
00:33:49,640 --> 00:33:51,480
Speaker 2: Drink the same water for some reason.

734
00:33:51,800 --> 00:33:57,960
Speaker 1: So now, Karen Hi being powerful and very man and

735
00:33:58,040 --> 00:33:58,760
Speaker 1: hip hop.

736
00:33:59,240 --> 00:34:00,760
Speaker 2: How does that? How does that feel?

737
00:34:00,960 --> 00:34:03,080
Speaker 5: I mean, it's an incredible feeling. It's it's a lot

738
00:34:03,120 --> 00:34:04,960
Speaker 5: of us. Now, It's not like it's like one or two.

739
00:34:05,080 --> 00:34:07,160
Speaker 10: It's so many to choose from sitting here with Angela,

740
00:34:07,200 --> 00:34:08,640
Speaker 10: who I can call a great friend of mine.

741
00:34:08,719 --> 00:34:11,040
Speaker 5: So it's it's a lot of us toast to us.

742
00:34:11,080 --> 00:34:12,640
Speaker 5: I don't even really drink like that, but I'm.

743
00:34:12,560 --> 00:34:18,200
Speaker 4: Drinking fel comfortable this drink Champs. She understands the branding

744
00:34:19,040 --> 00:34:20,960
Speaker 4: of drink Champs means you gotta have a drink.

745
00:34:21,440 --> 00:34:23,640
Speaker 2: Okay, So what's your favorite?

746
00:34:23,640 --> 00:34:25,600
Speaker 1: If you've been being in hip hop, I won't have

747
00:34:25,760 --> 00:34:28,400
Speaker 1: tosk this question to both for y'all right, okay, uh

748
00:34:29,280 --> 00:34:33,160
Speaker 1: obviously from different eras, all right, but what's your favorite

749
00:34:33,160 --> 00:34:34,200
Speaker 1: era of hip hop?

750
00:34:34,800 --> 00:34:38,640
Speaker 2: And why? Hmmm, you can pick whatever. I don't, It

751
00:34:38,680 --> 00:34:39,160
Speaker 2: doesn't mind.

752
00:34:39,719 --> 00:34:43,960
Speaker 4: I'm gonna say I liked Voutange and my Tea nineties

753
00:34:45,760 --> 00:34:48,359
Speaker 4: look because I'm from Brooklyn, so you know, I used

754
00:34:48,400 --> 00:34:50,520
Speaker 4: to have a good time listening to all of that,

755
00:34:51,040 --> 00:34:53,880
Speaker 4: even like Black Moon and everybody.

756
00:34:53,680 --> 00:34:56,319
Speaker 2: That was a great era my favorite. And then why

757
00:34:56,920 --> 00:34:58,520
Speaker 2: why why forget?

758
00:34:58,560 --> 00:34:59,160
Speaker 8: Why for you?

759
00:34:59,239 --> 00:35:01,520
Speaker 5: Why should you? Why would you say that?

760
00:35:01,640 --> 00:35:04,160
Speaker 4: I think for me when I was listening to Wu

761
00:35:04,280 --> 00:35:06,160
Speaker 4: Tang and it was so different from everything else that

762
00:35:06,280 --> 00:35:08,239
Speaker 4: was out at the time, because I went through the

763
00:35:08,280 --> 00:35:12,600
Speaker 4: whole era like the I actually really enjoyed Mony Love

764
00:35:12,680 --> 00:35:15,440
Speaker 4: when you guys were part of the whole right before

765
00:35:15,719 --> 00:35:20,360
Speaker 4: Yeah time before iroquest Day, so the whole Daisy age.

766
00:35:20,440 --> 00:35:22,800
Speaker 4: I enjoyed that a lot. It's hard to say because

767
00:35:23,080 --> 00:35:25,200
Speaker 4: I think both those eras kind of like ran Both

768
00:35:25,239 --> 00:35:26,920
Speaker 4: those ran into.

769
00:35:26,800 --> 00:35:31,480
Speaker 12: You touched on something so key, so key honestly, despite

770
00:35:31,520 --> 00:35:34,799
Speaker 12: the fact that my error was right before what you

771
00:35:34,920 --> 00:35:37,480
Speaker 12: was just talking about, right, and it kind of overlaps

772
00:35:37,520 --> 00:35:40,200
Speaker 12: because those are like like Nori, that's like my little

773
00:35:40,239 --> 00:35:42,279
Speaker 12: brother Black Moon and them, they're like my little brother

774
00:35:42,400 --> 00:35:45,719
Speaker 12: Nads and them, my little brother. We were before them, right,

775
00:35:45,840 --> 00:35:49,240
Speaker 12: And despite the fact that that was my introduction into

776
00:35:49,280 --> 00:35:52,520
Speaker 12: the US of A and into the music business. Wow,

777
00:35:53,360 --> 00:35:57,680
Speaker 12: my favorite era is actually what you're talking about for

778
00:35:57,760 --> 00:36:02,560
Speaker 12: the simple reason that, like, I appreciate other artists that

779
00:36:02,640 --> 00:36:05,240
Speaker 12: were saying things that I wasn't necessarily saying.

780
00:36:05,640 --> 00:36:06,600
Speaker 5: Right, you know what I'm saying.

781
00:36:06,719 --> 00:36:07,800
Speaker 2: Lyrically, you're talking.

782
00:36:07,640 --> 00:36:11,239
Speaker 12: About absolutely like you you put on mop you know

783
00:36:11,239 --> 00:36:12,800
Speaker 12: what I'm saying, its grimy.

784
00:36:12,880 --> 00:36:15,279
Speaker 5: It was like no, and you put on Wu Tang.

785
00:36:15,400 --> 00:36:18,200
Speaker 12: I love the music despite the fact that I'm Daisy

786
00:36:18,239 --> 00:36:21,080
Speaker 12: Age and I'm native tongue and I love that and

787
00:36:21,120 --> 00:36:23,040
Speaker 12: I rap it. But I love to be able to

788
00:36:23,040 --> 00:36:25,520
Speaker 12: go in a club and like I'm getting ready to

789
00:36:25,560 --> 00:36:26,080
Speaker 12: rob lick.

790
00:36:26,040 --> 00:36:29,640
Speaker 5: A store someone. And that's what that did to me.

791
00:36:30,200 --> 00:36:32,000
Speaker 5: You know what I'm saying. You put on shock ones,

792
00:36:32,040 --> 00:36:37,600
Speaker 5: I still black ass, don't do it, you know what

793
00:36:37,640 --> 00:36:38,120
Speaker 5: I'm saying.

794
00:36:38,200 --> 00:36:41,279
Speaker 12: So I totally understand what you're talking about when you

795
00:36:41,320 --> 00:36:43,920
Speaker 12: when you talk about that specific era and we was

796
00:36:44,160 --> 00:36:44,520
Speaker 12: we were.

797
00:36:44,480 --> 00:36:46,680
Speaker 4: Daunting, but I didn't let that Birdie remix.

798
00:36:47,360 --> 00:36:51,680
Speaker 10: Oh yeah, I would definitely have to say for me,

799
00:36:51,719 --> 00:36:55,759
Speaker 10: it's like the late nineties early two thousands because of

800
00:36:55,840 --> 00:36:59,200
Speaker 10: what video music, like what the video music's.

801
00:36:58,920 --> 00:37:01,600
Speaker 2: Meant to us only two thousands.

802
00:37:01,080 --> 00:37:03,879
Speaker 10: Like early two thousands. It's just like just what music

803
00:37:04,000 --> 00:37:06,120
Speaker 10: videos was. We had one O six in park, we

804
00:37:06,160 --> 00:37:08,080
Speaker 10: had c R L and the things like that, and

805
00:37:08,120 --> 00:37:11,240
Speaker 10: it's just like they had the big budgets now new offense.

806
00:37:11,719 --> 00:37:14,080
Speaker 5: It's like the videos don't really mean this. It don't

807
00:37:14,080 --> 00:37:15,480
Speaker 5: really mean the same thing anymore.

808
00:37:15,480 --> 00:37:18,280
Speaker 10: Half the time, I don't even know songs got videos before.

809
00:37:18,360 --> 00:37:19,160
Speaker 5: It's just like.

810
00:37:20,200 --> 00:37:24,879
Speaker 4: Spend a million on the video, right, Yeah, yeah, William.

811
00:37:26,520 --> 00:37:29,160
Speaker 10: Williams and everybody meant it's just like I just I

812
00:37:29,239 --> 00:37:32,160
Speaker 10: just felt like like hip hop, just felt like rock stars.

813
00:37:32,200 --> 00:37:34,160
Speaker 5: So it's just incredible feeling. Yeah.

814
00:37:34,200 --> 00:37:35,759
Speaker 2: But as far as all, there was.

815
00:37:35,719 --> 00:37:38,960
Speaker 4: A lot of money flying around, Big.

816
00:37:38,840 --> 00:37:40,480
Speaker 2: Money time for sure.

817
00:37:40,719 --> 00:37:43,080
Speaker 7: Definitely definitely the big money time and the era you

818
00:37:43,120 --> 00:37:45,359
Speaker 7: guys are talking about the quote unquote golden era.

819
00:37:45,960 --> 00:37:47,440
Speaker 5: But absolutely that's why some.

820
00:37:47,400 --> 00:37:49,880
Speaker 7: People would argue that that's the golden era, could be

821
00:37:49,920 --> 00:37:51,120
Speaker 7: whatever they thought was the best time.

822
00:37:51,760 --> 00:37:53,520
Speaker 5: True. Agree, true, I can see that.

823
00:37:54,960 --> 00:37:57,920
Speaker 2: I agree. I agree. So now but.

824
00:37:57,960 --> 00:38:00,360
Speaker 4: Wait, Andre Harrel is here and he has something that

825
00:38:00,400 --> 00:38:02,319
Speaker 4: he wants to say. He is actually wants to come

826
00:38:02,400 --> 00:38:04,719
Speaker 4: up right now, interject and get in on this conversation.

827
00:38:04,880 --> 00:38:07,320
Speaker 2: This conversation conversations.

828
00:38:06,640 --> 00:38:09,680
Speaker 1: Okay, because that's not that's the big old g Yeah.

829
00:38:11,600 --> 00:38:11,960
Speaker 5: Videos.

830
00:38:12,000 --> 00:38:14,240
Speaker 2: There's a lot of powerful people on this table.

831
00:38:15,040 --> 00:38:16,200
Speaker 5: Artist too, a lot of way.

832
00:38:16,800 --> 00:38:19,560
Speaker 1: If it wasn't for him, like single handedly, none of

833
00:38:19,640 --> 00:38:21,560
Speaker 1: us would be here right now. And there's certain talk

834
00:38:21,680 --> 00:38:24,040
Speaker 1: that talk to I gotta talk in my mic up

835
00:38:24,080 --> 00:38:24,960
Speaker 1: and I need to drink.

836
00:38:26,560 --> 00:38:30,480
Speaker 2: I've been working hard to Okay, Okay, now what man? What? What?

837
00:38:30,480 --> 00:38:31,640
Speaker 2: What would I better say?

838
00:38:31,640 --> 00:38:41,040
Speaker 1: So from champaign? What do y'all want to talk about?

839
00:38:41,080 --> 00:38:42,319
Speaker 1: What's the what's the best era?

840
00:38:42,760 --> 00:38:42,920
Speaker 10: Right?

841
00:38:43,000 --> 00:38:44,960
Speaker 2: Hop and hip hop? According to you?

842
00:38:46,160 --> 00:38:49,120
Speaker 1: The errors the nineties? The best era is the nineties.

843
00:38:49,160 --> 00:38:50,880
Speaker 1: The best lyricis came from the nineties.

844
00:38:50,920 --> 00:38:52,360
Speaker 2: Okay, the most finiest.

845
00:38:52,520 --> 00:38:55,080
Speaker 1: When we say the nineties, are we saying early nineties

846
00:38:55,239 --> 00:38:55,759
Speaker 1: or just the.

847
00:38:55,680 --> 00:38:58,279
Speaker 2: Whole early the mid nineties, late nineties? You gotta give

848
00:38:58,320 --> 00:38:58,600
Speaker 2: it you.

849
00:38:58,600 --> 00:39:02,840
Speaker 1: You gotta go from Rakire to Tupac to nas to

850
00:39:03,000 --> 00:39:06,399
Speaker 1: jay Z to eminem like you had so many great

851
00:39:06,480 --> 00:39:09,839
Speaker 1: to outcast. You had so many great artists, so many

852
00:39:09,880 --> 00:39:15,320
Speaker 1: fun artists, Brand Nubian, You had artists who had Daylight Soul, Latifa,

853
00:39:15,719 --> 00:39:18,520
Speaker 1: you had so fox boogie, you had so many different

854
00:39:18,520 --> 00:39:21,000
Speaker 1: ways we were hitting from You walked to the party.

855
00:39:21,239 --> 00:39:23,360
Speaker 1: You didn't go to the booth and in front and

856
00:39:23,400 --> 00:39:26,000
Speaker 1: share pain up. You walked straight into the club, straight

857
00:39:26,000 --> 00:39:29,840
Speaker 1: to the dance floor. That was the difference, and you

858
00:39:29,920 --> 00:39:30,840
Speaker 1: motherfucker's party.

859
00:39:31,520 --> 00:39:35,200
Speaker 2: Two people dance all night and got out to go

860
00:39:35,239 --> 00:39:35,919
Speaker 2: to work on time.

861
00:39:36,440 --> 00:39:37,879
Speaker 4: I feel like people go to the club and stay

862
00:39:37,880 --> 00:39:43,640
Speaker 4: at the table. You know, no, not you, Yeah.

863
00:39:43,600 --> 00:39:47,680
Speaker 5: They sent on. It's not the same up here.

864
00:39:48,800 --> 00:39:50,959
Speaker 1: I got a question. I got a question. Why why

865
00:39:50,960 --> 00:39:53,239
Speaker 1: don't we party like we used to party? Why is

866
00:39:53,440 --> 00:39:55,280
Speaker 1: this generation party like we don't.

867
00:39:55,120 --> 00:39:57,799
Speaker 4: Want to be called on social media? Look it crazy that.

868
00:39:59,320 --> 00:40:01,760
Speaker 5: I don't know. It's it's it's It's definitely not the same.

869
00:40:02,000 --> 00:40:05,920
Speaker 2: And abody thinks they're a star because young boys on Heroin.

870
00:40:07,680 --> 00:40:12,080
Speaker 5: He literally stands around not really doing much.

871
00:40:13,200 --> 00:40:16,160
Speaker 4: File service, change things out to battle service. You gotta

872
00:40:16,200 --> 00:40:18,600
Speaker 4: get some battles. It can't even just nobody wants to

873
00:40:18,680 --> 00:40:20,120
Speaker 4: let me pay ten dollars.

874
00:40:20,600 --> 00:40:23,080
Speaker 2: It feels like there's no more fans. Like everybody thinks

875
00:40:23,080 --> 00:40:23,600
Speaker 2: they an artist.

876
00:40:24,000 --> 00:40:26,879
Speaker 5: Yes that is true. Every every Yeah, everybody what.

877
00:40:26,920 --> 00:40:29,319
Speaker 1: About the music? Is the music that makes you not

878
00:40:29,400 --> 00:40:30,640
Speaker 1: party like we used to party.

879
00:40:30,880 --> 00:40:32,360
Speaker 5: I think the music is still incredible.

880
00:40:32,400 --> 00:40:34,440
Speaker 10: There's still songs out there that are popping. And then

881
00:40:34,480 --> 00:40:38,080
Speaker 10: it's people just aren't really moving because it's more artists

882
00:40:38,520 --> 00:40:40,160
Speaker 10: and influencers than.

883
00:40:40,040 --> 00:40:42,000
Speaker 7: They are fans, because they sure as they're dancing on

884
00:40:42,040 --> 00:40:43,960
Speaker 7: social media because it's mo fucker, but they're not dancing

885
00:40:43,960 --> 00:40:44,319
Speaker 7: in the club.

886
00:40:44,400 --> 00:40:46,319
Speaker 2: Yeah, but why do you got to be a fan

887
00:40:46,480 --> 00:40:49,359
Speaker 2: to dance to good music? Can't you just appreciate the music? Well,

888
00:40:49,360 --> 00:40:51,800
Speaker 2: you're a fan of it. Yeah, you're a fan like

889
00:40:51,960 --> 00:40:53,640
Speaker 2: music is like a soulful thing.

890
00:40:54,200 --> 00:40:57,560
Speaker 1: You just appreciate past the the ideology of being a

891
00:40:57,640 --> 00:40:58,279
Speaker 1: fan it makes you.

892
00:40:59,440 --> 00:41:01,960
Speaker 2: But that's deep. But I think that could be fan

893
00:41:02,400 --> 00:41:04,920
Speaker 2: to the layman's like, Okay, I'm gonna let that go.

894
00:41:05,840 --> 00:41:07,799
Speaker 12: Any of that, do you think any of it has

895
00:41:07,840 --> 00:41:09,640
Speaker 12: anything to do I'm sorry, Angel, this is interurt you,

896
00:41:09,640 --> 00:41:12,479
Speaker 12: but I'm asking you, ladies. Also, do you think any

897
00:41:12,480 --> 00:41:14,520
Speaker 12: of it the lack of party and has anything to

898
00:41:14,600 --> 00:41:19,120
Speaker 12: do with possibly the lack of venues to party because

899
00:41:19,120 --> 00:41:22,000
Speaker 12: they've shut a lot of hip hop venues down, Not

900
00:41:22,040 --> 00:41:25,400
Speaker 12: to say that that doesn't exist any because I'm that does, but.

901
00:41:25,280 --> 00:41:27,120
Speaker 4: It's not like lounges in that club.

902
00:41:27,520 --> 00:41:29,000
Speaker 5: Do you think that has to do with it too?

903
00:41:29,200 --> 00:41:32,240
Speaker 10: In La there's definitely you definitely have your options of clubs.

904
00:41:32,280 --> 00:41:35,520
Speaker 10: But the problem is no offense is the DJs aren't

905
00:41:35,560 --> 00:41:37,000
Speaker 10: the best with the blends.

906
00:41:37,320 --> 00:41:38,960
Speaker 5: You'll go from like a hot.

907
00:41:38,800 --> 00:41:40,920
Speaker 10: Song you feel in the moment, and then they'll just

908
00:41:40,960 --> 00:41:42,480
Speaker 10: go to some techno song and.

909
00:41:42,400 --> 00:41:43,879
Speaker 5: You're like, what the I can curse?

910
00:41:43,960 --> 00:41:44,080
Speaker 8: Right?

911
00:41:44,239 --> 00:41:44,399
Speaker 2: Yeah?

912
00:41:44,480 --> 00:41:48,840
Speaker 10: Yeah, you're like, so it's like they're trying to cater

913
00:41:48,960 --> 00:41:51,880
Speaker 10: to all the crowds as opposed to like, listen, I

914
00:41:51,960 --> 00:41:54,279
Speaker 10: want to hear this three or four times like a

915
00:41:54,280 --> 00:41:55,960
Speaker 10: funk Master Flex or somebody will do.

916
00:41:56,040 --> 00:41:56,799
Speaker 5: They don't do that.

917
00:41:59,000 --> 00:42:00,480
Speaker 4: Because anybody DJ.

918
00:42:00,840 --> 00:42:02,839
Speaker 5: Yeah, now everybody's a DJ.

919
00:42:03,040 --> 00:42:06,520
Speaker 10: Everybody's a DJ that you put some songs on your iTunes.

920
00:42:06,880 --> 00:42:08,680
Speaker 5: You know, you can no offense to the models.

921
00:42:08,800 --> 00:42:11,280
Speaker 10: Just take a few pictures and it's like, I'm DJ. Whoever,

922
00:42:11,360 --> 00:42:11,840
Speaker 10: Now that's.

923
00:42:11,719 --> 00:42:12,680
Speaker 5: A whole nother show.

924
00:42:12,920 --> 00:42:18,520
Speaker 7: Yeah, I still got my record, goddamn it?

925
00:42:19,080 --> 00:42:20,040
Speaker 2: Why we got carrying them?

926
00:42:20,080 --> 00:42:23,760
Speaker 1: Visiting Drink Champs is our first time having three females.

927
00:42:25,080 --> 00:42:27,400
Speaker 1: It is great, like we need we always have guys

928
00:42:27,400 --> 00:42:28,799
Speaker 1: on the show, right, So let me.

929
00:42:28,800 --> 00:42:30,880
Speaker 4: Just ask y'all that females when they know, can they

930
00:42:30,920 --> 00:42:33,240
Speaker 4: smoke as well?

931
00:42:33,760 --> 00:42:34,719
Speaker 2: I didn't know.

932
00:42:34,719 --> 00:42:40,399
Speaker 1: I didn't know what the past doing. As the man,

933
00:42:40,840 --> 00:42:45,400
Speaker 1: sometimes we look at we look at female mcs and

934
00:42:45,440 --> 00:42:47,200
Speaker 1: we're like, why they can't get along?

935
00:42:48,040 --> 00:42:49,160
Speaker 2: Like why is is it more?

936
00:42:50,160 --> 00:42:50,640
Speaker 5: Want to start?

937
00:42:51,400 --> 00:42:52,120
Speaker 4: I don't care.

938
00:42:53,040 --> 00:42:57,400
Speaker 10: Okay, so I don't necessarily think that's true. But the

939
00:42:57,440 --> 00:42:59,600
Speaker 10: way we were raised in our mentality. Go back to

940
00:42:59,640 --> 00:43:01,840
Speaker 10: some of your favorite shows, Like when you think of

941
00:43:01,920 --> 00:43:06,359
Speaker 10: girl clicks, there's always a smart one, there's a dumb one,

942
00:43:06,440 --> 00:43:07,400
Speaker 10: and there's a follower.

943
00:43:07,680 --> 00:43:09,640
Speaker 5: We were taught to believe you.

944
00:43:09,880 --> 00:43:15,680
Speaker 10: Okay, we were taught. We were taught that there can

945
00:43:15,760 --> 00:43:19,279
Speaker 10: only be one of a certain type and criteria. So

946
00:43:19,440 --> 00:43:21,960
Speaker 10: now you know Nicki rain for however long. Now we

947
00:43:22,080 --> 00:43:24,640
Speaker 10: have options. It's not a bad thing. Like I'm a

948
00:43:24,640 --> 00:43:28,040
Speaker 10: fan of Cardi b I'm a fan of Cash Doll,

949
00:43:28,200 --> 00:43:29,600
Speaker 10: I'm a fan of Nicki Minaj.

950
00:43:29,680 --> 00:43:31,640
Speaker 5: There's nothing wrong. There's men out here that can be

951
00:43:33,520 --> 00:43:35,200
Speaker 5: just as many. We don't have to pit each other

952
00:43:35,200 --> 00:43:36,400
Speaker 5: against everyone.

953
00:43:36,680 --> 00:43:39,520
Speaker 10: And it's like to me, media and society are creating

954
00:43:39,560 --> 00:43:41,680
Speaker 10: those issues with like a Nicky and Cardi they ain't

955
00:43:41,680 --> 00:43:43,400
Speaker 10: got no beef at all.

956
00:43:44,320 --> 00:43:47,240
Speaker 4: It could be Instagram and social media creating those problems.

957
00:43:47,360 --> 00:43:53,440
Speaker 4: Somebody does the industry like it does a label benefit

958
00:43:53,480 --> 00:43:54,200
Speaker 4: from those beefs?

959
00:43:54,560 --> 00:43:54,799
Speaker 5: To me?

960
00:43:54,880 --> 00:43:58,239
Speaker 10: Sometimes yeah, sometimes maybe like a network or something who'll

961
00:43:58,280 --> 00:44:00,480
Speaker 10: get hype off of it, say like now, Nick, you may.

962
00:44:00,320 --> 00:44:02,120
Speaker 5: Not be winning, Oh we got a new winner.

963
00:44:02,160 --> 00:44:02,759
Speaker 2: They get hiped.

964
00:44:02,800 --> 00:44:06,040
Speaker 10: You get to see this person and they continue that stereotype,

965
00:44:06,040 --> 00:44:08,799
Speaker 10: which isn't fair, like why it should be more than

966
00:44:08,800 --> 00:44:09,239
Speaker 10: one of us.

967
00:44:09,239 --> 00:44:15,440
Speaker 12: Absolutely, in my opinion, I don't think that the I

968
00:44:15,480 --> 00:44:18,600
Speaker 12: don't think that social media and stuff is totally creating

969
00:44:18,680 --> 00:44:22,399
Speaker 12: issues between women. And I say this because I'm gonna

970
00:44:22,440 --> 00:44:24,000
Speaker 12: be one hundred percent honest here.

971
00:44:24,800 --> 00:44:27,279
Speaker 4: We didn't all get along, Like.

972
00:44:27,360 --> 00:44:28,880
Speaker 5: Who created that myth?

973
00:44:30,280 --> 00:44:30,879
Speaker 2: Don't get along?

974
00:44:31,000 --> 00:44:34,640
Speaker 12: No, I'm talking about people like to always pin these

975
00:44:34,719 --> 00:44:39,040
Speaker 12: girls nowadays, these female EMCs, nowadays, they're all catty against

976
00:44:39,080 --> 00:44:41,439
Speaker 12: each other and this and that and that one don't

977
00:44:41,520 --> 00:44:43,680
Speaker 12: like this one, and this one's beefing with that one,

978
00:44:44,040 --> 00:44:46,400
Speaker 12: and that didn't used to happen back in the days.

979
00:44:46,719 --> 00:44:49,080
Speaker 5: Well, let me be the first to tell you that, yes,

980
00:44:49,160 --> 00:44:49,960
Speaker 5: the fucking.

981
00:44:50,280 --> 00:44:53,840
Speaker 4: Mony lave who was beefing with two okay, as she

982
00:44:53,960 --> 00:44:59,320
Speaker 4: got listen, listen, man who was beefing moony?

983
00:44:59,360 --> 00:45:02,320
Speaker 5: This bitch between people in general.

984
00:45:01,960 --> 00:45:05,960
Speaker 10: It happens, yeah, and everyone doesn't have to like each

985
00:45:05,960 --> 00:45:10,120
Speaker 10: other exactedly, but we have to pretend it can only

986
00:45:10,160 --> 00:45:13,799
Speaker 10: be one popping female right now on my iTunes.

987
00:45:13,840 --> 00:45:15,200
Speaker 5: It's plenty of women.

988
00:45:15,200 --> 00:45:18,640
Speaker 10: Out there who's killing it, and it's great that we have.

989
00:45:18,640 --> 00:45:21,080
Speaker 4: Options and kind of because it's a smaller pool of

990
00:45:21,440 --> 00:45:24,239
Speaker 4: women than men, so it really stands out when the

991
00:45:24,320 --> 00:45:26,600
Speaker 4: women we want to see that, you know, I mean,

992
00:45:27,160 --> 00:45:30,200
Speaker 4: and we want to see them doing songs together, just

993
00:45:30,200 --> 00:45:31,520
Speaker 4: like the guys do songs together.

994
00:45:31,600 --> 00:45:33,920
Speaker 5: We just have a I'm just saying that way.

995
00:45:34,080 --> 00:45:35,480
Speaker 10: If I can't let the cat out of the back, there

996
00:45:35,560 --> 00:45:37,040
Speaker 10: a lot of women who a getting ready to come out.

997
00:45:37,120 --> 00:45:39,760
Speaker 10: They got collapsed together. They're gonna shut all the nonsense.

998
00:45:40,320 --> 00:45:42,080
Speaker 2: Do you think there's more women now than ever in

999
00:45:42,120 --> 00:45:42,919
Speaker 2: the industry?

1000
00:45:44,320 --> 00:45:47,239
Speaker 5: I can't really Like we had Ladies' Night that record was.

1001
00:45:47,520 --> 00:45:48,240
Speaker 5: That was a moment.

1002
00:45:48,400 --> 00:45:50,279
Speaker 10: I don't know if we ever get something like that again,

1003
00:45:50,320 --> 00:45:50,680
Speaker 10: I never.

1004
00:45:50,640 --> 00:45:53,360
Speaker 2: Want, okay, but it's never no.

1005
00:45:54,480 --> 00:45:58,799
Speaker 12: Can we agree to admit that right now today As

1006
00:45:58,880 --> 00:46:02,880
Speaker 12: far as being on d exact same plateau and level

1007
00:46:03,360 --> 00:46:05,359
Speaker 12: of stardom with each other.

1008
00:46:06,040 --> 00:46:07,520
Speaker 5: It's not happening.

1009
00:46:07,120 --> 00:46:09,680
Speaker 12: At the exact same rate as it happened when I

1010
00:46:09,719 --> 00:46:12,759
Speaker 12: was putting records out. That is, I would wind up

1011
00:46:12,760 --> 00:46:15,920
Speaker 12: on the same bill with Latifa. I would wind up

1012
00:46:15,960 --> 00:46:17,960
Speaker 12: on the same bill with a rage and a yo

1013
00:46:18,040 --> 00:46:22,120
Speaker 12: yo and a light and get we're not getting Yeah,

1014
00:46:22,120 --> 00:46:24,400
Speaker 12: we don't tell three five seven, Like we would all

1015
00:46:25,000 --> 00:46:28,000
Speaker 12: end up a lot of times on the same bills

1016
00:46:28,040 --> 00:46:30,360
Speaker 12: with each other. And I'm seeing that happen as on.

1017
00:46:30,560 --> 00:46:32,640
Speaker 10: Back to the Caddy bullshit, where it's like I don't

1018
00:46:32,640 --> 00:46:34,960
Speaker 10: want to open for this person who's gonna close for this.

1019
00:46:35,280 --> 00:46:36,880
Speaker 5: I don't want to be on the same bill. We

1020
00:46:36,920 --> 00:46:39,319
Speaker 5: don't want to do this together. It's man, a lot

1021
00:46:39,320 --> 00:46:40,080
Speaker 5: of it's a lot of that.

1022
00:46:40,160 --> 00:46:42,319
Speaker 12: In that time, we just all wanted to get it's

1023
00:46:42,320 --> 00:46:45,439
Speaker 12: paid and be on the show. So we was we

1024
00:46:45,480 --> 00:46:47,239
Speaker 12: wasn't we wasn't fighting about that.

1025
00:46:47,360 --> 00:46:48,440
Speaker 2: We was like we.

1026
00:46:48,320 --> 00:46:51,400
Speaker 12: Could have been like m hmm against each other. Right,

1027
00:46:51,440 --> 00:46:53,560
Speaker 12: to be quite honest, Angela, I'm gonna admit it. Right

1028
00:46:54,000 --> 00:46:56,080
Speaker 12: as far as on the East Coast and me being

1029
00:46:56,440 --> 00:46:58,840
Speaker 12: prodigal daughter of the East Coast by way.

1030
00:46:58,640 --> 00:47:00,919
Speaker 5: Of England, can said in New York.

1031
00:47:01,120 --> 00:47:03,400
Speaker 12: You know, we thought we was way better as far

1032
00:47:03,440 --> 00:47:05,000
Speaker 12: as lyric The only West.

1033
00:47:04,719 --> 00:47:07,200
Speaker 5: Coast chick that could fuck with us was Yo Yo.

1034
00:47:07,360 --> 00:47:08,960
Speaker 12: And then we was looking at the rest of them

1035
00:47:09,000 --> 00:47:14,760
Speaker 12: girls like that, like, all y'all do is wear motherfucking spand.

1036
00:47:14,280 --> 00:47:15,640
Speaker 4: That's okay, get in money.

1037
00:47:15,800 --> 00:47:16,520
Speaker 2: All y'all do.

1038
00:47:16,600 --> 00:47:18,520
Speaker 5: Is we're spanding. I mean, I'm just being honest.

1039
00:47:18,520 --> 00:47:20,480
Speaker 12: That's where we were, where we're at now with each other.

1040
00:47:20,560 --> 00:47:23,120
Speaker 5: Karen, Yeah, is I have se I have.

1041
00:47:23,239 --> 00:47:27,319
Speaker 12: Personally walked up to sweet ld from uh Town three

1042
00:47:27,600 --> 00:47:31,800
Speaker 12: three seven and personally apologize for being a bitch. Yeah,

1043
00:47:31,840 --> 00:47:33,960
Speaker 12: back in the day because I was like, man, I.

1044
00:47:34,440 --> 00:47:38,120
Speaker 5: Spit Liverpool fucking hate.

1045
00:47:37,680 --> 00:47:41,239
Speaker 2: You were Spanish, you know what I mean?

1046
00:47:41,280 --> 00:47:44,920
Speaker 5: And now that's we had that that right, there's growth.

1047
00:47:45,000 --> 00:47:47,160
Speaker 10: We're not gonna get that, unfortunately from a lot of women,

1048
00:47:47,160 --> 00:47:49,879
Speaker 10: because it's like I had that hairstyle first, I wore

1049
00:47:49,920 --> 00:47:52,920
Speaker 10: those jeans first, I wore the color green first. Everybody's

1050
00:47:52,960 --> 00:47:54,920
Speaker 10: like I did it first, first, first, and now.

1051
00:47:54,760 --> 00:47:57,040
Speaker 4: Everybody can see it, and I do think that's a social.

1052
00:47:56,800 --> 00:47:59,719
Speaker 2: Media I got one more question. I got one more question.

1053
00:47:59,800 --> 00:48:03,399
Speaker 1: Yeah, for the whole planel Yes, us as hip hop.

1054
00:48:03,440 --> 00:48:05,480
Speaker 2: We getting along, We love.

1055
00:48:05,560 --> 00:48:09,400
Speaker 1: Everybody's getting almost getting back to being happy, right because everybody,

1056
00:48:10,000 --> 00:48:13,640
Speaker 1: what do we need to do to squash Nicki Minajs

1057
00:48:13,680 --> 00:48:15,080
Speaker 1: and Ribby Mars beef.

1058
00:48:16,760 --> 00:48:21,440
Speaker 2: Females Andre, What do we need? It's never happened, you know.

1059
00:48:21,560 --> 00:48:24,000
Speaker 4: I think that sometimes we have to realize there's bigger

1060
00:48:24,200 --> 00:48:27,200
Speaker 4: issues and tragedies in this world, and it's so much

1061
00:48:27,200 --> 00:48:30,160
Speaker 4: more important for us to at least attempt to be united.

1062
00:48:30,400 --> 00:48:32,839
Speaker 4: I think sometimes people have to have a conversation one

1063
00:48:32,840 --> 00:48:34,840
Speaker 4: on one without other people in the middle of it.

1064
00:48:36,080 --> 00:48:38,360
Speaker 4: At some point somebody has to be the bigger person

1065
00:48:39,640 --> 00:48:42,440
Speaker 4: and reach out and the other person has to accept that.

1066
00:48:42,719 --> 00:48:45,640
Speaker 4: But I think it's hard when there's people like mediating

1067
00:48:45,719 --> 00:48:46,560
Speaker 4: and in the middle of.

1068
00:48:46,560 --> 00:48:49,240
Speaker 5: It and third parties, egos and everything.

1069
00:48:49,239 --> 00:48:51,080
Speaker 10: But at the end of the day, they both get money,

1070
00:48:51,280 --> 00:48:53,320
Speaker 10: so they both get money.

1071
00:48:53,520 --> 00:48:57,960
Speaker 5: So what happened? He said, some sexual.

1072
00:49:00,120 --> 00:49:02,320
Speaker 4: No, all right, we said, we got a little Harvey

1073
00:49:02,320 --> 00:49:05,360
Speaker 4: way Man funk out of here with the.

1074
00:49:04,960 --> 00:49:08,359
Speaker 12: Come on son, come on son, get the fuck out

1075
00:49:08,360 --> 00:49:09,560
Speaker 12: of here with that bullshit.

1076
00:49:10,320 --> 00:49:14,200
Speaker 2: Raised Rais who raised no.

1077
00:49:14,520 --> 00:49:16,719
Speaker 4: I wanted to ask you nor you witnessed a lot

1078
00:49:16,760 --> 00:49:20,399
Speaker 4: of beef between women who are rap artists. Yes, so

1079
00:49:20,840 --> 00:49:23,000
Speaker 4: tell us some stories about that, because I know.

1080
00:49:23,239 --> 00:49:24,040
Speaker 2: I have no stories.

1081
00:49:24,160 --> 00:49:24,640
Speaker 5: Yes you do?

1082
00:49:25,800 --> 00:49:27,920
Speaker 2: Are you lying?

1083
00:49:28,040 --> 00:49:29,160
Speaker 5: Who did you have beef?

1084
00:49:29,920 --> 00:49:30,560
Speaker 2: Tell you something?

1085
00:49:30,800 --> 00:49:33,840
Speaker 1: Let me tell you something about about like when it

1086
00:49:33,880 --> 00:49:37,799
Speaker 1: comes to females, it's always been a touchy situation. Like

1087
00:49:38,239 --> 00:49:40,920
Speaker 1: I'm just saying, like you know when when like I

1088
00:49:41,000 --> 00:49:44,359
Speaker 1: learned my lesson when I did a record called Bang

1089
00:49:44,440 --> 00:49:50,040
Speaker 1: Bang right and on the record bang Bang, I remember

1090
00:49:50,560 --> 00:49:52,280
Speaker 1: who did I have on the record? I have Foxy

1091
00:49:52,320 --> 00:49:56,719
Speaker 1: Brown on the record, right? And Foxy came and look

1092
00:49:56,840 --> 00:50:01,840
Speaker 1: she was ready, like I'm talking about she had seven raps,

1093
00:50:01,880 --> 00:50:03,520
Speaker 1: just like how about this one?

1094
00:50:03,600 --> 00:50:06,440
Speaker 2: And we were all like no, but none of us said.

1095
00:50:06,320 --> 00:50:09,320
Speaker 1: Don't do it, okay, And she got on the record

1096
00:50:09,400 --> 00:50:13,600
Speaker 1: and she just little Kim and it was just although

1097
00:50:13,800 --> 00:50:15,359
Speaker 1: I had nothing to do with it, you knew when

1098
00:50:15,400 --> 00:50:16,959
Speaker 1: it was though your record.

1099
00:50:16,640 --> 00:50:18,839
Speaker 5: Though, so technically, But that was.

1100
00:50:18,800 --> 00:50:19,760
Speaker 2: My lesson I learned.

1101
00:50:20,120 --> 00:50:22,960
Speaker 1: And now I know that even though somebody can get

1102
00:50:22,960 --> 00:50:25,680
Speaker 1: on your record and they can dis somebody else, they

1103
00:50:25,719 --> 00:50:28,560
Speaker 1: feel like it's almost like it's your beef too.

1104
00:50:28,800 --> 00:50:31,440
Speaker 12: Yeah right, Okay, So in hindsight, if you had to,

1105
00:50:31,840 --> 00:50:35,720
Speaker 12: if you had that moment again, yeah, that same studio session.

1106
00:50:36,120 --> 00:50:37,960
Speaker 5: Okay, and you hit.

1107
00:50:38,040 --> 00:50:40,880
Speaker 12: She goes into booth and she spits a sixteen and

1108
00:50:40,880 --> 00:50:43,719
Speaker 12: within the sixteen she's this and kim you going back there?

1109
00:50:43,719 --> 00:50:46,640
Speaker 5: What would you do and make it a bigger song?

1110
00:50:46,960 --> 00:50:50,120
Speaker 1: The thing is, if I was that age and that

1111
00:50:50,239 --> 00:50:53,400
Speaker 1: same age, I would let her go. But the person

1112
00:50:53,480 --> 00:50:55,760
Speaker 1: now would be like, let's let's do another record.

1113
00:50:55,840 --> 00:50:56,640
Speaker 5: But can I say this?

1114
00:50:56,800 --> 00:50:59,160
Speaker 10: Aren't you now messing with the artist's integrity?

1115
00:50:59,200 --> 00:51:00,560
Speaker 5: Like this is how you spit her?

1116
00:51:00,719 --> 00:51:03,080
Speaker 10: N that's like you going, nah, I don't want that.

1117
00:51:03,160 --> 00:51:06,839
Speaker 10: Spit something better. But it's a dupat something whack. No,

1118
00:51:06,920 --> 00:51:10,120
Speaker 10: But he's it was a hard burse so it's like,

1119
00:51:10,400 --> 00:51:11,320
Speaker 10: it's not whack.

1120
00:51:11,440 --> 00:51:12,839
Speaker 2: So how do I yo?

1121
00:51:12,840 --> 00:51:14,919
Speaker 5: I don't want to be in the middle of your beef. Yeah,

1122
00:51:15,520 --> 00:51:17,200
Speaker 5: see to me, it's not that you really can you

1123
00:51:17,280 --> 00:51:18,719
Speaker 5: can't do it is.

1124
00:51:19,840 --> 00:51:23,840
Speaker 1: But the problem is if if you put somebody on

1125
00:51:23,920 --> 00:51:28,600
Speaker 1: the record and they dissed that person, you become a

1126
00:51:28,640 --> 00:51:30,680
Speaker 1: part of it. You become a part of it because

1127
00:51:30,719 --> 00:51:31,200
Speaker 1: you knew it.

1128
00:51:31,280 --> 00:51:32,759
Speaker 2: You mixed the record, you knew it.

1129
00:51:33,000 --> 00:51:35,640
Speaker 1: And especially so I was doing I was doing the

1130
00:51:37,080 --> 00:51:40,000
Speaker 1: I said this story before, I was doing the correct thing.

1131
00:51:40,400 --> 00:51:42,719
Speaker 1: So I actually cause she just puff on the record too,

1132
00:51:43,000 --> 00:51:45,839
Speaker 1: So I actually called puff and I was like cut out.

1133
00:51:45,960 --> 00:51:46,840
Speaker 2: I was like you puff?

1134
00:51:47,200 --> 00:51:50,680
Speaker 1: He's that, I said, So you don't want me to

1135
00:51:50,719 --> 00:51:53,280
Speaker 1: put the record out? He goes, nah, still get money, nigga,

1136
00:51:54,120 --> 00:51:55,319
Speaker 1: this nigga, it was raining.

1137
00:51:55,400 --> 00:52:02,680
Speaker 2: This is hard rain. Give it up. Y makes the ring.

1138
00:52:04,080 --> 00:52:06,560
Speaker 2: I don't think the camera guy's gonna say you listen.

1139
00:52:06,719 --> 00:52:08,919
Speaker 1: I want you to know we don't we we don't

1140
00:52:08,960 --> 00:52:11,800
Speaker 1: do things like this. We we can find audience and

1141
00:52:11,840 --> 00:52:14,920
Speaker 1: we go crazy. This is an audience we don't know.

1142
00:52:15,200 --> 00:52:19,239
Speaker 1: We expect y'all. Thank y'all for coming out. Feel like

1143
00:52:19,239 --> 00:52:20,080
Speaker 1: we gotta wrap it up.

1144
00:52:20,560 --> 00:52:24,160
Speaker 2: No, I got more time. I'm just saying the rains.

1145
00:52:26,480 --> 00:52:26,640
Speaker 8: Yo.

1146
00:52:26,880 --> 00:52:29,600
Speaker 1: I want to say everybody for coming, and we're gonna

1147
00:52:29,640 --> 00:52:31,840
Speaker 1: all do this again. But we want all y'all, individually

1148
00:52:31,880 --> 00:52:32,840
Speaker 1: by yourself for this.

1149
00:52:33,320 --> 00:52:39,319
Speaker 2: Sound all right? Sound right? You know what I mean?

1150
00:52:40,080 --> 00:52:40,480
Speaker 5: You're happy?

1151
00:52:41,160 --> 00:52:43,400
Speaker 1: Yeah, yeah, yeah, And we got mutual peoples that we

1152
00:52:43,440 --> 00:52:46,279
Speaker 1: got love for, so we're gonna keep this going. Man,

1153
00:52:46,360 --> 00:52:48,680
Speaker 1: drink chests, we got the bungalow. Okay, we're gonna keep

1154
00:52:48,719 --> 00:52:50,480
Speaker 1: it smoking in there, my man, come over here. You

1155
00:52:50,480 --> 00:52:52,839
Speaker 1: have a question, you said, some and you did it respectfully,

1156
00:52:52,960 --> 00:52:55,680
Speaker 1: and I acknowledge you hopefully, hopefully what you're about to say,

1157
00:52:55,800 --> 00:53:04,640
Speaker 1: some smash is some good ship ladies, ladies hip hop See.

1158
00:53:04,640 --> 00:53:06,200
Speaker 1: I knew what you were saying was smart. You did

1159
00:53:06,239 --> 00:53:08,520
Speaker 1: it respectful, I respect I looked at you out of

1160
00:53:08,560 --> 00:53:09,839
Speaker 1: I knew you was a real man.

1161
00:53:10,000 --> 00:53:10,520
Speaker 2: You know what I mean.

1162
00:53:10,600 --> 00:53:12,759
Speaker 1: Word it up. You gotta wrap it up right, all right? Cool,

1163
00:53:12,800 --> 00:53:15,239
Speaker 1: this is drink chance, motherfuckers. We got the bungalow. We're

1164
00:53:15,239 --> 00:53:17,400
Speaker 1: gonna smoke, We're gonna drink, and we're gonna chill. Just

1165
00:53:17,440 --> 00:53:18,920
Speaker 1: gonna get out because you.

1166
00:53:18,960 --> 00:53:25,640
Speaker 2: Were ladies and ladies, and make sure you get your listen.

1167
00:53:25,719 --> 00:53:27,920
Speaker 1: We with ladies and ladies care about their hair. You

1168
00:53:27,920 --> 00:53:28,520
Speaker 1: know how that goes.

1169
00:53:28,800 --> 00:53:35,279
Speaker 2: So you thanks no, thank you, thank you yall